1 00:00:01,639 --> 00:00:01,800 Speaker 1: Hi. 2 00:00:02,200 --> 00:00:05,000 Speaker 2: I'm Kristin Davis, and I want to know, are you 3 00:00:05,040 --> 00:00:07,680 Speaker 2: a Charlotte? Hi? 4 00:00:09,400 --> 00:00:09,600 Speaker 1: Hi? 5 00:00:10,640 --> 00:00:11,119 Speaker 3: How are you? 6 00:00:11,960 --> 00:00:14,320 Speaker 1: I'm great? How are you? You know? 7 00:00:14,480 --> 00:00:15,080 Speaker 3: Pretty good? 8 00:00:15,240 --> 00:00:17,480 Speaker 2: I mean hanging in there, rolling with it, you know, 9 00:00:18,160 --> 00:00:18,840 Speaker 2: looking back. 10 00:00:18,920 --> 00:00:20,000 Speaker 3: It's super interesting. 11 00:00:20,079 --> 00:00:22,000 Speaker 2: And this is partly what I was thinking about with 12 00:00:22,040 --> 00:00:24,760 Speaker 2: your book as well, because obviously, I mean, we're here 13 00:00:24,800 --> 00:00:25,560 Speaker 2: to talk about the show. 14 00:00:25,600 --> 00:00:26,639 Speaker 3: We will talk about the show. 15 00:00:26,840 --> 00:00:30,560 Speaker 2: But I love that people that I grew up with 16 00:00:30,720 --> 00:00:33,560 Speaker 2: watching like yourself and also have gotten to meet over 17 00:00:33,600 --> 00:00:37,680 Speaker 2: the years and admired, are now writing about their lives 18 00:00:38,000 --> 00:00:42,159 Speaker 2: in such an interesting way of like all the changes 19 00:00:42,200 --> 00:00:44,800 Speaker 2: that have happened culturally, and how you've kind of been 20 00:00:44,880 --> 00:00:47,360 Speaker 2: right there for a lot of it. And I think 21 00:00:47,360 --> 00:00:49,760 Speaker 2: it's such a gift. And how was the experience of 22 00:00:50,120 --> 00:00:52,320 Speaker 2: looking back, you know? 23 00:00:52,520 --> 00:00:57,080 Speaker 1: It was? It was a really interesting experience. I have 24 00:00:57,240 --> 00:01:03,240 Speaker 1: kept journals for the past, like fifty years, smart and 25 00:01:04,040 --> 00:01:08,160 Speaker 1: sometimes it's just drawings on the pages. Sometimes it's things 26 00:01:08,200 --> 00:01:11,240 Speaker 1: that I glue in there, you know, souvenirs, ticket stubs 27 00:01:11,319 --> 00:01:18,640 Speaker 1: and leaves and whatever. But then it really guided me 28 00:01:18,840 --> 00:01:22,120 Speaker 1: for the book because I came across the journals and 29 00:01:22,160 --> 00:01:25,280 Speaker 1: I started reading, going wow, you know, I really have 30 00:01:25,440 --> 00:01:29,200 Speaker 1: had a lot of adventures, and whenever I tell my 31 00:01:29,360 --> 00:01:33,640 Speaker 1: adventure stories, people always say, you got to write a book. 32 00:01:33,680 --> 00:01:39,000 Speaker 1: So I started writing the book, and I quickly discovered 33 00:01:39,040 --> 00:01:44,640 Speaker 1: that some chapters I really didn't want to write about. Yeah, 34 00:01:44,720 --> 00:01:48,120 Speaker 1: but you know, those are the chapters I think that 35 00:01:50,240 --> 00:01:54,160 Speaker 1: my publishers were most interested. Of course, you know, I 36 00:01:54,200 --> 00:01:59,360 Speaker 1: love the daring do adventures and all of that, but 37 00:01:59,360 --> 00:02:02,680 Speaker 1: they're like, no, to know, people will relate because people 38 00:02:02,760 --> 00:02:05,680 Speaker 1: go through divorces and people go through all of that, 39 00:02:05,800 --> 00:02:09,679 Speaker 1: and it has to be relatable. And if you're going 40 00:02:09,720 --> 00:02:14,799 Speaker 1: to give the fun adventures and some of the stuff 41 00:02:14,840 --> 00:02:18,560 Speaker 1: that modeling has afforded me, you know, you also have 42 00:02:18,639 --> 00:02:23,040 Speaker 1: to say it's not always only the good stuff. 43 00:02:23,280 --> 00:02:23,919 Speaker 3: Absolutely. 44 00:02:23,919 --> 00:02:30,440 Speaker 1: Life is a series of moments, and if you're going 45 00:02:30,480 --> 00:02:32,399 Speaker 1: to write a book, you kind of have to give 46 00:02:32,480 --> 00:02:36,840 Speaker 1: the good and the bad, you know, the beautiful, the ugly, 47 00:02:37,000 --> 00:02:39,000 Speaker 1: the whole thing, worts and all. 48 00:02:39,120 --> 00:02:41,480 Speaker 2: So I mean, this is life, this is like and 49 00:02:41,600 --> 00:02:44,160 Speaker 2: it's life, whether you might be one of the most 50 00:02:44,200 --> 00:02:46,280 Speaker 2: beautiful women women in the world or not. 51 00:02:46,480 --> 00:02:47,240 Speaker 3: You know what I'm saying. 52 00:02:47,320 --> 00:02:51,120 Speaker 2: I think that's also just such a really fascinating and 53 00:02:51,520 --> 00:02:52,200 Speaker 2: powerful thing. 54 00:02:52,240 --> 00:02:53,239 Speaker 3: But I also feel. 55 00:02:53,280 --> 00:02:56,400 Speaker 2: What I take from it is that you know, you 56 00:02:56,560 --> 00:02:59,480 Speaker 2: have been through so much and yet you still do 57 00:02:59,639 --> 00:03:03,720 Speaker 2: have this kind of beautiful, hopeful, you know, love of 58 00:03:03,760 --> 00:03:07,360 Speaker 2: adventure and openness, and that's what I admire so much. 59 00:03:07,800 --> 00:03:09,440 Speaker 1: Oh, thank you, And. 60 00:03:09,520 --> 00:03:10,600 Speaker 3: I feel like that's a gift. 61 00:03:11,000 --> 00:03:14,880 Speaker 1: That's something that that I admire in your character. 62 00:03:15,600 --> 00:03:18,720 Speaker 3: It's very related, really, it really is. 63 00:03:18,919 --> 00:03:20,680 Speaker 2: I don't even really have to ask you if you're 64 00:03:20,800 --> 00:03:22,560 Speaker 2: Charlotte because I kind of think I know. 65 00:03:23,720 --> 00:03:28,200 Speaker 1: I mean, I you know, my daughters, my daughters and 66 00:03:28,280 --> 00:03:30,840 Speaker 1: I have this on twenty four to seven. I know. 67 00:03:31,919 --> 00:03:35,840 Speaker 1: It's like it's like comfort food, you know, a world 68 00:03:36,120 --> 00:03:39,040 Speaker 1: so crazy. Yeah, we can put on an episode of 69 00:03:39,080 --> 00:03:43,920 Speaker 1: Sex in the City and the music wakes up and 70 00:03:43,960 --> 00:03:48,680 Speaker 1: then it's like being with all friends. Yeah, it really 71 00:03:48,800 --> 00:03:52,200 Speaker 1: is something that we really enjoy together. And we're always saying, 72 00:03:52,760 --> 00:03:55,640 Speaker 1: I don't know, I think I'm, I think I'm This 73 00:03:55,840 --> 00:03:59,560 Speaker 1: summer that you know, just does it shake your mind? Yeah, 74 00:04:00,160 --> 00:04:03,200 Speaker 1: staying you know, I think I've been a little bit 75 00:04:03,240 --> 00:04:06,720 Speaker 1: of everybody. Oh you know. Wow. 76 00:04:07,120 --> 00:04:10,080 Speaker 2: Okay, Well we'll get to maybe more of that later 77 00:04:10,200 --> 00:04:12,960 Speaker 2: as we go through the episode. That's an interesting answer, 78 00:04:13,040 --> 00:04:15,880 Speaker 2: Chris Dad would not would have one. I would have 79 00:04:15,920 --> 00:04:19,360 Speaker 2: anticipated you saying, very interesting, Okay, I like it. 80 00:04:19,400 --> 00:04:21,720 Speaker 3: I like it. I feel like too. 81 00:04:21,800 --> 00:04:24,560 Speaker 2: It's It's one of those things for me where I 82 00:04:24,640 --> 00:04:28,200 Speaker 2: didn't really ever rewatch until I started the podcast because 83 00:04:28,200 --> 00:04:29,880 Speaker 2: I just felt like, I don't want to live in 84 00:04:29,880 --> 00:04:30,360 Speaker 2: the past. 85 00:04:30,400 --> 00:04:30,560 Speaker 1: You know. 86 00:04:31,000 --> 00:04:32,159 Speaker 3: It was such a mixed thing. 87 00:04:32,640 --> 00:04:35,680 Speaker 2: But on the other hand, and I hadn't seen the 88 00:04:35,720 --> 00:04:37,920 Speaker 2: episodes since we made them, and they would send them 89 00:04:37,960 --> 00:04:40,240 Speaker 2: on the VHS tape and we'd run home and watch them. 90 00:04:40,400 --> 00:04:42,560 Speaker 2: And I wouldn't really watch them on HBO at the 91 00:04:42,600 --> 00:04:45,159 Speaker 2: time either, because you know, I was living my life 92 00:04:45,160 --> 00:04:47,760 Speaker 2: and enjoying everyone else saying, you know, but this is 93 00:04:47,760 --> 00:04:49,560 Speaker 2: back in the day where we talked about it rather 94 00:04:49,600 --> 00:04:52,800 Speaker 2: than writing about it online of course. And I just 95 00:04:52,839 --> 00:04:55,240 Speaker 2: love to see hear the reaction, you know, the next 96 00:04:55,279 --> 00:04:58,160 Speaker 2: week or whatever, and now to look back on it 97 00:04:58,440 --> 00:05:01,120 Speaker 2: because so many people are now seeing it from Netflix 98 00:05:01,200 --> 00:05:04,440 Speaker 2: and rewatching it and telling me what you. 99 00:05:04,320 --> 00:05:06,840 Speaker 1: Just said, people watching it with their kids. 100 00:05:06,680 --> 00:05:11,960 Speaker 2: Yes, which you know, yeah, mind boggling, mind boggling, Like 101 00:05:12,040 --> 00:05:15,680 Speaker 2: we never would have dreamt this in a million hundred years. 102 00:05:15,800 --> 00:05:19,560 Speaker 2: But I love to hear the different generations and their 103 00:05:19,640 --> 00:05:23,719 Speaker 2: thoughts and feelings about the characters, about the bigger plot points, 104 00:05:24,000 --> 00:05:27,760 Speaker 2: which plot points or stories or themes still resonate. It's 105 00:05:27,800 --> 00:05:32,159 Speaker 2: super fascinating, but it is such a it's very kind 106 00:05:32,160 --> 00:05:36,680 Speaker 2: of therapeutic and interesting. Also, you know, I mean sometimes 107 00:05:36,720 --> 00:05:40,599 Speaker 2: I have unexpected feelings and sometimes I don't remember anything, 108 00:05:40,760 --> 00:05:43,000 Speaker 2: And there's parts of this particular episode, and I should 109 00:05:43,040 --> 00:05:46,640 Speaker 2: tell everyone we are rewatching the episode. It is two 110 00:05:46,720 --> 00:05:49,000 Speaker 2: o eight, so we're still in the second season. It 111 00:05:49,160 --> 00:05:56,600 Speaker 2: is The Man, the Myth the Viagra, a very mysterious 112 00:05:56,760 --> 00:06:00,920 Speaker 2: and loaded title, and it is directed by Victoria Hawkberg 113 00:06:01,360 --> 00:06:05,320 Speaker 2: and written by Michael Patrick King. And this one would 114 00:06:05,360 --> 00:06:08,200 Speaker 2: have been we would shoot two at a time, so 115 00:06:08,480 --> 00:06:10,679 Speaker 2: the last one that we watched was The Chicken Dance, 116 00:06:10,720 --> 00:06:13,919 Speaker 2: which Victoria also directed, so we would have been filming 117 00:06:13,920 --> 00:06:17,240 Speaker 2: them both simultaneously. And sometimes I find that I remember 118 00:06:17,360 --> 00:06:20,560 Speaker 2: one plot more than the other plot, you know, because 119 00:06:20,600 --> 00:06:23,400 Speaker 2: you're just so like overwhelmed basically in the moment. And 120 00:06:23,440 --> 00:06:26,320 Speaker 2: obviously it was a while ago, and we were always 121 00:06:26,400 --> 00:06:31,160 Speaker 2: up all night and you know, semi delirious. So let 122 00:06:31,200 --> 00:06:33,680 Speaker 2: me ask you too, I'd love to hear like when 123 00:06:33,839 --> 00:06:36,479 Speaker 2: we were doing this show in the beginning, which would 124 00:06:36,480 --> 00:06:39,479 Speaker 2: have been. You know, ninety seven is the pilot ninety eight? 125 00:06:40,080 --> 00:06:43,280 Speaker 2: Where were you were you watching? What were your thoughts? 126 00:06:43,600 --> 00:06:48,200 Speaker 1: Okay, well, also I just have to mention, you know 127 00:06:48,320 --> 00:06:54,400 Speaker 1: the scene where mister Big sings, Yes, so I love that. 128 00:06:54,760 --> 00:06:58,400 Speaker 1: I was surprised he's got like a real Frank Sinatra voice. 129 00:06:58,560 --> 00:06:59,840 Speaker 3: Totally agree. 130 00:07:00,040 --> 00:07:04,160 Speaker 1: I just love that scene. But I think that that 131 00:07:04,440 --> 00:07:08,720 Speaker 1: was across the street from the Ambassador Theater where I 132 00:07:08,760 --> 00:07:09,960 Speaker 1: played Roxy Heart. 133 00:07:10,080 --> 00:07:15,840 Speaker 2: I think you're right, Oh my god, incredibles, like, oh 134 00:07:15,920 --> 00:07:19,240 Speaker 2: my god, that's the restaurant across the street. I think 135 00:07:19,280 --> 00:07:23,640 Speaker 2: you're absolutely right. Yes, yes, yes, yes, that's a good one. 136 00:07:23,720 --> 00:07:25,800 Speaker 2: That's a good one. It is one of those things 137 00:07:25,840 --> 00:07:28,440 Speaker 2: too where I do have so many thoughts and feelings 138 00:07:28,480 --> 00:07:30,840 Speaker 2: and memories about all the locations because of course, and 139 00:07:30,960 --> 00:07:33,440 Speaker 2: we were around and there, and we were always trying 140 00:07:33,440 --> 00:07:36,240 Speaker 2: to film somewhere that was familiar to us and or 141 00:07:36,400 --> 00:07:40,120 Speaker 2: the moment, you know, the restaurant of the moment or 142 00:07:40,160 --> 00:07:40,600 Speaker 2: whatever it was. 143 00:07:40,640 --> 00:07:42,280 Speaker 3: But I think that, in particular. 144 00:07:41,920 --> 00:07:47,160 Speaker 2: Was Chris's special place that he obviously yes, yes, yes, they. 145 00:07:47,080 --> 00:07:49,400 Speaker 1: Really do do the singing, and I bet he really 146 00:07:49,680 --> 00:07:50,040 Speaker 1: is a. 147 00:07:50,040 --> 00:07:54,480 Speaker 2: Regular yes, yes, yes, yes, which is incredible. 148 00:07:54,520 --> 00:07:56,080 Speaker 3: Okay, so where you were in New York. 149 00:07:56,240 --> 00:07:58,600 Speaker 1: I'm trying to think of what year was that. 150 00:07:58,960 --> 00:08:02,040 Speaker 2: Ninety seven, the pilot, ninety eight we came on the air. 151 00:08:02,480 --> 00:08:08,080 Speaker 1: Okay, ninety seven, Okay, so that was I think Sailor. 152 00:08:08,280 --> 00:08:11,360 Speaker 1: Let's see, Sailor was born in ninety eight. 153 00:08:11,600 --> 00:08:16,920 Speaker 2: Oh my gosh, amazing, amazing, that's what you were doing. 154 00:08:17,520 --> 00:08:25,360 Speaker 1: Yeah, so ninety seven, I was actually just fresh out 155 00:08:25,360 --> 00:08:29,760 Speaker 1: of one divorce and just rushing into another marriage. 156 00:08:29,880 --> 00:08:33,520 Speaker 2: Got it, got it, got it. 157 00:08:32,320 --> 00:08:34,800 Speaker 1: Didn't take time to learn the lesson. 158 00:08:35,400 --> 00:08:39,359 Speaker 3: You're human, babe, It's okay. 159 00:08:37,800 --> 00:08:44,160 Speaker 1: And then you know, a year later, there's Sailor right now. 160 00:08:44,360 --> 00:08:48,360 Speaker 2: Was yeah, right, A lot going on, A lot going 161 00:08:48,360 --> 00:08:49,720 Speaker 2: on in Christy's life back then. 162 00:08:49,800 --> 00:08:50,800 Speaker 3: I love it. I love it. 163 00:08:50,880 --> 00:08:53,960 Speaker 2: And when do you ever remember did you already have 164 00:08:54,040 --> 00:08:55,600 Speaker 2: your house at the beach at that point? 165 00:08:56,320 --> 00:09:01,640 Speaker 1: At that point I had. I had moved lock stock 166 00:09:01,760 --> 00:09:08,480 Speaker 1: and barrel from the Hamptons to Colorado. All my stuff 167 00:09:08,640 --> 00:09:13,760 Speaker 1: was still in Colorado. So when I came back, my 168 00:09:13,840 --> 00:09:19,600 Speaker 1: apartment in the city was empty in summertime, and so 169 00:09:20,440 --> 00:09:23,120 Speaker 1: I wanted to look like despite the fact that my 170 00:09:23,160 --> 00:09:27,760 Speaker 1: life was in shambles and I had a brand new 171 00:09:28,440 --> 00:09:35,200 Speaker 1: baby boy. I was like thinking because see Jack was 172 00:09:35,240 --> 00:09:38,880 Speaker 1: so Jack was born in ninety five, Sailor was born 173 00:09:38,920 --> 00:09:39,439 Speaker 1: in nine. Got it? 174 00:09:39,920 --> 00:09:42,360 Speaker 3: Got it? Okay, this is around. 175 00:09:42,120 --> 00:09:46,160 Speaker 1: This time of like crazyness in my life. 176 00:09:46,200 --> 00:09:46,400 Speaker 4: Yeah. 177 00:09:46,559 --> 00:09:47,319 Speaker 3: Yeah, that's a. 178 00:09:47,280 --> 00:09:49,280 Speaker 1: Lot chapters that were hard to write. 179 00:09:49,559 --> 00:09:50,280 Speaker 3: I understand. 180 00:09:50,320 --> 00:09:54,240 Speaker 2: I understand, totally, totally, totally. I'm just wondering, like, were 181 00:09:54,280 --> 00:09:58,480 Speaker 2: you Were you aware of us so much then or 182 00:09:58,520 --> 00:10:00,800 Speaker 2: was it later when you were settled out out in 183 00:10:00,840 --> 00:10:01,400 Speaker 2: the Hampton's. 184 00:10:01,840 --> 00:10:04,400 Speaker 1: Oh I was aware. I mean, you know, when you 185 00:10:04,440 --> 00:10:07,160 Speaker 1: guys came on the scene, it was quite a big splash. 186 00:10:07,720 --> 00:10:11,040 Speaker 1: Everybody knew and everybody was talking about it. But I 187 00:10:11,080 --> 00:10:14,480 Speaker 1: didn't have time to watch a lot of TV, so 188 00:10:14,640 --> 00:10:17,400 Speaker 1: I was very aware, and I was aware of all 189 00:10:17,480 --> 00:10:21,560 Speaker 1: of you and the clothes and the looks and all 190 00:10:21,679 --> 00:10:29,880 Speaker 1: of all of that. But probably really when I think, 191 00:10:29,880 --> 00:10:35,240 Speaker 1: it was during quarantine that I really yes, no really, 192 00:10:35,640 --> 00:10:39,840 Speaker 1: because I really really I wasn't watching a ton of TV. 193 00:10:40,160 --> 00:10:45,080 Speaker 4: And yeah, yeah, I understand, but I during quarantine I 194 00:10:45,160 --> 00:10:51,040 Speaker 4: learned about streaming things and we would just like binge 195 00:10:51,120 --> 00:10:52,600 Speaker 4: watch oh got it. 196 00:10:54,000 --> 00:10:58,319 Speaker 1: And uh, and it was so great to look forward 197 00:10:58,360 --> 00:11:01,720 Speaker 1: to another session the next day. 198 00:11:01,960 --> 00:11:03,080 Speaker 3: Yeah. 199 00:11:03,600 --> 00:11:08,640 Speaker 2: So you're relatively recent interesting, So you have met all 200 00:11:08,679 --> 00:11:12,320 Speaker 2: of us, I assume over the years and like known 201 00:11:12,440 --> 00:11:14,199 Speaker 2: us without having seen the show. 202 00:11:14,920 --> 00:11:18,040 Speaker 3: Yes, wow, okay, so fascinating. 203 00:11:18,080 --> 00:11:19,760 Speaker 1: I've seen the show, but not. 204 00:11:20,280 --> 00:11:22,920 Speaker 3: In the Secrets in the got. 205 00:11:22,760 --> 00:11:25,640 Speaker 1: It really into it the way and especially with two 206 00:11:25,640 --> 00:11:29,520 Speaker 1: girls on each side and our their opinions and write 207 00:11:29,800 --> 00:11:35,920 Speaker 1: all of that. It was really amazing to watch. I'm 208 00:11:35,960 --> 00:11:38,480 Speaker 1: super interested. I bumped in. I always have to tell 209 00:11:38,920 --> 00:11:42,319 Speaker 1: every every one of you, like I bumped into Cynthia 210 00:11:42,559 --> 00:11:46,200 Speaker 1: at a screening in the Hamptons. I was like, you 211 00:11:46,400 --> 00:11:52,600 Speaker 1: cannot believe your show is on all the time, you know, 212 00:11:52,760 --> 00:11:58,880 Speaker 1: and go through it and yeah, and recently I was. I. 213 00:11:59,160 --> 00:12:03,520 Speaker 1: I also saw Sarah Jessica over the summer. She had 214 00:12:04,320 --> 00:12:10,320 Speaker 1: her house right, really smart political kind of event that 215 00:12:11,400 --> 00:12:13,800 Speaker 1: I wished I'd had time to get more involved with. 216 00:12:13,960 --> 00:12:19,280 Speaker 1: But anyway, and again I had to go, even though 217 00:12:19,320 --> 00:12:23,760 Speaker 1: I was at the the opening also of and just. 218 00:12:23,760 --> 00:12:26,160 Speaker 3: Like that for me, I remember. 219 00:12:27,160 --> 00:12:29,640 Speaker 1: Sipping the cosmos and yeah. 220 00:12:29,720 --> 00:12:30,679 Speaker 3: Yeah, yeah, yeah. 221 00:12:30,720 --> 00:12:34,520 Speaker 2: I mean I feel like you've been around the whole time, really, 222 00:12:34,720 --> 00:12:36,760 Speaker 2: you know, because you're kind of a fixture in the 223 00:12:36,800 --> 00:12:39,679 Speaker 2: Hampton's in New York and you know, I was always 224 00:12:39,720 --> 00:12:41,199 Speaker 2: aware of you being around. 225 00:12:41,280 --> 00:12:44,880 Speaker 1: And yeah, Kim, I would bump into quite frequently in the. 226 00:12:44,840 --> 00:12:47,520 Speaker 3: Hampton's right right, she had a house out there, Kenneth. 227 00:12:47,720 --> 00:12:49,800 Speaker 1: I remember we bumped into each other. 228 00:12:49,640 --> 00:12:52,680 Speaker 3: And oh that's nice, it's good. So it's funny. 229 00:12:52,679 --> 00:12:55,480 Speaker 2: It's like you're you're kind of adjacent to the show 230 00:12:55,559 --> 00:12:58,840 Speaker 2: in my memory the whole time, you know, in terms 231 00:12:58,840 --> 00:13:02,280 Speaker 2: of New York and like friendly faces that we would see, 232 00:13:02,400 --> 00:13:05,200 Speaker 2: you know, supportive people that obviously I was aware of 233 00:13:05,240 --> 00:13:07,880 Speaker 2: my whole life because I was a huge fan. And 234 00:13:08,160 --> 00:13:10,280 Speaker 2: you know, I'll just say for any of the young 235 00:13:10,280 --> 00:13:12,319 Speaker 2: people listening, part of the reason that I was a 236 00:13:12,400 --> 00:13:14,120 Speaker 2: huge fan, which I think is important to say, is 237 00:13:14,120 --> 00:13:16,600 Speaker 2: that so Christy was this huge, huge model. She was 238 00:13:16,679 --> 00:13:19,839 Speaker 2: on Sports Illustrated and I can't remember the year, I 239 00:13:19,840 --> 00:13:21,920 Speaker 2: should look it up. But the thing that I loved 240 00:13:21,960 --> 00:13:26,440 Speaker 2: the most about you is that you had in terms 241 00:13:26,480 --> 00:13:31,440 Speaker 2: of the other presentation of models bodies, you had a womanly, 242 00:13:31,559 --> 00:13:35,640 Speaker 2: strong body, which as a young woman I really really 243 00:13:35,960 --> 00:13:39,000 Speaker 2: respected and appreciated. You were incredibly gorgeous, but you were 244 00:13:39,080 --> 00:13:44,440 Speaker 2: never like that twig looking you know, thing I. 245 00:13:44,440 --> 00:13:47,720 Speaker 1: Tried to have that look A couple of times, you know, 246 00:13:47,960 --> 00:13:48,800 Speaker 1: life's too. 247 00:13:48,760 --> 00:13:53,520 Speaker 2: Sure, absolutely, and you you gave that energy as well, 248 00:13:53,720 --> 00:13:57,560 Speaker 2: which was so important back then because nobody else was 249 00:13:58,000 --> 00:14:00,079 Speaker 2: you know, you were like the only one for a 250 00:14:00,200 --> 00:14:04,000 Speaker 2: long time who seemed like a real person who wanted 251 00:14:04,000 --> 00:14:07,480 Speaker 2: to live life and have fun and looked incredible, you know. 252 00:14:07,720 --> 00:14:10,640 Speaker 2: So it was like a powerful, powerful message to my 253 00:14:10,760 --> 00:14:15,720 Speaker 2: young self, which I really appreciate. Yes, so that you 254 00:14:15,800 --> 00:14:18,200 Speaker 2: had a special place in my mind because of that anyway, 255 00:14:18,360 --> 00:14:20,640 Speaker 2: you know, and then to see you around and you know, 256 00:14:20,680 --> 00:14:24,120 Speaker 2: it's just always very very cool, I thought, like very nice. 257 00:14:24,200 --> 00:14:26,640 Speaker 2: And also you were always so involved in so many 258 00:14:26,720 --> 00:14:30,240 Speaker 2: interesting things, you know, politically and like community wise, and 259 00:14:30,280 --> 00:14:44,360 Speaker 2: I really respect that of course. Also, yeah, let's talk 260 00:14:44,360 --> 00:14:48,440 Speaker 2: about the show. So this particular episode I didn't have 261 00:14:48,480 --> 00:14:51,120 Speaker 2: many memories of, but when I watched it, I was 262 00:14:52,000 --> 00:14:52,840 Speaker 2: really into it. 263 00:14:52,880 --> 00:14:54,520 Speaker 3: I think it's a great episode. 264 00:14:54,840 --> 00:14:59,680 Speaker 2: I was surprised also, especially by the big developments, you know. 265 00:14:59,720 --> 00:15:02,840 Speaker 2: I I think that one of the things I find 266 00:15:02,960 --> 00:15:06,200 Speaker 2: most interesting. And I wonder how your experience of watching 267 00:15:06,200 --> 00:15:09,840 Speaker 2: with your daughters is in terms of the big carry relationship. 268 00:15:10,160 --> 00:15:13,600 Speaker 2: The first season, I was kind of horrified looking back 269 00:15:13,640 --> 00:15:17,080 Speaker 2: on it. I hadn't really remembered that he was so 270 00:15:17,440 --> 00:15:21,640 Speaker 2: aloof and kind of not giving to her and open. 271 00:15:21,920 --> 00:15:25,520 Speaker 2: But I also feel like back then we were also 272 00:15:25,720 --> 00:15:26,680 Speaker 2: used to that as women. 273 00:15:28,560 --> 00:15:33,040 Speaker 1: Yeah. I mean it's funny because sometimes we look at 274 00:15:33,080 --> 00:15:37,560 Speaker 1: it and we go, you know, he seems very patient 275 00:15:37,880 --> 00:15:41,120 Speaker 1: with her, Yeah, and he's you know, he seems like 276 00:15:41,840 --> 00:15:45,040 Speaker 1: I mean, we kind of feel like he had a 277 00:15:45,120 --> 00:15:47,160 Speaker 1: worse rap than he actually was. 278 00:15:47,520 --> 00:15:50,280 Speaker 3: Okay, okay, yeah, and. 279 00:15:50,480 --> 00:15:55,440 Speaker 1: You know, and it seemed like Sarah Jessica, i mean Carrie, 280 00:15:55,720 --> 00:16:00,200 Speaker 1: uh huh, was con She seemed to be the one 281 00:16:00,240 --> 00:16:05,440 Speaker 1: that was trying to advance the relationship too quickly, you know, 282 00:16:05,960 --> 00:16:09,400 Speaker 1: get the key, get the leave something, you know, all 283 00:16:09,480 --> 00:16:14,000 Speaker 1: that happen, you know, like trying almost a little too 284 00:16:14,120 --> 00:16:15,560 Speaker 1: controlling of him. 285 00:16:15,720 --> 00:16:19,400 Speaker 2: Oh this is interesting, Okay, Okay, I. 286 00:16:19,280 --> 00:16:22,560 Speaker 1: Mean I felt like, I mean, it's great that she 287 00:16:22,680 --> 00:16:26,600 Speaker 1: speaks her mind and so what she needs. Yeah, but 288 00:16:26,920 --> 00:16:30,000 Speaker 1: also it seemed like when they would be having a 289 00:16:30,000 --> 00:16:33,560 Speaker 1: fine time, that she was making it into a problem. 290 00:16:34,400 --> 00:16:40,160 Speaker 2: WHOA, Okay, thank you Christy. This is super interesting. My 291 00:16:40,400 --> 00:16:44,600 Speaker 2: problem is that because I was in it, right, I 292 00:16:44,720 --> 00:16:47,880 Speaker 2: never thought about these things objectively at all, And now 293 00:16:47,920 --> 00:16:50,560 Speaker 2: looking back on it, I have so many different feelings 294 00:16:50,600 --> 00:16:53,520 Speaker 2: all the time. Like also because I know her, and 295 00:16:53,560 --> 00:16:56,440 Speaker 2: it's so hard to separate the people from the characters 296 00:16:56,720 --> 00:16:59,280 Speaker 2: even when you know them, because they're so vivid on 297 00:16:59,320 --> 00:17:03,320 Speaker 2: the screen so great, right, So you know, in the 298 00:17:03,400 --> 00:17:07,240 Speaker 2: first season there were more more times where I felt 299 00:17:07,240 --> 00:17:10,280 Speaker 2: like she is kind of asking for more. And yes, 300 00:17:10,400 --> 00:17:14,280 Speaker 2: sometimes it does seem like it comes somewhat out of 301 00:17:14,320 --> 00:17:17,360 Speaker 2: the blue, but I think that's because Carrie is very 302 00:17:17,400 --> 00:17:20,600 Speaker 2: complex and she has a lot going on, right, so, like, 303 00:17:20,720 --> 00:17:23,520 Speaker 2: and she's holding it in, Like in this particular episode, 304 00:17:23,520 --> 00:17:25,719 Speaker 2: she's holding in that she doesn't like him looking at 305 00:17:25,720 --> 00:17:28,439 Speaker 2: these other women. And they do discuss that this was 306 00:17:28,520 --> 00:17:30,600 Speaker 2: very common, and they show all these other you know, 307 00:17:30,680 --> 00:17:32,960 Speaker 2: people on the street looking at other women, and obviously 308 00:17:33,080 --> 00:17:35,119 Speaker 2: we begin the show with all the beautiful women in 309 00:17:35,160 --> 00:17:39,000 Speaker 2: New York, which is one hundred percent true. So I mean, 310 00:17:39,080 --> 00:17:41,000 Speaker 2: and I also feel back then you just didn't think 311 00:17:41,000 --> 00:17:43,879 Speaker 2: twice about this. This was just the way life was 312 00:17:44,000 --> 00:17:46,639 Speaker 2: or whatever. And I think Samantha also has a line 313 00:17:46,640 --> 00:17:48,560 Speaker 2: that she kind of has a theme going on where 314 00:17:48,560 --> 00:17:51,760 Speaker 2: she's like, that's just their biology, that's just who they are, 315 00:17:51,920 --> 00:17:54,840 Speaker 2: you know, men are like that. Like she's always saying that, 316 00:17:54,920 --> 00:17:57,920 Speaker 2: which I find interesting because she kind of I feel 317 00:17:57,960 --> 00:18:02,240 Speaker 2: like Samantha is like her her frame that she sees 318 00:18:02,280 --> 00:18:05,840 Speaker 2: the world in is like primitive. You know what I'm saying, 319 00:18:05,920 --> 00:18:09,040 Speaker 2: Like primitive, and I'm going to be primitive and they're 320 00:18:09,080 --> 00:18:11,840 Speaker 2: going to be primitive, and I'm not going to expect more, right, 321 00:18:12,160 --> 00:18:13,280 Speaker 2: which is interesting. 322 00:18:13,920 --> 00:18:15,160 Speaker 3: But then with Carrie, I feel. 323 00:18:15,000 --> 00:18:16,760 Speaker 2: Like she does hold it in so when it comes 324 00:18:16,760 --> 00:18:19,720 Speaker 2: out is coming out of these kind of weird times 325 00:18:19,920 --> 00:18:23,480 Speaker 2: where everything kind of does seem good. But she's kept 326 00:18:23,520 --> 00:18:27,360 Speaker 2: so much in and I so relate to that, which has. 327 00:18:27,240 --> 00:18:32,240 Speaker 1: So many expectations that's true, supposed to be right, you're 328 00:18:32,280 --> 00:18:35,119 Speaker 1: so right, Like when in the scene when they're in 329 00:18:35,200 --> 00:18:40,600 Speaker 1: the Charming restaurant and he refers to her as his girlfriend, 330 00:18:41,000 --> 00:18:44,639 Speaker 1: Like that was like such a she was adorable in 331 00:18:44,680 --> 00:18:47,919 Speaker 1: that scene, so adorable. Oh, she managed to balance that 332 00:18:48,160 --> 00:18:51,879 Speaker 1: like the you know that she was living that her 333 00:18:51,960 --> 00:18:56,479 Speaker 1: dream come true at that moment. Yeah, and and she 334 00:18:57,520 --> 00:19:02,879 Speaker 1: but it's like that's important. She likes to define things. 335 00:19:02,920 --> 00:19:06,359 Speaker 1: She likes to have a name on it. Yes a key, 336 00:19:07,160 --> 00:19:11,119 Speaker 1: I'm the girlfriend and you're and you know, have put 337 00:19:11,200 --> 00:19:14,919 Speaker 1: put these boxes around you know, it's not as much freer, 338 00:19:15,119 --> 00:19:20,240 Speaker 1: like yes, like you know, she's ready to just live 339 00:19:20,280 --> 00:19:24,400 Speaker 1: and let live and true time for me, I'll take. 340 00:19:24,240 --> 00:19:27,560 Speaker 3: It right right, right, right right, which is great. 341 00:19:27,960 --> 00:19:31,680 Speaker 1: Yeah. So, but you know one thing that I didn't 342 00:19:31,720 --> 00:19:34,480 Speaker 1: get a chance to watch the episode recently, but I 343 00:19:34,560 --> 00:19:39,560 Speaker 1: just remembered when I saw the title. I remember one 344 00:19:39,600 --> 00:19:44,280 Speaker 1: thing that bothered me about the episode as a seventy 345 00:19:44,400 --> 00:19:45,840 Speaker 1: two year old woman. 346 00:19:46,680 --> 00:19:50,000 Speaker 3: Yes, the was how. 347 00:19:51,320 --> 00:19:58,600 Speaker 1: How that man's ass and I love so hard, like 348 00:19:59,240 --> 00:20:02,359 Speaker 1: just one limbs ruined everything for it. 349 00:20:02,520 --> 00:20:04,679 Speaker 3: I know, it's really a lot. 350 00:20:05,080 --> 00:20:14,280 Speaker 1: You know, everyone's ass is going to go south so harsh, you. 351 00:20:14,240 --> 00:20:17,359 Speaker 2: Know, yes, of course, Christy, You're absolutely right. I mean 352 00:20:17,440 --> 00:20:21,159 Speaker 2: I was also surprised because I do vaguely remember this 353 00:20:21,320 --> 00:20:25,440 Speaker 2: storyline and I remember there being stress about it, where 354 00:20:25,920 --> 00:20:29,760 Speaker 2: like I think that that's not that actor's real, actual 355 00:20:30,240 --> 00:20:35,359 Speaker 2: naked friend because he didn't look old enough whatever that meant, 356 00:20:35,680 --> 00:20:37,600 Speaker 2: because it had to be enough that it would send 357 00:20:37,640 --> 00:20:41,560 Speaker 2: Samantha running from this, you know, kind of whatever glamorous 358 00:20:42,119 --> 00:20:45,199 Speaker 2: thing that she thought it was going to be, And 359 00:20:45,240 --> 00:20:47,480 Speaker 2: I remember there being stressed about it, and I think 360 00:20:47,480 --> 00:20:49,960 Speaker 2: it was based on someone's story, which is something that 361 00:20:50,000 --> 00:20:53,280 Speaker 2: the writers all not our stories, the actors, but the writers' stories, 362 00:20:53,600 --> 00:20:57,280 Speaker 2: so I think they're also in the beginning, which in 363 00:20:57,359 --> 00:20:59,719 Speaker 2: my mind, the second season is still somewhat of us 364 00:20:59,760 --> 00:21:05,080 Speaker 2: fine ending ourselves, our legs, like our element of comedy 365 00:21:05,240 --> 00:21:06,160 Speaker 2: mixed in with. 366 00:21:06,080 --> 00:21:07,040 Speaker 3: The real you know. 367 00:21:07,640 --> 00:21:11,000 Speaker 2: So sometimes there was stress about going far enough that 368 00:21:11,080 --> 00:21:13,959 Speaker 2: it be funny. And when I saw it, I do 369 00:21:14,040 --> 00:21:16,800 Speaker 2: remember the stress, and then I was like, oh my god. 370 00:21:16,640 --> 00:21:18,920 Speaker 3: We went too far, Like, oh my god. 371 00:21:19,200 --> 00:21:21,840 Speaker 2: But also it is something that is not talked about, 372 00:21:22,080 --> 00:21:25,320 Speaker 2: which I think is so interesting, Like even still it's 373 00:21:25,400 --> 00:21:29,040 Speaker 2: not talked about, right, and we all are going to 374 00:21:29,160 --> 00:21:32,840 Speaker 2: age this. This is true, this is it right, So 375 00:21:32,920 --> 00:21:36,399 Speaker 2: like at some level we need to accept it and 376 00:21:37,359 --> 00:21:41,120 Speaker 2: you know, not shame it, which I hope we didn't 377 00:21:41,160 --> 00:21:42,840 Speaker 2: seem like we were doing. But I could see maybe 378 00:21:42,840 --> 00:21:43,560 Speaker 2: we went too far. 379 00:21:43,640 --> 00:21:47,280 Speaker 1: I felt like it was a little shaming, you know, 380 00:21:48,320 --> 00:21:52,280 Speaker 1: you know, because I feel like as a spokesperson for. 381 00:21:53,720 --> 00:21:57,480 Speaker 2: The agent, oh my god, Christy, you don't have to 382 00:21:57,520 --> 00:22:00,959 Speaker 2: take on the whole thing, baby, oh my gosh. 383 00:22:01,000 --> 00:22:03,400 Speaker 3: But okay, I love it that you're going to tell us. 384 00:22:03,880 --> 00:22:07,280 Speaker 1: I just I just feel like age is sort of 385 00:22:07,320 --> 00:22:11,800 Speaker 1: like that last Frontier in America that does need addressing, 386 00:22:12,520 --> 00:22:16,400 Speaker 1: but we have to be you know, kinder about it 387 00:22:16,520 --> 00:22:23,080 Speaker 1: because you know it too physical things shouldn't I mean, 388 00:22:23,119 --> 00:22:27,520 Speaker 1: I know that, you know, you can discuss that things 389 00:22:27,560 --> 00:22:31,040 Speaker 1: like that amongst girlfriends, and that's what the show was doing. 390 00:22:31,359 --> 00:22:37,879 Speaker 1: But it just felt like a little much. Huh. 391 00:22:38,000 --> 00:22:38,720 Speaker 3: I know what you mean. 392 00:22:39,240 --> 00:22:41,800 Speaker 2: I thought the same thing when it happened. I was like, whoa, 393 00:22:42,119 --> 00:22:45,960 Speaker 2: we went far. Oh my gosh, we went far. I mean, yes, 394 00:22:46,000 --> 00:22:49,320 Speaker 2: I think it's such a hard thing. And I think 395 00:22:49,359 --> 00:22:51,560 Speaker 2: about this now because of them, just like that. We 396 00:22:51,920 --> 00:22:55,280 Speaker 2: do deal with aging things and we get so much 397 00:22:55,359 --> 00:22:58,280 Speaker 2: flack about it. But when we came back to do 398 00:22:58,359 --> 00:23:01,639 Speaker 2: the show, it was the we wanted to do the show. 399 00:23:01,960 --> 00:23:05,880 Speaker 2: We thought, why shouldn't we still be telling these character stories. 400 00:23:06,200 --> 00:23:08,240 Speaker 2: Why aren't these stories interesting? 401 00:23:08,400 --> 00:23:12,720 Speaker 1: Maybe even if there was like a thing like okay, 402 00:23:12,800 --> 00:23:17,160 Speaker 1: but you know he is you know he Okay, there's that, 403 00:23:17,280 --> 00:23:20,240 Speaker 1: but he has other qualities. 404 00:23:20,200 --> 00:23:21,879 Speaker 3: That are absolutely right. 405 00:23:22,040 --> 00:23:22,560 Speaker 1: I don't know. 406 00:23:23,000 --> 00:23:25,480 Speaker 2: No, no, it was not I mean, and that's I 407 00:23:25,520 --> 00:23:27,560 Speaker 2: think back to the early days of the show too, 408 00:23:27,640 --> 00:23:31,400 Speaker 2: I don't think, because we were supposed to be a comedy, right, 409 00:23:31,560 --> 00:23:35,359 Speaker 2: and so we were always trying to center ourselves in 410 00:23:35,400 --> 00:23:37,520 Speaker 2: the comedy, and when you do look at this episode, 411 00:23:37,560 --> 00:23:39,800 Speaker 2: one of the things that did strike me also was 412 00:23:39,840 --> 00:23:43,760 Speaker 2: that we're definitely as a show feeling more confident about 413 00:23:44,119 --> 00:23:49,080 Speaker 2: really having the Carrie Bigs storyline have its ups and 414 00:23:49,160 --> 00:23:52,080 Speaker 2: downs and go to the drama as well, right, which 415 00:23:52,240 --> 00:23:55,040 Speaker 2: at the time, there weren't that many single camera shows 416 00:23:55,080 --> 00:23:57,280 Speaker 2: that were doing both, you know, like because we were 417 00:23:57,320 --> 00:23:59,960 Speaker 2: on HBO and we didn't have to think about advertisers, 418 00:24:00,119 --> 00:24:04,040 Speaker 2: that we were able to have that kind of range, right. 419 00:24:04,480 --> 00:24:06,679 Speaker 2: But I think that when they took the range to 420 00:24:06,760 --> 00:24:09,280 Speaker 2: go to the dramatic, I think from a writing side, 421 00:24:09,320 --> 00:24:12,399 Speaker 2: they also thought, oh, we have to equal that out 422 00:24:12,560 --> 00:24:15,399 Speaker 2: in the comedy, right, and so therefore they pushed that 423 00:24:15,520 --> 00:24:18,360 Speaker 2: too hard. And at the time, I'm sure we were 424 00:24:18,359 --> 00:24:22,399 Speaker 2: not sensitive to aging because we were in our thirties 425 00:24:22,480 --> 00:24:24,520 Speaker 2: or whenever we were, you know what I'm saying. So 426 00:24:25,280 --> 00:24:27,760 Speaker 2: I see, I can see how it played out. But 427 00:24:28,119 --> 00:24:31,520 Speaker 2: I absolutely think that, you know, I think it is, 428 00:24:31,600 --> 00:24:34,600 Speaker 2: as you said, kind of the last frontier, Like we 429 00:24:34,840 --> 00:24:39,000 Speaker 2: are dealing with you know, sexism, we are dealing with racism, 430 00:24:39,080 --> 00:24:41,280 Speaker 2: We are dealing with all the different things, and agism 431 00:24:41,359 --> 00:24:44,160 Speaker 2: kind of just gets like, oh no, don't talk about that, 432 00:24:44,600 --> 00:24:46,320 Speaker 2: you know what I mean, Like it's interesting, but yeah, 433 00:24:46,440 --> 00:24:48,840 Speaker 2: on the other hand, there's this hunger to talk about it. 434 00:24:49,200 --> 00:24:50,600 Speaker 3: Yeah, do you feel that? 435 00:24:51,160 --> 00:24:56,879 Speaker 1: And also, you know, maybe maybe shouldn't have been dating 436 00:24:56,920 --> 00:25:01,080 Speaker 1: somebody so young, and that's why they talk about it, 437 00:25:01,160 --> 00:25:03,879 Speaker 1: because maybe if he was dating somebody his own. 438 00:25:03,800 --> 00:25:06,240 Speaker 3: Age a good point. 439 00:25:06,240 --> 00:25:11,040 Speaker 1: Yeah, then it wouldn't have you know, been an issue. 440 00:25:11,240 --> 00:25:15,640 Speaker 2: Absolutely absolutely. Do you still follow Candace Bushnel? Candace who 441 00:25:15,760 --> 00:25:18,199 Speaker 2: you know, Origina And she lives out out of the 442 00:25:18,200 --> 00:25:20,680 Speaker 2: beach too, And I had her on and she had 443 00:25:20,760 --> 00:25:23,600 Speaker 2: so many facts and figures about you know, she's still 444 00:25:23,680 --> 00:25:26,880 Speaker 2: carry obviously like doing her work right, So she had 445 00:25:26,960 --> 00:25:29,920 Speaker 2: numbers she could tell you, like, you know, women over 446 00:25:30,119 --> 00:25:32,919 Speaker 2: fifty or this amount of dating and women over sixty. 447 00:25:33,200 --> 00:25:35,639 Speaker 2: And then she wrote this whole article about being on 448 00:25:35,800 --> 00:25:38,440 Speaker 2: Riah and being you know, is she's. 449 00:25:38,400 --> 00:25:39,520 Speaker 1: Dating in the Hampton's. 450 00:25:39,840 --> 00:25:43,480 Speaker 3: Yes, it was so good but also so terrifying. 451 00:25:43,960 --> 00:25:47,399 Speaker 2: Yeah, Like it was fascinating because the men, you know, 452 00:25:47,600 --> 00:25:52,159 Speaker 2: like there's kind of this really extreme dichotomy between the 453 00:25:52,240 --> 00:25:55,480 Speaker 2: men who are the same age and the women who 454 00:25:55,480 --> 00:25:59,680 Speaker 2: are the same age. And the women look fantastic, Yeah, 455 00:26:00,200 --> 00:26:02,600 Speaker 2: yet the men who are that age. Don't want those women? 456 00:26:03,200 --> 00:26:05,560 Speaker 3: Yeah, I mean, what are we going to do? 457 00:26:06,280 --> 00:26:10,359 Speaker 1: I know, I know it's very I'm not on any 458 00:26:10,440 --> 00:26:13,440 Speaker 1: kind of dating app like that. But my daughter's Sailor. 459 00:26:14,320 --> 00:26:18,640 Speaker 1: She's so mischievous. She created she wanted to see what 460 00:26:18,760 --> 00:26:21,600 Speaker 1: kind of guys and she put like for like an 461 00:26:21,640 --> 00:26:25,560 Speaker 1: hour something. She put me up there with a name, 462 00:26:26,359 --> 00:26:29,679 Speaker 1: and she said, Mom, you're right not to go on 463 00:26:29,760 --> 00:26:35,040 Speaker 1: it because the same guys that you know said yes 464 00:26:35,080 --> 00:26:39,760 Speaker 1: to me, saying yes to you like it was no. 465 00:26:40,520 --> 00:26:43,440 Speaker 3: Yeah, oh I love this experiment. 466 00:26:44,280 --> 00:26:52,760 Speaker 2: Yeah, wow, smart Sailor, that is a really fascinating, fascinating 467 00:26:52,800 --> 00:26:56,080 Speaker 2: little experiment. I'm kind of scared and awed by the 468 00:26:56,119 --> 00:27:00,280 Speaker 2: whole situation that that has kind of evolved in the 469 00:27:00,400 --> 00:27:04,359 Speaker 2: dating world, and I don't I don't understand it, but 470 00:27:04,400 --> 00:27:06,040 Speaker 2: I would like to understand it better. 471 00:27:06,680 --> 00:27:09,600 Speaker 3: But not for me just in general. I think, like 472 00:27:09,680 --> 00:27:11,320 Speaker 3: culturally it's really fascinating. 473 00:27:11,560 --> 00:27:15,960 Speaker 2: But I have incredibly beautiful friends who are on there, 474 00:27:16,480 --> 00:27:20,879 Speaker 2: and they're over fifty and nobody and these are incredible 475 00:27:20,880 --> 00:27:23,240 Speaker 2: women who own their own houses. 476 00:27:22,880 --> 00:27:25,160 Speaker 3: And have these incredible careers and travel the. 477 00:27:25,080 --> 00:27:27,560 Speaker 2: World and like, to me, all the things that I 478 00:27:27,600 --> 00:27:31,000 Speaker 2: ever wanted to be you know, everything, Like their kids 479 00:27:31,000 --> 00:27:33,800 Speaker 2: are grown, they're you know, they have accomplished so much, 480 00:27:34,280 --> 00:27:37,480 Speaker 2: yet the men their age are absolutely not looking for them. 481 00:27:37,960 --> 00:27:40,439 Speaker 3: Yeah, how can we still be at this place? 482 00:27:41,400 --> 00:27:46,280 Speaker 1: I think that what I find that what men like 483 00:27:46,440 --> 00:27:51,800 Speaker 1: to do is sort of be able to find somebody 484 00:27:51,840 --> 00:27:56,040 Speaker 1: that's very oh, that'll be impressed by every little thing 485 00:27:56,160 --> 00:28:00,919 Speaker 1: that they do, like, oh really, oh, you're taking me 486 00:28:01,080 --> 00:28:03,200 Speaker 1: to that restaurant. 487 00:28:06,119 --> 00:28:10,720 Speaker 3: I love your imitation. That's great and perfect. 488 00:28:10,760 --> 00:28:12,640 Speaker 2: And I do think I think there are a lot 489 00:28:12,760 --> 00:28:15,840 Speaker 2: of elements of this that are still true and that 490 00:28:15,880 --> 00:28:18,160 Speaker 2: would have been true when we originally were making the show, 491 00:28:18,280 --> 00:28:20,199 Speaker 2: you know, so like that's one of the things that 492 00:28:20,240 --> 00:28:22,960 Speaker 2: I also think is interesting about Samantha with that man. 493 00:28:23,359 --> 00:28:27,880 Speaker 2: That guy is so charming, you know, like as an actor, 494 00:28:28,200 --> 00:28:34,000 Speaker 2: he's so like his energy is so alive and interesting 495 00:28:34,080 --> 00:28:37,240 Speaker 2: that I can completely see why Samantha in that scene 496 00:28:37,560 --> 00:28:40,200 Speaker 2: would think like, oh, yes, maybe because obviously we know 497 00:28:40,240 --> 00:28:42,280 Speaker 2: her to be going out with younger men largely right, 498 00:28:42,400 --> 00:28:45,600 Speaker 2: or her own age or whatever like whomever. Right, But 499 00:28:45,720 --> 00:28:49,600 Speaker 2: he's got like a very vivacious kind of you know, 500 00:28:50,360 --> 00:28:54,320 Speaker 2: energetics and fun and funny and all the things. And 501 00:28:54,400 --> 00:28:56,840 Speaker 2: then he's giving her all the diamonds at dinner, which 502 00:28:56,880 --> 00:28:57,720 Speaker 2: is like kind of bizarre. 503 00:28:57,760 --> 00:29:00,120 Speaker 3: Do you remember this? There are his like very face. 504 00:29:00,840 --> 00:29:04,960 Speaker 2: A dining room with the napkin and yes, the unrolling 505 00:29:05,000 --> 00:29:07,640 Speaker 2: of the napkins. It's a lot, man, it's a lot. 506 00:29:07,680 --> 00:29:09,680 Speaker 2: I'm sure you've been like through something like this in 507 00:29:09,720 --> 00:29:11,640 Speaker 2: your life. I have never experienced something like that. 508 00:29:12,400 --> 00:29:18,240 Speaker 1: For those who tuned in late, it's not mine a job. 509 00:29:19,840 --> 00:29:21,720 Speaker 1: It looks like yours. 510 00:29:21,960 --> 00:29:35,560 Speaker 2: It suits you, It suits you beautifully. It's beautiful. The 511 00:29:35,640 --> 00:29:38,120 Speaker 2: thing that I would think about with their scene though, 512 00:29:38,120 --> 00:29:40,200 Speaker 2: when they do, because you are kind of led to 513 00:29:40,240 --> 00:29:43,000 Speaker 2: believe like this might work, you know. I mean, I 514 00:29:43,080 --> 00:29:45,760 Speaker 2: also think it's a little interesting that Samantha would even 515 00:29:46,160 --> 00:29:48,440 Speaker 2: want to be married to anyone for ten years. Like 516 00:29:48,480 --> 00:29:50,280 Speaker 2: they talk about, oh, he's not going to last that long. 517 00:29:50,400 --> 00:29:52,920 Speaker 2: He even says to herself, like, you know, I'm probably 518 00:29:52,960 --> 00:29:54,680 Speaker 2: not gonna be around ten, ten, fifteen years. 519 00:29:54,720 --> 00:29:55,400 Speaker 3: Maybe I don't. 520 00:29:55,600 --> 00:29:57,360 Speaker 2: I've never heard Samantha ever say that she wanted to 521 00:29:57,360 --> 00:30:00,400 Speaker 2: get married, right, but it seems interesting that she's open 522 00:30:00,440 --> 00:30:03,400 Speaker 2: to it. And then when they do finally, after all 523 00:30:03,440 --> 00:30:06,160 Speaker 2: the diamonds go to the bedroom. I believe that the 524 00:30:06,240 --> 00:30:09,080 Speaker 2: voiceover from Carrie is something to the effect of, you know, 525 00:30:09,600 --> 00:30:11,840 Speaker 2: when he touched her, it was like a younger man. 526 00:30:11,960 --> 00:30:13,960 Speaker 2: When he kissed her, it was like a younger man. 527 00:30:14,400 --> 00:30:14,880 Speaker 1: All of the. 528 00:30:14,840 --> 00:30:16,400 Speaker 3: Parts were working like a younger man. 529 00:30:16,520 --> 00:30:20,560 Speaker 2: So you're really feeling like it's great, right, yes, and 530 00:30:20,600 --> 00:30:22,600 Speaker 2: then he walks away, which is so sad. 531 00:30:22,640 --> 00:30:27,040 Speaker 1: I think though, because she asked to dim the lights. 532 00:30:27,400 --> 00:30:33,480 Speaker 1: Oh yeah, she maybe suspected that that might be the case. 533 00:30:33,840 --> 00:30:37,040 Speaker 1: You're so right, because she was like, let's turn off 534 00:30:37,080 --> 00:30:37,800 Speaker 1: those lights. 535 00:30:37,960 --> 00:30:42,080 Speaker 3: You're so right, Yes, yes, I like. 536 00:30:42,080 --> 00:30:46,160 Speaker 1: It better, something to the effect of it's sexier. 537 00:30:46,160 --> 00:30:48,800 Speaker 2: I think she says it's sexier. Yes, that's so true. 538 00:30:48,800 --> 00:30:49,600 Speaker 2: That's so true. 539 00:30:49,720 --> 00:30:50,720 Speaker 3: But then it's so. 540 00:30:50,800 --> 00:30:55,840 Speaker 2: Interesting to me that like it is very it's a 541 00:30:55,960 --> 00:30:58,800 Speaker 2: very superficial thing really, which is what you're saying that 542 00:30:58,960 --> 00:31:02,120 Speaker 2: everything feels great. Rate Like, if it feels great and 543 00:31:02,160 --> 00:31:04,200 Speaker 2: you enjoy him, isn't that enough. 544 00:31:05,200 --> 00:31:07,200 Speaker 1: Well, I'll tell you one thing. It made me run 545 00:31:07,280 --> 00:31:07,840 Speaker 1: to the mirror. 546 00:31:11,640 --> 00:31:16,680 Speaker 3: I'm sure you look amazing. Oh my god, I don't know. 547 00:31:17,200 --> 00:31:18,000 Speaker 1: Can I see that? 548 00:31:18,200 --> 00:31:21,160 Speaker 3: You're adorable? You're adorable? Listen. 549 00:31:21,360 --> 00:31:23,960 Speaker 2: I think that the standards that women are held to 550 00:31:24,280 --> 00:31:27,640 Speaker 2: in terms of working out. We're fed this At least 551 00:31:27,680 --> 00:31:30,160 Speaker 2: I feel like I'm fed this continual thing about my 552 00:31:30,280 --> 00:31:32,959 Speaker 2: bone density and keeping my muscle mass. 553 00:31:33,080 --> 00:31:35,640 Speaker 3: I mean, we have to keep it going. 554 00:31:36,280 --> 00:31:37,560 Speaker 1: Yeah, I don't. 555 00:31:37,440 --> 00:31:40,520 Speaker 2: Think we have the luxury of being like I'll just 556 00:31:40,640 --> 00:31:42,840 Speaker 2: let it do whatever it's going to do back there. 557 00:31:44,800 --> 00:31:47,640 Speaker 3: Right now, it's her. 558 00:31:47,760 --> 00:31:52,040 Speaker 1: Own well being. And you know they say that that 559 00:31:52,440 --> 00:31:55,480 Speaker 1: the key is not to have to live to be 560 00:31:55,480 --> 00:32:00,360 Speaker 1: one hundred and fifty, but to be healthy. Yeah, every 561 00:32:00,440 --> 00:32:04,880 Speaker 1: day until the day you just you know, fall asleep 562 00:32:04,960 --> 00:32:06,080 Speaker 1: and don't wake up peace. 563 00:32:06,240 --> 00:32:10,640 Speaker 3: Absolutely, that's the dream, right. Yeah, it's all about health. 564 00:32:10,640 --> 00:32:13,240 Speaker 1: Like vigorous and healthy right to the end. 565 00:32:13,480 --> 00:32:14,600 Speaker 3: Absolutely active. 566 00:32:14,680 --> 00:32:17,440 Speaker 2: You have to be active and keep it going, keep 567 00:32:17,480 --> 00:32:19,640 Speaker 2: it moving, get out there in the world, all of 568 00:32:19,680 --> 00:32:21,280 Speaker 2: those things for your brain as well. 569 00:32:21,640 --> 00:32:21,880 Speaker 1: I know. 570 00:32:21,960 --> 00:32:23,200 Speaker 3: It's super interesting. 571 00:32:23,280 --> 00:32:26,560 Speaker 2: I think how we talk about aging now as opposed 572 00:32:26,600 --> 00:32:29,280 Speaker 2: to when we were younger. I think it's coming along, 573 00:32:29,720 --> 00:32:32,440 Speaker 2: but I do think between the sexes there is still 574 00:32:32,480 --> 00:32:34,600 Speaker 2: this kind of massive gap. 575 00:32:35,720 --> 00:32:37,160 Speaker 1: Yes,