WEBVTT - Episode 323 w/ Consequence

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<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

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<v Speaker 1>and I Heart Radio and his Drink Chas motherfucking podcast. Mason,

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<v Speaker 1>he's a legendary queen's rapper. He's agree. It's your boy

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<v Speaker 1>in O R. He's a Miami hippop pioneer up his

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<v Speaker 1>DJ e f N. Together they drink it up with

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<v Speaker 1>some of the biggest players in the most professional unprofessional

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<v Speaker 1>podcast and your number one sorts for drunk fast drinks.

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<v Speaker 1>Motherfucking is New year' z. Just for Drink Champs. Trink

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<v Speaker 1>Up Mother Mother, would a goodby, hopefully would a super

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<v Speaker 1>this ship boy in O R? What up is d

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<v Speaker 1>J e f N and his Drink Chace? Motherfucker? Ya

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<v Speaker 1>make now when you talk about a legend legend talking

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<v Speaker 1>about a man who's who, who's not only made hits,

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<v Speaker 1>but been behind constant hits for years. She came in

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<v Speaker 1>a game. I believe he first heard him the first

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<v Speaker 1>time we heard him. Officially, it's ninety six with try

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<v Speaker 1>but I already started out ninety People gonna ask that later,

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<v Speaker 1>but he has been uh you know, you know, I

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<v Speaker 1>had to do my due diligence and I had to go.

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<v Speaker 1>You know, look at other interviews, he's been doing other things.

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<v Speaker 1>And boy, it's a Rooter coaster and most of us

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<v Speaker 1>love Rota coasters. It's it's it's been, you know, a

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<v Speaker 1>great time. But the man, when the man feels something,

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<v Speaker 1>he expresses it. He's not in type the whole back.

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<v Speaker 1>He's gonna talk when he fails, he's gonna feel what

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<v Speaker 1>he says and all that. But the case you don't

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<v Speaker 1>know I'm talking about. We're talking about one of the

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<v Speaker 1>illness ghost riders in the game when us hit makers

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<v Speaker 1>in the game. Excuse me, excuse me, because he gets

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<v Speaker 1>his credit, he gets his credit, his name want the

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<v Speaker 1>back of y'all y'all mean, yeah, you know what I mean.

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<v Speaker 1>Case you don't know shows a little bit, a little bit,

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<v Speaker 1>a little bit, But case you don't know what we're

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<v Speaker 1>talking to talk about the mother one, the only my

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<v Speaker 1>home girl que consequence on Google. Let's get straight on

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<v Speaker 1>Google and say to Google, that's a rando, could be

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<v Speaker 1>a reporter or whatever, just hasn't hasn't done. No, that's

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<v Speaker 1>what I'm saying. No that I didn't say. The first

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<v Speaker 1>thing you started and started ninety three rhyme. I guess

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<v Speaker 1>your first official record was ninety six before that is

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<v Speaker 1>eighty nine. Wow, that's yeah, you know it's funny. Uh.

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<v Speaker 1>I felt like kel hard when he was interviewing M

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<v Speaker 1>to dud he said damn like I almost said that. Yeah.

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<v Speaker 1>Q till mom uh was pretty much my first co sign.

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<v Speaker 1>So um, my grandma. What happened with my grandma's daughter

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<v Speaker 1>at eighty nine and a friend of mine who I

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<v Speaker 1>eventually endo rapping where his brother got killed, uh same

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<v Speaker 1>year a little a little before that maybe like went

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<v Speaker 1>to eighty eight he got popped and like um and

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<v Speaker 1>the dead end. So what happened was my man, my

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<v Speaker 1>Manikee he his his brother Lamar used to wrap so

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<v Speaker 1>Ike to cope with the grief, took his rap book

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<v Speaker 1>and started saying his wraps. And then my grandma she

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<v Speaker 1>died in leukemia. Uh eighty nine. So I started writing

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<v Speaker 1>because I saw how it helped Ike, you know, uh

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<v Speaker 1>processing and and cope with the cope with the grief.

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<v Speaker 1>So that's how I actually started rapping, and um Q

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<v Speaker 1>to mom um actually so what I was doing. And

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<v Speaker 1>definitely she was like a cheerleader the tip as far

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<v Speaker 1>as eventually me uh giving being given the opportunity in

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<v Speaker 1>ninety three. But to do the shase part too, shout out,

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<v Speaker 1>shout out to Mama Davis, your kid, to mothers and sisters. Na,

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<v Speaker 1>we were second were second cousins. You know what I'm saying.

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<v Speaker 1>So it's a it's a, it's a. I moved to

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<v Speaker 1>New York from California eight you know, so I had

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<v Speaker 1>connected with a bunch of family back on the East Coast.

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<v Speaker 1>My mom and popad Opops was in the Navy, so

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<v Speaker 1>we was living in San Diego, stationed out there. My

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<v Speaker 1>mom de Pops eventually divorce and then we came back

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<v Speaker 1>to came back to the East. But y'all, I was

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<v Speaker 1>froming New York originally and didn't move from while I'm

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<v Speaker 1>from New York and my sister was born in San Diego. Okay, okay, yeah,

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<v Speaker 1>So that's how that that's how. Yes, I actually got

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<v Speaker 1>a six one, six one nine number. I'm about to

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<v Speaker 1>turn off, but I got a six one number. Um,

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<v Speaker 1>just and and how much to that time period? Right,

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<v Speaker 1>So let's let's not let's go over because, like I said,

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<v Speaker 1>there's a couple of interviews with you out there now.

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<v Speaker 1>We're doing drink chances of all, when we spoke, right,

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<v Speaker 1>we said this was gonna be queens all day doing

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<v Speaker 1>nothing Already I'm not doing you know, let'sen get to

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<v Speaker 1>the point. Let's get let's get the one point. I

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<v Speaker 1>see the Kanye documentary, Okay, I hit you. I thought

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<v Speaker 1>you hit me, but I hate you, right, I hit you,

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<v Speaker 1>And I was like, yo, bro, this was this is

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<v Speaker 1>dope man. And I couldn't tell. But I kind of

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<v Speaker 1>thought that you didn't like it from the first episode.

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<v Speaker 1>I don't remember we spoke since then, right, But um, well,

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<v Speaker 1>my take on it. You know, there's a business side

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<v Speaker 1>to it, and there's obviously there's a personal and there's

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<v Speaker 1>a just a perspective from living in you know what

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<v Speaker 1>I'm saying. The business side, Um, I ain't working with

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<v Speaker 1>certain niggers because of that. But when you say business

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<v Speaker 1>the way it was put together the documentary or I'm

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<v Speaker 1>not gonna be on Netflix and I don't get no check,

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<v Speaker 1>that's that's against my principle, you know what I'm saying,

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<v Speaker 1>Like when he gave you the intro, you know, Rollercoast

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<v Speaker 1>to this, that and the thrub. But once again, I've

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<v Speaker 1>always been able to retain uh ownership of what I

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<v Speaker 1>do how I do it, my likeness, so forth and

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<v Speaker 1>so on. So when someone takes that, it takes it

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<v Speaker 1>upon themselves not to I just saw the way. But dinner, right,

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<v Speaker 1>I just signed a way to be on Netflix. I

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<v Speaker 1>signed a way to be on the volt So I

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<v Speaker 1>gotta sign a way. But to be on Netflix, that's

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<v Speaker 1>that's business. I don't got nothing to do. But but

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<v Speaker 1>but who who do we point to finger for? That?

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<v Speaker 1>Is it? Is it you? Because now it's not yet.

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<v Speaker 1>So let's just be clear, right, actually does great business,

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<v Speaker 1>you know what I'm saying. You know, I tipped my

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<v Speaker 1>hat to him. You know, even from the outside looking interview,

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<v Speaker 1>if anybody knew the extent of our relationship, we've done

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<v Speaker 1>great business over then Yeah, it's been as a road coaster.

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<v Speaker 1>You're dealing with some a person, uh who's who a

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<v Speaker 1>bus through certain frontiers for um, not only yourself, but

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<v Speaker 1>for for the culture. You know. So that's gonna come

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<v Speaker 1>with that's gonna come with growing pains. I was with

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<v Speaker 1>you from when you've seen in the documentary, like literally

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<v Speaker 1>when we he was trying to figure out all falls down.

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<v Speaker 1>But that's him trying to figure it out. That's the

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<v Speaker 1>first day that that was maybe like the fourth time

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<v Speaker 1>I was with Kanye. That was the first time I

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<v Speaker 1>met any of those people. So the thing was like

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<v Speaker 1>when you hit me, I was just like taking it

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<v Speaker 1>all in and you had you knew because it's guy,

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<v Speaker 1>I believe I would see we're skipping things, were skipping things.

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<v Speaker 1>Because the one thing about the documentary is like, Yo,

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<v Speaker 1>at the end of the day, I had already been

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<v Speaker 1>on David Letterman, I had already been on Moisha, I

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<v Speaker 1>had already been on Rosie O'donnald, I had already been

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<v Speaker 1>on all that. You know, I just hit I hit

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<v Speaker 1>a bad term with with Tribe, but I had already

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<v Speaker 1>I was already for all in sense of purposes famous,

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<v Speaker 1>you know what I mean. So the thing, one thing

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<v Speaker 1>in particular for me was just like you know, at

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<v Speaker 1>the end of the day, you know, like I love

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<v Speaker 1>all my oh the fam that came as far as

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<v Speaker 1>like me and Kanye Lincoln. But you know, a lot

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<v Speaker 1>of times sometimes people think I am actually from Chicago

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<v Speaker 1>and I actually started with Kanye, which I could understand

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<v Speaker 1>because the thing about hip hop is like we all

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<v Speaker 1>we all we all document hip hop once once we

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<v Speaker 1>pick up on it. Right, So hip hop starts for

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<v Speaker 1>for the beginning for you, whenever the beginning is for you, Like, um,

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<v Speaker 1>I've had conversations us whatever success start like people don't

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<v Speaker 1>people know we kind of right before l A l A.

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<v Speaker 1>People start my career from l A because that's the first,

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<v Speaker 1>that's that, that's the beacon point for that, right. But

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<v Speaker 1>you know I've had I've had certain rappers in this

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<v Speaker 1>era that the front of era tell me they didn't

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<v Speaker 1>know who g rap was at all, which for me,

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<v Speaker 1>it's it's blasphemy, right, you know what I'm saying, because

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<v Speaker 1>you know, we know g Rap as one of the

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<v Speaker 1>pioneers of of all bars you know what I'm saying

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<v Speaker 1>of storytelling and bars that like he was like saying

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<v Speaker 1>ship that was just ahead of his time, you know

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<v Speaker 1>what I mean. So once again it sped back to

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<v Speaker 1>that situation with the documentary. Um so for me seeing it,

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<v Speaker 1>for me, it was, you know, like it wasn't fully

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<v Speaker 1>explained how me a mad the deal we have Range

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<v Speaker 1>and its Kanye documentary. So it's fine. I don't have

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<v Speaker 1>no issue with Cod and Coody and cheek as it's

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<v Speaker 1>it's about what they didn't feel. It like that. So

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<v Speaker 1>the issue then becomes that this Kanye documentary then for

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<v Speaker 1>the average person, that's the way they looked at, right,

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<v Speaker 1>And that's the thing. Once someone takes it in on

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<v Speaker 1>a platform like Netflix, they're gonna they're gonna make the

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<v Speaker 1>assentience that this is this is the truth, this is

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<v Speaker 1>this is what, this is the occurrence of events and

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<v Speaker 1>how it went. So so yeah, I mean and I

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<v Speaker 1>said it. I said it to Coody and check in

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<v Speaker 1>their face. I went to the s ob Joint crash

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<v Speaker 1>they whatever. I was like, yo, Like at the end

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<v Speaker 1>of the day, I don't have it. I've been on TV,

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<v Speaker 1>like you said, so I understand the process of when

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<v Speaker 1>a network takes to create if and they apply edit

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<v Speaker 1>into it. They do it with Love and hip Hop.

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<v Speaker 1>You you a film, I don't know. You might film

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<v Speaker 1>the whole week, right, and you might get four minutes

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<v Speaker 1>of that in the episode. Now this is the problem.

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<v Speaker 1>Back to Loving hip Hop for a second. No matter

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<v Speaker 1>what Love and Hip Hop does, when you sign that contract,

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<v Speaker 1>if you appear in the episode, you get paid. I

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<v Speaker 1>appeared in three episodes in That of a Genius and

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<v Speaker 1>didn't get a dollar. So how am I supposed to

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<v Speaker 1>feel about that, and your hats hold up a second,

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<v Speaker 1>I got something to say. Addiction is a treatable disease,

0:11:40.840 --> 0:11:44.319
<v Speaker 1>but finding the right treatment can be overwhelming and confusing.

0:11:45.360 --> 0:11:49.280
<v Speaker 1>Shatter Proof, a national nonprofit, is here to help without judgment.

0:11:50.120 --> 0:11:53.080
<v Speaker 1>At shadow Proof, their goals to help you find addiction

0:11:53.160 --> 0:11:56.000
<v Speaker 1>care that meets your needs and leads to better health

0:11:56.040 --> 0:11:59.840
<v Speaker 1>and long term recovery. When you visit shadow proof dot

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<v Speaker 1>or org, there's an entire section that helps you learn

0:12:02.720 --> 0:12:06.560
<v Speaker 1>everything you need to know about alcohol and substance use disorder.

0:12:07.480 --> 0:12:10.320
<v Speaker 1>There's also a fine help section to help you find

0:12:10.320 --> 0:12:14.319
<v Speaker 1>the support you may need. Get help today by visiting

0:12:14.360 --> 0:12:19.800
<v Speaker 1>shatterproof dot org. Again, get help today by visiting shatterproof

0:12:20.040 --> 0:12:30.200
<v Speaker 1>dot Org's advocate For a second. You're gonna do who

0:12:32.400 --> 0:12:34.880
<v Speaker 1>because it's serious, But I want to light nothing to move,

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<v Speaker 1>but we'll stay on the subject. Is it always all

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<v Speaker 1>about money? Yes? Absolutely, set it's absolutely with nobody. That's

0:12:47.360 --> 0:12:50.280
<v Speaker 1>absolutely about that paper because me, I don't got nothing

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<v Speaker 1>to do. See this is the thing, right, I didn't

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<v Speaker 1>come into wrap to be friends with nobody. I can't

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<v Speaker 1>get this money from queens. This queens get the money.

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<v Speaker 1>There's not queens play no game. So where's my money? Right? Right?

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<v Speaker 1>So let me be there was advocate. You can put

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<v Speaker 1>the horns on ahead, Okay, okay, because in all fairness,

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<v Speaker 1>this is when you like, not y'all, but y'all first

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<v Speaker 1>met each other. So there wasn't open more. Right, So

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<v Speaker 1>even in context, let's break it down, right, So this

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<v Speaker 1>is when we first met. There wasn't Netflix. So even

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<v Speaker 1>if I were to saw something, then it went whole way.

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<v Speaker 1>Now at the end of the day, there was no

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<v Speaker 1>streaming platforms. This is gonna stream for fetuity. Bro, Listen,

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<v Speaker 1>let's I get it there out of jail with the

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<v Speaker 1>loyal liburry. I know a family, feel me. I've been

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<v Speaker 1>doing contracts since drive your bro. It's checkmate. I need

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<v Speaker 1>my paper right but and again, and that's for principle.

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<v Speaker 1>I don't need it because I need it. I need

0:13:56.520 --> 0:13:58.360
<v Speaker 1>it over principle. You know what I'm saying. It's just

0:13:58.640 --> 0:14:00.720
<v Speaker 1>it's just, how are you gonna do If you're gonna

0:14:00.720 --> 0:14:03.040
<v Speaker 1>do business with your friends, do business with your friends.

0:14:03.040 --> 0:14:05.559
<v Speaker 1>You're not gonna do somebody else like that? And then

0:14:05.640 --> 0:14:08.320
<v Speaker 1>tell him, you know you you make friends over business.

0:14:08.400 --> 0:14:10.199
<v Speaker 1>But I've seen a lot of people make friends over

0:14:10.240 --> 0:14:15.040
<v Speaker 1>business and then break up friendships over lack of business. Okay,

0:14:15.080 --> 0:14:18.360
<v Speaker 1>but I'll see you a curve ball because you were

0:14:18.400 --> 0:14:20.520
<v Speaker 1>the only one, like when I when I heard that,

0:14:20.880 --> 0:14:24.040
<v Speaker 1>and then I'm always the only one, by the way, Okay,

0:14:24.080 --> 0:14:26.840
<v Speaker 1>I'm always the only one, and I've been the only one.

0:14:26.840 --> 0:14:30.720
<v Speaker 1>I'm the only one I ever joined trial. Wow wow,

0:14:31.360 --> 0:14:33.880
<v Speaker 1>But I'm not. I'm the only one you would even

0:14:33.920 --> 0:14:37.080
<v Speaker 1>consider to let right anything. I am the only one.

0:14:37.120 --> 0:14:48.600
<v Speaker 1>I'm the one that it was interested because, um, the

0:14:48.680 --> 0:14:51.320
<v Speaker 1>same thing. I believe I spoke to you. It was

0:14:51.360 --> 0:14:53.800
<v Speaker 1>only the first episode, was out right. It was not.

0:14:54.040 --> 0:14:55.640
<v Speaker 1>I didn't even know there was another episode. I thought

0:14:55.680 --> 0:14:58.320
<v Speaker 1>that was just the whole documentary. That's what I'm saluting you.

0:14:58.560 --> 0:15:01.080
<v Speaker 1>And I didn't see your point. Actually me too, because

0:15:01.120 --> 0:15:03.240
<v Speaker 1>you was the first person to hit me about it,

0:15:03.280 --> 0:15:05.800
<v Speaker 1>so I didn't know what the whole layout was. And

0:15:05.880 --> 0:15:08.680
<v Speaker 1>like I said, it's due to the fact that I've

0:15:08.720 --> 0:15:12.280
<v Speaker 1>done the kind of business that I've done that I

0:15:12.400 --> 0:15:14.680
<v Speaker 1>have a point of reference of how to be treated.

0:15:15.760 --> 0:15:19.000
<v Speaker 1>I don't. I'm not. It's not my documentary. It's it's

0:15:19.000 --> 0:15:23.280
<v Speaker 1>not consequence of documentaries. It's Kanye's or it's Kanye cooties. However,

0:15:23.360 --> 0:15:26.320
<v Speaker 1>the creative part of it goes. I have no issue

0:15:26.320 --> 0:15:30.120
<v Speaker 1>with that at all. I have an issue with from

0:15:30.440 --> 0:15:33.760
<v Speaker 1>being able to oberstrate operate as a from an admin

0:15:33.840 --> 0:15:37.480
<v Speaker 1>side that there's no clarences, there's no check cut, there's

0:15:37.480 --> 0:15:39.680
<v Speaker 1>no nothing, there's no and there's no getting around that.

0:15:41.040 --> 0:15:43.240
<v Speaker 1>But put the hat on the other side for why

0:15:43.440 --> 0:15:50.440
<v Speaker 1>this is, louis why what if? What if you had

0:15:50.760 --> 0:15:52.680
<v Speaker 1>footage and I'm sure you probably got some footage. You

0:15:52.720 --> 0:15:55.360
<v Speaker 1>know what I said was I'll pay for it over

0:15:55.440 --> 0:15:58.400
<v Speaker 1>my career. There's no other side. I mean telling ill said,

0:15:58.400 --> 0:16:00.320
<v Speaker 1>well something, I had to pay for it, to pay

0:16:00.400 --> 0:16:05.760
<v Speaker 1>James Brown um far pre sent and ten thousand dollars

0:16:05.800 --> 0:16:09.320
<v Speaker 1>for hey you La Collins. He didn't even say it

0:16:09.440 --> 0:16:13.560
<v Speaker 1>is the state wanteds in thousand. That's the game. That

0:16:13.800 --> 0:16:16.240
<v Speaker 1>is the game. That's the game we're playing. We're not

0:16:16.400 --> 0:16:19.120
<v Speaker 1>this is the music business. This is not you know

0:16:19.200 --> 0:16:24.080
<v Speaker 1>we obviously once again here let me put something out

0:16:24.080 --> 0:16:27.760
<v Speaker 1>to you on the reel. Had I got a request

0:16:27.840 --> 0:16:31.720
<v Speaker 1>or been asked by people who have relationships with I

0:16:31.720 --> 0:16:34.320
<v Speaker 1>wouldn't have this position. I didn't go to the screen. Now,

0:16:34.280 --> 0:16:37.200
<v Speaker 1>I didn't get an invite this, So there's nothing for

0:16:37.360 --> 0:16:50.800
<v Speaker 1>me documentary. Okay, you know what I'm saying. So if

0:16:50.840 --> 0:16:55.560
<v Speaker 1>we it's not about to your point you're saying, it's

0:16:55.600 --> 0:16:58.160
<v Speaker 1>not it's everything about the money because the other side

0:16:58.200 --> 0:17:00.880
<v Speaker 1>of that is the relationship. Right, But how is their

0:17:01.000 --> 0:17:05.879
<v Speaker 1>relationship with our communication? Right? If you don't communicate, you

0:17:05.960 --> 0:17:08.439
<v Speaker 1>can't take the relationship for granted, and you can't create

0:17:08.440 --> 0:17:12.600
<v Speaker 1>a relationship that's not there. My relationship is with Kanye West.

0:17:13.520 --> 0:17:17.639
<v Speaker 1>That's who you saw me with numerous times. So my

0:17:17.760 --> 0:17:20.320
<v Speaker 1>relationship is with him. If Kanye come to me and

0:17:20.359 --> 0:17:23.040
<v Speaker 1>say can I get a concession, it's a no brainer.

0:17:23.520 --> 0:17:26.000
<v Speaker 1>If somebody just takes something to run with it, they're

0:17:26.040 --> 0:17:30.240
<v Speaker 1>actually a thief. It's called professional courtesy, right because you

0:17:30.320 --> 0:17:33.000
<v Speaker 1>actually were doing the work for hire for Kanye at

0:17:33.080 --> 0:17:36.800
<v Speaker 1>that time, and and it's no respect to the brand

0:17:37.320 --> 0:17:39.919
<v Speaker 1>value of where it stands right now, Like I just

0:17:39.960 --> 0:17:42.879
<v Speaker 1>wanna I just want to grab me with Kanye for Hurricane.

0:17:42.880 --> 0:17:45.399
<v Speaker 1>I'm supposed to task somebody take something from me. I

0:17:45.480 --> 0:17:48.600
<v Speaker 1>don't make no sense, no way, no how because let

0:17:48.560 --> 0:17:50.760
<v Speaker 1>me's just like one second the same day I supposed

0:17:50.760 --> 0:17:54.359
<v Speaker 1>to live quality and because he was in the same episode, right,

0:17:55.119 --> 0:17:58.159
<v Speaker 1>So I supposed to you expected him to kind of

0:17:58.200 --> 0:18:01.120
<v Speaker 1>have the same attitude, and you know, Kanye had just

0:18:01.200 --> 0:18:03.080
<v Speaker 1>kind of like this stuff, right, you know what I'm

0:18:03.200 --> 0:18:06.160
<v Speaker 1>talking about that. So when I said to him, if

0:18:06.160 --> 0:18:07.880
<v Speaker 1>you don't talk about that. So when I said to him,

0:18:08.240 --> 0:18:10.760
<v Speaker 1>did you know I'm gonna be honest with you? He

0:18:10.800 --> 0:18:14.040
<v Speaker 1>didn't know neither. But he didn't say what you said.

0:18:14.080 --> 0:18:17.920
<v Speaker 1>He was Now, but you got to understand something. When

0:18:19.040 --> 0:18:21.760
<v Speaker 1>Kanye come up here like like dark Man and start

0:18:21.760 --> 0:18:25.439
<v Speaker 1>emptying the clip, right, but he busting that certain niggas

0:18:25.440 --> 0:18:27.440
<v Speaker 1>because of how they move, you know what I mean.

0:18:27.880 --> 0:18:30.400
<v Speaker 1>So yeah, he that might not have been concerning him.

0:18:30.440 --> 0:18:33.520
<v Speaker 1>That's a concern of mind. What I'm saying, that's a

0:18:33.520 --> 0:18:35.680
<v Speaker 1>concern of mom because me and Kanye you have does

0:18:35.760 --> 0:18:38.520
<v Speaker 1>so much business together that it's a no brain. No.

0:18:38.640 --> 0:18:41.240
<v Speaker 1>He Kanye ain't never tweet like cass Is bugging for

0:18:41.320 --> 0:18:43.680
<v Speaker 1>what he said on something and suthing about the documentary.

0:18:43.760 --> 0:18:47.240
<v Speaker 1>N he not because he knows it's a buck so

0:18:47.240 --> 0:18:57.120
<v Speaker 1>a whole mill walking really keep going, yeah, okay man,

0:18:57.200 --> 0:18:59.560
<v Speaker 1>this is good. It's good, this is good, this is good.

0:18:59.840 --> 0:19:02.879
<v Speaker 1>So have you spoken to you sinter genus. Are you

0:19:02.880 --> 0:19:05.600
<v Speaker 1>spoken to people around him? I'm sure. I mean we

0:19:05.720 --> 0:19:10.880
<v Speaker 1>have we me and Kanye. Uh, you know, we UM

0:19:10.960 --> 0:19:13.560
<v Speaker 1>were number one. Certain things I could devote into public,

0:19:13.600 --> 0:19:17.080
<v Speaker 1>Certain things I can't just because of our venice arrangements.

0:19:17.600 --> 0:19:22.360
<v Speaker 1>But you know, UM, I mean he actually kind of

0:19:22.480 --> 0:19:25.440
<v Speaker 1>alluded to it when he UM put up a G

0:19:25.640 --> 0:19:28.000
<v Speaker 1>post and he shouted out point Pat. He said, point

0:19:28.080 --> 0:19:30.720
<v Speaker 1>Pat wasn't in the documentary, and he was an intricate

0:19:30.760 --> 0:19:37.120
<v Speaker 1>part of UM Kanye's sustainability as all the way around

0:19:37.119 --> 0:19:38.960
<v Speaker 1>the board, you know, creatively, you know what I'm saying.

0:19:38.960 --> 0:19:41.600
<v Speaker 1>He was like, you know, if I had five, I

0:19:41.600 --> 0:19:43.879
<v Speaker 1>think he said something to the CENTERF I had five,

0:19:44.440 --> 0:19:47.679
<v Speaker 1>if my fingers were friends planning, Pat is one of

0:19:47.680 --> 0:19:49.480
<v Speaker 1>my fingers. I only got four fingers left, you know

0:19:49.480 --> 0:19:53.119
<v Speaker 1>what I'm saying, Um so into you know. And he

0:19:53.200 --> 0:19:55.200
<v Speaker 1>also said that, you know, he felt a way about

0:19:55.200 --> 0:19:57.840
<v Speaker 1>people clowning up off them, you know. And I could

0:19:57.920 --> 0:20:00.320
<v Speaker 1>understand that because like even when I went to the

0:20:00.480 --> 0:20:03.879
<v Speaker 1>s obs UM when I went to the s O

0:20:03.960 --> 0:20:09.359
<v Speaker 1>B said clouding up, clouding up. So even when I

0:20:09.400 --> 0:20:12.600
<v Speaker 1>went to the s O B's um, the sneaky, the

0:20:12.640 --> 0:20:17.200
<v Speaker 1>sneaky uh, um screening. You know when I walked in there,

0:20:17.200 --> 0:20:20.200
<v Speaker 1>everybody looked like they were in trouble, you know what

0:20:20.240 --> 0:20:23.040
<v Speaker 1>I mean. It was like it wasn't like you know,

0:20:23.640 --> 0:20:26.560
<v Speaker 1>it wasn't like oh you know, it was like, oh,

0:20:26.760 --> 0:20:30.800
<v Speaker 1>she hain't called us screening for part two or for

0:20:31.200 --> 0:20:34.960
<v Speaker 1>episode two O. The l A screening was episode one.

0:20:35.480 --> 0:20:38.640
<v Speaker 1>What I'm saying, um, you know, and I performed good, bad, ugly,

0:20:38.680 --> 0:20:41.040
<v Speaker 1>and you know, like the thing is that what you

0:20:41.160 --> 0:20:45.399
<v Speaker 1>was using? Like that you performed They asked me to though, ho,

0:20:46.200 --> 0:20:48.800
<v Speaker 1>I gott stand up a little bit like, no, not

0:20:49.000 --> 0:20:51.440
<v Speaker 1>venice business. It's all business, nor its none of this

0:20:51.560 --> 0:20:54.639
<v Speaker 1>is personal. None of this is personal. So so at

0:20:54.640 --> 0:20:56.560
<v Speaker 1>the end of the day, it produced if I go

0:20:56.600 --> 0:20:59.360
<v Speaker 1>on stage, right, they all get. It wasn't like yo,

0:20:59.520 --> 0:21:02.480
<v Speaker 1>what you do don't here? It was like, oh you here.

0:21:02.600 --> 0:21:06.399
<v Speaker 1>But I'm like, I'm like, yo, but y'are doing the

0:21:06.480 --> 0:21:10.600
<v Speaker 1>way you're doing. The whole is not on front Street, right,

0:21:10.880 --> 0:21:12.080
<v Speaker 1>you know what I mean. Because at the end of

0:21:12.160 --> 0:21:15.959
<v Speaker 1>the day, like even take take like the situation with Shaka,

0:21:16.200 --> 0:21:18.159
<v Speaker 1>I don't know she knew she was gonna end up

0:21:18.200 --> 0:21:22.760
<v Speaker 1>looking like she ain't believing you. Okay, I'm saying right, right,

0:21:22.800 --> 0:21:25.080
<v Speaker 1>So even when Wayno was out here saying like yo, well,

0:21:25.119 --> 0:21:27.560
<v Speaker 1>because that's the that's the thing, Like, it was like

0:21:27.600 --> 0:21:31.080
<v Speaker 1>a whole wave that ain't had nothing to do with

0:21:31.119 --> 0:21:36.320
<v Speaker 1>nobody who was actually there in that capacity, and they

0:21:36.520 --> 0:21:38.159
<v Speaker 1>none of them was at don none of them was

0:21:38.200 --> 0:21:42.320
<v Speaker 1>in Atlanta. Right. So so if you meet it kind

0:21:42.320 --> 0:21:45.680
<v Speaker 1>of looked like shaker, like a soul shaker, you might

0:21:45.720 --> 0:21:48.439
<v Speaker 1>be upset, you know what I'm saying you You you

0:21:48.520 --> 0:21:51.720
<v Speaker 1>might feel like this is your way to bust a lane.

0:21:52.480 --> 0:21:54.760
<v Speaker 1>But it's almost at the expense of a body who

0:21:54.840 --> 0:21:57.520
<v Speaker 1>really get down, who really worked, who really been in

0:21:57.560 --> 0:21:59.719
<v Speaker 1>the trenches with Yeah, you know what I'm saying. So

0:22:00.000 --> 0:22:02.359
<v Speaker 1>so because at the end of the day, regardless, the

0:22:02.520 --> 0:22:08.719
<v Speaker 1>end result of uh Kanye's record deal with Rocketfeller was

0:22:09.080 --> 0:22:13.480
<v Speaker 1>the release of the college Dropout. Right, that's the world.

0:22:14.200 --> 0:22:16.920
<v Speaker 1>So so the thing is, once again, like I said,

0:22:17.080 --> 0:22:21.719
<v Speaker 1>you're gonna go through growing pains in any relationship. A

0:22:21.760 --> 0:22:24.320
<v Speaker 1>lot of people people fall in love with the final product,

0:22:24.359 --> 0:22:27.720
<v Speaker 1>not the conveyor belt. Right, So if they fell in

0:22:27.800 --> 0:22:33.000
<v Speaker 1>love with the college dropout, then by default then they there, Yo,

0:22:33.480 --> 0:22:35.960
<v Speaker 1>I was doing this. You know what I'm saying, they

0:22:36.480 --> 0:22:38.680
<v Speaker 1>gave me an opportunity to you know, what's so funny

0:22:39.359 --> 0:22:44.280
<v Speaker 1>because at one point when I was signed, I was

0:22:44.320 --> 0:22:47.800
<v Speaker 1>still signed a C tip through the owner, like I

0:22:47.880 --> 0:22:49.879
<v Speaker 1>was supposed to sign a rocketeller. That's why I was

0:22:49.920 --> 0:22:53.320
<v Speaker 1>so ironic. Well I'm not saying it's supposed to but

0:22:53.800 --> 0:22:56.240
<v Speaker 1>Jay was very interested in picking me up. And it's

0:22:56.240 --> 0:23:01.040
<v Speaker 1>funny that Jay's kind of always been me and Jay.

0:23:01.119 --> 0:23:06.040
<v Speaker 1>I met Jay Z at the Gavin and we always

0:23:07.080 --> 0:23:10.960
<v Speaker 1>always um kind of intermingled. We never had like a

0:23:11.000 --> 0:23:14.040
<v Speaker 1>one to one direct relationship, but we always kind of

0:23:14.040 --> 0:23:16.000
<v Speaker 1>inter mingo. So we're just so funny. It was like

0:23:16.040 --> 0:23:20.160
<v Speaker 1>he spoke to Que about me, and you know, at

0:23:20.160 --> 0:23:22.880
<v Speaker 1>the time, me and me and Q was going through

0:23:22.880 --> 0:23:24.840
<v Speaker 1>a lot of personal things, so I didn't we didn't

0:23:24.880 --> 0:23:26.520
<v Speaker 1>go that route, but I ended up kind of going

0:23:26.600 --> 0:23:31.840
<v Speaker 1>that direction anyway. So just very ironic and like and

0:23:31.840 --> 0:23:34.360
<v Speaker 1>and you know, like, and I'm saying this because I'm

0:23:34.359 --> 0:23:39.120
<v Speaker 1>actually uh saluting Jay because you know, we've had we've

0:23:39.240 --> 0:23:44.439
<v Speaker 1>we've had on share of trouble, but um, he's always

0:23:44.440 --> 0:23:46.919
<v Speaker 1>seen the value in what I brought to the table.

0:23:48.359 --> 0:23:51.520
<v Speaker 1>He took a shot at you on anybody was up

0:23:51.520 --> 0:23:56.479
<v Speaker 1>on Z. I'm like, uh yeah, I mean yeah at

0:23:56.480 --> 0:23:58.440
<v Speaker 1>the time, because it was it was up, you still

0:23:58.480 --> 0:24:02.320
<v Speaker 1>think that though the time it was up, at the

0:24:02.359 --> 0:24:06.000
<v Speaker 1>time it was now I'm look, look, here's the thing, right,

0:24:07.480 --> 0:24:09.760
<v Speaker 1>when when it was when when we were going through

0:24:09.760 --> 0:24:11.800
<v Speaker 1>what we were going through was the transition period, and

0:24:11.840 --> 0:24:15.760
<v Speaker 1>me and Kanye had to have this conversation in private.

0:24:15.920 --> 0:24:17.320
<v Speaker 1>You know, some of it is kind of you know,

0:24:17.520 --> 0:24:20.719
<v Speaker 1>has obviously been in the public at the time. You know.

0:24:20.800 --> 0:24:25.480
<v Speaker 1>The the hard thing about Kanye as my brother, right

0:24:26.160 --> 0:24:30.360
<v Speaker 1>is that it's hard. It's it's hard when people will

0:24:30.440 --> 0:24:33.720
<v Speaker 1>do anything to be next to him, right, So I've

0:24:33.760 --> 0:24:39.800
<v Speaker 1>seen artists like literally, I mean you know, people just

0:24:40.480 --> 0:24:43.000
<v Speaker 1>will do anything to be next to Kanye West. It's

0:24:43.160 --> 0:24:47.000
<v Speaker 1>just a real thing, you know, especially it was so

0:24:47.200 --> 0:24:52.080
<v Speaker 1>you so so look, here's the thing, right, It wasn't

0:24:52.080 --> 0:24:55.199
<v Speaker 1>no easies for me back then. It was the sketch

0:24:55.240 --> 0:25:01.560
<v Speaker 1>pad of him drawing sneakers, you understand, deep, So before

0:25:02.119 --> 0:25:04.760
<v Speaker 1>it was something to be on a friends and family

0:25:04.760 --> 0:25:09.760
<v Speaker 1>list for it was just idea dream. It was before

0:25:09.760 --> 0:25:11.480
<v Speaker 1>it was getting out our dreams. It was I have

0:25:11.640 --> 0:25:15.600
<v Speaker 1>dreams I want to get out right, and he and

0:25:15.680 --> 0:25:19.760
<v Speaker 1>I essentially became like Squam partners on the mic, you know,

0:25:20.280 --> 0:25:25.879
<v Speaker 1>and it it actually worked. You know, he had he

0:25:26.520 --> 0:25:30.879
<v Speaker 1>was he he always Kanye has never been a person

0:25:30.960 --> 0:25:33.199
<v Speaker 1>that was struggling for money. You know, his mars was

0:25:33.240 --> 0:25:36.399
<v Speaker 1>well to do as far as having influence and having

0:25:36.720 --> 0:25:40.320
<v Speaker 1>having a great career in Chicago. So he he was.

0:25:40.680 --> 0:25:42.960
<v Speaker 1>I never met car I've never seen Kanye struggle. I've

0:25:42.960 --> 0:25:45.480
<v Speaker 1>never seen none of that boat. But when he came

0:25:45.800 --> 0:25:50.320
<v Speaker 1>to Polo, I mean, I mean before the pink Polo

0:25:50.480 --> 0:25:53.560
<v Speaker 1>was part of the product. I mean when I met him,

0:25:53.600 --> 0:25:56.639
<v Speaker 1>you know, he had a bands, he wanted the bigger bands.

0:25:56.840 --> 0:26:02.000
<v Speaker 1>He had dreams that he wanted to see see coming

0:26:02.040 --> 0:26:05.600
<v Speaker 1>to fruition, and he just it was it was more

0:26:05.640 --> 0:26:10.639
<v Speaker 1>about having the tools. Um. So, so when I said

0:26:10.920 --> 0:26:15.160
<v Speaker 1>earlier about him me being the one that he would

0:26:15.200 --> 0:26:19.800
<v Speaker 1>he would actually rap with, take rap from etcetera, etcetera, etcetera,

0:26:20.040 --> 0:26:23.320
<v Speaker 1>It's real. It's at you know, at one point we

0:26:23.800 --> 0:26:26.600
<v Speaker 1>developed a comfort level to where it was like yo, yo,

0:26:26.920 --> 0:26:29.200
<v Speaker 1>help me with this wrong with that joint, you know

0:26:29.200 --> 0:26:33.399
<v Speaker 1>what I'm saying. Remember I did UM. I had wrote

0:26:34.000 --> 0:26:39.720
<v Speaker 1>a record UM that we we wanted to submit for

0:26:39.880 --> 0:26:42.919
<v Speaker 1>UM little Kim, and she wound up using the choruses

0:26:43.000 --> 0:26:45.800
<v Speaker 1>called came Back for You so on Labella, the owner

0:26:45.840 --> 0:26:49.080
<v Speaker 1>Labella Mafia album actually wrote came up with the idea

0:26:49.160 --> 0:26:53.600
<v Speaker 1>for the chorus. Um, and I had rhyms that I

0:26:53.640 --> 0:26:56.680
<v Speaker 1>wanted Kim to take. What Kim was very specific about

0:26:56.720 --> 0:27:01.000
<v Speaker 1>not taking. Wanted to have a ghostwriter at that time

0:27:01.080 --> 0:27:05.160
<v Speaker 1>or whatever. And you know, but the ship was firing. Um.

0:27:05.200 --> 0:27:08.280
<v Speaker 1>You know, Kanye definitely was like, you know, I had

0:27:08.320 --> 0:27:14.400
<v Speaker 1>to do the Brandy joint. Uh that man and man,

0:27:14.440 --> 0:27:16.280
<v Speaker 1>he had to do the Brandy job. He gave the

0:27:16.440 --> 0:27:20.119
<v Speaker 1>record man, you know, no, and you know the fans

0:27:20.160 --> 0:27:23.040
<v Speaker 1>Watson this no, you know what I mean. You know,

0:27:23.080 --> 0:27:24.520
<v Speaker 1>I got the shades on all and hit you with

0:27:24.560 --> 0:27:27.280
<v Speaker 1>the wing wing, but you know what I mean. Um,

0:27:27.320 --> 0:27:33.399
<v Speaker 1>So so that that for begin with what that's what

0:27:33.560 --> 0:27:36.640
<v Speaker 1>began a level of trust, you know what I'm saying

0:27:36.640 --> 0:27:39.080
<v Speaker 1>between he and I. You know what I'm saying. And

0:27:39.080 --> 0:27:40.919
<v Speaker 1>and we made a lot of other but like my

0:27:41.000 --> 0:27:43.919
<v Speaker 1>point was, I have had to see a lot of

0:27:44.000 --> 0:27:47.399
<v Speaker 1>people try to do a lot of things just to

0:27:48.800 --> 0:27:51.320
<v Speaker 1>get in that position. And it wasn't something that I

0:27:51.400 --> 0:27:54.520
<v Speaker 1>ever I ever did. I never did that. I never.

0:27:54.600 --> 0:27:58.280
<v Speaker 1>I never was, like, I never was on that because

0:27:58.280 --> 0:28:00.520
<v Speaker 1>I didn't really have to be, because it was when

0:28:00.600 --> 0:28:05.560
<v Speaker 1>we developed our relationship. Did you guys connect? We we

0:28:05.680 --> 0:28:09.600
<v Speaker 1>met right after he did the Blueprint. Um we were

0:28:09.640 --> 0:28:15.160
<v Speaker 1>introduced uh through to each other from by Ad eight Keys. Um.

0:28:15.200 --> 0:28:19.000
<v Speaker 1>I met Ad eight Keys back in the Tribe days. Um,

0:28:19.000 --> 0:28:21.960
<v Speaker 1>he was just you know, he had a relationship with

0:28:22.040 --> 0:28:24.960
<v Speaker 1>Q Tip. They would um a T eight I believe

0:28:25.040 --> 0:28:27.080
<v Speaker 1>worked at a record store, I want to say, and

0:28:27.200 --> 0:28:28.879
<v Speaker 1>Q Tip would go there to get vinyl at the

0:28:28.920 --> 0:28:30.840
<v Speaker 1>time when that was that was the thing with sampling

0:28:30.960 --> 0:28:34.520
<v Speaker 1>or whatever. Um. But AD eight did beats. He was

0:28:34.560 --> 0:28:37.320
<v Speaker 1>trying to get him more. So he called Q Tip's

0:28:37.359 --> 0:28:40.560
<v Speaker 1>crib one day, introduced himself like, yeah, I got beat.

0:28:41.560 --> 0:28:44.240
<v Speaker 1>You know, one thing led to another. I still lived

0:28:44.240 --> 0:28:46.840
<v Speaker 1>in Queens, so I took a trip out to go

0:28:46.960 --> 0:28:50.920
<v Speaker 1>check him, and he had joints and we just became

0:28:51.000 --> 0:28:54.760
<v Speaker 1>friends over time. He just yeah, yeah. So and then

0:28:54.840 --> 0:28:58.200
<v Speaker 1>this is this is the during the recording of beach

0:28:58.280 --> 0:29:00.960
<v Speaker 1>Rims of Life, going into like what would be my

0:29:01.040 --> 0:29:04.200
<v Speaker 1>solo record that didn't the first product that I've made

0:29:04.640 --> 0:29:08.160
<v Speaker 1>that never had came out. It was that was supposed

0:29:08.160 --> 0:29:11.720
<v Speaker 1>to come out through cuts label, the Museum music real

0:29:11.800 --> 0:29:15.720
<v Speaker 1>quick fun fact beat training, left artwork same right, Yeah,

0:29:16.000 --> 0:29:18.080
<v Speaker 1>shout out the game, not just definitely shout understand. I

0:29:18.080 --> 0:29:22.880
<v Speaker 1>actually spoke to him, um, because I wound up. I

0:29:22.920 --> 0:29:25.040
<v Speaker 1>think there was a beach round the Life and there

0:29:25.080 --> 0:29:29.160
<v Speaker 1>was a beach round the Life anniversary and somebody at

0:29:29.200 --> 0:29:30.760
<v Speaker 1>a scam and I was like, I hadn't seen him

0:29:30.760 --> 0:29:33.480
<v Speaker 1>in yet. Um. And then I saw the drink chance look,

0:29:33.560 --> 0:29:39.360
<v Speaker 1>I said, And then I remembered he's from Miami, the local.

0:29:39.400 --> 0:29:42.440
<v Speaker 1>How do you know he did it? It's on the stage. Oh,

0:29:43.280 --> 0:29:50.320
<v Speaker 1>it's on the stage. He just looked at right. Um,

0:29:50.400 --> 0:29:54.360
<v Speaker 1>but you know what I mean. So eight eight keys,

0:29:54.880 --> 0:30:00.640
<v Speaker 1>so fast forward. Um, it's right at the nine eleven. Uh.

0:30:00.720 --> 0:30:03.960
<v Speaker 1>And I had a deal at rock As that fell through.

0:30:04.320 --> 0:30:06.520
<v Speaker 1>So you're talking about the roller coaster. So like I'm

0:30:06.720 --> 0:30:10.920
<v Speaker 1>popped pop Plezzy, you know what I'm saying. Um. And

0:30:11.320 --> 0:30:15.239
<v Speaker 1>come two thousands and two January eight called me. You know,

0:30:15.400 --> 0:30:19.280
<v Speaker 1>he was like, um, yo, I got a friend of mine,

0:30:20.280 --> 0:30:23.120
<v Speaker 1>um that I just did a joint for and he

0:30:23.160 --> 0:30:25.120
<v Speaker 1>would like we were talking about who could be a

0:30:25.120 --> 0:30:27.280
<v Speaker 1>feature on it, and I brought you in the name

0:30:27.360 --> 0:30:29.840
<v Speaker 1>up and his name is Kanye's knees. You might have

0:30:29.840 --> 0:30:31.720
<v Speaker 1>heard him when he did he did uh a lot

0:30:31.760 --> 0:30:34.160
<v Speaker 1>of the blueprint for jay Z and and another friend

0:30:34.160 --> 0:30:38.480
<v Speaker 1>of miney Um Hans Elder who's uh d dots from

0:30:38.520 --> 0:30:42.800
<v Speaker 1>Crazy uh Devik Angeli's cousin Um had brought him up

0:30:42.800 --> 0:30:45.240
<v Speaker 1>in a conversation and said at the time that me

0:30:45.320 --> 0:30:49.560
<v Speaker 1>and to me and Kanye were very similar. Um. It

0:30:49.640 --> 0:30:52.240
<v Speaker 1>fars like his resonation of music like you get like

0:30:52.280 --> 0:30:53.840
<v Speaker 1>you guys remind me a lot of each other. I

0:30:53.880 --> 0:30:56.040
<v Speaker 1>think it would be cool if y'all hooked up. But

0:30:56.440 --> 0:30:59.120
<v Speaker 1>it was a conversation, yeah, yeah, it was like a premonition,

0:30:59.280 --> 0:31:02.880
<v Speaker 1>like aative tongue sound almost like saying the native tongue

0:31:02.880 --> 0:31:04.600
<v Speaker 1>of sound like both of y'all kind of seemed like

0:31:04.640 --> 0:31:08.160
<v Speaker 1>y'all belonging lative tongue um a more specific to than

0:31:08.240 --> 0:31:11.120
<v Speaker 1>each other, Like, well, I am from the native tongue.

0:31:11.200 --> 0:31:14.280
<v Speaker 1>You know what I'm saying. No, no, we're saying, but

0:31:15.280 --> 0:31:17.840
<v Speaker 1>from the native you know what I'm saying. I mean,

0:31:18.320 --> 0:31:20.760
<v Speaker 1>And I wasn't specifically to the happiness of every member

0:31:20.800 --> 0:31:23.840
<v Speaker 1>of the native tongue, but nonetheless it is what it is.

0:31:24.040 --> 0:31:27.240
<v Speaker 1>It's queens get the money. I can't get it like

0:31:27.720 --> 0:31:32.440
<v Speaker 1>Kindred Spirits right right because because at the time, so

0:31:32.600 --> 0:31:38.600
<v Speaker 1>like the sensibility of sampling, Um, the the Lauren unplugged

0:31:38.680 --> 0:31:42.800
<v Speaker 1>joint is a native tongue sensibility for for all falls,

0:31:43.560 --> 0:31:46.200
<v Speaker 1>you know, like the drum pattern to all fold down

0:31:46.280 --> 0:31:50.640
<v Speaker 1>is a native tongue sensibility. But but you know, I

0:31:50.680 --> 0:31:55.320
<v Speaker 1>think the thing that makes Kanye him also is the

0:31:55.360 --> 0:31:59.200
<v Speaker 1>fact that he's able to jump in and out of

0:31:59.280 --> 0:32:02.080
<v Speaker 1>lanes when it comes to production, especially you know what

0:32:02.120 --> 0:32:04.680
<v Speaker 1>I mean, so the women, and he'll have that sensibility,

0:32:05.000 --> 0:32:09.000
<v Speaker 1>but then could still make um stand up for Luda,

0:32:09.320 --> 0:32:14.040
<v Speaker 1>you know what I mean, um or or um obviously

0:32:14.040 --> 0:32:17.560
<v Speaker 1>you know what I'm saying, which does have those same sensibilities.

0:32:17.560 --> 0:32:20.080
<v Speaker 1>But he was able to be the production of to

0:32:20.160 --> 0:32:22.600
<v Speaker 1>where it could go at radio as well. Um. But

0:32:22.920 --> 0:32:27.680
<v Speaker 1>the native tom sensibility is is at core a cultural things.

0:32:27.720 --> 0:32:30.400
<v Speaker 1>So it's like the culture of what the sound is

0:32:30.480 --> 0:32:34.720
<v Speaker 1>in and the musicality. So um, So that's how we

0:32:34.760 --> 0:32:37.080
<v Speaker 1>met that we met the ad in case um I

0:32:37.120 --> 0:32:40.560
<v Speaker 1>did the feature, he offered to pay me three thousand

0:32:41.040 --> 0:32:45.200
<v Speaker 1>or or he would be willing to cut. He would

0:32:45.200 --> 0:32:49.080
<v Speaker 1>be willing up beats. Yeah, let me get first pick.

0:32:49.480 --> 0:32:51.840
<v Speaker 1>So I never I never boiled him about the three

0:32:51.840 --> 0:32:54.800
<v Speaker 1>thousand and like I said before, literally eight off for

0:32:54.840 --> 0:32:57.480
<v Speaker 1>that three thousand for the rest of my life look

0:32:57.560 --> 0:33:02.720
<v Speaker 1>for that guy. So, like I said, I watched these

0:33:02.760 --> 0:33:05.800
<v Speaker 1>three interviews and it was crazy because it was like

0:33:05.960 --> 0:33:09.600
<v Speaker 1>one where you was like real, real, like upset at

0:33:09.640 --> 0:33:13.640
<v Speaker 1>all them from Joe was to to uh, to even

0:33:13.760 --> 0:33:16.280
<v Speaker 1>hope because you don't hold a shot at you talking

0:33:16.320 --> 0:33:20.480
<v Speaker 1>about like that. I never was upset with pump it Up.

0:33:23.200 --> 0:33:25.200
<v Speaker 1>I never was upset with pumping up. I just felt

0:33:25.200 --> 0:33:27.200
<v Speaker 1>like pumping up came out of his faith. So moving before,

0:33:27.200 --> 0:33:28.920
<v Speaker 1>I don't want to do nothing about pump it up,

0:33:29.360 --> 0:33:31.840
<v Speaker 1>I said. I got a new single out Blood staying

0:33:33.720 --> 0:33:39.360
<v Speaker 1>I can't argue about pump it up. Jesus Jesus. I mean,

0:33:39.400 --> 0:33:51.880
<v Speaker 1>I'm just saying I can't, man, come on, pump it off. Uh, God,

0:33:52.080 --> 0:33:54.640
<v Speaker 1>you're turning was I don't want how to pump it up.

0:33:54.680 --> 0:34:00.320
<v Speaker 1>I stripped out the party. Hurricane say I've about it up?

0:34:00.880 --> 0:34:05.840
<v Speaker 1>Would you when you can do verses against what don't

0:34:05.840 --> 0:34:10.680
<v Speaker 1>do against pump it up? I called your body man

0:34:12.160 --> 0:34:17.799
<v Speaker 1>when I pump it up, So what are you gonna

0:34:18.160 --> 0:34:20.880
<v Speaker 1>I'm not like I said, no, I'm not going to

0:34:21.080 --> 0:34:28.440
<v Speaker 1>argue about p I U why it is what it is?

0:34:28.560 --> 0:34:31.240
<v Speaker 1>You know what I'm saying, Like that's it, but no verses.

0:34:31.400 --> 0:34:34.480
<v Speaker 1>Let's let me see your marian like they right, you

0:34:34.520 --> 0:34:38.400
<v Speaker 1>see j W you want him to do pump it

0:34:38.440 --> 0:34:47.600
<v Speaker 1>up and me to see the ship. I wasn't ready

0:34:47.600 --> 0:34:56.560
<v Speaker 1>with that. That ship. Let's move alight. So I wrapped.

0:34:56.840 --> 0:34:59.720
<v Speaker 1>I wrapped back to back with busting rhymes on tribe

0:34:59.719 --> 0:35:02.000
<v Speaker 1>out him. I'm so to come on like we gotta

0:35:02.040 --> 0:35:07.000
<v Speaker 1>put some respect, like I'm channeling bird Man. I'm channeling

0:35:07.080 --> 0:35:09.600
<v Speaker 1>bird Man. We got we got to you know what

0:35:09.640 --> 0:35:16.640
<v Speaker 1>I'm saying, Like you know that whole situation was love

0:35:16.680 --> 0:35:18.879
<v Speaker 1>and hip hop and hip hop, right, but let's let's

0:35:18.920 --> 0:35:21.640
<v Speaker 1>be real like outside of loving hip hop, like yo,

0:35:21.760 --> 0:35:23.759
<v Speaker 1>if you run through mine? But you know what a

0:35:23.880 --> 0:35:26.680
<v Speaker 1>rhyme though you can't say say I never said I

0:35:26.719 --> 0:35:28.319
<v Speaker 1>told him to a face you could rap. I never

0:35:28.320 --> 0:35:30.879
<v Speaker 1>said Joe can't wrap it. I'm just saying, when you're

0:35:30.880 --> 0:35:35.000
<v Speaker 1>going act, there's a difference between rapping and hits. He

0:35:35.080 --> 0:35:37.840
<v Speaker 1>got a lot of mix tapes, though, so do I.

0:35:37.840 --> 0:35:40.520
<v Speaker 1>I gotta take him to the cleaners. I like this,

0:35:40.600 --> 0:35:42.560
<v Speaker 1>like wh I'm talking so to all, I gotta take

0:35:42.600 --> 0:35:46.279
<v Speaker 1>him to the cleaners. That's the best mixtapes the whole time.

0:35:47.880 --> 0:35:50.280
<v Speaker 1>Like I put Kno More on a mixtape before anybody

0:35:50.320 --> 0:35:56.600
<v Speaker 1>did talk. I got Magmillan mixtape. I got a bunch

0:35:56.640 --> 0:35:59.480
<v Speaker 1>of mixtapes. I got a bunch of hits too, and

0:35:59.520 --> 0:36:04.879
<v Speaker 1>I got three being my awards. Chunky, we respect that

0:36:05.000 --> 0:36:14.520
<v Speaker 1>I wrote. Next. John Legard is rapping on my first album.

0:36:14.560 --> 0:36:18.320
<v Speaker 1>But don't front moved music. Come on, you front the movies.

0:36:20.520 --> 0:36:30.360
<v Speaker 1>You that when I say that was your chef. You know, Queasy,

0:36:30.960 --> 0:36:34.920
<v Speaker 1>I told you what he was gonna be with that.

0:36:35.200 --> 0:36:43.359
<v Speaker 1>You're like women, I'm just trying to look like people

0:36:43.440 --> 0:36:46.400
<v Speaker 1>halfways defend people ain't here. You know. It ain't about defend.

0:36:46.480 --> 0:36:49.120
<v Speaker 1>I just said, yo, yo, it ain't about defend it.

0:36:49.320 --> 0:36:53.399
<v Speaker 1>I know Webbing Nitty personally, those are my man. We will.

0:36:53.719 --> 0:36:54.799
<v Speaker 1>You know what I'm saying. I was the first thing

0:36:54.880 --> 0:36:56.600
<v Speaker 1>in the hood to be able to take nigga to

0:36:56.600 --> 0:36:59.960
<v Speaker 1>the tunnel. You know what I'm saying. I took niggas. Listen,

0:37:00.320 --> 0:37:04.280
<v Speaker 1>Chris Lighty daughter is here. That's my family. I lived

0:37:04.280 --> 0:37:06.560
<v Speaker 1>with Chris Lighty at one point, me and my mom

0:37:06.640 --> 0:37:09.239
<v Speaker 1>doesn't getting along because she didn't understand the whole rap

0:37:09.360 --> 0:37:12.040
<v Speaker 1>dynamic at the time. I'm staying out late. I'm eighteen

0:37:12.080 --> 0:37:15.799
<v Speaker 1>in tribal I'm eighteen in a trial coal quest. They

0:37:15.800 --> 0:37:18.080
<v Speaker 1>got nominated for the Rock and Roll Hall of Fame.

0:37:18.360 --> 0:37:26.719
<v Speaker 1>I am not arguing over nobody's mixed respectable. If we're

0:37:26.719 --> 0:37:30.280
<v Speaker 1>gonna give me my flowers, I like I listen, Listen,

0:37:30.360 --> 0:37:34.160
<v Speaker 1>respect listen. I like potpourri with a dash and daisy.

0:37:34.480 --> 0:37:38.160
<v Speaker 1>Give me mom, Let's give me. Let's give us right,

0:37:38.239 --> 0:37:47.520
<v Speaker 1>Let's give me my flowers. A perfect segments. Guy, we

0:37:47.520 --> 0:37:49.399
<v Speaker 1>don't know if you know our shows about giving people

0:37:49.440 --> 0:37:52.399
<v Speaker 1>the motherfucking flowers. And one thing for sure, to think

0:37:53.160 --> 0:38:01.120
<v Speaker 1>your motherfucker legends and you deserve your said it's like

0:38:01.120 --> 0:38:05.040
<v Speaker 1>win a Grammy, But from your peers it's been like

0:38:05.080 --> 0:38:07.279
<v Speaker 1>you know what, Listen, man, I waited a year to

0:38:07.320 --> 0:38:11.279
<v Speaker 1>do drink chance. You know that what I'm saying. Man,

0:38:11.600 --> 0:38:14.520
<v Speaker 1>You know you know we've definitely been with you to

0:38:14.520 --> 0:38:16.560
<v Speaker 1>put it together for a minute, and you know you

0:38:16.600 --> 0:38:19.640
<v Speaker 1>know I would. I'm the culture at the end of

0:38:19.680 --> 0:38:22.080
<v Speaker 1>the day is all we got, you know, what I mean, Like,

0:38:22.120 --> 0:38:23.480
<v Speaker 1>at the end of the day, I can I can

0:38:23.520 --> 0:38:28.480
<v Speaker 1>win whatever validated accolade that comes from the music business.

0:38:28.680 --> 0:38:31.399
<v Speaker 1>But all you only as good as your last game

0:38:31.440 --> 0:38:34.520
<v Speaker 1>out here, you know what I mean. And we know

0:38:34.640 --> 0:38:37.759
<v Speaker 1>that we've watched. We watched the game. Washing nig is up.

0:38:38.000 --> 0:38:39.800
<v Speaker 1>You know what I'm saying. Because they didn't stay connected

0:38:39.840 --> 0:38:42.560
<v Speaker 1>to the culture, you know what I mean. So yeah, absolutely,

0:38:42.600 --> 0:38:44.200
<v Speaker 1>I'm taking this home, show this to my son, and

0:38:44.239 --> 0:38:51.200
<v Speaker 1>I'm gonna put this up on the joint. Tell me so.

0:38:51.320 --> 0:38:53.480
<v Speaker 1>At one point like like like like you said you

0:38:53.600 --> 0:38:56.520
<v Speaker 1>were a good music it was I think, and I

0:38:56.600 --> 0:38:59.560
<v Speaker 1>didn't never go at good music. No, you would didn't

0:38:59.600 --> 0:39:02.080
<v Speaker 1>got good knew that they ain'tybody took it away. I am,

0:39:02.400 --> 0:39:08.200
<v Speaker 1>I am thinkin said that's what's that words. Listen at

0:39:08.200 --> 0:39:11.520
<v Speaker 1>the end of the at the end of the day, right,

0:39:11.600 --> 0:39:16.680
<v Speaker 1>you gotta understand that gave everybody a job. I gave

0:39:16.719 --> 0:39:19.520
<v Speaker 1>everybody a job. And what I gave everybody a job

0:39:19.560 --> 0:39:23.320
<v Speaker 1>through my sacrifice? Can you paid them? But I said,

0:39:23.360 --> 0:39:26.200
<v Speaker 1>I got the weals on my back, nigga, feel me.

0:39:26.400 --> 0:39:31.400
<v Speaker 1>So every Father's Day, I'll deserve a card every everyone

0:39:31.560 --> 0:39:33.560
<v Speaker 1>because at my notes, I got You saved Big Sean

0:39:33.640 --> 0:39:39.120
<v Speaker 1>from getting dropped? Yea one of percent? How does this happen?

0:39:39.120 --> 0:39:41.920
<v Speaker 1>They have a meeting they like, but drop on dignity.

0:39:41.960 --> 0:39:43.880
<v Speaker 1>I ain't ever tell no story about Big Sean that

0:39:44.000 --> 0:39:47.000
<v Speaker 1>I know personally. You know what I'm saying. I'm not him,

0:39:47.040 --> 0:39:48.719
<v Speaker 1>And yeah they did, they want to things up here.

0:39:48.719 --> 0:39:50.000
<v Speaker 1>I ain't here to do that with Sean, you know

0:39:50.000 --> 0:39:51.920
<v Speaker 1>what I'm saying. But show was my little Shan was

0:39:51.960 --> 0:39:53.520
<v Speaker 1>my little man when he got sign. You know what

0:39:53.520 --> 0:39:55.880
<v Speaker 1>I'm saying. If you go to YouTube, you'll see Sean

0:39:56.120 --> 0:39:58.600
<v Speaker 1>get introduced as a member of Good Music at my

0:39:58.920 --> 0:40:02.520
<v Speaker 1>show at the Knitted Afterwards, Me Kanye came out of surprise,

0:40:02.560 --> 0:40:06.040
<v Speaker 1>Guests came out of surprise. Guests had Sean and Kid Cutty.

0:40:06.120 --> 0:40:08.240
<v Speaker 1>And that's what they wanted. Like I said, once again,

0:40:08.600 --> 0:40:10.440
<v Speaker 1>to go back to the original point where we got it.

0:40:10.760 --> 0:40:13.000
<v Speaker 1>Like certain people do whatever to get next to yea

0:40:13.120 --> 0:40:15.680
<v Speaker 1>yea John having to be at the radio station. You

0:40:15.719 --> 0:40:17.920
<v Speaker 1>know what I'm saying. But Shawn ain't eat Boston Market

0:40:17.960 --> 0:40:21.680
<v Speaker 1>with Yeah I did. There wasn't no craft services when

0:40:21.719 --> 0:40:24.120
<v Speaker 1>I was around. It wasn't no yeasy, There wasn't no

0:40:24.120 --> 0:40:25.879
<v Speaker 1>none of that half a chicken on the whole chicken.

0:40:25.960 --> 0:40:32.160
<v Speaker 1>Come on, I'm starving a half a chicken en listen

0:40:33.160 --> 0:40:35.279
<v Speaker 1>on even requests. O MA, please just make it. You

0:40:35.280 --> 0:40:37.360
<v Speaker 1>know what I mean? With the breast man, that's it.

0:40:37.600 --> 0:40:39.920
<v Speaker 1>Other than that man, it was that and and in

0:40:39.960 --> 0:40:43.600
<v Speaker 1>the front and in in a trolley magrimony and cheesy

0:40:44.719 --> 0:40:47.520
<v Speaker 1>twenty dollars twenty dollar holiday. You know what I'm saying.

0:40:47.880 --> 0:40:51.720
<v Speaker 1>I watched niggers in Atlanta line up with place motherfucker

0:40:52.239 --> 0:40:55.719
<v Speaker 1>and all the mimosas, and I'm getting up first and

0:40:55.760 --> 0:41:01.320
<v Speaker 1>going to bed last, still twenty years later, putting in

0:41:01.440 --> 0:41:04.320
<v Speaker 1>that work. We got the chip though, I always putting

0:41:04.360 --> 0:41:09.719
<v Speaker 1>the work for the Chip Grammy family. Yeah, goddamn oh no,

0:41:09.880 --> 0:41:18.520
<v Speaker 1>it can be worked with Beyonce. In fact, goddamnit right,

0:41:19.120 --> 0:41:22.640
<v Speaker 1>worked the Beyonce and worked with Faith, So probably one

0:41:22.680 --> 0:41:25.160
<v Speaker 1>of the only mcs that ever worked with Biggie and

0:41:25.320 --> 0:41:28.400
<v Speaker 1>jay Z's wives holler at me. I didn't look at

0:41:28.440 --> 0:41:35.320
<v Speaker 1>it like that, sir, I didn't. And they both were singles.

0:41:35.400 --> 0:41:40.279
<v Speaker 1>They was an album cause stressed out his single number

0:41:40.320 --> 0:41:44.360
<v Speaker 1>one that urban right, I mean, I'm the one nigger

0:41:44.719 --> 0:41:47.960
<v Speaker 1>all right, right? So how do you and I believe

0:41:47.960 --> 0:41:50.719
<v Speaker 1>you call him Kamal, will be honest with you, I'm

0:41:50.760 --> 0:41:53.560
<v Speaker 1>never gonna call him Kamal. His name is q Tip

0:41:53.840 --> 0:41:55.919
<v Speaker 1>to me for the rest of the I'm never calling

0:41:57.520 --> 0:42:04.320
<v Speaker 1>like people calling him talk like who but blah blah. Family.

0:42:04.480 --> 0:42:06.880
<v Speaker 1>You know my mom a family's outside fairly looking at

0:42:07.160 --> 0:42:09.560
<v Speaker 1>But you said, I think he was in mad Camar.

0:42:10.000 --> 0:42:11.879
<v Speaker 1>Excuse me. He was mad at cute Tip one day

0:42:12.280 --> 0:42:14.200
<v Speaker 1>and we was talking and he was like, come on,

0:42:15.480 --> 0:42:18.279
<v Speaker 1>mad at cut more than one day. But I didn't know.

0:42:19.960 --> 0:42:23.359
<v Speaker 1>You know, how did you all as cousins for because

0:42:23.400 --> 0:42:27.040
<v Speaker 1>once again, because we because because of because there's a

0:42:27.120 --> 0:42:31.480
<v Speaker 1>thin line, you know. And and there's definitely I think

0:42:31.560 --> 0:42:37.760
<v Speaker 1>the number one the number one UM emotion for artists,

0:42:38.920 --> 0:42:44.000
<v Speaker 1>um that makes them kind of go, it's disappointment, you know.

0:42:44.200 --> 0:42:48.160
<v Speaker 1>So there's been yeah, one, there's been times that I've

0:42:48.239 --> 0:42:52.080
<v Speaker 1>been disappointed, But there's times that there's the acute tim

0:42:52.160 --> 0:42:55.800
<v Speaker 1>is brought the kind of the kind of opportunities to

0:42:55.920 --> 0:42:59.160
<v Speaker 1>my life that I can't measure even with joy, you

0:42:59.200 --> 0:43:02.680
<v Speaker 1>know what I'm saying. So when y'all that close at

0:43:02.760 --> 0:43:04.799
<v Speaker 1>one time, at one point in my life, my name

0:43:04.920 --> 0:43:07.759
<v Speaker 1>was Ray Tip. That's how close me and me and

0:43:07.920 --> 0:43:12.400
<v Speaker 1>Q Tip are you know so we yeah, we we

0:43:12.719 --> 0:43:15.600
<v Speaker 1>were going through a lot, you know, we you know,

0:43:16.120 --> 0:43:20.120
<v Speaker 1>and took tip credit right, you know Tip. It's funny.

0:43:20.480 --> 0:43:23.000
<v Speaker 1>That's why I mentioned his mom's first and foremost, because

0:43:23.719 --> 0:43:26.840
<v Speaker 1>he said to me, my mom's always knew you was

0:43:26.920 --> 0:43:29.719
<v Speaker 1>the one. You know what I'm saying, you know, and

0:43:29.760 --> 0:43:32.920
<v Speaker 1>now she's she's she's getting older, and um, you know,

0:43:33.080 --> 0:43:35.000
<v Speaker 1>we can't take none of that time for granted. So

0:43:35.120 --> 0:43:37.200
<v Speaker 1>he was like, Yo, you know, definitely comes see man,

0:43:37.600 --> 0:43:40.080
<v Speaker 1>you know what I'm saying, supporting it is important because

0:43:40.520 --> 0:43:43.600
<v Speaker 1>she she she did call that. And so him saying

0:43:43.640 --> 0:43:47.080
<v Speaker 1>that was that you you're the one that she basically

0:43:47.120 --> 0:43:49.239
<v Speaker 1>selling You're the one. He he's the one used to

0:43:49.320 --> 0:43:53.440
<v Speaker 1>take a chance on, you know. So two cute tips

0:43:53.480 --> 0:43:57.520
<v Speaker 1>credit right, Um, without me going in the trial, I

0:43:57.640 --> 0:43:59.919
<v Speaker 1>never meet Kanye, and I never meet Kanye. We don't

0:44:00.239 --> 0:44:05.360
<v Speaker 1>what happens, right because Kanye, you know, I feel like

0:44:05.480 --> 0:44:09.320
<v Speaker 1>Kanye was always gonna Kanye is always gonna be successful.

0:44:09.360 --> 0:44:13.040
<v Speaker 1>He's a successful person, so he understands what it takes

0:44:13.120 --> 0:44:16.640
<v Speaker 1>to be successful. But I do. I mean, he's even

0:44:16.680 --> 0:44:20.000
<v Speaker 1>acknowledged that, you know, and especially in the beginning, you know,

0:44:20.719 --> 0:44:23.640
<v Speaker 1>he and not being around together. You know, it was

0:44:23.840 --> 0:44:27.000
<v Speaker 1>very much. I was very influential in the swag, you

0:44:27.040 --> 0:44:30.080
<v Speaker 1>know what I mean. And so you know how I

0:44:30.239 --> 0:44:32.680
<v Speaker 1>look at it, you know, because I have no I

0:44:32.719 --> 0:44:35.560
<v Speaker 1>don't have any venom unless somebody comes at me. And

0:44:35.920 --> 0:44:40.799
<v Speaker 1>you know that that that comes about because the q tip.

0:44:41.040 --> 0:44:43.759
<v Speaker 1>You know what I'm saying, because you know, if q

0:44:43.920 --> 0:44:47.759
<v Speaker 1>Tim doesn't say, you know what, I'm going to roll

0:44:47.800 --> 0:44:50.600
<v Speaker 1>the dice on this kid. I'm going to regardless of relationship,

0:44:50.920 --> 0:44:52.800
<v Speaker 1>you still gotta be able to hold it. And I

0:44:52.840 --> 0:44:54.879
<v Speaker 1>think q T knew I could hold it. And that's

0:44:54.920 --> 0:44:56.600
<v Speaker 1>what his mom was saying, like she knew I could

0:44:56.640 --> 0:44:58.400
<v Speaker 1>hold it. She's like, I'm telling you give it to him.

0:44:58.400 --> 0:44:59.840
<v Speaker 1>He's gonna be able to hold it. I held it

0:45:00.360 --> 0:45:03.160
<v Speaker 1>for beach round like him. Out of ninety six twenty

0:45:03.239 --> 0:45:06.040
<v Speaker 1>six years, I've held it and and it's been a

0:45:06.120 --> 0:45:08.920
<v Speaker 1>mechanical bull. So it's like you know you hold no,

0:45:09.160 --> 0:45:11.480
<v Speaker 1>you're holding it though, you know what I mean. Um,

0:45:12.239 --> 0:45:15.000
<v Speaker 1>it's so many of my peers that started before me

0:45:15.120 --> 0:45:18.759
<v Speaker 1>or even after me. Um, you know, they don't have

0:45:18.840 --> 0:45:21.440
<v Speaker 1>a they don't have a firm for hole in music,

0:45:22.120 --> 0:45:23.800
<v Speaker 1>they don't do what it seems like for the outside

0:45:23.840 --> 0:45:25.560
<v Speaker 1>looking at it, and sorry to cut you off. It

0:45:25.640 --> 0:45:29.560
<v Speaker 1>seems like when you someone's friends, you someone's friends friend me, yes,

0:45:30.040 --> 0:45:34.080
<v Speaker 1>you friend to the end of one. But if anything happened,

0:45:34.160 --> 0:45:41.400
<v Speaker 1>Nigga's coming down here, just that I'm not seeing. The

0:45:41.440 --> 0:45:44.960
<v Speaker 1>thing is I'm just not a yes sir man. I'm

0:45:45.000 --> 0:45:49.400
<v Speaker 1>not a yes sir. Fall in line, I an't gonna say.

0:45:49.440 --> 0:45:52.520
<v Speaker 1>I ain't yes man. I'll tell yeah, I said, keep

0:45:52.600 --> 0:45:55.640
<v Speaker 1>on the what I'm saying, But I ain't yes sir.

0:45:55.880 --> 0:45:59.840
<v Speaker 1>Bow Nigga hit your head. Now. There's only one now

0:46:00.000 --> 0:46:03.799
<v Speaker 1>about too, and that's the most high. So it don't

0:46:03.840 --> 0:46:07.080
<v Speaker 1>matter when when when they get to a point where

0:46:07.120 --> 0:46:11.879
<v Speaker 1>the most highing involved no more, then it's up. That's

0:46:11.920 --> 0:46:14.160
<v Speaker 1>how I feel, you know what I'm saying. So when

0:46:14.360 --> 0:46:16.680
<v Speaker 1>when we're do an ego, that's not the most high

0:46:16.760 --> 0:46:19.680
<v Speaker 1>nor more are dealing blessings. I felt like when Kanye

0:46:19.880 --> 0:46:23.040
<v Speaker 1>got on you know, I'm Muslim, but I felt like

0:46:23.680 --> 0:46:27.440
<v Speaker 1>his him making Jesus walks was a positive thing and

0:46:27.480 --> 0:46:29.680
<v Speaker 1>a blessing, you know what I'm saying, Because at the

0:46:29.760 --> 0:46:34.000
<v Speaker 1>end of the day, where he was but but and

0:46:34.160 --> 0:46:38.000
<v Speaker 1>and and just the fact of trying to engage a

0:46:38.160 --> 0:46:45.279
<v Speaker 1>mass audience into us, into into us, into the consciousness

0:46:45.320 --> 0:46:48.640
<v Speaker 1>of the soul. So, you know, because at the end

0:46:48.680 --> 0:46:50.040
<v Speaker 1>of the day, you just don't know who you touch

0:46:50.120 --> 0:46:52.719
<v Speaker 1>when you do music. So when you have a good intention,

0:46:53.200 --> 0:46:56.719
<v Speaker 1>I feel like God will open doors for you, you

0:46:56.760 --> 0:46:59.360
<v Speaker 1>know what I mean? And I still believe that to

0:46:59.440 --> 0:47:03.520
<v Speaker 1>this day, you know what I'm saying. Um, and so yeah, yeah,

0:47:03.640 --> 0:47:06.239
<v Speaker 1>so when it when when they turn, when they get

0:47:06.400 --> 0:47:11.200
<v Speaker 1>ungodly like it's like snakey vibes, I don't I don't know.

0:47:11.360 --> 0:47:13.239
<v Speaker 1>I just want to fall out with their cousin though,

0:47:13.880 --> 0:47:17.680
<v Speaker 1>because if anybody could, anybody, anybody could fall victims of

0:47:17.719 --> 0:47:21.880
<v Speaker 1>snakey vibes. The industry did it? Is it like the industry?

0:47:22.080 --> 0:47:28.200
<v Speaker 1>I mean, I mean it wasn't over things giving. We

0:47:28.239 --> 0:47:31.120
<v Speaker 1>don't have a problem over mass potatoes. You know what

0:47:31.160 --> 0:47:34.200
<v Speaker 1>I'm saying. We had we had you know, you know,

0:47:34.320 --> 0:47:37.960
<v Speaker 1>there's a you know at the end of the day. Um,

0:47:39.719 --> 0:47:43.440
<v Speaker 1>what you know, my thing is like in this platform,

0:47:44.480 --> 0:47:47.040
<v Speaker 1>both Nor and I have worked with the trialal question, right,

0:47:47.480 --> 0:47:51.480
<v Speaker 1>so it would be who either one of us to

0:47:51.560 --> 0:47:55.800
<v Speaker 1>have a conversation about you tipping a negative connotation. I

0:47:55.960 --> 0:47:58.319
<v Speaker 1>just feel like we've got we've had to go through

0:47:58.400 --> 0:48:01.000
<v Speaker 1>things that we've gone through. We going through those things,

0:48:01.480 --> 0:48:04.000
<v Speaker 1>you know, to Tip of the Elder Statesman and hip hop,

0:48:04.560 --> 0:48:07.280
<v Speaker 1>and you know, he deserves his prophecy and he deserves

0:48:07.320 --> 0:48:11.040
<v Speaker 1>his regard absolutely. Like um, one of my favorite styles

0:48:11.080 --> 0:48:15.160
<v Speaker 1>of movies documentaries, and one of the things that stood

0:48:15.200 --> 0:48:17.920
<v Speaker 1>out to me was I always heard of as room

0:48:18.040 --> 0:48:21.000
<v Speaker 1>was like you hear about Ray Fawn and ghost Face beefing,

0:48:21.320 --> 0:48:24.680
<v Speaker 1>or might hear about Prodigy and you know having beefing,

0:48:25.080 --> 0:48:27.399
<v Speaker 1>like we this is always the room of hearing about

0:48:27.440 --> 0:48:30.640
<v Speaker 1>like Q Tip and fight relationship or like how like

0:48:30.719 --> 0:48:32.800
<v Speaker 1>it was kind of like, you know, shaky. But that

0:48:32.960 --> 0:48:37.920
<v Speaker 1>documentary was I think Michael Reportport and Um, that documentary

0:48:38.000 --> 0:48:40.720
<v Speaker 1>was my first time because because when me and polished

0:48:40.719 --> 0:48:42.400
<v Speaker 1>the beef, I just think that was just me and Bone.

0:48:42.440 --> 0:48:44.320
<v Speaker 1>I just be like, yo, know, I mean the groups

0:48:44.360 --> 0:48:46.880
<v Speaker 1>gets along. And when I see this and I was

0:48:46.960 --> 0:48:49.000
<v Speaker 1>like it was two things. One, I was like, wow,

0:48:49.040 --> 0:48:51.880
<v Speaker 1>I thought the Tropical questions perfect people and like and

0:48:52.160 --> 0:48:54.040
<v Speaker 1>this was like the first time I seen them be human,

0:48:54.320 --> 0:48:57.520
<v Speaker 1>and too it related to my own struggle. I was like, damn,

0:48:58.160 --> 0:49:01.320
<v Speaker 1>I wasn't doing first Yeah, so so so. But you

0:49:01.480 --> 0:49:04.040
<v Speaker 1>as an insider, you've been knew that their relationship was

0:49:04.040 --> 0:49:06.640
<v Speaker 1>a little shaky. Damn for how long you think that

0:49:06.840 --> 0:49:10.280
<v Speaker 1>was going on for along? For since our joint tribal

0:49:11.280 --> 0:49:15.319
<v Speaker 1>or what year you say they were going through They

0:49:15.400 --> 0:49:19.520
<v Speaker 1>went through problems after midnight marauders like they all And

0:49:19.600 --> 0:49:23.600
<v Speaker 1>it's so one thing I'm definitely gonna say is like

0:49:24.880 --> 0:49:28.480
<v Speaker 1>you know, and this isn't to blame I don't you

0:49:28.560 --> 0:49:30.480
<v Speaker 1>know what, I'm not gonna say that like that at

0:49:30.520 --> 0:49:34.120
<v Speaker 1>the end of the day, right as as two men

0:49:34.200 --> 0:49:39.040
<v Speaker 1>who who who who were like brothers, never lead never lead,

0:49:39.880 --> 0:49:45.200
<v Speaker 1>um anything or anyone compromised that or blind that bit

0:49:45.560 --> 0:49:48.680
<v Speaker 1>o blind your site to to the bigger picture, you

0:49:48.719 --> 0:49:53.440
<v Speaker 1>know what I'm saying, Like in hindsight, it was so unnecessary,

0:49:54.239 --> 0:49:57.399
<v Speaker 1>would cause the riff, but but but it was understandable,

0:49:57.440 --> 0:50:00.560
<v Speaker 1>you know what I'm saying. Like I found out about

0:50:00.680 --> 0:50:04.880
<v Speaker 1>the issue in Atlanta at Fight's house. So I have

0:50:04.960 --> 0:50:10.400
<v Speaker 1>been going to the studio for let's say we started

0:50:10.760 --> 0:50:17.239
<v Speaker 1>recording Beach round the Life February of right, um, so

0:50:17.440 --> 0:50:24.960
<v Speaker 1>by July August of is when I overheard a conversation

0:50:25.080 --> 0:50:29.640
<v Speaker 1>with Fife and True Boys cousin Fudge who he you know,

0:50:29.920 --> 0:50:32.360
<v Speaker 1>god less day he passed away. They were having a

0:50:32.400 --> 0:50:37.080
<v Speaker 1>conversation and basically Fudge it was like, yeah, I don't

0:50:37.120 --> 0:50:40.520
<v Speaker 1>fun with cute to funk that nigga and I initially

0:50:40.560 --> 0:50:43.440
<v Speaker 1>I was like, fuck you talking about you know what

0:50:43.480 --> 0:50:46.480
<v Speaker 1>I'm saying, Like who funk you talking about? Like who

0:50:46.600 --> 0:50:51.239
<v Speaker 1>you think you is? Who? Like so as so initially

0:50:51.480 --> 0:50:54.920
<v Speaker 1>like and you know I'm outnumbered. I'm in a career.

0:50:54.960 --> 0:50:56.920
<v Speaker 1>I mean, fight for it. Fight I don't you know,

0:50:57.080 --> 0:51:01.120
<v Speaker 1>I fight? But how the funny thing like I said

0:51:01.160 --> 0:51:04.600
<v Speaker 1>that at the fielding, like I ended up coming down there, um,

0:51:04.840 --> 0:51:09.080
<v Speaker 1>just on a whim. He invited me to come to

0:51:09.160 --> 0:51:12.600
<v Speaker 1>Atlanta for the Boer Superfest that year, so we was all,

0:51:12.960 --> 0:51:14.960
<v Speaker 1>you know, we're having a good time, but we really

0:51:15.080 --> 0:51:17.080
<v Speaker 1>was just kind of getting to know each other like that,

0:51:17.239 --> 0:51:18.719
<v Speaker 1>like that, you know what I'm saying. So when home

0:51:18.760 --> 0:51:21.120
<v Speaker 1>he said it, I was like, you know, I automatically

0:51:21.239 --> 0:51:27.879
<v Speaker 1>to his fight man fight yeah plug plus yeah yeah

0:51:27.920 --> 0:51:31.360
<v Speaker 1>trueoy was truely true gooy cousins. So he said the

0:51:31.440 --> 0:51:35.800
<v Speaker 1>ship and it was already kind of like a funny

0:51:36.040 --> 0:51:39.120
<v Speaker 1>vibe a little bit in the native tongues at that time.

0:51:39.680 --> 0:51:47.120
<v Speaker 1>Because tribe shot to mainstream, critical acclaim and success, they

0:51:47.200 --> 0:51:50.920
<v Speaker 1>was able to be successful. Day Lie you know, shot

0:51:50.960 --> 0:51:53.759
<v Speaker 1>out the gate mainstream and they kind of was maintaining

0:51:54.400 --> 0:51:57.000
<v Speaker 1>that through the next two hour stakes is high in

0:51:57.040 --> 0:51:59.480
<v Speaker 1>the balloon mon State Days saw his dead and and

0:51:59.640 --> 0:52:03.239
<v Speaker 1>and three behind Roser was successful, you know, as we're

0:52:03.280 --> 0:52:06.000
<v Speaker 1>moving on. So they kind of shot out and then

0:52:06.080 --> 0:52:12.600
<v Speaker 1>started blacktowing right try kind of started. They started Elsa Gando,

0:52:12.880 --> 0:52:15.239
<v Speaker 1>then got Timpannita, but he did smash. Then they get

0:52:15.280 --> 0:52:16.920
<v Speaker 1>to can't I kick it? Can I kick it? The smash?

0:52:17.120 --> 0:52:19.160
<v Speaker 1>Then they get the long sum. There was their first single,

0:52:20.040 --> 0:52:23.759
<v Speaker 1>one of the first his video definitely first videos else gone.

0:52:24.320 --> 0:52:25.839
<v Speaker 1>I think they might have it is the Pace come

0:52:25.840 --> 0:52:28.759
<v Speaker 1>out or something. Everybody you know, and and and they

0:52:28.800 --> 0:52:32.240
<v Speaker 1>were on Buddy right, so they were like, so Jungle

0:52:33.400 --> 0:52:36.840
<v Speaker 1>Jungle was the first Jungle Brothers the first out. Jungle

0:52:36.920 --> 0:52:42.200
<v Speaker 1>was the first one. We're gonna want through a psychopleedia.

0:52:43.719 --> 0:52:46.719
<v Speaker 1>My city is on my cities as he's saying that,

0:52:46.800 --> 0:52:49.560
<v Speaker 1>That's why I said, wait a minute, okay, the first

0:52:49.640 --> 0:52:54.359
<v Speaker 1>remember remember Africa's and Living Lords the movie, right, they

0:52:54.440 --> 0:52:56.640
<v Speaker 1>got Girl out House shooting guy a thin. Jungle Brothers

0:52:56.719 --> 0:52:58.840
<v Speaker 1>is worldwide. You know what I'm saying, what with the

0:52:58.920 --> 0:53:02.200
<v Speaker 1>cold following Jungle Brothers like like like it's like eight

0:53:02.560 --> 0:53:05.960
<v Speaker 1>eight eight Grisella. Right, but they got radio records though

0:53:05.960 --> 0:53:15.279
<v Speaker 1>to because they got a girl of househ stuff, which

0:53:15.320 --> 0:53:17.600
<v Speaker 1>is not about what I'm saying. Is like when I

0:53:17.680 --> 0:53:21.640
<v Speaker 1>say they Grisella because they got the show aspect I'm

0:53:21.640 --> 0:53:25.520
<v Speaker 1>talking about Nigga stref not not not night karm. Grisella

0:53:25.560 --> 0:53:29.000
<v Speaker 1>trip is the packed house, right, they got niggas coming

0:53:29.040 --> 0:53:31.600
<v Speaker 1>to na ship. Right, So Jungle Brothers the same ship,

0:53:31.880 --> 0:53:34.120
<v Speaker 1>you know what I'm saying. So then but they ever

0:53:34.360 --> 0:53:37.239
<v Speaker 1>they are able to appall it in the movies and

0:53:37.560 --> 0:53:40.640
<v Speaker 1>and you know red alerts their uncle, red alerts, my

0:53:40.719 --> 0:53:43.040
<v Speaker 1>gene uncle. You know what I'm saying. So they on

0:53:43.160 --> 0:53:45.520
<v Speaker 1>the raiding, they start at the radio, but with them

0:53:45.600 --> 0:53:50.880
<v Speaker 1>call of joints. Right, So Trivis is the dird And

0:53:51.360 --> 0:53:54.400
<v Speaker 1>also remember like you had dressed up dress popping in

0:53:54.480 --> 0:53:59.839
<v Speaker 1>with choices yours right in law, got um got ladies,

0:54:00.400 --> 0:54:01.640
<v Speaker 1>you know what I'm saying. So it's so it's a

0:54:01.760 --> 0:54:05.040
<v Speaker 1>it's a it's a black men Daniel wave. Right. So

0:54:05.200 --> 0:54:10.319
<v Speaker 1>then the thing is, but that it gets it hits

0:54:10.360 --> 0:54:14.040
<v Speaker 1>the ceiling right and then try transitions. They take off

0:54:14.719 --> 0:54:17.680
<v Speaker 1>the dais, they get on some Linda ship. You know

0:54:17.680 --> 0:54:20.359
<v Speaker 1>what I'm saying, check the ram check them y'all back

0:54:20.400 --> 0:54:23.640
<v Speaker 1>in the days on the bulletboard, right, saying that on

0:54:23.719 --> 0:54:31.279
<v Speaker 1>the radio. Right then, scenario it's check the rom it's

0:54:31.760 --> 0:54:35.160
<v Speaker 1>we got the jazz. It's directing the fact beef. It's

0:54:35.200 --> 0:54:41.120
<v Speaker 1>scenario Yeah, yeah, you wanted but saying you know what

0:54:41.160 --> 0:54:44.120
<v Speaker 1>I'm saying. So so I'm just saying that it comes

0:54:44.120 --> 0:54:47.239
<v Speaker 1>to trying and lay down a chronological order. So when

0:54:47.280 --> 0:54:52.840
<v Speaker 1>you get to that conversation, there's all that baggage looming.

0:54:53.200 --> 0:54:56.520
<v Speaker 1>That's all that energy is looming. Because now I come

0:54:56.560 --> 0:54:58.879
<v Speaker 1>into this and I don't know none of this ship.

0:54:59.040 --> 0:55:01.000
<v Speaker 1>I'm a shorty, you know what I'm saying. I know

0:55:01.239 --> 0:55:05.640
<v Speaker 1>about the beef. Obviously that's my family. We the block

0:55:05.719 --> 0:55:08.200
<v Speaker 1>went up with the block was with tip on that one,

0:55:08.600 --> 0:55:14.960
<v Speaker 1>beef not not. Yeah, the blockers in't on that right.

0:55:15.040 --> 0:55:18.279
<v Speaker 1>You know what I'm saying. Ship got crazy right right

0:55:18.480 --> 0:55:20.359
<v Speaker 1>right right here? Then yeah, he had to patch of ship.

0:55:20.640 --> 0:55:21.840
<v Speaker 1>You know what I'm saying, Like that ship was a

0:55:21.960 --> 0:55:25.960
<v Speaker 1>real wait what they're gonna fight it. Yeah, they gotta fight.

0:55:26.320 --> 0:55:29.319
<v Speaker 1>Prince Pope from Organiztic Fusion was getting jumped at LA

0:55:29.480 --> 0:55:32.879
<v Speaker 1>Music Hall jumped in. They already had the problem, Uh,

0:55:33.360 --> 0:55:35.759
<v Speaker 1>stricky hardcore rap, not a new Jack swing. They had

0:55:35.800 --> 0:55:38.840
<v Speaker 1>a conversation with Fight you know what I'm saying. So

0:55:39.200 --> 0:55:43.839
<v Speaker 1>so that's the rule of the the problem, God bless

0:55:43.880 --> 0:55:47.680
<v Speaker 1>the dead. Fight said what he said, Tip, ain't the

0:55:47.800 --> 0:55:50.400
<v Speaker 1>run of it. That's gonna be a problem. What did

0:55:50.440 --> 0:55:54.439
<v Speaker 1>fight to say? I mean, fight man, fight man, fight Beho,

0:55:54.600 --> 0:55:57.600
<v Speaker 1>nobody over it. We know that you know what I'm saying.

0:55:57.960 --> 0:55:59.719
<v Speaker 1>What he said, He said that when we got the

0:55:59.760 --> 0:56:05.000
<v Speaker 1>jam strictly hardcore rapping Teddy Rowley and took a fence

0:56:05.040 --> 0:56:07.680
<v Speaker 1>to that. I thought Q Tips said that we just

0:56:07.800 --> 0:56:11.879
<v Speaker 1>na said what I'm saying. And then that's how cute

0:56:12.120 --> 0:56:15.000
<v Speaker 1>had does nah. So once again, like I said, if

0:56:15.040 --> 0:56:18.320
<v Speaker 1>five story is he's seen Rex in the fact and

0:56:18.400 --> 0:56:21.200
<v Speaker 1>v A. They had a conversation about it. They put

0:56:21.239 --> 0:56:23.880
<v Speaker 1>it on ice. Then it was a show fast for

0:56:23.920 --> 0:56:25.879
<v Speaker 1>a couple of months. They there's a short Radio City

0:56:25.960 --> 0:56:29.200
<v Speaker 1>Music Hall trials back they've seen Rex in effect again

0:56:29.640 --> 0:56:32.600
<v Speaker 1>whatever whatever, Now what happened was Rex in effect used

0:56:32.600 --> 0:56:34.480
<v Speaker 1>the room Posse d you know what I'm saying. The

0:56:34.520 --> 0:56:36.839
<v Speaker 1>Posse Deep Niggas was in the lobby and they got

0:56:36.880 --> 0:56:39.920
<v Speaker 1>into it with prins Poe from Organized Confusion Tip for

0:56:40.000 --> 0:56:44.040
<v Speaker 1>some reason whatever wanted and seeing them jumping Prince Poe

0:56:44.680 --> 0:56:47.399
<v Speaker 1>and got into it, and then Posse Deep Niggas like, well,

0:56:47.480 --> 0:56:50.480
<v Speaker 1>you know what, you know what I mean, confusions for

0:56:50.560 --> 0:56:52.759
<v Speaker 1>forty projects right right, one of the same. So it

0:56:52.880 --> 0:56:55.480
<v Speaker 1>was like he's seen the Queen nigga when I was

0:56:56.120 --> 0:56:57.920
<v Speaker 1>you know what I'm saying. So yeah, so that's what

0:56:58.120 --> 0:57:00.239
<v Speaker 1>that's what happened. So what happened was the reason I

0:57:00.239 --> 0:57:02.200
<v Speaker 1>ain't had the black eyes because this is what one

0:57:02.200 --> 0:57:03.960
<v Speaker 1>of the Kniggs had a ring on called him in

0:57:04.000 --> 0:57:07.239
<v Speaker 1>the eye. That then seized up the renda and he

0:57:07.320 --> 0:57:08.640
<v Speaker 1>did the video here to do the video and you

0:57:08.719 --> 0:57:11.840
<v Speaker 1>put the patron damn forgot about all this ship, you

0:57:11.920 --> 0:57:14.319
<v Speaker 1>know what I'm saying. So so I'm just saying all

0:57:14.360 --> 0:57:16.640
<v Speaker 1>that to say this is no slander. Just's just just

0:57:17.120 --> 0:57:21.400
<v Speaker 1>just so there's clarity. When a lot had happened, a

0:57:21.520 --> 0:57:25.800
<v Speaker 1>lot of tipisode so so, and a lot continued to happen.

0:57:25.840 --> 0:57:28.560
<v Speaker 1>So by the time I'm having this conversation, they feel

0:57:28.640 --> 0:57:32.360
<v Speaker 1>justified to say that, even though they they when I

0:57:32.400 --> 0:57:35.640
<v Speaker 1>say they it's fudge and fire. They feel justified and

0:57:35.680 --> 0:57:38.040
<v Speaker 1>they start explaining to me, waf is fu tip. You

0:57:38.080 --> 0:57:40.280
<v Speaker 1>know what I'm saying, Nigga did this saying my girl,

0:57:40.360 --> 0:57:43.720
<v Speaker 1>but I who I whoa right took this girl? You

0:57:43.800 --> 0:57:47.440
<v Speaker 1>try to slide that day before the d M. It

0:57:47.560 --> 0:57:51.479
<v Speaker 1>was the toll bus talking about the toll bus cars.

0:57:52.240 --> 0:57:54.280
<v Speaker 1>I'm saying before the d M, niggas was sliding the

0:57:54.360 --> 0:57:57.560
<v Speaker 1>toll bus. Not mean closes, you know what I mean

0:57:58.480 --> 0:58:00.520
<v Speaker 1>it sai you know you may gotta only pieces. So

0:58:00.560 --> 0:58:04.720
<v Speaker 1>he slid shorty back back you know, uh with the

0:58:04.800 --> 0:58:08.840
<v Speaker 1>current and this is like on a documentary. Oh yeah,

0:58:08.880 --> 0:58:11.640
<v Speaker 1>I leaving back there right, Nigga slide on the tool bus.

0:58:18.160 --> 0:58:23.000
<v Speaker 1>Continue No, I mean so I guess the front man

0:58:23.080 --> 0:58:29.920
<v Speaker 1>to trial. He was skinning right, sliding, sliding right. I

0:58:29.960 --> 0:58:33.720
<v Speaker 1>should have caught down slide, you know, I mean, so

0:58:34.200 --> 0:58:37.680
<v Speaker 1>you know, you know, Homi feel like you know it's

0:58:37.760 --> 0:58:40.080
<v Speaker 1>things like the nigger got along, like what's over in

0:58:40.120 --> 0:58:41.680
<v Speaker 1>your camp and you see seems front your b is

0:58:41.720 --> 0:58:46.600
<v Speaker 1>going crazy, right, so nobody nobody in that position feel

0:58:46.640 --> 0:58:48.680
<v Speaker 1>like a nigga is gonna be able to slide day, bitch.

0:58:49.560 --> 0:58:55.680
<v Speaker 1>So when they bit slide, it's like I mean to

0:58:55.760 --> 0:58:59.600
<v Speaker 1>be slid what he now somebody wants they can beat

0:58:59.600 --> 0:59:03.280
<v Speaker 1>for all this bitch. Nigga holes legacy is over a

0:59:03.400 --> 0:59:07.360
<v Speaker 1>bitch and track pains that was in Norty by Nature video. Nigga, Like,

0:59:07.600 --> 0:59:10.960
<v Speaker 1>you gotta be kidding me, man, knock it off, tell

0:59:10.960 --> 0:59:13.920
<v Speaker 1>you some lender ship. Everybody winding was like, knocked that

0:59:13.920 --> 0:59:18.480
<v Speaker 1>ship off. Facts, not man, because it's been when a

0:59:18.520 --> 0:59:22.200
<v Speaker 1>bit she ain't no went around. They ain't no where around.

0:59:22.240 --> 0:59:24.120
<v Speaker 1>I ain't even see that fight funeral god, but the

0:59:24.240 --> 0:59:29.320
<v Speaker 1>dead facts. So that was worth me hearing them. Nigga

0:59:29.360 --> 0:59:32.439
<v Speaker 1>say any of that. Nah, somebody see the thing about

0:59:32.520 --> 0:59:34.080
<v Speaker 1>one thing about me and Kanye. I'm gonna keep it

0:59:34.080 --> 0:59:36.960
<v Speaker 1>a being. No matter what we ever went through, somebody

0:59:37.560 --> 0:59:40.600
<v Speaker 1>lower their wing, and whether it was yeah, yeah, whether

0:59:40.600 --> 0:59:46.439
<v Speaker 1>it was me, you ain't suck each other's bitches neither cold.

0:59:46.480 --> 0:59:48.720
<v Speaker 1>You go get Kim kardash In, Bro. I heard you

0:59:48.720 --> 0:59:50.520
<v Speaker 1>just dropping off the hotel and all that I heard

0:59:50.520 --> 0:59:53.800
<v Speaker 1>about the name. You know it's my nigga, and they

0:59:53.960 --> 0:59:55.880
<v Speaker 1>never gonna be nothing. He's like you said, you said

0:59:55.960 --> 0:59:58.320
<v Speaker 1>you're the most loyal nigger. You would Yeah, so they

0:59:58.320 --> 1:00:01.080
<v Speaker 1>ain't gonna never be nothing like. That's my nigga I want.

1:00:01.400 --> 1:00:03.680
<v Speaker 1>I want my nigga is happy. I want my nigga

1:00:03.720 --> 1:00:05.840
<v Speaker 1>is to thrive. You know what I'm saying, Ain't no,

1:00:06.080 --> 1:00:08.600
<v Speaker 1>ain't no. You know what I'm saying on my end,

1:00:08.800 --> 1:00:10.800
<v Speaker 1>I ain't never had to do that. I always before

1:00:11.400 --> 1:00:15.640
<v Speaker 1>before Rap, before Rap and I in high school, all

1:00:15.760 --> 1:00:19.200
<v Speaker 1>that ship before Rap I was doing me. Man, Cause

1:00:19.280 --> 1:00:21.680
<v Speaker 1>let's be clear, because like what you're saying now is

1:00:21.920 --> 1:00:27.080
<v Speaker 1>very heavy metal because it's basically he basically said that

1:00:27.200 --> 1:00:29.000
<v Speaker 1>the reason why I try I broke up, the reason

1:00:29.080 --> 1:00:35.200
<v Speaker 1>why Tip and five's problem was initially over a y'all

1:00:35.280 --> 1:00:39.120
<v Speaker 1>and y'all we've never heard. In addition to that, to

1:00:39.240 --> 1:00:43.960
<v Speaker 1>the to that altercation after that, after the fight, one

1:00:44.000 --> 1:00:45.400
<v Speaker 1>of was that. And that's why I ain't really fun

1:00:45.480 --> 1:00:49.000
<v Speaker 1>with the Michael Rapport ship because I said that definitely.

1:00:49.520 --> 1:00:52.400
<v Speaker 1>I say it again. I mean, Michael Rapport pay me

1:00:52.600 --> 1:00:54.520
<v Speaker 1>more than when he was gonna supposed to pay anybody

1:00:54.560 --> 1:00:56.720
<v Speaker 1>because I told him I ain't sunk with that, like

1:00:57.040 --> 1:00:59.560
<v Speaker 1>because at the end of the day, nobody should have

1:00:59.640 --> 1:01:02.240
<v Speaker 1>ever so that there was a problem. You know what

1:01:02.240 --> 1:01:04.400
<v Speaker 1>I'm saying, if niggas got past it, but it never

1:01:04.600 --> 1:01:07.840
<v Speaker 1>never got past it. And the truth if you never

1:01:07.920 --> 1:01:10.800
<v Speaker 1>got past it. I told Fife, we I never got

1:01:10.880 --> 1:01:13.160
<v Speaker 1>the Finnish Atlanta story. So Fifer telling me all this

1:01:13.240 --> 1:01:16.880
<v Speaker 1>ship like yo, he did boom boom boom boom boom. Right,

1:01:16.960 --> 1:01:20.080
<v Speaker 1>I'm eighteen. It's not my best interest to tell Fife

1:01:20.360 --> 1:01:23.760
<v Speaker 1>any advice, right because I don't have a record deal.

1:01:23.840 --> 1:01:25.960
<v Speaker 1>My record deal was cue Tip. Know what I'm saying.

1:01:26.760 --> 1:01:28.160
<v Speaker 1>So at the end of the day, I didn't get

1:01:28.160 --> 1:01:29.959
<v Speaker 1>to an advance. You I ain't get nough. I told Fife,

1:01:30.080 --> 1:01:31.800
<v Speaker 1>I said, Yo, if you can't funk with that man,

1:01:32.360 --> 1:01:35.560
<v Speaker 1>leave that man alone. My grandfather told me, never put

1:01:35.640 --> 1:01:39.840
<v Speaker 1>crime in another nigger hand. If you don't funk with

1:01:39.920 --> 1:01:43.160
<v Speaker 1>a nigga, don't funk with him, because if you don't

1:01:43.200 --> 1:01:45.880
<v Speaker 1>funk with him and he fucked you over, you put

1:01:45.960 --> 1:01:50.040
<v Speaker 1>criming that man. You know what I mean, Russell, piece

1:01:50.080 --> 1:01:52.360
<v Speaker 1>of slim Turner, You know what I mean? Like, that's

1:01:52.440 --> 1:01:54.360
<v Speaker 1>what it is. You can't do that, you know what

1:01:54.400 --> 1:01:56.760
<v Speaker 1>I'm saying. Fight. At the time, he had the Lost

1:01:56.840 --> 1:02:04.680
<v Speaker 1>Moon shit out he had he had, so it wasn't

1:02:04.720 --> 1:02:08.240
<v Speaker 1>like he could have yo yo so low. You know

1:02:08.240 --> 1:02:10.360
<v Speaker 1>what I'm saying, go so if you ain't gonna fun

1:02:10.440 --> 1:02:11.800
<v Speaker 1>with it, if you don't, if you if it's that

1:02:12.000 --> 1:02:15.240
<v Speaker 1>serious for you, why And I'm not saying to leave

1:02:15.400 --> 1:02:18.840
<v Speaker 1>his group that's because that's that wasn't what I was

1:02:18.880 --> 1:02:20.080
<v Speaker 1>trying to say. What I was trying to say is

1:02:20.400 --> 1:02:25.160
<v Speaker 1>as a man, right, I can't you acting like you

1:02:25.280 --> 1:02:27.800
<v Speaker 1>can you can be with somebody who you can't really

1:02:27.920 --> 1:02:31.680
<v Speaker 1>be with. Like sometimes with different niggas, you need to

1:02:31.760 --> 1:02:33.800
<v Speaker 1>give the nigger space. But if you're trying to hold

1:02:33.840 --> 1:02:36.200
<v Speaker 1>the group ship, you got two choices. Put it to

1:02:36.280 --> 1:02:39.640
<v Speaker 1>the side. Put it to the side, or this is

1:02:39.680 --> 1:02:41.959
<v Speaker 1>gonna explode in your face. You know what I'm saying.

1:02:42.000 --> 1:02:45.120
<v Speaker 1>And I think the ladder wound up happening, even even

1:02:45.160 --> 1:02:48.080
<v Speaker 1>if the trials of life, you know, like you know,

1:02:48.560 --> 1:02:50.320
<v Speaker 1>it was a better sweet for me because I didn't

1:02:50.360 --> 1:02:54.040
<v Speaker 1>have that. I didn't. I didn't. I was looked at

1:02:54.120 --> 1:02:57.080
<v Speaker 1>like I thought the chemistry I didn't funk, no chemistry

1:02:57.200 --> 1:03:00.400
<v Speaker 1>up when they added you to because you because I

1:03:00.440 --> 1:03:03.320
<v Speaker 1>was on so many records that it was perceived like

1:03:04.120 --> 1:03:06.760
<v Speaker 1>you gotta thinks like it was proceeding. And I understand

1:03:06.800 --> 1:03:10.600
<v Speaker 1>the perception, right, because when you got something that you love, right,

1:03:11.200 --> 1:03:16.800
<v Speaker 1>and let's say you're a kid, right and you order

1:03:16.840 --> 1:03:20.000
<v Speaker 1>a happy meal, right and instead of a hamburgers, a

1:03:20.040 --> 1:03:24.360
<v Speaker 1>pastrami sandwich with fries in there. Yo, I asked for this.

1:03:25.360 --> 1:03:27.360
<v Speaker 1>I don't get before what toy isn't it? None of that, Like,

1:03:27.480 --> 1:03:31.000
<v Speaker 1>that's not what I ordered, So by by by by

1:03:31.440 --> 1:03:34.560
<v Speaker 1>midnight Maradas tried was a happy meal. To the public.

1:03:34.640 --> 1:03:36.840
<v Speaker 1>It was like the burger, the fries, the toy to

1:03:36.960 --> 1:03:40.720
<v Speaker 1>drink right, right. They knew what they were getting and

1:03:40.840 --> 1:03:43.480
<v Speaker 1>so when they got beatrons of life, it was like

1:03:44.440 --> 1:03:48.040
<v Speaker 1>a roast beef and cheese with potato chips at McDonald's

1:03:48.320 --> 1:03:52.080
<v Speaker 1>doesn't make sense and a shake I'm other ship on myself.

1:03:53.280 --> 1:03:59.160
<v Speaker 1>It's still good though later, but it when once you

1:03:59.200 --> 1:04:01.640
<v Speaker 1>finally taste it, but you gotta go through the initial

1:04:01.920 --> 1:04:05.760
<v Speaker 1>shot opening the box. Just ain't what I ordered. We

1:04:05.840 --> 1:04:07.800
<v Speaker 1>just scruntled at first, right, You're gotta be just growing

1:04:07.840 --> 1:04:09.760
<v Speaker 1>up at first, and then with the backlash of beach

1:04:09.880 --> 1:04:11.960
<v Speaker 1>rounds of life, and that was unfair to me because

1:04:11.960 --> 1:04:13.720
<v Speaker 1>I didn't know none of this. Ship walking in a

1:04:13.880 --> 1:04:16.080
<v Speaker 1>right You know what I'm saying. I wouldn't even had

1:04:16.160 --> 1:04:19.280
<v Speaker 1>I known. That's why when we did the last Trial album,

1:04:19.840 --> 1:04:22.800
<v Speaker 1>I didn't do nine nine songs. I was like, and

1:04:22.880 --> 1:04:24.720
<v Speaker 1>I didn't mean to do the six that I was on,

1:04:25.320 --> 1:04:28.400
<v Speaker 1>but it was more like I was just you know,

1:04:28.920 --> 1:04:31.720
<v Speaker 1>my shot was hot, so I couldn't stop it. You

1:04:31.760 --> 1:04:34.280
<v Speaker 1>know what I'm saying. Everybody in the group was cool,

1:04:34.360 --> 1:04:37.040
<v Speaker 1>what you're doing that many songs? Man, that's loaded? Man

1:04:41.440 --> 1:04:45.200
<v Speaker 1>at a cigarette before you shootin't my last last? You know?

1:04:45.400 --> 1:04:47.920
<v Speaker 1>They would come on, man, you know the stories, and

1:04:48.440 --> 1:04:52.120
<v Speaker 1>you know that the story we gotta hear her. Bust

1:04:52.480 --> 1:04:55.840
<v Speaker 1>was officially added to Trial called Members this last album

1:04:56.760 --> 1:04:59.680
<v Speaker 1>the last Yeah, Man, come on, man, come on man,

1:04:59.760 --> 1:05:07.360
<v Speaker 1>you falling out on me? Man? Look, hey, hey, hey,

1:05:08.240 --> 1:05:13.960
<v Speaker 1>you're not just talking to everybody. I already know, but

1:05:14.080 --> 1:05:18.360
<v Speaker 1>they know y'all got the guns. Look at the end

1:05:18.400 --> 1:05:26.560
<v Speaker 1>of the day, right, Um, you answer your question first

1:05:26.600 --> 1:05:28.280
<v Speaker 1>and I'll go back to yours. Was a little longer

1:05:28.320 --> 1:05:37.440
<v Speaker 1>to explain for Busts concern. So last album, Yes, yes,

1:05:37.600 --> 1:05:45.240
<v Speaker 1>Buster was a member of Tribe UM and obviously so

1:05:45.520 --> 1:05:53.640
<v Speaker 1>was I UM and you know the the zeal behind

1:05:53.960 --> 1:05:58.960
<v Speaker 1>everything was to celebrate Fife and his life. You know

1:05:58.960 --> 1:06:02.040
<v Speaker 1>what I'm saying, I was the bigger picture. You know, obviously,

1:06:03.280 --> 1:06:08.560
<v Speaker 1>I think people need to understand, um, there's going to

1:06:08.640 --> 1:06:11.120
<v Speaker 1>be behind the scenes things that makes sense. Don't make

1:06:11.160 --> 1:06:13.280
<v Speaker 1>sense to have to get ironed out so focused on

1:06:13.720 --> 1:06:15.880
<v Speaker 1>but as the final product guest Busted was a member

1:06:15.920 --> 1:06:17.919
<v Speaker 1>of the last member of Trial for the last album.

1:06:18.160 --> 1:06:20.240
<v Speaker 1>He definitely was do that, you know what I'm saying.

1:06:20.480 --> 1:06:24.600
<v Speaker 1>He has always been a standout performing when it came

1:06:24.640 --> 1:06:28.280
<v Speaker 1>to Tribe Records. He's always he's always been around. He's

1:06:28.320 --> 1:06:30.520
<v Speaker 1>been around us as long as I'm you know, as

1:06:30.560 --> 1:06:32.240
<v Speaker 1>long as I'm you know, as long as I'm known,

1:06:33.040 --> 1:06:35.000
<v Speaker 1>as long as we've been like rapping, like Bust have

1:06:35.040 --> 1:06:36.960
<v Speaker 1>been around Bust that had the path finder coming to

1:06:37.040 --> 1:06:40.640
<v Speaker 1>Linden Busted me, Busted smoke when I was one time

1:06:40.680 --> 1:06:43.200
<v Speaker 1>when I did smoke, it was what I with smokele Bus.

1:06:43.560 --> 1:06:46.640
<v Speaker 1>You know what I'm saying, it's my manner ship. And

1:06:50.360 --> 1:06:53.280
<v Speaker 1>for being inducted in the trial called question Hall of Fame,

1:06:53.360 --> 1:06:59.880
<v Speaker 1>how about that? Yeah, that queens like that group miss

1:07:00.000 --> 1:07:03.320
<v Speaker 1>so much to us to drive and I don't think

1:07:03.320 --> 1:07:06.720
<v Speaker 1>I've ever like publicly like other than like when you

1:07:06.960 --> 1:07:10.240
<v Speaker 1>was was was going through yours with with with your family.

1:07:10.480 --> 1:07:13.960
<v Speaker 1>I don't think i've ever heard somebody publicly discribed but

1:07:14.120 --> 1:07:18.720
<v Speaker 1>I need distrobe. I'll never described as a group. I'm

1:07:18.760 --> 1:07:21.360
<v Speaker 1>never distruck because I'll come from truck at you right.

1:07:21.440 --> 1:07:23.480
<v Speaker 1>You know what I'm saying. I had a discrepancy what

1:07:23.600 --> 1:07:26.320
<v Speaker 1>you said at a certain point. I mean, I'm never

1:07:27.640 --> 1:07:29.840
<v Speaker 1>Jerobi wasn't in the group when I was there. So

1:07:29.920 --> 1:07:33.080
<v Speaker 1>I want to ask my next question. That's my crazy

1:07:33.240 --> 1:07:42.120
<v Speaker 1>don't set now. You cannot have a water here? Take

1:07:42.200 --> 1:07:46.080
<v Speaker 1>my last water? You sure you want those champade maybe later?

1:07:46.240 --> 1:07:48.200
<v Speaker 1>You know what I mean. I can't do it celebrate you.

1:07:48.360 --> 1:07:57.240
<v Speaker 1>I can't. We got a champagne Japanese there. You'll wet

1:07:57.880 --> 1:07:59.280
<v Speaker 1>for you to take a shot. You know what I'm saying,

1:07:59.400 --> 1:08:03.280
<v Speaker 1>because I did it. Here's your question. And we were

1:08:03.320 --> 1:08:05.360
<v Speaker 1>talking about right now to get back to it. But

1:08:05.520 --> 1:08:09.120
<v Speaker 1>I didn't hear. That's how you, I believe, yeah, or

1:08:09.280 --> 1:08:11.480
<v Speaker 1>you and Tip worked it out one time you went

1:08:11.520 --> 1:08:18.479
<v Speaker 1>to the studio and drink some Hennessey when you went

1:08:18.520 --> 1:08:20.759
<v Speaker 1>to this is the boblo. I work out my problems

1:08:20.880 --> 1:08:24.760
<v Speaker 1>via wire transferring, Okay, my bad, sir. I respect that

1:08:25.840 --> 1:08:31.000
<v Speaker 1>we talk about before. That was talking before. So defense

1:08:31.240 --> 1:08:35.000
<v Speaker 1>um question was was the other two was? The other

1:08:35.160 --> 1:08:37.240
<v Speaker 1>was the members of the group, okay with me being

1:08:37.280 --> 1:08:41.880
<v Speaker 1>in the group into honestly answer your question, though they weren't.

1:08:42.000 --> 1:08:44.840
<v Speaker 1>At least he didn't like it. So you know, it

1:08:44.920 --> 1:08:48.840
<v Speaker 1>was like it he didn't like, he didn't. It wasn't

1:08:48.880 --> 1:08:50.559
<v Speaker 1>that he didn't like it, And it wasn't that Ali

1:08:50.640 --> 1:08:52.800
<v Speaker 1>didn't get with it. I mean me, Ali have a

1:08:53.600 --> 1:08:56.840
<v Speaker 1>I've had a long relationship just together, just as just

1:08:57.040 --> 1:09:02.040
<v Speaker 1>outside of tribe. Um. So um. I would never sit

1:09:02.120 --> 1:09:04.880
<v Speaker 1>here and say I'm not here to bad mouth all

1:09:04.920 --> 1:09:08.160
<v Speaker 1>lead you know. Once again, you know you know that's

1:09:08.200 --> 1:09:11.360
<v Speaker 1>a that's older that's my older brother. What I'm saying,

1:09:11.479 --> 1:09:17.479
<v Speaker 1>so um, he's um, he's always he's you know, I mean, look,

1:09:17.640 --> 1:09:19.880
<v Speaker 1>it's it's it's it's um. It's not an easy thing

1:09:19.960 --> 1:09:23.080
<v Speaker 1>to protect your own vested interests and then look out

1:09:23.160 --> 1:09:27.320
<v Speaker 1>for somebody, right, like, let's just be honest, right, Like

1:09:28.080 --> 1:09:33.519
<v Speaker 1>that's almost counterproductive to business, you know, because business is

1:09:33.560 --> 1:09:38.200
<v Speaker 1>not a handout thing. Business is business, right, So it's

1:09:38.280 --> 1:09:42.519
<v Speaker 1>it takes a lot, and I've always tried to take

1:09:42.640 --> 1:09:46.680
<v Speaker 1>that road as far as anything is concerned, because to

1:09:46.960 --> 1:09:51.200
<v Speaker 1>go from a fourth to a third, back to a fourth,

1:09:51.680 --> 1:09:53.320
<v Speaker 1>and in the fourth and a half because your man

1:09:53.400 --> 1:09:56.840
<v Speaker 1>mad about the new fourth, that ain't that's gonna be

1:09:57.240 --> 1:09:59.960
<v Speaker 1>a conversation at being minimum, you know what I'm saying.

1:10:00.040 --> 1:10:05.839
<v Speaker 1>And because when I came into tribe, it was queens,

1:10:05.880 --> 1:10:10.120
<v Speaker 1>get the money, you know I mean, So when opportunities

1:10:10.200 --> 1:10:12.360
<v Speaker 1>came my way, it was queens, get the money. It

1:10:12.520 --> 1:10:15.760
<v Speaker 1>wasn't queen's playing around. It was queens, get the money.

1:10:15.920 --> 1:10:18.240
<v Speaker 1>You know what I'm saying. I got stressed out because

1:10:18.280 --> 1:10:21.360
<v Speaker 1>it was queens get the money, you know what I mean. Um,

1:10:22.680 --> 1:10:28.599
<v Speaker 1>And so queens get the money is can be threatening. Also,

1:10:28.840 --> 1:10:31.200
<v Speaker 1>it could be a little threatening because it feels like

1:10:32.560 --> 1:10:35.600
<v Speaker 1>Nick taking over your block. And you're absolutely right, and

1:10:35.720 --> 1:10:38.320
<v Speaker 1>Nick's taking over your block, you know what I'm saying.

1:10:38.960 --> 1:10:42.960
<v Speaker 1>And and and let somebody stop him. It's not gonna

1:10:43.000 --> 1:10:47.960
<v Speaker 1>stop you know what I mean. And you know, for them,

1:10:49.120 --> 1:10:52.760
<v Speaker 1>they platinum at this point, it's a platinum block. It's

1:10:52.800 --> 1:10:54.560
<v Speaker 1>not it's not a hole in them all. It's not

1:10:55.240 --> 1:10:58.240
<v Speaker 1>you know what I mean, It's not somebody mom's dirty,

1:10:58.560 --> 1:11:01.760
<v Speaker 1>dirty attic or whatever. And they're banging up nigga, these

1:11:01.800 --> 1:11:05.600
<v Speaker 1>niggas over the world, not the place, the world, you

1:11:05.640 --> 1:11:08.280
<v Speaker 1>know what I mean. And to have some money from

1:11:08.360 --> 1:11:10.120
<v Speaker 1>Lynda bullet Ward come to do what I did was

1:11:10.800 --> 1:11:13.920
<v Speaker 1>on my behalf. It was amazing, and for them it

1:11:14.120 --> 1:11:18.800
<v Speaker 1>was you know, it's understandable. It's an understandable and understandable tribulation.

1:11:20.240 --> 1:11:24.639
<v Speaker 1>So not not but no, you know, I think eventually

1:11:24.800 --> 1:11:28.000
<v Speaker 1>got used to the idea, and I think eventually I

1:11:28.080 --> 1:11:30.759
<v Speaker 1>earned their respect because they saw that it was queens

1:11:30.800 --> 1:11:33.479
<v Speaker 1>get the money. You know what I'm saying. Um, But

1:11:33.800 --> 1:11:36.800
<v Speaker 1>initially I probably wouldn't like me join the triumph. They

1:11:37.800 --> 1:11:40.439
<v Speaker 1>was one of them, just to be honest, all human emotion.

1:11:40.640 --> 1:11:42.280
<v Speaker 1>What I was really trying to get to is who

1:11:42.400 --> 1:11:44.599
<v Speaker 1>had the final word for you to be in the group.

1:11:44.640 --> 1:11:53.720
<v Speaker 1>Who put me in the group? Absolutely, Don Cross. I

1:11:53.840 --> 1:12:01.800
<v Speaker 1>was right mind Diana like this thing that ship take

1:12:01.880 --> 1:12:10.439
<v Speaker 1>back and break back. So during the pandemic, I've seen

1:12:10.520 --> 1:12:13.200
<v Speaker 1>a video that you put up. It's called lost a million.

1:12:15.000 --> 1:12:21.160
<v Speaker 1>What's that about? I mean, uh, it was therapy for

1:12:21.280 --> 1:12:26.120
<v Speaker 1>me being sick um pandemic. I got diagnosed with U

1:12:27.760 --> 1:12:32.519
<v Speaker 1>S L E. Lucas and type type one diabetes and

1:12:32.640 --> 1:12:35.760
<v Speaker 1>it kind of it kind of rocked me, just to

1:12:35.840 --> 1:12:39.040
<v Speaker 1>be honest, you know, and dropped down like a hundred

1:12:39.080 --> 1:12:44.280
<v Speaker 1>and seven pounds, and you know, doctors basically told me

1:12:45.439 --> 1:12:48.400
<v Speaker 1>if I did take certain for certain measurements that it

1:12:48.520 --> 1:12:51.960
<v Speaker 1>was it was. It was, you know, it's gonna be real, Gilmore,

1:12:52.600 --> 1:12:56.040
<v Speaker 1>I'm come to give more funeral homes. So, um, so

1:12:56.160 --> 1:12:57.800
<v Speaker 1>I did what I had to do. So, I mean

1:12:58.000 --> 1:13:01.240
<v Speaker 1>in the video it's just me. It was just it

1:13:01.400 --> 1:13:03.599
<v Speaker 1>was a record that I used just to start working

1:13:03.680 --> 1:13:09.200
<v Speaker 1>myself back back to back to life. Honestly, you know

1:13:10.160 --> 1:13:13.080
<v Speaker 1>that that part of the roller coaster wasn't fun. Uh

1:13:13.840 --> 1:13:16.840
<v Speaker 1>you know what I mean. Um, but you know it's

1:13:16.880 --> 1:13:20.519
<v Speaker 1>been two years since then, and I'm back and so

1:13:20.640 --> 1:13:25.240
<v Speaker 1>while everyone's catching COVID, do right, I thought I had COVID. Initially,

1:13:25.400 --> 1:13:28.000
<v Speaker 1>I have been going through so bag. So I had

1:13:28.080 --> 1:13:33.320
<v Speaker 1>shot a video with Conway. Actually, um it's during called

1:13:33.400 --> 1:13:35.360
<v Speaker 1>Complex carn and my son had jumped on my back.

1:13:35.400 --> 1:13:38.519
<v Speaker 1>And before that, I have been traveling around with Kanye

1:13:38.560 --> 1:13:42.479
<v Speaker 1>a lot on airplanes, um, like I mean were taking

1:13:42.600 --> 1:13:47.680
<v Speaker 1>jets everywhere. Like car I was traveling with Kanye was

1:13:47.720 --> 1:13:53.200
<v Speaker 1>doing a Sunday service Slash the JIK album, the promo

1:13:53.320 --> 1:13:55.920
<v Speaker 1>for it. So we was going going everywhere with you know,

1:13:56.240 --> 1:13:58.960
<v Speaker 1>so I was just taking a lot and then abnormal

1:13:59.000 --> 1:14:03.600
<v Speaker 1>amount of flights, uh for two nineteen so that a

1:14:03.680 --> 1:14:06.519
<v Speaker 1>good number. Yeah. So let my son jumped on my

1:14:06.640 --> 1:14:09.280
<v Speaker 1>back at the video shoot and like it's like a

1:14:09.360 --> 1:14:13.200
<v Speaker 1>crook in my neck. And I went to a primary

1:14:13.280 --> 1:14:19.240
<v Speaker 1>care physician. Um, they gave me malox MALOXI car called

1:14:19.680 --> 1:14:24.920
<v Speaker 1>and that made matters worse, um because it was misdiagnosed. Um.

1:14:25.680 --> 1:14:29.160
<v Speaker 1>So by the time we get to March, when the

1:14:29.280 --> 1:14:32.120
<v Speaker 1>pandemic kind of, I went to I took another flight.

1:14:32.200 --> 1:14:36.240
<v Speaker 1>I went to to Kanye had the fashion show in Paris.

1:14:37.280 --> 1:14:39.800
<v Speaker 1>I went with him and and his wife at the time.

1:14:40.880 --> 1:14:45.400
<v Speaker 1>Huh yeah yeah, So I went with him, Kim Corney

1:14:45.439 --> 1:14:48.080
<v Speaker 1>and the kids. We flew out there. We had a

1:14:48.120 --> 1:14:51.320
<v Speaker 1>good time. But when I got back, I thought, I

1:14:51.479 --> 1:14:54.519
<v Speaker 1>was you know, I was felt really weak. So I

1:14:54.560 --> 1:14:56.760
<v Speaker 1>went actually went to early care. I went to try

1:14:56.800 --> 1:14:58.360
<v Speaker 1>to get a COVID test because I thought because we

1:14:58.439 --> 1:15:00.080
<v Speaker 1>was over the French and France and then then just

1:15:00.160 --> 1:15:03.240
<v Speaker 1>had hit. So I was hitting in Europe first saying,

1:15:03.240 --> 1:15:05.680
<v Speaker 1>so I was like, damn, I ain't got this, so

1:15:05.840 --> 1:15:07.280
<v Speaker 1>they didn't even know how to do the swamp and

1:15:07.320 --> 1:15:09.760
<v Speaker 1>none of that. When I got it was all new.

1:15:09.840 --> 1:15:11.559
<v Speaker 1>So I was like, yo, let me just slide back

1:15:11.600 --> 1:15:14.439
<v Speaker 1>to New York on the first thing smoking and then

1:15:14.520 --> 1:15:18.320
<v Speaker 1>the quarantine happened. So I'm thinking, I, well, this ship

1:15:18.439 --> 1:15:20.200
<v Speaker 1>is you know, I think it might be a month

1:15:20.320 --> 1:15:22.800
<v Speaker 1>or something for ship to be closed. She'd go on

1:15:22.920 --> 1:15:25.320
<v Speaker 1>and on and on and on. One thing led to another.

1:15:26.000 --> 1:15:30.280
<v Speaker 1>Um I got very you know, my weight started dropping significantly,

1:15:30.600 --> 1:15:34.040
<v Speaker 1>and you know, uh, it just got to the point

1:15:34.080 --> 1:15:36.479
<v Speaker 1>where I ended up, you know, me and car he

1:15:36.600 --> 1:15:38.320
<v Speaker 1>was having a conversation about. I was like, yeah, I'm

1:15:38.360 --> 1:15:41.639
<v Speaker 1>fucked up. Dog. I'm like, y'all need I need some help?

1:15:41.920 --> 1:15:43.839
<v Speaker 1>You know what I'm saying. I was in the crib basically,

1:15:44.479 --> 1:15:48.280
<v Speaker 1>um So, Kim and family a doctor in New York.

1:15:49.120 --> 1:15:52.160
<v Speaker 1>Um So, I had to getting the spinal tap and everything.

1:15:52.240 --> 1:15:55.800
<v Speaker 1>They discovered that sli lupus, which I was like, I

1:15:56.080 --> 1:15:58.240
<v Speaker 1>didn't understand. It was like nobody my family got it.

1:15:59.040 --> 1:16:03.800
<v Speaker 1>The stereotype is that it's a it's an African American female. Sit,

1:16:03.880 --> 1:16:09.840
<v Speaker 1>your genetic got the same thing and tea balls right, yeah, yeah, yeah,

1:16:09.920 --> 1:16:14.360
<v Speaker 1>so I didn't you know, so um so um. And

1:16:15.600 --> 1:16:18.280
<v Speaker 1>what happened then was that because I dropped so much

1:16:18.320 --> 1:16:20.280
<v Speaker 1>weight and I was like they initially thought it had

1:16:20.280 --> 1:16:23.599
<v Speaker 1>some ship called stiff Man syndrome. So because I literally

1:16:23.720 --> 1:16:27.040
<v Speaker 1>was like walking like I was like nineties, ship was crazy.

1:16:27.400 --> 1:16:32.679
<v Speaker 1>You know what I'm saying. Um, so yeah, just yeah,

1:16:33.360 --> 1:16:35.200
<v Speaker 1>and I don't still easy, but that ship was that

1:16:35.880 --> 1:16:37.240
<v Speaker 1>it got to the point where I was just like

1:16:37.360 --> 1:16:42.360
<v Speaker 1>I'm just I'm just thinking this's gonna happen. What I'm

1:16:42.400 --> 1:16:45.599
<v Speaker 1>saying like like writing well out and all that ship,

1:16:45.680 --> 1:16:50.000
<v Speaker 1>you know what I'm saying. Um, but um uh what

1:16:50.200 --> 1:16:53.760
<v Speaker 1>wound up happening. I had to take steroids to get

1:16:53.800 --> 1:16:56.640
<v Speaker 1>my sister to jump back up. So I wind up

1:16:56.680 --> 1:16:59.400
<v Speaker 1>taking steroids, but then taking steroids I was taking apprentice

1:16:59.520 --> 1:17:03.200
<v Speaker 1>on and then doing that. The middle GRAMD dosage is

1:17:03.280 --> 1:17:07.120
<v Speaker 1>the equivalent to like glucose, So don't tell me that

1:17:07.160 --> 1:17:11.280
<v Speaker 1>created the diabetes. Yeah, So basically I had to. I

1:17:11.360 --> 1:17:14.519
<v Speaker 1>had to. Then I had Then I got to an

1:17:14.520 --> 1:17:16.560
<v Speaker 1>inch knowledge this and it was like, yo, if you

1:17:16.600 --> 1:17:19.800
<v Speaker 1>don't take insulin, you're gonna die. Your pengreas is done.

1:17:20.520 --> 1:17:24.400
<v Speaker 1>You know what I'm saying. And you know what I mean.

1:17:24.479 --> 1:17:26.800
<v Speaker 1>I told money. I was like, yo, I got a son, Yo,

1:17:26.920 --> 1:17:28.680
<v Speaker 1>just to shoot me fucking you know what I'm saying.

1:17:28.680 --> 1:17:30.960
<v Speaker 1>Because I was really apprehensive about taking inst because everybody

1:17:31.000 --> 1:17:33.720
<v Speaker 1>see taking insulin was like funked up. They wasn't like

1:17:34.240 --> 1:17:36.160
<v Speaker 1>they wasn't thriving no more. It was just like it

1:17:36.280 --> 1:17:40.479
<v Speaker 1>was like you know it, it was like it looked

1:17:40.520 --> 1:17:43.280
<v Speaker 1>every from my finch rock like one. But I was

1:17:43.400 --> 1:17:47.120
<v Speaker 1>wrong because it actually it actually helped me tremendously, but

1:17:47.960 --> 1:17:51.080
<v Speaker 1>from my lack of education about it, I just kind

1:17:51.120 --> 1:17:52.920
<v Speaker 1>of panicked. I was like, now I want to do that,

1:17:53.000 --> 1:17:54.400
<v Speaker 1>and it was like, Yo, if you don't do it,

1:17:54.479 --> 1:17:57.439
<v Speaker 1>you're gonna die. Your pancreas is done. Like you you

1:17:57.560 --> 1:17:59.679
<v Speaker 1>only thing you could do was jump started with insulin,

1:18:00.040 --> 1:18:01.680
<v Speaker 1>you know what I'm saying. So I was like, yo,

1:18:01.760 --> 1:18:03.040
<v Speaker 1>I thought of at all I did was thinking about

1:18:03.040 --> 1:18:04.800
<v Speaker 1>my son. I was just like, yo, just do whatever

1:18:04.840 --> 1:18:06.600
<v Speaker 1>you gotta do that, you know what I'm saying, to

1:18:06.680 --> 1:18:08.760
<v Speaker 1>give it to me now, why while we're waiting for it,

1:18:08.840 --> 1:18:10.880
<v Speaker 1>and she was already sucked up, you know what I'm saying.

1:18:11.240 --> 1:18:14.640
<v Speaker 1>So did that, and then um, you know, I just

1:18:14.720 --> 1:18:20.120
<v Speaker 1>started changing everything because I was still eating the same

1:18:20.240 --> 1:18:26.240
<v Speaker 1>way with the medicine, and that was only leading to

1:18:26.320 --> 1:18:28.719
<v Speaker 1>the grave. Honestly, Like you know, I was still eating,

1:18:28.840 --> 1:18:32.560
<v Speaker 1>thinking like I could have whatever the fuck, and you know,

1:18:33.120 --> 1:18:34.960
<v Speaker 1>you know what, it was just a lot of ship.

1:18:35.120 --> 1:18:38.759
<v Speaker 1>And so with that, I begin me with more doctors

1:18:38.840 --> 1:18:41.120
<v Speaker 1>and nurses and you know, shout out to north Well

1:18:41.479 --> 1:18:45.839
<v Speaker 1>grouping my my um my, uh, my new basically primary

1:18:45.880 --> 1:18:50.200
<v Speaker 1>physician was my looping specialist, Dr Neino. She she she

1:18:50.439 --> 1:18:52.120
<v Speaker 1>definitely was a can't do it for me to say,

1:18:52.200 --> 1:18:55.360
<v Speaker 1>my but for my life to be saved, I gotta

1:18:55.400 --> 1:19:00.639
<v Speaker 1>make some money for that. Man. I didn't know none

1:19:00.640 --> 1:19:03.400
<v Speaker 1>of that asking that question. Um, lost a million, you

1:19:03.439 --> 1:19:06.559
<v Speaker 1>know what I mean? So lost a million was basically

1:19:07.560 --> 1:19:11.320
<v Speaker 1>my way of just telling the story, you know, like

1:19:11.479 --> 1:19:14.360
<v Speaker 1>telling the telling everything that happened, because I feel like

1:19:14.560 --> 1:19:18.080
<v Speaker 1>my life I was losing. I was literally watching myself

1:19:18.200 --> 1:19:20.960
<v Speaker 1>lose lose millions because that's the value that I have

1:19:21.120 --> 1:19:23.560
<v Speaker 1>for myself. So it wasn't even let's say it's a

1:19:23.760 --> 1:19:26.920
<v Speaker 1>it's a metaphor. Um, it's a metaphor so to speak,

1:19:27.120 --> 1:19:30.200
<v Speaker 1>just the same like I'm literally watching my life and

1:19:30.280 --> 1:19:34.680
<v Speaker 1>I gotta either I saved me onna lose everything. One hand,

1:19:34.680 --> 1:19:37.160
<v Speaker 1>I want to pop the champagne with you, but another hand,

1:19:37.200 --> 1:19:38.720
<v Speaker 1>it's just like, I'm not sure we got some more

1:19:38.760 --> 1:19:44.160
<v Speaker 1>ship to talk about. You know, you also have to

1:19:44.200 --> 1:19:47.200
<v Speaker 1>work with Case Slate two before he passed away. Actually

1:19:47.400 --> 1:19:53.679
<v Speaker 1>hunt deep. Yeah, Man, Case Slave is definitely, um gonna

1:19:53.760 --> 1:19:56.560
<v Speaker 1>be missed. Man, it's so crazy dating COVID. It's just

1:19:57.200 --> 1:19:59.479
<v Speaker 1>the thing about the pandemic. But I don't think people

1:20:00.080 --> 1:20:03.679
<v Speaker 1>ever fully understand is the amount of death that we've

1:20:03.720 --> 1:20:08.040
<v Speaker 1>had to deal with in real time because of social media.

1:20:08.600 --> 1:20:10.680
<v Speaker 1>You know, I like I watched so like even when

1:20:10.720 --> 1:20:12.560
<v Speaker 1>I was going through what I was going through, I

1:20:12.640 --> 1:20:14.400
<v Speaker 1>was like, I was a mobilized. I was on the

1:20:14.479 --> 1:20:17.160
<v Speaker 1>couch and I'm just looking at face looking at all

1:20:17.200 --> 1:20:20.000
<v Speaker 1>my social media platform. I remember I was, man, I

1:20:20.120 --> 1:20:25.439
<v Speaker 1>was on drugs and I saw Brion dancing they I

1:20:25.479 --> 1:20:28.160
<v Speaker 1>thought I was in the Twilights. I was like, wait,

1:20:28.479 --> 1:20:31.960
<v Speaker 1>what the fucking we were doing? He was definitely the

1:20:32.040 --> 1:20:49.439
<v Speaker 1>hype man. I didn't I couldn't process because you know,

1:20:49.600 --> 1:20:51.880
<v Speaker 1>like it was hard to process that number on the

1:20:51.920 --> 1:20:54.559
<v Speaker 1>INDI shut down from what we know. It's a new

1:20:54.640 --> 1:20:58.519
<v Speaker 1>industry now, like basically we we now worked on the phone.

1:20:58.640 --> 1:21:01.080
<v Speaker 1>The offices in New York as far as Gregor Companies

1:21:01.120 --> 1:21:03.560
<v Speaker 1>still not Universe is still not open, you know what

1:21:03.600 --> 1:21:06.120
<v Speaker 1>I'm saying. So we've had to figure out how to

1:21:06.880 --> 1:21:10.960
<v Speaker 1>adapt to the pandemic, you know. So in that adaptation,

1:21:11.040 --> 1:21:13.920
<v Speaker 1>it's like, yo, you're seeing you know, even even though

1:21:13.960 --> 1:21:16.640
<v Speaker 1>your murders of Verses was an adaptation. Thought I was like,

1:21:16.840 --> 1:21:19.519
<v Speaker 1>is this not not no disrespected? But it was like

1:21:20.080 --> 1:21:22.840
<v Speaker 1>almost like it was like, I guess that's what we're

1:21:22.840 --> 1:21:27.360
<v Speaker 1>doing the code, you know what I'm saying, right nice

1:21:28.200 --> 1:21:31.639
<v Speaker 1>you know, like Godship was like yo, I remember man

1:21:31.800 --> 1:21:34.479
<v Speaker 1>first first d nice Um joint. He was like, yo,

1:21:34.640 --> 1:21:38.479
<v Speaker 1>cors what if I seeing like a more later? I

1:21:38.600 --> 1:21:40.479
<v Speaker 1>think over it was on that D night on the

1:21:40.520 --> 1:21:50.439
<v Speaker 1>show Nobody Out. It was likely sh it Obama, D

1:21:50.640 --> 1:21:54.880
<v Speaker 1>nice Ship sit at the tunnel sunning, you know what

1:21:54.920 --> 1:21:56.519
<v Speaker 1>I mean. And like I said, I'm going through all

1:21:56.560 --> 1:21:58.160
<v Speaker 1>this on drugs. So it was like I'll see d

1:21:58.240 --> 1:22:00.519
<v Speaker 1>Knights in the shows that my nigga, you know, I mean, Derek,

1:22:00.560 --> 1:22:03.680
<v Speaker 1>my nigger from from damn near. Since you called me nice,

1:22:03.720 --> 1:22:05.400
<v Speaker 1>I like how you like how you called him Derek.

1:22:07.360 --> 1:22:15.080
<v Speaker 1>That's that's outside. I just look at all rappers DJs

1:22:15.400 --> 1:22:17.200
<v Speaker 1>who've been through what we've been through. And I never

1:22:17.280 --> 1:22:20.599
<v Speaker 1>called him in the first name. I always I mean,

1:22:20.640 --> 1:22:23.680
<v Speaker 1>he liked to be called Derek. Yeah. Yeah, it's nice

1:22:23.720 --> 1:22:37.439
<v Speaker 1>to men record. Yeah, your studios, Holy Mode movie. So

1:22:37.520 --> 1:22:41.320
<v Speaker 1>what's the next for you? Cars? Reality TV? No, let's

1:22:41.360 --> 1:22:45.519
<v Speaker 1>not list my god, my little it's a bag. I've

1:22:45.560 --> 1:22:47.439
<v Speaker 1>seen the interview where you were saying it's a bag.

1:22:49.840 --> 1:22:52.800
<v Speaker 1>You know what they're back. I just passed on doing it,

1:22:52.920 --> 1:22:55.200
<v Speaker 1>asked me to do it. Oh yeah, yeah, I did drinks.

1:23:00.760 --> 1:23:03.600
<v Speaker 1>But what was it like? You know, um, you know,

1:23:04.160 --> 1:23:06.320
<v Speaker 1>coming from where you're coming from in order to and

1:23:06.400 --> 1:23:09.640
<v Speaker 1>then going into reality TV just be say for a

1:23:09.720 --> 1:23:11.519
<v Speaker 1>person that maybe you want to tell them how to

1:23:11.560 --> 1:23:14.960
<v Speaker 1>do it. I don't know, you know, I mean I

1:23:15.080 --> 1:23:20.880
<v Speaker 1>feel like it's uh, you know, listen, um, Tiffany said,

1:23:20.880 --> 1:23:22.880
<v Speaker 1>like I said, because like I said, I know Mona

1:23:23.560 --> 1:23:27.280
<v Speaker 1>since she worked Violator after started, you know what I mean.

1:23:27.800 --> 1:23:31.720
<v Speaker 1>So you know, you know, to see what she's been

1:23:31.760 --> 1:23:36.040
<v Speaker 1>able to do with the lane that John your has,

1:23:36.280 --> 1:23:39.120
<v Speaker 1>you know, that's somebody that like literally the first trip

1:23:39.160 --> 1:23:41.800
<v Speaker 1>I took a trial was to Miami. How can I

1:23:41.920 --> 1:23:44.040
<v Speaker 1>be down and Mona was working with us. She was

1:23:44.120 --> 1:23:48.160
<v Speaker 1>all point person. I mean, yeah, you know what I'm saying.

1:23:48.240 --> 1:23:52.000
<v Speaker 1>So like for me, you know, my hat is off

1:23:52.040 --> 1:23:54.000
<v Speaker 1>to Mona, you know what I'm saying, Like I was

1:23:54.000 --> 1:23:56.680
<v Speaker 1>suppoke to Mona. I actually you know, all full transparency.

1:23:57.520 --> 1:24:00.240
<v Speaker 1>You know, the thought had crossed my mind to maybe

1:24:00.320 --> 1:24:03.000
<v Speaker 1>do another season, um because of all the ship I

1:24:03.080 --> 1:24:04.800
<v Speaker 1>got going on, and I'm just in a different space.

1:24:04.880 --> 1:24:07.360
<v Speaker 1>But I just think that for me at this point,

1:24:07.800 --> 1:24:12.400
<v Speaker 1>like I've done so much that it wouldn't make sense

1:24:12.840 --> 1:24:15.960
<v Speaker 1>to go back. But you know, just in full because

1:24:15.960 --> 1:24:18.400
<v Speaker 1>I'm literally about to go. They're doing like uh an

1:24:18.439 --> 1:24:20.840
<v Speaker 1>episode that's like you know something like what they're doing

1:24:20.880 --> 1:24:22.320
<v Speaker 1>now type, And they asked me to do what I

1:24:22.439 --> 1:24:24.479
<v Speaker 1>was just like right now they ain't in the fight,

1:24:24.560 --> 1:24:27.840
<v Speaker 1>and they did. He did you know, when you're doing

1:24:27.880 --> 1:24:32.120
<v Speaker 1>it change you can't tell Drakes can't fight. Yeah, so

1:24:32.280 --> 1:24:34.880
<v Speaker 1>it's not no fun for me. It's not no fun

1:24:34.920 --> 1:24:44.320
<v Speaker 1>for me. The first union fight with you that's went

1:24:44.400 --> 1:24:49.920
<v Speaker 1>to together the balls, Okay, what's going on? Okay, okay, okay,

1:24:50.200 --> 1:24:52.559
<v Speaker 1>you know so you know that was that was then

1:24:52.640 --> 1:24:54.720
<v Speaker 1>and this it's cool. How about you used to with

1:24:54.800 --> 1:24:59.240
<v Speaker 1>your lady. Oh really, no, I didn't know any lady

1:25:00.000 --> 1:25:02.160
<v Speaker 1>and my new lady. You know my new lady. Oh damn,

1:25:02.920 --> 1:25:05.920
<v Speaker 1>you're throwing it up with my new lady. You grew

1:25:06.040 --> 1:25:08.479
<v Speaker 1>up with my new lady. Really, he called you poppy. Okay,

1:25:08.680 --> 1:25:14.800
<v Speaker 1>I'll be mad about that. Sound right, But I don't know.

1:25:14.920 --> 1:25:23.000
<v Speaker 1>I know he said ship. Make the look yeah, like

1:25:23.000 --> 1:25:28.880
<v Speaker 1>I'm being honest with you. Say because you know her,

1:25:29.120 --> 1:25:32.320
<v Speaker 1>her brother your fa y'all girl to her name is Melody. Okay, okay,

1:25:32.680 --> 1:25:36.360
<v Speaker 1>you don't melody on the same floor, not even just

1:25:36.479 --> 1:25:43.519
<v Speaker 1>the same same you know. You know you lady, that's

1:25:43.560 --> 1:25:46.000
<v Speaker 1>what's up. Hell yeah, you look like you. I'll see

1:25:46.000 --> 1:25:47.760
<v Speaker 1>the way you look here. Now, let's mom and she

1:25:47.880 --> 1:25:50.360
<v Speaker 1>take care of me like you look. I see you.

1:25:53.000 --> 1:25:56.800
<v Speaker 1>He smells okay, because I know what I deserved. You

1:25:56.800 --> 1:25:58.760
<v Speaker 1>know what I'm saying. I know what I deserve. I know,

1:25:59.200 --> 1:26:02.920
<v Speaker 1>I know with the word warrants, But do a nasty

1:26:02.960 --> 1:26:07.680
<v Speaker 1>breakup or something like that with Listen. At the end

1:26:07.720 --> 1:26:10.479
<v Speaker 1>of the day, I got my son. My son is

1:26:10.560 --> 1:26:13.920
<v Speaker 1>my gift in his life, and regardless of whatever I

1:26:14.080 --> 1:26:17.640
<v Speaker 1>go through, that's the final products catering and me and

1:26:17.720 --> 1:26:21.360
<v Speaker 1>kating actually got a video coming out and shot Jamal,

1:26:21.479 --> 1:26:24.200
<v Speaker 1>And so my albums is incredible. Who shot the mall?

1:26:24.320 --> 1:26:29.160
<v Speaker 1>Who shot Jamal? Who shot Jamal? Yeah, So it's just

1:26:29.360 --> 1:26:36.200
<v Speaker 1>it's basically our our dialogue, um, our dialogue between Falls

1:26:36.240 --> 1:26:39.599
<v Speaker 1>and son about dealing with murder in the black community. UM.

1:26:40.080 --> 1:26:43.639
<v Speaker 1>I think a lot of times, you know, too many

1:26:43.720 --> 1:26:49.679
<v Speaker 1>times there's there's there's there's bodies, and you know, there's

1:26:49.760 --> 1:26:52.360
<v Speaker 1>there's bodies in the streets that nobody knows what happened

1:26:52.360 --> 1:26:54.519
<v Speaker 1>to him, and the police don't really care. And then

1:26:54.600 --> 1:26:59.280
<v Speaker 1>you know, unfortunately families do the police work if there's

1:26:59.320 --> 1:27:01.080
<v Speaker 1>any police him to be done as far as like

1:27:01.200 --> 1:27:04.080
<v Speaker 1>getting just that closure, you know. So we're having that

1:27:04.200 --> 1:27:07.400
<v Speaker 1>conversation in this in this record, and it's important and

1:27:07.920 --> 1:27:10.120
<v Speaker 1>I'm looking forward to it and me and Kayden and

1:27:10.200 --> 1:27:12.400
<v Speaker 1>I also doing a group album called One On too

1:27:12.920 --> 1:27:17.720
<v Speaker 1>that having an executive producer. Yeah. So he tends just

1:27:18.000 --> 1:27:20.240
<v Speaker 1>just got study on the Summer Jams screen and all that.

1:27:20.520 --> 1:27:25.479
<v Speaker 1>So that's out of you know, I'm like, I'm not

1:27:25.560 --> 1:27:28.560
<v Speaker 1>gonna criticize other than not keep it playing myself. So

1:27:28.840 --> 1:27:31.600
<v Speaker 1>I don't do the thing with the girls and the

1:27:32.720 --> 1:27:34.920
<v Speaker 1>dirt and all that on those platforms. I don't do

1:27:35.080 --> 1:27:36.920
<v Speaker 1>none of that, you know, I just you know, I'll

1:27:37.000 --> 1:27:41.479
<v Speaker 1>keep it where I'll keep it. But so, um, so

1:27:41.640 --> 1:27:44.400
<v Speaker 1>what do you feel like um about like parents who

1:27:44.560 --> 1:27:47.920
<v Speaker 1>like it seems like they put in their children on

1:27:48.080 --> 1:27:51.280
<v Speaker 1>front Street. Is that something that that your son wants

1:27:51.320 --> 1:27:53.000
<v Speaker 1>to do. Is it's something like he came to you

1:27:53.080 --> 1:27:55.120
<v Speaker 1>and said, pop, oh, this is something that you wanted

1:27:55.120 --> 1:27:57.200
<v Speaker 1>to do, like it's practice, and then it started to

1:27:57.280 --> 1:27:59.679
<v Speaker 1>keep put himself on the summer Jams screen. I ain't

1:27:59.680 --> 1:28:04.600
<v Speaker 1>telling get stirty. I got to v so you do it,

1:28:05.120 --> 1:28:07.519
<v Speaker 1>you know what I mean. But I mean I think

1:28:07.720 --> 1:28:13.680
<v Speaker 1>the whole thing is our generation. Now we're in the

1:28:13.760 --> 1:28:17.559
<v Speaker 1>position to offer nepotism right without I don't. I don't

1:28:17.600 --> 1:28:19.280
<v Speaker 1>need to get a check off o kat. And I'm straight.

1:28:19.439 --> 1:28:22.840
<v Speaker 1>You know what I'm saying. I have a resume and

1:28:23.240 --> 1:28:27.680
<v Speaker 1>and uh and uh in a contact list that provides

1:28:28.320 --> 1:28:30.160
<v Speaker 1>what I'm saying. So I'm able to provide for my son.

1:28:30.280 --> 1:28:33.080
<v Speaker 1>He don't take me shopping. I'm I remember pomp apart

1:28:33.120 --> 1:28:36.000
<v Speaker 1>from because you if I just remember one time, I

1:28:36.080 --> 1:28:38.880
<v Speaker 1>think I said the source of magazine and I've been

1:28:39.160 --> 1:28:43.880
<v Speaker 1>like hearing Busino over here over talking about YO think

1:28:43.920 --> 1:28:45.800
<v Speaker 1>they're thinking I'm making money of my son. I think

1:28:45.800 --> 1:28:48.200
<v Speaker 1>I'm trying to expose my son. And I remember just

1:28:48.320 --> 1:28:50.680
<v Speaker 1>hearing that, like and I'm just I wonder what this

1:28:51.479 --> 1:28:57.400
<v Speaker 1>mean because perception. But what you're saying about nepotism, that's

1:28:57.439 --> 1:29:01.720
<v Speaker 1>true generational wealth, right. See. The the the thing is

1:29:02.600 --> 1:29:05.679
<v Speaker 1>there are people who actually see something in their kid

1:29:06.200 --> 1:29:12.160
<v Speaker 1>and be like, yeah, just the ticket and Williams King

1:29:12.280 --> 1:29:15.840
<v Speaker 1>Richard like that. That movie is so ill just due

1:29:15.880 --> 1:29:20.360
<v Speaker 1>to the fact that what what you know, it got it.

1:29:20.479 --> 1:29:25.080
<v Speaker 1>It takes humility also to see in your child with

1:29:25.360 --> 1:29:30.400
<v Speaker 1>you what you can't literally do anymore. Right, So if

1:29:30.439 --> 1:29:33.560
<v Speaker 1>you came you, you was Richen, you was Richard, you

1:29:33.640 --> 1:29:35.240
<v Speaker 1>know what I mean. The whole thing is like you

1:29:35.400 --> 1:29:38.040
<v Speaker 1>had you had two choices. You could you could be

1:29:38.680 --> 1:29:41.080
<v Speaker 1>You could you could withhold the knowledge and hope they

1:29:41.120 --> 1:29:43.800
<v Speaker 1>figure it out for theirselves. Or you could come up

1:29:43.840 --> 1:29:46.760
<v Speaker 1>with a plan that's gonna actually be able to be

1:29:46.880 --> 1:29:50.439
<v Speaker 1>executable through your do your through your seeds, you know

1:29:50.439 --> 1:29:52.559
<v Speaker 1>what I'm saying. And him and his wife, it wasn't

1:29:52.600 --> 1:29:53.920
<v Speaker 1>just him and he was him and his wife, and

1:29:53.920 --> 1:29:55.680
<v Speaker 1>then you know they're geting shipped from the neighborhood. And

1:29:55.720 --> 1:29:59.040
<v Speaker 1>then guess what, then three or four years they that

1:29:59.120 --> 1:30:03.160
<v Speaker 1>wasn't the same neighbor no more. Their neighborhood changed. Not

1:30:03.280 --> 1:30:07.280
<v Speaker 1>to say, right, their neighborhood changed. Do because of richest ambition,

1:30:07.760 --> 1:30:10.280
<v Speaker 1>you know, And and a lot of times fathers don't

1:30:10.360 --> 1:30:15.360
<v Speaker 1>get the acknowledgement of having to be the quarterback of

1:30:15.479 --> 1:30:18.360
<v Speaker 1>your family, like having to really be able to see

1:30:18.640 --> 1:30:21.439
<v Speaker 1>the end zone, I know, and take and take the

1:30:21.520 --> 1:30:24.400
<v Speaker 1>heckling of motherfucker's worried about what you're doing in the

1:30:24.479 --> 1:30:26.680
<v Speaker 1>process of getting from first down the first down. What

1:30:26.760 --> 1:30:28.960
<v Speaker 1>I'm saying that the players in the end zone, that's

1:30:29.000 --> 1:30:31.640
<v Speaker 1>where the six points is at and whatever else you're

1:30:31.680 --> 1:30:33.280
<v Speaker 1>gonna get, you know what I mean, So you gotta

1:30:33.280 --> 1:30:41.200
<v Speaker 1>get dead. I like that. I like that a lot.

1:30:41.479 --> 1:30:44.679
<v Speaker 1>Go back real quick to when you're starting to run

1:30:44.880 --> 1:30:48.719
<v Speaker 1>right and trying starting the bubble, because it was huge

1:30:48.760 --> 1:30:52.200
<v Speaker 1>even from the onset. How was the atmosphere for you,

1:30:53.320 --> 1:30:56.439
<v Speaker 1>like just seeing that and seeing that's actually family right there, right?

1:30:56.560 --> 1:30:58.960
<v Speaker 1>I mean, well, the number one thing it did was

1:30:59.040 --> 1:31:03.120
<v Speaker 1>give hold because I'm at that time when trial comes

1:31:03.160 --> 1:31:09.800
<v Speaker 1>out when in Queen's right, So the streets is a mess.

1:31:10.560 --> 1:31:13.000
<v Speaker 1>You know trial when trial came out of the central

1:31:13.040 --> 1:31:19.000
<v Speaker 1>part five got arrested, right when not too long before that,

1:31:19.200 --> 1:31:25.479
<v Speaker 1>Edward Burns that got murdered in Queen's document. You know right,

1:31:26.160 --> 1:31:28.840
<v Speaker 1>I got it. I'm looking to the crib what I'm saying.

1:31:29.400 --> 1:31:34.080
<v Speaker 1>You know, So the streets that we lived on, man,

1:31:34.320 --> 1:31:37.240
<v Speaker 1>you know, niggas are selling crack of twelve bro, Like

1:31:37.640 --> 1:31:39.680
<v Speaker 1>I know, I got a little I got man that

1:31:39.760 --> 1:31:43.040
<v Speaker 1>grew up. I'm watching nigga smoke cigarettes and diapers like

1:31:43.200 --> 1:31:47.120
<v Speaker 1>ship was out of control, you know, in in in retrospect,

1:31:47.240 --> 1:31:49.439
<v Speaker 1>you know what I'm saying. But at that time, it's

1:31:49.520 --> 1:31:52.200
<v Speaker 1>what was going on. There wasn't no nobody questioned none

1:31:52.240 --> 1:31:53.960
<v Speaker 1>of that ship like that. Nobody was I mean, you

1:31:54.000 --> 1:31:56.360
<v Speaker 1>know Al Sharlton question, did you know what I'm saying

1:31:57.240 --> 1:31:59.519
<v Speaker 1>when he was rocking the joint? You know what I mean?

1:32:00.320 --> 1:32:09.479
<v Speaker 1>Right right? You know what I mean. So, but we

1:32:09.680 --> 1:32:14.559
<v Speaker 1>did like also like that, like Tribe gave niggas hol

1:32:15.600 --> 1:32:18.960
<v Speaker 1>l L game, niggas hop singing DMC in the hood,

1:32:19.120 --> 1:32:22.559
<v Speaker 1>and the Lincoln gave niggas hold. You know what I'm saying, nigga,

1:32:22.600 --> 1:32:25.400
<v Speaker 1>You know me, you know I was able to battle

1:32:25.520 --> 1:32:28.360
<v Speaker 1>run when I was the fourteen You know what I'm saying. Yeah,

1:32:28.840 --> 1:32:30.560
<v Speaker 1>you know what I mean? Come on, costs to go

1:32:30.720 --> 1:32:33.439
<v Speaker 1>to far? I ain't going nowhere? Went too far? How

1:32:33.520 --> 1:32:38.200
<v Speaker 1>you think I got tried? You battle one DMC Battle

1:32:38.320 --> 1:32:46.400
<v Speaker 1>run run Gold. Yeah yeah, he had he had a

1:32:47.280 --> 1:32:52.040
<v Speaker 1>to toss you windbreaking track to TI right like how

1:32:52.080 --> 1:33:02.519
<v Speaker 1>you trying to make it sound more fresh? You know? No,

1:33:02.880 --> 1:33:06.360
<v Speaker 1>that's something you're serious. So you battle run where Buster

1:33:06.520 --> 1:33:12.479
<v Speaker 1>told tip battle run? I got in tried Buster told

1:33:12.560 --> 1:33:15.960
<v Speaker 1>Q Buster was there and said if you know Buster

1:33:16.200 --> 1:33:19.439
<v Speaker 1>was there? He told no, not if I did. Okay

1:33:19.720 --> 1:33:25.519
<v Speaker 1>at fourteen fifteen? Yeah on one on two that's the

1:33:25.600 --> 1:33:27.200
<v Speaker 1>name of my label, went on to record, because that's

1:33:27.200 --> 1:33:29.280
<v Speaker 1>how that's why I got the money. Queens get the money.

1:33:29.520 --> 1:33:32.920
<v Speaker 1>You ain't leaving the block without getting this work. It

1:33:33.000 --> 1:33:36.360
<v Speaker 1>didn't run have the hat on nah? This before, this

1:33:36.479 --> 1:33:46.400
<v Speaker 1>is before they had this. Ain't no derby run TV man.

1:33:46.439 --> 1:33:50.479
<v Speaker 1>I want some TV man is running the street nigger

1:33:50.560 --> 1:33:55.360
<v Speaker 1>and queens. He had a haircut when they did then

1:33:55.400 --> 1:33:59.519
<v Speaker 1>with the kid an with the key, there's ninety two.

1:33:59.640 --> 1:34:03.880
<v Speaker 1>Not y'all, let's getting front cleaners on one our two. Okay,

1:34:04.160 --> 1:34:09.719
<v Speaker 1>me me he spake ge busted ros rumble still scan

1:34:10.000 --> 1:34:12.800
<v Speaker 1>rumble still haven't heard that in even a while? Right,

1:34:13.280 --> 1:34:16.080
<v Speaker 1>I did he have on adid this? I don't remember

1:34:16.200 --> 1:34:19.200
<v Speaker 1>a fool. Okay, you say you say you beat one,

1:34:19.439 --> 1:34:23.680
<v Speaker 1>I a fool. I'm saying I'm not. I'm not had one,

1:34:23.960 --> 1:34:27.080
<v Speaker 1>so I'm not saying it wasn't like if you you

1:34:27.320 --> 1:34:31.120
<v Speaker 1>need to pop bottle champagne. If this is still please man,

1:34:31.600 --> 1:34:42.280
<v Speaker 1>this is what they say. He probably probably heard say

1:34:42.320 --> 1:34:46.639
<v Speaker 1>that I heard my skills say that that he wanted

1:34:46.640 --> 1:34:49.280
<v Speaker 1>an autograph and run, but no one never came on

1:34:49.479 --> 1:34:53.120
<v Speaker 1>you know what started to that? So we're like responded

1:34:53.240 --> 1:34:56.040
<v Speaker 1>that no one didn't want to hear something. Listen, run

1:34:56.479 --> 1:35:02.080
<v Speaker 1>and what I'm go? He can continue to go? Did

1:35:02.120 --> 1:35:03.800
<v Speaker 1>me playing great? At one point, I was supposed to

1:35:03.800 --> 1:35:07.160
<v Speaker 1>work with Diggie Singles on his debut album One My

1:35:07.320 --> 1:35:11.200
<v Speaker 1>Nigga Niggas No like, I'm not, but I never disrespected.

1:35:11.280 --> 1:35:14.719
<v Speaker 1>But I'm like, yeah, I'm saying, I A I can't listen.

1:35:14.840 --> 1:35:18.040
<v Speaker 1>Here's the thing, right and and finnished to run right

1:35:18.520 --> 1:35:21.759
<v Speaker 1>it's the nigga did me a favor by even saying,

1:35:21.960 --> 1:35:26.720
<v Speaker 1>all right, shorty, what you got Yeah, nigga. That's what

1:35:26.840 --> 1:35:33.439
<v Speaker 1>I got. That's what I got from Queen's names when

1:35:33.439 --> 1:35:37.160
<v Speaker 1>I got from the boulevard nigga. Next stop trying, next,

1:35:37.439 --> 1:35:40.760
<v Speaker 1>next stop of the chase for two facts pop one

1:35:40.840 --> 1:35:50.759
<v Speaker 1>of that. God damn it, I said if CONS wasn't drinking,

1:35:50.760 --> 1:35:52.719
<v Speaker 1>I wasn't drinking. But you're making me want to drink.

1:35:53.439 --> 1:35:59.960
<v Speaker 1>Let's keep going. I'm gonna drink. I'm gonna get your

1:36:00.080 --> 1:36:03.160
<v Speaker 1>cut hold on them. Mr Leek tell Biggs, I'm I'm

1:36:03.200 --> 1:36:08.679
<v Speaker 1>recording because he's calling me right now. Because we celebrated you, brother,

1:36:09.160 --> 1:36:15.479
<v Speaker 1>we celebrate salute solut So you gonna take a sip,

1:36:15.760 --> 1:36:22.120
<v Speaker 1>don't count. I get the story on my but look

1:36:22.280 --> 1:36:27.760
<v Speaker 1>not what okay? Yeah, I can't lie to you. Bro.

1:36:28.080 --> 1:36:30.200
<v Speaker 1>Wait wait so you battle run? What happens in that

1:36:30.320 --> 1:36:33.160
<v Speaker 1>moment again, like even in the midst of it, like

1:36:33.520 --> 1:36:36.799
<v Speaker 1>what what was it supposed to take place? Was actually

1:36:37.439 --> 1:36:39.599
<v Speaker 1>Fife and Mr Cheeks are supposed to battle that night

1:36:39.680 --> 1:36:45.639
<v Speaker 1>and Mr Cheeks yeah he was, he was Coach Cheeks.

1:36:46.080 --> 1:36:48.840
<v Speaker 1>So that's that was supposed to what was supposed to

1:36:48.920 --> 1:36:55.639
<v Speaker 1>happen because because they because Coach Cheeks was Queens. Yeah,

1:36:55.760 --> 1:36:57.719
<v Speaker 1>but he was the he was the nigger on the tapes,

1:36:58.360 --> 1:37:00.880
<v Speaker 1>you know what I'm saying. And he wanted he wanted

1:37:00.960 --> 1:37:03.040
<v Speaker 1>in on the game. So to get in on the game,

1:37:03.080 --> 1:37:04.799
<v Speaker 1>he was like, yo, let me let you mean Fife,

1:37:04.880 --> 1:37:08.280
<v Speaker 1>because Fife, this is right after the low end, you

1:37:08.320 --> 1:37:10.360
<v Speaker 1>know what I'm saying. So Fife was like, so, so

1:37:10.520 --> 1:37:12.840
<v Speaker 1>that battle was either gonna be Fife was gonna eat

1:37:12.880 --> 1:37:14.360
<v Speaker 1>his food or he was gonna eat his food, and

1:37:14.479 --> 1:37:17.240
<v Speaker 1>they was gonna have to then say, Coach Cheeks need

1:37:17.439 --> 1:37:19.560
<v Speaker 1>to be on. But eventually got on, you know what

1:37:19.600 --> 1:37:23.000
<v Speaker 1>I'm saying. Um, and about that night, like I said,

1:37:23.040 --> 1:37:27.240
<v Speaker 1>he got he but but they didn't battle. So for

1:37:27.560 --> 1:37:30.479
<v Speaker 1>for some reason, the chiefs sing chief didn't come. But

1:37:30.560 --> 1:37:33.280
<v Speaker 1>spank G can spank G and Coach Cheeks was partners,

1:37:34.000 --> 1:37:37.120
<v Speaker 1>they said. The ship called organized. I like to organize

1:37:37.160 --> 1:37:39.200
<v Speaker 1>the two burgers and fry with my lord boy crew,

1:37:39.280 --> 1:37:41.160
<v Speaker 1>because that's the way they would do. My man stretches.

1:37:41.240 --> 1:37:43.880
<v Speaker 1>Now when the fact, well, Mama said, and so I

1:37:44.000 --> 1:37:48.519
<v Speaker 1>did catch reck uh the real deal like holy Field

1:37:48.560 --> 1:37:51.280
<v Speaker 1>making the emurgency phone calls my night man is burst

1:37:51.320 --> 1:37:53.719
<v Speaker 1>to Freddie, don't scheme on my dream. Just get your machete.

1:37:53.880 --> 1:37:55.519
<v Speaker 1>D that nigga was nice back in the day. That

1:37:55.640 --> 1:37:59.040
<v Speaker 1>nigga was nice. It was him, he was nice. And

1:37:59.120 --> 1:38:03.240
<v Speaker 1>Red Man they both did tape that uh mana bello

1:38:04.360 --> 1:38:07.040
<v Speaker 1>um and and that's how Redman got on red and

1:38:07.120 --> 1:38:09.680
<v Speaker 1>got Red Man got popular. He was already kind of

1:38:10.000 --> 1:38:12.280
<v Speaker 1>with he was working with. But the ship with him

1:38:12.320 --> 1:38:15.840
<v Speaker 1>and Biz the mona below tape is what made Red Man.

1:38:17.160 --> 1:38:20.000
<v Speaker 1>You know what, I wouldn't put them on, but the

1:38:20.320 --> 1:38:23.120
<v Speaker 1>no no, no, but didn't really he was spitting for

1:38:24.400 --> 1:38:27.360
<v Speaker 1>was DJ and that for right. So but then he

1:38:27.439 --> 1:38:29.519
<v Speaker 1>got on the money that Red Man slacks no HAPs,

1:38:29.560 --> 1:38:31.639
<v Speaker 1>I got a knapsacker raph to give you more power

1:38:31.720 --> 1:38:34.040
<v Speaker 1>to snap. I get the powerful grade gold castle. Now

1:38:34.080 --> 1:38:36.439
<v Speaker 1>I got the power to smash you and thrash you.

1:38:36.640 --> 1:38:40.559
<v Speaker 1>That nigga was that nigga back in the days, right,

1:38:40.760 --> 1:38:43.000
<v Speaker 1>he let a clip off on that ship. So so

1:38:43.560 --> 1:38:45.639
<v Speaker 1>my my point is saying, either one of those rhymes

1:38:45.760 --> 1:38:49.920
<v Speaker 1>was that. So the kind of the stage was set

1:38:50.080 --> 1:38:54.360
<v Speaker 1>for the ship, but Cheeks, I don't think, for some reason,

1:38:54.479 --> 1:38:57.120
<v Speaker 1>got there. But then Run came and pulled up out

1:38:57.160 --> 1:38:59.920
<v Speaker 1>of nowhere, you know what I'm saying. And when Run came,

1:39:00.479 --> 1:39:02.519
<v Speaker 1>we all was out there. And then we started and

1:39:02.600 --> 1:39:04.639
<v Speaker 1>then Ron went that, I went the wrong went again.

1:39:04.720 --> 1:39:06.760
<v Speaker 1>I went again, and then that's how it kind of

1:39:06.840 --> 1:39:11.880
<v Speaker 1>turned to smack DVD, not smack DVD like Queen's get

1:39:11.960 --> 1:39:15.000
<v Speaker 1>the money for doing that though. Yeah, that's why, that's

1:39:15.000 --> 1:39:19.599
<v Speaker 1>why I never try to come at it like yo oh, run,

1:39:19.720 --> 1:39:22.720
<v Speaker 1>I told Run. It wasn't that I run gave me

1:39:22.800 --> 1:39:26.560
<v Speaker 1>the crame run run, run past the tours to me.

1:39:27.240 --> 1:39:29.639
<v Speaker 1>But it was in a battle. It was in a battle, mole,

1:39:29.920 --> 1:39:31.519
<v Speaker 1>you know what I'm saying. He didn't give it to me,

1:39:31.640 --> 1:39:34.439
<v Speaker 1>Like right, he didn't give it to me, Like yeah,

1:39:34.479 --> 1:39:35.960
<v Speaker 1>I'm gonna put you on down with the king with me,

1:39:36.000 --> 1:39:39.160
<v Speaker 1>you and Pete Rock. Now, I was like, nigger, if

1:39:39.200 --> 1:39:41.040
<v Speaker 1>you don't, if you don't tear me up. You got

1:39:41.120 --> 1:39:44.360
<v Speaker 1>told by Run and you might quit. But you know

1:39:44.360 --> 1:39:46.320
<v Speaker 1>what I'm saying, because it ain't no really no coming

1:39:46.360 --> 1:39:51.960
<v Speaker 1>back from that ship. Neither though holds your battles. I

1:39:52.040 --> 1:39:54.200
<v Speaker 1>am battle with me. You in fifty the shades of

1:39:54.280 --> 1:40:09.280
<v Speaker 1>hip hop wanted to see. I wait, that was Wartner's

1:40:09.400 --> 1:40:12.400
<v Speaker 1>was was, wasn't it? He was one of the lines

1:40:12.560 --> 1:40:17.640
<v Speaker 1>And yeah, yeah, yeah, you know it's crazy living that

1:40:17.800 --> 1:40:19.719
<v Speaker 1>moment I did not know how special for that moment

1:40:19.920 --> 1:40:22.720
<v Speaker 1>was one I never never would have realized that that

1:40:23.000 --> 1:40:25.160
<v Speaker 1>would have made it to the century, Like look at

1:40:25.160 --> 1:40:28.799
<v Speaker 1>all the hold funky all right, and that she's saying

1:40:29.800 --> 1:40:34.960
<v Speaker 1>that's my right, right right, and I kifre was doing here, yes,

1:40:35.080 --> 1:40:38.559
<v Speaker 1>yes that if the people that don't know you could

1:40:38.560 --> 1:40:41.640
<v Speaker 1>go right now on YouTube one where somewhere it's a

1:40:41.760 --> 1:40:47.000
<v Speaker 1>it's a famous freestyle this before like the punt freestyles

1:40:47.040 --> 1:40:48.960
<v Speaker 1>and on listen. This was during the n R E

1:40:49.080 --> 1:40:59.759
<v Speaker 1>album It's me uh consequence fifty. We all went twice

1:40:59.840 --> 1:41:02.360
<v Speaker 1>and everyone and I'm telling, let me tell you something

1:41:03.320 --> 1:41:05.120
<v Speaker 1>because it was like it wasn't like it wasn't like

1:41:05.200 --> 1:41:06.960
<v Speaker 1>we were battling like like like I was just trying

1:41:06.960 --> 1:41:09.800
<v Speaker 1>to say, but we were but not battling each other.

1:41:10.680 --> 1:41:15.240
<v Speaker 1>We had nigger battling who was the number one producers

1:41:15.280 --> 1:41:18.320
<v Speaker 1>at the time, and everyone what's what they beat playing

1:41:18.600 --> 1:41:22.400
<v Speaker 1>in the background. But I've never been able to like

1:41:22.520 --> 1:41:24.400
<v Speaker 1>to be kid do like that type of moment like that.

1:41:24.560 --> 1:41:29.439
<v Speaker 1>It was, yeah, and it was so spontaneous because if

1:41:29.479 --> 1:41:31.360
<v Speaker 1>you can't just blame it on the error, I gotta

1:41:31.439 --> 1:41:33.280
<v Speaker 1>I gotta say I don't think that I gotta take

1:41:33.720 --> 1:41:35.720
<v Speaker 1>is gonna that comes back? Okay, I agree with you.

1:41:36.320 --> 1:41:38.960
<v Speaker 1>There's definitely a moment in time because because at the time,

1:41:39.040 --> 1:41:42.760
<v Speaker 1>because of the position that awful artists was in, you know,

1:41:43.040 --> 1:41:45.840
<v Speaker 1>you know no nor no and and I feel like

1:41:45.880 --> 1:41:49.920
<v Speaker 1>that moment get reading the excex self freestyle, that that

1:41:50.479 --> 1:41:58.040
<v Speaker 1>that arguably a point to be taking. You're gonna say, right,

1:41:58.080 --> 1:42:01.080
<v Speaker 1>I was gonna say, really that was the sper Okay,

1:42:01.280 --> 1:42:04.960
<v Speaker 1>that's what that really wants to bite because that's because

1:42:05.840 --> 1:42:08.920
<v Speaker 1>because of the factor, yeah, it made it doesn't made

1:42:09.000 --> 1:42:10.640
<v Speaker 1>it to the future from that it was on a

1:42:10.720 --> 1:42:16.599
<v Speaker 1>VHS tape. It's like so it got uploaded, which once again,

1:42:17.040 --> 1:42:18.479
<v Speaker 1>you know what I'm saying, double back to when we

1:42:18.520 --> 1:42:21.160
<v Speaker 1>first started from the beginning of the conversation, there wasn't

1:42:21.200 --> 1:42:24.080
<v Speaker 1>even YouTube when we did that, you know what I'm saying,

1:42:24.320 --> 1:42:27.560
<v Speaker 1>So that but we was vi it's still vibra. It

1:42:28.720 --> 1:42:32.960
<v Speaker 1>was viral that back then. It was when when viral

1:42:33.200 --> 1:42:40.240
<v Speaker 1>was viral, like it was holding it every time somebody

1:42:40.320 --> 1:42:43.479
<v Speaker 1>posted that had the platform, it goes because it's like

1:42:43.680 --> 1:42:46.200
<v Speaker 1>it's a it's a new thing every time. And like

1:42:46.280 --> 1:42:48.960
<v Speaker 1>I'm saying, I think it was the position of you

1:42:49.120 --> 1:42:51.960
<v Speaker 1>was in there at the time. Fifty was just got

1:42:52.080 --> 1:42:54.599
<v Speaker 1>sign the track Masses how to Rob didn't even come

1:42:54.640 --> 1:42:58.360
<v Speaker 1>out yet. I was coming out of tribes in between

1:42:58.479 --> 1:43:01.519
<v Speaker 1>deals and punched and was trying to get a deal,

1:43:01.640 --> 1:43:03.360
<v Speaker 1>so he was hungry. So it was like it was

1:43:03.439 --> 1:43:07.439
<v Speaker 1>like the chemistry just all may say like ififty would

1:43:07.439 --> 1:43:10.160
<v Speaker 1>have been if Anthy would have had out the gen

1:43:10.240 --> 1:43:12.720
<v Speaker 1>on the mixtape, it wouldn't have been that same situation.

1:43:13.200 --> 1:43:15.320
<v Speaker 1>If you would have already had our super Dog, it

1:43:15.320 --> 1:43:17.519
<v Speaker 1>wouldn't have been that situation, you know what I'm saying.

1:43:17.520 --> 1:43:19.000
<v Speaker 1>It was just like, why were you guys in the

1:43:19.040 --> 1:43:21.679
<v Speaker 1>same room? Was it violator the common No? No track

1:43:21.760 --> 1:43:27.760
<v Speaker 1>masters a common denominic because they and I was there

1:43:27.840 --> 1:43:30.599
<v Speaker 1>for kicking Precession. He's also working with the track master

1:43:30.920 --> 1:43:35.479
<v Speaker 1>they Ever, it was all a phony situation. Yeah, also

1:43:35.600 --> 1:43:37.640
<v Speaker 1>did the beat that he did for me that night.

1:43:37.680 --> 1:43:43.680
<v Speaker 1>He gave it to me. But that's a that's that's

1:43:43.680 --> 1:43:47.000
<v Speaker 1>a legendary, legendary moment, and and I look for that.

1:43:47.160 --> 1:43:49.919
<v Speaker 1>I look for that like in other other people genres

1:43:50.000 --> 1:43:53.560
<v Speaker 1>of music. And I don't think that that chemistry. I

1:43:53.600 --> 1:43:56.320
<v Speaker 1>don't think that it was a special time in hip hop.

1:43:56.400 --> 1:43:59.720
<v Speaker 1>Man what was your favorite what's your favorite what's your

1:43:59.720 --> 1:44:04.240
<v Speaker 1>favorite period in the hip hop? Excuse me, um man,

1:44:04.240 --> 1:44:07.639
<v Speaker 1>I got moments more so than just like time period.

1:44:07.760 --> 1:44:14.519
<v Speaker 1>I mean, look at um one of my favorite moments

1:44:14.560 --> 1:44:16.720
<v Speaker 1>that probably should be my favorite moment. It's a bad

1:44:16.800 --> 1:44:20.560
<v Speaker 1>boy era, just just because not but just because you

1:44:20.600 --> 1:44:22.479
<v Speaker 1>gotta Honestly, I was in tried, but I was looking

1:44:22.520 --> 1:44:32.960
<v Speaker 1>at that ship like, man, a good record. I wasn't.

1:44:33.040 --> 1:44:38.280
<v Speaker 1>I was in army fatigues right like we're going ahead,

1:44:39.160 --> 1:44:43.960
<v Speaker 1>going to the town every weekend. I couldn't. It was like, listen,

1:44:44.560 --> 1:44:53.080
<v Speaker 1>one thing, one thing you know TV. One thing is

1:44:53.120 --> 1:44:55.519
<v Speaker 1>for sure, like Puff knew how to make a record

1:44:55.640 --> 1:45:01.120
<v Speaker 1>that made women react, hits not just hits that may

1:45:01.280 --> 1:45:04.680
<v Speaker 1>women react. You know a lot of a lot of

1:45:04.760 --> 1:45:09.880
<v Speaker 1>what's going on now is not people not really understanding. Also,

1:45:10.000 --> 1:45:13.519
<v Speaker 1>like if it's your ship is overtly masculine, you know

1:45:13.520 --> 1:45:16.639
<v Speaker 1>what I'm saying, that doesn't include women. You know, if

1:45:17.960 --> 1:45:22.599
<v Speaker 1>we've got one guy who defines that, who nas eskeootball.

1:45:23.280 --> 1:45:31.160
<v Speaker 1>But Nast still back in first that first album, nas

1:45:31.200 --> 1:45:33.599
<v Speaker 1>has has some passive bitches. No, Nas has some busy

1:45:33.640 --> 1:45:36.719
<v Speaker 1>because he has the buzz. But you know, what I'm saying,

1:45:36.760 --> 1:45:40.200
<v Speaker 1>but there's still there's because he's different what you guys

1:45:40.240 --> 1:45:43.360
<v Speaker 1>are saying. There's different things. But didn't right, But then look,

1:45:43.520 --> 1:45:47.479
<v Speaker 1>let's keep it real. Even with nas right, he has

1:45:47.600 --> 1:45:50.800
<v Speaker 1>almatic Right, he got the bitches, but then said, if

1:45:50.840 --> 1:45:56.960
<v Speaker 1>I really want to go getting longer the tunnel? Did

1:45:57.000 --> 1:46:00.800
<v Speaker 1>he wanted if you really want to maybe, Yeah, he wanted.

1:46:01.080 --> 1:46:03.120
<v Speaker 1>He wanted to to know little bit, so that's why

1:46:03.200 --> 1:46:07.240
<v Speaker 1>he upgraded and stuck up. Yeah, but I've gotta understand,

1:46:07.280 --> 1:46:11.120
<v Speaker 1>like is one of the best chick record makers of

1:46:11.240 --> 1:46:15.120
<v Speaker 1>all time. His first record has been the Apple Bomb Bomb.

1:46:15.840 --> 1:46:18.439
<v Speaker 1>I still don't know what that is. What do you mean?

1:46:18.800 --> 1:46:23.560
<v Speaker 1>What is benea a bomb? Um? It's a person but

1:46:23.680 --> 1:46:26.840
<v Speaker 1>I can't say her name. It's actually you know what

1:46:26.840 --> 1:46:29.680
<v Speaker 1>it was? The first thing I thought it was a

1:46:29.760 --> 1:46:36.559
<v Speaker 1>stroke move whoa, that's that's his beIN as he coind

1:46:36.600 --> 1:46:41.439
<v Speaker 1>of drink who it is? But I'm like, yeah, you

1:46:41.479 --> 1:46:42.600
<v Speaker 1>know what I mean? They can know who that is

1:46:42.880 --> 1:46:44.559
<v Speaker 1>so little check it when we spoke about a little

1:46:44.560 --> 1:46:47.360
<v Speaker 1>bit earlier right now folk plus and saying hey man,

1:46:47.680 --> 1:46:50.760
<v Speaker 1>because they ald I love you guys, movement, love what

1:46:50.800 --> 1:46:53.519
<v Speaker 1>you guys are doing. But he doesn't feel like they're

1:46:53.600 --> 1:46:58.120
<v Speaker 1>making music that fits the radio right, at least fits

1:46:58.320 --> 1:47:01.400
<v Speaker 1>his platform. He said, And why you guys kid, And

1:47:01.479 --> 1:47:04.160
<v Speaker 1>they're saying initially, yo, you you should care because we

1:47:04.360 --> 1:47:06.519
<v Speaker 1>this ship, we're selling out like how we spoke earlier.

1:47:06.800 --> 1:47:09.759
<v Speaker 1>We're selling out arenas, we're making money. We got to jewelry,

1:47:09.840 --> 1:47:13.439
<v Speaker 1>we got to calls, we got the crowd. Why wouldn't

1:47:13.439 --> 1:47:17.080
<v Speaker 1>you support us? Where do you on this? On this

1:47:18.000 --> 1:47:20.360
<v Speaker 1>side of the story? Where do you on the spectrum

1:47:20.400 --> 1:47:23.080
<v Speaker 1>of this? Yeah? Did my my side of the story.

1:47:23.680 --> 1:47:27.560
<v Speaker 1>So where you go as a songwriter, you always have

1:47:27.680 --> 1:47:31.519
<v Speaker 1>to have a chorus to get on the radio? What

1:47:31.760 --> 1:47:37.439
<v Speaker 1>what what? What? Like that? What? What? What? What? What? What?

1:47:37.720 --> 1:47:44.519
<v Speaker 1>Tammy lewis what what? What? Um? What's another one? Um?

1:47:46.960 --> 1:47:49.760
<v Speaker 1>I mean you have to have a course to get

1:47:49.800 --> 1:47:53.759
<v Speaker 1>on the radio. That's that's bigger than even with flex

1:47:53.920 --> 1:47:57.000
<v Speaker 1>is alluding to. The thing is like, and I'm saying

1:47:57.040 --> 1:48:00.800
<v Speaker 1>this as a songwriter like that has to be there

1:48:00.880 --> 1:48:03.439
<v Speaker 1>has to be. A radio is based on audience, and

1:48:03.520 --> 1:48:08.880
<v Speaker 1>audience has to sing along without singing along, there is

1:48:09.000 --> 1:48:13.840
<v Speaker 1>no that that radio doesn't fulfill its purpose from a

1:48:13.960 --> 1:48:16.840
<v Speaker 1>bit and you noticed as a DJ, so there's there,

1:48:17.000 --> 1:48:22.080
<v Speaker 1>there's the beat, the chorus, and then the raps far

1:48:22.240 --> 1:48:25.920
<v Speaker 1>as records that are hit records blowing up. Eric B

1:48:26.080 --> 1:48:28.880
<v Speaker 1>for President was not just I came in the door.

1:48:29.120 --> 1:48:32.840
<v Speaker 1>I said it before. It was doom, the doom, the doom.

1:48:39.439 --> 1:48:41.920
<v Speaker 1>I came in the door. I said that before. I

1:48:42.000 --> 1:48:44.000
<v Speaker 1>never let the might a advertize me no more. But

1:48:44.080 --> 1:48:46.519
<v Speaker 1>he's fighting me by He's like me the mom. I

1:48:46.640 --> 1:48:48.880
<v Speaker 1>can't hold it back. I'm looking for the line taking

1:48:49.040 --> 1:48:52.559
<v Speaker 1>off my coat, claim my throw the wrong, kicking until

1:48:52.560 --> 1:48:59.280
<v Speaker 1>I hit my lass. I know the words the ship

1:48:59.560 --> 1:49:03.720
<v Speaker 1>this me. You know what I'm saying. So the thing is,

1:49:05.200 --> 1:49:11.960
<v Speaker 1>it's about resignation and and and inclusion. Right, I'm saying

1:49:12.000 --> 1:49:14.439
<v Speaker 1>this as a song writer. I'm not specifically saying this

1:49:15.000 --> 1:49:19.479
<v Speaker 1>about that even that argument. I'm saying, the components of

1:49:19.600 --> 1:49:24.800
<v Speaker 1>a record that works at radio rap is based on

1:49:25.960 --> 1:49:28.599
<v Speaker 1>it's based on engagement. Because some will argue, right now,

1:49:28.720 --> 1:49:31.120
<v Speaker 1>CARDI be gotta hit record and it's only the chorus

1:49:31.240 --> 1:49:34.920
<v Speaker 1>that plays once or me me twice, Cardi beef with

1:49:35.160 --> 1:49:37.960
<v Speaker 1>Little Dirk and Kanye right now, remember what Flex said though,

1:49:38.040 --> 1:49:40.360
<v Speaker 1>He said that what dictates what goes on the radio

1:49:40.600 --> 1:49:44.479
<v Speaker 1>is Spotify and YouTube. He just amplifies that. He says

1:49:44.520 --> 1:49:46.920
<v Speaker 1>that I think he said. But but but in a

1:49:47.040 --> 1:49:50.400
<v Speaker 1>traditional sense as far as even if whether you're on

1:49:50.439 --> 1:49:55.760
<v Speaker 1>the radio or not, right, a record like bad from

1:49:55.800 --> 1:49:59.320
<v Speaker 1>TV No Hook consider the hit record. Yeah, but y'all,

1:49:59.479 --> 1:50:14.720
<v Speaker 1>raps are choruses, a wit comps regardlessly. You're gonna ship rain, snow,

1:50:14.880 --> 1:50:20.800
<v Speaker 1>sweet of hell, keep your face and on my hand

1:50:21.120 --> 1:50:22.559
<v Speaker 1>and the like. It's part of the plan. I had

1:50:22.600 --> 1:50:24.479
<v Speaker 1>to talk like I did well, how I see it,

1:50:24.720 --> 1:50:28.280
<v Speaker 1>Doug down all the pecauseles soon to be up. Yo,

1:50:28.520 --> 1:50:32.280
<v Speaker 1>I know the fucking wraps, bro. Remember that was an

1:50:32.280 --> 1:50:38.439
<v Speaker 1>era before hip hop was mainstream on radio. But there's

1:50:38.479 --> 1:50:42.600
<v Speaker 1>a market that's New York. There's a proponent to to

1:50:43.120 --> 1:50:48.439
<v Speaker 1>resignation that that just happens, right, Like there's a there's

1:50:48.479 --> 1:50:51.559
<v Speaker 1>a there's a component to resignation that just happens. There's

1:50:51.560 --> 1:50:53.920
<v Speaker 1>a tone of voice, there's a beat, there's a there's

1:50:54.040 --> 1:50:59.000
<v Speaker 1>just things that make people in three listens start working

1:50:59.040 --> 1:51:01.639
<v Speaker 1>with it. You know what I'm helps the program basically

1:51:01.840 --> 1:51:05.880
<v Speaker 1>right right right right, so so so the your opinion

1:51:05.920 --> 1:51:10.920
<v Speaker 1>you haven't heard of recollect that from grizelta Um, what

1:51:11.120 --> 1:51:14.880
<v Speaker 1>I think my personal opinion, like at the end of

1:51:14.920 --> 1:51:19.439
<v Speaker 1>the day, right, if that wasn't even the case, there's

1:51:19.479 --> 1:51:21.200
<v Speaker 1>nothing wrong with that. Grizella has been on like a

1:51:21.680 --> 1:51:24.680
<v Speaker 1>three year run right, like in the Spotlight, right, and

1:51:24.760 --> 1:51:31.439
<v Speaker 1>they've managed to like transition and transform into like the

1:51:31.560 --> 1:51:35.720
<v Speaker 1>biggest ship independent not independent. You're playing them in South

1:51:35.720 --> 1:51:38.040
<v Speaker 1>Africa when I went to South Africa. So the thing

1:51:38.240 --> 1:51:43.040
<v Speaker 1>is like, but if they're settling for more for Gazella, yes, absolutely,

1:51:43.080 --> 1:51:45.920
<v Speaker 1>they made they made the three stars, they three they

1:51:46.080 --> 1:51:49.320
<v Speaker 1>three hip hop household names. So do I feel like

1:51:49.560 --> 1:51:53.000
<v Speaker 1>in fairness and then and loved as some of my brothers,

1:51:53.040 --> 1:51:56.800
<v Speaker 1>can they deliver the biggest, the biggest records of their career? Now? Yeah,

1:51:56.840 --> 1:51:59.519
<v Speaker 1>you got every redstarting you up. You know what I'm saying.

1:51:59.560 --> 1:52:01.320
<v Speaker 1>What you want? You might have to You might have

1:52:01.479 --> 1:52:04.320
<v Speaker 1>to go see Timberland for that. You might have to

1:52:04.400 --> 1:52:07.160
<v Speaker 1>go see it for for that. You might you might

1:52:07.840 --> 1:52:10.320
<v Speaker 1>see this and say that though, but say yo, listen

1:52:10.640 --> 1:52:12.360
<v Speaker 1>because a lot of people think I think they're just

1:52:12.439 --> 1:52:16.040
<v Speaker 1>counterproductive to kind of get to the gatekeeper ship, right,

1:52:16.280 --> 1:52:18.960
<v Speaker 1>I hold. I think when people think that you say

1:52:19.080 --> 1:52:23.920
<v Speaker 1>radio record or you say, um, a club record, and

1:52:23.960 --> 1:52:27.160
<v Speaker 1>people automatically think commercial you can make a record that

1:52:27.280 --> 1:52:29.880
<v Speaker 1>is radio really or club really without it being commercial,

1:52:30.520 --> 1:52:32.360
<v Speaker 1>did it? You know what I'm saying? Yeah, yeah, yeah,

1:52:32.360 --> 1:52:35.240
<v Speaker 1>But I mean I ain't Corey to always to go

1:52:35.320 --> 1:52:37.800
<v Speaker 1>into the studio with that idea. This is my club record,

1:52:38.160 --> 1:52:41.320
<v Speaker 1>this is my radio record. No no, no, but it

1:52:41.360 --> 1:52:43.400
<v Speaker 1>should it should it should flow. As long as it's flow,

1:52:43.560 --> 1:52:46.639
<v Speaker 1>it shouldn't be game. But if you have the wrong

1:52:46.680 --> 1:52:49.160
<v Speaker 1>with being mindful but what you want to land you

1:52:49.200 --> 1:52:51.200
<v Speaker 1>know what I'm saying, like, there's nothing wrong with that

1:52:51.360 --> 1:52:53.760
<v Speaker 1>because I think Jay zhr get to give it to

1:52:53.800 --> 1:52:56.719
<v Speaker 1>me joint. It was like, oh yeah, I'm pointing two

1:52:56.800 --> 1:52:59.439
<v Speaker 1>two type of rap on this was like I'm out

1:52:59.520 --> 1:53:02.439
<v Speaker 1>with this is the smash because as a song right too,

1:53:02.920 --> 1:53:05.439
<v Speaker 1>when I hear something, I can either go either way.

1:53:05.520 --> 1:53:07.439
<v Speaker 1>When you speak to you, you say, you know what

1:53:07.520 --> 1:53:09.479
<v Speaker 1>I'm gonna go mess with I'm gonna go mess with

1:53:09.520 --> 1:53:11.240
<v Speaker 1>the club. I'm gonna go with the club on this,

1:53:11.479 --> 1:53:12.960
<v Speaker 1>or I canna be like, you know what, I'm gonna

1:53:12.960 --> 1:53:14.240
<v Speaker 1>go falk with the hood on it. But you didn't

1:53:14.240 --> 1:53:16.360
<v Speaker 1>go intentionally in that spot before you had to be,

1:53:16.479 --> 1:53:22.040
<v Speaker 1>before you had anything go today's mind. So me working

1:53:22.080 --> 1:53:24.720
<v Speaker 1>with a Kanye, right, because he a producer. First, I

1:53:24.880 --> 1:53:27.599
<v Speaker 1>might have a Yeah, I'm gonna go this way with it, Like, Yo,

1:53:27.680 --> 1:53:30.360
<v Speaker 1>that ain't big enough. So then you gotta you gotta

1:53:30.439 --> 1:53:32.479
<v Speaker 1>rip that piece of paper up and start from the beginning.

1:53:32.640 --> 1:53:35.320
<v Speaker 1>Because it's like when you got intellectual property, you can

1:53:35.439 --> 1:53:37.080
<v Speaker 1>have all you gotta have a one level ranch or

1:53:37.080 --> 1:53:39.640
<v Speaker 1>you gotta have a high rose, right, it's all them,

1:53:39.640 --> 1:53:43.599
<v Speaker 1>which it's all them with you project onto the music,

1:53:43.920 --> 1:53:46.560
<v Speaker 1>you know what I'm saying. So the thing is to

1:53:46.720 --> 1:53:49.400
<v Speaker 1>get to a higher plateau, you need a higher level

1:53:49.439 --> 1:53:51.439
<v Speaker 1>of thinking. So you so sometimes you gotta be your

1:53:51.479 --> 1:53:53.960
<v Speaker 1>own worst critic, and like maybe I hit them. I

1:53:54.080 --> 1:53:57.120
<v Speaker 1>hit this nerve already as far as my basis concerned.

1:53:57.320 --> 1:53:59.320
<v Speaker 1>You know what I'm saying, Like you brought up like

1:53:59.520 --> 1:54:03.960
<v Speaker 1>Lost and I didn't shoot the same level of video

1:54:04.320 --> 1:54:06.519
<v Speaker 1>I did for Blood Thing. For that, I knew that

1:54:06.600 --> 1:54:10.960
<v Speaker 1>Blood Sing had shot. What I'm saying, Loss a minute

1:54:11.000 --> 1:54:14.000
<v Speaker 1>for me was my personal and my creative So I'm

1:54:14.040 --> 1:54:17.240
<v Speaker 1>not I'm not gonna service that to radio. I'm not

1:54:17.320 --> 1:54:22.800
<v Speaker 1>gonna say Flex is not women because he didn't record

1:54:22.840 --> 1:54:25.559
<v Speaker 1>on the street too. Yeah, now that's what Flex, it's

1:54:25.560 --> 1:54:29.479
<v Speaker 1>your poor you know what I'm saying because that um,

1:54:29.600 --> 1:54:37.640
<v Speaker 1>because I'm just doing that. Yeah yeah, ship Hannani seven

1:54:37.800 --> 1:54:40.200
<v Speaker 1>just had me come through the New Music men while

1:54:40.200 --> 1:54:42.360
<v Speaker 1>I played it for all the DJ played the record.

1:54:42.480 --> 1:54:44.360
<v Speaker 1>I played the record for all the DJ so it

1:54:44.480 --> 1:54:52.040
<v Speaker 1>will be added, um I'm talking about Yeah Yeah, I'm

1:54:52.600 --> 1:55:01.080
<v Speaker 1>I'm looking like Smoke brother Win a different space with um.

1:55:01.680 --> 1:55:05.400
<v Speaker 1>But at the end of the day, Yeah, like with

1:55:05.600 --> 1:55:08.920
<v Speaker 1>the Bloodstain't joint, that's bloos ain't gonna be my biggest

1:55:08.960 --> 1:55:13.680
<v Speaker 1>record west. Yeah, you know what I mean. And I'm

1:55:13.760 --> 1:55:16.400
<v Speaker 1>you know, so from there now you know, I got

1:55:16.480 --> 1:55:23.280
<v Speaker 1>the remix coming remis crazy, crazy crazy. I'm waiting on

1:55:23.400 --> 1:55:26.320
<v Speaker 1>like two more features that that my start announcing it.

1:55:26.480 --> 1:55:28.400
<v Speaker 1>But I got that, I got that. I got the

1:55:28.440 --> 1:55:31.200
<v Speaker 1>remix of the Summer for this ship hands down, you

1:55:31.280 --> 1:55:39.960
<v Speaker 1>know what I mean. So independent that he got me

1:55:40.040 --> 1:55:47.480
<v Speaker 1>on that one. That's like, understand sometimes just give up

1:55:48.480 --> 1:55:51.440
<v Speaker 1>there Like such a thing is like it's like can

1:55:51.480 --> 1:55:53.520
<v Speaker 1>you put out a record, put out a record or

1:55:53.520 --> 1:55:55.720
<v Speaker 1>an album and called it like a full circle moment?

1:55:55.840 --> 1:55:57.200
<v Speaker 1>Is that how it could be? Could it ever be

1:55:57.240 --> 1:55:59.840
<v Speaker 1>distributed at So we're trying to see the Grammy family.

1:56:00.240 --> 1:56:01.920
<v Speaker 1>It's gonna be on this trying to say they got

1:56:01.960 --> 1:56:04.520
<v Speaker 1>a whole all of good music and all the trial

1:56:04.640 --> 1:56:08.120
<v Speaker 1>on this. I'm feeling like your question though, right you

1:56:08.280 --> 1:56:10.480
<v Speaker 1>was in you was in the car with you, right, yeah,

1:56:10.840 --> 1:56:12.760
<v Speaker 1>you're gonna cass seeing you like the whole winter you

1:56:12.840 --> 1:56:17.560
<v Speaker 1>just like phone up. Yes, yea. And they got a

1:56:17.600 --> 1:56:21.960
<v Speaker 1>lot of money, right world, He's spend no money to

1:56:22.240 --> 1:56:24.880
<v Speaker 1>clear every we were. I never see the pup a

1:56:24.920 --> 1:56:28.360
<v Speaker 1>car now, I don't have cart. You got car. You

1:56:28.400 --> 1:56:32.760
<v Speaker 1>don't use cars, use cars. You don't even you know,

1:56:33.200 --> 1:56:35.440
<v Speaker 1>I wasn't when the bill came up. Wasn't sitting around

1:56:35.480 --> 1:56:37.280
<v Speaker 1>having that awkward moment, you know when you both look

1:56:37.320 --> 1:56:40.320
<v Speaker 1>at the bill. You know what I just you walked out.

1:56:40.880 --> 1:56:48.520
<v Speaker 1>I just grabbed Yes, well, I mean different were different space. Yeah,

1:56:49.400 --> 1:56:51.480
<v Speaker 1>you know what I mean. But it's it's it's great.

1:56:51.680 --> 1:56:54.680
<v Speaker 1>But yeah, yeah, man, you know we week. He just

1:56:54.760 --> 1:56:57.520
<v Speaker 1>got a lot of money. Goddamnit. Man, he's shine it

1:56:57.640 --> 1:56:58.960
<v Speaker 1>right there. Let me see. Let me see what kind

1:56:58.960 --> 1:57:00.360
<v Speaker 1>of watch that I know it's there is then to

1:57:00.560 --> 1:57:04.560
<v Speaker 1>let me see my face stafted up? A ja come

1:57:05.360 --> 1:57:10.760
<v Speaker 1>hear you here? Shine you got the pripe. What I'm

1:57:10.760 --> 1:57:14.280
<v Speaker 1>saying it's a grown man time piece. You know what

1:57:14.320 --> 1:57:18.560
<v Speaker 1>I'm saying, Like you know, you know, uh yeah, my

1:57:18.680 --> 1:57:24.000
<v Speaker 1>brother loved me, I said, you know what. It ain't independent.

1:57:24.160 --> 1:57:27.320
<v Speaker 1>It's on one of two records and it's distributed by

1:57:27.400 --> 1:57:34.320
<v Speaker 1>My brother loved me. We talked about Jack because your

1:57:34.360 --> 1:57:37.080
<v Speaker 1>brother loved me. Because we were talking about Q Tip too.

1:57:37.520 --> 1:57:43.160
<v Speaker 1>My cousin loved me, love you a little bit. Your

1:57:43.200 --> 1:57:45.120
<v Speaker 1>brother leve you a lie and brother loved me. Life

1:57:45.160 --> 1:57:48.760
<v Speaker 1>with brothers, Jesus. I love that though, because you know,

1:57:49.000 --> 1:57:52.000
<v Speaker 1>I ain't gonna lie to you. When I looked, because

1:57:52.040 --> 1:57:54.760
<v Speaker 1>you know, like I said, I went into your music continuously,

1:57:55.040 --> 1:57:56.560
<v Speaker 1>I knew. I knew that. But when I looked at

1:57:56.600 --> 1:58:00.000
<v Speaker 1>the interviews like when, like I said, I supposed to

1:58:00.000 --> 1:58:02.360
<v Speaker 1>tell about you, like when you when you're mad. I

1:58:02.520 --> 1:58:05.000
<v Speaker 1>believe you when you're mad, but when you when you

1:58:05.240 --> 1:58:08.520
<v Speaker 1>when you have me to I also believe. I'm looking

1:58:08.560 --> 1:58:12.960
<v Speaker 1>at No Calcar. You know, No Calcar also believe you, boy,

1:58:13.000 --> 1:58:14.640
<v Speaker 1>But not that's who I am. I don't really do

1:58:14.840 --> 1:58:17.280
<v Speaker 1>gray every Yeah, you know what I'm saying. I don't.

1:58:17.560 --> 1:58:20.720
<v Speaker 1>I don't halfway funk with niggas. I don't do sucking ship.

1:58:20.800 --> 1:58:22.440
<v Speaker 1>I ain't on that. You know what I'm saying. If

1:58:22.480 --> 1:58:24.080
<v Speaker 1>I don't funk with a nigger nigga, know, I don't

1:58:24.560 --> 1:58:26.760
<v Speaker 1>if I wouldn't looking nigger. Know. I jumped out of

1:58:26.960 --> 1:58:29.120
<v Speaker 1>jump out of moving van on Punk for you. You

1:58:29.120 --> 1:58:31.360
<v Speaker 1>know what I'm saying, Like, that's that's who I am.

1:58:31.760 --> 1:58:33.560
<v Speaker 1>You know what I'm saying. And I embraced that part

1:58:33.640 --> 1:58:35.960
<v Speaker 1>of who I am. Just say on Punk. Yeah, I

1:58:36.080 --> 1:58:37.840
<v Speaker 1>jumped out the van. I had to tend for in

1:58:37.920 --> 1:58:42.240
<v Speaker 1>the sleeper from Kanye on the TV show, on the

1:58:42.320 --> 1:58:46.960
<v Speaker 1>TV show Pong Show during Jesus walks, Yeah, that make

1:58:47.520 --> 1:58:59.360
<v Speaker 1>van Holy moly, Yeah, trying to get it always why

1:58:59.360 --> 1:59:01.600
<v Speaker 1>I would us and tell my brother loved me like

1:59:02.000 --> 1:59:07.400
<v Speaker 1>he love me like I'm his brother. Noises that Champaigne

1:59:07.440 --> 1:59:11.760
<v Speaker 1>right there. So you should have done that. So so

1:59:11.960 --> 1:59:14.440
<v Speaker 1>damn you didn't see the Supreme Team documentary. I didn't

1:59:14.440 --> 1:59:17.560
<v Speaker 1>see the Supreme Team documentary, but I definitely um it

1:59:17.680 --> 1:59:19.520
<v Speaker 1>was well man definitely got to check that ship out

1:59:20.960 --> 1:59:22.840
<v Speaker 1>on the roll with that with that, you know, because

1:59:22.880 --> 1:59:31.440
<v Speaker 1>he's like a FILMMA documentary. I want to um, um,

1:59:31.880 --> 1:59:35.760
<v Speaker 1>you know, me and him like a great text message relationship.

1:59:36.000 --> 1:59:38.080
<v Speaker 1>But um, I texted him, and then when he text

1:59:38.120 --> 1:59:40.040
<v Speaker 1>me back, I was filming so I couldn't. But this

1:59:40.160 --> 1:59:42.240
<v Speaker 1>was the one of the one first times I'm gonna

1:59:42.240 --> 1:59:45.000
<v Speaker 1>go on and say, yo, listen, bro, great fucking work.

1:59:45.080 --> 1:59:49.760
<v Speaker 1>Because we're from the whole other side. I didn't even

1:59:49.840 --> 1:59:53.200
<v Speaker 1>consider us west side Queens. I never heard that, but yeah,

1:59:53.240 --> 1:59:58.400
<v Speaker 1>I just love, use love Queen's Bridge that it woke

1:59:58.440 --> 2:00:00.680
<v Speaker 1>us through that West Side quay. So for what I'm

2:00:00.680 --> 2:00:02.000
<v Speaker 1>saying is that if we know what was going on

2:00:02.040 --> 2:00:04.560
<v Speaker 1>in Jamaica, we know, but for him to know when

2:00:04.640 --> 2:00:06.800
<v Speaker 1>he knew, like the blocks in the areas. One of

2:00:06.880 --> 2:00:08.360
<v Speaker 1>just why I knew because Uncle Wise is from a

2:00:08.400 --> 2:00:11.320
<v Speaker 1>Hunter seven and got Brower and on forty projects and

2:00:11.400 --> 2:00:13.600
<v Speaker 1>my other cousins from Basis. That's the only reason why

2:00:13.680 --> 2:00:15.360
<v Speaker 1>I knew that. But I was so much of a kid,

2:00:16.640 --> 2:00:19.320
<v Speaker 1>like like when when you hear me Satan paying for

2:00:19.720 --> 2:00:22.280
<v Speaker 1>you're the leaka poppinga. Really he was working with the Britis.

2:00:22.680 --> 2:00:26.080
<v Speaker 1>That's because I remember when Griselda, the real Griselda, the

2:00:26.120 --> 2:00:29.800
<v Speaker 1>actually the Queeze. That's when Queens really got blew up

2:00:29.880 --> 2:00:34.920
<v Speaker 1>because you know, cat Happy and preum and was rein

2:00:35.000 --> 2:00:37.880
<v Speaker 1>up in Jackson Heights, so we had the Gold Town.

2:00:38.000 --> 2:00:41.600
<v Speaker 1>So I remember my one like my one time I

2:00:41.680 --> 2:00:45.320
<v Speaker 1>ever seen Alphole. He came to forty Projects. I believe

2:00:45.560 --> 2:00:47.680
<v Speaker 1>he was popping to Willie's. And that's what a lot

2:00:47.720 --> 2:00:51.040
<v Speaker 1>of people think. I'm saying that paid it for talking

2:00:51.040 --> 2:00:54.200
<v Speaker 1>about Well, I'm talking about I'm describing what I'm supposed

2:00:54.200 --> 2:00:58.200
<v Speaker 1>to describe in the movie. But I'm just you know

2:00:58.200 --> 2:01:01.080
<v Speaker 1>what I'm to ask when it shows a tree of

2:01:01.200 --> 2:01:11.480
<v Speaker 1>people in the crew, No baby is gonna do with uncle? Yeah, yeah,

2:01:13.880 --> 2:01:16.800
<v Speaker 1>like you know you know t A. It's a bunch

2:01:16.840 --> 2:01:20.280
<v Speaker 1>of VJ we were. It's a bunch of live asked

2:01:20.320 --> 2:01:23.320
<v Speaker 1>niggas from princes from that side. The niggas lives niggas,

2:01:23.960 --> 2:01:26.000
<v Speaker 1>you know them niggas is turning ship up. You gotta

2:01:26.040 --> 2:01:29.960
<v Speaker 1>watch the definitely No, no, no, I've never met Prince.

2:01:30.440 --> 2:01:33.960
<v Speaker 1>I've met Preme. You ever met Prince. The thing is

2:01:34.000 --> 2:01:36.640
<v Speaker 1>like when I was a shorty because my mom my aunt,

2:01:36.920 --> 2:01:40.240
<v Speaker 1>that's your my own is a Landis Atlantis said, you know,

2:01:41.040 --> 2:01:44.280
<v Speaker 1>nigga like she got a baby by shorty black brother

2:01:45.080 --> 2:01:49.600
<v Speaker 1>and she used to she you know, uh fat cat

2:01:49.680 --> 2:01:51.760
<v Speaker 1>on the niggas, You know what I mean? On my family.

2:01:52.680 --> 2:01:55.839
<v Speaker 1>I know, the niggas like for a kid, that niggas

2:01:56.320 --> 2:01:59.880
<v Speaker 1>was the illest niggas that you like, the energy with them,

2:02:00.560 --> 2:02:03.960
<v Speaker 1>you know, which is always you know, they were taking

2:02:04.000 --> 2:02:05.520
<v Speaker 1>Kid Vince. There was getting a lot of money. There

2:02:05.560 --> 2:02:07.200
<v Speaker 1>was getting a lot of money and they was getting

2:02:07.200 --> 2:02:09.400
<v Speaker 1>a lot of money on the streets. So which you

2:02:09.480 --> 2:02:14.000
<v Speaker 1>know when that comes, you know, you know, nig said

2:02:14.080 --> 2:02:17.000
<v Speaker 1>the raps wrap life is the damn most dangerous life

2:02:17.720 --> 2:02:20.960
<v Speaker 1>at that time, that was rap life. The block life

2:02:21.040 --> 2:02:23.360
<v Speaker 1>was the illest ship. You know what I'm saying, Like

2:02:23.720 --> 2:02:27.200
<v Speaker 1>Nigga's you know, like you know, Nigga's something you want

2:02:27.240 --> 2:02:30.240
<v Speaker 1>to see. There's a part where l L's actually in

2:02:30.360 --> 2:02:33.200
<v Speaker 1>the club that is crazy. That footage that probably that

2:02:33.400 --> 2:02:37.160
<v Speaker 1>probably I don't know he went yet, but he said,

2:02:37.520 --> 2:02:44.440
<v Speaker 1>but you stand, yeah he's involved, just like he wasn't

2:02:44.520 --> 2:02:48.120
<v Speaker 1>happen yet. He was a pop and you seem you

2:02:48.240 --> 2:02:50.600
<v Speaker 1>see a prince who see them all those things, know

2:02:50.600 --> 2:02:52.760
<v Speaker 1>what I'm saying. He was like yo, he was he

2:02:53.120 --> 2:02:59.440
<v Speaker 1>had yeah, because it's always that you know, that that

2:02:59.480 --> 2:03:02.640
<v Speaker 1>famous I think it's in mysteries. I think it's in

2:03:02.880 --> 2:03:04.280
<v Speaker 1>the mysteries. The Cute Club one of them one of

2:03:04.320 --> 2:03:05.960
<v Speaker 1>them when they all on stage and they all dressed

2:03:06.000 --> 2:03:08.800
<v Speaker 1>up and all that ship that yeah that's it. Yeah yeah,

2:03:08.960 --> 2:03:12.440
<v Speaker 1>that ship didn't even know he was there, all knew

2:03:12.480 --> 2:03:14.120
<v Speaker 1>he was dead. He didn't know it was film. No,

2:03:14.200 --> 2:03:16.640
<v Speaker 1>he said he didn't know that specifically. Was that because

2:03:16.680 --> 2:03:20.800
<v Speaker 1>he said that footage because someone he was that party? Yeah?

2:03:20.880 --> 2:03:27.480
<v Speaker 1>Yeah yeah that ship was like, oh ship, I couldn't.

2:03:27.800 --> 2:03:31.840
<v Speaker 1>I watched the whole ship all together. Serious, I got

2:03:31.880 --> 2:03:33.840
<v Speaker 1>one else telling people I was doing. I was like, yo, yo, man,

2:03:34.480 --> 2:03:38.920
<v Speaker 1>do some before ship right now. And this episode was

2:03:39.000 --> 2:03:41.960
<v Speaker 1>like a complete documentary. It was completely different. I liked

2:03:42.000 --> 2:03:43.840
<v Speaker 1>it the facts. At first, I was like, damn he

2:03:43.960 --> 2:03:46.800
<v Speaker 1>he He'll do a whole ship and not involved Earth. Yeah.

2:03:46.840 --> 2:03:49.280
<v Speaker 1>That was very last And did he had a shanty?

2:03:49.840 --> 2:03:53.400
<v Speaker 1>I was like like, like, like, I believe Dug Bankers

2:03:53.400 --> 2:03:56.000
<v Speaker 1>involved because the Dug Banker, you know all guy and

2:03:56.160 --> 2:03:59.800
<v Speaker 1>Peter from Master Pil did a great job, bro great

2:04:00.360 --> 2:04:02.800
<v Speaker 1>like even down to the backstory of how the area

2:04:02.880 --> 2:04:07.960
<v Speaker 1>got built up by the contractor that their grandfather Griffin. Yeah,

2:04:08.080 --> 2:04:14.400
<v Speaker 1>the people that the Griffin, yeah grandfather, Like I don't

2:04:14.440 --> 2:04:16.040
<v Speaker 1>think the history would have been known like that at

2:04:16.080 --> 2:04:23.160
<v Speaker 1>least that the black and then the riots happened and

2:04:23.200 --> 2:04:28.160
<v Speaker 1>they cut off the streets with the trucks. Is though. Yeah, definitely,

2:04:28.480 --> 2:04:30.160
<v Speaker 1>Queen's got a lot of history. We got a lot

2:04:30.200 --> 2:04:32.440
<v Speaker 1>of history, got a lot of history, man, Queen's get

2:04:32.480 --> 2:04:34.800
<v Speaker 1>the money man. So so what were you doing in

2:04:34.880 --> 2:04:46.520
<v Speaker 1>Passes Downtown? Yeah, he just got that. I was actually

2:04:46.760 --> 2:04:50.640
<v Speaker 1>I was actually in a mentorship program at Passions at

2:04:50.640 --> 2:04:53.800
<v Speaker 1>the strip club. There's a mentorship programs a strip club.

2:04:53.840 --> 2:05:04.520
<v Speaker 1>I'm sorry, passors was a mentorship. I was mentorship. He

2:05:04.640 --> 2:05:09.680
<v Speaker 1>was ordered with mentorship or single moms no, um, because

2:05:09.680 --> 2:05:14.440
<v Speaker 1>I was all her mentorships and um we were. It

2:05:14.560 --> 2:05:17.240
<v Speaker 1>was basically like there was like an hour class that

2:05:17.840 --> 2:05:24.760
<v Speaker 1>just consisted of baby oil. There was an our class that, um,

2:05:25.080 --> 2:05:30.160
<v Speaker 1>you know, we would show you know, like basically richmantic,

2:05:30.400 --> 2:05:34.400
<v Speaker 1>how much to actually do a transaction for like the

2:05:34.520 --> 2:05:36.400
<v Speaker 1>medio ship. Are you saying he wasn't painting for a

2:05:36.440 --> 2:05:39.280
<v Speaker 1>little world? I'm saying, I hold the mentorship. I don't

2:05:39.280 --> 2:05:45.320
<v Speaker 1>even me. What's your program that my son doesn't know about?

2:05:46.720 --> 2:05:48.600
<v Speaker 1>Did penship? Don't on it? But did this type of

2:05:48.640 --> 2:05:54.640
<v Speaker 1>mentor ship? EPC? Did this type of mentor ship? Okay?

2:05:54.720 --> 2:05:57.240
<v Speaker 1>I don't know that. My head was, uh, you know,

2:05:57.480 --> 2:06:00.040
<v Speaker 1>if you know, you know, we need to cool it

2:06:00.160 --> 2:06:05.040
<v Speaker 1>for a lot of stuff. Um. So basically, do we

2:06:05.160 --> 2:06:09.800
<v Speaker 1>know other people who entered this mentorship? Um? No, I

2:06:09.880 --> 2:06:12.680
<v Speaker 1>mean you know I actually had that. I had a situation.

2:06:14.360 --> 2:06:19.000
<v Speaker 1>Um you know that happened on on school grounds out there.

2:06:20.000 --> 2:06:23.840
<v Speaker 1>Uh you know, you know sometimes you know, people want

2:06:23.880 --> 2:06:26.680
<v Speaker 1>to change their homes, their homeroom teacher. It's okay though,

2:06:27.240 --> 2:06:32.800
<v Speaker 1>you know, man, thiss got weird you a whole room school.

2:06:33.360 --> 2:06:35.800
<v Speaker 1>Like I said that away the mentorship program, I'm believing

2:06:35.840 --> 2:06:41.200
<v Speaker 1>at that for single moms, who mama, I'm just saying

2:06:41.960 --> 2:06:44.920
<v Speaker 1>with baby who got the baby? Because there was baby? Oh,

2:06:45.240 --> 2:06:48.240
<v Speaker 1>I don't know about a baby because there's a mean

2:06:48.440 --> 2:06:51.720
<v Speaker 1>right now And that says how that comes if you

2:06:51.800 --> 2:06:55.920
<v Speaker 1>need to know what's you know what the funny thing

2:06:56.040 --> 2:06:58.440
<v Speaker 1>is like? Man, you like that's like t you like

2:06:58.560 --> 2:07:02.000
<v Speaker 1>ten four right now? That's like who to how you

2:07:02.120 --> 2:07:09.760
<v Speaker 1>till forward? This one? I don't know, you know, nigga Yo,

2:07:10.120 --> 2:07:14.400
<v Speaker 1>Nigga asked that nigga about passions. Okay, we're your points.

2:07:19.960 --> 2:07:23.120
<v Speaker 1>The one I ready. I was gonna say I'm ready

2:07:23.160 --> 2:07:31.200
<v Speaker 1>for anything, but I definitely like world. So you you

2:07:31.400 --> 2:07:36.200
<v Speaker 1>like Wyoming? You've been to Wyoming? Yeah, pleasant, I like

2:07:36.400 --> 2:07:39.160
<v Speaker 1>I liked it as it was you around was you

2:07:39.240 --> 2:07:42.600
<v Speaker 1>did when he had the hat on the Maga hat,

2:07:43.040 --> 2:07:48.120
<v Speaker 1>there's only one that Yeah, no one now came after that.

2:07:48.280 --> 2:07:51.600
<v Speaker 1>I came after the TMZ. I was. I was actually

2:07:51.720 --> 2:07:58.160
<v Speaker 1>running the Tribes Merchandise um Um initiative that they have

2:07:58.400 --> 2:08:01.880
<v Speaker 1>with Sony so had had. I was coming off of

2:08:02.200 --> 2:08:05.720
<v Speaker 1>just doing a collaboration with Billionaire boy Club. We did that.

2:08:06.240 --> 2:08:08.840
<v Speaker 1>We did a U trial Buar City jacket for the

2:08:08.880 --> 2:08:12.200
<v Speaker 1>Space program um record. We did it with Frell with

2:08:12.480 --> 2:08:14.480
<v Speaker 1>you know, his own BBCs. We did Dad, We did

2:08:14.520 --> 2:08:17.520
<v Speaker 1>it for Locker Drop. He did a drop with fans

2:08:18.280 --> 2:08:21.120
<v Speaker 1>and then I dropped the phone. When I seen the

2:08:21.160 --> 2:08:24.280
<v Speaker 1>TMZ ship, I was like, or when he said that

2:08:24.360 --> 2:08:26.760
<v Speaker 1>the slavery is a choice, Yeah, the whole ship. It

2:08:26.920 --> 2:08:28.600
<v Speaker 1>was just like, you know, the Twitter ship was going

2:08:28.680 --> 2:08:31.680
<v Speaker 1>off crazy and I was just like, what the fuck okay?

2:08:32.360 --> 2:08:35.280
<v Speaker 1>And I just happened to call I just actually uh

2:08:36.680 --> 2:08:41.080
<v Speaker 1>hockey down Jay by accident, and he picked up. I

2:08:41.200 --> 2:08:45.440
<v Speaker 1>was like, oh, oh ship, what else? Son And you know,

2:08:45.800 --> 2:08:48.480
<v Speaker 1>we had a conversation and he and he actually was like, Yo,

2:08:48.920 --> 2:08:50.560
<v Speaker 1>why don't you just come? I hadn't seen him in

2:08:50.600 --> 2:08:54.920
<v Speaker 1>a while. Um. Um, but you know we was tapping,

2:08:55.120 --> 2:08:59.520
<v Speaker 1>tapping in here's here's here's something to go viral. Um.

2:09:00.040 --> 2:09:02.800
<v Speaker 1>What many people don't know is that Kanye at one

2:09:02.840 --> 2:09:05.240
<v Speaker 1>point was supposed to join trial for the last album

2:09:10.080 --> 2:09:14.160
<v Speaker 1>Wild Fight still was alive. No Fifer passed away. Because

2:09:14.240 --> 2:09:21.160
<v Speaker 1>Fight passed, He's gonna join trial. Um, and that's why

2:09:21.240 --> 2:09:25.440
<v Speaker 1>he's actually on the Killing Season record. UM. So we

2:09:25.640 --> 2:09:29.040
<v Speaker 1>had really started connecting, but I was over here he was,

2:09:29.240 --> 2:09:30.600
<v Speaker 1>he was doing what he was doing, you know what

2:09:30.600 --> 2:09:32.880
<v Speaker 1>I mean? Um, some of the teams each having I mean,

2:09:32.920 --> 2:09:35.400
<v Speaker 1>you know, honestly, I just you know, I'm looking. You know.

2:09:35.480 --> 2:09:37.960
<v Speaker 1>When it did happen that I actually called, was like, Yo,

2:09:38.400 --> 2:09:41.240
<v Speaker 1>you good, and was shift nigga, you know what I'm saying.

2:09:41.640 --> 2:09:44.160
<v Speaker 1>And we just started laughing and doing, you know, having

2:09:44.200 --> 2:09:48.480
<v Speaker 1>our conversation. And then he was like, yo, Yo, why

2:09:48.480 --> 2:09:50.560
<v Speaker 1>don't you just come come? Why don't you just come

2:09:50.600 --> 2:09:53.400
<v Speaker 1>out to Wyoming? Had you been to Whiteoming before? Never

2:09:53.480 --> 2:09:56.040
<v Speaker 1>been to whim? And I was like, did did did

2:09:56.120 --> 2:09:59.440
<v Speaker 1>your did your your negro sensis start going off? Nigga

2:10:00.000 --> 2:10:02.160
<v Speaker 1>three o'clock in the morning. There were there was a

2:10:02.280 --> 2:10:13.400
<v Speaker 1>moose outside of my cabin. What the fun was? And

2:10:13.480 --> 2:10:16.960
<v Speaker 1>I'm like, yo, outside that was sucking ship looking at

2:10:17.000 --> 2:10:19.040
<v Speaker 1>this ship like an old stag and got a hammer

2:10:19.120 --> 2:10:27.920
<v Speaker 1>soup dangerous actually over you with the moose. Remember one

2:10:27.920 --> 2:10:44.120
<v Speaker 1>wants to like going the moose that nigga. Look, you

2:10:44.240 --> 2:10:48.360
<v Speaker 1>don't know now I'm doing on the counter. This niggas

2:10:48.400 --> 2:10:51.760
<v Speaker 1>around like dash. It was crazy on the word with blocks.

2:10:51.760 --> 2:10:53.720
<v Speaker 1>Gotta stayed at one top. So like the first day

2:10:53.720 --> 2:10:55.200
<v Speaker 1>and going to the gym, right, you know what I'm saying,

2:10:55.200 --> 2:10:57.040
<v Speaker 1>Like my ship on phoning gym. You know what I'm saying.

2:10:57.840 --> 2:11:01.560
<v Speaker 1>A fox is walking down the street like fox, fucking fox.

2:11:01.640 --> 2:11:03.360
<v Speaker 1>I don't think I've ever seen the part. No, never

2:11:03.600 --> 2:11:07.240
<v Speaker 1>nigga man felt like even making a silly nigga like yo, yo,

2:11:10.680 --> 2:11:13.560
<v Speaker 1>what the but we I like this ship called the

2:11:13.640 --> 2:11:18.240
<v Speaker 1>first time we asked him. We go to the Bearsville before, Yes, okay,

2:11:18.280 --> 2:11:21.280
<v Speaker 1>but go back to your story question. It's funny. I

2:11:21.400 --> 2:11:25.520
<v Speaker 1>just didn't enjoy from Mike geronim No, and here's Bill

2:11:25.680 --> 2:11:28.600
<v Speaker 1>but not not maeh to see im now his career

2:11:28.640 --> 2:11:31.000
<v Speaker 1>I put him on Well, yeah, the first time went

2:11:31.040 --> 2:11:33.960
<v Speaker 1>to bears Bill was with Mike Geronimo. Okay, let's get

2:11:34.000 --> 2:11:38.080
<v Speaker 1>back the story for story. So but this ship is

2:11:38.160 --> 2:11:43.920
<v Speaker 1>that the Armitage, which is the most it's wooding, but

2:11:44.520 --> 2:11:48.120
<v Speaker 1>like Nigga's like, who the funk was staying there thinking

2:11:48.200 --> 2:11:52.680
<v Speaker 1>that oil Nigga? Yeah, yeah, yeah, but no, no, no,

2:11:52.800 --> 2:11:56.640
<v Speaker 1>I want to say it's like Harrison Ford was out there,

2:11:57.120 --> 2:12:00.360
<v Speaker 1>like Nigga spend any of the Jones money at that ship, right,

2:12:00.640 --> 2:12:04.800
<v Speaker 1>So it's like real selective. We're thugging this ship out.

2:12:04.840 --> 2:12:07.560
<v Speaker 1>I mean like because because because the thing about me

2:12:07.680 --> 2:12:11.720
<v Speaker 1>and yeah is like we don't really got the whole once.

2:12:12.000 --> 2:12:15.520
<v Speaker 1>Once we reconnect, it's it's it's back to what it is,

2:12:16.200 --> 2:12:19.240
<v Speaker 1>what I'm saying. So it's like Niggas is just fucking

2:12:19.360 --> 2:12:23.520
<v Speaker 1>like it. You know, we running through the records, you

2:12:23.520 --> 2:12:25.840
<v Speaker 1>know what I'm saying. Um, So it was a great

2:12:25.920 --> 2:12:28.040
<v Speaker 1>It was actually a great experience, but it just started

2:12:28.080 --> 2:12:31.440
<v Speaker 1>out it started out kind of crazy. But Nas is there.

2:12:32.120 --> 2:12:35.240
<v Speaker 1>Naus was there when I got there. Yeah, nas was

2:12:35.640 --> 2:12:39.840
<v Speaker 1>nas was there because right right, right, right right? So

2:12:39.960 --> 2:12:43.320
<v Speaker 1>we did you joint kissy goos. Then we went to

2:12:43.520 --> 2:12:49.120
<v Speaker 1>l A for Tiana ship. Well we finished Nash. Yeah,

2:12:49.160 --> 2:12:51.000
<v Speaker 1>we went to l A for Tiana ship and then

2:12:51.080 --> 2:12:56.360
<v Speaker 1>nah sh it was was last yeah yeah, yeah, yeah yeah,

2:12:56.480 --> 2:12:58.320
<v Speaker 1>so that ship was ill though that it was ill,

2:12:58.800 --> 2:13:02.000
<v Speaker 1>that ship was ill. So earlier we touched on m

2:13:03.080 --> 2:13:05.800
<v Speaker 1>I told your ghostwriter, you made it, you made it clear.

2:13:05.840 --> 2:13:09.400
<v Speaker 1>That's a different songwriter a songwriter, right, So can you

2:13:09.480 --> 2:13:12.560
<v Speaker 1>tell people lifference between ghost writer songwriter? For those that

2:13:12.640 --> 2:13:16.040
<v Speaker 1>don't know, I'm here in the flesh and my name

2:13:16.120 --> 2:13:19.120
<v Speaker 1>is the ghost. You don't know ghost is And I

2:13:19.200 --> 2:13:21.320
<v Speaker 1>said it before. I feel like it's you know, the

2:13:21.560 --> 2:13:26.960
<v Speaker 1>term ghost right, and actually povertizes especially hip hop because

2:13:26.960 --> 2:13:30.760
<v Speaker 1>you don't there's no ghost pop writer, right. The writers

2:13:30.880 --> 2:13:34.320
<v Speaker 1>usually credited, right. You know. It's like Diane Martell is

2:13:34.360 --> 2:13:37.280
<v Speaker 1>not a ghostwriter, She's a songwriter, right. She wrote and

2:13:37.360 --> 2:13:40.760
<v Speaker 1>Bring My Heart for Tony Braxton, Right, nothing directed Diane.

2:13:41.120 --> 2:13:46.600
<v Speaker 1>I mean Diane, what's her name? It is a Dane

2:13:46.880 --> 2:13:49.040
<v Speaker 1>you know one of you, lady is the lady named Diane.

2:13:49.040 --> 2:13:56.320
<v Speaker 1>I forgot names, so something. And the point that I'm

2:13:56.320 --> 2:13:58.560
<v Speaker 1>trying to make is that at the end of the day,

2:13:58.720 --> 2:14:03.560
<v Speaker 1>these people are credited, given their proper credit. Diane Warren,

2:14:03.720 --> 2:14:05.600
<v Speaker 1>thank you, and hip hop is like a bad word,

2:14:06.320 --> 2:14:09.440
<v Speaker 1>no hip hop and it's a bad dole, you know

2:14:09.440 --> 2:14:11.680
<v Speaker 1>what I'm saying. It's a it's more of a thing

2:14:11.840 --> 2:14:14.800
<v Speaker 1>where it's um like to say, you have a gholser

2:14:14.840 --> 2:14:17.760
<v Speaker 1>what I'm saying. And pop and other genres they don't

2:14:17.800 --> 2:14:22.560
<v Speaker 1>mind putting upright because in there and for them, it's

2:14:22.560 --> 2:14:25.000
<v Speaker 1>all about the final The final product is the only

2:14:25.040 --> 2:14:28.840
<v Speaker 1>thing that matters when hip hop because hip hop is

2:14:28.960 --> 2:14:31.680
<v Speaker 1>also a culture and it feels like itself made. So

2:14:32.120 --> 2:14:34.120
<v Speaker 1>I don't want to give credit to say that somebody

2:14:34.160 --> 2:14:35.840
<v Speaker 1>else helped make You're part of the rules of the

2:14:35.920 --> 2:14:38.800
<v Speaker 1>culture was always being your own person, you know what

2:14:38.840 --> 2:14:42.680
<v Speaker 1>I'm saying, being having that individuality. Um. So, when you

2:14:42.760 --> 2:14:46.640
<v Speaker 1>were presenting yourself as an m C, um, you're presenting

2:14:46.680 --> 2:14:49.520
<v Speaker 1>your you're presenting yourself right, But when you're presenting yourself

2:14:49.520 --> 2:14:50.920
<v Speaker 1>as a rapper, you don't have to be an m

2:14:51.000 --> 2:14:53.480
<v Speaker 1>C to make a hit record, you know what I'm saying.

2:14:53.560 --> 2:14:55.600
<v Speaker 1>And so of the the while, I say it's a

2:14:55.640 --> 2:15:00.200
<v Speaker 1>battle because the bad A lot of in retrospect, lot

2:15:00.280 --> 2:15:02.960
<v Speaker 1>of people should have song writer's, A lot of rappers

2:15:03.000 --> 2:15:07.480
<v Speaker 1>are in position to be bigger, but they don't, and

2:15:07.760 --> 2:15:10.800
<v Speaker 1>they they're they're clinging to the culture. You know what

2:15:10.840 --> 2:15:14.920
<v Speaker 1>I'm saying, Like you as a as a business person,

2:15:15.000 --> 2:15:18.200
<v Speaker 1>as a businessman or woman in in the music business,

2:15:19.000 --> 2:15:22.760
<v Speaker 1>every resource is that your available, is that your available

2:15:22.760 --> 2:15:27.360
<v Speaker 1>as long as the budget allows for such. Right, So

2:15:28.120 --> 2:15:31.880
<v Speaker 1>why would you be why would you be at a

2:15:32.040 --> 2:15:34.920
<v Speaker 1>at a at a six seven figure level as far

2:15:35.000 --> 2:15:40.000
<v Speaker 1>as as a performer, But then minimalize yourself to like

2:15:40.880 --> 2:15:45.160
<v Speaker 1>the elbow grease of writing it all yourself and you're

2:15:45.240 --> 2:15:49.080
<v Speaker 1>and you're not and it's not clicking or or or

2:15:49.200 --> 2:15:53.040
<v Speaker 1>trying to produce it all yourself when when you may

2:15:53.640 --> 2:15:55.600
<v Speaker 1>because you've been on tour, maybe you're a little bit

2:15:55.720 --> 2:15:57.520
<v Speaker 1>out of touch of what radio is doing, what spot,

2:15:57.640 --> 2:16:00.040
<v Speaker 1>what the playlists are doing, what's happening on YouTube. You

2:16:00.280 --> 2:16:04.520
<v Speaker 1>know the number one thing what your brand is brand retention. Right,

2:16:04.920 --> 2:16:08.240
<v Speaker 1>So there is no boundary in that. It's a boundary.

2:16:08.320 --> 2:16:10.680
<v Speaker 1>It's a boundary that you create for yourself and hip hop.

2:16:11.000 --> 2:16:13.120
<v Speaker 1>You know what I'm saying, Because it doesn't mean that

2:16:13.240 --> 2:16:18.360
<v Speaker 1>you're still not like because Kanye has stated that he

2:16:18.560 --> 2:16:29.360
<v Speaker 1>has someone writers is not collaborative. Don't say anything at you.

2:16:30.280 --> 2:16:33.720
<v Speaker 1>We're talking to Mr so So saying all that to

2:16:33.800 --> 2:16:36.920
<v Speaker 1>say that at the end of the day, um yeah,

2:16:37.120 --> 2:16:41.119
<v Speaker 1>like he the number one thing should be final product

2:16:41.160 --> 2:16:43.240
<v Speaker 1>when you get to a certain level as far as

2:16:43.959 --> 2:16:46.879
<v Speaker 1>a name brand, like you know, like when I feel

2:16:46.920 --> 2:16:51.320
<v Speaker 1>like I can't do do the task, then you know,

2:16:51.560 --> 2:16:54.360
<v Speaker 1>if the budget allows for that, then yeah, I don't

2:16:54.360 --> 2:16:56.360
<v Speaker 1>have no problem bringing in nobody to be like Yo,

2:16:56.879 --> 2:16:59.480
<v Speaker 1>whether you keep the whole thing you sparked the idea

2:16:59.520 --> 2:17:02.560
<v Speaker 1>of whatever cases, it's all about getting to to the

2:17:02.680 --> 2:17:04.520
<v Speaker 1>next level. Two that you could be on the radio

2:17:04.600 --> 2:17:09.280
<v Speaker 1>is that you can show why do people always um

2:17:10.720 --> 2:17:15.120
<v Speaker 1>label Dr Dre has a great and everyone knows that

2:17:15.959 --> 2:17:18.400
<v Speaker 1>even like easy Easy he said ice cube right the

2:17:18.480 --> 2:17:21.160
<v Speaker 1>rhymes that I said, Dr Dre is a great everyone

2:17:21.280 --> 2:17:24.120
<v Speaker 1>knows depending on the album that people rights rhyme. But

2:17:24.440 --> 2:17:27.240
<v Speaker 1>they labeled him a great. But yeah, and still when

2:17:27.280 --> 2:17:30.400
<v Speaker 1>people find out, like people like Drake or Kanye West

2:17:30.520 --> 2:17:36.520
<v Speaker 1>has a little help. The purest pist I think, I think,

2:17:36.640 --> 2:17:40.360
<v Speaker 1>I think kind of two different. But the purist accept

2:17:40.440 --> 2:17:43.560
<v Speaker 1>that the purists is like Yo. But but they're saying

2:17:43.560 --> 2:17:46.360
<v Speaker 1>that he said it for Dr Dre, I think, I think,

2:17:46.600 --> 2:17:49.039
<v Speaker 1>but he has collaborators as well. He has people helping

2:17:49.160 --> 2:17:51.880
<v Speaker 1>to play stuff. And I think that Dre was a

2:17:52.000 --> 2:17:55.360
<v Speaker 1>pioneer for a coast and the sound, and I think

2:17:55.400 --> 2:17:58.360
<v Speaker 1>that's me for a lot of people. That supersedes the

2:17:58.879 --> 2:18:01.960
<v Speaker 1>nitpicking of whether he wrote something or not, I think,

2:18:02.480 --> 2:18:05.120
<v Speaker 1>and I think Dre always was presented in a in

2:18:05.200 --> 2:18:09.080
<v Speaker 1>a communal sense. When he put out n w A,

2:18:09.240 --> 2:18:11.360
<v Speaker 1>it was him and others. When he put out the Chronic,

2:18:11.440 --> 2:18:14.120
<v Speaker 1>it was him and others. There's never really been Dr

2:18:14.240 --> 2:18:18.480
<v Speaker 1>Drayden solo, to be all honest, Every Drey record is

2:18:18.520 --> 2:18:23.480
<v Speaker 1>a communal situation. So him rapping the production was it

2:18:23.560 --> 2:18:26.840
<v Speaker 1>was always thought that it was just him, but it's

2:18:26.920 --> 2:18:29.440
<v Speaker 1>all always been, There's never been. He's always been a

2:18:29.560 --> 2:18:34.800
<v Speaker 1>front man, but it's never been all Dr Dre project. No, no, no, Right.

2:18:34.920 --> 2:18:38.240
<v Speaker 1>So the thing is like, so he's never presented himself

2:18:38.600 --> 2:18:43.400
<v Speaker 1>as a Drake, like a drake, right, Drake came and

2:18:43.600 --> 2:18:47.680
<v Speaker 1>presented as presented, this is jovial young money, present Drake

2:18:48.120 --> 2:18:52.560
<v Speaker 1>as an individual. Right, so we we make the assumption

2:18:52.760 --> 2:18:56.000
<v Speaker 1>that this is the individual who's doing it all. And no,

2:18:56.240 --> 2:18:59.439
<v Speaker 1>it's never was explained that, oh he could be collaborating

2:19:00.160 --> 2:19:03.800
<v Speaker 1>the brand, Yeah, the brand on the Nothing that Drake

2:19:03.879 --> 2:19:07.720
<v Speaker 1>did was wrong. It just the information was a league, right.

2:19:07.920 --> 2:19:09.720
<v Speaker 1>It was presented as the least. It was presented as

2:19:09.720 --> 2:19:12.520
<v Speaker 1>something that the public didn't know, right. So then then

2:19:12.879 --> 2:19:15.200
<v Speaker 1>then that made you scratch your head and like, so

2:19:15.560 --> 2:19:17.560
<v Speaker 1>is the guy that I thought or you the guy

2:19:17.600 --> 2:19:19.640
<v Speaker 1>that I thought? Right, that's the number one thing in

2:19:19.760 --> 2:19:22.560
<v Speaker 1>hip hop we won't it's authenticity, or you're the guy

2:19:22.640 --> 2:19:24.520
<v Speaker 1>we thought you was. You know what I'm saying. Everybody

2:19:24.560 --> 2:19:26.880
<v Speaker 1>who's ran into that kind of wall, it's been based

2:19:26.920 --> 2:19:31.160
<v Speaker 1>on their authenticity. Oh now we don't believe you. You

2:19:31.240 --> 2:19:35.000
<v Speaker 1>need more people, you know what I'm saying. So let

2:19:35.040 --> 2:19:40.600
<v Speaker 1>me ask you. I'm gonna take a pece you could ask. Yeah, um,

2:19:42.680 --> 2:19:46.480
<v Speaker 1>Game said that on here, we had him on He

2:19:46.520 --> 2:19:48.680
<v Speaker 1>said that Kanye did more for him in the last

2:19:48.720 --> 2:19:53.200
<v Speaker 1>two weeks and Dr Dre has done his whole career.

2:19:55.080 --> 2:19:57.039
<v Speaker 1>What do you what do you feel about that statement?

2:19:57.160 --> 2:20:00.640
<v Speaker 1>And where was you? Did you hear that statement? And y'allman, Yeah, yeah,

2:20:00.680 --> 2:20:02.119
<v Speaker 1>I mean it was on it was on the internet.

2:20:02.200 --> 2:20:08.080
<v Speaker 1>Yeah yeah, I mean, I mean, I mean, I think

2:20:08.120 --> 2:20:10.040
<v Speaker 1>Game has admitted that he was in his he was

2:20:10.080 --> 2:20:12.760
<v Speaker 1>in his films about the Super Bowl, right, So, I mean,

2:20:14.080 --> 2:20:16.840
<v Speaker 1>you know, Game, when he and his feelings, he'd be

2:20:16.959 --> 2:20:18.920
<v Speaker 1>laying it off like so, I don't even know if

2:20:18.959 --> 2:20:21.560
<v Speaker 1>he even I don't know what his intent was. I

2:20:21.680 --> 2:20:29.959
<v Speaker 1>think he just felt away about like, you know, exclusion, rejection,

2:20:31.360 --> 2:20:35.000
<v Speaker 1>false narratives of relationships drive people to say and do

2:20:35.240 --> 2:20:40.280
<v Speaker 1>things right, Um, yeah you can say that, you know

2:20:40.320 --> 2:20:43.760
<v Speaker 1>what I'm saying. I mean, yeah, that's that's fair to say, like, um,

2:20:44.200 --> 2:20:47.000
<v Speaker 1>disappointment and things that I need to drive people to Like,

2:20:48.240 --> 2:20:50.040
<v Speaker 1>I don't even know that's a game true feeling. I

2:20:50.200 --> 2:20:54.400
<v Speaker 1>just think Game felt defensive, like he felt excluded. He

2:20:54.600 --> 2:20:56.520
<v Speaker 1>you know what I'm saying. That was a big moment,

2:20:56.760 --> 2:20:59.959
<v Speaker 1>and you know, he definitely was, as we could see,

2:21:00.040 --> 2:21:02.040
<v Speaker 1>he was getting enough to put out a project. So

2:21:02.280 --> 2:21:06.080
<v Speaker 1>in his mind, maybe he felt like because Kanye actually

2:21:06.240 --> 2:21:09.080
<v Speaker 1>had done certain things in that two week period around

2:21:09.120 --> 2:21:11.880
<v Speaker 1>the super Bowl, that he was excluded from that and

2:21:12.280 --> 2:21:15.400
<v Speaker 1>it made him say It led to him saying that, oh, okay,

2:21:16.400 --> 2:21:19.040
<v Speaker 1>it's a speculation. I don't know, you know what I'm saying.

2:21:19.040 --> 2:21:21.120
<v Speaker 1>I definitely don't know, but you know that that that

2:21:21.440 --> 2:21:25.240
<v Speaker 1>that's that that could be, that could be what that

2:21:25.280 --> 2:21:27.640
<v Speaker 1>could be a lane for that, you know what I mean?

2:21:28.160 --> 2:21:34.800
<v Speaker 1>So you know, oh, well man, we actually what's next

2:21:34.840 --> 2:21:36.640
<v Speaker 1>for though we didn't actually you asked me what next?

2:21:36.640 --> 2:21:38.000
<v Speaker 1>So so like I said, I got the album, come

2:21:38.080 --> 2:21:41.760
<v Speaker 1>now we got we got the first single is that

2:21:41.840 --> 2:21:45.360
<v Speaker 1>attached to a project. Project of the project was called

2:21:45.440 --> 2:21:50.360
<v Speaker 1>nice doing business with you? Nice? Yeah? Yeah? What's that

2:21:50.480 --> 2:21:55.440
<v Speaker 1>a statement? It definitely yeah. I mean it's a vive

2:21:56.200 --> 2:21:59.240
<v Speaker 1>I mean because I think you know, I'm at the

2:21:59.320 --> 2:22:02.879
<v Speaker 1>point and in first and foremost it's just a statements

2:22:02.920 --> 2:22:05.120
<v Speaker 1>in myself, like you know what I'm saying, like the

2:22:05.240 --> 2:22:07.880
<v Speaker 1>things that I've been through. So that's the old me.

2:22:07.920 --> 2:22:09.640
<v Speaker 1>I ain't moving like that no more. You know what

2:22:09.680 --> 2:22:11.800
<v Speaker 1>I'm saying. Like, So it was just nice doing business

2:22:11.879 --> 2:22:14.879
<v Speaker 1>with that guy from from the tribe. It's nice doing

2:22:14.920 --> 2:22:16.560
<v Speaker 1>that business with the guy from going to music. It

2:22:16.680 --> 2:22:19.160
<v Speaker 1>was you know, the best way the part on business

2:22:19.280 --> 2:22:21.879
<v Speaker 1>terms is to tell somebody nice doing business with you. Right,

2:22:22.000 --> 2:22:25.000
<v Speaker 1>So you're saying you're old. Yes, I'm just saying I'm

2:22:25.000 --> 2:22:31.400
<v Speaker 1>want some new ship, super ceo facts making making every decision,

2:22:32.440 --> 2:22:37.000
<v Speaker 1>No man, but one of two records flew me down here.

2:22:37.600 --> 2:22:41.760
<v Speaker 1>That's that's that's that's your ship. You gott to run

2:22:41.840 --> 2:22:44.440
<v Speaker 1>it from them. One not too right, and whoever else

2:22:44.480 --> 2:22:49.120
<v Speaker 1>wanted it? Now? Man, but I was I said it earlier.

2:22:50.240 --> 2:22:52.840
<v Speaker 1>Oh and I was playing, But I'm not. I'm not

2:22:52.959 --> 2:22:56.640
<v Speaker 1>really playing. Would you really do versus against somebody? And

2:22:57.000 --> 2:22:59.119
<v Speaker 1>if so, who do you think it's a worthy of port?

2:23:00.640 --> 2:23:04.040
<v Speaker 1>I don't know, kick cutting, No, we don't. We don't

2:23:04.040 --> 2:23:06.320
<v Speaker 1>do the same thing. Yeah, that's that's what versus sometimes

2:23:06.360 --> 2:23:09.920
<v Speaker 1>it's about. I mean, if it was a celebration sitting everything,

2:23:10.200 --> 2:23:14.400
<v Speaker 1>I don't, I don't know, not everything. Ain't some someb'

2:23:14.440 --> 2:23:17.080
<v Speaker 1>get nasty. Yeah, you've seen it. You've seen it up

2:23:17.160 --> 2:23:21.879
<v Speaker 1>the three six shots. Some of that you'd get nasty.

2:23:22.320 --> 2:23:28.080
<v Speaker 1>I'm dreaming. Um ah, you're talking about like the san

2:23:28.520 --> 2:23:33.080
<v Speaker 1>No Sean. Yeah, and they wanted in the same movie.

2:23:33.080 --> 2:23:36.920
<v Speaker 1>But like's in the same moment. It's been right right

2:23:37.080 --> 2:23:40.040
<v Speaker 1>right right right right right right now. I don't know.

2:23:40.160 --> 2:23:42.120
<v Speaker 1>It's something to think about, you know what I mean,

2:23:42.160 --> 2:23:44.760
<v Speaker 1>I've seen. I wouldn't want to say no names because

2:23:44.760 --> 2:23:47.119
<v Speaker 1>I've seen what happened with I like both of these things.

2:23:47.200 --> 2:23:49.400
<v Speaker 1>Seen what happened with Bleak and Jewels. I don't know.

2:23:49.640 --> 2:23:51.880
<v Speaker 1>I mean, I don't know, I gotta see. I'm just

2:23:52.320 --> 2:23:57.840
<v Speaker 1>so I'm an album cycle. Charles Hamilton, Charles Hamilton, that's

2:24:01.040 --> 2:24:03.480
<v Speaker 1>I'm just bringing out the wood work. That's the word. Yeah,

2:24:03.600 --> 2:24:06.000
<v Speaker 1>he nice guy, though, I don't, you know, I don't

2:24:06.000 --> 2:24:14.039
<v Speaker 1>only got the plan Asia plan in Asia. I mean, um,

2:24:15.320 --> 2:24:17.240
<v Speaker 1>I don't. I don't know if that would make sense

2:24:17.280 --> 2:24:20.520
<v Speaker 1>for viewers. Okay, let's come on, let's keep thinking, y'all.

2:24:22.360 --> 2:24:26.920
<v Speaker 1>You gotta relax. No, I would, I would Dad too,

2:24:27.080 --> 2:24:29.240
<v Speaker 1>and you know nobody. I mean, I mean, if it

2:24:29.360 --> 2:24:31.720
<v Speaker 1>was in the cell, if it was like Red and Math,

2:24:31.840 --> 2:24:34.560
<v Speaker 1>then yeah, me and Tip. But I wouldn't go you're

2:24:34.560 --> 2:24:40.840
<v Speaker 1>a cute Tip against Red and Math. You know what

2:24:40.920 --> 2:24:43.320
<v Speaker 1>I would you know, you know, you know you know

2:24:43.400 --> 2:24:45.760
<v Speaker 1>what you know that would do. I wouldn't do. I

2:24:45.800 --> 2:24:50.720
<v Speaker 1>would do me and Tip versus Black Star and put

2:24:50.840 --> 2:25:01.879
<v Speaker 1>money off damn breaking news. You you do if Tip

2:25:01.920 --> 2:25:04.560
<v Speaker 1>would down to do it, Me and Tip versus Black Star,

2:25:04.840 --> 2:25:08.760
<v Speaker 1>you in Tip versus Black Star, not try versus Black Star,

2:25:09.000 --> 2:25:11.920
<v Speaker 1>Me and Q Tip versus most definite quality. And I

2:25:12.000 --> 2:25:16.520
<v Speaker 1>mean that's friends respectful, like yeah, it's still respectful. But

2:25:16.600 --> 2:25:19.280
<v Speaker 1>I would do that. I would do that. I would

2:25:19.320 --> 2:25:23.040
<v Speaker 1>definitely do that, and I'm and yeah, I would do that.

2:25:23.520 --> 2:25:25.480
<v Speaker 1>I would do that. I'm gonna do that. I'm not

2:25:25.720 --> 2:25:29.440
<v Speaker 1>you know, extrusive thing is not really uh diversus thing.

2:25:29.520 --> 2:25:31.600
<v Speaker 1>But I'm just saying if it's just throwing an idea

2:25:32.160 --> 2:25:33.800
<v Speaker 1>as far as like because you put me with him,

2:25:33.920 --> 2:25:35.400
<v Speaker 1>I was like, you know you want to put me

2:25:35.600 --> 2:25:39.000
<v Speaker 1>him versus them too? Yeah, the whole native tongue one

2:25:39.040 --> 2:25:42.199
<v Speaker 1>would be dope where it's a celebration but showing showcasing

2:25:42.200 --> 2:25:44.320
<v Speaker 1>everybody's records. I mean, what's your guy happen? I don't

2:25:44.320 --> 2:25:46.680
<v Speaker 1>thinking would though, but it would be dope. Yeah, but

2:25:47.400 --> 2:25:50.400
<v Speaker 1>that but nobody or need to talk who No, No,

2:25:50.800 --> 2:25:54.480
<v Speaker 1>the whole the whole native tongue comes out you j

2:25:54.680 --> 2:25:58.640
<v Speaker 1>B no. No. At this point, they was throwing around

2:25:58.680 --> 2:26:03.240
<v Speaker 1>trial versus outcast. That would be crazy. Yeah, that would

2:26:03.280 --> 2:26:05.480
<v Speaker 1>be dope. Actually, you know, I've never got my trial

2:26:05.520 --> 2:26:09.480
<v Speaker 1>called qush plaque. But let's get back to your ship.

2:26:09.959 --> 2:26:19.879
<v Speaker 1>They say, yeah, that's um. Actually I didn't even get

2:26:19.920 --> 2:26:23.600
<v Speaker 1>one for the last month I'm doing. I mean, obviously

2:26:23.680 --> 2:26:25.640
<v Speaker 1>you know what I'm saying. I mean, you know I'll

2:26:25.680 --> 2:26:29.240
<v Speaker 1>be picking up my thing is wired transfers. That's what

2:26:29.360 --> 2:26:33.560
<v Speaker 1>I respect. You keep going, No, I'm not sure it's

2:26:33.560 --> 2:26:37.879
<v Speaker 1>about the white transfer. So um, so one on one

2:26:38.000 --> 2:26:40.320
<v Speaker 1>verses you're not really interested in I'm not. I'm not

2:26:40.440 --> 2:26:44.240
<v Speaker 1>saying I'm not interested. I'm just I mean because I'm

2:26:44.440 --> 2:26:50.520
<v Speaker 1>the first two artists that you name were, um, I

2:26:50.600 --> 2:26:53.200
<v Speaker 1>don't know what they currently have out, so I don't know.

2:26:53.640 --> 2:26:56.680
<v Speaker 1>Like it's kind of it turned into like a status

2:26:56.800 --> 2:26:58.960
<v Speaker 1>thing and like yours this and you're this and you're this,

2:26:59.080 --> 2:27:01.200
<v Speaker 1>and I'm like, I'm I'm humble enough to say like

2:27:01.280 --> 2:27:03.240
<v Speaker 1>I got my I got my first thing, while in

2:27:03.320 --> 2:27:06.440
<v Speaker 1>a minute, I've been doing a bunch of see my verses,

2:27:06.480 --> 2:27:10.359
<v Speaker 1>isn't fair because I'm right for other people and myself,

2:27:10.879 --> 2:27:14.160
<v Speaker 1>nobody's being blood staining. Let's be clear, nobody, nobody have

2:27:14.240 --> 2:27:16.120
<v Speaker 1>nothing out that's gonna beat that ship right now right

2:27:18.040 --> 2:27:22.800
<v Speaker 1>But he don't have nothing now right this minute. Common

2:27:22.840 --> 2:27:24.920
<v Speaker 1>would be a good one. I mean that that would

2:27:25.000 --> 2:27:27.240
<v Speaker 1>that would be a headye. I mean, you know, Common

2:27:27.280 --> 2:27:28.800
<v Speaker 1>got a lot of records. Though I ain't gonna lie,

2:27:28.879 --> 2:27:30.600
<v Speaker 1>I'm like, I'm not, I'm not over here. And he

2:27:30.720 --> 2:27:32.359
<v Speaker 1>used to love him. He got a lot of records.

2:27:32.640 --> 2:27:35.320
<v Speaker 1>I'll be comming the NBA live. When I first joined tribe,

2:27:35.400 --> 2:27:38.640
<v Speaker 1>when he had the line, I would comment as different,

2:27:39.640 --> 2:27:52.200
<v Speaker 1>but yeah, we're not common ism, you know, comming a legend.

2:27:52.240 --> 2:27:54.200
<v Speaker 1>Ain't know, you can't take it on the way what

2:27:54.240 --> 2:27:57.480
<v Speaker 1>I'm saying like, you know, I'm never I'll celebrating all

2:27:57.520 --> 2:28:00.200
<v Speaker 1>this too. It ain't just about me that I don't

2:28:00.200 --> 2:28:02.520
<v Speaker 1>take learning away from you, I said, like with the

2:28:02.560 --> 2:28:03.760
<v Speaker 1>other people, I'm not. I could have been like man,

2:28:03.800 --> 2:28:07.440
<v Speaker 1>nothing all right, because because look, I want to be

2:28:07.520 --> 2:28:09.960
<v Speaker 1>honest with you. And Nigga ain't know home bots the

2:28:10.000 --> 2:28:13.920
<v Speaker 1>niggas getting no paper. No, I mean, let's let's just

2:28:14.080 --> 2:28:15.640
<v Speaker 1>just be real, like you could call up hold the

2:28:15.720 --> 2:28:25.480
<v Speaker 1>names you want. Niggas is niggas apprehended by poverty, all

2:28:25.560 --> 2:28:28.160
<v Speaker 1>behind the back in the fucking ball, backling chicken wing

2:28:28.280 --> 2:28:32.200
<v Speaker 1>like nigga hurt, you know what I mean. So you

2:28:32.240 --> 2:28:34.760
<v Speaker 1>know what I mean. I'm not a sore winner though

2:28:34.800 --> 2:28:37.880
<v Speaker 1>I'm not here to putting nobody facing a bowl of shit.

2:28:38.320 --> 2:28:41.400
<v Speaker 1>I'm not oning that I'll lift before I do any

2:28:41.440 --> 2:28:43.880
<v Speaker 1>of that, you know what I'm saying. But you know

2:28:44.600 --> 2:28:47.840
<v Speaker 1>I mean. But but I'm I am a rapper. I'm

2:28:47.840 --> 2:28:50.240
<v Speaker 1>an m C first, and part of being a MC

2:28:52.080 --> 2:28:54.160
<v Speaker 1>is this ship. The rob Van damn ship. You know

2:28:54.160 --> 2:28:56.720
<v Speaker 1>what I'm saying. So like when you say certain niggas,

2:28:56.720 --> 2:28:59.480
<v Speaker 1>I wouldn't even climbed through the ring ropes for certain niggas.

2:29:00.400 --> 2:29:02.800
<v Speaker 1>You're not gonna be You're not gonna get past Paronoid

2:29:03.360 --> 2:29:08.600
<v Speaker 1>over eight Away Heartbreak. Who you think wrote that? Read

2:29:08.640 --> 2:29:13.000
<v Speaker 1>your credits. You're not getting past Paranoid. You're not. You

2:29:13.160 --> 2:29:17.959
<v Speaker 1>might not get past Grammy family. I'll call my ship

2:29:18.040 --> 2:29:22.640
<v Speaker 1>out because see, when you participate in the Ryan, it's

2:29:22.680 --> 2:29:25.840
<v Speaker 1>part of yours, part of your compositors. So how are

2:29:25.840 --> 2:29:31.000
<v Speaker 1>you gonna get past on core? Nigger? Kanye called me.

2:29:31.080 --> 2:29:33.040
<v Speaker 1>I was at a barbecue and we we wrote to

2:29:33.040 --> 2:29:37.000
<v Speaker 1>hook the Encore on the phone. Two thousand and three,

2:29:40.080 --> 2:29:41.680
<v Speaker 1>jay Z wrote the wrong not taking another away from

2:29:41.760 --> 2:29:44.600
<v Speaker 1>jay Z, I'm telling how the hook came out. I

2:29:44.920 --> 2:29:47.879
<v Speaker 1>said this to me. Every spoke about this before. That's

2:29:47.959 --> 2:29:54.320
<v Speaker 1>part of my exactly. No, No, I'm not no, No,

2:29:54.720 --> 2:29:58.400
<v Speaker 1>I don't care. I don't care about it. So technically

2:29:58.600 --> 2:30:04.720
<v Speaker 1>I could throw on Core. Great. So then once again,

2:30:04.760 --> 2:30:09.160
<v Speaker 1>if they're gonna play more fucking whatever the funk song,

2:30:11.160 --> 2:30:14.039
<v Speaker 1>you gotta handle that. You gotta handle that, you gotta

2:30:14.200 --> 2:30:16.680
<v Speaker 1>you gotta handle off. You gotta handle a bunch of

2:30:16.720 --> 2:30:19.280
<v Speaker 1>ship and they're good. You you, you gotta handle spaceship.

2:30:21.520 --> 2:30:26.000
<v Speaker 1>What you're gonna do about the spaceship not not too much.

2:30:28.080 --> 2:30:31.720
<v Speaker 1>And who we're talking about again, whoever the fuck dot com,

2:30:32.320 --> 2:30:35.200
<v Speaker 1>dot com, dot org go to go daddy dot com

2:30:35.400 --> 2:30:39.920
<v Speaker 1>or the whole three of them ships dot I think

2:30:40.000 --> 2:30:46.160
<v Speaker 1>that's the way. That's that's the way your coughs. I

2:30:46.240 --> 2:30:49.120
<v Speaker 1>just want to tell you, man, Uh, it's not a

2:30:49.200 --> 2:30:53.080
<v Speaker 1>lot of people who to every era that you survived to.

2:30:53.200 --> 2:30:58.760
<v Speaker 1>That's that's what's crazy. And almost every era in the

2:30:58.879 --> 2:31:02.600
<v Speaker 1>last couple of you know, you've been there, You've been relevant,

2:31:03.520 --> 2:31:06.920
<v Speaker 1>you've been involved with some of the biggest projects that's

2:31:06.959 --> 2:31:10.560
<v Speaker 1>been out. Uh. I want to tell you you know,

2:31:10.680 --> 2:31:13.920
<v Speaker 1>that's not going unnoticed. That's going with a big salute

2:31:13.959 --> 2:31:16.520
<v Speaker 1>to it. Because in order to stay of stay alive

2:31:16.560 --> 2:31:19.240
<v Speaker 1>and survived in this game, I know how hard it is.

2:31:19.600 --> 2:31:22.000
<v Speaker 1>Trust me, I know how hard of this I say,

2:31:22.400 --> 2:31:24.200
<v Speaker 1>and I take my hat off. I'll take my hat

2:31:24.240 --> 2:31:31.840
<v Speaker 1>off to y'all thanks to you. Um. You know, once again,

2:31:31.959 --> 2:31:34.200
<v Speaker 1>we the first time we actually meant what the shades

2:31:34.240 --> 2:31:38.360
<v Speaker 1>of hip hop it's like. And you know, you know,

2:31:38.800 --> 2:31:41.160
<v Speaker 1>I did Drink Chance before when I did it with Tribe.

2:31:41.720 --> 2:31:43.880
<v Speaker 1>You know, we've all stayed in touch since then. I've

2:31:43.920 --> 2:31:48.360
<v Speaker 1>watched you guys become to become become to culture when

2:31:48.360 --> 2:31:52.280
<v Speaker 1>it comes to interviews and YouTube and just just and

2:31:52.480 --> 2:31:57.120
<v Speaker 1>just having artists giving giving the platform that you'll started

2:31:57.640 --> 2:32:02.920
<v Speaker 1>and seeing how don't see of good intent have flourished

2:32:02.959 --> 2:32:06.600
<v Speaker 1>for you guys. Man, you don't take my basically basically

2:32:06.760 --> 2:32:09.119
<v Speaker 1>said you see a lot of ship. Basically you're saying

2:32:09.720 --> 2:32:14.360
<v Speaker 1>not even that right now. I see y'alla see y'all

2:32:14.400 --> 2:32:17.680
<v Speaker 1>become number one. Yes, that's wrack. So that's the whole thing.

2:32:17.840 --> 2:32:21.720
<v Speaker 1>And whether the analytics is one, is two or three

2:32:21.760 --> 2:32:24.480
<v Speaker 1>or Apple of Music, whatever it is, the conversation is

2:32:24.600 --> 2:32:27.760
<v Speaker 1>number one. The conversation has the impact and that's the

2:32:27.800 --> 2:32:29.800
<v Speaker 1>whole thing. It's just like it's a hit record, Drink

2:32:29.879 --> 2:32:34.880
<v Speaker 1>Chance is the head. So we we interviewed Dave Chappelle

2:32:35.640 --> 2:32:39.600
<v Speaker 1>and Dave said, we're just like, yo, you want to

2:32:39.640 --> 2:32:45.000
<v Speaker 1>get this The water was like yo, I said, I said,

2:32:45.160 --> 2:32:48.120
<v Speaker 1>we um, I'm forget what I said about I think

2:32:48.120 --> 2:32:51.720
<v Speaker 1>gonna talking about um the documentary And Dave Chappelle said,

2:32:52.800 --> 2:32:56.120
<v Speaker 1>great guy, and he has great teeth. Yeah. I mean

2:32:56.280 --> 2:32:58.160
<v Speaker 1>he was talking about the old model that you got

2:32:58.800 --> 2:33:04.960
<v Speaker 1>it up with the twenty two for queens get the

2:33:05.040 --> 2:33:09.480
<v Speaker 1>money right, right, So it's the recipes to the over there,

2:33:10.120 --> 2:33:12.320
<v Speaker 1>yeah man, And you know we're all here and ship

2:33:12.400 --> 2:33:16.800
<v Speaker 1>looking right. I little I ain't out here DJ and

2:33:16.840 --> 2:33:24.119
<v Speaker 1>for chicken fingers like a nigger man is though, what's

2:33:24.160 --> 2:33:28.360
<v Speaker 1>causing all this brick Flint said, I ain't out here

2:33:28.440 --> 2:33:30.440
<v Speaker 1>DJ for chicken fingers. They don't call me d J.

2:33:30.560 --> 2:33:34.960
<v Speaker 1>Honey mustard. Nigga man ain't my man. So like I

2:33:35.080 --> 2:33:37.000
<v Speaker 1>told you when we did the text, it's like, you know,

2:33:37.200 --> 2:33:40.520
<v Speaker 1>like that that that's that's that's a nigga getting shut off,

2:33:41.040 --> 2:33:44.160
<v Speaker 1>and that's cool. That's my man. He shouted me out

2:33:44.520 --> 2:33:46.640
<v Speaker 1>on the Grammys. You know what I'm saying. You know,

2:33:46.959 --> 2:33:49.960
<v Speaker 1>but you know, like them shoutouts, you gotta watch some

2:33:50.040 --> 2:33:53.560
<v Speaker 1>shoutouts because then I'm like, shout niggas out like it

2:33:53.640 --> 2:33:59.440
<v Speaker 1>ain't nothing. Nig y'allers don't y'all nigga, you ain't just

2:33:59.440 --> 2:34:03.240
<v Speaker 1>don't like to buying movie between nigga. It ain't stopped

2:34:03.280 --> 2:34:10.080
<v Speaker 1>in two sixteen because Virgil Gon, we're sending it to

2:34:10.200 --> 2:34:13.920
<v Speaker 1>me like I said, it's not a lot of people

2:34:13.920 --> 2:34:17.120
<v Speaker 1>who survived with what what what the this line of

2:34:17.240 --> 2:34:25.000
<v Speaker 1>question is the question in general because because you know,

2:34:25.200 --> 2:34:27.000
<v Speaker 1>it's a lot of ships that goes on this, a

2:34:27.040 --> 2:34:29.040
<v Speaker 1>lot of ship that you know, you stayed strong for

2:34:29.879 --> 2:34:31.520
<v Speaker 1>and you here, you're still to the test of time

2:34:31.600 --> 2:34:33.400
<v Speaker 1>and you and you here. So we want to get

2:34:33.440 --> 2:34:36.000
<v Speaker 1>your flowers what we did. Wanna you know what I mean,

2:34:36.360 --> 2:34:40.480
<v Speaker 1>salute you and we're gonna We're gonna you got anything

2:34:40.480 --> 2:34:43.160
<v Speaker 1>else to say? Anything else want to say? Uh, while

2:34:43.160 --> 2:34:45.760
<v Speaker 1>we're on while we're on revote, make sure you follow

2:34:45.800 --> 2:34:51.080
<v Speaker 1>me on Instagram at car cv um repost any clip

2:34:51.200 --> 2:34:54.480
<v Speaker 1>from this interview, because I'm sure when I reflect back

2:34:54.520 --> 2:34:58.240
<v Speaker 1>on it, I'll be like, at least let me see

2:34:58.240 --> 2:35:00.320
<v Speaker 1>it hit a million and that's what ma, And then

2:35:00.360 --> 2:35:09.360
<v Speaker 1>what do you can say? So let's make it learn.

2:35:17.800 --> 2:35:20.200
<v Speaker 1>Thanks for joining us for another episode of Drink Champs

2:35:20.280 --> 2:35:22.640
<v Speaker 1>hosted by Yours Truly d J E f N and

2:35:22.840 --> 2:35:24.879
<v Speaker 1>n O R E. Please make sure to follow us

2:35:24.920 --> 2:35:28.160
<v Speaker 1>on all our socials. Let's at Drink Champs across all platforms.

2:35:28.680 --> 2:35:32.160
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2:35:32.600 --> 2:35:35.560
<v Speaker 1>Mine is at Who's Crazy on I g AT, d

2:35:35.720 --> 2:35:38.280
<v Speaker 1>j e f N on Twitter, and most importantly, stay

2:35:38.360 --> 2:35:41.400
<v Speaker 1>up to date with the latest releases, news and merged

2:35:41.520 --> 2:35:51.199
<v Speaker 1>by going to drink champs dot com. For more podcasts

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<v Speaker 1>from My Heart Radio, visit the iHeart Radio app, Apple podcast,

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<v Speaker 1>or wherever you listen to your favorite shows.