WEBVTT - Tripping

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<v Speaker 1>When Sydney Gottlieb recruited George White to be the CIA's

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<v Speaker 1>secret weapon in the Cold War, White didn't get much training.

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<v Speaker 1>What would you teach a guy like White anyway? During

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<v Speaker 1>World War Two? He'd been taught to kill with his

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<v Speaker 1>bare hands, to wire explosives, to interrogate people. He could

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<v Speaker 1>have used some tips on what to do if someone

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<v Speaker 1>he dozed with LSD had a psychotic episode, but that

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<v Speaker 1>never came up. Back in ninety three, Gottlieb did want

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<v Speaker 1>White to attend one top secret CIA class, a class

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<v Speaker 1>where the teacher could impart wisdom that no one would win.

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<v Speaker 1>The CIA had. Gottlieb wanted White to take lessons from

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<v Speaker 1>a man who had learned his trade from Harry Houdini.

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<v Speaker 1>The CIA needed White to become a magician, not stage

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<v Speaker 1>magic where women saw it in half. Instead, White needed

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<v Speaker 1>a crash course in close up magic. Things like card

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<v Speaker 1>tricks and coins that appear behind your ears. It's more subtle,

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<v Speaker 1>more personal. Sometimes magicians call them slight of hand tricks.

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<v Speaker 1>A lot of people think the magician is simply moving

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<v Speaker 1>their hands faster than the eye can see. That's not

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<v Speaker 1>really true. The human hand can't move faster than the eye. Instead,

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<v Speaker 1>the trick is to get the eye looking elsewhere while

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<v Speaker 1>the magician executes the trick. That's the real sleight of hand,

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<v Speaker 1>tricking the brain. While it can take years or even

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<v Speaker 1>decades to master, most people can be taught the basics

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<v Speaker 1>of this direction fairly easily if they have a good teacher.

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<v Speaker 1>So Godly recruited a magician named John Mulholland. He wanted

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<v Speaker 1>Mulholland to teach CIA operatives how to use the tricks

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<v Speaker 1>of the magician's trade to follow through on their cove

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<v Speaker 1>at activities. It was a form of social engineering. How

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<v Speaker 1>could they divert a person's attention elsewhere? When Gottlie realized

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<v Speaker 1>Mulholland could teach them all of that and more, he

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<v Speaker 1>prepared an oath of secrecy for the magician to sign.

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<v Speaker 1>He arranged for Mulholland to arrive at a hotel in

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<v Speaker 1>New York City to meet with his prized operative, the

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<v Speaker 1>same hotel where CIA employee Frank Olsen had fallen out

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<v Speaker 1>of a window. And that's how one of the most

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<v Speaker 1>respected magicians of the era wound up shaking hands with

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<v Speaker 1>George White, setting the state for what would be White's

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<v Speaker 1>most audacious project yet, using the art of magic to

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<v Speaker 1>drug people unwittingly. This one was called MK Ultra sub

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<v Speaker 1>Project four. It's how George White would later make San

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<v Speaker 1>Francisco's sanity disappear. For I Heart Radio, this is Operation

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<v Speaker 1>Midnight Climax. I'm your host, Noel Brown, and this is

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<v Speaker 1>episode seven Tripping Current one a second home in. George

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<v Speaker 1>White needed a lifeline. His right hand man, Ike Feldman,

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<v Speaker 1>had just screwed up by turning their secret CIA funded

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<v Speaker 1>brothel into front page news. That year, the pair started

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<v Speaker 1>working with a drug kingpin named Ronaldo Red Ferrari, sort

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<v Speaker 1>of the Tony Montana of the day. Ferrari owned the

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<v Speaker 1>city's heroin business, and he ruled over San Francisco with

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<v Speaker 1>an iron fist cross Ferrari and he could make you vanish,

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<v Speaker 1>not magic, Vanish, but dead and bury Vanish dumped off

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<v Speaker 1>the Golden gate Bridge Vanish. But White and Feldman weren't intimidated.

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<v Speaker 1>White was still working two jobs. By day, he worked

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<v Speaker 1>as a district supervisor for the Narcotics Bureau, and at night,

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<v Speaker 1>well you know. But to keep his day job going,

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<v Speaker 1>he needed to keep making drug busts, so he did

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<v Speaker 1>double duty at the brothel. When he wasn't luring John's

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<v Speaker 1>applying them with LSD for his experiments, he used the

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<v Speaker 1>pad to entertain and entrapped dope pushers. And that's what

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<v Speaker 1>George White did with Ferrari. To convince Ferrari that his

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<v Speaker 1>colleague Feldman was a major player in the drug scene,

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<v Speaker 1>White started throwing elaborate parties at the address. Oddly, all

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<v Speaker 1>those lewed photos and tacky decorations White had put on

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<v Speaker 1>the walls helped his case. To anyone with an eye,

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<v Speaker 1>it looked cheap, tawdry, but to gangsters it seemed like

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<v Speaker 1>drug money couture some tasteful mafia decor. All these parties

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<v Speaker 1>did the trick. Feldman convinced Ferrari he was the real deal,

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<v Speaker 1>or as he put it, quote legitimately illegitimate. He paid

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<v Speaker 1>them sixty dollars for thirteen ounces of heroin, and as

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<v Speaker 1>they talked, business, microphones all over the apartment picked up

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<v Speaker 1>every word. Feldman helped indict Ferrari and his associates on

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<v Speaker 1>conspiracy to traffic in narcotics. It was good, solid police work,

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<v Speaker 1>but it also threw a wrench in White's plants. When

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<v Speaker 1>Feldman took the stand in April nineteen fifty six, he

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<v Speaker 1>had to describe as undercover work in detail, including giving

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<v Speaker 1>the address of the safe house to Chestnut Street. The

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<v Speaker 1>San Francisco Examiner printed the details. Oh for fox sake,

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<v Speaker 1>ike for White, it was no different than installing a

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<v Speaker 1>huge Neon sign out front that flashed the word police

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<v Speaker 1>at visitors for the second time in his CIA career.

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<v Speaker 1>White worried that his project was in danger of being

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<v Speaker 1>shut down. And if George White didn't have the blessing

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<v Speaker 1>and resources of the CIA, what did he have? His

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<v Speaker 1>pet birds, his leather working. It wasn't enough. He wanted

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<v Speaker 1>needed something bigger. But Sydney Gottlie, White's boss, was less worried.

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<v Speaker 1>He reassured him, after all, word hadn't really spread in

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<v Speaker 1>the media. Unless he'd read the Telegraph that day, you

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<v Speaker 1>probably wouldn't have picked up on the news at all. Plus,

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<v Speaker 1>as got Leap told White, the experiment was going so

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<v Speaker 1>well that no one at the CIA was in any

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<v Speaker 1>hurry to abandon it. In fact, Gottlie gave White the

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<v Speaker 1>green light to open a second safe house in the

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<v Speaker 1>town of Mill Valley in Marin County, far from the

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<v Speaker 1>city lights. But over the years White had become increasingly reckless,

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<v Speaker 1>and his new neighbors started to notice. Late at night

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<v Speaker 1>they'd hear commotion. Peering outside, they'd see men with shoulder

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<v Speaker 1>holsters chasing women, all in various stages of undress. One night,

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<v Speaker 1>possibly inebriated, White hidden neighbor's car. He sent got leave

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<v Speaker 1>the bill for the damage, another lapse in judgment, since well,

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<v Speaker 1>it's not a good idea to make insurance claims when

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<v Speaker 1>you're working on a top secret project. White had always

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<v Speaker 1>mixed business with pleasure. Serious investigations lived side by side

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<v Speaker 1>with hedonism for hedonism's sake. When White through parties at

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<v Speaker 1>the safe house, not only did he invite CIA operatives,

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<v Speaker 1>but he also called in friends from the Narcotics Bureau

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<v Speaker 1>and even San Francisco police officers. Plus there were escorts, drugs,

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<v Speaker 1>and booze. Lots of booze. White kept sending got leap

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<v Speaker 1>invoices for his alcohol supply, which seemed to be growing

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<v Speaker 1>at the rate of a small liquor store. And it

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<v Speaker 1>wasn't just the booze. Over the years, White had developed

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<v Speaker 1>reputation for experimenting with any drug, and not just on

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<v Speaker 1>unsuspecting civilians, on himself. Anything CIA operatives were scared of

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<v Speaker 1>was sent to San Francisco, where White would try it

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<v Speaker 1>out on his own. One day, got Leap set along

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<v Speaker 1>the canister that contained an experimental tear gas. White set

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<v Speaker 1>it down, Feldman activated him, and they both ran through it.

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<v Speaker 1>They soon collapsed in a heap of coughing and burning eyes.

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<v Speaker 1>On another occasion, gott Leap showed up with a dart

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<v Speaker 1>gun and went for a drive with White en Feldman.

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<v Speaker 1>Like a marksman. He aimed at a tree and fired.

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<v Speaker 1>Nothing happened, but when Feldman drove by the same tree

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<v Speaker 1>a few days later, it was dead. Feldman thought they

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<v Speaker 1>had just witnessed agent orange, the toxin that would be

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<v Speaker 1>used in Vietnam a few years later. At times, the

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<v Speaker 1>new safe house in Marin County resembled a novelty toy factory,

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<v Speaker 1>with new chemicals showing up at White store like presents

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<v Speaker 1>for him to play test. In one package, White and

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<v Speaker 1>his men found weapons grade stink bombs, and while it

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<v Speaker 1>sounds like a gag gift, the CIA was sincere about it.

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<v Speaker 1>Operatives wondered if a target could be ridiculed and embarrassed

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<v Speaker 1>for smelling bad enough, or if an extreme foul smell

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<v Speaker 1>could make an entire crowd disperse. The stories of the

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<v Speaker 1>experiments have kind of a blooper real quality. When White's

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<v Speaker 1>agent decided to target a small demonstration with the stink bomb,

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<v Speaker 1>he went up to a hotel room where he could

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<v Speaker 1>drop the tiny ampule into the crowd, but it bounced

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<v Speaker 1>off the window cell and spilled back into his own room.

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<v Speaker 1>They were itching and sneezing powders and special needles to

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<v Speaker 1>inject drugs through wine corks without being detected, but not

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<v Speaker 1>all of the ideas were so childlike, and LSD was

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<v Speaker 1>still the agency's primary concern. A plan was hatched to

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<v Speaker 1>finally see what an aerosolized version of the drug could

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<v Speaker 1>do in an enclosed room full of people. White could

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<v Speaker 1>experiment it with this back in New York City on

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<v Speaker 1>a subway car, but this would be a more potent dose.

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<v Speaker 1>They arranged for a big blowout, with White and his

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<v Speaker 1>agents canvassing San Francisco for party goers, promising an abundance

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<v Speaker 1>of booze and women. The plan was to pack people

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<v Speaker 1>up into their new safe house, where White planned on

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<v Speaker 1>dousing them in a plume of LSD. There was just

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<v Speaker 1>one problem. It was a very hot Californian day and

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<v Speaker 1>it was impossible to keep the doors and windows shut.

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<v Speaker 1>The LSD just dissipated into the air. The grand plan

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<v Speaker 1>to attempt a mass hallucination went out the literal window.

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<v Speaker 1>White and gottlieb were disappointed by these attempts, but White

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<v Speaker 1>still felt he was close to something with LSD. The

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<v Speaker 1>Chestnut Streets safe house had been compromised, and luring people

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<v Speaker 1>back to another safe house was offering diminishing returns, so

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<v Speaker 1>White decided to return to his roots and go back

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<v Speaker 1>to dosing everyday civilians. This time, though, he would have

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<v Speaker 1>to go out into the world and hunt them on

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<v Speaker 1>their turf in the field, just like a real CIA operative.

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<v Speaker 1>He'd had to slip them drugged without being caught, and

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<v Speaker 1>he had those skills because there was a magician on

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<v Speaker 1>the payroll. Part two new tricks. When Sydney gottlie was

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<v Speaker 1>getting MK Ultra off the ground, there was no such

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<v Speaker 1>thing as two out there or two unusual. The CIA

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<v Speaker 1>was determined to unlock the secrets of mind control in

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<v Speaker 1>any way possible, and that's how George White found himself

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<v Speaker 1>in the conference room of the Hotel Roosevelt in nine

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<v Speaker 1>taking a crash course in sleight of hand from John Mulholland. Okay,

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<v Speaker 1>now where's the card, George? Hopefully not up your ass.

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<v Speaker 1>Magicians don't have quite the same cache in the twenty

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<v Speaker 1>one century. A few have streaming shows. David Copperfield still

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<v Speaker 1>books Las Vegas. But before people had a surplus of

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<v Speaker 1>entertainment options, they came out and drove to see magicians

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<v Speaker 1>ply their trade on stage. Illusionists were celebrities. They also

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<v Speaker 1>lived by a code. You can't ask a magician how

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<v Speaker 1>they did a trick. Well, you can, but you won't

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<v Speaker 1>get an answer. You can find someone YouTube, of course,

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<v Speaker 1>and there's always speculation. Sometimes a magician reveals their secrets

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<v Speaker 1>out of necessity. That's how David Copperfield found himself discussing

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<v Speaker 1>how a disappearing act was done. He was sued after

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<v Speaker 1>a member of his audience was injured during a performance.

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<v Speaker 1>So how did Sydney Gottlieb convinced John Mulholland to break

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<v Speaker 1>the magicians omerta their code of silence? The same way

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<v Speaker 1>he got everything else he wanted by appealing to Mulholland's

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<v Speaker 1>sense of patriotism. Mulholland had earned a tremendous amount of

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<v Speaker 1>respect among his peers. Born in Chicago in eight he'd

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<v Speaker 1>fallen in love with magic at the age of five,

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<v Speaker 1>but by the time he was twenty he was working

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<v Speaker 1>for who enim Holland performed for small audiences in New

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<v Speaker 1>York City and for sultan's and kings. He toured the

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<v Speaker 1>world and even edited a magic journal, The Sphinx, which

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<v Speaker 1>is kind of like the New England Journal of Medicine

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<v Speaker 1>for conjurors, and he enjoyed teaching magic as much as

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<v Speaker 1>performing it. Mulholland had a library of over four thousand

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<v Speaker 1>magic books. He lectured on magic, he wrote books on magic.

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<v Speaker 1>Gottlieb had seen him perform and was struck by how

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<v Speaker 1>easily he could fool audience members watching his every move

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<v Speaker 1>even though he was just a few feet away. He

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<v Speaker 1>was a man possessed of secret knowledge, a concept the

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<v Speaker 1>CIA and Gottlieb could only admire. Mulholland had done work

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<v Speaker 1>on behalf of the country before he performed during USO tours.

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<v Speaker 1>He was a proud American, a trait that Gotlieb hoped

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<v Speaker 1>to exploit, so he got in touch with Moholland and

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<v Speaker 1>told he wanted him to write a manual and Trickery

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<v Speaker 1>and Deception, particular early on the most effective methods for

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<v Speaker 1>putting a substance in a person's drink without the mark

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<v Speaker 1>being aware of it, something like slipping an enemy agents

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<v Speaker 1>and making yes John something like that. More or less,

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<v Speaker 1>Mulholland was eager to assist a dapper man in his fifties.

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<v Speaker 1>He put off his other obligations and quickly got to

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<v Speaker 1>work on what he officially called some operational applications of

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<v Speaker 1>the Art of Deception. Like most CIA manuals involving espionage,

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<v Speaker 1>it wasn't supposed to see the light of day. While

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<v Speaker 1>there had always been rumors a CIA Magician's Manual sounded

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<v Speaker 1>to Kuki to actually exists, but in two thousand seven,

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<v Speaker 1>authors H. Keith Melton and Robert Wallace found the only

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<v Speaker 1>known surviving copy of the complete manual. In the text,

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<v Speaker 1>Mulholland tutors the reader on how to execute slight of

0:15:53.280 --> 0:15:57.480
<v Speaker 1>hand for the purposes of espionage. The basic principle and

0:15:57.600 --> 0:16:00.680
<v Speaker 1>performing a trick is to do it's of the secret

0:16:00.720 --> 0:16:05.440
<v Speaker 1>actions are not observed. A trick does not fool the eye,

0:16:05.720 --> 0:16:11.680
<v Speaker 1>but fools the brain. Nowhere does the text mentioned the CIA. Instead,

0:16:12.040 --> 0:16:17.600
<v Speaker 1>Maholland calls operatives performers or tricksters, and they weren't drugging subjects.

0:16:18.080 --> 0:16:21.800
<v Speaker 1>They were performing tricks. Deception, he pointed out, isn't about

0:16:21.880 --> 0:16:25.640
<v Speaker 1>rapid hand movements. It's about getting the spectator to look elsewhere.

0:16:27.560 --> 0:16:30.920
<v Speaker 1>As outlined in the manual, one of Moholland's favorite methods

0:16:31.000 --> 0:16:34.520
<v Speaker 1>was the cigarette trick. You're at a bar. It's loud,

0:16:35.080 --> 0:16:38.920
<v Speaker 1>people are everywhere. You're George White, who want to slip

0:16:38.960 --> 0:16:43.120
<v Speaker 1>some LSD to a person's drink Unknowingly, in this case,

0:16:43.160 --> 0:16:46.240
<v Speaker 1>the bar is the stage and White is the performer.

0:16:47.240 --> 0:16:50.600
<v Speaker 1>His props aren't wands or rabbits. There are things you'd

0:16:50.640 --> 0:16:59.160
<v Speaker 1>expect to see, cigarettes, matches, coins, pencils. He's managing his

0:16:59.200 --> 0:17:04.359
<v Speaker 1>targets line of site, in this case primal curiosity about fire.

0:17:05.200 --> 0:17:09.720
<v Speaker 1>This is the routine for the spectator who spokes the instant.

0:17:09.760 --> 0:17:14.800
<v Speaker 1>The performer sees the spectator take a cigarette, cigar, or pipe.

0:17:15.600 --> 0:17:19.040
<v Speaker 1>He takes the packet of matches from his pocket, tears

0:17:19.080 --> 0:17:22.520
<v Speaker 1>off one match, and holds packet and match ready to

0:17:22.600 --> 0:17:27.040
<v Speaker 1>ignite the match. He does these things openly because what

0:17:27.119 --> 0:17:29.359
<v Speaker 1>he does can only be looked upon it as a

0:17:29.480 --> 0:17:33.840
<v Speaker 1>friendly and courteous gesture. Let me get that for you, buddy.

0:17:34.480 --> 0:17:36.800
<v Speaker 1>As soon as the spectator is ready to light up,

0:17:37.200 --> 0:17:40.520
<v Speaker 1>the performers should hold the matches close to the spectator

0:17:40.760 --> 0:17:45.240
<v Speaker 1>and strike the one match. The flame comes up to

0:17:45.280 --> 0:17:49.040
<v Speaker 1>their face. That's all, they're looking at the fire in

0:17:49.080 --> 0:17:52.399
<v Speaker 1>front of their eyes, and while their attention is fixated,

0:17:52.880 --> 0:17:55.639
<v Speaker 1>White is up to something else. As soon as the

0:17:55.680 --> 0:17:59.520
<v Speaker 1>spectator has a proper light, performers should begin to lean

0:17:59.560 --> 0:18:03.639
<v Speaker 1>back to his previous position. The left hand, which has

0:18:03.680 --> 0:18:06.560
<v Speaker 1>been held still since the match was struck. He's brought

0:18:06.640 --> 0:18:08.639
<v Speaker 1>over the mouth of the glass or cup, and the

0:18:08.640 --> 0:18:13.240
<v Speaker 1>pill dropped into the liquid. And, as Mulholland reminds the reader,

0:18:13.720 --> 0:18:16.480
<v Speaker 1>a small action will not be noticed while making a

0:18:16.520 --> 0:18:21.120
<v Speaker 1>broader gesture for which there is an obvious reason. Mulholland

0:18:21.160 --> 0:18:24.000
<v Speaker 1>had more tricks, pills that could be brushed off the

0:18:24.000 --> 0:18:27.120
<v Speaker 1>side of a coin into a drink, stuffing a pill

0:18:27.160 --> 0:18:29.679
<v Speaker 1>in the folds of the hand. He was fond of

0:18:29.680 --> 0:18:33.440
<v Speaker 1>a loaded pencil which had a hollow body. The trickster

0:18:33.520 --> 0:18:36.359
<v Speaker 1>would offer to give someone directions or write something down,

0:18:36.880 --> 0:18:38.879
<v Speaker 1>and when he pointed to something on the paper and

0:18:38.920 --> 0:18:42.000
<v Speaker 1>got the targets attention, the pencil would be tipped over,

0:18:42.520 --> 0:18:47.480
<v Speaker 1>releasing a liquid or powder into the person's drink. But

0:18:47.560 --> 0:18:52.680
<v Speaker 1>above all, Mulholland had one important piece of guidance. Looks stupid.

0:18:54.000 --> 0:18:57.359
<v Speaker 1>A person who looked alert, like they were really concentrating

0:18:57.480 --> 0:19:00.879
<v Speaker 1>would be unusual. After all, everyone in a bar is

0:19:00.920 --> 0:19:05.959
<v Speaker 1>having a good time. In Mulholland's manual, and in at

0:19:06.000 --> 0:19:09.399
<v Speaker 1>least four meetings with the magician, George White was taught

0:19:09.440 --> 0:19:13.800
<v Speaker 1>these finer points of delivering practically any drug he wanted, anywhere,

0:19:14.240 --> 0:19:18.280
<v Speaker 1>at any time. It gave him freedom at a time

0:19:18.320 --> 0:19:21.320
<v Speaker 1>he needed it the most. It didn't matter that Ike

0:19:21.400 --> 0:19:25.040
<v Speaker 1>Feldman had entered two Chestnut Street into the court record.

0:19:25.920 --> 0:19:29.359
<v Speaker 1>He didn't have to stay inside an apartment. He was

0:19:29.440 --> 0:19:34.280
<v Speaker 1>no longer in captivity. Mulholland, for his part, had no

0:19:34.359 --> 0:19:37.280
<v Speaker 1>idea what his skills were being used for. Though he

0:19:37.359 --> 0:19:40.680
<v Speaker 1>must have suspected such training could deliver drugs or even

0:19:40.720 --> 0:19:44.240
<v Speaker 1>deadly poisons to the enemy, he couldn't know his work

0:19:44.320 --> 0:19:47.040
<v Speaker 1>was being co opted by the CIA to experiment on

0:19:47.119 --> 0:19:51.080
<v Speaker 1>American citizens. He didn't know his sleight of hand would

0:19:51.119 --> 0:19:54.760
<v Speaker 1>be used to terrorize San Francisco and allowed George White

0:19:54.880 --> 0:19:58.600
<v Speaker 1>to practice a very dark and very sinister side of magic.

0:20:00.680 --> 0:20:03.600
<v Speaker 1>John Mulholland had been taught magic to bring joy to people.

0:20:04.400 --> 0:20:07.920
<v Speaker 1>He taught magic to George White without understanding it would

0:20:08.000 --> 0:20:26.000
<v Speaker 1>only bring fear pert three Street magic. It might have

0:20:26.080 --> 0:20:29.199
<v Speaker 1>been better if Pheldman hadn't been found out, if he

0:20:29.240 --> 0:20:32.320
<v Speaker 1>hadn't made the big bust and exposed the Chestnut Street address.

0:20:33.119 --> 0:20:35.639
<v Speaker 1>Maybe White would have kept his experiments to John's and

0:20:35.720 --> 0:20:41.520
<v Speaker 1>low level criminals. But he was feeling emboldened reckless. After all,

0:20:41.920 --> 0:20:46.639
<v Speaker 1>his LSD project had survived multiple people being hospitalized, one death,

0:20:46.920 --> 0:20:51.320
<v Speaker 1>and a relocation. He'd never even been reprimanded for anything

0:20:51.320 --> 0:20:54.760
<v Speaker 1>he'd done. So with his make believe apartment in jeopardy,

0:20:55.000 --> 0:20:56.880
<v Speaker 1>it seemed like a good time to go out into

0:20:56.880 --> 0:21:01.199
<v Speaker 1>San Francisco, armed with John Mulholland's techniques and explore the

0:21:01.280 --> 0:21:10.400
<v Speaker 1>last uncharted frontier of the psychokaout the general public San

0:21:10.480 --> 0:21:16.440
<v Speaker 1>Francisco nightlife in the Tenderloin District, jazz clubs, bars, restaurants,

0:21:18.200 --> 0:21:21.760
<v Speaker 1>a mix of everyone from Blue collar workers to millionaires,

0:21:21.800 --> 0:21:25.040
<v Speaker 1>all out to have a good time. Then a man

0:21:25.080 --> 0:21:28.919
<v Speaker 1>would appear easy to talk to, offered to light a

0:21:28.960 --> 0:21:35.439
<v Speaker 1>cigarette for them. Liquid would seep from the matchbook, and

0:21:35.480 --> 0:21:38.720
<v Speaker 1>then he blend into the background to watch what came next.

0:21:41.600 --> 0:21:45.800
<v Speaker 1>This was George White's favorite part, the shift in consciousness.

0:21:46.760 --> 0:21:50.520
<v Speaker 1>It happened in a blink. One second the world made sense,

0:21:51.359 --> 0:21:56.959
<v Speaker 1>and the next it didn't. Some stayed their eyes growing wide,

0:21:57.560 --> 0:22:01.640
<v Speaker 1>seeing and hearing things their brains couldn't brow, says. More

0:22:01.680 --> 0:22:05.080
<v Speaker 1>and more matches would be struck, more and more people

0:22:05.200 --> 0:22:10.000
<v Speaker 1>stumbling into a waking nightmare. Sometimes White would come to them,

0:22:10.160 --> 0:22:14.960
<v Speaker 1>sometimes they'd come to White. An old Cia trick to

0:22:14.960 --> 0:22:17.960
<v Speaker 1>attract attention in a social setting was to start playing

0:22:17.960 --> 0:22:22.880
<v Speaker 1>with drink coasters. An operative would seem unusually interested in them,

0:22:22.920 --> 0:22:26.159
<v Speaker 1>trying to peel them apart. Someone would come up and

0:22:26.200 --> 0:22:29.520
<v Speaker 1>ask what they were doing. You see, Heineken is doing

0:22:29.520 --> 0:22:33.240
<v Speaker 1>this promotion where they're stuffing fifty bucks into random coasters.

0:22:33.640 --> 0:22:37.040
<v Speaker 1>You gotta take them apart to find out. No kidding, no,

0:22:37.160 --> 0:22:43.560
<v Speaker 1>no kidding. Hey look here. White would have already slipped

0:22:43.560 --> 0:22:46.879
<v Speaker 1>a gimmick coaster into the pile, pulling out a crisp

0:22:46.960 --> 0:22:51.679
<v Speaker 1>fifty dollar bill. Money was like a flashing sign, and

0:22:51.720 --> 0:22:55.640
<v Speaker 1>he would quickly find himself the center of attention. Later,

0:22:56.040 --> 0:22:59.840
<v Speaker 1>no one would remember that anyone approached them. They would

0:22:59.840 --> 0:23:03.560
<v Speaker 1>only recall being in a group taking a sip, then

0:23:03.600 --> 0:23:11.040
<v Speaker 1>watching the floor fall out from under them. These were

0:23:11.040 --> 0:23:15.560
<v Speaker 1>the kinds of bars and clubs that had live entertainment bands, singers,

0:23:16.200 --> 0:23:19.159
<v Speaker 1>and one local attraction was a woman named Ruth Kelly.

0:23:20.800 --> 0:23:24.160
<v Speaker 1>Kelly was a stunning figure on stage, and White came

0:23:24.160 --> 0:23:27.560
<v Speaker 1>to see her over and over again. Soon he began

0:23:27.600 --> 0:23:29.760
<v Speaker 1>to wonder if Ruth Kelly might want to learn more

0:23:29.760 --> 0:23:34.439
<v Speaker 1>about White's swinging lifestyle. One night, before she went on stage,

0:23:35.000 --> 0:23:38.520
<v Speaker 1>he walked up and whispered something into her ear, something

0:23:38.680 --> 0:23:45.600
<v Speaker 1>salacious and unwelcome. Kelly rejected White. White had faced rejection

0:23:45.680 --> 0:23:48.960
<v Speaker 1>countless times in his life, from law enforcement agencies that

0:23:49.000 --> 0:23:52.880
<v Speaker 1>didn't need him, to wives who didn't want him. Even

0:23:52.880 --> 0:23:55.080
<v Speaker 1>the CIA job had been held up by a year's

0:23:55.080 --> 0:23:59.120
<v Speaker 1>worth of background checks. White by this point was drinking

0:23:59.160 --> 0:24:02.240
<v Speaker 1>more heavily than ever, more out of control than ever,

0:24:03.160 --> 0:24:05.760
<v Speaker 1>and so he did something that not even Sydney Gottley

0:24:05.880 --> 0:24:10.760
<v Speaker 1>would have signed off on. He administered l s d

0:24:11.200 --> 0:24:16.040
<v Speaker 1>out of spite. That's okay, miss Kelly. Here, let me

0:24:16.080 --> 0:24:19.040
<v Speaker 1>get that for you, and he did it just before

0:24:19.119 --> 0:24:21.960
<v Speaker 1>Ruth Kelly went on stage in front of hundreds of people.

0:24:23.480 --> 0:24:27.480
<v Speaker 1>This was something else. Kelly began her set without problems,

0:24:28.040 --> 0:24:31.040
<v Speaker 1>but after just a couple of songs, the acid turned

0:24:31.080 --> 0:24:35.440
<v Speaker 1>the audience faces into masks. The applause pounded her head.

0:24:38.000 --> 0:24:41.280
<v Speaker 1>Kelly could see the words she sang, she could feel

0:24:41.320 --> 0:24:45.119
<v Speaker 1>the stage floating, and somewhere in the crowd was the

0:24:45.119 --> 0:24:52.760
<v Speaker 1>face of George White, smiling with horns. Ruth Kelly finished

0:24:52.760 --> 0:24:55.160
<v Speaker 1>her set without betraying that her mind was split into

0:24:55.200 --> 0:24:59.080
<v Speaker 1>pieces the minute. The second she was done with her

0:24:59.160 --> 0:25:02.160
<v Speaker 1>last song, she raced off the stage and jumped into

0:25:02.200 --> 0:25:06.160
<v Speaker 1>a cab. She remained in a state of panic for days.

0:25:07.119 --> 0:25:09.959
<v Speaker 1>She didn't know what had happened, only that her psyche

0:25:10.080 --> 0:25:13.000
<v Speaker 1>seemed to explode as soon as she had rejected the

0:25:13.040 --> 0:25:16.480
<v Speaker 1>advances of the strange man with bright, cold blue eyes.

0:25:17.440 --> 0:25:20.600
<v Speaker 1>The psychological basis for this routine is that a small

0:25:20.680 --> 0:25:23.640
<v Speaker 1>action will not be noticed when it is done while

0:25:23.720 --> 0:25:27.360
<v Speaker 1>making a broader gesture, for which there is an obvious reason.

0:25:28.680 --> 0:25:32.400
<v Speaker 1>White never stopped. The bars of North Beach were overcome

0:25:32.440 --> 0:25:35.399
<v Speaker 1>by White and other operatives dosing people with LSD and

0:25:35.440 --> 0:25:38.200
<v Speaker 1>other drugs and hoping they'd stick around long enough to

0:25:38.240 --> 0:25:41.920
<v Speaker 1>have an observable reaction. Those that ran off into the

0:25:42.040 --> 0:25:45.480
<v Speaker 1>night weren't followed. No one will ever know how many

0:25:45.520 --> 0:25:49.040
<v Speaker 1>people shook it off and how many couldn't. In the

0:25:49.080 --> 0:25:52.199
<v Speaker 1>San Francisco of the late nineteen fifties, going out for

0:25:52.240 --> 0:25:54.640
<v Speaker 1>a good time give you a reasonable chance of having

0:25:54.640 --> 0:26:03.360
<v Speaker 1>your mind destroyed. White sadistics was getting stronger, and with

0:26:03.480 --> 0:26:07.919
<v Speaker 1>it a kind of self loathing was setting in. In

0:26:08.000 --> 0:26:11.200
<v Speaker 1>just a few short years, he would write, a good

0:26:11.240 --> 0:26:16.040
<v Speaker 1>policeman is the ultimate action arm of the legislature, the judiciary,

0:26:16.440 --> 0:26:21.120
<v Speaker 1>and the executive, the thin blue line between order and chaos.

0:26:22.520 --> 0:26:25.360
<v Speaker 1>It is time to consider the consequences of such stresses

0:26:25.680 --> 0:26:29.080
<v Speaker 1>upon an average human who becomes a policeman who must

0:26:29.119 --> 0:26:31.560
<v Speaker 1>not only cope with his own book of rules, but

0:26:31.640 --> 0:26:35.800
<v Speaker 1>also with the ever president, vociferous criticism from the press, citizens,

0:26:35.800 --> 0:26:40.080
<v Speaker 1>review boards, the courts, prosecutors, and even his own superiors, who,

0:26:40.119 --> 0:26:46.080
<v Speaker 1>when the heat arrives, pass it down. One day, a

0:26:46.200 --> 0:26:48.720
<v Speaker 1>technician walked into White safe house to checks some of

0:26:48.720 --> 0:26:53.640
<v Speaker 1>the surveillance equipment. He hadn't been expected. The only occupant

0:26:53.680 --> 0:26:56.399
<v Speaker 1>inside was George White, who was sitting in front of

0:26:56.400 --> 0:26:58.520
<v Speaker 1>the two way mirror he normally sat on the other

0:26:58.600 --> 0:27:01.240
<v Speaker 1>side of in order to monitor to the sexual escapades

0:27:01.280 --> 0:27:04.720
<v Speaker 1>in the apartment. The man looked at White, who was

0:27:04.800 --> 0:27:07.479
<v Speaker 1>clearly drunk, so drunk he didn't even seem to realize

0:27:07.480 --> 0:27:09.920
<v Speaker 1>the technician had arrived and thought it was better to

0:27:09.960 --> 0:27:13.760
<v Speaker 1>come back another day. And then George White held up

0:27:13.760 --> 0:27:19.960
<v Speaker 1>a gun, a revolver. The technician froze. He knew White,

0:27:20.480 --> 0:27:24.240
<v Speaker 1>but he also knew White was a drinker. White just

0:27:24.400 --> 0:27:27.119
<v Speaker 1>kept staring at himself in the mirror, like he was

0:27:27.160 --> 0:27:29.280
<v Speaker 1>waiting for the man he saw in his reflection to

0:27:29.359 --> 0:27:33.280
<v Speaker 1>provide some kind of answer. Then he aimed the gun

0:27:33.280 --> 0:27:38.280
<v Speaker 1>at himself, at the man in the mirror, and fired.

0:27:40.160 --> 0:27:44.040
<v Speaker 1>The technician recoiled. Then he looked and saw a white

0:27:44.080 --> 0:27:47.920
<v Speaker 1>globe had collapsed on the surface of the mirror. It

0:27:48.040 --> 0:27:52.560
<v Speaker 1>was a dummy round a piece of wax. White kept

0:27:52.600 --> 0:27:59.320
<v Speaker 1>staring at himself. The technician left. White remained behind, ruling

0:27:59.320 --> 0:28:07.400
<v Speaker 1>over a tiny fiefdom of safe houses. In the end,

0:28:07.960 --> 0:28:11.440
<v Speaker 1>George White hadn't won the Cold War. He hadn't exposed

0:28:11.440 --> 0:28:15.480
<v Speaker 1>the secrets of mind control. He was a man sitting

0:28:15.520 --> 0:28:20.720
<v Speaker 1>on a portable toilet, watching people have sex and getting high.

0:28:21.200 --> 0:28:24.320
<v Speaker 1>Maybe the only mind game being played was the one

0:28:24.400 --> 0:28:28.280
<v Speaker 1>Sydney gottlie had played on George White. He had taken

0:28:28.320 --> 0:28:32.000
<v Speaker 1>a man desperate for respect and recognition and given him

0:28:32.040 --> 0:28:34.760
<v Speaker 1>a job. No man of real moral consequence would ever

0:28:34.840 --> 0:28:41.200
<v Speaker 1>agree to to experiment on American civilians. That was Gottlieb's

0:28:41.240 --> 0:28:44.360
<v Speaker 1>big question, wondering if a man could be made to

0:28:44.400 --> 0:28:50.600
<v Speaker 1>do anything given the proper motivation, tools and drugs. MK

0:28:50.760 --> 0:28:55.440
<v Speaker 1>Ultra was always about altering a person's behavior. In that

0:28:55.520 --> 0:28:58.600
<v Speaker 1>moment in front of the mirror, George White may have

0:28:58.680 --> 0:29:03.480
<v Speaker 1>realized he wasn't just running the experiment, He was the experiment.

0:29:06.440 --> 0:29:10.160
<v Speaker 1>In every trip, there's a high, the elation, the sense

0:29:10.200 --> 0:29:13.080
<v Speaker 1>everything is so perfect and so right that the feeling

0:29:13.120 --> 0:29:18.040
<v Speaker 1>will never end. And then inevitably there's the come down

0:29:18.560 --> 0:29:26.920
<v Speaker 1>when reality intrudes. Good morning, Mr Irman, Good morning. Sometimes

0:29:26.960 --> 0:29:30.320
<v Speaker 1>it's because the effects of the drugs were off. Sometimes

0:29:30.320 --> 0:29:38.120
<v Speaker 1>it's because someone intervenes and breaks the spell. In three,

0:29:38.200 --> 0:29:41.400
<v Speaker 1>the CIA's Inspector General was a man named John Eyerman.

0:29:42.560 --> 0:29:46.240
<v Speaker 1>His role was to evaluate the CIA's various projects, including

0:29:46.280 --> 0:29:48.760
<v Speaker 1>ones that the CIA director might not have even been

0:29:48.760 --> 0:29:52.720
<v Speaker 1>aware of. As the new guy, Erman wanted to examine

0:29:52.720 --> 0:29:56.280
<v Speaker 1>everything going on in the agency. He didn't have allegiances,

0:29:56.800 --> 0:30:00.240
<v Speaker 1>not yet anyway, and the crumbs have passed approved wouls

0:30:00.240 --> 0:30:04.240
<v Speaker 1>weren't necessarily off limits to him. Earmen like looking under

0:30:04.280 --> 0:30:07.280
<v Speaker 1>the rug for those crumbs. He liked picking them up

0:30:07.400 --> 0:30:11.560
<v Speaker 1>and wondering where they had come from. One day, Earman

0:30:11.640 --> 0:30:15.240
<v Speaker 1>was looking at paperwork filed under god Leib's division. It

0:30:15.360 --> 0:30:18.840
<v Speaker 1>was a routine inspection when he came across an expense

0:30:18.880 --> 0:30:22.120
<v Speaker 1>report filed by George White. There was a forty four

0:30:22.160 --> 0:30:25.800
<v Speaker 1>dollar charge for a telescope, a thousand dollar bill for

0:30:25.960 --> 0:30:28.960
<v Speaker 1>just a few days worth of booze, and a modest

0:30:29.040 --> 0:30:31.360
<v Speaker 1>thirty one dollars to pay off the woman whose car

0:30:31.520 --> 0:30:36.320
<v Speaker 1>wide and damaged like a thread in a sweater. Earman

0:30:36.400 --> 0:30:40.760
<v Speaker 1>began tugging, and the more he tugged, the more things unraveled.

0:30:41.720 --> 0:30:45.600
<v Speaker 1>George White was writing checks to prostitutes for services rendered.

0:30:46.720 --> 0:30:53.120
<v Speaker 1>Memos detailed experimentations on unwitting subjects with LSD, sedatives, uppers, downers,

0:30:53.240 --> 0:31:00.520
<v Speaker 1>erection pills, weed, poisoned darts, and trees stink bombs. Very

0:31:00.560 --> 0:31:03.160
<v Speaker 1>few people within the CIA were aware of him k Ultra,

0:31:04.000 --> 0:31:06.800
<v Speaker 1>not even the new director, a man named John McCone,

0:31:07.440 --> 0:31:11.080
<v Speaker 1>who had been appointed by President John F. Kennedy. And

0:31:11.160 --> 0:31:17.480
<v Speaker 1>the more Erman read, the more alarmed he got. For

0:31:17.520 --> 0:31:20.200
<v Speaker 1>the first time in the ten years that Sydney Gottlieb

0:31:20.240 --> 0:31:23.640
<v Speaker 1>and George White had been on a psychedelic rampage, someone

0:31:23.680 --> 0:31:27.240
<v Speaker 1>of the CIA was finally looking into their work, and

0:31:27.320 --> 0:31:30.720
<v Speaker 1>for the first time, someone was wondering if Sydney Gottlieb

0:31:30.760 --> 0:31:35.800
<v Speaker 1>and George White were out of their fucking minds. What

0:31:35.840 --> 0:31:40.320
<v Speaker 1>they were doing was illegal and immoral. Erman wrote a

0:31:40.320 --> 0:31:44.200
<v Speaker 1>twenty four page report he would delivered to maccone. In it,

0:31:44.280 --> 0:31:47.720
<v Speaker 1>he reported in explicit detail the crime that was taking place,

0:31:48.800 --> 0:31:52.640
<v Speaker 1>one perpetuated by the highest levels of the CIA, and

0:31:52.720 --> 0:31:55.400
<v Speaker 1>one that was putting the freedom of citizens in jeopardy,

0:31:56.480 --> 0:32:02.200
<v Speaker 1>the very same freedoms Gottlieb insisted he was trying to protect. Suddenly,

0:32:02.240 --> 0:32:04.440
<v Speaker 1>a lot of people had a lot of questions for

0:32:04.480 --> 0:32:09.680
<v Speaker 1>George White, But like any great performer, he had one

0:32:09.760 --> 0:32:14.760
<v Speaker 1>final trick up his sleeve. George White was about to

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<v Speaker 1>make himself disappear. Operation Midnight Climax is hosted by Noel Brown.

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<v Speaker 1>This show's written by Jake Rosson, editing, sound design and

0:32:48.400 --> 0:32:52.720
<v Speaker 1>mixing by Ernie Indra Dat and Natasha Jacobs. Original music

0:32:52.760 --> 0:32:56.640
<v Speaker 1>by Aaron Kaufman. Research and fact checking by Austin Thompson

0:32:56.680 --> 0:33:00.760
<v Speaker 1>and Maurice Brown. Show logo by Lucy Keen Tiny Yeah

0:33:01.200 --> 0:33:06.240
<v Speaker 1>Special thanks to Enzo Salucci, Spencer Gibson, David Crumholtz, Vanessa Crumholtz,

0:33:06.440 --> 0:33:11.000
<v Speaker 1>Ryan Murdoch and Ted Ramy. Julian Weller is our supervising producer.

0:33:11.680 --> 0:33:16.440
<v Speaker 1>Our executive producers are Jason English and Mangesha Ticketer. See

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<v Speaker 1>you next week.