WEBVTT - Episode 423 w/ Rapman

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<v Speaker 1>It is drink chants, motherfucking podcast.

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<v Speaker 2>Man.

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<v Speaker 1>He's a legends Eary Queen's rapper. He's agreed as your

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<v Speaker 1>boy in O R E. He's a Miami hip hop lioneer.

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<v Speaker 1>What ups d J e f N? Together they drink

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<v Speaker 1>it up with some of the biggest players you mean,

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<v Speaker 1>and the most.

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<v Speaker 2>Professional unprofessional podcast and your number one source for drunk.

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<v Speaker 1>Chans mother every day is New Year's E. Listen, It's

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<v Speaker 1>time for drink champs. Drink up, motherfuck mother? Would it good?

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<v Speaker 1>Be OBEs Wills? This your boy in O R E?

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<v Speaker 1>What up is d J e f N? This middle

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<v Speaker 1>drink chances right now? When I tell.

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<v Speaker 2>You you know the game has shift?

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<v Speaker 1>Did you know?

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<v Speaker 3>When I tell you, uh, it started on the East coast?

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<v Speaker 3>Did it went to the West coast?

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<v Speaker 1>I believe? Did? It went to the.

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<v Speaker 2>South, and then at some point it went across the pond.

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<v Speaker 2>That's what they say, right of course, the goddamn pond

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<v Speaker 2>and London is one of the hottest things happening right now.

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<v Speaker 3>But one of the things that I appreciate about is

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<v Speaker 3>this guy made a series. He made a series with

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<v Speaker 3>all people who look like me. He made it on

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<v Speaker 3>paper I imagine reading this on paper, like black sci fi superheroes,

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<v Speaker 3>it must have sounded great. But I watched this series,

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<v Speaker 3>and I'm telling you, this is one of the best

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<v Speaker 3>series ever. I look at it like it's the Wire

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<v Speaker 3>meets the Black Panther.

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<v Speaker 2>With a little bit of Hawk, and I called it

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<v Speaker 2>the Black Vengees, you know what I mean, not Adventures the.

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<v Speaker 1>Black Avengers.

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<v Speaker 3>And when I tell you, I was so happy watching

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<v Speaker 3>this ship. Oh my god, in case you don't know

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<v Speaker 3>what we told your mother one and only motherfucker. No, no,

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<v Speaker 3>I'm not I'm not exaggerating. I really really watching it.

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<v Speaker 3>I really was like, how can you? Because I read

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<v Speaker 3>what it was about right and then obviously you know,

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<v Speaker 3>you know times my boy and he's like, you got

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<v Speaker 3>to check this out. So I'm like, I'm like okay,

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<v Speaker 3>and then I'm like, all right, cool, how can we

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<v Speaker 3>make this make sense? And then when I watched it,

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<v Speaker 3>I was like, this is so dope, because see, I

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<v Speaker 3>thought that these people already knew.

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<v Speaker 1>About their Super Bowl.

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<v Speaker 2>I didn't realize that they're finding out with me as

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<v Speaker 2>I'm watching it.

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<v Speaker 1>So how did you come up with this idea? You

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<v Speaker 1>know what it is?

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<v Speaker 2>I just I like the Journey in it, like threw

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<v Speaker 2>out watching The Batman's the Supermans and all of that,

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<v Speaker 2>and I always enjoyed it. But the narrative of Parison

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<v Speaker 2>gets powers, then get spandex in the cave, it didn't

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<v Speaker 2>make no sense because I'm not doing that. You're not

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<v Speaker 2>doing that, and we've been sold that for a long time.

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<v Speaker 2>You've got plant, you get a long span dex suit,

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<v Speaker 2>and then you save the world. I'm like, bro, if

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<v Speaker 2>I get money, now, if I get powers, I need

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<v Speaker 2>to get some money. You know, I need money. I

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<v Speaker 2>need to fix my situation. I need to make relationships.

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<v Speaker 2>I need to make sure my family is straight. Why

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<v Speaker 2>is there not a show that's like that with powers?

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<v Speaker 2>And that's where it just began, and just wanting to

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<v Speaker 2>see that. So then when the opportunity arose, I was

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<v Speaker 2>just like, yeah, this is this is what I want

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<v Speaker 2>to do, you know, whenever it's came through.

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<v Speaker 3>Right, Because but and I heard you say you said

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<v Speaker 3>it was for Top Boy, that this wouldn't have been

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<v Speaker 3>a success because that boy came first.

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<v Speaker 2>Correct. I don't think would have been as accessible to

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<v Speaker 2>you guys. I don't think you would have like to

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<v Speaker 2>the way the language and the slang. I think because

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<v Speaker 2>you've watched with them years, you're a bit used to

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<v Speaker 2>us now, even though our.

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<v Speaker 1>Rappers are crossing over now. It's like, I think that

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<v Speaker 1>that helped you hate study over here.

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<v Speaker 2>So now when you know there's references, is it like

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<v Speaker 2>top Bay, is it like this? Is it like the

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<v Speaker 2>So I think it helps man, But yeah, because because

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<v Speaker 2>you know what, it was crazy because it was times

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<v Speaker 2>that I had to rewind because I didn't understand some

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<v Speaker 2>of the dialect.

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<v Speaker 1>But then I thought about.

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<v Speaker 2>It, I was like, that's probably exactly what people were.

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<v Speaker 1>Doing with the Wire.

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<v Speaker 4>Yeah, like the Wire was a straight Baltimore in the US.

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<v Speaker 1>I used to wonder, what's due the whole dude. Well,

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<v Speaker 1>I learned that language from the Wire, and I was like,

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<v Speaker 1>I want the super sized.

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<v Speaker 2>I'm not even watering it that you So yeah, I apologetics.

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<v Speaker 3>So let me ask you because was that was that?

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<v Speaker 3>Was that something that came across because.

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<v Speaker 2>Spare time, Netflix will be like, perhaps they're not going

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<v Speaker 2>to understand what they're saying. This is not even just

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<v Speaker 2>in the you in the States. They're saying people in

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<v Speaker 2>the UK will understanding. South London had his own language,

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<v Speaker 2>right you know, and we speak a certain says that

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<v Speaker 2>Britain on the South, Yeah, Brixtains past South as well

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<v Speaker 2>in genuinely like the real urban, gritty parts of all London.

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<v Speaker 1>We have our own slang.

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<v Speaker 2>So when certain netflix is ex are watching it, they're

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<v Speaker 2>not understanding what it means, Like what does this mean?

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<v Speaker 2>What does that mean? I was like, well, you're going

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<v Speaker 2>to find out. But I'm not warring it done. This

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<v Speaker 2>is going to be straight raw South London show how

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<v Speaker 2>we speak and people just have to figure out the language, man,

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<v Speaker 2>you know what, you know.

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<v Speaker 3>It was one of the those things was me coming

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<v Speaker 3>to London. For as many times I came to London,

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<v Speaker 3>I always go to Nando's gonna and I'm looking and

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<v Speaker 3>I'm sitting there with my wife and I'm.

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<v Speaker 1>Like, it's going to be authentic. If Nando's say this

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<v Speaker 1>can't down. I was like, that's funny.

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<v Speaker 2>Yeah, No, we said have to be a part of it.

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<v Speaker 2>It's just it's just the experience. That's the London experience.

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<v Speaker 3>But it was something you said on The Brothers Club

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<v Speaker 3>that I wanted to.

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<v Speaker 1>Few. You said that London slang is like New York slang.

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<v Speaker 1>But I think I think, I said, did I say

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<v Speaker 1>it was like Canadian slang? Said, and you said, and

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<v Speaker 1>I said, London, New York.

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<v Speaker 3>Here's here's the part that you forgot to mix out.

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<v Speaker 1>I think that the yard man slang is a part

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<v Speaker 1>of the London slang. Yeah, I said. And people were

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<v Speaker 1>checking me on that. People hear me.

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<v Speaker 2>Saying, that's why the Canadians sound like the Brits, because

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<v Speaker 2>all of the Jamaicans that went over with the candid

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<v Speaker 2>Dog and the slang boy inherited there the same way

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<v Speaker 2>we inherited it over here in London.

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<v Speaker 1>I said, So, yeah, so that might be true. Bro,

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<v Speaker 1>that's that makes sense. Yeah, because because because you remember.

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<v Speaker 3>And my day, I remember hearing about the shower posse

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<v Speaker 3>being deported from New York.

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<v Speaker 1>And that's where they went. They went to Canada and London.

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<v Speaker 1>You know what I mean. Everybody didn't want to go

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<v Speaker 1>back to the yard. It was like, wait a minute,

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<v Speaker 1>but you're from Nigeria, bigger. You used to steal credit

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<v Speaker 1>cards and ship like that, right.

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<v Speaker 5>I mean, that's a very hostel.

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<v Speaker 1>For those that don't know.

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<v Speaker 3>Uh, this is a very deep part of I'm about

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<v Speaker 3>to say movie, and didn't up to say documentary, but this.

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<v Speaker 1>Is a series. It's a very deep.

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<v Speaker 3>Part of the series is he attacked. He attacked a

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<v Speaker 3>very serious issue in our community. And what I didn't

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<v Speaker 3>know there's two There's two things in my life that

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<v Speaker 3>I always wish I asked more of. When pun used

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<v Speaker 3>to go to sleep and when pride he used to

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<v Speaker 3>get sick. I always wanted I never asked him like, like,

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<v Speaker 3>what are you going through? Like I guess I was

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<v Speaker 3>too young, So I just was like trying to ignore it.

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<v Speaker 3>And then when obviously that's when I heard single cell.

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<v Speaker 2>I heard you say that you first found out from

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<v Speaker 2>sickle cell hit him up. Yet that's the first time

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<v Speaker 2>I ever heard that.

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<v Speaker 3>So so what a lot of people don't know is

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<v Speaker 3>single cell is a universal disease, but it's runs rapid

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<v Speaker 3>in the black community.

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<v Speaker 1>And I heard you say something.

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<v Speaker 3>That was really really really really really deep. You said,

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<v Speaker 3>there's supposed to be other people with sickle cell.

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<v Speaker 1>You just never met them. I haven't met them. So

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<v Speaker 1>so what I did.

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<v Speaker 2>Was I had the group google everyone that all famous

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<v Speaker 2>people that who got sickle cell.

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<v Speaker 1>You guys got the notes. Don't read it in Dominican,

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<v Speaker 1>now read it in English. It's going. Yeah, has read.

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<v Speaker 4>Nobody believes you read in Troubles even reading it.

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<v Speaker 2>Hold on, hold on? Who Ticky Barbara from The Football Player?

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<v Speaker 1>Okay? Also blacks take also black? Yeah, according to Google.

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<v Speaker 2>This is this Dominican in Colombian Google. Okay, so I

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<v Speaker 2>don't know, Okay, Okay, Ryan Clark that he's black, said

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<v Speaker 2>Beanie Man, Meanie Man, big beating.

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<v Speaker 1>Who King tight? Who the gypsy thing prepared? I think

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<v Speaker 1>I think you would.

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<v Speaker 2>Okay, I think you're gonna stop the listening.

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<v Speaker 1>That's looking list that one. I think this is Columbian.

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<v Speaker 1>What else?

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<v Speaker 2>What else?

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<v Speaker 3>Corlins to the Basketball Player? Okay, Kiki Shephard okay. George

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<v Speaker 3>Floyd okay, okay, wow. And that's how the list stops.

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<v Speaker 3>So so another thing that I heard that the movie

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<v Speaker 3>was inspired by George floydau how up in a Row

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<v Speaker 3>London was at that time.

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<v Speaker 1>Yeah, explained that it was a massive deal of mine life.

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<v Speaker 2>I know everyone I know a lot of people from

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<v Speaker 2>the States always feel like the black pain there is

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<v Speaker 2>not it's not inherited, but we feel it the same

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<v Speaker 2>way that you got feeling. So when Jersey Flood got murdered,

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<v Speaker 2>it was it was just no destroyed. That brought the

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<v Speaker 2>Camels back. Everyone felt everyone was done and everyone was

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<v Speaker 2>going to Central London protesting and doing what they was

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<v Speaker 2>doing to raise awareness, not the same We've had enough,

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<v Speaker 2>do something and even though it wasn't a problem happening

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<v Speaker 2>on our streets in London, we felt that man that ricochet.

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<v Speaker 2>So I'm thinking, do I got cent you with my

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<v Speaker 2>sign and do what I'm doing? And I thought that

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<v Speaker 2>was dope one doing. I was like, can I do

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<v Speaker 2>something different? Can I do something that makes us feel

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<v Speaker 2>like we can't just get killed and thrown into the

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<v Speaker 2>trash and no one cares? So I said, what if

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<v Speaker 2>we need to do something to make us super? And

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<v Speaker 2>that's when I really started working on the show. But

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<v Speaker 2>I didn't know that TV takes one hundred years at

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<v Speaker 2>them time, so I think it would be like a movie.

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<v Speaker 2>I'll start in January, but that by December it took years.

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<v Speaker 2>But I didn't know that at the time, so I

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<v Speaker 2>really worse and thinking it could be ready and it

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<v Speaker 2>could come out at the end of the year and

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<v Speaker 2>this would be like a dedication to it, you know,

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<v Speaker 2>So but yeah, it was. It was just a dark

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<v Speaker 2>time in London. Man, like it was just too much

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<v Speaker 2>because the viature was so graphic.

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<v Speaker 1>Yeah, man, that was just like, ain't.

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<v Speaker 2>No one gonna do nothing. And I'll tell you one thing,

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<v Speaker 2>I'll say in London. Yeah, if that was in London,

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<v Speaker 2>people that jumped in, I'm not saying they didn't get

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<v Speaker 2>got gun. The friends that got guns there in it.

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<v Speaker 2>In London, there's no guns, like when the police don't

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<v Speaker 2>have guns like that. So if they're trying to choke

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<v Speaker 2>out one of the brothers, the mandom are jumping in

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<v Speaker 2>on that, that's not that can't just flat. So for us,

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<v Speaker 2>we're watching that like just let four man choking all

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<v Speaker 2>that because we're we're going to get we jumping and

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<v Speaker 2>you might sit in a cell phone beer. You know,

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<v Speaker 2>you can say but you know it's not a big deal,

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<v Speaker 2>but I get the fear of you jump in there.

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<v Speaker 1>You might get shot. So it was just like, but

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<v Speaker 1>we're watching this like why has no one doing nothing?

0:12:32.280 --> 0:12:35.280
<v Speaker 2>Why is no one helping him? So it was just

0:12:35.360 --> 0:12:36.959
<v Speaker 2>a big uproar in the UK. Man and I just

0:12:36.960 --> 0:12:38.079
<v Speaker 2>wanted to play my part.

0:12:39.520 --> 0:12:43.760
<v Speaker 3>And that despite this, because I believe that we just

0:12:43.800 --> 0:12:45.679
<v Speaker 3>said George Floyd has sickle cell too.

0:12:45.800 --> 0:12:49.199
<v Speaker 1>I don't even know. That's clear you didn't know. I

0:12:49.320 --> 0:13:00.319
<v Speaker 1>just hope they go correct that list. I'm taking you

0:13:02.400 --> 0:13:02.839
<v Speaker 1>google this.

0:13:02.920 --> 0:13:13.079
<v Speaker 2>So Wikipedia though, on King to the Emperor, they say

0:13:13.120 --> 0:13:17.000
<v Speaker 2>it started from malaria, and ye off the king.

0:13:17.440 --> 0:13:20.199
<v Speaker 1>They talk about King to shoot it from Brooklyn. Maybe

0:13:23.240 --> 0:13:23.520
<v Speaker 1>we don't know.

0:13:24.640 --> 0:13:25.840
<v Speaker 2>So so.

0:13:27.520 --> 0:13:31.079
<v Speaker 3>I think I asked you this and uh a little parts,

0:13:31.160 --> 0:13:33.679
<v Speaker 3>but I want to ask you in this entirety. You know,

0:13:33.760 --> 0:13:35.760
<v Speaker 3>you get, you get, you get blessed with this opportunity.

0:13:35.880 --> 0:13:37.920
<v Speaker 3>People say ahead, we're gonna let you do what you want.

0:13:38.240 --> 0:13:39.679
<v Speaker 3>What makes you say, yo, you know what, let me

0:13:39.760 --> 0:13:42.079
<v Speaker 3>take a risk on my own. People like like it

0:13:42.200 --> 0:13:44.320
<v Speaker 3>was like I could literally count some of the white

0:13:44.320 --> 0:13:48.360
<v Speaker 3>people that was in there. In a good way, it

0:13:48.480 --> 0:13:50.120
<v Speaker 3>was the bad lady.

0:13:54.760 --> 0:13:55.439
<v Speaker 1>I think you know what.

0:13:56.120 --> 0:13:59.319
<v Speaker 2>The trailer came out here and in the comments was

0:13:59.520 --> 0:14:00.640
<v Speaker 2>just so much racism.

0:14:01.240 --> 0:14:04.920
<v Speaker 1>It's crazy racive. Oh so the white people are villains? Oh,

0:14:04.960 --> 0:14:06.079
<v Speaker 1>I guess the same for me? Then?

0:14:06.920 --> 0:14:09.040
<v Speaker 2>Is this in some mystical world where London's black? I

0:14:09.200 --> 0:14:13.559
<v Speaker 2>was like, yo, if we if we uprolled like this

0:14:13.800 --> 0:14:15.839
<v Speaker 2>every time a show came out where we was in

0:14:16.040 --> 0:14:18.480
<v Speaker 2>one row we were, we would I won't be able

0:14:18.480 --> 0:14:19.520
<v Speaker 2>to be here because I've got to be on the

0:14:19.560 --> 0:14:23.160
<v Speaker 2>YouTube every second because there's no shows every single night

0:14:23.720 --> 0:14:27.840
<v Speaker 2>shows predominantly white casts, especially in the UK, so it's

0:14:27.920 --> 0:14:31.000
<v Speaker 2>like why the one or We've got like five shows

0:14:31.040 --> 0:14:33.520
<v Speaker 2>now that was all black casts. I couldn't believe the

0:14:33.680 --> 0:14:37.720
<v Speaker 2>racism because I didn't intentionally put white people in there

0:14:37.800 --> 0:14:40.440
<v Speaker 2>is villains. It was just a predominantly black cass So

0:14:40.520 --> 0:14:43.320
<v Speaker 2>it's kind of the roles that were left over kind

0:14:43.360 --> 0:14:46.160
<v Speaker 2>of thing like who's there? Because this whole show was

0:14:46.240 --> 0:14:49.280
<v Speaker 2>to put black actors in a position where they don't

0:14:49.320 --> 0:14:50.880
<v Speaker 2>have to fly to the States to do roles. I

0:14:50.960 --> 0:14:52.680
<v Speaker 2>want to give them a show where they can get

0:14:52.680 --> 0:14:56.560
<v Speaker 2>paid well, big platform, you know, grow their brand with

0:14:56.680 --> 0:14:58.320
<v Speaker 2>a show like this. So we were out looking for

0:14:58.400 --> 0:15:00.840
<v Speaker 2>black actors to you know, give them a step off.

0:15:00.920 --> 0:15:04.120
<v Speaker 2>So it wasn't anti white, it was just pro black,

0:15:04.280 --> 0:15:05.080
<v Speaker 2>that's right, you know what I'm saying.

0:15:07.800 --> 0:15:10.680
<v Speaker 3>So now I'm gonna say this now, one of my

0:15:10.760 --> 0:15:16.120
<v Speaker 3>favorite characters is taseruat me, let me tell you why

0:15:16.160 --> 0:15:18.880
<v Speaker 3>he's one of my favorite characters because he's human meaning

0:15:19.000 --> 0:15:20.920
<v Speaker 3>not not not to say that everyone else is not human.

0:15:21.120 --> 0:15:22.520
<v Speaker 1>But what I'm trying to say is you.

0:15:22.600 --> 0:15:25.800
<v Speaker 3>A figure you get like powers and then you're like,

0:15:25.840 --> 0:15:28.040
<v Speaker 3>all right, cool, let me go help the homeless. Like

0:15:28.160 --> 0:15:30.600
<v Speaker 3>that's not how the suck certain people are. He was,

0:15:30.840 --> 0:15:32.840
<v Speaker 3>he was a wicked man before he got the powers.

0:15:33.600 --> 0:15:34.520
<v Speaker 3>He stayed the wicked man.

0:15:34.920 --> 0:15:38.080
<v Speaker 2>Got the powers, he started doing some ill ship. So

0:15:38.800 --> 0:15:41.960
<v Speaker 2>but what made you say that balance? Because you know,

0:15:42.120 --> 0:15:44.280
<v Speaker 2>my man, Michael, Michael is he's a good guy, like

0:15:44.360 --> 0:15:46.200
<v Speaker 2>he's he's he's he's the leader.

0:15:46.240 --> 0:15:49.600
<v Speaker 1>That's not the leader, that's the leader leader.

0:15:50.120 --> 0:15:53.160
<v Speaker 3>But to me, Taser was so much relatable to like

0:15:53.960 --> 0:15:56.320
<v Speaker 3>street people, like who would get these powers and be

0:15:56.400 --> 0:16:01.040
<v Speaker 3>like yo, I'm a Robert Bank, Like fuck helping the homeless,

0:16:01.920 --> 0:16:02.920
<v Speaker 3>helping the wheelchair guy.

0:16:03.000 --> 0:16:05.280
<v Speaker 1>These guys want to So what made you say that

0:16:05.600 --> 0:16:07.040
<v Speaker 1>keep that balance of character.

0:16:06.960 --> 0:16:09.560
<v Speaker 2>Because if I'm telling the story of normal people with

0:16:09.680 --> 0:16:13.320
<v Speaker 2>powers and normal people with powers setting South London, there's

0:16:13.400 --> 0:16:15.400
<v Speaker 2>no version of South London where a guy like that

0:16:15.480 --> 0:16:17.760
<v Speaker 2>doesn't exist, you know, like I'm from South London.

0:16:17.840 --> 0:16:20.280
<v Speaker 1>South London is it's kind of like they.

0:16:20.360 --> 0:16:23.280
<v Speaker 2>Know the poverty part of London, you know, So a

0:16:23.400 --> 0:16:25.320
<v Speaker 2>lot of a lot of London, not all of London

0:16:25.400 --> 0:16:27.680
<v Speaker 2>that you saw five different characters, but that part is

0:16:27.800 --> 0:16:30.880
<v Speaker 2>very prominent, and I just wanted the character that if

0:16:30.920 --> 0:16:33.640
<v Speaker 2>you're in a game war and then you get powers,

0:16:34.320 --> 0:16:36.320
<v Speaker 2>oh shit, you really?

0:16:37.640 --> 0:16:40.040
<v Speaker 1>That was his thing was, this is a game changer

0:16:40.360 --> 0:16:41.240
<v Speaker 1>with this, we.

0:16:41.280 --> 0:16:43.200
<v Speaker 2>Can take them, we can take them, we can take them,

0:16:43.480 --> 0:16:45.520
<v Speaker 2>And that's his mind frame. Remember he's only a teenager.

0:16:45.840 --> 0:16:47.960
<v Speaker 2>He hasn't even thought about rubbing the bank. He's still

0:16:47.960 --> 0:16:51.240
<v Speaker 2>about money, power and respect, right, So I just wanted

0:16:51.320 --> 0:16:53.480
<v Speaker 2>someone realistic. As he gets older, he's probably going to

0:16:53.520 --> 0:16:55.560
<v Speaker 2>say one, I just rob a bank. But at the moment,

0:16:55.760 --> 0:16:57.480
<v Speaker 2>he's just trying to put his team on. He's trying

0:16:57.520 --> 0:16:59.800
<v Speaker 2>to get his team to the next level. Okay, now

0:17:00.320 --> 0:17:02.520
<v Speaker 2>this is something I was waiting to ask you. So

0:17:02.880 --> 0:17:05.520
<v Speaker 2>But first of all, first before I asked you straight

0:17:05.600 --> 0:17:05.800
<v Speaker 2>up that.

0:17:07.840 --> 0:17:11.440
<v Speaker 3>I'm forty six years old, I don't condone violence anymore,

0:17:11.640 --> 0:17:12.720
<v Speaker 3>but every now and then.

0:17:20.200 --> 0:17:26.840
<v Speaker 1>Used to violence. That's what I said. But it's a scene.

0:17:26.960 --> 0:17:28.200
<v Speaker 1>It's a scene where.

0:17:28.520 --> 0:17:32.440
<v Speaker 2>Taser is on the bike and they got their bad

0:17:32.560 --> 0:17:35.520
<v Speaker 2>danas on, and I was like, I want to be

0:17:35.680 --> 0:17:41.480
<v Speaker 2>with them, like so cool, Like I'm.

0:17:41.359 --> 0:17:43.399
<v Speaker 3>Just telling you, Like, like I said, I started this

0:17:43.520 --> 0:17:44.920
<v Speaker 3>off with, I don't want to I don't want to

0:17:44.920 --> 0:17:49.040
<v Speaker 3>condone violence. But I want to be there like they were.

0:17:49.280 --> 0:17:53.480
<v Speaker 3>They went through the hoods, people start and they're on

0:17:53.560 --> 0:17:58.000
<v Speaker 3>the bikes, but they look so smooth. They looked so

0:17:58.320 --> 0:18:02.840
<v Speaker 3>I was like, I would like to help out, be

0:18:02.920 --> 0:18:05.640
<v Speaker 3>a part of the violence. It looks just so cool,

0:18:05.720 --> 0:18:07.399
<v Speaker 3>I guess cause they wanted revenge.

0:18:07.440 --> 0:18:07.560
<v Speaker 4>Man.

0:18:09.359 --> 0:18:13.760
<v Speaker 1>So is it like that in London? Yeah, pretty much

0:18:15.000 --> 0:18:15.960
<v Speaker 1>the whole back things.

0:18:16.720 --> 0:18:18.920
<v Speaker 2>It was away for the two gangs, for the gangs

0:18:18.960 --> 0:18:22.160
<v Speaker 2>to move because there's no license plates. Remember London, we're

0:18:22.200 --> 0:18:24.840
<v Speaker 2>CCTV everywhere. There ain't no last places and pedal backs.

0:18:25.160 --> 0:18:27.960
<v Speaker 2>So if you're beefing an area where it's literally a

0:18:28.040 --> 0:18:31.040
<v Speaker 2>pedal back away, you get there, you get cool. There's

0:18:31.080 --> 0:18:33.520
<v Speaker 2>no unless you get cold there you're not you know,

0:18:33.960 --> 0:18:35.720
<v Speaker 2>they can't catch you. There ain't no lescense plate.

0:18:35.800 --> 0:18:41.000
<v Speaker 1>There ain't no because I didn't even know what.

0:18:42.720 --> 0:18:44.520
<v Speaker 2>You can typing on YouTube and you can look at

0:18:45.040 --> 0:18:46.720
<v Speaker 2>p YG that there was a gag of bricks and

0:18:46.760 --> 0:18:48.040
<v Speaker 2>and there's a gang of peck and they used to

0:18:48.080 --> 0:18:50.240
<v Speaker 2>be back in the day and you see a real

0:18:50.359 --> 0:18:52.399
<v Speaker 2>shot of the gang. I can't know if it was

0:18:52.400 --> 0:18:54.760
<v Speaker 2>bricktain guys, pecking gangs and Brickston, but you see a

0:18:54.760 --> 0:18:57.119
<v Speaker 2>similar shot whatevers, but much more people in the backs.

0:18:58.160 --> 0:19:01.880
<v Speaker 1>And you do that because scooters pedal back. No, because

0:19:01.880 --> 0:19:04.040
<v Speaker 1>they did it. They did it again. No, there's no game.

0:19:04.119 --> 0:19:04.280
<v Speaker 4>Cool.

0:19:04.440 --> 0:19:07.879
<v Speaker 3>Yeah, so that's wow. So now not only that this

0:19:08.040 --> 0:19:12.560
<v Speaker 3>is this is an important question to me personally. It's

0:19:12.840 --> 0:19:17.359
<v Speaker 3>very distinctive that you see one side is red and

0:19:17.440 --> 0:19:18.000
<v Speaker 3>then you see the.

0:19:18.040 --> 0:19:19.320
<v Speaker 1>Other side blue.

0:19:21.600 --> 0:19:23.800
<v Speaker 2>I didn't hear them calling each other bloods the crips,

0:19:25.520 --> 0:19:29.119
<v Speaker 2>but I also remember me going to San Diego and

0:19:29.200 --> 0:19:32.000
<v Speaker 2>seeing the same ship like for Mexican gang and it's

0:19:32.080 --> 0:19:32.639
<v Speaker 2>different for them.

0:19:32.800 --> 0:19:33.040
<v Speaker 3>Yeah.

0:19:33.119 --> 0:19:40.080
<v Speaker 2>Yeah, so it's northern South. So is this something like that,

0:19:40.320 --> 0:19:45.240
<v Speaker 2>like where these gangs use the same colors, but it's

0:19:45.280 --> 0:19:48.320
<v Speaker 2>not for bloods and crips. But gangs do have colors.

0:19:48.680 --> 0:19:49.919
<v Speaker 2>Some gangs do you rep colors?

0:19:50.000 --> 0:19:52.200
<v Speaker 1>You know? For what I can remember, As I said,

0:19:52.200 --> 0:19:53.160
<v Speaker 1>the game changes the time.

0:19:53.200 --> 0:19:56.280
<v Speaker 2>But for example, I'm I don't know, hypes are familiar

0:19:56.320 --> 0:19:58.240
<v Speaker 2>with gigs for example gigs.

0:19:58.760 --> 0:19:59.880
<v Speaker 1>Yeah, so what youven come through?

0:20:00.600 --> 0:20:03.440
<v Speaker 2>He would like his area used to wrap the black bandanners,

0:20:03.640 --> 0:20:05.720
<v Speaker 2>but that was just their color they would rep. And

0:20:06.119 --> 0:20:09.440
<v Speaker 2>that rapper that's in the show, Digger d his team

0:20:09.800 --> 0:20:12.840
<v Speaker 2>red blue, okay, and other gangs red.

0:20:12.840 --> 0:20:14.920
<v Speaker 1>But it was just growing up, would your your gang.

0:20:14.720 --> 0:20:17.159
<v Speaker 2>Would have a color, like your band would be a

0:20:17.160 --> 0:20:19.200
<v Speaker 2>color to refuse us gang like you come out.

0:20:19.440 --> 0:20:21.680
<v Speaker 1>It's not as deep as the Cruption blast. It wasn't that.

0:20:21.840 --> 0:20:24.720
<v Speaker 2>It wasn't even I don't even think it wasn't intentionally

0:20:24.800 --> 0:20:25.600
<v Speaker 2>inspired by that.

0:20:25.840 --> 0:20:29.159
<v Speaker 1>But it is gangs rep colors and they didn't learn

0:20:29.240 --> 0:20:29.840
<v Speaker 1>the Caribbean too.

0:20:29.880 --> 0:20:32.000
<v Speaker 4>And I've been to like, hey, yeah, red and blue

0:20:32.000 --> 0:20:34.560
<v Speaker 4>and they're not bloods of cribs, but they different ports

0:20:34.720 --> 0:20:36.160
<v Speaker 4>have different flags.

0:20:36.400 --> 0:20:38.320
<v Speaker 2>But you know when I originally started doing it, yeah,

0:20:38.640 --> 0:20:40.840
<v Speaker 2>I've done a movie before called Blue Story.

0:20:41.200 --> 0:20:44.800
<v Speaker 1>Come on, got that in my notes? Yeah, what is Yeah?

0:20:44.840 --> 0:20:48.000
<v Speaker 2>The two gangsters guys and I remember the execs like

0:20:48.840 --> 0:20:50.480
<v Speaker 2>we just couldn't tell he was here because we just

0:20:50.520 --> 0:20:52.320
<v Speaker 2>couldn't tell he was here. They just didn't get it

0:20:52.359 --> 0:20:53.960
<v Speaker 2>he was who. They just didn't know who the bodies were.

0:20:54.000 --> 0:20:55.879
<v Speaker 2>They just saw a group of black guys rough night

0:20:55.960 --> 0:20:59.080
<v Speaker 2>each other. So then we had to put colors. So

0:20:59.800 --> 0:21:01.320
<v Speaker 2>the just oh, the blue.

0:21:01.119 --> 0:21:03.000
<v Speaker 1>Guys, the guys, the bad guys, and the red guys.

0:21:03.040 --> 0:21:04.600
<v Speaker 2>So we start doing like that. But the fact is

0:21:04.640 --> 0:21:08.359
<v Speaker 2>it is the young younger low for why can we

0:21:08.480 --> 0:21:10.160
<v Speaker 2>cool things? Changing the time in the streets And I said,

0:21:10.160 --> 0:21:13.119
<v Speaker 2>I'm not kick no more. But the college is very prominent,

0:21:13.720 --> 0:21:16.679
<v Speaker 2>so I'm bouncing around a little bit. I was watching

0:21:16.840 --> 0:21:19.359
<v Speaker 2>on YouTube and there was this guy on the street.

0:21:20.320 --> 0:21:22.240
<v Speaker 2>He was interviewing this other guy on the street and

0:21:22.320 --> 0:21:24.800
<v Speaker 2>he goes, do you wear your watch in London?

0:21:25.440 --> 0:21:27.359
<v Speaker 1>And he said no. He said why not?

0:21:28.040 --> 0:21:30.560
<v Speaker 2>You have insurance and the guy said, I don't have

0:21:30.640 --> 0:21:31.320
<v Speaker 2>insurance from my.

0:21:31.480 --> 0:21:38.080
<v Speaker 1>Arm London's London is not the place. Minute you hear

0:21:38.160 --> 0:21:38.479
<v Speaker 1>this now?

0:21:41.080 --> 0:21:44.640
<v Speaker 2>He literally said that people come up and they'll chop

0:21:44.760 --> 0:21:47.160
<v Speaker 2>you with a machete with a machete for your watch.

0:21:47.400 --> 0:21:49.679
<v Speaker 2>Is it that bad people will do what they need

0:21:49.800 --> 0:21:51.679
<v Speaker 2>you to get them watches off yours? I don't give

0:21:51.720 --> 0:21:54.960
<v Speaker 2>it that. It's not a joke. I think a lot

0:21:55.000 --> 0:21:57.880
<v Speaker 2>of people lose lose a lot for their watches these days.

0:21:57.960 --> 0:22:00.960
<v Speaker 2>So if you're not going somewhere where I feel like

0:22:01.040 --> 0:22:03.400
<v Speaker 2>you can't protectaste, that's not worth the grief. Like I've

0:22:03.440 --> 0:22:05.960
<v Speaker 2>seen videos where you just go to the restaurant with

0:22:06.040 --> 0:22:08.680
<v Speaker 2>your woman with your watch and they will wait for

0:22:08.720 --> 0:22:11.240
<v Speaker 2>you to come out, follow you home and then rip

0:22:11.280 --> 0:22:13.000
<v Speaker 2>off your arm for the way that is down with

0:22:13.119 --> 0:22:14.760
<v Speaker 2>it too right or something I've seen that I've seen

0:22:14.800 --> 0:22:16.239
<v Speaker 2>the same thing that you've seen. I don't know if

0:22:16.240 --> 0:22:18.960
<v Speaker 2>that's common knowledge, but that's that's I heard how they knew.

0:22:19.040 --> 0:22:21.440
<v Speaker 2>So what the way it does? Away who formally from

0:22:21.720 --> 0:22:24.440
<v Speaker 2>from the street call the people say someone just coming

0:22:24.560 --> 0:22:28.680
<v Speaker 2>with this ap you know where the blue dress black

0:22:28.720 --> 0:22:30.720
<v Speaker 2>plays are, and then they wait for you to come out,

0:22:31.040 --> 0:22:33.040
<v Speaker 2>they follow you home and then they get you at

0:22:33.040 --> 0:22:33.600
<v Speaker 2>your doorsteps.

0:22:34.000 --> 0:22:36.440
<v Speaker 3>It's crazy, though, watch Watch Crime in the UK is

0:22:37.240 --> 0:22:39.760
<v Speaker 3>this is the number one and in London they said

0:22:39.760 --> 0:22:40.160
<v Speaker 3>this number.

0:22:40.280 --> 0:22:42.320
<v Speaker 1>Yeah, that makes sense. I can very much believe that.

0:22:42.480 --> 0:22:44.120
<v Speaker 1>And did you know what fun it was? Number two?

0:22:45.359 --> 0:22:49.320
<v Speaker 1>I know we go off the subject, which is fucked up?

0:22:49.320 --> 0:22:51.840
<v Speaker 2>The's number two that I recently just read what's that

0:22:52.359 --> 0:22:59.520
<v Speaker 2>cans France can I've seen that recently though, but.

0:23:02.280 --> 0:23:07.760
<v Speaker 1>I didn't know that people they said that.

0:23:08.960 --> 0:23:11.639
<v Speaker 2>But they're not violent though. They come up to you

0:23:11.720 --> 0:23:12.399
<v Speaker 2>with pepper spray.

0:23:13.320 --> 0:23:20.200
<v Speaker 1>Oh yeah, you go like this. I'm still trying to

0:23:20.280 --> 0:23:28.399
<v Speaker 1>keep so let me start clip from Kanas now.

0:23:32.680 --> 0:23:34.920
<v Speaker 2>So I'm bouncing around, but let's let's go back to

0:23:34.960 --> 0:23:35.439
<v Speaker 2>the series.

0:23:35.840 --> 0:23:36.520
<v Speaker 1>So another.

0:23:37.960 --> 0:23:44.919
<v Speaker 3>Fun character was Sabrina Big the dean Okay she called man.

0:23:45.040 --> 0:23:49.600
<v Speaker 1>She yeah, she didn't kill him. She has the powers.

0:23:51.760 --> 0:23:52.680
<v Speaker 1>I was starting to think.

0:23:52.720 --> 0:23:54.639
<v Speaker 2>I said, you know how many other woman in the

0:23:54.720 --> 0:23:57.720
<v Speaker 2>hood w took full advantage.

0:23:57.200 --> 0:23:58.359
<v Speaker 1>From we played it in l A.

0:23:58.480 --> 0:24:01.480
<v Speaker 2>Yeah, for the LA's premier every one in the crowd

0:24:01.520 --> 0:24:03.480
<v Speaker 2>together game. There was.

0:24:05.160 --> 0:24:08.480
<v Speaker 1>Every time we played until the women in the crowd

0:24:08.560 --> 0:24:09.840
<v Speaker 1>go crazy. You go crazy.

0:24:09.880 --> 0:24:11.760
<v Speaker 2>They love it, you know, they want to have to

0:24:11.840 --> 0:24:14.920
<v Speaker 2>kill it. And she's a good girl and she didn't.

0:24:15.080 --> 0:24:16.719
<v Speaker 2>She didn't know she had the powers at that plant, right.

0:24:17.560 --> 0:24:20.480
<v Speaker 1>I love I love the fact and I'm not blowing

0:24:20.520 --> 0:24:20.760
<v Speaker 1>it up.

0:24:20.760 --> 0:24:22.760
<v Speaker 3>But I want everybody to go see this because if

0:24:22.800 --> 0:24:24.600
<v Speaker 3>you haven't seen it, you have to see it.

0:24:24.760 --> 0:24:26.560
<v Speaker 1>And if you saw it, watch it again.

0:24:26.640 --> 0:24:29.680
<v Speaker 3>Because I had to watch it again to catch certain things,

0:24:29.720 --> 0:24:30.760
<v Speaker 3>and then I had to watch again.

0:24:31.000 --> 0:24:32.359
<v Speaker 1>And then the.

0:24:33.880 --> 0:24:38.120
<v Speaker 3>Only messed up part is I was running around, Hey, bros.

0:24:38.160 --> 0:24:42.080
<v Speaker 1>Soon as I everybody does that.

0:24:42.359 --> 0:24:47.200
<v Speaker 2>Everybody goes into that in once they started watching Everybody's

0:24:47.400 --> 0:24:49.879
<v Speaker 2>just everything everyone.

0:24:52.760 --> 0:24:56.399
<v Speaker 3>But but all right, So, like I said, everyone I

0:24:56.440 --> 0:24:59.480
<v Speaker 3>should watch it. But one of my favorite things, and

0:24:59.560 --> 0:25:02.879
<v Speaker 3>I touched on it earlier, is how they start to

0:25:05.160 --> 0:25:09.159
<v Speaker 3>get their superpowers. Because remember, for those that didn't see it,

0:25:09.359 --> 0:25:11.680
<v Speaker 3>they're all trying to use it. They all find out

0:25:11.720 --> 0:25:14.359
<v Speaker 3>that they got it, and then they try to use

0:25:14.400 --> 0:25:15.359
<v Speaker 3>it and then they can't.

0:25:15.600 --> 0:25:18.359
<v Speaker 2>Yeah, when they really needed it doesn't really work. Yeah,

0:25:18.720 --> 0:25:22.680
<v Speaker 2>and they haven't mastered it. Yeah, take some minute. It

0:25:22.840 --> 0:25:27.880
<v Speaker 2>kind of reminded me of black people in our situation.

0:25:28.600 --> 0:25:31.160
<v Speaker 2>Sometimes we react better when we stressed.

0:25:32.280 --> 0:25:34.360
<v Speaker 1>I feel like when we went our backs against the wall,

0:25:34.400 --> 0:25:36.240
<v Speaker 1>that's when we show out. Yeah, for sure.

0:25:36.720 --> 0:25:38.520
<v Speaker 3>So that's what I started to think. I started to

0:25:38.560 --> 0:25:40.679
<v Speaker 3>look at that. I was like, is that's what's happening.

0:25:40.920 --> 0:25:43.440
<v Speaker 2>There's a lot of subliminal messages inside there, you know,

0:25:43.640 --> 0:25:47.159
<v Speaker 2>like when I do write, I always ride with I

0:25:47.280 --> 0:25:49.280
<v Speaker 2>might not turn up when I need to on time,

0:25:49.480 --> 0:25:51.280
<v Speaker 2>voice when you need me, I'm going to be there.

0:25:51.480 --> 0:25:54.360
<v Speaker 2>And that's how the powers kind of came up come

0:25:54.400 --> 0:25:56.760
<v Speaker 2>about sometimes where even though it comes through times of

0:25:56.840 --> 0:26:00.159
<v Speaker 2>stress when they really need it, they should be But

0:26:00.160 --> 0:26:01.760
<v Speaker 2>the didn't get no always because you've seen it to

0:26:01.800 --> 0:26:04.640
<v Speaker 2>the end, right, I've seen you already know it's nothing,

0:26:04.680 --> 0:26:08.440
<v Speaker 2>but there's so many something messages inside there that it's

0:26:08.520 --> 0:26:11.920
<v Speaker 2>there to uplift the community and to really speak on

0:26:12.000 --> 0:26:14.960
<v Speaker 2>the human beings, especially the black community. Yeah, and you

0:26:15.080 --> 0:26:16.320
<v Speaker 2>know what, I would love to.

0:26:18.160 --> 0:26:24.360
<v Speaker 3>The wardrobe just like everyone everyone, everybody I looked. Everybody

0:26:24.440 --> 0:26:26.399
<v Speaker 3>I saw looked exactly like how I thought that they

0:26:26.440 --> 0:26:27.000
<v Speaker 3>would look.

0:26:26.920 --> 0:26:29.080
<v Speaker 1>Even down to the to the guys that you know, the.

0:26:29.400 --> 0:26:32.480
<v Speaker 2>Snatchers, Like the ship was baggy about you know hoodie guys,

0:26:32.760 --> 0:26:33.639
<v Speaker 2>Like it was baggy.

0:26:33.840 --> 0:26:36.200
<v Speaker 1>It was like it was like fly Like I was like,

0:26:36.640 --> 0:26:38.960
<v Speaker 1>exactly how it is? Is gonna be happy with that

0:26:39.000 --> 0:26:41.720
<v Speaker 1>com from so we got oh yeah, yeah, I'm telling you.

0:26:41.920 --> 0:26:44.359
<v Speaker 1>I'm telling you, like it looked like and like you

0:26:44.400 --> 0:26:48.120
<v Speaker 1>would you would think, like, what's it called Scott high

0:26:48.800 --> 0:26:52.639
<v Speaker 1>high five? Scott? Which one on? What is the genre?

0:26:54.920 --> 0:26:57.439
<v Speaker 3>So you were think far like you were speaking on earlier,

0:26:57.640 --> 0:26:59.920
<v Speaker 3>you would think sci fi to put on something like

0:27:00.480 --> 0:27:03.119
<v Speaker 3>some digital ship or something like that, and it's like

0:27:03.240 --> 0:27:03.879
<v Speaker 3>it looks like.

0:27:04.080 --> 0:27:06.800
<v Speaker 2>Right now to try to ground it, That's what the

0:27:07.280 --> 0:27:10.040
<v Speaker 2>whole point of the show was, Like we wanted everything

0:27:10.160 --> 0:27:12.320
<v Speaker 2>to be like if London.

0:27:12.080 --> 0:27:15.000
<v Speaker 1>Got powers now, this way like relatable.

0:27:15.040 --> 0:27:17.200
<v Speaker 2>So we wanted it to be like whatever you're wearing,

0:27:17.280 --> 0:27:18.560
<v Speaker 2>this is what you would wear, this is what you

0:27:18.640 --> 0:27:22.119
<v Speaker 2>So we were trying to do everything as Honestly, I

0:27:22.200 --> 0:27:25.879
<v Speaker 2>feel like that's the realist version of London is like

0:27:26.240 --> 0:27:28.800
<v Speaker 2>minus the powers obviously, but that is when I look

0:27:28.840 --> 0:27:31.080
<v Speaker 2>at that, the parties and music, the energy on the street.

0:27:31.160 --> 0:27:32.399
<v Speaker 1>I just look at it and I feel like that

0:27:32.560 --> 0:27:33.080
<v Speaker 1>is just London.

0:27:33.280 --> 0:27:35.600
<v Speaker 2>So I wanted to keep that as much as possible

0:27:36.000 --> 0:27:37.639
<v Speaker 2>and put these powers on top and see if it

0:27:37.680 --> 0:27:38.240
<v Speaker 2>will still work.

0:27:39.040 --> 0:27:41.800
<v Speaker 1>So when when did When did London shift right?

0:27:42.119 --> 0:27:44.720
<v Speaker 3>Because at one point I remember us coming to the US,

0:27:44.920 --> 0:27:47.119
<v Speaker 3>coming from the US, excuse me, and we would go

0:27:47.359 --> 0:27:50.400
<v Speaker 3>to London. It would be cool. No one will worry

0:27:50.440 --> 0:27:53.560
<v Speaker 3>about nothing. There's no like I wouldn't say this was

0:27:53.640 --> 0:27:54.080
<v Speaker 3>no crime.

0:27:54.200 --> 0:27:56.720
<v Speaker 2>But I don't know, man, I say, you remember, yeah,

0:27:56.760 --> 0:27:59.960
<v Speaker 2>but you came to London years ago. You can't go

0:28:00.040 --> 0:28:02.240
<v Speaker 2>into the hoods. But he came to an event. It's

0:28:02.240 --> 0:28:04.720
<v Speaker 2>called the Urban Music seven. Yeah, okay, it was so

0:28:04.920 --> 0:28:06.400
<v Speaker 2>many It might be twenty years ago.

0:28:06.920 --> 0:28:07.840
<v Speaker 1>It was so long ago. Man.

0:28:07.920 --> 0:28:11.360
<v Speaker 2>Now from that general generation will remember this because you came.

0:28:11.440 --> 0:28:13.760
<v Speaker 2>You don't talk and Bear Man came to see you.

0:28:14.040 --> 0:28:17.439
<v Speaker 2>But everyone from everywhere, no Southeast and West Aid hoods.

0:28:18.400 --> 0:28:19.680
<v Speaker 1>You came for one of the days.

0:28:19.760 --> 0:28:22.360
<v Speaker 2>But it turned into like a battle rayl blood ball

0:28:22.440 --> 0:28:24.440
<v Speaker 2>in that place because every single gang.

0:28:24.400 --> 0:28:27.960
<v Speaker 1>Basically it was a big but it takes a lot. Yeah,

0:28:28.040 --> 0:28:36.400
<v Speaker 1>so you don't remember, you don't see that. We wouldn't watch.

0:28:36.440 --> 0:28:38.720
<v Speaker 1>That's probably what it is. I felt protected. I felt

0:28:38.760 --> 0:28:39.360
<v Speaker 1>like we bro.

0:28:39.560 --> 0:28:43.640
<v Speaker 2>You was like wasager was in London? Bro We was

0:28:43.720 --> 0:28:46.120
<v Speaker 2>like what we all went down there to see that

0:28:46.240 --> 0:28:53.000
<v Speaker 2>and we showed you love minute you left, because it

0:28:53.160 --> 0:28:54.400
<v Speaker 2>was London has always been violent.

0:28:54.520 --> 0:28:57.280
<v Speaker 1>I agree, I agree with you. It could have been.

0:28:57.960 --> 0:29:00.240
<v Speaker 2>I believe it was violid back then, but it was

0:29:00.320 --> 0:29:01.800
<v Speaker 2>so sput structured, it wasn't.

0:29:02.360 --> 0:29:05.440
<v Speaker 1>Do you think it's the was it drill music? I

0:29:05.520 --> 0:29:06.160
<v Speaker 1>mean that's part of it.

0:29:06.240 --> 0:29:08.320
<v Speaker 3>Do you think it's the introduction of drill music? I

0:29:08.360 --> 0:29:10.560
<v Speaker 3>think it's social media, social med.

0:29:10.840 --> 0:29:13.560
<v Speaker 2>The cameras them days when you're there, Like say, if

0:29:13.600 --> 0:29:15.280
<v Speaker 2>I had a camera phone there, I would be showing

0:29:15.320 --> 0:29:17.480
<v Speaker 2>you footage of me meeting. But I didn't have that

0:29:17.560 --> 0:29:20.880
<v Speaker 2>then wet have phones. You're just seeing it now. But

0:29:21.040 --> 0:29:23.920
<v Speaker 2>London's always been and to be honest, London's a bit worse.

0:29:24.400 --> 0:29:25.840
<v Speaker 2>Is a bit it used to be a bit worse

0:29:25.880 --> 0:29:29.040
<v Speaker 2>than today because there's all my gun laws now where

0:29:29.160 --> 0:29:30.680
<v Speaker 2>if you get found with a gun, you get all

0:29:30.800 --> 0:29:31.480
<v Speaker 2>mac five years.

0:29:32.120 --> 0:29:33.400
<v Speaker 1>They won't lie out. Back in the day.

0:29:33.720 --> 0:29:35.160
<v Speaker 2>Back in the day, you could get do a year

0:29:35.240 --> 0:29:37.360
<v Speaker 2>for a gun, so a lot of man were taking

0:29:37.400 --> 0:29:41.400
<v Speaker 2>that risk. It's not now it's all mac five years.

0:29:41.560 --> 0:29:44.360
<v Speaker 2>So people are less willing to carry a gun and

0:29:44.440 --> 0:29:46.040
<v Speaker 2>they're ready to pick up a knife. But when you

0:29:46.160 --> 0:29:49.440
<v Speaker 2>was coming those times, just me money was still remember

0:29:49.480 --> 0:29:53.080
<v Speaker 2>but you didn't see top Bay on this community in

0:29:55.000 --> 0:29:58.480
<v Speaker 2>im not saying he wouldn't know. That's why I say

0:29:58.560 --> 0:30:00.920
<v Speaker 2>top By, top By your help, because you're not knowing that,

0:30:01.000 --> 0:30:03.840
<v Speaker 2>you're not thinking everyone's thinking. You know where just queens.

0:30:04.520 --> 0:30:07.920
<v Speaker 2>It was always London, has always been London. I went

0:30:07.960 --> 0:30:11.800
<v Speaker 2>to London one time. I'm uh big up. We called

0:30:11.880 --> 0:30:17.400
<v Speaker 2>him the Mounting dym right and you I don't know

0:30:17.440 --> 0:30:19.000
<v Speaker 2>if he wants me to blow up his name. But

0:30:20.040 --> 0:30:25.320
<v Speaker 2>so I'm in I'm in London, I'm performing and Tim Westwood.

0:30:25.120 --> 0:30:27.240
<v Speaker 1>Is not a part of the show. But but he

0:30:27.320 --> 0:30:29.760
<v Speaker 1>came to the show and guys.

0:30:29.600 --> 0:30:31.040
<v Speaker 3>Came and gave me a bag of weed like this

0:30:31.240 --> 0:30:33.600
<v Speaker 3>big and everyone came up to me, Hey, you're drug

0:30:33.640 --> 0:30:37.720
<v Speaker 3>dealing man like no man like I had so much

0:30:37.800 --> 0:30:41.040
<v Speaker 3>weed never seen nobody from like New York have so

0:30:41.120 --> 0:30:41.960
<v Speaker 3>much weed because you.

0:30:41.960 --> 0:30:43.480
<v Speaker 1>Know you're going home the next couple of days. I

0:30:43.520 --> 0:30:46.880
<v Speaker 1>smoked all that ship. Yes, yes, I believe it.

0:30:47.120 --> 0:30:52.640
<v Speaker 3>So bouncing around a little bit the food culture in

0:30:52.720 --> 0:30:56.000
<v Speaker 3>London and you got a mix of you know, African,

0:30:56.320 --> 0:30:58.880
<v Speaker 3>African soul, you got, you got even a little bit

0:30:58.920 --> 0:31:01.640
<v Speaker 3>of Latino out there. You got a little bit of everything.

0:31:02.080 --> 0:31:05.800
<v Speaker 3>Like what is your favorite London dish? Basically London dish, Yes,

0:31:05.920 --> 0:31:06.520
<v Speaker 3>London dish.

0:31:06.760 --> 0:31:09.320
<v Speaker 2>I'm all preferred African dishes because I'm African. But if

0:31:09.320 --> 0:31:10.840
<v Speaker 2>i was to take out my own food, but I've

0:31:10.840 --> 0:31:13.960
<v Speaker 2>been eating African fud since I was a kid, I'll

0:31:13.960 --> 0:31:16.480
<v Speaker 2>probably get the Caribbean food. So if I'm not eating

0:31:16.760 --> 0:31:19.360
<v Speaker 2>your love rice or goosey soup and grand rass, I

0:31:19.400 --> 0:31:22.160
<v Speaker 2>would probably get rass and peas and coxtail.

0:31:23.000 --> 0:31:24.280
<v Speaker 1>So that was the mom.

0:31:24.520 --> 0:31:26.200
<v Speaker 2>Just know that's what I'm That's what I'm eating. But

0:31:26.280 --> 0:31:28.280
<v Speaker 2>London we got, We've got a mix of everything though, Okay,

0:31:28.320 --> 0:31:31.240
<v Speaker 2>that's what I'm saying. We are very much like you.

0:31:31.440 --> 0:31:33.400
<v Speaker 2>I always I just come back from New York and

0:31:33.440 --> 0:31:35.920
<v Speaker 2>I'm always just like it's so similar, you know, everything

0:31:36.360 --> 0:31:39.120
<v Speaker 2>everything so yeah, I think London. My favorite fruit is

0:31:39.120 --> 0:31:42.280
<v Speaker 2>always after. I'm in the Caribbean. But you've got everything wrong.

0:31:43.040 --> 0:31:45.080
<v Speaker 2>What's what's the wonder is I take the bread and

0:31:45.200 --> 0:31:47.040
<v Speaker 2>you're dipping in the rice and go like that.

0:31:47.440 --> 0:31:53.160
<v Speaker 1>Bread and rest is Ethiopian. That's a Guardian dish.

0:31:54.160 --> 0:31:58.080
<v Speaker 2>But it's not bread. It's not bread. It's like it's

0:31:58.120 --> 0:32:01.120
<v Speaker 2>hard to call it. Man, It's like it's like grounded rass.

0:32:01.480 --> 0:32:04.680
<v Speaker 2>It's like a grounded rass. It's like almost it's kind

0:32:04.720 --> 0:32:07.760
<v Speaker 2>of it's like, so you threw me off with bread

0:32:07.920 --> 0:32:08.680
<v Speaker 2>spreading to rest.

0:32:08.800 --> 0:32:12.520
<v Speaker 1>But it's like it's just African. It's African culture. Yeah,

0:32:13.040 --> 0:32:15.480
<v Speaker 1>I like where everybody eat it, But Michael Black, isn't

0:32:15.520 --> 0:32:16.160
<v Speaker 1>it black?

0:32:21.160 --> 0:32:22.960
<v Speaker 2>You know? You like that?

0:32:23.080 --> 0:32:24.800
<v Speaker 1>That's you know, it's not meant to be. It's not

0:32:24.880 --> 0:32:25.800
<v Speaker 1>meant to be. It's meant to be.

0:32:26.120 --> 0:32:29.400
<v Speaker 3>You meant to be a Okay, let's talk about shower story,

0:32:29.920 --> 0:32:31.520
<v Speaker 3>shadow story, shadow story.

0:32:31.680 --> 0:32:34.680
<v Speaker 1>That was your frost. That's what cut me through. Yeah, okay,

0:32:35.120 --> 0:32:35.840
<v Speaker 1>so that there was.

0:32:37.240 --> 0:32:40.320
<v Speaker 2>That was five years into my journey on YouTube, trying

0:32:40.400 --> 0:32:43.360
<v Speaker 2>to make something called myself. So I was uploading from

0:32:43.360 --> 0:32:47.960
<v Speaker 2>twenty thirteen loads of different lave musically now issues like that,

0:32:48.640 --> 0:32:51.000
<v Speaker 2>And every time I uploaded one work with a story,

0:32:51.600 --> 0:32:53.960
<v Speaker 2>I got more attention, you know, And any time I

0:32:54.040 --> 0:32:57.960
<v Speaker 2>utloaded just regular music, it got less attention, which is cool.

0:32:59.400 --> 0:33:00.880
<v Speaker 2>Doing it for year and years and years, and it's

0:33:00.920 --> 0:33:03.240
<v Speaker 2>kind of getting to the print where it's costing me

0:33:03.360 --> 0:33:06.840
<v Speaker 2>more than it's bringing me, you know. So I remember

0:33:06.880 --> 0:33:08.800
<v Speaker 2>getting to the prey now for five years. When I

0:33:08.840 --> 0:33:11.640
<v Speaker 2>say five years, I'm very much like not doing done

0:33:11.640 --> 0:33:13.360
<v Speaker 2>a little bit in January and a little bit in December.

0:33:13.640 --> 0:33:17.280
<v Speaker 2>I'm uploading like ten times a year. So I've got

0:33:17.320 --> 0:33:19.600
<v Speaker 2>signed for Valentine's Day, i got signed for the summer.

0:33:19.600 --> 0:33:21.960
<v Speaker 2>I got signed for Uber and it's costing. You know,

0:33:22.240 --> 0:33:24.200
<v Speaker 2>you gotta pay for it. You gotta shoot it, you

0:33:24.280 --> 0:33:26.560
<v Speaker 2>gotta upload on the channel. You gotta pay upload fee.

0:33:27.440 --> 0:33:30.360
<v Speaker 2>I don't remember thinking, you know what, you gotta pay

0:33:30.360 --> 0:33:32.800
<v Speaker 2>a upload fee for YouTube. If you were to go

0:33:33.080 --> 0:33:36.200
<v Speaker 2>like okay, say like the World Style Hip Hop when

0:33:36.240 --> 0:33:37.920
<v Speaker 2>I was trying to get signed there, they tell you

0:33:38.360 --> 0:33:38.960
<v Speaker 2>how much money.

0:33:39.000 --> 0:33:40.280
<v Speaker 1>Okay, okay, So going to one of.

0:33:40.280 --> 0:33:43.440
<v Speaker 3>The play and you want to get on the biggest plant,

0:33:44.760 --> 0:33:45.320
<v Speaker 3>get what you said?

0:33:45.400 --> 0:33:45.600
<v Speaker 1>Okay?

0:33:45.760 --> 0:33:47.840
<v Speaker 2>So I remember it's coming now, it's like fifty year

0:33:47.880 --> 0:33:51.600
<v Speaker 2>into the journey, and it's like you're getting people that

0:33:51.720 --> 0:33:54.320
<v Speaker 2>know you were like, bro, is it time to hang

0:33:54.360 --> 0:33:54.600
<v Speaker 2>it up?

0:33:54.680 --> 0:33:57.720
<v Speaker 1>Bro? Like you've tried. Man. I was like, I know

0:33:57.880 --> 0:34:01.040
<v Speaker 1>my I know my thing's different. I know my things

0:34:01.120 --> 0:34:04.800
<v Speaker 1>like what things Younique like, yeah, what brought it for years?

0:34:04.880 --> 0:34:07.240
<v Speaker 2>But the man that don't even to tell it to

0:34:07.280 --> 0:34:09.279
<v Speaker 2>the video she no more. It's like, bro, we've were

0:34:09.280 --> 0:34:11.239
<v Speaker 2>coming to videos for years. You've gotta go to work.

0:34:12.040 --> 0:34:15.600
<v Speaker 2>I'm just like I remember saying to myself, I've got

0:34:15.680 --> 0:34:17.400
<v Speaker 2>this shadow of story figure and I've had it on

0:34:17.480 --> 0:34:19.920
<v Speaker 2>YouTube from no on Spotify from twenty seven. No one

0:34:20.000 --> 0:34:21.920
<v Speaker 2>knew because I didn't get a lot of dreams. But

0:34:22.200 --> 0:34:25.320
<v Speaker 2>people that listen to it, yeah, the audio or the audio.

0:34:25.719 --> 0:34:27.680
<v Speaker 2>Everyone that listened to it. People that didn't really talk

0:34:27.719 --> 0:34:29.200
<v Speaker 2>to me really well, we always meant to me. So

0:34:29.200 --> 0:34:31.040
<v Speaker 2>I heard that, thinking on Spotify, You're it's really good.

0:34:31.640 --> 0:34:34.719
<v Speaker 2>Maybe just on my last hurrah, I'm just going to

0:34:34.760 --> 0:34:37.080
<v Speaker 2>do a visual to this, okay as my final go

0:34:37.200 --> 0:34:38.640
<v Speaker 2>bad because I love the storytelling.

0:34:39.640 --> 0:34:43.560
<v Speaker 1>Storytelling. I'm just seeing my last one.

0:34:43.640 --> 0:34:47.239
<v Speaker 2>Then go figure out something to a job man, and

0:34:47.280 --> 0:34:49.719
<v Speaker 2>then I put it out and it blew up like

0:34:50.040 --> 0:34:52.719
<v Speaker 2>it was crazy, like I don't know, we've got a

0:34:53.360 --> 0:34:55.160
<v Speaker 2>Part one got a million views.

0:34:55.040 --> 0:34:56.600
<v Speaker 1>In like ten days, and then before then I never

0:34:56.640 --> 0:34:57.359
<v Speaker 1>had a million views.

0:34:57.719 --> 0:34:59.799
<v Speaker 2>Part two got like a million views in four days,

0:34:59.840 --> 0:35:02.040
<v Speaker 2>and Part three got a million views and five hours

0:35:02.040 --> 0:35:04.799
<v Speaker 2>and it was viral. Then I got calls from Jay

0:35:04.880 --> 0:35:07.800
<v Speaker 2>Z and James Samuel and everyone's calling me, and everyone

0:35:07.840 --> 0:35:09.280
<v Speaker 2>did time time time time.

0:35:09.160 --> 0:35:15.520
<v Speaker 1>Through that and from from shower store, so and so. Yeah.

0:35:15.600 --> 0:35:18.680
<v Speaker 2>So basically once that came through the door, showers to

0:35:18.920 --> 0:35:21.640
<v Speaker 2>everybody came. And what worked, what what worked in my

0:35:21.760 --> 0:35:24.880
<v Speaker 2>favor was there was a massive show in Britain at

0:35:24.920 --> 0:35:27.320
<v Speaker 2>the time called The Bodyguard, the BBC's biggest show for

0:35:27.400 --> 0:35:29.799
<v Speaker 2>ages and it was there finale and you went against them,

0:35:30.239 --> 0:35:31.759
<v Speaker 2>but I didn't know because I didn't want to win

0:35:31.840 --> 0:35:32.720
<v Speaker 2>against him a boy.

0:35:35.480 --> 0:35:39.000
<v Speaker 1>So we're trending about the biggest show in the UK.

0:35:39.840 --> 0:35:42.800
<v Speaker 1>I just had all the networks start to contact me.

0:35:42.880 --> 0:35:45.600
<v Speaker 2>So TV producting companies are hitting me up, film production

0:35:45.680 --> 0:35:47.640
<v Speaker 2>companies are hitting me up. Everyone's hitting me up like

0:35:47.680 --> 0:35:48.800
<v Speaker 2>we want to work, we want to do this, we

0:35:48.880 --> 0:35:50.000
<v Speaker 2>want to do that, we want to do this. And

0:35:50.040 --> 0:35:53.400
<v Speaker 2>I was like, yo, I was in the game without

0:35:53.440 --> 0:35:54.960
<v Speaker 2>trying to get into the game. The game kind of

0:35:55.000 --> 0:35:58.440
<v Speaker 2>came to me and I got through. Yeah, so by

0:35:58.480 --> 0:36:03.880
<v Speaker 2>the congratulations, thank you you said, James said, you were earlier,

0:36:04.120 --> 0:36:06.239
<v Speaker 2>my man, big up Still's brother.

0:36:07.840 --> 0:36:11.000
<v Speaker 1>Do you remember the first time me and James Brolay

0:36:11.080 --> 0:36:11.680
<v Speaker 1>over there. Yeah.

0:36:11.760 --> 0:36:14.960
<v Speaker 2>So We're on the heighth of a shower stay doing

0:36:15.000 --> 0:36:17.680
<v Speaker 2>all these radio interviews, getting back and forth, and I've

0:36:17.719 --> 0:36:20.040
<v Speaker 2>got an email from a guy called Jamal Edwards. Man

0:36:20.600 --> 0:36:22.799
<v Speaker 2>he passed away not too long ago, but I really lovely.

0:36:22.880 --> 0:36:25.960
<v Speaker 2>Guy started trying to called SBTV, which is where a

0:36:26.000 --> 0:36:28.560
<v Speaker 2>lot of us started. So his emailed me said, James

0:36:28.600 --> 0:36:30.880
<v Speaker 2>Samuel and Jay Z wanted trying to reach you.

0:36:31.520 --> 0:36:33.719
<v Speaker 1>I didn't know who James Samuel was, but I saw James,

0:36:34.840 --> 0:36:39.560
<v Speaker 1>this is live, bro, this is I even pay attention

0:36:39.640 --> 0:36:41.960
<v Speaker 1>to it. I just said the quickest email back. Yeah,

0:36:42.000 --> 0:36:44.440
<v Speaker 1>you give them my number, pay attention to it.

0:36:44.840 --> 0:36:47.080
<v Speaker 2>There was a big billboard of shower story in my

0:36:47.239 --> 0:36:49.000
<v Speaker 2>in my neighborhood, like where I used to hang out.

0:36:49.040 --> 0:36:50.600
<v Speaker 2>So we went down there just to take a picture

0:36:50.640 --> 0:36:53.120
<v Speaker 2>next to it. Until I've got her FaceTime called from

0:36:53.239 --> 0:36:58.320
<v Speaker 2>James Samuel, Bro. This put his energy was crazy energy,

0:36:58.719 --> 0:37:01.200
<v Speaker 2>but his energy said that what's good?

0:37:01.320 --> 0:37:15.960
<v Speaker 1>Black? He is such He's like, what's good, black guy?

0:37:16.520 --> 0:37:19.759
<v Speaker 1>I've seen your work and we want to work with you.

0:37:20.200 --> 0:37:24.040
<v Speaker 1>Me jay Z Tata, I'm just like, bro, who are you?

0:37:24.200 --> 0:37:26.400
<v Speaker 2>Bro? Yo?

0:37:26.680 --> 0:37:29.480
<v Speaker 1>I appreciate the comp my life. What's good?

0:37:29.520 --> 0:37:31.200
<v Speaker 2>Because I'm not going to sell you on who I am,

0:37:31.680 --> 0:37:35.359
<v Speaker 2>but just know you are a black guy is telling

0:37:35.400 --> 0:37:39.080
<v Speaker 2>me maybe I don't have the FA before this time.

0:37:39.280 --> 0:37:42.040
<v Speaker 2>So he's just guying off and I'm like, okay, I'm

0:37:42.080 --> 0:37:44.920
<v Speaker 2>just taking a confidence. Okay, bro, appreciate that. He goes, oh,

0:37:45.880 --> 0:37:48.359
<v Speaker 2>can I call you next week? I said, yeah, bro,

0:37:48.440 --> 0:37:50.520
<v Speaker 2>you got my mind, man, you can put whatever.

0:37:50.400 --> 0:37:50.960
<v Speaker 1>You are man.

0:37:51.440 --> 0:37:53.120
<v Speaker 2>He goes, you know, and me and jay Z are

0:37:53.160 --> 0:37:54.560
<v Speaker 2>saying I said, Bro, you don't have to keep from

0:37:54.560 --> 0:37:56.480
<v Speaker 2>saying I appreciate it.

0:37:56.520 --> 0:37:58.960
<v Speaker 1>You cool men. You know one to me, jay Z

0:37:59.080 --> 0:38:00.239
<v Speaker 1>is a guy that lives over there.

0:38:00.640 --> 0:38:03.960
<v Speaker 2>You live in London, Bronn work sounds like I'm going

0:38:04.040 --> 0:38:07.720
<v Speaker 2>to call you one week after the phone I signed them, Bro, Yeah.

0:38:07.520 --> 0:38:08.160
<v Speaker 1>I have a good time.

0:38:08.400 --> 0:38:10.040
<v Speaker 2>Speak to you soon. I don't tell my baby thinking

0:38:10.040 --> 0:38:11.319
<v Speaker 2>about that, and I don't know, man.

0:38:11.360 --> 0:38:14.080
<v Speaker 1>It was just weird. The energy was crazy, but then

0:38:14.120 --> 0:38:14.719
<v Speaker 1>I remember like.

0:38:16.480 --> 0:38:18.560
<v Speaker 2>Ten days later, I'm putting my daughter to bed now

0:38:19.560 --> 0:38:21.520
<v Speaker 2>and he's called and I'm just like, bro, this is

0:38:21.600 --> 0:38:23.960
<v Speaker 2>that crazy brother with the black guy.

0:38:26.360 --> 0:38:28.560
<v Speaker 1>I was like, okay, I want to say to my

0:38:28.600 --> 0:38:29.279
<v Speaker 1>little girl cho.

0:38:29.800 --> 0:38:31.440
<v Speaker 2>I said, yo, Bro, I'm just putting my little one

0:38:31.480 --> 0:38:35.840
<v Speaker 2>to bed, and it goes wait, wait, black guy speak

0:38:35.880 --> 0:38:38.480
<v Speaker 2>to my friend first, like bro, yo.

0:38:46.960 --> 0:38:49.839
<v Speaker 1>But you know it's funny though, James is like one

0:38:49.880 --> 0:38:50.960
<v Speaker 1>of my closest friends.

0:38:50.800 --> 0:38:53.640
<v Speaker 2>Now lie and obviously through James, he's introduced me to

0:38:53.760 --> 0:38:56.279
<v Speaker 2>time James and tied like my proper lot. They're my

0:38:56.560 --> 0:38:58.399
<v Speaker 2>actual friend. You know, if they were here now, they'll

0:38:58.400 --> 0:39:01.200
<v Speaker 2>be sitting deciding me. But it was crazy at the time.

0:39:01.320 --> 0:39:02.920
<v Speaker 1>He was just this mad guy was back.

0:39:02.960 --> 0:39:06.560
<v Speaker 2>And remember this is before Harderday, full before Booker clapping,

0:39:06.960 --> 0:39:07.480
<v Speaker 2>So I've.

0:39:07.400 --> 0:39:09.920
<v Speaker 1>Never heard of it. He didn't, doesn't. He doesn't come

0:39:09.960 --> 0:39:12.560
<v Speaker 1>on the phone and say I'm He's just.

0:39:12.640 --> 0:39:15.359
<v Speaker 2>A guy with a mad energy that he's basically telling

0:39:15.440 --> 0:39:19.000
<v Speaker 2>you congratulations you've met me. Now.

0:39:19.080 --> 0:39:21.759
<v Speaker 1>It's well, that's an energy, bro.

0:39:23.600 --> 0:39:28.280
<v Speaker 2>Like James's energy is so so positive like he and honestly,

0:39:28.360 --> 0:39:30.719
<v Speaker 2>since he's come into my life, it has only been winning, win,

0:39:30.840 --> 0:39:32.560
<v Speaker 2>because we move as a collective.

0:39:32.920 --> 0:39:34.560
<v Speaker 1>So even with this, he's like, Yo, we need to

0:39:34.600 --> 0:39:41.640
<v Speaker 1>go on drink cool to get to that's what That's

0:39:41.680 --> 0:39:43.440
<v Speaker 1>how we move as a collective now. But that the

0:39:43.560 --> 0:39:44.560
<v Speaker 1>energy case. When I'm.

0:39:47.320 --> 0:39:56.400
<v Speaker 2>Listen, listen, I'm just becoming a member of So, I'm

0:39:56.440 --> 0:39:57.480
<v Speaker 2>just becoming a member of soul.

0:39:59.320 --> 0:40:03.359
<v Speaker 3>There's nothing but white people around, so real. I walked

0:40:03.400 --> 0:40:07.239
<v Speaker 3>to the bathroom. This is so house and the one

0:40:07.280 --> 0:40:09.839
<v Speaker 3>with boys downstairs in La.

0:40:11.680 --> 0:40:12.400
<v Speaker 1>So I'm walking through.

0:40:13.000 --> 0:40:17.200
<v Speaker 2>It's a very quiet Sunday evening. He's walking by me.

0:40:17.360 --> 0:40:29.319
<v Speaker 2>He stops and he goes, I'm like cool. The white

0:40:29.320 --> 0:40:31.239
<v Speaker 2>people faces said why did he just call him the

0:40:31.320 --> 0:40:34.319
<v Speaker 2>black guy? And I'm like hold up And he's like.

0:40:34.360 --> 0:40:38.640
<v Speaker 3>Hey man, and I'm looking and then he starts dropping themes.

0:40:38.640 --> 0:40:41.120
<v Speaker 3>Three he says ja name and whatever. So I'm like,

0:40:41.239 --> 0:40:43.239
<v Speaker 3>I kind of just text BIGS. I was like, Yo,

0:40:44.160 --> 0:40:47.880
<v Speaker 3>this is weird guy standing in front of me with braids,

0:40:48.680 --> 0:40:49.880
<v Speaker 3>and he.

0:40:50.000 --> 0:40:52.319
<v Speaker 1>Was like he's getting me Like, hope his best friend

0:40:52.520 --> 0:40:59.200
<v Speaker 1>be nice to him. I said anything. He says he is.

0:41:00.080 --> 0:41:03.440
<v Speaker 2>He doesn't drop names because he knows these people are

0:41:03.480 --> 0:41:04.359
<v Speaker 2>confidence to him.

0:41:04.239 --> 0:41:06.719
<v Speaker 1>As well, and he them. So he's that guy.

0:41:06.960 --> 0:41:08.640
<v Speaker 2>You know, he was just telling me because he was like, Yo,

0:41:08.719 --> 0:41:11.000
<v Speaker 2>I just told Jay, I'm putting you in the movie,

0:41:11.239 --> 0:41:13.200
<v Speaker 2>and I'm looking and I'm like, this ship is too

0:41:13.320 --> 0:41:14.400
<v Speaker 2>good to be true.

0:41:18.320 --> 0:41:25.560
<v Speaker 1>Just text megs and was like, Gage is that guy? Man?

0:41:26.640 --> 0:41:28.400
<v Speaker 2>So let me ask you because we heard this famous

0:41:28.440 --> 0:41:32.400
<v Speaker 2>story about Netflix coming to see you and you're running

0:41:32.480 --> 0:41:32.919
<v Speaker 2>up the bill.

0:41:33.200 --> 0:41:37.160
<v Speaker 1>Yeah, yeah, and I feel good one yeah you remember

0:41:37.200 --> 0:41:38.759
<v Speaker 1>what you ate? Oh man?

0:41:38.960 --> 0:41:41.920
<v Speaker 2>It was it was some of my dumplings. It was

0:41:41.960 --> 0:41:44.919
<v Speaker 2>some prone dumplings, money bags. If anyone's gone to another cub,

0:41:45.000 --> 0:41:49.600
<v Speaker 2>you know I'm talking about you had a trouble problem

0:41:49.880 --> 0:41:51.799
<v Speaker 2>when I was ordering everything come up to that as well.

0:41:54.000 --> 0:41:56.919
<v Speaker 2>You I was making them because I ain't got shame

0:41:56.960 --> 0:41:59.000
<v Speaker 2>for things like that. If you're gonna take me to dinner,

0:41:59.400 --> 0:42:02.919
<v Speaker 2>you're gonna me to dinner. Bro, I'm going to eat today,

0:42:03.160 --> 0:42:07.160
<v Speaker 2>like I'm saying. So, yeah, remember asked for four. Just

0:42:07.160 --> 0:42:08.440
<v Speaker 2>want everybody to know for four.

0:42:10.280 --> 0:42:11.400
<v Speaker 1>So I remember there was.

0:42:11.640 --> 0:42:13.560
<v Speaker 2>So I tried to do a deal with Netflix in

0:42:13.640 --> 0:42:16.120
<v Speaker 2>twenty eighteen. This is before my movie came out. After

0:42:16.200 --> 0:42:19.040
<v Speaker 2>Sharer story. They didn't like the show I had, you know,

0:42:19.160 --> 0:42:21.719
<v Speaker 2>it just wasn't for them. And they had some sort

0:42:21.760 --> 0:42:23.600
<v Speaker 2>of deal where it's like you can still pitch our

0:42:23.680 --> 0:42:25.680
<v Speaker 2>days to us and we see what we like. I'm

0:42:25.719 --> 0:42:28.160
<v Speaker 2>not really trying to be a pitch pony, but let's

0:42:28.280 --> 0:42:30.279
<v Speaker 2>I'm sure we're reconnect, you know, like if it's meant

0:42:30.320 --> 0:42:33.280
<v Speaker 2>to be. So my movie that was coming out, Blue Story,

0:42:34.080 --> 0:42:36.240
<v Speaker 2>the promo for in the UK was crazy. You couldn't

0:42:36.239 --> 0:42:39.239
<v Speaker 2>go nowhere and not see it. Buses, underground billboards. Ratio

0:42:39.360 --> 0:42:42.200
<v Speaker 2>is still independent with this Blue Story. Yeah, yeah, still dependent.

0:42:42.840 --> 0:42:45.560
<v Speaker 2>So they've reached out, like, you know, can we go

0:42:45.719 --> 0:42:47.719
<v Speaker 2>to dinner? And I'm like, okay, they've seen all the

0:42:47.719 --> 0:42:49.799
<v Speaker 2>press because the press was everywhere and we don't get

0:42:49.840 --> 0:42:52.279
<v Speaker 2>a lot of all blackcast movies. They come around like

0:42:52.400 --> 0:42:54.239
<v Speaker 2>once every six seven years in the UK, so when

0:42:54.280 --> 0:42:55.200
<v Speaker 2>it comes, it's a big deal.

0:42:55.280 --> 0:42:57.239
<v Speaker 3>But let me ask you, and I want you to

0:42:57.280 --> 0:42:59.080
<v Speaker 3>get right back to that, but how did you get

0:42:59.160 --> 0:43:01.759
<v Speaker 3>that funding for them to see that the billboards and

0:43:01.800 --> 0:43:02.160
<v Speaker 3>things like that.

0:43:03.800 --> 0:43:06.360
<v Speaker 1>I was independent, but it wasn't after Shower Story.

0:43:06.520 --> 0:43:09.520
<v Speaker 2>Okay, when I told you everyone came, I was like, yo,

0:43:09.600 --> 0:43:11.719
<v Speaker 2>I got this thing I made earlier two years before

0:43:11.840 --> 0:43:15.040
<v Speaker 2>Shower Story. I wrote this movie. I wrote Blue story,

0:43:15.080 --> 0:43:17.399
<v Speaker 2>and it just sat on my laptop for years. I'm

0:43:17.440 --> 0:43:19.360
<v Speaker 2>hoping one day I'll make enough money. I'm going to

0:43:19.400 --> 0:43:21.200
<v Speaker 2>save my money and I'm going to make it.

0:43:21.280 --> 0:43:22.120
<v Speaker 1>So he just sat there.

0:43:22.280 --> 0:43:23.800
<v Speaker 2>So when everybody came that we're going to do this,

0:43:23.920 --> 0:43:25.439
<v Speaker 2>I was like, yo, if you want to do this movie,

0:43:25.480 --> 0:43:27.680
<v Speaker 2>I've got because I didn't write that for nothing, that

0:43:27.800 --> 0:43:29.560
<v Speaker 2>we can make that. And that's so that's how that

0:43:29.680 --> 0:43:32.360
<v Speaker 2>got made. So it wasn't independent, it was I was independent,

0:43:32.440 --> 0:43:34.440
<v Speaker 2>but the movie was made by power Man. It was

0:43:34.480 --> 0:43:37.040
<v Speaker 2>an independent movie, but Powermount paid for the distribution, so

0:43:37.239 --> 0:43:38.280
<v Speaker 2>they were pushing everywhere.

0:43:40.280 --> 0:43:42.719
<v Speaker 1>So yeah, so they basically saw the hype.

0:43:42.840 --> 0:43:42.960
<v Speaker 2>You know.

0:43:43.120 --> 0:43:44.720
<v Speaker 1>I was like, Yo, do you want to go to dinner?

0:43:44.719 --> 0:43:46.160
<v Speaker 1>And I was like, cool, let's go to dinner. Man,

0:43:46.719 --> 0:43:48.800
<v Speaker 1>where do you want to go? And they made it

0:43:48.880 --> 0:43:54.440
<v Speaker 1>clear you're our treat. So I was like, yo, because

0:43:56.680 --> 0:43:58.120
<v Speaker 1>pay for that. So we went.

0:43:58.360 --> 0:44:00.920
<v Speaker 2>I went another because and you know, when they expect

0:44:01.000 --> 0:44:02.759
<v Speaker 2>you to come in and just be modest, I want

0:44:02.800 --> 0:44:03.799
<v Speaker 2>you want to know just some more.

0:44:04.360 --> 0:44:06.920
<v Speaker 1>I was that, so I'm going to get that cocktail.

0:44:07.200 --> 0:44:08.920
<v Speaker 1>I'm going to get that, get this. I want to

0:44:08.920 --> 0:44:10.440
<v Speaker 1>get that. And I just ran up bare Field, but

0:44:11.000 --> 0:44:12.160
<v Speaker 1>their Netflix, they go like that.

0:44:12.600 --> 0:44:16.799
<v Speaker 2>So I'm just yumming off the food, right, jamming it off.

0:44:16.920 --> 0:44:19.239
<v Speaker 1>But I think I was yamming so much they.

0:44:19.360 --> 0:44:22.200
<v Speaker 2>Had to sneak the words up, wait, have you got

0:44:22.239 --> 0:44:24.440
<v Speaker 2>anything that you feel like would be good for us?

0:44:24.719 --> 0:44:26.080
<v Speaker 2>And I didn't know it was a pitch me in.

0:44:26.360 --> 0:44:27.880
<v Speaker 2>I thought it was just not get to know each other.

0:44:29.120 --> 0:44:31.440
<v Speaker 2>But it wasn't a general they they was they wanted

0:44:31.480 --> 0:44:34.080
<v Speaker 2>to know what I had. Top Boy came out yet

0:44:35.000 --> 0:44:37.359
<v Speaker 2>Top Boy was coming out in two in a month,

0:44:37.719 --> 0:44:42.040
<v Speaker 2>Okay was coming out in the month. Okay, So so yeah,

0:44:42.040 --> 0:44:44.960
<v Speaker 2>I'm just yumming this food, and they said, what's this idea?

0:44:45.280 --> 0:44:46.840
<v Speaker 1>Idea? I gave him my idea. They didn't like it,

0:44:47.320 --> 0:44:51.840
<v Speaker 1>of course, anything else Okay gave some other idea.

0:44:51.840 --> 0:44:53.759
<v Speaker 2>I can't remember that one was. They didn't like that,

0:44:54.360 --> 0:44:56.120
<v Speaker 2>and I think they started to feel like this money

0:44:56.160 --> 0:44:58.239
<v Speaker 2>when food was wasted that right now, because there wasn't

0:44:58.239 --> 0:45:01.640
<v Speaker 2>getting nothing back but any thick us. I said, Okay,

0:45:01.640 --> 0:45:02.959
<v Speaker 2>I'm not gonna be able to eat in peace until

0:45:02.960 --> 0:45:06.440
<v Speaker 2>I do sign so food. Still digesting the food in

0:45:06.520 --> 0:45:08.719
<v Speaker 2>my mouth now, and I'm just like, look, I've got

0:45:08.800 --> 0:45:12.239
<v Speaker 2>this idea. So about people from where I'm from, and

0:45:12.360 --> 0:45:14.840
<v Speaker 2>they got powers, you know, but they're not doing superhero

0:45:14.960 --> 0:45:16.919
<v Speaker 2>or stuff. They're doing normal stuff like what they would

0:45:16.960 --> 0:45:19.600
<v Speaker 2>be doing the day before they had powers. Just normal

0:45:19.680 --> 0:45:22.600
<v Speaker 2>people doing normal things. And I'm rambling on because they're

0:45:22.600 --> 0:45:24.960
<v Speaker 2>not saying nothing, whereas before they was interrupted saying what else?

0:45:24.960 --> 0:45:25.400
<v Speaker 1>What happened?

0:45:25.680 --> 0:45:27.319
<v Speaker 2>But I'm looking at them and it was like change

0:45:27.600 --> 0:45:29.920
<v Speaker 2>because they saw that that was the one and that's

0:45:29.960 --> 0:45:33.759
<v Speaker 2>that's kind of testament to them. They're very sharp and

0:45:33.840 --> 0:45:36.400
<v Speaker 2>what they know would will connect. So that was that

0:45:37.160 --> 0:45:38.960
<v Speaker 2>because I thought the art there I was given one

0:45:39.000 --> 0:45:42.400
<v Speaker 2>good but they didn't. But so yeah, from that, and

0:45:42.560 --> 0:45:44.600
<v Speaker 2>it was like, can we talk about this now? I said, Yo,

0:45:44.880 --> 0:45:47.440
<v Speaker 2>my movie drops in that three weeks. I just I

0:45:47.480 --> 0:45:48.920
<v Speaker 2>just want to see what that does. First, let me

0:45:48.960 --> 0:45:51.200
<v Speaker 2>see what that does. And then Blue Story Yeah, and

0:45:51.360 --> 0:45:54.479
<v Speaker 2>then hollowed at me afterwards, and they waited, they waited

0:45:54.480 --> 0:45:55.920
<v Speaker 2>for the movie to come out, and then two three

0:45:55.960 --> 0:45:58.400
<v Speaker 2>weeks afterwards, they came back like, yo, we've circled the

0:45:58.400 --> 0:45:59.919
<v Speaker 2>block now, like what's good?

0:46:00.080 --> 0:46:03.360
<v Speaker 1>It's all God damn.

0:46:06.880 --> 0:46:09.440
<v Speaker 3>Our shows about giving people their flowers or not, and

0:46:09.640 --> 0:46:10.760
<v Speaker 3>we want to give you your flowers.

0:46:10.800 --> 0:46:16.680
<v Speaker 1>Face to face man, you know what I listen? Do

0:46:17.480 --> 0:46:20.759
<v Speaker 1>you know why? I was like, I was like, can

0:46:20.840 --> 0:46:24.439
<v Speaker 1>I go? Can I go and drink drink?

0:46:24.680 --> 0:46:27.800
<v Speaker 2>I said I would in the Fact show. It's always

0:46:27.920 --> 0:46:28.799
<v Speaker 2>uplifting the games.

0:46:28.800 --> 0:46:38.800
<v Speaker 1>That's right. It's not sneak sabotage, just like this. This

0:46:38.960 --> 0:46:40.440
<v Speaker 1>is a this is a guy in my cabinet in

0:46:40.520 --> 0:46:43.279
<v Speaker 1>my yard like y'all. So another thing we went through.

0:46:43.360 --> 0:46:49.160
<v Speaker 1>We went through your music. But your music is so

0:46:49.400 --> 0:46:50.120
<v Speaker 1>fire right.

0:46:50.680 --> 0:46:53.400
<v Speaker 3>But I could also hear the ice cube and you

0:46:53.600 --> 0:46:56.960
<v Speaker 3>meaning writing scripts like like that.

0:46:58.320 --> 0:47:01.720
<v Speaker 2>That's why cube transitions so dope, because he was always

0:47:01.760 --> 0:47:03.440
<v Speaker 2>you know, like there was a good day and all

0:47:03.480 --> 0:47:06.160
<v Speaker 2>of that. So when he went on to do Friday,

0:47:06.239 --> 0:47:08.759
<v Speaker 2>I wasn't shocked because you can see a story. I

0:47:08.840 --> 0:47:12.320
<v Speaker 2>see a natural storyteller is a natural storyteller, Like you

0:47:12.520 --> 0:47:14.600
<v Speaker 2>can do over it beat. He can do it in

0:47:14.640 --> 0:47:16.560
<v Speaker 2>the script, and it's similar with me. I can do

0:47:16.680 --> 0:47:17.960
<v Speaker 2>over beat. I can do it in the script.

0:47:18.040 --> 0:47:20.160
<v Speaker 1>When it's in you. You you it's just a story.

0:47:20.560 --> 0:47:23.839
<v Speaker 2>So you probably never had a chance to really tell

0:47:23.880 --> 0:47:25.560
<v Speaker 2>his stories, probably because you've only got a certain aount

0:47:25.560 --> 0:47:26.160
<v Speaker 2>of time on the song.

0:47:26.200 --> 0:47:28.400
<v Speaker 1>That's why when he got into his writing Bang, it

0:47:28.520 --> 0:47:29.280
<v Speaker 1>was just crazy.

0:47:29.520 --> 0:47:32.000
<v Speaker 2>He's giving us the classical, all classics, and I just

0:47:32.080 --> 0:47:34.520
<v Speaker 2>feel like natural storytellers, you just want to tell a

0:47:34.520 --> 0:47:35.960
<v Speaker 2>bigger story. Then you want to tell a bigger story

0:47:36.080 --> 0:47:37.920
<v Speaker 2>like I'm surprised Cubean't got a TV show yet, It's

0:47:37.920 --> 0:47:41.080
<v Speaker 2>probably coming. I'm a big Q fan and I was

0:47:41.160 --> 0:47:44.480
<v Speaker 2>all the storytellers of that generation like, so yeah, I love.

0:47:44.360 --> 0:47:47.680
<v Speaker 3>That you do claim the b sides of people. Records,

0:47:48.080 --> 0:47:50.040
<v Speaker 3>like the records that no one does a video.

0:47:49.920 --> 0:47:54.320
<v Speaker 2>But for me, those were the ones that obviously the

0:47:54.360 --> 0:47:56.200
<v Speaker 2>label was putting out the songs that's going to sell.

0:47:56.280 --> 0:47:59.000
<v Speaker 1>But as a fan, you honest, I visualized what that

0:47:59.120 --> 0:48:00.799
<v Speaker 1>character looks like. Bro, come and give me the loot.

0:48:01.400 --> 0:48:05.719
<v Speaker 2>That brog BIGGI and a little biggie guy on these

0:48:05.800 --> 0:48:09.759
<v Speaker 2>cameles trying to I always imagine, I'm literally I could

0:48:09.800 --> 0:48:10.200
<v Speaker 2>redo that.

0:48:10.280 --> 0:48:14.440
<v Speaker 1>Video now and have gave you power about the gun. Bro.

0:48:15.200 --> 0:48:17.600
<v Speaker 2>No, but my favorite now story turns on is Undying Love.

0:48:17.719 --> 0:48:19.719
<v Speaker 2>You know, when he goes the whole story I am

0:48:19.880 --> 0:48:22.279
<v Speaker 2>and he ends up killing himself and HISLF and at

0:48:22.280 --> 0:48:25.600
<v Speaker 2>the end, Bro, that story goes so deep when he

0:48:25.680 --> 0:48:28.560
<v Speaker 2>figures out she's cheating, so all of these stories.

0:48:28.600 --> 0:48:30.800
<v Speaker 4>I'm just like, bro, give me one video, give some

0:48:30.960 --> 0:48:33.080
<v Speaker 4>a vacation. I always say it would be an ill movie.

0:48:33.000 --> 0:48:35.280
<v Speaker 2>But they never do it, and I get it because

0:48:35.360 --> 0:48:38.600
<v Speaker 2>you're trying to sell records, right, But for me, I

0:48:38.760 --> 0:48:40.880
<v Speaker 2>was a slap bro. I'm giving everybody there must be

0:48:40.960 --> 0:48:43.120
<v Speaker 2>someone out here like me who wants to see the

0:48:43.200 --> 0:48:46.359
<v Speaker 2>visuals to these ill stories. So that was literally my lane.

0:48:46.560 --> 0:48:49.160
<v Speaker 2>It wasn't trying to infiltrate film and TV. It was

0:48:49.200 --> 0:48:51.479
<v Speaker 2>going to be I'm going to tell people, show people

0:48:51.480 --> 0:48:53.480
<v Speaker 2>in my neighborhood all these stories because I didn't know

0:48:53.560 --> 0:48:56.080
<v Speaker 2>nobody out of my neighborhood, so I was knowing where

0:48:56.080 --> 0:48:56.600
<v Speaker 2>I was from.

0:48:57.080 --> 0:48:59.080
<v Speaker 1>But then it just started growing. You know what I'm saying.

0:48:59.400 --> 0:49:01.560
<v Speaker 1>God comes down and asks you, I want you to

0:49:01.800 --> 0:49:07.600
<v Speaker 1>do one video with one artist. Two Packs fat.

0:49:07.640 --> 0:49:13.759
<v Speaker 2>I didn't even have to ask, Okay, is it a

0:49:13.840 --> 0:49:15.880
<v Speaker 2>record that's already made or is it a record that

0:49:15.960 --> 0:49:17.640
<v Speaker 2>you want him to go in and make you some

0:49:17.719 --> 0:49:19.560
<v Speaker 2>close Caskets that he's done with the Outlaws.

0:49:20.000 --> 0:49:22.520
<v Speaker 1>Wowe, only real?

0:49:22.600 --> 0:49:24.960
<v Speaker 2>Two Packs are gonna know that by that that tune

0:49:25.000 --> 0:49:29.359
<v Speaker 2>is deep, you know, close Casket. He talks about two

0:49:29.440 --> 0:49:32.319
<v Speaker 2>friends who love the same girl and they end up

0:49:32.360 --> 0:49:34.640
<v Speaker 2>in a massive shoot and end up killing each other,

0:49:35.239 --> 0:49:37.279
<v Speaker 2>and he doesn't he's done it with the Outlaws as well.

0:49:37.320 --> 0:49:40.000
<v Speaker 1>But it's a big tune. Man, that's a big tune.

0:49:40.000 --> 0:49:41.520
<v Speaker 1>I'll do it to that son, Okay.

0:49:42.680 --> 0:49:45.360
<v Speaker 2>I don't know if I'm announcing this right, Shiro story,

0:49:45.560 --> 0:49:46.760
<v Speaker 2>Hyro Sharro story.

0:49:46.920 --> 0:49:47.600
<v Speaker 1>Let's talk about that.

0:49:48.680 --> 0:49:51.640
<v Speaker 2>You know you done that already, you know, let's go

0:49:51.680 --> 0:49:55.600
<v Speaker 2>again there, I suppose what do you want me to

0:49:55.640 --> 0:49:58.120
<v Speaker 2>say about it? Though, in the sense of where did

0:49:58.160 --> 0:49:58.800
<v Speaker 2>it come from? What?

0:49:59.040 --> 0:50:00.960
<v Speaker 1>Because how do you come up with these stories? Because yeah,

0:50:01.000 --> 0:50:01.319
<v Speaker 1>there was two.

0:50:01.440 --> 0:50:03.960
<v Speaker 2>One thing I noticed is everything is the name story.

0:50:04.120 --> 0:50:07.280
<v Speaker 2>So yeah, yes, that's okay. And that was mainly because

0:50:07.320 --> 0:50:10.560
<v Speaker 2>of I don't know, it's growing up. It was always

0:50:10.680 --> 0:50:12.080
<v Speaker 2>I just wanted it to be clear that this is

0:50:12.120 --> 0:50:13.880
<v Speaker 2>the story. I kind of always wanted to have what

0:50:14.000 --> 0:50:15.320
<v Speaker 2>was on the tint, So it was that this is

0:50:15.360 --> 0:50:18.239
<v Speaker 2>a story song. Okay, But yeah, I just remember I

0:50:18.360 --> 0:50:20.640
<v Speaker 2>was I was actually in the studio recording us a

0:50:20.680 --> 0:50:23.560
<v Speaker 2>typical song. And then link up TV, which is a

0:50:23.600 --> 0:50:26.040
<v Speaker 2>platform in the UK, you know where people are low videos,

0:50:26.080 --> 0:50:29.200
<v Speaker 2>pretty big platform being up the sheet. They've called me

0:50:29.320 --> 0:50:31.279
<v Speaker 2>up I think he's one of his partners. Joey called

0:50:31.320 --> 0:50:33.280
<v Speaker 2>me up and said, Yo, we're putting a confirmation album

0:50:33.320 --> 0:50:35.560
<v Speaker 2>together and we want a song from you.

0:50:35.719 --> 0:50:36.840
<v Speaker 1>I'm like, right, they want a song for me?

0:50:36.840 --> 0:50:38.239
<v Speaker 2>Go yeah, we want a story song. They would make

0:50:38.239 --> 0:50:39.759
<v Speaker 2>it clear that's what they like from you. We want

0:50:39.800 --> 0:50:41.799
<v Speaker 2>to story something new and like what type of story song,

0:50:42.200 --> 0:50:43.640
<v Speaker 2>I don't know. As long as it's a story song

0:50:43.719 --> 0:50:46.279
<v Speaker 2>from you, where to be happy with it. I remember, okay,

0:50:46.400 --> 0:50:47.879
<v Speaker 2>what story is something to do? I knew because I've

0:50:47.880 --> 0:50:50.080
<v Speaker 2>done loads of story songs up to now. And there

0:50:50.200 --> 0:50:53.640
<v Speaker 2>was two guys in my area, Rumo's guying around that

0:50:53.719 --> 0:50:56.360
<v Speaker 2>two best friends would and when they found out that

0:50:57.200 --> 0:50:59.400
<v Speaker 2>his to his best friend was actually the.

0:50:59.440 --> 0:51:02.160
<v Speaker 1>Father, I remember, like, yo, it's a lot from when

0:51:02.200 --> 0:51:05.160
<v Speaker 1>he found out. Everyone I don't know, so what so

0:51:05.600 --> 0:51:06.840
<v Speaker 1>did he know that it was good? Nobody?

0:51:07.000 --> 0:51:09.480
<v Speaker 2>No one had any questions to see when I've got questions,

0:51:10.360 --> 0:51:11.920
<v Speaker 2>I just made up my answers in the story. So

0:51:12.160 --> 0:51:14.319
<v Speaker 2>you know, I'm gonna tell a story about to you guys,

0:51:14.440 --> 0:51:18.040
<v Speaker 2>similar situation, and I'm gonna put my outcomes. Yeah, I

0:51:18.120 --> 0:51:20.480
<v Speaker 2>feel in my own blast story telling. And it just

0:51:20.560 --> 0:51:22.959
<v Speaker 2>went like that Okay, so that's how it came about.

0:51:23.000 --> 0:51:26.880
<v Speaker 2>But honestly, that thing there that changed everything at the

0:51:27.000 --> 0:51:29.360
<v Speaker 2>time where I was about to chuck it all in,

0:51:29.600 --> 0:51:33.360
<v Speaker 2>so fine, going for a shadow story, make stories for that?

0:51:36.000 --> 0:51:41.040
<v Speaker 1>Yes, yes, uh huh, you got it so quick time.

0:51:41.080 --> 0:51:47.920
<v Speaker 1>It was not responsoribley stress you know what I mean?

0:51:48.520 --> 0:51:53.640
<v Speaker 1>Do we do this? You gotta tell yeah? Okay, all right,

0:51:53.719 --> 0:51:57.200
<v Speaker 1>So we drinking lisers are drinking game. Okay, We're gonna

0:51:57.200 --> 0:51:59.200
<v Speaker 1>give you two choices. You pick one.

0:51:59.560 --> 0:52:02.879
<v Speaker 4>Nobody rinks if you say both or neither of them.

0:52:02.920 --> 0:52:05.000
<v Speaker 4>So the PC question of the political I mean the

0:52:05.040 --> 0:52:06.440
<v Speaker 4>political correct answer.

0:52:06.680 --> 0:52:09.399
<v Speaker 1>Would be we all drink. What are we drinking? Though?

0:52:10.400 --> 0:52:13.479
<v Speaker 1>Your choice drink, your choice of drinking. It's not going crazy,

0:52:13.480 --> 0:52:15.799
<v Speaker 1>you do because there's a long list.

0:52:15.840 --> 0:52:17.360
<v Speaker 4>And then any stories you got with any of the

0:52:17.400 --> 0:52:19.960
<v Speaker 4>people that we mentioned, please by all means.

0:52:19.760 --> 0:52:24.439
<v Speaker 1>You know, I'll go good story. Okay, Yeah, you're gonna

0:52:24.480 --> 0:52:35.200
<v Speaker 1>go ready, no mixed out with that way? Please crazy?

0:52:35.840 --> 0:52:41.520
<v Speaker 2>Yeah, rip TUPAC or d MX oh Tupac. But that's

0:52:41.560 --> 0:52:44.480
<v Speaker 2>not that's not easy choice. Okay, but we won't tell

0:52:44.560 --> 0:52:47.360
<v Speaker 2>us why or any stories with either of them. You know.

0:52:48.719 --> 0:52:51.239
<v Speaker 1>I love DMX for like a long time in the

0:52:51.320 --> 0:52:53.200
<v Speaker 1>sense of he was my one ills in school.

0:52:53.440 --> 0:52:55.759
<v Speaker 2>He was my favorite rapper. I used to you know,

0:52:56.440 --> 0:52:58.040
<v Speaker 2>rap it. I used to I used to call talent

0:52:58.120 --> 0:53:02.080
<v Speaker 2>shows and performing songs, and I just loved this whole music.

0:53:02.120 --> 0:53:04.000
<v Speaker 2>I loved this whole style. I loved and he you know,

0:53:04.120 --> 0:53:06.719
<v Speaker 2>they had the whole Damien out just stories. I was

0:53:06.800 --> 0:53:07.799
<v Speaker 2>a massive DMX fan.

0:53:07.880 --> 0:53:08.200
<v Speaker 1>I loved it.

0:53:08.239 --> 0:53:11.279
<v Speaker 2>When the rough Riders were brought in. It was just

0:53:11.719 --> 0:53:13.920
<v Speaker 2>he was after Tupac. He was a person that kind

0:53:13.960 --> 0:53:16.320
<v Speaker 2>of took me so I was. It was just a

0:53:16.400 --> 0:53:18.640
<v Speaker 2>shame I never got a chance to ever meet him

0:53:19.040 --> 0:53:19.480
<v Speaker 2>to any.

0:53:19.280 --> 0:53:19.920
<v Speaker 1>Of his concerts.

0:53:20.520 --> 0:53:22.680
<v Speaker 2>So but so you go on, but I have to

0:53:22.719 --> 0:53:27.359
<v Speaker 2>go with Pa because pack was the first journey where

0:53:27.560 --> 0:53:30.680
<v Speaker 2>I believed in him, not just the music. You know,

0:53:30.880 --> 0:53:33.479
<v Speaker 2>like he was he was political, he sto I feel

0:53:33.480 --> 0:53:36.359
<v Speaker 2>like he stood for something, you know, like Brenda's Got

0:53:36.400 --> 0:53:38.160
<v Speaker 2>a Baby was political at the same time, you know,

0:53:38.320 --> 0:53:38.719
<v Speaker 2>things like that.

0:53:38.880 --> 0:53:40.839
<v Speaker 1>He would talk about things trying to change the world,

0:53:40.920 --> 0:53:41.600
<v Speaker 1>even changes.

0:53:42.760 --> 0:53:45.759
<v Speaker 2>Yeah, if you listened to songs that changes like we

0:53:45.840 --> 0:53:47.360
<v Speaker 2>ain't ready to see a black president.

0:53:47.400 --> 0:53:49.440
<v Speaker 1>And at the time he probably wasn't, you know, but

0:53:49.520 --> 0:53:51.080
<v Speaker 1>he was talking. I was.

0:53:51.360 --> 0:53:53.560
<v Speaker 2>I was a two pack fan of the person as

0:53:53.640 --> 0:53:55.320
<v Speaker 2>well as the artists, and a lot of people I

0:53:55.360 --> 0:53:57.040
<v Speaker 2>don't feel like a lot of artists do that anymore

0:53:57.080 --> 0:53:59.279
<v Speaker 2>where I care about them outside of their music.

0:53:59.800 --> 0:54:01.200
<v Speaker 1>I'm sorry because you just made me think of this.

0:54:03.200 --> 0:54:03.960
<v Speaker 1>What is brexit?

0:54:06.120 --> 0:54:10.359
<v Speaker 2>You know? I didn't want to sit him and give

0:54:10.440 --> 0:54:13.440
<v Speaker 2>them the wrong answer because I don't know, because I'm

0:54:13.480 --> 0:54:18.320
<v Speaker 2>an easy way to explain to Layman's I think I'm

0:54:18.320 --> 0:54:20.719
<v Speaker 2>not even trying to get embarrassed because to this day

0:54:21.000 --> 0:54:23.600
<v Speaker 2>we left it and I don't see what happened. Yes,

0:54:23.880 --> 0:54:26.840
<v Speaker 2>we left the EU, so we left the Europe. Remember

0:54:26.920 --> 0:54:30.360
<v Speaker 2>you got your own pound, yeah, yeah, yeah, No, we

0:54:30.400 --> 0:54:32.520
<v Speaker 2>always had our own power. We never was a part

0:54:32.560 --> 0:54:35.080
<v Speaker 2>of your But I think it was coming to where

0:54:35.120 --> 0:54:38.120
<v Speaker 2>we had to join and whoever the powers that be

0:54:38.320 --> 0:54:43.640
<v Speaker 2>decided know what. Yeah, it's bad. UK is best separately

0:54:43.760 --> 0:54:45.319
<v Speaker 2>and I don't know if it was or it wasn't.

0:54:45.360 --> 0:54:47.600
<v Speaker 2>You have to ask someone more into politics. But we

0:54:47.800 --> 0:54:50.560
<v Speaker 2>left the EU. There was a point now where the

0:54:50.640 --> 0:54:54.320
<v Speaker 2>bridge possible. I'm going to Spain. I'm going to Everything

0:54:54.440 --> 0:54:56.520
<v Speaker 2>was fine now it's a bit more of it's a

0:54:56.640 --> 0:55:00.600
<v Speaker 2>separate rule. It was no orders, no one Union was like,

0:55:01.440 --> 0:55:03.919
<v Speaker 2>there's certain trade deals that was happening with the UK

0:55:04.200 --> 0:55:06.439
<v Speaker 2>and England that we came out, but that's all above

0:55:06.520 --> 0:55:09.040
<v Speaker 2>my pay grade. But I don't know to this day

0:55:09.560 --> 0:55:12.640
<v Speaker 2>what the benefit was A very random question you're giving me,

0:55:13.360 --> 0:55:15.560
<v Speaker 2>and I've explained it, and that's as far.

0:55:16.480 --> 0:55:18.080
<v Speaker 1>Because it feels like it's gone back and forth.

0:55:19.280 --> 0:55:21.560
<v Speaker 2>Someone said it's looking like we might go back. I

0:55:21.719 --> 0:55:24.200
<v Speaker 2>actually don't know, but I'm not big on the politics,

0:55:24.239 --> 0:55:25.600
<v Speaker 2>so I'm not going to sit here.

0:55:26.440 --> 0:55:33.640
<v Speaker 1>That's why the random shot.

0:55:38.520 --> 0:55:41.160
<v Speaker 4>As many of y'all know, drink Champs wants to give flowers,

0:55:41.200 --> 0:55:43.920
<v Speaker 4>but people are here to receive them. Giving flowers and

0:55:44.000 --> 0:55:47.040
<v Speaker 4>celebrating our legends while they can still smell us. We

0:55:47.120 --> 0:55:49.680
<v Speaker 4>have partnered with What the Flowers to create this movement

0:55:49.920 --> 0:55:52.719
<v Speaker 4>when everyone can give flowers to the legends in their lives.

0:55:53.400 --> 0:55:56.240
<v Speaker 4>You can now order a custom flower box to someone

0:55:56.360 --> 0:55:59.040
<v Speaker 4>you want to show appreciation to you by visiting w

0:55:59.320 --> 0:56:00.920
<v Speaker 4>w W maybe.

0:56:04.480 --> 0:56:11.120
<v Speaker 2>Artist Okay n w A or Wu Tang Clan Whan

0:56:12.480 --> 0:56:16.320
<v Speaker 2>We're Tang. Only Ad became more of a lover for

0:56:16.520 --> 0:56:19.279
<v Speaker 2>n w A when the movie came out. I knew

0:56:19.320 --> 0:56:22.120
<v Speaker 2>of them before, but my older brother was big on Wu.

0:56:22.040 --> 0:56:23.080
<v Speaker 1>Tang so I was.

0:56:23.480 --> 0:56:27.600
<v Speaker 2>I was a massive method man fan. I love what

0:56:27.719 --> 0:56:30.719
<v Speaker 2>Rizzard was doing. I love ghost like all that I

0:56:30.800 --> 0:56:33.120
<v Speaker 2>got is you. I Got You by ghost Face is

0:56:33.160 --> 0:56:35.960
<v Speaker 2>like my favorite song for like forever. So Whu Tank

0:56:36.040 --> 0:56:38.440
<v Speaker 2>to me was just like it was just it's just yeah, they.

0:56:38.400 --> 0:56:43.359
<v Speaker 1>Were everything, Okay, Gigs or Skeptic. I like them both.

0:56:43.400 --> 0:56:45.480
<v Speaker 1>I gotta go with the Holy Gigs man. Oh you

0:56:45.560 --> 0:56:47.600
<v Speaker 1>went with somebody No no no.

0:56:47.840 --> 0:56:49.600
<v Speaker 2>I love them both though, but Gigs is my guy

0:56:49.640 --> 0:56:52.840
<v Speaker 2>in it and Gigs is Gigs to me started that

0:56:52.960 --> 0:56:54.920
<v Speaker 2>gangster year in the UK, and even that's the one

0:56:55.000 --> 0:56:55.959
<v Speaker 2>like they they.

0:56:55.920 --> 0:56:57.960
<v Speaker 1>Got it cracking. Not to say they weren't people doing it.

0:56:58.000 --> 0:57:02.880
<v Speaker 2>Before, but they made a shift where the UK gangster

0:57:03.000 --> 0:57:04.800
<v Speaker 2>rap scene became prominent.

0:57:04.840 --> 0:57:07.200
<v Speaker 1>So you're saying Gigs is the godfather of drill music

0:57:07.480 --> 0:57:07.919
<v Speaker 1>not drill.

0:57:08.040 --> 0:57:10.160
<v Speaker 2>No, No, I feel like I've said it before, but

0:57:10.200 --> 0:57:13.040
<v Speaker 2>you see what NW a down for for rap, gangster rap.

0:57:13.480 --> 0:57:16.040
<v Speaker 1>That's what S and one the Gigs done for UK rap.

0:57:16.480 --> 0:57:20.840
<v Speaker 4>Yeah what does S as placing them? Yeah big s Yes,

0:57:21.840 --> 0:57:23.720
<v Speaker 4>old school year. They were the first, the first guys

0:57:23.720 --> 0:57:24.280
<v Speaker 4>I heard from the.

0:57:24.320 --> 0:57:26.440
<v Speaker 1>UK starting a Rockefellers. Yeah, yeah, they were.

0:57:26.520 --> 0:57:28.520
<v Speaker 2>They were, but I think you know what it was

0:57:28.600 --> 0:57:31.880
<v Speaker 2>yet not taking nothing away from them, but they were

0:57:31.920 --> 0:57:35.560
<v Speaker 2>still an American twanging there. So even though they wrapped

0:57:35.920 --> 0:57:39.000
<v Speaker 2>in our accent, there was an American twanging there that

0:57:39.320 --> 0:57:42.400
<v Speaker 2>was like we could relate, but not as much as

0:57:42.440 --> 0:57:46.400
<v Speaker 2>when we started fully rapping in our accent fully and

0:57:46.600 --> 0:57:49.040
<v Speaker 2>talking about our areas, which is indicative.

0:57:49.080 --> 0:57:50.840
<v Speaker 1>What do you mean when you say twain, Because they were,

0:57:50.880 --> 0:57:55.960
<v Speaker 1>they were emulating, they were still that's indicative of the

0:57:56.040 --> 0:57:59.160
<v Speaker 1>era because that's what was happening. It was sounding like

0:57:59.240 --> 0:57:59.520
<v Speaker 1>New York.

0:57:59.600 --> 0:58:02.400
<v Speaker 3>That doesn't It's kind of like you know when when

0:58:02.440 --> 0:58:07.080
<v Speaker 3>French Montana kind of signed to the South, you lost

0:58:07.080 --> 0:58:08.640
<v Speaker 3>me that, you know, remember he signed to.

0:58:12.560 --> 0:58:14.720
<v Speaker 2>Mom So I don't I don't know if he changed

0:58:14.720 --> 0:58:15.080
<v Speaker 2>his style.

0:58:15.440 --> 0:58:17.000
<v Speaker 1>No, but what I'm what I'm thinking is from the

0:58:17.080 --> 0:58:18.040
<v Speaker 1>era that they come from.

0:58:18.360 --> 0:58:21.040
<v Speaker 4>New York is the mecca of hip hop, so everyone

0:58:21.200 --> 0:58:23.760
<v Speaker 4>is emulating place where everything's coming from.

0:58:23.840 --> 0:58:25.600
<v Speaker 2>And they were dope. There was nothing to take away

0:58:25.600 --> 0:58:28.200
<v Speaker 2>from them. They were super dope. But for example, when

0:58:28.240 --> 0:58:31.600
<v Speaker 2>the next generation came through, we weren't even trying to

0:58:31.680 --> 0:58:34.479
<v Speaker 2>be nothing like in the US we're coming out talking

0:58:34.560 --> 0:58:35.760
<v Speaker 2>about our high streaks.

0:58:37.200 --> 0:58:40.880
<v Speaker 1>Our people are clothing things that you don't like. What's that?

0:58:41.000 --> 0:58:43.320
<v Speaker 1>What's what's clacking jacks? What you wouldn't It didn't mile

0:58:43.360 --> 0:58:44.560
<v Speaker 1>because it was just for us.

0:58:44.680 --> 0:58:47.520
<v Speaker 2>And that's when things started changing, where you start picking

0:58:47.560 --> 0:58:48.560
<v Speaker 2>out your friends and your son.

0:58:48.680 --> 0:58:50.320
<v Speaker 1>So you know, you don't know my.

0:58:50.400 --> 0:58:52.760
<v Speaker 2>Friend Rad, but I'm gonna I'm rapping in the song

0:58:53.040 --> 0:58:56.240
<v Speaker 2>me and Redo. It's like he's regular. We didn't care

0:58:56.280 --> 0:58:57.160
<v Speaker 2>because it wasn't for you.

0:58:57.320 --> 0:58:57.480
<v Speaker 1>Though.

0:58:58.000 --> 0:58:59.720
<v Speaker 2>If you know me and you know my way around,

0:59:00.080 --> 0:59:01.760
<v Speaker 2>this is what is And I feel like that's what

0:59:01.920 --> 0:59:05.480
<v Speaker 2>the gigs and and s m one era starting, That's

0:59:05.480 --> 0:59:07.960
<v Speaker 2>what they began. And that's why I said A doun't

0:59:08.480 --> 0:59:09.960
<v Speaker 2>as I said, I feel like a lot of people

0:59:10.040 --> 0:59:12.680
<v Speaker 2>have to walk before someone could run. But the big

0:59:12.840 --> 0:59:16.120
<v Speaker 2>changes I'm just talking about the changes where the scene

0:59:16.240 --> 0:59:18.920
<v Speaker 2>really became its own was when people like Gigs and

0:59:18.960 --> 0:59:20.760
<v Speaker 2>that came through mother.

0:59:20.840 --> 0:59:23.560
<v Speaker 1>Random question, why do you call your sneakers trainers?

0:59:24.560 --> 0:59:30.439
<v Speaker 2>Why do you call yours your training? Sneakers came first

0:59:30.440 --> 0:59:37.240
<v Speaker 2>the sneaker. I don't understand the sneakers part trainers. We

0:59:39.600 --> 0:59:44.720
<v Speaker 2>could train in there. Tell me now what sneakers, you're sneaking.

0:59:44.440 --> 0:59:53.600
<v Speaker 1>Up for somebody because term that's.

0:59:56.040 --> 1:00:02.800
<v Speaker 2>Reco Google Google.

1:00:02.640 --> 1:00:09.640
<v Speaker 3>Sneakers mean because that he sucked me up. Okay, the harder,

1:00:09.920 --> 1:00:15.160
<v Speaker 3>the harder day for or the Book of Claric. No, no, Bro,

1:00:15.280 --> 1:00:16.040
<v Speaker 3>I'm offensive.

1:00:16.120 --> 1:00:18.240
<v Speaker 2>You know I'm gonna go the Holiday for Okay, Well,

1:00:18.280 --> 1:00:23.040
<v Speaker 2>I love them both Holiday fool, It's just it. And

1:00:23.120 --> 1:00:25.560
<v Speaker 2>I'm a big I'm a big believer and I'm a

1:00:25.720 --> 1:00:28.560
<v Speaker 2>big on God. I love the one is gone and

1:00:28.640 --> 1:00:31.960
<v Speaker 2>one is like Western. You see when I just see

1:00:32.000 --> 1:00:35.040
<v Speaker 2>the opening scene the Holiday for when everyone starts getting smoked.

1:00:35.680 --> 1:00:38.920
<v Speaker 1>That was taught me, Bro. I was like, yeah, so

1:00:39.000 --> 1:00:41.240
<v Speaker 1>that to me, that's my movie, Like Cowboys was out there.

1:00:41.560 --> 1:00:45.880
<v Speaker 1>That was fine. What what is it? Quiet?

1:00:51.200 --> 1:01:10.440
<v Speaker 2>Okay, well then you go every day cool Central Cy

1:01:10.640 --> 1:01:14.360
<v Speaker 2>or dig D dig a D. I think Central season

1:01:14.520 --> 1:01:17.120
<v Speaker 2>doing amazing things. I'm a big fan of what he's achieved.

1:01:17.520 --> 1:01:19.520
<v Speaker 2>But is my Gama, you know what I'm saying, Like,

1:01:19.840 --> 1:01:23.560
<v Speaker 2>I'm very much Diggers in my show. That's my cast man,

1:01:23.600 --> 1:01:26.600
<v Speaker 2>but my cost my kids, So yeah, big, bigger, But

1:01:26.640 --> 1:01:30.160
<v Speaker 2>I love them. They're both great. New Jack City or

1:01:30.240 --> 1:01:31.000
<v Speaker 2>King of New York.

1:01:31.160 --> 1:01:35.120
<v Speaker 1>New Jack City, New Jack City to me, was I

1:01:35.240 --> 1:01:36.080
<v Speaker 1>still you referenced it?

1:01:36.160 --> 1:01:38.160
<v Speaker 2>Like I'm writing the movie right now and I'm using

1:01:38.240 --> 1:01:40.960
<v Speaker 2>New Jack City as a big reference because see way

1:01:41.320 --> 1:01:44.439
<v Speaker 2>Wesley played Nino Brown, it was just a game changer.

1:01:44.480 --> 1:01:46.880
<v Speaker 2>He's coming into the club and he's dancing, but then

1:01:46.880 --> 1:01:49.560
<v Speaker 2>he's killing you. He wasn't you know, the whole gangster

1:01:49.640 --> 1:01:51.760
<v Speaker 2>fingure you have to be cool when you have to

1:01:51.800 --> 1:01:54.760
<v Speaker 2>be Nah, Nino Brown was that guy.

1:01:54.840 --> 1:01:59.720
<v Speaker 1>So yeah, New Jack say for me, Okay, top boys,

1:01:59.760 --> 1:02:06.120
<v Speaker 1>shout us. Twere somewhere like your londonness. That's how you

1:02:06.160 --> 1:02:09.200
<v Speaker 1>do it, Boris somewhere, Yeah like that.

1:02:09.800 --> 1:02:10.320
<v Speaker 6>What did you do?

1:02:11.320 --> 1:02:19.400
<v Speaker 1>He was like this, like like that because I don't

1:02:19.400 --> 1:02:22.840
<v Speaker 1>know to pronounce for damnson Idris.

1:02:23.520 --> 1:02:27.120
<v Speaker 2>That both my guys, But let's go with the original.

1:02:27.200 --> 1:02:30.080
<v Speaker 2>Or he started first and that's gonna be Adris. Yeah,

1:02:30.200 --> 1:02:34.000
<v Speaker 2>but when you know, we'll just tell you something. When

1:02:34.760 --> 1:02:36.960
<v Speaker 2>he got done doing the wire and.

1:02:37.080 --> 1:02:39.680
<v Speaker 1>I heard him talk, I was like, yeah, I know,

1:02:39.880 --> 1:02:42.320
<v Speaker 1>I didn't. We didn't even know he was. We didn't.

1:02:42.520 --> 1:02:44.720
<v Speaker 1>Well me, I can't talk for everybody, but a lot

1:02:44.760 --> 1:02:47.320
<v Speaker 1>of people that I know. He didn't know. Idris Elbaw

1:02:47.480 --> 1:02:49.240
<v Speaker 1>was British. When we watched The Wire. We did not

1:02:49.360 --> 1:02:50.240
<v Speaker 1>know that was a Bridge man.

1:02:50.720 --> 1:02:52.960
<v Speaker 2>We did not know so he was from Baltimore and

1:02:54.080 --> 1:02:57.720
<v Speaker 2>he was not my favorite character so that he was British.

1:02:57.920 --> 1:03:00.800
<v Speaker 2>He was like, I don't think that would adompton injuries

1:03:00.880 --> 1:03:03.000
<v Speaker 2>that you would take seriously if you want to respect,

1:03:03.120 --> 1:03:04.800
<v Speaker 2>I'm sying that will probably tell you the same. We

1:03:05.360 --> 1:03:07.439
<v Speaker 2>we look up to Indians as the big homie because

1:03:07.440 --> 1:03:09.520
<v Speaker 2>of where you're done from. But I'm gonna tell you something.

1:03:09.640 --> 1:03:12.280
<v Speaker 2>It was like he held that accent until why it was.

1:03:12.280 --> 1:03:13.000
<v Speaker 1>Over, and then.

1:03:15.840 --> 1:03:17.920
<v Speaker 4>It's I don't think you even do a lot of

1:03:17.960 --> 1:03:20.320
<v Speaker 4>pressing it. Yeah, yeah, let's be honest. I don't think

1:03:20.400 --> 1:03:22.520
<v Speaker 4>we can do it good going that way. I think

1:03:22.560 --> 1:03:24.160
<v Speaker 4>only the British actors can do it good.

1:03:24.880 --> 1:03:28.640
<v Speaker 2>Him say, it's coming minding changing, Yeah, change.

1:03:29.080 --> 1:03:31.680
<v Speaker 1>I could you not? I could you not eat? You

1:03:31.800 --> 1:03:32.440
<v Speaker 1>go home tonight.

1:03:33.160 --> 1:03:36.400
<v Speaker 3>You're gonna watch this and you're gonna run around. Hey, bro,

1:03:36.640 --> 1:03:39.520
<v Speaker 3>I'm telling you. When I was watching Talk, I heard

1:03:39.680 --> 1:03:41.320
<v Speaker 3>him saying it. I heard him saying and he said,

1:03:41.400 --> 1:03:44.040
<v Speaker 3>he said, it starts as a joke and then you

1:03:44.120 --> 1:03:45.400
<v Speaker 3>start to do it. You start doing it.

1:03:46.000 --> 1:03:47.040
<v Speaker 1>That's the way everything starts.

1:03:47.120 --> 1:03:50.360
<v Speaker 2>That's how it starts, because you're saying it shows a

1:03:50.400 --> 1:03:53.000
<v Speaker 2>lot this keep them coming, that you'll keeping in durt

1:03:53.000 --> 1:03:55.600
<v Speaker 2>and keeping watching. Five to ten years, the access from

1:03:55.600 --> 1:03:58.000
<v Speaker 2>the US will be taking the UK jobs. There's Alreadio

1:03:58.000 --> 1:04:01.920
<v Speaker 2>a movie called Empire Light out now and starts my

1:04:02.280 --> 1:04:05.240
<v Speaker 2>friend Michael warding here there's the girl that plays his girlfriend.

1:04:05.320 --> 1:04:07.840
<v Speaker 2>She sounds as British as me. Come to find out

1:04:08.240 --> 1:04:11.000
<v Speaker 2>she's as American as you, guys. And so it's starting

1:04:11.040 --> 1:04:12.720
<v Speaker 2>to happen. It's starting to happen.

1:04:13.160 --> 1:04:15.320
<v Speaker 1>So do you think it's more it's having it's like

1:04:15.360 --> 1:04:15.960
<v Speaker 1>a lack of it.

1:04:16.240 --> 1:04:18.520
<v Speaker 2>Yeah, you know you haven't heard enough of us. You

1:04:18.600 --> 1:04:20.600
<v Speaker 2>still feel you still think we took that we're in

1:04:20.640 --> 1:04:25.880
<v Speaker 2>Downton Abbey. But when you start watching Top Boy and Supercell, yeah,

1:04:26.000 --> 1:04:28.360
<v Speaker 2>you start realizing what you wait a minute, I can.

1:04:28.600 --> 1:04:30.360
<v Speaker 1>Replicate that voice a bit more and you can see

1:04:30.360 --> 1:04:32.000
<v Speaker 1>them saying, so you just haven't seen it, and we've

1:04:32.040 --> 1:04:32.800
<v Speaker 1>been normalized.

1:04:33.000 --> 1:04:35.280
<v Speaker 2>We've been watching you guys, remember listening to your music,

1:04:35.400 --> 1:04:37.640
<v Speaker 2>so we hear your west, watching your TV shows and

1:04:37.680 --> 1:04:40.040
<v Speaker 2>your movies. What we've been hearing is your voice and

1:04:40.080 --> 1:04:42.959
<v Speaker 2>ours are visually in our face. Since we've been born.

1:04:43.240 --> 1:04:46.000
<v Speaker 2>But that's that makes sense. That's what makes this so dope.

1:04:46.040 --> 1:04:47.720
<v Speaker 3>It's like what I was saying in the intro is like,

1:04:48.000 --> 1:04:50.400
<v Speaker 3>you know, hip hop went from you know, East Coast

1:04:50.680 --> 1:04:54.720
<v Speaker 3>to the south listening to order you know, West Coast,

1:04:55.040 --> 1:04:58.000
<v Speaker 3>and then it went across the pond. And this series

1:04:58.360 --> 1:05:01.160
<v Speaker 3>compliments the music that you guys are doing in the

1:05:01.200 --> 1:05:01.840
<v Speaker 3>car miss.

1:05:01.760 --> 1:05:02.360
<v Speaker 1>The whole scene.

1:05:02.600 --> 1:05:04.640
<v Speaker 3>On one hand, it makes everyone say I want to

1:05:04.640 --> 1:05:06.200
<v Speaker 3>go to London, and then another hand, it's like I

1:05:06.240 --> 1:05:12.280
<v Speaker 3>gotta be careful when I get there because you was

1:05:12.280 --> 1:05:17.720
<v Speaker 3>go see shirt Lock Holmes, he man, Man, it's a dude,

1:05:17.760 --> 1:05:22.080
<v Speaker 3>n shirlock. You know what I'm saying, Like, yeah, so

1:05:22.480 --> 1:05:23.680
<v Speaker 3>it's it's great.

1:05:23.760 --> 1:05:29.440
<v Speaker 1>I come on, let's moves move. But okay, jay Z

1:05:30.360 --> 1:05:31.280
<v Speaker 1>or nasty nods?

1:05:31.880 --> 1:05:37.760
<v Speaker 2>Oh my, okay are we talking now? We took him before.

1:05:37.800 --> 1:05:44.080
<v Speaker 2>We might as well take a shot when you when

1:05:44.080 --> 1:05:46.560
<v Speaker 2>you start answering that, I'll take a short on that

1:05:46.720 --> 1:05:49.480
<v Speaker 2>because that to me, that's that's a tough one. That's

1:05:49.520 --> 1:05:53.120
<v Speaker 2>a tough one. Okay, Okay, Well I'm going my love.

1:05:53.160 --> 1:05:57.240
<v Speaker 2>I've never met nas big fan thatster Fin hopefully one

1:05:57.320 --> 1:05:58.720
<v Speaker 2>down Me and jay Z.

1:05:59.720 --> 1:06:00.480
<v Speaker 1>That's my guy.

1:06:00.560 --> 1:06:02.520
<v Speaker 2>Man, got not love for him. He's nothing more positive.

1:06:02.640 --> 1:06:06.000
<v Speaker 2>Any time I run into Hims.

1:06:04.880 --> 1:06:07.840
<v Speaker 1>Got me in his home. So jay Z jay Z man,

1:06:08.240 --> 1:06:10.920
<v Speaker 1>you know what I'm saying. Nah, And he got your back, man,

1:06:11.000 --> 1:06:11.480
<v Speaker 1>you know what I mean.

1:06:12.960 --> 1:06:15.840
<v Speaker 3>We just understanding how they operate and how they move,

1:06:16.440 --> 1:06:19.480
<v Speaker 3>like you know, for me to get a call, you

1:06:19.560 --> 1:06:20.360
<v Speaker 3>know what I mean, And like.

1:06:20.640 --> 1:06:24.680
<v Speaker 1>I was just like they got your back, They got

1:06:24.720 --> 1:06:27.280
<v Speaker 1>your back. What I'm trying to say is they got

1:06:27.320 --> 1:06:27.760
<v Speaker 1>to be back.

1:06:27.800 --> 1:06:31.280
<v Speaker 3>And I mean, you know what to see Rockefeller unfold

1:06:31.360 --> 1:06:32.440
<v Speaker 3>and keep continuing.

1:06:32.640 --> 1:06:33.320
<v Speaker 1>I mean rock Nation.

1:06:33.440 --> 1:06:36.960
<v Speaker 3>Excuse me because I was a part of Violet, the management,

1:06:38.440 --> 1:06:41.120
<v Speaker 3>the legendary thing, and then after the volt.

1:06:40.840 --> 1:06:43.840
<v Speaker 1>That disappeared, there was not a compliment that.

1:06:44.280 --> 1:06:47.280
<v Speaker 3>And you know, an artist such as yourself, you know,

1:06:50.280 --> 1:06:52.320
<v Speaker 3>sometimes you don't want to say I'm the illest guy

1:06:52.360 --> 1:06:52.800
<v Speaker 3>in the room.

1:06:53.000 --> 1:06:54.880
<v Speaker 2>Sometimes you want somebody else to say that for you.

1:06:55.160 --> 1:06:55.680
<v Speaker 2>You know what I'm saying.

1:06:55.680 --> 1:06:57.680
<v Speaker 3>It makes you look even ill, and especially when that

1:06:57.800 --> 1:07:00.960
<v Speaker 3>guy is supposed to be the laugh yeah, for lack

1:07:00.960 --> 1:07:03.320
<v Speaker 3>of a better term, the top dog than the top boy,

1:07:03.640 --> 1:07:06.360
<v Speaker 3>but the top dog. That's just it makes that room

1:07:06.440 --> 1:07:08.760
<v Speaker 3>easier for you to navigate it. You know what, I'm saying,

1:07:08.840 --> 1:07:14.280
<v Speaker 3>so I congratulate you. I graduated and you have a

1:07:14.280 --> 1:07:17.000
<v Speaker 3>relationships because that's that's that's a very good relationship.

1:07:17.040 --> 1:07:20.400
<v Speaker 2>That Yeah, that my people. Man, don't let my people. So, yeah,

1:07:21.880 --> 1:07:23.760
<v Speaker 2>you want to do the next one? Wow, you can't

1:07:23.760 --> 1:07:25.600
<v Speaker 2>do it. I can't pronounce their last name.

1:07:28.040 --> 1:07:32.080
<v Speaker 1>Jason Steam or Daniel or Daniel Craig, Daniel.

1:07:34.080 --> 1:07:39.520
<v Speaker 7>Stay Fan, Jason, Jada Kiss or Big Daddy k Jady Kiss.

1:07:40.360 --> 1:07:48.080
<v Speaker 7>J was my guy growing up Rockefeller rough Riders. You

1:07:48.120 --> 1:07:55.680
<v Speaker 7>can take your drinkers, let me. He was the next

1:07:55.680 --> 1:07:59.200
<v Speaker 7>one where we are Tom Hardy or Daniel day Lewis.

1:08:00.200 --> 1:08:07.360
<v Speaker 2>Daniel d Lewis, snow or Power Snowfall because the damnse

1:08:07.720 --> 1:08:10.800
<v Speaker 2>not not even Damson Damson. Yeah, you can't separate them.

1:08:10.840 --> 1:08:16.519
<v Speaker 2>Dampson falls snow Damson body did. Snowfall was actually very

1:08:16.960 --> 1:08:18.320
<v Speaker 2>very well written. It was.

1:08:18.600 --> 1:08:20.800
<v Speaker 1>It was very well written and Damson.

1:08:20.680 --> 1:08:22.880
<v Speaker 2>There was a bad season they had the first season

1:08:23.680 --> 1:08:25.439
<v Speaker 2>it grew into what it was that that was, but

1:08:25.640 --> 1:08:30.559
<v Speaker 2>used the last two seasons you started watching it knowing

1:08:30.640 --> 1:08:32.720
<v Speaker 2>that you know, Damnson, You're just watching it like I

1:08:32.840 --> 1:08:34.160
<v Speaker 2>just need to know what's going to happen to him?

1:08:34.160 --> 1:08:37.840
<v Speaker 1>Why so hope. Hopefully you don't do me like my

1:08:37.960 --> 1:08:42.479
<v Speaker 1>friend John Singleton did me one time. I said one time.

1:08:43.600 --> 1:08:45.320
<v Speaker 1>And he was a big inspiration to my as well.

1:08:45.439 --> 1:08:48.400
<v Speaker 1>He lived on the block of me before and so

1:08:48.640 --> 1:08:50.840
<v Speaker 1>you know we had him on drinking Champs. Man.

1:08:50.920 --> 1:08:52.880
<v Speaker 2>I used to just with them all the time, knowing

1:08:52.920 --> 1:08:54.719
<v Speaker 2>that he wouldn't give me this role. And I would

1:08:54.720 --> 1:08:57.320
<v Speaker 2>be like, yo, they'll put me on Snowfall. He would

1:08:57.360 --> 1:09:00.080
<v Speaker 2>look at me and say, you will never be a

1:09:00.160 --> 1:09:03.000
<v Speaker 2>snow Fall. Your New York accident is too.

1:09:05.600 --> 1:09:08.680
<v Speaker 1>You could never play a West Coast guy. And I'm like, damn, bro,

1:09:08.960 --> 1:09:10.840
<v Speaker 1>But that's he could have made someone from the New

1:09:10.920 --> 1:09:14.720
<v Speaker 1>York coming. That's what I'm about to say, you know,

1:09:15.160 --> 1:09:19.960
<v Speaker 1>and super cil to you know. I mean, you know,

1:09:20.120 --> 1:09:27.840
<v Speaker 1>if we bring it to.

1:09:32.120 --> 1:09:35.000
<v Speaker 2>Moves, you know what I'm saying that that's what happens

1:09:35.040 --> 1:09:36.960
<v Speaker 2>more common than you up with thinks, you know, like

1:09:37.560 --> 1:09:38.200
<v Speaker 2>ties in London.

1:09:38.640 --> 1:09:42.200
<v Speaker 1>You know he was okay, he sounds so you.

1:09:42.200 --> 1:09:45.160
<v Speaker 3>Know like I'm because you know, remember the Wire they

1:09:45.240 --> 1:09:48.160
<v Speaker 3>had Nobody and then second season they had Fred Row,

1:09:48.439 --> 1:09:50.679
<v Speaker 3>they had such and such. Let's let's think of rappers

1:09:50.760 --> 1:09:54.400
<v Speaker 3>you think will fit in second season? I say, Buster rhymes.

1:09:55.320 --> 1:09:57.639
<v Speaker 3>How and then if we go and if we take

1:09:57.680 --> 1:09:59.080
<v Speaker 3>it to the States, no, no, no.

1:09:59.080 --> 1:10:07.120
<v Speaker 1>No, no, buster him play don Okay, yeah he got

1:10:07.120 --> 1:10:11.840
<v Speaker 1>he got the couldn't play that. I would make him

1:10:11.840 --> 1:10:13.280
<v Speaker 1>a villain, a villain.

1:10:13.400 --> 1:10:15.599
<v Speaker 3>And I'm gonna tell you what else you got down

1:10:15.720 --> 1:10:21.040
<v Speaker 3>pack that was like so unique to the to like

1:10:21.160 --> 1:10:22.519
<v Speaker 3>the island people that get together.

1:10:22.760 --> 1:10:25.240
<v Speaker 1>You know what you was doing and the sound effects.

1:10:29.000 --> 1:10:32.960
<v Speaker 1>That's that is. So that's that is. Yeah, that's culture mine.

1:10:33.120 --> 1:10:38.120
<v Speaker 1>That's when you hear mane. He's just respectful. He is

1:10:38.280 --> 1:10:39.080
<v Speaker 1>not a nice person.

1:10:40.600 --> 1:10:40.760
<v Speaker 2>Yeah.

1:10:40.800 --> 1:10:46.479
<v Speaker 1>Yeah, that's the problem. That's how we're talking. Yeah, that's

1:10:48.000 --> 1:10:52.000
<v Speaker 1>the next one. I take it Boys in the Hood

1:10:52.080 --> 1:10:59.000
<v Speaker 1>or Ministers Society? Oh man right, get my shirt.

1:10:59.479 --> 1:11:02.040
<v Speaker 2>When I was younger, it was menace because I just

1:11:02.280 --> 1:11:05.360
<v Speaker 2>was under you saw that first? No, I saw them,

1:11:05.439 --> 1:11:07.080
<v Speaker 2>I saw I think I saw Boys the Hood first.

1:11:07.200 --> 1:11:09.120
<v Speaker 2>I mean that's the first one. When I was younger,

1:11:09.200 --> 1:11:11.960
<v Speaker 2>I wasn't here for politics and lessons. I just want

1:11:12.000 --> 1:11:12.679
<v Speaker 2>to see the smoke.

1:11:13.320 --> 1:11:16.759
<v Speaker 1>So maybe it's a society. To me was the indess movie.

1:11:18.320 --> 1:11:20.479
<v Speaker 1>But then when I got older and I watched.

1:11:20.240 --> 1:11:24.400
<v Speaker 2>Boys in the Hood, I'm there with Lauren spishburn. I'm

1:11:24.439 --> 1:11:27.200
<v Speaker 2>hearing his knowledge and I'm respecting what he's doing, and

1:11:27.280 --> 1:11:30.759
<v Speaker 2>I respect the layers in the movie. So a younger

1:11:30.840 --> 1:11:33.800
<v Speaker 2>man is thing older. So if I have to choose now,

1:11:34.160 --> 1:11:34.559
<v Speaker 2>so if you.

1:11:36.240 --> 1:11:37.599
<v Speaker 1>I was gonna have to drink drink.

1:11:44.439 --> 1:11:47.720
<v Speaker 3>But yeah, and I'm bouncing around a little bit. Why

1:11:47.880 --> 1:11:51.120
<v Speaker 3>we didn't have a doctor umar character and.

1:11:52.640 --> 1:11:55.880
<v Speaker 1>Supersell when he said to character, what would you wanted

1:11:55.960 --> 1:11:56.360
<v Speaker 1>to be doing?

1:11:56.880 --> 1:11:58.559
<v Speaker 2>Like I wanted him to come down and say, brothers,

1:11:58.600 --> 1:12:01.040
<v Speaker 2>you gotta you gotta control your powers.

1:12:06.439 --> 1:12:08.360
<v Speaker 1>Off the seasons. We might be able to animate for that,

1:12:10.120 --> 1:12:12.559
<v Speaker 1>but you never know. He's becoming a consultant.

1:12:24.200 --> 1:12:26.360
<v Speaker 3>By the way, and I'm not saying this, he's here,

1:12:26.640 --> 1:12:28.200
<v Speaker 3>by the way, there's no way to make the show

1:12:28.400 --> 1:12:31.040
<v Speaker 3>even better. It's just it's just this show is actually,

1:12:31.880 --> 1:12:35.640
<v Speaker 3>like I actually looked at it sometimes, like how I

1:12:35.800 --> 1:12:38.800
<v Speaker 3>listen to a person's album before they come here and

1:12:39.000 --> 1:12:41.240
<v Speaker 3>I want to critique them. I want to say, you

1:12:41.320 --> 1:12:43.360
<v Speaker 3>know this, this, this, this, and that the show is

1:12:43.720 --> 1:12:45.400
<v Speaker 3>and it's crazy because it starts all slow.

1:12:47.000 --> 1:12:48.439
<v Speaker 1>Everyone says that you know, how.

1:12:48.360 --> 1:12:50.439
<v Speaker 2>About mind slow furness from this as long as you're

1:12:50.479 --> 1:12:53.240
<v Speaker 2>giving me information, But you see at other black community.

1:12:53.400 --> 1:12:58.000
<v Speaker 1>They're not here for that. This thing slow much this man,

1:12:58.920 --> 1:13:02.160
<v Speaker 1>I'm just not bro give it. An I'm reading these

1:13:02.200 --> 1:13:09.080
<v Speaker 1>comments on Twitter. They don't see me. I'm just like yo,

1:13:13.360 --> 1:13:16.760
<v Speaker 1>I was like, bro get give it. Yeah, you know

1:13:16.840 --> 1:13:18.760
<v Speaker 1>it is. That's my way of storytelling.

1:13:19.520 --> 1:13:22.719
<v Speaker 2>I think it's worse if an episode starts off episode

1:13:22.760 --> 1:13:26.439
<v Speaker 2>two by it goes along and then you you said

1:13:26.479 --> 1:13:28.559
<v Speaker 2>the tone, and then you got to keep it exactly.

1:13:28.640 --> 1:13:30.720
<v Speaker 2>So we started it's a staircase, So you're wanna watch

1:13:30.760 --> 1:13:32.960
<v Speaker 2>when I think I was now talking that took You're

1:13:32.960 --> 1:13:36.120
<v Speaker 2>gonna get the second Okay, how do you get to

1:13:36.160 --> 1:13:38.960
<v Speaker 2>see You're just thinking, oh, what did I just go through?

1:13:39.280 --> 1:13:41.439
<v Speaker 1>You feel like you went through a journey. So you know,

1:13:41.479 --> 1:13:42.200
<v Speaker 1>it's the crazy thing.

1:13:42.240 --> 1:13:44.360
<v Speaker 3>I bet you those people that was complaining this, people

1:13:44.439 --> 1:13:47.360
<v Speaker 3>have never been in London because you were showing the area.

1:13:47.400 --> 1:13:49.920
<v Speaker 1>I think that's what it was. It was establishment, like we.

1:13:49.920 --> 1:13:51.800
<v Speaker 2>Were establishing the characters that you have to do in

1:13:51.880 --> 1:13:55.040
<v Speaker 2>any pilot episode of a show. But we wanted to

1:13:55.160 --> 1:13:57.800
<v Speaker 2>show London in this how it is. You know, that

1:13:58.200 --> 1:14:01.120
<v Speaker 2>was a real reflection South, and the South hasn't been

1:14:01.120 --> 1:14:02.880
<v Speaker 2>on screen like that, so we have to take our

1:14:02.920 --> 1:14:03.400
<v Speaker 2>time with him.

1:14:03.560 --> 1:14:06.600
<v Speaker 1>But I thought that was so dope. You with the

1:14:06.640 --> 1:14:14.839
<v Speaker 1>next one l A in Miami la directing or Ryman directing.

1:14:15.439 --> 1:14:19.759
<v Speaker 1>I knew he's gonna pick that Forell or Kanye Kanye

1:14:21.600 --> 1:14:22.599
<v Speaker 1>Podcast radio.

1:14:25.080 --> 1:14:27.800
<v Speaker 2>You know, honest, I don't actually listen to I don't

1:14:27.960 --> 1:14:33.360
<v Speaker 2>watch procasts unless I know I don't know. I don't

1:14:33.439 --> 1:14:35.560
<v Speaker 2>like whatever you see when I know who the guest is.

1:14:36.080 --> 1:14:38.400
<v Speaker 2>That's what I'm tuning in. Remember, in my line of work,

1:14:38.400 --> 1:14:40.640
<v Speaker 2>I need something coming in the background. This is a

1:14:40.720 --> 1:14:43.479
<v Speaker 2>visual pro cart. You can't get the food entertainment unless

1:14:43.479 --> 1:14:46.360
<v Speaker 2>you're watching it. So it's like, so I can't do

1:14:46.400 --> 1:14:48.719
<v Speaker 2>it because I'm always writing. So I would say radio,

1:14:48.800 --> 1:14:49.960
<v Speaker 2>I can have it in the background and I can

1:14:50.000 --> 1:14:50.680
<v Speaker 2>still get to work.

1:14:51.120 --> 1:14:51.400
<v Speaker 1>Okay.

1:14:52.680 --> 1:15:00.840
<v Speaker 2>Uh. Michael B. Jordan's or Jonathan Majors, Michael B. Scar

1:15:01.000 --> 1:15:05.719
<v Speaker 2>Face or Ice Cube as Cube slick Rick or Biggie

1:15:05.720 --> 1:15:09.479
<v Speaker 2>Small Biggie Smons Bigger slipric though he put London on, Yeah,

1:15:09.680 --> 1:15:11.559
<v Speaker 2>you put London on differently like crazy.

1:15:11.600 --> 1:15:15.680
<v Speaker 1>He was like the first cemony and he was a storyteller. Yeah, yeah,

1:15:15.720 --> 1:15:17.920
<v Speaker 1>he was called he might he might your storyteller. Mike

1:15:18.479 --> 1:15:20.400
<v Speaker 1>from a long line. Yeah, he might have, he might

1:15:20.439 --> 1:15:22.880
<v Speaker 1>have been inspired from him. But Biggie as a storyteller.

1:15:24.120 --> 1:15:26.240
<v Speaker 2>To me, as an actual rapper, if rapping was an

1:15:26.320 --> 1:15:29.880
<v Speaker 2>Olympic sport, just on the rapping, I think big is

1:15:29.920 --> 1:15:32.280
<v Speaker 2>the best me personally. Like still to this day, people

1:15:32.360 --> 1:15:34.160
<v Speaker 2>don't know who Biggy was talking about on a story

1:15:34.240 --> 1:15:38.720
<v Speaker 2>to tell he heard all kinds of people, all types

1:15:38.720 --> 1:15:41.120
<v Speaker 2>of but I think that you don't think it was

1:15:41.200 --> 1:15:41.679
<v Speaker 2>just general.

1:15:42.320 --> 1:15:43.880
<v Speaker 1>I think it was just general. But you know what

1:15:44.040 --> 1:15:44.240
<v Speaker 1>I like.

1:15:44.360 --> 1:15:47.160
<v Speaker 2>I like the mystique of the rumor because when I

1:15:47.200 --> 1:15:49.840
<v Speaker 2>saw his mom doing interviews, she was saying that we

1:15:49.920 --> 1:15:51.760
<v Speaker 2>didn't live in a one bes shack, we didn't do this,

1:15:51.960 --> 1:15:54.920
<v Speaker 2>so yeah, maybe well you know she did have cancer.

1:15:55.960 --> 1:15:57.519
<v Speaker 1>No that I'm not the cancer, you know what, big

1:15:57.720 --> 1:16:00.720
<v Speaker 1>what I'm saying because I heard maybe maybe she was.

1:16:00.880 --> 1:16:05.360
<v Speaker 1>She wasn't. I don't know, but if she made that lie, so.

1:16:05.840 --> 1:16:08.640
<v Speaker 3>It was just right, all right, this is no no, no,

1:16:08.840 --> 1:16:12.040
<v Speaker 3>I won't even say that. The last one for this

1:16:12.200 --> 1:16:15.360
<v Speaker 3>then we give it back into the interview. Loyalty or respect.

1:16:20.040 --> 1:16:23.600
<v Speaker 2>Loyalty Okay, Like I feel like if someone's with you

1:16:24.920 --> 1:16:27.360
<v Speaker 2>and they're there for you, it don't even matters that

1:16:27.439 --> 1:16:29.840
<v Speaker 2>person don't respect you, because that person that's loyalty doesn't it.

1:16:30.040 --> 1:16:31.920
<v Speaker 2>It'sould about who the layery comes from and who the

1:16:31.960 --> 1:16:33.800
<v Speaker 2>respect comes from. I don't need the respect from people

1:16:33.800 --> 1:16:35.920
<v Speaker 2>I don't care about. The people I want lawyer are

1:16:35.960 --> 1:16:38.439
<v Speaker 2>the people. Will you know that respect comes up as

1:16:38.479 --> 1:16:39.160
<v Speaker 2>part of the package.

1:16:40.040 --> 1:16:45.080
<v Speaker 1>I respect that take a shot. Take a shot to that.

1:16:45.280 --> 1:16:47.599
<v Speaker 1>I want to take a shot. You think I don't

1:16:47.640 --> 1:16:52.280
<v Speaker 1>need to do that. Now this is me being generic.

1:16:52.360 --> 1:16:54.200
<v Speaker 1>Thank you. You wouldn't take a job just based off

1:16:54.240 --> 1:16:54.759
<v Speaker 1>the money.

1:16:55.320 --> 1:16:58.360
<v Speaker 2>The character, and it can't just leave the money because

1:16:58.840 --> 1:17:00.479
<v Speaker 2>the money is going to come with your doing great.

1:17:00.520 --> 1:17:02.120
<v Speaker 1>I feel that greatness comes with money in it.

1:17:02.240 --> 1:17:05.000
<v Speaker 2>So I'm trying to be great so I know when

1:17:05.040 --> 1:17:07.400
<v Speaker 2>I reach my pinnacles, all the money that I always

1:17:07.439 --> 1:17:12.320
<v Speaker 2>want I will get. But you do one something that's whack,

1:17:12.760 --> 1:17:14.840
<v Speaker 2>that could be your last money, know what I'm saying,

1:17:14.960 --> 1:17:16.920
<v Speaker 2>That might be your last you know. So I'm here

1:17:17.000 --> 1:17:19.519
<v Speaker 2>for the long run, and I think people always think

1:17:19.560 --> 1:17:23.920
<v Speaker 2>short term, whereas I want a long, a long career

1:17:24.360 --> 1:17:26.320
<v Speaker 2>making for a long time. So for me to do that,

1:17:26.439 --> 1:17:28.400
<v Speaker 2>every project has to make you want to see more.

1:17:28.640 --> 1:17:33.360
<v Speaker 1>You know, Let's break down some learning slang right now. First,

1:17:34.280 --> 1:17:42.080
<v Speaker 1>my favorite bro you call brom slang to me saying bro, Yeah,

1:17:42.120 --> 1:17:44.960
<v Speaker 1>that's what it is because you put it.

1:17:45.920 --> 1:17:51.000
<v Speaker 2>Yeah, yeah, I even say bro, bro brother.

1:17:52.000 --> 1:17:53.559
<v Speaker 1>I don't even say that though, I'm like.

1:17:56.280 --> 1:17:56.680
<v Speaker 2>Talk about it.

1:17:56.720 --> 1:18:02.960
<v Speaker 1>If bro's short for brother, what would brother? Yeah, saying

1:18:03.040 --> 1:18:04.600
<v Speaker 1>do you say brom? I'm thinking I don't say bro?

1:18:05.120 --> 1:18:05.280
<v Speaker 4>Yeah.

1:18:06.160 --> 1:18:10.599
<v Speaker 1>Okay, that's so that's what that means. I noticed.

1:18:10.680 --> 1:18:13.599
<v Speaker 2>But I'm going to ask anyway for the audience, why

1:18:13.800 --> 1:18:15.280
<v Speaker 2>what is that?

1:18:15.320 --> 1:18:18.160
<v Speaker 1>What's good man? What's going on? Stand on that? Let's

1:18:18.400 --> 1:18:25.280
<v Speaker 1>set up stand on that's what that's what. That's Jamaica

1:18:26.400 --> 1:18:29.639
<v Speaker 1>lending them took it, lending took it. I mean, wherever

1:18:29.720 --> 1:18:33.040
<v Speaker 1>there's lendon took it, you go to any.

1:18:32.880 --> 1:18:36.800
<v Speaker 3>Carter And then but this, this is this is another

1:18:36.840 --> 1:18:38.680
<v Speaker 3>one that is going to sound Jamaican too.

1:18:39.439 --> 1:18:44.880
<v Speaker 1>You don't know, Come on, but don't know? Did we

1:18:44.960 --> 1:18:52.479
<v Speaker 1>say you don't know? You not knowing? You're not No,

1:18:52.640 --> 1:18:54.439
<v Speaker 1>I don't even know. I don't think you've had one.

1:18:54.520 --> 1:18:56.240
<v Speaker 1>You don't know for the whole seat for so don't

1:18:56.320 --> 1:18:58.200
<v Speaker 1>lie you ain't had that. You not noticed?

1:18:58.560 --> 1:19:01.760
<v Speaker 2>No way, I can't my cost Yeah, and on my

1:19:01.840 --> 1:19:04.720
<v Speaker 2>cost of look young. They won't even saying slang word

1:19:04.720 --> 1:19:06.160
<v Speaker 2>if it does it make sense. So there's no way

1:19:06.240 --> 1:19:06.880
<v Speaker 2>you knows.

1:19:06.720 --> 1:19:11.320
<v Speaker 1>It not here not Yeah, that's that's definitely that's how

1:19:11.400 --> 1:19:14.000
<v Speaker 1>we too. Okay, now what it means, because I'd be

1:19:14.080 --> 1:19:22.000
<v Speaker 1>like hated, like like ship outside today, isn't it like

1:19:29.640 --> 1:19:33.519
<v Speaker 1>that's matter? I didn't know what that's what mean? You

1:19:33.560 --> 1:19:39.880
<v Speaker 1>know it's not today. This is crazy, That's what I means.

1:19:40.320 --> 1:19:44.120
<v Speaker 3>So if I land and I'm going to South London,

1:19:44.800 --> 1:19:46.440
<v Speaker 3>which words that you recommended?

1:19:46.520 --> 1:19:47.080
<v Speaker 2>I know what.

1:19:49.320 --> 1:19:54.120
<v Speaker 1>This bro trying to use words?

1:19:54.640 --> 1:19:59.080
<v Speaker 2>You know you tried to go and say your and

1:19:59.160 --> 1:20:02.400
<v Speaker 2>he said, but you just get cool that where you from,

1:20:02.439 --> 1:20:07.240
<v Speaker 2>from where you're from, speak love.

1:20:07.240 --> 1:20:09.600
<v Speaker 1>When you're just speaking with English, bro, you'll be.

1:20:09.600 --> 1:20:12.160
<v Speaker 2>Okay, okay, So don't try to don't try to the

1:20:12.240 --> 1:20:15.200
<v Speaker 2>worst things you know, just to you can talk normal

1:20:15.360 --> 1:20:20.360
<v Speaker 2>because you know, you don't know you know how people

1:20:20.760 --> 1:20:23.040
<v Speaker 2>come around with the Jamaican broughts on and they'll be

1:20:23.120 --> 1:20:25.600
<v Speaker 2>trying to be other than they are, Like, don't do that, no,

1:20:25.880 --> 1:20:28.560
<v Speaker 2>just be normal man. London is good man, Okay. So

1:20:29.040 --> 1:20:32.800
<v Speaker 2>who you think runs the majority? Is it Nigerians? Is

1:20:32.880 --> 1:20:38.240
<v Speaker 2>it Jamaicans is it the most black people are in London?

1:20:38.479 --> 1:20:41.559
<v Speaker 2>And I'll say it's definitely a strong mix. It depends

1:20:41.600 --> 1:20:43.880
<v Speaker 2>on the area. Like Pecum used to be a lot

1:20:44.000 --> 1:20:48.440
<v Speaker 2>more Africans, Lucians was a bit more Jamaicans.

1:20:48.720 --> 1:20:52.759
<v Speaker 1>Brixton was I'll say more cat being bricks in it. Yeah, definitely.

1:20:53.600 --> 1:20:55.439
<v Speaker 4>Is it all still based off of where the colonies

1:20:55.479 --> 1:20:56.800
<v Speaker 4>were like colonialism?

1:20:57.320 --> 1:20:59.360
<v Speaker 1>Well, well, I can only speak to my parents.

1:20:59.479 --> 1:21:03.439
<v Speaker 2>They came many many years ago, thinking you know, London

1:21:03.520 --> 1:21:06.760
<v Speaker 2>the safe place and we went straight to We went

1:21:06.840 --> 1:21:10.479
<v Speaker 2>to a place near Pecking called War Road, Like yeah, yeah,

1:21:10.520 --> 1:21:12.720
<v Speaker 2>my parents came, so they came down there. Well, it's

1:21:12.800 --> 1:21:14.280
<v Speaker 2>kind of just where you can get a place, bro

1:21:14.479 --> 1:21:16.920
<v Speaker 2>Like my parents would get to the council. If they

1:21:16.920 --> 1:21:18.920
<v Speaker 2>would have told her, listen, we've got a place to

1:21:18.960 --> 1:21:20.240
<v Speaker 2>you and it's in North London, they would have went

1:21:20.280 --> 1:21:22.280
<v Speaker 2>North London. It's kind of just wherever you can get housed,

1:21:22.479 --> 1:21:24.400
<v Speaker 2>you know, because the housing on them days it was,

1:21:25.000 --> 1:21:27.320
<v Speaker 2>you know, it's wherever the council pushing you go. You know,

1:21:27.479 --> 1:21:29.120
<v Speaker 2>council could have put us anywhere and that's where we

1:21:29.120 --> 1:21:32.800
<v Speaker 2>would have rept Is it still so expensive in London?

1:21:33.439 --> 1:21:35.439
<v Speaker 2>My first time in London. I gave the guy a

1:21:35.560 --> 1:21:42.439
<v Speaker 2>thousand dollars for seventy five to change the money in

1:21:42.560 --> 1:21:45.800
<v Speaker 2>the hotel. Hotel exchanging the money, and I was like,

1:21:46.080 --> 1:21:48.000
<v Speaker 2>I gave him a thousand, he gave me four seventy five.

1:21:48.080 --> 1:21:51.680
<v Speaker 1>I was the smartest person in the world. But he

1:21:51.720 --> 1:21:53.679
<v Speaker 1>feel like to go to and gets you a thousand.

1:21:53.800 --> 1:21:56.759
<v Speaker 1>He's like, no, this day, back in the day.

1:21:58.200 --> 1:21:59.920
<v Speaker 2>Two thousand and six two and sent light to come

1:22:00.080 --> 1:22:02.080
<v Speaker 2>to that New York can just come out to this

1:22:02.240 --> 1:22:04.840
<v Speaker 2>party and stuff like that. I would give over fis

1:22:04.880 --> 1:22:08.120
<v Speaker 2>and get two firesand it's something back. So that used

1:22:08.120 --> 1:22:09.479
<v Speaker 2>to be the good. That's why we used to come

1:22:09.520 --> 1:22:11.160
<v Speaker 2>over here because our money was double.

1:22:11.320 --> 1:22:11.679
<v Speaker 1>Now.

1:22:12.439 --> 1:22:16.599
<v Speaker 2>No, London is the most expensive place ever. I don't

1:22:16.640 --> 1:22:18.600
<v Speaker 2>think it laser as expensive as London when I go

1:22:18.680 --> 1:22:21.920
<v Speaker 2>to London. When I'm in London, I always think I

1:22:22.040 --> 1:22:23.760
<v Speaker 2>might the right place, bro because this place is a

1:22:23.840 --> 1:22:24.120
<v Speaker 2>rip off.

1:22:24.640 --> 1:22:26.040
<v Speaker 1>Is a rippoff. But it's just isn't it.

1:22:26.680 --> 1:22:29.880
<v Speaker 3>With that being said, you know New York real estate

1:22:30.640 --> 1:22:36.240
<v Speaker 3>are being skyrocketed. It costs more to film movies, la

1:22:37.040 --> 1:22:38.000
<v Speaker 3>being the movie capital.

1:22:39.400 --> 1:22:40.719
<v Speaker 2>Is it more.

1:22:40.640 --> 1:22:43.720
<v Speaker 1>Expensive to film in London? I know that they've got

1:22:43.840 --> 1:22:44.799
<v Speaker 1>new taxing centers.

1:22:44.880 --> 1:22:48.640
<v Speaker 2>Now, I think other places have better taxes saying it,

1:22:48.680 --> 1:22:52.400
<v Speaker 2>but London is becoming a massive film Like the biggest

1:22:52.439 --> 1:22:54.479
<v Speaker 2>movies that you're seeing now getting shut in London.

1:22:54.600 --> 1:22:57.000
<v Speaker 1>So I'm assuming there must be some sort.

1:22:56.800 --> 1:22:59.120
<v Speaker 2>Of incentives that's making it work because a lot of

1:22:59.240 --> 1:23:01.320
<v Speaker 2>movies are going to London, like The Stupid When we

1:23:01.400 --> 1:23:04.240
<v Speaker 2>were filming Super Sol, we were trying to get certain

1:23:04.320 --> 1:23:06.679
<v Speaker 2>studio spaces and they said, no, Disney is got booked

1:23:06.680 --> 1:23:09.040
<v Speaker 2>top for this a lot of time, or no they've

1:23:09.080 --> 1:23:12.080
<v Speaker 2>got for this my time. So everything is just taken.

1:23:12.160 --> 1:23:13.800
<v Speaker 2>So it's massive in London now the film.

1:23:14.120 --> 1:23:16.240
<v Speaker 4>Let me ask you about the texting centers to get

1:23:16.320 --> 1:23:19.880
<v Speaker 4>clearity on it, because who benefits who gets that money back?

1:23:20.080 --> 1:23:23.439
<v Speaker 4>Is it the production the like you yourself, like, who

1:23:23.640 --> 1:23:26.240
<v Speaker 4>who gets the money back? When it's the texting centerment, they.

1:23:26.439 --> 1:23:29.360
<v Speaker 2>Production company and the networks and the network will getting back.

1:23:29.560 --> 1:23:31.920
<v Speaker 1>So like so part of like recouping our rear the budget.

1:23:32.120 --> 1:23:34.920
<v Speaker 2>Yeah, yeah, so exactly that because so when it goes

1:23:34.920 --> 1:23:36.479
<v Speaker 2>to the budget that always goes into play.

1:23:36.479 --> 1:23:39.680
<v Speaker 1>It's kind of like, Okay, we've got twenty m.

1:23:39.720 --> 1:23:42.240
<v Speaker 2>To shoot, but if we shoot it here in London,

1:23:42.320 --> 1:23:44.640
<v Speaker 2>you might we've got twenty five. If you shoot it

1:23:44.720 --> 1:23:47.360
<v Speaker 2>over there in Atlanta, you've got thirty five. So because

1:23:47.360 --> 1:23:48.960
<v Speaker 2>you know what you're getting back, same thing.

1:23:49.080 --> 1:23:51.920
<v Speaker 1>So yeah, it helps. That's why filmmaking it's a big

1:23:51.960 --> 1:23:52.439
<v Speaker 1>business now.

1:23:52.720 --> 1:23:54.400
<v Speaker 2>A lot of countries are trying to get their taxing

1:23:54.439 --> 1:23:56.559
<v Speaker 2>centerves involved so people can come and film in places

1:23:56.600 --> 1:23:58.840
<v Speaker 2>because it's it's always been big business, but now with

1:23:59.000 --> 1:24:01.680
<v Speaker 2>that Atlanta, it's like the countries arellow, okay, how we

1:24:01.720 --> 1:24:03.320
<v Speaker 2>need to get our version in place now because it

1:24:03.439 --> 1:24:05.040
<v Speaker 2>is making a difference. So someone like me, if I

1:24:05.040 --> 1:24:07.120
<v Speaker 2>want to film somewhere and I'm trying to get the

1:24:07.200 --> 1:24:09.439
<v Speaker 2>most from my budget, I'm looking for the place that

1:24:09.520 --> 1:24:11.479
<v Speaker 2>has got the biggest taxing sentive so I can shoot

1:24:11.479 --> 1:24:12.920
<v Speaker 2>there and get more on the screen.

1:24:13.080 --> 1:24:15.080
<v Speaker 1>And they wanted because it's it's bringing money exact.

1:24:15.720 --> 1:24:19.400
<v Speaker 3>Actually, so the show was like Top Top Boy, the

1:24:19.520 --> 1:24:22.880
<v Speaker 3>Super soll we got to kind of see the woral London, right.

1:24:23.720 --> 1:24:25.760
<v Speaker 2>Yeah, I would have say the other versions, well, but

1:24:25.880 --> 1:24:28.880
<v Speaker 2>this is outside of London, London, right, and we're getting

1:24:28.920 --> 1:24:30.920
<v Speaker 2>to see that along with the music.

1:24:31.080 --> 1:24:31.200
<v Speaker 1>Right.

1:24:31.520 --> 1:24:36.560
<v Speaker 2>But I remember, uh me trying not what faded for

1:24:37.560 --> 1:24:39.719
<v Speaker 2>and at one point I don't know. If you watch character,

1:24:41.320 --> 1:24:43.280
<v Speaker 2>I did it. I was the guy who put out the.

1:24:43.320 --> 1:24:47.840
<v Speaker 3>Raisers and yeah, yeah, I remember at one point because

1:24:47.840 --> 1:24:50.080
<v Speaker 3>I had actually went out for a recorder.

1:24:50.360 --> 1:24:51.040
<v Speaker 1>That's what I was thinking.

1:24:51.080 --> 1:24:51.240
<v Speaker 2>I was.

1:24:51.600 --> 1:24:53.760
<v Speaker 1>I was thinking, did you from I was too fair

1:24:53.800 --> 1:24:55.400
<v Speaker 1>at that time. They didn't give it to me to

1:24:55.479 --> 1:24:57.240
<v Speaker 1>give it the camera rightfully, so he deserved.

1:24:58.479 --> 1:25:01.639
<v Speaker 3>But but I remember at one point, ain't them actually

1:25:01.720 --> 1:25:06.040
<v Speaker 3>going to Canada and I'm filming outskirts because they couldn't

1:25:06.120 --> 1:25:08.639
<v Speaker 3>make old school New York right?

1:25:09.080 --> 1:25:12.960
<v Speaker 2>So but New York we have fifteen million movies, you know.

1:25:13.080 --> 1:25:14.360
<v Speaker 2>So a lot of people didn't understand that.

1:25:14.680 --> 1:25:17.920
<v Speaker 3>Sometimes when you look at Payton Fall when they playing

1:25:18.000 --> 1:25:19.720
<v Speaker 3>the ball and they look the projects look mad.

1:25:19.800 --> 1:25:22.240
<v Speaker 1>Oh that's not even New York, that's Canada. You know

1:25:22.280 --> 1:25:24.719
<v Speaker 1>what I mean? Magic, bro, We'll be magic.

1:25:24.800 --> 1:25:28.559
<v Speaker 3>But with you now introducing the real part of London,

1:25:28.680 --> 1:25:30.799
<v Speaker 3>or like you said, that side of London.

1:25:31.120 --> 1:25:31.599
<v Speaker 1>You know what I mean.

1:25:31.680 --> 1:25:33.439
<v Speaker 3>If a movie company came to you and said, yo,

1:25:33.600 --> 1:25:36.679
<v Speaker 3>I want you to film London. Bridge is going down,

1:25:37.439 --> 1:25:39.400
<v Speaker 3>but I want you to film it in Poland or on.

1:25:39.400 --> 1:25:44.040
<v Speaker 1>The sound stage. If I can make it look like London. Okay,

1:25:44.120 --> 1:25:45.320
<v Speaker 1>if I can make it look lot London.

1:25:45.479 --> 1:25:47.400
<v Speaker 2>I don't. Yeah, if I'm not. If I'm telling them,

1:25:47.439 --> 1:25:49.120
<v Speaker 2>what are you giving to give me green screen today?

1:25:49.160 --> 1:25:51.200
<v Speaker 2>Are you're gonna give me some sort of c J budget?

1:25:51.320 --> 1:25:53.840
<v Speaker 2>Or how am I gonna make this lot? I'll do

1:25:53.960 --> 1:25:54.880
<v Speaker 2>that A lot of stuff.

1:25:55.600 --> 1:25:55.920
<v Speaker 1>I don't know.

1:25:55.960 --> 1:25:58.200
<v Speaker 2>If you remember the beginning of the end of the

1:25:58.479 --> 1:26:01.000
<v Speaker 2>first episode when you see them in a few Joe ah, yes,

1:26:01.280 --> 1:26:03.280
<v Speaker 2>and you see like the Piccadilly and all the screens.

1:26:03.320 --> 1:26:05.559
<v Speaker 2>It's kind of like our version of Times Square. All

1:26:05.600 --> 1:26:07.800
<v Speaker 2>of that is green screen. We weren't picking, but we

1:26:07.840 --> 1:26:08.360
<v Speaker 2>couldn't get it.

1:26:08.400 --> 1:26:12.280
<v Speaker 1>So yeah, I did not tell ye green screen screen

1:26:12.360 --> 1:26:12.679
<v Speaker 1>is crazy.

1:26:13.160 --> 1:26:15.360
<v Speaker 2>Is crazy now, So most of the stuff you're watching

1:26:15.439 --> 1:26:17.360
<v Speaker 2>is probably not actually it. To be honest, I wouldn't.

1:26:17.360 --> 1:26:19.920
<v Speaker 2>I wouldn't crowd to hold onto that for anything you're watching.

1:26:20.160 --> 1:26:21.280
<v Speaker 1>Really, No, no, you don't.

1:26:21.439 --> 1:26:23.960
<v Speaker 2>It doesn't make sense, wouldn't. It's cheaper elsewhere you can

1:26:23.960 --> 1:26:25.400
<v Speaker 2>put green screen on and just putting New York in

1:26:25.400 --> 1:26:27.000
<v Speaker 2>the back job and they got screens that are like

1:26:27.760 --> 1:26:31.040
<v Speaker 2>like like stack like like bro, my thing was thirty

1:26:31.080 --> 1:26:33.560
<v Speaker 2>foot two three sixty wide, so we was in the

1:26:33.680 --> 1:26:34.160
<v Speaker 2>green light.

1:26:34.240 --> 1:26:35.800
<v Speaker 1>Yeah, they could do sixty shot.

1:26:37.040 --> 1:26:39.280
<v Speaker 2>So everything on that thirty four is whatever we want

1:26:39.360 --> 1:26:41.120
<v Speaker 2>that to be. I could make it look like this

1:26:41.320 --> 1:26:44.439
<v Speaker 2>whole building if you wanted to. So, yeah, I wouldn't

1:26:44.479 --> 1:26:47.800
<v Speaker 2>be with me, he told me, because I would have

1:26:47.840 --> 1:26:50.960
<v Speaker 2>betore give to me and been like, yo, superstill has

1:26:51.000 --> 1:26:52.760
<v Speaker 2>some green school, Like no, it.

1:26:52.960 --> 1:26:56.519
<v Speaker 1>Was, I would have bet that's that's the movies now,

1:26:56.680 --> 1:26:58.160
<v Speaker 1>Like I couldn't tell none of that.

1:26:58.680 --> 1:27:00.960
<v Speaker 2>You did a great job, so you'll be surprised the

1:27:01.000 --> 1:27:02.599
<v Speaker 2>films that you are watching that you think you sit

1:27:02.640 --> 1:27:04.880
<v Speaker 2>here and sit there, but it's really just green screen.

1:27:07.680 --> 1:27:10.639
<v Speaker 2>There's not really much of a difference, you know. It's honestly.

1:27:10.800 --> 1:27:14.120
<v Speaker 2>I asked the same question to my SFX guy and

1:27:14.800 --> 1:27:17.960
<v Speaker 2>they were just like, one's just older and ones just newer.

1:27:18.080 --> 1:27:19.680
<v Speaker 2>But they both do the same thing. You can put

1:27:19.720 --> 1:27:21.320
<v Speaker 2>them all on the screen, but green screen is kind

1:27:21.320 --> 1:27:23.800
<v Speaker 2>of the old school, and sometimes you can screen.

1:27:23.880 --> 1:27:25.200
<v Speaker 1>Yeah, but they do the same thing.

1:27:26.400 --> 1:27:28.280
<v Speaker 3>The people behind the camera, right, the fact that you

1:27:28.400 --> 1:27:31.920
<v Speaker 3>have an all black cast, does that affect how you

1:27:32.160 --> 1:27:33.920
<v Speaker 3>who you high up that's behind the camera.

1:27:34.400 --> 1:27:40.080
<v Speaker 2>I wanted this show to be the benchmark for a

1:27:40.160 --> 1:27:42.600
<v Speaker 2>majority of black productions. It wasn't just in front, like

1:27:42.760 --> 1:27:45.280
<v Speaker 2>all of our heads of departments were black. The person

1:27:45.360 --> 1:27:46.960
<v Speaker 2>that show it, they had a costume, they had a

1:27:47.040 --> 1:27:49.920
<v Speaker 2>mad cup. We got a lot of black hds, and

1:27:50.000 --> 1:27:53.360
<v Speaker 2>we look for the people in film and TV that

1:27:53.560 --> 1:27:55.559
<v Speaker 2>was at that level that could get in there because

1:27:55.600 --> 1:27:57.400
<v Speaker 2>there's I don't think it's good enough just to have

1:27:57.560 --> 1:27:59.680
<v Speaker 2>everyone in front of the camera be black and then

1:27:59.720 --> 1:28:02.439
<v Speaker 2>the presentations behind stool will be non black.

1:28:02.800 --> 1:28:04.760
<v Speaker 1>So we went out of the way. And Netflix was

1:28:04.800 --> 1:28:05.599
<v Speaker 1>cool that they knew.

1:28:06.120 --> 1:28:08.160
<v Speaker 2>Good thing with all the women and me eating their

1:28:08.200 --> 1:28:11.280
<v Speaker 2>free food, they knew they knew what I wanted to do.

1:28:11.960 --> 1:28:14.559
<v Speaker 2>You're going to come out and feed me if you're

1:28:14.560 --> 1:28:17.400
<v Speaker 2>gonna be like they're basically wooing me. You know they

1:28:17.439 --> 1:28:19.880
<v Speaker 2>were cooting me. If you're going to coot me, don't

1:28:19.960 --> 1:28:22.880
<v Speaker 2>coote me. And then when you get me, don't treat

1:28:22.920 --> 1:28:23.560
<v Speaker 2>me like you don't want me.

1:28:23.680 --> 1:28:24.720
<v Speaker 1>Let me do. I doing it.

1:28:25.120 --> 1:28:27.280
<v Speaker 2>So I literally got everything I wanted to do, and

1:28:27.400 --> 1:28:29.519
<v Speaker 2>I was like yo, every time they'll be putted, like yo,

1:28:29.880 --> 1:28:33.519
<v Speaker 2>you came to me like okay, you're going to let

1:28:33.560 --> 1:28:36.280
<v Speaker 2>me wrong with it. So that's why I feel I

1:28:36.320 --> 1:28:39.320
<v Speaker 2>can laugh. It is good to earn your position rather

1:28:39.439 --> 1:28:41.800
<v Speaker 2>than Chase Nick. When you chase it, you're going to

1:28:41.840 --> 1:28:43.360
<v Speaker 2>have to be working at their pace. But when they

1:28:43.439 --> 1:28:44.880
<v Speaker 2>come to you, you work at your own past.

1:28:44.880 --> 1:28:45.400
<v Speaker 1>You know what I'm saying.

1:28:45.840 --> 1:28:47.240
<v Speaker 4>I don't know if you could answer this, but if

1:28:47.240 --> 1:28:50.320
<v Speaker 4>you can't being obviously they funded the whole production, right,

1:28:50.680 --> 1:28:53.400
<v Speaker 4>and it's your creative You wrote everything, and everything is you?

1:28:53.520 --> 1:28:56.840
<v Speaker 1>You directed it? How is it in perpetuity? I don't

1:28:56.840 --> 1:29:00.160
<v Speaker 1>own that. You don't I owned zero percent of How

1:29:00.400 --> 1:29:01.639
<v Speaker 1>that change moving forward?

1:29:01.920 --> 1:29:04.040
<v Speaker 2>If one day Netflix wakeoff and say, you know what,

1:29:04.160 --> 1:29:05.320
<v Speaker 2>we're giving shows to people?

1:29:05.400 --> 1:29:05.760
<v Speaker 1>Do you want?

1:29:06.040 --> 1:29:07.679
<v Speaker 2>Do you want your show that you created and written?

1:29:08.160 --> 1:29:10.400
<v Speaker 2>And that's not going to happen. So it doesn't change

1:29:10.439 --> 1:29:12.640
<v Speaker 2>with Netflix. But that's just Netflix's model, right. I'm not

1:29:12.720 --> 1:29:14.080
<v Speaker 2>here to complain about it. I knew what I was

1:29:14.120 --> 1:29:16.800
<v Speaker 2>walking into, Like people have walked away from dells that

1:29:16.920 --> 1:29:17.439
<v Speaker 2>you would see.

1:29:18.680 --> 1:29:20.639
<v Speaker 1>Do you know McKay cole, who done that? I made Astray?

1:29:20.680 --> 1:29:20.720
<v Speaker 2>You?

1:29:21.760 --> 1:29:22.160
<v Speaker 1>That's a show?

1:29:22.200 --> 1:29:24.200
<v Speaker 2>Could I made Astray from a British ride with one

1:29:24.280 --> 1:29:26.280
<v Speaker 2>loads of film awards and now it was a big show.

1:29:27.360 --> 1:29:29.320
<v Speaker 2>And so it says that it was written that she

1:29:29.479 --> 1:29:32.360
<v Speaker 2>turned down a big patchock because she didn't want to

1:29:32.400 --> 1:29:35.280
<v Speaker 2>go there because she couldn't own anything, and I for that.

1:29:35.360 --> 1:29:37.719
<v Speaker 2>That was her second TV show, so she she probably

1:29:37.760 --> 1:29:39.599
<v Speaker 2>saw it was like on her first TV shows. I've

1:29:39.600 --> 1:29:41.720
<v Speaker 2>probably told herself second time around, I'm not doing that,

1:29:42.400 --> 1:29:44.200
<v Speaker 2>and she walked away from the deal and then the

1:29:44.240 --> 1:29:46.240
<v Speaker 2>show became a massive successful it went anyway.

1:29:47.520 --> 1:29:49.559
<v Speaker 1>I wasn't walking away from the deal because that was my.

1:29:49.640 --> 1:29:52.200
<v Speaker 2>First TV show and now opening for you, I'll take

1:29:52.280 --> 1:29:54.559
<v Speaker 2>this money and if you's gonna keep that one, that's fine.

1:29:55.000 --> 1:29:55.920
<v Speaker 1>I'll make another one.

1:29:56.000 --> 1:29:59.280
<v Speaker 2>You know. I wasn't worried about that. Like cool, use

1:29:59.280 --> 1:30:02.880
<v Speaker 2>it on Superstar. I know enough to know about me.

1:30:03.320 --> 1:30:05.320
<v Speaker 2>The show probably wouldn't be the same, so it's cool.

1:30:05.479 --> 1:30:08.560
<v Speaker 2>But in generally, even if that show is theirs, I

1:30:08.640 --> 1:30:11.160
<v Speaker 2>can make another show. And now now I know how

1:30:11.200 --> 1:30:14.280
<v Speaker 2>it goes, now goes next time round, I'm going to

1:30:14.320 --> 1:30:15.880
<v Speaker 2>be trying to go into my own ship back with it.

1:30:16.000 --> 1:30:18.720
<v Speaker 2>You know, are we trying to stick with series or

1:30:18.720 --> 1:30:20.320
<v Speaker 2>we're going to go onto the feature films?

1:30:20.400 --> 1:30:20.599
<v Speaker 1>Yeah?

1:30:20.640 --> 1:30:23.400
<v Speaker 2>No, I'm going into moods. Bro I fell into TV

1:30:23.520 --> 1:30:26.000
<v Speaker 2>by accident when I was writing super so it wasn't meant.

1:30:25.800 --> 1:30:29.280
<v Speaker 1>To be TV. But I'm at two hundred pages. I'm like, yeah,

1:30:29.439 --> 1:30:33.639
<v Speaker 1>this is the Yeah. Now, I didn't want to do TV.

1:30:34.320 --> 1:30:35.160
<v Speaker 1>I wasn't. I wasn't.

1:30:35.720 --> 1:30:38.559
<v Speaker 2>It just felt like for me to go down as

1:30:38.600 --> 1:30:40.640
<v Speaker 2>one of the great. When you think of all the

1:30:40.680 --> 1:30:43.960
<v Speaker 2>great filmmakers, you're not thinking of no TV shows. Like

1:30:44.160 --> 1:30:47.040
<v Speaker 2>you mentioned, like, who's your favorite filmmaker? If you've got

1:30:47.040 --> 1:30:50.519
<v Speaker 2>any director, he's your favorite filmmaker. Oh man, that's a

1:30:50.520 --> 1:30:52.120
<v Speaker 2>good one. You could just be anybody who's one of

1:30:52.160 --> 1:30:54.080
<v Speaker 2>your favorites. I evenough to be your best Larry David

1:30:54.200 --> 1:30:56.800
<v Speaker 2>or what TV show did Larry David do?

1:30:57.479 --> 1:31:01.040
<v Speaker 1>Enthusiasm? Ah to you? You one off? That's right off?

1:31:01.120 --> 1:31:07.719
<v Speaker 1>But TV specific, TV TV different.

1:31:10.280 --> 1:31:13.040
<v Speaker 2>You might to direct, Okay, okay, okay, most men I

1:31:13.120 --> 1:31:16.080
<v Speaker 2>can't think TV. Most men are not because you don't

1:31:16.080 --> 1:31:18.320
<v Speaker 2>even know who the directors the TV are. You know

1:31:18.439 --> 1:31:20.719
<v Speaker 2>that you like this show, but you don't know who

1:31:20.840 --> 1:31:22.840
<v Speaker 2>created it, because it's not even the director I show.

1:31:23.240 --> 1:31:24.960
<v Speaker 2>What makes the TV show is not the director.

1:31:25.000 --> 1:31:25.560
<v Speaker 1>They add to it.

1:31:25.760 --> 1:31:27.960
<v Speaker 2>They're very vital, but it's the person that creates it,

1:31:28.320 --> 1:31:30.280
<v Speaker 2>the person that had the idea for Game of France,

1:31:30.360 --> 1:31:31.559
<v Speaker 2>for the Wire, for Breaking Back.

1:31:32.200 --> 1:31:34.600
<v Speaker 1>Sometimes they got multiple directors on the EISO.

1:31:35.080 --> 1:31:37.559
<v Speaker 2>I directed Free and my other I had another director.

1:31:38.160 --> 1:31:44.280
<v Speaker 1>I love how everything it says and created, but I

1:31:44.800 --> 1:31:49.479
<v Speaker 1>needed to be clear. It needed to be clear still

1:31:49.560 --> 1:31:51.840
<v Speaker 1>because I didn't come in from TV.

1:31:52.320 --> 1:31:54.160
<v Speaker 2>If you're watching this TV, this ain't going to be

1:31:54.200 --> 1:31:56.439
<v Speaker 2>that TV. I don't know who made, who was riding

1:31:56.520 --> 1:31:59.040
<v Speaker 2>some franals, who was directed? No, no, no, you're gonna

1:31:59.080 --> 1:32:01.439
<v Speaker 2>think superent. You're gonn figure that man. So now when

1:32:01.479 --> 1:32:03.720
<v Speaker 2>I'm trying to go and do a movie, that's my

1:32:03.840 --> 1:32:05.160
<v Speaker 2>currency now, souse.

1:32:05.240 --> 1:32:07.080
<v Speaker 1>But I'm trying to do movies more.

1:32:07.240 --> 1:32:09.600
<v Speaker 2>I've got another I've got seasons of super Cell in

1:32:09.640 --> 1:32:11.639
<v Speaker 2>my head, and I've got another TV show I want

1:32:11.680 --> 1:32:14.519
<v Speaker 2>to do. But I really want to go back to movies.

1:32:15.160 --> 1:32:17.280
<v Speaker 2>And that's mainly because I would in a fact, it

1:32:18.000 --> 1:32:21.160
<v Speaker 2>comes with that prestige. I just love watching my work

1:32:21.200 --> 1:32:24.200
<v Speaker 2>about live audience. So the best you get to that,

1:32:24.439 --> 1:32:25.960
<v Speaker 2>you get the premiers, But then you have to go

1:32:26.000 --> 1:32:27.760
<v Speaker 2>on Twitter and see what people are saying. I want

1:32:27.800 --> 1:32:29.360
<v Speaker 2>to sit in the room with you and hear you

1:32:29.479 --> 1:32:31.920
<v Speaker 2>laugh at the joke, you cry at their emotion, and

1:32:31.960 --> 1:32:34.160
<v Speaker 2>you don't. You just don't get that with TV man,

1:32:34.240 --> 1:32:36.519
<v Speaker 2>And that's why I want to go back and do

1:32:36.640 --> 1:32:38.599
<v Speaker 2>some movies, but I still want my show to be going.

1:32:39.240 --> 1:32:41.200
<v Speaker 8>For you to get that titling, you go on Twitter

1:32:43.080 --> 1:32:51.640
<v Speaker 8>negative hard, so hard not to bron but I.

1:32:54.640 --> 1:33:00.360
<v Speaker 1>Never know. I try so hard not to, but you don't.

1:33:00.479 --> 1:33:03.960
<v Speaker 1>Just want to know what people is the best place

1:33:04.040 --> 1:33:05.000
<v Speaker 1>for that one hundred percent?

1:33:05.120 --> 1:33:07.519
<v Speaker 2>If you want to know what people think about drink childs, yes,

1:33:08.360 --> 1:33:12.240
<v Speaker 2>we see, but you know and why steep though, Like

1:33:12.560 --> 1:33:14.760
<v Speaker 2>it makes you think are you damaged? Because I will

1:33:14.840 --> 1:33:24.120
<v Speaker 2>read a thousand positive messages telling me how great with me?

1:33:24.840 --> 1:33:26.800
<v Speaker 1>It's like that in your ears. Tell you that and

1:33:27.000 --> 1:33:28.920
<v Speaker 1>you want to hit him back mean while everyone else

1:33:28.960 --> 1:33:30.679
<v Speaker 1>is saying is great.

1:33:30.800 --> 1:33:33.360
<v Speaker 4>But you know what do we care about the negative?

1:33:33.400 --> 1:33:35.400
<v Speaker 4>When you're saying so much loss? That shows you the

1:33:35.439 --> 1:33:39.759
<v Speaker 4>power negativity. Man, You know what I heard, and it's crazy.

1:33:40.040 --> 1:33:42.360
<v Speaker 4>They said real artists love to be abused.

1:33:42.600 --> 1:33:43.679
<v Speaker 1>I don't have to be abused.

1:33:43.680 --> 1:33:46.760
<v Speaker 2>I don't love to be but I recognized that, my my,

1:33:47.040 --> 1:33:49.280
<v Speaker 2>you know, I recognize when I'm in that area.

1:33:49.439 --> 1:33:52.400
<v Speaker 4>Real artists are sensitive and the egos are sensitively.

1:33:53.000 --> 1:33:56.920
<v Speaker 2>I could get sensitive with negativity because I've just seen

1:33:56.960 --> 1:33:59.479
<v Speaker 2>there's ways to say it, like if I didn't last something.

1:33:59.520 --> 1:34:00.760
<v Speaker 2>I don't need to play it down. I can just

1:34:00.800 --> 1:34:02.600
<v Speaker 2>tell you what I did, Like there's way so I

1:34:02.680 --> 1:34:04.559
<v Speaker 2>did get a sense with it, but I need.

1:34:04.560 --> 1:34:06.000
<v Speaker 1>To start doing it. I don't think it's healthy, man.

1:34:06.040 --> 1:34:07.880
<v Speaker 4>I don't think it's healthy to go on there, especially

1:34:07.920 --> 1:34:10.040
<v Speaker 4>when there's trolls on there that they're not even really

1:34:10.200 --> 1:34:10.719
<v Speaker 4>real people.

1:34:10.800 --> 1:34:14.120
<v Speaker 2>You know, everybody loves something you have. There's there's people

1:34:14.200 --> 1:34:16.080
<v Speaker 2>out there that their job is to go against it,

1:34:16.560 --> 1:34:18.600
<v Speaker 2>you know, so then you see the negative and you

1:34:18.680 --> 1:34:21.600
<v Speaker 2>start thinking, oh, man, like it's deal, So I need

1:34:21.640 --> 1:34:22.160
<v Speaker 2>to start doing that.

1:34:22.200 --> 1:34:24.120
<v Speaker 1>Though. You can post a picture of a baby, everybody

1:34:24.280 --> 1:34:25.280
<v Speaker 1>like she's so cute.

1:34:25.400 --> 1:34:28.200
<v Speaker 2>There's some nigga named Hacksaw Jim thirty four, it's like

1:34:28.520 --> 1:34:28.920
<v Speaker 2>fuck that.

1:34:29.120 --> 1:34:31.400
<v Speaker 1>Baby, Yeah, And then it's just like.

1:34:33.520 --> 1:34:36.880
<v Speaker 2>That human nature some of us, like I think that's

1:34:36.920 --> 1:34:38.800
<v Speaker 2>the only time they get attention on the day. I

1:34:38.880 --> 1:34:41.160
<v Speaker 2>feel that the only time they shine, the only time

1:34:41.200 --> 1:34:43.639
<v Speaker 2>they looked outside of their regular job, where they feel

1:34:43.720 --> 1:34:45.800
<v Speaker 2>like if they get that top comment on the blood

1:34:45.800 --> 1:34:48.240
<v Speaker 2>page or that top comment on loads of lamps on

1:34:48.280 --> 1:34:49.800
<v Speaker 2>their Twitter page, that's their win.

1:34:50.280 --> 1:34:54.400
<v Speaker 3>Social media, not in real life, but social media kind

1:34:54.400 --> 1:34:55.800
<v Speaker 3>of made everybody on the same level.

1:34:55.840 --> 1:34:56.559
<v Speaker 1>It's crazy to.

1:34:56.640 --> 1:34:59.479
<v Speaker 2>Me because you read the message. Once you read the message,

1:34:59.600 --> 1:35:00.439
<v Speaker 2>you're in the world.

1:35:00.640 --> 1:35:04.559
<v Speaker 1>But there's also AI bots that just troll.

1:35:04.920 --> 1:35:08.479
<v Speaker 2>What about that show now, especially somebody have to set

1:35:08.520 --> 1:35:10.800
<v Speaker 2>the box onto someone's an asshole enough that a.

1:35:10.840 --> 1:35:12.479
<v Speaker 4>Tech guy says, Okay, I'm a dick and I just

1:35:12.560 --> 1:35:14.200
<v Speaker 4>want to be a dick to the world, and they

1:35:14.280 --> 1:35:16.200
<v Speaker 4>find keywords to go and to be back.

1:35:16.080 --> 1:35:19.000
<v Speaker 1>To you just to troll. That's crazy. That's crazy. I

1:35:19.120 --> 1:35:20.960
<v Speaker 1>never engaged in it though, so I'll just leave it.

1:35:21.040 --> 1:35:23.559
<v Speaker 1>But it is what it is. No, but I wanted

1:35:23.560 --> 1:35:24.960
<v Speaker 1>to ask you, did you how much did you have

1:35:25.040 --> 1:35:28.120
<v Speaker 1>to fight for your titling? Oh? No, no at all.

1:35:28.160 --> 1:35:29.439
<v Speaker 1>You know, not a tool.

1:35:30.640 --> 1:35:33.519
<v Speaker 2>I can't even really talk bout on Netflix because say that.

1:35:33.560 --> 1:35:35.840
<v Speaker 2>See when you watch the show today with everything you

1:35:35.920 --> 1:35:37.360
<v Speaker 2>love about it, I can put my hands up and

1:35:37.400 --> 1:35:39.880
<v Speaker 2>say that's me and think you for Nah, it's not

1:35:39.960 --> 1:35:41.320
<v Speaker 2>that I have to put my hands up saying bro,

1:35:41.439 --> 1:35:43.920
<v Speaker 2>that was me because they let me run. And I

1:35:44.000 --> 1:35:47.000
<v Speaker 2>think it was only because, as I said, they pursued

1:35:47.080 --> 1:35:49.880
<v Speaker 2>me and my vision for it was so clear, and

1:35:50.040 --> 1:35:52.120
<v Speaker 2>we're talking about a world that they're not familiar with.

1:35:52.720 --> 1:35:55.040
<v Speaker 2>That South London world is very specific, so.

1:35:55.080 --> 1:35:56.120
<v Speaker 1>You can't even criticize it.

1:35:56.200 --> 1:35:57.800
<v Speaker 2>It was hard to say, and I'm like, no, that's

1:35:57.840 --> 1:35:59.320
<v Speaker 2>what they would say, that's what they would do, so

1:35:59.360 --> 1:35:59.960
<v Speaker 2>they kind of let me.

1:36:00.120 --> 1:36:00.920
<v Speaker 1>Does go with it. Man.

1:36:01.000 --> 1:36:03.640
<v Speaker 2>But the Titland, I remember there was, so there was

1:36:03.800 --> 1:36:07.000
<v Speaker 2>the Titland. Creative written by are usually on the same cards,

1:36:07.680 --> 1:36:10.439
<v Speaker 2>you know, like if you got creative written by on

1:36:10.479 --> 1:36:13.519
<v Speaker 2>the first episode, you don't need to have it everywhere else.

1:36:13.920 --> 1:36:15.240
<v Speaker 1>So I remember one time.

1:36:17.240 --> 1:36:18.600
<v Speaker 2>One of the team I'm not going to say it was,

1:36:18.680 --> 1:36:20.960
<v Speaker 2>was like, you know, raps, you know, you've got it

1:36:21.040 --> 1:36:22.560
<v Speaker 2>on the front card, so you don't really need it

1:36:22.600 --> 1:36:23.960
<v Speaker 2>on the next two cards. I was like, I know,

1:36:25.400 --> 1:36:27.080
<v Speaker 2>so should we take off? And said no, I said,

1:36:27.080 --> 1:36:29.120
<v Speaker 2>don't know, I'm not taking off. I wanted it to

1:36:29.200 --> 1:36:34.400
<v Speaker 2>be every card that you could get. Separate written by director,

1:36:35.200 --> 1:36:37.599
<v Speaker 2>created by separate, just so you know, you know who

1:36:37.640 --> 1:36:38.400
<v Speaker 2>I saw do it like?

1:36:38.520 --> 1:36:41.479
<v Speaker 1>And she shown the rams on Queen Charlotte.

1:36:41.520 --> 1:36:44.719
<v Speaker 2>She got a bridging show and she remember she don't

1:36:44.920 --> 1:36:46.920
<v Speaker 2>she produces the Bridge and but she don't write them.

1:36:47.120 --> 1:36:49.519
<v Speaker 2>But she wrote this particular one, this spinoff, Yeah, which

1:36:49.520 --> 1:36:50.920
<v Speaker 2>I could bet you were the first person to do

1:36:51.000 --> 1:36:54.200
<v Speaker 2>that too. I would have lost too best I would

1:36:54.320 --> 1:36:58.639
<v Speaker 2>I would have done it anyway. But it Yeah, yeah,

1:36:59.160 --> 1:37:02.599
<v Speaker 2>this show was probably it probably wasn't yours to watch,

1:37:02.680 --> 1:37:04.720
<v Speaker 2>but I watched it because I watch everything. But I

1:37:04.840 --> 1:37:10.200
<v Speaker 2>saw written by shond the Rams great. I was like, Okay,

1:37:10.240 --> 1:37:12.839
<v Speaker 2>I see what you didn't shounder Netflix.

1:37:15.960 --> 1:37:17.760
<v Speaker 1>I forget that. Why not if you've done it, it's

1:37:17.800 --> 1:37:20.360
<v Speaker 1>not like a light I'm saying.

1:37:20.240 --> 1:37:22.599
<v Speaker 2>Yeah by all means. And you were in one scene

1:37:22.600 --> 1:37:24.200
<v Speaker 2>in the movie and a series.

1:37:24.200 --> 1:37:26.800
<v Speaker 1>My little Stanley Carrier, which wasn't mine.

1:37:27.160 --> 1:37:30.639
<v Speaker 2>I originally wasn't on it, but my director, the direct episode,

1:37:30.760 --> 1:37:32.280
<v Speaker 2>was really pushing on it. I said, you know what's

1:37:32.320 --> 1:37:35.360
<v Speaker 2>in the club when he disappears and he goes back?

1:37:35.400 --> 1:37:40.719
<v Speaker 1>And you're like, I think you said right there? Probably

1:37:43.080 --> 1:37:45.800
<v Speaker 1>you did you see that? Yeah?

1:37:45.840 --> 1:37:48.240
<v Speaker 2>Yeah, that was like my little little homage to Stanley,

1:37:48.280 --> 1:37:52.559
<v Speaker 2>because you know Marvel Mavie Stanley. Yeah, my little homage

1:37:52.600 --> 1:37:53.840
<v Speaker 2>to it. And I thought that was pretty cool. It

1:37:53.960 --> 1:37:57.280
<v Speaker 2>wasn't my dea you should do that, but I didn't

1:37:57.320 --> 1:37:57.439
<v Speaker 2>like it.

1:37:57.560 --> 1:38:00.400
<v Speaker 3>You should you should do that because I could tell

1:38:00.400 --> 1:38:02.360
<v Speaker 3>you attached to this project. I could tell, like, this

1:38:02.520 --> 1:38:05.360
<v Speaker 3>project is your baby. So I don't know if we

1:38:05.400 --> 1:38:07.320
<v Speaker 3>spoke about this earlier, but maybe we did, and maybe

1:38:07.360 --> 1:38:10.560
<v Speaker 3>we did. We said we're going to features films and

1:38:10.680 --> 1:38:14.160
<v Speaker 3>we said, uh, let me ask you this.

1:38:14.280 --> 1:38:15.360
<v Speaker 2>No, no, let me ask you this. This is what

1:38:15.400 --> 1:38:26.320
<v Speaker 2>I meant to ask earlier. Could you film all white cats?

1:38:27.400 --> 1:38:31.200
<v Speaker 1>I could, but at this part in my life I won't.

1:38:31.640 --> 1:38:35.479
<v Speaker 2>Now, I thought that my position now is to give

1:38:35.960 --> 1:38:39.479
<v Speaker 2>black actors a chance staying with yeah. Yeah, it's just

1:38:39.600 --> 1:38:44.280
<v Speaker 2>there's just not every ten movies over all white cars.

1:38:44.320 --> 1:38:47.240
<v Speaker 2>So a non black there's one, you know, which is

1:38:47.520 --> 1:38:50.519
<v Speaker 2>best work for this for black actors happened to fly

1:38:50.680 --> 1:38:53.400
<v Speaker 2>over over here to get work? I think the wrong

1:38:53.600 --> 1:38:55.760
<v Speaker 2>My thing now, it kind of it just has to

1:38:55.800 --> 1:38:58.120
<v Speaker 2>be a black league. I don't mind if everybody else

1:38:58.160 --> 1:38:59.880
<v Speaker 2>around him is white at the more man if I car,

1:39:00.040 --> 1:39:03.120
<v Speaker 2>but the story that we're following, the main person has

1:39:03.200 --> 1:39:05.400
<v Speaker 2>to be black for me at the moment, at this

1:39:05.479 --> 1:39:07.280
<v Speaker 2>stage in my career. I'm not saying it might not

1:39:07.439 --> 1:39:10.400
<v Speaker 2>change ten years from now, but I feel like you

1:39:10.439 --> 1:39:11.200
<v Speaker 2>see when you watch.

1:39:11.080 --> 1:39:13.920
<v Speaker 1>The spight Lee movie, you know you you know, you

1:39:14.040 --> 1:39:14.760
<v Speaker 1>know what you're gonna get.

1:39:15.080 --> 1:39:17.200
<v Speaker 2>You know, he's there to uplift the community, and I'm

1:39:17.240 --> 1:39:18.519
<v Speaker 2>inspired by what's Splaightley done.

1:39:18.520 --> 1:39:19.800
<v Speaker 1>You know, I think he came out of the gate.

1:39:19.920 --> 1:39:22.439
<v Speaker 1>So he did like a white movie though he did

1:39:22.680 --> 1:39:23.000
<v Speaker 1>did he do?

1:39:23.120 --> 1:39:23.160
<v Speaker 2>What?

1:39:23.640 --> 1:39:25.639
<v Speaker 1>Come on? Come on? He did like a white movie

1:39:25.720 --> 1:39:30.040
<v Speaker 1>or a white series of I haven't seen it. And

1:39:30.080 --> 1:39:31.360
<v Speaker 1>if it was, how long it was? I mean it

1:39:31.439 --> 1:39:35.880
<v Speaker 1>was series. I don't take a was the lead black though?

1:39:36.000 --> 1:39:37.639
<v Speaker 2>I don't know if number one of the cool she's

1:39:37.680 --> 1:39:39.599
<v Speaker 2>black and everyone around the person is not black, that's

1:39:39.720 --> 1:39:41.160
<v Speaker 2>that's that's that's to me, It's still the.

1:39:41.120 --> 1:39:43.800
<v Speaker 1>Same thing because because then that what that does.

1:39:44.040 --> 1:39:48.400
<v Speaker 2>It shows that you can be black and lead a movie,

1:39:48.479 --> 1:39:51.400
<v Speaker 2>which means that now other black opportunities off that as well.

1:39:51.680 --> 1:39:53.880
<v Speaker 2>But what I did with the main white lead? Would

1:39:53.880 --> 1:39:56.280
<v Speaker 2>I be tempting this? Someone said, lean On DiCaprio, Robert

1:39:56.320 --> 1:39:58.559
<v Speaker 2>and Nero this, of course I would be. But they're

1:39:58.600 --> 1:40:00.840
<v Speaker 2>not gonna be like, how can I sneak? So we'll

1:40:00.840 --> 1:40:08.080
<v Speaker 2>say I'm going to be like, yeah, no, no, commercial,

1:40:09.360 --> 1:40:13.840
<v Speaker 2>don't play about commercial, bron I'll get back to I

1:40:13.920 --> 1:40:14.479
<v Speaker 2>figured it out.

1:40:15.000 --> 1:40:15.920
<v Speaker 1>I forget what it was.

1:40:16.160 --> 1:40:18.640
<v Speaker 2>Maybe he was a consultant on something, maybe that, but

1:40:19.000 --> 1:40:21.080
<v Speaker 2>that it says something hbs him.

1:40:21.800 --> 1:40:23.759
<v Speaker 1>I don't think yeah, being a consultant.

1:40:23.840 --> 1:40:26.000
<v Speaker 2>Just want to think an that you know, but he

1:40:26.120 --> 1:40:28.240
<v Speaker 2>was actual name has written don I don't think I've

1:40:28.240 --> 1:40:29.840
<v Speaker 2>seen I haven't seen anything that comes back.

1:40:29.960 --> 1:40:33.040
<v Speaker 1>But could you tell the whole New York story? He's

1:40:33.560 --> 1:40:35.280
<v Speaker 1>the movie I just wrote was based on the Hold

1:40:35.320 --> 1:40:37.880
<v Speaker 1>of New York. Wow. Yeah. I can't say too much

1:40:37.880 --> 1:40:38.200
<v Speaker 1>about it.

1:40:38.280 --> 1:40:41.920
<v Speaker 2>But it's a sixth story and it's setting you, and

1:40:42.720 --> 1:40:44.800
<v Speaker 2>it's said you in the nineteen seventies actually as well.

1:40:45.080 --> 1:40:47.160
<v Speaker 1>Seven easy. I can write story in any time. I

1:40:47.280 --> 1:40:49.040
<v Speaker 1>was going seventy seven, just in case you're going you

1:40:49.080 --> 1:40:52.160
<v Speaker 1>want to throw Yeah, you can do New York.

1:40:57.040 --> 1:41:01.120
<v Speaker 2>So yeah, man, So I don't my about where it's set.

1:41:01.479 --> 1:41:03.560
<v Speaker 2>It's just I just need to understand the story and

1:41:03.600 --> 1:41:06.760
<v Speaker 2>the characters. If I understand the person's motivation and you

1:41:06.880 --> 1:41:10.160
<v Speaker 2>know his aspirations, his weaknesses, I can tell the story.

1:41:12.040 --> 1:41:12.519
<v Speaker 1>Goddamn.

1:41:12.920 --> 1:41:14.800
<v Speaker 4>Is there a creative like process you go through to

1:41:14.880 --> 1:41:17.080
<v Speaker 4>come up with stories? Is there anything that inspires you?

1:41:17.240 --> 1:41:17.880
<v Speaker 4>Is amused to you?

1:41:18.400 --> 1:41:20.040
<v Speaker 1>I have to watch everything.

1:41:20.640 --> 1:41:22.840
<v Speaker 2>It's crazy, but you see, if you tell me there's

1:41:22.880 --> 1:41:25.680
<v Speaker 2>a show that's cold, I will watch it and.

1:41:25.760 --> 1:41:27.280
<v Speaker 1>It might not even be my cup of tea. But

1:41:27.960 --> 1:41:29.880
<v Speaker 1>I need to know what got you so excited about it?

1:41:30.320 --> 1:41:32.640
<v Speaker 2>Right, So because someone if you got excited about it,

1:41:32.760 --> 1:41:35.000
<v Speaker 2>there's probably thousands of other people that are excited about

1:41:35.040 --> 1:41:37.400
<v Speaker 2>that same thing. So what can I take from there

1:41:37.520 --> 1:41:39.719
<v Speaker 2>to add to my game? To see what people are into?

1:41:39.760 --> 1:41:41.439
<v Speaker 2>Because you that's the only way you stay comming.

1:41:41.479 --> 1:41:41.599
<v Speaker 1>Man.

1:41:41.680 --> 1:41:43.360
<v Speaker 2>I never got a chance to go film school any

1:41:43.400 --> 1:41:46.679
<v Speaker 2>of these places. It was just me relentlessly watching film

1:41:46.760 --> 1:41:50.640
<v Speaker 2>and TV learning how to do I'll do. So if

1:41:50.640 --> 1:41:53.800
<v Speaker 2>I'm writing a gangster movie, I will watch every single

1:41:53.880 --> 1:41:56.120
<v Speaker 2>gangster movie. I would find the list of the ten

1:41:56.160 --> 1:41:58.639
<v Speaker 2>greatest gangs movies of all time, and I would watch

1:41:58.640 --> 1:42:00.800
<v Speaker 2>them all back to back before I start, right because

1:42:00.800 --> 1:42:03.200
<v Speaker 2>I need to see what did everybody love about all

1:42:03.280 --> 1:42:05.040
<v Speaker 2>of these movies? And now I need to go in

1:42:05.200 --> 1:42:08.400
<v Speaker 2>with my take on what you know. So that's kind

1:42:08.439 --> 1:42:11.320
<v Speaker 2>of my process that makes sense about reality shows.

1:42:11.200 --> 1:42:13.800
<v Speaker 1>Nah, it's not my bag, mind, it's just not my bag.

1:42:15.840 --> 1:42:17.800
<v Speaker 2>I think big of everyone that's made of living off

1:42:17.840 --> 1:42:19.920
<v Speaker 2>of it, and it's doing well for me, But I

1:42:20.080 --> 1:42:20.840
<v Speaker 2>just don't watch them.

1:42:20.920 --> 1:42:23.519
<v Speaker 1>It's just not it's not even reality.

1:42:23.600 --> 1:42:27.320
<v Speaker 2>It's a scripture. Now, now I remember back in the

1:42:27.400 --> 1:42:29.840
<v Speaker 2>day when Big Brothers first came out in the UK, Yeah,

1:42:29.880 --> 1:42:30.320
<v Speaker 2>the UK.

1:42:31.400 --> 1:42:33.599
<v Speaker 1>Out here Bro Big Brother came out.

1:42:33.760 --> 1:42:36.479
<v Speaker 2>I was young at the time, but that was the

1:42:36.640 --> 1:42:39.439
<v Speaker 2>real world, real world now, I think big Brother Brother,

1:42:39.520 --> 1:42:40.040
<v Speaker 2>Big Brother.

1:42:40.760 --> 1:42:42.240
<v Speaker 1>Big Brother and that came out.

1:42:42.320 --> 1:42:45.320
<v Speaker 2>Yeah, and I watched that and it was crazy because

1:42:45.320 --> 1:42:47.480
<v Speaker 2>that was a real reality show because.

1:42:48.000 --> 1:42:48.840
<v Speaker 1>They didn't know that.

1:42:49.439 --> 1:42:51.559
<v Speaker 2>Okay at the time, if someone has sex, you get

1:42:51.600 --> 1:42:54.800
<v Speaker 2>fifty grand. If you do something sneaky, you get this.

1:42:55.080 --> 1:42:57.559
<v Speaker 1>No one knew this. Yeah, yeah, that was the rule

1:42:57.560 --> 1:43:00.639
<v Speaker 1>with Big Brother really yeah, yeah, say you get money.

1:43:01.240 --> 1:43:05.040
<v Speaker 1>But remember the contestants don't know this. Okay, they don't

1:43:05.120 --> 1:43:05.360
<v Speaker 1>know this.

1:43:05.680 --> 1:43:08.000
<v Speaker 2>So there was a villain in the show, but it

1:43:08.120 --> 1:43:10.439
<v Speaker 2>was a real villain, like he was doing sneaky things,

1:43:10.520 --> 1:43:12.720
<v Speaker 2>like he'll go up to you and say, yeah, man,

1:43:12.760 --> 1:43:14.000
<v Speaker 2>I don't I don't really feel him.

1:43:14.080 --> 1:43:15.240
<v Speaker 1>And they got up to you and say, yeah, what

1:43:15.280 --> 1:43:17.360
<v Speaker 1>do you if you can know? Just this was a

1:43:17.479 --> 1:43:20.200
<v Speaker 1>real two faced guy. I'm watching this like it's just real.

1:43:21.200 --> 1:43:23.600
<v Speaker 1>People actually like this and I'm never thinking, nah, this

1:43:23.720 --> 1:43:25.920
<v Speaker 1>is actually crazy ye e TV. And I was a

1:43:26.000 --> 1:43:26.400
<v Speaker 1>fan of that.

1:43:27.360 --> 1:43:31.120
<v Speaker 2>Season two came out and then it's like the rule

1:43:31.200 --> 1:43:33.080
<v Speaker 2>they watched the season once, so everyone knew because you know,

1:43:33.120 --> 1:43:34.559
<v Speaker 2>if we have sex with the mind, so they're trying

1:43:34.560 --> 1:43:38.200
<v Speaker 2>to have sex doing the sneakiness. You got mad deals

1:43:38.240 --> 1:43:40.720
<v Speaker 2>when he came out, and you got loads of I'm

1:43:40.800 --> 1:43:43.400
<v Speaker 2>hosting gigs, so that everyone in the next season was

1:43:43.439 --> 1:43:45.040
<v Speaker 2>trying to do that, and I was like, no, it's

1:43:45.080 --> 1:43:47.640
<v Speaker 2>not real nor more like when it was pure and

1:43:47.760 --> 1:43:51.080
<v Speaker 2>nobody knew. You was actually just watching normal people doing

1:43:51.320 --> 1:43:54.400
<v Speaker 2>what normal people do. After that, when I started seeing

1:43:54.439 --> 1:43:56.439
<v Speaker 2>clips of other stuff, I was like, he's the thing

1:43:56.479 --> 1:43:57.120
<v Speaker 2>what she was doing.

1:43:57.479 --> 1:43:58.599
<v Speaker 1>She was the thing what she was doing.

1:43:58.680 --> 1:44:00.960
<v Speaker 2>So I kind of had a sour taste my myth

1:44:01.000 --> 1:44:03.120
<v Speaker 2>for reality TV because I know it's I know what

1:44:03.240 --> 1:44:03.800
<v Speaker 2>the aim is.

1:44:04.200 --> 1:44:05.920
<v Speaker 1>The aim is for everyone to come out. You want

1:44:05.960 --> 1:44:07.760
<v Speaker 1>to have a career when you come out.

1:44:07.800 --> 1:44:10.120
<v Speaker 2>So I feel like your guy on putting on a role,

1:44:10.200 --> 1:44:12.160
<v Speaker 2>which is fine, but just telling me, I'm watching the

1:44:12.160 --> 1:44:13.760
<v Speaker 2>scripture TV shows killing me.

1:44:13.960 --> 1:44:16.880
<v Speaker 1>It's reality, so I kind of it's just not my back.

1:44:17.040 --> 1:44:18.000
<v Speaker 1>And that's how the real world.

1:44:18.080 --> 1:44:21.439
<v Speaker 4>It started out pretty real, and then after people saw it,

1:44:21.520 --> 1:44:23.840
<v Speaker 4>then people started manipulating themselves.

1:44:23.439 --> 1:44:25.760
<v Speaker 2>On Yeah, that's why you watch the first things of

1:44:25.800 --> 1:44:28.040
<v Speaker 2>these things. You see the difference on how things were. One,

1:44:31.960 --> 1:44:36.080
<v Speaker 2>if you got a chance to do the London version

1:44:36.520 --> 1:44:39.639
<v Speaker 2>of Harlem Knights, I love Hall of Nance, I love

1:44:39.760 --> 1:44:40.839
<v Speaker 2>I would do that in a heartbeat.

1:44:40.920 --> 1:44:42.640
<v Speaker 3>But what I mean by that is, like, you know

1:44:42.680 --> 1:44:46.720
<v Speaker 3>how hallm Nights is every There's nobody that's like that's

1:44:46.760 --> 1:44:47.200
<v Speaker 3>not a star.

1:44:47.800 --> 1:44:51.719
<v Speaker 2>Like everybody everybody started time. I watched the recognized Everybody

1:44:51.760 --> 1:44:55.960
<v Speaker 2>with somebody Richard Star, but the main the main cast,

1:44:56.040 --> 1:44:59.800
<v Speaker 2>the main start time. But even even to B and C,

1:45:00.080 --> 1:45:02.840
<v Speaker 2>why people work somebody people coming up, But I'm talking

1:45:02.840 --> 1:45:03.959
<v Speaker 2>about the main cast.

1:45:04.080 --> 1:45:12.640
<v Speaker 1>The main cast. I love that movie. If you were

1:45:12.680 --> 1:45:15.920
<v Speaker 1>to do that, but the London version or the UK version.

1:45:16.200 --> 1:45:18.439
<v Speaker 2>I would do something like that, But later on in

1:45:18.520 --> 1:45:21.960
<v Speaker 2>the day in my career, because they're already popping. If

1:45:21.960 --> 1:45:24.679
<v Speaker 2>I say everybody was a star, let me get someone,

1:45:24.800 --> 1:45:26.200
<v Speaker 2>Let me get some new If I could get some

1:45:26.320 --> 1:45:28.280
<v Speaker 2>new faces in there along these stars, I would do it.

1:45:28.400 --> 1:45:31.280
<v Speaker 1>But I'm big on giving new talent of chance.

1:45:31.720 --> 1:45:33.519
<v Speaker 2>You know, when I was coming through, I was always

1:45:33.560 --> 1:45:35.880
<v Speaker 2>wishing someone would put me on there, and I don't

1:45:35.920 --> 1:45:38.000
<v Speaker 2>think it was I actually don't think anybody can put

1:45:38.000 --> 1:45:39.240
<v Speaker 2>you on. I think you have to put yourself on.

1:45:39.640 --> 1:45:42.000
<v Speaker 2>But I was always hoping somebody would. Nobody ever did

1:45:42.760 --> 1:45:44.680
<v Speaker 2>so with me. Now when I even put people on,

1:45:44.920 --> 1:45:46.559
<v Speaker 2>they're not just people who are walking on the street

1:45:46.560 --> 1:45:47.720
<v Speaker 2>and I'm like, you do you want to be in

1:45:47.760 --> 1:45:48.000
<v Speaker 2>the movie.

1:45:48.000 --> 1:45:50.880
<v Speaker 1>It's not like that. It's people that I see their.

1:45:50.800 --> 1:45:54.719
<v Speaker 2>Poston skits on their tiptop every single day, playing the dad,

1:45:54.880 --> 1:45:55.840
<v Speaker 2>the mom, the brother.

1:45:56.360 --> 1:45:59.320
<v Speaker 1>I'm not this guy can act. I'm an audition. You know.

1:45:59.479 --> 1:46:02.680
<v Speaker 2>Maybe we take it from here today to so so

1:46:02.800 --> 1:46:05.000
<v Speaker 2>I would rather have some of knows in there than

1:46:05.080 --> 1:46:06.839
<v Speaker 2>have a full known cost.

1:46:06.960 --> 1:46:09.160
<v Speaker 1>But I would I would do it as long as

1:46:09.200 --> 1:46:10.720
<v Speaker 1>I can throw some new new guys in there.

1:46:12.200 --> 1:46:14.120
<v Speaker 2>Yeah, I would love to see that harlum Nation. You know,

1:46:14.520 --> 1:46:16.200
<v Speaker 2>I ain't even thought about that movie for a long time,

1:46:16.479 --> 1:46:19.599
<v Speaker 2>but I did love it, especially when she's fighting, when

1:46:19.960 --> 1:46:23.680
<v Speaker 2>she's fighting Eddie Murphy and and and she punches him up.

1:46:26.280 --> 1:46:26.800
<v Speaker 1>That was dope.

1:46:26.880 --> 1:46:30.200
<v Speaker 3>Man, Go back and watch how about Seinfeld because si

1:46:30.320 --> 1:46:31.679
<v Speaker 3>Feld is is the opposite side.

1:46:31.880 --> 1:46:33.160
<v Speaker 1>Only got one black dude in there.

1:46:33.360 --> 1:46:36.880
<v Speaker 2>The same with friends, friends had like every someone every other,

1:46:37.000 --> 1:46:40.080
<v Speaker 2>so never with friends. See, I wasn't rocking with Sinfield,

1:46:40.120 --> 1:46:45.120
<v Speaker 2>but I rocked with Friends, neither of them. I was

1:46:45.200 --> 1:46:47.920
<v Speaker 2>a big Friends fan. Sinfield never really held me, but

1:46:47.960 --> 1:46:50.080
<v Speaker 2>I did love Friends, okay, but I saw I saw

1:46:50.120 --> 1:46:51.720
<v Speaker 2>what people like to Seinfeld, but I was a more

1:46:51.880 --> 1:46:54.040
<v Speaker 2>Friends guy. But both all of them shows in them

1:46:54.120 --> 1:46:58.600
<v Speaker 2>days was ninety nine percent white casts. How about Supercell.

1:46:58.720 --> 1:47:02.240
<v Speaker 2>We're gonna make this animated series? You got caol Netflix, bro.

1:47:02.680 --> 1:47:07.920
<v Speaker 2>I even I think there could be, but again, you know,

1:47:08.080 --> 1:47:10.040
<v Speaker 2>it's down to them. I can always pitch it, but

1:47:10.120 --> 1:47:12.200
<v Speaker 2>it's down to them. That when I was in Vegas

1:47:12.280 --> 1:47:14.280
<v Speaker 2>not too long ago and I saw the Stranger Things store,

1:47:14.400 --> 1:47:16.800
<v Speaker 2>massive store, sanor Things, I was dope serious.

1:47:16.560 --> 1:47:18.160
<v Speaker 1>And I remember saying, that's the dream.

1:47:18.200 --> 1:47:21.560
<v Speaker 2>You know, that's super Cell store big like that in

1:47:21.720 --> 1:47:24.519
<v Speaker 2>Vegas just wherever where people are just going in and

1:47:24.640 --> 1:47:25.760
<v Speaker 2>coming out of Stranger.

1:47:25.479 --> 1:47:27.760
<v Speaker 1>F T shirts like like it, you know, like it's

1:47:27.760 --> 1:47:28.559
<v Speaker 1>Gucci product.

1:47:28.560 --> 1:47:31.080
<v Speaker 2>That's how they feel with it. And I'm like, you've

1:47:31.080 --> 1:47:33.720
<v Speaker 2>got a show like that. It's a no brainer. It's

1:47:33.760 --> 1:47:36.040
<v Speaker 2>the Duffel brothers who do Stranger Things, winn into Netflix

1:47:36.080 --> 1:47:37.559
<v Speaker 2>said what they want to do comic books. They're gonna

1:47:37.600 --> 1:47:40.640
<v Speaker 2>buy the handoff because they've won. So I'm not in

1:47:40.720 --> 1:47:42.840
<v Speaker 2>a rush in the process. I think, you know, give

1:47:42.880 --> 1:47:44.599
<v Speaker 2>me two, three, four seasons?

1:47:46.120 --> 1:47:47.000
<v Speaker 1>Yeah, why not? Let's go.

1:47:47.920 --> 1:47:52.720
<v Speaker 3>Well, I'm gonna tell you something. I went to go

1:47:52.800 --> 1:47:58.519
<v Speaker 3>see Black Panther, right, I remember me me crying after

1:47:58.560 --> 1:47:59.040
<v Speaker 3>the first one.

1:47:59.160 --> 1:48:01.000
<v Speaker 1>Yeah, I'm not maybe because.

1:48:00.800 --> 1:48:04.840
<v Speaker 3>The movie warranted me to cry, but because me seeing

1:48:05.960 --> 1:48:10.240
<v Speaker 3>my people held in such a high standard, and then

1:48:11.080 --> 1:48:13.760
<v Speaker 3>like having a whole like we start calling like us

1:48:13.880 --> 1:48:16.760
<v Speaker 3>with Conda, like we were condo motherfucker, like right right,

1:48:17.800 --> 1:48:22.240
<v Speaker 3>and then the second one prowd And then I remember

1:48:22.320 --> 1:48:24.840
<v Speaker 3>not feeling that feeling again for a long time.

1:48:26.120 --> 1:48:27.719
<v Speaker 2>And then Bob Marley's movie came.

1:48:27.600 --> 1:48:34.160
<v Speaker 1>Out, One Lovetop Kingsley, and it wasn't.

1:48:35.840 --> 1:48:38.439
<v Speaker 3>Like the superhero part of of Bob Marty. It was

1:48:38.520 --> 1:48:40.679
<v Speaker 3>the normal part of Bob Marty that made me feel.

1:48:40.479 --> 1:48:44.560
<v Speaker 2>That same exact thing, right, the same exact love, like,

1:48:44.640 --> 1:48:47.400
<v Speaker 2>same exact passion of me seeing my people on screen

1:48:47.600 --> 1:48:51.759
<v Speaker 2>and then being a superhero. I haven't had that feeling

1:48:52.439 --> 1:48:54.759
<v Speaker 2>since until I've seen Super cell.

1:48:56.120 --> 1:48:59.280
<v Speaker 1>I appreciate it. I'm not.

1:49:00.040 --> 1:49:01.519
<v Speaker 3>And it's like I watched it and I was just

1:49:01.600 --> 1:49:06.360
<v Speaker 3>like because and to me, this was even more relatable

1:49:08.320 --> 1:49:11.120
<v Speaker 3>because a lot of us don't know our superpowers.

1:49:11.520 --> 1:49:12.559
<v Speaker 1>A lot of us are.

1:49:12.520 --> 1:49:16.080
<v Speaker 3>Superhero hundred and don't know our actual superpower.

1:49:16.240 --> 1:49:19.160
<v Speaker 2>Yeah, after we will have a genius stability in us

1:49:19.240 --> 1:49:20.760
<v Speaker 2>and we just have to unlook it. It's kind of

1:49:20.840 --> 1:49:23.400
<v Speaker 2>like if you don't give being a sin Sainia a tennis,

1:49:23.720 --> 1:49:25.760
<v Speaker 2>then we don't know. You know, you don't give j

1:49:25.920 --> 1:49:27.800
<v Speaker 2>a microphone, you don't know. You know, you don't put

1:49:27.880 --> 1:49:31.560
<v Speaker 2>Lewis behind the stand. Well, you don't know. So we

1:49:31.760 --> 1:49:33.320
<v Speaker 2>just need to be put in our position and then

1:49:33.479 --> 1:49:34.639
<v Speaker 2>our superpower activates.

1:49:34.680 --> 1:49:36.439
<v Speaker 3>Well, because that's what I feel like. I feel like

1:49:37.520 --> 1:49:40.000
<v Speaker 3>most of us is great. We just don't know. We

1:49:40.080 --> 1:49:43.160
<v Speaker 3>don't know how to pull up the Spider Man. We

1:49:43.200 --> 1:49:45.680
<v Speaker 3>don't know how to do our eyes like this. I

1:49:45.760 --> 1:49:46.880
<v Speaker 3>gotta watchau.

1:49:48.800 --> 1:49:53.200
<v Speaker 1>Super don't get too much. It is dope. I've been

1:49:53.280 --> 1:49:55.519
<v Speaker 1>doing it all day and that doesn't work for me.

1:50:00.200 --> 1:50:04.639
<v Speaker 3>I get Super Sun, but I s would have got

1:50:04.720 --> 1:50:06.040
<v Speaker 3>I'm not guessing you not.

1:50:06.280 --> 1:50:06.439
<v Speaker 1>You know.

1:50:09.000 --> 1:50:13.000
<v Speaker 3>It's a certain proudness comes across on the screen, and

1:50:13.479 --> 1:50:16.559
<v Speaker 3>I'll tell you the truth. It's gonna sound a little crazy.

1:50:16.800 --> 1:50:19.400
<v Speaker 2>I get that certain I get that same proudness when

1:50:19.400 --> 1:50:22.960
<v Speaker 2>I watched the Wire Like, I get that same problems

1:50:23.000 --> 1:50:25.760
<v Speaker 2>when I watch something that that that that doesn't.

1:50:25.520 --> 1:50:28.439
<v Speaker 1>Have that balance, but this has a perfect balance. Yeah,

1:50:28.880 --> 1:50:29.519
<v Speaker 1>a brother.

1:50:30.800 --> 1:50:34.240
<v Speaker 2>Was trying to save his girl, and in order to

1:50:34.280 --> 1:50:37.880
<v Speaker 2>save his girl, he got to get together with four

1:50:38.040 --> 1:50:39.320
<v Speaker 2>individuals that he does.

1:50:39.280 --> 1:50:41.600
<v Speaker 1>Not know, no, don't even know where they are, don't

1:50:41.600 --> 1:50:42.000
<v Speaker 1>know where.

1:50:41.840 --> 1:50:45.720
<v Speaker 2>They are just and they also I don't want to

1:50:45.720 --> 1:50:47.120
<v Speaker 2>say gagsters, but they also.

1:50:47.000 --> 1:50:52.200
<v Speaker 1>Like tougher than him, more than he's been and.

1:50:52.320 --> 1:50:54.960
<v Speaker 3>He's the one who can see in the future. So

1:50:55.120 --> 1:50:57.360
<v Speaker 3>it always makes me feel like that, Like, you know,

1:50:58.520 --> 1:51:01.280
<v Speaker 3>God bless me for going so deep. But like Malcolm

1:51:01.360 --> 1:51:05.320
<v Speaker 3>X saw the future, woke about the future. He was like, yo,

1:51:05.640 --> 1:51:10.280
<v Speaker 3>I see a world where everyone gets along. Holy shit,

1:51:10.920 --> 1:51:15.000
<v Speaker 3>Malcolm or Martin Man had the dream Malcolm. After Malcolm

1:51:15.080 --> 1:51:18.320
<v Speaker 3>went to Mecca, he said he saw a world where

1:51:18.400 --> 1:51:19.000
<v Speaker 3>al Muslims.

1:51:19.680 --> 1:51:22.360
<v Speaker 2>But Mary was saying that from the beginning, Yeah, yeah,

1:51:23.160 --> 1:51:24.559
<v Speaker 2>you can put them both on the same level.

1:51:26.080 --> 1:51:26.639
<v Speaker 1>A character.

1:51:26.760 --> 1:51:28.320
<v Speaker 3>And when he came back from Mecca, that's he was

1:51:28.360 --> 1:51:30.400
<v Speaker 3>saying that exactly. There's a character in the movie. I

1:51:30.400 --> 1:51:31.760
<v Speaker 3>don't even want to say his names. I want you

1:51:31.840 --> 1:51:34.160
<v Speaker 3>to figure it out for your own. But he sees

1:51:34.200 --> 1:51:36.519
<v Speaker 3>into the future and sometimes seeing it into the future

1:51:36.640 --> 1:51:39.519
<v Speaker 3>is not good and you don't want to break that

1:51:39.640 --> 1:51:41.479
<v Speaker 3>to to like you know what I'm saying. So like

1:51:41.560 --> 1:51:43.559
<v Speaker 3>I just felt like that ship was just so genius

1:51:43.640 --> 1:51:46.760
<v Speaker 3>because it was like there's characters that I can relate to,

1:51:47.640 --> 1:51:48.760
<v Speaker 3>but then their powers, it's.

1:51:48.720 --> 1:51:50.400
<v Speaker 1>Like, oh I wish I had that. It's crazy.

1:51:50.760 --> 1:51:52.640
<v Speaker 2>See, I wouldn't want to be able to see the

1:51:52.680 --> 1:51:54.519
<v Speaker 2>future though, yeah, I wouldnt want now.

1:51:54.800 --> 1:51:56.040
<v Speaker 1>I don't mind going back to the pass.

1:51:56.040 --> 1:51:57.519
<v Speaker 2>I wouldn't made it to go to the future because

1:51:57.560 --> 1:51:59.360
<v Speaker 2>if you if you go into the future and you

1:51:59.439 --> 1:52:01.120
<v Speaker 2>find out that day you're going to do that much,

1:52:01.320 --> 1:52:02.880
<v Speaker 2>how can you enjoy anything today?

1:52:03.280 --> 1:52:04.479
<v Speaker 1>You can't really enjoy it.

1:52:04.520 --> 1:52:07.599
<v Speaker 2>You might think your party and yolo until this day, coss,

1:52:07.680 --> 1:52:09.719
<v Speaker 2>but that's just on your back of your head forever.

1:52:09.880 --> 1:52:11.559
<v Speaker 2>So I don't want to know the future. You don't

1:52:11.560 --> 1:52:13.360
<v Speaker 2>want to go to the future and see that dream

1:52:13.439 --> 1:52:15.280
<v Speaker 2>child and say hey no more. You know that's the

1:52:15.479 --> 1:52:18.920
<v Speaker 2>time you're just thinking whatever I've done, What did I

1:52:19.040 --> 1:52:22.000
<v Speaker 2>do in this path to make this go away? So

1:52:22.120 --> 1:52:23.760
<v Speaker 2>you just you don't want to know the future. So

1:52:23.920 --> 1:52:25.960
<v Speaker 2>like that's what that's why I love the show, because

1:52:26.920 --> 1:52:29.240
<v Speaker 2>he goes there and he doesn't burden her with this.

1:52:29.520 --> 1:52:32.080
<v Speaker 1>And you know, I see some trolls like why did

1:52:32.160 --> 1:52:34.280
<v Speaker 1>he just tell her? Why did he just tell him?

1:52:34.320 --> 1:52:38.479
<v Speaker 1>Like but killing he's crying, you see, he's killing to die.

1:52:38.680 --> 1:52:42.760
<v Speaker 1>You've just killed me, kill this. I don't want to

1:52:42.800 --> 1:52:43.719
<v Speaker 1>know this now. I can't.

1:52:44.080 --> 1:52:46.200
<v Speaker 2>There's nothing I can do before then I can actually

1:52:46.240 --> 1:52:50.360
<v Speaker 2>generally be happy. Nothing means nothing now. So that's why

1:52:50.560 --> 1:52:52.040
<v Speaker 2>that's why I personally love about the show. And I

1:52:52.120 --> 1:52:54.679
<v Speaker 2>think if you watch it with that lens of really

1:52:54.720 --> 1:52:58.080
<v Speaker 2>seeing the layers of it, you see why, like your

1:52:58.240 --> 1:53:00.160
<v Speaker 2>confidences are been so nice to head to the other

1:53:00.200 --> 1:53:02.439
<v Speaker 2>people have said similar things because when you watch it,

1:53:03.120 --> 1:53:05.519
<v Speaker 2>you start seeing the legs you think, this is actually deep, man,

1:53:05.600 --> 1:53:08.800
<v Speaker 2>this is actually this means this, and that means that

1:53:08.960 --> 1:53:12.040
<v Speaker 2>there is so many even meanings I didn't do on purpose,

1:53:12.200 --> 1:53:14.040
<v Speaker 2>because how I think is a writing as a man.

1:53:14.520 --> 1:53:17.040
<v Speaker 2>I'm writing things with my subconscious in there, so I'm

1:53:17.080 --> 1:53:18.920
<v Speaker 2>doing things. So that's probably why you're picking up for

1:53:18.960 --> 1:53:19.840
<v Speaker 2>certain things as well.

1:53:20.040 --> 1:53:22.000
<v Speaker 3>Right, And and that's why I want to see the

1:53:22.080 --> 1:53:24.400
<v Speaker 3>future because I'm not gonna blue to blow it up.

1:53:25.160 --> 1:53:27.280
<v Speaker 3>But like the part too when he's saying, you know,

1:53:27.320 --> 1:53:29.840
<v Speaker 3>I'm gonna go back and I'm gonna figure out this.

1:53:30.080 --> 1:53:32.080
<v Speaker 3>I'm gonna figure about this, and I'm gonna figure about that.

1:53:32.680 --> 1:53:34.160
<v Speaker 3>And it was just like it just set it up

1:53:34.160 --> 1:53:36.479
<v Speaker 3>for me to just be like, damn, my motherfucker, like

1:53:36.520 --> 1:53:38.439
<v Speaker 3>I wanted the season too, like right then and there.

1:53:38.920 --> 1:53:40.559
<v Speaker 3>If I would have had to buy season two right

1:53:40.600 --> 1:53:41.000
<v Speaker 3>then and there.

1:53:41.800 --> 1:53:43.720
<v Speaker 1>I feel like everyone would have, you know. I think

1:53:43.840 --> 1:53:46.200
<v Speaker 1>I would have, like everybody would have, you know, but

1:53:46.320 --> 1:53:46.840
<v Speaker 1>we've done that.

1:53:46.960 --> 1:53:49.000
<v Speaker 2>I undered it a lot that because the one thing

1:53:49.040 --> 1:53:50.760
<v Speaker 2>I'm gonna say, I want to leave people want it more.

1:53:51.280 --> 1:53:51.720
<v Speaker 1>You know that.

1:53:51.840 --> 1:53:53.439
<v Speaker 2>There was times it wasn't going to end that way

1:53:53.479 --> 1:53:55.720
<v Speaker 2>and I was like, nah, this is just this is

1:53:55.920 --> 1:53:57.600
<v Speaker 2>gonna make people more and this you know something, we

1:53:57.640 --> 1:53:59.240
<v Speaker 2>can get the season two and we can expand it.

1:53:59.520 --> 1:54:01.160
<v Speaker 1>Right. Do you think.

1:54:04.800 --> 1:54:07.680
<v Speaker 2>Do you think black people appreciate it as much as

1:54:07.960 --> 1:54:11.640
<v Speaker 2>you catered to black people. I think I think the

1:54:11.720 --> 1:54:17.120
<v Speaker 2>black community showed out that our numbers went crazy because

1:54:17.240 --> 1:54:18.639
<v Speaker 2>of the black community.

1:54:20.280 --> 1:54:21.960
<v Speaker 1>Was number one, was the number one for the last

1:54:22.000 --> 1:54:22.479
<v Speaker 1>two weeks.

1:54:23.120 --> 1:54:27.519
<v Speaker 2>We just yeah, so and that was interally because black

1:54:27.520 --> 1:54:30.519
<v Speaker 2>people spreading the work, going into work, telling their their

1:54:30.640 --> 1:54:32.440
<v Speaker 2>counterparts that work you know, have you seen this?

1:54:32.520 --> 1:54:33.480
<v Speaker 1>Have you seen that line?

1:54:33.760 --> 1:54:35.680
<v Speaker 2>They showed that I can't even have I've got not

1:54:35.880 --> 1:54:38.280
<v Speaker 2>one bit of anger for the black community. Even the

1:54:38.320 --> 1:54:41.800
<v Speaker 2>people that are online trolling it, they understand that when

1:54:41.800 --> 1:54:43.560
<v Speaker 2>they're going on Twitter and trolling and they're starting a

1:54:43.600 --> 1:54:45.120
<v Speaker 2>conversation with someone watch anyway.

1:54:45.160 --> 1:54:46.080
<v Speaker 1>Yeah, when they don't get that.

1:54:46.240 --> 1:54:47.680
<v Speaker 2>They think they're pulling it down, when they don't know,

1:54:47.720 --> 1:54:48.760
<v Speaker 2>they're making more people watch.

1:54:49.000 --> 1:54:50.640
<v Speaker 1>So it really the day really came out.

1:54:50.720 --> 1:54:56.960
<v Speaker 2>Yeah, for sure, there's a superhero in Queens. The Joker

1:54:57.040 --> 1:55:04.000
<v Speaker 2>even come from the Bronx. Batman come from Got Them City,

1:55:04.400 --> 1:55:06.680
<v Speaker 2>which is New York. The Man come from Queen is

1:55:06.680 --> 1:55:09.200
<v Speaker 2>meant to be New York, is it or Chicago? Colfin

1:55:09.280 --> 1:55:12.480
<v Speaker 2>was meant to be based on New York. Yeah. Then

1:55:13.280 --> 1:55:17.680
<v Speaker 2>they went across the pond and got superheroes. Miami, I mean,

1:55:17.800 --> 1:55:18.480
<v Speaker 2>got ship we.

1:55:18.480 --> 1:55:32.040
<v Speaker 1>Need to figure out. I just realized that that that

1:55:32.200 --> 1:55:33.640
<v Speaker 1>Miami ain't got man.

1:55:34.120 --> 1:55:39.920
<v Speaker 2>You're gonna go Miami, bro, you got to I said,

1:55:39.920 --> 1:55:41.040
<v Speaker 2>we got the cocaine Cowboys.

1:55:41.120 --> 1:55:44.440
<v Speaker 1>Yeah, but to was fake, so we need like not

1:55:44.520 --> 1:55:46.560
<v Speaker 1>none of the superheroes are huh No.

1:55:46.680 --> 1:55:48.880
<v Speaker 4>But Tony Mont was based on real I know that

1:55:49.000 --> 1:55:51.240
<v Speaker 4>collection of people, which is a Cocaine cowboy era.

1:55:51.440 --> 1:55:51.840
<v Speaker 1>I know that.

1:55:52.360 --> 1:55:56.960
<v Speaker 2>Yeah, So would you do a superhero story in Miami,

1:55:57.200 --> 1:55:59.640
<v Speaker 2>I'll do that. That Cocaine and Flies, I mean.

1:56:01.200 --> 1:56:01.800
<v Speaker 1>The second part.

1:56:02.160 --> 1:56:04.800
<v Speaker 2>I definitely, I definitely went to the story in Miami

1:56:05.280 --> 1:56:07.360
<v Speaker 2>said I was gonna shoot at me be Miami just

1:56:07.400 --> 1:56:10.040
<v Speaker 2>before COVID came and watched Their Way. So Miami is

1:56:10.040 --> 1:56:11.440
<v Speaker 2>the whole capital people want to come in. But I

1:56:11.520 --> 1:56:14.680
<v Speaker 2>think knowing is we're not familiar with the rough part.

1:56:14.960 --> 1:56:15.760
<v Speaker 2>We think of Miami.

1:56:15.880 --> 1:56:20.200
<v Speaker 1>We think of the Yeah, you know, it's like it's

1:56:20.240 --> 1:56:20.879
<v Speaker 1>like London.

1:56:20.760 --> 1:56:21.240
<v Speaker 2>You feel.

1:56:22.920 --> 1:56:25.600
<v Speaker 4>I feel like the struggles they showed me South Beach

1:56:25.680 --> 1:56:29.960
<v Speaker 4>and South Beach. Yeah, Mia, Miami, you know, walk to

1:56:30.000 --> 1:56:33.320
<v Speaker 4>Miami just America like you be a good.

1:56:33.200 --> 1:56:35.040
<v Speaker 2>Story to tell, though, lot, this is the Miami that

1:56:35.120 --> 1:56:37.400
<v Speaker 2>most people know. Then you see the South Beach, but

1:56:37.480 --> 1:56:39.840
<v Speaker 2>this is the real Then you go into the hood

1:56:39.840 --> 1:56:41.640
<v Speaker 2>of it. Would watched that.

1:56:41.680 --> 1:56:44.120
<v Speaker 4>Movie, watched Cocaine Cowboys the documentary, I've seen a lot

1:56:44.120 --> 1:56:45.360
<v Speaker 4>of that probably.

1:56:46.000 --> 1:56:48.000
<v Speaker 1>Yeah. Yeah, it's a big part of Miami. But there's

1:56:48.000 --> 1:56:48.920
<v Speaker 1>a lot more to Miami.

1:56:49.040 --> 1:56:51.720
<v Speaker 3>Man, so so and the scope comes to you, excuse me,

1:56:51.880 --> 1:56:56.920
<v Speaker 3>Universal comes to you and says, right, man, you got

1:56:56.960 --> 1:57:01.240
<v Speaker 3>a choice the one video for one of our artists

1:57:01.680 --> 1:57:04.440
<v Speaker 3>Universal now, Kendrick Lamar or Drake.

1:57:06.320 --> 1:57:08.720
<v Speaker 1>I like how you said that up Kilty.

1:57:08.560 --> 1:57:11.080
<v Speaker 2>Right, I'm doing I mean personally, I'm doing it for

1:57:11.200 --> 1:57:13.320
<v Speaker 2>Kendrick right now. Okay, I would do it for Kendrew

1:57:13.400 --> 1:57:15.720
<v Speaker 2>right now. Lie, but your accent is more like Drake's.

1:57:16.720 --> 1:57:18.400
<v Speaker 1>I love taking wrong, you.

1:57:18.440 --> 1:57:21.680
<v Speaker 2>Love takings wrong. But if you're I'm a business mine

1:57:22.920 --> 1:57:28.400
<v Speaker 2>right now. I feel like the smart business is on. Yeah, yeah,

1:57:28.760 --> 1:57:36.480
<v Speaker 2>for sure, I wasn't ready. I feel like Kendricks where

1:57:36.480 --> 1:57:37.360
<v Speaker 2>you put your money right now.

1:57:37.440 --> 1:57:38.920
<v Speaker 3>I'm not gonna lie. You got a little bit of

1:57:38.960 --> 1:57:42.280
<v Speaker 3>your malleable rum left taking the left big Yeah, we're

1:57:42.280 --> 1:57:47.080
<v Speaker 3>bigging you up. Man, I take a little bit.

1:57:47.800 --> 1:57:50.800
<v Speaker 1>I want to jerk like that. Man. I ain't gonna lie.

1:57:50.880 --> 1:57:51.040
<v Speaker 2>Man.

1:57:51.200 --> 1:57:53.040
<v Speaker 1>I'm really really proud of you.

1:57:53.160 --> 1:57:57.960
<v Speaker 2>I'm really proud of thank you, you know, rock Nation

1:57:58.440 --> 1:58:02.000
<v Speaker 2>for seeing your vision appreciate them on and yourself, you know,

1:58:02.320 --> 1:58:03.120
<v Speaker 2>for seeing.

1:58:05.160 --> 1:58:06.480
<v Speaker 1>You and James.

1:58:08.760 --> 1:58:13.280
<v Speaker 3>Very strong minded black individuals doing black things with black

1:58:13.400 --> 1:58:16.160
<v Speaker 3>cast And by the way, God bless me for saying

1:58:16.200 --> 1:58:18.120
<v Speaker 3>it this way and saying it like this. A lot

1:58:18.160 --> 1:58:21.040
<v Speaker 3>of people always say support black, and then sometimes the

1:58:21.160 --> 1:58:23.840
<v Speaker 3>quality of that black product isn't up.

1:58:23.800 --> 1:58:25.560
<v Speaker 1>To park, you know what I mean.

1:58:25.880 --> 1:58:28.640
<v Speaker 3>If there's if there's a black Findy, I'm gonna support

1:58:28.640 --> 1:58:29.880
<v Speaker 3>the black Findy way more.

1:58:30.320 --> 1:58:31.920
<v Speaker 1>But I don't want to, you know, you don't want

1:58:31.920 --> 1:58:36.800
<v Speaker 1>to have a lesser credity problem. And that's why I

1:58:36.840 --> 1:58:37.280
<v Speaker 1>commend you.

1:58:38.280 --> 1:58:40.160
<v Speaker 3>Like I said, I was trying to critique you, like

1:58:40.240 --> 1:58:41.720
<v Speaker 3>in a good way, like just to be like, yo,

1:58:41.800 --> 1:58:43.920
<v Speaker 3>let me, let me just find some flaws in this,

1:58:44.360 --> 1:58:47.800
<v Speaker 3>you know, and I just couldn't because it's really put together,

1:58:47.880 --> 1:58:49.800
<v Speaker 3>and I knew the way told me.

1:58:50.480 --> 1:58:52.200
<v Speaker 2>Yeah, I was gonna say it was was this time

1:58:52.240 --> 1:58:53.360
<v Speaker 2>for you and the worst if Tied.

1:58:53.240 --> 1:58:55.920
<v Speaker 3>Didn't say, you know what, I started to watch it.

1:58:58.040 --> 1:59:00.640
<v Speaker 3>Yeah before that, I remember. I remember it was slow

1:59:00.920 --> 1:59:03.200
<v Speaker 3>and I didn't catch it because it kept being number

1:59:03.240 --> 1:59:05.000
<v Speaker 3>one on my chip. So I just kept looking and

1:59:05.080 --> 1:59:07.680
<v Speaker 3>I was like, all right, cool. And then when said

1:59:07.680 --> 1:59:08.360
<v Speaker 3>that to me, I was.

1:59:08.400 --> 1:59:10.760
<v Speaker 1>Like, oh, this is hard. This is what I saw already.

1:59:11.160 --> 1:59:13.240
<v Speaker 3>And then me and my wife we went we watched it,

1:59:13.360 --> 1:59:15.560
<v Speaker 3>and then we watched this again today and I was

1:59:15.640 --> 1:59:20.720
<v Speaker 3>just like, holy shit, man, Like I said, if I

1:59:20.880 --> 1:59:23.680
<v Speaker 3>was a young dude from the hood that didn't have this,

1:59:24.040 --> 1:59:26.960
<v Speaker 3>this career, didn't have this. That's that's something I would

1:59:26.960 --> 1:59:28.280
<v Speaker 3>look at for inspiration.

1:59:28.640 --> 1:59:29.760
<v Speaker 2>Now I've been getting a lot of that, and I

1:59:29.800 --> 1:59:33.000
<v Speaker 2>appreciate that mine. It has made people who a lot

1:59:33.040 --> 1:59:34.920
<v Speaker 2>of people reach out. He was just like, you know,

1:59:34.960 --> 1:59:37.640
<v Speaker 2>I've never fought by acting before, but I want to

1:59:37.640 --> 1:59:39.600
<v Speaker 2>be something like this or kind of how do I

1:59:39.680 --> 1:59:40.240
<v Speaker 2>make something like this?

1:59:40.320 --> 1:59:43.160
<v Speaker 1>Is it? It has really uplifted a lot of people.

1:59:43.280 --> 1:59:47.320
<v Speaker 2>Man, just to see people who look like cost doing

1:59:47.400 --> 1:59:49.840
<v Speaker 2>things like that and just seeing it getting taken in

1:59:49.920 --> 1:59:50.400
<v Speaker 2>by the world.

1:59:50.480 --> 1:59:52.080
<v Speaker 1>You know, I think it was just needed mine. Now

1:59:52.080 --> 1:59:53.880
<v Speaker 1>I think it was. It was it was the right time.

1:59:54.480 --> 1:59:58.760
<v Speaker 1>And one thing that was genius about it was you

1:59:58.880 --> 1:59:59.920
<v Speaker 1>didn't label it.

2:00:00.000 --> 2:00:04.560
<v Speaker 3>He sees it episode one, episode two, you named it

2:00:04.720 --> 2:00:07.960
<v Speaker 3>the names of the characters, so you fall in love

2:00:08.040 --> 2:00:09.040
<v Speaker 3>with the actual.

2:00:10.000 --> 2:00:12.960
<v Speaker 1>I was like, YO, surprised what that does to you?

2:00:13.240 --> 2:00:14.320
<v Speaker 1>I don't know what. Wait.

2:00:14.600 --> 2:00:17.280
<v Speaker 2>You see when you see a show episode called Sabrina

2:00:18.080 --> 2:00:21.080
<v Speaker 2>say that we've only got forty percent of Sabrina in

2:00:21.160 --> 2:00:24.000
<v Speaker 2>there when we really needed sixty percent. Your mind is

2:00:24.040 --> 2:00:26.880
<v Speaker 2>automatically not telling you you're looking for everything Sabrina say,

2:00:27.120 --> 2:00:30.160
<v Speaker 2>so everything she's doing, you're watching that because you're thinking,

2:00:30.200 --> 2:00:31.760
<v Speaker 2>this is another episode about so.

2:00:31.920 --> 2:00:32.640
<v Speaker 1>It takes you there.

2:00:32.680 --> 2:00:34.520
<v Speaker 2>So it's kind of like a way and so it

2:00:34.560 --> 2:00:36.040
<v Speaker 2>does exactly what you said as well, you get to

2:00:36.120 --> 2:00:39.520
<v Speaker 2>know that character individual, but it really makes you know, Okay,

2:00:39.600 --> 2:00:41.600
<v Speaker 2>so I'm getting to know Michael hair tas the hair

2:00:42.400 --> 2:00:44.160
<v Speaker 2>on your hair. And any time you get to the

2:00:44.200 --> 2:00:46.200
<v Speaker 2>six you feel like you've known them now you're ready

2:00:46.200 --> 2:00:48.839
<v Speaker 2>for them to come together. And yeah, that was always

2:00:48.920 --> 2:00:50.640
<v Speaker 2>the way it was planned to do it like that. Man,

2:00:50.920 --> 2:00:53.000
<v Speaker 2>it's honestly, we put a work into the show.

2:00:54.000 --> 2:00:56.160
<v Speaker 3>Let me just tell you something creatively, and I'm a

2:00:56.200 --> 2:00:59.120
<v Speaker 3>creative person. I was just like, this shit is crazy,

2:00:59.240 --> 2:01:01.080
<v Speaker 3>Like like, he didn't I said, he didn't label it.

2:01:01.200 --> 2:01:03.000
<v Speaker 3>He labeled it so you could fall in love with

2:01:03.080 --> 2:01:03.680
<v Speaker 3>the characters.

2:01:04.120 --> 2:01:07.160
<v Speaker 2>So by next season, that next season, the straight smoke,

2:01:07.280 --> 2:01:10.320
<v Speaker 2>I don't introduce you to the normal people like yourself say,

2:01:10.400 --> 2:01:12.040
<v Speaker 2>it starts so slow what she does if you don't,

2:01:12.400 --> 2:01:15.320
<v Speaker 2>but you see season two, it don't start slow. That's

2:01:15.360 --> 2:01:17.720
<v Speaker 2>guying off. We're a getting flat. Well as long as

2:01:17.760 --> 2:01:20.080
<v Speaker 2>we get I already know I've got the opening scene.

2:01:20.120 --> 2:01:22.160
<v Speaker 2>So my cost already normal opening. I'm not gonna give

2:01:22.160 --> 2:01:24.560
<v Speaker 2>it cheese up. No, no, but the opening scene is

2:01:24.800 --> 2:01:25.320
<v Speaker 2>just smoke.

2:01:25.560 --> 2:01:28.200
<v Speaker 1>I take another saying. So so let me ask you.

2:01:31.720 --> 2:01:34.440
<v Speaker 1>The budget comes in, it's exactly what you asked for.

2:01:37.080 --> 2:01:40.000
<v Speaker 3>Because everything was based out of London this time that

2:01:40.320 --> 2:01:44.680
<v Speaker 3>you didn't go anywhere, because that's yeah with Scotland.

2:01:44.520 --> 2:01:48.720
<v Speaker 1>When the guy yeah yeah, scot We actually went to sculling.

2:01:49.240 --> 2:01:52.480
<v Speaker 1>That's one of my favorite scenes. It's funny we actually sculling.

2:01:52.560 --> 2:01:55.560
<v Speaker 2>Yeah. Yeah, I feel so sorry because you look at

2:01:55.600 --> 2:02:03.640
<v Speaker 2>it to watch it, you don't watch it, watch the trailer?

2:02:03.720 --> 2:02:06.520
<v Speaker 1>Did you not talk? Of course you're not. And I

2:02:06.600 --> 2:02:08.840
<v Speaker 1>went back. I watched you know, I watched the Netflix one,

2:02:08.880 --> 2:02:10.400
<v Speaker 1>and then I went back to watch the older the

2:02:10.440 --> 2:02:10.840
<v Speaker 1>first one.

2:02:10.880 --> 2:02:12.640
<v Speaker 2>The first one was my favorite one and I loved it.

2:02:12.840 --> 2:02:15.880
<v Speaker 2>If you're not that word, yeah, you're right. Yeah you

2:02:15.920 --> 2:02:16.840
<v Speaker 2>went to see pay stuff.

2:02:17.040 --> 2:02:17.240
<v Speaker 1>Yeah.

2:02:19.080 --> 2:02:22.080
<v Speaker 2>It was a time where they didn't know their powers,

2:02:22.640 --> 2:02:23.720
<v Speaker 2>but they using it.

2:02:24.360 --> 2:02:26.240
<v Speaker 1>They're using it. By I'm because I don't want him

2:02:26.240 --> 2:02:28.000
<v Speaker 1>to tell me any more. Ship. I'm sorry because I

2:02:31.960 --> 2:02:34.640
<v Speaker 1>got little kids in the grip. This is the weekend

2:02:34.800 --> 2:02:36.200
<v Speaker 1>is the time where I'm gonna watch it all that's

2:02:37.000 --> 2:02:37.560
<v Speaker 1>crazy to do it.

2:02:37.680 --> 2:02:41.640
<v Speaker 2>So it's this one guy and I believe his thing

2:02:41.720 --> 2:02:44.360
<v Speaker 2>is speed, but he's so fast that he ran.

2:02:44.320 --> 2:02:45.400
<v Speaker 1>To another country.

2:02:47.440 --> 2:02:50.840
<v Speaker 3>Saying like so I'm looking at him like because I

2:02:51.360 --> 2:02:53.400
<v Speaker 3>think it's called Lima or Lima or something like that.

2:02:54.200 --> 2:02:56.640
<v Speaker 1>The part of Scotland that we went to Edinburgh, Edin

2:02:57.200 --> 2:02:58.840
<v Speaker 1>and he goes, where have my hat?

2:02:58.880 --> 2:03:02.160
<v Speaker 2>And he goes and then the lady goes to him,

2:03:02.320 --> 2:03:04.880
<v Speaker 2>tells him where he's yet, and he goes, well, where's

2:03:04.960 --> 2:03:07.480
<v Speaker 2>that at? And he goes, you know, another one like

2:03:07.880 --> 2:03:10.560
<v Speaker 2>like you in Scotland and then he comes back.

2:03:11.080 --> 2:03:14.520
<v Speaker 3>This is the part that really really really really really

2:03:14.640 --> 2:03:19.440
<v Speaker 3>dope about our people is we can I can have.

2:03:21.200 --> 2:03:23.520
<v Speaker 2>The illest power in the world and comes to you

2:03:23.600 --> 2:03:25.760
<v Speaker 2>and tell you, Yo, I got the ill power. You're like,

2:03:25.880 --> 2:03:28.760
<v Speaker 2>well do it now, that's what it was.

2:03:30.600 --> 2:03:32.080
<v Speaker 1>You have to show improvement, you know.

2:03:33.040 --> 2:03:35.520
<v Speaker 3>Every one of them went back and was like telling

2:03:35.560 --> 2:03:37.800
<v Speaker 3>their friends. But they were telling them nonchalant. They're not

2:03:37.840 --> 2:03:39.840
<v Speaker 3>trying to like they're not trying to like, you know,

2:03:40.040 --> 2:03:41.560
<v Speaker 3>get you excited.

2:03:41.200 --> 2:03:43.400
<v Speaker 2>Or something like like, yo, listen, I think there's something

2:03:43.440 --> 2:03:45.600
<v Speaker 2>wrong with me, but I think like it's in a

2:03:45.680 --> 2:03:46.120
<v Speaker 2>good way.

2:03:46.680 --> 2:03:51.160
<v Speaker 3>All of their friends was like, it's calm down. What

2:03:53.360 --> 2:03:55.760
<v Speaker 3>friends said to him, Okay, do it now then, like

2:03:56.320 --> 2:03:58.160
<v Speaker 3>that's just how we are, Like all people.

2:03:57.960 --> 2:04:01.400
<v Speaker 1>Are fund and you couldn't do it, and you know

2:04:01.400 --> 2:04:03.080
<v Speaker 1>it's funny. Can we grow out watching all these cpero

2:04:03.120 --> 2:04:04.760
<v Speaker 1>shows and it's not. The rule is you got your

2:04:04.960 --> 2:04:05.600
<v Speaker 1>you don't tell no one.

2:04:06.240 --> 2:04:12.800
<v Speaker 2>Bro. You're gonna tell you someone, your partner, your closest friends,

2:04:13.120 --> 2:04:15.000
<v Speaker 2>somebody is getting the hair and that whatever.

2:04:15.000 --> 2:04:16.040
<v Speaker 1>It's your brother or sister.

2:04:16.520 --> 2:04:18.520
<v Speaker 2>So for me, I was like nah, And the reactions

2:04:18.600 --> 2:04:21.280
<v Speaker 2>need to be realistic because you told me you can fly,

2:04:22.320 --> 2:04:23.320
<v Speaker 2>you can fly, you can fly.

2:04:25.320 --> 2:04:26.320
<v Speaker 1>Let me see you flying them.

2:04:26.320 --> 2:04:29.240
<v Speaker 2>Bro, I'm gonna want to see that. So that is

2:04:29.320 --> 2:04:33.120
<v Speaker 2>my realistic reaction. And that's the show's reaction. Everyone's reaction

2:04:33.320 --> 2:04:35.920
<v Speaker 2>is show me. You can't just say you know it's

2:04:36.160 --> 2:04:39.560
<v Speaker 2>hilarious and these are these people best friends. It's like,

2:04:39.680 --> 2:04:41.520
<v Speaker 2>so it's not like they're going to tell Like the

2:04:41.560 --> 2:04:44.560
<v Speaker 2>guy a security guard at Walmart, they told him to yo,

2:04:44.640 --> 2:04:46.760
<v Speaker 2>you know, I think something's wrong with men. The people

2:04:46.800 --> 2:04:49.720
<v Speaker 2>were like, you need to calm down.

2:04:50.040 --> 2:04:51.760
<v Speaker 1>Yeah, it's real. It's so grounded.

2:04:51.840 --> 2:04:53.840
<v Speaker 2>That's what makes it because you're thinking if you're it's

2:04:53.920 --> 2:04:55.400
<v Speaker 2>just people flying through the air, but it's not.

2:04:55.520 --> 2:04:57.839
<v Speaker 1>You can take away the powers and still.

2:04:57.640 --> 2:04:59.960
<v Speaker 2>Follow these following these people for the show, because that'

2:05:00.040 --> 2:05:04.280
<v Speaker 2>how entertaining their Conso month this weekend, Man, I ain't

2:05:04.280 --> 2:05:06.920
<v Speaker 2>gonna lie to you, man, I was so excited, you

2:05:07.000 --> 2:05:10.839
<v Speaker 2>know what I mean, you know, to give you your flowers.

2:05:10.920 --> 2:05:11.920
<v Speaker 1>Man, I appreciate him.

2:05:13.880 --> 2:05:19.360
<v Speaker 3>Uh, I'm excited about what's going on around your way,

2:05:19.600 --> 2:05:22.839
<v Speaker 3>what's going on with London, the energy, that's everything that's happening.

2:05:23.200 --> 2:05:26.840
<v Speaker 1>You know, the rappers, you guys get finally getting your props.

2:05:27.000 --> 2:05:31.600
<v Speaker 3>Yeah, at one point it was just y'all giving y'rself props, right,

2:05:31.880 --> 2:05:36.040
<v Speaker 3>but I started to like, you know, but then now

2:05:36.120 --> 2:05:38.360
<v Speaker 3>it's like, you know what I mean, like, uh, what

2:05:38.520 --> 2:05:39.720
<v Speaker 3>what's the little Baby record with?

2:05:41.400 --> 2:05:43.240
<v Speaker 1>Yeah? Yeah you can go yeah yeah, Yeah, he's killlling it.

2:05:44.280 --> 2:05:45.640
<v Speaker 3>I've been saying it all day. I said, we could

2:05:45.680 --> 2:05:46.440
<v Speaker 3>go broth for broth.

2:05:46.560 --> 2:05:48.000
<v Speaker 1>I don't know why he's saying that, you know what

2:05:48.000 --> 2:05:48.440
<v Speaker 1>I mean, Like.

2:05:50.320 --> 2:05:53.360
<v Speaker 2>Central is killing it and people like that he's helping it.

2:05:53.480 --> 2:05:56.920
<v Speaker 2>He's really he's really helping the scene with what he's doing.

2:05:57.000 --> 2:05:59.920
<v Speaker 2>Because now we're not saying Central seeing little Baby, so

2:06:00.080 --> 2:06:01.160
<v Speaker 2>I'm not surprised no more.

2:06:01.600 --> 2:06:03.880
<v Speaker 1>It's like, oh yeah, you don't got your heart rapper

2:06:03.960 --> 2:06:06.000
<v Speaker 1>with our heart rapper, let's go. It doesn't feel like

2:06:06.040 --> 2:06:06.360
<v Speaker 1>a shot.

2:06:06.440 --> 2:06:09.440
<v Speaker 2>Back in the day a UK artist collabor with America

2:06:09.520 --> 2:06:13.120
<v Speaker 2>Iyce collabor was like, bro, MAM's got something. Now it's

2:06:13.200 --> 2:06:14.960
<v Speaker 2>just like okay, yeah, that's that's going to be a

2:06:15.000 --> 2:06:18.160
<v Speaker 2>bang on that. We're starting to be seen as the

2:06:18.360 --> 2:06:21.120
<v Speaker 2>equals that we are now, even though we're smaller, so

2:06:21.200 --> 2:06:23.080
<v Speaker 2>we don't expect to have anything news that have. We're like,

2:06:23.720 --> 2:06:26.400
<v Speaker 2>we're like the half the size of your smallest state

2:06:26.800 --> 2:06:29.200
<v Speaker 2>compared to you, but we've got time to hair bro

2:06:29.400 --> 2:06:31.800
<v Speaker 2>the UK. The UK's all right now Like that SHP

2:06:31.800 --> 2:06:34.240
<v Speaker 2>you have to super soaken kind of shows that for

2:06:34.360 --> 2:06:37.160
<v Speaker 2>me because that is so unapologetically London.

2:06:37.520 --> 2:06:39.960
<v Speaker 1>It wasn't more down at all where it was the

2:06:40.000 --> 2:06:43.800
<v Speaker 1>Globe show for weeks and America loved it, Africa loved it,

2:06:43.920 --> 2:06:46.440
<v Speaker 1>Europe loved it. So I just think as long as that,

2:06:46.600 --> 2:06:47.720
<v Speaker 1>I think the culture is are one now.

2:06:47.760 --> 2:06:47.880
<v Speaker 2>Man.

2:06:47.920 --> 2:06:49.720
<v Speaker 1>I think we're emerging mine so I think it can

2:06:49.880 --> 2:06:50.520
<v Speaker 1>brace everyone.

2:06:50.880 --> 2:06:52.560
<v Speaker 2>I know this is off the wall question, but you

2:06:52.640 --> 2:06:55.560
<v Speaker 2>think Apple Beats has something to do with that. It

2:06:55.680 --> 2:06:57.880
<v Speaker 2>might have played part one hundred percent because how big

2:06:57.960 --> 2:06:59.760
<v Speaker 2>Burner and with kid is and people, the songs that

2:06:59.800 --> 2:07:03.480
<v Speaker 2>every one's playing. I think the music is the same now.

2:07:03.600 --> 2:07:05.680
<v Speaker 2>So you go to the club, you might end the

2:07:05.760 --> 2:07:08.080
<v Speaker 2>club in Miami. You just might have some different songs

2:07:08.120 --> 2:07:10.600
<v Speaker 2>that we listen to you. But the song that everyone's

2:07:10.600 --> 2:07:12.000
<v Speaker 2>getting crazy, we go crazy, that.

2:07:12.040 --> 2:07:14.200
<v Speaker 1>Song as well. That helps it all brings.

2:07:14.000 --> 2:07:17.000
<v Speaker 2>Everything together, man, So I think I think that plays

2:07:17.000 --> 2:07:18.520
<v Speaker 2>a big part. I'm not even just afro beas I

2:07:18.560 --> 2:07:21.360
<v Speaker 2>think in general the music now we listen to is

2:07:21.440 --> 2:07:24.360
<v Speaker 2>so and how global, like hip hop is so global.

2:07:24.440 --> 2:07:27.120
<v Speaker 1>It's like it's it's just one big community that's taken

2:07:27.200 --> 2:07:30.320
<v Speaker 1>over everything. To be honest with you, yeah, yeah, we're

2:07:30.360 --> 2:07:32.120
<v Speaker 1>pop culture now. I always say that. I always say

2:07:32.160 --> 2:07:37.240
<v Speaker 1>that we are the pop culture man. I'm honest. Man.

2:07:38.080 --> 2:07:39.880
<v Speaker 1>That makes that makes me as well. Bro, Look I've

2:07:39.880 --> 2:07:46.720
<v Speaker 1>got my flowers here. We shut it up again.

2:07:49.320 --> 2:07:51.080
<v Speaker 2>Because one more time. Yeah, I got it, but I

2:07:51.160 --> 2:07:53.520
<v Speaker 2>want to big them up one more time because we

2:07:53.680 --> 2:08:00.160
<v Speaker 2>big enough. What you're doing, what you're doing stress when

2:08:00.160 --> 2:08:08.240
<v Speaker 2>you stressed, what you're doing is unheard of. Like me again,

2:08:08.320 --> 2:08:11.120
<v Speaker 2>I didn see top Boy, so I want to pick

2:08:11.200 --> 2:08:14.440
<v Speaker 2>that up. But me looking at that and me seeing

2:08:14.520 --> 2:08:19.440
<v Speaker 2>you unapologetically be who you are, like who this is?

2:08:19.640 --> 2:08:22.200
<v Speaker 1>Like like like like I said, I had to rewind

2:08:22.240 --> 2:08:24.160
<v Speaker 1>a couple of times, like I was like, what the fu?

2:08:24.400 --> 2:08:27.120
<v Speaker 3>Yeah, yeah, as it should have I used to have

2:08:27.120 --> 2:08:30.880
<v Speaker 3>to do with there. So I was doing that and

2:08:30.960 --> 2:08:33.600
<v Speaker 3>I was just like, you know what this ship is dope.

2:08:33.720 --> 2:08:34.520
<v Speaker 3>It's really dope.

2:08:34.560 --> 2:08:37.880
<v Speaker 4>It's creative, imagine, it's immersive because that's what Top Boy

2:08:38.080 --> 2:08:40.840
<v Speaker 4>was and the wire is it immerses you into somewhere

2:08:40.880 --> 2:08:41.839
<v Speaker 4>that you're not from.

2:08:42.640 --> 2:08:47.640
<v Speaker 2>That and we rarely show live different parts of South

2:08:47.720 --> 2:08:50.440
<v Speaker 2>London and that the energy, the parties, you see so

2:08:50.640 --> 2:08:52.480
<v Speaker 2>much more than what you was normally see from a

2:08:52.480 --> 2:08:54.480
<v Speaker 2>show like this, you know, and you ready see a

2:08:54.560 --> 2:08:56.200
<v Speaker 2>new worlds if you're not from from the UK.

2:08:56.560 --> 2:09:01.880
<v Speaker 3>And big up to Noos because I love once again man,

2:09:02.600 --> 2:09:05.520
<v Speaker 3>thank you and your crew for coming out. Man. We

2:09:05.640 --> 2:09:09.040
<v Speaker 3>appreciate that you want everybody to go out there watch

2:09:09.120 --> 2:09:09.680
<v Speaker 3>super Cil.

2:09:10.160 --> 2:09:12.360
<v Speaker 1>You know what I mean. I'm gonna watch super sotill

2:09:12.520 --> 2:09:18.160
<v Speaker 1>from I'm gonna tweet you. I see you on Twitter. Yeah, I'm.

2:09:19.440 --> 2:09:22.600
<v Speaker 2>I'm telling you personally I'm a movie buff. If you

2:09:22.760 --> 2:09:24.960
<v Speaker 2>know me, you know that I stay home all day.

2:09:25.000 --> 2:09:29.160
<v Speaker 2>I watched movies. I stood for two days. I stood

2:09:29.200 --> 2:09:32.200
<v Speaker 2>home and watched this ship, and I did not lose

2:09:32.280 --> 2:09:35.040
<v Speaker 2>track of time. A new time was moving.

2:09:35.120 --> 2:09:37.000
<v Speaker 1>And he hit me. Hear me. He's like, this is dope.

2:09:40.120 --> 2:09:44.000
<v Speaker 2>I saw from someone saying I watched super so all night.

2:09:44.680 --> 2:09:48.560
<v Speaker 2>I start working at six. It's commenty seven nothing.

2:09:50.160 --> 2:09:55.560
<v Speaker 1>I was so yeah, yeah, I appreciate that. And this

2:09:55.640 --> 2:09:57.160
<v Speaker 1>is how I know. Like, remember how I told you.

2:09:57.400 --> 2:10:00.480
<v Speaker 3>I said black Panther, I said Bob Molly, and then

2:10:00.520 --> 2:10:01.680
<v Speaker 3>I said Superstar.

2:10:02.920 --> 2:10:05.080
<v Speaker 1>That's to be next to doors is amazing.

2:10:05.240 --> 2:10:08.600
<v Speaker 2>The whole month that I watched Bob Molly, I swore

2:10:08.760 --> 2:10:09.320
<v Speaker 2>was Jamaican.

2:10:10.920 --> 2:10:23.480
<v Speaker 1>So now you're a superhero. He's you know what, You're

2:10:23.480 --> 2:10:24.040
<v Speaker 1>gonna watch it?

2:10:24.080 --> 2:10:24.480
<v Speaker 4>Do you know what?

2:10:25.480 --> 2:10:27.280
<v Speaker 1>It's no excuse me, it's not Crystal Man.

2:10:29.920 --> 2:10:30.880
<v Speaker 2>Yea, but thank you man.

2:10:31.640 --> 2:10:33.200
<v Speaker 1>Anything else you want to say to the fans before

2:10:33.240 --> 2:10:34.800
<v Speaker 1>you get about it, no mind, just.

2:10:34.880 --> 2:10:36.920
<v Speaker 2>To echo what you said. If you ain't seen Super Sol,

2:10:36.960 --> 2:10:38.840
<v Speaker 2>it's not too late. You can still watch it.

2:10:38.960 --> 2:10:39.800
<v Speaker 1>Not if you like it.

2:10:39.880 --> 2:10:41.800
<v Speaker 2>Spread the work. We're still trying to run up the

2:10:41.880 --> 2:10:44.840
<v Speaker 2>numbers mine so big up money. Thanks to you for

2:10:44.880 --> 2:10:48.600
<v Speaker 2>having me for my love, mine soul. Yeah, don't yes,

2:10:48.640 --> 2:10:53.720
<v Speaker 2>thank you again one day. Yeah, you don't know, you

2:10:53.800 --> 2:10:56.440
<v Speaker 2>don't know, you don't know, but you don't know that

2:10:59.000 --> 2:10:59.920
<v Speaker 2>you know dyslexic.

2:11:04.080 --> 2:11:07.480
<v Speaker 4>Drink Champs is a drink Champs LLC production hosts and

2:11:07.640 --> 2:11:11.040
<v Speaker 4>executive producers n O r E and dj e f N.

2:11:12.200 --> 2:11:13.280
<v Speaker 1>Listen to drink Champs on.

2:11:13.360 --> 2:11:18.280
<v Speaker 4>Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

2:11:19.400 --> 2:11:21.800
<v Speaker 4>Thanks for joining us for another episode of drink Champs

2:11:21.880 --> 2:11:24.480
<v Speaker 4>hosted by Yours truly, dj e f N and n

2:11:24.480 --> 2:11:26.560
<v Speaker 4>O r E. Please make sure to follow us on

2:11:26.640 --> 2:11:29.760
<v Speaker 4>all our socials That's at drink Champs across all platforms,

2:11:30.280 --> 2:11:33.800
<v Speaker 4>at the Real Noriagon, I g at Noriag on Twitter,

2:11:34.200 --> 2:11:37.360
<v Speaker 4>Mine is at Who's Crazy on I g at dj

2:11:37.560 --> 2:11:40.080
<v Speaker 4>e f N on Twitter, and most importantly, stay up

2:11:40.080 --> 2:11:43.280
<v Speaker 4>to date with the latest releases, news and merch by

2:11:43.320 --> 2:11:45.040
<v Speaker 4>going to drink Champs dot com.

2:11:55.240 --> 2:12:00.480
<v Speaker 6>Hazard it Sounds Rising the Machines Past Your Mentals one

2:12:01.680 --> 2:12:04.120
<v Speaker 6>available now on all platforms.

2:12:05.080 --> 2:12:06.240
<v Speaker 1>Download today.

2:12:16.560 --> 2:12:21.800
<v Speaker 6>Rising the Machines Song Contest seeking out all artists that

2:12:21.920 --> 2:12:24.360
<v Speaker 6>want to take their career to the next level. Go

2:12:24.440 --> 2:12:28.360
<v Speaker 6>ahead and join today by downloading the album, picking out

2:12:28.400 --> 2:12:31.360
<v Speaker 6>your favorite beat, and making a song versu or hook

2:12:31.440 --> 2:12:35.600
<v Speaker 6>to it submitted to Hazardous Sounds at gmail dot com

2:12:36.320 --> 2:12:39.600
<v Speaker 6>and you will be judged by celebrity judges dj EFN,

2:12:39.760 --> 2:12:44.600
<v Speaker 6>Drink Champs owned SB Killer platinum producer, and Scram Jones

2:12:44.840 --> 2:12:48.280
<v Speaker 6>mostly Plantnum producer as well. You can also summit via

2:12:48.360 --> 2:12:54.040
<v Speaker 6>ig by recording the video and performing the song simply

2:12:54.160 --> 2:12:58.240
<v Speaker 6>tagged Rising the Machine Song Contest, and we will repost

2:12:58.520 --> 2:13:03.160
<v Speaker 6>your video as well. Winners will be announced September seventh.

2:13:05.000 --> 2:13:07.680
<v Speaker 6>Joined today and may the best artists win

2:13:15.360 --> 2:13:15.600
<v Speaker 1>MHM