WEBVTT - Michelle Zauner (Japanese Breakfast)

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<v Speaker 1>Yeah. I mean, I feel like we've let go of

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<v Speaker 1>timelines so hugely in this past year and a half,

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<v Speaker 1>Like the idea of deadlines and timelines and time has

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<v Speaker 1>just been so elastic. I've had to create discipline that

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<v Speaker 1>I didn't have previously. And I also like react badly

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<v Speaker 1>when people are like, Okay, this has to be done

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<v Speaker 1>by this time, and it's like, well, why if time

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<v Speaker 1>is elastic? Is that what you say? That's literally that's

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<v Speaker 1>like I wish I had said that. I didn't say

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<v Speaker 1>that to anybody except you. That's what I'm gonna start.

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<v Speaker 1>I'm gonna start saying that to my manager. Time is elastic.

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<v Speaker 1>What do you mean? Eleven thirty? Time is elastic? Hello,

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<v Speaker 1>I'm Mini driver and welcome to many questions. I've always

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<v Speaker 1>loved pruce questionnaire. It was originally an eighteenth century parlor

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<v Speaker 1>game meant to reveal an individual's true nature, but with

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<v Speaker 1>so many questions, there wasn't really an opportunity to expand

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<v Speaker 1>on anything. So I took the format of Pruce's questionnaire

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<v Speaker 1>and adapted what I think are so one of the

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<v Speaker 1>most important questions you could ever ask someone they are

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<v Speaker 1>when and where were you happiest what is the quality

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<v Speaker 1>you like least about yourself? What relationship, real or fictionalized,

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<v Speaker 1>defines love for you? What question would you most like answered,

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<v Speaker 1>What person, place, or experience has shaped you the most?

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<v Speaker 1>What would be your last meal? And can you tell

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<v Speaker 1>me something in your life that has grown out of

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<v Speaker 1>a personal disaster. The more people we ask, the more

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<v Speaker 1>we begin to see what makes us similar and what

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<v Speaker 1>makes us individual. I've gathered a group of really remarkable

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<v Speaker 1>people who I am honored and humbled to have had

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<v Speaker 1>a chance to engage with. My guest today is musician, author,

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<v Speaker 1>and poet in my estimation, Michelle's Honor. Michelle records as

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<v Speaker 1>the band Japanese Breakfast, and her new record Jubilee is

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<v Speaker 1>now one of my favorite albums. We have both lost

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<v Speaker 1>our mothers and listening to the last three of her

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<v Speaker 1>albums tracks an extraordinary journey through patients, rage, and grief.

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<v Speaker 1>My favorite song on her new album is called Posing

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<v Speaker 1>in Bondage, and there's a line that I think about

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<v Speaker 1>a lot in it. It goes those who run from

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<v Speaker 1>pain those who have yet too. I felt intensely comforted

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<v Speaker 1>by her per view of loss, and the music is

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<v Speaker 1>like this awesome low Fi Nimble, part Funk. It's just excellent.

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<v Speaker 1>And she's also written an extraordinary book that was on

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<v Speaker 1>the New York Times bestseller List called Crying in h Mark,

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<v Speaker 1>which is deft and hilarious and heartbreaking all at the

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<v Speaker 1>same time. I'm such a fan of hers, and I

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<v Speaker 1>feel like I owe her for showing me that there

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<v Speaker 1>is at least some sort of light at the end

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<v Speaker 1>of the tunnel of grief. What person, place, or experience

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<v Speaker 1>has most altered your life. I feel like my entire

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<v Speaker 1>life right now feels very folded in half around this

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<v Speaker 1>moment of losing losing my mom. I'm a very different

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<v Speaker 1>person after that. My whole life changed. I mean, my

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<v Speaker 1>whole family just dissolves when my mom passed away. My

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<v Speaker 1>dad moved to Thailand and we don't speak anymore. And

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<v Speaker 1>you know, this person that represented my entire family is gone,

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<v Speaker 1>but lives on in me in this new way. So

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<v Speaker 1>I lost my MoMA a month and a half ago. Oh,

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<v Speaker 1>I'm so sorry, but I've I've got to tell you.

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<v Speaker 1>I didn't know the stories behind your albums. And when

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<v Speaker 1>I went back and I listened with this new per view,

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<v Speaker 1>when I got listened to posing a bondage. I was like,

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<v Speaker 1>this is where I'm going to get so lovely to

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<v Speaker 1>hear thank you so much. The fact that your record

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<v Speaker 1>as you believe, like what that means in terms of

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<v Speaker 1>like the word itself, and the idea that there is celebration,

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<v Speaker 1>There is celebration beyond death. There is celebration in the

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<v Speaker 1>relationship that develops with your parents after they die that

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<v Speaker 1>nobody really talks about. And the energetically right now, even

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<v Speaker 1>though I'm not there, the idea that that I'm going

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<v Speaker 1>to get to this place because when I read parts

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<v Speaker 1>of Crying and h Mark, it was realizing it was

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<v Speaker 1>so familiar. Obviously the whole it's so familiar, but the

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<v Speaker 1>idea that there is a journey that even though it

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<v Speaker 1>feels like life stopped, it goes on and you carry

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<v Speaker 1>on and do you believe? For me felt like the

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<v Speaker 1>emergence of life again, life after loss, real life after

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<v Speaker 1>death was so beautiful and so amazing, and I'm so

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<v Speaker 1>I'm so grateful because it's been so comforting to listen

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<v Speaker 1>to your music. Oh, thank you so much. That means

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<v Speaker 1>so much to me. I feel like You've just put

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<v Speaker 1>into words that I I'm still wrapping my head around

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<v Speaker 1>trying to explain, and so it it hits me so

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<v Speaker 1>hard that I feel like you've just gotten completely what

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<v Speaker 1>I meant to say, and it's the first time I'm

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<v Speaker 1>hearing it back to me. So I really appreciate that.

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<v Speaker 1>How great it is meaningful, How great that what you're

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<v Speaker 1>doing as an artist, because surely, quite self regarding as artists,

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<v Speaker 1>you know we're in our process. But to create something

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<v Speaker 1>that not only touches people but genuinely helps them, I

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<v Speaker 1>think it's very It's rare. Sorry, I've like, you know,

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<v Speaker 1>we've been on for two minutes. I've cried. I've told

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<v Speaker 1>you know, that's so moving, Like it's not. I mean,

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<v Speaker 1>it's a rare, precious thing to get to be vulnerable

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<v Speaker 1>and impacted deeply by art. I mean, there's no greater

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<v Speaker 1>gift to get to share with you. So I really

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<v Speaker 1>appreciate it. You're welcome. I think you're right. Artists don't

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<v Speaker 1>often know how they've impacted the people who are who

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<v Speaker 1>are metabolizing there are. I mean, that's why you do

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<v Speaker 1>it too. I feel like so much of the past,

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<v Speaker 1>like a couple of months, has just been the rush

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<v Speaker 1>of like running to make force people to like interact

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<v Speaker 1>with your art, you know, so you forget when it

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<v Speaker 1>actually hits someone, and like why you actually do it

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<v Speaker 1>in the first place, because you're so convinced sometimes that

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<v Speaker 1>your art is hitting because of like a marketing scheme

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<v Speaker 1>or something. So it's nice to be reminded that the

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<v Speaker 1>actual thing is doing something much more important, I think.

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<v Speaker 1>I also, you know, there's a line in that new

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<v Speaker 1>song posing in Bondage and also expanded up on in

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<v Speaker 1>the book where I say, you know, when the world

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<v Speaker 1>divides into two people, those who have felt pain in

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<v Speaker 1>those who have yet too. I wrote it down. I

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<v Speaker 1>have it written right here, those who run from pain

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<v Speaker 1>those who have yet to. Yeah, I feel like that's

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<v Speaker 1>how I see the world now. And it's and like

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<v Speaker 1>frustrating when you know people who haven't gone through this

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<v Speaker 1>experience and it feels like such an unfair hand to

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<v Speaker 1>be dealt. But I also found I have a much

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<v Speaker 1>deeper sense of compassion to other people. It was almost

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<v Speaker 1>like I was invited into this new club I didn't

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<v Speaker 1>want to be a part of exactly, that's exactly. But

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<v Speaker 1>I remember after my mom died, I was sitting at

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<v Speaker 1>a kitchen table with my mother in law and her mother,

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<v Speaker 1>my husband's grandmother, and they were telling me about you know,

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<v Speaker 1>my mother in law's brother died when she was in college.

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<v Speaker 1>They were in college together, and you know, she was

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<v Speaker 1>telling me about this experience, and then her mother was saying,

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<v Speaker 1>you know, I used to cry every day on the

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<v Speaker 1>way to work in the car and every day when

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<v Speaker 1>I came home. And now it was a strange feeling

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<v Speaker 1>because I don't know if they would have told me

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<v Speaker 1>that story if I hadn't sort of gone through this

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<v Speaker 1>type of grief, and I don't know if I would

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<v Speaker 1>have felt it so deeply, such an intense understanding, or

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<v Speaker 1>even the way that I feel towards you right now,

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<v Speaker 1>that when you just know that someone has gone through

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<v Speaker 1>that you're understanding and your feelings of closeness to a

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<v Speaker 1>person really alters after you go through something like that.

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<v Speaker 1>And even though it's really hard and it's not necessarily

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<v Speaker 1>a club you want to be a part of, there

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<v Speaker 1>there is some like deeper connection to people. I think

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<v Speaker 1>that you do start to feel after you go through

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<v Speaker 1>something like that that is actually really beautiful. A hundred percent.

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<v Speaker 1>It moves from being I was angry. It was so

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<v Speaker 1>awful to say it. Then you then feel isolated and

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<v Speaker 1>like you're this total pariah. And then when you start

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<v Speaker 1>talking to people who actually have lost their moms, and

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<v Speaker 1>you realize that it's such a particular club, it's such

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<v Speaker 1>a particular journey. You're very young to lose your mama.

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<v Speaker 1>I mean, I'm I'm a hundred and forty, you know,

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<v Speaker 1>I was, I'm older in it, you know, but like

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<v Speaker 1>it's still it was still too soon. It was still

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<v Speaker 1>too soon. What relationship, real or fictionalized to find love?

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<v Speaker 1>For you? I have a really wonderful relationship with my husband,

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<v Speaker 1>and I'm really lucky because we had dated for about

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<v Speaker 1>a year and a half when my mom got sick

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<v Speaker 1>and when we found out her cancer is terminal, I

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<v Speaker 1>called him from a hospital in Korea and I was like,

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<v Speaker 1>if this is something that you are thinking of doing

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<v Speaker 1>in the next five years and you don't just do

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<v Speaker 1>it now, I don't think I'll ever be able to

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<v Speaker 1>forgive you. And so we threw together a wedding three

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<v Speaker 1>weeks before my mother passed away. Oh my god. Because

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<v Speaker 1>I was an only child and you know, for me,

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<v Speaker 1>you know, getting married was never that important of a

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<v Speaker 1>thing for me. But I knew it was a tremendously

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<v Speaker 1>important thing for my mom, and that if I ever

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<v Speaker 1>got married and she wasn't there, it would just destroy me.

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<v Speaker 1>I could never enjoy myself at a at a wedding.

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<v Speaker 1>So we're really lucky that she was able to go

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<v Speaker 1>to the wedding and she went into a coma two

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<v Speaker 1>weeks after we got married. We got married in my

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<v Speaker 1>parents backyard I talked about in the book, and I

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<v Speaker 1>am so lucky that it worked out. I mean, I

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<v Speaker 1>told him, you know, we'll just get divorced if it

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<v Speaker 1>doesn't work out, you know, like we'll be like young

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<v Speaker 1>hip divorces, and uh, you know, we can refer to

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<v Speaker 1>our first marriages in this like very you know, mature way,

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<v Speaker 1>you know, in our late twenties. And it just I

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<v Speaker 1>got so lucky because I think it worked out so

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<v Speaker 1>well because my family was able to fold him into

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<v Speaker 1>ours so seamlessly, and his family was able to embrace

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<v Speaker 1>me in such a deeper way because we got married,

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<v Speaker 1>and I think maybe subconsciously I could feel my nuclear

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<v Speaker 1>family falling apart and sort of needed to recreate that

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<v Speaker 1>with someone. And yeah, I mean I just I never

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<v Speaker 1>knew that I could feel this way about someone, and

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<v Speaker 1>I feel like we are very uh perfectly matched in

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<v Speaker 1>this way that you know, seemed realistically impossible, and so

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<v Speaker 1>I can't think of a I can't think of a

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<v Speaker 1>greater love than ours. I truly feel that way. I'm

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<v Speaker 1>very lucky to have found that in my life. Yeah. Also,

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<v Speaker 1>I think in a way, backing into these things, like

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<v Speaker 1>it's not happening in a traditional way, often it destroys

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<v Speaker 1>all of our previous ideas about it. The hearing that

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<v Speaker 1>you called him up and we're like, listen, we got

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<v Speaker 1>to get married, or like or I'll hate you or

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<v Speaker 1>I hate you, just so you know, And the fact

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<v Speaker 1>that he could go this ritual is so important to

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<v Speaker 1>this person that I love. And not only that, but

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<v Speaker 1>like to her mother, I will do this as an experience,

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<v Speaker 1>but I love that the pressure is taken off because

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<v Speaker 1>it's like, yeah, and if we get divorced, then maybe

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<v Speaker 1>we'll get married again when we're like thirty five, right right, exactly,

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<v Speaker 1>like observing the traditional desire of your mom to see

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<v Speaker 1>you married, but getting rid of the expectation. It doesn't

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<v Speaker 1>have to work out. It's okay, and then that defines love. Yeah,

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<v Speaker 1>And he I mean, I wrote that song Till Death

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<v Speaker 1>about him, and you know, I don't know if I

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<v Speaker 1>could have honestly been there for someone so selflessly the

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<v Speaker 1>way that he was there for me during that time,

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<v Speaker 1>because you're just I mean, you know, like when you

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<v Speaker 1>go through the grief of losing someone so monumental to

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<v Speaker 1>your life, you become so useless, totally and absolutely useless.

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<v Speaker 1>For a year, I felt like I was real learning

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<v Speaker 1>how to walk, you know, relearning how to feed myself,

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<v Speaker 1>relearning how to you know, breathe, and to have someone

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<v Speaker 1>just stand by you because there's absolutely nothing they can

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<v Speaker 1>do but just wait it out with you and wait

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<v Speaker 1>for the person they love to come back. I was

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<v Speaker 1>really lucky that I had someone like that, you know,

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<v Speaker 1>m to just wait it out with me. I'd love

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<v Speaker 1>I love that, because you're right, it's standing and waiting

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<v Speaker 1>it out. And I'm I felt that way when when

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<v Speaker 1>my mom was dying, was that all all we could

0:13:14.240 --> 0:13:17.439
<v Speaker 1>do was to be with her, was to hold her

0:13:17.480 --> 0:13:20.280
<v Speaker 1>hand and to be there and to love her. And

0:13:20.320 --> 0:13:25.080
<v Speaker 1>that's exactly what my boyfriend is doing for me now.

0:13:25.320 --> 0:13:28.200
<v Speaker 1>He's just standing. He's not trying to fix it because

0:13:28.200 --> 0:13:32.559
<v Speaker 1>it's unfixable. It's kind of like it's it's like standing

0:13:32.559 --> 0:13:37.760
<v Speaker 1>by a really beautiful, really old tree. It feels he's

0:13:37.760 --> 0:13:40.600
<v Speaker 1>not old. He's actually much younger than me, but um,

0:13:40.600 --> 0:13:43.480
<v Speaker 1>it's he's an old tree in my in my life.

0:13:43.960 --> 0:13:46.920
<v Speaker 1>It's funny, that, isn't it, Particularly when I don't know

0:13:46.920 --> 0:13:49.280
<v Speaker 1>about you, But I am such a do I want

0:13:49.280 --> 0:13:51.360
<v Speaker 1>to fix stuff. I want to make you know, I'm

0:13:51.400 --> 0:13:52.880
<v Speaker 1>a mom. I want to fix stuff of my kids.

0:13:52.880 --> 0:13:55.160
<v Speaker 1>I want to I want to make it better. And

0:13:55.360 --> 0:13:57.800
<v Speaker 1>you simply cannot make this better. You just have to

0:13:57.840 --> 0:14:01.959
<v Speaker 1>stand and witness it it with as much compassion as

0:14:02.000 --> 0:14:05.760
<v Speaker 1>you can, I guess. And there's just no skipping steps.

0:14:06.000 --> 0:14:09.120
<v Speaker 1>I mean, it is it's like a you know it is.

0:14:09.200 --> 0:14:11.360
<v Speaker 1>It is something that you just have to let take

0:14:11.400 --> 0:14:13.640
<v Speaker 1>you like a current, like it's not it's not going

0:14:13.679 --> 0:14:16.199
<v Speaker 1>to wait for you, and when you think you've conquered it,

0:14:16.200 --> 0:14:19.400
<v Speaker 1>it's going to kick your ass in a totally new way.

0:14:19.480 --> 0:14:22.520
<v Speaker 1>I feel like it's so true, and that by the way,

0:14:22.920 --> 0:14:26.240
<v Speaker 1>it is process like we are being forced or we

0:14:26.320 --> 0:14:30.000
<v Speaker 1>are forced to process this. There's no getting around it.

0:14:30.000 --> 0:14:33.200
<v Speaker 1>There's no jumping to the end of the alphabet. You

0:14:33.240 --> 0:14:37.080
<v Speaker 1>have to go through every step and that felt suffocating

0:14:37.320 --> 0:14:41.160
<v Speaker 1>to begin with for me in the early days of grief,

0:14:41.280 --> 0:14:44.160
<v Speaker 1>but now it's sort of more of a this is

0:14:44.160 --> 0:14:47.360
<v Speaker 1>what we do. We wake up every day and you

0:14:47.400 --> 0:14:49.880
<v Speaker 1>meet your grief and you don't know how it's going

0:14:49.920 --> 0:14:51.960
<v Speaker 1>to take you, but you go with the current of it.

0:14:52.080 --> 0:14:55.120
<v Speaker 1>You allow that because fighting it is actually so much worse.

0:14:55.600 --> 0:14:57.360
<v Speaker 1>Are you do you mind? If I as, are you

0:14:57.400 --> 0:15:02.880
<v Speaker 1>having a lot of dreams? You know? The strangest thing

0:15:03.040 --> 0:15:06.440
<v Speaker 1>and that this is the part that I've actually apart

0:15:06.480 --> 0:15:08.760
<v Speaker 1>from her not being here, the thing I've found hardest

0:15:08.840 --> 0:15:11.680
<v Speaker 1>is that I have not dreamt. I've been I've dreamed

0:15:11.840 --> 0:15:14.400
<v Speaker 1>my whole life, like vividly, like write them down dreams.

0:15:14.840 --> 0:15:18.200
<v Speaker 1>I have not had a dream since she died. And

0:15:18.240 --> 0:15:22.080
<v Speaker 1>it's been it's been devastating. It's been devastating to me

0:15:22.240 --> 0:15:25.240
<v Speaker 1>that I haven't seen her in a dream. It will happen.

0:15:25.520 --> 0:15:28.520
<v Speaker 1>It'll happen when you're not at this place where you're

0:15:28.520 --> 0:15:32.040
<v Speaker 1>like where are you? You know, that's exactly because my aunt,

0:15:32.080 --> 0:15:34.120
<v Speaker 1>I'm pretty sure I was like, are you dreaming about her?

0:15:34.160 --> 0:15:36.240
<v Speaker 1>And I was like, oh my god, I'm not, you know,

0:15:36.400 --> 0:15:39.760
<v Speaker 1>like is that wrong? And I think it must have

0:15:39.800 --> 0:15:41.960
<v Speaker 1>been because I was like searching for it. But I

0:15:42.000 --> 0:15:45.880
<v Speaker 1>feel like they they'll come like when you aren't thinking

0:15:45.920 --> 0:15:48.600
<v Speaker 1>about wanting them so badly. You know. I wonder if

0:15:48.600 --> 0:15:50.960
<v Speaker 1>they think it would make it worse, if they're like,

0:15:51.120 --> 0:15:53.600
<v Speaker 1>it would actually make it so much worse if you do.

0:15:53.600 --> 0:15:55.400
<v Speaker 1>Don't want you to wake up thinking that you've been

0:15:55.400 --> 0:15:57.160
<v Speaker 1>with me. You need to, you need to in that

0:15:57.280 --> 0:16:00.160
<v Speaker 1>little time path. You know, it was so frust and

0:16:00.200 --> 0:16:03.200
<v Speaker 1>because you see them and then it's like trying to

0:16:03.240 --> 0:16:05.360
<v Speaker 1>call your way back to sleep and you can never

0:16:05.440 --> 0:16:08.000
<v Speaker 1>do it. And it's a really interesting part though. I mean,

0:16:08.040 --> 0:16:09.720
<v Speaker 1>it's so interesting because you think that all of these

0:16:09.760 --> 0:16:13.640
<v Speaker 1>things are very unique to you, but every person that

0:16:13.720 --> 0:16:15.560
<v Speaker 1>goes through it goes through the same thing. Even when

0:16:15.560 --> 0:16:17.240
<v Speaker 1>I got married, I was like, oh, I did this

0:16:17.320 --> 0:16:20.800
<v Speaker 1>weird thing. And I heard so many stories about people

0:16:20.840 --> 0:16:23.880
<v Speaker 1>who put weddings together when their parents were sick. Because

0:16:23.880 --> 0:16:25.680
<v Speaker 1>it is a natural you know, all human beings are

0:16:25.960 --> 0:16:29.120
<v Speaker 1>kind of made up of the same stuff, exactly in

0:16:29.160 --> 0:16:32.920
<v Speaker 1>the Vendor diagram of light experience as these you know,

0:16:33.040 --> 0:16:36.520
<v Speaker 1>matter made visible. We there is so much that is

0:16:36.560 --> 0:16:39.800
<v Speaker 1>fundamental to all of us. Will do the same things

0:16:39.800 --> 0:16:41.960
<v Speaker 1>in the same situations. I kind of love that it

0:16:42.000 --> 0:16:51.160
<v Speaker 1>feels tribal. Mm hmm. What is the quality that you

0:16:51.280 --> 0:16:57.840
<v Speaker 1>least like about yourself. I'm incredibly impatient and everything, and

0:16:58.920 --> 0:17:03.280
<v Speaker 1>and I can forget to enjoy things sometimes because you

0:17:03.320 --> 0:17:06.520
<v Speaker 1>want the result, like you said, you don't pay attention

0:17:06.560 --> 0:17:09.680
<v Speaker 1>to the journey of it as it were. Absolutely, yeah, yeah,

0:17:09.720 --> 0:17:12.720
<v Speaker 1>that's my issue with art making. And sometimes it's the

0:17:12.800 --> 0:17:15.080
<v Speaker 1>great thing. But I am not one to dwell in

0:17:15.119 --> 0:17:18.040
<v Speaker 1>the process. And I envy my husband's like that. He

0:17:18.280 --> 0:17:22.200
<v Speaker 1>is all process and sometimes never gets anything done because

0:17:22.240 --> 0:17:25.119
<v Speaker 1>he can learn something, can really take his time and

0:17:25.160 --> 0:17:28.399
<v Speaker 1>have full understanding of something, whereas I often tend to

0:17:28.440 --> 0:17:33.280
<v Speaker 1>skip steps and not in relish the process of things.

0:17:33.720 --> 0:17:36.480
<v Speaker 1>But I also can be really impatient with people too,

0:17:36.520 --> 0:17:40.000
<v Speaker 1>and I wish I wasn't like that. What what triggers

0:17:40.040 --> 0:17:42.040
<v Speaker 1>you about a person, like if they take too long

0:17:42.080 --> 0:17:45.440
<v Speaker 1>telling a story or what is it? Yeah? Yeah, that's

0:17:45.440 --> 0:17:49.440
<v Speaker 1>definitely yeah, yeah, there's that. And also if I think

0:17:49.480 --> 0:17:51.879
<v Speaker 1>I'm quick to cut people out of my life or

0:17:51.960 --> 0:17:55.920
<v Speaker 1>like snap to judgment in a way I don't suffer fools, well,

0:17:56.800 --> 0:17:59.000
<v Speaker 1>I know I am exactly the same. I think a

0:17:59.000 --> 0:18:01.560
<v Speaker 1>lot of it comes from my mother though, because my

0:18:01.560 --> 0:18:04.560
<v Speaker 1>my mom raised me in this way where sometimes my

0:18:04.640 --> 0:18:07.439
<v Speaker 1>friends will confide in me about something, and you know,

0:18:07.520 --> 0:18:10.320
<v Speaker 1>my natural desires to fix it. But I think that

0:18:10.359 --> 0:18:12.480
<v Speaker 1>when your friends confide in you, they're not asking you

0:18:12.520 --> 0:18:14.840
<v Speaker 1>to fix something. They just want to let it go,

0:18:15.119 --> 0:18:16.880
<v Speaker 1>you know, and they want someone to listen to them.

0:18:17.080 --> 0:18:18.760
<v Speaker 1>I want, I mean, I really want to get better

0:18:18.800 --> 0:18:21.600
<v Speaker 1>at like not being like, well, obviously you do this,

0:18:21.720 --> 0:18:24.080
<v Speaker 1>and then when they don't do that, you get naturally

0:18:24.119 --> 0:18:26.160
<v Speaker 1>kind of upset about it. And as I get older,

0:18:26.200 --> 0:18:28.800
<v Speaker 1>I'm realizing like, they're gonna do whatever they want to do.

0:18:29.040 --> 0:18:31.639
<v Speaker 1>You can be you can offer some sound advice, but

0:18:31.680 --> 0:18:33.879
<v Speaker 1>I think largely what your friends really wants you to

0:18:33.920 --> 0:18:36.679
<v Speaker 1>do is just to be quiet and to listen and

0:18:37.200 --> 0:18:41.240
<v Speaker 1>offer up support. And I think sometimes I get confused

0:18:41.240 --> 0:18:43.359
<v Speaker 1>and I'm like, well, clearly this is like these are

0:18:43.400 --> 0:18:45.040
<v Speaker 1>the steps you need to take. And then if they

0:18:45.040 --> 0:18:48.560
<v Speaker 1>don't take them, because they're human and they have their

0:18:48.560 --> 0:18:53.919
<v Speaker 1>own interests and desires, like I have gotten frustrated in

0:18:53.960 --> 0:18:57.040
<v Speaker 1>the past, and that's like totally unfair and uh, something

0:18:57.080 --> 0:18:59.240
<v Speaker 1>that I just need to work on. I think, well,

0:18:59.280 --> 0:19:04.320
<v Speaker 1>it's you. We all have stuff to work on. But wait, so,

0:19:04.480 --> 0:19:10.000
<v Speaker 1>because you write a lot about traditional Korean cooking, and

0:19:10.359 --> 0:19:12.720
<v Speaker 1>it feels to me that there is an enormous amount

0:19:12.760 --> 0:19:16.040
<v Speaker 1>of process in that, in the process of cooking, in

0:19:16.080 --> 0:19:19.960
<v Speaker 1>the process of like shopping for the ingredients and the

0:19:20.000 --> 0:19:23.040
<v Speaker 1>whole thing. So is that an area where you're not

0:19:23.160 --> 0:19:27.520
<v Speaker 1>focused on the result, you really are in the journey.

0:19:27.600 --> 0:19:29.480
<v Speaker 1>Would you say that there's a lot of flow when

0:19:29.520 --> 0:19:33.639
<v Speaker 1>you're making food. I do think so. I think it

0:19:33.800 --> 0:19:37.439
<v Speaker 1>is like this really tactle intuitive thing where you don't

0:19:38.080 --> 0:19:41.119
<v Speaker 1>I'm not after anything really when I'm doing it. I

0:19:41.160 --> 0:19:43.119
<v Speaker 1>am like sort of in the process of that, and

0:19:43.160 --> 0:19:46.439
<v Speaker 1>I enjoy it and I don't have to mentally like

0:19:46.920 --> 0:19:49.040
<v Speaker 1>go after something in the same way that I go

0:19:49.119 --> 0:19:51.520
<v Speaker 1>after it in other parts of my life. And I

0:19:51.520 --> 0:19:54.480
<v Speaker 1>think that that's something that I've really enjoyed about cooking,

0:19:54.560 --> 0:19:57.640
<v Speaker 1>is because I'm such an analytical in my head person

0:19:58.000 --> 0:20:00.119
<v Speaker 1>and there's none of that really when you're cooking ng

0:20:00.160 --> 0:20:02.520
<v Speaker 1>it's all you know, very You're very present and not

0:20:02.680 --> 0:20:06.720
<v Speaker 1>thinking about the future really at all, and um, your

0:20:06.720 --> 0:20:10.480
<v Speaker 1>mind kind of unbusies itself in this beautiful way that's

0:20:10.520 --> 0:20:14.119
<v Speaker 1>so interesting. So it's like that's a that is a meditation.

0:20:14.160 --> 0:20:17.280
<v Speaker 1>I mean that would be my description of of meditation

0:20:17.520 --> 0:20:21.399
<v Speaker 1>or the meditative quality of absolutely. Yeah, that's so funny.

0:20:21.400 --> 0:20:24.240
<v Speaker 1>I think I read in something I think it was

0:20:24.280 --> 0:20:26.840
<v Speaker 1>in a New Yorker in the excerpt from your book,

0:20:27.240 --> 0:20:30.120
<v Speaker 1>where you were like somebody said, you just add enough

0:20:30.720 --> 0:20:33.880
<v Speaker 1>something until it tastes like moms. Oh yeah, yeah, sessame

0:20:34.000 --> 0:20:36.040
<v Speaker 1>oil and things I don't sesame al to the taste

0:20:36.040 --> 0:20:40.440
<v Speaker 1>like your mom's. That was excellent and thank you. Yeah. Yeah.

0:20:40.480 --> 0:20:43.240
<v Speaker 1>There's this meal that my mom would make for me

0:20:43.280 --> 0:20:46.760
<v Speaker 1>every time I came home from college. She would marinate

0:20:46.880 --> 0:20:51.520
<v Speaker 1>this short rib It's called Colby the sweet cream short

0:20:51.600 --> 0:20:57.040
<v Speaker 1>rib with white rice, uh, this white radish kimchi in

0:20:57.280 --> 0:21:02.080
<v Speaker 1>this really tart Brian sesame oil and red paper flakes

0:21:02.920 --> 0:21:06.200
<v Speaker 1>and then this radish kimchi, just the way that my mom.

0:21:06.600 --> 0:21:08.760
<v Speaker 1>It just is like a feeling, you know, it like

0:21:08.840 --> 0:21:12.880
<v Speaker 1>sits like here. Do you ever make that meal now?

0:21:13.320 --> 0:21:17.440
<v Speaker 1>Not often? Not often, because it doesn't taste as good

0:21:18.280 --> 0:21:20.440
<v Speaker 1>when you make it for yourself. Part of it is

0:21:20.480 --> 0:21:22.760
<v Speaker 1>that you don't have to do anything, and it's just

0:21:23.160 --> 0:21:25.879
<v Speaker 1>this person has gone through this whole process of like

0:21:26.320 --> 0:21:29.199
<v Speaker 1>marinating this thing two days before and buying all the

0:21:29.359 --> 0:21:32.840
<v Speaker 1>ingredients like weeks before you arrive, and just knowing that

0:21:32.880 --> 0:21:36.560
<v Speaker 1>there was so much thought that went into it. It

0:21:36.640 --> 0:21:38.919
<v Speaker 1>doesn't taste as good or mean as much when you

0:21:38.960 --> 0:21:42.200
<v Speaker 1>make it for yourself. It's so true. But okay, hold on,

0:21:42.600 --> 0:21:46.040
<v Speaker 1>I've got a plan. So it's your is yours. Your

0:21:46.119 --> 0:21:49.280
<v Speaker 1>husband is your husband a good cook? No, it's horrible,

0:21:49.320 --> 0:21:52.919
<v Speaker 1>it's horrible. Okay, forget him. Do you have a friend

0:21:53.160 --> 0:21:56.080
<v Speaker 1>who you love, who you could say, okay, can you

0:21:56.720 --> 0:21:59.240
<v Speaker 1>take a day? Don't tell me what it's going to be,

0:21:59.800 --> 0:22:01.640
<v Speaker 1>And I'm going to teach you and I teach them

0:22:01.680 --> 0:22:03.560
<v Speaker 1>how to make it and then just happen like on

0:22:03.640 --> 0:22:08.320
<v Speaker 1>your birthday. It surprised you with this meal, And I

0:22:08.359 --> 0:22:11.320
<v Speaker 1>think that's a very good plan to see how I'm

0:22:11.480 --> 0:22:14.920
<v Speaker 1>to see how I'm trying to fix your You're you're

0:22:14.960 --> 0:22:17.040
<v Speaker 1>not a problem, but you didn't have a problem. But

0:22:17.080 --> 0:22:18.600
<v Speaker 1>I'm gonna I'm going to find a way to fix

0:22:18.640 --> 0:22:35.800
<v Speaker 1>you're not a problem. Where and when were you happiest?

0:22:36.400 --> 0:22:39.159
<v Speaker 1>It's so funny because it's such a childlike question to me,

0:22:39.520 --> 0:22:41.840
<v Speaker 1>and when that could be really be quantified by an

0:22:41.840 --> 0:22:44.800
<v Speaker 1>actual moment, Because I know that happiness is like lots

0:22:44.840 --> 0:22:46.800
<v Speaker 1>of different things as we grow up, but like, if

0:22:46.840 --> 0:22:49.520
<v Speaker 1>there is a time that you can think of, what

0:22:49.600 --> 0:22:53.520
<v Speaker 1>would it be? The thing that comes to mind first,

0:22:54.280 --> 0:22:57.280
<v Speaker 1>I guess is I think that when you're a child,

0:22:57.359 --> 0:23:00.840
<v Speaker 1>there's just such like unadulterated feeling in this way that

0:23:00.920 --> 0:23:03.760
<v Speaker 1>you never get back. I think I could certainly say

0:23:04.200 --> 0:23:08.000
<v Speaker 1>moments with my husband or when I feel the greatest joy.

0:23:08.280 --> 0:23:11.600
<v Speaker 1>But I grew up in Eugene, Oregon, which is a

0:23:11.640 --> 0:23:14.720
<v Speaker 1>really beautiful place to grow up, and my friends and

0:23:14.760 --> 0:23:19.359
<v Speaker 1>I used to visit this little hole in a fence

0:23:19.520 --> 0:23:22.000
<v Speaker 1>where we would go through and have access to the

0:23:22.200 --> 0:23:24.360
<v Speaker 1>limit river and we would sort of jump off these

0:23:24.440 --> 0:23:28.000
<v Speaker 1>rocks and let the current take us down maybe a

0:23:28.080 --> 0:23:32.119
<v Speaker 1>quarter mile before frantically swimming to shore and then uh

0:23:32.280 --> 0:23:34.880
<v Speaker 1>scrambling back up to do it again. And that is

0:23:35.000 --> 0:23:38.159
<v Speaker 1>maybe one of my favorite memories of just riding my

0:23:38.240 --> 0:23:41.520
<v Speaker 1>bike in in the summertime and not worrying about much

0:23:41.600 --> 0:23:46.760
<v Speaker 1>and and being in nature and the beautiful Pacific Northwest. God,

0:23:46.800 --> 0:23:49.199
<v Speaker 1>that's amazing. That's a that's a good image climbing through

0:23:49.240 --> 0:23:51.159
<v Speaker 1>a hole in the fence, jumping in a river and

0:23:51.240 --> 0:23:55.800
<v Speaker 1>like letting the current take you that's like childhood in general.

0:23:56.880 --> 0:24:00.000
<v Speaker 1>But it is when there wasn't the same risk assess

0:24:00.000 --> 0:24:02.560
<v Speaker 1>this month that certainly for me as a mother, goes

0:24:02.720 --> 0:24:05.120
<v Speaker 1>with everything to do with my kid. I think our

0:24:05.160 --> 0:24:07.879
<v Speaker 1>parents were just so much freer with us. You know,

0:24:07.960 --> 0:24:09.879
<v Speaker 1>I'd freak out of fights my son doing that, but

0:24:09.920 --> 0:24:12.800
<v Speaker 1>then I'd probably jump in and do it with him.

0:24:13.359 --> 0:24:16.400
<v Speaker 1>I don't think my parents were too excited about it,

0:24:16.440 --> 0:24:19.800
<v Speaker 1>but they frequently didn't, didn't know what I think, or

0:24:19.840 --> 0:24:21.960
<v Speaker 1>they just gave up. There are certainly worse things that

0:24:22.000 --> 0:24:25.960
<v Speaker 1>you can do, I guess, definitely, definitely. But it's it's

0:24:26.000 --> 0:24:29.640
<v Speaker 1>so funny how that taking that risk, that the risk

0:24:29.640 --> 0:24:33.359
<v Speaker 1>assessment risk metric, which doesn't exist as a child, where

0:24:33.400 --> 0:24:37.840
<v Speaker 1>you are just where you're free. You're free of second guessing,

0:24:38.200 --> 0:24:41.000
<v Speaker 1>and so happiness is innate in a way because it's

0:24:41.000 --> 0:24:45.680
<v Speaker 1>not clouded by worry or irritation or judgment or anything

0:24:45.680 --> 0:24:48.119
<v Speaker 1>other than that present moment. I wish I could be

0:24:48.119 --> 0:24:50.720
<v Speaker 1>a bit more like that now, me too. I don't

0:24:50.720 --> 0:24:53.480
<v Speaker 1>know when that changed for me, you know, I think

0:24:53.520 --> 0:24:58.159
<v Speaker 1>that when my mom passed away, my relationship to death

0:24:58.760 --> 0:25:04.520
<v Speaker 1>changed a lot. Similarly, my risk aversion and increased in

0:25:04.560 --> 0:25:08.280
<v Speaker 1>this strange way, because I think once you're really close

0:25:08.359 --> 0:25:12.720
<v Speaker 1>to how fragile life can be and how real death is.

0:25:12.760 --> 0:25:16.560
<v Speaker 1>In a way, I found myself really afraid in this

0:25:16.600 --> 0:25:19.080
<v Speaker 1>new way. Like I used to love, you know, jumping

0:25:19.119 --> 0:25:23.040
<v Speaker 1>off of high places into water, and now after that's happened,

0:25:23.040 --> 0:25:25.119
<v Speaker 1>I don't know if it's necessarily because of that, or

0:25:25.160 --> 0:25:28.679
<v Speaker 1>I also just got older and became more afraid. I

0:25:28.680 --> 0:25:30.639
<v Speaker 1>don't know if I wouldn't do it anymore, or like

0:25:30.720 --> 0:25:33.200
<v Speaker 1>even if I'm on a plane and there's turbulence, that's

0:25:33.200 --> 0:25:37.280
<v Speaker 1>something that I never was worried about, and now I'm

0:25:37.359 --> 0:25:43.720
<v Speaker 1>I'm just certain I'm going to die. I'm not going

0:25:43.800 --> 0:25:48.320
<v Speaker 1>to die. Oh my god. It's so it's so funny

0:25:48.320 --> 0:25:50.680
<v Speaker 1>because like it is something that we're going to die,

0:25:50.840 --> 0:25:53.199
<v Speaker 1>and you say like that, like I'm certain we're going

0:25:53.240 --> 0:25:56.880
<v Speaker 1>to die at this moment. Losing someone you love so much,

0:25:57.720 --> 0:26:00.160
<v Speaker 1>it does it makes you hang on to lie if

0:26:00.440 --> 0:26:03.960
<v Speaker 1>really tightly. But there must be a version of that

0:26:03.960 --> 0:26:09.040
<v Speaker 1>where you can love life with looser hands. You know that.

0:26:09.320 --> 0:26:11.800
<v Speaker 1>Actually it's like no, no, no, just just be here,

0:26:11.880 --> 0:26:14.680
<v Speaker 1>just be here now and be in this life because yeah,

0:26:14.720 --> 0:26:17.720
<v Speaker 1>it is over way quicker than it's one thing my

0:26:17.800 --> 0:26:22.520
<v Speaker 1>mom said it right as she was dying, was you know,

0:26:22.560 --> 0:26:25.480
<v Speaker 1>even if I had another another ten years. She was

0:26:25.520 --> 0:26:27.280
<v Speaker 1>eighty four. If I had another ten years, it still

0:26:27.320 --> 0:26:30.160
<v Speaker 1>wouldn't have been enough. Like it goes by in an instant,

0:26:30.520 --> 0:26:36.040
<v Speaker 1>it's so quick. Just love it. Maybe remembering the immediacy.

0:26:36.280 --> 0:26:37.800
<v Speaker 1>It's so funny. I'm going to be thinking of that.

0:26:37.880 --> 0:26:39.639
<v Speaker 1>If you crawling through a hole in the fence and

0:26:39.720 --> 0:26:43.360
<v Speaker 1>jumping and moving water like it's so good, Like skidding

0:26:43.400 --> 0:26:46.000
<v Speaker 1>and cooling through holes. I think that was pretty much

0:26:46.040 --> 0:26:49.840
<v Speaker 1>my whole childhood as well. Yeah, I wish that there

0:26:49.960 --> 0:26:53.760
<v Speaker 1>was more of that type of play incorporated into adult life,

0:26:53.920 --> 0:26:56.720
<v Speaker 1>but I do think that that is fair. I mean,

0:26:56.920 --> 0:26:59.720
<v Speaker 1>I think I lived my life. I'm just so aware

0:26:59.760 --> 0:27:02.560
<v Speaker 1>of how limited my time is in a way that

0:27:02.600 --> 0:27:07.199
<v Speaker 1>I've accomplished so much more in the past seven years

0:27:07.280 --> 0:27:11.600
<v Speaker 1>because I think I have so much to say before

0:27:11.640 --> 0:27:15.760
<v Speaker 1>it's over. I got married, I became successful as an

0:27:15.840 --> 0:27:19.840
<v Speaker 1>artist for the first time, I developed this incredible career,

0:27:20.320 --> 0:27:23.199
<v Speaker 1>and really great stuff happened also, you know, and it

0:27:23.240 --> 0:27:25.159
<v Speaker 1>felt almost like she was looking out for me in

0:27:25.200 --> 0:27:27.919
<v Speaker 1>this way, and I feel like it really lit a

0:27:28.000 --> 0:27:30.520
<v Speaker 1>fire in me to make those things happen in a

0:27:30.600 --> 0:27:34.240
<v Speaker 1>way that I didn't have before, and that is a

0:27:34.280 --> 0:27:40.520
<v Speaker 1>more positive way of looking at at this these things. Yeah, yeah,

0:27:40.560 --> 0:27:42.879
<v Speaker 1>I mean the rare gifts that come with things that

0:27:42.920 --> 0:27:46.560
<v Speaker 1>are hard, that we don't incorporate into the narrative often

0:27:46.560 --> 0:27:49.560
<v Speaker 1>because we're too busy. We're too busy saying that they're hard.

0:27:49.600 --> 0:27:53.000
<v Speaker 1>You know, there's you know that that quote that Helen Keller.

0:27:53.359 --> 0:27:55.879
<v Speaker 1>We only ever ready say half of it, where where

0:27:55.960 --> 0:27:58.560
<v Speaker 1>one door closed as another one opens? But what she

0:27:58.640 --> 0:28:04.159
<v Speaker 1>said was where and one door closes and another one opens.

0:28:04.200 --> 0:28:07.520
<v Speaker 1>I'm paraphrasing, we're so busy looking at the door that closed,

0:28:07.680 --> 0:28:10.600
<v Speaker 1>we forget to see the one that has opened. That's

0:28:10.600 --> 0:28:14.520
<v Speaker 1>actually the whole thing that she said. And I feel like,

0:28:14.840 --> 0:28:18.040
<v Speaker 1>since losing my mar I'm I want to look at

0:28:18.040 --> 0:28:22.200
<v Speaker 1>the door that is open. I felt every every second

0:28:22.240 --> 0:28:25.400
<v Speaker 1>of that door closing, and I really just so firmly

0:28:25.440 --> 0:28:28.080
<v Speaker 1>want to to look at the opening and to be

0:28:28.200 --> 0:28:32.800
<v Speaker 1>in this moment because you know, to carry on, maybe

0:28:33.520 --> 0:28:37.280
<v Speaker 1>to carry on the analogy. The door closes really really

0:28:37.280 --> 0:28:42.200
<v Speaker 1>fucking quickly. M Oh my gosh, it has been such

0:28:42.240 --> 0:28:45.520
<v Speaker 1>a pleasure. Um. I'd say I'm sorry about crying at

0:28:45.520 --> 0:28:48.640
<v Speaker 1>the beginning of arranty, but I'm actually not sorry. I'm

0:28:48.680 --> 0:28:52.440
<v Speaker 1>so grateful to have connected with the art that you're making.

0:28:52.680 --> 0:28:56.600
<v Speaker 1>It's brilliant and thanks for being here. Thank you so much.

0:28:57.240 --> 0:29:03.360
<v Speaker 1>You're so welcome. Michelle's new record, Jubilee, is out now,

0:29:03.640 --> 0:29:06.080
<v Speaker 1>and I strongly suggest that you have a listen and

0:29:06.160 --> 0:29:10.480
<v Speaker 1>dive into the world that she creates and her book

0:29:10.640 --> 0:29:13.640
<v Speaker 1>Crying in h Mark has just had the film right sports,

0:29:13.640 --> 0:29:16.320
<v Speaker 1>so you should read the book before you see the movie.

0:29:16.480 --> 0:29:20.560
<v Speaker 1>But I'm sure the movie will be awesome. Mini Questions

0:29:20.680 --> 0:29:24.760
<v Speaker 1>is hosted and written by Me Mini Driver, supervising producer

0:29:24.920 --> 0:29:32.920
<v Speaker 1>Aaron Kaufman, Producer Morgan Levoy, Research assistant Marissa Brown. Original

0:29:33.000 --> 0:29:38.920
<v Speaker 1>music Sorry Baby by Mini Driver, Additional music by Aaron Kaufman.

0:29:39.600 --> 0:29:44.440
<v Speaker 1>Executive produced by Me Mini Driver. Special thanks to Jim Nikolay,

0:29:45.200 --> 0:29:50.720
<v Speaker 1>Will Pearson, Addison No Day, Lisa Castella and Annique Oppenheim,

0:29:50.720 --> 0:29:56.160
<v Speaker 1>a w kPr de La Pescador, Kate Driver and Jason Weinberg,

0:29:56.800 --> 0:30:00.360
<v Speaker 1>and for constantly solicited tech support, Henry Driver