WEBVTT - I smashed my leg on a Thigh Master. (S5 E10 "Not as Cute as Pushkin")

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<v Speaker 1>I am all in.

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<v Speaker 2>I am all in with Scott Patterson, an iHeartRadio podcast.

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<v Speaker 1>Hey everybody, Scott Patterson, I am all in podcast. Here

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<v Speaker 1>we are with my intrepid crew, Terra Sude, Daniel Romo,

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<v Speaker 1>Amy Sugarman the season five episode ten, but not as

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<v Speaker 1>cute as Poushkin Danielle. Hello, everybody, how are you? We love?

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<v Speaker 3>We love this episode, dem oh loved.

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<v Speaker 2>It is so good and bravo to you. It's a

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<v Speaker 2>big Luke episode. It's a big Luke episode with very

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<v Speaker 2>very emotional scenes.

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<v Speaker 1>If you want to see Luke Dane's unloading on an

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<v Speaker 1>elderly woman in a driveway, this is your episode. This

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<v Speaker 1>is this is the one.

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<v Speaker 2>This is You did okay though, because you were an ass,

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<v Speaker 2>But I thoroughly enjoyed it. Am that poor woman.

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<v Speaker 1>Yeah, I felt bad for her, I really did. But

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<v Speaker 1>she hung in there like a champ, didn't she. She

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<v Speaker 1>took all those shots and she.

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<v Speaker 2>Was she really wasn't even frazzled. She wasn't even frazzled.

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<v Speaker 2>She's like, should we sit down? You're losing your mind anyway.

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<v Speaker 1>Remember I'm going to be appearing at Louisville Popcorn Louisville, Kentucky,

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<v Speaker 1>June sixteenth through eighteen.

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<v Speaker 2>I saw that on your Instagram, and.

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<v Speaker 1>There's a new one. I'm gonna be in South Carolina.

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<v Speaker 1>I'm gonna Charleston, South Carolina. I saw September the sixteenth,

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<v Speaker 1>one day only with Chad, Michael Murray and Matt Sucre.

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<v Speaker 2>Oh my god.

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<v Speaker 1>Yes, so that's like a fab five event dot com.

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<v Speaker 1>So that's one day only September sixteenth, and we're gonna

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<v Speaker 1>par already down in South Carolina, beautiful Charleston.

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<v Speaker 2>Can you maybe bring your audio recorder and just get

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<v Speaker 2>us a little something something well.

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<v Speaker 1>I mean, you know, look, yes, we're gonna have to.

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<v Speaker 1>We're gonna have to. We're gonna have to record that panel.

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<v Speaker 2>That one is amazing.

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<v Speaker 1>Yeah, that's gonna be a big time. So maybe it's

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<v Speaker 1>another trip for Tara down Ohlson.

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<v Speaker 4>Last year you were Charleston. Same as last year.

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<v Speaker 1>Yeah, same promoters, with different venue I think. And plus

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<v Speaker 1>there's a Chad piece and a Matte piece. Fin there

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<v Speaker 1>you go. All right, everybody, anyway, let's synopsize and get

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<v Speaker 1>into it. Danielle take it away.

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<v Speaker 5>All right.

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<v Speaker 6>This is season five, episode ten, but not as cute

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<v Speaker 6>as Pushkin Air Date November thirtieth, two thousand and four,

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<v Speaker 6>Rory is asked to host a chiltern student for a

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<v Speaker 6>few days at Yale, but the student is more interested

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<v Speaker 6>in her freedoms than the responsibilities that go with them.

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<v Speaker 5>Lorelei learns about.

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<v Speaker 6>Luke's Dark Day, which happens to fall on the same

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<v Speaker 6>day as Miss Patty's fortieth anniversary party. Paris tried speed

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<v Speaker 6>dating and finds herself paired with Doyle. Logan embarrasses Rory,

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<v Speaker 6>prompting her and Richard to pull a little prink of

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<v Speaker 6>their own.

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<v Speaker 2>So fricking good. This was so good. I can't wait

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<v Speaker 2>to talk about Logan, but first for Scott and Danielle,

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<v Speaker 2>because I think we touched on it maybe in a

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<v Speaker 2>previous podcast. Did you see Paris and Doyle coming?

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<v Speaker 1>I did not. I did not, but I thought it's

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<v Speaker 1>one of the more satisfying couplings and Gilmore girls thus far.

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<v Speaker 1>Really funny. One of the great lines of all time

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<v Speaker 1>came out of it. End this episode, and I'll get

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<v Speaker 1>into that later, but I loved it. I think it's

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<v Speaker 1>their share a brain, They're meant for each other. It's perfect.

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<v Speaker 5>I agree.

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<v Speaker 6>I weirdly thought Doyle was gonna like Rory. But I'm

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<v Speaker 6>pleasantly surprised that it's a match with Paris, and it

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<v Speaker 6>makes me really happy.

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<v Speaker 2>They are very like an instant match.

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<v Speaker 5>They could they are each other.

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<v Speaker 1>That could have been an interesting spinoff show.

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<v Speaker 2>Actually, Scott, that is really I've never thought of that,

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<v Speaker 2>and I actually I could totally enjoy that.

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<v Speaker 1>Yeah, yeah, I you know, I think they were. I

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<v Speaker 1>don't know that they ever considered any spin offs because

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<v Speaker 1>than the just one, the jet right right, because he

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<v Speaker 1>wasn't that well established and he was young enough where

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<v Speaker 1>people were going to you know, migrate over and anyway.

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<v Speaker 1>But I remember having this conversation in the executive dining

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<v Speaker 1>room with one of the big executives about spinning off

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<v Speaker 1>and potential spinoffs and all this because they were you know,

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<v Speaker 1>the executives over there are really accessible and yeah, really

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<v Speaker 1>smart and forthcoming with information and they're just very friendly

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<v Speaker 1>people and they invites you to lunch and they're.

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<v Speaker 2>Wonderful, fancy fancy dining room. Yeah.

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<v Speaker 1>You know, the explanation that you would hear over and

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<v Speaker 1>over is they would miss if you did a spin

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<v Speaker 1>off with just a couple of main characters whatever they'd miss.

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<v Speaker 1>The audience would miss the characters that weren't there, right right,

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<v Speaker 1>they would be pining from now. It worked. I think

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<v Speaker 1>it worked with All in the Family and Archie's Place,

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<v Speaker 1>and I don't know how long that went. It worked

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<v Speaker 1>with Frasier, okay, because he was such a dynamic, entertaining

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<v Speaker 1>character in his own right. You know that he had

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<v Speaker 1>the skill set and the charisma and the presence to

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<v Speaker 1>pull off his own.

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<v Speaker 2>Yeah, those interesting examples because some of it, like the Jeffersons,

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<v Speaker 2>you're you could still watch All in the Family, and

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<v Speaker 2>then the Jeffersons was like just a part of it.

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<v Speaker 2>You know, you don't miss him so much, right, same

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<v Speaker 2>thing like Happy Days spun off Mork and Mindy, but

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<v Speaker 2>like Mork was on it just one episode, you know,

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<v Speaker 2>it's not like you're missing it.

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<v Speaker 1>And you have a Robin Williams totally just like kinda

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<v Speaker 1>hit it out of the park every time he shows up.

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<v Speaker 2>It's a good point though, because Joni Loves Chauci didn't work,

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<v Speaker 2>then they just send them back to Happiness.

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<v Speaker 1>So but I think that is one of the couplings

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<v Speaker 1>that you know that might have been interesting.

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<v Speaker 2>I like that after the seven years, so you finish

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<v Speaker 2>the series and then you spin it off and we

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<v Speaker 2>follow Paris and Doyle on their journey.

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<v Speaker 1>Doesn't necessarily have to be Paris and Doyle. It could

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<v Speaker 1>be two characters very very similar, maybe written by the

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<v Speaker 1>same writing team.

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<v Speaker 2>I can't wait for you to watch butnheads, then you're gonna.

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<v Speaker 1>Like one Justice I've never seen it.

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<v Speaker 2>No, I can't wait till you watch it because it

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<v Speaker 2>is good. Wait, okay, so back on this.

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<v Speaker 1>Sorry, when am I watching this doing more homework? I

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<v Speaker 1>have more homework.

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<v Speaker 2>When we finish Gilmour Girls, we'll get into So in

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<v Speaker 2>the beginning of this episode, I actually watched it three

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<v Speaker 2>times because I had a hard time. I don't know

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<v Speaker 2>if it's like my ears or I just wasn't getting it.

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<v Speaker 2>So Laurelize walking and I realized later it's the bag

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<v Speaker 2>of shoes and she bumps into Miss Patty and then

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<v Speaker 2>does she say something about Carrie Bradshaw? Is that what

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<v Speaker 2>she was saying? I think it was, but I was

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<v Speaker 2>like a little confused by the beginning.

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<v Speaker 6>Yeah, she says, Patty says, goodness, what's left to wear

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<v Speaker 6>on your feet? And Laura l I says, I know

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<v Speaker 6>it's a sickness. Everyone thinks it started with Bradshaw, but

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<v Speaker 6>it actually came over on the Mayflower.

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<v Speaker 2>Oh, because she's saying, now I get it. Oh that

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<v Speaker 2>took me a minute because she had so many shoes

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<v Speaker 2>in that bag, and I don't think we'd ever seen

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<v Speaker 2>the shoe repair placed before.

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<v Speaker 1>No, anyone quite exciting. We must have opening up a

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<v Speaker 1>new territory. We were there. It's the first time it happened.

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<v Speaker 2>And then we learn of Miss Patty's fortieth anniversary in

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<v Speaker 2>the business that is show legit. You know.

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<v Speaker 1>You starting interrupt, But I think the purpose of that

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<v Speaker 1>scene was to get the information out that it's Luke's

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<v Speaker 1>dark day.

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<v Speaker 2>Of course a percent.

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<v Speaker 5>Yeah.

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<v Speaker 2>The one thing I do like about Gilmore Girls is

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<v Speaker 2>they always make sure like there's a lot of alcohol

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<v Speaker 2>flowing on Gilmore Girls. She's like, well that food well booze.

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<v Speaker 2>Like They're always like, we need a drink, you know

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<v Speaker 2>at the.

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<v Speaker 4>At the first thing is a drink.

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<v Speaker 2>Like It's definitely a part of the show.

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<v Speaker 5>M my type of show Amy.

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<v Speaker 1>Where are you are you? Are you at a recording studio?

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<v Speaker 2>Yeah?

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<v Speaker 1>Does it look like I am Are you at a

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<v Speaker 1>record Are you in a hotel.

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<v Speaker 2>I'm in my loft in my house in Tahoe.

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<v Speaker 1>Oh really, it looks like you're in a high end

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<v Speaker 1>hotel because I see the three little bottles.

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<v Speaker 4>Of water, bottles of water.

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<v Speaker 1>Yeah, it's like looks like very hoteling.

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<v Speaker 2>Like it's my mini bar, it's just my minivar. I'm

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<v Speaker 2>literally in a room that has like the lowest ceiling.

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<v Speaker 2>It's crazy. Okay, I can't even explain to you where

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<v Speaker 2>I am, but hopefully I sound okay. So we get

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<v Speaker 2>into hearing about Luke's Dark Day, which I think we'll

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<v Speaker 2>really delve into because I thought that that makes the

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<v Speaker 2>character complex, like I want we'll get into that later.

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<v Speaker 2>So we then switch over and we see Paris and

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<v Speaker 2>the Life Coach has returned. Terrence, the Life Coach is back,

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<v Speaker 2>and I think that's when. Yeah, so this is when

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<v Speaker 2>Rory gets the call from head Master Chiltern, I mean

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<v Speaker 2>head Master Charleston at Chilton and Anna is coming. So

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<v Speaker 2>what did you all think?

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<v Speaker 1>It's a nice surprise to inject a guest star in

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<v Speaker 1>that fashion. It shows Rory in a different light. Alexis

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<v Speaker 1>had to memorize a lot more dialogue because oh a lot. Yeah,

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<v Speaker 1>I mean, she just had to talk talk talk talk talk.

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<v Speaker 2>Literally.

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<v Speaker 1>Yeah, that's a lot of black ink right there. Understand,

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<v Speaker 1>a lot of black ant, says Rory, and then black

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<v Speaker 1>chunks of black ink.

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<v Speaker 2>A lot of boring Yale history that I didn't realize

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<v Speaker 2>until you just said that she really had to kind

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<v Speaker 2>of keep going.

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<v Speaker 1>And the fact that she knew all that history was

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<v Speaker 1>pretty amazing. Right, So she'd prepped or she'd read up

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<v Speaker 1>on the history of Yale before she even applied, I guess,

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<v Speaker 1>but she knew her stuff.

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<v Speaker 6>I tried thinking about like the college I went too.

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<v Speaker 6>I couldn't tell you one thing about any of those

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<v Speaker 6>benches or like even the history behind the buildings. I'm

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<v Speaker 6>like that very impressive, Rory. I'm not gonna lie.

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<v Speaker 2>I actually do know a few facts. Do you guys

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<v Speaker 2>want me to tell you one weird fact about UC Berkeley? Yeah,

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<v Speaker 2>go for it, Okay, The this is This would have

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<v Speaker 2>been good if I was hosting Anna Fairchild. The Architecture building,

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<v Speaker 2>how is it is? It's designed to be boring? Right,

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<v Speaker 2>It's the most plain building. I couldn't think of the word.

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<v Speaker 2>It's created to be boring. It's the most dull building

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<v Speaker 2>on the whole campus so that the architecture students when

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<v Speaker 2>they go in don't have any like preconceived ideas of architecture.

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<v Speaker 2>So because they're going into that building every day, so

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<v Speaker 2>they wanted it to be like plane and boring. It

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<v Speaker 2>was conceived to be that way. Fun fact. What you

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<v Speaker 2>guys got fun fact.

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<v Speaker 1>Could be a fun fact from my college. Yeah, can

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<v Speaker 1>you think I just remember well, I went to Rutgers

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<v Speaker 1>and I remember being intimidated by Hill Center, which was

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<v Speaker 1>the math and science and computer buildings part of the campus.

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<v Speaker 1>And it was very intimidating, It's all I remember. It

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<v Speaker 1>seemed like, you know, smart people. Yeah, and I didn't

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<v Speaker 1>know what the heck guy was doing there. So, uh,

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<v Speaker 1>I was taking all these courses and I'm like, Jesus.

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<v Speaker 2>I wouldn't have excited when when Headmaster Charleston says that

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<v Speaker 2>Anna's coming, because I thought, oh, this is going to

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<v Speaker 2>be good. This is sort of like I just had

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<v Speaker 2>a feeling it was going to be good and kind

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<v Speaker 2>of fun. Yeah.

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<v Speaker 5>I was excited to hear back.

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<v Speaker 6>I was excited to hear back from Chilton, you know,

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<v Speaker 6>like I wanted Chilton to re emerge somehow, and I'm

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<v Speaker 6>happy that this is how it re emerged.

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<v Speaker 1>But isn't his wasn't his dialogue and his manner and

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<v Speaker 1>his tone so great? I mean, did they really nail

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<v Speaker 1>the dialogue for the head Headminister Charleston? Charlton especially really late,

0:12:42.360 --> 0:12:45.240
<v Speaker 1>he really laid it on thick with that that New

0:12:45.240 --> 0:12:51.240
<v Speaker 1>England d totally refledged upper crusty tone, and especially.

0:12:50.760 --> 0:12:53.839
<v Speaker 2>At the end when we get the payoff with him

0:12:53.880 --> 0:12:57.160
<v Speaker 2>calling Rory. I know I'm jumping ahead, but like he's

0:12:57.240 --> 0:13:00.239
<v Speaker 2>so like irritated, but he doesn't get angry.

0:13:01.040 --> 0:13:04.480
<v Speaker 6>He's so just like he can't get angry. He literally

0:13:04.559 --> 0:13:07.800
<v Speaker 6>can't get angry, and he can't scold her. She doesn't

0:13:07.840 --> 0:13:08.760
<v Speaker 6>go there anymore.

0:13:09.440 --> 0:13:12.800
<v Speaker 3>He holding her in a very proper way where she's

0:13:12.920 --> 0:13:15.480
<v Speaker 3>just like, oh that hurt. Like I can tell she

0:13:15.559 --> 0:13:16.559
<v Speaker 3>was like bummed back.

0:13:16.679 --> 0:13:19.360
<v Speaker 2>I love what she's like. I think I somehow like

0:13:20.040 --> 0:13:20.959
<v Speaker 2>didn't graduate.

0:13:21.080 --> 0:13:25.360
<v Speaker 1>Now what retroactively failed me? The one thing that.

0:13:25.440 --> 0:13:29.120
<v Speaker 2>I thought was a little interesting about this episode. So

0:13:29.160 --> 0:13:33.280
<v Speaker 2>we go to the poolhouse and Richard and Rory are

0:13:33.400 --> 0:13:37.520
<v Speaker 2>so bonded about the what she should show Anna and

0:13:37.720 --> 0:13:40.560
<v Speaker 2>just all the history of Yale and Rory so excited. Laura.

0:13:40.679 --> 0:13:43.120
<v Speaker 2>I was just a hint too bitter for me, Like

0:13:43.200 --> 0:13:45.480
<v Speaker 2>she was so sort of mad about it, and I

0:13:45.760 --> 0:13:48.800
<v Speaker 2>thought the jokes were funny because she was like she

0:13:49.000 --> 0:13:51.559
<v Speaker 2>was right being like, this is so not gonna be

0:13:51.679 --> 0:13:53.560
<v Speaker 2>fun for this girl, but she was just like a

0:13:53.800 --> 0:13:56.200
<v Speaker 2>hint too mad. I'm like, why is she not like

0:13:57.080 --> 0:13:59.360
<v Speaker 2>supporting her kid's love of Yale.

0:14:00.040 --> 0:14:01.320
<v Speaker 1>M mm hmm.

0:14:02.440 --> 0:14:07.880
<v Speaker 6>Well there's one reason why, because her parents are.

0:14:10.320 --> 0:14:19.480
<v Speaker 2>Exactly interjection is that the fashion this episode, which we'll

0:14:19.520 --> 0:14:23.640
<v Speaker 2>talk about, was super leveled up. I thought everyone looked amazing,

0:14:23.720 --> 0:14:26.600
<v Speaker 2>like localize in that red sweater with the cutouts, and

0:14:26.840 --> 0:14:29.120
<v Speaker 2>Rory was wearing all these layers. But I do want

0:14:29.160 --> 0:14:34.160
<v Speaker 2>to talk about that. The scarf is literally the indicator

0:14:34.440 --> 0:14:42.760
<v Speaker 2>that it's winter. Every character scarf, Like I'm not kidding that,

0:14:42.800 --> 0:14:45.120
<v Speaker 2>it's just must be like, Okay, we want the audience

0:14:45.160 --> 0:14:48.040
<v Speaker 2>to know it's winter, throw a scarf on them, but

0:14:48.120 --> 0:14:49.280
<v Speaker 2>like not.

0:14:49.200 --> 0:14:54.360
<v Speaker 6>Even like cute ones, those skinny ones.

0:14:53.760 --> 0:14:57.600
<v Speaker 2>That don't it's pretty nineties. But we can we can

0:14:57.680 --> 0:15:00.320
<v Speaker 2>dissect the scarves later. Okay. So we do get little

0:15:00.320 --> 0:15:04.120
<v Speaker 2>tidbit here at the pool House portion of Friday Night

0:15:04.160 --> 0:15:08.080
<v Speaker 2>Dinner in that he brings up Logan so Richard brings

0:15:08.200 --> 0:15:11.680
<v Speaker 2>up mister Huntsberger, and Laura's kind of like, who is that?

0:15:12.160 --> 0:15:14.440
<v Speaker 2>So they talk about Logan, they talk about Mitcham, that

0:15:14.520 --> 0:15:17.200
<v Speaker 2>Mitcham owns the paper, so I thought that was significant.

0:15:17.520 --> 0:15:24.680
<v Speaker 1>He really just started pushing the Logan relationship potential very

0:15:25.000 --> 0:15:27.240
<v Speaker 1>quickly out of the gate. I mean, it's like the

0:15:27.280 --> 0:15:30.880
<v Speaker 1>first time Laura I heard that information, Richard knew about it,

0:15:31.400 --> 0:15:35.080
<v Speaker 1>and he's already scheming, you know. He's like, it's just like,

0:15:35.600 --> 0:15:38.920
<v Speaker 1>this is like, this is how you kill a relationship.

0:15:38.960 --> 0:15:41.760
<v Speaker 1>This is how you kill the I mean, if she

0:15:41.840 --> 0:15:45.560
<v Speaker 1>had any kind of enticement or any kind of curiosity

0:15:45.600 --> 0:15:51.000
<v Speaker 1>as to you know, forgiving Logan his obvious you know,

0:15:51.040 --> 0:15:54.920
<v Speaker 1>the obvious obstacles there in place for Ror to overcome

0:15:55.800 --> 0:16:00.800
<v Speaker 1>personality wise, you know, Richard kind of Kenny. I don't know,

0:16:01.360 --> 0:16:03.200
<v Speaker 1>did he did? He did? He did he make it

0:16:03.240 --> 0:16:05.440
<v Speaker 1>more difficult for those two to get together? And was

0:16:05.440 --> 0:16:06.600
<v Speaker 1>that his purpose?

0:16:07.080 --> 0:16:09.680
<v Speaker 2>I'm wondering if Okay, and I might be reading too

0:16:09.760 --> 0:16:14.760
<v Speaker 2>much into this, but I'm thinking maybe Richard saw their chemistry,

0:16:14.880 --> 0:16:19.280
<v Speaker 2>which they undeniably have, and so did Marty. So it's

0:16:19.320 --> 0:16:22.720
<v Speaker 2>almost like Rory is the last to open her eyes

0:16:22.760 --> 0:16:25.280
<v Speaker 2>to it because I think Richard did that because he

0:16:25.360 --> 0:16:29.880
<v Speaker 2>literally saw how comfortable they were together. They really, especially

0:16:29.920 --> 0:16:33.320
<v Speaker 2>at that party. Logan was so comfortable with Rory. It

0:16:33.440 --> 0:16:37.040
<v Speaker 2>was like they were besties. So maybe Richard saw it

0:16:37.200 --> 0:16:39.880
<v Speaker 2>and leaned into it.

0:16:40.200 --> 0:16:45.720
<v Speaker 1>Yeah, he really leaned into it.

0:16:46.360 --> 0:16:49.320
<v Speaker 2>So then we kind of get to.

0:16:49.440 --> 0:16:51.960
<v Speaker 1>This because he's giddy. He was giddy. He was giddy,

0:16:52.120 --> 0:16:52.640
<v Speaker 1>he was.

0:16:52.640 --> 0:16:55.440
<v Speaker 2>Yeah, he's into it. So then I thought the transition

0:16:55.600 --> 0:16:57.040
<v Speaker 2>was a little weird because all of a sudden, we

0:16:57.080 --> 0:17:00.360
<v Speaker 2>leave Friday night dinner and lorealize it. Luke's with no pants, Like,

0:17:00.400 --> 0:17:02.920
<v Speaker 2>she's just wearing your shirt getting pie. So I was

0:17:02.920 --> 0:17:05.359
<v Speaker 2>a little bit like, whoa, But I'm assuming maybe she

0:17:05.440 --> 0:17:07.280
<v Speaker 2>just goes there after Friday night dinner.

0:17:07.920 --> 0:17:16.760
<v Speaker 1>I think they have a very healthy physical life. I

0:17:16.800 --> 0:17:21.680
<v Speaker 1>think they I think they enjoy each other's company in

0:17:21.760 --> 0:17:22.760
<v Speaker 1>private quarters.

0:17:24.080 --> 0:17:28.160
<v Speaker 2>Yeah, so this is a line that's always stood out

0:17:28.200 --> 0:17:30.600
<v Speaker 2>to me the whole run of you know, every time

0:17:30.640 --> 0:17:33.480
<v Speaker 2>I've watched Gilmore Girls. She says, this is nice. I

0:17:33.520 --> 0:17:38.760
<v Speaker 2>think it's going very well, you and me, and it's like, yeah,

0:17:38.760 --> 0:17:42.320
<v Speaker 2>it is. They're so comfortable. Then we kind of get

0:17:42.320 --> 0:17:45.400
<v Speaker 2>the dark day we learn about we don't get into why,

0:17:45.840 --> 0:17:50.439
<v Speaker 2>but she mentions Patty's and then Luke really changes and

0:17:50.480 --> 0:17:53.120
<v Speaker 2>he's like, can you turn the light off? I gotta

0:17:53.160 --> 0:17:56.040
<v Speaker 2>get up early. So I don't know, Scott, like, what

0:17:56.119 --> 0:17:59.639
<v Speaker 2>are you thinking about your performance?

0:17:59.640 --> 0:17:59.919
<v Speaker 7>A cent?

0:18:02.840 --> 0:18:07.560
<v Speaker 1>I liked it. I thought everything was going well. I enjoyed.

0:18:08.800 --> 0:18:11.159
<v Speaker 1>You know, he's an intense guy and he's got his

0:18:11.280 --> 0:18:16.080
<v Speaker 1>quirks and his secrets and he's you know, he's not yeah,

0:18:16.800 --> 0:18:19.439
<v Speaker 1>and it just makes me want to know, as an

0:18:19.440 --> 0:18:21.720
<v Speaker 1>audience more about his relationship with his dad.

0:18:22.440 --> 0:18:24.240
<v Speaker 5>Oh yeah, I agree.

0:18:24.520 --> 0:18:25.920
<v Speaker 2>I agree.

0:18:26.160 --> 0:18:28.720
<v Speaker 1>It must have been something very very special for him to,

0:18:29.440 --> 0:18:31.760
<v Speaker 1>you know, at this stage of his life to really

0:18:31.960 --> 0:18:34.640
<v Speaker 1>like have a dark day and it's just every year

0:18:34.800 --> 0:18:40.360
<v Speaker 1>and it's just really but you know me, it's very sad, sad.

0:18:40.720 --> 0:18:41.520
<v Speaker 5>You know what's interesting.

0:18:41.520 --> 0:18:43.400
<v Speaker 6>I kind of thought of it like a little bit

0:18:43.440 --> 0:18:47.120
<v Speaker 6>differently than you. I kind of was like, he has

0:18:47.240 --> 0:18:50.720
<v Speaker 6>such a like a like especially with the boat, which

0:18:50.760 --> 0:18:54.320
<v Speaker 6>we'll talk about later, like such a I want this away.

0:18:54.920 --> 0:18:57.200
<v Speaker 6>For a second, I was kind of like, oh, maybe

0:18:57.280 --> 0:18:59.359
<v Speaker 6>they didn't have a good relationship. But then I was like,

0:18:59.400 --> 0:19:01.760
<v Speaker 6>why would he take over the diner? Why would he

0:19:01.920 --> 0:19:04.520
<v Speaker 6>you know, like buy that building? And you know, be

0:19:04.680 --> 0:19:06.840
<v Speaker 6>so invested in things.

0:19:06.520 --> 0:19:07.600
<v Speaker 5>That his dad built.

0:19:08.119 --> 0:19:11.560
<v Speaker 6>Right, and then at the end it kind of made

0:19:11.600 --> 0:19:13.639
<v Speaker 6>me like oh no, no, no, go back to like

0:19:13.720 --> 0:19:16.719
<v Speaker 6>how what you were just saying, like no they I

0:19:16.760 --> 0:19:18.919
<v Speaker 6>think he was a very special person to Luke and

0:19:18.960 --> 0:19:23.160
<v Speaker 6>somebody that he definitely idolized, and it's hard for him

0:19:23.600 --> 0:19:24.800
<v Speaker 6>to have that person gone.

0:19:25.119 --> 0:19:27.320
<v Speaker 1>Yeah. I think he really looked up to him, and

0:19:28.359 --> 0:19:29.919
<v Speaker 1>he's very sentimental about it.

0:19:30.320 --> 0:19:33.920
<v Speaker 2>Yeah. I was kind of venturing to say two things

0:19:33.920 --> 0:19:36.080
<v Speaker 2>about Luke. One is I think his father was the

0:19:36.119 --> 0:19:41.199
<v Speaker 2>most important person to him until Lorali. I think she

0:19:41.640 --> 0:19:45.280
<v Speaker 2>is not in the same way obviously, but that's why

0:19:45.320 --> 0:19:47.399
<v Speaker 2>he tells her about the dark day. It's like she

0:19:47.520 --> 0:19:50.760
<v Speaker 2>has leveled up to this person that's so important to him.

0:19:50.880 --> 0:19:52.119
<v Speaker 2>And I think the other thing that I'd love for

0:19:52.160 --> 0:19:54.280
<v Speaker 2>Scott to talk about is like Luke is not a

0:19:54.320 --> 0:19:58.080
<v Speaker 2>simple guy. You sometimes think he is. He's the guy,

0:19:58.200 --> 0:20:02.040
<v Speaker 2>you know, he's he owns diner, he's you know, he's

0:20:02.080 --> 0:20:07.800
<v Speaker 2>not overly fancy, he's but he isn't simple. He's complicated,

0:20:08.040 --> 0:20:12.480
<v Speaker 2>he's got, he's smart, he's there's so much more to him.

0:20:12.600 --> 0:20:15.120
<v Speaker 2>I find personally, as he's.

0:20:15.040 --> 0:20:17.360
<v Speaker 5>Kind of emotional very.

0:20:19.000 --> 0:20:22.560
<v Speaker 6>Mm hmm, and you wouldn't think that at first.

0:20:23.520 --> 0:20:27.720
<v Speaker 1>Yeah, there's there's yeah, there's a there's a volcano under there, right.

0:20:27.920 --> 0:20:30.560
<v Speaker 2>Yeah, it's like okay, so we'll dig into all the scenes.

0:20:30.600 --> 0:20:32.800
<v Speaker 2>But like for Scott, i'd love to hear like because

0:20:32.800 --> 0:20:36.960
<v Speaker 2>this was so there was each scene was emotional. The

0:20:37.040 --> 0:20:39.359
<v Speaker 2>scene with you know, first you are like, no, I

0:20:39.359 --> 0:20:41.440
<v Speaker 2>don't want to turn the light off, then the one

0:20:41.480 --> 0:20:43.520
<v Speaker 2>with the woman at the garage that you rent for

0:20:43.560 --> 0:20:47.240
<v Speaker 2>the boat, then getting upset at Loralai, then going back

0:20:47.400 --> 0:20:49.240
<v Speaker 2>every single scene that Luke has.

0:20:49.400 --> 0:20:52.280
<v Speaker 1>I'm gonna tell you why I think it's affecting you

0:20:52.359 --> 0:20:54.760
<v Speaker 1>this way. And I'm going to be really open about

0:20:54.800 --> 0:20:59.640
<v Speaker 1>this and they probably shouldn't be, but I think it's interesting,

0:21:00.119 --> 0:21:04.199
<v Speaker 1>you know, and I haven't thought about this before, but

0:21:04.280 --> 0:21:07.440
<v Speaker 1>it just hit me. I think Luke at that time,

0:21:07.560 --> 0:21:10.280
<v Speaker 1>and as I interpreted the character in those scenes at

0:21:10.280 --> 0:21:13.720
<v Speaker 1>that time was a two thousand and six, two thousand

0:21:13.760 --> 0:21:15.160
<v Speaker 1>and five, two thousand and six.

0:21:15.640 --> 0:21:17.800
<v Speaker 2>Yeah, I think it doesn't. Four yeah, four.

0:21:18.160 --> 0:21:21.080
<v Speaker 1>I think the reason that it was so intense for

0:21:21.160 --> 0:21:23.760
<v Speaker 1>me and that's how it came out. I watched it,

0:21:23.960 --> 0:21:27.399
<v Speaker 1>but boy, that's that's something I think it was me

0:21:27.760 --> 0:21:34.119
<v Speaker 1>interpreting the character as if I was wishing that I

0:21:34.240 --> 0:21:38.359
<v Speaker 1>had had that kind of relationship with my own real father.

0:21:38.880 --> 0:21:39.320
<v Speaker 2>Wow.

0:21:39.640 --> 0:21:40.080
<v Speaker 1>M hmmm.

0:21:41.080 --> 0:21:45.280
<v Speaker 2>Wow. Yeah, there's something. I there's something to it, especially

0:21:45.320 --> 0:21:47.159
<v Speaker 2>in this episode.

0:21:47.280 --> 0:21:50.480
<v Speaker 1>And I think that's that's the longing, and that's the

0:21:50.480 --> 0:21:54.960
<v Speaker 1>the you know, the the emptiness, the whole inside Luke's

0:21:54.960 --> 0:22:00.720
<v Speaker 1>soul that his father's gone is really the whole inside

0:22:00.720 --> 0:22:05.240
<v Speaker 1>of the actor. Yeah, who never really had that closeness

0:22:05.240 --> 0:22:06.119
<v Speaker 1>with his own dat.

0:22:07.240 --> 0:22:10.000
<v Speaker 2>That makes sense to me because these scenes were really

0:22:10.080 --> 0:22:13.280
<v Speaker 2>powerful and they all stand out and they're not over

0:22:13.320 --> 0:22:18.080
<v Speaker 2>the top, they're not too little. To me, they were

0:22:18.119 --> 0:22:20.800
<v Speaker 2>just like I would react that way. I think if

0:22:20.920 --> 0:22:24.640
<v Speaker 2>my girlfriend boyfriend had gone and got that boat even

0:22:24.680 --> 0:22:26.399
<v Speaker 2>though I said no, even though they did it for

0:22:26.440 --> 0:22:29.520
<v Speaker 2>the right reasons, Like the emotion is so raw and

0:22:29.560 --> 0:22:31.440
<v Speaker 2>then and you did the right thing by going right

0:22:31.480 --> 0:22:35.280
<v Speaker 2>back to her, And I just thought it was very real.

0:22:35.880 --> 0:22:36.960
<v Speaker 4>Yeah, it felt real.

0:22:37.320 --> 0:22:40.440
<v Speaker 1>Yeah. I think the best performances are you draw from

0:22:40.440 --> 0:22:43.760
<v Speaker 1>your own life and you draw from the script. Right,

0:22:43.880 --> 0:22:46.720
<v Speaker 1>it's a it's a balancing act. You can't help but

0:22:46.840 --> 0:22:49.200
<v Speaker 1>draw from your own life, because what else what other

0:22:49.280 --> 0:22:52.680
<v Speaker 1>frame of reference do you have, Right, It's not like

0:22:53.359 --> 0:22:57.560
<v Speaker 1>it's not like there's a history of the Guilford Girls

0:22:57.600 --> 0:23:01.199
<v Speaker 1>that you can that you can research, right, So you

0:23:01.480 --> 0:23:03.200
<v Speaker 1>kind of make it up. You make up your own

0:23:03.640 --> 0:23:05.440
<v Speaker 1>psychological profile.

0:23:05.520 --> 0:23:08.520
<v Speaker 2>Right, based on what your own experiences.

0:23:07.920 --> 0:23:12.639
<v Speaker 1>Right, And therein lies the uniqueness which you can bring

0:23:12.800 --> 0:23:19.480
<v Speaker 1>to the character. Right. So yeah, powerful, Yeah it can be. Yeah,

0:23:19.560 --> 0:23:21.800
<v Speaker 1>it can be. And I think in that situation it was, Yeah,

0:23:21.840 --> 0:23:22.400
<v Speaker 1>I agree.

0:23:22.680 --> 0:23:25.000
<v Speaker 2>I also think one of the things I because I really,

0:23:25.080 --> 0:23:26.439
<v Speaker 2>I mean, this is a ten for me. I love

0:23:26.480 --> 0:23:28.679
<v Speaker 2>this episode. So I think one of the things also

0:23:28.920 --> 0:23:32.439
<v Speaker 2>was we're having these very serious moments with Luke and

0:23:32.480 --> 0:23:34.879
<v Speaker 2>then we get to go back to Yale to just

0:23:34.920 --> 0:23:38.520
<v Speaker 2>to have pure sort of like joy. So Anna Fairchild

0:23:38.560 --> 0:23:40.920
<v Speaker 2>shows up and I thought she was darling, And I

0:23:41.000 --> 0:23:44.040
<v Speaker 2>love the whole I just love the whole thing happening.

0:23:44.080 --> 0:23:47.280
<v Speaker 2>I love Marty and he's got the caviare, he's too,

0:23:47.359 --> 0:23:51.320
<v Speaker 2>got a scarf on, and it's just like Paris is amazing.

0:23:51.400 --> 0:23:55.159
<v Speaker 2>Paris is just so like talking about Anna arriving with

0:23:55.160 --> 0:24:00.479
<v Speaker 2>her perky breasts and just the whole so good. And

0:24:00.520 --> 0:24:03.960
<v Speaker 2>we get this levity over here because we're dealing with

0:24:04.040 --> 0:24:05.760
<v Speaker 2>like some real heaviness over here.

0:24:07.160 --> 0:24:09.800
<v Speaker 6>I think we needed it, like we needed it. Otherwise

0:24:09.840 --> 0:24:12.919
<v Speaker 6>we both, like four of us would have shown up

0:24:12.960 --> 0:24:13.920
<v Speaker 6>today being like.

0:24:13.920 --> 0:24:18.600
<v Speaker 5>Oh yeah, yeah, it's a good but tough episode to watch.

0:24:18.760 --> 0:24:21.479
<v Speaker 3>Yeah, Like back in Star's Hollow you felt that emotion,

0:24:21.640 --> 0:24:24.560
<v Speaker 3>but then at Yale you kind of felt that lightness

0:24:24.600 --> 0:24:26.639
<v Speaker 3>and airiness, and I know.

0:24:26.680 --> 0:24:30.160
<v Speaker 2>We're we're not quite there, but for me, I'm sure

0:24:30.200 --> 0:24:34.920
<v Speaker 2>they thought of that call and Finn Logan bit and

0:24:34.960 --> 0:24:38.439
<v Speaker 2>they put it in the perfect episode because it was

0:24:38.600 --> 0:24:42.800
<v Speaker 2>so epic, like okay, we'll get to it. So so

0:24:42.840 --> 0:24:45.520
<v Speaker 2>basically we've got her showing this an a fair job

0:24:45.600 --> 0:24:48.879
<v Speaker 2>all around with the most boring Yeale speeches and you

0:24:48.920 --> 0:24:53.600
<v Speaker 2>know she's she's going all over and Logan of course

0:24:53.600 --> 0:24:56.840
<v Speaker 2>shows up perfectly right at the right time at the library,

0:24:57.000 --> 0:25:01.000
<v Speaker 2>so we oh, Logan, you know, here he is. And

0:25:01.000 --> 0:25:03.680
<v Speaker 2>Anna of course is kind of like hard eyes for

0:25:04.320 --> 0:25:06.399
<v Speaker 2>him and all the boys. So I just I don't know.

0:25:06.480 --> 0:25:08.880
<v Speaker 2>To me, the whole thing is just perfectly done.

0:25:10.280 --> 0:25:12.159
<v Speaker 3>I love that she just wants nothing to do with

0:25:12.200 --> 0:25:16.159
<v Speaker 3>them right now at the stage.

0:25:16.119 --> 0:25:18.600
<v Speaker 2>Right which I think is why he's getting so into her.

0:25:19.280 --> 0:25:19.680
<v Speaker 4>Totally.

0:25:20.760 --> 0:25:23.639
<v Speaker 2>It's so good Okay, well, so I digress. So the

0:25:23.720 --> 0:25:29.360
<v Speaker 2>other things happening is it Kirk's got his bathtub adhesives,

0:25:29.560 --> 0:25:32.320
<v Speaker 2>and everyone knows about the Dark Day, but no one

0:25:32.400 --> 0:25:34.720
<v Speaker 2>knows why the Dark Day exists.

0:25:35.359 --> 0:25:37.640
<v Speaker 6>Before we move on from that, like that is a

0:25:37.680 --> 0:25:41.840
<v Speaker 6>big thing to actually understand that this whole town knows

0:25:41.880 --> 0:25:45.919
<v Speaker 6>that Luke has his Dark Day, but nobody knows until.

0:25:46.000 --> 0:25:48.480
<v Speaker 5>He tells Larela. I like, Loreli is.

0:25:48.400 --> 0:25:51.960
<v Speaker 6>Now the only person that holds this information. I think

0:25:52.000 --> 0:25:58.880
<v Speaker 6>that just obviously shows the level they're at in their relationship.

0:26:00.320 --> 0:26:07.960
<v Speaker 2>Totally. So it's like he goes and yells at that

0:26:08.040 --> 0:26:10.880
<v Speaker 2>poor woman in the driveway, and this is where Lorelai

0:26:11.000 --> 0:26:14.199
<v Speaker 2>really kind of steps in. But Scott, when you're watching that,

0:26:14.440 --> 0:26:14.919
<v Speaker 2>what were you?

0:26:18.480 --> 0:26:22.720
<v Speaker 1>I liked it. I enjoyed watching it. I I you know,

0:26:24.119 --> 0:26:27.240
<v Speaker 1>I'm so you know, I'm so far removed from the

0:26:27.320 --> 0:26:29.760
<v Speaker 1>character at this point. I mean, in terms of years,

0:26:29.800 --> 0:26:32.920
<v Speaker 1>it's been a couple of decades, right plus plus decade

0:26:33.040 --> 0:26:37.200
<v Speaker 1>to two and a half decades that I can watch

0:26:37.200 --> 0:26:41.439
<v Speaker 1>it objectively almost Yeah, And I thought, yeah, I like that.

0:26:41.840 --> 0:26:44.280
<v Speaker 1>I enjoyed those I thought they were funny. I thought

0:26:44.280 --> 0:26:46.520
<v Speaker 1>they were funny. I thought they were. They were big,

0:26:47.240 --> 0:26:52.959
<v Speaker 1>you know, big sweeping gesticulations and body movements, and it

0:26:53.240 --> 0:26:55.800
<v Speaker 1>was kind of funny, funny, and.

0:26:55.760 --> 0:26:57.679
<v Speaker 2>You're not mad at him because you don't feel like

0:26:57.720 --> 0:27:00.320
<v Speaker 2>he's abusing her. You feel like, oh God, this guy

0:27:00.480 --> 0:27:03.440
<v Speaker 2>is unhinged and having a meltdown, and everyone just wants

0:27:03.440 --> 0:27:06.400
<v Speaker 2>to like help him, even missus Thompson, Like she's not mad,

0:27:06.520 --> 0:27:09.760
<v Speaker 2>she's just like this poor guy, Like I got to

0:27:09.800 --> 0:27:11.440
<v Speaker 2>move into a nursing home, dude.

0:27:12.119 --> 0:27:15.080
<v Speaker 3>The one thing, the one thing that I found interesting though,

0:27:15.359 --> 0:27:18.600
<v Speaker 3>did anyone else think, like, how did Laura I never

0:27:18.680 --> 0:27:19.880
<v Speaker 3>know about his dark Day?

0:27:20.720 --> 0:27:23.760
<v Speaker 2>Yes? Yes, how did she never know? In the entire

0:27:23.880 --> 0:27:26.160
<v Speaker 2>town knows And they've been even asked Rory to look

0:27:26.160 --> 0:27:26.800
<v Speaker 2>at her journal.

0:27:27.080 --> 0:27:30.200
<v Speaker 1>Well, I think it's because they weren't.

0:27:30.320 --> 0:27:32.080
<v Speaker 4>They weren't as involved, they.

0:27:32.000 --> 0:27:35.399
<v Speaker 1>Weren't as involved. And it's really kind of for boting

0:27:35.440 --> 0:27:38.680
<v Speaker 1>that you're going to try to get underneath Luke's shell

0:27:38.920 --> 0:27:42.440
<v Speaker 1>to that degree to even broach that topic. That's not

0:27:42.520 --> 0:27:43.080
<v Speaker 1>going to happen.

0:27:43.440 --> 0:27:46.000
<v Speaker 3>But everyone else in the everyone else in the town

0:27:46.040 --> 0:27:47.760
<v Speaker 3>knew about it, Like they didn't know what it's.

0:27:47.640 --> 0:27:49.399
<v Speaker 1>About, dark Day, but they didn't know the reason.

0:27:49.480 --> 0:27:49.800
<v Speaker 4>Correct?

0:27:49.880 --> 0:27:50.080
<v Speaker 1>Correct?

0:27:50.119 --> 0:27:51.720
<v Speaker 2>Carla I didn't even know the Dark Day existed. And

0:27:51.760 --> 0:27:53.399
<v Speaker 2>you would at least if she had to go to

0:27:53.440 --> 0:27:57.160
<v Speaker 2>Al's Pancake World every year on November thirtieth, she would

0:27:57.240 --> 0:27:57.720
<v Speaker 2>remember that.

0:27:57.800 --> 0:27:59.000
<v Speaker 1>Yeah that you know what you're right?

0:27:59.240 --> 0:28:02.080
<v Speaker 4>Yeah, like that is like it wasn't it wasn't more

0:28:02.119 --> 0:28:03.520
<v Speaker 4>of what it was.

0:28:03.560 --> 0:28:06.119
<v Speaker 3>It was that it was a dark day, like, and

0:28:06.119 --> 0:28:08.360
<v Speaker 3>I would understand if she forgot the date, like, oh yeah,

0:28:08.359 --> 0:28:11.879
<v Speaker 3>I forgot today is the day, But to not know

0:28:11.960 --> 0:28:15.440
<v Speaker 3>that it exists, I was like, that doesn't feel right,

0:28:15.560 --> 0:28:16.680
<v Speaker 3>Like it just feels off.

0:28:17.280 --> 0:28:21.240
<v Speaker 1>Well, you know, she's busy. Look, single moms are busy.

0:28:21.440 --> 0:28:25.920
<v Speaker 1>You know. It's like and she's guys and she's raising

0:28:25.920 --> 0:28:28.280
<v Speaker 1>her daughter, she's dealing with her parents, she's stealing.

0:28:28.280 --> 0:28:30.480
<v Speaker 3>And she cares for she cares for Luke. So that's

0:28:30.520 --> 0:28:32.639
<v Speaker 3>another reason why I'm like, how would she never know?

0:28:33.600 --> 0:28:34.480
<v Speaker 2>Right? Right?

0:28:35.000 --> 0:28:38.120
<v Speaker 1>Yeah, that's a good that's a good catch. That's a

0:28:38.160 --> 0:28:38.600
<v Speaker 1>good catch.

0:28:38.880 --> 0:28:40.320
<v Speaker 2>It's a little bit of a flaw, but the whole

0:28:40.360 --> 0:28:44.080
<v Speaker 2>episode wouldn't have been as good as she knew totally.

0:28:44.240 --> 0:28:49.160
<v Speaker 1>Yeah, that's a very crack staffy. Beside, we have some openings,

0:28:50.600 --> 0:28:53.560
<v Speaker 1>like to join ther crackstaff. Yeah, I don't know if

0:28:53.600 --> 0:28:57.000
<v Speaker 1>they're coming back from Tahiti, and I think it's.

0:28:56.920 --> 0:28:57.920
<v Speaker 5>I think it's sweet.

0:28:58.200 --> 0:29:00.920
<v Speaker 2>First of all, she calls him hun, she calms him down,

0:29:01.000 --> 0:29:04.040
<v Speaker 2>She convinces him to get a ride back to the diner.

0:29:04.440 --> 0:29:07.400
<v Speaker 2>He starts to sort of tell her that about you know,

0:29:07.480 --> 0:29:08.760
<v Speaker 2>the boat, and you know what.

0:29:08.760 --> 0:29:11.160
<v Speaker 1>I'm thinking about when when I'll give you a ride

0:29:11.160 --> 0:29:15.920
<v Speaker 1>back to the diner because the proximity of where they

0:29:15.960 --> 0:29:27.480
<v Speaker 1>were thirty steps.

0:29:25.720 --> 0:29:32.080
<v Speaker 2>I also think there was a great kiss my grits

0:29:32.200 --> 0:29:34.440
<v Speaker 2>from Flow that was a funny pop culture which I'm

0:29:34.440 --> 0:29:36.560
<v Speaker 2>sure we'll talk about. But anyway, so he talks about

0:29:36.560 --> 0:29:39.800
<v Speaker 2>his dad getting sick and that this boat has been there,

0:29:40.080 --> 0:29:43.800
<v Speaker 2>you know, he's been paying rent for all these years

0:29:44.360 --> 0:29:46.440
<v Speaker 2>and doesn't want to deal with it. He doesn't want

0:29:46.480 --> 0:29:49.000
<v Speaker 2>to deal with it. It makes him too sad.

0:29:49.360 --> 0:29:51.720
<v Speaker 1>I think, I think it must have been a really

0:29:51.920 --> 0:29:59.400
<v Speaker 1>horrible illness and a protracted, horrible, painful ye maybe year,

0:29:59.720 --> 0:30:05.560
<v Speaker 1>maybe two years of just horrible horribles.

0:30:04.800 --> 0:30:10.840
<v Speaker 2>Like cancer or something like something not good happens. Yes,

0:30:11.640 --> 0:30:15.920
<v Speaker 2>so yeah, so then we we we really have like

0:30:15.960 --> 0:30:18.000
<v Speaker 2>a juxtaposition, like we talked about. We go to the

0:30:18.040 --> 0:30:21.160
<v Speaker 2>pub and they're getting the cappuccinos and Anna suddenly has

0:30:21.560 --> 0:30:23.560
<v Speaker 2>Mark and Matthew talking to her, and I love when

0:30:23.640 --> 0:30:26.400
<v Speaker 2>Rory's like bud bite, like just dealing with all that.

0:30:27.000 --> 0:30:31.320
<v Speaker 2>So I just thought, Okay, this is all good. You know,

0:30:31.480 --> 0:30:34.600
<v Speaker 2>this is a funny other side to what's happening in

0:30:34.640 --> 0:30:35.320
<v Speaker 2>Stars follow up.

0:30:35.480 --> 0:30:38.440
<v Speaker 1>Yeah, Yale has really developed into a whole other side

0:30:38.440 --> 0:30:40.680
<v Speaker 1>of the show that's very satisfying.

0:30:41.720 --> 0:30:44.920
<v Speaker 5>It finally feels like college. Does that makes sense?

0:30:45.040 --> 0:30:47.640
<v Speaker 3>It does, yes, But I was thinking it feels like

0:30:47.720 --> 0:30:51.400
<v Speaker 3>college because she's actually doing college y things now, yes,

0:30:52.120 --> 0:30:55.640
<v Speaker 3>Like she's on the school paper and she's hanging out

0:30:55.680 --> 0:30:58.240
<v Speaker 3>with anyone else but Paris, you.

0:30:58.160 --> 0:30:58.920
<v Speaker 2>Know right now.

0:31:00.240 --> 0:31:03.440
<v Speaker 6>But also Paris too, you know, she's not dating Asher anymore.

0:31:03.520 --> 0:31:06.200
<v Speaker 6>Like she's actually like, ugh, I got to find a

0:31:06.280 --> 0:31:08.880
<v Speaker 6>date now, you know, and doing the speed dating and

0:31:08.880 --> 0:31:09.880
<v Speaker 6>all that kind of stuff.

0:31:10.560 --> 0:31:13.560
<v Speaker 1>Characters from Paris, right, Yeah, she's not playing anything with

0:31:13.600 --> 0:31:14.160
<v Speaker 1>the old people.

0:31:15.000 --> 0:31:17.360
<v Speaker 2>Paris gets so fancy and goes out at eleven o'clock

0:31:17.360 --> 0:31:19.840
<v Speaker 2>at night, and Anna's just loving every second of it, Like,

0:31:19.880 --> 0:31:23.200
<v Speaker 2>oh my god. It's almost like we needed Anna to

0:31:23.360 --> 0:31:28.000
<v Speaker 2>realize like what college should be, because it really becomes

0:31:28.120 --> 0:31:32.520
<v Speaker 2>collegey in this episode. With the pub and the you know,

0:31:32.640 --> 0:31:35.000
<v Speaker 2>going out late and then the speed dating, although that

0:31:35.040 --> 0:31:36.680
<v Speaker 2>was random. I don't know that they would have.

0:31:36.600 --> 0:31:41.080
<v Speaker 1>A meet me at the wrath Scaler the best.

0:31:41.440 --> 0:31:43.840
<v Speaker 2>So Anna is falling asleep in class and it was

0:31:43.920 --> 0:31:47.080
<v Speaker 2>Professor Bell, but we knew remember he was he also

0:31:47.120 --> 0:31:51.480
<v Speaker 2>had a different role remember the actor yeh wasn't he?

0:31:52.200 --> 0:31:53.160
<v Speaker 2>I think he was at Chilton.

0:31:54.120 --> 0:31:57.480
<v Speaker 6>He was like a teacher or something like that, right.

0:31:57.480 --> 0:31:59.400
<v Speaker 2>So he and he told us that he comes back

0:31:59.400 --> 0:32:02.520
<v Speaker 2>and doesn't and I love that Anna's falling asleep and

0:32:02.560 --> 0:32:05.800
<v Speaker 2>then all of a sudden incomes calling and Logan and you.

0:32:06.000 --> 0:32:09.320
<v Speaker 4>I was just like I forgot. I was like, what

0:32:09.520 --> 0:32:10.160
<v Speaker 4>is happening?

0:32:11.200 --> 0:32:18.840
<v Speaker 7>I loved this so much, like, oh my god, I

0:32:18.880 --> 0:32:22.440
<v Speaker 7>loved it, but I also hated how Rory reacted to it.

0:32:22.480 --> 0:32:25.880
<v Speaker 6>I'm like, can you be more fun? Like everyone in

0:32:25.920 --> 0:32:28.720
<v Speaker 6>this class knows that this is a joke, Like.

0:32:28.800 --> 0:32:31.080
<v Speaker 3>Right off the bat, you're like, wait what And then

0:32:31.200 --> 0:32:33.040
<v Speaker 3>as it when they bowed.

0:32:32.680 --> 0:32:34.960
<v Speaker 5>At the end, Yeah, he straight up.

0:32:35.000 --> 0:32:38.240
<v Speaker 2>Bowed like it was so funny.

0:32:38.480 --> 0:32:41.200
<v Speaker 6>But once the police officer came in, You're like, oh,

0:32:41.320 --> 0:32:41.880
<v Speaker 6>you know this.

0:32:41.960 --> 0:32:42.600
<v Speaker 5>Is not real.

0:32:43.000 --> 0:32:44.960
<v Speaker 2>You know it wasn't real. When they said give them

0:32:45.040 --> 0:32:46.240
<v Speaker 2>back their balls.

0:32:46.480 --> 0:32:51.240
<v Speaker 4>Oh my god, the best line, damn it, Gilmour.

0:32:50.960 --> 0:32:57.240
<v Speaker 2>Theos is clapping. I literally was like that was hysterical.

0:32:57.320 --> 0:33:02.840
<v Speaker 6>Hysterical and like something definitely like sorry, go ahead, no

0:33:02.920 --> 0:33:06.160
<v Speaker 6>you go. I was gonna say, it's like definitely something

0:33:06.200 --> 0:33:08.280
<v Speaker 6>that like fried kids do you know, they're just like

0:33:08.440 --> 0:33:10.880
<v Speaker 6>you do shit all the time like that.

0:33:11.600 --> 0:33:14.280
<v Speaker 2>There's the line where when Rory and Logan kind of

0:33:14.320 --> 0:33:17.320
<v Speaker 2>go at it where Logan says like, this is college

0:33:17.400 --> 0:33:19.600
<v Speaker 2>and I'm so glad he did that because Rory is

0:33:19.640 --> 0:33:23.880
<v Speaker 2>going way too much just in the studies direction and

0:33:23.960 --> 0:33:27.320
<v Speaker 2>not in the like experiencing college life, and Logan is

0:33:27.440 --> 0:33:29.400
<v Speaker 2>finally getting her to do that.

0:33:30.240 --> 0:33:33.400
<v Speaker 6>Like he even said, you know, like you'll have the

0:33:33.440 --> 0:33:36.080
<v Speaker 6>class next week, like you know, like stop, like give

0:33:36.120 --> 0:33:39.200
<v Speaker 6>yourself a break, like laugh a little, live a little,

0:33:39.320 --> 0:33:40.000
<v Speaker 6>have some fun.

0:33:40.680 --> 0:33:43.680
<v Speaker 2>I know people hate Logan, but for me, Logan is

0:33:43.760 --> 0:33:47.240
<v Speaker 2>exactly what she needs. He's not gonna derail her. She's

0:33:47.240 --> 0:33:49.480
<v Speaker 2>still gonna do well in school, like she's still gonna

0:33:49.520 --> 0:33:54.760
<v Speaker 2>be like a good girl ish, but she needs some fun.

0:33:55.640 --> 0:33:56.920
<v Speaker 4>Yeah, yeah, I agree.

0:33:56.960 --> 0:34:01.160
<v Speaker 2>Even Paris is like having Ash and now Doyle. It's

0:34:01.200 --> 0:34:05.000
<v Speaker 2>like Paris is like in it. She's just peculiar. It's

0:34:05.000 --> 0:34:06.840
<v Speaker 2>like Rory live a little.

0:34:07.800 --> 0:34:11.000
<v Speaker 1>It's you know, the detail when when the Finn character

0:34:11.120 --> 0:34:14.239
<v Speaker 1>came in dressed as an English bobby, I mean with

0:34:14.280 --> 0:34:17.160
<v Speaker 1>the whistle. It was so perfect. It was like it

0:34:17.200 --> 0:34:17.800
<v Speaker 1>was so great.

0:34:18.760 --> 0:34:21.480
<v Speaker 3>I think I think, like you said, Amy, I think

0:34:21.560 --> 0:34:25.319
<v Speaker 3>she needed Anna to realize like college is fun and

0:34:25.360 --> 0:34:27.880
<v Speaker 3>it can't totally and it's not all schoolwork.

0:34:28.760 --> 0:34:31.200
<v Speaker 2>She's being so Rory, but Anna is seeing it with

0:34:31.239 --> 0:34:34.280
<v Speaker 2>the sort of like you can eat when you want,

0:34:34.400 --> 0:34:38.040
<v Speaker 2>you can have five scoops of ice cream, like by

0:34:38.040 --> 0:34:41.399
<v Speaker 2>the way sidebar when they say fro yo social I died,

0:34:41.520 --> 0:34:43.200
<v Speaker 2>like it was just so good. But we'll talk about that.

0:34:43.320 --> 0:34:46.279
<v Speaker 2>But anyway, it's like, yeah, she almost needed to get

0:34:46.320 --> 0:34:48.319
<v Speaker 2>a little kick in the pants from Anna.

0:34:48.440 --> 0:34:50.280
<v Speaker 4>Yeah, to live a little.

0:34:50.960 --> 0:34:53.640
<v Speaker 2>So okay, I'm loving all of it, but we'll kind

0:34:53.640 --> 0:34:55.319
<v Speaker 2>of rehash it. So then we go back and we

0:34:55.360 --> 0:34:57.040
<v Speaker 2>see all this junk. But I have to shout out

0:34:57.040 --> 0:35:00.880
<v Speaker 2>again Melissa McCarthy looks amazing and green. But Loreli in

0:35:01.000 --> 0:35:05.200
<v Speaker 2>the red vest with the turquoise under. Oh, I literally

0:35:05.280 --> 0:35:08.040
<v Speaker 2>wrote down, wear a red vest with turquoise under It

0:35:08.080 --> 0:35:11.680
<v Speaker 2>was so good, so Anyway, this is where we realize

0:35:11.680 --> 0:35:13.640
<v Speaker 2>all the junk is there and that lare Lies got

0:35:13.640 --> 0:35:15.040
<v Speaker 2>the boat. That kind of is what it is. Then

0:35:15.040 --> 0:35:17.400
<v Speaker 2>we go back to the speed dating. So what did

0:35:17.400 --> 0:35:18.840
<v Speaker 2>you guys think of the speed dating?

0:35:19.880 --> 0:35:23.520
<v Speaker 4>Paris is just I can't She's so funny.

0:35:23.719 --> 0:35:26.319
<v Speaker 6>Parris just wants to get some and she's just like

0:35:26.480 --> 0:35:29.320
<v Speaker 6>down to do whatever and just have a good time.

0:35:29.480 --> 0:35:31.600
<v Speaker 5>And like, just I don't know.

0:35:31.800 --> 0:35:35.279
<v Speaker 6>I appreciate her role right now, Like I think she's

0:35:35.320 --> 0:35:36.319
<v Speaker 6>a lot of fun.

0:35:36.640 --> 0:35:40.400
<v Speaker 3>Her speed dating is more like an interrogation than speed dating.

0:35:41.960 --> 0:35:44.680
<v Speaker 5>Then yeah, that do Wait, so were you.

0:35:44.640 --> 0:35:47.759
<v Speaker 2>All stunned when Doyle comes out of the bedroom in

0:35:47.760 --> 0:35:50.160
<v Speaker 2>the robe or were you like expecting it?

0:35:53.080 --> 0:35:56.120
<v Speaker 5>I loved it. I loved it so much.

0:35:56.440 --> 0:36:00.880
<v Speaker 4>It was all short, little bib was it her?

0:36:02.040 --> 0:36:03.759
<v Speaker 2>It felt like I needed to take an iron to

0:36:04.239 --> 0:36:07.960
<v Speaker 2>Paris's pajama top. It had that like line like when

0:36:08.000 --> 0:36:09.520
<v Speaker 2>you just get it new out of the package, and

0:36:09.560 --> 0:36:11.879
<v Speaker 2>I was like, oh, the fashion was so on point.

0:36:11.920 --> 0:36:12.600
<v Speaker 2>We seed a little.

0:36:13.480 --> 0:36:18.200
<v Speaker 1>The single greatest line so far, I think in this

0:36:18.440 --> 0:36:21.560
<v Speaker 1>entire series came out of Doyle's mouth at the end

0:36:21.600 --> 0:36:23.560
<v Speaker 1>of that scene when he's standing there in the bathrobe

0:36:23.560 --> 0:36:26.680
<v Speaker 1>with Paris Andy and Rory leaves and everybody leaves, and

0:36:26.719 --> 0:36:29.719
<v Speaker 1>he turns to Paris and he says, this bathrobe is

0:36:29.760 --> 0:36:38.799
<v Speaker 1>amazingly comfortable. It's just so good.

0:36:39.840 --> 0:36:41.960
<v Speaker 2>So then okay, So then we're in the cafeteria and

0:36:41.960 --> 0:36:43.400
<v Speaker 2>she's eating the fruit libs and the ice cream and

0:36:43.400 --> 0:36:45.279
<v Speaker 2>they're talking about the froyo social and Logan comes in,

0:36:45.320 --> 0:36:47.760
<v Speaker 2>and this is where we kind of see. We get

0:36:47.880 --> 0:36:51.759
<v Speaker 2>Logan and Rory kind of going at it, but in

0:36:51.880 --> 0:36:54.600
<v Speaker 2>a in a way that you're like, I think they

0:36:54.640 --> 0:36:55.239
<v Speaker 2>love each other.

0:36:55.440 --> 0:37:00.680
<v Speaker 3>Yeah, yeah, and he really is like relaxed, and I

0:37:00.800 --> 0:37:01.680
<v Speaker 3>kind of agree.

0:37:01.880 --> 0:37:03.920
<v Speaker 2>It's not that she was wrong. He did embarrass her

0:37:03.920 --> 0:37:06.080
<v Speaker 2>and all that, but it's like relaxed Rory.

0:37:06.800 --> 0:37:09.120
<v Speaker 3>Like, yeah, like Danielle said, they bowed at the end,

0:37:09.200 --> 0:37:10.280
<v Speaker 3>like you knew it was a joke.

0:37:11.880 --> 0:37:13.400
<v Speaker 4>It wasn't going to ruin her reputation.

0:37:14.719 --> 0:37:17.160
<v Speaker 1>You know what I'm seeing in Matt. This is why

0:37:17.200 --> 0:37:21.400
<v Speaker 1>I think Matt is such a good actor. I'm beginning

0:37:21.440 --> 0:37:26.440
<v Speaker 1>to see now his relationship with his dad is not great.

0:37:27.840 --> 0:37:31.759
<v Speaker 1>I'm seeing this now. There's this server compensation, correct, There's

0:37:31.800 --> 0:37:36.960
<v Speaker 1>this slickness, there's this Devil may care, there's this just

0:37:37.040 --> 0:37:40.160
<v Speaker 1>this confidence coming off this guy. But I'm now I'm

0:37:40.280 --> 0:37:43.600
<v Speaker 1>seeing the vulnerability. I'm seeing him feeling it, and that

0:37:43.920 --> 0:37:46.880
<v Speaker 1>I think goes back to his relationship with his dad, right,

0:37:46.920 --> 0:37:48.839
<v Speaker 1>because he's because he doesn't know how to carve out

0:37:48.880 --> 0:37:52.959
<v Speaker 1>his own destiny. It's like it's almost sort of preordained,

0:37:53.000 --> 0:37:55.480
<v Speaker 1>it's predestined what he's you know, he's going to take

0:37:55.520 --> 0:37:58.880
<v Speaker 1>over the family newspapers and that's where it is, and

0:37:58.920 --> 0:38:01.360
<v Speaker 1>he probably doesn't want to do it, and you know,

0:38:01.400 --> 0:38:03.760
<v Speaker 1>maybe maybe he's not that serious as student. He's obviously

0:38:03.880 --> 0:38:08.239
<v Speaker 1>very bright, right, but again he's you know, he's he's

0:38:08.280 --> 0:38:11.160
<v Speaker 1>a little bit lost. He's a lot of fun and

0:38:11.239 --> 0:38:13.440
<v Speaker 1>he's just trying to figure it out. So now I'm seeing,

0:38:13.520 --> 0:38:17.480
<v Speaker 1>I'm feeling that he's Okay, there's there's there's more of

0:38:17.520 --> 0:38:19.399
<v Speaker 1>a human being there than.

0:38:20.920 --> 0:38:26.640
<v Speaker 2>Yeah, totally. Yeah. So I do think the thing that's

0:38:26.680 --> 0:38:30.000
<v Speaker 2>super significant in this episode is we really realize Marty

0:38:30.239 --> 0:38:36.080
<v Speaker 2>likes Rory and started and when Anna goes missing because

0:38:36.200 --> 0:38:39.560
<v Speaker 2>she's not at the Froyo social, she immediately calls him,

0:38:39.960 --> 0:38:42.680
<v Speaker 2>but you remember his face from earlier when she says

0:38:42.680 --> 0:38:46.760
<v Speaker 2>they're just friends, and he's so like, ah, like he's stuck.

0:38:46.800 --> 0:38:48.839
<v Speaker 1>He's stuck in the friend zone. He can't get out.

0:38:49.520 --> 0:38:51.520
<v Speaker 1>But he doesn't understand once you're in, you know you

0:38:51.600 --> 0:38:55.000
<v Speaker 1>got You've got to make your move right away. You

0:38:55.120 --> 0:38:59.560
<v Speaker 1>can't can't, you can't stay in the friend zone long.

0:38:59.640 --> 0:39:05.600
<v Speaker 1>It's like, no, that's he's gonna cry made did he

0:39:05.680 --> 0:39:06.319
<v Speaker 1>really win?

0:39:06.960 --> 0:39:10.200
<v Speaker 3>He's tried to say something and then like she falls asleep,

0:39:10.320 --> 0:39:13.960
<v Speaker 3>or like.

0:39:12.239 --> 0:39:15.359
<v Speaker 1>You've got her awake to walk in, you invite her out,

0:39:15.400 --> 0:39:16.320
<v Speaker 1>you make a gesture.

0:39:16.320 --> 0:39:18.320
<v Speaker 2>You know, you gotta think one of the biggest Marty's

0:39:18.560 --> 0:39:21.200
<v Speaker 2>probably the risk. You say.

0:39:22.840 --> 0:39:25.320
<v Speaker 5>He's the nice guy. He's a nice guy.

0:39:25.480 --> 0:39:28.280
<v Speaker 2>I also think the problem is the way they began

0:39:28.760 --> 0:39:31.920
<v Speaker 2>with him naked, all drunk, Like they began as friend

0:39:32.000 --> 0:39:34.200
<v Speaker 2>zone and it's just really hard to go out of that.

0:39:34.800 --> 0:39:39.000
<v Speaker 2>And you're right, Rory is looking for a logan, somebody

0:39:39.000 --> 0:39:40.920
<v Speaker 2>that's going to give her a kick in the pants,

0:39:40.920 --> 0:39:43.560
<v Speaker 2>whereas Marty they're just going to eat leftovers and like

0:39:43.680 --> 0:39:44.440
<v Speaker 2>study together.

0:39:45.280 --> 0:39:47.919
<v Speaker 6>She's going to be so comfortable with Marty, like she's

0:39:47.960 --> 0:39:51.160
<v Speaker 6>going to have a really easy, steady relationship with Marty.

0:39:51.320 --> 0:39:55.120
<v Speaker 6>There's no thrill with it like that. Sure it doesn't,

0:39:55.239 --> 0:39:55.600
<v Speaker 6>you know.

0:39:57.840 --> 0:39:59.760
<v Speaker 1>Here's the Marty is going to be a great husband,

0:39:59.800 --> 0:40:01.080
<v Speaker 1>he's going to be a great dad.

0:40:01.680 --> 0:40:04.480
<v Speaker 2>He's going to be a good totally.

0:40:04.560 --> 0:40:07.320
<v Speaker 1>He's the guy. He's the long term guy. That's the guy.

0:40:07.920 --> 0:40:09.560
<v Speaker 4>But he's just not the guy in this moment.

0:40:10.120 --> 0:40:13.360
<v Speaker 5>No, right, not in the moment, right, what a bummer.

0:40:13.440 --> 0:40:16.959
<v Speaker 2>I like him so much, glad he called it out

0:40:17.000 --> 0:40:20.200
<v Speaker 2>and said, Logan likes you, and you're in, You've been anointed,

0:40:20.280 --> 0:40:23.920
<v Speaker 2>like you're in their group now, and like, how do

0:40:23.920 --> 0:40:26.040
<v Speaker 2>you not see it? And I think Marty knows she

0:40:26.280 --> 0:40:28.719
<v Speaker 2>likes him? And then Marty doesn't go in the cab.

0:40:28.880 --> 0:40:31.239
<v Speaker 2>He helps her, He goes right to help her find an.

0:40:31.440 --> 0:40:34.920
<v Speaker 6>Oh that was actually a really sad scene. Like he

0:40:34.960 --> 0:40:37.880
<v Speaker 6>literally was like, dude, like this guy likes you.

0:40:37.880 --> 0:40:41.400
<v Speaker 5>You clearly like him too. I'm out, you know, Like

0:40:41.480 --> 0:40:42.680
<v Speaker 5>he like, let's have.

0:40:42.680 --> 0:40:44.759
<v Speaker 1>Fun with this. Let's game theory this out. Ten years

0:40:44.760 --> 0:40:47.080
<v Speaker 1>in the future, Rory and Logan are together, they're married,

0:40:47.080 --> 0:40:50.600
<v Speaker 1>they have a couple of kids. He's Logan's running the

0:40:50.640 --> 0:40:57.160
<v Speaker 1>newspaper empire. His father is semi retired, and Rory and

0:40:57.239 --> 0:40:59.719
<v Speaker 1>Logan are going to the country club and they're worth

0:40:59.719 --> 0:41:03.160
<v Speaker 1>Billy and this and that you see Logan cheating on her.

0:41:03.680 --> 0:41:06.120
<v Speaker 2>Well, we know the movies. So my problem is I

0:41:06.200 --> 0:41:08.480
<v Speaker 2>can't answer that. Danielle, You answer that because I know

0:41:08.560 --> 0:41:09.080
<v Speaker 2>the movies.

0:41:09.440 --> 0:41:11.160
<v Speaker 5>Oh, I would say yes.

0:41:11.600 --> 0:41:12.439
<v Speaker 1>I kind of do too.

0:41:13.040 --> 0:41:15.120
<v Speaker 6>I don't know if that's fair for me to say yes,

0:41:15.239 --> 0:41:17.000
<v Speaker 6>but I'm just saying yes, like if I had to

0:41:17.000 --> 0:41:17.719
<v Speaker 6>pick yes or no.

0:41:17.800 --> 0:41:20.560
<v Speaker 1>Okay, we're speculating, yeah, yeah, exactly.

0:41:20.160 --> 0:41:22.000
<v Speaker 2>What you're doing. I love what you're doing.

0:41:21.840 --> 0:41:24.160
<v Speaker 1>Because I see him and you know, the perfect clothes

0:41:24.200 --> 0:41:26.640
<v Speaker 1>and the car with the driver and.

0:41:26.840 --> 0:41:28.520
<v Speaker 2>Tarn I can't answer because we know.

0:41:28.880 --> 0:41:30.000
<v Speaker 4>Yeah, we can't say anything.

0:41:30.200 --> 0:41:33.160
<v Speaker 6>I feel like they're super magnetic right now, like very magnetic,

0:41:33.239 --> 0:41:35.799
<v Speaker 6>like drawn to each other, like everything's so exciting. And

0:41:35.840 --> 0:41:37.240
<v Speaker 6>then at one point that's going to stop.

0:41:37.440 --> 0:41:39.160
<v Speaker 1>And then when that stops, he's going to want a

0:41:39.200 --> 0:41:41.600
<v Speaker 1>new challenge. He's going to want a new challenge to

0:41:41.680 --> 0:41:42.880
<v Speaker 1>make him feel whole.

0:41:43.840 --> 0:41:47.200
<v Speaker 6>Or vice versa her too. She We've seen that with

0:41:47.320 --> 0:41:50.120
<v Speaker 6>Dean and Jess. She's just dropped him off, like sorry,

0:41:50.360 --> 0:41:51.440
<v Speaker 6>done with done with you.

0:41:51.719 --> 0:41:54.200
<v Speaker 4>I will say, I kind.

0:41:54.000 --> 0:41:59.520
<v Speaker 1>Of he did, like see a piece out, Oh, let's

0:41:59.560 --> 0:42:03.920
<v Speaker 1>relate unit must be recycled. Dropping it off. Well, I'm

0:42:03.920 --> 0:42:05.240
<v Speaker 1>just dropping off this Jess.

0:42:05.360 --> 0:42:07.520
<v Speaker 3>I don't know if you guys agree, but I kind

0:42:07.520 --> 0:42:10.200
<v Speaker 3>of thought that she deserved to be left in the

0:42:10.239 --> 0:42:10.920
<v Speaker 3>cab alone.

0:42:12.160 --> 0:42:15.520
<v Speaker 1>She did a little bit.

0:42:15.520 --> 0:42:18.520
<v Speaker 2>Here's the problem. She doesn't. I don't think she totally

0:42:18.560 --> 0:42:22.040
<v Speaker 2>gets that Logan likes her. I don't. I think that

0:42:22.120 --> 0:42:24.360
<v Speaker 2>she sort of maybe gets it, but I think she

0:42:24.440 --> 0:42:26.640
<v Speaker 2>also thinks they're friends, and even in this episode she

0:42:26.680 --> 0:42:29.960
<v Speaker 2>calls them casual friends. I don't think she was ready

0:42:30.040 --> 0:42:33.520
<v Speaker 2>to realize like how much she wants Logan and to

0:42:33.560 --> 0:42:34.359
<v Speaker 2>be a part of that.

0:42:34.800 --> 0:42:36.280
<v Speaker 4>But I don't think it was about Logan.

0:42:36.320 --> 0:42:38.120
<v Speaker 3>The reason why I think she deserved it is because

0:42:38.520 --> 0:42:40.759
<v Speaker 3>Marty's been in front of her the whole time and

0:42:40.800 --> 0:42:42.840
<v Speaker 3>she's just ignored him. And that's why I think she

0:42:42.920 --> 0:42:45.160
<v Speaker 3>deserved it. And he's like I felt bad for him

0:42:45.200 --> 0:42:47.880
<v Speaker 3>in that moment, like he's tried. He's out here helping

0:42:47.880 --> 0:42:50.640
<v Speaker 3>her with Anna, he's gonna get them a cab and

0:42:50.680 --> 0:42:53.840
<v Speaker 3>then she's like she's just not meeting him halfway and

0:42:53.880 --> 0:42:55.560
<v Speaker 3>so he's like, yeah, walk, And I was like, you

0:42:55.640 --> 0:42:56.800
<v Speaker 3>know what, I agree with you, Marty.

0:42:56.840 --> 0:42:58.560
<v Speaker 5>I would walk to justice for Marty.

0:42:58.680 --> 0:42:58.879
<v Speaker 2>Yeah.

0:42:59.120 --> 0:43:07.920
<v Speaker 1>Literally, just she hasn't necessarily Rory hasn't necessarily mistreated, so

0:43:08.000 --> 0:43:09.200
<v Speaker 1>he's all but hurt.

0:43:09.000 --> 0:43:12.560
<v Speaker 4>And all but like I think that I don't know.

0:43:12.600 --> 0:43:14.040
<v Speaker 3>I kind of felt for Marty in the sense of

0:43:14.040 --> 0:43:16.160
<v Speaker 3>like if he got in that cab, he would just

0:43:16.200 --> 0:43:18.520
<v Speaker 3>be more upset. And she's going to be talking about

0:43:18.560 --> 0:43:20.520
<v Speaker 3>Logan even though she doesn't realize that he likes him

0:43:20.520 --> 0:43:23.439
<v Speaker 3>in the moment, it's going to hurt Marty's feelings even more.

0:43:23.480 --> 0:43:23.600
<v Speaker 2>So.

0:43:23.640 --> 0:43:26.759
<v Speaker 3>I agreed with Marty's decision to just leave her in

0:43:26.800 --> 0:43:27.440
<v Speaker 3>the cab to go.

0:43:27.560 --> 0:43:33.919
<v Speaker 1>And was that Marty's first decision to try to take

0:43:34.160 --> 0:43:39.160
<v Speaker 1>Rory's heart away from he's going into Logan's. Do you

0:43:39.160 --> 0:43:42.319
<v Speaker 1>think he needed to have a walk and talk, he

0:43:42.360 --> 0:43:44.440
<v Speaker 1>needed to have a clubhouse meeting with himself on his

0:43:44.480 --> 0:43:48.600
<v Speaker 1>little walk by himself to repot his strategy to try

0:43:48.640 --> 0:43:51.760
<v Speaker 1>to get Rory or try to get her interested in him.

0:43:51.880 --> 0:43:54.080
<v Speaker 2>I don't know, because yeah, he takes himself out of

0:43:54.080 --> 0:43:56.920
<v Speaker 2>the equation before he was really ever in the equation,

0:43:57.520 --> 0:43:59.760
<v Speaker 2>Like he never really told her I like you.

0:44:00.680 --> 0:44:03.919
<v Speaker 1>Till now she has to. Now she's thinking like why

0:44:03.960 --> 0:44:06.239
<v Speaker 1>did he do that? Oh, he likes me, and don't

0:44:06.280 --> 0:44:09.319
<v Speaker 1>you know that he likes you? You know, somebody's gonna

0:44:09.320 --> 0:44:11.560
<v Speaker 1>say Marty acted weird. He just you know, said, well,

0:44:11.560 --> 0:44:15.160
<v Speaker 1>he probably likes you. She doesn't understand the effect she

0:44:15.239 --> 0:44:17.600
<v Speaker 1>has on people. Right on great.

0:44:17.440 --> 0:44:21.560
<v Speaker 2>Point, Scott, and I don't think Rory quite gets that

0:44:22.000 --> 0:44:25.440
<v Speaker 2>these boys really like her. And that's from Dean yes

0:44:25.760 --> 0:44:26.360
<v Speaker 2>to Marty.

0:44:26.719 --> 0:44:28.840
<v Speaker 4>I was gonna say it was like like the very beginning,

0:44:28.920 --> 0:44:31.080
<v Speaker 4>when like Dean was looking at her and she's reading

0:44:31.080 --> 0:44:32.360
<v Speaker 4>a book, she had no clue.

0:44:33.080 --> 0:44:34.960
<v Speaker 2>She's naive when it comes to boys.

0:44:35.040 --> 0:44:40.719
<v Speaker 6>Yeah, she is not intelligent when it comes to to dating. No,

0:44:41.040 --> 0:44:45.040
<v Speaker 6>she's got book smarts, but when it comes to relationships smart, Yeah,

0:44:45.080 --> 0:44:46.240
<v Speaker 6>it's not her forte.

0:44:46.480 --> 0:44:50.160
<v Speaker 1>I think Marty uh maybe declared himself by taking him out.

0:44:50.360 --> 0:44:52.040
<v Speaker 1>I don't know that he was taking himself out of

0:44:52.080 --> 0:44:55.480
<v Speaker 1>the race to get away from the hurt, but if

0:44:55.520 --> 0:44:57.440
<v Speaker 1>maybe he's plotting a new strategy. I'll be interested to

0:44:57.480 --> 0:45:00.520
<v Speaker 1>see these upcoming episodes to see if he makes a bid.

0:45:01.520 --> 0:45:03.320
<v Speaker 2>I think he's not going to be around.

0:45:03.400 --> 0:45:04.920
<v Speaker 4>I think he's taking himself out.

0:45:05.000 --> 0:45:07.040
<v Speaker 2>I don't know if this was his last episode, but

0:45:07.080 --> 0:45:08.120
<v Speaker 2>we're close to it.

0:45:08.280 --> 0:45:09.840
<v Speaker 1>Oh.

0:45:09.920 --> 0:45:13.160
<v Speaker 6>It was a very self aware there, you know like it.

0:45:13.120 --> 0:45:14.960
<v Speaker 3>Which is why I give him credit for it, like

0:45:15.440 --> 0:45:16.760
<v Speaker 3>he didn't want to be more upset.

0:45:16.800 --> 0:45:18.200
<v Speaker 4>So he's like, I'm just gonna stop now.

0:45:19.000 --> 0:45:21.600
<v Speaker 2>Yeah, I guess said he took himself out of the game. Yep.

0:45:21.640 --> 0:45:23.600
<v Speaker 1>But so he ends wait a minute, wait a minute.

0:45:23.640 --> 0:45:27.160
<v Speaker 1>The first time she sees Marty, he's drunk naked.

0:45:27.200 --> 0:45:28.520
<v Speaker 2>Remember he's naked.

0:45:28.239 --> 0:45:33.080
<v Speaker 1>And naked, so he so is. So he's that guy

0:45:33.480 --> 0:45:36.560
<v Speaker 1>that drinks so much and he ends up naked asleep

0:45:36.719 --> 0:45:38.600
<v Speaker 1>an veto.

0:45:38.800 --> 0:45:41.239
<v Speaker 5>That was one time. That was right when they got

0:45:41.280 --> 0:45:41.880
<v Speaker 5>to college.

0:45:42.080 --> 0:45:44.120
<v Speaker 6>He has not shown that since he's going to.

0:45:44.160 --> 0:45:46.239
<v Speaker 1>Have a little bit of game if he ended up

0:45:46.280 --> 0:45:49.320
<v Speaker 1>partying to that degree, So where's his game?

0:45:50.920 --> 0:45:52.160
<v Speaker 5>We all had that.

0:45:52.680 --> 0:45:54.919
<v Speaker 1>No, No, guys.

0:45:54.840 --> 0:45:57.439
<v Speaker 6>Freshman year of college, you never had a messy night

0:45:57.600 --> 0:45:58.879
<v Speaker 6>like he had a mess night.

0:45:59.000 --> 0:46:00.640
<v Speaker 1>I mean that was like two nights.

0:46:02.000 --> 0:46:04.160
<v Speaker 2>I also think it's hard to come back from that.

0:46:04.280 --> 0:46:07.240
<v Speaker 2>If that's your first meeting with a guy in college,

0:46:07.480 --> 0:46:10.480
<v Speaker 2>you become really good friends. They admitted they were friends.

0:46:11.000 --> 0:46:12.480
<v Speaker 2>I think it is hard to come back from that

0:46:12.560 --> 0:46:15.520
<v Speaker 2>and suddenly switch that guy to like being your boyfriend,

0:46:16.200 --> 0:46:19.920
<v Speaker 2>the drunk guy that you found on the floor of the.

0:46:19.200 --> 0:46:22.880
<v Speaker 1>Dorm first impression to try to open Yeah.

0:46:22.840 --> 0:46:25.719
<v Speaker 2>That's it's it's rough. I get why Rory never put

0:46:25.800 --> 0:46:28.759
<v Speaker 2>him in that potential category because she's just like, it's

0:46:28.880 --> 0:46:30.480
<v Speaker 2>the naked drunk guy Marty.

0:46:31.000 --> 0:46:31.239
<v Speaker 1>Mm h.

0:46:36.920 --> 0:46:40.399
<v Speaker 2>Let's talk about Luke and Loreli because we've got some

0:46:40.440 --> 0:46:42.279
<v Speaker 2>really important stuff and we'll kind of go through it

0:46:42.320 --> 0:46:46.040
<v Speaker 2>all together. So Luke goes over because he's bringing the glasses,

0:46:46.120 --> 0:46:48.960
<v Speaker 2>the famous glasses that I think she's only worn two times.

0:46:49.320 --> 0:46:52.040
<v Speaker 2>But she left him at the hat at Luke's and

0:46:52.080 --> 0:46:53.680
<v Speaker 2>he's like, what is all this crap in the yard

0:46:53.680 --> 0:46:58.319
<v Speaker 2>and thigh masters? And then he loses his belief when

0:46:58.360 --> 0:47:02.359
<v Speaker 2>he sees the boat there. He is not happy and

0:47:02.400 --> 0:47:06.400
<v Speaker 2>he was mad, like I told you and you didn't

0:47:06.440 --> 0:47:10.120
<v Speaker 2>listen to me. It was scary. She had tears in

0:47:10.120 --> 0:47:10.439
<v Speaker 2>her eyes.

0:47:10.560 --> 0:47:11.960
<v Speaker 5>That's when the popcorn came out.

0:47:12.040 --> 0:47:16.719
<v Speaker 7>I was like, whoa, okay, Luke, serve it up, tell

0:47:16.800 --> 0:47:17.359
<v Speaker 7>us what's up.

0:47:18.640 --> 0:47:21.240
<v Speaker 2>It was a little intense. It was scary. She looked,

0:47:21.480 --> 0:47:24.960
<v Speaker 2>she looks sad. She knew she'd let him down.

0:47:25.960 --> 0:47:29.600
<v Speaker 1>Yeah, yeah, and she tried to do a nice thing.

0:47:30.400 --> 0:47:33.560
<v Speaker 6>I was gonna say, this is the one dilemma I had,

0:47:33.640 --> 0:47:37.200
<v Speaker 6>because she definitely let him down.

0:47:37.360 --> 0:47:40.439
<v Speaker 5>But did she write you know, like.

0:47:41.560 --> 0:47:44.480
<v Speaker 2>I think if it wasn't his dark day, he would

0:47:44.480 --> 0:47:48.280
<v Speaker 2>have seen the gesture more clearly, because she wasn't saying

0:47:48.640 --> 0:47:50.959
<v Speaker 2>you're gonna have this boat. She was saying, I took

0:47:51.000 --> 0:47:54.800
<v Speaker 2>the boat in case you ever realized you want the boat.

0:47:55.120 --> 0:48:00.319
<v Speaker 2>Like she was not overstepping that aggressively, and she bought

0:48:00.360 --> 0:48:02.000
<v Speaker 2>the boat and figures it all out.

0:48:02.680 --> 0:48:04.080
<v Speaker 1>I think, you know what I think it was. I

0:48:04.080 --> 0:48:06.520
<v Speaker 1>think it was a moment of real weakness for Luke,

0:48:06.719 --> 0:48:09.120
<v Speaker 1>and I think it was a moment of real vulnerability.

0:48:09.160 --> 0:48:11.720
<v Speaker 1>And I think it was a moment of real insecurity

0:48:12.719 --> 0:48:18.080
<v Speaker 1>where I think he was venting on her about all

0:48:18.120 --> 0:48:22.840
<v Speaker 1>of the frustration that he felt for those years that

0:48:22.960 --> 0:48:28.800
<v Speaker 1>he watched her date other guys and not acknowledge him.

0:48:29.880 --> 0:48:34.200
<v Speaker 1>I think all that came out in that moment because

0:48:34.239 --> 0:48:38.040
<v Speaker 1>of who she was, not who she is. I am

0:48:39.200 --> 0:48:43.040
<v Speaker 1>as a way to perhaps because if he's not giving

0:48:43.080 --> 0:48:45.560
<v Speaker 1>her the benefit of the doubt for doing an obviously

0:48:45.800 --> 0:48:52.440
<v Speaker 1>very kind, very thoughtful gesture, you know, and it's like

0:48:52.480 --> 0:48:55.240
<v Speaker 1>you forgive a person that you love for doing something

0:48:55.360 --> 0:48:58.000
<v Speaker 1>like that, you don't pop at him. So I think

0:48:58.040 --> 0:48:59.400
<v Speaker 1>he has some pent up anger.

0:49:00.080 --> 0:49:02.440
<v Speaker 2>I don't to disagree with you. But in this case,

0:49:02.520 --> 0:49:04.239
<v Speaker 2>I think there is something to it.

0:49:04.320 --> 0:49:07.080
<v Speaker 1>I think I also think it plays into his insecurity

0:49:07.120 --> 0:49:10.239
<v Speaker 1>that he doesn't he doesn't know for sure that this

0:49:10.360 --> 0:49:12.080
<v Speaker 1>is going to work out, this relationship is going to

0:49:12.120 --> 0:49:14.960
<v Speaker 1>work out, because he knows he's he's maybe a little

0:49:14.960 --> 0:49:17.400
<v Speaker 1>too off center for her, a little quirky and a

0:49:17.400 --> 0:49:18.080
<v Speaker 1>little wacky.

0:49:19.080 --> 0:49:20.480
<v Speaker 2>There's something to what you're saying.

0:49:20.960 --> 0:49:23.560
<v Speaker 1>There's something like the wheels are coming off in a

0:49:23.600 --> 0:49:27.839
<v Speaker 1>weird way here. He's getting triggered in a way and

0:49:27.880 --> 0:49:30.080
<v Speaker 1>he's being very militant about the whole thing, and I

0:49:30.160 --> 0:49:32.440
<v Speaker 1>just think it's just reeking of insecurity.

0:49:32.600 --> 0:49:35.319
<v Speaker 2>He's also super unhinged because he's yelling at the lady

0:49:35.360 --> 0:49:38.840
<v Speaker 2>going to the nursing home. Also, I'm asking myself a question.

0:49:38.920 --> 0:49:40.880
<v Speaker 2>I feel like, she said she bought the boat, but

0:49:40.920 --> 0:49:43.600
<v Speaker 2>why does she buy a boat that wasn't Missus Thompson's

0:49:43.640 --> 0:49:46.440
<v Speaker 2>to sell? So I might have I'm throwing a flag

0:49:46.480 --> 0:49:48.040
<v Speaker 2>on that that I might have messed that up. So

0:49:48.080 --> 0:49:49.160
<v Speaker 2>maybe she just paid Pa.

0:49:49.360 --> 0:49:52.359
<v Speaker 4>I was thinking, like paid her out for the oh

0:49:52.480 --> 0:49:54.319
<v Speaker 4>for the renter to get here. Yeah, that's what I

0:49:54.360 --> 0:49:55.560
<v Speaker 4>was thinking, Scott.

0:49:55.640 --> 0:49:58.280
<v Speaker 2>I think there's something to what you're saying, it's almost

0:49:58.280 --> 0:50:01.480
<v Speaker 2>like on the dark day, all of Luke's stuff that

0:50:01.560 --> 0:50:04.320
<v Speaker 2>he pushes down comes flying out.

0:50:04.560 --> 0:50:08.680
<v Speaker 1>But for him to interpret that as her not respecting

0:50:08.719 --> 0:50:11.000
<v Speaker 1>his dark day and what he's going through and what

0:50:11.120 --> 0:50:13.760
<v Speaker 1>he went through with his dad, because there's no possible

0:50:13.800 --> 0:50:16.520
<v Speaker 1>way she could know what he went through because he

0:50:16.560 --> 0:50:18.360
<v Speaker 1>didn't tell her. He didn't give her any real detail.

0:50:18.400 --> 0:50:19.759
<v Speaker 1>It just gave her the sort of you know, the

0:50:19.760 --> 0:50:27.640
<v Speaker 1>cliff note version. It's just you know, it's just And

0:50:27.680 --> 0:50:30.520
<v Speaker 1>why is he keeping it from her? Why won't he

0:50:30.600 --> 0:50:31.120
<v Speaker 1>tell her?

0:50:31.480 --> 0:50:31.680
<v Speaker 7>Right?

0:50:31.840 --> 0:50:34.160
<v Speaker 1>Because he doesn't like to be vulnerable.

0:50:34.320 --> 0:50:35.880
<v Speaker 2>He hates being vulnerable.

0:50:36.200 --> 0:50:39.560
<v Speaker 1>I just I just think that he doesn't. I think

0:50:39.640 --> 0:50:42.279
<v Speaker 1>that showed he doesn't think that that relationship is going

0:50:42.320 --> 0:50:45.360
<v Speaker 1>to make it maybe and he's scared, and it's scared

0:50:45.680 --> 0:50:48.439
<v Speaker 1>security right right, right, She's going to find somebody better.

0:50:48.480 --> 0:50:50.719
<v Speaker 1>She's going to find somebody better, and she's going to

0:50:50.760 --> 0:50:55.320
<v Speaker 1>find somebody that doesn't have a dark day. You know, there's.

0:50:55.080 --> 0:50:58.520
<v Speaker 2>Something to what you're saying. I can't totally figure it out,

0:50:58.560 --> 0:51:01.160
<v Speaker 2>but I think you're right, Like his outburst is more

0:51:01.239 --> 0:51:04.520
<v Speaker 2>than it was deserved for her getting doing something nice

0:51:04.560 --> 0:51:07.319
<v Speaker 2>for him, And even if you're mad, like you would say, like, well,

0:51:07.360 --> 0:51:09.359
<v Speaker 2>this was really nice of you, but I don't know

0:51:09.440 --> 0:51:11.160
<v Speaker 2>what I want to do with this boat, you know

0:51:11.160 --> 0:51:11.560
<v Speaker 2>what I mean?

0:51:11.800 --> 0:51:14.000
<v Speaker 1>Right, yeah, worse giving her the benefit of doubt. She's

0:51:14.040 --> 0:51:16.080
<v Speaker 1>being they're having a great relationship.

0:51:16.320 --> 0:51:18.600
<v Speaker 2>Well, and then I what I assume happens is he

0:51:19.160 --> 0:51:21.760
<v Speaker 2>goes off wherever he goes. She goes to Miss Patty's

0:51:21.760 --> 0:51:27.040
<v Speaker 2>for the fortieth Show Business Anniversary and she sees him

0:51:27.040 --> 0:51:29.279
<v Speaker 2>out the window and she comes out, and that was

0:51:29.320 --> 0:51:33.200
<v Speaker 2>a very sweet scene. That was That scene made me go,

0:51:33.400 --> 0:51:40.040
<v Speaker 2>all these two are together, mm hmm. So whatever junk

0:51:40.080 --> 0:51:43.480
<v Speaker 2>he had, he obviously went took a deep breath, and

0:51:43.600 --> 0:51:47.200
<v Speaker 2>even he even wasn't ready to come back to Miss Patty's,

0:51:47.239 --> 0:51:49.000
<v Speaker 2>like he didn't want to go to the party, but

0:51:49.040 --> 0:51:52.960
<v Speaker 2>he wanted her to know, like sorry about my junk,

0:51:53.200 --> 0:51:53.480
<v Speaker 2>you know.

0:51:54.640 --> 0:51:55.880
<v Speaker 1>Yeah he's missing his dad.

0:51:57.160 --> 0:52:02.200
<v Speaker 2>Yeah, it was so so good. Also just sighed out

0:52:02.239 --> 0:52:04.960
<v Speaker 2>the fact that Kirk's reading Yoga for Dummies just killed me.

0:52:05.040 --> 0:52:09.160
<v Speaker 2>But but my favorite scene, I have to tell you,

0:52:09.200 --> 0:52:12.799
<v Speaker 2>my favorite scene of this whole episode is Richard just

0:52:13.239 --> 0:52:14.759
<v Speaker 2>owning Logan with.

0:52:15.280 --> 0:52:16.800
<v Speaker 4>I mean, that was the best scene.

0:52:17.160 --> 0:52:22.200
<v Speaker 2>That was epic and shows me that Rory Rory likes logan.

0:52:23.320 --> 0:52:25.600
<v Speaker 2>She's in, She's.

0:52:24.960 --> 0:52:29.000
<v Speaker 1>In, Okay, let me okay, then go ahead, go ahead.

0:52:28.719 --> 0:52:30.160
<v Speaker 5>Danielle, I was gonna say.

0:52:30.160 --> 0:52:32.600
<v Speaker 6>And also that her and Richard are tight.

0:52:32.920 --> 0:52:36.919
<v Speaker 5>You know, like precious, precious, you know, like they are,

0:52:37.320 --> 0:52:41.799
<v Speaker 5>they are in cahoots and just you know.

0:52:42.120 --> 0:52:44.960
<v Speaker 2>Yeah, these two are doing this dance and now she

0:52:45.120 --> 0:52:49.399
<v Speaker 2>has leveled up to his level, which no girl has

0:52:49.520 --> 0:52:51.759
<v Speaker 2>ever done. Yea, oh it is on.

0:52:52.000 --> 0:52:54.360
<v Speaker 6>And she brought in She brought in the head Gilmore,

0:52:54.760 --> 0:52:57.640
<v Speaker 6>you know, like that's not just like oh the buddy,

0:52:57.880 --> 0:52:58.200
<v Speaker 6>and you.

0:52:58.160 --> 0:53:01.440
<v Speaker 2>Know she studied coming in the prank with me your

0:53:01.719 --> 0:53:04.640
<v Speaker 2>cards and I'll raise you to me she went. It

0:53:04.800 --> 0:53:08.239
<v Speaker 2>was so good, and it's like, oh, he is so

0:53:08.440 --> 0:53:11.520
<v Speaker 2>going to be into her, and the friends are going

0:53:11.600 --> 0:53:13.960
<v Speaker 2>to be like respect miss Gilmour, do you know what

0:53:14.040 --> 0:53:14.359
<v Speaker 2>I mean?

0:53:14.480 --> 0:53:15.600
<v Speaker 1>Like, oh my.

0:53:15.800 --> 0:53:18.360
<v Speaker 5>God, I think they're all going to be scared of her.

0:53:19.920 --> 0:53:20.680
<v Speaker 2>And Richard.

0:53:21.000 --> 0:53:22.080
<v Speaker 1>Now she's got game.

0:53:22.800 --> 0:53:25.800
<v Speaker 2>That's probably the best Rory Richards scene in a while.

0:53:25.960 --> 0:53:29.600
<v Speaker 2>I mean, they bond, but that was epic, and you

0:53:29.680 --> 0:53:34.360
<v Speaker 2>know he loved it, you know, granddaughter at his school

0:53:34.680 --> 0:53:39.359
<v Speaker 2>playing a prank on his friend's son, like it is

0:53:39.560 --> 0:53:42.279
<v Speaker 2>just so good, so good.

0:53:43.320 --> 0:53:46.040
<v Speaker 3>Well, I was shocked that Logan actually like believe the

0:53:46.080 --> 0:53:48.720
<v Speaker 3>whole thing beginning to end.

0:53:49.600 --> 0:53:53.360
<v Speaker 1>Richard, but he put on quite a performance. It was

0:53:53.400 --> 0:53:56.120
<v Speaker 1>a tad unbelievable, Like.

0:53:57.800 --> 0:54:00.640
<v Speaker 2>Right, you're engaged now, yeah, but it's just.

0:54:00.600 --> 0:54:03.560
<v Speaker 6>Like is rich with that being said, like if they're

0:54:03.800 --> 0:54:07.759
<v Speaker 6>if their parents are doing parties where they find a suitor,

0:54:07.840 --> 0:54:09.840
<v Speaker 6>like maybe it's not too far fett.

0:54:12.880 --> 0:54:16.439
<v Speaker 1>All right, so let's uh, let's rate this. Uh bad boy?

0:54:17.040 --> 0:54:19.440
<v Speaker 2>Okay, wait, can I give I don't want someone to

0:54:19.480 --> 0:54:24.160
<v Speaker 2>steal mine ten butt faces because she calls him the

0:54:24.280 --> 0:54:24.839
<v Speaker 2>butt face?

0:54:25.160 --> 0:54:28.280
<v Speaker 1>You give him ten butt faces, all right? Tara?

0:54:29.880 --> 0:54:35.440
<v Speaker 3>Oh, oh my gosh, what I'm like thinking of what

0:54:35.520 --> 0:54:36.480
<v Speaker 3>items were in this?

0:54:36.880 --> 0:54:37.960
<v Speaker 1>Do you think, Danielle?

0:54:38.840 --> 0:54:41.320
<v Speaker 5>Okay, nine point ninety five.

0:54:42.040 --> 0:54:50.959
<v Speaker 6>Robes, super comfortable robes, super comfortable robes, right, Tara, I.

0:54:50.920 --> 0:54:54.200
<v Speaker 3>Will give it, but this is very random. The whistle

0:54:54.320 --> 0:54:56.239
<v Speaker 3>that when he was I was wearing it.

0:54:56.840 --> 0:54:58.760
<v Speaker 1>How many whistles, how many whistles?

0:54:58.800 --> 0:55:01.840
<v Speaker 4>I will give it nine point eight?

0:55:02.680 --> 0:55:04.239
<v Speaker 2>Oh see, every loves it.

0:55:04.320 --> 0:55:05.640
<v Speaker 1>I can't want to give it. I'm going to give

0:55:05.680 --> 0:55:11.920
<v Speaker 1>it ten U shocked Logan expressions as Richard.

0:55:11.800 --> 0:55:14.920
<v Speaker 2>Was, I do have a couple of favorite lines that

0:55:14.960 --> 0:55:17.960
<v Speaker 2>we didn't do, which she says when they say Gutenberg

0:55:18.000 --> 0:55:19.319
<v Speaker 2>and she goes, Steve.

0:55:21.880 --> 0:55:24.520
<v Speaker 1>Not not my favorite line?

0:55:24.840 --> 0:55:26.360
<v Speaker 2>Well, oh my god, do you not like Steve?

0:55:26.600 --> 0:55:29.600
<v Speaker 1>I don't like lines like that. I I don't think

0:55:29.640 --> 0:55:32.759
<v Speaker 1>that stuff is funny. That's just I do. It's just

0:55:32.800 --> 0:55:35.399
<v Speaker 1>such low hanging fruit. It's like, come on, oh my.

0:55:35.320 --> 0:55:39.200
<v Speaker 2>God, I love every mention of froyo. Literally I couldn't

0:55:39.200 --> 0:55:40.160
<v Speaker 2>get enough of froyo.

0:55:40.680 --> 0:55:41.600
<v Speaker 4>And then I would just say.

0:55:41.719 --> 0:55:46.359
<v Speaker 2>Richard's entire speech was just yeah, and this all right,

0:55:47.040 --> 0:55:48.440
<v Speaker 2>the hands on the nose.

0:55:49.280 --> 0:55:52.640
<v Speaker 1>Yeah, all right, good, let's uh, let's wrap.

0:55:52.400 --> 0:55:56.319
<v Speaker 2>It up before we go. Truly. I know you don't

0:55:56.360 --> 0:55:59.320
<v Speaker 2>love when we call this out, but like truly amazing,

0:55:59.719 --> 0:56:03.640
<v Speaker 2>really a good performance. That episode was you and it

0:56:03.719 --> 0:56:07.439
<v Speaker 2>was it was Kina gnarly and it was really good.

0:56:08.560 --> 0:56:11.439
<v Speaker 1>Thank you appreciate it all right, So that's gonna wrap

0:56:11.440 --> 0:56:14.959
<v Speaker 1>it up. We will see you next time. Best fans

0:56:14.960 --> 0:56:17.040
<v Speaker 1>on the planet, Thanks for downloaded. Keep those cards and

0:56:17.120 --> 0:56:21.759
<v Speaker 1>letters coming, Thank you ladies. And that's going to do it.

0:56:21.840 --> 0:56:26.520
<v Speaker 1>Remember I am all in all the best, Stay.

0:56:26.280 --> 0:56:59.240
<v Speaker 8>Sick, hey everybody, and don't forget Follow us on Instagram

0:56:59.280 --> 0:57:03.080
<v Speaker 8>at I Am all In podcast and email us at

0:57:03.200 --> 0:57:06.719
<v Speaker 8>Gilmore at iHeartRadio dot com.

0:57:06.760 --> 0:57:08.520
<v Speaker 1>Oh you Gilmore fans. If you're looking for the best

0:57:08.600 --> 0:57:11.400
<v Speaker 1>cup of coffee in the world, go to my website

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