1 00:00:01,160 --> 00:00:06,760 Speaker 1: Welcome up. So forty four the Bobby Cast here on Monday. Monday, Ye, Monday, 2 00:00:08,280 --> 00:00:10,680 Speaker 1: So Mike d over there on Bobby. Um. You know 3 00:00:10,680 --> 00:00:15,560 Speaker 1: what's funny, we did the last Bobby Cast without I guess, 4 00:00:16,280 --> 00:00:18,760 Speaker 1: and I thought, that's gonna hate this one. I actually didn't, 5 00:00:19,079 --> 00:00:20,440 Speaker 1: you know. I was surprised that there were so many 6 00:00:20,440 --> 00:00:22,280 Speaker 1: people that were like, hey, I actually like both versions. 7 00:00:22,280 --> 00:00:24,120 Speaker 1: But when you guys were just talking and then when 8 00:00:24,120 --> 00:00:27,440 Speaker 1: you're not so um. We have rescheduled Shane mcinally, who's 9 00:00:27,440 --> 00:00:30,320 Speaker 1: a huge rider, written a ton of songs for this week, 10 00:00:30,600 --> 00:00:36,440 Speaker 1: so that will be Thursday. Yeah, um right, yep, yep. 11 00:00:36,640 --> 00:00:39,000 Speaker 1: Making sure your Mike people complain we can't hear you, 12 00:00:39,440 --> 00:00:41,080 Speaker 1: So that would be Thursday. So I thought we'd hop 13 00:00:41,080 --> 00:00:43,000 Speaker 1: on and uh do another one to kind of catch 14 00:00:43,040 --> 00:00:45,240 Speaker 1: up with some things. By the way, Mike d as 15 00:00:45,280 --> 00:00:51,760 Speaker 1: the the freshest haircut of the week. I don't think so, 16 00:00:52,080 --> 00:00:57,320 Speaker 1: is it me? Oh? How much does your hair cut cost? 17 00:00:59,320 --> 00:01:01,560 Speaker 1: You have a spell one stylist that you go to, 18 00:01:01,640 --> 00:01:02,880 Speaker 1: or do you go to a place. I go to 19 00:01:03,000 --> 00:01:06,080 Speaker 1: a place that I like everybody there. But the last 20 00:01:06,120 --> 00:01:07,680 Speaker 1: girl who did it was the one who's done in 21 00:01:07,720 --> 00:01:10,399 Speaker 1: the past. Couple of times, do you learn because Mike 22 00:01:10,480 --> 00:01:13,560 Speaker 1: has this thing going where he shaved the size of 23 00:01:13,560 --> 00:01:16,800 Speaker 1: the heads are is really short, and he takes it 24 00:01:17,480 --> 00:01:19,959 Speaker 1: and he takes the top and pushes it all over 25 00:01:20,000 --> 00:01:23,679 Speaker 1: to the right. Don't wave now? Do you have them 26 00:01:23,720 --> 00:01:26,240 Speaker 1: teach you how to do that? Yeah? Like the first 27 00:01:26,240 --> 00:01:29,200 Speaker 1: time I went there, they kind of styled it that way, 28 00:01:29,280 --> 00:01:31,039 Speaker 1: and then I just asked for the same thing every 29 00:01:31,080 --> 00:01:33,720 Speaker 1: time you asked for the waves. Yeah, and they know 30 00:01:33,760 --> 00:01:37,039 Speaker 1: what the wave there and look at you. It was funny, 31 00:01:37,400 --> 00:01:39,560 Speaker 1: like for me if you were to ask me, like, 32 00:01:39,600 --> 00:01:41,720 Speaker 1: who were the funniest people on the planet, Like right now, 33 00:01:42,480 --> 00:01:47,119 Speaker 1: in my mind, it's Chris Rock, Ricky Gervais and Adam Krola. 34 00:01:47,280 --> 00:01:49,960 Speaker 1: Like to me, those are the funniest people. Like that 35 00:01:50,080 --> 00:01:53,680 Speaker 1: exists to me, right, you know, from from everything. And 36 00:01:54,320 --> 00:01:57,840 Speaker 1: it was three years ago, I guess yesterday the day 37 00:01:57,880 --> 00:02:01,000 Speaker 1: before that, you was to the picture of you with 38 00:02:01,040 --> 00:02:03,560 Speaker 1: Adam Carolla because you're also a big Adam Crowla fan, 39 00:02:04,320 --> 00:02:09,600 Speaker 1: and that's the picture that started your weight loss. And 40 00:02:09,639 --> 00:02:12,120 Speaker 1: it is crazy and I bring up your hair because 41 00:02:12,160 --> 00:02:14,880 Speaker 1: he's like a whole different person now, but it's crazy 42 00:02:14,919 --> 00:02:16,240 Speaker 1: to look at you. Then what you do. You know 43 00:02:16,240 --> 00:02:21,600 Speaker 1: what you aid, I was like to eighty five, eight five, 44 00:02:21,680 --> 00:02:25,920 Speaker 1: eight to eighty Yeah, it's crazy, Like that picture of 45 00:02:25,960 --> 00:02:29,240 Speaker 1: you with Adam Carola from three years ago to today, 46 00:02:29,240 --> 00:02:33,359 Speaker 1: it's like a different person. It's like I barely remember 47 00:02:33,520 --> 00:02:36,320 Speaker 1: that person that I was like, yeah, come on and 48 00:02:36,440 --> 00:02:38,960 Speaker 1: you can intern for the show. I have no idea 49 00:02:39,000 --> 00:02:41,280 Speaker 1: who that person was anymore. It's weird to look at. 50 00:02:41,760 --> 00:02:43,480 Speaker 1: And I know we talked about that on the last one, 51 00:02:43,520 --> 00:02:46,280 Speaker 1: but you posted that picture again. That's Adam Crawler retweeted 52 00:02:46,280 --> 00:02:49,480 Speaker 1: and I was like, that's cool that you retweeted it. 53 00:02:49,800 --> 00:02:51,799 Speaker 1: So yeah, I can go out and that you thought 54 00:02:51,840 --> 00:02:53,600 Speaker 1: that was cool though, too, right. Yeah, like I got 55 00:02:53,680 --> 00:02:57,960 Speaker 1: the notification of my phoo. Adam Carola just tweeted me. Yeah, 56 00:02:58,000 --> 00:02:59,799 Speaker 1: because Adam, I mean, I think Adam role is both 57 00:02:59,800 --> 00:03:02,840 Speaker 1: of our one of our favorite people. Like it's always 58 00:03:02,840 --> 00:03:06,040 Speaker 1: so funny. Uh. Let me say this sleep number is 59 00:03:06,040 --> 00:03:09,080 Speaker 1: one of the sponsors of the Bobby Cast. We appreciate them. 60 00:03:09,120 --> 00:03:11,200 Speaker 1: I have a sleeping bed like eight feet from where 61 00:03:11,200 --> 00:03:12,800 Speaker 1: I am right now in the room right next door 62 00:03:12,840 --> 00:03:15,280 Speaker 1: to this because I do this this Bobby Cast from 63 00:03:15,360 --> 00:03:19,919 Speaker 1: upstairs in my house. It's not my living room, which 64 00:03:19,919 --> 00:03:21,720 Speaker 1: some people will say that when they're talking about it, 65 00:03:21,760 --> 00:03:23,959 Speaker 1: but it's it's a bedroom. Remind me, after I talked 66 00:03:23,960 --> 00:03:25,800 Speaker 1: about sleep number for a second, I gotta talk about 67 00:03:26,080 --> 00:03:29,080 Speaker 1: doing Clay Travis this show this morning because people are 68 00:03:29,280 --> 00:03:31,919 Speaker 1: and then how I do both shows at the same time. 69 00:03:32,320 --> 00:03:35,480 Speaker 1: That became like the controversial thing online today, my sleep 70 00:03:35,560 --> 00:03:37,960 Speaker 1: sleeping number red. I have to get good sleep, you know, 71 00:03:38,080 --> 00:03:40,880 Speaker 1: I wake up early early, obviously, and it is important 72 00:03:41,200 --> 00:03:44,240 Speaker 1: to me and to you hopefully as a healthy lifestyle 73 00:03:44,320 --> 00:03:46,800 Speaker 1: or balanced diet, a regular exercise, and if you're not 74 00:03:46,800 --> 00:03:48,800 Speaker 1: sleeping your best, it's probably time to replace your mattress. 75 00:03:48,800 --> 00:03:50,640 Speaker 1: And a sleep number store. You go in and I 76 00:03:50,920 --> 00:03:52,320 Speaker 1: went in and I laid on the bed and what 77 00:03:52,360 --> 00:03:53,680 Speaker 1: happens is you lay there and you look up. Have 78 00:03:53,760 --> 00:03:55,720 Speaker 1: you ever been a sleep number store? And you look 79 00:03:55,760 --> 00:03:57,880 Speaker 1: at do you have some number? Red? Do you have 80 00:03:57,920 --> 00:03:59,720 Speaker 1: the one when you stay here? Is that a sleep number? 81 00:04:00,040 --> 00:04:02,960 Speaker 1: The one here? You? Okay? Um? And so you lay 82 00:04:02,960 --> 00:04:04,640 Speaker 1: on and it shows like your back and your neck 83 00:04:04,960 --> 00:04:07,480 Speaker 1: on this screen, this computer screen. It's okay. They're like, hey, 84 00:04:07,480 --> 00:04:09,560 Speaker 1: they can tell why you're kind of messed up. So 85 00:04:09,600 --> 00:04:11,400 Speaker 1: they give you a sleep number that is like your 86 00:04:11,440 --> 00:04:14,280 Speaker 1: ideal comfort. My sleep numbers at thirty. My sleep I 87 00:04:14,360 --> 00:04:17,039 Speaker 1: Q last night was like I don't I forget to 88 00:04:17,080 --> 00:04:20,240 Speaker 1: look probably usually high eighties or something. So going to 89 00:04:20,279 --> 00:04:23,200 Speaker 1: a sleep number store, say four and the most popular 90 00:04:23,240 --> 00:04:26,120 Speaker 1: P five Queen mattress you'll find any of the five 91 00:04:26,320 --> 00:04:28,400 Speaker 1: D sleeping restore nationwide. You can only get a sleep 92 00:04:28,440 --> 00:04:31,320 Speaker 1: number at the sleepumber store. Okay, sput that out sleep 93 00:04:31,320 --> 00:04:33,599 Speaker 1: at number store eight, next bed, and be sure to 94 00:04:33,600 --> 00:04:35,960 Speaker 1: tell them that you heard it here on the Bobby Cast, 95 00:04:36,000 --> 00:04:37,480 Speaker 1: Bobby Bone Show. Whatever you want to say, it's all 96 00:04:37,480 --> 00:04:40,640 Speaker 1: giving me. So there's that. Um okay, So this morning 97 00:04:40,720 --> 00:04:42,600 Speaker 1: during the show, I always like to give people kind 98 00:04:42,600 --> 00:04:45,480 Speaker 1: of behind the scenes that I don't want to go into, 99 00:04:46,120 --> 00:04:48,599 Speaker 1: like the minutition of how the morning show works on 100 00:04:48,680 --> 00:04:50,560 Speaker 1: the morning show, because I feel like there are other 101 00:04:50,600 --> 00:04:52,560 Speaker 1: things to talk about and we don't get his long 102 00:04:52,640 --> 00:04:56,840 Speaker 1: form to talk about. But so I went during our 103 00:04:56,880 --> 00:05:00,560 Speaker 1: show this morning and did another radio show while our 104 00:05:00,560 --> 00:05:04,040 Speaker 1: show was happening, and people were like, wait, how did 105 00:05:04,080 --> 00:05:08,400 Speaker 1: that happen? Are you lying? Are you know? What happened? Was? 106 00:05:09,200 --> 00:05:14,560 Speaker 1: We planned it out because I started Clay Travis is 107 00:05:14,560 --> 00:05:17,960 Speaker 1: one of my favorite sports radio guys. Uh. He lives 108 00:05:17,960 --> 00:05:20,440 Speaker 1: here in Nashville. And I used to hate the guy. 109 00:05:21,040 --> 00:05:24,520 Speaker 1: I was just I was just like, man, this dude's 110 00:05:24,520 --> 00:05:28,520 Speaker 1: a total like douche nothing. Now the reason I hated 111 00:05:28,560 --> 00:05:30,560 Speaker 1: him as the reason I think it's really fantastic at 112 00:05:30,560 --> 00:05:32,080 Speaker 1: what he does. He just makes you feel something. Who 113 00:05:32,080 --> 00:05:34,839 Speaker 1: cares love or hey, you're just like, oh man, that 114 00:05:34,880 --> 00:05:37,200 Speaker 1: guy really out there gets on my nerves sometimes or 115 00:05:37,440 --> 00:05:39,599 Speaker 1: and other times I really like him because he's just 116 00:05:39,760 --> 00:05:45,040 Speaker 1: fantastic at radio and I hardly ever, I sometimes agree 117 00:05:45,040 --> 00:05:46,920 Speaker 1: with sometimes don't, but I respect the fact that he 118 00:05:46,960 --> 00:05:50,000 Speaker 1: makes me feel things. It's like Charlottagne, Like I don't 119 00:05:50,000 --> 00:05:52,480 Speaker 1: always greet with Charlottegne, but I'm like, man, he gets 120 00:05:52,520 --> 00:05:54,680 Speaker 1: under and he's one of my best friends. It's like 121 00:05:55,200 --> 00:05:58,960 Speaker 1: best friends, like best radio friends. It's like he either um, 122 00:05:59,000 --> 00:06:02,040 Speaker 1: he makes you feel so thing and so click Travis 123 00:06:02,040 --> 00:06:04,520 Speaker 1: and I become friends. And so he's like, hey, come 124 00:06:04,520 --> 00:06:07,000 Speaker 1: over and do the show because Arkansas lost last night. 125 00:06:07,040 --> 00:06:09,800 Speaker 1: That was a rough one for me. Um. And so 126 00:06:09,920 --> 00:06:13,440 Speaker 1: what happened was a little big town song. Now better 127 00:06:13,480 --> 00:06:17,240 Speaker 1: Man is over a four minute song, and we went 128 00:06:17,360 --> 00:06:19,360 Speaker 1: from a little big town better Man into a four 129 00:06:19,360 --> 00:06:23,520 Speaker 1: minute commercial break. I had eight minutes, So as soon 130 00:06:23,560 --> 00:06:26,400 Speaker 1: as I hit that song, I went three doors over 131 00:06:26,400 --> 00:06:28,719 Speaker 1: and hopped into a studio and did a seven and 132 00:06:28,720 --> 00:06:31,360 Speaker 1: a half minute or so segment, and they came right 133 00:06:31,400 --> 00:06:34,240 Speaker 1: back and hopped right back on the air. There were 134 00:06:34,240 --> 00:06:38,479 Speaker 1: no bells on whistles to that except timing, because we 135 00:06:38,520 --> 00:06:42,000 Speaker 1: said okay, Morgan ran over and talked to the producer 136 00:06:42,040 --> 00:06:43,719 Speaker 1: and she said, hey, Bobby can come over at seven 137 00:06:43,720 --> 00:06:46,600 Speaker 1: oh eight. Like gets down to the minute that much. 138 00:06:47,080 --> 00:06:49,520 Speaker 1: And so I posted a picture on Instagram of me 139 00:06:49,640 --> 00:06:52,680 Speaker 1: and Clay Travis the studio this morning Outkicked Coverage his 140 00:06:53,040 --> 00:06:56,280 Speaker 1: show OutKick, and he has the Outkicked Coverage website, and 141 00:06:56,600 --> 00:06:59,159 Speaker 1: people were like, oh, if he's not even there today, 142 00:06:59,240 --> 00:07:02,039 Speaker 1: Oh he's doing another show, how is this live? No? No, No, 143 00:07:02,120 --> 00:07:06,480 Speaker 1: it's just timing. There are times we record things and 144 00:07:06,520 --> 00:07:08,920 Speaker 1: sometimes I'm wondering, like, you know, should I even say 145 00:07:08,960 --> 00:07:12,080 Speaker 1: that this is recorded? Or if you don't know what's recorded, 146 00:07:12,240 --> 00:07:14,240 Speaker 1: is there a difference? Like if I'm watching an episode 147 00:07:14,240 --> 00:07:16,280 Speaker 1: on TV and I don't know what's to rerun. To me, 148 00:07:16,360 --> 00:07:18,920 Speaker 1: it's still new, So why would I even want to 149 00:07:18,960 --> 00:07:21,960 Speaker 1: know for my own good It's like, why would even 150 00:07:22,000 --> 00:07:23,880 Speaker 1: want to know it's a rerun if I'm enjoying it, 151 00:07:24,520 --> 00:07:27,520 Speaker 1: if I feel like it's the first time, Like let's 152 00:07:27,520 --> 00:07:33,480 Speaker 1: say you were a girl bad one. Um. So sometimes 153 00:07:33,520 --> 00:07:35,600 Speaker 1: if we have to fly out early, like let's say 154 00:07:35,640 --> 00:07:40,000 Speaker 1: I have like tomorrow because say it's money tomorrow, you 155 00:07:40,080 --> 00:07:43,240 Speaker 1: and I have to leave it like nine twenty or 156 00:07:43,320 --> 00:07:45,680 Speaker 1: something to we have a flight to go to New 157 00:07:45,760 --> 00:07:48,239 Speaker 1: York because I have dinner with the CEO or a company, 158 00:07:48,760 --> 00:07:53,520 Speaker 1: and so I have to record a segment, maybe two 159 00:07:53,520 --> 00:07:56,880 Speaker 1: segments for that late nine o'clock nine to ten. Some 160 00:07:57,040 --> 00:07:59,120 Speaker 1: of our affiliates don't even run the last hour of 161 00:07:59,200 --> 00:08:01,680 Speaker 1: the show. But I don't feel like I need to 162 00:08:01,720 --> 00:08:03,920 Speaker 1: come on and go, hey, this is a recorded segment, 163 00:08:03,960 --> 00:08:07,680 Speaker 1: but we recorded it like thirty minutes ago. So it's 164 00:08:07,760 --> 00:08:09,880 Speaker 1: just that thing where we're not trying to fool anyone, 165 00:08:10,640 --> 00:08:16,040 Speaker 1: but it's I think if you don't know, you probably 166 00:08:16,160 --> 00:08:18,920 Speaker 1: enjoy it more with it you're feeling like it's live. 167 00:08:19,840 --> 00:08:21,960 Speaker 1: And that's always been my like when some of the 168 00:08:22,040 --> 00:08:24,960 Speaker 1: huge artists come through and they only have X amount 169 00:08:25,040 --> 00:08:27,840 Speaker 1: of time, or if my schedule is crazy and I 170 00:08:27,880 --> 00:08:29,760 Speaker 1: only have X amount of time, maybe in the afternoon. 171 00:08:30,360 --> 00:08:33,320 Speaker 1: Sometimes on interviews, will go up and record them. We'll 172 00:08:33,320 --> 00:08:35,280 Speaker 1: present them like they're new. Not most of the time, 173 00:08:35,840 --> 00:08:38,120 Speaker 1: but sometimes if it's a big enough start to do 174 00:08:38,160 --> 00:08:41,040 Speaker 1: that with because if it's either my fault or their 175 00:08:41,080 --> 00:08:42,480 Speaker 1: fault with time, because I want to get them on 176 00:08:43,160 --> 00:08:45,120 Speaker 1: and so we'll go up and record it. And I 177 00:08:45,120 --> 00:08:47,040 Speaker 1: could come on and go, hey, we recorded this, but 178 00:08:47,040 --> 00:08:48,640 Speaker 1: I always feel like one that's waste of time and 179 00:08:48,640 --> 00:08:50,640 Speaker 1: too it makes people feel like, oh, almost onto a 180 00:08:50,720 --> 00:08:56,959 Speaker 1: recorded interview, and that's just me making that decision. I 181 00:08:57,040 --> 00:08:59,839 Speaker 1: think it's just a style thing, you know, like the 182 00:09:00,200 --> 00:09:03,080 Speaker 1: you know, the Breakfast Club for example, they have there 183 00:09:04,480 --> 00:09:06,240 Speaker 1: and they have a great show that they're the hip 184 00:09:06,240 --> 00:09:07,760 Speaker 1: hop show. Talk about them all the time. They're the 185 00:09:07,840 --> 00:09:10,400 Speaker 1: equivalent to us in country, not the ground. I think 186 00:09:10,400 --> 00:09:13,040 Speaker 1: we're great, but they're like, they're the big hip hop show. 187 00:09:13,240 --> 00:09:15,640 Speaker 1: We're the big country show. Elvis Durrand's the big top 188 00:09:15,679 --> 00:09:22,160 Speaker 1: forties show. UM different formats, um, Enrique Santos, um. So 189 00:09:23,760 --> 00:09:26,280 Speaker 1: what they do is all of their artists come in 190 00:09:26,480 --> 00:09:29,280 Speaker 1: the day before and they record them and they record 191 00:09:29,320 --> 00:09:30,640 Speaker 1: a promo on their phones to go, and you know, 192 00:09:30,720 --> 00:09:33,319 Speaker 1: it's like Kevin Hartson. He goes, hey, I'll be on tomorrow. Well, 193 00:09:33,640 --> 00:09:35,440 Speaker 1: Kevin hart didn't come by just to record that promo 194 00:09:35,559 --> 00:09:38,439 Speaker 1: on the phone. He was actually doing the interview and 195 00:09:38,559 --> 00:09:41,079 Speaker 1: they presented as live. But it's just it's and I 196 00:09:41,120 --> 00:09:42,920 Speaker 1: don't think theyre trying to fool anybody, and we don't either, 197 00:09:43,520 --> 00:09:45,079 Speaker 1: but sometimes I'm just like, you know, I think it's 198 00:09:45,080 --> 00:09:46,959 Speaker 1: just a better a better listening experience. If you don't know, 199 00:09:47,720 --> 00:09:50,760 Speaker 1: you just feel like it's there. So yeah, that's the 200 00:09:50,800 --> 00:09:55,400 Speaker 1: truth of it. It was live, um, and there you go, 201 00:09:56,080 --> 00:09:59,480 Speaker 1: the end. The controversy is over. And it's not that 202 00:09:59,520 --> 00:10:01,200 Speaker 1: we're trying to for Onyboddy. I just think the listening 203 00:10:01,240 --> 00:10:04,400 Speaker 1: experiences better. So that was one one of the things 204 00:10:04,480 --> 00:10:08,440 Speaker 1: this morning that happened. UM. Also, Eddie called out Nada 205 00:10:08,559 --> 00:10:11,720 Speaker 1: for going on another podcast. Who are also my friends 206 00:10:12,080 --> 00:10:15,360 Speaker 1: and they do a podcast in Seattle, Carla, Marie and Anthony, 207 00:10:15,800 --> 00:10:17,920 Speaker 1: and she was talking about being really really really really 208 00:10:18,000 --> 00:10:19,679 Speaker 1: really good friends with Ed sharing for off and on 209 00:10:19,800 --> 00:10:21,640 Speaker 1: for two and a half years. She would never say 210 00:10:21,679 --> 00:10:23,920 Speaker 1: that on our show. I tried to get her a 211 00:10:23,960 --> 00:10:26,839 Speaker 1: couple I was like, hey, because I knew, but I 212 00:10:27,000 --> 00:10:28,960 Speaker 1: respect somebody's privacy, like that. I was like, hey, now 213 00:10:29,000 --> 00:10:32,880 Speaker 1: did you do that? Never date? No? Okay? Well, and 214 00:10:32,920 --> 00:10:35,080 Speaker 1: I wasn't even gonna say anything about it, but Eddie 215 00:10:35,120 --> 00:10:36,760 Speaker 1: said something about it, and then I noticed she posted 216 00:10:36,800 --> 00:10:40,080 Speaker 1: on her Facebook page too, and so I let Eddie 217 00:10:40,120 --> 00:10:42,760 Speaker 1: kind of throw her under the bus. It was during 218 00:10:42,800 --> 00:10:45,559 Speaker 1: that segment of throwing to the bus this morning, But 219 00:10:45,760 --> 00:10:50,960 Speaker 1: so there was that he had. I mean, ed right now, 220 00:10:50,960 --> 00:10:54,320 Speaker 1: it is the biggest pop store in the world. That'd 221 00:10:54,360 --> 00:10:57,040 Speaker 1: be good for our show, the club, this is the 222 00:10:57,160 --> 00:11:02,360 Speaker 1: best place to fund go me and my friends at 223 00:11:02,480 --> 00:11:07,199 Speaker 1: the table. I really wasn't irritated. I just thought it 224 00:11:07,280 --> 00:11:10,439 Speaker 1: was weird because it probably came up and she just 225 00:11:10,600 --> 00:11:15,000 Speaker 1: went with it. And I mean, I don't even know 226 00:11:15,000 --> 00:11:17,319 Speaker 1: how they would know. What do you think about that? 227 00:11:18,760 --> 00:11:22,439 Speaker 1: What your thoughts? I mean, if I dated some one 228 00:11:22,480 --> 00:11:28,240 Speaker 1: into that high profile, well I would I'm saying that, 229 00:11:28,960 --> 00:11:30,880 Speaker 1: would you have? Did you think it was weird? She 230 00:11:30,960 --> 00:11:32,520 Speaker 1: went on their podcast and talked about it and not 231 00:11:32,600 --> 00:11:34,520 Speaker 1: our radio show. Yeah, but I think it was more 232 00:11:34,559 --> 00:11:36,480 Speaker 1: of a thing that it kind of spilled out, like 233 00:11:36,679 --> 00:11:38,280 Speaker 1: maybe they brought it up and she just kind of 234 00:11:38,320 --> 00:11:40,120 Speaker 1: went with it. But how would they know to begin with? 235 00:11:40,240 --> 00:11:44,040 Speaker 1: That's the thing. I don't know how did they even 236 00:11:44,080 --> 00:11:49,280 Speaker 1: to get to that? Yeah? Yeah, Um, Lindsey sending me 237 00:11:49,840 --> 00:11:54,240 Speaker 1: pictures because we have she has a show tonight and 238 00:11:54,440 --> 00:11:58,640 Speaker 1: so it's it's some show with like Melissa at the 239 00:11:58,679 --> 00:12:01,680 Speaker 1: redging cam and her. She has an EP that comes 240 00:12:01,720 --> 00:12:07,439 Speaker 1: out and EP is like a half a record. It's 241 00:12:07,480 --> 00:12:11,160 Speaker 1: like a selection of songs extended play. I think it's 242 00:12:11,880 --> 00:12:15,079 Speaker 1: maybe look at what EP means? Is that right? And 243 00:12:15,520 --> 00:12:18,040 Speaker 1: LP I always not meant long play? But I don't know. 244 00:12:18,280 --> 00:12:21,400 Speaker 1: I just but LP is a full record. So she's 245 00:12:21,440 --> 00:12:27,000 Speaker 1: putting out six songs and you know, I'm not gonna 246 00:12:27,040 --> 00:12:29,480 Speaker 1: play all them now, but she's playing tonight and she's 247 00:12:29,480 --> 00:12:31,079 Speaker 1: gonna play a couple of those songs. But I want 248 00:12:31,120 --> 00:12:32,520 Speaker 1: to go out tonight. She's gonna a pictures, like, hey, 249 00:12:32,559 --> 00:12:35,319 Speaker 1: what do you think I should wear? Like I had? Like, 250 00:12:35,480 --> 00:12:42,839 Speaker 1: I don't nothing. It does a long play. Yeah, I 251 00:12:42,960 --> 00:12:45,280 Speaker 1: just assume that's what the L meant. But she has 252 00:12:45,400 --> 00:12:48,800 Speaker 1: like this song we've played before. This is called Waiting 253 00:12:48,880 --> 00:12:54,720 Speaker 1: on You, and it's six songs? What's that this New Friday? 254 00:12:55,440 --> 00:13:05,280 Speaker 1: They're not kiss the Soul you. I've played this before. 255 00:13:05,720 --> 00:13:08,320 Speaker 1: I'm excited for her to have music out. She's excited 256 00:13:08,320 --> 00:13:10,280 Speaker 1: about it. The weirdest thing is, I'm not gonna play 257 00:13:10,320 --> 00:13:13,800 Speaker 1: it here? Is that? So I'm sure she'll talk about this. 258 00:13:13,960 --> 00:13:19,679 Speaker 1: But before she started making this new music, her producer said, hey, 259 00:13:20,480 --> 00:13:22,480 Speaker 1: find a favorite album and remake the whole thing. You 260 00:13:22,559 --> 00:13:24,360 Speaker 1: do all the instruments. Have we talked about this before. 261 00:13:24,880 --> 00:13:27,240 Speaker 1: I don't think I'm here, okay? And so you do everything, 262 00:13:27,280 --> 00:13:29,319 Speaker 1: you to play every instrument on it and make remake 263 00:13:29,400 --> 00:13:32,120 Speaker 1: the whole album. And so because she plays all these instruments, 264 00:13:32,360 --> 00:13:35,559 Speaker 1: and so she did John Merrick Continuum, and so she 265 00:13:35,640 --> 00:13:37,839 Speaker 1: did every song from the record, played every instrument like 266 00:13:38,000 --> 00:13:43,360 Speaker 1: from guitars to drums to flutes. I don't even know 267 00:13:43,400 --> 00:13:46,679 Speaker 1: what she did, but so she does it all and 268 00:13:46,760 --> 00:13:49,920 Speaker 1: she makes it and really really know, I did to 269 00:13:49,960 --> 00:13:53,360 Speaker 1: put any of that out. And so her record labels like, hey, 270 00:13:53,360 --> 00:13:55,560 Speaker 1: you should put one of these out, and then they 271 00:13:55,679 --> 00:13:58,040 Speaker 1: picked the song because she just has all of them. 272 00:13:58,320 --> 00:14:00,120 Speaker 1: And you just make a bunch of music basically like 273 00:14:00,160 --> 00:14:02,320 Speaker 1: your label kind of pick because other ones you put 274 00:14:02,360 --> 00:14:04,840 Speaker 1: the money behind it. And the song that they pick 275 00:14:05,040 --> 00:14:07,640 Speaker 1: is my favorite John Mayer song of all time, which 276 00:14:07,720 --> 00:14:09,679 Speaker 1: is kind of weird, which to stop this train. So 277 00:14:10,280 --> 00:14:13,959 Speaker 1: she does a cover of stop this Train, which is 278 00:14:14,040 --> 00:14:16,200 Speaker 1: kind of weird and kind of comes back full circle. Actually, 279 00:14:16,559 --> 00:14:18,079 Speaker 1: you know, I have the lyrics to stop this Train 280 00:14:18,160 --> 00:14:20,200 Speaker 1: down in my kitchen. Those whole song is about like 281 00:14:20,240 --> 00:14:23,240 Speaker 1: getting older and you know how you want to stop 282 00:14:23,280 --> 00:14:25,600 Speaker 1: the train and then because you want to just you 283 00:14:25,640 --> 00:14:26,960 Speaker 1: don't want to get any older. But then it's like, 284 00:14:27,040 --> 00:14:28,800 Speaker 1: I don't stop the train, just kind of enjoy it. 285 00:14:28,880 --> 00:14:30,920 Speaker 1: Its life goes. But she has a cover of the song. 286 00:14:31,720 --> 00:14:35,960 Speaker 1: Well that kind of plan. Hello, the world is black, 287 00:14:39,720 --> 00:14:41,320 Speaker 1: so you gotta be interesting and it comes out Friday. 288 00:14:41,320 --> 00:14:44,240 Speaker 1: I don't know what. You may hear this after Friday. So, um, 289 00:14:44,520 --> 00:14:46,720 Speaker 1: there's that that's going on. Where are we at in time? Here? 290 00:14:47,120 --> 00:14:49,160 Speaker 1: We are about fifteen minutes? What do you want to 291 00:14:49,160 --> 00:14:53,320 Speaker 1: talk about? Anything in your mind? Uh? I don't know, man, 292 00:14:53,360 --> 00:14:56,200 Speaker 1: I'm kind of excited to hear that version. She didn't. 293 00:14:56,200 --> 00:14:59,560 Speaker 1: I've heard a couple that she did from the Continuum. 294 00:15:00,000 --> 00:15:02,600 Speaker 1: You haven't heard that one one? Mean, like I near mind? Mind? 295 00:15:02,640 --> 00:15:05,800 Speaker 1: Like what's on your mind right now? Oh? I don't know, dude. Um, 296 00:15:07,280 --> 00:15:08,960 Speaker 1: people like alread you talking. I got about a hundred 297 00:15:08,960 --> 00:15:11,160 Speaker 1: things I can talk about. I just wonder what's like today. 298 00:15:11,200 --> 00:15:13,520 Speaker 1: It was Mike D's first day, like not being here 299 00:15:13,640 --> 00:15:17,000 Speaker 1: for most of the day. So I talked about before 300 00:15:17,000 --> 00:15:19,040 Speaker 1: how everybody I try to build a pipeline to get 301 00:15:19,080 --> 00:15:21,320 Speaker 1: everybody into the show that I wanted to show, and 302 00:15:21,360 --> 00:15:24,560 Speaker 1: that nobody's ever just bene like, hey, you're fully hired. 303 00:15:24,600 --> 00:15:26,840 Speaker 1: Everyone's had to like struggle to get in, including myself. 304 00:15:27,440 --> 00:15:31,120 Speaker 1: And so Morrigan worked, for lack of a better terms, 305 00:15:31,160 --> 00:15:33,160 Speaker 1: my assistant for a long time until you get her in. 306 00:15:33,520 --> 00:15:35,160 Speaker 1: And now Morgan is the full time producer and is 307 00:15:35,240 --> 00:15:37,760 Speaker 1: not working for me at all on a personal You're 308 00:15:37,840 --> 00:15:41,200 Speaker 1: running that nutty thing that's the radio show. Mike D 309 00:15:41,880 --> 00:15:44,800 Speaker 1: his answer and phones has been as my assistant. But 310 00:15:44,960 --> 00:15:47,960 Speaker 1: now Mike D's like doing all this show stuff now. 311 00:15:48,040 --> 00:15:50,040 Speaker 1: And Mike D the only time he came up here 312 00:15:50,080 --> 00:15:51,640 Speaker 1: was today to do this. This is the first day 313 00:15:51,920 --> 00:15:54,480 Speaker 1: because I you kind of graduated up and I hired 314 00:15:54,520 --> 00:15:58,680 Speaker 1: somebody new there, so everybody growing up? Man, And how 315 00:15:58,720 --> 00:16:01,440 Speaker 1: did how was it today? Yeah? What do you do 316 00:16:01,560 --> 00:16:05,120 Speaker 1: in your first day? Like when you get this haircut? Yeah, 317 00:16:05,280 --> 00:16:09,200 Speaker 1: hit at the gym, you gotta nap in dang, do 318 00:16:09,200 --> 00:16:10,840 Speaker 1: you think you can get bored? I don't think so. 319 00:16:12,120 --> 00:16:15,720 Speaker 1: Just like about Blue Apron, not all ingredients are created equal. 320 00:16:16,320 --> 00:16:18,120 Speaker 1: Right now there is a box of Blue Apron on 321 00:16:18,240 --> 00:16:20,680 Speaker 1: my counter, so that all the times. Sometimes sometimes I 322 00:16:20,680 --> 00:16:23,000 Speaker 1: say there's not there, there's right now Blue Apron for 323 00:16:23,120 --> 00:16:25,760 Speaker 1: less than ten dollars per person per mill. They deliver 324 00:16:25,840 --> 00:16:28,480 Speaker 1: seasonal recipes with preportion ingredients, and you can make home 325 00:16:28,720 --> 00:16:32,240 Speaker 1: cooked meals lots of variety, new recipes every week, or 326 00:16:32,320 --> 00:16:34,160 Speaker 1: let Blue Aprons calling ary teams probably too. They can 327 00:16:34,160 --> 00:16:36,560 Speaker 1: send your recipes. The recipes an't even repeated within a year. 328 00:16:36,800 --> 00:16:39,640 Speaker 1: You'll never get bored. Customized recipes. Each meal has a 329 00:16:39,640 --> 00:16:41,600 Speaker 1: step by step, easy to follow a recipe card and 330 00:16:41,680 --> 00:16:44,280 Speaker 1: pretty portioned ingredients that can be prepared in forty minutes 331 00:16:44,360 --> 00:16:47,360 Speaker 1: or less. And it's guaranteed that the freshness guarantee every 332 00:16:47,520 --> 00:16:50,080 Speaker 1: ingredient arrives ready to cook or they'll make it right. 333 00:16:50,120 --> 00:16:52,040 Speaker 1: But they're not gonna have to do like a lunch 334 00:16:52,080 --> 00:16:54,440 Speaker 1: boxes Blue Apron faster than I do lunch boxes Blue 335 00:16:54,440 --> 00:16:56,960 Speaker 1: Apron and neither get paid. He didn't do. I think 336 00:16:57,000 --> 00:16:59,320 Speaker 1: he pays for Blue Apron for me. I don't have 337 00:16:59,360 --> 00:17:01,600 Speaker 1: paid for it anymore because I do these I used 338 00:17:01,600 --> 00:17:03,440 Speaker 1: to pay for it, but I don't anymore just talking 339 00:17:03,520 --> 00:17:05,320 Speaker 1: on lunchboxes. I don't even think you. I should get 340 00:17:05,359 --> 00:17:08,199 Speaker 1: him a look up now, think about it. Check out 341 00:17:08,240 --> 00:17:09,680 Speaker 1: this week's man. You can get your first three meals 342 00:17:09,720 --> 00:17:12,159 Speaker 1: free with free shipping by going to Blue Apron dot 343 00:17:12,240 --> 00:17:15,520 Speaker 1: com slash Bobby Cast Blue Apron dot com slash Bobby Cast. 344 00:17:15,800 --> 00:17:18,160 Speaker 1: You'll love how good it feels and tastes Blue Apron. 345 00:17:18,160 --> 00:17:22,119 Speaker 1: Don't wait Blue Apron dot com slash Bobby Cast, but 346 00:17:22,240 --> 00:17:24,080 Speaker 1: that there you'll get that three meals for free to 347 00:17:24,119 --> 00:17:26,600 Speaker 1: Blue Apron dot Com slash Bobby Cast a better way 348 00:17:26,720 --> 00:17:28,639 Speaker 1: to cook. A lot of people are asking, like when 349 00:17:28,680 --> 00:17:31,800 Speaker 1: lunch Lunch Lunchbox gonna do the Bobby Cast Eventually? He will. 350 00:17:31,960 --> 00:17:35,560 Speaker 1: I don't. This thing's gonna last forever. I don't want 351 00:17:35,600 --> 00:17:37,919 Speaker 1: to hammer everybody in the show. I think I probably 352 00:17:37,960 --> 00:17:40,960 Speaker 1: got too many people on too quick, because I'll get 353 00:17:41,080 --> 00:17:43,520 Speaker 1: Ray up here. I get lunchboxpre first of all, and 354 00:17:43,560 --> 00:17:46,720 Speaker 1: I'll get Ray up here. I think Eddie's fun to 355 00:17:46,760 --> 00:17:50,520 Speaker 1: have come and just talk about stuff with um not. 356 00:17:50,760 --> 00:17:52,919 Speaker 1: I think everybody comes up here eventually, but I think 357 00:17:52,960 --> 00:17:54,639 Speaker 1: we need some big one for lunch Box to come 358 00:17:54,720 --> 00:17:56,800 Speaker 1: up here, but I don't think it's right now. People 359 00:17:56,800 --> 00:17:58,920 Speaker 1: are put lunchbox will be on everybody, lunchbox will be 360 00:17:59,000 --> 00:18:04,320 Speaker 1: on um another lunch box, like not even controversy. But 361 00:18:05,119 --> 00:18:07,240 Speaker 1: when I did my book, and I've talked about this before, 362 00:18:07,240 --> 00:18:09,760 Speaker 1: people asked me about it, and I did my first book, 363 00:18:09,760 --> 00:18:10,960 Speaker 1: I wrote in my second one right now, I guess 364 00:18:10,960 --> 00:18:13,919 Speaker 1: my only book. I did that book, I sent off 365 00:18:14,000 --> 00:18:18,399 Speaker 1: like three pictures to the book company. The only picture 366 00:18:18,840 --> 00:18:20,440 Speaker 1: there were two pictures. I knew they were going to 367 00:18:20,600 --> 00:18:23,440 Speaker 1: use the front picture where I'm holding the roses upside down, 368 00:18:24,200 --> 00:18:26,280 Speaker 1: and that wasn't even taken for the book. That was 369 00:18:26,400 --> 00:18:29,320 Speaker 1: taken for a Raging Idiots picture because I was just 370 00:18:29,600 --> 00:18:34,240 Speaker 1: I was I'm wearing like crappy jeans and slippers, yeah, 371 00:18:34,480 --> 00:18:36,000 Speaker 1: and I had those flowers because we were doing a 372 00:18:36,080 --> 00:18:39,040 Speaker 1: Raging Idiots um like if I was your boyfriend shoot, 373 00:18:39,400 --> 00:18:40,840 Speaker 1: and I was like, hey, let's take a picture. And 374 00:18:41,640 --> 00:18:44,119 Speaker 1: the photographer Robert and my record level took the picture 375 00:18:44,400 --> 00:18:45,639 Speaker 1: and I was like, that's gotta be the cover of 376 00:18:45,680 --> 00:18:49,200 Speaker 1: the book. And so that's how that happened. That picture. 377 00:18:49,240 --> 00:18:51,280 Speaker 1: I knew the inside picture where I'm sitting at a 378 00:18:51,320 --> 00:18:55,040 Speaker 1: picture of me just sitting at the radio. Um, it's 379 00:18:55,080 --> 00:18:57,720 Speaker 1: like microphone. Like on the first pagere of the book, 380 00:18:58,240 --> 00:19:00,520 Speaker 1: Eddie took and he didn't take it of the book, 381 00:19:00,800 --> 00:19:02,960 Speaker 1: but taken for something else. And you'll see whenever to 382 00:19:03,000 --> 00:19:05,080 Speaker 1: the credits on the front pages, this picture by Eddie Garcia. 383 00:19:05,960 --> 00:19:07,280 Speaker 1: So that was the only two pictures that I knew 384 00:19:07,320 --> 00:19:09,000 Speaker 1: were gonna be in the book, and they had me 385 00:19:09,080 --> 00:19:12,679 Speaker 1: send I'm not gonna say, three hundred hundreds of pictures 386 00:19:13,720 --> 00:19:16,240 Speaker 1: and they didn't pick any with lunch Box in them. 387 00:19:16,880 --> 00:19:19,040 Speaker 1: So people think I left lunch Box out of the book. 388 00:19:19,560 --> 00:19:22,119 Speaker 1: I don't know pictures that were gonna take ever until 389 00:19:22,440 --> 00:19:24,320 Speaker 1: I got the book back, and he wasn't any of 390 00:19:24,320 --> 00:19:26,320 Speaker 1: the pictures. I talked about him quite a bit in 391 00:19:26,320 --> 00:19:28,640 Speaker 1: the book, so it wasn't like not in the book. 392 00:19:29,119 --> 00:19:33,639 Speaker 1: But they may have used twenty pictures or so. Maybe 393 00:19:34,080 --> 00:19:36,000 Speaker 1: I don't. I haven't. I'm telling you already the thing 394 00:19:36,119 --> 00:19:38,600 Speaker 1: one time and I was done. I can't. There's one 395 00:19:39,240 --> 00:19:40,960 Speaker 1: that's extra that's laying around the house. I don't even 396 00:19:41,000 --> 00:19:46,000 Speaker 1: like looking at it. Um, it's just that that thing's weird, 397 00:19:46,040 --> 00:19:51,760 Speaker 1: and I'm writing a second one right now. Sucks, Yeah, sucks. 398 00:19:52,840 --> 00:19:56,479 Speaker 1: It's like I don't even a problem. But anyway, Lunchbox 399 00:19:56,600 --> 00:19:59,359 Speaker 1: was not left out on purpose of that. Lunchbox has 400 00:19:59,400 --> 00:20:01,520 Speaker 1: been me longer than anybody has been longer than Amy. 401 00:20:01,560 --> 00:20:03,280 Speaker 1: I mean, he's like, we've maybe got the fourteen years, 402 00:20:03,320 --> 00:20:06,480 Speaker 1: I think, And so yeah, people ask about that, and 403 00:20:06,640 --> 00:20:09,040 Speaker 1: that's the real answer. I sent a ton of pictures 404 00:20:09,680 --> 00:20:11,960 Speaker 1: and except for the first two, I didn't pick any 405 00:20:12,040 --> 00:20:15,080 Speaker 1: of them. But also when I wrote the book, my 406 00:20:15,160 --> 00:20:18,320 Speaker 1: book now bare Bones, I didn't write the exact order 407 00:20:18,359 --> 00:20:21,280 Speaker 1: of the book. I wrote it in lots of stories, 408 00:20:21,960 --> 00:20:26,320 Speaker 1: and my editor helped piece it together. And so you 409 00:20:26,400 --> 00:20:28,480 Speaker 1: think I wrote it from like beginning to end. I 410 00:20:28,560 --> 00:20:30,879 Speaker 1: wrote a lot of stories, and then she went and 411 00:20:30,960 --> 00:20:34,680 Speaker 1: took it and kind of put different like puzzle pieces, 412 00:20:35,160 --> 00:20:38,320 Speaker 1: because I didn't start it when I wrote it. How 413 00:20:38,400 --> 00:20:41,159 Speaker 1: it starts with me auditioning for a TV show with 414 00:20:41,240 --> 00:20:43,320 Speaker 1: Dean Sanders. That's how the book starts. But it was 415 00:20:43,320 --> 00:20:44,880 Speaker 1: a really interesting way to start it because I wrote 416 00:20:44,920 --> 00:20:46,879 Speaker 1: that story. But it wasn't in that way. But that's 417 00:20:46,920 --> 00:20:48,800 Speaker 1: what editors before. Anybody that writes a book, you have 418 00:20:48,880 --> 00:20:50,280 Speaker 1: to write all the time, and you send it off 419 00:20:50,320 --> 00:20:52,440 Speaker 1: to Maybe I'm just stupid. Maybe maybe they make me 420 00:20:52,520 --> 00:20:54,040 Speaker 1: do that because I know what I was doing. My 421 00:20:54,200 --> 00:20:57,359 Speaker 1: experience is writing a book, is you're right, a thousand 422 00:20:57,400 --> 00:20:58,880 Speaker 1: and two thousand words, you sent it to an editor, 423 00:20:59,080 --> 00:21:00,960 Speaker 1: they keep it till they have a about eight thousand words, 424 00:21:00,960 --> 00:21:02,120 Speaker 1: and they send it all back and go, well, there's 425 00:21:02,119 --> 00:21:04,600 Speaker 1: mostly sucks, here's the stuff that's okay, here's stuff that's not. 426 00:21:05,280 --> 00:21:07,800 Speaker 1: And then you keep going until I think my book 427 00:21:07,800 --> 00:21:10,840 Speaker 1: has to be minimum sixty words, which is a lot. 428 00:21:11,400 --> 00:21:14,200 Speaker 1: For me. It's a lot and so, but you don't 429 00:21:14,280 --> 00:21:16,640 Speaker 1: know a lot until it actually comes out. I would 430 00:21:16,640 --> 00:21:19,680 Speaker 1: imagine it's like an actor that's doing a movie and 431 00:21:19,800 --> 00:21:21,440 Speaker 1: you shoot all this stuff and you kind of don't 432 00:21:21,480 --> 00:21:24,040 Speaker 1: know what's in it until you go and watch it, 433 00:21:24,119 --> 00:21:25,920 Speaker 1: or what order it's in until you're going to watch it, 434 00:21:25,960 --> 00:21:29,119 Speaker 1: becauld you shoot it all out of order to right 435 00:21:29,200 --> 00:21:31,000 Speaker 1: and yes, or a TV show when you don't get 436 00:21:31,040 --> 00:21:32,680 Speaker 1: the full script or you don't know how it ends. 437 00:21:33,320 --> 00:21:34,600 Speaker 1: But that was that, and I'm in the middle of 438 00:21:34,640 --> 00:21:37,800 Speaker 1: right in the second book now, and it's I didn't 439 00:21:37,960 --> 00:21:39,480 Speaker 1: I forget what I've talked about on the radio show. 440 00:21:39,480 --> 00:21:41,600 Speaker 1: I want to talk about here. But when it came 441 00:21:41,640 --> 00:21:44,920 Speaker 1: down to writing the second book, I wanted to write, 442 00:21:44,960 --> 00:21:46,320 Speaker 1: and that's what this is what I ended up doing. 443 00:21:46,400 --> 00:21:51,000 Speaker 1: My TED talk on UM was winning by losing, which 444 00:21:51,080 --> 00:21:54,479 Speaker 1: just means you should allow yourself to screw up as 445 00:21:54,560 --> 00:21:57,080 Speaker 1: much as you possibly can. That means you're chasing things 446 00:21:57,160 --> 00:21:59,600 Speaker 1: like chase away and don't be afraid to fail because 447 00:21:59,640 --> 00:22:02,760 Speaker 1: when you fail, you actually learn, and if you really 448 00:22:02,800 --> 00:22:04,920 Speaker 1: want it, you'll keep failing and you'll keep learning until 449 00:22:04,960 --> 00:22:07,000 Speaker 1: you get it. Like I believe that it's if it's 450 00:22:07,000 --> 00:22:10,440 Speaker 1: physically possible that you can do it. You're not gonna 451 00:22:10,520 --> 00:22:12,880 Speaker 1: dunk a basketball. If you're five two and can't jump, 452 00:22:13,720 --> 00:22:15,520 Speaker 1: I don't you know, you're not going to it. So 453 00:22:15,600 --> 00:22:18,000 Speaker 1: I don't believe anything is possible. But I do believe 454 00:22:18,040 --> 00:22:22,000 Speaker 1: it's if it's physically possible and you really want it, 455 00:22:22,520 --> 00:22:24,600 Speaker 1: you've got a great shot if you just continue to 456 00:22:25,040 --> 00:22:27,920 Speaker 1: go after it. And so that's what I was in 457 00:22:28,000 --> 00:22:30,000 Speaker 1: the book on and so that's what I did my 458 00:22:30,080 --> 00:22:34,440 Speaker 1: TED talk on And the beauty of the TED talk 459 00:22:34,680 --> 00:22:37,680 Speaker 1: was is that has screwed up all during the TED 460 00:22:37,720 --> 00:22:38,840 Speaker 1: talk And this will be the only time that I 461 00:22:38,960 --> 00:22:41,600 Speaker 1: talked about this in long form, because at first my 462 00:22:41,680 --> 00:22:43,280 Speaker 1: goal was for no one to notice and for it 463 00:22:43,400 --> 00:22:45,640 Speaker 1: to come out, and then people debate on what's real 464 00:22:45,720 --> 00:22:49,200 Speaker 1: and what wasn't and so, and I touched on this 465 00:22:49,320 --> 00:22:51,080 Speaker 1: in the radio show a bit, but the whole talk 466 00:22:51,200 --> 00:22:53,600 Speaker 1: was about it's okay to screw up, like screw up 467 00:22:53,600 --> 00:22:56,120 Speaker 1: a lot. And I started the talk the Ted Talk, 468 00:22:56,200 --> 00:23:00,840 Speaker 1: by saying I sent a talk into Ted an idea, 469 00:23:01,240 --> 00:23:04,720 Speaker 1: and they rejected me. And so then I sent them 470 00:23:04,760 --> 00:23:07,080 Speaker 1: a talk on rejection and failure and they accepted me. 471 00:23:09,640 --> 00:23:15,880 Speaker 1: And the whole thing was hand drawn. Look, crappy drawings 472 00:23:16,480 --> 00:23:22,200 Speaker 1: and maps that weren't drawn to scale, and misspelled word 473 00:23:22,520 --> 00:23:26,159 Speaker 1: and a broken microphone. Like here's the thing. When it 474 00:23:26,240 --> 00:23:28,040 Speaker 1: comes out on video, you'll see the mics on a 475 00:23:28,080 --> 00:23:30,240 Speaker 1: TED Talk, you word on your ear and the microphones 476 00:23:30,240 --> 00:23:32,639 Speaker 1: is wrapped around your ear like a wire. It's putting 477 00:23:32,640 --> 00:23:36,080 Speaker 1: their pretty good and it has this wire that comes 478 00:23:36,119 --> 00:23:38,680 Speaker 1: down with the microphone at the bottom of it. I'm 479 00:23:38,720 --> 00:23:40,520 Speaker 1: giving away all my secrets here, but that's okay. If 480 00:23:40,560 --> 00:23:42,240 Speaker 1: you're listening to this, you deserve to hear the secrets. 481 00:23:42,240 --> 00:23:43,960 Speaker 1: I feel like this is the secret place where I 482 00:23:44,000 --> 00:23:45,720 Speaker 1: can come with people. If you're listening to this and 483 00:23:45,720 --> 00:23:47,119 Speaker 1: you're this fine to it, you deserve to hear the 484 00:23:47,160 --> 00:23:50,520 Speaker 1: secrets because there's only a small percentage that care enough 485 00:23:50,560 --> 00:23:52,040 Speaker 1: want to listen to this podcasts who to get this 486 00:23:52,119 --> 00:23:55,320 Speaker 1: deep end Like, I appreciate you if you're listening right now, 487 00:23:55,359 --> 00:23:56,879 Speaker 1: and that's why I feel like if you listen to this, 488 00:23:56,920 --> 00:24:00,320 Speaker 1: you should know the secrets you'll see on it. My 489 00:24:00,440 --> 00:24:02,720 Speaker 1: microphone falls off at the end and I have to 490 00:24:02,800 --> 00:24:05,160 Speaker 1: like adjust and fix it, and it won't fix exactly, 491 00:24:05,560 --> 00:24:07,200 Speaker 1: and so I take it and I just use my hand. 492 00:24:07,240 --> 00:24:08,719 Speaker 1: It looks like the whole thing is falling apart all 493 00:24:08,720 --> 00:24:12,359 Speaker 1: throughout the show, and it's all I planned. I planned 494 00:24:12,400 --> 00:24:14,240 Speaker 1: the whole thing, but I wanted to show you could 495 00:24:14,320 --> 00:24:16,520 Speaker 1: keep screwing up and keep going, even at the end 496 00:24:16,560 --> 00:24:18,119 Speaker 1: when the microphone falls off my ear and I and 497 00:24:18,160 --> 00:24:19,800 Speaker 1: I have to hold my use it with my hand 498 00:24:20,520 --> 00:24:23,200 Speaker 1: and it's tiny, and I'm like, huh, so my microphone 499 00:24:23,280 --> 00:24:25,639 Speaker 1: is broken. It was all the proof that you can 500 00:24:25,720 --> 00:24:30,720 Speaker 1: screw up and make something still work. And so I, 501 00:24:31,200 --> 00:24:33,960 Speaker 1: like an idiot, posted a picture of one of the 502 00:24:34,000 --> 00:24:37,679 Speaker 1: misspelled words, and that's where I should have never posted 503 00:24:37,760 --> 00:24:40,760 Speaker 1: on my Instagram that how do I be successful? Picture? 504 00:24:41,119 --> 00:24:42,720 Speaker 1: Because the people are like, oh, you misspelled it, and 505 00:24:42,760 --> 00:24:45,400 Speaker 1: then I had to kind of explain what happened, like, yeah, 506 00:24:45,440 --> 00:24:47,720 Speaker 1: I misspelled it. It was you'd be the judge if 507 00:24:47,720 --> 00:24:49,639 Speaker 1: I was on purpose or not. I'm just saying to 508 00:24:49,680 --> 00:24:52,240 Speaker 1: this podcast that you'll see if you watch it, the 509 00:24:52,320 --> 00:24:55,400 Speaker 1: whole thing is done to suck, but at the same 510 00:24:55,440 --> 00:24:57,359 Speaker 1: time to show you can be successful while sucking and 511 00:24:57,560 --> 00:25:00,160 Speaker 1: to keep trying. But I'm gonna talk about that and more. 512 00:25:00,240 --> 00:25:02,520 Speaker 1: This is the only time because I really wanted there 513 00:25:02,560 --> 00:25:06,040 Speaker 1: to be a debate on if I was really that 514 00:25:06,200 --> 00:25:10,320 Speaker 1: stupid or if that was on purpose and both. The 515 00:25:10,359 --> 00:25:14,119 Speaker 1: answer really is both. I am pretty stupid. Um, but 516 00:25:15,000 --> 00:25:18,879 Speaker 1: those parts were on purpose, and so yeah, it was 517 00:25:19,640 --> 00:25:22,800 Speaker 1: that was fun. That was I got a little bit 518 00:25:22,960 --> 00:25:30,199 Speaker 1: nervous just because it was academic kind No, not intimidated 519 00:25:32,119 --> 00:25:35,879 Speaker 1: for me. I do stand up and I'll do motivational talks. 520 00:25:36,600 --> 00:25:40,000 Speaker 1: I felt like in the middle of all these really 521 00:25:40,680 --> 00:25:43,800 Speaker 1: smart talks, it had to be a little bit of both, 522 00:25:44,920 --> 00:25:47,520 Speaker 1: because people didn't expect me to come out and nail 523 00:25:47,560 --> 00:25:51,520 Speaker 1: them with geography the history of the bones of the 524 00:25:51,560 --> 00:25:56,040 Speaker 1: fourteenth century Homo sapien, Do you expect a little bit 525 00:25:56,040 --> 00:25:58,240 Speaker 1: of humor? And so I kind of felt like I 526 00:25:58,320 --> 00:26:02,440 Speaker 1: needed to one give knowledge and inspire and be funny. 527 00:26:03,000 --> 00:26:04,680 Speaker 1: And I was like wow, and I was really, there's 528 00:26:04,680 --> 00:26:06,080 Speaker 1: a lot of pressure I put on myself because I 529 00:26:06,200 --> 00:26:08,560 Speaker 1: really wanted to do that, so some of it was 530 00:26:08,600 --> 00:26:12,719 Speaker 1: self inflicted and before. But I don't really get nervous 531 00:26:12,840 --> 00:26:15,160 Speaker 1: before I perform anymore because I've screwed up so many 532 00:26:15,240 --> 00:26:18,080 Speaker 1: times that I've done as bad as you can do. 533 00:26:18,440 --> 00:26:20,480 Speaker 1: I mean, do you remember the Jason Now with anything? 534 00:26:20,520 --> 00:26:23,840 Speaker 1: I was like, do you ever that flipped? Like I've 535 00:26:23,920 --> 00:26:26,920 Speaker 1: done as stupid as stuff as you can do. Yeah, 536 00:26:27,320 --> 00:26:30,639 Speaker 1: I mean you couldn't get so that part of it. 537 00:26:30,680 --> 00:26:32,399 Speaker 1: But I think because it meant so much. And I 538 00:26:32,440 --> 00:26:34,119 Speaker 1: always tell people they are going to perform before they 539 00:26:34,119 --> 00:26:36,760 Speaker 1: get nervous, like it's awesome that you're nervous, because this 540 00:26:36,920 --> 00:26:39,840 Speaker 1: means something, because if you're not nervous, who cares? And 541 00:26:39,920 --> 00:26:42,880 Speaker 1: the means anything. If you're nervous, if you have if 542 00:26:42,920 --> 00:26:44,760 Speaker 1: you feel your heart beat in your neck, if you 543 00:26:44,840 --> 00:26:46,879 Speaker 1: feel your heart beat in your wrist before you go 544 00:26:47,000 --> 00:26:51,879 Speaker 1: do something, that's because it means something. What does it mean? 545 00:26:52,280 --> 00:26:53,960 Speaker 1: I don't know. Maybe it's that you're not comfortable with 546 00:26:54,040 --> 00:26:55,920 Speaker 1: it and it's you got up grade maybe you have 547 00:26:56,040 --> 00:26:57,680 Speaker 1: to go speak and you're gonna get an eighth thro f. 548 00:26:58,080 --> 00:26:59,840 Speaker 1: Maybe it means that. Maybe it means you have present, 549 00:27:00,000 --> 00:27:01,280 Speaker 1: you know work, you get to pull off and you 550 00:27:01,320 --> 00:27:02,560 Speaker 1: don't want to look down in front of the boss. 551 00:27:02,760 --> 00:27:04,239 Speaker 1: Maybe it means you got a record coming out, you're 552 00:27:04,240 --> 00:27:05,920 Speaker 1: gonna play a big performance in front of you know, 553 00:27:06,040 --> 00:27:10,199 Speaker 1: thousands of people. It's all different, but if you're nervous 554 00:27:10,240 --> 00:27:12,120 Speaker 1: about it, it's because it means something good or bad. 555 00:27:13,240 --> 00:27:15,240 Speaker 1: You can be bad. Like I went to the doctor 556 00:27:15,400 --> 00:27:21,080 Speaker 1: on last week and I did my vein. I had flown. 557 00:27:21,800 --> 00:27:24,480 Speaker 1: And so my main doctor is still in Austin for 558 00:27:24,600 --> 00:27:27,320 Speaker 1: four years. Crazy. I love my doctor in Austin, so 559 00:27:27,400 --> 00:27:31,000 Speaker 1: I haven't changed. So my doctor is still. However many 560 00:27:31,040 --> 00:27:33,879 Speaker 1: miles it is from Nashville to Austin away. And so 561 00:27:34,400 --> 00:27:36,760 Speaker 1: I went and I was gonna get some blood work 562 00:27:36,800 --> 00:27:40,040 Speaker 1: done because I've purposely lost and I've kept myself and 563 00:27:40,080 --> 00:27:42,840 Speaker 1: about ten pounds below my normal weight. I think, I wait, 564 00:27:42,920 --> 00:27:47,680 Speaker 1: this morning was one, I'm six ft a little more 565 00:27:47,720 --> 00:27:49,360 Speaker 1: if I have the right shoes on him six one, 566 00:27:50,600 --> 00:27:56,040 Speaker 1: but immediately six ft one right now and like one eight, 567 00:27:56,200 --> 00:27:58,879 Speaker 1: So I'm I'm about ten ten pounds lighter, because in 568 00:27:58,880 --> 00:28:00,560 Speaker 1: the next few weeks, I'm gonna know if the stupid 569 00:28:00,600 --> 00:28:02,680 Speaker 1: TV thing that we've been adjusting for the past nine 570 00:28:02,760 --> 00:28:04,440 Speaker 1: months is gonna work or I've have been saying that forever. 571 00:28:04,520 --> 00:28:07,560 Speaker 1: But we have another form. Like we did a version 572 00:28:07,600 --> 00:28:11,760 Speaker 1: of the show. We liked it, the network didn't. We 573 00:28:11,800 --> 00:28:14,600 Speaker 1: another version of the show. The network liked it, we didn't. 574 00:28:15,160 --> 00:28:17,040 Speaker 1: Now we have one way of another one. We've kind 575 00:28:17,040 --> 00:28:20,760 Speaker 1: of met in the middle one and we're gonna see 576 00:28:20,840 --> 00:28:23,920 Speaker 1: what happens and it doesn't matter who, what where. But 577 00:28:24,080 --> 00:28:25,840 Speaker 1: it could not work, and we just started from scratch 578 00:28:25,880 --> 00:28:28,000 Speaker 1: to start over again. But I've kept my weight down 579 00:28:28,040 --> 00:28:30,920 Speaker 1: because if it starts, it just starts. It's like, Okay, 580 00:28:30,920 --> 00:28:33,159 Speaker 1: we got the show, let's go um. And so I 581 00:28:33,200 --> 00:28:35,960 Speaker 1: kept a way down. But when I've lost this weight, 582 00:28:36,920 --> 00:28:39,479 Speaker 1: I feel weak and like and I don't know if 583 00:28:39,560 --> 00:28:41,360 Speaker 1: it's because I don't have weight or if it's because 584 00:28:41,360 --> 00:28:43,840 Speaker 1: I'm getting older. But had all this blood work done, 585 00:28:43,880 --> 00:28:47,640 Speaker 1: a little nervous about what comes back. Okay, I'm always 586 00:28:47,680 --> 00:28:48,880 Speaker 1: nervous when I go to the doctor. I never went 587 00:28:48,920 --> 00:28:51,760 Speaker 1: to the doctor growing up, so the doctor makes me nervous. 588 00:28:51,880 --> 00:28:53,320 Speaker 1: The dentist makes me nervous, and never went to the 589 00:28:53,400 --> 00:28:57,080 Speaker 1: dentist ever, and tell us in my twenties and you know, 590 00:28:57,200 --> 00:29:01,920 Speaker 1: until I could afford insurance when I was twenty five 591 00:29:02,040 --> 00:29:04,640 Speaker 1: or twenty six, I never went to the dentist. And 592 00:29:04,840 --> 00:29:07,600 Speaker 1: so when you grew up, you know, you didn't go 593 00:29:07,600 --> 00:29:09,080 Speaker 1: to the doctor where I came from. You just fix 594 00:29:09,160 --> 00:29:11,880 Speaker 1: it at home. But yeah, I'm I'm nervous about that, 595 00:29:11,880 --> 00:29:13,600 Speaker 1: so because it means something. The point is, if you 596 00:29:13,640 --> 00:29:16,360 Speaker 1: get nervous, that's because it means something. So I embraced 597 00:29:16,400 --> 00:29:20,360 Speaker 1: the nerves and know that having nerves is awesome because no, 598 00:29:20,440 --> 00:29:22,800 Speaker 1: I don't know, it's like you got like, you know, 599 00:29:23,080 --> 00:29:28,200 Speaker 1: HERB test. Yeah, but if you have nerves for yeah, 600 00:29:28,360 --> 00:29:30,560 Speaker 1: Like I embraced nerves. But I was a little nervous 601 00:29:30,640 --> 00:29:32,680 Speaker 1: because it meant something to me. And I say a 602 00:29:32,720 --> 00:29:37,880 Speaker 1: little nervous, like, but I walked out. And luckily I'm 603 00:29:37,920 --> 00:29:41,120 Speaker 1: comfortable on stage because I've been doing stand up and 604 00:29:41,160 --> 00:29:42,840 Speaker 1: I can pull myself off stage for four months and 605 00:29:42,880 --> 00:29:45,400 Speaker 1: then it's kind of a if you're readjusting it comfortable again. 606 00:29:47,000 --> 00:29:48,720 Speaker 1: But I've been on the road so much join stand 607 00:29:48,760 --> 00:29:50,800 Speaker 1: up that I felt comfortable pretty quickly and I gotta 608 00:29:50,880 --> 00:29:53,840 Speaker 1: laugh immediately, and it's like, don't you get that first one. 609 00:29:53,880 --> 00:29:56,640 Speaker 1: You're like, Okay, I can do this. They don't hate me. 610 00:29:56,960 --> 00:29:59,880 Speaker 1: It's like I'm back in junior high again. It's like, okay, 611 00:30:00,000 --> 00:30:03,360 Speaker 1: they liked me. I kind of fit in for a second, 612 00:30:03,440 --> 00:30:05,160 Speaker 1: so let me do it. And I followed like someone 613 00:30:05,200 --> 00:30:07,680 Speaker 1: who had won like a Pulitzer Prize or or the 614 00:30:08,120 --> 00:30:12,800 Speaker 1: Time magazine Photo of the Year. And then the person 615 00:30:12,880 --> 00:30:15,720 Speaker 1: after me was doing a thing on like robotics and 616 00:30:16,440 --> 00:30:18,920 Speaker 1: and the human body and prosthetics is to me, And 617 00:30:18,960 --> 00:30:22,200 Speaker 1: in the middle of freaking radio DJ who got lucky 618 00:30:22,280 --> 00:30:25,360 Speaker 1: writing a book and who's a mediocre singer and just 619 00:30:25,520 --> 00:30:28,680 Speaker 1: kind of funny, and it's like, hey, I am And 620 00:30:28,800 --> 00:30:32,000 Speaker 1: so I really felt like everybody was like what is 621 00:30:32,040 --> 00:30:33,280 Speaker 1: this guy doing? So I feel like I had to 622 00:30:33,320 --> 00:30:35,400 Speaker 1: hit it. And I felt like it was pretty good, 623 00:30:35,400 --> 00:30:37,400 Speaker 1: like I would give myself passing grade and I have 624 00:30:37,480 --> 00:30:41,160 Speaker 1: my own worst credit. Good god, um, but I I 625 00:30:41,320 --> 00:30:45,800 Speaker 1: came off not hating myself, and a lot of times 626 00:30:45,840 --> 00:30:47,960 Speaker 1: I come off and just be disgusted with myself and 627 00:30:48,000 --> 00:30:53,520 Speaker 1: I have to stop doing that. And you never know 628 00:30:54,560 --> 00:30:59,920 Speaker 1: really if it was good or not because somebody comes 629 00:31:00,040 --> 00:31:04,640 Speaker 1: off and and I have friends at performing something off stage, 630 00:31:04,680 --> 00:31:06,720 Speaker 1: and I there are nights I'm off, I had an 631 00:31:06,760 --> 00:31:09,760 Speaker 1: off night and Raley a couple of weeks ago, and 632 00:31:09,840 --> 00:31:11,480 Speaker 1: they're nights when if and I just know it wasn't 633 00:31:11,520 --> 00:31:13,320 Speaker 1: good and people are like, hey, you know what that 634 00:31:13,440 --> 00:31:17,920 Speaker 1: was good? Like oh, stop, Like, don't tell me because 635 00:31:17,920 --> 00:31:21,080 Speaker 1: I'll never believe you now, you know if you can say, hey, 636 00:31:21,160 --> 00:31:24,600 Speaker 1: this this one part here was good. Um, yeah there 637 00:31:24,640 --> 00:31:27,000 Speaker 1: was a part here, if I'm asking, like for me, 638 00:31:27,520 --> 00:31:29,280 Speaker 1: The weirdest thing is if I finished the show and 639 00:31:29,400 --> 00:31:32,480 Speaker 1: let's say Rod, my boss who's over all the I 640 00:31:32,600 --> 00:31:36,480 Speaker 1: Heart stations, Country stations, it comes in and he goes, Wow, 641 00:31:36,600 --> 00:31:39,200 Speaker 1: what a good show today. I'm like, why didn't you 642 00:31:39,240 --> 00:31:41,600 Speaker 1: stay that on Tuesday? Is that not a good show? 643 00:31:43,160 --> 00:31:44,920 Speaker 1: Because he only says that when he really means it. 644 00:31:45,800 --> 00:31:48,560 Speaker 1: So I am way to my into my own head, 645 00:31:48,800 --> 00:31:50,160 Speaker 1: and I as I talked it out a lot of 646 00:31:50,200 --> 00:31:52,880 Speaker 1: it like like crazy, I actually am. But I wish 647 00:31:52,920 --> 00:31:55,400 Speaker 1: I could be more like Eddie. At times Edie never 648 00:31:55,400 --> 00:31:57,240 Speaker 1: were talking about this day. Edie's like, I have no stress. 649 00:31:59,320 --> 00:32:02,400 Speaker 1: Lunchbox has two was like I have no stress about 650 00:32:02,480 --> 00:32:04,440 Speaker 1: any sort of is there just like we just live 651 00:32:04,520 --> 00:32:08,800 Speaker 1: life and like I have such anxiety about everything, But 652 00:32:08,880 --> 00:32:11,520 Speaker 1: I guess that's why we are like who we are. 653 00:32:12,760 --> 00:32:14,520 Speaker 1: If I have anxiety everything, I probably want to do 654 00:32:14,560 --> 00:32:17,880 Speaker 1: a hundred things. Um, eventually I'm just gonna compised and 655 00:32:18,000 --> 00:32:23,360 Speaker 1: die thirty two minutes in. Uh. Is there anything else 656 00:32:23,400 --> 00:32:25,360 Speaker 1: that I wanted to talk about because I just wanted 657 00:32:25,360 --> 00:32:26,680 Speaker 1: to hop on. It have been a week before we've 658 00:32:26,680 --> 00:32:30,880 Speaker 1: done another one. UM, so if you're coming to Nashville, 659 00:32:30,960 --> 00:32:33,600 Speaker 1: you're in Nashville. I have a stand up comedy show 660 00:32:33,640 --> 00:32:37,360 Speaker 1: in April in Nashville. It's the one that I'm doing. 661 00:32:37,480 --> 00:32:39,840 Speaker 1: I wanted to do a show in Nashville. Um, I 662 00:32:39,880 --> 00:32:42,239 Speaker 1: did a couple of like workshop shows or I went 663 00:32:42,240 --> 00:32:44,160 Speaker 1: out and practice stuff, a couple of shows for small theater. 664 00:32:44,400 --> 00:32:46,680 Speaker 1: But I'm doing one in actual the city. And so 665 00:32:46,840 --> 00:32:50,520 Speaker 1: that's um April twenty something. But you can go to 666 00:32:50,560 --> 00:32:53,479 Speaker 1: Bobby Bones Comedy dot com. Pretty much all the other 667 00:32:53,600 --> 00:32:55,640 Speaker 1: shows are sold out. We're trying to get some more 668 00:32:55,720 --> 00:32:59,040 Speaker 1: dates put on. The reason that I haven't done because 669 00:32:59,040 --> 00:33:00,560 Speaker 1: a lot of people in Austin was a why why 670 00:33:00,600 --> 00:33:04,560 Speaker 1: haven't you done Austin? You've done Boston, Sacramento, and all 671 00:33:04,600 --> 00:33:07,720 Speaker 1: these are the cities well, because we had a Raging 672 00:33:07,720 --> 00:33:10,200 Speaker 1: Idiot show at the Rodeo that we were committed to 673 00:33:10,280 --> 00:33:12,760 Speaker 1: and there's a radius time clause when you do shows, 674 00:33:12,760 --> 00:33:14,960 Speaker 1: you can't do something like x months before or after, 675 00:33:15,600 --> 00:33:17,800 Speaker 1: and we committed to that show a long time prior, 676 00:33:18,840 --> 00:33:21,000 Speaker 1: and so we the Regia and then we're playing a 677 00:33:21,120 --> 00:33:23,880 Speaker 1: hard country in May and kind of the same thing. 678 00:33:24,000 --> 00:33:27,240 Speaker 1: We can't do something, so eventually we'll be back. I'm 679 00:33:27,240 --> 00:33:29,440 Speaker 1: trying to get everywhere, and that's the goal. We're gonna 680 00:33:29,440 --> 00:33:32,160 Speaker 1: shoot a special um, but we're trying to hit as 681 00:33:32,200 --> 00:33:35,200 Speaker 1: many cities as possible, even like Oklahoma City and Tulsa. 682 00:33:35,360 --> 00:33:36,720 Speaker 1: Like I'm trying to get everywhere. I just like to 683 00:33:36,720 --> 00:33:39,480 Speaker 1: see people's faces too. It always reminds me who I'm 684 00:33:39,520 --> 00:33:42,000 Speaker 1: talking to. Like it's the weirdest thing I write, you 685 00:33:42,040 --> 00:33:45,120 Speaker 1: know what I'm saying. It really is, because we sit 686 00:33:45,160 --> 00:33:47,200 Speaker 1: in our room with each other and talk to each other, 687 00:33:47,680 --> 00:33:50,840 Speaker 1: and you just you never forget who you're talking to. 688 00:33:51,400 --> 00:33:55,040 Speaker 1: But it's always awesome for just to punch you in 689 00:33:55,080 --> 00:33:58,040 Speaker 1: the face again that you're talking to real humans every 690 00:33:58,040 --> 00:33:59,920 Speaker 1: single day, because sometimes we just feel and I think 691 00:34:00,040 --> 00:34:02,360 Speaker 1: the beauty of the show. At times, we're just talking 692 00:34:02,360 --> 00:34:03,840 Speaker 1: to each other, right, Like we're just talking to each 693 00:34:03,840 --> 00:34:05,520 Speaker 1: other and there's nothing really in our way. We're just 694 00:34:05,640 --> 00:34:07,480 Speaker 1: much friends. That's why sometimes the show is awful. That's 695 00:34:07,480 --> 00:34:10,239 Speaker 1: why this Sometimes the show was really good, and there's 696 00:34:10,280 --> 00:34:11,920 Speaker 1: not a lot of middle bits with us. There are 697 00:34:11,920 --> 00:34:14,960 Speaker 1: they're really good or really bad, And the success of 698 00:34:14,960 --> 00:34:16,400 Speaker 1: our show is we're just a much friends sitting in 699 00:34:16,440 --> 00:34:18,919 Speaker 1: a room. But when I get to go to these shows, 700 00:34:18,960 --> 00:34:20,880 Speaker 1: I go out and I meet the people who actually 701 00:34:20,960 --> 00:34:23,520 Speaker 1: listen to a bunch of friends talking and it's like 702 00:34:24,960 --> 00:34:27,880 Speaker 1: it's really cool, and like it makes it three D. 703 00:34:28,239 --> 00:34:30,680 Speaker 1: Makes the radio show three D to me because I 704 00:34:30,840 --> 00:34:33,480 Speaker 1: never until I started going on the road all the time. 705 00:34:33,520 --> 00:34:36,720 Speaker 1: I never really you just you get in your habit. 706 00:34:37,440 --> 00:34:40,920 Speaker 1: You're at home, I wrap my stupid little book, I practice, 707 00:34:40,960 --> 00:34:44,160 Speaker 1: I work out, I get ready for the next show. 708 00:34:45,320 --> 00:34:46,640 Speaker 1: But when you go on the road, I get to 709 00:34:46,719 --> 00:34:51,120 Speaker 1: meet literally hundreds of people every weekend listen to the show, 710 00:34:51,200 --> 00:34:53,120 Speaker 1: and they tell you what they like and sometimes they 711 00:34:53,160 --> 00:34:55,520 Speaker 1: don't like, and it's like okay, and it just kind 712 00:34:55,560 --> 00:34:58,680 Speaker 1: of resets me, like, oh, she listens with their kids. 713 00:34:59,280 --> 00:35:01,120 Speaker 1: You know, it's seven twenties. She listens all the time 714 00:35:01,200 --> 00:35:03,200 Speaker 1: or she hears tell me something good every morning, and 715 00:35:03,320 --> 00:35:05,799 Speaker 1: so I mean it. I think it makes a show 716 00:35:05,920 --> 00:35:08,960 Speaker 1: better because it doesn't. It takes me out of the bubble. 717 00:35:09,239 --> 00:35:12,120 Speaker 1: Sometimes I get tired on a Monday. I commend probably 718 00:35:12,320 --> 00:35:17,040 Speaker 1: Dragon Butt a little bit um and the weeks because 719 00:35:17,080 --> 00:35:18,960 Speaker 1: I'll usually do twenty seven days on and then a 720 00:35:19,080 --> 00:35:21,239 Speaker 1: day off because it's Sundays or travel days, and that 721 00:35:21,560 --> 00:35:23,279 Speaker 1: that's a day on for me because it's not a 722 00:35:23,480 --> 00:35:26,400 Speaker 1: day arrest, Like I won't get into one two pm. 723 00:35:26,640 --> 00:35:29,320 Speaker 1: So the whole day has been traveling. It's actually twenty 724 00:35:29,360 --> 00:35:32,640 Speaker 1: seven days on and a then a day off. But yeah, 725 00:35:33,040 --> 00:35:35,520 Speaker 1: so Bobby Bones Comedy dot com. But we're announcing a 726 00:35:35,600 --> 00:35:39,000 Speaker 1: whole new set of shows. We did not expect the 727 00:35:39,080 --> 00:35:44,320 Speaker 1: comedy tour to be just to be as successful ticket 728 00:35:44,400 --> 00:35:48,920 Speaker 1: wise as it is, and it's actually going pretty well too. 729 00:35:48,960 --> 00:35:51,520 Speaker 1: I wouldn't tell you to come if I think it's 730 00:35:51,560 --> 00:35:54,880 Speaker 1: an entertaining show, because if it wasn't, I'd be like, 731 00:35:54,920 --> 00:35:56,359 Speaker 1: you know what, I'll just go back and do regging 732 00:35:56,360 --> 00:36:00,640 Speaker 1: idiot stuff because that's that's like a ball of fire. 733 00:36:01,400 --> 00:36:04,080 Speaker 1: That's not even that good. It's just fun as crap 734 00:36:04,680 --> 00:36:07,080 Speaker 1: like I used to be like Regie idiots sucked. I 735 00:36:07,080 --> 00:36:08,840 Speaker 1: don't even say anymore. It's just like the Regings is 736 00:36:08,840 --> 00:36:10,239 Speaker 1: the most fun. It's one of the most fun jokes. 737 00:36:10,239 --> 00:36:12,320 Speaker 1: You'll go too. Because we don't take yourself seriously. We 738 00:36:12,440 --> 00:36:14,879 Speaker 1: play a bunch of covers. We are I mean, it's 739 00:36:14,880 --> 00:36:19,520 Speaker 1: out of control. I laugh at our band. You didn't 740 00:36:19,560 --> 00:36:22,880 Speaker 1: go to the rodeo. But at one point, because I 741 00:36:22,920 --> 00:36:24,640 Speaker 1: don't know, no one even knows the set list, and 742 00:36:24,800 --> 00:36:27,640 Speaker 1: it's the different cast of characters every show, and sometimes 743 00:36:27,640 --> 00:36:30,680 Speaker 1: I'll just say, hey, because we can all we can 744 00:36:30,719 --> 00:36:32,080 Speaker 1: talk to each other on stage and no one can 745 00:36:32,160 --> 00:36:36,440 Speaker 1: hear us. I'll be like, let's try Tonic if you 746 00:36:36,520 --> 00:36:39,200 Speaker 1: could only see and I like, huh, I don't even 747 00:36:39,239 --> 00:36:40,960 Speaker 1: if I know that song, and I just started. If 748 00:36:41,000 --> 00:36:43,800 Speaker 1: you get on, let's see either way she loves you 749 00:36:43,880 --> 00:36:47,160 Speaker 1: have song, maybe find a way. No, I'll play it 750 00:36:47,200 --> 00:36:48,879 Speaker 1: for you, but anyway, it's just an example of a song. 751 00:36:49,160 --> 00:36:50,919 Speaker 1: And then people that know what jump into people that don't, 752 00:36:50,920 --> 00:36:53,000 Speaker 1: and we just kind of go. We have really good 753 00:36:53,040 --> 00:36:55,440 Speaker 1: players too. If it's not at Lee stove All or 754 00:36:55,480 --> 00:36:57,239 Speaker 1: Brandon Ray or Lindsay Go, I have a drummer in 755 00:36:57,239 --> 00:36:59,719 Speaker 1: the basis they're always in the band, but they stay 756 00:36:59,760 --> 00:37:01,600 Speaker 1: and nobody else kind of rotates out with Eddie and I. 757 00:37:02,280 --> 00:37:04,160 Speaker 1: So you'll know this tonic song when I play it 758 00:37:04,239 --> 00:37:10,600 Speaker 1: here if you get on less see no no huge 759 00:37:10,680 --> 00:37:20,480 Speaker 1: hit baby A stand Why I feel this sweet about hello? Nothing? 760 00:37:21,400 --> 00:37:23,640 Speaker 1: What I must do? Maybe I should have used the 761 00:37:23,680 --> 00:37:27,280 Speaker 1: Egli Cherry reference, been like, hey, Egli Cherry saved Tonight? 762 00:37:27,680 --> 00:37:31,839 Speaker 1: Do you know that one? One? I know? Save Tonight? Five? 763 00:37:31,920 --> 00:37:34,120 Speaker 1: The break of Dot yeah dah. That was a jamp here. 764 00:37:35,200 --> 00:37:39,520 Speaker 1: So anyway, if he my point is I don't know 765 00:37:39,600 --> 00:37:42,480 Speaker 1: what point. It was fun. We played the Rodeo and 766 00:37:42,600 --> 00:37:45,680 Speaker 1: the stage turned rotating stage. I get cars, I get 767 00:37:45,719 --> 00:37:47,560 Speaker 1: elevator sick, I get sick. We'll look at my phone, 768 00:37:47,880 --> 00:37:50,440 Speaker 1: even if I'm walking and swiping, I'll get motion sickness. 769 00:37:51,520 --> 00:37:54,600 Speaker 1: And so the stage rotated thirty minutes one way, then 770 00:37:54,680 --> 00:37:57,399 Speaker 1: thirty minutes the other way, and it never stopped moving, 771 00:37:57,480 --> 00:37:58,759 Speaker 1: so you never knew where you work because it was 772 00:37:58,800 --> 00:38:01,560 Speaker 1: all dark around. He was an arena circle, so you 773 00:38:01,719 --> 00:38:04,640 Speaker 1: never knew where you were. And it was so weird, 774 00:38:05,520 --> 00:38:07,719 Speaker 1: and I was trying to avoid motion sickness. I would 775 00:38:07,760 --> 00:38:10,000 Speaker 1: look down to the speaker and stare down and then 776 00:38:10,040 --> 00:38:11,760 Speaker 1: I would look up a bit because there were cameras 777 00:38:11,800 --> 00:38:13,120 Speaker 1: on it. There are thousands of people. Did they come 778 00:38:13,160 --> 00:38:14,799 Speaker 1: to what it was crazy and that people that come 779 00:38:14,800 --> 00:38:16,440 Speaker 1: to these shows, but they really are a lot of fun. 780 00:38:17,160 --> 00:38:20,759 Speaker 1: And so you're on this stage and we're in the 781 00:38:20,880 --> 00:38:24,879 Speaker 1: middle of literally where they have the rodeo, so there's 782 00:38:24,960 --> 00:38:29,320 Speaker 1: mud and dirt everywhere, and so am I jumps blindly 783 00:38:29,440 --> 00:38:32,320 Speaker 1: off the stage. You can't see the ground, and so 784 00:38:32,400 --> 00:38:35,279 Speaker 1: he just goes just jumps. He's singing Purple Rain and 785 00:38:35,400 --> 00:38:36,839 Speaker 1: he jumps off the stage and I'm like, you can't 786 00:38:36,840 --> 00:38:38,239 Speaker 1: see the ground. He didn't know where he's gonna hit 787 00:38:38,239 --> 00:38:40,440 Speaker 1: the ground, and I was like, please don't come up limping, 788 00:38:40,880 --> 00:38:43,520 Speaker 1: and he disappears and all of sudden he pops up 789 00:38:43,520 --> 00:38:48,000 Speaker 1: and he's like purple Ray, Purple Ray, and the crowds 790 00:38:49,000 --> 00:38:51,680 Speaker 1: laughing and loving it, and that was It was fun 791 00:38:51,760 --> 00:38:53,319 Speaker 1: to do the reggiing Ai stuck. I really like our 792 00:38:53,440 --> 00:38:56,600 Speaker 1: group of people and what we're doing festival shows this 793 00:38:56,719 --> 00:38:59,960 Speaker 1: year and we'll probably do some stuff. Um, I don't 794 00:39:00,120 --> 00:39:02,279 Speaker 1: know when I had there's no plans. If it hasn't 795 00:39:02,320 --> 00:39:05,320 Speaker 1: been an nownce there's nothing people festive big festivals on 796 00:39:05,400 --> 00:39:08,239 Speaker 1: bias because we're just fun. You know. It's not like 797 00:39:08,280 --> 00:39:11,319 Speaker 1: we're gonna come play a bunch of new songs from 798 00:39:11,680 --> 00:39:15,120 Speaker 1: Like we have a few songs like Starbucks and Um, 799 00:39:15,760 --> 00:39:19,600 Speaker 1: She's a ten, I'm a two, which one we play 800 00:39:19,800 --> 00:39:21,560 Speaker 1: um when I grow up and every Day is a 801 00:39:21,600 --> 00:39:23,480 Speaker 1: good day. Like those are like our four songs and 802 00:39:23,560 --> 00:39:25,800 Speaker 1: people kind of know. But other than that, we're just 803 00:39:25,880 --> 00:39:29,920 Speaker 1: playing crazy stuff from the Vanilla Ice to Eagle a 804 00:39:30,080 --> 00:39:34,200 Speaker 1: Cherry to Stevie Wonder to Bestople like anything. We're just like, 805 00:39:34,440 --> 00:39:37,600 Speaker 1: we're just We're Yeah. I used to really hate talking 806 00:39:37,600 --> 00:39:39,480 Speaker 1: about because I'm like, because Eddie and I just started 807 00:39:39,480 --> 00:39:42,560 Speaker 1: with us two an acoustic guitar and restaurants for twenty people, 808 00:39:43,239 --> 00:39:46,560 Speaker 1: and now it's it's really wild, gonna go. We've already overtime. 809 00:39:46,600 --> 00:39:48,600 Speaker 1: Thank you for listening. I always love when you tweet 810 00:39:48,640 --> 00:39:51,480 Speaker 1: me and say, hey, you're a Bobby Caster. I appreciate 811 00:39:51,520 --> 00:39:53,200 Speaker 1: you guys. So I always like to give you guys 812 00:39:53,239 --> 00:39:55,120 Speaker 1: the inside scoop what's happening on the show. There's never 813 00:39:55,120 --> 00:39:56,839 Speaker 1: a question you have about inside scoop on the show. 814 00:39:56,920 --> 00:39:59,680 Speaker 1: Let me know. I'll address it one way or the other. 815 00:40:00,200 --> 00:40:03,879 Speaker 1: And um, I was even like I felt like, even 816 00:40:03,880 --> 00:40:05,360 Speaker 1: if you don't agree with the recording thing, and I 817 00:40:05,400 --> 00:40:08,080 Speaker 1: don't say sometimes we're recording at least you know and 818 00:40:08,440 --> 00:40:10,000 Speaker 1: and you know I know that, you know that I know. 819 00:40:10,360 --> 00:40:12,840 Speaker 1: So there you go. That's the end. There you go. 820 00:40:13,040 --> 00:40:17,000 Speaker 1: Now you know. Thank you have a good one. We'll 821 00:40:17,000 --> 00:40:21,640 Speaker 1: be back again this week with if He's not sick. 822 00:40:22,160 --> 00:40:25,600 Speaker 1: Shane mcinally, who's humongous songwriter like wrote a bunch of 823 00:40:25,600 --> 00:40:30,480 Speaker 1: Sam Hunt songs, like wrote a bunt like multimillionaire easy easy, 824 00:40:31,760 --> 00:40:34,560 Speaker 1: but like is really the driving force behind sam Hunt 825 00:40:35,040 --> 00:40:37,439 Speaker 1: is now running part of a record label that sign 826 00:40:37,480 --> 00:40:40,759 Speaker 1: Walker Hayes like big big deal. I think you'll like this. 827 00:40:41,120 --> 00:40:42,480 Speaker 1: All right, thank you for seeing you next time you're 828 00:40:42,480 --> 00:40:45,640 Speaker 1: on the Bobycast. Mr Bobby Bones on Instagram and Twitter. 829 00:40:46,040 --> 00:40:49,080 Speaker 1: And Mike d is at Mike d Strow at m 830 00:40:49,120 --> 00:40:51,920 Speaker 1: I K E D E E s t r oh 831 00:40:52,040 --> 00:40:54,880 Speaker 1: at Mike d Strow or does I call him Mike 832 00:40:55,000 --> 00:40:57,839 Speaker 1: D's nuts? All right? Thank you see you guys next 833 00:40:57,880 --> 00:41:01,920 Speaker 1: that by writing episode number four, what forty four is 834 00:41:01,960 --> 00:41:07,320 Speaker 1: overm