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Speaker 1: And my voice is not it's doing a lot today's

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Speaker 1: you need to do a g season.

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Speaker 2: We should start, like last time we talked about red leather,

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Speaker 2: yellow leather, red.

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Speaker 1: Red leather. True, we should, we should.

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Speaker 2: I'm sure listeners would love to.

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Speaker 1: I'm sure they love it.

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Speaker 3: They'd probably be like, maybe they could do that before

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Speaker 3: they actually start the show, because that's like the prep

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Speaker 3: for the show, not the actual show.

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Speaker 1: We know, guys, we know.

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Speaker 3: We just like to keep you entertained and on your

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Speaker 3: joes because you never know what's going to happen. But

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Speaker 3: I also did a reading of a friend's play short

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Speaker 3: film last night. Oh I didn't like twice in a row.

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Speaker 3: So I'm like, I didn't realize how much it took

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Speaker 3: out of my voice.

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Speaker 1: Yeah, No, it's it's true.

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Speaker 2: When you're not it's like, yeah, you have to keep

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Speaker 2: up with the practice of whether it's reading scripts or

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Speaker 2: reciting lines. Yeah, I haven't. If I haven't learned lines

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Speaker 2: in a while, I am great.

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Speaker 3: Or I find like if I'm just kind of a

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Speaker 3: day at home, like I'll get out in the world.

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Speaker 1: I'm like, I haven't spoken to anyone.

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Speaker 3: Today, you know, like my voice hasn't operated.

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Speaker 2: Yeah, your voice cracks.

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Speaker 3: But yeah, now I'm gonna drink some coffee and really

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Speaker 3: hydrate it, because you know, what's good for your vocal

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Speaker 3: cords is coffee and caffeine.

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Speaker 1: I know it's not guys, I know it's not well.

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Speaker 2: For your vocal cords. I think it actually improves.

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Speaker 3: I mean there's that, right, it's yeah, what things that

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Speaker 3: you shouldn't do actually work better?

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Speaker 1: Loving it?

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Speaker 2: How are you maby, I'm good, I'm good, I'm here.

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Speaker 1: What's going on?

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Speaker 2: We got the birds? Okay, the eagles, the bald eagles

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Speaker 2: or like most full grown like they look, I can't

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Speaker 2: tell them apart. They're the same size as the parents now.

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Speaker 1: Like Mary Kay Nashley for a lot of people, right,

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Speaker 1: it's true. Oh my god, they were both throw They

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Speaker 1: should have named America. No, we had to be.

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Speaker 2: They don't know the genders yet, so we have got it.

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Speaker 3: Yeah, I guess it's kind of hard to tell on

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Speaker 3: a bird. Yeah, but I'm learning.

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Speaker 1: I'm learning.

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Speaker 2: I think Sonny is a boy and I think Gizmo

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Speaker 2: is a girl. And why is because Gizmo's feet are

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Speaker 2: so much bigger than Sonny's feet, and that's a sign

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Speaker 2: of like females. They got big feet and like really

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Speaker 2: kind of like a bigger beak, like a little like

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Speaker 2: a little.

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Speaker 1: Because a usually the dominant in the species.

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Speaker 2: Females are bigger than males.

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Speaker 1: Yeah, this is this is you know.

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Speaker 2: The women are carrying the load, the emotional loads, emotional load. Yeah,

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Speaker 2: they're doing the alet load, all elet load.

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Speaker 1: Yeah.

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Speaker 2: But we have maybe four more weeks until they fledge. Right,

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Speaker 2: I'm already like emotional about it. I'm already just.

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Speaker 3: Oh my god. They're not even your eglets. I mean

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Speaker 3: they are basically they are.

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Speaker 1: Yeah, But I was telling Mike. He was just like,

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Speaker 1: how do you tell him apart?

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Speaker 2: Now, I can't tell them apart unless they're standing side

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Speaker 2: by side, and then I can tell him apart. It's

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Speaker 2: like Mary Kaine Ashley, that's right, Okay, in the early days,

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Speaker 2: I couldn't tell him apart unless they were standing together.

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Speaker 1: Well, there you go.

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Speaker 3: I'm well, these are so so theis so when they fledge,

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Speaker 3: I take it that that means that that's when they

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Speaker 3: start flying away from the nest.

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Speaker 2: Yes, when they fly they come back now and then

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Speaker 2: to to feast with the family.

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Speaker 1: But no, they're not like they're gone.

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Speaker 2: They start their their fashion empire in New York.

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Speaker 1: That's what they do. That's yeah, that's that feels about right.

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Speaker 3: You know. Well they've been on camera from from before

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Speaker 3: they were.

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Speaker 1: Born, so it's I'm just saying, this is stars are

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Speaker 1: It's hysterical? Oh I love it.

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Speaker 3: I love it.

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Speaker 1: How are you, Jodie Sweeten? What's going on? Eight hours?

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Speaker 3: I did a really awesome read of a fun U

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Speaker 3: short film that my friend is doing.

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Speaker 2: Can you say what it is?

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Speaker 1: Or it's kind of like that.

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Speaker 3: It's called Real Boy, But I can't tell you think

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Speaker 3: anything other than that because it would give away the

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Speaker 3: entire premise of what it's about. But I love it

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Speaker 3: and I loved it when I first read it, and

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Speaker 3: then when you actually see it or hear it like

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Speaker 3: read by other people, yeah, yeah, it's even better.

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Speaker 1: Oh and one of the.

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Speaker 3: Other actors was Christine and I can't think of her

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Speaker 3: last name right now.

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Speaker 1: She played Simone on the head of the Class Oh

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Speaker 1: red hair.

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Speaker 3: Oh yeah, yeah, I don't know her name, but yeah,

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Speaker 3: that's yeah, her name is Christine.

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Speaker 1: I still mean her last name anyway. She was like,

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Speaker 1: you know, familiar, she was like.

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Speaker 3: I was on I was like, oh my gosh. And

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Speaker 3: then somehow we randomly started talking about some ABC promo

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Speaker 3: we did where we all danced to dance it in

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Speaker 3: the streets and it was like head of the class.

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Speaker 3: She was like, that's what I was like, I remember

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Speaker 3: you were there that night and like you were like

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Speaker 3: one of the a few kids and you were having

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Speaker 3: such a great time. But yeah, it was we all

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Speaker 3: did something of like dancing in the street literally like

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Speaker 3: Michael Chickliss, the you know, the bald dude fish.

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Speaker 1: Yeah, he was there. Oh I do remember.

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Speaker 3: Young Indiana Jones was I think also there because they

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Speaker 3: were on ABC two.

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Speaker 2: These are all ABC shows, Okay, yeah.

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Speaker 3: They were all ABC shows Young Indie and I loved one.

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Speaker 1: I loved the show.

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Speaker 3: But I was also friends with the kid who played

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Speaker 3: Young Indie like around our age at the time, so

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Speaker 3: like ten is eleven inch And then I was also

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Speaker 3: madly in love with Sean Patrick Flannery, who was the

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Speaker 3: like twenty something Indiana Jones and I have remained that.

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Speaker 1: Way ever since. I love him. He's just suicide kake

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Speaker 1: all of it.

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Speaker 3: Yeah, love me some Sean Patine, but I got to

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Speaker 3: like dance with him sort of at this ABC thing,

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Speaker 3: and it is a moment that preten Meat treasured forever

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Speaker 3: and obviously told me still because I remember it. So

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Speaker 3: those those if you're listeningito, I just.

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Speaker 1: Want to get the door is always open to the show.

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Speaker 3: Let's talk about, uh the dancing in the streets. I

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Speaker 3: don't know something, but yeah, I just remember anyway, she

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Speaker 3: was there and uh yeah.

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Speaker 1: That's my random story for the.

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Speaker 2: We should have all of our teenage crushes on this show.

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Speaker 3: And remember the entire cast of young writers and it

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Speaker 3: was like about the Pony Express and they were all

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Speaker 3: super hot.

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Speaker 1: I remember I used to sit in your dressing room and.

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Speaker 3: Talk about how cute they were, and you would go

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Speaker 3: off on all the new kids and I would go

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Speaker 3: off on like Josh Brolin or whatever who was on

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Speaker 3: the show, and I was like, oh my god, I

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Speaker 3: love it. And I literally remember you and I sitting

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Speaker 3: together in your dressing room and bushing on and on

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Speaker 3: about our our crushes. Yeah.

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Speaker 2: That's because we were so cool back then.

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Speaker 1: This is what we did. I remember. That's hysterical.

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Speaker 3: I can like vividly remember like sitting in your little

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Speaker 3: small dressing room on the first stage, like there was

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Speaker 3: craft service, and then you were kind of over on

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Speaker 3: this side, like crying where the girls room set was,

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Speaker 3: right yep, and like you were they like there, and

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Speaker 3: there was before the stairway that went up to like

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Speaker 3: the little or whatever.

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Speaker 1: Yeah, the photo wall that my mom created, right, but

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Speaker 1: your mom had with all the yep, all the pictures.

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Speaker 3: But yeah, I remember sitting there and just gushing on

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Speaker 3: and on about that, so I memories.

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Speaker 2: We unlocked a new memory.

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Speaker 1: That's so great.

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Speaker 3: Yeah, I haven't thought about that and forever sitting there

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Speaker 3: and just like getting all giddy.

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Speaker 1: About Yeah, isn't it the best teenager? It really? Is

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Speaker 1: it really a best Yeah? Okay, we'll get them on

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Speaker 1: a show. Oh yeah, that was like a little unlock

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Speaker 1: memory that I forgot. Well, no, because you know what,

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Speaker 1: like a.

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Speaker 3: Memory pops up and you're like, oh that's right, Like

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Speaker 3: it's just something that is flopping around back there. You

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Speaker 3: don't remember it right away anyway.

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Speaker 1: Yes, yeah, I love that.

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Speaker 2: Well, it's only fair we got to have them on

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Speaker 2: the show. We've had two new kids, so we're gonna

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Speaker 2: have your crushes.

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Speaker 1: I got.

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Speaker 2: I got a verbal yes from Joey McIntyre at some point,

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Speaker 2: like I need a year to prepare for that. But yeah,

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Speaker 2: this is great. Let's have all of our crushes all.

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Speaker 1: Let's just do it. Yeah, we got it. We're in.

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Speaker 1: What does Maddie say to this? What Maddie's in, Maddie's

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Speaker 1: love us to do this. It'll just be me being like.

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Speaker 2: It's true that we would have to do videos.

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Speaker 3: I'd be like, I I don't know.

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Speaker 1: I think, I like, I don't know what I would

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Speaker 1: do because we're all old. Now.

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Speaker 2: You know what I meant, get a little you'd get

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Speaker 2: a flutter. You would get a little flutter in your

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Speaker 2: may butterflies in your tummy. You'd get a little tongue tied.

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Speaker 1: Maybe.

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Speaker 3: No, it depends on what they look like now, yea,

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Speaker 3: and what something look like, you know what I mean? Like, yeah,

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Speaker 3: because they were considerably older than I was at the time,

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Speaker 3: like by fifteen years, so you know, they're like sixty now.

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Speaker 1: So I mean, I don't know what's happened. I I do.

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Speaker 3: Like the older man, I say, uh yeah, I uh,

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Speaker 3: I don't know.

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Speaker 1: I guess I guess we have to see, you know,

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Speaker 1: time will tell.

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Speaker 2: Okay, we'll look them up, we'll do some research.

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Speaker 3: We'll do Now, I feel like I've talked about him,

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Speaker 3: and now if they're not on the show, it's people

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Speaker 3: are gonna be.

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Speaker 2: Like he she thinks he's I'll be like, oh no, no, no,

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Speaker 2: it's because they're busy, like very busy. They don't have

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Speaker 2: room in their schedules for sure.

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Speaker 3: No. Oh boy, well wow we got We went from

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Speaker 3: eaglitz to teen crushes. Yeah, where have we been the

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Speaker 3: last nine minutes and thirty seconds?

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Speaker 1: Gone so many places? So I don't know. We just

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Speaker 1: roll it.

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Speaker 2: We don't pre plan these. We just whatever's on our mind.

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Speaker 1: We just I think we can tell.

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Speaker 3: I think they I think the audience is like, yep,

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Speaker 3: we're we know. We know that tell that we have

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Speaker 3: not done anything to prepare. I don't know that it

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Speaker 3: would be better or worse if we had prepared and

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Speaker 3: the was still what came out.

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Speaker 1: You know, that's so bad. We used to joke the live.

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Speaker 3: Comedy show that I did online the STSC Social Distance

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Speaker 3: Social Club, when we would all get on there, even

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Speaker 3: when we would have a production meeting, the show would

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Speaker 3: go as off the rails and unorganized as.

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Speaker 1: It did when we didn't have one. So we kind

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Speaker 1: of just called it a wash.

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Speaker 3: And we were like, I guess we just don't need

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Speaker 3: to because we don't remember really what we say in

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Speaker 3: the meeting anyways, that's fairy.

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Speaker 2: What's the point, that's just wasted?

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Speaker 3: Says, just see what the magic happens.

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Speaker 1: You know, that's your jam.

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Speaker 2: You're good with, like just rolling with the punches, just

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Speaker 2: doing reading cold readings cold, Like what are your best?

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Speaker 2: That's like your superpower is your best when you're unprepared?

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Speaker 3: Yeah?

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Speaker 1: Enough, because you know why, because I can't overthink it?

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Speaker 3: Yeah, okay, because I will most often go with my

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Speaker 3: first instinct instance.

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Speaker 1: Yeah, and that's usual than being like, oh wait should

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Speaker 1: I should? I don't know, does that mean I should

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Speaker 1: adopt that?

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Speaker 2: Because I am an chronic overthinker, so I think I

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Speaker 2: need to be fair think.

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Speaker 1: Less well to be fair.

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Speaker 3: There are instances in my life when I should have

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Speaker 3: done more of that, more thinking, less doing.

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Speaker 2: So it's you know, it all evens out, Yeah, yeah,

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Speaker 2: it evens out somewhere.

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Speaker 3: Basically, you want to have one friend that overthinks things

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Speaker 3: and one friends that just like jumps off the edge,

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Speaker 3: and then they balance each other out, like you and I.

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Speaker 2: This is why our podcast works because I, you know,

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Speaker 2: I I put effort into that. I like, I read

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Speaker 2: the rundown I got, But dare.

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Speaker 3: You I skim it with my eyeballs?

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Speaker 2: I do you watch the episode?

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Speaker 1: I watch these episodes, and I usually watch it one,

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Speaker 1: usually the night before, so it's like fresh in the brain. Yeah, okay, okay.

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Speaker 3: And usually because I've forgotten until then, that's neither here.

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Speaker 2: Well, yeah, if you don't, you don't want to watch

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Speaker 2: the show too far in advance, because you will, You'll forget.

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Speaker 2: I'll forget too.

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Speaker 3: So I mean we even when we watched the two

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Speaker 3: wedding episodes, I was already in the next one thinking

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Speaker 3: about what happened, and yeah.

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Speaker 1: It was like what they got married?

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Speaker 2: Oh well, anyway, anyway, here we are on this show.

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Speaker 1: Let's do it.

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Speaker 2: Welcome back to Howard Tanneritos. I'm Andrea Barber and I'm

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Speaker 2: Jody Sweeten, and today we're discussing season four, episode twenty one,

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Speaker 2: The Hole in the Wall Gang.

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Speaker 1: Oh. Such a classic episode and favorite. Yeah, it is

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Speaker 1: so exciting.

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Speaker 2: It aired on March first, nineteen ninety one, and it

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Speaker 2: goes a little something like this. DJ and Stephanie attempt

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Speaker 2: some renovations of their own when the house is remodeled again.

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Speaker 2: An this house goes through so much remodeling, moving, it's

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Speaker 2: just constantly under.

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Speaker 1: This house is the magical school Bus of houses. It

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Speaker 1: really is.

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Speaker 2: It was directed by Joelswick. It was written by Craig

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Speaker 2: Heller and Guy Shulman. Gee Shulman, I don't know.

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Speaker 1: I don't probably got them. Probably guys it's French. Then

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Speaker 1: it could be Gee never know. I I don't remember them.

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Speaker 1: So I have no idea.

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Speaker 2: And we have no guest stars again this week. They're

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Speaker 2: kind of keeping it tight, you know, they spent the

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Speaker 2: budget and.

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Speaker 3: The season and they're like, look, we gotta we've spent

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Speaker 3: too much on we can't any more guests, too many

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Speaker 3: animals and remodels.

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Speaker 1: Absolutely. Uh So we start with the.

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Speaker 2: Teaser in Joey's new room, which is the old Uncle

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Speaker 2: Jesse room which was previously Stephanie's rooms.

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Speaker 1: This room has seen a lot.

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Speaker 3: This room has seen things, Yeah, some things it has.

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Speaker 2: Joey is carrying a moving box into Jesse's former room

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Speaker 2: and he's instructing Michelle to be very careful while carrying

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Speaker 2: his Popeye doll into the room. She asks where he

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Speaker 2: wants Popeye to go and he suggests that she put

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Speaker 2: him next to Olive Blueto can't get at her.

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Speaker 1: Okay, he's great, that makes sense.

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Speaker 2: That's uh, he's put some forethought into how to protect

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Speaker 2: his dolls.

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Speaker 1: You know that's very drunk a pop Eye fan. No,

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Speaker 1: not like I would think it was. Yeah, I think

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Speaker 1: I was.

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Speaker 3: We were a little young for I mean it was on,

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Speaker 3: like there were some Popeye cartoons, but I think it was.

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Speaker 1: Yeah, but it wasn't must see TV or must.

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Speaker 3: See By and like Gumby were of the same era.

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Speaker 3: Like I remember they were still on and we watched them,

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Speaker 3: but like they weren't sort of the newer hipper thing.

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Speaker 1: Yeah, I I feel like those.

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Speaker 2: It's it was more about the merch, like like it

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Speaker 2: went took off. When the merch took off, there was

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Speaker 2: like pot.

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Speaker 3: By movie, pot By movie, you know what I mean

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Speaker 3: with Robin Williams and.

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Speaker 1: My gosh, lady from the Shining it was Olive Oil.

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Speaker 3: Oh my gosh, I love her, very tall, just passed recently. No,

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Speaker 3: she was the but wife and the Shining Shelley Devall.

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Speaker 1: There we go, Hey, there you go.

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Speaker 2: Oh Okay, now I want to rewatch that movie.

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Speaker 1: That's Actually, that's a great movie.

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Speaker 3: So now that I think about it, that was I

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Speaker 3: think of a more timely reference.

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Speaker 1: Yes, that's a that's a good point.

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Speaker 2: So Joey thanks Michelle for helping, and he asks, can

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Speaker 2: you believe I've finally moved into Uncle Jesse's old room,

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Speaker 2: and Michelle changes the subject, how come you play with dolls?

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Speaker 2: It's valid, It's kind it's a valid question, you know,

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Speaker 2: like it's if you just walked into this room for

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Speaker 2: the first time and just met Joey for the first time,

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Speaker 2: you'd be like, why.

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Speaker 1: Are there dolls of it? There's a lot of questions,

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Speaker 1: there's a lot, a lot.

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Speaker 2: So Joey reminds her that he's a grown man and

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Speaker 2: he does not play with dolls, but he admits that

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Speaker 2: he does make pop Eye dance, walk, talk and laugh.

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Speaker 1: Michelle points out that that's playing with a doll.

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Speaker 2: Joey can't disagree with her there, so he emphasizes that

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Speaker 2: he's playing with the doll in a manly way.

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Speaker 3: There's no manly you could you just play with a

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Speaker 3: doll in the way you play the dollway must embrace it.

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Speaker 3: This is.

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Speaker 1: No crowds.

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Speaker 2: Okay, Well, he does punctuate every kiss, you know, with

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Speaker 2: a Popeye voice or a bowl.

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Speaker 1: You know, this is what he thinks is Popeye was?

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Speaker 1: You know he was Uh, he was a real feminist.

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Speaker 3: You know.

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Speaker 2: If I was manly, you saw his muscles, his muscles,

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Speaker 2: but he didn't.

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Speaker 1: That didn't define him, you know what I mean. He

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Speaker 1: was more than that. He was a sailor man. Other

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Speaker 1: than that, I don't know what the hell happened. And

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Speaker 1: he like spinach, so yeah, it'd be all bad.

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Speaker 2: That's what I That's what I was told as a kid.

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Speaker 2: You have to eat your spinach to get strong, just

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Speaker 2: like Popeye.

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Speaker 3: Like that, you only have one arm that was like

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Speaker 3: particularly then, you only have like one arm that was

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Speaker 3: really like.

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Speaker 1: The four the four arm arms particularly large.

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Speaker 3: And we're finding out this is a hole in my

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Speaker 3: knowledge area, which is Popeye.

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Speaker 1: Who knew we could take Popeye and go off on

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Speaker 1: that kind of tangent? Sorry, this is this is what

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Speaker 1: we do.

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Speaker 2: Michelle insists, let's sing the Popeye song, and Joey takes

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Speaker 2: the lead in his pristine Popeye voice.

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Speaker 1: Heye, you don't.

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Speaker 2: I mean, there's no there's no debating that Dave is

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Speaker 2: the best at the Popeye voice. With each line, Michelle

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Speaker 2: copies what Joey sings, and at the end she gives her.

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Speaker 1: Own little tottute.

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Speaker 2: Whoa, she did really good.

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Speaker 1: She she did great, but you did better? Oh, thank you?

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Speaker 2: Well, she even did the little crooked mouth.

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Speaker 1: Yeah, she did so good. I was very real, very cute.

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Speaker 2: Yeah, And we're back to teasers that sort of tie

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Speaker 2: in loosely with what's going.

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Speaker 1: On in the main storyline.

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Speaker 3: Come a little less, uh, Richard, Michelle and her sugar obsession, right, yeah, No,

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Speaker 3: Michelle walking into rooms and asking very blunt and direct questions.

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Speaker 2: Now, now Michelle's just judging right now.

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Speaker 1: Now, we're just down to judging, Michelle. I'm here for

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Speaker 1: the judging, Michelle Era.

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Speaker 2: Hey there, faner Ritos. We have a very exciting announcement

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Speaker 2: to make.

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Speaker 3: We are hosting a live event on June fifth at

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Speaker 3: the iHeartRadio Theater in Burbank, California.

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Speaker 1: And it is not just any live event.

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Speaker 2: Oh no, in honor of Jesse and Becky's wedding in

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Speaker 2: season four. Not only will this event be wedding themed,

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Speaker 2: we will also have John Stamos and Laurie Lachlan joining us.

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Speaker 3: This is amazing plus we have a few special guests

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Speaker 3: who will be making an appearance as well.

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Speaker 1: Trust us, it is going to be the vow renewal

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Speaker 1: of the season of the year.

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Speaker 2: Okay, We've never done anything like this.

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Speaker 1: I'm so exciting.

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Speaker 3: I don't know what's going to happen, and if you

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Speaker 3: listen to this podcast, you know you don't.

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Speaker 1: Either, so.

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Speaker 2: But we promise it will be entertaining.

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Speaker 1: You can buy tickets. Click the link in our Instagram

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Speaker 1: bio how Rude Podcast to purchase.

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Speaker 3: We can't wait to see you guys there, So dress

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Speaker 3: in your best wedding attire on June fifth and we

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Speaker 3: will see you at Jesse.

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Speaker 2: And Becky's Power Now all yay, So next, Jesse walks

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Speaker 2: in to give Joey the heads up that he's doing

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Speaker 2: some plumbing work in the attic, so he had to

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Speaker 2: turn the main water line off. He hopes it isn't

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Speaker 2: inconveniencing anyone. On cue, Danny walks in with a hair

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Speaker 2: full of sudsy shampoo. He has one question for Jesse.

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Speaker 2: Did you actually wait until the shampoo was burning my

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Speaker 2: eyes before you turned the water off. Jesse admits that

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Speaker 2: was just dumb.

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Speaker 1: Luck.

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Speaker 2: Then he grabs a little squeegee from his pocket.

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Speaker 3: Just happen to have that on hand, Kay, Well, squeegees

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Speaker 3: are essential to plumbing obviously.

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Speaker 1: I mean it's you gotta fix the pipe with the squeege.

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Speaker 1: I don't know. Yeah, no, maybe it was washing the windows.

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Speaker 1: It's not like a pipe.

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Speaker 2: So he brushes Danny's hair out of his face, but

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Speaker 2: he's Danny still.

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Speaker 1: Had like water.

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Speaker 2: I'm like, no, you have to squeegee the squeegee the

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Speaker 2: skin and then the hair.

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Speaker 1: Squeegee the skin right off his forehead.

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Speaker 2: No, but just wipe the water off and the SuDS

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Speaker 2: off the squeegee.

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Speaker 3: You use the one side and then you get the

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Speaker 3: drip and then you gotta you gotta do the little

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Speaker 3: wrist like the wrist, you know, the thing on the

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Speaker 3: other side.

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Speaker 1: So it's very hard to do on a head. Yeah, yeah,

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Speaker 1: because the head is not flat.

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Speaker 3: It is.

446
00:20:44,560 --> 00:20:49,440
Speaker 1: It's an art. It's an art form to squeegee. I

447
00:20:49,560 --> 00:20:50,359
Speaker 1: kind of miss that, you know.

448
00:20:50,560 --> 00:20:52,159
Speaker 2: Now that I have an electric car, I don't go

449
00:20:52,240 --> 00:20:55,440
Speaker 2: to gas stations anymore, and I kind of miss the squeegee,

450
00:20:55,640 --> 00:20:58,280
Speaker 2: you know, the bucket of dirty water and the big

451
00:20:58,359 --> 00:21:00,720
Speaker 2: squeegee and all the paper towels you can take out,

452
00:21:00,800 --> 00:21:01,240
Speaker 2: like I.

453
00:21:01,320 --> 00:21:02,840
Speaker 1: Really enjoyed that. That was so satis.

454
00:21:02,920 --> 00:21:03,119
Speaker 2: It was.

455
00:21:03,200 --> 00:21:06,040
Speaker 1: Yeah, it was very windows. I'm gonna get squeegee from it.

456
00:21:06,359 --> 00:21:09,000
Speaker 3: Still drive through the your car still has windows, I

457
00:21:09,119 --> 00:21:12,320
Speaker 3: assume you can. Still you're really missing it. You could

458
00:21:12,359 --> 00:21:14,720
Speaker 3: still go squeegee a window. You just don't have to

459
00:21:14,760 --> 00:21:17,600
Speaker 3: fill it up with gas leveled.

460
00:21:17,280 --> 00:21:19,400
Speaker 2: Times as long as the as station doesn't mind. I'm

461
00:21:19,440 --> 00:21:21,600
Speaker 2: taking up a bay. You can.

462
00:21:22,200 --> 00:21:23,359
Speaker 3: You can take up a bae if you go in

463
00:21:23,480 --> 00:21:25,080
Speaker 3: to get a snack, that's.

464
00:21:24,920 --> 00:21:26,760
Speaker 1: True, I'll buy it. I'll buy a candy bar. I

465
00:21:26,800 --> 00:21:28,040
Speaker 1: don't see any bar.

466
00:21:28,119 --> 00:21:29,359
Speaker 3: You can just be like, oh I am here to

467
00:21:29,440 --> 00:21:31,720
Speaker 3: squeegee and that's it, and then you will just drive

468
00:21:31,800 --> 00:21:32,120
Speaker 3: right off.

469
00:21:32,359 --> 00:21:33,240
Speaker 1: That feels a little greedy.

470
00:21:33,280 --> 00:21:35,359
Speaker 2: I feel like I need to support the establishment if

471
00:21:35,359 --> 00:21:36,720
Speaker 2: I'm going to be stealing their water.

472
00:21:36,920 --> 00:21:40,600
Speaker 1: How dirty is that water? When is the last time

473
00:21:40,680 --> 00:21:42,359
Speaker 1: you think anyone even changed it?

474
00:21:42,960 --> 00:21:46,680
Speaker 3: And you're worrying about spending seven dollars on an overpriced

475
00:21:46,760 --> 00:21:49,960
Speaker 3: granola bar so that they cannot change the water for

476
00:21:50,040 --> 00:21:51,040
Speaker 3: another thirty days?

477
00:21:51,480 --> 00:21:54,480
Speaker 1: Okay, good point, you have a good point.

478
00:21:54,560 --> 00:22:02,240
Speaker 2: Yeah, okay, moving on, moving right off from this Maddie's like, what's.

479
00:22:02,040 --> 00:22:04,680
Speaker 1: Wrong with the Today talked about Popeye?

480
00:22:04,880 --> 00:22:11,040
Speaker 2: The history of Popeye. Squeegee are in the girl's room.

481
00:22:11,240 --> 00:22:14,280
Speaker 2: Kimmy and DJ are hanging out and Kimmy asks what

482
00:22:14,440 --> 00:22:17,399
Speaker 2: does DJ think of her new orange lipstick?

483
00:22:17,720 --> 00:22:21,960
Speaker 1: And she alwayss her lips. This was bad.

484
00:22:22,040 --> 00:22:23,840
Speaker 2: I mean, I know it's meant to be bad, but oh,

485
00:22:23,960 --> 00:22:25,760
Speaker 2: here we go. This is the beginning of Kimmy and

486
00:22:25,840 --> 00:22:30,400
Speaker 2: her bad lipstick colors. She puckers her lips and DJ

487
00:22:30,840 --> 00:22:33,240
Speaker 2: just tells it to her straight. It's perfect if you're

488
00:22:33,320 --> 00:22:37,600
Speaker 2: dating Ronald McDonald. And I just had such trouble watching

489
00:22:37,680 --> 00:22:41,040
Speaker 2: myself in the scene because between the braces and the

490
00:22:41,200 --> 00:22:44,400
Speaker 2: horrible lipstick, I was just like, and it's just all

491
00:22:44,440 --> 00:22:47,600
Speaker 2: about you're right, You're like, yeah, what is my mouth

492
00:22:47,720 --> 00:22:48,080
Speaker 2: so big?

493
00:22:49,200 --> 00:22:51,920
Speaker 1: Well, when you embraces, you gotta work, you gotta talk

494
00:22:52,080 --> 00:22:53,680
Speaker 1: hard to get yeah. Yeah.

495
00:22:53,800 --> 00:22:57,760
Speaker 3: So I was very distracted by myself anything around, if

496
00:22:57,800 --> 00:22:59,320
Speaker 3: that makes it. I mean no, I didn't know. I

497
00:22:59,359 --> 00:23:01,640
Speaker 3: mean other than you bright orange lipstick, but like I didn't.

498
00:23:02,080 --> 00:23:04,000
Speaker 3: It wasn't like I was like, what's wrong with Andrea?

499
00:23:04,280 --> 00:23:06,360
Speaker 1: Yeah, okay, well that makes me feel better, Okay, great?

500
00:23:06,400 --> 00:23:09,680
Speaker 2: Yeah, yeah, so then Stephanie cheerfully walks in with a

501
00:23:09,760 --> 00:23:12,440
Speaker 2: moving box in hand, and she shouts, I'm back.

502
00:23:13,160 --> 00:23:16,280
Speaker 1: Why are these people backing all these moving boxes? They're

503
00:23:16,320 --> 00:23:20,199
Speaker 1: moving in the house. There's a laundry basket, you know, a.

504
00:23:20,200 --> 00:23:21,480
Speaker 2: Lot of like toys and things.

505
00:23:21,560 --> 00:23:24,479
Speaker 1: So you have to I don't know there there boxes

506
00:23:24,520 --> 00:23:25,000
Speaker 1: are taped.

507
00:23:26,200 --> 00:23:26,440
Speaker 2: Yeah.

508
00:23:27,040 --> 00:23:29,280
Speaker 1: Oh I'm moving across the hall. Yeah.

509
00:23:29,280 --> 00:23:31,800
Speaker 2: You don't even need a top on the box, just.

510
00:23:32,000 --> 00:23:36,800
Speaker 1: Yeah, just throw things and laun Yeah. Anyway, anyway, whatever

511
00:23:36,880 --> 00:23:37,400
Speaker 1: the joke work.

512
00:23:38,800 --> 00:23:42,119
Speaker 2: So DJ and Kimmy groan, and steph responds, oh, thank you,

513
00:23:42,240 --> 00:23:44,600
Speaker 2: you're too kind, and she sets her things down on

514
00:23:44,680 --> 00:23:48,040
Speaker 2: her side of the room. DJ winds to Kimmy, I

515
00:23:48,080 --> 00:23:50,320
Speaker 2: can't believe I'm sharing my room with an eight year

516
00:23:50,359 --> 00:23:53,520
Speaker 2: old again. Stephanie walks over to them and plops a

517
00:23:53,600 --> 00:23:57,480
Speaker 2: doll onto DJ's bed, telling her to believe it, Babe.

518
00:23:57,760 --> 00:23:59,720
Speaker 1: I believe that doll was in Becky's apartment last week.

519
00:24:00,600 --> 00:24:03,440
Speaker 1: Probably No, I'm not, no joke, Well I think it was.

520
00:24:03,480 --> 00:24:05,400
Speaker 1: It was sitting in the windowsill. Was the red breast

521
00:24:05,480 --> 00:24:07,640
Speaker 1: all with the red breast creepy doll. Yeah, hey, they're

522
00:24:07,720 --> 00:24:08,600
Speaker 1: recycling props.

523
00:24:10,400 --> 00:24:14,680
Speaker 2: So then Stephanie notices a compact on the bed and exclaims, oh, neat,

524
00:24:14,880 --> 00:24:18,000
Speaker 2: we're playing makeup, and DJ corrects her, we do not

525
00:24:18,359 --> 00:24:22,920
Speaker 2: play makeup. We wear makeup. Jimmy smirks, Yeah, kid, go

526
00:24:23,040 --> 00:24:26,919
Speaker 2: watch Sesame Street. Stephanie argues, I do not watch Sesame Street.

527
00:24:27,280 --> 00:24:31,040
Speaker 2: And besides, it's not on till four o'clock. This is like,

528
00:24:31,320 --> 00:24:32,600
Speaker 2: this is art imitates life.

529
00:24:32,720 --> 00:24:37,639
Speaker 1: This is the street. I love Sesame Street. It's brilliant

530
00:24:37,680 --> 00:24:41,440
Speaker 1: and amazing. Yeah, and public broadcasting maybe going away, So

531
00:24:41,600 --> 00:24:44,840
Speaker 1: let's all go support Sesame Street. Yes, yes, I was

532
00:24:44,920 --> 00:24:45,760
Speaker 1: just I was loving this.

533
00:24:45,840 --> 00:24:49,360
Speaker 2: I'm like, oh, you've loved you have loved Sesame Street, muppets.

534
00:24:49,040 --> 00:24:51,960
Speaker 1: Since Sesame Street. I was like two three it was

535
00:24:52,560 --> 00:24:55,480
Speaker 1: I've just loved it, absolutely loved it. It was your

536
00:24:55,600 --> 00:24:56,360
Speaker 1: jam yep.

537
00:24:57,000 --> 00:24:59,760
Speaker 2: So DJ reminds Stephanie of the rules in their shared

538
00:25:00,040 --> 00:25:02,639
Speaker 2: bedroom number one. She must keep all of her baby

539
00:25:02,680 --> 00:25:05,040
Speaker 2: stuff on her side of the room. Steph tells her

540
00:25:05,119 --> 00:25:07,359
Speaker 2: that she doesn't have any baby stuff, and then she

541
00:25:07,440 --> 00:25:09,720
Speaker 2: squeezes her doll and it blurts out mama.

542
00:25:09,960 --> 00:25:14,480
Speaker 1: Which was Dave. By the way, that's Dave's voice. Yeah,

543
00:25:14,520 --> 00:25:17,000
Speaker 1: I didn't even I didn't catch that. That's his spherical.

544
00:25:17,119 --> 00:25:17,560
Speaker 3: I love it.

545
00:25:18,560 --> 00:25:21,240
Speaker 2: DJ teases her for this, and Stephanie scolds her, doll,

546
00:25:21,600 --> 00:25:25,119
Speaker 2: you couldn't keep your mouth shut. Okay, we have to

547
00:25:25,200 --> 00:25:29,440
Speaker 2: talk about why why. I feel like DJ's fourteen now.

548
00:25:29,640 --> 00:25:32,160
Speaker 2: I kind of feel like DJ deserves her own room

549
00:25:32,680 --> 00:25:36,399
Speaker 2: and Stephanie and Michelle should move in together, like I mean,

550
00:25:37,920 --> 00:25:40,240
Speaker 2: we get there, we do, but like if they're like

551
00:25:40,280 --> 00:25:42,920
Speaker 2: the next season, I think pretty early next season, the

552
00:25:43,040 --> 00:25:44,320
Speaker 2: early next season, Okay, I.

553
00:25:44,320 --> 00:25:48,280
Speaker 3: Think because I seem to remember, like season five was

554
00:25:48,359 --> 00:25:55,400
Speaker 3: when we redid uh DJ or we redid the rooms.

555
00:25:56,040 --> 00:25:58,960
Speaker 3: I remember set Deck really had a lot of input

556
00:25:59,040 --> 00:26:01,719
Speaker 3: from me and Mary Kate when we redecorated the room.

557
00:26:01,760 --> 00:26:03,919
Speaker 3: I have pictures of us like what go then when

558
00:26:03,960 --> 00:26:05,600
Speaker 3: they showed it to us and like pulled back the

559
00:26:06,160 --> 00:26:08,240
Speaker 3: thing after they had redecorated.

560
00:26:07,680 --> 00:26:08,840
Speaker 1: Steph and Michelle's room.

561
00:26:08,920 --> 00:26:11,840
Speaker 2: Yeah. Oh, I can't even remember what the new room

562
00:26:12,359 --> 00:26:16,560
Speaker 2: looked like. I vaguely remember DJ's room because I was

563
00:26:16,600 --> 00:26:18,840
Speaker 2: in it, but I don't remember. I don't remember the

564
00:26:18,960 --> 00:26:20,080
Speaker 2: Stephanie Michelle room.

565
00:26:20,160 --> 00:26:22,359
Speaker 1: I'm excited, yeah when that comes up.

566
00:26:23,000 --> 00:26:27,399
Speaker 2: Yeah, Jody's right, Michelle, Michelle and Stephanie Yeah, Michelle and

567
00:26:27,400 --> 00:26:30,399
Speaker 2: stuff move in in season five. Well we're done, Jody Sweeten.

568
00:26:30,480 --> 00:26:34,240
Speaker 2: Look at that memory recalling random stuff that doesn't actually matter.

569
00:26:34,320 --> 00:26:37,639
Speaker 3: As long as it's roughly around thirty years old, I

570
00:26:37,760 --> 00:26:38,399
Speaker 3: can remember it.

571
00:26:40,160 --> 00:26:43,280
Speaker 2: Next, in the attic, Jesse is showing Joey and Becky

572
00:26:43,400 --> 00:26:46,520
Speaker 2: the advancements he's made in the attic so far, which

573
00:26:46,560 --> 00:26:48,680
Speaker 2: includes a singular light switch.

574
00:26:49,119 --> 00:26:50,920
Speaker 1: I mean, for thirteen hundred square feet, they're going to

575
00:26:50,920 --> 00:26:51,760
Speaker 1: any more switches.

576
00:26:52,080 --> 00:26:56,840
Speaker 2: They're gonna need a lots of lights. They jokingly ooh

577
00:26:57,040 --> 00:27:00,359
Speaker 2: at this accomplishment, and Becky sarcastically mentions that it only

578
00:27:00,520 --> 00:27:04,480
Speaker 2: took four days to install. I mean, this is not

579
00:27:04,920 --> 00:27:07,720
Speaker 2: a strong suit of Jesse's. Like carpentry, Why would he

580
00:27:07,960 --> 00:27:09,480
Speaker 2: be redoing the attic.

581
00:27:11,280 --> 00:27:16,160
Speaker 3: We've We've already hired someone to fix the wall, kitchen wall.

582
00:27:16,400 --> 00:27:18,440
Speaker 1: We hired someone to redo.

583
00:27:18,520 --> 00:27:21,760
Speaker 3: The basement into an apartment, right, put a bathroom in,

584
00:27:21,880 --> 00:27:23,399
Speaker 3: and do all kinds of I don't you know.

585
00:27:24,119 --> 00:27:26,840
Speaker 2: Yeah, was that contractor was he on vacation?

586
00:27:27,680 --> 00:27:29,960
Speaker 1: Why did he then ripping him off? Maybe Danny found

587
00:27:30,000 --> 00:27:31,240
Speaker 1: out he was paying way too much and he was like,

588
00:27:31,240 --> 00:27:34,879
Speaker 1: we do this ourselves. Or maybe Jesse being Jesse. He

589
00:27:35,080 --> 00:27:36,840
Speaker 1: was like, I don't need no man to do it

590
00:27:36,920 --> 00:27:38,080
Speaker 1: for me, and I'm gonna do it.

591
00:27:38,200 --> 00:27:41,960
Speaker 2: You know, yes, Hubris is Jesse has Hubris decided and.

592
00:27:43,600 --> 00:27:49,000
Speaker 3: Yeah, doing remodels on a Victorian era building. Uh, with

593
00:27:49,160 --> 00:27:53,000
Speaker 3: no prior experience the permits and San Francisco loves that.

594
00:27:53,200 --> 00:27:56,199
Speaker 3: You know what they love ruining historic buildings.

595
00:27:56,280 --> 00:27:56,480
Speaker 1: Yeah.

596
00:27:56,520 --> 00:27:58,640
Speaker 3: Oh, they don't pare paint it whatever color you want,

597
00:27:58,920 --> 00:28:03,120
Speaker 3: rip things out. Oh yeah, San Francisco's ermits mermits.

598
00:28:03,840 --> 00:28:05,600
Speaker 1: Oh geez, well you remember.

599
00:28:05,880 --> 00:28:08,840
Speaker 2: I think that's one of the main reasons Jeff's sold

600
00:28:08,960 --> 00:28:09,480
Speaker 2: that house.

601
00:28:09,760 --> 00:28:11,320
Speaker 1: You couldn't get CERTs to do.

602
00:28:11,720 --> 00:28:14,440
Speaker 2: Didn't you want to into like a either a museum

603
00:28:14,600 --> 00:28:16,399
Speaker 2: or a bed and breakfast all? I don't think it

604
00:28:16,440 --> 00:28:21,160
Speaker 2: was probably probably not what a missed opportunity. Like I'm

605
00:28:21,200 --> 00:28:23,639
Speaker 2: mad at the city of San Francisco for denying us

606
00:28:24,200 --> 00:28:26,520
Speaker 2: a full house bed and breakfast slash museum.

607
00:28:27,000 --> 00:28:28,080
Speaker 1: You know how popular that would be.

608
00:28:28,119 --> 00:28:29,560
Speaker 2: The neighbors would have really hate us.

609
00:28:29,760 --> 00:28:32,840
Speaker 1: The neighbors would have burned it down, do you think.

610
00:28:32,960 --> 00:28:36,760
Speaker 2: Yeah, that one cranky lady that left she left that

611
00:28:36,920 --> 00:28:39,040
Speaker 2: note for Jeff when we all went up there.

612
00:28:39,800 --> 00:28:44,000
Speaker 3: Oh, it was that about the I hope there won't

613
00:28:44,040 --> 00:28:45,760
Speaker 3: be any disturbances or something.

614
00:28:46,400 --> 00:28:48,760
Speaker 1: Yeah, yeah, welcome, like a bottle.

615
00:28:48,400 --> 00:28:51,120
Speaker 3: Of wine with a note attachments like welcome to the neighborhood.

616
00:28:51,560 --> 00:28:54,800
Speaker 3: I'm sure there won't be any disturbances that we need.

617
00:28:54,760 --> 00:28:57,240
Speaker 1: To deal with or something. It was like vaguely threatening.

618
00:28:57,600 --> 00:29:01,320
Speaker 2: Yes, it was so like passive aggressive bottle.

619
00:29:01,040 --> 00:29:02,360
Speaker 1: Of wine from a neighbor.

620
00:29:02,440 --> 00:29:05,800
Speaker 2: Ever, yeah, I feel like I took a picture of that,

621
00:29:05,920 --> 00:29:07,360
Speaker 2: so I'm gonna have to look for that. But that

622
00:29:07,520 --> 00:29:11,480
Speaker 2: was hysterical. Sorry to that, Sorry to that neighbor. So

623
00:29:11,600 --> 00:29:14,520
Speaker 2: Jesse tries to show off the light switches abilities and

624
00:29:14,680 --> 00:29:15,560
Speaker 2: it doesn't even work.

625
00:29:15,920 --> 00:29:16,280
Speaker 1: Shocking.

626
00:29:17,160 --> 00:29:20,000
Speaker 2: He attributes us to forgetting to turn the electricity back on,

627
00:29:20,320 --> 00:29:23,800
Speaker 2: and he realizes he better go fix that before inconveniencing

628
00:29:24,040 --> 00:29:24,880
Speaker 2: someone else again.

629
00:29:25,480 --> 00:29:28,480
Speaker 1: So are they all then theoretically standing in the dark.

630
00:29:29,680 --> 00:29:36,520
Speaker 2: Yes, yes, it's the dark, and yet it's sitcom dark

631
00:29:36,600 --> 00:29:40,280
Speaker 2: where it's really not dark. There's a light on their face, has.

632
00:29:40,160 --> 00:29:43,920
Speaker 1: A ton of of skylights, lots of skylights. Well, there

633
00:29:43,960 --> 00:29:44,520
Speaker 1: are those winds.

634
00:29:44,560 --> 00:29:46,960
Speaker 2: Yeah, there are those skylights in the back, So maybe

635
00:29:47,040 --> 00:29:49,920
Speaker 2: that's the It really happens to be no shadows at all,

636
00:29:50,120 --> 00:29:53,680
Speaker 2: But Okay, I'll roll with it. Uh So, of course,

637
00:29:53,760 --> 00:29:57,120
Speaker 2: on cue Daniels the attic stairs, he has sopping wet

638
00:29:57,160 --> 00:30:01,000
Speaker 2: hair and a blow dryer. He asked Jesse if he

639
00:30:01,080 --> 00:30:03,320
Speaker 2: has a surveillance camera in his bathroom so he can

640
00:30:03,400 --> 00:30:07,200
Speaker 2: time this stuff perfectly. Jesse admits that he's aware he's

641
00:30:07,200 --> 00:30:09,480
Speaker 2: a little behind schedule, but this is his new home.

642
00:30:09,880 --> 00:30:12,920
Speaker 2: He wants to build this place with love, care and

643
00:30:13,160 --> 00:30:16,680
Speaker 2: old world craftsmanship, which is the same way his ancestors

644
00:30:16,720 --> 00:30:19,920
Speaker 2: built the Parthenon. Danny reminds him that the Parthenon is

645
00:30:19,960 --> 00:30:23,360
Speaker 2: in ruins, and Jesse quickly shoots back, that's what happens

646
00:30:23,400 --> 00:30:26,800
Speaker 2: when you rush, So you're right. This is Jesse just

647
00:30:26,920 --> 00:30:29,320
Speaker 2: being Jesse, and he's like, I'm gonna do it my way.

648
00:30:29,400 --> 00:30:30,000
Speaker 1: Yep, right.

649
00:30:31,000 --> 00:30:33,320
Speaker 2: So Becky decides to jump in and talk some sense

650
00:30:33,360 --> 00:30:36,040
Speaker 2: into her husband, reminding him that this is supposed to

651
00:30:36,120 --> 00:30:40,720
Speaker 2: be their first home, not their retirement home. Joey offers

652
00:30:40,760 --> 00:30:43,800
Speaker 2: to help Jesse with the renovations, and although Jesse declines,

653
00:30:44,240 --> 00:30:45,920
Speaker 2: Becky and Danny accept the help.

654
00:30:45,880 --> 00:30:46,600
Speaker 1: On his behalf.

655
00:30:47,680 --> 00:30:50,120
Speaker 2: Joey excitedly tells Jesse that they're going to have so

656
00:30:50,360 --> 00:30:54,000
Speaker 2: much fun. Jesse winces at the thought, but decides he

657
00:30:54,080 --> 00:30:56,360
Speaker 2: can find a little something for him to do. He

658
00:30:56,520 --> 00:31:01,560
Speaker 2: asks Joey if he has any experience in construction like Jesse.

659
00:31:01,520 --> 00:31:06,000
Speaker 3: Does, right, which is hilarious also knowing who they are,

660
00:31:06,320 --> 00:31:09,680
Speaker 3: because Dave basically built his house in Michigan. He would

661
00:31:09,720 --> 00:31:12,560
Speaker 3: send us pictures from his little like back hoe on

662
00:31:12,680 --> 00:31:16,320
Speaker 3: his property. He was happier, legit, just happy as a

663
00:31:16,360 --> 00:31:19,120
Speaker 3: clam uh huh in his little trucks and toys and

664
00:31:19,160 --> 00:31:19,880
Speaker 3: building and things.

665
00:31:20,680 --> 00:31:25,040
Speaker 1: And I I can't see John doing the same. No, thanks, John,

666
00:31:25,080 --> 00:31:27,720
Speaker 1: I love you. I love Johnny. He's very pretty, but yeah,

667
00:31:27,720 --> 00:31:29,800
Speaker 1: I don't know if I've ever seen him very pretty.

668
00:31:29,840 --> 00:31:30,760
Speaker 1: He's very proud of Have.

669
00:31:30,800 --> 00:31:33,600
Speaker 2: You seen him holding tools or a hammer outside of

670
00:31:33,680 --> 00:31:34,400
Speaker 2: this show?

671
00:31:34,600 --> 00:31:36,960
Speaker 1: No, that's okay, that's all right.

672
00:31:37,040 --> 00:31:39,080
Speaker 2: There's two types of people. There's people that do it

673
00:31:39,120 --> 00:31:41,320
Speaker 2: themselves and people that hire people to do it for them.

674
00:31:41,440 --> 00:31:45,640
Speaker 2: So anyways, Joey nods with pride. I once built an

675
00:31:45,880 --> 00:31:49,840
Speaker 2: entire four bedroom branch house. And everyone is quite surprised

676
00:31:49,960 --> 00:31:52,120
Speaker 2: to hear this. So Joey goes on, I would have

677
00:31:52,160 --> 00:31:54,440
Speaker 2: built a garage too, but I ran out of legos.

678
00:31:56,280 --> 00:32:00,400
Speaker 2: So many like nods to future Jody Sweeten here street.

679
00:32:00,680 --> 00:32:03,480
Speaker 3: I'm currently building a Notre Dame. Behind that curtain is

680
00:32:03,520 --> 00:32:05,400
Speaker 3: my little Lego tables so great.

681
00:32:05,880 --> 00:32:08,600
Speaker 2: Where do you put them after? Do they all go

682
00:32:08,720 --> 00:32:10,840
Speaker 2: up on your bookshelf behind you or where do you

683
00:32:10,920 --> 00:32:11,200
Speaker 2: put them?

684
00:32:11,360 --> 00:32:12,440
Speaker 1: You've done? That's the problem.

685
00:32:12,480 --> 00:32:15,160
Speaker 3: I run out of room, and so I don't Well,

686
00:32:15,200 --> 00:32:18,160
Speaker 3: I'll take them to Like there's a place called Bricks

687
00:32:18,200 --> 00:32:22,400
Speaker 3: and Minifigs. There's a couple here in the LA area,

688
00:32:22,520 --> 00:32:24,560
Speaker 3: and you can take your stuff in there and they

689
00:32:24,640 --> 00:32:27,080
Speaker 3: will buy the sets off of you, or you can

690
00:32:27,240 --> 00:32:29,000
Speaker 3: just like trade them in for store credit or whatever.

691
00:32:29,160 --> 00:32:31,720
Speaker 3: I don't even care if I like necessarily get the

692
00:32:31,760 --> 00:32:36,080
Speaker 3: money for him, because there's a lot like they just

693
00:32:36,280 --> 00:32:38,280
Speaker 3: break them all apart, unless it's like a rare set

694
00:32:38,280 --> 00:32:40,520
Speaker 3: that's already built. But yeah, they just kind of break

695
00:32:40,520 --> 00:32:42,680
Speaker 3: them apart for parts, and people come in to create

696
00:32:42,760 --> 00:32:45,640
Speaker 3: all kinds of stuff and that they can be recycled.

697
00:32:46,120 --> 00:32:48,320
Speaker 3: But I kicked like my my favorite ones, like my

698
00:32:48,400 --> 00:32:52,960
Speaker 3: little Pride Rainbow up there, okay, my Disney.

699
00:32:55,480 --> 00:32:59,880
Speaker 1: Villain the thing, and I have the red phone booth

700
00:33:00,120 --> 00:33:05,120
Speaker 1: and oh yeah us the upcoming trip yeah, oh yeah.

701
00:33:05,480 --> 00:33:07,840
Speaker 2: So you keep particular ones that are special and then

702
00:33:07,880 --> 00:33:08,600
Speaker 2: you kind of donate.

703
00:33:09,280 --> 00:33:11,400
Speaker 1: Yes, usually keep one all of them.

704
00:33:11,840 --> 00:33:15,040
Speaker 2: Huh, you're not attached to every single one and having changes.

705
00:33:16,000 --> 00:33:18,480
Speaker 1: I don't have room. I don't I don't know where

706
00:33:18,480 --> 00:33:19,240
Speaker 1: I would put them.

707
00:33:20,200 --> 00:33:22,240
Speaker 2: The choch keys would drive me crazy. This is why

708
00:33:22,280 --> 00:33:24,960
Speaker 2: I don't do legos well, because I'm like, I don't.

709
00:33:25,040 --> 00:33:27,840
Speaker 2: I want as little stuff as possible. It just gets dusty.

710
00:33:28,080 --> 00:33:29,520
Speaker 1: Well I do too, and that's what like.

711
00:33:29,600 --> 00:33:31,720
Speaker 3: There's a few things that I keep, but then most

712
00:33:31,760 --> 00:33:33,800
Speaker 3: of it, I'm it's it's the building that's fun.

713
00:33:33,880 --> 00:33:37,080
Speaker 1: It's the building that's fun, not the display. I admire that,

714
00:33:38,000 --> 00:33:42,320
Speaker 1: all right. Anyways, back to the show, are just one.

715
00:33:44,720 --> 00:33:48,160
Speaker 2: Next in the girls room, Steph is putting the finishing

716
00:33:48,240 --> 00:33:51,600
Speaker 2: touches on her side of the room, complete with nineties

717
00:33:51,680 --> 00:33:55,320
Speaker 2: decor that looks eerily similar to her older sisters.

718
00:33:55,320 --> 00:33:59,800
Speaker 3: Including a Neilson poster. Oh yes, and I mean, do

719
00:33:59,880 --> 00:34:02,160
Speaker 3: you she would makeup artist?

720
00:34:02,280 --> 00:34:04,600
Speaker 1: Is actually really good friends with them? Is she really?

721
00:34:05,040 --> 00:34:07,000
Speaker 2: That's a flex? I'm impressed.

722
00:34:07,640 --> 00:34:08,400
Speaker 1: Well, Terry was.

723
00:34:08,480 --> 00:34:11,720
Speaker 3: I mean she was like a model in the eighties

724
00:34:11,800 --> 00:34:14,319
Speaker 3: for like, you know she that that was her jam

725
00:34:14,560 --> 00:34:15,920
Speaker 3: the hairbands in the eighties.

726
00:34:16,120 --> 00:34:19,080
Speaker 2: Oh yes, that's kind of like she's kind of like Jeff,

727
00:34:19,080 --> 00:34:21,160
Speaker 2: where she just knows everyone in the well.

728
00:34:21,200 --> 00:34:22,040
Speaker 1: That's why they're friends.

729
00:34:22,239 --> 00:34:24,200
Speaker 3: That's how they became friends because they know everyone and

730
00:34:24,280 --> 00:34:25,759
Speaker 3: they Yeah, I love it.

731
00:34:26,440 --> 00:34:30,160
Speaker 2: So In fact, Stephanie has even feathered her bangs like

732
00:34:30,360 --> 00:34:34,480
Speaker 2: DJ and is wearing nearly identical clothes as DJ. You'll

733
00:34:34,680 --> 00:34:35,480
Speaker 2: so sink and.

734
00:34:35,600 --> 00:34:40,320
Speaker 1: Cute little half boots with the ear rings.

735
00:34:40,560 --> 00:34:42,720
Speaker 2: Like your hair was straightened, like a little more.

736
00:34:42,600 --> 00:34:46,080
Speaker 3: Straight, but the good like the spray out to the

737
00:34:46,200 --> 00:34:49,080
Speaker 3: side where you got to make sure that your head

738
00:34:49,160 --> 00:34:51,480
Speaker 3: is at least two inches wider than it actually is.

739
00:34:52,200 --> 00:34:56,400
Speaker 1: Tell me a lot. It was so cute.

740
00:34:56,480 --> 00:35:02,879
Speaker 2: I love like, I love this storyline. So Michelle walks

741
00:35:02,920 --> 00:35:06,440
Speaker 2: in and Stephanie boasts about the new decorations she put up.

742
00:35:06,920 --> 00:35:11,040
Speaker 2: Michelle looks around in comments, Eh, judge Michelle, she's judging

743
00:35:11,120 --> 00:35:11,840
Speaker 2: this whole episode.

744
00:35:11,920 --> 00:35:14,440
Speaker 1: Yeah, we're in judging, Michelle. I'm here for it.

745
00:35:15,360 --> 00:35:19,640
Speaker 2: Stephanie shakes her head and dismissal Michelle, you are so young.

746
00:35:20,719 --> 00:35:23,319
Speaker 2: She grabs a Pilo toys and explains, now that I'm

747
00:35:23,360 --> 00:35:26,800
Speaker 2: almost a teenager, you can have my stuffed animals, my Barbie,

748
00:35:26,960 --> 00:35:31,080
Speaker 2: my puppy poster, all my little kids stuff. Michelle grabs

749
00:35:31,120 --> 00:35:34,880
Speaker 2: onto Stephanie's TV that's sitting nearby and wonders, what about

750
00:35:34,920 --> 00:35:39,880
Speaker 2: this little kid TV? Stephanie Grin's nice try sis the

751
00:35:40,000 --> 00:35:42,719
Speaker 2: TV that we've never seen before in the girl's room,

752
00:35:42,800 --> 00:35:44,040
Speaker 2: but now it's immediate least.

753
00:35:44,440 --> 00:35:47,360
Speaker 3: The assumption is that it is leaned up against the

754
00:35:47,440 --> 00:35:50,879
Speaker 3: fourth wall, much like the TV in the living room,

755
00:35:51,200 --> 00:35:56,319
Speaker 3: and we're just inside of Okay.

756
00:35:55,120 --> 00:35:56,440
Speaker 1: I know that's what I have to tell myself.

757
00:35:57,200 --> 00:36:00,560
Speaker 2: I'm just glad Michelle didn't try to steal mister again

758
00:36:00,680 --> 00:36:05,160
Speaker 2: like you've just She's stolen so many things TV up,

759
00:36:06,760 --> 00:36:13,160
Speaker 2: he's graduated from Grand Larsity. So just then DJ and

760
00:36:13,280 --> 00:36:16,279
Speaker 2: Kimmy come waltzing in, but they stop dead in their

761
00:36:16,360 --> 00:36:20,800
Speaker 2: tracks when they notice Stephanie's makeover. DJ says her infamous

762
00:36:20,920 --> 00:36:24,279
Speaker 2: oh my Lanta and Kimmy jokes. Look, deej, it's your

763
00:36:24,360 --> 00:36:28,440
Speaker 2: evil mini twin. Stephanie proudly shows off her side of

764
00:36:28,480 --> 00:36:35,120
Speaker 2: the room, saying it's jamming, so jamming jam in. DJ

765
00:36:35,320 --> 00:36:38,920
Speaker 2: asks why she's doing this, and Stephanie shrugs, mature minds

766
00:36:39,040 --> 00:36:42,200
Speaker 2: think alike. The girls stand side by side and we

767
00:36:42,360 --> 00:36:46,120
Speaker 2: notice that they are in these adorable matching outfits, just

768
00:36:46,239 --> 00:36:48,680
Speaker 2: slightly different colors of pink purple.

769
00:36:48,920 --> 00:36:50,439
Speaker 1: It's so stink and cute.

770
00:36:51,880 --> 00:36:54,360
Speaker 2: Just then Becky and Danny walk in and they spot

771
00:36:54,440 --> 00:36:59,160
Speaker 2: the sisterly similarities right away. Danny calls their matching outfits adorable,

772
00:36:59,600 --> 00:37:02,919
Speaker 2: and we can see that Stephanie is loving this while

773
00:37:03,000 --> 00:37:05,480
Speaker 2: DJ just can't hide her cringing.

774
00:37:05,840 --> 00:37:09,719
Speaker 3: Yeah, it's like watching my girls. I mean, but like

775
00:37:09,840 --> 00:37:13,359
Speaker 3: when they were like thirteen and eight, you know, yeah,

776
00:37:13,760 --> 00:37:14,879
Speaker 3: and did eleven they.

777
00:37:15,040 --> 00:37:17,320
Speaker 1: Just did be try to copy, oh.

778
00:37:17,760 --> 00:37:22,080
Speaker 3: And idolized, idolized or you know, and Zoe's like Ohnigga's

779
00:37:22,120 --> 00:37:23,800
Speaker 3: no name, why do you want to be just like me?

780
00:37:24,080 --> 00:37:27,879
Speaker 2: And then yeah, oh yes, now, yes, my two didn't

781
00:37:28,040 --> 00:37:29,560
Speaker 2: do that, like I think because I had a boy

782
00:37:29,600 --> 00:37:31,080
Speaker 2: and boy and girl, it's a little easier. It's a

783
00:37:31,120 --> 00:37:33,239
Speaker 2: little yeah, it's a little bit different. They couldn't share

784
00:37:33,280 --> 00:37:35,839
Speaker 2: clothes or anything, so anyways, I mean they could, well,

785
00:37:35,920 --> 00:37:38,400
Speaker 2: yeah they could could, but that just didn't work out

786
00:37:38,440 --> 00:37:40,799
Speaker 2: that way. But yeah, no, my two, well my two

787
00:37:40,840 --> 00:37:43,840
Speaker 2: couldn't share clothes either because Zoe was taller than I

788
00:37:44,040 --> 00:37:45,640
Speaker 2: was by the time she was in uol.

789
00:37:46,000 --> 00:37:48,200
Speaker 1: Yeah, she shot up real fans, so yeah, and b

790
00:37:48,400 --> 00:37:50,880
Speaker 1: is my pocket sized? Oh yes she is.

791
00:37:51,080 --> 00:37:55,400
Speaker 2: She's a mini mini Jodie. So Becky admires, Oh, I

792
00:37:55,560 --> 00:37:58,200
Speaker 2: remember when I used to dress up like my older sister.

793
00:37:58,760 --> 00:38:02,000
Speaker 2: She hated it. Danny laughs at this and continues to

794
00:38:02,040 --> 00:38:04,520
Speaker 2: give each of his girls kiss on the head, saying

795
00:38:04,680 --> 00:38:07,200
Speaker 2: love you. In fact, he gets so caught up in

796
00:38:07,239 --> 00:38:10,040
Speaker 2: the act he kisses Kimmy on the forehead and says

797
00:38:10,160 --> 00:38:14,040
Speaker 2: love you. Before he can stop himself. Kimmy gasps mister T.

798
00:38:15,040 --> 00:38:17,560
Speaker 2: Danny responds, Oh, sorry, gibbler, I was just on a roll.

799
00:38:18,440 --> 00:38:21,399
Speaker 2: He walks away, and Kimmy redirects her her attention to DJ,

800
00:38:21,640 --> 00:38:26,920
Speaker 2: asking what they should do now. Moment like, I had

801
00:38:26,960 --> 00:38:30,000
Speaker 2: a feeling, I had an emotion. I was like one

802
00:38:30,040 --> 00:38:33,200
Speaker 2: of the rare moments that mister T gave a kiss

803
00:38:33,239 --> 00:38:36,839
Speaker 2: to Kimmy. But like because it's bombed, yeah, yeah, oh,

804
00:38:36,960 --> 00:38:39,520
Speaker 2: I was much more accepted in fuller, I became like

805
00:38:39,640 --> 00:38:40,439
Speaker 2: the surrogate daughter.

806
00:38:40,920 --> 00:38:43,319
Speaker 1: But no, you know, you became the surrogate. I became

807
00:38:43,360 --> 00:38:43,880
Speaker 1: the surrogate.

808
00:38:44,000 --> 00:38:46,640
Speaker 2: Yes, yeah, and then but there's that one like, oh,

809
00:38:46,760 --> 00:38:49,000
Speaker 2: there's that one cheap shot where Danny was like, oh,

810
00:38:49,080 --> 00:38:50,960
Speaker 2: I feel like I have three daughters again. And like,

811
00:38:52,960 --> 00:38:56,840
Speaker 2: but anyways, Yes, this gave me feelings because it was

812
00:38:56,880 --> 00:39:00,200
Speaker 2: a sweet moment between me and Bob. So Steph he

813
00:39:00,320 --> 00:39:02,520
Speaker 2: decides to answer, Oh, I don't know. We could watch

814
00:39:02,800 --> 00:39:05,920
Speaker 2: MTV call some boys shave our legs.

815
00:39:07,480 --> 00:39:07,880
Speaker 3: I like that.

816
00:39:08,000 --> 00:39:11,040
Speaker 2: She thinks that shaving legs is a fun activity as.

817
00:39:10,960 --> 00:39:13,520
Speaker 3: A teenage because you do before you start doing it.

818
00:39:13,880 --> 00:39:15,800
Speaker 3: That's it's a I remember you were like, can I

819
00:39:15,800 --> 00:39:17,279
Speaker 3: shave my legs now? Can I shave my legs now?

820
00:39:17,400 --> 00:39:20,200
Speaker 3: Like like it was because it was a sign of

821
00:39:20,440 --> 00:39:23,400
Speaker 3: like you crossed over into like if you were out somewhere,

822
00:39:23,640 --> 00:39:25,880
Speaker 3: you know, and you like the sun hit your leg hair.

823
00:39:25,920 --> 00:39:29,680
Speaker 3: You're like, I'm still a child, yes, yes, And now

824
00:39:30,040 --> 00:39:33,200
Speaker 3: I'm just back to I don't care like you know,

825
00:39:33,719 --> 00:39:34,640
Speaker 3: let it wave in the wind.

826
00:39:34,800 --> 00:39:35,960
Speaker 1: What do I What do I care?

827
00:39:36,880 --> 00:39:38,040
Speaker 2: Why that flag rode?

828
00:39:38,880 --> 00:39:40,920
Speaker 1: I have like three leg hairs left, so you know

829
00:39:40,960 --> 00:39:43,400
Speaker 1: what I mean? It doesn't matter. That is the good

830
00:39:43,440 --> 00:39:45,960
Speaker 1: thing about becoming older. You just don't grow hair.

831
00:39:46,160 --> 00:39:47,680
Speaker 2: Yeah, it's like it's anymore thing.

832
00:39:47,560 --> 00:39:49,640
Speaker 3: When you're like, I can't wait to and then and

833
00:39:49,719 --> 00:39:51,759
Speaker 3: I remember my mom going you'll be.

834
00:39:53,280 --> 00:39:56,160
Speaker 2: Yes, it's like the training bra and the shaving of

835
00:39:56,239 --> 00:39:57,120
Speaker 2: the legs and it's.

836
00:39:58,760 --> 00:39:59,400
Speaker 1: Monumental.

837
00:40:00,800 --> 00:40:01,120
Speaker 3: Uh So.

838
00:40:01,760 --> 00:40:04,480
Speaker 2: DJ looks at Stephanie like she has grown another head,

839
00:40:04,640 --> 00:40:08,480
Speaker 2: saying who are you? Kimmy ignores the youngster, telling DJ

840
00:40:08,600 --> 00:40:10,680
Speaker 2: they should head down to the food court because there's

841
00:40:10,680 --> 00:40:13,280
Speaker 2: a new potato topping at the House of Spuds.

842
00:40:13,560 --> 00:40:16,480
Speaker 1: Ooh, I'm in right, DJ.

843
00:40:16,440 --> 00:40:19,120
Speaker 2: Nods, but she decides she wants to wear something fun

844
00:40:19,239 --> 00:40:21,399
Speaker 2: to them all. She starts to walk out and tells

845
00:40:21,440 --> 00:40:24,400
Speaker 2: Kimy to follow her. Stephanie takes this as an invite

846
00:40:24,440 --> 00:40:27,759
Speaker 2: and stomps after them, which prompts Michelle to follow after

847
00:40:27,840 --> 00:40:32,960
Speaker 2: them as well, next to her in Danny's room, I'm

848
00:40:33,040 --> 00:40:34,319
Speaker 2: so excited for this scene.

849
00:40:34,480 --> 00:40:35,160
Speaker 1: Oh boy.

850
00:40:36,360 --> 00:40:38,240
Speaker 2: The girls make their way into the room and Kimmy

851
00:40:38,320 --> 00:40:41,480
Speaker 2: looks around with interest. She tells DJ, if these walls

852
00:40:41,520 --> 00:40:42,880
Speaker 2: could talk, they would go.

853
00:40:45,080 --> 00:40:46,000
Speaker 1: Let's out a big yawn.

854
00:40:47,080 --> 00:40:49,640
Speaker 2: Stephanie butts in, asking her sister what are we doing

855
00:40:49,719 --> 00:40:52,400
Speaker 2: in here? DJ says she's here to borrow one of

856
00:40:52,440 --> 00:40:55,520
Speaker 2: her dad's shirts and ties, but Stephanie's here because she's

857
00:40:55,520 --> 00:40:58,920
Speaker 2: a pain. Steph puts her hands on her hips and declares,

858
00:40:59,000 --> 00:41:02,320
Speaker 2: I resent that, and Michelle follows her actions and announces

859
00:41:02,400 --> 00:41:03,279
Speaker 2: I resent that too.

860
00:41:04,280 --> 00:41:05,920
Speaker 1: Meanwhile, Kimmy is just snooping through the.

861
00:41:05,960 --> 00:41:09,160
Speaker 2: Drawers, tells everybody, did you know your dad keeps a

862
00:41:09,200 --> 00:41:16,080
Speaker 2: box of baby baking soda in his underwear drawer? Trying

863
00:41:16,120 --> 00:41:17,480
Speaker 2: to interpret the look on your face.

864
00:41:17,600 --> 00:41:20,960
Speaker 1: Oh no, I don't. I wasn't. I don't know. Sometimes

865
00:41:21,080 --> 00:41:22,640
Speaker 1: my thoughts just come out on my face.

866
00:41:22,719 --> 00:41:26,120
Speaker 2: I was just like, but I was just like it

867
00:41:26,200 --> 00:41:28,520
Speaker 2: was a good idea, Like I don't, well, maybe the pooper,

868
00:41:28,680 --> 00:41:31,640
Speaker 2: but a little like a little sachet and the sachets

869
00:41:31,800 --> 00:41:34,000
Speaker 2: I got much better than baking soda.

870
00:41:34,480 --> 00:41:36,600
Speaker 3: My question was just like baking, so do you put

871
00:41:36,680 --> 00:41:39,520
Speaker 3: in somewhere where there's like odors that you want to absorb?

872
00:41:39,760 --> 00:41:40,400
Speaker 1: What's going on?

873
00:41:42,480 --> 00:41:47,000
Speaker 2: Danny's clean? I mean right, what is he absorbed? Yeah?

874
00:41:47,080 --> 00:41:51,600
Speaker 1: That's anyways, Yes, I don't think me too well. Does

875
00:41:51,680 --> 00:41:53,560
Speaker 1: he have a box of baking soda in every drawer?

876
00:41:54,440 --> 00:41:54,640
Speaker 2: Oh?

877
00:41:55,880 --> 00:41:59,520
Speaker 1: That was my next question. This is let's not go

878
00:41:59,600 --> 00:42:02,479
Speaker 1: down this. This could get really ugly really quick.

879
00:42:03,640 --> 00:42:06,120
Speaker 2: So dj quickly runs over to Kimmy and puts the

880
00:42:06,200 --> 00:42:08,719
Speaker 2: baking soda back where she found it. She tells Kimy

881
00:42:08,760 --> 00:42:11,120
Speaker 2: that her dad will notice if anything is moved by

882
00:42:11,280 --> 00:42:15,480
Speaker 2: even an inch. Then DJ walks over to the closet

883
00:42:15,520 --> 00:42:19,440
Speaker 2: to reveal the tidiest looking display of shirts and pants

884
00:42:19,880 --> 00:42:23,000
Speaker 2: we have ever seen, and their color coordinated.

885
00:42:23,160 --> 00:42:24,960
Speaker 1: Of course, it was lovely.

886
00:42:25,880 --> 00:42:30,440
Speaker 2: This is Michael's closet. I am not exaggerating. It is roygbivved.

887
00:42:30,640 --> 00:42:32,320
Speaker 2: It has all the same hangers.

888
00:42:32,560 --> 00:42:34,799
Speaker 1: They are I mean, I love it. Oh that makes

889
00:42:34,880 --> 00:42:35,480
Speaker 1: me so happy.

890
00:42:35,520 --> 00:42:37,600
Speaker 3: I am like, I try and sort of do that

891
00:42:37,640 --> 00:42:39,480
Speaker 3: at least have all the same hangers, and it's like

892
00:42:39,920 --> 00:42:41,319
Speaker 3: organized by color.

893
00:42:41,120 --> 00:42:45,440
Speaker 1: And type of shore. Oh, I'm impressed. I got long sleeves,

894
00:42:45,440 --> 00:42:47,400
Speaker 1: I've got dress her long sleeves, I've got sweaters.

895
00:42:48,800 --> 00:42:50,640
Speaker 2: You love your organization.

896
00:42:50,920 --> 00:42:53,719
Speaker 1: This is true. Oh I'm impressed. I'm impressed. But yeah,

897
00:42:54,320 --> 00:42:57,480
Speaker 1: I am Danny's daughter. What can I say? You inherit

898
00:42:57,560 --> 00:42:58,239
Speaker 1: in that direct.

899
00:43:00,680 --> 00:43:03,200
Speaker 2: So DJ finds a shirt that she likes and looks

900
00:43:03,320 --> 00:43:06,040
Speaker 2: inside the sleeve to see that her dad isn't scheduled

901
00:43:06,120 --> 00:43:10,040
Speaker 2: to wear it until next Thursday, which is a great idea, Like,

902
00:43:10,120 --> 00:43:11,120
Speaker 2: I should do this because I.

903
00:43:11,239 --> 00:43:12,719
Speaker 1: Not having way to wear.

904
00:43:12,960 --> 00:43:15,319
Speaker 3: You hate thinking about what you gotta wear. Now now

905
00:43:15,360 --> 00:43:17,000
Speaker 3: you just have to think about labeling everything.

906
00:43:17,200 --> 00:43:19,960
Speaker 2: Okay, maybe I'm gonna adopt these Danny Tanner trades and

907
00:43:20,120 --> 00:43:21,960
Speaker 2: totally revitalize.

908
00:43:21,320 --> 00:43:24,759
Speaker 1: My closet perfect. Michael will be happy, oh for sure.

909
00:43:25,640 --> 00:43:27,720
Speaker 2: So then steph walks up to the closet and grabs

910
00:43:27,760 --> 00:43:29,840
Speaker 2: the shirt right next to it. I'm in luck he

911
00:43:29,920 --> 00:43:33,600
Speaker 2: has another one just like it. DJ refuses to allow

912
00:43:33,640 --> 00:43:35,640
Speaker 2: her to leave this house dressed and the same clothes

913
00:43:35,680 --> 00:43:38,520
Speaker 2: as her. That Stephanie has a good rebuttal did you

914
00:43:38,600 --> 00:43:41,400
Speaker 2: ever think just maybe you're the one dressing like me?

915
00:43:42,680 --> 00:43:44,960
Speaker 2: Dj grabs the shirt that Stephanie's holding on to and

916
00:43:45,040 --> 00:43:47,239
Speaker 2: they tug it back and forth to try and force

917
00:43:47,360 --> 00:43:50,600
Speaker 2: the other to let go, and then the entire rack

918
00:43:50,680 --> 00:43:53,040
Speaker 2: of shirts falls onto the floor with a big.

919
00:43:53,080 --> 00:43:55,120
Speaker 1: Thud uh oh.

920
00:43:57,760 --> 00:44:01,600
Speaker 2: On. Michelle's jaw hangs open. She surveys the mess. She

921
00:44:01,680 --> 00:44:03,840
Speaker 2: wags her finger at her sister's and says, you're in

922
00:44:04,080 --> 00:44:07,840
Speaker 2: big trouble. Mister DJ picks up the rod that the

923
00:44:07,920 --> 00:44:10,319
Speaker 2: shirts were hanging on and tells Stephanie to get out

924
00:44:10,360 --> 00:44:12,680
Speaker 2: of the way so she can fix this, but Stephanie

925
00:44:12,719 --> 00:44:15,239
Speaker 2: grabs onto the opposite side and decides she can fix

926
00:44:15,280 --> 00:44:18,600
Speaker 2: it herself. The two engage in another tugo war battle,

927
00:44:18,880 --> 00:44:23,520
Speaker 2: which ends with Stephanie letting go while DJ simultaneously pulls

928
00:44:23,560 --> 00:44:26,560
Speaker 2: the rod towards herself, sending it directly through the.

929
00:44:26,600 --> 00:44:27,759
Speaker 1: Wall behind her.

930
00:44:31,880 --> 00:44:38,360
Speaker 2: Iconic moment. Right here, Michelle's jaw drops even further. Kimmy

931
00:44:38,400 --> 00:44:40,879
Speaker 2: breaks the silence. Well, I can see by the old

932
00:44:40,880 --> 00:44:42,560
Speaker 2: hole in the wall that it's time for me to go,

933
00:44:43,480 --> 00:44:46,600
Speaker 2: and she walks out, classic Kimmy.

934
00:44:46,680 --> 00:44:48,759
Speaker 1: He's like, oh yeah, and he's like things are about

935
00:44:48,800 --> 00:44:50,279
Speaker 1: to get I'm leaving this.

936
00:44:51,719 --> 00:44:54,800
Speaker 2: Michelle crosses her arms and scolds her big sisters, you

937
00:44:55,000 --> 00:44:56,680
Speaker 2: girls will never learn.

938
00:44:57,800 --> 00:44:58,640
Speaker 1: Oh this is great.

939
00:44:58,680 --> 00:45:01,719
Speaker 2: Do you remember anything about this, this stunt, Like I'm

940
00:45:01,760 --> 00:45:02,959
Speaker 2: trying to remember your house.

941
00:45:03,040 --> 00:45:05,640
Speaker 3: I remember, like the time, like the timing of it,

942
00:45:05,680 --> 00:45:08,759
Speaker 3: because I remember it had to be like pull give Well,

943
00:45:08,880 --> 00:45:10,560
Speaker 3: we had to like set a certain.

944
00:45:10,320 --> 00:45:12,360
Speaker 1: Amount so that I knew when to let go and

945
00:45:12,520 --> 00:45:14,399
Speaker 1: she knew when to like you know, pull it through

946
00:45:14,480 --> 00:45:17,640
Speaker 1: the thing. Okay, but it was fun. It was like

947
00:45:17,800 --> 00:45:20,120
Speaker 1: doing the water in the sink scene.

948
00:45:21,480 --> 00:45:25,759
Speaker 3: You know, it's always fun to do something with and

949
00:45:25,920 --> 00:45:28,480
Speaker 3: and when it's just you and like the other kids,

950
00:45:28,600 --> 00:45:30,319
Speaker 3: it's you know what I mean, like you guys get

951
00:45:30,360 --> 00:45:30,680
Speaker 3: to play.

952
00:45:30,760 --> 00:45:32,839
Speaker 1: So yeah, Candice and I had had fun with that one.

953
00:45:33,440 --> 00:45:36,040
Speaker 3: I remember the Tug of War with the shirt and

954
00:45:36,200 --> 00:45:38,680
Speaker 3: the you know and the punch of the hole in

955
00:45:38,719 --> 00:45:41,000
Speaker 3: the wall. That was one of those like, once we

956
00:45:41,080 --> 00:45:42,560
Speaker 3: do it, that's where that's it, right.

957
00:45:42,640 --> 00:45:44,880
Speaker 2: I'm like, how they don't have like extra walls just

958
00:45:44,960 --> 00:45:47,000
Speaker 2: hanging out you know behind they did?

959
00:45:47,160 --> 00:45:50,560
Speaker 1: No, No, it's like one and done. Yeah, very impressive.

960
00:45:51,120 --> 00:45:53,520
Speaker 3: And if you notice, there's one moment when we're playing

961
00:45:53,600 --> 00:45:57,440
Speaker 3: Tug of War and the rod kind of hits the

962
00:45:57,560 --> 00:46:01,000
Speaker 3: table and Candas looks behind to pull it. Make sure

963
00:46:01,040 --> 00:46:03,080
Speaker 3: she pulls it over the right way, because yeah, then

964
00:46:03,080 --> 00:46:04,120
Speaker 3: the whole thing wouldn't have worked.

965
00:46:04,160 --> 00:46:05,759
Speaker 2: But she's like, oh shit, I need to adjust my

966
00:46:05,840 --> 00:46:08,080
Speaker 2: mark so that the joke works.

967
00:46:08,239 --> 00:46:11,880
Speaker 3: Get jokes work. But this was This is such an

968
00:46:12,080 --> 00:46:14,440
Speaker 3: iconic moment. People love this moment.

969
00:46:14,840 --> 00:46:16,880
Speaker 1: They do like it's what you think of when you

970
00:46:16,960 --> 00:46:18,719
Speaker 1: think of a full house, like, oh yeah, the.

971
00:46:18,719 --> 00:46:22,080
Speaker 2: Hole in the water, dad, Dad, Yeah, Oh my goodness,

972
00:46:22,080 --> 00:46:24,480
Speaker 2: I can't wait to get to that. So we cut

973
00:46:24,520 --> 00:46:26,759
Speaker 2: to a tense commercial break. When we come back, we

974
00:46:26,920 --> 00:46:30,160
Speaker 2: are still in Danny's room and DJ shrieks we're dead.

975
00:46:30,600 --> 00:46:32,719
Speaker 2: Dad's gonna be home any minute. What are we gonna do?

976
00:46:33,400 --> 00:46:36,920
Speaker 2: And stuff suggests, let's blame Kimmy, but DJ is sure

977
00:46:36,960 --> 00:46:39,760
Speaker 2: that that won't work. I thought that was a perfectly

978
00:46:39,880 --> 00:46:44,400
Speaker 2: believable cruse. Absolutely, that's one of your better suggestions. You know,

979
00:46:44,640 --> 00:46:47,360
Speaker 2: I just blame it on Kimmy's kiddy, right, it's a

980
00:46:47,480 --> 00:46:51,280
Speaker 2: very Kimmy thing to do as well. Right, But alas,

981
00:46:51,400 --> 00:46:54,120
Speaker 2: we have at least eighteen more minutes to fill of

982
00:46:54,200 --> 00:46:58,080
Speaker 2: this episode, so they need to fix the whole. Stephanie's like, Okay,

983
00:46:58,239 --> 00:47:01,840
Speaker 2: She looks at her big sister and says, well, go ahead,

984
00:47:02,080 --> 00:47:05,719
Speaker 2: fix it. Stephanie's not concerned about this crisis because she's

985
00:47:05,760 --> 00:47:08,839
Speaker 2: already like driven driven a car through the kitchen.

986
00:47:08,960 --> 00:47:13,200
Speaker 1: So she's like, She's like, looks place nothing. Yeah, you

987
00:47:13,280 --> 00:47:18,719
Speaker 1: freaking happen, right, Plus, you know whose fault was it?

988
00:47:18,960 --> 00:47:21,320
Speaker 1: Was it DJ's for pulling or steps for letting go.

989
00:47:21,440 --> 00:47:23,320
Speaker 3: It's one of those chicken in the egg questions, you

990
00:47:23,400 --> 00:47:26,560
Speaker 3: know what I mean, you could blame either one, and

991
00:47:26,640 --> 00:47:27,399
Speaker 3: you don't be either.

992
00:47:27,600 --> 00:47:29,919
Speaker 1: It can be either one. I mean it's really both.

993
00:47:30,040 --> 00:47:32,160
Speaker 1: But you know if you were a kid and you

994
00:47:32,200 --> 00:47:35,400
Speaker 1: were like, well, actually you pulled it and I didn't

995
00:47:35,440 --> 00:47:36,040
Speaker 1: do anything right?

996
00:47:36,360 --> 00:47:38,480
Speaker 2: Yeah, technically, yeah, DJ is the one that did the

997
00:47:38,600 --> 00:47:39,719
Speaker 2: final pull.

998
00:47:41,840 --> 00:47:42,720
Speaker 1: That would be the argument.

999
00:47:42,880 --> 00:47:44,920
Speaker 2: That would be the argument. Oh yeah, this would go

1000
00:47:45,000 --> 00:47:48,200
Speaker 2: to trial. This would be a jury trial for weeks. Yeah.

1001
00:47:49,000 --> 00:47:50,719
Speaker 2: So DJ doesn't know how to fix it, but she

1002
00:47:50,920 --> 00:47:54,279
Speaker 2: knows someone who does. She grabs Steph's hand and pulls

1003
00:47:54,320 --> 00:47:56,400
Speaker 2: her out of the room quickly, and Michelle shouts what

1004
00:47:56,480 --> 00:48:00,359
Speaker 2: about me. DJ gives her an important job day right

1005
00:48:00,400 --> 00:48:03,680
Speaker 2: here and watch that hole. Michelle gives her a thumbs up.

1006
00:48:03,760 --> 00:48:05,879
Speaker 1: You got it, dude. She walks over to the hole

1007
00:48:05,960 --> 00:48:06,880
Speaker 1: and crouches down.

1008
00:48:06,800 --> 00:48:09,160
Speaker 2: To keep a very close eye on it, and after

1009
00:48:09,239 --> 00:48:19,520
Speaker 2: a moment, she admits, I'm good at this. Next in

1010
00:48:19,600 --> 00:48:22,520
Speaker 2: the attic, Jesse is hard at work, using Joey as

1011
00:48:22,560 --> 00:48:25,759
Speaker 2: his personal helper. He has Joey fetch him a nail,

1012
00:48:26,239 --> 00:48:29,000
Speaker 2: a hammer, and a tune of sandwich while he's at it.

1013
00:48:29,960 --> 00:48:31,279
Speaker 1: I got very excited about that.

1014
00:48:31,480 --> 00:48:34,239
Speaker 3: It's right, but it was a tune of sandwiches close

1015
00:48:34,239 --> 00:48:35,960
Speaker 3: close enough, step away.

1016
00:48:36,360 --> 00:48:36,560
Speaker 1: Yeah.

1017
00:48:37,920 --> 00:48:40,480
Speaker 2: Finally Joey has had enough. He tells Jesse that he

1018
00:48:40,560 --> 00:48:44,400
Speaker 2: can handle a lot more responsibility. Even Pat lets Vana

1019
00:48:44,480 --> 00:48:47,640
Speaker 2: spin the wheel once in a while. Then DJ and

1020
00:48:47,680 --> 00:48:51,120
Speaker 2: Steph walk upstairs. DJ admires how great the addict's looking

1021
00:48:51,560 --> 00:48:53,839
Speaker 2: and Joey asks, how about that sandwich I made?

1022
00:48:53,920 --> 00:48:54,480
Speaker 1: Huh huh.

1023
00:48:55,400 --> 00:48:59,320
Speaker 2: Meanwhile, Jesse's hammering, and DJ casually asks, You'm afraid you

1024
00:48:59,440 --> 00:49:01,600
Speaker 2: might miss and put a hole in the wall.

1025
00:49:02,280 --> 00:49:03,600
Speaker 1: Jesse responds, I don't miss.

1026
00:49:04,719 --> 00:49:08,600
Speaker 2: DJ tries again, well what if Joey missed? And Jesse questions,

1027
00:49:08,840 --> 00:49:12,239
Speaker 2: why would I give Joey a hammer? DJ responds, what

1028
00:49:12,360 --> 00:49:16,480
Speaker 2: if Joey took your hammer without your permission? And then

1029
00:49:16,560 --> 00:49:19,000
Speaker 2: Jesse tells her there'd be a hole in the wall.

1030
00:49:19,800 --> 00:49:22,880
Speaker 2: So DJ finally asks, and how would you fix it?

1031
00:49:23,600 --> 00:49:25,840
Speaker 2: Joey begins to tell them what he would do, but

1032
00:49:25,960 --> 00:49:28,560
Speaker 2: Jesse cuts him off. He tells Joey to let the

1033
00:49:28,640 --> 00:49:30,440
Speaker 2: man with the tool belt explain.

1034
00:49:31,000 --> 00:49:33,279
Speaker 1: Yes, yes, thank you Jesse.

1035
00:49:34,520 --> 00:49:36,759
Speaker 2: As Jesse explains how to fix a hole in the wall,

1036
00:49:37,200 --> 00:49:39,960
Speaker 2: Joey is behind him, mimicking his words and pretending to

1037
00:49:40,040 --> 00:49:41,080
Speaker 2: be pompous about it.

1038
00:49:41,600 --> 00:49:42,920
Speaker 1: Oh, I used to do this to my mom and

1039
00:49:43,560 --> 00:49:46,279
Speaker 1: nuts Jesse.

1040
00:49:47,840 --> 00:49:50,160
Speaker 2: So I kind of love these bits, you know, like.

1041
00:49:52,840 --> 00:49:57,560
Speaker 1: Like yeah, Joey, yeah, You're like I would do it too.

1042
00:49:57,640 --> 00:49:59,359
Speaker 1: He deserves it. It never gets old.

1043
00:50:00,800 --> 00:50:04,920
Speaker 2: So Jesse suspects something's going on behind his back, but

1044
00:50:05,040 --> 00:50:07,439
Speaker 2: he just doesn't catch Joey in the act at first,

1045
00:50:08,280 --> 00:50:10,400
Speaker 2: Then after his speel is up, he turns around and

1046
00:50:10,600 --> 00:50:12,759
Speaker 2: smacks Joey in the forehead for mocking him, and the

1047
00:50:12,840 --> 00:50:17,319
Speaker 2: audience laughs. Stephan DJ turn their attention elsewhere, and DJ

1048
00:50:17,520 --> 00:50:20,160
Speaker 2: notices that the window frame in the attic is crooked.

1049
00:50:21,920 --> 00:50:24,760
Speaker 2: Jesse claims that's impossible. He rushes over to the window

1050
00:50:24,800 --> 00:50:27,600
Speaker 2: and instructs Joey to grab the level. Joey treats him

1051
00:50:27,640 --> 00:50:29,279
Speaker 2: like a drill sergeant, handing him the level and his

1052
00:50:29,360 --> 00:50:32,000
Speaker 2: best soldier voice. Jesse tells him to suck in his

1053
00:50:32,120 --> 00:50:36,120
Speaker 2: gut and joe and Joey does how he's told. While

1054
00:50:36,120 --> 00:50:39,080
Speaker 2: the guys are distracted, DJ and Steph grab the necessary

1055
00:50:39,120 --> 00:50:42,520
Speaker 2: equipment to patch up that hole and sneak away. Jesse

1056
00:50:42,680 --> 00:50:45,880
Speaker 2: realizes that the window frame is level, and when he

1057
00:50:45,920 --> 00:50:48,800
Speaker 2: turns around to tell the girls they're crazy, they're nowhere

1058
00:50:48,880 --> 00:50:52,360
Speaker 2: to be found. Joey tells him kids these days just

1059
00:50:52,440 --> 00:50:56,160
Speaker 2: don't appreciate leveling like we used to, and Jesse agrees

1060
00:50:56,200 --> 00:50:57,399
Speaker 2: with him, sad but true.

1061
00:50:58,520 --> 00:50:59,400
Speaker 1: Then Jesse goes.

1062
00:50:59,280 --> 00:51:02,560
Speaker 2: Back to his command, telling Joey to grab his electrical tape.

1063
00:51:03,280 --> 00:51:07,000
Speaker 2: This time, Joey does his impression of igor, punching his

1064
00:51:07,120 --> 00:51:12,600
Speaker 2: back and saying yes Master. Then he jokingly tells Jesse

1065
00:51:12,760 --> 00:51:16,239
Speaker 2: not to level his hump, but Jesse doesn't laugh. In fact,

1066
00:51:16,400 --> 00:51:19,520
Speaker 2: he tells him this is the exact immature attitude that

1067
00:51:19,640 --> 00:51:22,560
Speaker 2: makes me the King of home improvement and you the

1068
00:51:22,680 --> 00:51:27,800
Speaker 2: court Jester. Joey shrugs, fine, do it yourself, and Jesse's.

1069
00:51:27,400 --> 00:51:28,040
Speaker 1: Happy to do so.

1070
00:51:28,719 --> 00:51:31,040
Speaker 2: He stands on the new Murphy bed he is installed

1071
00:51:31,200 --> 00:51:34,359
Speaker 2: so he can reach a nearby outlet, and as he's

1072
00:51:34,400 --> 00:51:37,600
Speaker 2: messing with the wires, the bed starts to fold back

1073
00:51:37,800 --> 00:51:40,840
Speaker 2: into the wall. He can't do anything to stop it,

1074
00:51:41,000 --> 00:51:44,160
Speaker 2: and soon he's stuck behind the bed without a way

1075
00:51:44,239 --> 00:51:47,000
Speaker 2: to get out. He calls out for Joey, who is

1076
00:51:47,280 --> 00:51:50,279
Speaker 2: obviously getting a big kick out of this, as did I?

1077
00:51:50,840 --> 00:51:55,640
Speaker 1: I was like that crazy? Joey mocks his friend, Oh

1078
00:51:55,800 --> 00:51:56,440
Speaker 1: is that the king?

1079
00:51:56,719 --> 00:52:00,440
Speaker 2: Asking the court gester for help, He imitates trumpet noises

1080
00:52:00,480 --> 00:52:02,600
Speaker 2: and then tries to pull the Murphy bed back down,

1081
00:52:02,960 --> 00:52:03,760
Speaker 2: but it won't budge.

1082
00:52:04,480 --> 00:52:06,000
Speaker 1: Joey asks if there's a switch.

1083
00:52:05,840 --> 00:52:08,479
Speaker 2: Somewhere, and Jesse tells him it's in his tool belt

1084
00:52:08,760 --> 00:52:11,720
Speaker 2: and he hasn't put it in yet. Now it's Joey's

1085
00:52:11,719 --> 00:52:15,920
Speaker 2: turn to mock him. Good planning, your majesty. Jesse shouts

1086
00:52:15,960 --> 00:52:19,120
Speaker 2: from another area behind the wall, I'm in here, and

1087
00:52:19,239 --> 00:52:21,920
Speaker 2: Joey walks over to one of the connected cupboards. He

1088
00:52:22,040 --> 00:52:24,759
Speaker 2: opens the door and we see Jesse's head poking out.

1089
00:52:25,000 --> 00:52:25,880
Speaker 1: Oh.

1090
00:52:26,239 --> 00:52:29,400
Speaker 2: He threatens Joey if I see you laugh once, Joey

1091
00:52:29,440 --> 00:52:32,560
Speaker 2: promises you won't, so then he shuts the door before

1092
00:52:32,600 --> 00:52:37,600
Speaker 2: bursting out into laughing. He composes himself before opening the

1093
00:52:37,640 --> 00:52:41,040
Speaker 2: door again. Jesse explains that he must have short circuited

1094
00:52:41,080 --> 00:52:43,560
Speaker 2: the wire, so he instructs Joey to cut him out

1095
00:52:43,560 --> 00:52:47,160
Speaker 2: of there, but Joey doesn't budge first, he asks, isn't

1096
00:52:47,200 --> 00:52:50,160
Speaker 2: there something you'd like to say to me first? Something

1097
00:52:50,200 --> 00:52:53,759
Speaker 2: with the words I'm sorry in it. Jesse declares absolutely not,

1098
00:52:54,239 --> 00:52:56,120
Speaker 2: so Joey begins to close the door on him again,

1099
00:52:56,200 --> 00:52:58,719
Speaker 2: which forces him to change his attitude or real quick.

1100
00:52:59,400 --> 00:53:01,680
Speaker 2: He gives his friend to smile and says I'm sorry,

1101
00:53:02,440 --> 00:53:05,880
Speaker 2: but Joey prod's for what, and Jesse admits maybe I

1102
00:53:06,080 --> 00:53:08,840
Speaker 2: was a tad on the bossy side. Joey starts to

1103
00:53:08,880 --> 00:53:10,960
Speaker 2: close the door again and Jesse shouts, okay, okay, okay,

1104
00:53:11,239 --> 00:53:13,040
Speaker 2: I was a power crazed maniac.

1105
00:53:13,880 --> 00:53:16,160
Speaker 3: We've heard it straight out of Jesse's way, right, It's

1106
00:53:16,280 --> 00:53:18,160
Speaker 3: finally And I guess you just need to stick him

1107
00:53:18,200 --> 00:53:19,600
Speaker 3: in a murphy bed and shove his head through the

1108
00:53:19,600 --> 00:53:22,000
Speaker 3: wall in order to get him to acknowledge things.

1109
00:53:22,160 --> 00:53:24,839
Speaker 2: If that's all it took man before seasons, it took

1110
00:53:24,920 --> 00:53:30,240
Speaker 2: for this, Joey asks, and Jesse sighs. And I should

1111
00:53:30,320 --> 00:53:33,280
Speaker 2: learn to let people help me and not do everything myself.

1112
00:53:33,360 --> 00:53:33,640
Speaker 1: Okay.

1113
00:53:34,480 --> 00:53:37,600
Speaker 2: Joey is satisfied with this answer. There's one thing he

1114
00:53:37,680 --> 00:53:39,879
Speaker 2: wants to ask Jesse before getting him out of there.

1115
00:53:40,239 --> 00:53:43,200
Speaker 2: He asks, are you really stuck in there? And Jesse

1116
00:53:43,360 --> 00:53:47,520
Speaker 2: nods a matter of factly yes. Joey asks again, I mean,

1117
00:53:47,600 --> 00:53:50,160
Speaker 2: are you really really stuck in there? Jesse gives a

1118
00:53:50,200 --> 00:53:53,640
Speaker 2: definitive yes, and Joey smiles. Good, because there's something I've

1119
00:53:53,640 --> 00:53:55,680
Speaker 2: always wanted to do to you. He sticks his arm

1120
00:53:55,719 --> 00:53:59,400
Speaker 2: into the cupboard and tossles Jesse's there, despite Jesse's angry

1121
00:53:59,480 --> 00:54:00,839
Speaker 2: please to stop uh.

1122
00:54:01,120 --> 00:54:04,440
Speaker 1: And wiping the mud on him. Oh, yes, that was

1123
00:54:04,640 --> 00:54:06,040
Speaker 1: just I was.

1124
00:54:06,120 --> 00:54:09,400
Speaker 2: Enjoying this thread just watching it. I can imagine how

1125
00:54:09,520 --> 00:54:13,360
Speaker 2: fun this was. So then Joey opens and closes the

1126
00:54:13,440 --> 00:54:17,120
Speaker 2: door over and over as Jesse shouts Joseph, Joseph, Joseph.

1127
00:54:17,239 --> 00:54:19,440
Speaker 3: And you can see John start to crack at the

1128
00:54:19,600 --> 00:54:21,680
Speaker 3: end there, because they were I feel like this moment

1129
00:54:21,760 --> 00:54:25,080
Speaker 3: wound up on a gag reel for something, I mean

1130
00:54:25,160 --> 00:54:27,520
Speaker 3: for that first season four, but I feel like there

1131
00:54:27,640 --> 00:54:30,080
Speaker 3: was a bit that they did, like somehow it got

1132
00:54:30,120 --> 00:54:32,040
Speaker 3: screwed up or John was laughing or whatever.

1133
00:54:32,360 --> 00:54:34,279
Speaker 1: I bet you you're right. We're Gomphi. Find that we

1134
00:54:34,360 --> 00:54:36,399
Speaker 1: have our gag reels somewhere, we just don't have anything

1135
00:54:36,440 --> 00:54:37,960
Speaker 1: to watch them to watch it on.

1136
00:54:38,080 --> 00:54:39,799
Speaker 2: So hey, that's all right, I'm gonna send them off

1137
00:54:39,840 --> 00:54:42,239
Speaker 2: to Legacy Box or whatever. You men your last time,

1138
00:54:42,360 --> 00:54:46,480
Speaker 2: get those, get those digitized. So next in Danny's room,

1139
00:54:46,600 --> 00:54:49,600
Speaker 2: Stephan DJ are patching up the hole. As Michelle sits

1140
00:54:49,680 --> 00:54:52,960
Speaker 2: nearby and watches DJ announces, well, that ought to do it.

1141
00:54:53,560 --> 00:54:56,239
Speaker 2: They step away from their patched up hole, which is

1142
00:54:56,320 --> 00:54:59,239
Speaker 2: completely an utterly obvious to the naked eye that it's

1143
00:54:59,280 --> 00:54:59,960
Speaker 2: been patched over.

1144
00:55:00,800 --> 00:55:03,080
Speaker 1: Looks like they fixed it with a spitwad.

1145
00:55:04,400 --> 00:55:07,440
Speaker 2: Shoved them in there. Yeah yeah, but they found paint

1146
00:55:07,560 --> 00:55:09,920
Speaker 2: that matched the walls. I was impressed more with the

1147
00:55:09,960 --> 00:55:14,799
Speaker 2: paint matching than right than the other type. So DJ

1148
00:55:14,920 --> 00:55:17,279
Speaker 2: and Steph are proud of their work, convinced that their

1149
00:55:17,360 --> 00:55:19,399
Speaker 2: dad will not suspect a thing.

1150
00:55:20,120 --> 00:55:22,480
Speaker 1: Michelle is there to burst their bubble. Are you nuts?

1151
00:55:23,560 --> 00:55:26,640
Speaker 1: Steph tells Michelle. Michelle is.

1152
00:55:26,880 --> 00:55:29,000
Speaker 2: She's judging, but she's also right or nuts?

1153
00:55:29,040 --> 00:55:29,560
Speaker 1: She is well.

1154
00:55:29,640 --> 00:55:32,040
Speaker 3: Stephanie is usually the one, but Stephanie's involved this time,

1155
00:55:32,160 --> 00:55:33,200
Speaker 3: so she can't be the one.

1156
00:55:33,120 --> 00:55:34,560
Speaker 1: That's like you guys are done yep.

1157
00:55:35,960 --> 00:55:38,880
Speaker 2: Stephanie tells Michelle not to stare at it. If you

1158
00:55:39,000 --> 00:55:41,040
Speaker 2: glance at it real fast, you won't even notice, and

1159
00:55:41,160 --> 00:55:43,279
Speaker 2: she demonstrates by whipping her head toward the wall for

1160
00:55:43,360 --> 00:55:46,399
Speaker 2: a second and then turning back to Michelle. She tells

1161
00:55:46,440 --> 00:55:49,359
Speaker 2: Michelle try it. So Michelle does it, shakes her head

1162
00:55:49,440 --> 00:55:52,040
Speaker 2: quickly from side to side, and then she admits I

1163
00:55:52,160 --> 00:55:52,680
Speaker 2: still see it.

1164
00:55:53,760 --> 00:55:54,520
Speaker 1: DJ loses it.

1165
00:55:54,600 --> 00:55:57,520
Speaker 2: Who are we kidding? Dad is gonna freak. Then she

1166
00:55:57,640 --> 00:56:00,719
Speaker 2: directs her anger towards Steph. This never happened if you

1167
00:56:00,840 --> 00:56:03,680
Speaker 2: weren't following me around trying to act like a teenager.

1168
00:56:04,560 --> 00:56:08,239
Speaker 2: Stephanie yells back, that doesn't matter. Now, nothing matters. We're

1169
00:56:08,280 --> 00:56:10,160
Speaker 2: gonna be grounded in our room Forever.

1170
00:56:12,080 --> 00:56:14,080
Speaker 1: Very dramatic, Oh so dramatic.

1171
00:56:14,440 --> 00:56:17,480
Speaker 2: TJ calms herself down when she realizes how panicked her

1172
00:56:17,560 --> 00:56:20,080
Speaker 2: sister is. She tells Steph that she has an idea,

1173
00:56:20,560 --> 00:56:23,439
Speaker 2: but Steph isn't having it. She instantly shouts back, that'll

1174
00:56:23,520 --> 00:56:28,200
Speaker 2: never work, but DJ says her idea regardless. Let's move

1175
00:56:28,320 --> 00:56:32,200
Speaker 2: the dresser to cover the hole. Stephanie says, like I said,

1176
00:56:32,360 --> 00:56:35,520
Speaker 2: that'll never work. Dad notices everything. He sees us when

1177
00:56:35,520 --> 00:56:38,839
Speaker 2: we're sleeping. He knows when we're awake. DJ cuts are off,

1178
00:56:38,840 --> 00:56:42,120
Speaker 2: reminding her, no, that's Santa Claus. Then she tells Steph

1179
00:56:42,160 --> 00:56:45,640
Speaker 2: the plan. They're gonna move the dresser and then everything

1180
00:56:45,760 --> 00:56:48,440
Speaker 2: else on the wall to the right so he doesn't

1181
00:56:48,640 --> 00:56:53,040
Speaker 2: notice the difference. Just then, Danny yells from downstairs, girls,

1182
00:56:53,120 --> 00:56:56,520
Speaker 2: I'm home, and they stop dead in their tracks. Steph freaks,

1183
00:56:56,640 --> 00:56:57,160
Speaker 2: he's home.

1184
00:56:57,400 --> 00:56:57,959
Speaker 1: We're dead.

1185
00:56:58,760 --> 00:57:01,080
Speaker 2: While Steph's yelling we're dead at the top of her lungs,

1186
00:57:01,160 --> 00:57:03,640
Speaker 2: DJ tries to calm her down. She assures her that

1187
00:57:03,680 --> 00:57:06,360
Speaker 2: they're not dead yet. Then she runs over to Michelle

1188
00:57:06,360 --> 00:57:07,120
Speaker 2: and gives her a task.

1189
00:57:07,400 --> 00:57:08,120
Speaker 1: I'm going to give you.

1190
00:57:08,400 --> 00:57:12,399
Speaker 2: The most important job you've ever had. Michelle is bored,

1191
00:57:12,640 --> 00:57:14,160
Speaker 2: she asks, do I get to watch.

1192
00:57:14,040 --> 00:57:14,719
Speaker 1: The hole again?

1193
00:57:15,800 --> 00:57:18,120
Speaker 2: DJ says no and tells her that her job is

1194
00:57:18,200 --> 00:57:21,640
Speaker 2: to go downstairs and stop their dad from coming upstairs.

1195
00:57:22,680 --> 00:57:25,640
Speaker 2: Michelle wonders, how do I do that? DJ tells her

1196
00:57:25,720 --> 00:57:27,880
Speaker 2: to talk to him and keep him busy whatever it takes.

1197
00:57:28,440 --> 00:57:31,920
Speaker 2: Michelle is extremely determined, telling her sisters I can do it.

1198
00:57:32,680 --> 00:57:34,480
Speaker 2: She runs out of the room, and once she's out

1199
00:57:34,520 --> 00:57:37,600
Speaker 2: of earshot, Stephanie asks DJ, do you think she can

1200
00:57:37,680 --> 00:57:40,040
Speaker 2: do it? DJ size not a chance.

1201
00:57:40,320 --> 00:57:44,360
Speaker 1: Come on, hurry up. Hey, this was not a great plan,

1202
00:57:44,520 --> 00:57:47,080
Speaker 1: but they had no other plan. You know what else

1203
00:57:47,120 --> 00:57:47,640
Speaker 1: are they gonna do?

1204
00:57:49,000 --> 00:57:51,360
Speaker 2: So in the kitchen, Danny calls out once more for

1205
00:57:51,440 --> 00:57:54,000
Speaker 2: the girls, and that's when Michelle appears on the stairs,

1206
00:57:54,200 --> 00:57:59,160
Speaker 2: running towards her dad with unwavering determination. She latches onto

1207
00:57:59,200 --> 00:58:02,160
Speaker 2: Danny's leg and gives him a big hug. Danny laughs

1208
00:58:02,240 --> 00:58:05,120
Speaker 2: as he's caught off balance for a moment. He responds, Oh,

1209
00:58:05,200 --> 00:58:07,520
Speaker 2: it's nice to see you too, sweetheart, and he lifts

1210
00:58:07,560 --> 00:58:09,120
Speaker 2: his daughter in the air while trying.

1211
00:58:08,920 --> 00:58:09,680
Speaker 1: To stay upright.

1212
00:58:10,520 --> 00:58:12,080
Speaker 2: When he sets her back down on the floor, she

1213
00:58:12,240 --> 00:58:14,520
Speaker 2: tries a different tactic. She tells her dad that she

1214
00:58:14,600 --> 00:58:16,760
Speaker 2: can do a cheer. She waves her arms in the

1215
00:58:16,800 --> 00:58:19,880
Speaker 2: air and chance go, Team Go. Then she makes her

1216
00:58:19,920 --> 00:58:24,240
Speaker 2: way into an almost split very impressive and sticks her

1217
00:58:24,320 --> 00:58:27,360
Speaker 2: arms in the air and says tad dah. Danny grins

1218
00:58:27,440 --> 00:58:30,160
Speaker 2: and tells her that's very good. Then when he tries

1219
00:58:30,240 --> 00:58:32,280
Speaker 2: to get up and leave, Michelle tells him, I can

1220
00:58:32,320 --> 00:58:35,240
Speaker 2: say my phone number five five five two four two four.

1221
00:58:36,000 --> 00:58:39,280
Speaker 2: Danny tells her, Yeah, that's very good too. Michelle has

1222
00:58:39,320 --> 00:58:41,480
Speaker 2: to keep him distracted for longer, so she tells him

1223
00:58:41,640 --> 00:58:43,840
Speaker 2: I can say it with my eyes closed, and she

1224
00:58:44,040 --> 00:58:46,280
Speaker 2: proceeds to rattle off the numbers with her eyes shut.

1225
00:58:47,200 --> 00:58:50,080
Speaker 2: Danny admits she'll never top that one. Then he tells

1226
00:58:50,080 --> 00:58:52,040
Speaker 2: her he's gonna go upstairs and see if her sisters

1227
00:58:52,080 --> 00:58:52,360
Speaker 2: are there.

1228
00:58:52,800 --> 00:58:55,320
Speaker 1: Michelle blurts out, they're not doing anything wrong.

1229
00:58:57,960 --> 00:58:58,440
Speaker 2: Can love this.

1230
00:59:00,440 --> 00:59:00,600
Speaker 1: Right?

1231
00:59:02,280 --> 00:59:05,480
Speaker 2: Danny smiles, Well, that pretty much means they are, but

1232
00:59:05,680 --> 00:59:08,840
Speaker 2: doesn't it. Michelle runs towards the stairs and he follows

1233
00:59:08,920 --> 00:59:11,680
Speaker 2: closely behind. She stands on the first step and blocks

1234
00:59:11,720 --> 00:59:14,040
Speaker 2: the entrance with her arms. She tells him you cannot

1235
00:59:14,040 --> 00:59:17,640
Speaker 2: go upstairs, and Danny argues, oh, yes, I can. He

1236
00:59:17,720 --> 00:59:20,160
Speaker 2: scoops her up and proceeds up the stairs without breaking

1237
00:59:20,200 --> 00:59:22,920
Speaker 2: a sweat. Michelle shouts up to her sister's he's coming,

1238
00:59:23,080 --> 00:59:26,640
Speaker 2: He's coming, He's coming. She continues to shout at the

1239
00:59:26,720 --> 00:59:29,000
Speaker 2: top of her lungs as Danny walks them through the hallway,

1240
00:59:29,240 --> 00:59:32,000
Speaker 2: which prompts DJY and Stuph to hurry their finishing touches.

1241
00:59:33,240 --> 00:59:36,919
Speaker 2: Once Danny Michelle are in Danny's room, Michelle announces he's here.

1242
00:59:38,120 --> 00:59:40,040
Speaker 2: Danny sets her down with the grin, and Michelle tells

1243
00:59:40,080 --> 00:59:42,280
Speaker 2: the girls, I did the best I could, and then

1244
00:59:42,320 --> 00:59:45,360
Speaker 2: she runs away. DJY and Steph give each other a

1245
00:59:45,440 --> 00:59:48,240
Speaker 2: worried look as Danny tells them, she even told me

1246
00:59:48,320 --> 00:59:51,000
Speaker 2: her phone number with her eyes closed. The question is

1247
00:59:51,400 --> 00:59:53,400
Speaker 2: why did she tell me her phone number with her

1248
00:59:53,440 --> 00:59:55,400
Speaker 2: eyes closed? And why are the two of you in

1249
00:59:55,480 --> 00:59:58,800
Speaker 2: my room? DJ tries to play it off, darn, it

1250
00:59:59,000 --> 01:00:01,760
Speaker 2: was supposed to be a sup Steph gives her a

1251
01:00:01,800 --> 01:00:02,360
Speaker 2: puzzled look.

1252
01:00:02,560 --> 01:00:02,880
Speaker 3: It was.

1253
01:00:03,800 --> 01:00:06,720
Speaker 2: DJ tells her she can stop playing dumb now. Then

1254
01:00:06,800 --> 01:00:08,000
Speaker 2: she explains to Danny.

1255
01:00:08,200 --> 01:00:09,680
Speaker 1: The reason we're in your room.

1256
01:00:09,600 --> 01:00:12,760
Speaker 2: Is because we and Stephanie tries to come up with

1257
01:00:12,880 --> 01:00:16,720
Speaker 2: something weird writing a song about you, DJ continues, and

1258
01:00:16,960 --> 01:00:21,560
Speaker 2: we needed some inspiration. Danny is fascinated, really well, I

1259
01:00:21,600 --> 01:00:24,280
Speaker 2: would love to hear the song that my room inspired.

1260
01:00:25,280 --> 01:00:29,280
Speaker 2: DJ not is Stephanie telling her to sing it. Steph

1261
01:00:29,440 --> 01:00:33,080
Speaker 2: nervously suggests that they both sing it, so then they

1262
01:00:33,640 --> 01:00:35,800
Speaker 2: begin to snap and try their best to sing in

1263
01:00:35,960 --> 01:00:41,480
Speaker 2: unison Dad Dad, Dad, Dad, Dad, Dad Dad.

1264
01:00:43,480 --> 01:00:48,360
Speaker 1: He's our dad, and he's got a really clean room

1265
01:00:50,240 --> 01:00:56,280
Speaker 1: and he keeps it that way. It was terrible, but

1266
01:00:57,000 --> 01:00:58,880
Speaker 1: absolutely what kids would try and do.

1267
01:01:01,600 --> 01:01:04,240
Speaker 2: So then Steph calls out their big finish. They join

1268
01:01:04,400 --> 01:01:06,520
Speaker 2: arms and kick to the beat as they sing Dad,

1269
01:01:06,840 --> 01:01:09,720
Speaker 2: Dad Dad. Then they kneel on the floor as they

1270
01:01:09,760 --> 01:01:10,960
Speaker 2: sing the finishing line.

1271
01:01:10,960 --> 01:01:12,200
Speaker 1: These are Dad.

1272
01:01:14,760 --> 01:01:18,400
Speaker 2: Danny admits, hearing that beautiful song makes me realize that

1273
01:01:18,560 --> 01:01:22,920
Speaker 2: you two are definitely up to something. Steph responds with

1274
01:01:23,000 --> 01:01:26,120
Speaker 2: puppy dog eyes? Does that mean you didn't like our song?

1275
01:01:26,680 --> 01:01:28,840
Speaker 2: And DJ follows with puppy dog eyes of her own.

1276
01:01:29,600 --> 01:01:32,760
Speaker 2: Danny tells his two puppy dog eyed children, look, I

1277
01:01:32,880 --> 01:01:35,360
Speaker 2: loved your song. You know, I had a really hard day,

1278
01:01:35,480 --> 01:01:37,840
Speaker 2: so I'm just gonna buy this song thing all right.

1279
01:01:38,600 --> 01:01:40,920
Speaker 3: That sometimes as a parent, that's just the best you can.

1280
01:01:41,000 --> 01:01:43,840
Speaker 3: You're like, I don't know what it is yet I

1281
01:01:44,000 --> 01:01:45,000
Speaker 3: haven't figured it out.

1282
01:01:45,120 --> 01:01:46,000
Speaker 1: I know you're lying.

1283
01:01:46,680 --> 01:01:48,960
Speaker 3: I know I'm gonna I'm gonna figure this out in

1284
01:01:49,000 --> 01:01:50,680
Speaker 3: a little while, but I just don't have the energy

1285
01:01:50,720 --> 01:01:52,720
Speaker 3: to do it right now. Yes, I don't think you

1286
01:01:52,760 --> 01:01:53,720
Speaker 3: got away with it completely.

1287
01:01:53,840 --> 01:01:55,840
Speaker 1: You know what I mean. You're so relatable.

1288
01:01:56,000 --> 01:01:59,360
Speaker 2: Hey, yeah, sure, yep, you're just out of bandwidth.

1289
01:02:00,280 --> 01:02:01,760
Speaker 1: I'm just gonna get to this little later.

1290
01:02:03,360 --> 01:02:05,360
Speaker 2: So as Danny is saying this, he takes off his

1291
01:02:05,440 --> 01:02:07,960
Speaker 2: jacket and places it where the coat hanger should be.

1292
01:02:08,160 --> 01:02:08,560
Speaker 1: But it's not.

1293
01:02:09,400 --> 01:02:11,400
Speaker 2: But he doesn't realize it when it lands on the floor,

1294
01:02:11,480 --> 01:02:14,520
Speaker 2: so he continues to speak. Everyone looks happy and healthy.

1295
01:02:14,960 --> 01:02:15,439
Speaker 1: What the heck?

1296
01:02:16,440 --> 01:02:18,800
Speaker 2: Then he places his wallet where the dresser should be,

1297
01:02:19,160 --> 01:02:21,840
Speaker 2: and it lands on the floor with a thud. This

1298
01:02:22,000 --> 01:02:24,600
Speaker 2: time Danny notices. He turns to the girls and admits,

1299
01:02:24,680 --> 01:02:27,960
Speaker 2: I guess I'm a little off today. DJ suggests that

1300
01:02:28,040 --> 01:02:31,280
Speaker 2: he take a nap, and Danny nods. The girls slowly

1301
01:02:31,360 --> 01:02:33,439
Speaker 2: back out of the room when Steph adds, just don't

1302
01:02:33,480 --> 01:02:36,880
Speaker 2: miss the bed and they scurry out. Danny picks up

1303
01:02:36,920 --> 01:02:38,800
Speaker 2: his things off the floor and he sings the fake

1304
01:02:38,960 --> 01:02:40,600
Speaker 2: dad song that the girl's.

1305
01:02:40,320 --> 01:02:42,400
Speaker 1: Made up Dada.

1306
01:02:43,000 --> 01:02:44,960
Speaker 2: That's gonna be in my head for the rest of

1307
01:02:45,040 --> 01:02:45,400
Speaker 2: the week.

1308
01:02:45,840 --> 01:02:49,080
Speaker 1: Oh, we should have we should have released a single.

1309
01:02:51,520 --> 01:02:54,400
Speaker 2: So in the girl's room, DJ and Stuff run inside,

1310
01:02:54,480 --> 01:02:57,280
Speaker 2: feeling like they're on top of the world. DJ admits

1311
01:02:57,320 --> 01:02:59,600
Speaker 2: I can't believe we got away with it. We never

1312
01:02:59,640 --> 01:03:03,200
Speaker 2: get way with anything. Steff admits it was a little

1313
01:03:03,240 --> 01:03:06,560
Speaker 2: too close. They shouldn't punch any more holes into the wall.

1314
01:03:07,120 --> 01:03:10,360
Speaker 2: DJ laughs and tells her it's a deal. Steph laughs

1315
01:03:10,400 --> 01:03:13,400
Speaker 2: as she remembers, wasn't that the dumbest song you've ever heard?

1316
01:03:14,000 --> 01:03:16,160
Speaker 2: They both start to snap and sing the Dad song

1317
01:03:16,280 --> 01:03:19,600
Speaker 2: together as a joke. Then Michelle walks in, singing along

1318
01:03:19,680 --> 01:03:23,720
Speaker 2: with them. The girls stop and Stephanie asks why she's singing.

1319
01:03:24,200 --> 01:03:27,560
Speaker 2: Michelle Grin's I love that song. Stephan is surprised to

1320
01:03:27,600 --> 01:03:29,800
Speaker 2: hear this, considering they just made it up and it

1321
01:03:30,120 --> 01:03:33,720
Speaker 2: really only has one word in it, Dad. Michelle nods,

1322
01:03:33,880 --> 01:03:34,600
Speaker 2: that's why I love it.

1323
01:03:34,760 --> 01:03:35,880
Speaker 1: I know all the words.

1324
01:03:36,920 --> 01:03:38,440
Speaker 2: Then she turns around and walks out of the room,

1325
01:03:38,520 --> 01:03:43,000
Speaker 2: singing Dad, Dad, Dad to herself. Steph turns back to

1326
01:03:43,120 --> 01:03:45,840
Speaker 2: DJ and asks, with a hint of annoyance, can you

1327
01:03:45,960 --> 01:03:49,480
Speaker 2: believe her? She wants to do everything I do. So

1328
01:03:49,640 --> 01:03:52,560
Speaker 2: DJ turns this into a lesson. Gee, do you find

1329
01:03:52,640 --> 01:03:55,880
Speaker 2: that annoying when your little sister always wants to copy you?

1330
01:03:56,800 --> 01:03:59,720
Speaker 2: She tugs on Stephanie's matching shirt to prove her point.

1331
01:04:00,520 --> 01:04:04,160
Speaker 2: Stephanie hangs her head with realization, Oh, I get it.

1332
01:04:04,880 --> 01:04:07,200
Speaker 2: She slumps down on her bed as sad music plays

1333
01:04:07,240 --> 01:04:10,760
Speaker 2: in the background. She admits, I guess I'm always annoying you.

1334
01:04:12,560 --> 01:04:14,760
Speaker 2: That's what like this broke my heart because I see,

1335
01:04:14,880 --> 01:04:16,680
Speaker 2: like the hurt on your face. You were just like

1336
01:04:17,440 --> 01:04:19,800
Speaker 2: you just want to be her so bad, right, I

1337
01:04:19,920 --> 01:04:20,760
Speaker 2: was annoying her?

1338
01:04:21,040 --> 01:04:25,800
Speaker 1: Yeah, And I feel like this was also kind of

1339
01:04:26,040 --> 01:04:28,200
Speaker 1: where Candice and I were at the time.

1340
01:04:28,320 --> 01:04:31,840
Speaker 3: Actually anyway, was like me being an annoying little sister

1341
01:04:32,000 --> 01:04:33,760
Speaker 3: and she had you, So you guys would want to

1342
01:04:33,800 --> 01:04:35,920
Speaker 3: be like, cool, I'm hanging out in thirteen and I'd

1343
01:04:35,920 --> 01:04:38,320
Speaker 3: be like, hey, wanted to hear my stupid knock knock joke.

1344
01:04:38,400 --> 01:04:39,160
Speaker 1: Hey what are you guys doing?

1345
01:04:39,480 --> 01:04:39,760
Speaker 3: You know?

1346
01:04:40,280 --> 01:04:44,880
Speaker 1: And She's like, oh, go away. This is so related.

1347
01:04:45,400 --> 01:04:51,120
Speaker 1: I remember this scene because it felt very real totally. Yeah,

1348
01:04:51,360 --> 01:04:51,600
Speaker 1: I could.

1349
01:04:51,640 --> 01:04:53,920
Speaker 2: I could feel that, like I could feel it while watching.

1350
01:04:53,960 --> 01:04:56,160
Speaker 2: I was just like, oh, yeah, this is Jody is

1351
01:04:56,280 --> 01:04:57,840
Speaker 2: drawing from experience here. Yeah.

1352
01:04:58,040 --> 01:05:01,400
Speaker 1: Yeah, we were really like in it a lot. You know,

1353
01:05:01,600 --> 01:05:05,000
Speaker 1: we were siblings and uh yeah, that's so sweet.

1354
01:05:06,120 --> 01:05:09,040
Speaker 2: So DJ tries to soften the blow. Well, not all

1355
01:05:09,120 --> 01:05:11,520
Speaker 2: the time you saved us with that silly dad song.

1356
01:05:11,720 --> 01:05:15,360
Speaker 2: You were pretty tricky. Steph responds, I learned it from

1357
01:05:15,400 --> 01:05:19,080
Speaker 2: watching you. DJ can't help but admit I am good,

1358
01:05:19,200 --> 01:05:21,920
Speaker 2: aren't I? And she makes her way over to her

1359
01:05:22,000 --> 01:05:24,720
Speaker 2: sulking sister and tries to cheer her up. In a

1360
01:05:24,800 --> 01:05:28,240
Speaker 2: few years, You're gonna make a pretty cool teenager. Steph's

1361
01:05:28,280 --> 01:05:31,600
Speaker 2: eyes light up and she asks, really, DJ nods yep.

1362
01:05:32,080 --> 01:05:34,439
Speaker 2: But until then, do me a favor and just stick

1363
01:05:34,520 --> 01:05:37,800
Speaker 2: to being a pretty cool kid. Steph grin's you think

1364
01:05:37,840 --> 01:05:41,880
Speaker 2: I'm a cool kid? Steph is just grasping for crumbs.

1365
01:05:41,960 --> 01:05:48,040
Speaker 3: She's some reassurance. I need some sort of positive role model.

1366
01:05:48,080 --> 01:05:50,200
Speaker 3: I'm a middle child. I don't have a room.

1367
01:05:51,720 --> 01:05:57,480
Speaker 1: I've forgotten everyone hates. Yeah, I've moved into the bathroom before. Yeah,

1368
01:05:57,560 --> 01:05:59,560
Speaker 1: of course, Steth Stephanie.

1369
01:05:59,640 --> 01:06:02,360
Speaker 2: Yeah, So DJ gives her a playful nudge as she

1370
01:06:02,440 --> 01:06:05,520
Speaker 2: says yes. Steph nudges her right back, and the two

1371
01:06:05,560 --> 01:06:10,080
Speaker 2: of them share a nice sisterly moment. Then Michelle walks

1372
01:06:10,120 --> 01:06:12,640
Speaker 2: in and says, I'm back, and we see that her

1373
01:06:12,680 --> 01:06:15,200
Speaker 2: hair is fluffed up to look just like DJ and

1374
01:06:15,240 --> 01:06:17,720
Speaker 2: steps and she's wearing a matching outfit.

1375
01:06:19,080 --> 01:06:21,240
Speaker 1: This wig that wasn't a wig.

1376
01:06:21,320 --> 01:06:21,960
Speaker 3: That was her hair.

1377
01:06:22,320 --> 01:06:23,240
Speaker 1: That wasn't a wig.

1378
01:06:24,000 --> 01:06:25,600
Speaker 3: No, it was so bad.

1379
01:06:25,880 --> 01:06:29,200
Speaker 1: It looked that was hair. It was like Toddler hair,

1380
01:06:29,320 --> 01:06:31,040
Speaker 1: you know, so it's kind of like not super nick

1381
01:06:31,120 --> 01:06:33,560
Speaker 1: or whatever. No, that was that was her hair.

1382
01:06:33,800 --> 01:06:36,920
Speaker 3: Oh my. And so they like fluffed those up and

1383
01:06:37,000 --> 01:06:39,240
Speaker 3: then they held the sides out and did the spray thing,

1384
01:06:40,440 --> 01:06:42,520
Speaker 3: you know, so you had the It wasn't quite the

1385
01:06:42,640 --> 01:06:43,840
Speaker 3: wings of the seventies.

1386
01:06:43,920 --> 01:06:47,280
Speaker 1: It was just like the wit you know what I mean.

1387
01:06:47,440 --> 01:06:50,680
Speaker 1: It was like shoulder pads for your temples, you know

1388
01:06:50,680 --> 01:06:53,040
Speaker 1: what I mean. They just gave a little extra right

1389
01:06:53,080 --> 01:06:55,439
Speaker 1: on the side of your face. It looks so fake.

1390
01:06:55,560 --> 01:06:58,120
Speaker 1: I was like, I was, no, No, that was real ter.

1391
01:06:58,640 --> 01:07:02,160
Speaker 2: That's what teasing and hairs that this makes it even

1392
01:07:02,200 --> 01:07:03,800
Speaker 2: funnier than it was her real hair.

1393
01:07:03,880 --> 01:07:05,640
Speaker 1: Oh yeah, my gosh. And it was Mary Kate.

1394
01:07:05,720 --> 01:07:08,040
Speaker 3: And I believe she was very into the outfit because

1395
01:07:08,080 --> 01:07:10,120
Speaker 3: that was remember how she loved the bike shorts and

1396
01:07:10,160 --> 01:07:12,160
Speaker 3: the T shirt and the yeah oh yes.

1397
01:07:12,480 --> 01:07:16,280
Speaker 1: She just wants to be like, this is what I'm wearing. Yes, yeah,

1398
01:07:16,600 --> 01:07:18,959
Speaker 1: always so true to life.

1399
01:07:19,080 --> 01:07:22,680
Speaker 2: Oh So, the girls look at Michelle and Shock, and

1400
01:07:22,800 --> 01:07:24,960
Speaker 2: Michelle does a sassy little walk over to them and

1401
01:07:25,080 --> 01:07:28,600
Speaker 2: plops onto the bed right next to dj Michelle asks

1402
01:07:28,640 --> 01:07:30,120
Speaker 2: her sisters, So, ladies, what.

1403
01:07:30,200 --> 01:07:31,000
Speaker 1: Are we gonna do now?

1404
01:07:31,680 --> 01:07:34,000
Speaker 2: Djy and Stuff fall back onto the bed with a groan,

1405
01:07:34,440 --> 01:07:38,080
Speaker 2: and Michelle decides to copy them. Then Danny calmly walks in,

1406
01:07:38,320 --> 01:07:40,880
Speaker 2: prompting all three girls to shoot back onto their feet.

1407
01:07:41,920 --> 01:07:44,720
Speaker 2: Danny tells the three of them something's been bothering me

1408
01:07:44,840 --> 01:07:47,920
Speaker 2: since you left, and I have finally figured out what's

1409
01:07:48,000 --> 01:07:51,200
Speaker 2: wrong with my room. Djy and Stuff look at each

1410
01:07:51,240 --> 01:07:55,160
Speaker 2: other with worry. After much anticipation, Danny pulls out the

1411
01:07:55,240 --> 01:07:58,440
Speaker 2: box of baking soda and asks who moved the baking

1412
01:07:58,520 --> 01:07:59,720
Speaker 2: soda in my underwear?

1413
01:08:00,120 --> 01:08:00,160
Speaker 3: Or?

1414
01:08:01,240 --> 01:08:03,320
Speaker 2: They give him a little grin and he changes the

1415
01:08:03,400 --> 01:08:06,440
Speaker 2: subject by the way, I love that little dad song.

1416
01:08:06,480 --> 01:08:09,120
Speaker 1: How does that go? Again? Girls all snap.

1417
01:08:08,880 --> 01:08:13,040
Speaker 2: Along and sing Dad, Dad, Dad, as the audience cheers.

1418
01:08:12,920 --> 01:08:14,560
Speaker 3: And show.

1419
01:08:17,040 --> 01:08:19,599
Speaker 2: This is the first time the girls actually got away

1420
01:08:19,680 --> 01:08:22,680
Speaker 2: with something like you're caught by the end this you

1421
01:08:22,960 --> 01:08:24,240
Speaker 2: legitimately got away with it.

1422
01:08:24,360 --> 01:08:26,320
Speaker 1: They got away with it well, And you.

1423
01:08:26,360 --> 01:08:28,000
Speaker 3: Know what was funny those when DJ is like, yeah,

1424
01:08:28,040 --> 01:08:30,000
Speaker 3: I am pretty like Stuff's like, oh, I learned.

1425
01:08:29,800 --> 01:08:33,040
Speaker 1: Being sneaky from you. I'm like, step, DJ really isn't

1426
01:08:33,120 --> 01:08:33,840
Speaker 1: as sneaky though.

1427
01:08:33,840 --> 01:08:36,000
Speaker 3: I feel like DJ is usually the one that's like, Okay,

1428
01:08:36,080 --> 01:08:36,680
Speaker 3: here's what we did.

1429
01:08:37,640 --> 01:08:40,559
Speaker 2: Yeah, yeah that's true. Yeah, stuff's a little more crafty.

1430
01:08:41,200 --> 01:08:45,360
Speaker 2: Yeah yeah, are thinking outside the box? Yeah yeah, but no,

1431
01:08:45,560 --> 01:08:49,479
Speaker 2: but this is such an iconic, great episode. We should

1432
01:08:49,520 --> 01:08:51,639
Speaker 2: have I'm thinking of all sorts of ideas for Fuller

1433
01:08:51,680 --> 01:08:54,519
Speaker 2: House now unfortunately too late, but we should have had

1434
01:08:54,560 --> 01:09:00,240
Speaker 2: a scene in Fuller House where he moved, Yes, why

1435
01:09:00,360 --> 01:09:02,240
Speaker 2: did so?

1436
01:09:02,640 --> 01:09:04,800
Speaker 1: That would have been such a great Easter egg.

1437
01:09:05,240 --> 01:09:08,240
Speaker 2: That would have been like a like a year, like they're.

1438
01:09:08,320 --> 01:09:11,560
Speaker 3: Moving and whatever, and he's like, what's this hole in

1439
01:09:11,680 --> 01:09:14,960
Speaker 3: the wall and the fans would have absolutely noticed it.

1440
01:09:15,200 --> 01:09:16,400
Speaker 1: He lost their shit.

1441
01:09:16,680 --> 01:09:20,400
Speaker 3: Yes, that could have just suddenly broken into dead dead dead.

1442
01:09:21,040 --> 01:09:22,360
Speaker 1: Okay, I'm writing this down.

1443
01:09:22,400 --> 01:09:24,200
Speaker 2: If we ever do another iteration.

1444
01:09:23,920 --> 01:09:25,679
Speaker 3: Of the show, right and that it's a great scene

1445
01:09:25,680 --> 01:09:27,280
Speaker 3: that we just wrote. I don't know what show it's

1446
01:09:27,280 --> 01:09:27,640
Speaker 3: going to go in.

1447
01:09:27,760 --> 01:09:31,960
Speaker 2: But yeah, this is a fan favorite. This is seven

1448
01:09:32,000 --> 01:09:35,439
Speaker 2: point six stars or whatever on i n dB. People

1449
01:09:35,520 --> 01:09:38,360
Speaker 2: reference this as their favorite episode. Oh yeah, I get

1450
01:09:38,400 --> 01:09:39,599
Speaker 2: this one the money times.

1451
01:09:39,760 --> 01:09:42,120
Speaker 1: Yep. It's just really really like Conic.

1452
01:09:41,920 --> 01:09:45,600
Speaker 2: And I loved it, Like I love kid kid focused storylines.

1453
01:09:45,760 --> 01:09:48,800
Speaker 2: The copying the older sister thing is just so relatable,

1454
01:09:49,320 --> 01:09:49,920
Speaker 2: so cute.

1455
01:09:50,120 --> 01:09:52,639
Speaker 1: Yeah, this was This was a very relatable episode.

1456
01:09:52,680 --> 01:09:54,680
Speaker 3: And yeah, it was really all about I mean, the

1457
01:09:55,080 --> 01:09:59,200
Speaker 3: kids were the a storyline for sure, totally, but yeah,

1458
01:09:59,280 --> 01:10:02,000
Speaker 3: it was such a thing that every kid can relate to.

1459
01:10:02,479 --> 01:10:05,160
Speaker 2: Yes, and it was so dramatically you know, you actually

1460
01:10:05,200 --> 01:10:06,599
Speaker 2: put a hole in the whole.

1461
01:10:07,000 --> 01:10:10,479
Speaker 1: It's a big deal. So yeah, oh this was great.

1462
01:10:11,040 --> 01:10:12,160
Speaker 1: I loved it. I loved it.

1463
01:10:12,280 --> 01:10:15,639
Speaker 2: Fanerito's please tell us if this is your favorite episode,

1464
01:10:16,080 --> 01:10:17,600
Speaker 2: why it was your favorite episode.

1465
01:10:17,880 --> 01:10:18,840
Speaker 1: I just I want to hear.

1466
01:10:19,680 --> 01:10:21,880
Speaker 3: I want to hear why people love this one too,

1467
01:10:21,880 --> 01:10:23,920
Speaker 3: if it's sort of the same reason that it was

1468
01:10:24,080 --> 01:10:26,639
Speaker 3: like and it was also like a Steph DJ kind.

1469
01:10:26,520 --> 01:10:29,840
Speaker 1: Of you know, nice storyline for them too. Oh yeah,

1470
01:10:30,120 --> 01:10:32,960
Speaker 1: it was a great sister storyline. Really great.

1471
01:10:33,160 --> 01:10:35,920
Speaker 2: You love that everyone can relate to that. Oh well,

1472
01:10:36,120 --> 01:10:39,360
Speaker 2: I did you have a got to do that? Everywhere

1473
01:10:39,400 --> 01:10:39,759
Speaker 2: he looks.

1474
01:10:39,880 --> 01:10:41,160
Speaker 1: Do you have any? Everywhere he looks?

1475
01:10:41,160 --> 01:10:42,360
Speaker 2: I got two really good ones.

1476
01:10:42,800 --> 01:10:47,160
Speaker 1: Do yes, I do. I've got one. I feel like

1477
01:10:47,280 --> 01:10:48,720
Speaker 1: there maybe I have one.

1478
01:10:48,760 --> 01:10:50,160
Speaker 3: I can't. No, I don't think I did, because I

1479
01:10:50,160 --> 01:10:52,000
Speaker 3: didn't write it down. I think I was like, that's

1480
01:10:52,000 --> 01:10:54,120
Speaker 3: not really or maybe I mentioned what is it? What? Well?

1481
01:10:54,120 --> 01:10:57,920
Speaker 2: Okay, one very obvious above the Nelson poster is a

1482
01:10:58,000 --> 01:10:59,479
Speaker 2: new Kids on the Block poster.

1483
01:10:59,640 --> 01:11:01,680
Speaker 1: I'm even provided that post the.

1484
01:11:04,240 --> 01:11:06,200
Speaker 2: New Kids on the Block and that special font, that

1485
01:11:06,320 --> 01:11:09,360
Speaker 2: blocky fact that they do. And then the second one

1486
01:11:09,720 --> 01:11:13,120
Speaker 2: is actually a recurring everywhere you look that will probably

1487
01:11:13,200 --> 01:11:14,799
Speaker 2: recur for the rest of the series.

1488
01:11:15,040 --> 01:11:18,880
Speaker 1: Okay that nobody knows. Not a video?

1489
01:11:19,760 --> 01:11:20,160
Speaker 3: What is it?

1490
01:11:20,280 --> 01:11:20,600
Speaker 1: What did you?

1491
01:11:21,120 --> 01:11:21,240
Speaker 2: Are?

1492
01:11:21,280 --> 01:11:22,800
Speaker 1: You on the edge of your seat? I am what

1493
01:11:22,920 --> 01:11:24,040
Speaker 1: did you do? What's happening?

1494
01:11:24,439 --> 01:11:29,400
Speaker 2: So when Kimmy yawns in Danny's room because she's like, oh,

1495
01:11:29,479 --> 01:11:31,639
Speaker 2: this is boring, and she does this, you can see

1496
01:11:31,640 --> 01:11:36,000
Speaker 2: a ring on my hand. That's my mother's engagement ring

1497
01:11:36,439 --> 01:11:38,720
Speaker 2: that I wore on my right hand on my ring

1498
01:11:38,840 --> 01:11:42,920
Speaker 2: finger until like my brother needed it to propose to

1499
01:11:43,000 --> 01:11:45,600
Speaker 2: his future wife. Like I wore that for years and

1500
01:11:45,720 --> 01:11:48,719
Speaker 2: years and years. And now I wear my mom's wedding

1501
01:11:48,840 --> 01:11:51,839
Speaker 2: ring that I took off of her the day she passed,

1502
01:11:52,240 --> 01:11:53,479
Speaker 2: and I don't ever take it off.

1503
01:11:53,720 --> 01:11:56,839
Speaker 1: It's just like this thing. Yeah, it's so sweet.

1504
01:11:57,040 --> 01:11:59,880
Speaker 2: I was just like, oh, so this is very special.

1505
01:12:00,040 --> 01:12:01,639
Speaker 2: This is a very special. Everywhere you look.

1506
01:12:01,880 --> 01:12:03,040
Speaker 1: Oh, and you'll notice it.

1507
01:12:03,080 --> 01:12:05,760
Speaker 2: You'll see it anytime you see my hands in amber.

1508
01:12:05,880 --> 01:12:08,599
Speaker 3: You having that ring. I remember you had your mom's

1509
01:12:08,640 --> 01:12:11,680
Speaker 3: engagement ring. Yeah, but yeah, I didn't notice it.

1510
01:12:11,720 --> 01:12:13,639
Speaker 1: Ah. Oh, isn't that so sweet? Yeah?

1511
01:12:13,680 --> 01:12:14,479
Speaker 2: I loved that.

1512
01:12:14,600 --> 01:12:17,040
Speaker 1: I wore it all throughout full House.

1513
01:12:17,280 --> 01:12:19,439
Speaker 2: I wish well, yeah I didn't wear I didn't wear

1514
01:12:19,520 --> 01:12:22,280
Speaker 2: it during Fuller House, but that's okay, that's okay.

1515
01:12:22,360 --> 01:12:23,000
Speaker 1: I wear it now.

1516
01:12:23,080 --> 01:12:25,320
Speaker 2: So yes, Oh that's really sweet.

1517
01:12:25,320 --> 01:12:25,680
Speaker 3: I like that.

1518
01:12:25,840 --> 01:12:28,120
Speaker 1: That's a that's a good. Yeah, that's an everywhere you

1519
01:12:28,200 --> 01:12:30,839
Speaker 1: look that I definitely would have wouldn't have gotten nobody,

1520
01:12:31,040 --> 01:12:34,439
Speaker 1: nobody knows. And now now you're in on it. You

1521
01:12:34,600 --> 01:12:37,639
Speaker 1: heard it here first breaking news. A little easter egg

1522
01:12:37,680 --> 01:12:41,080
Speaker 1: for you guys. Yeah, well, everybody fan Rito's we love

1523
01:12:41,120 --> 01:12:41,479
Speaker 1: you guys.

1524
01:12:41,760 --> 01:12:43,720
Speaker 3: Uh, try not to punch too many holes in the

1525
01:12:43,760 --> 01:12:47,360
Speaker 3: wall now, and the next time, or do if maybe you're.

1526
01:12:47,200 --> 01:12:49,880
Speaker 1: In a rage room. I don't know. We could probably

1527
01:12:49,920 --> 01:12:52,639
Speaker 1: all use that right now, which feel good, that's for sure.

1528
01:12:52,880 --> 01:12:55,280
Speaker 3: Yeah, make sure you're liking and subscribing to the podcast

1529
01:12:55,320 --> 01:12:58,560
Speaker 3: wherever you're listening to it. Leave us some some stars,

1530
01:12:58,800 --> 01:13:01,880
Speaker 3: leave us some common and some reviews, you know, all

1531
01:13:01,960 --> 01:13:05,040
Speaker 3: that fun stuff, and then we can keep doing more

1532
01:13:05,080 --> 01:13:07,840
Speaker 3: episodes because yes, you know, we're having I think we're

1533
01:13:07,880 --> 01:13:10,680
Speaker 3: having almost probably more fun than the audiences have.

1534
01:13:11,000 --> 01:13:11,360
Speaker 1: For sure.

1535
01:13:11,520 --> 01:13:14,679
Speaker 3: Yes, for sure, those first twelve minutes today, I'd say

1536
01:13:15,000 --> 01:13:16,840
Speaker 3: that definitely is the case.

1537
01:13:17,120 --> 01:13:19,280
Speaker 1: We are the only ones right heard.

1538
01:13:19,120 --> 01:13:20,640
Speaker 2: That nobody else was listening to.

1539
01:13:20,680 --> 01:13:23,400
Speaker 1: It was great, but uh yeah.

1540
01:13:23,479 --> 01:13:25,960
Speaker 3: And also check out our merch store, you guys, howreudmerch

1541
01:13:26,080 --> 01:13:26,559
Speaker 3: dot com.

1542
01:13:26,920 --> 01:13:28,640
Speaker 1: If you want to follow us on Instagram.

1543
01:13:28,320 --> 01:13:30,519
Speaker 3: You can check us out at how read podcast, or

1544
01:13:30,560 --> 01:13:33,280
Speaker 3: you can send us an email at how Rude Tanner

1545
01:13:33,320 --> 01:13:36,280
Speaker 3: Retos at gmail dot com. We're gonna be doing a

1546
01:13:36,360 --> 01:13:39,320
Speaker 3: Q and A episode I think pretty soon, so I think,

1547
01:13:39,600 --> 01:13:41,920
Speaker 3: although this might come out after we've already done it, so.

1548
01:13:41,960 --> 01:13:43,840
Speaker 1: I possibly, well, yeah, it's okay, but we always we

1549
01:13:44,160 --> 01:13:45,240
Speaker 1: do Q and A episodes.

1550
01:13:45,439 --> 01:13:47,360
Speaker 3: So if you guys, have questions, things you want to know,

1551
01:13:47,680 --> 01:13:51,519
Speaker 3: submit your questions, write comments because we definitely look through those,

1552
01:13:51,560 --> 01:13:52,880
Speaker 3: and that's where we get all of the stuff for

1553
01:13:52,960 --> 01:13:54,000
Speaker 3: our fun Q and A episodes.

1554
01:13:54,000 --> 01:13:56,639
Speaker 1: So we love doing yes, uh and uh. Yeah, we've

1555
01:13:56,680 --> 01:13:57,120
Speaker 1: got all.

1556
01:13:57,000 --> 01:13:58,840
Speaker 3: The places you can find us, you can email us,

1557
01:13:58,920 --> 01:14:01,439
Speaker 3: you can do all the things and nuh.

1558
01:14:01,760 --> 01:14:02,439
Speaker 1: That's sick kids.

1559
01:14:02,560 --> 01:14:03,719
Speaker 2: So you hit all the points.

1560
01:14:03,800 --> 01:14:06,240
Speaker 1: Yeah, we hit all the points. So remember you, guys,

1561
01:14:06,960 --> 01:14:12,200
Speaker 1: the world is small. The house is full of holes.

1562
01:14:13,320 --> 01:14:15,120
Speaker 1: There's holes, Jesse the attic.

1563
01:14:15,640 --> 01:14:20,919
Speaker 2: Oh yeah, there's a lot of construction, so much construction

1564
01:14:21,040 --> 01:14:21,639
Speaker 2: in this house.

1565
01:14:21,840 --> 01:14:24,439
Speaker 1: Yeah, it's a wonder that they's a wonder.

1566
01:14:24,280 --> 01:14:27,080
Speaker 3: That anyone can sleep, although the house is ten thousand square.

1567
01:14:26,920 --> 01:14:29,280
Speaker 2: Feet, so they can't hear each other. Once you're once

1568
01:14:29,360 --> 01:14:30,280
Speaker 2: you're on a different floor.

1569
01:14:30,640 --> 01:14:32,840
Speaker 1: Yeah, you're not even there. You're fine. The house is

1570
01:14:32,880 --> 01:14:39,000
Speaker 1: full of holes. Bye. Yeah, dad, Dad, Dad,