1
00:00:11,840 --> 00:00:13,480
Speaker 1: It is drink chants, motherfucking podcast.

2
00:00:13,600 --> 00:00:13,760
Speaker 2: Man.

3
00:00:15,000 --> 00:00:18,040
Speaker 1: He's a legends Eary Queen's rapper. He's agreed as your

4
00:00:18,040 --> 00:00:21,040
Speaker 1: boy in O R E. He's a Miami hip hop lioneer.

5
00:00:21,200 --> 00:00:23,959
Speaker 1: What ups d J e f N? Together they drink

6
00:00:24,000 --> 00:00:26,200
Speaker 1: it up with some of the biggest players you mean,

7
00:00:26,360 --> 00:00:27,240
Speaker 1: and the most.

8
00:00:27,000 --> 00:00:31,840
Speaker 2: Professional unprofessional podcast and your number one source for drunk.

9
00:00:32,159 --> 00:00:35,320
Speaker 1: Chans mother every day is New Year's E. Listen, It's

10
00:00:35,320 --> 00:00:44,080
Speaker 1: time for drink champs. Drink up, motherfuck mother? Would it good?

11
00:00:44,080 --> 00:00:46,040
Speaker 1: Be OBEs Wills? This your boy in O R E?

12
00:00:46,200 --> 00:00:48,120
Speaker 1: What up is d J e f N? This middle

13
00:00:48,479 --> 00:00:55,640
Speaker 1: drink chances right now? When I tell.

14
00:00:55,520 --> 00:01:00,000
Speaker 2: You you know the game has shift?

15
00:01:00,120 --> 00:01:01,120
Speaker 1: Did you know?

16
00:01:02,280 --> 00:01:07,319
Speaker 3: When I tell you, uh, it started on the East coast?

17
00:01:07,640 --> 00:01:08,680
Speaker 3: Did it went to the West coast?

18
00:01:08,720 --> 00:01:10,800
Speaker 1: I believe? Did? It went to the.

19
00:01:10,720 --> 00:01:14,679
Speaker 2: South, and then at some point it went across the pond.

20
00:01:15,800 --> 00:01:18,520
Speaker 2: That's what they say, right of course, the goddamn pond

21
00:01:19,920 --> 00:01:25,560
Speaker 2: and London is one of the hottest things happening right now.

22
00:01:26,160 --> 00:01:30,360
Speaker 3: But one of the things that I appreciate about is

23
00:01:30,959 --> 00:01:33,720
Speaker 3: this guy made a series. He made a series with

24
00:01:34,040 --> 00:01:38,280
Speaker 3: all people who look like me. He made it on

25
00:01:38,400 --> 00:01:44,319
Speaker 3: paper I imagine reading this on paper, like black sci fi superheroes,

26
00:01:45,360 --> 00:01:50,440
Speaker 3: it must have sounded great. But I watched this series,

27
00:01:50,800 --> 00:01:52,400
Speaker 3: and I'm telling you, this is one of the best

28
00:01:52,400 --> 00:01:55,760
Speaker 3: series ever. I look at it like it's the Wire

29
00:01:56,760 --> 00:01:58,160
Speaker 3: meets the Black Panther.

30
00:01:58,400 --> 00:02:00,960
Speaker 2: With a little bit of Hawk, and I called it

31
00:02:00,960 --> 00:02:07,080
Speaker 2: the Black Vengees, you know what I mean, not Adventures the.

32
00:02:08,639 --> 00:02:09,440
Speaker 1: Black Avengers.

33
00:02:09,560 --> 00:02:11,600
Speaker 3: And when I tell you, I was so happy watching

34
00:02:11,639 --> 00:02:13,519
Speaker 3: this ship. Oh my god, in case you don't know

35
00:02:13,560 --> 00:02:20,560
Speaker 3: what we told your mother one and only motherfucker. No, no,

36
00:02:20,600 --> 00:02:25,959
Speaker 3: I'm not I'm not exaggerating. I really really watching it.

37
00:02:26,639 --> 00:02:29,600
Speaker 3: I really was like, how can you? Because I read

38
00:02:29,639 --> 00:02:33,560
Speaker 3: what it was about right and then obviously you know,

39
00:02:33,880 --> 00:02:36,280
Speaker 3: you know times my boy and he's like, you got

40
00:02:36,280 --> 00:02:39,200
Speaker 3: to check this out. So I'm like, I'm like okay,

41
00:02:39,280 --> 00:02:41,600
Speaker 3: and then I'm like, all right, cool, how can we

42
00:02:41,639 --> 00:02:45,079
Speaker 3: make this make sense? And then when I watched it,

43
00:02:45,639 --> 00:02:50,160
Speaker 3: I was like, this is so dope, because see, I

44
00:02:50,440 --> 00:02:52,359
Speaker 3: thought that these people already knew.

45
00:02:52,160 --> 00:02:53,080
Speaker 1: About their Super Bowl.

46
00:02:53,600 --> 00:02:56,760
Speaker 2: I didn't realize that they're finding out with me as

47
00:02:56,760 --> 00:02:57,560
Speaker 2: I'm watching it.

48
00:02:57,880 --> 00:03:00,600
Speaker 1: So how did you come up with this idea? You

49
00:03:00,639 --> 00:03:01,040
Speaker 1: know what it is?

50
00:03:01,080 --> 00:03:03,560
Speaker 2: I just I like the Journey in it, like threw

51
00:03:03,600 --> 00:03:05,960
Speaker 2: out watching The Batman's the Supermans and all of that,

52
00:03:06,000 --> 00:03:10,000
Speaker 2: and I always enjoyed it. But the narrative of Parison

53
00:03:10,040 --> 00:03:13,760
Speaker 2: gets powers, then get spandex in the cave, it didn't

54
00:03:13,760 --> 00:03:15,760
Speaker 2: make no sense because I'm not doing that. You're not

55
00:03:15,800 --> 00:03:19,920
Speaker 2: doing that, and we've been sold that for a long time.

56
00:03:20,360 --> 00:03:26,000
Speaker 2: You've got plant, you get a long span dex suit,

57
00:03:26,160 --> 00:03:27,959
Speaker 2: and then you save the world. I'm like, bro, if

58
00:03:27,960 --> 00:03:30,560
Speaker 2: I get money, now, if I get powers, I need

59
00:03:30,600 --> 00:03:32,520
Speaker 2: to get some money. You know, I need money. I

60
00:03:32,560 --> 00:03:35,040
Speaker 2: need to fix my situation. I need to make relationships.

61
00:03:35,040 --> 00:03:37,400
Speaker 2: I need to make sure my family is straight. Why

62
00:03:37,440 --> 00:03:40,240
Speaker 2: is there not a show that's like that with powers?

63
00:03:41,000 --> 00:03:43,000
Speaker 2: And that's where it just began, and just wanting to

64
00:03:43,040 --> 00:03:46,440
Speaker 2: see that. So then when the opportunity arose, I was

65
00:03:46,480 --> 00:03:48,480
Speaker 2: just like, yeah, this is this is what I want

66
00:03:48,480 --> 00:03:50,240
Speaker 2: to do, you know, whenever it's came through.

67
00:03:50,560 --> 00:03:54,600
Speaker 3: Right, Because but and I heard you say you said

68
00:03:54,800 --> 00:03:57,120
Speaker 3: it was for Top Boy, that this wouldn't have been

69
00:03:57,320 --> 00:03:58,839
Speaker 3: a success because that boy came first.

70
00:03:58,880 --> 00:04:01,360
Speaker 2: Correct. I don't think would have been as accessible to

71
00:04:01,400 --> 00:04:04,600
Speaker 2: you guys. I don't think you would have like to

72
00:04:04,640 --> 00:04:07,160
Speaker 2: the way the language and the slang. I think because

73
00:04:07,160 --> 00:04:09,960
Speaker 2: you've watched with them years, you're a bit used to

74
00:04:10,040 --> 00:04:11,320
Speaker 2: us now, even though our.

75
00:04:11,280 --> 00:04:14,400
Speaker 1: Rappers are crossing over now. It's like, I think that

76
00:04:14,400 --> 00:04:17,200
Speaker 1: that helped you hate study over here.

77
00:04:17,240 --> 00:04:19,400
Speaker 2: So now when you know there's references, is it like

78
00:04:19,560 --> 00:04:21,360
Speaker 2: top Bay, is it like this? Is it like the

79
00:04:21,680 --> 00:04:23,920
Speaker 2: So I think it helps man, But yeah, because because

80
00:04:24,040 --> 00:04:27,000
Speaker 2: you know what, it was crazy because it was times

81
00:04:27,000 --> 00:04:29,080
Speaker 2: that I had to rewind because I didn't understand some

82
00:04:29,120 --> 00:04:29,880
Speaker 2: of the dialect.

83
00:04:30,040 --> 00:04:31,080
Speaker 1: But then I thought about.

84
00:04:30,880 --> 00:04:33,440
Speaker 2: It, I was like, that's probably exactly what people were.

85
00:04:33,279 --> 00:04:34,000
Speaker 1: Doing with the Wire.

86
00:04:34,080 --> 00:04:37,799
Speaker 4: Yeah, like the Wire was a straight Baltimore in the US.

87
00:04:39,760 --> 00:04:44,960
Speaker 1: I used to wonder, what's due the whole dude. Well,

88
00:04:45,000 --> 00:04:47,000
Speaker 1: I learned that language from the Wire, and I was like,

89
00:04:47,000 --> 00:04:47,880
Speaker 1: I want the super sized.

90
00:04:47,920 --> 00:04:53,760
Speaker 2: I'm not even watering it that you So yeah, I apologetics.

91
00:04:54,560 --> 00:04:57,360
Speaker 3: So let me ask you because was that was that?

92
00:04:57,480 --> 00:05:00,280
Speaker 3: Was that something that came across because.

93
00:05:00,160 --> 00:05:03,000
Speaker 2: Spare time, Netflix will be like, perhaps they're not going

94
00:05:03,080 --> 00:05:04,760
Speaker 2: to understand what they're saying. This is not even just

95
00:05:04,800 --> 00:05:06,640
Speaker 2: in the you in the States. They're saying people in

96
00:05:06,640 --> 00:05:10,000
Speaker 2: the UK will understanding. South London had his own language,

97
00:05:10,040 --> 00:05:13,640
Speaker 2: right you know, and we speak a certain says that

98
00:05:13,720 --> 00:05:15,840
Speaker 2: Britain on the South, Yeah, Brixtains past South as well

99
00:05:16,160 --> 00:05:19,159
Speaker 2: in genuinely like the real urban, gritty parts of all London.

100
00:05:19,240 --> 00:05:20,120
Speaker 1: We have our own slang.

101
00:05:20,800 --> 00:05:23,640
Speaker 2: So when certain netflix is ex are watching it, they're

102
00:05:23,640 --> 00:05:25,719
Speaker 2: not understanding what it means, Like what does this mean?

103
00:05:25,760 --> 00:05:27,320
Speaker 2: What does that mean? I was like, well, you're going

104
00:05:27,400 --> 00:05:29,200
Speaker 2: to find out. But I'm not warring it done. This

105
00:05:29,320 --> 00:05:32,200
Speaker 2: is going to be straight raw South London show how

106
00:05:32,279 --> 00:05:34,800
Speaker 2: we speak and people just have to figure out the language, man,

107
00:05:34,920 --> 00:05:35,640
Speaker 2: you know what, you know.

108
00:05:35,680 --> 00:05:38,000
Speaker 3: It was one of the those things was me coming

109
00:05:38,040 --> 00:05:40,080
Speaker 3: to London. For as many times I came to London,

110
00:05:40,200 --> 00:05:44,440
Speaker 3: I always go to Nando's gonna and I'm looking and

111
00:05:44,680 --> 00:05:46,640
Speaker 3: I'm sitting there with my wife and I'm.

112
00:05:46,440 --> 00:05:58,080
Speaker 1: Like, it's going to be authentic. If Nando's say this

113
00:05:58,200 --> 00:06:00,120
Speaker 1: can't down. I was like, that's funny.

114
00:06:00,480 --> 00:06:04,039
Speaker 2: Yeah, No, we said have to be a part of it.

115
00:06:04,040 --> 00:06:06,800
Speaker 2: It's just it's just the experience. That's the London experience.

116
00:06:06,839 --> 00:06:09,200
Speaker 3: But it was something you said on The Brothers Club

117
00:06:09,480 --> 00:06:10,280
Speaker 3: that I wanted to.

118
00:06:11,839 --> 00:06:16,040
Speaker 1: Few. You said that London slang is like New York slang.

119
00:06:16,200 --> 00:06:18,760
Speaker 1: But I think I think, I said, did I say

120
00:06:18,760 --> 00:06:22,760
Speaker 1: it was like Canadian slang? Said, and you said, and

121
00:06:22,800 --> 00:06:24,440
Speaker 1: I said, London, New York.

122
00:06:24,680 --> 00:06:28,520
Speaker 3: Here's here's the part that you forgot to mix out.

123
00:06:28,920 --> 00:06:31,920
Speaker 1: I think that the yard man slang is a part

124
00:06:31,960 --> 00:06:36,280
Speaker 1: of the London slang. Yeah, I said. And people were

125
00:06:36,360 --> 00:06:37,760
Speaker 1: checking me on that. People hear me.

126
00:06:39,400 --> 00:06:42,440
Speaker 2: Saying, that's why the Canadians sound like the Brits, because

127
00:06:42,640 --> 00:06:44,599
Speaker 2: all of the Jamaicans that went over with the candid

128
00:06:44,600 --> 00:06:47,000
Speaker 2: Dog and the slang boy inherited there the same way

129
00:06:47,000 --> 00:06:49,280
Speaker 2: we inherited it over here in London.

130
00:06:49,440 --> 00:06:52,840
Speaker 1: I said, So, yeah, so that might be true. Bro,

131
00:06:55,080 --> 00:06:58,120
Speaker 1: that's that makes sense. Yeah, because because because you remember.

132
00:06:59,400 --> 00:07:02,279
Speaker 3: And my day, I remember hearing about the shower posse

133
00:07:02,720 --> 00:07:05,000
Speaker 3: being deported from New York.

134
00:07:04,920 --> 00:07:07,239
Speaker 1: And that's where they went. They went to Canada and London.

135
00:07:07,640 --> 00:07:09,000
Speaker 1: You know what I mean. Everybody didn't want to go

136
00:07:09,000 --> 00:07:10,640
Speaker 1: back to the yard. It was like, wait a minute,

137
00:07:12,240 --> 00:07:19,240
Speaker 1: but you're from Nigeria, bigger. You used to steal credit

138
00:07:19,240 --> 00:07:20,160
Speaker 1: cards and ship like that, right.

139
00:07:20,240 --> 00:07:35,440
Speaker 5: I mean, that's a very hostel.

140
00:07:37,640 --> 00:07:38,480
Speaker 1: For those that don't know.

141
00:07:40,320 --> 00:07:43,440
Speaker 3: Uh, this is a very deep part of I'm about

142
00:07:43,440 --> 00:07:45,560
Speaker 3: to say movie, and didn't up to say documentary, but this.

143
00:07:45,520 --> 00:07:47,400
Speaker 1: Is a series. It's a very deep.

144
00:07:47,440 --> 00:07:50,960
Speaker 3: Part of the series is he attacked. He attacked a

145
00:07:51,080 --> 00:07:54,000
Speaker 3: very serious issue in our community. And what I didn't

146
00:07:54,040 --> 00:07:56,920
Speaker 3: know there's two There's two things in my life that

147
00:07:56,960 --> 00:07:59,320
Speaker 3: I always wish I asked more of. When pun used

148
00:07:59,320 --> 00:08:01,120
Speaker 3: to go to sleep and when pride he used to

149
00:08:01,120 --> 00:08:06,040
Speaker 3: get sick. I always wanted I never asked him like, like,

150
00:08:06,360 --> 00:08:08,240
Speaker 3: what are you going through? Like I guess I was

151
00:08:08,240 --> 00:08:10,840
Speaker 3: too young, So I just was like trying to ignore it.

152
00:08:11,160 --> 00:08:13,720
Speaker 3: And then when obviously that's when I heard single cell.

153
00:08:13,760 --> 00:08:15,680
Speaker 2: I heard you say that you first found out from

154
00:08:15,680 --> 00:08:24,280
Speaker 2: sickle cell hit him up. Yet that's the first time

155
00:08:24,280 --> 00:08:24,920
Speaker 2: I ever heard that.

156
00:08:25,040 --> 00:08:27,080
Speaker 3: So so what a lot of people don't know is

157
00:08:27,840 --> 00:08:31,080
Speaker 3: single cell is a universal disease, but it's runs rapid

158
00:08:31,360 --> 00:08:32,439
Speaker 3: in the black community.

159
00:08:32,920 --> 00:08:34,040
Speaker 1: And I heard you say something.

160
00:08:33,880 --> 00:08:36,600
Speaker 3: That was really really really really really deep. You said,

161
00:08:37,520 --> 00:08:39,440
Speaker 3: there's supposed to be other people with sickle cell.

162
00:08:39,600 --> 00:08:41,760
Speaker 1: You just never met them. I haven't met them. So

163
00:08:41,760 --> 00:08:42,720
Speaker 1: so what I did.

164
00:08:42,720 --> 00:08:47,000
Speaker 2: Was I had the group google everyone that all famous

165
00:08:47,000 --> 00:08:48,559
Speaker 2: people that who got sickle cell.

166
00:08:49,000 --> 00:08:52,280
Speaker 1: You guys got the notes. Don't read it in Dominican,

167
00:08:52,360 --> 00:09:00,080
Speaker 1: now read it in English. It's going. Yeah, has read.

168
00:09:01,360 --> 00:09:04,000
Speaker 4: Nobody believes you read in Troubles even reading it.

169
00:09:04,120 --> 00:09:07,760
Speaker 2: Hold on, hold on? Who Ticky Barbara from The Football Player?

170
00:09:07,920 --> 00:09:16,280
Speaker 1: Okay? Also blacks take also black? Yeah, according to Google.

171
00:09:16,520 --> 00:09:19,000
Speaker 2: This is this Dominican in Colombian Google. Okay, so I

172
00:09:19,000 --> 00:09:26,480
Speaker 2: don't know, Okay, Okay, Ryan Clark that he's black, said

173
00:09:26,520 --> 00:09:29,599
Speaker 2: Beanie Man, Meanie Man, big beating.

174
00:09:31,240 --> 00:09:39,520
Speaker 1: Who King tight? Who the gypsy thing prepared? I think

175
00:09:39,559 --> 00:09:40,240
Speaker 1: I think you would.

176
00:09:46,040 --> 00:09:50,480
Speaker 2: Okay, I think you're gonna stop the listening.

177
00:09:52,280 --> 00:10:03,000
Speaker 1: That's looking list that one. I think this is Columbian.

178
00:10:04,840 --> 00:10:05,280
Speaker 1: What else?

179
00:10:05,360 --> 00:10:05,679
Speaker 2: What else?

180
00:10:07,240 --> 00:10:14,600
Speaker 3: Corlins to the Basketball Player? Okay, Kiki Shephard okay. George

181
00:10:14,640 --> 00:10:22,240
Speaker 3: Floyd okay, okay, wow. And that's how the list stops.

182
00:10:23,040 --> 00:10:26,840
Speaker 3: So so another thing that I heard that the movie

183
00:10:27,440 --> 00:10:31,960
Speaker 3: was inspired by George floydau how up in a Row

184
00:10:32,320 --> 00:10:33,280
Speaker 3: London was at that time.

185
00:10:33,360 --> 00:10:35,959
Speaker 1: Yeah, explained that it was a massive deal of mine life.

186
00:10:36,000 --> 00:10:38,520
Speaker 2: I know everyone I know a lot of people from

187
00:10:38,520 --> 00:10:41,880
Speaker 2: the States always feel like the black pain there is

188
00:10:41,960 --> 00:10:44,800
Speaker 2: not it's not inherited, but we feel it the same

189
00:10:44,840 --> 00:10:48,079
Speaker 2: way that you got feeling. So when Jersey Flood got murdered,

190
00:10:48,240 --> 00:10:50,679
Speaker 2: it was it was just no destroyed. That brought the

191
00:10:50,720 --> 00:10:55,679
Speaker 2: Camels back. Everyone felt everyone was done and everyone was

192
00:10:55,760 --> 00:10:58,319
Speaker 2: going to Central London protesting and doing what they was

193
00:10:58,360 --> 00:11:00,520
Speaker 2: doing to raise awareness, not the same We've had enough,

194
00:11:00,600 --> 00:11:03,920
Speaker 2: do something and even though it wasn't a problem happening

195
00:11:04,000 --> 00:11:06,920
Speaker 2: on our streets in London, we felt that man that ricochet.

196
00:11:07,080 --> 00:11:09,480
Speaker 2: So I'm thinking, do I got cent you with my

197
00:11:09,720 --> 00:11:12,079
Speaker 2: sign and do what I'm doing? And I thought that

198
00:11:12,240 --> 00:11:15,160
Speaker 2: was dope one doing. I was like, can I do

199
00:11:15,280 --> 00:11:17,560
Speaker 2: something different? Can I do something that makes us feel

200
00:11:18,160 --> 00:11:20,800
Speaker 2: like we can't just get killed and thrown into the

201
00:11:20,880 --> 00:11:22,760
Speaker 2: trash and no one cares? So I said, what if

202
00:11:22,760 --> 00:11:24,480
Speaker 2: we need to do something to make us super? And

203
00:11:24,559 --> 00:11:26,920
Speaker 2: that's when I really started working on the show. But

204
00:11:27,040 --> 00:11:29,000
Speaker 2: I didn't know that TV takes one hundred years at

205
00:11:29,000 --> 00:11:31,320
Speaker 2: them time, so I think it would be like a movie.

206
00:11:31,360 --> 00:11:34,320
Speaker 2: I'll start in January, but that by December it took years.

207
00:11:34,400 --> 00:11:36,199
Speaker 2: But I didn't know that at the time, so I

208
00:11:36,280 --> 00:11:38,120
Speaker 2: really worse and thinking it could be ready and it

209
00:11:38,160 --> 00:11:39,439
Speaker 2: could come out at the end of the year and

210
00:11:39,520 --> 00:11:42,040
Speaker 2: this would be like a dedication to it, you know,

211
00:11:42,280 --> 00:11:44,400
Speaker 2: So but yeah, it was. It was just a dark

212
00:11:44,480 --> 00:11:47,080
Speaker 2: time in London. Man, like it was just too much

213
00:11:47,120 --> 00:11:48,920
Speaker 2: because the viature was so graphic.

214
00:11:50,160 --> 00:11:52,800
Speaker 1: Yeah, man, that was just like, ain't.

215
00:11:52,640 --> 00:11:54,480
Speaker 2: No one gonna do nothing. And I'll tell you one thing,

216
00:11:54,520 --> 00:11:56,600
Speaker 2: I'll say in London. Yeah, if that was in London,

217
00:11:56,880 --> 00:11:59,319
Speaker 2: people that jumped in, I'm not saying they didn't get

218
00:11:59,640 --> 00:12:01,360
Speaker 2: got gun. The friends that got guns there in it.

219
00:12:01,760 --> 00:12:04,319
Speaker 2: In London, there's no guns, like when the police don't

220
00:12:04,360 --> 00:12:06,440
Speaker 2: have guns like that. So if they're trying to choke

221
00:12:06,480 --> 00:12:09,040
Speaker 2: out one of the brothers, the mandom are jumping in

222
00:12:09,120 --> 00:12:12,720
Speaker 2: on that, that's not that can't just flat. So for us,

223
00:12:12,800 --> 00:12:17,480
Speaker 2: we're watching that like just let four man choking all

224
00:12:17,520 --> 00:12:19,800
Speaker 2: that because we're we're going to get we jumping and

225
00:12:20,520 --> 00:12:22,280
Speaker 2: you might sit in a cell phone beer. You know,

226
00:12:22,440 --> 00:12:24,560
Speaker 2: you can say but you know it's not a big deal,

227
00:12:24,600 --> 00:12:27,240
Speaker 2: but I get the fear of you jump in there.

228
00:12:27,280 --> 00:12:29,280
Speaker 1: You might get shot. So it was just like, but

229
00:12:29,360 --> 00:12:31,520
Speaker 1: we're watching this like why has no one doing nothing?

230
00:12:32,280 --> 00:12:35,280
Speaker 2: Why is no one helping him? So it was just

231
00:12:35,360 --> 00:12:36,959
Speaker 2: a big uproar in the UK. Man and I just

232
00:12:36,960 --> 00:12:38,079
Speaker 2: wanted to play my part.

233
00:12:39,520 --> 00:12:43,760
Speaker 3: And that despite this, because I believe that we just

234
00:12:43,800 --> 00:12:45,679
Speaker 3: said George Floyd has sickle cell too.

235
00:12:45,800 --> 00:12:49,199
Speaker 1: I don't even know. That's clear you didn't know. I

236
00:12:49,320 --> 00:13:00,319
Speaker 1: just hope they go correct that list. I'm taking you

237
00:13:02,400 --> 00:13:02,839
Speaker 1: google this.

238
00:13:02,920 --> 00:13:13,079
Speaker 2: So Wikipedia though, on King to the Emperor, they say

239
00:13:13,120 --> 00:13:17,000
Speaker 2: it started from malaria, and ye off the king.

240
00:13:17,440 --> 00:13:20,199
Speaker 1: They talk about King to shoot it from Brooklyn. Maybe

241
00:13:23,240 --> 00:13:23,520
Speaker 1: we don't know.

242
00:13:24,640 --> 00:13:25,840
Speaker 2: So so.

243
00:13:27,520 --> 00:13:31,079
Speaker 3: I think I asked you this and uh a little parts,

244
00:13:31,160 --> 00:13:33,679
Speaker 3: but I want to ask you in this entirety. You know,

245
00:13:33,760 --> 00:13:35,760
Speaker 3: you get, you get, you get blessed with this opportunity.

246
00:13:35,880 --> 00:13:37,920
Speaker 3: People say ahead, we're gonna let you do what you want.

247
00:13:38,240 --> 00:13:39,679
Speaker 3: What makes you say, yo, you know what, let me

248
00:13:39,760 --> 00:13:42,079
Speaker 3: take a risk on my own. People like like it

249
00:13:42,200 --> 00:13:44,320
Speaker 3: was like I could literally count some of the white

250
00:13:44,320 --> 00:13:48,360
Speaker 3: people that was in there. In a good way, it

251
00:13:48,480 --> 00:13:50,120
Speaker 3: was the bad lady.

252
00:13:54,760 --> 00:13:55,439
Speaker 1: I think you know what.

253
00:13:56,120 --> 00:13:59,319
Speaker 2: The trailer came out here and in the comments was

254
00:13:59,520 --> 00:14:00,640
Speaker 2: just so much racism.

255
00:14:01,240 --> 00:14:04,920
Speaker 1: It's crazy racive. Oh so the white people are villains? Oh,

256
00:14:04,960 --> 00:14:06,079
Speaker 1: I guess the same for me? Then?

257
00:14:06,920 --> 00:14:09,040
Speaker 2: Is this in some mystical world where London's black? I

258
00:14:09,200 --> 00:14:13,559
Speaker 2: was like, yo, if we if we uprolled like this

259
00:14:13,800 --> 00:14:15,839
Speaker 2: every time a show came out where we was in

260
00:14:16,040 --> 00:14:18,480
Speaker 2: one row we were, we would I won't be able

261
00:14:18,480 --> 00:14:19,520
Speaker 2: to be here because I've got to be on the

262
00:14:19,560 --> 00:14:23,160
Speaker 2: YouTube every second because there's no shows every single night

263
00:14:23,720 --> 00:14:27,840
Speaker 2: shows predominantly white casts, especially in the UK, so it's

264
00:14:27,920 --> 00:14:31,000
Speaker 2: like why the one or We've got like five shows

265
00:14:31,040 --> 00:14:33,520
Speaker 2: now that was all black casts. I couldn't believe the

266
00:14:33,680 --> 00:14:37,720
Speaker 2: racism because I didn't intentionally put white people in there

267
00:14:37,800 --> 00:14:40,440
Speaker 2: is villains. It was just a predominantly black cass So

268
00:14:40,520 --> 00:14:43,320
Speaker 2: it's kind of the roles that were left over kind

269
00:14:43,360 --> 00:14:46,160
Speaker 2: of thing like who's there? Because this whole show was

270
00:14:46,240 --> 00:14:49,280
Speaker 2: to put black actors in a position where they don't

271
00:14:49,320 --> 00:14:50,880
Speaker 2: have to fly to the States to do roles. I

272
00:14:50,960 --> 00:14:52,680
Speaker 2: want to give them a show where they can get

273
00:14:52,680 --> 00:14:56,560
Speaker 2: paid well, big platform, you know, grow their brand with

274
00:14:56,680 --> 00:14:58,320
Speaker 2: a show like this. So we were out looking for

275
00:14:58,400 --> 00:15:00,840
Speaker 2: black actors to you know, give them a step off.

276
00:15:00,920 --> 00:15:04,120
Speaker 2: So it wasn't anti white, it was just pro black,

277
00:15:04,280 --> 00:15:05,080
Speaker 2: that's right, you know what I'm saying.

278
00:15:07,800 --> 00:15:10,680
Speaker 3: So now I'm gonna say this now, one of my

279
00:15:10,760 --> 00:15:16,120
Speaker 3: favorite characters is taseruat me, let me tell you why

280
00:15:16,160 --> 00:15:18,880
Speaker 3: he's one of my favorite characters because he's human meaning

281
00:15:19,000 --> 00:15:20,920
Speaker 3: not not not to say that everyone else is not human.

282
00:15:21,120 --> 00:15:22,520
Speaker 1: But what I'm trying to say is you.

283
00:15:22,600 --> 00:15:25,800
Speaker 3: A figure you get like powers and then you're like,

284
00:15:25,840 --> 00:15:28,040
Speaker 3: all right, cool, let me go help the homeless. Like

285
00:15:28,160 --> 00:15:30,600
Speaker 3: that's not how the suck certain people are. He was,

286
00:15:30,840 --> 00:15:32,840
Speaker 3: he was a wicked man before he got the powers.

287
00:15:33,600 --> 00:15:34,520
Speaker 3: He stayed the wicked man.

288
00:15:34,920 --> 00:15:38,080
Speaker 2: Got the powers, he started doing some ill ship. So

289
00:15:38,800 --> 00:15:41,960
Speaker 2: but what made you say that balance? Because you know,

290
00:15:42,120 --> 00:15:44,280
Speaker 2: my man, Michael, Michael is he's a good guy, like

291
00:15:44,360 --> 00:15:46,200
Speaker 2: he's he's he's he's the leader.

292
00:15:46,240 --> 00:15:49,600
Speaker 1: That's not the leader, that's the leader leader.

293
00:15:50,120 --> 00:15:53,160
Speaker 3: But to me, Taser was so much relatable to like

294
00:15:53,960 --> 00:15:56,320
Speaker 3: street people, like who would get these powers and be

295
00:15:56,400 --> 00:16:01,040
Speaker 3: like yo, I'm a Robert Bank, Like fuck helping the homeless,

296
00:16:01,920 --> 00:16:02,920
Speaker 3: helping the wheelchair guy.

297
00:16:03,000 --> 00:16:05,280
Speaker 1: These guys want to So what made you say that

298
00:16:05,600 --> 00:16:07,040
Speaker 1: keep that balance of character.

299
00:16:06,960 --> 00:16:09,560
Speaker 2: Because if I'm telling the story of normal people with

300
00:16:09,680 --> 00:16:13,320
Speaker 2: powers and normal people with powers setting South London, there's

301
00:16:13,400 --> 00:16:15,400
Speaker 2: no version of South London where a guy like that

302
00:16:15,480 --> 00:16:17,760
Speaker 2: doesn't exist, you know, like I'm from South London.

303
00:16:17,840 --> 00:16:20,280
Speaker 1: South London is it's kind of like they.

304
00:16:20,360 --> 00:16:23,280
Speaker 2: Know the poverty part of London, you know, So a

305
00:16:23,400 --> 00:16:25,320
Speaker 2: lot of a lot of London, not all of London

306
00:16:25,400 --> 00:16:27,680
Speaker 2: that you saw five different characters, but that part is

307
00:16:27,800 --> 00:16:30,880
Speaker 2: very prominent, and I just wanted the character that if

308
00:16:30,920 --> 00:16:33,640
Speaker 2: you're in a game war and then you get powers,

309
00:16:34,320 --> 00:16:36,320
Speaker 2: oh shit, you really?

310
00:16:37,640 --> 00:16:40,040
Speaker 1: That was his thing was, this is a game changer

311
00:16:40,360 --> 00:16:41,240
Speaker 1: with this, we.

312
00:16:41,280 --> 00:16:43,200
Speaker 2: Can take them, we can take them, we can take them,

313
00:16:43,480 --> 00:16:45,520
Speaker 2: And that's his mind frame. Remember he's only a teenager.

314
00:16:45,840 --> 00:16:47,960
Speaker 2: He hasn't even thought about rubbing the bank. He's still

315
00:16:47,960 --> 00:16:51,240
Speaker 2: about money, power and respect, right, So I just wanted

316
00:16:51,320 --> 00:16:53,480
Speaker 2: someone realistic. As he gets older, he's probably going to

317
00:16:53,520 --> 00:16:55,560
Speaker 2: say one, I just rob a bank. But at the moment,

318
00:16:55,760 --> 00:16:57,480
Speaker 2: he's just trying to put his team on. He's trying

319
00:16:57,520 --> 00:16:59,800
Speaker 2: to get his team to the next level. Okay, now

320
00:17:00,320 --> 00:17:02,520
Speaker 2: this is something I was waiting to ask you. So

321
00:17:02,880 --> 00:17:05,520
Speaker 2: But first of all, first before I asked you straight

322
00:17:05,600 --> 00:17:05,800
Speaker 2: up that.

323
00:17:07,840 --> 00:17:11,440
Speaker 3: I'm forty six years old, I don't condone violence anymore,

324
00:17:11,640 --> 00:17:12,720
Speaker 3: but every now and then.

325
00:17:20,200 --> 00:17:26,840
Speaker 1: Used to violence. That's what I said. But it's a scene.

326
00:17:26,960 --> 00:17:28,200
Speaker 1: It's a scene where.

327
00:17:28,520 --> 00:17:32,440
Speaker 2: Taser is on the bike and they got their bad

328
00:17:32,560 --> 00:17:35,520
Speaker 2: danas on, and I was like, I want to be

329
00:17:35,680 --> 00:17:41,480
Speaker 2: with them, like so cool, Like I'm.

330
00:17:41,359 --> 00:17:43,399
Speaker 3: Just telling you, Like, like I said, I started this

331
00:17:43,520 --> 00:17:44,920
Speaker 3: off with, I don't want to I don't want to

332
00:17:44,920 --> 00:17:49,040
Speaker 3: condone violence. But I want to be there like they were.

333
00:17:49,280 --> 00:17:53,480
Speaker 3: They went through the hoods, people start and they're on

334
00:17:53,560 --> 00:17:58,000
Speaker 3: the bikes, but they look so smooth. They looked so

335
00:17:58,320 --> 00:18:02,840
Speaker 3: I was like, I would like to help out, be

336
00:18:02,920 --> 00:18:05,640
Speaker 3: a part of the violence. It looks just so cool,

337
00:18:05,720 --> 00:18:07,399
Speaker 3: I guess cause they wanted revenge.

338
00:18:07,440 --> 00:18:07,560
Speaker 4: Man.

339
00:18:09,359 --> 00:18:13,760
Speaker 1: So is it like that in London? Yeah, pretty much

340
00:18:15,000 --> 00:18:15,960
Speaker 1: the whole back things.

341
00:18:16,720 --> 00:18:18,920
Speaker 2: It was away for the two gangs, for the gangs

342
00:18:18,960 --> 00:18:22,160
Speaker 2: to move because there's no license plates. Remember London, we're

343
00:18:22,200 --> 00:18:24,840
Speaker 2: CCTV everywhere. There ain't no last places and pedal backs.

344
00:18:25,160 --> 00:18:27,960
Speaker 2: So if you're beefing an area where it's literally a

345
00:18:28,040 --> 00:18:31,040
Speaker 2: pedal back away, you get there, you get cool. There's

346
00:18:31,080 --> 00:18:33,520
Speaker 2: no unless you get cold there you're not you know,

347
00:18:33,960 --> 00:18:35,720
Speaker 2: they can't catch you. There ain't no lescense plate.

348
00:18:35,800 --> 00:18:41,000
Speaker 1: There ain't no because I didn't even know what.

349
00:18:42,720 --> 00:18:44,520
Speaker 2: You can typing on YouTube and you can look at

350
00:18:45,040 --> 00:18:46,720
Speaker 2: p YG that there was a gag of bricks and

351
00:18:46,760 --> 00:18:48,040
Speaker 2: and there's a gang of peck and they used to

352
00:18:48,080 --> 00:18:50,240
Speaker 2: be back in the day and you see a real

353
00:18:50,359 --> 00:18:52,399
Speaker 2: shot of the gang. I can't know if it was

354
00:18:52,400 --> 00:18:54,760
Speaker 2: bricktain guys, pecking gangs and Brickston, but you see a

355
00:18:54,760 --> 00:18:57,119
Speaker 2: similar shot whatevers, but much more people in the backs.

356
00:18:58,160 --> 00:19:01,880
Speaker 1: And you do that because scooters pedal back. No, because

357
00:19:01,880 --> 00:19:04,040
Speaker 1: they did it. They did it again. No, there's no game.

358
00:19:04,119 --> 00:19:04,280
Speaker 4: Cool.

359
00:19:04,440 --> 00:19:07,879
Speaker 3: Yeah, so that's wow. So now not only that this

360
00:19:08,040 --> 00:19:12,560
Speaker 3: is this is an important question to me personally. It's

361
00:19:12,840 --> 00:19:17,359
Speaker 3: very distinctive that you see one side is red and

362
00:19:17,440 --> 00:19:18,000
Speaker 3: then you see the.

363
00:19:18,040 --> 00:19:19,320
Speaker 1: Other side blue.

364
00:19:21,600 --> 00:19:23,800
Speaker 2: I didn't hear them calling each other bloods the crips,

365
00:19:25,520 --> 00:19:29,119
Speaker 2: but I also remember me going to San Diego and

366
00:19:29,200 --> 00:19:32,000
Speaker 2: seeing the same ship like for Mexican gang and it's

367
00:19:32,080 --> 00:19:32,639
Speaker 2: different for them.

368
00:19:32,800 --> 00:19:33,040
Speaker 3: Yeah.

369
00:19:33,119 --> 00:19:40,080
Speaker 2: Yeah, so it's northern South. So is this something like that,

370
00:19:40,320 --> 00:19:45,240
Speaker 2: like where these gangs use the same colors, but it's

371
00:19:45,280 --> 00:19:48,320
Speaker 2: not for bloods and crips. But gangs do have colors.

372
00:19:48,680 --> 00:19:49,919
Speaker 2: Some gangs do you rep colors?

373
00:19:50,000 --> 00:19:52,200
Speaker 1: You know? For what I can remember, As I said,

374
00:19:52,200 --> 00:19:53,160
Speaker 1: the game changes the time.

375
00:19:53,200 --> 00:19:56,280
Speaker 2: But for example, I'm I don't know, hypes are familiar

376
00:19:56,320 --> 00:19:58,240
Speaker 2: with gigs for example gigs.

377
00:19:58,760 --> 00:19:59,880
Speaker 1: Yeah, so what youven come through?

378
00:20:00,600 --> 00:20:03,440
Speaker 2: He would like his area used to wrap the black bandanners,

379
00:20:03,640 --> 00:20:05,720
Speaker 2: but that was just their color they would rep. And

380
00:20:06,119 --> 00:20:09,440
Speaker 2: that rapper that's in the show, Digger d his team

381
00:20:09,800 --> 00:20:12,840
Speaker 2: red blue, okay, and other gangs red.

382
00:20:12,840 --> 00:20:14,920
Speaker 1: But it was just growing up, would your your gang.

383
00:20:14,720 --> 00:20:17,159
Speaker 2: Would have a color, like your band would be a

384
00:20:17,160 --> 00:20:19,200
Speaker 2: color to refuse us gang like you come out.

385
00:20:19,440 --> 00:20:21,680
Speaker 1: It's not as deep as the Cruption blast. It wasn't that.

386
00:20:21,840 --> 00:20:24,720
Speaker 2: It wasn't even I don't even think it wasn't intentionally

387
00:20:24,800 --> 00:20:25,600
Speaker 2: inspired by that.

388
00:20:25,840 --> 00:20:29,159
Speaker 1: But it is gangs rep colors and they didn't learn

389
00:20:29,240 --> 00:20:29,840
Speaker 1: the Caribbean too.

390
00:20:29,880 --> 00:20:32,000
Speaker 4: And I've been to like, hey, yeah, red and blue

391
00:20:32,000 --> 00:20:34,560
Speaker 4: and they're not bloods of cribs, but they different ports

392
00:20:34,720 --> 00:20:36,160
Speaker 4: have different flags.

393
00:20:36,400 --> 00:20:38,320
Speaker 2: But you know when I originally started doing it, yeah,

394
00:20:38,640 --> 00:20:40,840
Speaker 2: I've done a movie before called Blue Story.

395
00:20:41,200 --> 00:20:44,800
Speaker 1: Come on, got that in my notes? Yeah, what is Yeah?

396
00:20:44,840 --> 00:20:48,000
Speaker 2: The two gangsters guys and I remember the execs like

397
00:20:48,840 --> 00:20:50,480
Speaker 2: we just couldn't tell he was here because we just

398
00:20:50,520 --> 00:20:52,320
Speaker 2: couldn't tell he was here. They just didn't get it

399
00:20:52,359 --> 00:20:53,960
Speaker 2: he was who. They just didn't know who the bodies were.

400
00:20:54,000 --> 00:20:55,879
Speaker 2: They just saw a group of black guys rough night

401
00:20:55,960 --> 00:20:59,080
Speaker 2: each other. So then we had to put colors. So

402
00:20:59,800 --> 00:21:01,320
Speaker 2: the just oh, the blue.

403
00:21:01,119 --> 00:21:03,000
Speaker 1: Guys, the guys, the bad guys, and the red guys.

404
00:21:03,040 --> 00:21:04,600
Speaker 2: So we start doing like that. But the fact is

405
00:21:04,640 --> 00:21:08,359
Speaker 2: it is the young younger low for why can we

406
00:21:08,480 --> 00:21:10,160
Speaker 2: cool things? Changing the time in the streets And I said,

407
00:21:10,160 --> 00:21:13,119
Speaker 2: I'm not kick no more. But the college is very prominent,

408
00:21:13,720 --> 00:21:16,679
Speaker 2: so I'm bouncing around a little bit. I was watching

409
00:21:16,840 --> 00:21:19,359
Speaker 2: on YouTube and there was this guy on the street.

410
00:21:20,320 --> 00:21:22,240
Speaker 2: He was interviewing this other guy on the street and

411
00:21:22,320 --> 00:21:24,800
Speaker 2: he goes, do you wear your watch in London?

412
00:21:25,440 --> 00:21:27,359
Speaker 1: And he said no. He said why not?

413
00:21:28,040 --> 00:21:30,560
Speaker 2: You have insurance and the guy said, I don't have

414
00:21:30,640 --> 00:21:31,320
Speaker 2: insurance from my.

415
00:21:31,480 --> 00:21:38,080
Speaker 1: Arm London's London is not the place. Minute you hear

416
00:21:38,160 --> 00:21:38,479
Speaker 1: this now?

417
00:21:41,080 --> 00:21:44,640
Speaker 2: He literally said that people come up and they'll chop

418
00:21:44,760 --> 00:21:47,160
Speaker 2: you with a machete with a machete for your watch.

419
00:21:47,400 --> 00:21:49,679
Speaker 2: Is it that bad people will do what they need

420
00:21:49,800 --> 00:21:51,679
Speaker 2: you to get them watches off yours? I don't give

421
00:21:51,720 --> 00:21:54,960
Speaker 2: it that. It's not a joke. I think a lot

422
00:21:55,000 --> 00:21:57,880
Speaker 2: of people lose lose a lot for their watches these days.

423
00:21:57,960 --> 00:22:00,960
Speaker 2: So if you're not going somewhere where I feel like

424
00:22:01,040 --> 00:22:03,400
Speaker 2: you can't protectaste, that's not worth the grief. Like I've

425
00:22:03,440 --> 00:22:05,960
Speaker 2: seen videos where you just go to the restaurant with

426
00:22:06,040 --> 00:22:08,680
Speaker 2: your woman with your watch and they will wait for

427
00:22:08,720 --> 00:22:11,240
Speaker 2: you to come out, follow you home and then rip

428
00:22:11,280 --> 00:22:13,000
Speaker 2: off your arm for the way that is down with

429
00:22:13,119 --> 00:22:14,760
Speaker 2: it too right or something I've seen that I've seen

430
00:22:14,800 --> 00:22:16,239
Speaker 2: the same thing that you've seen. I don't know if

431
00:22:16,240 --> 00:22:18,960
Speaker 2: that's common knowledge, but that's that's I heard how they knew.

432
00:22:19,040 --> 00:22:21,440
Speaker 2: So what the way it does? Away who formally from

433
00:22:21,720 --> 00:22:24,440
Speaker 2: from the street call the people say someone just coming

434
00:22:24,560 --> 00:22:28,680
Speaker 2: with this ap you know where the blue dress black

435
00:22:28,720 --> 00:22:30,720
Speaker 2: plays are, and then they wait for you to come out,

436
00:22:31,040 --> 00:22:33,040
Speaker 2: they follow you home and then they get you at

437
00:22:33,040 --> 00:22:33,600
Speaker 2: your doorsteps.

438
00:22:34,000 --> 00:22:36,440
Speaker 3: It's crazy, though, watch Watch Crime in the UK is

439
00:22:37,240 --> 00:22:39,760
Speaker 3: this is the number one and in London they said

440
00:22:39,760 --> 00:22:40,160
Speaker 3: this number.

441
00:22:40,280 --> 00:22:42,320
Speaker 1: Yeah, that makes sense. I can very much believe that.

442
00:22:42,480 --> 00:22:44,120
Speaker 1: And did you know what fun it was? Number two?

443
00:22:45,359 --> 00:22:49,320
Speaker 1: I know we go off the subject, which is fucked up?

444
00:22:49,320 --> 00:22:51,840
Speaker 2: The's number two that I recently just read what's that

445
00:22:52,359 --> 00:22:59,520
Speaker 2: cans France can I've seen that recently though, but.

446
00:23:02,280 --> 00:23:07,760
Speaker 1: I didn't know that people they said that.

447
00:23:08,960 --> 00:23:11,639
Speaker 2: But they're not violent though. They come up to you

448
00:23:11,720 --> 00:23:12,399
Speaker 2: with pepper spray.

449
00:23:13,320 --> 00:23:20,200
Speaker 1: Oh yeah, you go like this. I'm still trying to

450
00:23:20,280 --> 00:23:28,399
Speaker 1: keep so let me start clip from Kanas now.

451
00:23:32,680 --> 00:23:34,920
Speaker 2: So I'm bouncing around, but let's let's go back to

452
00:23:34,960 --> 00:23:35,439
Speaker 2: the series.

453
00:23:35,840 --> 00:23:36,520
Speaker 1: So another.

454
00:23:37,960 --> 00:23:44,919
Speaker 3: Fun character was Sabrina Big the dean Okay she called man.

455
00:23:45,040 --> 00:23:49,600
Speaker 1: She yeah, she didn't kill him. She has the powers.

456
00:23:51,760 --> 00:23:52,680
Speaker 1: I was starting to think.

457
00:23:52,720 --> 00:23:54,639
Speaker 2: I said, you know how many other woman in the

458
00:23:54,720 --> 00:23:57,720
Speaker 2: hood w took full advantage.

459
00:23:57,200 --> 00:23:58,359
Speaker 1: From we played it in l A.

460
00:23:58,480 --> 00:24:01,480
Speaker 2: Yeah, for the LA's premier every one in the crowd

461
00:24:01,520 --> 00:24:03,480
Speaker 2: together game. There was.

462
00:24:05,160 --> 00:24:08,480
Speaker 1: Every time we played until the women in the crowd

463
00:24:08,560 --> 00:24:09,840
Speaker 1: go crazy. You go crazy.

464
00:24:09,880 --> 00:24:11,760
Speaker 2: They love it, you know, they want to have to

465
00:24:11,840 --> 00:24:14,920
Speaker 2: kill it. And she's a good girl and she didn't.

466
00:24:15,080 --> 00:24:16,719
Speaker 2: She didn't know she had the powers at that plant, right.

467
00:24:17,560 --> 00:24:20,480
Speaker 1: I love I love the fact and I'm not blowing

468
00:24:20,520 --> 00:24:20,760
Speaker 1: it up.

469
00:24:20,760 --> 00:24:22,760
Speaker 3: But I want everybody to go see this because if

470
00:24:22,800 --> 00:24:24,600
Speaker 3: you haven't seen it, you have to see it.

471
00:24:24,760 --> 00:24:26,560
Speaker 1: And if you saw it, watch it again.

472
00:24:26,640 --> 00:24:29,680
Speaker 3: Because I had to watch it again to catch certain things,

473
00:24:29,720 --> 00:24:30,760
Speaker 3: and then I had to watch again.

474
00:24:31,000 --> 00:24:32,359
Speaker 1: And then the.

475
00:24:33,880 --> 00:24:38,120
Speaker 3: Only messed up part is I was running around, Hey, bros.

476
00:24:38,160 --> 00:24:42,080
Speaker 1: Soon as I everybody does that.

477
00:24:42,359 --> 00:24:47,200
Speaker 2: Everybody goes into that in once they started watching Everybody's

478
00:24:47,400 --> 00:24:49,879
Speaker 2: just everything everyone.

479
00:24:52,760 --> 00:24:56,399
Speaker 3: But but all right, So, like I said, everyone I

480
00:24:56,440 --> 00:24:59,480
Speaker 3: should watch it. But one of my favorite things, and

481
00:24:59,560 --> 00:25:02,879
Speaker 3: I touched on it earlier, is how they start to

482
00:25:05,160 --> 00:25:09,159
Speaker 3: get their superpowers. Because remember, for those that didn't see it,

483
00:25:09,359 --> 00:25:11,680
Speaker 3: they're all trying to use it. They all find out

484
00:25:11,720 --> 00:25:14,359
Speaker 3: that they got it, and then they try to use

485
00:25:14,400 --> 00:25:15,359
Speaker 3: it and then they can't.

486
00:25:15,600 --> 00:25:18,359
Speaker 2: Yeah, when they really needed it doesn't really work. Yeah,

487
00:25:18,720 --> 00:25:22,680
Speaker 2: and they haven't mastered it. Yeah, take some minute. It

488
00:25:22,840 --> 00:25:27,880
Speaker 2: kind of reminded me of black people in our situation.

489
00:25:28,600 --> 00:25:31,160
Speaker 2: Sometimes we react better when we stressed.

490
00:25:32,280 --> 00:25:34,360
Speaker 1: I feel like when we went our backs against the wall,

491
00:25:34,400 --> 00:25:36,240
Speaker 1: that's when we show out. Yeah, for sure.

492
00:25:36,720 --> 00:25:38,520
Speaker 3: So that's what I started to think. I started to

493
00:25:38,560 --> 00:25:40,679
Speaker 3: look at that. I was like, is that's what's happening.

494
00:25:40,920 --> 00:25:43,440
Speaker 2: There's a lot of subliminal messages inside there, you know,

495
00:25:43,640 --> 00:25:47,159
Speaker 2: like when I do write, I always ride with I

496
00:25:47,280 --> 00:25:49,280
Speaker 2: might not turn up when I need to on time,

497
00:25:49,480 --> 00:25:51,280
Speaker 2: voice when you need me, I'm going to be there.

498
00:25:51,480 --> 00:25:54,360
Speaker 2: And that's how the powers kind of came up come

499
00:25:54,400 --> 00:25:56,760
Speaker 2: about sometimes where even though it comes through times of

500
00:25:56,840 --> 00:26:00,159
Speaker 2: stress when they really need it, they should be But

501
00:26:00,160 --> 00:26:01,760
Speaker 2: the didn't get no always because you've seen it to

502
00:26:01,800 --> 00:26:04,640
Speaker 2: the end, right, I've seen you already know it's nothing,

503
00:26:04,680 --> 00:26:08,440
Speaker 2: but there's so many something messages inside there that it's

504
00:26:08,520 --> 00:26:11,920
Speaker 2: there to uplift the community and to really speak on

505
00:26:12,000 --> 00:26:14,960
Speaker 2: the human beings, especially the black community. Yeah, and you

506
00:26:15,080 --> 00:26:16,320
Speaker 2: know what, I would love to.

507
00:26:18,160 --> 00:26:24,360
Speaker 3: The wardrobe just like everyone everyone, everybody I looked. Everybody

508
00:26:24,440 --> 00:26:26,399
Speaker 3: I saw looked exactly like how I thought that they

509
00:26:26,440 --> 00:26:27,000
Speaker 3: would look.

510
00:26:26,920 --> 00:26:29,080
Speaker 1: Even down to the to the guys that you know, the.

511
00:26:29,400 --> 00:26:32,480
Speaker 2: Snatchers, Like the ship was baggy about you know hoodie guys,

512
00:26:32,760 --> 00:26:33,639
Speaker 2: Like it was baggy.

513
00:26:33,840 --> 00:26:36,200
Speaker 1: It was like it was like fly Like I was like,

514
00:26:36,640 --> 00:26:38,960
Speaker 1: exactly how it is? Is gonna be happy with that

515
00:26:39,000 --> 00:26:41,720
Speaker 1: com from so we got oh yeah, yeah, I'm telling you.

516
00:26:41,920 --> 00:26:44,359
Speaker 1: I'm telling you, like it looked like and like you

517
00:26:44,400 --> 00:26:48,120
Speaker 1: would you would think, like, what's it called Scott high

518
00:26:48,800 --> 00:26:52,639
Speaker 1: high five? Scott? Which one on? What is the genre?

519
00:26:54,920 --> 00:26:57,439
Speaker 3: So you were think far like you were speaking on earlier,

520
00:26:57,640 --> 00:26:59,920
Speaker 3: you would think sci fi to put on something like

521
00:27:00,480 --> 00:27:03,119
Speaker 3: some digital ship or something like that, and it's like

522
00:27:03,240 --> 00:27:03,879
Speaker 3: it looks like.

523
00:27:04,080 --> 00:27:06,800
Speaker 2: Right now to try to ground it, That's what the

524
00:27:07,280 --> 00:27:10,040
Speaker 2: whole point of the show was, Like we wanted everything

525
00:27:10,160 --> 00:27:12,320
Speaker 2: to be like if London.

526
00:27:12,080 --> 00:27:15,000
Speaker 1: Got powers now, this way like relatable.

527
00:27:15,040 --> 00:27:17,200
Speaker 2: So we wanted it to be like whatever you're wearing,

528
00:27:17,280 --> 00:27:18,560
Speaker 2: this is what you would wear, this is what you

529
00:27:18,640 --> 00:27:22,119
Speaker 2: So we were trying to do everything as Honestly, I

530
00:27:22,200 --> 00:27:25,879
Speaker 2: feel like that's the realist version of London is like

531
00:27:26,240 --> 00:27:28,800
Speaker 2: minus the powers obviously, but that is when I look

532
00:27:28,840 --> 00:27:31,080
Speaker 2: at that, the parties and music, the energy on the street.

533
00:27:31,160 --> 00:27:32,399
Speaker 1: I just look at it and I feel like that

534
00:27:32,560 --> 00:27:33,080
Speaker 1: is just London.

535
00:27:33,280 --> 00:27:35,600
Speaker 2: So I wanted to keep that as much as possible

536
00:27:36,000 --> 00:27:37,639
Speaker 2: and put these powers on top and see if it

537
00:27:37,680 --> 00:27:38,240
Speaker 2: will still work.

538
00:27:39,040 --> 00:27:41,800
Speaker 1: So when when did When did London shift right?

539
00:27:42,119 --> 00:27:44,720
Speaker 3: Because at one point I remember us coming to the US,

540
00:27:44,920 --> 00:27:47,119
Speaker 3: coming from the US, excuse me, and we would go

541
00:27:47,359 --> 00:27:50,400
Speaker 3: to London. It would be cool. No one will worry

542
00:27:50,440 --> 00:27:53,560
Speaker 3: about nothing. There's no like I wouldn't say this was

543
00:27:53,640 --> 00:27:54,080
Speaker 3: no crime.

544
00:27:54,200 --> 00:27:56,720
Speaker 2: But I don't know, man, I say, you remember, yeah,

545
00:27:56,760 --> 00:27:59,960
Speaker 2: but you came to London years ago. You can't go

546
00:28:00,040 --> 00:28:02,240
Speaker 2: into the hoods. But he came to an event. It's

547
00:28:02,240 --> 00:28:04,720
Speaker 2: called the Urban Music seven. Yeah, okay, it was so

548
00:28:04,920 --> 00:28:06,400
Speaker 2: many It might be twenty years ago.

549
00:28:06,920 --> 00:28:07,840
Speaker 1: It was so long ago. Man.

550
00:28:07,920 --> 00:28:11,360
Speaker 2: Now from that general generation will remember this because you came.

551
00:28:11,440 --> 00:28:13,760
Speaker 2: You don't talk and Bear Man came to see you.

552
00:28:14,040 --> 00:28:17,439
Speaker 2: But everyone from everywhere, no Southeast and West Aid hoods.

553
00:28:18,400 --> 00:28:19,680
Speaker 1: You came for one of the days.

554
00:28:19,760 --> 00:28:22,360
Speaker 2: But it turned into like a battle rayl blood ball

555
00:28:22,440 --> 00:28:24,440
Speaker 2: in that place because every single gang.

556
00:28:24,400 --> 00:28:27,960
Speaker 1: Basically it was a big but it takes a lot. Yeah,

557
00:28:28,040 --> 00:28:36,400
Speaker 1: so you don't remember, you don't see that. We wouldn't watch.

558
00:28:36,440 --> 00:28:38,720
Speaker 1: That's probably what it is. I felt protected. I felt

559
00:28:38,760 --> 00:28:39,360
Speaker 1: like we bro.

560
00:28:39,560 --> 00:28:43,640
Speaker 2: You was like wasager was in London? Bro We was

561
00:28:43,720 --> 00:28:46,120
Speaker 2: like what we all went down there to see that

562
00:28:46,240 --> 00:28:53,000
Speaker 2: and we showed you love minute you left, because it

563
00:28:53,160 --> 00:28:54,400
Speaker 2: was London has always been violent.

564
00:28:54,520 --> 00:28:57,280
Speaker 1: I agree, I agree with you. It could have been.

565
00:28:57,960 --> 00:29:00,240
Speaker 2: I believe it was violid back then, but it was

566
00:29:00,320 --> 00:29:01,800
Speaker 2: so sput structured, it wasn't.

567
00:29:02,360 --> 00:29:05,440
Speaker 1: Do you think it's the was it drill music? I

568
00:29:05,520 --> 00:29:06,160
Speaker 1: mean that's part of it.

569
00:29:06,240 --> 00:29:08,320
Speaker 3: Do you think it's the introduction of drill music? I

570
00:29:08,360 --> 00:29:10,560
Speaker 3: think it's social media, social med.

571
00:29:10,840 --> 00:29:13,560
Speaker 2: The cameras them days when you're there, Like say, if

572
00:29:13,600 --> 00:29:15,280
Speaker 2: I had a camera phone there, I would be showing

573
00:29:15,320 --> 00:29:17,480
Speaker 2: you footage of me meeting. But I didn't have that

574
00:29:17,560 --> 00:29:20,880
Speaker 2: then wet have phones. You're just seeing it now. But

575
00:29:21,040 --> 00:29:23,920
Speaker 2: London's always been and to be honest, London's a bit worse.

576
00:29:24,400 --> 00:29:25,840
Speaker 2: Is a bit it used to be a bit worse

577
00:29:25,880 --> 00:29:29,040
Speaker 2: than today because there's all my gun laws now where

578
00:29:29,160 --> 00:29:30,680
Speaker 2: if you get found with a gun, you get all

579
00:29:30,800 --> 00:29:31,480
Speaker 2: mac five years.

580
00:29:32,120 --> 00:29:33,400
Speaker 1: They won't lie out. Back in the day.

581
00:29:33,720 --> 00:29:35,160
Speaker 2: Back in the day, you could get do a year

582
00:29:35,240 --> 00:29:37,360
Speaker 2: for a gun, so a lot of man were taking

583
00:29:37,400 --> 00:29:41,400
Speaker 2: that risk. It's not now it's all mac five years.

584
00:29:41,560 --> 00:29:44,360
Speaker 2: So people are less willing to carry a gun and

585
00:29:44,440 --> 00:29:46,040
Speaker 2: they're ready to pick up a knife. But when you

586
00:29:46,160 --> 00:29:49,440
Speaker 2: was coming those times, just me money was still remember

587
00:29:49,480 --> 00:29:53,080
Speaker 2: but you didn't see top Bay on this community in

588
00:29:55,000 --> 00:29:58,480
Speaker 2: im not saying he wouldn't know. That's why I say

589
00:29:58,560 --> 00:30:00,920
Speaker 2: top By, top By your help, because you're not knowing that,

590
00:30:01,000 --> 00:30:03,840
Speaker 2: you're not thinking everyone's thinking. You know where just queens.

591
00:30:04,520 --> 00:30:07,920
Speaker 2: It was always London, has always been London. I went

592
00:30:07,960 --> 00:30:11,800
Speaker 2: to London one time. I'm uh big up. We called

593
00:30:11,880 --> 00:30:17,400
Speaker 2: him the Mounting dym right and you I don't know

594
00:30:17,440 --> 00:30:19,000
Speaker 2: if he wants me to blow up his name. But

595
00:30:20,040 --> 00:30:25,320
Speaker 2: so I'm in I'm in London, I'm performing and Tim Westwood.

596
00:30:25,120 --> 00:30:27,240
Speaker 1: Is not a part of the show. But but he

597
00:30:27,320 --> 00:30:29,760
Speaker 1: came to the show and guys.

598
00:30:29,600 --> 00:30:31,040
Speaker 3: Came and gave me a bag of weed like this

599
00:30:31,240 --> 00:30:33,600
Speaker 3: big and everyone came up to me, Hey, you're drug

600
00:30:33,640 --> 00:30:37,720
Speaker 3: dealing man like no man like I had so much

601
00:30:37,800 --> 00:30:41,040
Speaker 3: weed never seen nobody from like New York have so

602
00:30:41,120 --> 00:30:41,960
Speaker 3: much weed because you.

603
00:30:41,960 --> 00:30:43,480
Speaker 1: Know you're going home the next couple of days. I

604
00:30:43,520 --> 00:30:46,880
Speaker 1: smoked all that ship. Yes, yes, I believe it.

605
00:30:47,120 --> 00:30:52,640
Speaker 3: So bouncing around a little bit the food culture in

606
00:30:52,720 --> 00:30:56,000
Speaker 3: London and you got a mix of you know, African,

607
00:30:56,320 --> 00:30:58,880
Speaker 3: African soul, you got, you got even a little bit

608
00:30:58,920 --> 00:31:01,640
Speaker 3: of Latino out there. You got a little bit of everything.

609
00:31:02,080 --> 00:31:05,800
Speaker 3: Like what is your favorite London dish? Basically London dish, Yes,

610
00:31:05,920 --> 00:31:06,520
Speaker 3: London dish.

611
00:31:06,760 --> 00:31:09,320
Speaker 2: I'm all preferred African dishes because I'm African. But if

612
00:31:09,320 --> 00:31:10,840
Speaker 2: i was to take out my own food, but I've

613
00:31:10,840 --> 00:31:13,960
Speaker 2: been eating African fud since I was a kid, I'll

614
00:31:13,960 --> 00:31:16,480
Speaker 2: probably get the Caribbean food. So if I'm not eating

615
00:31:16,760 --> 00:31:19,360
Speaker 2: your love rice or goosey soup and grand rass, I

616
00:31:19,400 --> 00:31:22,160
Speaker 2: would probably get rass and peas and coxtail.

617
00:31:23,000 --> 00:31:24,280
Speaker 1: So that was the mom.

618
00:31:24,520 --> 00:31:26,200
Speaker 2: Just know that's what I'm That's what I'm eating. But

619
00:31:26,280 --> 00:31:28,280
Speaker 2: London we got, We've got a mix of everything though, Okay,

620
00:31:28,320 --> 00:31:31,240
Speaker 2: that's what I'm saying. We are very much like you.

621
00:31:31,440 --> 00:31:33,400
Speaker 2: I always I just come back from New York and

622
00:31:33,440 --> 00:31:35,920
Speaker 2: I'm always just like it's so similar, you know, everything

623
00:31:36,360 --> 00:31:39,120
Speaker 2: everything so yeah, I think London. My favorite fruit is

624
00:31:39,120 --> 00:31:42,280
Speaker 2: always after. I'm in the Caribbean. But you've got everything wrong.

625
00:31:43,040 --> 00:31:45,080
Speaker 2: What's what's the wonder is I take the bread and

626
00:31:45,200 --> 00:31:47,040
Speaker 2: you're dipping in the rice and go like that.

627
00:31:47,440 --> 00:31:53,160
Speaker 1: Bread and rest is Ethiopian. That's a Guardian dish.

628
00:31:54,160 --> 00:31:58,080
Speaker 2: But it's not bread. It's not bread. It's like it's

629
00:31:58,120 --> 00:32:01,120
Speaker 2: hard to call it. Man, It's like it's like grounded rass.

630
00:32:01,480 --> 00:32:04,680
Speaker 2: It's like a grounded rass. It's like almost it's kind

631
00:32:04,720 --> 00:32:07,760
Speaker 2: of it's like, so you threw me off with bread

632
00:32:07,920 --> 00:32:08,680
Speaker 2: spreading to rest.

633
00:32:08,800 --> 00:32:12,520
Speaker 1: But it's like it's just African. It's African culture. Yeah,

634
00:32:13,040 --> 00:32:15,480
Speaker 1: I like where everybody eat it, But Michael Black, isn't

635
00:32:15,520 --> 00:32:16,160
Speaker 1: it black?

636
00:32:21,160 --> 00:32:22,960
Speaker 2: You know? You like that?

637
00:32:23,080 --> 00:32:24,800
Speaker 1: That's you know, it's not meant to be. It's not

638
00:32:24,880 --> 00:32:25,800
Speaker 1: meant to be. It's meant to be.

639
00:32:26,120 --> 00:32:29,400
Speaker 3: You meant to be a Okay, let's talk about shower story,

640
00:32:29,920 --> 00:32:31,520
Speaker 3: shadow story, shadow story.

641
00:32:31,680 --> 00:32:34,680
Speaker 1: That was your frost. That's what cut me through. Yeah, okay,

642
00:32:35,120 --> 00:32:35,840
Speaker 1: so that there was.

643
00:32:37,240 --> 00:32:40,320
Speaker 2: That was five years into my journey on YouTube, trying

644
00:32:40,400 --> 00:32:43,360
Speaker 2: to make something called myself. So I was uploading from

645
00:32:43,360 --> 00:32:47,960
Speaker 2: twenty thirteen loads of different lave musically now issues like that,

646
00:32:48,640 --> 00:32:51,000
Speaker 2: And every time I uploaded one work with a story,

647
00:32:51,600 --> 00:32:53,960
Speaker 2: I got more attention, you know, And any time I

648
00:32:54,040 --> 00:32:57,960
Speaker 2: utloaded just regular music, it got less attention, which is cool.

649
00:32:59,400 --> 00:33:00,880
Speaker 2: Doing it for year and years and years, and it's

650
00:33:00,920 --> 00:33:03,240
Speaker 2: kind of getting to the print where it's costing me

651
00:33:03,360 --> 00:33:06,840
Speaker 2: more than it's bringing me, you know. So I remember

652
00:33:06,880 --> 00:33:08,800
Speaker 2: getting to the prey now for five years. When I

653
00:33:08,840 --> 00:33:11,640
Speaker 2: say five years, I'm very much like not doing done

654
00:33:11,640 --> 00:33:13,360
Speaker 2: a little bit in January and a little bit in December.

655
00:33:13,640 --> 00:33:17,280
Speaker 2: I'm uploading like ten times a year. So I've got

656
00:33:17,320 --> 00:33:19,600
Speaker 2: signed for Valentine's Day, i got signed for the summer.

657
00:33:19,600 --> 00:33:21,960
Speaker 2: I got signed for Uber and it's costing. You know,

658
00:33:22,240 --> 00:33:24,200
Speaker 2: you gotta pay for it. You gotta shoot it, you

659
00:33:24,280 --> 00:33:26,560
Speaker 2: gotta upload on the channel. You gotta pay upload fee.

660
00:33:27,440 --> 00:33:30,360
Speaker 2: I don't remember thinking, you know what, you gotta pay

661
00:33:30,360 --> 00:33:32,800
Speaker 2: a upload fee for YouTube. If you were to go

662
00:33:33,080 --> 00:33:36,200
Speaker 2: like okay, say like the World Style Hip Hop when

663
00:33:36,240 --> 00:33:37,920
Speaker 2: I was trying to get signed there, they tell you

664
00:33:38,360 --> 00:33:38,960
Speaker 2: how much money.

665
00:33:39,000 --> 00:33:40,280
Speaker 1: Okay, okay, So going to one of.

666
00:33:40,280 --> 00:33:43,440
Speaker 3: The play and you want to get on the biggest plant,

667
00:33:44,760 --> 00:33:45,320
Speaker 3: get what you said?

668
00:33:45,400 --> 00:33:45,600
Speaker 1: Okay?

669
00:33:45,760 --> 00:33:47,840
Speaker 2: So I remember it's coming now, it's like fifty year

670
00:33:47,880 --> 00:33:51,600
Speaker 2: into the journey, and it's like you're getting people that

671
00:33:51,720 --> 00:33:54,320
Speaker 2: know you were like, bro, is it time to hang

672
00:33:54,360 --> 00:33:54,600
Speaker 2: it up?

673
00:33:54,680 --> 00:33:57,720
Speaker 1: Bro? Like you've tried. Man. I was like, I know

674
00:33:57,880 --> 00:34:01,040
Speaker 1: my I know my thing's different. I know my things

675
00:34:01,120 --> 00:34:04,800
Speaker 1: like what things Younique like, yeah, what brought it for years?

676
00:34:04,880 --> 00:34:07,240
Speaker 2: But the man that don't even to tell it to

677
00:34:07,280 --> 00:34:09,279
Speaker 2: the video she no more. It's like, bro, we've were

678
00:34:09,280 --> 00:34:11,239
Speaker 2: coming to videos for years. You've gotta go to work.

679
00:34:12,040 --> 00:34:15,600
Speaker 2: I'm just like I remember saying to myself, I've got

680
00:34:15,680 --> 00:34:17,400
Speaker 2: this shadow of story figure and I've had it on

681
00:34:17,480 --> 00:34:19,920
Speaker 2: YouTube from no on Spotify from twenty seven. No one

682
00:34:20,000 --> 00:34:21,920
Speaker 2: knew because I didn't get a lot of dreams. But

683
00:34:22,200 --> 00:34:25,320
Speaker 2: people that listen to it, yeah, the audio or the audio.

684
00:34:25,719 --> 00:34:27,680
Speaker 2: Everyone that listened to it. People that didn't really talk

685
00:34:27,719 --> 00:34:29,200
Speaker 2: to me really well, we always meant to me. So

686
00:34:29,200 --> 00:34:31,040
Speaker 2: I heard that, thinking on Spotify, You're it's really good.

687
00:34:31,640 --> 00:34:34,719
Speaker 2: Maybe just on my last hurrah, I'm just going to

688
00:34:34,760 --> 00:34:37,080
Speaker 2: do a visual to this, okay as my final go

689
00:34:37,200 --> 00:34:38,640
Speaker 2: bad because I love the storytelling.

690
00:34:39,640 --> 00:34:43,560
Speaker 1: Storytelling. I'm just seeing my last one.

691
00:34:43,640 --> 00:34:47,239
Speaker 2: Then go figure out something to a job man, and

692
00:34:47,280 --> 00:34:49,719
Speaker 2: then I put it out and it blew up like

693
00:34:50,040 --> 00:34:52,719
Speaker 2: it was crazy, like I don't know, we've got a

694
00:34:53,360 --> 00:34:55,160
Speaker 2: Part one got a million views.

695
00:34:55,040 --> 00:34:56,600
Speaker 1: In like ten days, and then before then I never

696
00:34:56,640 --> 00:34:57,359
Speaker 1: had a million views.

697
00:34:57,719 --> 00:34:59,799
Speaker 2: Part two got like a million views in four days,

698
00:34:59,840 --> 00:35:02,040
Speaker 2: and Part three got a million views and five hours

699
00:35:02,040 --> 00:35:04,799
Speaker 2: and it was viral. Then I got calls from Jay

700
00:35:04,880 --> 00:35:07,800
Speaker 2: Z and James Samuel and everyone's calling me, and everyone

701
00:35:07,840 --> 00:35:09,280
Speaker 2: did time time time time.

702
00:35:09,160 --> 00:35:15,520
Speaker 1: Through that and from from shower store, so and so. Yeah.

703
00:35:15,600 --> 00:35:18,680
Speaker 2: So basically once that came through the door, showers to

704
00:35:18,920 --> 00:35:21,640
Speaker 2: everybody came. And what worked, what what worked in my

705
00:35:21,760 --> 00:35:24,880
Speaker 2: favor was there was a massive show in Britain at

706
00:35:24,920 --> 00:35:27,320
Speaker 2: the time called The Bodyguard, the BBC's biggest show for

707
00:35:27,400 --> 00:35:29,799
Speaker 2: ages and it was there finale and you went against them,

708
00:35:30,239 --> 00:35:31,759
Speaker 2: but I didn't know because I didn't want to win

709
00:35:31,840 --> 00:35:32,720
Speaker 2: against him a boy.

710
00:35:35,480 --> 00:35:39,000
Speaker 1: So we're trending about the biggest show in the UK.

711
00:35:39,840 --> 00:35:42,800
Speaker 1: I just had all the networks start to contact me.

712
00:35:42,880 --> 00:35:45,600
Speaker 2: So TV producting companies are hitting me up, film production

713
00:35:45,680 --> 00:35:47,640
Speaker 2: companies are hitting me up. Everyone's hitting me up like

714
00:35:47,680 --> 00:35:48,800
Speaker 2: we want to work, we want to do this, we

715
00:35:48,880 --> 00:35:50,000
Speaker 2: want to do that, we want to do this. And

716
00:35:50,040 --> 00:35:53,400
Speaker 2: I was like, yo, I was in the game without

717
00:35:53,440 --> 00:35:54,960
Speaker 2: trying to get into the game. The game kind of

718
00:35:55,000 --> 00:35:58,440
Speaker 2: came to me and I got through. Yeah, so by

719
00:35:58,480 --> 00:36:03,880
Speaker 2: the congratulations, thank you you said, James said, you were earlier,

720
00:36:04,120 --> 00:36:06,239
Speaker 2: my man, big up Still's brother.

721
00:36:07,840 --> 00:36:11,000
Speaker 1: Do you remember the first time me and James Brolay

722
00:36:11,080 --> 00:36:11,680
Speaker 1: over there. Yeah.

723
00:36:11,760 --> 00:36:14,960
Speaker 2: So We're on the heighth of a shower stay doing

724
00:36:15,000 --> 00:36:17,680
Speaker 2: all these radio interviews, getting back and forth, and I've

725
00:36:17,719 --> 00:36:20,040
Speaker 2: got an email from a guy called Jamal Edwards. Man

726
00:36:20,600 --> 00:36:22,799
Speaker 2: he passed away not too long ago, but I really lovely.

727
00:36:22,880 --> 00:36:25,960
Speaker 2: Guy started trying to called SBTV, which is where a

728
00:36:26,000 --> 00:36:28,560
Speaker 2: lot of us started. So his emailed me said, James

729
00:36:28,600 --> 00:36:30,880
Speaker 2: Samuel and Jay Z wanted trying to reach you.

730
00:36:31,520 --> 00:36:33,719
Speaker 1: I didn't know who James Samuel was, but I saw James,

731
00:36:34,840 --> 00:36:39,560
Speaker 1: this is live, bro, this is I even pay attention

732
00:36:39,640 --> 00:36:41,960
Speaker 1: to it. I just said the quickest email back. Yeah,

733
00:36:42,000 --> 00:36:44,440
Speaker 1: you give them my number, pay attention to it.

734
00:36:44,840 --> 00:36:47,080
Speaker 2: There was a big billboard of shower story in my

735
00:36:47,239 --> 00:36:49,000
Speaker 2: in my neighborhood, like where I used to hang out.

736
00:36:49,040 --> 00:36:50,600
Speaker 2: So we went down there just to take a picture

737
00:36:50,640 --> 00:36:53,120
Speaker 2: next to it. Until I've got her FaceTime called from

738
00:36:53,239 --> 00:36:58,320
Speaker 2: James Samuel, Bro. This put his energy was crazy energy,

739
00:36:58,719 --> 00:37:01,200
Speaker 2: but his energy said that what's good?

740
00:37:01,320 --> 00:37:15,960
Speaker 1: Black? He is such He's like, what's good, black guy?

741
00:37:16,520 --> 00:37:19,759
Speaker 1: I've seen your work and we want to work with you.

742
00:37:20,200 --> 00:37:24,040
Speaker 1: Me jay Z Tata, I'm just like, bro, who are you?

743
00:37:24,200 --> 00:37:26,400
Speaker 2: Bro? Yo?

744
00:37:26,680 --> 00:37:29,480
Speaker 1: I appreciate the comp my life. What's good?

745
00:37:29,520 --> 00:37:31,200
Speaker 2: Because I'm not going to sell you on who I am,

746
00:37:31,680 --> 00:37:35,359
Speaker 2: but just know you are a black guy is telling

747
00:37:35,400 --> 00:37:39,080
Speaker 2: me maybe I don't have the FA before this time.

748
00:37:39,280 --> 00:37:42,040
Speaker 2: So he's just guying off and I'm like, okay, I'm

749
00:37:42,080 --> 00:37:44,920
Speaker 2: just taking a confidence. Okay, bro, appreciate that. He goes, oh,

750
00:37:45,880 --> 00:37:48,359
Speaker 2: can I call you next week? I said, yeah, bro,

751
00:37:48,440 --> 00:37:50,520
Speaker 2: you got my mind, man, you can put whatever.

752
00:37:50,400 --> 00:37:50,960
Speaker 1: You are man.

753
00:37:51,440 --> 00:37:53,120
Speaker 2: He goes, you know, and me and jay Z are

754
00:37:53,160 --> 00:37:54,560
Speaker 2: saying I said, Bro, you don't have to keep from

755
00:37:54,560 --> 00:37:56,480
Speaker 2: saying I appreciate it.

756
00:37:56,520 --> 00:37:58,960
Speaker 1: You cool men. You know one to me, jay Z

757
00:37:59,080 --> 00:38:00,239
Speaker 1: is a guy that lives over there.

758
00:38:00,640 --> 00:38:03,960
Speaker 2: You live in London, Bronn work sounds like I'm going

759
00:38:04,040 --> 00:38:07,720
Speaker 2: to call you one week after the phone I signed them, Bro, Yeah.

760
00:38:07,520 --> 00:38:08,160
Speaker 1: I have a good time.

761
00:38:08,400 --> 00:38:10,040
Speaker 2: Speak to you soon. I don't tell my baby thinking

762
00:38:10,040 --> 00:38:11,319
Speaker 2: about that, and I don't know, man.

763
00:38:11,360 --> 00:38:14,080
Speaker 1: It was just weird. The energy was crazy, but then

764
00:38:14,120 --> 00:38:14,719
Speaker 1: I remember like.

765
00:38:16,480 --> 00:38:18,560
Speaker 2: Ten days later, I'm putting my daughter to bed now

766
00:38:19,560 --> 00:38:21,520
Speaker 2: and he's called and I'm just like, bro, this is

767
00:38:21,600 --> 00:38:23,960
Speaker 2: that crazy brother with the black guy.

768
00:38:26,360 --> 00:38:28,560
Speaker 1: I was like, okay, I want to say to my

769
00:38:28,600 --> 00:38:29,279
Speaker 1: little girl cho.

770
00:38:29,800 --> 00:38:31,440
Speaker 2: I said, yo, Bro, I'm just putting my little one

771
00:38:31,480 --> 00:38:35,840
Speaker 2: to bed, and it goes wait, wait, black guy speak

772
00:38:35,880 --> 00:38:38,480
Speaker 2: to my friend first, like bro, yo.

773
00:38:46,960 --> 00:38:49,839
Speaker 1: But you know it's funny though, James is like one

774
00:38:49,880 --> 00:38:50,960
Speaker 1: of my closest friends.

775
00:38:50,800 --> 00:38:53,640
Speaker 2: Now lie and obviously through James, he's introduced me to

776
00:38:53,760 --> 00:38:56,279
Speaker 2: time James and tied like my proper lot. They're my

777
00:38:56,560 --> 00:38:58,399
Speaker 2: actual friend. You know, if they were here now, they'll

778
00:38:58,400 --> 00:39:01,200
Speaker 2: be sitting deciding me. But it was crazy at the time.

779
00:39:01,320 --> 00:39:02,920
Speaker 1: He was just this mad guy was back.

780
00:39:02,960 --> 00:39:06,560
Speaker 2: And remember this is before Harderday, full before Booker clapping,

781
00:39:06,960 --> 00:39:07,480
Speaker 2: So I've.

782
00:39:07,400 --> 00:39:09,920
Speaker 1: Never heard of it. He didn't, doesn't. He doesn't come

783
00:39:09,960 --> 00:39:12,560
Speaker 1: on the phone and say I'm He's just.

784
00:39:12,640 --> 00:39:15,359
Speaker 2: A guy with a mad energy that he's basically telling

785
00:39:15,440 --> 00:39:19,000
Speaker 2: you congratulations you've met me. Now.

786
00:39:19,080 --> 00:39:21,759
Speaker 1: It's well, that's an energy, bro.

787
00:39:23,600 --> 00:39:28,280
Speaker 2: Like James's energy is so so positive like he and honestly,

788
00:39:28,360 --> 00:39:30,719
Speaker 2: since he's come into my life, it has only been winning, win,

789
00:39:30,840 --> 00:39:32,560
Speaker 2: because we move as a collective.

790
00:39:32,920 --> 00:39:34,560
Speaker 1: So even with this, he's like, Yo, we need to

791
00:39:34,600 --> 00:39:41,640
Speaker 1: go on drink cool to get to that's what That's

792
00:39:41,680 --> 00:39:43,440
Speaker 1: how we move as a collective now. But that the

793
00:39:43,560 --> 00:39:44,560
Speaker 1: energy case. When I'm.

794
00:39:47,320 --> 00:39:56,400
Speaker 2: Listen, listen, I'm just becoming a member of So, I'm

795
00:39:56,440 --> 00:39:57,480
Speaker 2: just becoming a member of soul.

796
00:39:59,320 --> 00:40:03,359
Speaker 3: There's nothing but white people around, so real. I walked

797
00:40:03,400 --> 00:40:07,239
Speaker 3: to the bathroom. This is so house and the one

798
00:40:07,280 --> 00:40:09,839
Speaker 3: with boys downstairs in La.

799
00:40:11,680 --> 00:40:12,400
Speaker 1: So I'm walking through.

800
00:40:13,000 --> 00:40:17,200
Speaker 2: It's a very quiet Sunday evening. He's walking by me.

801
00:40:17,360 --> 00:40:29,319
Speaker 2: He stops and he goes, I'm like cool. The white

802
00:40:29,320 --> 00:40:31,239
Speaker 2: people faces said why did he just call him the

803
00:40:31,320 --> 00:40:34,319
Speaker 2: black guy? And I'm like hold up And he's like.

804
00:40:34,360 --> 00:40:38,640
Speaker 3: Hey man, and I'm looking and then he starts dropping themes.

805
00:40:38,640 --> 00:40:41,120
Speaker 3: Three he says ja name and whatever. So I'm like,

806
00:40:41,239 --> 00:40:43,239
Speaker 3: I kind of just text BIGS. I was like, Yo,

807
00:40:44,160 --> 00:40:47,880
Speaker 3: this is weird guy standing in front of me with braids,

808
00:40:48,680 --> 00:40:49,880
Speaker 3: and he.

809
00:40:50,000 --> 00:40:52,319
Speaker 1: Was like he's getting me Like, hope his best friend

810
00:40:52,520 --> 00:40:59,200
Speaker 1: be nice to him. I said anything. He says he is.

811
00:41:00,080 --> 00:41:03,440
Speaker 2: He doesn't drop names because he knows these people are

812
00:41:03,480 --> 00:41:04,359
Speaker 2: confidence to him.

813
00:41:04,239 --> 00:41:06,719
Speaker 1: As well, and he them. So he's that guy.

814
00:41:06,960 --> 00:41:08,640
Speaker 2: You know, he was just telling me because he was like, Yo,

815
00:41:08,719 --> 00:41:11,000
Speaker 2: I just told Jay, I'm putting you in the movie,

816
00:41:11,239 --> 00:41:13,200
Speaker 2: and I'm looking and I'm like, this ship is too

817
00:41:13,320 --> 00:41:14,400
Speaker 2: good to be true.

818
00:41:18,320 --> 00:41:25,560
Speaker 1: Just text megs and was like, Gage is that guy? Man?

819
00:41:26,640 --> 00:41:28,400
Speaker 2: So let me ask you because we heard this famous

820
00:41:28,440 --> 00:41:32,400
Speaker 2: story about Netflix coming to see you and you're running

821
00:41:32,480 --> 00:41:32,919
Speaker 2: up the bill.

822
00:41:33,200 --> 00:41:37,160
Speaker 1: Yeah, yeah, and I feel good one yeah you remember

823
00:41:37,200 --> 00:41:38,759
Speaker 1: what you ate? Oh man?

824
00:41:38,960 --> 00:41:41,920
Speaker 2: It was it was some of my dumplings. It was

825
00:41:41,960 --> 00:41:44,919
Speaker 2: some prone dumplings, money bags. If anyone's gone to another cub,

826
00:41:45,000 --> 00:41:49,600
Speaker 2: you know I'm talking about you had a trouble problem

827
00:41:49,880 --> 00:41:51,799
Speaker 2: when I was ordering everything come up to that as well.

828
00:41:54,000 --> 00:41:56,919
Speaker 2: You I was making them because I ain't got shame

829
00:41:56,960 --> 00:41:59,000
Speaker 2: for things like that. If you're gonna take me to dinner,

830
00:41:59,400 --> 00:42:02,919
Speaker 2: you're gonna me to dinner. Bro, I'm going to eat today,

831
00:42:03,160 --> 00:42:07,160
Speaker 2: like I'm saying. So, yeah, remember asked for four. Just

832
00:42:07,160 --> 00:42:08,440
Speaker 2: want everybody to know for four.

833
00:42:10,280 --> 00:42:11,400
Speaker 1: So I remember there was.

834
00:42:11,640 --> 00:42:13,560
Speaker 2: So I tried to do a deal with Netflix in

835
00:42:13,640 --> 00:42:16,120
Speaker 2: twenty eighteen. This is before my movie came out. After

836
00:42:16,200 --> 00:42:19,040
Speaker 2: Sharer story. They didn't like the show I had, you know,

837
00:42:19,160 --> 00:42:21,719
Speaker 2: it just wasn't for them. And they had some sort

838
00:42:21,760 --> 00:42:23,600
Speaker 2: of deal where it's like you can still pitch our

839
00:42:23,680 --> 00:42:25,680
Speaker 2: days to us and we see what we like. I'm

840
00:42:25,719 --> 00:42:28,160
Speaker 2: not really trying to be a pitch pony, but let's

841
00:42:28,280 --> 00:42:30,279
Speaker 2: I'm sure we're reconnect, you know, like if it's meant

842
00:42:30,320 --> 00:42:33,280
Speaker 2: to be. So my movie that was coming out, Blue Story,

843
00:42:34,080 --> 00:42:36,240
Speaker 2: the promo for in the UK was crazy. You couldn't

844
00:42:36,239 --> 00:42:39,239
Speaker 2: go nowhere and not see it. Buses, underground billboards. Ratio

845
00:42:39,360 --> 00:42:42,200
Speaker 2: is still independent with this Blue Story. Yeah, yeah, still dependent.

846
00:42:42,840 --> 00:42:45,560
Speaker 2: So they've reached out, like, you know, can we go

847
00:42:45,719 --> 00:42:47,719
Speaker 2: to dinner? And I'm like, okay, they've seen all the

848
00:42:47,719 --> 00:42:49,799
Speaker 2: press because the press was everywhere and we don't get

849
00:42:49,840 --> 00:42:52,279
Speaker 2: a lot of all blackcast movies. They come around like

850
00:42:52,400 --> 00:42:54,239
Speaker 2: once every six seven years in the UK, so when

851
00:42:54,280 --> 00:42:55,200
Speaker 2: it comes, it's a big deal.

852
00:42:55,280 --> 00:42:57,239
Speaker 3: But let me ask you, and I want you to

853
00:42:57,280 --> 00:42:59,080
Speaker 3: get right back to that, but how did you get

854
00:42:59,160 --> 00:43:01,759
Speaker 3: that funding for them to see that the billboards and

855
00:43:01,800 --> 00:43:02,160
Speaker 3: things like that.

856
00:43:03,800 --> 00:43:06,360
Speaker 1: I was independent, but it wasn't after Shower Story.

857
00:43:06,520 --> 00:43:09,520
Speaker 2: Okay, when I told you everyone came, I was like, yo,

858
00:43:09,600 --> 00:43:11,719
Speaker 2: I got this thing I made earlier two years before

859
00:43:11,840 --> 00:43:15,040
Speaker 2: Shower Story. I wrote this movie. I wrote Blue story,

860
00:43:15,080 --> 00:43:17,399
Speaker 2: and it just sat on my laptop for years. I'm

861
00:43:17,440 --> 00:43:19,360
Speaker 2: hoping one day I'll make enough money. I'm going to

862
00:43:19,400 --> 00:43:21,200
Speaker 2: save my money and I'm going to make it.

863
00:43:21,280 --> 00:43:22,120
Speaker 1: So he just sat there.

864
00:43:22,280 --> 00:43:23,800
Speaker 2: So when everybody came that we're going to do this,

865
00:43:23,920 --> 00:43:25,439
Speaker 2: I was like, yo, if you want to do this movie,

866
00:43:25,480 --> 00:43:27,680
Speaker 2: I've got because I didn't write that for nothing, that

867
00:43:27,800 --> 00:43:29,560
Speaker 2: we can make that. And that's so that's how that

868
00:43:29,680 --> 00:43:32,360
Speaker 2: got made. So it wasn't independent, it was I was independent,

869
00:43:32,440 --> 00:43:34,440
Speaker 2: but the movie was made by power Man. It was

870
00:43:34,480 --> 00:43:37,040
Speaker 2: an independent movie, but Powermount paid for the distribution, so

871
00:43:37,239 --> 00:43:38,280
Speaker 2: they were pushing everywhere.

872
00:43:40,280 --> 00:43:42,719
Speaker 1: So yeah, so they basically saw the hype.

873
00:43:42,840 --> 00:43:42,960
Speaker 2: You know.

874
00:43:43,120 --> 00:43:44,720
Speaker 1: I was like, Yo, do you want to go to dinner?

875
00:43:44,719 --> 00:43:46,160
Speaker 1: And I was like, cool, let's go to dinner. Man,

876
00:43:46,719 --> 00:43:48,800
Speaker 1: where do you want to go? And they made it

877
00:43:48,880 --> 00:43:54,440
Speaker 1: clear you're our treat. So I was like, yo, because

878
00:43:56,680 --> 00:43:58,120
Speaker 1: pay for that. So we went.

879
00:43:58,360 --> 00:44:00,920
Speaker 2: I went another because and you know, when they expect

880
00:44:01,000 --> 00:44:02,759
Speaker 2: you to come in and just be modest, I want

881
00:44:02,800 --> 00:44:03,799
Speaker 2: you want to know just some more.

882
00:44:04,360 --> 00:44:06,920
Speaker 1: I was that, so I'm going to get that cocktail.

883
00:44:07,200 --> 00:44:08,920
Speaker 1: I'm going to get that, get this. I want to

884
00:44:08,920 --> 00:44:10,440
Speaker 1: get that. And I just ran up bare Field, but

885
00:44:11,000 --> 00:44:12,160
Speaker 1: their Netflix, they go like that.

886
00:44:12,600 --> 00:44:16,799
Speaker 2: So I'm just yumming off the food, right, jamming it off.

887
00:44:16,920 --> 00:44:19,239
Speaker 1: But I think I was yamming so much they.

888
00:44:19,360 --> 00:44:22,200
Speaker 2: Had to sneak the words up, wait, have you got

889
00:44:22,239 --> 00:44:24,440
Speaker 2: anything that you feel like would be good for us?

890
00:44:24,719 --> 00:44:26,080
Speaker 2: And I didn't know it was a pitch me in.

891
00:44:26,360 --> 00:44:27,880
Speaker 2: I thought it was just not get to know each other.

892
00:44:29,120 --> 00:44:31,440
Speaker 2: But it wasn't a general they they was they wanted

893
00:44:31,480 --> 00:44:34,080
Speaker 2: to know what I had. Top Boy came out yet

894
00:44:35,000 --> 00:44:37,359
Speaker 2: Top Boy was coming out in two in a month,

895
00:44:37,719 --> 00:44:42,040
Speaker 2: Okay was coming out in the month. Okay, So so yeah,

896
00:44:42,040 --> 00:44:44,960
Speaker 2: I'm just yumming this food, and they said, what's this idea?

897
00:44:45,280 --> 00:44:46,840
Speaker 1: Idea? I gave him my idea. They didn't like it,

898
00:44:47,320 --> 00:44:51,840
Speaker 1: of course, anything else Okay gave some other idea.

899
00:44:51,840 --> 00:44:53,759
Speaker 2: I can't remember that one was. They didn't like that,

900
00:44:54,360 --> 00:44:56,120
Speaker 2: and I think they started to feel like this money

901
00:44:56,160 --> 00:44:58,239
Speaker 2: when food was wasted that right now, because there wasn't

902
00:44:58,239 --> 00:45:01,640
Speaker 2: getting nothing back but any thick us. I said, Okay,

903
00:45:01,640 --> 00:45:02,959
Speaker 2: I'm not gonna be able to eat in peace until

904
00:45:02,960 --> 00:45:06,440
Speaker 2: I do sign so food. Still digesting the food in

905
00:45:06,520 --> 00:45:08,719
Speaker 2: my mouth now, and I'm just like, look, I've got

906
00:45:08,800 --> 00:45:12,239
Speaker 2: this idea. So about people from where I'm from, and

907
00:45:12,360 --> 00:45:14,840
Speaker 2: they got powers, you know, but they're not doing superhero

908
00:45:14,960 --> 00:45:16,919
Speaker 2: or stuff. They're doing normal stuff like what they would

909
00:45:16,960 --> 00:45:19,600
Speaker 2: be doing the day before they had powers. Just normal

910
00:45:19,680 --> 00:45:22,600
Speaker 2: people doing normal things. And I'm rambling on because they're

911
00:45:22,600 --> 00:45:24,960
Speaker 2: not saying nothing, whereas before they was interrupted saying what else?

912
00:45:24,960 --> 00:45:25,400
Speaker 1: What happened?

913
00:45:25,680 --> 00:45:27,319
Speaker 2: But I'm looking at them and it was like change

914
00:45:27,600 --> 00:45:29,920
Speaker 2: because they saw that that was the one and that's

915
00:45:29,960 --> 00:45:33,759
Speaker 2: that's kind of testament to them. They're very sharp and

916
00:45:33,840 --> 00:45:36,400
Speaker 2: what they know would will connect. So that was that

917
00:45:37,160 --> 00:45:38,960
Speaker 2: because I thought the art there I was given one

918
00:45:39,000 --> 00:45:42,400
Speaker 2: good but they didn't. But so yeah, from that, and

919
00:45:42,560 --> 00:45:44,600
Speaker 2: it was like, can we talk about this now? I said, Yo,

920
00:45:44,880 --> 00:45:47,440
Speaker 2: my movie drops in that three weeks. I just I

921
00:45:47,480 --> 00:45:48,920
Speaker 2: just want to see what that does. First, let me

922
00:45:48,960 --> 00:45:51,200
Speaker 2: see what that does. And then Blue Story Yeah, and

923
00:45:51,360 --> 00:45:54,479
Speaker 2: then hollowed at me afterwards, and they waited, they waited

924
00:45:54,480 --> 00:45:55,920
Speaker 2: for the movie to come out, and then two three

925
00:45:55,960 --> 00:45:58,400
Speaker 2: weeks afterwards, they came back like, yo, we've circled the

926
00:45:58,400 --> 00:45:59,919
Speaker 2: block now, like what's good?

927
00:46:00,080 --> 00:46:03,360
Speaker 1: It's all God damn.

928
00:46:06,880 --> 00:46:09,440
Speaker 3: Our shows about giving people their flowers or not, and

929
00:46:09,640 --> 00:46:10,760
Speaker 3: we want to give you your flowers.

930
00:46:10,800 --> 00:46:16,680
Speaker 1: Face to face man, you know what I listen? Do

931
00:46:17,480 --> 00:46:20,759
Speaker 1: you know why? I was like, I was like, can

932
00:46:20,840 --> 00:46:24,439
Speaker 1: I go? Can I go and drink drink?

933
00:46:24,680 --> 00:46:27,800
Speaker 2: I said I would in the Fact show. It's always

934
00:46:27,920 --> 00:46:28,799
Speaker 2: uplifting the games.

935
00:46:28,800 --> 00:46:38,800
Speaker 1: That's right. It's not sneak sabotage, just like this. This

936
00:46:38,960 --> 00:46:40,440
Speaker 1: is a this is a guy in my cabinet in

937
00:46:40,520 --> 00:46:43,279
Speaker 1: my yard like y'all. So another thing we went through.

938
00:46:43,360 --> 00:46:49,160
Speaker 1: We went through your music. But your music is so

939
00:46:49,400 --> 00:46:50,120
Speaker 1: fire right.

940
00:46:50,680 --> 00:46:53,400
Speaker 3: But I could also hear the ice cube and you

941
00:46:53,600 --> 00:46:56,960
Speaker 3: meaning writing scripts like like that.

942
00:46:58,320 --> 00:47:01,720
Speaker 2: That's why cube transitions so dope, because he was always

943
00:47:01,760 --> 00:47:03,440
Speaker 2: you know, like there was a good day and all

944
00:47:03,480 --> 00:47:06,160
Speaker 2: of that. So when he went on to do Friday,

945
00:47:06,239 --> 00:47:08,759
Speaker 2: I wasn't shocked because you can see a story. I

946
00:47:08,840 --> 00:47:12,320
Speaker 2: see a natural storyteller is a natural storyteller, Like you

947
00:47:12,520 --> 00:47:14,600
Speaker 2: can do over it beat. He can do it in

948
00:47:14,640 --> 00:47:16,560
Speaker 2: the script, and it's similar with me. I can do

949
00:47:16,680 --> 00:47:17,960
Speaker 2: over beat. I can do it in the script.

950
00:47:18,040 --> 00:47:20,160
Speaker 1: When it's in you. You you it's just a story.

951
00:47:20,560 --> 00:47:23,839
Speaker 2: So you probably never had a chance to really tell

952
00:47:23,880 --> 00:47:25,560
Speaker 2: his stories, probably because you've only got a certain aount

953
00:47:25,560 --> 00:47:26,160
Speaker 2: of time on the song.

954
00:47:26,200 --> 00:47:28,400
Speaker 1: That's why when he got into his writing Bang, it

955
00:47:28,520 --> 00:47:29,280
Speaker 1: was just crazy.

956
00:47:29,520 --> 00:47:32,000
Speaker 2: He's giving us the classical, all classics, and I just

957
00:47:32,080 --> 00:47:34,520
Speaker 2: feel like natural storytellers, you just want to tell a

958
00:47:34,520 --> 00:47:35,960
Speaker 2: bigger story. Then you want to tell a bigger story

959
00:47:36,080 --> 00:47:37,920
Speaker 2: like I'm surprised Cubean't got a TV show yet, It's

960
00:47:37,920 --> 00:47:41,080
Speaker 2: probably coming. I'm a big Q fan and I was

961
00:47:41,160 --> 00:47:44,480
Speaker 2: all the storytellers of that generation like, so yeah, I love.

962
00:47:44,360 --> 00:47:47,680
Speaker 3: That you do claim the b sides of people. Records,

963
00:47:48,080 --> 00:47:50,040
Speaker 3: like the records that no one does a video.

964
00:47:49,920 --> 00:47:54,320
Speaker 2: But for me, those were the ones that obviously the

965
00:47:54,360 --> 00:47:56,200
Speaker 2: label was putting out the songs that's going to sell.

966
00:47:56,280 --> 00:47:59,000
Speaker 1: But as a fan, you honest, I visualized what that

967
00:47:59,120 --> 00:48:00,799
Speaker 1: character looks like. Bro, come and give me the loot.

968
00:48:01,400 --> 00:48:05,719
Speaker 2: That brog BIGGI and a little biggie guy on these

969
00:48:05,800 --> 00:48:09,759
Speaker 2: cameles trying to I always imagine, I'm literally I could

970
00:48:09,800 --> 00:48:10,200
Speaker 2: redo that.

971
00:48:10,280 --> 00:48:14,440
Speaker 1: Video now and have gave you power about the gun. Bro.

972
00:48:15,200 --> 00:48:17,600
Speaker 2: No, but my favorite now story turns on is Undying Love.

973
00:48:17,719 --> 00:48:19,719
Speaker 2: You know, when he goes the whole story I am

974
00:48:19,880 --> 00:48:22,279
Speaker 2: and he ends up killing himself and HISLF and at

975
00:48:22,280 --> 00:48:25,600
Speaker 2: the end, Bro, that story goes so deep when he

976
00:48:25,680 --> 00:48:28,560
Speaker 2: figures out she's cheating, so all of these stories.

977
00:48:28,600 --> 00:48:30,800
Speaker 4: I'm just like, bro, give me one video, give some

978
00:48:30,960 --> 00:48:33,080
Speaker 4: a vacation. I always say it would be an ill movie.

979
00:48:33,000 --> 00:48:35,280
Speaker 2: But they never do it, and I get it because

980
00:48:35,360 --> 00:48:38,600
Speaker 2: you're trying to sell records, right, But for me, I

981
00:48:38,760 --> 00:48:40,880
Speaker 2: was a slap bro. I'm giving everybody there must be

982
00:48:40,960 --> 00:48:43,120
Speaker 2: someone out here like me who wants to see the

983
00:48:43,200 --> 00:48:46,359
Speaker 2: visuals to these ill stories. So that was literally my lane.

984
00:48:46,560 --> 00:48:49,160
Speaker 2: It wasn't trying to infiltrate film and TV. It was

985
00:48:49,200 --> 00:48:51,479
Speaker 2: going to be I'm going to tell people, show people

986
00:48:51,480 --> 00:48:53,480
Speaker 2: in my neighborhood all these stories because I didn't know

987
00:48:53,560 --> 00:48:56,080
Speaker 2: nobody out of my neighborhood, so I was knowing where

988
00:48:56,080 --> 00:48:56,600
Speaker 2: I was from.

989
00:48:57,080 --> 00:48:59,080
Speaker 1: But then it just started growing. You know what I'm saying.

990
00:48:59,400 --> 00:49:01,560
Speaker 1: God comes down and asks you, I want you to

991
00:49:01,800 --> 00:49:07,600
Speaker 1: do one video with one artist. Two Packs fat.

992
00:49:07,640 --> 00:49:13,759
Speaker 2: I didn't even have to ask, Okay, is it a

993
00:49:13,840 --> 00:49:15,880
Speaker 2: record that's already made or is it a record that

994
00:49:15,960 --> 00:49:17,640
Speaker 2: you want him to go in and make you some

995
00:49:17,719 --> 00:49:19,560
Speaker 2: close Caskets that he's done with the Outlaws.

996
00:49:20,000 --> 00:49:22,520
Speaker 1: Wowe, only real?

997
00:49:22,600 --> 00:49:24,960
Speaker 2: Two Packs are gonna know that by that that tune

998
00:49:25,000 --> 00:49:29,359
Speaker 2: is deep, you know, close Casket. He talks about two

999
00:49:29,440 --> 00:49:32,319
Speaker 2: friends who love the same girl and they end up

1000
00:49:32,360 --> 00:49:34,640
Speaker 2: in a massive shoot and end up killing each other,

1001
00:49:35,239 --> 00:49:37,279
Speaker 2: and he doesn't he's done it with the Outlaws as well.

1002
00:49:37,320 --> 00:49:40,000
Speaker 1: But it's a big tune. Man, that's a big tune.

1003
00:49:40,000 --> 00:49:41,520
Speaker 1: I'll do it to that son, Okay.

1004
00:49:42,680 --> 00:49:45,360
Speaker 2: I don't know if I'm announcing this right, Shiro story,

1005
00:49:45,560 --> 00:49:46,760
Speaker 2: Hyro Sharro story.

1006
00:49:46,920 --> 00:49:47,600
Speaker 1: Let's talk about that.

1007
00:49:48,680 --> 00:49:51,640
Speaker 2: You know you done that already, you know, let's go

1008
00:49:51,680 --> 00:49:55,600
Speaker 2: again there, I suppose what do you want me to

1009
00:49:55,640 --> 00:49:58,120
Speaker 2: say about it? Though, in the sense of where did

1010
00:49:58,160 --> 00:49:58,800
Speaker 2: it come from? What?

1011
00:49:59,040 --> 00:50:00,960
Speaker 1: Because how do you come up with these stories? Because yeah,

1012
00:50:01,000 --> 00:50:01,319
Speaker 1: there was two.

1013
00:50:01,440 --> 00:50:03,960
Speaker 2: One thing I noticed is everything is the name story.

1014
00:50:04,120 --> 00:50:07,280
Speaker 2: So yeah, yes, that's okay. And that was mainly because

1015
00:50:07,320 --> 00:50:10,560
Speaker 2: of I don't know, it's growing up. It was always

1016
00:50:10,680 --> 00:50:12,080
Speaker 2: I just wanted it to be clear that this is

1017
00:50:12,120 --> 00:50:13,880
Speaker 2: the story. I kind of always wanted to have what

1018
00:50:14,000 --> 00:50:15,320
Speaker 2: was on the tint, So it was that this is

1019
00:50:15,360 --> 00:50:18,239
Speaker 2: a story song. Okay, But yeah, I just remember I

1020
00:50:18,360 --> 00:50:20,640
Speaker 2: was I was actually in the studio recording us a

1021
00:50:20,680 --> 00:50:23,560
Speaker 2: typical song. And then link up TV, which is a

1022
00:50:23,600 --> 00:50:26,040
Speaker 2: platform in the UK, you know where people are low videos,

1023
00:50:26,080 --> 00:50:29,200
Speaker 2: pretty big platform being up the sheet. They've called me

1024
00:50:29,320 --> 00:50:31,279
Speaker 2: up I think he's one of his partners. Joey called

1025
00:50:31,320 --> 00:50:33,280
Speaker 2: me up and said, Yo, we're putting a confirmation album

1026
00:50:33,320 --> 00:50:35,560
Speaker 2: together and we want a song from you.

1027
00:50:35,719 --> 00:50:36,840
Speaker 1: I'm like, right, they want a song for me?

1028
00:50:36,840 --> 00:50:38,239
Speaker 2: Go yeah, we want a story song. They would make

1029
00:50:38,239 --> 00:50:39,759
Speaker 2: it clear that's what they like from you. We want

1030
00:50:39,800 --> 00:50:41,799
Speaker 2: to story something new and like what type of story song,

1031
00:50:42,200 --> 00:50:43,640
Speaker 2: I don't know. As long as it's a story song

1032
00:50:43,719 --> 00:50:46,279
Speaker 2: from you, where to be happy with it. I remember, okay,

1033
00:50:46,400 --> 00:50:47,879
Speaker 2: what story is something to do? I knew because I've

1034
00:50:47,880 --> 00:50:50,080
Speaker 2: done loads of story songs up to now. And there

1035
00:50:50,200 --> 00:50:53,640
Speaker 2: was two guys in my area, Rumo's guying around that

1036
00:50:53,719 --> 00:50:56,360
Speaker 2: two best friends would and when they found out that

1037
00:50:57,200 --> 00:50:59,400
Speaker 2: his to his best friend was actually the.

1038
00:50:59,440 --> 00:51:02,160
Speaker 1: Father, I remember, like, yo, it's a lot from when

1039
00:51:02,200 --> 00:51:05,160
Speaker 1: he found out. Everyone I don't know, so what so

1040
00:51:05,600 --> 00:51:06,840
Speaker 1: did he know that it was good? Nobody?

1041
00:51:07,000 --> 00:51:09,480
Speaker 2: No one had any questions to see when I've got questions,

1042
00:51:10,360 --> 00:51:11,920
Speaker 2: I just made up my answers in the story. So

1043
00:51:12,160 --> 00:51:14,319
Speaker 2: you know, I'm gonna tell a story about to you guys,

1044
00:51:14,440 --> 00:51:18,040
Speaker 2: similar situation, and I'm gonna put my outcomes. Yeah, I

1045
00:51:18,120 --> 00:51:20,480
Speaker 2: feel in my own blast story telling. And it just

1046
00:51:20,560 --> 00:51:22,959
Speaker 2: went like that Okay, so that's how it came about.

1047
00:51:23,000 --> 00:51:26,880
Speaker 2: But honestly, that thing there that changed everything at the

1048
00:51:27,000 --> 00:51:29,360
Speaker 2: time where I was about to chuck it all in,

1049
00:51:29,600 --> 00:51:33,360
Speaker 2: so fine, going for a shadow story, make stories for that?

1050
00:51:36,000 --> 00:51:41,040
Speaker 1: Yes, yes, uh huh, you got it so quick time.

1051
00:51:41,080 --> 00:51:47,920
Speaker 1: It was not responsoribley stress you know what I mean?

1052
00:51:48,520 --> 00:51:53,640
Speaker 1: Do we do this? You gotta tell yeah? Okay, all right,

1053
00:51:53,719 --> 00:51:57,200
Speaker 1: So we drinking lisers are drinking game. Okay, We're gonna

1054
00:51:57,200 --> 00:51:59,200
Speaker 1: give you two choices. You pick one.

1055
00:51:59,560 --> 00:52:02,879
Speaker 4: Nobody rinks if you say both or neither of them.

1056
00:52:02,920 --> 00:52:05,000
Speaker 4: So the PC question of the political I mean the

1057
00:52:05,040 --> 00:52:06,440
Speaker 4: political correct answer.

1058
00:52:06,680 --> 00:52:09,399
Speaker 1: Would be we all drink. What are we drinking? Though?

1059
00:52:10,400 --> 00:52:13,479
Speaker 1: Your choice drink, your choice of drinking. It's not going crazy,

1060
00:52:13,480 --> 00:52:15,799
Speaker 1: you do because there's a long list.

1061
00:52:15,840 --> 00:52:17,360
Speaker 4: And then any stories you got with any of the

1062
00:52:17,400 --> 00:52:19,960
Speaker 4: people that we mentioned, please by all means.

1063
00:52:19,760 --> 00:52:24,439
Speaker 1: You know, I'll go good story. Okay, Yeah, you're gonna

1064
00:52:24,480 --> 00:52:35,200
Speaker 1: go ready, no mixed out with that way? Please crazy?

1065
00:52:35,840 --> 00:52:41,520
Speaker 2: Yeah, rip TUPAC or d MX oh Tupac. But that's

1066
00:52:41,560 --> 00:52:44,480
Speaker 2: not that's not easy choice. Okay, but we won't tell

1067
00:52:44,560 --> 00:52:47,360
Speaker 2: us why or any stories with either of them. You know.

1068
00:52:48,719 --> 00:52:51,239
Speaker 1: I love DMX for like a long time in the

1069
00:52:51,320 --> 00:52:53,200
Speaker 1: sense of he was my one ills in school.

1070
00:52:53,440 --> 00:52:55,759
Speaker 2: He was my favorite rapper. I used to you know,

1071
00:52:56,440 --> 00:52:58,040
Speaker 2: rap it. I used to I used to call talent

1072
00:52:58,120 --> 00:53:02,080
Speaker 2: shows and performing songs, and I just loved this whole music.

1073
00:53:02,120 --> 00:53:04,000
Speaker 2: I loved this whole style. I loved and he you know,

1074
00:53:04,120 --> 00:53:06,719
Speaker 2: they had the whole Damien out just stories. I was

1075
00:53:06,800 --> 00:53:07,799
Speaker 2: a massive DMX fan.

1076
00:53:07,880 --> 00:53:08,200
Speaker 1: I loved it.

1077
00:53:08,239 --> 00:53:11,279
Speaker 2: When the rough Riders were brought in. It was just

1078
00:53:11,719 --> 00:53:13,920
Speaker 2: he was after Tupac. He was a person that kind

1079
00:53:13,960 --> 00:53:16,320
Speaker 2: of took me so I was. It was just a

1080
00:53:16,400 --> 00:53:18,640
Speaker 2: shame I never got a chance to ever meet him

1081
00:53:19,040 --> 00:53:19,480
Speaker 2: to any.

1082
00:53:19,280 --> 00:53:19,920
Speaker 1: Of his concerts.

1083
00:53:20,520 --> 00:53:22,680
Speaker 2: So but so you go on, but I have to

1084
00:53:22,719 --> 00:53:27,359
Speaker 2: go with Pa because pack was the first journey where

1085
00:53:27,560 --> 00:53:30,680
Speaker 2: I believed in him, not just the music. You know,

1086
00:53:30,880 --> 00:53:33,479
Speaker 2: like he was he was political, he sto I feel

1087
00:53:33,480 --> 00:53:36,359
Speaker 2: like he stood for something, you know, like Brenda's Got

1088
00:53:36,400 --> 00:53:38,160
Speaker 2: a Baby was political at the same time, you know,

1089
00:53:38,320 --> 00:53:38,719
Speaker 2: things like that.

1090
00:53:38,880 --> 00:53:40,839
Speaker 1: He would talk about things trying to change the world,

1091
00:53:40,920 --> 00:53:41,600
Speaker 1: even changes.

1092
00:53:42,760 --> 00:53:45,759
Speaker 2: Yeah, if you listened to songs that changes like we

1093
00:53:45,840 --> 00:53:47,360
Speaker 2: ain't ready to see a black president.

1094
00:53:47,400 --> 00:53:49,440
Speaker 1: And at the time he probably wasn't, you know, but

1095
00:53:49,520 --> 00:53:51,080
Speaker 1: he was talking. I was.

1096
00:53:51,360 --> 00:53:53,560
Speaker 2: I was a two pack fan of the person as

1097
00:53:53,640 --> 00:53:55,320
Speaker 2: well as the artists, and a lot of people I

1098
00:53:55,360 --> 00:53:57,040
Speaker 2: don't feel like a lot of artists do that anymore

1099
00:53:57,080 --> 00:53:59,279
Speaker 2: where I care about them outside of their music.

1100
00:53:59,800 --> 00:54:01,200
Speaker 1: I'm sorry because you just made me think of this.

1101
00:54:03,200 --> 00:54:03,960
Speaker 1: What is brexit?

1102
00:54:06,120 --> 00:54:10,359
Speaker 2: You know? I didn't want to sit him and give

1103
00:54:10,440 --> 00:54:13,440
Speaker 2: them the wrong answer because I don't know, because I'm

1104
00:54:13,480 --> 00:54:18,320
Speaker 2: an easy way to explain to Layman's I think I'm

1105
00:54:18,320 --> 00:54:20,719
Speaker 2: not even trying to get embarrassed because to this day

1106
00:54:21,000 --> 00:54:23,600
Speaker 2: we left it and I don't see what happened. Yes,

1107
00:54:23,880 --> 00:54:26,840
Speaker 2: we left the EU, so we left the Europe. Remember

1108
00:54:26,920 --> 00:54:30,360
Speaker 2: you got your own pound, yeah, yeah, yeah, No, we

1109
00:54:30,400 --> 00:54:32,520
Speaker 2: always had our own power. We never was a part

1110
00:54:32,560 --> 00:54:35,080
Speaker 2: of your But I think it was coming to where

1111
00:54:35,120 --> 00:54:38,120
Speaker 2: we had to join and whoever the powers that be

1112
00:54:38,320 --> 00:54:43,640
Speaker 2: decided know what. Yeah, it's bad. UK is best separately

1113
00:54:43,760 --> 00:54:45,319
Speaker 2: and I don't know if it was or it wasn't.

1114
00:54:45,360 --> 00:54:47,600
Speaker 2: You have to ask someone more into politics. But we

1115
00:54:47,800 --> 00:54:50,560
Speaker 2: left the EU. There was a point now where the

1116
00:54:50,640 --> 00:54:54,320
Speaker 2: bridge possible. I'm going to Spain. I'm going to Everything

1117
00:54:54,440 --> 00:54:56,520
Speaker 2: was fine now it's a bit more of it's a

1118
00:54:56,640 --> 00:55:00,600
Speaker 2: separate rule. It was no orders, no one Union was like,

1119
00:55:01,440 --> 00:55:03,919
Speaker 2: there's certain trade deals that was happening with the UK

1120
00:55:04,200 --> 00:55:06,439
Speaker 2: and England that we came out, but that's all above

1121
00:55:06,520 --> 00:55:09,040
Speaker 2: my pay grade. But I don't know to this day

1122
00:55:09,560 --> 00:55:12,640
Speaker 2: what the benefit was A very random question you're giving me,

1123
00:55:13,360 --> 00:55:15,560
Speaker 2: and I've explained it, and that's as far.

1124
00:55:16,480 --> 00:55:18,080
Speaker 1: Because it feels like it's gone back and forth.

1125
00:55:19,280 --> 00:55:21,560
Speaker 2: Someone said it's looking like we might go back. I

1126
00:55:21,719 --> 00:55:24,200
Speaker 2: actually don't know, but I'm not big on the politics,

1127
00:55:24,239 --> 00:55:25,600
Speaker 2: so I'm not going to sit here.

1128
00:55:26,440 --> 00:55:33,640
Speaker 1: That's why the random shot.

1129
00:55:38,520 --> 00:55:41,160
Speaker 4: As many of y'all know, drink Champs wants to give flowers,

1130
00:55:41,200 --> 00:55:43,920
Speaker 4: but people are here to receive them. Giving flowers and

1131
00:55:44,000 --> 00:55:47,040
Speaker 4: celebrating our legends while they can still smell us. We

1132
00:55:47,120 --> 00:55:49,680
Speaker 4: have partnered with What the Flowers to create this movement

1133
00:55:49,920 --> 00:55:52,719
Speaker 4: when everyone can give flowers to the legends in their lives.

1134
00:55:53,400 --> 00:55:56,240
Speaker 4: You can now order a custom flower box to someone

1135
00:55:56,360 --> 00:55:59,040
Speaker 4: you want to show appreciation to you by visiting w

1136
00:55:59,320 --> 00:56:00,920
Speaker 4: w W maybe.

1137
00:56:04,480 --> 00:56:11,120
Speaker 2: Artist Okay n w A or Wu Tang Clan Whan

1138
00:56:12,480 --> 00:56:16,320
Speaker 2: We're Tang. Only Ad became more of a lover for

1139
00:56:16,520 --> 00:56:19,279
Speaker 2: n w A when the movie came out. I knew

1140
00:56:19,320 --> 00:56:22,120
Speaker 2: of them before, but my older brother was big on Wu.

1141
00:56:22,040 --> 00:56:23,080
Speaker 1: Tang so I was.

1142
00:56:23,480 --> 00:56:27,600
Speaker 2: I was a massive method man fan. I love what

1143
00:56:27,719 --> 00:56:30,719
Speaker 2: Rizzard was doing. I love ghost like all that I

1144
00:56:30,800 --> 00:56:33,120
Speaker 2: got is you. I Got You by ghost Face is

1145
00:56:33,160 --> 00:56:35,960
Speaker 2: like my favorite song for like forever. So Whu Tank

1146
00:56:36,040 --> 00:56:38,440
Speaker 2: to me was just like it was just it's just yeah, they.

1147
00:56:38,400 --> 00:56:43,359
Speaker 1: Were everything, Okay, Gigs or Skeptic. I like them both.

1148
00:56:43,400 --> 00:56:45,480
Speaker 1: I gotta go with the Holy Gigs man. Oh you

1149
00:56:45,560 --> 00:56:47,600
Speaker 1: went with somebody No no no.

1150
00:56:47,840 --> 00:56:49,600
Speaker 2: I love them both though, but Gigs is my guy

1151
00:56:49,640 --> 00:56:52,840
Speaker 2: in it and Gigs is Gigs to me started that

1152
00:56:52,960 --> 00:56:54,920
Speaker 2: gangster year in the UK, and even that's the one

1153
00:56:55,000 --> 00:56:55,959
Speaker 2: like they they.

1154
00:56:55,920 --> 00:56:57,960
Speaker 1: Got it cracking. Not to say they weren't people doing it.

1155
00:56:58,000 --> 00:57:02,880
Speaker 2: Before, but they made a shift where the UK gangster

1156
00:57:03,000 --> 00:57:04,800
Speaker 2: rap scene became prominent.

1157
00:57:04,840 --> 00:57:07,200
Speaker 1: So you're saying Gigs is the godfather of drill music

1158
00:57:07,480 --> 00:57:07,919
Speaker 1: not drill.

1159
00:57:08,040 --> 00:57:10,160
Speaker 2: No, No, I feel like I've said it before, but

1160
00:57:10,200 --> 00:57:13,040
Speaker 2: you see what NW a down for for rap, gangster rap.

1161
00:57:13,480 --> 00:57:16,040
Speaker 1: That's what S and one the Gigs done for UK rap.

1162
00:57:16,480 --> 00:57:20,840
Speaker 4: Yeah what does S as placing them? Yeah big s Yes,

1163
00:57:21,840 --> 00:57:23,720
Speaker 4: old school year. They were the first, the first guys

1164
00:57:23,720 --> 00:57:24,280
Speaker 4: I heard from the.

1165
00:57:24,320 --> 00:57:26,440
Speaker 1: UK starting a Rockefellers. Yeah, yeah, they were.

1166
00:57:26,520 --> 00:57:28,520
Speaker 2: They were, but I think you know what it was

1167
00:57:28,600 --> 00:57:31,880
Speaker 2: yet not taking nothing away from them, but they were

1168
00:57:31,920 --> 00:57:35,560
Speaker 2: still an American twanging there. So even though they wrapped

1169
00:57:35,920 --> 00:57:39,000
Speaker 2: in our accent, there was an American twanging there that

1170
00:57:39,320 --> 00:57:42,400
Speaker 2: was like we could relate, but not as much as

1171
00:57:42,440 --> 00:57:46,400
Speaker 2: when we started fully rapping in our accent fully and

1172
00:57:46,600 --> 00:57:49,040
Speaker 2: talking about our areas, which is indicative.

1173
00:57:49,080 --> 00:57:50,840
Speaker 1: What do you mean when you say twain, Because they were,

1174
00:57:50,880 --> 00:57:55,960
Speaker 1: they were emulating, they were still that's indicative of the

1175
00:57:56,040 --> 00:57:59,160
Speaker 1: era because that's what was happening. It was sounding like

1176
00:57:59,240 --> 00:57:59,520
Speaker 1: New York.

1177
00:57:59,600 --> 00:58:02,400
Speaker 3: That doesn't It's kind of like you know when when

1178
00:58:02,440 --> 00:58:07,080
Speaker 3: French Montana kind of signed to the South, you lost

1179
00:58:07,080 --> 00:58:08,640
Speaker 3: me that, you know, remember he signed to.

1180
00:58:12,560 --> 00:58:14,720
Speaker 2: Mom So I don't I don't know if he changed

1181
00:58:14,720 --> 00:58:15,080
Speaker 2: his style.

1182
00:58:15,440 --> 00:58:17,000
Speaker 1: No, but what I'm what I'm thinking is from the

1183
00:58:17,080 --> 00:58:18,040
Speaker 1: era that they come from.

1184
00:58:18,360 --> 00:58:21,040
Speaker 4: New York is the mecca of hip hop, so everyone

1185
00:58:21,200 --> 00:58:23,760
Speaker 4: is emulating place where everything's coming from.

1186
00:58:23,840 --> 00:58:25,600
Speaker 2: And they were dope. There was nothing to take away

1187
00:58:25,600 --> 00:58:28,200
Speaker 2: from them. They were super dope. But for example, when

1188
00:58:28,240 --> 00:58:31,600
Speaker 2: the next generation came through, we weren't even trying to

1189
00:58:31,680 --> 00:58:34,479
Speaker 2: be nothing like in the US we're coming out talking

1190
00:58:34,560 --> 00:58:35,760
Speaker 2: about our high streaks.

1191
00:58:37,200 --> 00:58:40,880
Speaker 1: Our people are clothing things that you don't like. What's that?

1192
00:58:41,000 --> 00:58:43,320
Speaker 1: What's what's clacking jacks? What you wouldn't It didn't mile

1193
00:58:43,360 --> 00:58:44,560
Speaker 1: because it was just for us.

1194
00:58:44,680 --> 00:58:47,520
Speaker 2: And that's when things started changing, where you start picking

1195
00:58:47,560 --> 00:58:48,560
Speaker 2: out your friends and your son.

1196
00:58:48,680 --> 00:58:50,320
Speaker 1: So you know, you don't know my.

1197
00:58:50,400 --> 00:58:52,760
Speaker 2: Friend Rad, but I'm gonna I'm rapping in the song

1198
00:58:53,040 --> 00:58:56,240
Speaker 2: me and Redo. It's like he's regular. We didn't care

1199
00:58:56,280 --> 00:58:57,160
Speaker 2: because it wasn't for you.

1200
00:58:57,320 --> 00:58:57,480
Speaker 1: Though.

1201
00:58:58,000 --> 00:58:59,720
Speaker 2: If you know me and you know my way around,

1202
00:59:00,080 --> 00:59:01,760
Speaker 2: this is what is And I feel like that's what

1203
00:59:01,920 --> 00:59:05,480
Speaker 2: the gigs and and s m one era starting, That's

1204
00:59:05,480 --> 00:59:07,960
Speaker 2: what they began. And that's why I said A doun't

1205
00:59:08,480 --> 00:59:09,960
Speaker 2: as I said, I feel like a lot of people

1206
00:59:10,040 --> 00:59:12,680
Speaker 2: have to walk before someone could run. But the big

1207
00:59:12,840 --> 00:59:16,120
Speaker 2: changes I'm just talking about the changes where the scene

1208
00:59:16,240 --> 00:59:18,920
Speaker 2: really became its own was when people like Gigs and

1209
00:59:18,960 --> 00:59:20,760
Speaker 2: that came through mother.

1210
00:59:20,840 --> 00:59:23,560
Speaker 1: Random question, why do you call your sneakers trainers?

1211
00:59:24,560 --> 00:59:30,439
Speaker 2: Why do you call yours your training? Sneakers came first

1212
00:59:30,440 --> 00:59:37,240
Speaker 2: the sneaker. I don't understand the sneakers part trainers. We

1213
00:59:39,600 --> 00:59:44,720
Speaker 2: could train in there. Tell me now what sneakers, you're sneaking.

1214
00:59:44,440 --> 00:59:53,600
Speaker 1: Up for somebody because term that's.

1215
00:59:56,040 --> 01:00:02,800
Speaker 2: Reco Google Google.

1216
01:00:02,640 --> 01:00:09,640
Speaker 3: Sneakers mean because that he sucked me up. Okay, the harder,

1217
01:00:09,920 --> 01:00:15,160
Speaker 3: the harder day for or the Book of Claric. No, no, Bro,

1218
01:00:15,280 --> 01:00:16,040
Speaker 3: I'm offensive.

1219
01:00:16,120 --> 01:00:18,240
Speaker 2: You know I'm gonna go the Holiday for Okay, Well,

1220
01:00:18,280 --> 01:00:23,040
Speaker 2: I love them both Holiday fool, It's just it. And

1221
01:00:23,120 --> 01:00:25,560
Speaker 2: I'm a big I'm a big believer and I'm a

1222
01:00:25,720 --> 01:00:28,560
Speaker 2: big on God. I love the one is gone and

1223
01:00:28,640 --> 01:00:31,960
Speaker 2: one is like Western. You see when I just see

1224
01:00:32,000 --> 01:00:35,040
Speaker 2: the opening scene the Holiday for when everyone starts getting smoked.

1225
01:00:35,680 --> 01:00:38,920
Speaker 1: That was taught me, Bro. I was like, yeah, so

1226
01:00:39,000 --> 01:00:41,240
Speaker 1: that to me, that's my movie, Like Cowboys was out there.

1227
01:00:41,560 --> 01:00:45,880
Speaker 1: That was fine. What what is it? Quiet?

1228
01:00:51,200 --> 01:01:10,440
Speaker 2: Okay, well then you go every day cool Central Cy

1229
01:01:10,640 --> 01:01:14,360
Speaker 2: or dig D dig a D. I think Central season

1230
01:01:14,520 --> 01:01:17,120
Speaker 2: doing amazing things. I'm a big fan of what he's achieved.

1231
01:01:17,520 --> 01:01:19,520
Speaker 2: But is my Gama, you know what I'm saying, Like,

1232
01:01:19,840 --> 01:01:23,560
Speaker 2: I'm very much Diggers in my show. That's my cast man,

1233
01:01:23,600 --> 01:01:26,600
Speaker 2: but my cost my kids, So yeah, big, bigger, But

1234
01:01:26,640 --> 01:01:30,160
Speaker 2: I love them. They're both great. New Jack City or

1235
01:01:30,240 --> 01:01:31,000
Speaker 2: King of New York.

1236
01:01:31,160 --> 01:01:35,120
Speaker 1: New Jack City, New Jack City to me, was I

1237
01:01:35,240 --> 01:01:36,080
Speaker 1: still you referenced it?

1238
01:01:36,160 --> 01:01:38,160
Speaker 2: Like I'm writing the movie right now and I'm using

1239
01:01:38,240 --> 01:01:40,960
Speaker 2: New Jack City as a big reference because see way

1240
01:01:41,320 --> 01:01:44,439
Speaker 2: Wesley played Nino Brown, it was just a game changer.

1241
01:01:44,480 --> 01:01:46,880
Speaker 2: He's coming into the club and he's dancing, but then

1242
01:01:46,880 --> 01:01:49,560
Speaker 2: he's killing you. He wasn't you know, the whole gangster

1243
01:01:49,640 --> 01:01:51,760
Speaker 2: fingure you have to be cool when you have to

1244
01:01:51,800 --> 01:01:54,760
Speaker 2: be Nah, Nino Brown was that guy.

1245
01:01:54,840 --> 01:01:59,720
Speaker 1: So yeah, New Jack say for me, Okay, top boys,

1246
01:01:59,760 --> 01:02:06,120
Speaker 1: shout us. Twere somewhere like your londonness. That's how you

1247
01:02:06,160 --> 01:02:09,200
Speaker 1: do it, Boris somewhere, Yeah like that.

1248
01:02:09,800 --> 01:02:10,320
Speaker 6: What did you do?

1249
01:02:11,320 --> 01:02:19,400
Speaker 1: He was like this, like like that because I don't

1250
01:02:19,400 --> 01:02:22,840
Speaker 1: know to pronounce for damnson Idris.

1251
01:02:23,520 --> 01:02:27,120
Speaker 2: That both my guys, But let's go with the original.

1252
01:02:27,200 --> 01:02:30,080
Speaker 2: Or he started first and that's gonna be Adris. Yeah,

1253
01:02:30,200 --> 01:02:34,000
Speaker 2: but when you know, we'll just tell you something. When

1254
01:02:34,760 --> 01:02:36,960
Speaker 2: he got done doing the wire and.

1255
01:02:37,080 --> 01:02:39,680
Speaker 1: I heard him talk, I was like, yeah, I know,

1256
01:02:39,880 --> 01:02:42,320
Speaker 1: I didn't. We didn't even know he was. We didn't.

1257
01:02:42,520 --> 01:02:44,720
Speaker 1: Well me, I can't talk for everybody, but a lot

1258
01:02:44,760 --> 01:02:47,320
Speaker 1: of people that I know. He didn't know. Idris Elbaw

1259
01:02:47,480 --> 01:02:49,240
Speaker 1: was British. When we watched The Wire. We did not

1260
01:02:49,360 --> 01:02:50,240
Speaker 1: know that was a Bridge man.

1261
01:02:50,720 --> 01:02:52,960
Speaker 2: We did not know so he was from Baltimore and

1262
01:02:54,080 --> 01:02:57,720
Speaker 2: he was not my favorite character so that he was British.

1263
01:02:57,920 --> 01:03:00,800
Speaker 2: He was like, I don't think that would adompton injuries

1264
01:03:00,880 --> 01:03:03,000
Speaker 2: that you would take seriously if you want to respect,

1265
01:03:03,120 --> 01:03:04,800
Speaker 2: I'm sying that will probably tell you the same. We

1266
01:03:05,360 --> 01:03:07,439
Speaker 2: we look up to Indians as the big homie because

1267
01:03:07,440 --> 01:03:09,520
Speaker 2: of where you're done from. But I'm gonna tell you something.

1268
01:03:09,640 --> 01:03:12,280
Speaker 2: It was like he held that accent until why it was.

1269
01:03:12,280 --> 01:03:13,000
Speaker 1: Over, and then.

1270
01:03:15,840 --> 01:03:17,920
Speaker 4: It's I don't think you even do a lot of

1271
01:03:17,960 --> 01:03:20,320
Speaker 4: pressing it. Yeah, yeah, let's be honest. I don't think

1272
01:03:20,400 --> 01:03:22,520
Speaker 4: we can do it good going that way. I think

1273
01:03:22,560 --> 01:03:24,160
Speaker 4: only the British actors can do it good.

1274
01:03:24,880 --> 01:03:28,640
Speaker 2: Him say, it's coming minding changing, Yeah, change.

1275
01:03:29,080 --> 01:03:31,680
Speaker 1: I could you not? I could you not eat? You

1276
01:03:31,800 --> 01:03:32,440
Speaker 1: go home tonight.

1277
01:03:33,160 --> 01:03:36,400
Speaker 3: You're gonna watch this and you're gonna run around. Hey, bro,

1278
01:03:36,640 --> 01:03:39,520
Speaker 3: I'm telling you. When I was watching Talk, I heard

1279
01:03:39,680 --> 01:03:41,320
Speaker 3: him saying it. I heard him saying and he said,

1280
01:03:41,400 --> 01:03:44,040
Speaker 3: he said, it starts as a joke and then you

1281
01:03:44,120 --> 01:03:45,400
Speaker 3: start to do it. You start doing it.

1282
01:03:46,000 --> 01:03:47,040
Speaker 1: That's the way everything starts.

1283
01:03:47,120 --> 01:03:50,360
Speaker 2: That's how it starts, because you're saying it shows a

1284
01:03:50,400 --> 01:03:53,000
Speaker 2: lot this keep them coming, that you'll keeping in durt

1285
01:03:53,000 --> 01:03:55,600
Speaker 2: and keeping watching. Five to ten years, the access from

1286
01:03:55,600 --> 01:03:58,000
Speaker 2: the US will be taking the UK jobs. There's Alreadio

1287
01:03:58,000 --> 01:04:01,920
Speaker 2: a movie called Empire Light out now and starts my

1288
01:04:02,280 --> 01:04:05,240
Speaker 2: friend Michael warding here there's the girl that plays his girlfriend.

1289
01:04:05,320 --> 01:04:07,840
Speaker 2: She sounds as British as me. Come to find out

1290
01:04:08,240 --> 01:04:11,000
Speaker 2: she's as American as you, guys. And so it's starting

1291
01:04:11,040 --> 01:04:12,720
Speaker 2: to happen. It's starting to happen.

1292
01:04:13,160 --> 01:04:15,320
Speaker 1: So do you think it's more it's having it's like

1293
01:04:15,360 --> 01:04:15,960
Speaker 1: a lack of it.

1294
01:04:16,240 --> 01:04:18,520
Speaker 2: Yeah, you know you haven't heard enough of us. You

1295
01:04:18,600 --> 01:04:20,600
Speaker 2: still feel you still think we took that we're in

1296
01:04:20,640 --> 01:04:25,880
Speaker 2: Downton Abbey. But when you start watching Top Boy and Supercell, yeah,

1297
01:04:26,000 --> 01:04:28,360
Speaker 2: you start realizing what you wait a minute, I can.

1298
01:04:28,600 --> 01:04:30,360
Speaker 1: Replicate that voice a bit more and you can see

1299
01:04:30,360 --> 01:04:32,000
Speaker 1: them saying, so you just haven't seen it, and we've

1300
01:04:32,040 --> 01:04:32,800
Speaker 1: been normalized.

1301
01:04:33,000 --> 01:04:35,280
Speaker 2: We've been watching you guys, remember listening to your music,

1302
01:04:35,400 --> 01:04:37,640
Speaker 2: so we hear your west, watching your TV shows and

1303
01:04:37,680 --> 01:04:40,040
Speaker 2: your movies. What we've been hearing is your voice and

1304
01:04:40,080 --> 01:04:42,959
Speaker 2: ours are visually in our face. Since we've been born.

1305
01:04:43,240 --> 01:04:46,000
Speaker 2: But that's that makes sense. That's what makes this so dope.

1306
01:04:46,040 --> 01:04:47,720
Speaker 3: It's like what I was saying in the intro is like,

1307
01:04:48,000 --> 01:04:50,400
Speaker 3: you know, hip hop went from you know, East Coast

1308
01:04:50,680 --> 01:04:54,720
Speaker 3: to the south listening to order you know, West Coast,

1309
01:04:55,040 --> 01:04:58,000
Speaker 3: and then it went across the pond. And this series

1310
01:04:58,360 --> 01:05:01,160
Speaker 3: compliments the music that you guys are doing in the

1311
01:05:01,200 --> 01:05:01,840
Speaker 3: car miss.

1312
01:05:01,760 --> 01:05:02,360
Speaker 1: The whole scene.

1313
01:05:02,600 --> 01:05:04,640
Speaker 3: On one hand, it makes everyone say I want to

1314
01:05:04,640 --> 01:05:06,200
Speaker 3: go to London, and then another hand, it's like I

1315
01:05:06,240 --> 01:05:12,280
Speaker 3: gotta be careful when I get there because you was

1316
01:05:12,280 --> 01:05:17,720
Speaker 3: go see shirt Lock Holmes, he man, Man, it's a dude,

1317
01:05:17,760 --> 01:05:22,080
Speaker 3: n shirlock. You know what I'm saying, Like, yeah, so

1318
01:05:22,480 --> 01:05:23,680
Speaker 3: it's it's great.

1319
01:05:23,760 --> 01:05:29,440
Speaker 1: I come on, let's moves move. But okay, jay Z

1320
01:05:30,360 --> 01:05:31,280
Speaker 1: or nasty nods?

1321
01:05:31,880 --> 01:05:37,760
Speaker 2: Oh my, okay are we talking now? We took him before.

1322
01:05:37,800 --> 01:05:44,080
Speaker 2: We might as well take a shot when you when

1323
01:05:44,080 --> 01:05:46,560
Speaker 2: you start answering that, I'll take a short on that

1324
01:05:46,720 --> 01:05:49,480
Speaker 2: because that to me, that's that's a tough one. That's

1325
01:05:49,520 --> 01:05:53,120
Speaker 2: a tough one. Okay, Okay, Well I'm going my love.

1326
01:05:53,160 --> 01:05:57,240
Speaker 2: I've never met nas big fan thatster Fin hopefully one

1327
01:05:57,320 --> 01:05:58,720
Speaker 2: down Me and jay Z.

1328
01:05:59,720 --> 01:06:00,480
Speaker 1: That's my guy.

1329
01:06:00,560 --> 01:06:02,520
Speaker 2: Man, got not love for him. He's nothing more positive.

1330
01:06:02,640 --> 01:06:06,000
Speaker 2: Any time I run into Hims.

1331
01:06:04,880 --> 01:06:07,840
Speaker 1: Got me in his home. So jay Z jay Z man,

1332
01:06:08,240 --> 01:06:10,920
Speaker 1: you know what I'm saying. Nah, And he got your back, man,

1333
01:06:11,000 --> 01:06:11,480
Speaker 1: you know what I mean.

1334
01:06:12,960 --> 01:06:15,840
Speaker 3: We just understanding how they operate and how they move,

1335
01:06:16,440 --> 01:06:19,480
Speaker 3: like you know, for me to get a call, you

1336
01:06:19,560 --> 01:06:20,360
Speaker 3: know what I mean, And like.

1337
01:06:20,640 --> 01:06:24,680
Speaker 1: I was just like they got your back, They got

1338
01:06:24,720 --> 01:06:27,280
Speaker 1: your back. What I'm trying to say is they got

1339
01:06:27,320 --> 01:06:27,760
Speaker 1: to be back.

1340
01:06:27,800 --> 01:06:31,280
Speaker 3: And I mean, you know what to see Rockefeller unfold

1341
01:06:31,360 --> 01:06:32,440
Speaker 3: and keep continuing.

1342
01:06:32,640 --> 01:06:33,320
Speaker 1: I mean rock Nation.

1343
01:06:33,440 --> 01:06:36,960
Speaker 3: Excuse me because I was a part of Violet, the management,

1344
01:06:38,440 --> 01:06:41,120
Speaker 3: the legendary thing, and then after the volt.

1345
01:06:40,840 --> 01:06:43,840
Speaker 1: That disappeared, there was not a compliment that.

1346
01:06:44,280 --> 01:06:47,280
Speaker 3: And you know, an artist such as yourself, you know,

1347
01:06:50,280 --> 01:06:52,320
Speaker 3: sometimes you don't want to say I'm the illest guy

1348
01:06:52,360 --> 01:06:52,800
Speaker 3: in the room.

1349
01:06:53,000 --> 01:06:54,880
Speaker 2: Sometimes you want somebody else to say that for you.

1350
01:06:55,160 --> 01:06:55,680
Speaker 2: You know what I'm saying.

1351
01:06:55,680 --> 01:06:57,680
Speaker 3: It makes you look even ill, and especially when that

1352
01:06:57,800 --> 01:07:00,960
Speaker 3: guy is supposed to be the laugh yeah, for lack

1353
01:07:00,960 --> 01:07:03,320
Speaker 3: of a better term, the top dog than the top boy,

1354
01:07:03,640 --> 01:07:06,360
Speaker 3: but the top dog. That's just it makes that room

1355
01:07:06,440 --> 01:07:08,760
Speaker 3: easier for you to navigate it. You know what, I'm saying,

1356
01:07:08,840 --> 01:07:14,280
Speaker 3: so I congratulate you. I graduated and you have a

1357
01:07:14,280 --> 01:07:17,000
Speaker 3: relationships because that's that's that's a very good relationship.

1358
01:07:17,040 --> 01:07:20,400
Speaker 2: That Yeah, that my people. Man, don't let my people. So, yeah,

1359
01:07:21,880 --> 01:07:23,760
Speaker 2: you want to do the next one? Wow, you can't

1360
01:07:23,760 --> 01:07:25,600
Speaker 2: do it. I can't pronounce their last name.

1361
01:07:28,040 --> 01:07:32,080
Speaker 1: Jason Steam or Daniel or Daniel Craig, Daniel.

1362
01:07:34,080 --> 01:07:39,520
Speaker 7: Stay Fan, Jason, Jada Kiss or Big Daddy k Jady Kiss.

1363
01:07:40,360 --> 01:07:48,080
Speaker 7: J was my guy growing up Rockefeller rough Riders. You

1364
01:07:48,120 --> 01:07:55,680
Speaker 7: can take your drinkers, let me. He was the next

1365
01:07:55,680 --> 01:07:59,200
Speaker 7: one where we are Tom Hardy or Daniel day Lewis.

1366
01:08:00,200 --> 01:08:07,360
Speaker 2: Daniel d Lewis, snow or Power Snowfall because the damnse

1367
01:08:07,720 --> 01:08:10,800
Speaker 2: not not even Damson Damson. Yeah, you can't separate them.

1368
01:08:10,840 --> 01:08:16,519
Speaker 2: Dampson falls snow Damson body did. Snowfall was actually very

1369
01:08:16,960 --> 01:08:18,320
Speaker 2: very well written. It was.

1370
01:08:18,600 --> 01:08:20,800
Speaker 1: It was very well written and Damson.

1371
01:08:20,680 --> 01:08:22,880
Speaker 2: There was a bad season they had the first season

1372
01:08:23,680 --> 01:08:25,439
Speaker 2: it grew into what it was that that was, but

1373
01:08:25,640 --> 01:08:30,559
Speaker 2: used the last two seasons you started watching it knowing

1374
01:08:30,640 --> 01:08:32,720
Speaker 2: that you know, Damnson, You're just watching it like I

1375
01:08:32,840 --> 01:08:34,160
Speaker 2: just need to know what's going to happen to him?

1376
01:08:34,160 --> 01:08:37,840
Speaker 1: Why so hope. Hopefully you don't do me like my

1377
01:08:37,960 --> 01:08:42,479
Speaker 1: friend John Singleton did me one time. I said one time.

1378
01:08:43,600 --> 01:08:45,320
Speaker 1: And he was a big inspiration to my as well.

1379
01:08:45,439 --> 01:08:48,400
Speaker 1: He lived on the block of me before and so

1380
01:08:48,640 --> 01:08:50,840
Speaker 1: you know we had him on drinking Champs. Man.

1381
01:08:50,920 --> 01:08:52,880
Speaker 2: I used to just with them all the time, knowing

1382
01:08:52,920 --> 01:08:54,719
Speaker 2: that he wouldn't give me this role. And I would

1383
01:08:54,720 --> 01:08:57,320
Speaker 2: be like, yo, they'll put me on Snowfall. He would

1384
01:08:57,360 --> 01:09:00,080
Speaker 2: look at me and say, you will never be a

1385
01:09:00,160 --> 01:09:03,000
Speaker 2: snow Fall. Your New York accident is too.

1386
01:09:05,600 --> 01:09:08,680
Speaker 1: You could never play a West Coast guy. And I'm like, damn, bro,

1387
01:09:08,960 --> 01:09:10,840
Speaker 1: But that's he could have made someone from the New

1388
01:09:10,920 --> 01:09:14,720
Speaker 1: York coming. That's what I'm about to say, you know,

1389
01:09:15,160 --> 01:09:19,960
Speaker 1: and super cil to you know. I mean, you know,

1390
01:09:20,120 --> 01:09:27,840
Speaker 1: if we bring it to.

1391
01:09:32,120 --> 01:09:35,000
Speaker 2: Moves, you know what I'm saying that that's what happens

1392
01:09:35,040 --> 01:09:36,960
Speaker 2: more common than you up with thinks, you know, like

1393
01:09:37,560 --> 01:09:38,200
Speaker 2: ties in London.

1394
01:09:38,640 --> 01:09:42,200
Speaker 1: You know he was okay, he sounds so you.

1395
01:09:42,200 --> 01:09:45,160
Speaker 3: Know like I'm because you know, remember the Wire they

1396
01:09:45,240 --> 01:09:48,160
Speaker 3: had Nobody and then second season they had Fred Row,

1397
01:09:48,439 --> 01:09:50,679
Speaker 3: they had such and such. Let's let's think of rappers

1398
01:09:50,760 --> 01:09:54,400
Speaker 3: you think will fit in second season? I say, Buster rhymes.

1399
01:09:55,320 --> 01:09:57,639
Speaker 3: How and then if we go and if we take

1400
01:09:57,680 --> 01:09:59,080
Speaker 3: it to the States, no, no, no.

1401
01:09:59,080 --> 01:10:07,120
Speaker 1: No, no, buster him play don Okay, yeah he got

1402
01:10:07,120 --> 01:10:11,840
Speaker 1: he got the couldn't play that. I would make him

1403
01:10:11,840 --> 01:10:13,280
Speaker 1: a villain, a villain.

1404
01:10:13,400 --> 01:10:15,599
Speaker 3: And I'm gonna tell you what else you got down

1405
01:10:15,720 --> 01:10:21,040
Speaker 3: pack that was like so unique to the to like

1406
01:10:21,160 --> 01:10:22,519
Speaker 3: the island people that get together.

1407
01:10:22,760 --> 01:10:25,240
Speaker 1: You know what you was doing and the sound effects.

1408
01:10:29,000 --> 01:10:32,960
Speaker 1: That's that is. So that's that is. Yeah, that's culture mine.

1409
01:10:33,120 --> 01:10:38,120
Speaker 1: That's when you hear mane. He's just respectful. He is

1410
01:10:38,280 --> 01:10:39,080
Speaker 1: not a nice person.

1411
01:10:40,600 --> 01:10:40,760
Speaker 2: Yeah.

1412
01:10:40,800 --> 01:10:46,479
Speaker 1: Yeah, that's the problem. That's how we're talking. Yeah, that's

1413
01:10:48,000 --> 01:10:52,000
Speaker 1: the next one. I take it Boys in the Hood

1414
01:10:52,080 --> 01:10:59,000
Speaker 1: or Ministers Society? Oh man right, get my shirt.

1415
01:10:59,479 --> 01:11:02,040
Speaker 2: When I was younger, it was menace because I just

1416
01:11:02,280 --> 01:11:05,360
Speaker 2: was under you saw that first? No, I saw them,

1417
01:11:05,439 --> 01:11:07,080
Speaker 2: I saw I think I saw Boys the Hood first.

1418
01:11:07,200 --> 01:11:09,120
Speaker 2: I mean that's the first one. When I was younger,

1419
01:11:09,200 --> 01:11:11,960
Speaker 2: I wasn't here for politics and lessons. I just want

1420
01:11:12,000 --> 01:11:12,679
Speaker 2: to see the smoke.

1421
01:11:13,320 --> 01:11:16,759
Speaker 1: So maybe it's a society. To me was the indess movie.

1422
01:11:18,320 --> 01:11:20,479
Speaker 1: But then when I got older and I watched.

1423
01:11:20,240 --> 01:11:24,400
Speaker 2: Boys in the Hood, I'm there with Lauren spishburn. I'm

1424
01:11:24,439 --> 01:11:27,200
Speaker 2: hearing his knowledge and I'm respecting what he's doing, and

1425
01:11:27,280 --> 01:11:30,759
Speaker 2: I respect the layers in the movie. So a younger

1426
01:11:30,840 --> 01:11:33,800
Speaker 2: man is thing older. So if I have to choose now,

1427
01:11:34,160 --> 01:11:34,559
Speaker 2: so if you.

1428
01:11:36,240 --> 01:11:37,599
Speaker 1: I was gonna have to drink drink.

1429
01:11:44,439 --> 01:11:47,720
Speaker 3: But yeah, and I'm bouncing around a little bit. Why

1430
01:11:47,880 --> 01:11:51,120
Speaker 3: we didn't have a doctor umar character and.

1431
01:11:52,640 --> 01:11:55,880
Speaker 1: Supersell when he said to character, what would you wanted

1432
01:11:55,960 --> 01:11:56,360
Speaker 1: to be doing?

1433
01:11:56,880 --> 01:11:58,559
Speaker 2: Like I wanted him to come down and say, brothers,

1434
01:11:58,600 --> 01:12:01,040
Speaker 2: you gotta you gotta control your powers.

1435
01:12:06,439 --> 01:12:08,360
Speaker 1: Off the seasons. We might be able to animate for that,

1436
01:12:10,120 --> 01:12:12,559
Speaker 1: but you never know. He's becoming a consultant.

1437
01:12:24,200 --> 01:12:26,360
Speaker 3: By the way, and I'm not saying this, he's here,

1438
01:12:26,640 --> 01:12:28,200
Speaker 3: by the way, there's no way to make the show

1439
01:12:28,400 --> 01:12:31,040
Speaker 3: even better. It's just it's just this show is actually,

1440
01:12:31,880 --> 01:12:35,640
Speaker 3: like I actually looked at it sometimes, like how I

1441
01:12:35,800 --> 01:12:38,800
Speaker 3: listen to a person's album before they come here and

1442
01:12:39,000 --> 01:12:41,240
Speaker 3: I want to critique them. I want to say, you

1443
01:12:41,320 --> 01:12:43,360
Speaker 3: know this, this, this, this, and that the show is

1444
01:12:43,720 --> 01:12:45,400
Speaker 3: and it's crazy because it starts all slow.

1445
01:12:47,000 --> 01:12:48,439
Speaker 1: Everyone says that you know, how.

1446
01:12:48,360 --> 01:12:50,439
Speaker 2: About mind slow furness from this as long as you're

1447
01:12:50,479 --> 01:12:53,240
Speaker 2: giving me information, But you see at other black community.

1448
01:12:53,400 --> 01:12:58,000
Speaker 1: They're not here for that. This thing slow much this man,

1449
01:12:58,920 --> 01:13:02,160
Speaker 1: I'm just not bro give it. An I'm reading these

1450
01:13:02,200 --> 01:13:09,080
Speaker 1: comments on Twitter. They don't see me. I'm just like yo,

1451
01:13:13,360 --> 01:13:16,760
Speaker 1: I was like, bro get give it. Yeah, you know

1452
01:13:16,840 --> 01:13:18,760
Speaker 1: it is. That's my way of storytelling.

1453
01:13:19,520 --> 01:13:22,719
Speaker 2: I think it's worse if an episode starts off episode

1454
01:13:22,760 --> 01:13:26,439
Speaker 2: two by it goes along and then you you said

1455
01:13:26,479 --> 01:13:28,559
Speaker 2: the tone, and then you got to keep it exactly.

1456
01:13:28,640 --> 01:13:30,720
Speaker 2: So we started it's a staircase, So you're wanna watch

1457
01:13:30,760 --> 01:13:32,960
Speaker 2: when I think I was now talking that took You're

1458
01:13:32,960 --> 01:13:36,120
Speaker 2: gonna get the second Okay, how do you get to

1459
01:13:36,160 --> 01:13:38,960
Speaker 2: see You're just thinking, oh, what did I just go through?

1460
01:13:39,280 --> 01:13:41,439
Speaker 1: You feel like you went through a journey. So you know,

1461
01:13:41,479 --> 01:13:42,200
Speaker 1: it's the crazy thing.

1462
01:13:42,240 --> 01:13:44,360
Speaker 3: I bet you those people that was complaining this, people

1463
01:13:44,439 --> 01:13:47,360
Speaker 3: have never been in London because you were showing the area.

1464
01:13:47,400 --> 01:13:49,920
Speaker 1: I think that's what it was. It was establishment, like we.

1465
01:13:49,920 --> 01:13:51,800
Speaker 2: Were establishing the characters that you have to do in

1466
01:13:51,880 --> 01:13:55,040
Speaker 2: any pilot episode of a show. But we wanted to

1467
01:13:55,160 --> 01:13:57,800
Speaker 2: show London in this how it is. You know, that

1468
01:13:58,200 --> 01:14:01,120
Speaker 2: was a real reflection South, and the South hasn't been

1469
01:14:01,120 --> 01:14:02,880
Speaker 2: on screen like that, so we have to take our

1470
01:14:02,920 --> 01:14:03,400
Speaker 2: time with him.

1471
01:14:03,560 --> 01:14:06,600
Speaker 1: But I thought that was so dope. You with the

1472
01:14:06,640 --> 01:14:14,839
Speaker 1: next one l A in Miami la directing or Ryman directing.

1473
01:14:15,439 --> 01:14:19,759
Speaker 1: I knew he's gonna pick that Forell or Kanye Kanye

1474
01:14:21,600 --> 01:14:22,599
Speaker 1: Podcast radio.

1475
01:14:25,080 --> 01:14:27,800
Speaker 2: You know, honest, I don't actually listen to I don't

1476
01:14:27,960 --> 01:14:33,360
Speaker 2: watch procasts unless I know I don't know. I don't

1477
01:14:33,439 --> 01:14:35,560
Speaker 2: like whatever you see when I know who the guest is.

1478
01:14:36,080 --> 01:14:38,400
Speaker 2: That's what I'm tuning in. Remember, in my line of work,

1479
01:14:38,400 --> 01:14:40,640
Speaker 2: I need something coming in the background. This is a

1480
01:14:40,720 --> 01:14:43,479
Speaker 2: visual pro cart. You can't get the food entertainment unless

1481
01:14:43,479 --> 01:14:46,360
Speaker 2: you're watching it. So it's like, so I can't do

1482
01:14:46,400 --> 01:14:48,719
Speaker 2: it because I'm always writing. So I would say radio,

1483
01:14:48,800 --> 01:14:49,960
Speaker 2: I can have it in the background and I can

1484
01:14:50,000 --> 01:14:50,680
Speaker 2: still get to work.

1485
01:14:51,120 --> 01:14:51,400
Speaker 1: Okay.

1486
01:14:52,680 --> 01:15:00,840
Speaker 2: Uh. Michael B. Jordan's or Jonathan Majors, Michael B. Scar

1487
01:15:01,000 --> 01:15:05,719
Speaker 2: Face or Ice Cube as Cube slick Rick or Biggie

1488
01:15:05,720 --> 01:15:09,479
Speaker 2: Small Biggie Smons Bigger slipric though he put London on, Yeah,

1489
01:15:09,680 --> 01:15:11,559
Speaker 2: you put London on differently like crazy.

1490
01:15:11,600 --> 01:15:15,680
Speaker 1: He was like the first cemony and he was a storyteller. Yeah, yeah,

1491
01:15:15,720 --> 01:15:17,920
Speaker 1: he was called he might he might your storyteller. Mike

1492
01:15:18,479 --> 01:15:20,400
Speaker 1: from a long line. Yeah, he might have, he might

1493
01:15:20,439 --> 01:15:22,880
Speaker 1: have been inspired from him. But Biggie as a storyteller.

1494
01:15:24,120 --> 01:15:26,240
Speaker 2: To me, as an actual rapper, if rapping was an

1495
01:15:26,320 --> 01:15:29,880
Speaker 2: Olympic sport, just on the rapping, I think big is

1496
01:15:29,920 --> 01:15:32,280
Speaker 2: the best me personally. Like still to this day, people

1497
01:15:32,360 --> 01:15:34,160
Speaker 2: don't know who Biggy was talking about on a story

1498
01:15:34,240 --> 01:15:38,720
Speaker 2: to tell he heard all kinds of people, all types

1499
01:15:38,720 --> 01:15:41,120
Speaker 2: of but I think that you don't think it was

1500
01:15:41,200 --> 01:15:41,679
Speaker 2: just general.

1501
01:15:42,320 --> 01:15:43,880
Speaker 1: I think it was just general. But you know what

1502
01:15:44,040 --> 01:15:44,240
Speaker 1: I like.

1503
01:15:44,360 --> 01:15:47,160
Speaker 2: I like the mystique of the rumor because when I

1504
01:15:47,200 --> 01:15:49,840
Speaker 2: saw his mom doing interviews, she was saying that we

1505
01:15:49,920 --> 01:15:51,760
Speaker 2: didn't live in a one bes shack, we didn't do this,

1506
01:15:51,960 --> 01:15:54,920
Speaker 2: so yeah, maybe well you know she did have cancer.

1507
01:15:55,960 --> 01:15:57,519
Speaker 1: No that I'm not the cancer, you know what, big

1508
01:15:57,720 --> 01:16:00,720
Speaker 1: what I'm saying because I heard maybe maybe she was.

1509
01:16:00,880 --> 01:16:05,360
Speaker 1: She wasn't. I don't know, but if she made that lie, so.

1510
01:16:05,840 --> 01:16:08,640
Speaker 3: It was just right, all right, this is no no, no,

1511
01:16:08,840 --> 01:16:12,040
Speaker 3: I won't even say that. The last one for this

1512
01:16:12,200 --> 01:16:15,360
Speaker 3: then we give it back into the interview. Loyalty or respect.

1513
01:16:20,040 --> 01:16:23,600
Speaker 2: Loyalty Okay, Like I feel like if someone's with you

1514
01:16:24,920 --> 01:16:27,360
Speaker 2: and they're there for you, it don't even matters that

1515
01:16:27,439 --> 01:16:29,840
Speaker 2: person don't respect you, because that person that's loyalty doesn't it.

1516
01:16:30,040 --> 01:16:31,920
Speaker 2: It'sould about who the layery comes from and who the

1517
01:16:31,960 --> 01:16:33,800
Speaker 2: respect comes from. I don't need the respect from people

1518
01:16:33,800 --> 01:16:35,920
Speaker 2: I don't care about. The people I want lawyer are

1519
01:16:35,960 --> 01:16:38,439
Speaker 2: the people. Will you know that respect comes up as

1520
01:16:38,479 --> 01:16:39,160
Speaker 2: part of the package.

1521
01:16:40,040 --> 01:16:45,080
Speaker 1: I respect that take a shot. Take a shot to that.

1522
01:16:45,280 --> 01:16:47,599
Speaker 1: I want to take a shot. You think I don't

1523
01:16:47,640 --> 01:16:52,280
Speaker 1: need to do that. Now this is me being generic.

1524
01:16:52,360 --> 01:16:54,200
Speaker 1: Thank you. You wouldn't take a job just based off

1525
01:16:54,240 --> 01:16:54,759
Speaker 1: the money.

1526
01:16:55,320 --> 01:16:58,360
Speaker 2: The character, and it can't just leave the money because

1527
01:16:58,840 --> 01:17:00,479
Speaker 2: the money is going to come with your doing great.

1528
01:17:00,520 --> 01:17:02,120
Speaker 1: I feel that greatness comes with money in it.

1529
01:17:02,240 --> 01:17:05,000
Speaker 2: So I'm trying to be great so I know when

1530
01:17:05,040 --> 01:17:07,400
Speaker 2: I reach my pinnacles, all the money that I always

1531
01:17:07,439 --> 01:17:12,320
Speaker 2: want I will get. But you do one something that's whack,

1532
01:17:12,760 --> 01:17:14,840
Speaker 2: that could be your last money, know what I'm saying,

1533
01:17:14,960 --> 01:17:16,920
Speaker 2: That might be your last you know. So I'm here

1534
01:17:17,000 --> 01:17:19,519
Speaker 2: for the long run, and I think people always think

1535
01:17:19,560 --> 01:17:23,920
Speaker 2: short term, whereas I want a long, a long career

1536
01:17:24,360 --> 01:17:26,320
Speaker 2: making for a long time. So for me to do that,

1537
01:17:26,439 --> 01:17:28,400
Speaker 2: every project has to make you want to see more.

1538
01:17:28,640 --> 01:17:33,360
Speaker 1: You know, Let's break down some learning slang right now. First,

1539
01:17:34,280 --> 01:17:42,080
Speaker 1: my favorite bro you call brom slang to me saying bro, Yeah,

1540
01:17:42,120 --> 01:17:44,960
Speaker 1: that's what it is because you put it.

1541
01:17:45,920 --> 01:17:51,000
Speaker 2: Yeah, yeah, I even say bro, bro brother.

1542
01:17:52,000 --> 01:17:53,559
Speaker 1: I don't even say that though, I'm like.

1543
01:17:56,280 --> 01:17:56,680
Speaker 2: Talk about it.

1544
01:17:56,720 --> 01:18:02,960
Speaker 1: If bro's short for brother, what would brother? Yeah, saying

1545
01:18:03,040 --> 01:18:04,600
Speaker 1: do you say brom? I'm thinking I don't say bro?

1546
01:18:05,120 --> 01:18:05,280
Speaker 4: Yeah.

1547
01:18:06,160 --> 01:18:10,599
Speaker 1: Okay, that's so that's what that means. I noticed.

1548
01:18:10,680 --> 01:18:13,599
Speaker 2: But I'm going to ask anyway for the audience, why

1549
01:18:13,800 --> 01:18:15,280
Speaker 2: what is that?

1550
01:18:15,320 --> 01:18:18,160
Speaker 1: What's good man? What's going on? Stand on that? Let's

1551
01:18:18,400 --> 01:18:25,280
Speaker 1: set up stand on that's what that's what. That's Jamaica

1552
01:18:26,400 --> 01:18:29,639
Speaker 1: lending them took it, lending took it. I mean, wherever

1553
01:18:29,720 --> 01:18:33,040
Speaker 1: there's lendon took it, you go to any.

1554
01:18:32,880 --> 01:18:36,800
Speaker 3: Carter And then but this, this is this is another

1555
01:18:36,840 --> 01:18:38,680
Speaker 3: one that is going to sound Jamaican too.

1556
01:18:39,439 --> 01:18:44,880
Speaker 1: You don't know, Come on, but don't know? Did we

1557
01:18:44,960 --> 01:18:52,479
Speaker 1: say you don't know? You not knowing? You're not No,

1558
01:18:52,640 --> 01:18:54,439
Speaker 1: I don't even know. I don't think you've had one.

1559
01:18:54,520 --> 01:18:56,240
Speaker 1: You don't know for the whole seat for so don't

1560
01:18:56,320 --> 01:18:58,200
Speaker 1: lie you ain't had that. You not noticed?

1561
01:18:58,560 --> 01:19:01,760
Speaker 2: No way, I can't my cost Yeah, and on my

1562
01:19:01,840 --> 01:19:04,720
Speaker 2: cost of look young. They won't even saying slang word

1563
01:19:04,720 --> 01:19:06,160
Speaker 2: if it does it make sense. So there's no way

1564
01:19:06,240 --> 01:19:06,880
Speaker 2: you knows.

1565
01:19:06,720 --> 01:19:11,320
Speaker 1: It not here not Yeah, that's that's definitely that's how

1566
01:19:11,400 --> 01:19:14,000
Speaker 1: we too. Okay, now what it means, because I'd be

1567
01:19:14,080 --> 01:19:22,000
Speaker 1: like hated, like like ship outside today, isn't it like

1568
01:19:29,640 --> 01:19:33,519
Speaker 1: that's matter? I didn't know what that's what mean? You

1569
01:19:33,560 --> 01:19:39,880
Speaker 1: know it's not today. This is crazy, That's what I means.

1570
01:19:40,320 --> 01:19:44,120
Speaker 3: So if I land and I'm going to South London,

1571
01:19:44,800 --> 01:19:46,440
Speaker 3: which words that you recommended?

1572
01:19:46,520 --> 01:19:47,080
Speaker 2: I know what.

1573
01:19:49,320 --> 01:19:54,120
Speaker 1: This bro trying to use words?

1574
01:19:54,640 --> 01:19:59,080
Speaker 2: You know you tried to go and say your and

1575
01:19:59,160 --> 01:20:02,400
Speaker 2: he said, but you just get cool that where you from,

1576
01:20:02,439 --> 01:20:07,240
Speaker 2: from where you're from, speak love.

1577
01:20:07,240 --> 01:20:09,600
Speaker 1: When you're just speaking with English, bro, you'll be.

1578
01:20:09,600 --> 01:20:12,160
Speaker 2: Okay, okay, So don't try to don't try to the

1579
01:20:12,240 --> 01:20:15,200
Speaker 2: worst things you know, just to you can talk normal

1580
01:20:15,360 --> 01:20:20,360
Speaker 2: because you know, you don't know you know how people

1581
01:20:20,760 --> 01:20:23,040
Speaker 2: come around with the Jamaican broughts on and they'll be

1582
01:20:23,120 --> 01:20:25,600
Speaker 2: trying to be other than they are, Like, don't do that, no,

1583
01:20:25,880 --> 01:20:28,560
Speaker 2: just be normal man. London is good man, Okay. So

1584
01:20:29,040 --> 01:20:32,800
Speaker 2: who you think runs the majority? Is it Nigerians? Is

1585
01:20:32,880 --> 01:20:38,240
Speaker 2: it Jamaicans is it the most black people are in London?

1586
01:20:38,479 --> 01:20:41,559
Speaker 2: And I'll say it's definitely a strong mix. It depends

1587
01:20:41,600 --> 01:20:43,880
Speaker 2: on the area. Like Pecum used to be a lot

1588
01:20:44,000 --> 01:20:48,440
Speaker 2: more Africans, Lucians was a bit more Jamaicans.

1589
01:20:48,720 --> 01:20:52,759
Speaker 1: Brixton was I'll say more cat being bricks in it. Yeah, definitely.

1590
01:20:53,600 --> 01:20:55,439
Speaker 4: Is it all still based off of where the colonies

1591
01:20:55,479 --> 01:20:56,800
Speaker 4: were like colonialism?

1592
01:20:57,320 --> 01:20:59,360
Speaker 1: Well, well, I can only speak to my parents.

1593
01:20:59,479 --> 01:21:03,439
Speaker 2: They came many many years ago, thinking you know, London

1594
01:21:03,520 --> 01:21:06,760
Speaker 2: the safe place and we went straight to We went

1595
01:21:06,840 --> 01:21:10,479
Speaker 2: to a place near Pecking called War Road, Like yeah, yeah,

1596
01:21:10,520 --> 01:21:12,720
Speaker 2: my parents came, so they came down there. Well, it's

1597
01:21:12,800 --> 01:21:14,280
Speaker 2: kind of just where you can get a place, bro

1598
01:21:14,479 --> 01:21:16,920
Speaker 2: Like my parents would get to the council. If they

1599
01:21:16,920 --> 01:21:18,920
Speaker 2: would have told her, listen, we've got a place to

1600
01:21:18,960 --> 01:21:20,240
Speaker 2: you and it's in North London, they would have went

1601
01:21:20,280 --> 01:21:22,280
Speaker 2: North London. It's kind of just wherever you can get housed,

1602
01:21:22,479 --> 01:21:24,400
Speaker 2: you know, because the housing on them days it was,

1603
01:21:25,000 --> 01:21:27,320
Speaker 2: you know, it's wherever the council pushing you go. You know,

1604
01:21:27,479 --> 01:21:29,120
Speaker 2: council could have put us anywhere and that's where we

1605
01:21:29,120 --> 01:21:32,800
Speaker 2: would have rept Is it still so expensive in London?

1606
01:21:33,439 --> 01:21:35,439
Speaker 2: My first time in London. I gave the guy a

1607
01:21:35,560 --> 01:21:42,439
Speaker 2: thousand dollars for seventy five to change the money in

1608
01:21:42,560 --> 01:21:45,800
Speaker 2: the hotel. Hotel exchanging the money, and I was like,

1609
01:21:46,080 --> 01:21:48,000
Speaker 2: I gave him a thousand, he gave me four seventy five.

1610
01:21:48,080 --> 01:21:51,680
Speaker 1: I was the smartest person in the world. But he

1611
01:21:51,720 --> 01:21:53,679
Speaker 1: feel like to go to and gets you a thousand.

1612
01:21:53,800 --> 01:21:56,759
Speaker 1: He's like, no, this day, back in the day.

1613
01:21:58,200 --> 01:21:59,920
Speaker 2: Two thousand and six two and sent light to come

1614
01:22:00,080 --> 01:22:02,080
Speaker 2: to that New York can just come out to this

1615
01:22:02,240 --> 01:22:04,840
Speaker 2: party and stuff like that. I would give over fis

1616
01:22:04,880 --> 01:22:08,120
Speaker 2: and get two firesand it's something back. So that used

1617
01:22:08,120 --> 01:22:09,479
Speaker 2: to be the good. That's why we used to come

1618
01:22:09,520 --> 01:22:11,160
Speaker 2: over here because our money was double.

1619
01:22:11,320 --> 01:22:11,679
Speaker 1: Now.

1620
01:22:12,439 --> 01:22:16,599
Speaker 2: No, London is the most expensive place ever. I don't

1621
01:22:16,640 --> 01:22:18,600
Speaker 2: think it laser as expensive as London when I go

1622
01:22:18,680 --> 01:22:21,920
Speaker 2: to London. When I'm in London, I always think I

1623
01:22:22,040 --> 01:22:23,760
Speaker 2: might the right place, bro because this place is a

1624
01:22:23,840 --> 01:22:24,120
Speaker 2: rip off.

1625
01:22:24,640 --> 01:22:26,040
Speaker 1: Is a rippoff. But it's just isn't it.

1626
01:22:26,680 --> 01:22:29,880
Speaker 3: With that being said, you know New York real estate

1627
01:22:30,640 --> 01:22:36,240
Speaker 3: are being skyrocketed. It costs more to film movies, la

1628
01:22:37,040 --> 01:22:38,000
Speaker 3: being the movie capital.

1629
01:22:39,400 --> 01:22:40,719
Speaker 2: Is it more.

1630
01:22:40,640 --> 01:22:43,720
Speaker 1: Expensive to film in London? I know that they've got

1631
01:22:43,840 --> 01:22:44,799
Speaker 1: new taxing centers.

1632
01:22:44,880 --> 01:22:48,640
Speaker 2: Now, I think other places have better taxes saying it,

1633
01:22:48,680 --> 01:22:52,400
Speaker 2: but London is becoming a massive film Like the biggest

1634
01:22:52,439 --> 01:22:54,479
Speaker 2: movies that you're seeing now getting shut in London.

1635
01:22:54,600 --> 01:22:57,000
Speaker 1: So I'm assuming there must be some sort.

1636
01:22:56,800 --> 01:22:59,120
Speaker 2: Of incentives that's making it work because a lot of

1637
01:22:59,240 --> 01:23:01,320
Speaker 2: movies are going to London, like The Stupid When we

1638
01:23:01,400 --> 01:23:04,240
Speaker 2: were filming Super Sol, we were trying to get certain

1639
01:23:04,320 --> 01:23:06,679
Speaker 2: studio spaces and they said, no, Disney is got booked

1640
01:23:06,680 --> 01:23:09,040
Speaker 2: top for this a lot of time, or no they've

1641
01:23:09,080 --> 01:23:12,080
Speaker 2: got for this my time. So everything is just taken.

1642
01:23:12,160 --> 01:23:13,800
Speaker 2: So it's massive in London now the film.

1643
01:23:14,120 --> 01:23:16,240
Speaker 4: Let me ask you about the texting centers to get

1644
01:23:16,320 --> 01:23:19,880
Speaker 4: clearity on it, because who benefits who gets that money back?

1645
01:23:20,080 --> 01:23:23,439
Speaker 4: Is it the production the like you yourself, like, who

1646
01:23:23,640 --> 01:23:26,240
Speaker 4: who gets the money back? When it's the texting centerment, they.

1647
01:23:26,439 --> 01:23:29,360
Speaker 2: Production company and the networks and the network will getting back.

1648
01:23:29,560 --> 01:23:31,920
Speaker 1: So like so part of like recouping our rear the budget.

1649
01:23:32,120 --> 01:23:34,920
Speaker 2: Yeah, yeah, so exactly that because so when it goes

1650
01:23:34,920 --> 01:23:36,479
Speaker 2: to the budget that always goes into play.

1651
01:23:36,479 --> 01:23:39,680
Speaker 1: It's kind of like, Okay, we've got twenty m.

1652
01:23:39,720 --> 01:23:42,240
Speaker 2: To shoot, but if we shoot it here in London,

1653
01:23:42,320 --> 01:23:44,640
Speaker 2: you might we've got twenty five. If you shoot it

1654
01:23:44,720 --> 01:23:47,360
Speaker 2: over there in Atlanta, you've got thirty five. So because

1655
01:23:47,360 --> 01:23:48,960
Speaker 2: you know what you're getting back, same thing.

1656
01:23:49,080 --> 01:23:51,920
Speaker 1: So yeah, it helps. That's why filmmaking it's a big

1657
01:23:51,960 --> 01:23:52,439
Speaker 1: business now.

1658
01:23:52,720 --> 01:23:54,400
Speaker 2: A lot of countries are trying to get their taxing

1659
01:23:54,439 --> 01:23:56,559
Speaker 2: centerves involved so people can come and film in places

1660
01:23:56,600 --> 01:23:58,840
Speaker 2: because it's it's always been big business, but now with

1661
01:23:59,000 --> 01:24:01,680
Speaker 2: that Atlanta, it's like the countries arellow, okay, how we

1662
01:24:01,720 --> 01:24:03,320
Speaker 2: need to get our version in place now because it

1663
01:24:03,439 --> 01:24:05,040
Speaker 2: is making a difference. So someone like me, if I

1664
01:24:05,040 --> 01:24:07,120
Speaker 2: want to film somewhere and I'm trying to get the

1665
01:24:07,200 --> 01:24:09,439
Speaker 2: most from my budget, I'm looking for the place that

1666
01:24:09,520 --> 01:24:11,479
Speaker 2: has got the biggest taxing sentive so I can shoot

1667
01:24:11,479 --> 01:24:12,920
Speaker 2: there and get more on the screen.

1668
01:24:13,080 --> 01:24:15,080
Speaker 1: And they wanted because it's it's bringing money exact.

1669
01:24:15,720 --> 01:24:19,400
Speaker 3: Actually, so the show was like Top Top Boy, the

1670
01:24:19,520 --> 01:24:22,880
Speaker 3: Super soll we got to kind of see the woral London, right.

1671
01:24:23,720 --> 01:24:25,760
Speaker 2: Yeah, I would have say the other versions, well, but

1672
01:24:25,880 --> 01:24:28,880
Speaker 2: this is outside of London, London, right, and we're getting

1673
01:24:28,920 --> 01:24:30,920
Speaker 2: to see that along with the music.

1674
01:24:31,080 --> 01:24:31,200
Speaker 1: Right.

1675
01:24:31,520 --> 01:24:36,560
Speaker 2: But I remember, uh me trying not what faded for

1676
01:24:37,560 --> 01:24:39,719
Speaker 2: and at one point I don't know. If you watch character,

1677
01:24:41,320 --> 01:24:43,280
Speaker 2: I did it. I was the guy who put out the.

1678
01:24:43,320 --> 01:24:47,840
Speaker 3: Raisers and yeah, yeah, I remember at one point because

1679
01:24:47,840 --> 01:24:50,080
Speaker 3: I had actually went out for a recorder.

1680
01:24:50,360 --> 01:24:51,040
Speaker 1: That's what I was thinking.

1681
01:24:51,080 --> 01:24:51,240
Speaker 2: I was.

1682
01:24:51,600 --> 01:24:53,760
Speaker 1: I was thinking, did you from I was too fair

1683
01:24:53,800 --> 01:24:55,400
Speaker 1: at that time. They didn't give it to me to

1684
01:24:55,479 --> 01:24:57,240
Speaker 1: give it the camera rightfully, so he deserved.

1685
01:24:58,479 --> 01:25:01,639
Speaker 3: But but I remember at one point, ain't them actually

1686
01:25:01,720 --> 01:25:06,040
Speaker 3: going to Canada and I'm filming outskirts because they couldn't

1687
01:25:06,120 --> 01:25:08,639
Speaker 3: make old school New York right?

1688
01:25:09,080 --> 01:25:12,960
Speaker 2: So but New York we have fifteen million movies, you know.

1689
01:25:13,080 --> 01:25:14,360
Speaker 2: So a lot of people didn't understand that.

1690
01:25:14,680 --> 01:25:17,920
Speaker 3: Sometimes when you look at Payton Fall when they playing

1691
01:25:18,000 --> 01:25:19,720
Speaker 3: the ball and they look the projects look mad.

1692
01:25:19,800 --> 01:25:22,240
Speaker 1: Oh that's not even New York, that's Canada. You know

1693
01:25:22,280 --> 01:25:24,719
Speaker 1: what I mean? Magic, bro, We'll be magic.

1694
01:25:24,800 --> 01:25:28,559
Speaker 3: But with you now introducing the real part of London,

1695
01:25:28,680 --> 01:25:30,799
Speaker 3: or like you said, that side of London.

1696
01:25:31,120 --> 01:25:31,599
Speaker 1: You know what I mean.

1697
01:25:31,680 --> 01:25:33,439
Speaker 3: If a movie company came to you and said, yo,

1698
01:25:33,600 --> 01:25:36,679
Speaker 3: I want you to film London. Bridge is going down,

1699
01:25:37,439 --> 01:25:39,400
Speaker 3: but I want you to film it in Poland or on.

1700
01:25:39,400 --> 01:25:44,040
Speaker 1: The sound stage. If I can make it look like London. Okay,

1701
01:25:44,120 --> 01:25:45,320
Speaker 1: if I can make it look lot London.

1702
01:25:45,479 --> 01:25:47,400
Speaker 2: I don't. Yeah, if I'm not. If I'm telling them,

1703
01:25:47,439 --> 01:25:49,120
Speaker 2: what are you giving to give me green screen today?

1704
01:25:49,160 --> 01:25:51,200
Speaker 2: Are you're gonna give me some sort of c J budget?

1705
01:25:51,320 --> 01:25:53,840
Speaker 2: Or how am I gonna make this lot? I'll do

1706
01:25:53,960 --> 01:25:54,880
Speaker 2: that A lot of stuff.

1707
01:25:55,600 --> 01:25:55,920
Speaker 1: I don't know.

1708
01:25:55,960 --> 01:25:58,200
Speaker 2: If you remember the beginning of the end of the

1709
01:25:58,479 --> 01:26:01,000
Speaker 2: first episode when you see them in a few Joe ah, yes,

1710
01:26:01,280 --> 01:26:03,280
Speaker 2: and you see like the Piccadilly and all the screens.

1711
01:26:03,320 --> 01:26:05,559
Speaker 2: It's kind of like our version of Times Square. All

1712
01:26:05,600 --> 01:26:07,800
Speaker 2: of that is green screen. We weren't picking, but we

1713
01:26:07,840 --> 01:26:08,360
Speaker 2: couldn't get it.

1714
01:26:08,400 --> 01:26:12,280
Speaker 1: So yeah, I did not tell ye green screen screen

1715
01:26:12,360 --> 01:26:12,679
Speaker 1: is crazy.

1716
01:26:13,160 --> 01:26:15,360
Speaker 2: Is crazy now, So most of the stuff you're watching

1717
01:26:15,439 --> 01:26:17,360
Speaker 2: is probably not actually it. To be honest, I wouldn't.

1718
01:26:17,360 --> 01:26:19,920
Speaker 2: I wouldn't crowd to hold onto that for anything you're watching.

1719
01:26:20,160 --> 01:26:21,280
Speaker 1: Really, No, no, you don't.

1720
01:26:21,439 --> 01:26:23,960
Speaker 2: It doesn't make sense, wouldn't. It's cheaper elsewhere you can

1721
01:26:23,960 --> 01:26:25,400
Speaker 2: put green screen on and just putting New York in

1722
01:26:25,400 --> 01:26:27,000
Speaker 2: the back job and they got screens that are like

1723
01:26:27,760 --> 01:26:31,040
Speaker 2: like like stack like like bro, my thing was thirty

1724
01:26:31,080 --> 01:26:33,560
Speaker 2: foot two three sixty wide, so we was in the

1725
01:26:33,680 --> 01:26:34,160
Speaker 2: green light.

1726
01:26:34,240 --> 01:26:35,800
Speaker 1: Yeah, they could do sixty shot.

1727
01:26:37,040 --> 01:26:39,280
Speaker 2: So everything on that thirty four is whatever we want

1728
01:26:39,360 --> 01:26:41,120
Speaker 2: that to be. I could make it look like this

1729
01:26:41,320 --> 01:26:44,439
Speaker 2: whole building if you wanted to. So, yeah, I wouldn't

1730
01:26:44,479 --> 01:26:47,800
Speaker 2: be with me, he told me, because I would have

1731
01:26:47,840 --> 01:26:50,960
Speaker 2: betore give to me and been like, yo, superstill has

1732
01:26:51,000 --> 01:26:52,760
Speaker 2: some green school, Like no, it.

1733
01:26:52,960 --> 01:26:56,519
Speaker 1: Was, I would have bet that's that's the movies now,

1734
01:26:56,680 --> 01:26:58,160
Speaker 1: Like I couldn't tell none of that.

1735
01:26:58,680 --> 01:27:00,960
Speaker 2: You did a great job, so you'll be surprised the

1736
01:27:01,000 --> 01:27:02,599
Speaker 2: films that you are watching that you think you sit

1737
01:27:02,640 --> 01:27:04,880
Speaker 2: here and sit there, but it's really just green screen.

1738
01:27:07,680 --> 01:27:10,639
Speaker 2: There's not really much of a difference, you know. It's honestly.

1739
01:27:10,800 --> 01:27:14,120
Speaker 2: I asked the same question to my SFX guy and

1740
01:27:14,800 --> 01:27:17,960
Speaker 2: they were just like, one's just older and ones just newer.

1741
01:27:18,080 --> 01:27:19,680
Speaker 2: But they both do the same thing. You can put

1742
01:27:19,720 --> 01:27:21,320
Speaker 2: them all on the screen, but green screen is kind

1743
01:27:21,320 --> 01:27:23,800
Speaker 2: of the old school, and sometimes you can screen.

1744
01:27:23,880 --> 01:27:25,200
Speaker 1: Yeah, but they do the same thing.

1745
01:27:26,400 --> 01:27:28,280
Speaker 3: The people behind the camera, right, the fact that you

1746
01:27:28,400 --> 01:27:31,920
Speaker 3: have an all black cast, does that affect how you

1747
01:27:32,160 --> 01:27:33,920
Speaker 3: who you high up that's behind the camera.

1748
01:27:34,400 --> 01:27:40,080
Speaker 2: I wanted this show to be the benchmark for a

1749
01:27:40,160 --> 01:27:42,600
Speaker 2: majority of black productions. It wasn't just in front, like

1750
01:27:42,760 --> 01:27:45,280
Speaker 2: all of our heads of departments were black. The person

1751
01:27:45,360 --> 01:27:46,960
Speaker 2: that show it, they had a costume, they had a

1752
01:27:47,040 --> 01:27:49,920
Speaker 2: mad cup. We got a lot of black hds, and

1753
01:27:50,000 --> 01:27:53,360
Speaker 2: we look for the people in film and TV that

1754
01:27:53,560 --> 01:27:55,559
Speaker 2: was at that level that could get in there because

1755
01:27:55,600 --> 01:27:57,400
Speaker 2: there's I don't think it's good enough just to have

1756
01:27:57,560 --> 01:27:59,680
Speaker 2: everyone in front of the camera be black and then

1757
01:27:59,720 --> 01:28:02,439
Speaker 2: the presentations behind stool will be non black.

1758
01:28:02,800 --> 01:28:04,760
Speaker 1: So we went out of the way. And Netflix was

1759
01:28:04,800 --> 01:28:05,599
Speaker 1: cool that they knew.

1760
01:28:06,120 --> 01:28:08,160
Speaker 2: Good thing with all the women and me eating their

1761
01:28:08,200 --> 01:28:11,280
Speaker 2: free food, they knew they knew what I wanted to do.

1762
01:28:11,960 --> 01:28:14,559
Speaker 2: You're going to come out and feed me if you're

1763
01:28:14,560 --> 01:28:17,400
Speaker 2: gonna be like they're basically wooing me. You know they

1764
01:28:17,439 --> 01:28:19,880
Speaker 2: were cooting me. If you're going to coot me, don't

1765
01:28:19,960 --> 01:28:22,880
Speaker 2: coote me. And then when you get me, don't treat

1766
01:28:22,920 --> 01:28:23,560
Speaker 2: me like you don't want me.

1767
01:28:23,680 --> 01:28:24,720
Speaker 1: Let me do. I doing it.

1768
01:28:25,120 --> 01:28:27,280
Speaker 2: So I literally got everything I wanted to do, and

1769
01:28:27,400 --> 01:28:29,519
Speaker 2: I was like yo, every time they'll be putted, like yo,

1770
01:28:29,880 --> 01:28:33,519
Speaker 2: you came to me like okay, you're going to let

1771
01:28:33,560 --> 01:28:36,280
Speaker 2: me wrong with it. So that's why I feel I

1772
01:28:36,320 --> 01:28:39,320
Speaker 2: can laugh. It is good to earn your position rather

1773
01:28:39,439 --> 01:28:41,800
Speaker 2: than Chase Nick. When you chase it, you're going to

1774
01:28:41,840 --> 01:28:43,360
Speaker 2: have to be working at their pace. But when they

1775
01:28:43,439 --> 01:28:44,880
Speaker 2: come to you, you work at your own past.

1776
01:28:44,880 --> 01:28:45,400
Speaker 1: You know what I'm saying.

1777
01:28:45,840 --> 01:28:47,240
Speaker 4: I don't know if you could answer this, but if

1778
01:28:47,240 --> 01:28:50,320
Speaker 4: you can't being obviously they funded the whole production, right,

1779
01:28:50,680 --> 01:28:53,400
Speaker 4: and it's your creative You wrote everything, and everything is you?

1780
01:28:53,520 --> 01:28:56,840
Speaker 1: You directed it? How is it in perpetuity? I don't

1781
01:28:56,840 --> 01:29:00,160
Speaker 1: own that. You don't I owned zero percent of How

1782
01:29:00,400 --> 01:29:01,639
Speaker 1: that change moving forward?

1783
01:29:01,920 --> 01:29:04,040
Speaker 2: If one day Netflix wakeoff and say, you know what,

1784
01:29:04,160 --> 01:29:05,320
Speaker 2: we're giving shows to people?

1785
01:29:05,400 --> 01:29:05,760
Speaker 1: Do you want?

1786
01:29:06,040 --> 01:29:07,679
Speaker 2: Do you want your show that you created and written?

1787
01:29:08,160 --> 01:29:10,400
Speaker 2: And that's not going to happen. So it doesn't change

1788
01:29:10,439 --> 01:29:12,640
Speaker 2: with Netflix. But that's just Netflix's model, right. I'm not

1789
01:29:12,720 --> 01:29:14,080
Speaker 2: here to complain about it. I knew what I was

1790
01:29:14,120 --> 01:29:16,800
Speaker 2: walking into, Like people have walked away from dells that

1791
01:29:16,920 --> 01:29:17,439
Speaker 2: you would see.

1792
01:29:18,680 --> 01:29:20,639
Speaker 1: Do you know McKay cole, who done that? I made Astray?

1793
01:29:20,680 --> 01:29:20,720
Speaker 2: You?

1794
01:29:21,760 --> 01:29:22,160
Speaker 1: That's a show?

1795
01:29:22,200 --> 01:29:24,200
Speaker 2: Could I made Astray from a British ride with one

1796
01:29:24,280 --> 01:29:26,280
Speaker 2: loads of film awards and now it was a big show.

1797
01:29:27,360 --> 01:29:29,320
Speaker 2: And so it says that it was written that she

1798
01:29:29,479 --> 01:29:32,360
Speaker 2: turned down a big patchock because she didn't want to

1799
01:29:32,400 --> 01:29:35,280
Speaker 2: go there because she couldn't own anything, and I for that.

1800
01:29:35,360 --> 01:29:37,719
Speaker 2: That was her second TV show, so she she probably

1801
01:29:37,760 --> 01:29:39,599
Speaker 2: saw it was like on her first TV shows. I've

1802
01:29:39,600 --> 01:29:41,720
Speaker 2: probably told herself second time around, I'm not doing that,

1803
01:29:42,400 --> 01:29:44,200
Speaker 2: and she walked away from the deal and then the

1804
01:29:44,240 --> 01:29:46,240
Speaker 2: show became a massive successful it went anyway.

1805
01:29:47,520 --> 01:29:49,559
Speaker 1: I wasn't walking away from the deal because that was my.

1806
01:29:49,640 --> 01:29:52,200
Speaker 2: First TV show and now opening for you, I'll take

1807
01:29:52,280 --> 01:29:54,559
Speaker 2: this money and if you's gonna keep that one, that's fine.

1808
01:29:55,000 --> 01:29:55,920
Speaker 1: I'll make another one.

1809
01:29:56,000 --> 01:29:59,280
Speaker 2: You know. I wasn't worried about that. Like cool, use

1810
01:29:59,280 --> 01:30:02,880
Speaker 2: it on Superstar. I know enough to know about me.

1811
01:30:03,320 --> 01:30:05,320
Speaker 2: The show probably wouldn't be the same, so it's cool.

1812
01:30:05,479 --> 01:30:08,560
Speaker 2: But in generally, even if that show is theirs, I

1813
01:30:08,640 --> 01:30:11,160
Speaker 2: can make another show. And now now I know how

1814
01:30:11,200 --> 01:30:14,280
Speaker 2: it goes, now goes next time round, I'm going to

1815
01:30:14,320 --> 01:30:15,880
Speaker 2: be trying to go into my own ship back with it.

1816
01:30:16,000 --> 01:30:18,720
Speaker 2: You know, are we trying to stick with series or

1817
01:30:18,720 --> 01:30:20,320
Speaker 2: we're going to go onto the feature films?

1818
01:30:20,400 --> 01:30:20,599
Speaker 1: Yeah?

1819
01:30:20,640 --> 01:30:23,400
Speaker 2: No, I'm going into moods. Bro I fell into TV

1820
01:30:23,520 --> 01:30:26,000
Speaker 2: by accident when I was writing super so it wasn't meant.

1821
01:30:25,800 --> 01:30:29,280
Speaker 1: To be TV. But I'm at two hundred pages. I'm like, yeah,

1822
01:30:29,439 --> 01:30:33,639
Speaker 1: this is the Yeah. Now, I didn't want to do TV.

1823
01:30:34,320 --> 01:30:35,160
Speaker 1: I wasn't. I wasn't.

1824
01:30:35,720 --> 01:30:38,559
Speaker 2: It just felt like for me to go down as

1825
01:30:38,600 --> 01:30:40,640
Speaker 2: one of the great. When you think of all the

1826
01:30:40,680 --> 01:30:43,960
Speaker 2: great filmmakers, you're not thinking of no TV shows. Like

1827
01:30:44,160 --> 01:30:47,040
Speaker 2: you mentioned, like, who's your favorite filmmaker? If you've got

1828
01:30:47,040 --> 01:30:50,519
Speaker 2: any director, he's your favorite filmmaker. Oh man, that's a

1829
01:30:50,520 --> 01:30:52,120
Speaker 2: good one. You could just be anybody who's one of

1830
01:30:52,160 --> 01:30:54,080
Speaker 2: your favorites. I evenough to be your best Larry David

1831
01:30:54,200 --> 01:30:56,800
Speaker 2: or what TV show did Larry David do?

1832
01:30:57,479 --> 01:31:01,040
Speaker 1: Enthusiasm? Ah to you? You one off? That's right off?

1833
01:31:01,120 --> 01:31:07,719
Speaker 1: But TV specific, TV TV different.

1834
01:31:10,280 --> 01:31:13,040
Speaker 2: You might to direct, Okay, okay, okay, most men I

1835
01:31:13,120 --> 01:31:16,080
Speaker 2: can't think TV. Most men are not because you don't

1836
01:31:16,080 --> 01:31:18,320
Speaker 2: even know who the directors the TV are. You know

1837
01:31:18,439 --> 01:31:20,719
Speaker 2: that you like this show, but you don't know who

1838
01:31:20,840 --> 01:31:22,840
Speaker 2: created it, because it's not even the director I show.

1839
01:31:23,240 --> 01:31:24,960
Speaker 2: What makes the TV show is not the director.

1840
01:31:25,000 --> 01:31:25,560
Speaker 1: They add to it.

1841
01:31:25,760 --> 01:31:27,960
Speaker 2: They're very vital, but it's the person that creates it,

1842
01:31:28,320 --> 01:31:30,280
Speaker 2: the person that had the idea for Game of France,

1843
01:31:30,360 --> 01:31:31,559
Speaker 2: for the Wire, for Breaking Back.

1844
01:31:32,200 --> 01:31:34,600
Speaker 1: Sometimes they got multiple directors on the EISO.

1845
01:31:35,080 --> 01:31:37,559
Speaker 2: I directed Free and my other I had another director.

1846
01:31:38,160 --> 01:31:44,280
Speaker 1: I love how everything it says and created, but I

1847
01:31:44,800 --> 01:31:49,479
Speaker 1: needed to be clear. It needed to be clear still

1848
01:31:49,560 --> 01:31:51,840
Speaker 1: because I didn't come in from TV.

1849
01:31:52,320 --> 01:31:54,160
Speaker 2: If you're watching this TV, this ain't going to be

1850
01:31:54,200 --> 01:31:56,439
Speaker 2: that TV. I don't know who made, who was riding

1851
01:31:56,520 --> 01:31:59,040
Speaker 2: some franals, who was directed? No, no, no, you're gonna

1852
01:31:59,080 --> 01:32:01,439
Speaker 2: think superent. You're gonn figure that man. So now when

1853
01:32:01,479 --> 01:32:03,720
Speaker 2: I'm trying to go and do a movie, that's my

1854
01:32:03,840 --> 01:32:05,160
Speaker 2: currency now, souse.

1855
01:32:05,240 --> 01:32:07,080
Speaker 1: But I'm trying to do movies more.

1856
01:32:07,240 --> 01:32:09,600
Speaker 2: I've got another I've got seasons of super Cell in

1857
01:32:09,640 --> 01:32:11,639
Speaker 2: my head, and I've got another TV show I want

1858
01:32:11,680 --> 01:32:14,519
Speaker 2: to do. But I really want to go back to movies.

1859
01:32:15,160 --> 01:32:17,280
Speaker 2: And that's mainly because I would in a fact, it

1860
01:32:18,000 --> 01:32:21,160
Speaker 2: comes with that prestige. I just love watching my work

1861
01:32:21,200 --> 01:32:24,200
Speaker 2: about live audience. So the best you get to that,

1862
01:32:24,439 --> 01:32:25,960
Speaker 2: you get the premiers, But then you have to go

1863
01:32:26,000 --> 01:32:27,760
Speaker 2: on Twitter and see what people are saying. I want

1864
01:32:27,800 --> 01:32:29,360
Speaker 2: to sit in the room with you and hear you

1865
01:32:29,479 --> 01:32:31,920
Speaker 2: laugh at the joke, you cry at their emotion, and

1866
01:32:31,960 --> 01:32:34,160
Speaker 2: you don't. You just don't get that with TV man,

1867
01:32:34,240 --> 01:32:36,519
Speaker 2: And that's why I want to go back and do

1868
01:32:36,640 --> 01:32:38,599
Speaker 2: some movies, but I still want my show to be going.

1869
01:32:39,240 --> 01:32:41,200
Speaker 8: For you to get that titling, you go on Twitter

1870
01:32:43,080 --> 01:32:51,640
Speaker 8: negative hard, so hard not to bron but I.

1871
01:32:54,640 --> 01:33:00,360
Speaker 1: Never know. I try so hard not to, but you don't.

1872
01:33:00,479 --> 01:33:03,960
Speaker 1: Just want to know what people is the best place

1873
01:33:04,040 --> 01:33:05,000
Speaker 1: for that one hundred percent?

1874
01:33:05,120 --> 01:33:07,519
Speaker 2: If you want to know what people think about drink childs, yes,

1875
01:33:08,360 --> 01:33:12,240
Speaker 2: we see, but you know and why steep though, Like

1876
01:33:12,560 --> 01:33:14,760
Speaker 2: it makes you think are you damaged? Because I will

1877
01:33:14,840 --> 01:33:24,120
Speaker 2: read a thousand positive messages telling me how great with me?

1878
01:33:24,840 --> 01:33:26,800
Speaker 1: It's like that in your ears. Tell you that and

1879
01:33:27,000 --> 01:33:28,920
Speaker 1: you want to hit him back mean while everyone else

1880
01:33:28,960 --> 01:33:30,679
Speaker 1: is saying is great.

1881
01:33:30,800 --> 01:33:33,360
Speaker 4: But you know what do we care about the negative?

1882
01:33:33,400 --> 01:33:35,400
Speaker 4: When you're saying so much loss? That shows you the

1883
01:33:35,439 --> 01:33:39,759
Speaker 4: power negativity. Man, You know what I heard, and it's crazy.

1884
01:33:40,040 --> 01:33:42,360
Speaker 4: They said real artists love to be abused.

1885
01:33:42,600 --> 01:33:43,679
Speaker 1: I don't have to be abused.

1886
01:33:43,680 --> 01:33:46,760
Speaker 2: I don't love to be but I recognized that, my my,

1887
01:33:47,040 --> 01:33:49,280
Speaker 2: you know, I recognize when I'm in that area.

1888
01:33:49,439 --> 01:33:52,400
Speaker 4: Real artists are sensitive and the egos are sensitively.

1889
01:33:53,000 --> 01:33:56,920
Speaker 2: I could get sensitive with negativity because I've just seen

1890
01:33:56,960 --> 01:33:59,479
Speaker 2: there's ways to say it, like if I didn't last something.

1891
01:33:59,520 --> 01:34:00,760
Speaker 2: I don't need to play it down. I can just

1892
01:34:00,800 --> 01:34:02,600
Speaker 2: tell you what I did, Like there's way so I

1893
01:34:02,680 --> 01:34:04,559
Speaker 2: did get a sense with it, but I need.

1894
01:34:04,560 --> 01:34:06,000
Speaker 1: To start doing it. I don't think it's healthy, man.

1895
01:34:06,040 --> 01:34:07,880
Speaker 4: I don't think it's healthy to go on there, especially

1896
01:34:07,920 --> 01:34:10,040
Speaker 4: when there's trolls on there that they're not even really

1897
01:34:10,200 --> 01:34:10,719
Speaker 4: real people.

1898
01:34:10,800 --> 01:34:14,120
Speaker 2: You know, everybody loves something you have. There's there's people

1899
01:34:14,200 --> 01:34:16,080
Speaker 2: out there that their job is to go against it,

1900
01:34:16,560 --> 01:34:18,600
Speaker 2: you know, so then you see the negative and you

1901
01:34:18,680 --> 01:34:21,600
Speaker 2: start thinking, oh, man, like it's deal, So I need

1902
01:34:21,640 --> 01:34:22,160
Speaker 2: to start doing that.

1903
01:34:22,200 --> 01:34:24,120
Speaker 1: Though. You can post a picture of a baby, everybody

1904
01:34:24,280 --> 01:34:25,280
Speaker 1: like she's so cute.

1905
01:34:25,400 --> 01:34:28,200
Speaker 2: There's some nigga named Hacksaw Jim thirty four, it's like

1906
01:34:28,520 --> 01:34:28,920
Speaker 2: fuck that.

1907
01:34:29,120 --> 01:34:31,400
Speaker 1: Baby, Yeah, And then it's just like.

1908
01:34:33,520 --> 01:34:36,880
Speaker 2: That human nature some of us, like I think that's

1909
01:34:36,920 --> 01:34:38,800
Speaker 2: the only time they get attention on the day. I

1910
01:34:38,880 --> 01:34:41,160
Speaker 2: feel that the only time they shine, the only time

1911
01:34:41,200 --> 01:34:43,639
Speaker 2: they looked outside of their regular job, where they feel

1912
01:34:43,720 --> 01:34:45,800
Speaker 2: like if they get that top comment on the blood

1913
01:34:45,800 --> 01:34:48,240
Speaker 2: page or that top comment on loads of lamps on

1914
01:34:48,280 --> 01:34:49,800
Speaker 2: their Twitter page, that's their win.

1915
01:34:50,280 --> 01:34:54,400
Speaker 3: Social media, not in real life, but social media kind

1916
01:34:54,400 --> 01:34:55,800
Speaker 3: of made everybody on the same level.

1917
01:34:55,840 --> 01:34:56,559
Speaker 1: It's crazy to.

1918
01:34:56,640 --> 01:34:59,479
Speaker 2: Me because you read the message. Once you read the message,

1919
01:34:59,600 --> 01:35:00,439
Speaker 2: you're in the world.

1920
01:35:00,640 --> 01:35:04,559
Speaker 1: But there's also AI bots that just troll.

1921
01:35:04,920 --> 01:35:08,479
Speaker 2: What about that show now, especially somebody have to set

1922
01:35:08,520 --> 01:35:10,800
Speaker 2: the box onto someone's an asshole enough that a.

1923
01:35:10,840 --> 01:35:12,479
Speaker 4: Tech guy says, Okay, I'm a dick and I just

1924
01:35:12,560 --> 01:35:14,200
Speaker 4: want to be a dick to the world, and they

1925
01:35:14,280 --> 01:35:16,200
Speaker 4: find keywords to go and to be back.

1926
01:35:16,080 --> 01:35:19,000
Speaker 1: To you just to troll. That's crazy. That's crazy. I

1927
01:35:19,120 --> 01:35:20,960
Speaker 1: never engaged in it though, so I'll just leave it.

1928
01:35:21,040 --> 01:35:23,559
Speaker 1: But it is what it is. No, but I wanted

1929
01:35:23,560 --> 01:35:24,960
Speaker 1: to ask you, did you how much did you have

1930
01:35:25,040 --> 01:35:28,120
Speaker 1: to fight for your titling? Oh? No, no at all.

1931
01:35:28,160 --> 01:35:29,439
Speaker 1: You know, not a tool.

1932
01:35:30,640 --> 01:35:33,519
Speaker 2: I can't even really talk bout on Netflix because say that.

1933
01:35:33,560 --> 01:35:35,840
Speaker 2: See when you watch the show today with everything you

1934
01:35:35,920 --> 01:35:37,360
Speaker 2: love about it, I can put my hands up and

1935
01:35:37,400 --> 01:35:39,880
Speaker 2: say that's me and think you for Nah, it's not

1936
01:35:39,960 --> 01:35:41,320
Speaker 2: that I have to put my hands up saying bro,

1937
01:35:41,439 --> 01:35:43,920
Speaker 2: that was me because they let me run. And I

1938
01:35:44,000 --> 01:35:47,000
Speaker 2: think it was only because, as I said, they pursued

1939
01:35:47,080 --> 01:35:49,880
Speaker 2: me and my vision for it was so clear, and

1940
01:35:50,040 --> 01:35:52,120
Speaker 2: we're talking about a world that they're not familiar with.

1941
01:35:52,720 --> 01:35:55,040
Speaker 2: That South London world is very specific, so.

1942
01:35:55,080 --> 01:35:56,120
Speaker 1: You can't even criticize it.

1943
01:35:56,200 --> 01:35:57,800
Speaker 2: It was hard to say, and I'm like, no, that's

1944
01:35:57,840 --> 01:35:59,320
Speaker 2: what they would say, that's what they would do, so

1945
01:35:59,360 --> 01:35:59,960
Speaker 2: they kind of let me.

1946
01:36:00,120 --> 01:36:00,920
Speaker 1: Does go with it. Man.

1947
01:36:01,000 --> 01:36:03,640
Speaker 2: But the Titland, I remember there was, so there was

1948
01:36:03,800 --> 01:36:07,000
Speaker 2: the Titland. Creative written by are usually on the same cards,

1949
01:36:07,680 --> 01:36:10,439
Speaker 2: you know, like if you got creative written by on

1950
01:36:10,479 --> 01:36:13,519
Speaker 2: the first episode, you don't need to have it everywhere else.

1951
01:36:13,920 --> 01:36:15,240
Speaker 1: So I remember one time.

1952
01:36:17,240 --> 01:36:18,600
Speaker 2: One of the team I'm not going to say it was,

1953
01:36:18,680 --> 01:36:20,960
Speaker 2: was like, you know, raps, you know, you've got it

1954
01:36:21,040 --> 01:36:22,560
Speaker 2: on the front card, so you don't really need it

1955
01:36:22,600 --> 01:36:23,960
Speaker 2: on the next two cards. I was like, I know,

1956
01:36:25,400 --> 01:36:27,080
Speaker 2: so should we take off? And said no, I said,

1957
01:36:27,080 --> 01:36:29,120
Speaker 2: don't know, I'm not taking off. I wanted it to

1958
01:36:29,200 --> 01:36:34,400
Speaker 2: be every card that you could get. Separate written by director,

1959
01:36:35,200 --> 01:36:37,599
Speaker 2: created by separate, just so you know, you know who

1960
01:36:37,640 --> 01:36:38,400
Speaker 2: I saw do it like?

1961
01:36:38,520 --> 01:36:41,479
Speaker 1: And she shown the rams on Queen Charlotte.

1962
01:36:41,520 --> 01:36:44,719
Speaker 2: She got a bridging show and she remember she don't

1963
01:36:44,920 --> 01:36:46,920
Speaker 2: she produces the Bridge and but she don't write them.

1964
01:36:47,120 --> 01:36:49,519
Speaker 2: But she wrote this particular one, this spinoff, Yeah, which

1965
01:36:49,520 --> 01:36:50,920
Speaker 2: I could bet you were the first person to do

1966
01:36:51,000 --> 01:36:54,200
Speaker 2: that too. I would have lost too best I would

1967
01:36:54,320 --> 01:36:58,639
Speaker 2: I would have done it anyway. But it Yeah, yeah,

1968
01:36:59,160 --> 01:37:02,599
Speaker 2: this show was probably it probably wasn't yours to watch,

1969
01:37:02,680 --> 01:37:04,720
Speaker 2: but I watched it because I watch everything. But I

1970
01:37:04,840 --> 01:37:10,200
Speaker 2: saw written by shond the Rams great. I was like, Okay,

1971
01:37:10,240 --> 01:37:12,839
Speaker 2: I see what you didn't shounder Netflix.

1972
01:37:15,960 --> 01:37:17,760
Speaker 1: I forget that. Why not if you've done it, it's

1973
01:37:17,800 --> 01:37:20,360
Speaker 1: not like a light I'm saying.

1974
01:37:20,240 --> 01:37:22,599
Speaker 2: Yeah by all means. And you were in one scene

1975
01:37:22,600 --> 01:37:24,200
Speaker 2: in the movie and a series.

1976
01:37:24,200 --> 01:37:26,800
Speaker 1: My little Stanley Carrier, which wasn't mine.

1977
01:37:27,160 --> 01:37:30,639
Speaker 2: I originally wasn't on it, but my director, the direct episode,

1978
01:37:30,760 --> 01:37:32,280
Speaker 2: was really pushing on it. I said, you know what's

1979
01:37:32,320 --> 01:37:35,360
Speaker 2: in the club when he disappears and he goes back?

1980
01:37:35,400 --> 01:37:40,719
Speaker 1: And you're like, I think you said right there? Probably

1981
01:37:43,080 --> 01:37:45,800
Speaker 1: you did you see that? Yeah?

1982
01:37:45,840 --> 01:37:48,240
Speaker 2: Yeah, that was like my little little homage to Stanley,

1983
01:37:48,280 --> 01:37:52,559
Speaker 2: because you know Marvel Mavie Stanley. Yeah, my little homage

1984
01:37:52,600 --> 01:37:53,840
Speaker 2: to it. And I thought that was pretty cool. It

1985
01:37:53,960 --> 01:37:57,280
Speaker 2: wasn't my dea you should do that, but I didn't

1986
01:37:57,320 --> 01:37:57,439
Speaker 2: like it.

1987
01:37:57,560 --> 01:38:00,400
Speaker 3: You should you should do that because I could tell

1988
01:38:00,400 --> 01:38:02,360
Speaker 3: you attached to this project. I could tell, like, this

1989
01:38:02,520 --> 01:38:05,360
Speaker 3: project is your baby. So I don't know if we

1990
01:38:05,400 --> 01:38:07,320
Speaker 3: spoke about this earlier, but maybe we did, and maybe

1991
01:38:07,360 --> 01:38:10,560
Speaker 3: we did. We said we're going to features films and

1992
01:38:10,680 --> 01:38:14,160
Speaker 3: we said, uh, let me ask you this.

1993
01:38:14,280 --> 01:38:15,360
Speaker 2: No, no, let me ask you this. This is what

1994
01:38:15,400 --> 01:38:26,320
Speaker 2: I meant to ask earlier. Could you film all white cats?

1995
01:38:27,400 --> 01:38:31,200
Speaker 1: I could, but at this part in my life I won't.

1996
01:38:31,640 --> 01:38:35,479
Speaker 2: Now, I thought that my position now is to give

1997
01:38:35,960 --> 01:38:39,479
Speaker 2: black actors a chance staying with yeah. Yeah, it's just

1998
01:38:39,600 --> 01:38:44,280
Speaker 2: there's just not every ten movies over all white cars.

1999
01:38:44,320 --> 01:38:47,240
Speaker 2: So a non black there's one, you know, which is

2000
01:38:47,520 --> 01:38:50,519
Speaker 2: best work for this for black actors happened to fly

2001
01:38:50,680 --> 01:38:53,400
Speaker 2: over over here to get work? I think the wrong

2002
01:38:53,600 --> 01:38:55,760
Speaker 2: My thing now, it kind of it just has to

2003
01:38:55,800 --> 01:38:58,120
Speaker 2: be a black league. I don't mind if everybody else

2004
01:38:58,160 --> 01:38:59,880
Speaker 2: around him is white at the more man if I car,

2005
01:39:00,040 --> 01:39:03,120
Speaker 2: but the story that we're following, the main person has

2006
01:39:03,200 --> 01:39:05,400
Speaker 2: to be black for me at the moment, at this

2007
01:39:05,479 --> 01:39:07,280
Speaker 2: stage in my career. I'm not saying it might not

2008
01:39:07,439 --> 01:39:10,400
Speaker 2: change ten years from now, but I feel like you

2009
01:39:10,439 --> 01:39:11,200
Speaker 2: see when you watch.

2010
01:39:11,080 --> 01:39:13,920
Speaker 1: The spight Lee movie, you know you you know, you

2011
01:39:14,040 --> 01:39:14,760
Speaker 1: know what you're gonna get.

2012
01:39:15,080 --> 01:39:17,200
Speaker 2: You know, he's there to uplift the community, and I'm

2013
01:39:17,240 --> 01:39:18,519
Speaker 2: inspired by what's Splaightley done.

2014
01:39:18,520 --> 01:39:19,800
Speaker 1: You know, I think he came out of the gate.

2015
01:39:19,920 --> 01:39:22,439
Speaker 1: So he did like a white movie though he did

2016
01:39:22,680 --> 01:39:23,000
Speaker 1: did he do?

2017
01:39:23,120 --> 01:39:23,160
Speaker 2: What?

2018
01:39:23,640 --> 01:39:25,639
Speaker 1: Come on? Come on? He did like a white movie

2019
01:39:25,720 --> 01:39:30,040
Speaker 1: or a white series of I haven't seen it. And

2020
01:39:30,080 --> 01:39:31,360
Speaker 1: if it was, how long it was? I mean it

2021
01:39:31,439 --> 01:39:35,880
Speaker 1: was series. I don't take a was the lead black though?

2022
01:39:36,000 --> 01:39:37,639
Speaker 2: I don't know if number one of the cool she's

2023
01:39:37,680 --> 01:39:39,599
Speaker 2: black and everyone around the person is not black, that's

2024
01:39:39,720 --> 01:39:41,160
Speaker 2: that's that's that's to me, It's still the.

2025
01:39:41,120 --> 01:39:43,800
Speaker 1: Same thing because because then that what that does.

2026
01:39:44,040 --> 01:39:48,400
Speaker 2: It shows that you can be black and lead a movie,

2027
01:39:48,479 --> 01:39:51,400
Speaker 2: which means that now other black opportunities off that as well.

2028
01:39:51,680 --> 01:39:53,880
Speaker 2: But what I did with the main white lead? Would

2029
01:39:53,880 --> 01:39:56,280
Speaker 2: I be tempting this? Someone said, lean On DiCaprio, Robert

2030
01:39:56,320 --> 01:39:58,559
Speaker 2: and Nero this, of course I would be. But they're

2031
01:39:58,600 --> 01:40:00,840
Speaker 2: not gonna be like, how can I sneak? So we'll

2032
01:40:00,840 --> 01:40:08,080
Speaker 2: say I'm going to be like, yeah, no, no, commercial,

2033
01:40:09,360 --> 01:40:13,840
Speaker 2: don't play about commercial, bron I'll get back to I

2034
01:40:13,920 --> 01:40:14,479
Speaker 2: figured it out.

2035
01:40:15,000 --> 01:40:15,920
Speaker 1: I forget what it was.

2036
01:40:16,160 --> 01:40:18,640
Speaker 2: Maybe he was a consultant on something, maybe that, but

2037
01:40:19,000 --> 01:40:21,080
Speaker 2: that it says something hbs him.

2038
01:40:21,800 --> 01:40:23,759
Speaker 1: I don't think yeah, being a consultant.

2039
01:40:23,840 --> 01:40:26,000
Speaker 2: Just want to think an that you know, but he

2040
01:40:26,120 --> 01:40:28,240
Speaker 2: was actual name has written don I don't think I've

2041
01:40:28,240 --> 01:40:29,840
Speaker 2: seen I haven't seen anything that comes back.

2042
01:40:29,960 --> 01:40:33,040
Speaker 1: But could you tell the whole New York story? He's

2043
01:40:33,560 --> 01:40:35,280
Speaker 1: the movie I just wrote was based on the Hold

2044
01:40:35,320 --> 01:40:37,880
Speaker 1: of New York. Wow. Yeah. I can't say too much

2045
01:40:37,880 --> 01:40:38,200
Speaker 1: about it.

2046
01:40:38,280 --> 01:40:41,920
Speaker 2: But it's a sixth story and it's setting you, and

2047
01:40:42,720 --> 01:40:44,800
Speaker 2: it's said you in the nineteen seventies actually as well.

2048
01:40:45,080 --> 01:40:47,160
Speaker 1: Seven easy. I can write story in any time. I

2049
01:40:47,280 --> 01:40:49,040
Speaker 1: was going seventy seven, just in case you're going you

2050
01:40:49,080 --> 01:40:52,160
Speaker 1: want to throw Yeah, you can do New York.

2051
01:40:57,040 --> 01:41:01,120
Speaker 2: So yeah, man, So I don't my about where it's set.

2052
01:41:01,479 --> 01:41:03,560
Speaker 2: It's just I just need to understand the story and

2053
01:41:03,600 --> 01:41:06,760
Speaker 2: the characters. If I understand the person's motivation and you

2054
01:41:06,880 --> 01:41:10,160
Speaker 2: know his aspirations, his weaknesses, I can tell the story.

2055
01:41:12,040 --> 01:41:12,519
Speaker 1: Goddamn.

2056
01:41:12,920 --> 01:41:14,800
Speaker 4: Is there a creative like process you go through to

2057
01:41:14,880 --> 01:41:17,080
Speaker 4: come up with stories? Is there anything that inspires you?

2058
01:41:17,240 --> 01:41:17,880
Speaker 4: Is amused to you?

2059
01:41:18,400 --> 01:41:20,040
Speaker 1: I have to watch everything.

2060
01:41:20,640 --> 01:41:22,840
Speaker 2: It's crazy, but you see, if you tell me there's

2061
01:41:22,880 --> 01:41:25,680
Speaker 2: a show that's cold, I will watch it and.

2062
01:41:25,760 --> 01:41:27,280
Speaker 1: It might not even be my cup of tea. But

2063
01:41:27,960 --> 01:41:29,880
Speaker 1: I need to know what got you so excited about it?

2064
01:41:30,320 --> 01:41:32,640
Speaker 2: Right, So because someone if you got excited about it,

2065
01:41:32,760 --> 01:41:35,000
Speaker 2: there's probably thousands of other people that are excited about

2066
01:41:35,040 --> 01:41:37,400
Speaker 2: that same thing. So what can I take from there

2067
01:41:37,520 --> 01:41:39,719
Speaker 2: to add to my game? To see what people are into?

2068
01:41:39,760 --> 01:41:41,439
Speaker 2: Because you that's the only way you stay comming.

2069
01:41:41,479 --> 01:41:41,599
Speaker 1: Man.

2070
01:41:41,680 --> 01:41:43,360
Speaker 2: I never got a chance to go film school any

2071
01:41:43,400 --> 01:41:46,679
Speaker 2: of these places. It was just me relentlessly watching film

2072
01:41:46,760 --> 01:41:50,640
Speaker 2: and TV learning how to do I'll do. So if

2073
01:41:50,640 --> 01:41:53,800
Speaker 2: I'm writing a gangster movie, I will watch every single

2074
01:41:53,880 --> 01:41:56,120
Speaker 2: gangster movie. I would find the list of the ten

2075
01:41:56,160 --> 01:41:58,639
Speaker 2: greatest gangs movies of all time, and I would watch

2076
01:41:58,640 --> 01:42:00,800
Speaker 2: them all back to back before I start, right because

2077
01:42:00,800 --> 01:42:03,200
Speaker 2: I need to see what did everybody love about all

2078
01:42:03,280 --> 01:42:05,040
Speaker 2: of these movies? And now I need to go in

2079
01:42:05,200 --> 01:42:08,400
Speaker 2: with my take on what you know. So that's kind

2080
01:42:08,439 --> 01:42:11,320
Speaker 2: of my process that makes sense about reality shows.

2081
01:42:11,200 --> 01:42:13,800
Speaker 1: Nah, it's not my bag, mind, it's just not my bag.

2082
01:42:15,840 --> 01:42:17,800
Speaker 2: I think big of everyone that's made of living off

2083
01:42:17,840 --> 01:42:19,920
Speaker 2: of it, and it's doing well for me, But I

2084
01:42:20,080 --> 01:42:20,840
Speaker 2: just don't watch them.

2085
01:42:20,920 --> 01:42:23,519
Speaker 1: It's just not it's not even reality.

2086
01:42:23,600 --> 01:42:27,320
Speaker 2: It's a scripture. Now, now I remember back in the

2087
01:42:27,400 --> 01:42:29,840
Speaker 2: day when Big Brothers first came out in the UK, Yeah,

2088
01:42:29,880 --> 01:42:30,320
Speaker 2: the UK.

2089
01:42:31,400 --> 01:42:33,599
Speaker 1: Out here Bro Big Brother came out.

2090
01:42:33,760 --> 01:42:36,479
Speaker 2: I was young at the time, but that was the

2091
01:42:36,640 --> 01:42:39,439
Speaker 2: real world, real world now, I think big Brother Brother,

2092
01:42:39,520 --> 01:42:40,040
Speaker 2: Big Brother.

2093
01:42:40,760 --> 01:42:42,240
Speaker 1: Big Brother and that came out.

2094
01:42:42,320 --> 01:42:45,320
Speaker 2: Yeah, and I watched that and it was crazy because

2095
01:42:45,320 --> 01:42:47,480
Speaker 2: that was a real reality show because.

2096
01:42:48,000 --> 01:42:48,840
Speaker 1: They didn't know that.

2097
01:42:49,439 --> 01:42:51,559
Speaker 2: Okay at the time, if someone has sex, you get

2098
01:42:51,600 --> 01:42:54,800
Speaker 2: fifty grand. If you do something sneaky, you get this.

2099
01:42:55,080 --> 01:42:57,559
Speaker 1: No one knew this. Yeah, yeah, that was the rule

2100
01:42:57,560 --> 01:43:00,639
Speaker 1: with Big Brother really yeah, yeah, say you get money.

2101
01:43:01,240 --> 01:43:05,040
Speaker 1: But remember the contestants don't know this. Okay, they don't

2102
01:43:05,120 --> 01:43:05,360
Speaker 1: know this.

2103
01:43:05,680 --> 01:43:08,000
Speaker 2: So there was a villain in the show, but it

2104
01:43:08,120 --> 01:43:10,439
Speaker 2: was a real villain, like he was doing sneaky things,

2105
01:43:10,520 --> 01:43:12,720
Speaker 2: like he'll go up to you and say, yeah, man,

2106
01:43:12,760 --> 01:43:14,000
Speaker 2: I don't I don't really feel him.

2107
01:43:14,080 --> 01:43:15,240
Speaker 1: And they got up to you and say, yeah, what

2108
01:43:15,280 --> 01:43:17,360
Speaker 1: do you if you can know? Just this was a

2109
01:43:17,479 --> 01:43:20,200
Speaker 1: real two faced guy. I'm watching this like it's just real.

2110
01:43:21,200 --> 01:43:23,600
Speaker 1: People actually like this and I'm never thinking, nah, this

2111
01:43:23,720 --> 01:43:25,920
Speaker 1: is actually crazy ye e TV. And I was a

2112
01:43:26,000 --> 01:43:26,400
Speaker 1: fan of that.

2113
01:43:27,360 --> 01:43:31,120
Speaker 2: Season two came out and then it's like the rule

2114
01:43:31,200 --> 01:43:33,080
Speaker 2: they watched the season once, so everyone knew because you know,

2115
01:43:33,120 --> 01:43:34,559
Speaker 2: if we have sex with the mind, so they're trying

2116
01:43:34,560 --> 01:43:38,200
Speaker 2: to have sex doing the sneakiness. You got mad deals

2117
01:43:38,240 --> 01:43:40,720
Speaker 2: when he came out, and you got loads of I'm

2118
01:43:40,800 --> 01:43:43,400
Speaker 2: hosting gigs, so that everyone in the next season was

2119
01:43:43,439 --> 01:43:45,040
Speaker 2: trying to do that, and I was like, no, it's

2120
01:43:45,080 --> 01:43:47,640
Speaker 2: not real nor more like when it was pure and

2121
01:43:47,760 --> 01:43:51,080
Speaker 2: nobody knew. You was actually just watching normal people doing

2122
01:43:51,320 --> 01:43:54,400
Speaker 2: what normal people do. After that, when I started seeing

2123
01:43:54,439 --> 01:43:56,439
Speaker 2: clips of other stuff, I was like, he's the thing

2124
01:43:56,479 --> 01:43:57,120
Speaker 2: what she was doing.

2125
01:43:57,479 --> 01:43:58,599
Speaker 1: She was the thing what she was doing.

2126
01:43:58,680 --> 01:44:00,960
Speaker 2: So I kind of had a sour taste my myth

2127
01:44:01,000 --> 01:44:03,120
Speaker 2: for reality TV because I know it's I know what

2128
01:44:03,240 --> 01:44:03,800
Speaker 2: the aim is.

2129
01:44:04,200 --> 01:44:05,920
Speaker 1: The aim is for everyone to come out. You want

2130
01:44:05,960 --> 01:44:07,760
Speaker 1: to have a career when you come out.

2131
01:44:07,800 --> 01:44:10,120
Speaker 2: So I feel like your guy on putting on a role,

2132
01:44:10,200 --> 01:44:12,160
Speaker 2: which is fine, but just telling me, I'm watching the

2133
01:44:12,160 --> 01:44:13,760
Speaker 2: scripture TV shows killing me.

2134
01:44:13,960 --> 01:44:16,880
Speaker 1: It's reality, so I kind of it's just not my back.

2135
01:44:17,040 --> 01:44:18,000
Speaker 1: And that's how the real world.

2136
01:44:18,080 --> 01:44:21,439
Speaker 4: It started out pretty real, and then after people saw it,

2137
01:44:21,520 --> 01:44:23,840
Speaker 4: then people started manipulating themselves.

2138
01:44:23,439 --> 01:44:25,760
Speaker 2: On Yeah, that's why you watch the first things of

2139
01:44:25,800 --> 01:44:28,040
Speaker 2: these things. You see the difference on how things were. One,

2140
01:44:31,960 --> 01:44:36,080
Speaker 2: if you got a chance to do the London version

2141
01:44:36,520 --> 01:44:39,639
Speaker 2: of Harlem Knights, I love Hall of Nance, I love

2142
01:44:39,760 --> 01:44:40,839
Speaker 2: I would do that in a heartbeat.

2143
01:44:40,920 --> 01:44:42,640
Speaker 3: But what I mean by that is, like, you know

2144
01:44:42,680 --> 01:44:46,720
Speaker 3: how hallm Nights is every There's nobody that's like that's

2145
01:44:46,760 --> 01:44:47,200
Speaker 3: not a star.

2146
01:44:47,800 --> 01:44:51,719
Speaker 2: Like everybody everybody started time. I watched the recognized Everybody

2147
01:44:51,760 --> 01:44:55,960
Speaker 2: with somebody Richard Star, but the main the main cast,

2148
01:44:56,040 --> 01:44:59,800
Speaker 2: the main start time. But even even to B and C,

2149
01:45:00,080 --> 01:45:02,840
Speaker 2: why people work somebody people coming up, But I'm talking

2150
01:45:02,840 --> 01:45:03,959
Speaker 2: about the main cast.

2151
01:45:04,080 --> 01:45:12,640
Speaker 1: The main cast. I love that movie. If you were

2152
01:45:12,680 --> 01:45:15,920
Speaker 1: to do that, but the London version or the UK version.

2153
01:45:16,200 --> 01:45:18,439
Speaker 2: I would do something like that, But later on in

2154
01:45:18,520 --> 01:45:21,960
Speaker 2: the day in my career, because they're already popping. If

2155
01:45:21,960 --> 01:45:24,679
Speaker 2: I say everybody was a star, let me get someone,

2156
01:45:24,800 --> 01:45:26,200
Speaker 2: Let me get some new If I could get some

2157
01:45:26,320 --> 01:45:28,280
Speaker 2: new faces in there along these stars, I would do it.

2158
01:45:28,400 --> 01:45:31,280
Speaker 1: But I'm big on giving new talent of chance.

2159
01:45:31,720 --> 01:45:33,519
Speaker 2: You know, when I was coming through, I was always

2160
01:45:33,560 --> 01:45:35,880
Speaker 2: wishing someone would put me on there, and I don't

2161
01:45:35,920 --> 01:45:38,000
Speaker 2: think it was I actually don't think anybody can put

2162
01:45:38,000 --> 01:45:39,240
Speaker 2: you on. I think you have to put yourself on.

2163
01:45:39,640 --> 01:45:42,000
Speaker 2: But I was always hoping somebody would. Nobody ever did

2164
01:45:42,760 --> 01:45:44,680
Speaker 2: so with me. Now when I even put people on,

2165
01:45:44,920 --> 01:45:46,559
Speaker 2: they're not just people who are walking on the street

2166
01:45:46,560 --> 01:45:47,720
Speaker 2: and I'm like, you do you want to be in

2167
01:45:47,760 --> 01:45:48,000
Speaker 2: the movie.

2168
01:45:48,000 --> 01:45:50,880
Speaker 1: It's not like that. It's people that I see their.

2169
01:45:50,800 --> 01:45:54,719
Speaker 2: Poston skits on their tiptop every single day, playing the dad,

2170
01:45:54,880 --> 01:45:55,840
Speaker 2: the mom, the brother.

2171
01:45:56,360 --> 01:45:59,320
Speaker 1: I'm not this guy can act. I'm an audition. You know.

2172
01:45:59,479 --> 01:46:02,680
Speaker 2: Maybe we take it from here today to so so

2173
01:46:02,800 --> 01:46:05,000
Speaker 2: I would rather have some of knows in there than

2174
01:46:05,080 --> 01:46:06,839
Speaker 2: have a full known cost.

2175
01:46:06,960 --> 01:46:09,160
Speaker 1: But I would I would do it as long as

2176
01:46:09,200 --> 01:46:10,720
Speaker 1: I can throw some new new guys in there.

2177
01:46:12,200 --> 01:46:14,120
Speaker 2: Yeah, I would love to see that harlum Nation. You know,

2178
01:46:14,520 --> 01:46:16,200
Speaker 2: I ain't even thought about that movie for a long time,

2179
01:46:16,479 --> 01:46:19,599
Speaker 2: but I did love it, especially when she's fighting, when

2180
01:46:19,960 --> 01:46:23,680
Speaker 2: she's fighting Eddie Murphy and and and she punches him up.

2181
01:46:26,280 --> 01:46:26,800
Speaker 1: That was dope.

2182
01:46:26,880 --> 01:46:30,200
Speaker 3: Man, Go back and watch how about Seinfeld because si

2183
01:46:30,320 --> 01:46:31,679
Speaker 3: Feld is is the opposite side.

2184
01:46:31,880 --> 01:46:33,160
Speaker 1: Only got one black dude in there.

2185
01:46:33,360 --> 01:46:36,880
Speaker 2: The same with friends, friends had like every someone every other,

2186
01:46:37,000 --> 01:46:40,080
Speaker 2: so never with friends. See, I wasn't rocking with Sinfield,

2187
01:46:40,120 --> 01:46:45,120
Speaker 2: but I rocked with Friends, neither of them. I was

2188
01:46:45,200 --> 01:46:47,920
Speaker 2: a big Friends fan. Sinfield never really held me, but

2189
01:46:47,960 --> 01:46:50,080
Speaker 2: I did love Friends, okay, but I saw I saw

2190
01:46:50,120 --> 01:46:51,720
Speaker 2: what people like to Seinfeld, but I was a more

2191
01:46:51,880 --> 01:46:54,040
Speaker 2: Friends guy. But both all of them shows in them

2192
01:46:54,120 --> 01:46:58,600
Speaker 2: days was ninety nine percent white casts. How about Supercell.

2193
01:46:58,720 --> 01:47:02,240
Speaker 2: We're gonna make this animated series? You got caol Netflix, bro.

2194
01:47:02,680 --> 01:47:07,920
Speaker 2: I even I think there could be, but again, you know,

2195
01:47:08,080 --> 01:47:10,040
Speaker 2: it's down to them. I can always pitch it, but

2196
01:47:10,120 --> 01:47:12,200
Speaker 2: it's down to them. That when I was in Vegas

2197
01:47:12,280 --> 01:47:14,280
Speaker 2: not too long ago and I saw the Stranger Things store,

2198
01:47:14,400 --> 01:47:16,800
Speaker 2: massive store, sanor Things, I was dope serious.

2199
01:47:16,560 --> 01:47:18,160
Speaker 1: And I remember saying, that's the dream.

2200
01:47:18,200 --> 01:47:21,560
Speaker 2: You know, that's super Cell store big like that in

2201
01:47:21,720 --> 01:47:24,519
Speaker 2: Vegas just wherever where people are just going in and

2202
01:47:24,640 --> 01:47:25,760
Speaker 2: coming out of Stranger.

2203
01:47:25,479 --> 01:47:27,760
Speaker 1: F T shirts like like it, you know, like it's

2204
01:47:27,760 --> 01:47:28,559
Speaker 1: Gucci product.

2205
01:47:28,560 --> 01:47:31,080
Speaker 2: That's how they feel with it. And I'm like, you've

2206
01:47:31,080 --> 01:47:33,720
Speaker 2: got a show like that. It's a no brainer. It's

2207
01:47:33,760 --> 01:47:36,040
Speaker 2: the Duffel brothers who do Stranger Things, winn into Netflix

2208
01:47:36,080 --> 01:47:37,559
Speaker 2: said what they want to do comic books. They're gonna

2209
01:47:37,600 --> 01:47:40,640
Speaker 2: buy the handoff because they've won. So I'm not in

2210
01:47:40,720 --> 01:47:42,840
Speaker 2: a rush in the process. I think, you know, give

2211
01:47:42,880 --> 01:47:44,599
Speaker 2: me two, three, four seasons?

2212
01:47:46,120 --> 01:47:47,000
Speaker 1: Yeah, why not? Let's go.

2213
01:47:47,920 --> 01:47:52,720
Speaker 3: Well, I'm gonna tell you something. I went to go

2214
01:47:52,800 --> 01:47:58,519
Speaker 3: see Black Panther, right, I remember me me crying after

2215
01:47:58,560 --> 01:47:59,040
Speaker 3: the first one.

2216
01:47:59,160 --> 01:48:01,000
Speaker 1: Yeah, I'm not maybe because.

2217
01:48:00,800 --> 01:48:04,840
Speaker 3: The movie warranted me to cry, but because me seeing

2218
01:48:05,960 --> 01:48:10,240
Speaker 3: my people held in such a high standard, and then

2219
01:48:11,080 --> 01:48:13,760
Speaker 3: like having a whole like we start calling like us

2220
01:48:13,880 --> 01:48:16,760
Speaker 3: with Conda, like we were condo motherfucker, like right right,

2221
01:48:17,800 --> 01:48:22,240
Speaker 3: and then the second one prowd And then I remember

2222
01:48:22,320 --> 01:48:24,840
Speaker 3: not feeling that feeling again for a long time.

2223
01:48:26,120 --> 01:48:27,719
Speaker 2: And then Bob Marley's movie came.

2224
01:48:27,600 --> 01:48:34,160
Speaker 1: Out, One Lovetop Kingsley, and it wasn't.

2225
01:48:35,840 --> 01:48:38,439
Speaker 3: Like the superhero part of of Bob Marty. It was

2226
01:48:38,520 --> 01:48:40,679
Speaker 3: the normal part of Bob Marty that made me feel.

2227
01:48:40,479 --> 01:48:44,560
Speaker 2: That same exact thing, right, the same exact love, like,

2228
01:48:44,640 --> 01:48:47,400
Speaker 2: same exact passion of me seeing my people on screen

2229
01:48:47,600 --> 01:48:51,759
Speaker 2: and then being a superhero. I haven't had that feeling

2230
01:48:52,439 --> 01:48:54,759
Speaker 2: since until I've seen Super cell.

2231
01:48:56,120 --> 01:48:59,280
Speaker 1: I appreciate it. I'm not.

2232
01:49:00,040 --> 01:49:01,519
Speaker 3: And it's like I watched it and I was just

2233
01:49:01,600 --> 01:49:06,360
Speaker 3: like because and to me, this was even more relatable

2234
01:49:08,320 --> 01:49:11,120
Speaker 3: because a lot of us don't know our superpowers.

2235
01:49:11,520 --> 01:49:12,559
Speaker 1: A lot of us are.

2236
01:49:12,520 --> 01:49:16,080
Speaker 3: Superhero hundred and don't know our actual superpower.

2237
01:49:16,240 --> 01:49:19,160
Speaker 2: Yeah, after we will have a genius stability in us

2238
01:49:19,240 --> 01:49:20,760
Speaker 2: and we just have to unlook it. It's kind of

2239
01:49:20,840 --> 01:49:23,400
Speaker 2: like if you don't give being a sin Sainia a tennis,

2240
01:49:23,720 --> 01:49:25,760
Speaker 2: then we don't know. You know, you don't give j

2241
01:49:25,920 --> 01:49:27,800
Speaker 2: a microphone, you don't know. You know, you don't put

2242
01:49:27,880 --> 01:49:31,560
Speaker 2: Lewis behind the stand. Well, you don't know. So we

2243
01:49:31,760 --> 01:49:33,320
Speaker 2: just need to be put in our position and then

2244
01:49:33,479 --> 01:49:34,639
Speaker 2: our superpower activates.

2245
01:49:34,680 --> 01:49:36,439
Speaker 3: Well, because that's what I feel like. I feel like

2246
01:49:37,520 --> 01:49:40,000
Speaker 3: most of us is great. We just don't know. We

2247
01:49:40,080 --> 01:49:43,160
Speaker 3: don't know how to pull up the Spider Man. We

2248
01:49:43,200 --> 01:49:45,680
Speaker 3: don't know how to do our eyes like this. I

2249
01:49:45,760 --> 01:49:46,880
Speaker 3: gotta watchau.

2250
01:49:48,800 --> 01:49:53,200
Speaker 1: Super don't get too much. It is dope. I've been

2251
01:49:53,280 --> 01:49:55,519
Speaker 1: doing it all day and that doesn't work for me.

2252
01:50:00,200 --> 01:50:04,639
Speaker 3: I get Super Sun, but I s would have got

2253
01:50:04,720 --> 01:50:06,040
Speaker 3: I'm not guessing you not.

2254
01:50:06,280 --> 01:50:06,439
Speaker 1: You know.

2255
01:50:09,000 --> 01:50:13,000
Speaker 3: It's a certain proudness comes across on the screen, and

2256
01:50:13,479 --> 01:50:16,559
Speaker 3: I'll tell you the truth. It's gonna sound a little crazy.

2257
01:50:16,800 --> 01:50:19,400
Speaker 2: I get that certain I get that same proudness when

2258
01:50:19,400 --> 01:50:22,960
Speaker 2: I watched the Wire Like, I get that same problems

2259
01:50:23,000 --> 01:50:25,760
Speaker 2: when I watch something that that that that doesn't.

2260
01:50:25,520 --> 01:50:28,439
Speaker 1: Have that balance, but this has a perfect balance. Yeah,

2261
01:50:28,880 --> 01:50:29,519
Speaker 1: a brother.

2262
01:50:30,800 --> 01:50:34,240
Speaker 2: Was trying to save his girl, and in order to

2263
01:50:34,280 --> 01:50:37,880
Speaker 2: save his girl, he got to get together with four

2264
01:50:38,040 --> 01:50:39,320
Speaker 2: individuals that he does.

2265
01:50:39,280 --> 01:50:41,600
Speaker 1: Not know, no, don't even know where they are, don't

2266
01:50:41,600 --> 01:50:42,000
Speaker 1: know where.

2267
01:50:41,840 --> 01:50:45,720
Speaker 2: They are just and they also I don't want to

2268
01:50:45,720 --> 01:50:47,120
Speaker 2: say gagsters, but they also.

2269
01:50:47,000 --> 01:50:52,200
Speaker 1: Like tougher than him, more than he's been and.

2270
01:50:52,320 --> 01:50:54,960
Speaker 3: He's the one who can see in the future. So

2271
01:50:55,120 --> 01:50:57,360
Speaker 3: it always makes me feel like that, Like, you know,

2272
01:50:58,520 --> 01:51:01,280
Speaker 3: God bless me for going so deep. But like Malcolm

2273
01:51:01,360 --> 01:51:05,320
Speaker 3: X saw the future, woke about the future. He was like, yo,

2274
01:51:05,640 --> 01:51:10,280
Speaker 3: I see a world where everyone gets along. Holy shit,

2275
01:51:10,920 --> 01:51:15,000
Speaker 3: Malcolm or Martin Man had the dream Malcolm. After Malcolm

2276
01:51:15,080 --> 01:51:18,320
Speaker 3: went to Mecca, he said he saw a world where

2277
01:51:18,400 --> 01:51:19,000
Speaker 3: al Muslims.

2278
01:51:19,680 --> 01:51:22,360
Speaker 2: But Mary was saying that from the beginning, Yeah, yeah,

2279
01:51:23,160 --> 01:51:24,559
Speaker 2: you can put them both on the same level.

2280
01:51:26,080 --> 01:51:26,639
Speaker 1: A character.

2281
01:51:26,760 --> 01:51:28,320
Speaker 3: And when he came back from Mecca, that's he was

2282
01:51:28,360 --> 01:51:30,400
Speaker 3: saying that exactly. There's a character in the movie. I

2283
01:51:30,400 --> 01:51:31,760
Speaker 3: don't even want to say his names. I want you

2284
01:51:31,840 --> 01:51:34,160
Speaker 3: to figure it out for your own. But he sees

2285
01:51:34,200 --> 01:51:36,519
Speaker 3: into the future and sometimes seeing it into the future

2286
01:51:36,640 --> 01:51:39,519
Speaker 3: is not good and you don't want to break that

2287
01:51:39,640 --> 01:51:41,479
Speaker 3: to to like you know what I'm saying. So like

2288
01:51:41,560 --> 01:51:43,559
Speaker 3: I just felt like that ship was just so genius

2289
01:51:43,640 --> 01:51:46,760
Speaker 3: because it was like there's characters that I can relate to,

2290
01:51:47,640 --> 01:51:48,760
Speaker 3: but then their powers, it's.

2291
01:51:48,720 --> 01:51:50,400
Speaker 1: Like, oh I wish I had that. It's crazy.

2292
01:51:50,760 --> 01:51:52,640
Speaker 2: See, I wouldn't want to be able to see the

2293
01:51:52,680 --> 01:51:54,519
Speaker 2: future though, yeah, I wouldnt want now.

2294
01:51:54,800 --> 01:51:56,040
Speaker 1: I don't mind going back to the pass.

2295
01:51:56,040 --> 01:51:57,519
Speaker 2: I wouldn't made it to go to the future because

2296
01:51:57,560 --> 01:51:59,360
Speaker 2: if you if you go into the future and you

2297
01:51:59,439 --> 01:52:01,120
Speaker 2: find out that day you're going to do that much,

2298
01:52:01,320 --> 01:52:02,880
Speaker 2: how can you enjoy anything today?

2299
01:52:03,280 --> 01:52:04,479
Speaker 1: You can't really enjoy it.

2300
01:52:04,520 --> 01:52:07,599
Speaker 2: You might think your party and yolo until this day, coss,

2301
01:52:07,680 --> 01:52:09,719
Speaker 2: but that's just on your back of your head forever.

2302
01:52:09,880 --> 01:52:11,559
Speaker 2: So I don't want to know the future. You don't

2303
01:52:11,560 --> 01:52:13,360
Speaker 2: want to go to the future and see that dream

2304
01:52:13,439 --> 01:52:15,280
Speaker 2: child and say hey no more. You know that's the

2305
01:52:15,479 --> 01:52:18,920
Speaker 2: time you're just thinking whatever I've done, What did I

2306
01:52:19,040 --> 01:52:22,000
Speaker 2: do in this path to make this go away? So

2307
01:52:22,120 --> 01:52:23,760
Speaker 2: you just you don't want to know the future. So

2308
01:52:23,920 --> 01:52:25,960
Speaker 2: like that's what that's why I love the show, because

2309
01:52:26,920 --> 01:52:29,240
Speaker 2: he goes there and he doesn't burden her with this.

2310
01:52:29,520 --> 01:52:32,080
Speaker 1: And you know, I see some trolls like why did

2311
01:52:32,160 --> 01:52:34,280
Speaker 1: he just tell her? Why did he just tell him?

2312
01:52:34,320 --> 01:52:38,479
Speaker 1: Like but killing he's crying, you see, he's killing to die.

2313
01:52:38,680 --> 01:52:42,760
Speaker 1: You've just killed me, kill this. I don't want to

2314
01:52:42,800 --> 01:52:43,719
Speaker 1: know this now. I can't.

2315
01:52:44,080 --> 01:52:46,200
Speaker 2: There's nothing I can do before then I can actually

2316
01:52:46,240 --> 01:52:50,360
Speaker 2: generally be happy. Nothing means nothing now. So that's why

2317
01:52:50,560 --> 01:52:52,040
Speaker 2: that's why I personally love about the show. And I

2318
01:52:52,120 --> 01:52:54,679
Speaker 2: think if you watch it with that lens of really

2319
01:52:54,720 --> 01:52:58,080
Speaker 2: seeing the layers of it, you see why, like your

2320
01:52:58,240 --> 01:53:00,160
Speaker 2: confidences are been so nice to head to the other

2321
01:53:00,200 --> 01:53:02,439
Speaker 2: people have said similar things because when you watch it,

2322
01:53:03,120 --> 01:53:05,519
Speaker 2: you start seeing the legs you think, this is actually deep, man,

2323
01:53:05,600 --> 01:53:08,800
Speaker 2: this is actually this means this, and that means that

2324
01:53:08,960 --> 01:53:12,040
Speaker 2: there is so many even meanings I didn't do on purpose,

2325
01:53:12,200 --> 01:53:14,040
Speaker 2: because how I think is a writing as a man.

2326
01:53:14,520 --> 01:53:17,040
Speaker 2: I'm writing things with my subconscious in there, so I'm

2327
01:53:17,080 --> 01:53:18,920
Speaker 2: doing things. So that's probably why you're picking up for

2328
01:53:18,960 --> 01:53:19,840
Speaker 2: certain things as well.

2329
01:53:20,040 --> 01:53:22,000
Speaker 3: Right, And and that's why I want to see the

2330
01:53:22,080 --> 01:53:24,400
Speaker 3: future because I'm not gonna blue to blow it up.

2331
01:53:25,160 --> 01:53:27,280
Speaker 3: But like the part too when he's saying, you know,

2332
01:53:27,320 --> 01:53:29,840
Speaker 3: I'm gonna go back and I'm gonna figure out this.

2333
01:53:30,080 --> 01:53:32,080
Speaker 3: I'm gonna figure about this, and I'm gonna figure about that.

2334
01:53:32,680 --> 01:53:34,160
Speaker 3: And it was just like it just set it up

2335
01:53:34,160 --> 01:53:36,479
Speaker 3: for me to just be like, damn, my motherfucker, like

2336
01:53:36,520 --> 01:53:38,439
Speaker 3: I wanted the season too, like right then and there.

2337
01:53:38,920 --> 01:53:40,559
Speaker 3: If I would have had to buy season two right

2338
01:53:40,600 --> 01:53:41,000
Speaker 3: then and there.

2339
01:53:41,800 --> 01:53:43,720
Speaker 1: I feel like everyone would have, you know. I think

2340
01:53:43,840 --> 01:53:46,200
Speaker 1: I would have, like everybody would have, you know, but

2341
01:53:46,320 --> 01:53:46,840
Speaker 1: we've done that.

2342
01:53:46,960 --> 01:53:49,000
Speaker 2: I undered it a lot that because the one thing

2343
01:53:49,040 --> 01:53:50,760
Speaker 2: I'm gonna say, I want to leave people want it more.

2344
01:53:51,280 --> 01:53:51,720
Speaker 1: You know that.

2345
01:53:51,840 --> 01:53:53,439
Speaker 2: There was times it wasn't going to end that way

2346
01:53:53,479 --> 01:53:55,720
Speaker 2: and I was like, nah, this is just this is

2347
01:53:55,920 --> 01:53:57,600
Speaker 2: gonna make people more and this you know something, we

2348
01:53:57,640 --> 01:53:59,240
Speaker 2: can get the season two and we can expand it.

2349
01:53:59,520 --> 01:54:01,160
Speaker 1: Right. Do you think.

2350
01:54:04,800 --> 01:54:07,680
Speaker 2: Do you think black people appreciate it as much as

2351
01:54:07,960 --> 01:54:11,640
Speaker 2: you catered to black people. I think I think the

2352
01:54:11,720 --> 01:54:17,120
Speaker 2: black community showed out that our numbers went crazy because

2353
01:54:17,240 --> 01:54:18,639
Speaker 2: of the black community.

2354
01:54:20,280 --> 01:54:21,960
Speaker 1: Was number one, was the number one for the last

2355
01:54:22,000 --> 01:54:22,479
Speaker 1: two weeks.

2356
01:54:23,120 --> 01:54:27,519
Speaker 2: We just yeah, so and that was interally because black

2357
01:54:27,520 --> 01:54:30,519
Speaker 2: people spreading the work, going into work, telling their their

2358
01:54:30,640 --> 01:54:32,440
Speaker 2: counterparts that work you know, have you seen this?

2359
01:54:32,520 --> 01:54:33,480
Speaker 1: Have you seen that line?

2360
01:54:33,760 --> 01:54:35,680
Speaker 2: They showed that I can't even have I've got not

2361
01:54:35,880 --> 01:54:38,280
Speaker 2: one bit of anger for the black community. Even the

2362
01:54:38,320 --> 01:54:41,800
Speaker 2: people that are online trolling it, they understand that when

2363
01:54:41,800 --> 01:54:43,560
Speaker 2: they're going on Twitter and trolling and they're starting a

2364
01:54:43,600 --> 01:54:45,120
Speaker 2: conversation with someone watch anyway.

2365
01:54:45,160 --> 01:54:46,080
Speaker 1: Yeah, when they don't get that.

2366
01:54:46,240 --> 01:54:47,680
Speaker 2: They think they're pulling it down, when they don't know,

2367
01:54:47,720 --> 01:54:48,760
Speaker 2: they're making more people watch.

2368
01:54:49,000 --> 01:54:50,640
Speaker 1: So it really the day really came out.

2369
01:54:50,720 --> 01:54:56,960
Speaker 2: Yeah, for sure, there's a superhero in Queens. The Joker

2370
01:54:57,040 --> 01:55:04,000
Speaker 2: even come from the Bronx. Batman come from Got Them City,

2371
01:55:04,400 --> 01:55:06,680
Speaker 2: which is New York. The Man come from Queen is

2372
01:55:06,680 --> 01:55:09,200
Speaker 2: meant to be New York, is it or Chicago? Colfin

2373
01:55:09,280 --> 01:55:12,480
Speaker 2: was meant to be based on New York. Yeah. Then

2374
01:55:13,280 --> 01:55:17,680
Speaker 2: they went across the pond and got superheroes. Miami, I mean,

2375
01:55:17,800 --> 01:55:18,480
Speaker 2: got ship we.

2376
01:55:18,480 --> 01:55:32,040
Speaker 1: Need to figure out. I just realized that that that

2377
01:55:32,200 --> 01:55:33,640
Speaker 1: Miami ain't got man.

2378
01:55:34,120 --> 01:55:39,920
Speaker 2: You're gonna go Miami, bro, you got to I said,

2379
01:55:39,920 --> 01:55:41,040
Speaker 2: we got the cocaine Cowboys.

2380
01:55:41,120 --> 01:55:44,440
Speaker 1: Yeah, but to was fake, so we need like not

2381
01:55:44,520 --> 01:55:46,560
Speaker 1: none of the superheroes are huh No.

2382
01:55:46,680 --> 01:55:48,880
Speaker 4: But Tony Mont was based on real I know that

2383
01:55:49,000 --> 01:55:51,240
Speaker 4: collection of people, which is a Cocaine cowboy era.

2384
01:55:51,440 --> 01:55:51,840
Speaker 1: I know that.

2385
01:55:52,360 --> 01:55:56,960
Speaker 2: Yeah, So would you do a superhero story in Miami,

2386
01:55:57,200 --> 01:55:59,640
Speaker 2: I'll do that. That Cocaine and Flies, I mean.

2387
01:56:01,200 --> 01:56:01,800
Speaker 1: The second part.

2388
01:56:02,160 --> 01:56:04,800
Speaker 2: I definitely, I definitely went to the story in Miami

2389
01:56:05,280 --> 01:56:07,360
Speaker 2: said I was gonna shoot at me be Miami just

2390
01:56:07,400 --> 01:56:10,040
Speaker 2: before COVID came and watched Their Way. So Miami is

2391
01:56:10,040 --> 01:56:11,440
Speaker 2: the whole capital people want to come in. But I

2392
01:56:11,520 --> 01:56:14,680
Speaker 2: think knowing is we're not familiar with the rough part.

2393
01:56:14,960 --> 01:56:15,760
Speaker 2: We think of Miami.

2394
01:56:15,880 --> 01:56:20,200
Speaker 1: We think of the Yeah, you know, it's like it's

2395
01:56:20,240 --> 01:56:20,879
Speaker 1: like London.

2396
01:56:20,760 --> 01:56:21,240
Speaker 2: You feel.

2397
01:56:22,920 --> 01:56:25,600
Speaker 4: I feel like the struggles they showed me South Beach

2398
01:56:25,680 --> 01:56:29,960
Speaker 4: and South Beach. Yeah, Mia, Miami, you know, walk to

2399
01:56:30,000 --> 01:56:33,320
Speaker 4: Miami just America like you be a good.

2400
01:56:33,200 --> 01:56:35,040
Speaker 2: Story to tell, though, lot, this is the Miami that

2401
01:56:35,120 --> 01:56:37,400
Speaker 2: most people know. Then you see the South Beach, but

2402
01:56:37,480 --> 01:56:39,840
Speaker 2: this is the real Then you go into the hood

2403
01:56:39,840 --> 01:56:41,640
Speaker 2: of it. Would watched that.

2404
01:56:41,680 --> 01:56:44,120
Speaker 4: Movie, watched Cocaine Cowboys the documentary, I've seen a lot

2405
01:56:44,120 --> 01:56:45,360
Speaker 4: of that probably.

2406
01:56:46,000 --> 01:56:48,000
Speaker 1: Yeah. Yeah, it's a big part of Miami. But there's

2407
01:56:48,000 --> 01:56:48,920
Speaker 1: a lot more to Miami.

2408
01:56:49,040 --> 01:56:51,720
Speaker 3: Man, so so and the scope comes to you, excuse me,

2409
01:56:51,880 --> 01:56:56,920
Speaker 3: Universal comes to you and says, right, man, you got

2410
01:56:56,960 --> 01:57:01,240
Speaker 3: a choice the one video for one of our artists

2411
01:57:01,680 --> 01:57:04,440
Speaker 3: Universal now, Kendrick Lamar or Drake.

2412
01:57:06,320 --> 01:57:08,720
Speaker 1: I like how you said that up Kilty.

2413
01:57:08,560 --> 01:57:11,080
Speaker 2: Right, I'm doing I mean personally, I'm doing it for

2414
01:57:11,200 --> 01:57:13,320
Speaker 2: Kendrick right now. Okay, I would do it for Kendrew

2415
01:57:13,400 --> 01:57:15,720
Speaker 2: right now. Lie, but your accent is more like Drake's.

2416
01:57:16,720 --> 01:57:18,400
Speaker 1: I love taking wrong, you.

2417
01:57:18,440 --> 01:57:21,680
Speaker 2: Love takings wrong. But if you're I'm a business mine

2418
01:57:22,920 --> 01:57:28,400
Speaker 2: right now. I feel like the smart business is on. Yeah, yeah,

2419
01:57:28,760 --> 01:57:36,480
Speaker 2: for sure, I wasn't ready. I feel like Kendricks where

2420
01:57:36,480 --> 01:57:37,360
Speaker 2: you put your money right now.

2421
01:57:37,440 --> 01:57:38,920
Speaker 3: I'm not gonna lie. You got a little bit of

2422
01:57:38,960 --> 01:57:42,280
Speaker 3: your malleable rum left taking the left big Yeah, we're

2423
01:57:42,280 --> 01:57:47,080
Speaker 3: bigging you up. Man, I take a little bit.

2424
01:57:47,800 --> 01:57:50,800
Speaker 1: I want to jerk like that. Man. I ain't gonna lie.

2425
01:57:50,880 --> 01:57:51,040
Speaker 2: Man.

2426
01:57:51,200 --> 01:57:53,040
Speaker 1: I'm really really proud of you.

2427
01:57:53,160 --> 01:57:57,960
Speaker 2: I'm really proud of thank you, you know, rock Nation

2428
01:57:58,440 --> 01:58:02,000
Speaker 2: for seeing your vision appreciate them on and yourself, you know,

2429
01:58:02,320 --> 01:58:03,120
Speaker 2: for seeing.

2430
01:58:05,160 --> 01:58:06,480
Speaker 1: You and James.

2431
01:58:08,760 --> 01:58:13,280
Speaker 3: Very strong minded black individuals doing black things with black

2432
01:58:13,400 --> 01:58:16,160
Speaker 3: cast And by the way, God bless me for saying

2433
01:58:16,200 --> 01:58:18,120
Speaker 3: it this way and saying it like this. A lot

2434
01:58:18,160 --> 01:58:21,040
Speaker 3: of people always say support black, and then sometimes the

2435
01:58:21,160 --> 01:58:23,840
Speaker 3: quality of that black product isn't up.

2436
01:58:23,800 --> 01:58:25,560
Speaker 1: To park, you know what I mean.

2437
01:58:25,880 --> 01:58:28,640
Speaker 3: If there's if there's a black Findy, I'm gonna support

2438
01:58:28,640 --> 01:58:29,880
Speaker 3: the black Findy way more.

2439
01:58:30,320 --> 01:58:31,920
Speaker 1: But I don't want to, you know, you don't want

2440
01:58:31,920 --> 01:58:36,800
Speaker 1: to have a lesser credity problem. And that's why I

2441
01:58:36,840 --> 01:58:37,280
Speaker 1: commend you.

2442
01:58:38,280 --> 01:58:40,160
Speaker 3: Like I said, I was trying to critique you, like

2443
01:58:40,240 --> 01:58:41,720
Speaker 3: in a good way, like just to be like, yo,

2444
01:58:41,800 --> 01:58:43,920
Speaker 3: let me, let me just find some flaws in this,

2445
01:58:44,360 --> 01:58:47,800
Speaker 3: you know, and I just couldn't because it's really put together,

2446
01:58:47,880 --> 01:58:49,800
Speaker 3: and I knew the way told me.

2447
01:58:50,480 --> 01:58:52,200
Speaker 2: Yeah, I was gonna say it was was this time

2448
01:58:52,240 --> 01:58:53,360
Speaker 2: for you and the worst if Tied.

2449
01:58:53,240 --> 01:58:55,920
Speaker 3: Didn't say, you know what, I started to watch it.

2450
01:58:58,040 --> 01:59:00,640
Speaker 3: Yeah before that, I remember. I remember it was slow

2451
01:59:00,920 --> 01:59:03,200
Speaker 3: and I didn't catch it because it kept being number

2452
01:59:03,240 --> 01:59:05,000
Speaker 3: one on my chip. So I just kept looking and

2453
01:59:05,080 --> 01:59:07,680
Speaker 3: I was like, all right, cool. And then when said

2454
01:59:07,680 --> 01:59:08,360
Speaker 3: that to me, I was.

2455
01:59:08,400 --> 01:59:10,760
Speaker 1: Like, oh, this is hard. This is what I saw already.

2456
01:59:11,160 --> 01:59:13,240
Speaker 3: And then me and my wife we went we watched it,

2457
01:59:13,360 --> 01:59:15,560
Speaker 3: and then we watched this again today and I was

2458
01:59:15,640 --> 01:59:20,720
Speaker 3: just like, holy shit, man, Like I said, if I

2459
01:59:20,880 --> 01:59:23,680
Speaker 3: was a young dude from the hood that didn't have this,

2460
01:59:24,040 --> 01:59:26,960
Speaker 3: this career, didn't have this. That's that's something I would

2461
01:59:26,960 --> 01:59:28,280
Speaker 3: look at for inspiration.

2462
01:59:28,640 --> 01:59:29,760
Speaker 2: Now I've been getting a lot of that, and I

2463
01:59:29,800 --> 01:59:33,000
Speaker 2: appreciate that mine. It has made people who a lot

2464
01:59:33,040 --> 01:59:34,920
Speaker 2: of people reach out. He was just like, you know,

2465
01:59:34,960 --> 01:59:37,640
Speaker 2: I've never fought by acting before, but I want to

2466
01:59:37,640 --> 01:59:39,600
Speaker 2: be something like this or kind of how do I

2467
01:59:39,680 --> 01:59:40,240
Speaker 2: make something like this?

2468
01:59:40,320 --> 01:59:43,160
Speaker 1: Is it? It has really uplifted a lot of people.

2469
01:59:43,280 --> 01:59:47,320
Speaker 2: Man, just to see people who look like cost doing

2470
01:59:47,400 --> 01:59:49,840
Speaker 2: things like that and just seeing it getting taken in

2471
01:59:49,920 --> 01:59:50,400
Speaker 2: by the world.

2472
01:59:50,480 --> 01:59:52,080
Speaker 1: You know, I think it was just needed mine. Now

2473
01:59:52,080 --> 01:59:53,880
Speaker 1: I think it was. It was it was the right time.

2474
01:59:54,480 --> 01:59:58,760
Speaker 1: And one thing that was genius about it was you

2475
01:59:58,880 --> 01:59:59,920
Speaker 1: didn't label it.

2476
02:00:00,000 --> 02:00:04,560
Speaker 3: He sees it episode one, episode two, you named it

2477
02:00:04,720 --> 02:00:07,960
Speaker 3: the names of the characters, so you fall in love

2478
02:00:08,040 --> 02:00:09,040
Speaker 3: with the actual.

2479
02:00:10,000 --> 02:00:12,960
Speaker 1: I was like, YO, surprised what that does to you?

2480
02:00:13,240 --> 02:00:14,320
Speaker 1: I don't know what. Wait.

2481
02:00:14,600 --> 02:00:17,280
Speaker 2: You see when you see a show episode called Sabrina

2482
02:00:18,080 --> 02:00:21,080
Speaker 2: say that we've only got forty percent of Sabrina in

2483
02:00:21,160 --> 02:00:24,000
Speaker 2: there when we really needed sixty percent. Your mind is

2484
02:00:24,040 --> 02:00:26,880
Speaker 2: automatically not telling you you're looking for everything Sabrina say,

2485
02:00:27,120 --> 02:00:30,160
Speaker 2: so everything she's doing, you're watching that because you're thinking,

2486
02:00:30,200 --> 02:00:31,760
Speaker 2: this is another episode about so.

2487
02:00:31,920 --> 02:00:32,640
Speaker 1: It takes you there.

2488
02:00:32,680 --> 02:00:34,520
Speaker 2: So it's kind of like a way and so it

2489
02:00:34,560 --> 02:00:36,040
Speaker 2: does exactly what you said as well, you get to

2490
02:00:36,120 --> 02:00:39,520
Speaker 2: know that character individual, but it really makes you know, Okay,

2491
02:00:39,600 --> 02:00:41,600
Speaker 2: so I'm getting to know Michael hair tas the hair

2492
02:00:42,400 --> 02:00:44,160
Speaker 2: on your hair. And any time you get to the

2493
02:00:44,200 --> 02:00:46,200
Speaker 2: six you feel like you've known them now you're ready

2494
02:00:46,200 --> 02:00:48,839
Speaker 2: for them to come together. And yeah, that was always

2495
02:00:48,920 --> 02:00:50,640
Speaker 2: the way it was planned to do it like that. Man,

2496
02:00:50,920 --> 02:00:53,000
Speaker 2: it's honestly, we put a work into the show.

2497
02:00:54,000 --> 02:00:56,160
Speaker 3: Let me just tell you something creatively, and I'm a

2498
02:00:56,200 --> 02:00:59,120
Speaker 3: creative person. I was just like, this shit is crazy,

2499
02:00:59,240 --> 02:01:01,080
Speaker 3: Like like, he didn't I said, he didn't label it.

2500
02:01:01,200 --> 02:01:03,000
Speaker 3: He labeled it so you could fall in love with

2501
02:01:03,080 --> 02:01:03,680
Speaker 3: the characters.

2502
02:01:04,120 --> 02:01:07,160
Speaker 2: So by next season, that next season, the straight smoke,

2503
02:01:07,280 --> 02:01:10,320
Speaker 2: I don't introduce you to the normal people like yourself say,

2504
02:01:10,400 --> 02:01:12,040
Speaker 2: it starts so slow what she does if you don't,

2505
02:01:12,400 --> 02:01:15,320
Speaker 2: but you see season two, it don't start slow. That's

2506
02:01:15,360 --> 02:01:17,720
Speaker 2: guying off. We're a getting flat. Well as long as

2507
02:01:17,760 --> 02:01:20,080
Speaker 2: we get I already know I've got the opening scene.

2508
02:01:20,120 --> 02:01:22,160
Speaker 2: So my cost already normal opening. I'm not gonna give

2509
02:01:22,160 --> 02:01:24,560
Speaker 2: it cheese up. No, no, but the opening scene is

2510
02:01:24,800 --> 02:01:25,320
Speaker 2: just smoke.

2511
02:01:25,560 --> 02:01:28,200
Speaker 1: I take another saying. So so let me ask you.

2512
02:01:31,720 --> 02:01:34,440
Speaker 1: The budget comes in, it's exactly what you asked for.

2513
02:01:37,080 --> 02:01:40,000
Speaker 3: Because everything was based out of London this time that

2514
02:01:40,320 --> 02:01:44,680
Speaker 3: you didn't go anywhere, because that's yeah with Scotland.

2515
02:01:44,520 --> 02:01:48,720
Speaker 1: When the guy yeah yeah, scot We actually went to sculling.

2516
02:01:49,240 --> 02:01:52,480
Speaker 1: That's one of my favorite scenes. It's funny we actually sculling.

2517
02:01:52,560 --> 02:01:55,560
Speaker 2: Yeah. Yeah, I feel so sorry because you look at

2518
02:01:55,600 --> 02:02:03,640
Speaker 2: it to watch it, you don't watch it, watch the trailer?

2519
02:02:03,720 --> 02:02:06,520
Speaker 1: Did you not talk? Of course you're not. And I

2520
02:02:06,600 --> 02:02:08,840
Speaker 1: went back. I watched you know, I watched the Netflix one,

2521
02:02:08,880 --> 02:02:10,400
Speaker 1: and then I went back to watch the older the

2522
02:02:10,440 --> 02:02:10,840
Speaker 1: first one.

2523
02:02:10,880 --> 02:02:12,640
Speaker 2: The first one was my favorite one and I loved it.

2524
02:02:12,840 --> 02:02:15,880
Speaker 2: If you're not that word, yeah, you're right. Yeah you

2525
02:02:15,920 --> 02:02:16,840
Speaker 2: went to see pay stuff.

2526
02:02:17,040 --> 02:02:17,240
Speaker 1: Yeah.

2527
02:02:19,080 --> 02:02:22,080
Speaker 2: It was a time where they didn't know their powers,

2528
02:02:22,640 --> 02:02:23,720
Speaker 2: but they using it.

2529
02:02:24,360 --> 02:02:26,240
Speaker 1: They're using it. By I'm because I don't want him

2530
02:02:26,240 --> 02:02:28,000
Speaker 1: to tell me any more. Ship. I'm sorry because I

2531
02:02:31,960 --> 02:02:34,640
Speaker 1: got little kids in the grip. This is the weekend

2532
02:02:34,800 --> 02:02:36,200
Speaker 1: is the time where I'm gonna watch it all that's

2533
02:02:37,000 --> 02:02:37,560
Speaker 1: crazy to do it.

2534
02:02:37,680 --> 02:02:41,640
Speaker 2: So it's this one guy and I believe his thing

2535
02:02:41,720 --> 02:02:44,360
Speaker 2: is speed, but he's so fast that he ran.

2536
02:02:44,320 --> 02:02:45,400
Speaker 1: To another country.

2537
02:02:47,440 --> 02:02:50,840
Speaker 3: Saying like so I'm looking at him like because I

2538
02:02:51,360 --> 02:02:53,400
Speaker 3: think it's called Lima or Lima or something like that.

2539
02:02:54,200 --> 02:02:56,640
Speaker 1: The part of Scotland that we went to Edinburgh, Edin

2540
02:02:57,200 --> 02:02:58,840
Speaker 1: and he goes, where have my hat?

2541
02:02:58,880 --> 02:03:02,160
Speaker 2: And he goes and then the lady goes to him,

2542
02:03:02,320 --> 02:03:04,880
Speaker 2: tells him where he's yet, and he goes, well, where's

2543
02:03:04,960 --> 02:03:07,480
Speaker 2: that at? And he goes, you know, another one like

2544
02:03:07,880 --> 02:03:10,560
Speaker 2: like you in Scotland and then he comes back.

2545
02:03:11,080 --> 02:03:14,520
Speaker 3: This is the part that really really really really really

2546
02:03:14,640 --> 02:03:19,440
Speaker 3: dope about our people is we can I can have.

2547
02:03:21,200 --> 02:03:23,520
Speaker 2: The illest power in the world and comes to you

2548
02:03:23,600 --> 02:03:25,760
Speaker 2: and tell you, Yo, I got the ill power. You're like,

2549
02:03:25,880 --> 02:03:28,760
Speaker 2: well do it now, that's what it was.

2550
02:03:30,600 --> 02:03:32,080
Speaker 1: You have to show improvement, you know.

2551
02:03:33,040 --> 02:03:35,520
Speaker 3: Every one of them went back and was like telling

2552
02:03:35,560 --> 02:03:37,800
Speaker 3: their friends. But they were telling them nonchalant. They're not

2553
02:03:37,840 --> 02:03:39,840
Speaker 3: trying to like they're not trying to like, you know,

2554
02:03:40,040 --> 02:03:41,560
Speaker 3: get you excited.

2555
02:03:41,200 --> 02:03:43,400
Speaker 2: Or something like like, yo, listen, I think there's something

2556
02:03:43,440 --> 02:03:45,600
Speaker 2: wrong with me, but I think like it's in a

2557
02:03:45,680 --> 02:03:46,120
Speaker 2: good way.

2558
02:03:46,680 --> 02:03:51,160
Speaker 3: All of their friends was like, it's calm down. What

2559
02:03:53,360 --> 02:03:55,760
Speaker 3: friends said to him, Okay, do it now then, like

2560
02:03:56,320 --> 02:03:58,160
Speaker 3: that's just how we are, Like all people.

2561
02:03:57,960 --> 02:04:01,400
Speaker 1: Are fund and you couldn't do it, and you know

2562
02:04:01,400 --> 02:04:03,080
Speaker 1: it's funny. Can we grow out watching all these cpero

2563
02:04:03,120 --> 02:04:04,760
Speaker 1: shows and it's not. The rule is you got your

2564
02:04:04,960 --> 02:04:05,600
Speaker 1: you don't tell no one.

2565
02:04:06,240 --> 02:04:12,800
Speaker 2: Bro. You're gonna tell you someone, your partner, your closest friends,

2566
02:04:13,120 --> 02:04:15,000
Speaker 2: somebody is getting the hair and that whatever.

2567
02:04:15,000 --> 02:04:16,040
Speaker 1: It's your brother or sister.

2568
02:04:16,520 --> 02:04:18,520
Speaker 2: So for me, I was like nah, And the reactions

2569
02:04:18,600 --> 02:04:21,280
Speaker 2: need to be realistic because you told me you can fly,

2570
02:04:22,320 --> 02:04:23,320
Speaker 2: you can fly, you can fly.

2571
02:04:25,320 --> 02:04:26,320
Speaker 1: Let me see you flying them.

2572
02:04:26,320 --> 02:04:29,240
Speaker 2: Bro, I'm gonna want to see that. So that is

2573
02:04:29,320 --> 02:04:33,120
Speaker 2: my realistic reaction. And that's the show's reaction. Everyone's reaction

2574
02:04:33,320 --> 02:04:35,920
Speaker 2: is show me. You can't just say you know it's

2575
02:04:36,160 --> 02:04:39,560
Speaker 2: hilarious and these are these people best friends. It's like,

2576
02:04:39,680 --> 02:04:41,520
Speaker 2: so it's not like they're going to tell Like the

2577
02:04:41,560 --> 02:04:44,560
Speaker 2: guy a security guard at Walmart, they told him to yo,

2578
02:04:44,640 --> 02:04:46,760
Speaker 2: you know, I think something's wrong with men. The people

2579
02:04:46,800 --> 02:04:49,720
Speaker 2: were like, you need to calm down.

2580
02:04:50,040 --> 02:04:51,760
Speaker 1: Yeah, it's real. It's so grounded.

2581
02:04:51,840 --> 02:04:53,840
Speaker 2: That's what makes it because you're thinking if you're it's

2582
02:04:53,920 --> 02:04:55,400
Speaker 2: just people flying through the air, but it's not.

2583
02:04:55,520 --> 02:04:57,839
Speaker 1: You can take away the powers and still.

2584
02:04:57,640 --> 02:04:59,960
Speaker 2: Follow these following these people for the show, because that'

2585
02:05:00,040 --> 02:05:04,280
Speaker 2: how entertaining their Conso month this weekend, Man, I ain't

2586
02:05:04,280 --> 02:05:06,920
Speaker 2: gonna lie to you, man, I was so excited, you

2587
02:05:07,000 --> 02:05:10,839
Speaker 2: know what I mean, you know, to give you your flowers.

2588
02:05:10,920 --> 02:05:11,920
Speaker 1: Man, I appreciate him.

2589
02:05:13,880 --> 02:05:19,360
Speaker 3: Uh, I'm excited about what's going on around your way,

2590
02:05:19,600 --> 02:05:22,839
Speaker 3: what's going on with London, the energy, that's everything that's happening.

2591
02:05:23,200 --> 02:05:26,840
Speaker 1: You know, the rappers, you guys get finally getting your props.

2592
02:05:27,000 --> 02:05:31,600
Speaker 3: Yeah, at one point it was just y'all giving y'rself props, right,

2593
02:05:31,880 --> 02:05:36,040
Speaker 3: but I started to like, you know, but then now

2594
02:05:36,120 --> 02:05:38,360
Speaker 3: it's like, you know what I mean, like, uh, what

2595
02:05:38,520 --> 02:05:39,720
Speaker 3: what's the little Baby record with?

2596
02:05:41,400 --> 02:05:43,240
Speaker 1: Yeah? Yeah you can go yeah yeah, Yeah, he's killlling it.

2597
02:05:44,280 --> 02:05:45,640
Speaker 3: I've been saying it all day. I said, we could

2598
02:05:45,680 --> 02:05:46,440
Speaker 3: go broth for broth.

2599
02:05:46,560 --> 02:05:48,000
Speaker 1: I don't know why he's saying that, you know what

2600
02:05:48,000 --> 02:05:48,440
Speaker 1: I mean, Like.

2601
02:05:50,320 --> 02:05:53,360
Speaker 2: Central is killing it and people like that he's helping it.

2602
02:05:53,480 --> 02:05:56,920
Speaker 2: He's really he's really helping the scene with what he's doing.

2603
02:05:57,000 --> 02:05:59,920
Speaker 2: Because now we're not saying Central seeing little Baby, so

2604
02:06:00,080 --> 02:06:01,160
Speaker 2: I'm not surprised no more.

2605
02:06:01,600 --> 02:06:03,880
Speaker 1: It's like, oh yeah, you don't got your heart rapper

2606
02:06:03,960 --> 02:06:06,000
Speaker 1: with our heart rapper, let's go. It doesn't feel like

2607
02:06:06,040 --> 02:06:06,360
Speaker 1: a shot.

2608
02:06:06,440 --> 02:06:09,440
Speaker 2: Back in the day a UK artist collabor with America

2609
02:06:09,520 --> 02:06:13,120
Speaker 2: Iyce collabor was like, bro, MAM's got something. Now it's

2610
02:06:13,200 --> 02:06:14,960
Speaker 2: just like okay, yeah, that's that's going to be a

2611
02:06:15,000 --> 02:06:18,160
Speaker 2: bang on that. We're starting to be seen as the

2612
02:06:18,360 --> 02:06:21,120
Speaker 2: equals that we are now, even though we're smaller, so

2613
02:06:21,200 --> 02:06:23,080
Speaker 2: we don't expect to have anything news that have. We're like,

2614
02:06:23,720 --> 02:06:26,400
Speaker 2: we're like the half the size of your smallest state

2615
02:06:26,800 --> 02:06:29,200
Speaker 2: compared to you, but we've got time to hair bro

2616
02:06:29,400 --> 02:06:31,800
Speaker 2: the UK. The UK's all right now Like that SHP

2617
02:06:31,800 --> 02:06:34,240
Speaker 2: you have to super soaken kind of shows that for

2618
02:06:34,360 --> 02:06:37,160
Speaker 2: me because that is so unapologetically London.

2619
02:06:37,520 --> 02:06:39,960
Speaker 1: It wasn't more down at all where it was the

2620
02:06:40,000 --> 02:06:43,800
Speaker 1: Globe show for weeks and America loved it, Africa loved it,

2621
02:06:43,920 --> 02:06:46,440
Speaker 1: Europe loved it. So I just think as long as that,

2622
02:06:46,600 --> 02:06:47,720
Speaker 1: I think the culture is are one now.

2623
02:06:47,760 --> 02:06:47,880
Speaker 2: Man.

2624
02:06:47,920 --> 02:06:49,720
Speaker 1: I think we're emerging mine so I think it can

2625
02:06:49,880 --> 02:06:50,520
Speaker 1: brace everyone.

2626
02:06:50,880 --> 02:06:52,560
Speaker 2: I know this is off the wall question, but you

2627
02:06:52,640 --> 02:06:55,560
Speaker 2: think Apple Beats has something to do with that. It

2628
02:06:55,680 --> 02:06:57,880
Speaker 2: might have played part one hundred percent because how big

2629
02:06:57,960 --> 02:06:59,760
Speaker 2: Burner and with kid is and people, the songs that

2630
02:06:59,800 --> 02:07:03,480
Speaker 2: every one's playing. I think the music is the same now.

2631
02:07:03,600 --> 02:07:05,680
Speaker 2: So you go to the club, you might end the

2632
02:07:05,760 --> 02:07:08,080
Speaker 2: club in Miami. You just might have some different songs

2633
02:07:08,120 --> 02:07:10,600
Speaker 2: that we listen to you. But the song that everyone's

2634
02:07:10,600 --> 02:07:12,000
Speaker 2: getting crazy, we go crazy, that.

2635
02:07:12,040 --> 02:07:14,200
Speaker 1: Song as well. That helps it all brings.

2636
02:07:14,000 --> 02:07:17,000
Speaker 2: Everything together, man, So I think I think that plays

2637
02:07:17,000 --> 02:07:18,520
Speaker 2: a big part. I'm not even just afro beas I

2638
02:07:18,560 --> 02:07:21,360
Speaker 2: think in general the music now we listen to is

2639
02:07:21,440 --> 02:07:24,360
Speaker 2: so and how global, like hip hop is so global.

2640
02:07:24,440 --> 02:07:27,120
Speaker 1: It's like it's it's just one big community that's taken

2641
02:07:27,200 --> 02:07:30,320
Speaker 1: over everything. To be honest with you, yeah, yeah, we're

2642
02:07:30,360 --> 02:07:32,120
Speaker 1: pop culture now. I always say that. I always say

2643
02:07:32,160 --> 02:07:37,240
Speaker 1: that we are the pop culture man. I'm honest. Man.

2644
02:07:38,080 --> 02:07:39,880
Speaker 1: That makes that makes me as well. Bro, Look I've

2645
02:07:39,880 --> 02:07:46,720
Speaker 1: got my flowers here. We shut it up again.

2646
02:07:49,320 --> 02:07:51,080
Speaker 2: Because one more time. Yeah, I got it, but I

2647
02:07:51,160 --> 02:07:53,520
Speaker 2: want to big them up one more time because we

2648
02:07:53,680 --> 02:08:00,160
Speaker 2: big enough. What you're doing, what you're doing stress when

2649
02:08:00,160 --> 02:08:08,240
Speaker 2: you stressed, what you're doing is unheard of. Like me again,

2650
02:08:08,320 --> 02:08:11,120
Speaker 2: I didn see top Boy, so I want to pick

2651
02:08:11,200 --> 02:08:14,440
Speaker 2: that up. But me looking at that and me seeing

2652
02:08:14,520 --> 02:08:19,440
Speaker 2: you unapologetically be who you are, like who this is?

2653
02:08:19,640 --> 02:08:22,200
Speaker 1: Like like like like I said, I had to rewind

2654
02:08:22,240 --> 02:08:24,160
Speaker 1: a couple of times, like I was like, what the fu?

2655
02:08:24,400 --> 02:08:27,120
Speaker 3: Yeah, yeah, as it should have I used to have

2656
02:08:27,120 --> 02:08:30,880
Speaker 3: to do with there. So I was doing that and

2657
02:08:30,960 --> 02:08:33,600
Speaker 3: I was just like, you know what this ship is dope.

2658
02:08:33,720 --> 02:08:34,520
Speaker 3: It's really dope.

2659
02:08:34,560 --> 02:08:37,880
Speaker 4: It's creative, imagine, it's immersive because that's what Top Boy

2660
02:08:38,080 --> 02:08:40,840
Speaker 4: was and the wire is it immerses you into somewhere

2661
02:08:40,880 --> 02:08:41,839
Speaker 4: that you're not from.

2662
02:08:42,640 --> 02:08:47,640
Speaker 2: That and we rarely show live different parts of South

2663
02:08:47,720 --> 02:08:50,440
Speaker 2: London and that the energy, the parties, you see so

2664
02:08:50,640 --> 02:08:52,480
Speaker 2: much more than what you was normally see from a

2665
02:08:52,480 --> 02:08:54,480
Speaker 2: show like this, you know, and you ready see a

2666
02:08:54,560 --> 02:08:56,200
Speaker 2: new worlds if you're not from from the UK.

2667
02:08:56,560 --> 02:09:01,880
Speaker 3: And big up to Noos because I love once again man,

2668
02:09:02,600 --> 02:09:05,520
Speaker 3: thank you and your crew for coming out. Man. We

2669
02:09:05,640 --> 02:09:09,040
Speaker 3: appreciate that you want everybody to go out there watch

2670
02:09:09,120 --> 02:09:09,680
Speaker 3: super Cil.

2671
02:09:10,160 --> 02:09:12,360
Speaker 1: You know what I mean. I'm gonna watch super sotill

2672
02:09:12,520 --> 02:09:18,160
Speaker 1: from I'm gonna tweet you. I see you on Twitter. Yeah, I'm.

2673
02:09:19,440 --> 02:09:22,600
Speaker 2: I'm telling you personally I'm a movie buff. If you

2674
02:09:22,760 --> 02:09:24,960
Speaker 2: know me, you know that I stay home all day.

2675
02:09:25,000 --> 02:09:29,160
Speaker 2: I watched movies. I stood for two days. I stood

2676
02:09:29,200 --> 02:09:32,200
Speaker 2: home and watched this ship, and I did not lose

2677
02:09:32,280 --> 02:09:35,040
Speaker 2: track of time. A new time was moving.

2678
02:09:35,120 --> 02:09:37,000
Speaker 1: And he hit me. Hear me. He's like, this is dope.

2679
02:09:40,120 --> 02:09:44,000
Speaker 2: I saw from someone saying I watched super so all night.

2680
02:09:44,680 --> 02:09:48,560
Speaker 2: I start working at six. It's commenty seven nothing.

2681
02:09:50,160 --> 02:09:55,560
Speaker 1: I was so yeah, yeah, I appreciate that. And this

2682
02:09:55,640 --> 02:09:57,160
Speaker 1: is how I know. Like, remember how I told you.

2683
02:09:57,400 --> 02:10:00,480
Speaker 3: I said black Panther, I said Bob Molly, and then

2684
02:10:00,520 --> 02:10:01,680
Speaker 3: I said Superstar.

2685
02:10:02,920 --> 02:10:05,080
Speaker 1: That's to be next to doors is amazing.

2686
02:10:05,240 --> 02:10:08,600
Speaker 2: The whole month that I watched Bob Molly, I swore

2687
02:10:08,760 --> 02:10:09,320
Speaker 2: was Jamaican.

2688
02:10:10,920 --> 02:10:23,480
Speaker 1: So now you're a superhero. He's you know what, You're

2689
02:10:23,480 --> 02:10:24,040
Speaker 1: gonna watch it?

2690
02:10:24,080 --> 02:10:24,480
Speaker 4: Do you know what?

2691
02:10:25,480 --> 02:10:27,280
Speaker 1: It's no excuse me, it's not Crystal Man.

2692
02:10:29,920 --> 02:10:30,880
Speaker 2: Yea, but thank you man.

2693
02:10:31,640 --> 02:10:33,200
Speaker 1: Anything else you want to say to the fans before

2694
02:10:33,240 --> 02:10:34,800
Speaker 1: you get about it, no mind, just.

2695
02:10:34,880 --> 02:10:36,920
Speaker 2: To echo what you said. If you ain't seen Super Sol,

2696
02:10:36,960 --> 02:10:38,840
Speaker 2: it's not too late. You can still watch it.

2697
02:10:38,960 --> 02:10:39,800
Speaker 1: Not if you like it.

2698
02:10:39,880 --> 02:10:41,800
Speaker 2: Spread the work. We're still trying to run up the

2699
02:10:41,880 --> 02:10:44,840
Speaker 2: numbers mine so big up money. Thanks to you for

2700
02:10:44,880 --> 02:10:48,600
Speaker 2: having me for my love, mine soul. Yeah, don't yes,

2701
02:10:48,640 --> 02:10:53,720
Speaker 2: thank you again one day. Yeah, you don't know, you

2702
02:10:53,800 --> 02:10:56,440
Speaker 2: don't know, you don't know, but you don't know that

2703
02:10:59,000 --> 02:10:59,920
Speaker 2: you know dyslexic.

2704
02:11:04,080 --> 02:11:07,480
Speaker 4: Drink Champs is a drink Champs LLC production hosts and

2705
02:11:07,640 --> 02:11:11,040
Speaker 4: executive producers n O r E and dj e f N.

2706
02:11:12,200 --> 02:11:13,280
Speaker 1: Listen to drink Champs on.

2707
02:11:13,360 --> 02:11:18,280
Speaker 4: Apple Podcast, Amazon Music, Spotify, or wherever you get your podcasts.

2708
02:11:19,400 --> 02:11:21,800
Speaker 4: Thanks for joining us for another episode of drink Champs

2709
02:11:21,880 --> 02:11:24,480
Speaker 4: hosted by Yours truly, dj e f N and n

2710
02:11:24,480 --> 02:11:26,560
Speaker 4: O r E. Please make sure to follow us on

2711
02:11:26,640 --> 02:11:29,760
Speaker 4: all our socials That's at drink Champs across all platforms,

2712
02:11:30,280 --> 02:11:33,800
Speaker 4: at the Real Noriagon, I g at Noriag on Twitter,

2713
02:11:34,200 --> 02:11:37,360
Speaker 4: Mine is at Who's Crazy on I g at dj

2714
02:11:37,560 --> 02:11:40,080
Speaker 4: e f N on Twitter, and most importantly, stay up

2715
02:11:40,080 --> 02:11:43,280
Speaker 4: to date with the latest releases, news and merch by

2716
02:11:43,320 --> 02:11:45,040
Speaker 4: going to drink Champs dot com.

2717
02:11:55,240 --> 02:12:00,480
Speaker 6: Hazard it Sounds Rising the Machines Past Your Mentals one

2718
02:12:01,680 --> 02:12:04,120
Speaker 6: available now on all platforms.

2719
02:12:05,080 --> 02:12:06,240
Speaker 1: Download today.

2720
02:12:16,560 --> 02:12:21,800
Speaker 6: Rising the Machines Song Contest seeking out all artists that

2721
02:12:21,920 --> 02:12:24,360
Speaker 6: want to take their career to the next level. Go

2722
02:12:24,440 --> 02:12:28,360
Speaker 6: ahead and join today by downloading the album, picking out

2723
02:12:28,400 --> 02:12:31,360
Speaker 6: your favorite beat, and making a song versu or hook

2724
02:12:31,440 --> 02:12:35,600
Speaker 6: to it submitted to Hazardous Sounds at gmail dot com

2725
02:12:36,320 --> 02:12:39,600
Speaker 6: and you will be judged by celebrity judges dj EFN,

2726
02:12:39,760 --> 02:12:44,600
Speaker 6: Drink Champs owned SB Killer platinum producer, and Scram Jones

2727
02:12:44,840 --> 02:12:48,280
Speaker 6: mostly Plantnum producer as well. You can also summit via

2728
02:12:48,360 --> 02:12:54,040
Speaker 6: ig by recording the video and performing the song simply

2729
02:12:54,160 --> 02:12:58,240
Speaker 6: tagged Rising the Machine Song Contest, and we will repost

2730
02:12:58,520 --> 02:13:03,160
Speaker 6: your video as well. Winners will be announced September seventh.

2731
02:13:05,000 --> 02:13:07,680
Speaker 6: Joined today and may the best artists win

2732
02:13:15,360 --> 02:13:15,600
Speaker 1: MHM