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Speaker 1: Are you leaving? I you wanna way back home?

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Speaker 2: Either way, we want to be there, doesn't matter how

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Speaker 2: much baggage you claim and give us time and a

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Speaker 2: terminol and gay.

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Speaker 1: We want to send you off in style.

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Speaker 2: You wanna welcome you back home?

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Speaker 1: Tell us all about it.

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Speaker 2: We scared her? Was it fine? Malcorn? Do you need

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Speaker 2: to ride? Do you need to ride? Do you need

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Speaker 2: to ride? Do you need to ride? Do you need

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Speaker 2: to ride?

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Speaker 1: Do you need to ride?

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Speaker 3: Ride?

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Speaker 1: Do you need with Karen and Chris welcome to Do

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Speaker 1: you need a ride?

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Speaker 2: This is Chris Fairbanks and this is Karen Kilgera.

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Speaker 1: Hello. I feel like it's been twenty four hours since

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Speaker 1: I've seen you.

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Speaker 2: Care it has been less than two four hr. I

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Speaker 2: was trying to be cute. Sorry it didn't work. I

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Speaker 2: doubt that was adorbs. What's your favorite slang these days? Chris?

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Speaker 1: I like, I'd just like to abbreathe pretty much? Any word?

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Speaker 2: Sure?

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Speaker 1: Any agree? I'm being totally sarcastic. I don't. I have

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Speaker 1: a problem with abbreviating words, especially when the abbreviation is.

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Speaker 2: Like the same syllables, where it's not really saving time.

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Speaker 2: There's not an efficiency element happening.

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Speaker 1: For instance, there's a bar near my house called Little Joy.

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Speaker 1: Pretty easy to say Little Joy. A lot of people

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Speaker 1: call it LJ. I think that that's the same amount

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Speaker 1: of effort, really, pound for pound.

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Speaker 2: Don't you agree, Let's let's have a couple of minutes

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Speaker 2: of silence.

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Speaker 1: Yeah.

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Speaker 2: I have the same feeling where I think it doesn't

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Speaker 2: make matter or anything. But I do observe a lot

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Speaker 2: of people putting a ton of effort. It seems into

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Speaker 2: thinking of stuff like that when I don't get the

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Speaker 2: benefit of it. Although except for the benefit of sometimes

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Speaker 2: if you feel maybe you are a deep down nerd

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Speaker 2: growing up that suddenly this is a thing that makes

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Speaker 2: you feel cool, So it's like a self soothing mechanism.

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Speaker 1: Maybe yeah, yeah, like, uh, you know, are are on

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Speaker 1: her someone that actually says lol, which is actually harder

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Speaker 1: to say than laugh out loud.

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Speaker 2: It really is.

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Speaker 1: I mean, we'd have to consult with a linguist, but

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Speaker 1: lol is actually difficult. That's the ol. Lol is a

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Speaker 1: tongue twister.

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Speaker 2: Did you hear the There was a there was a

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Speaker 2: like a grandma type that thought lol meant lots of love?

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Speaker 2: So on Facebook when Facebook came out, so there would

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Speaker 2: be like a post about someone who died, and she

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Speaker 2: would go thinking of you lol and would put lol

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Speaker 2: on everything. Oh my, inappropriately, it's the best.

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Speaker 1: I'm yeah, that makes me want to cry. Everything does

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Speaker 1: these days, Chris, Are you okay? Oh, it's just I

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Speaker 1: keep thinking about all the lots of laughs I have

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Speaker 1: after someone passes.

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Speaker 4: It just gotten to me.

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Speaker 2: It does make you feel good about.

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Speaker 1: At funerals, it's me chuckling in the corner, giggling. Oh,

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Speaker 1: I can't stop.

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Speaker 2: The one time at a funeral, it was a Catholic Mass,

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Speaker 2: and then we came back from receiving the Eucharist at

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Speaker 2: Communion and you have to go kneel in your pew

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Speaker 2: and think about what a bad person you are. And

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Speaker 2: so me and my sister went back, and my dad

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Speaker 2: was already in the pew and he was kneeling, so

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Speaker 2: his pant leg was pulled up, and he was wearing

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Speaker 2: a pair of socks that said I'm sixty with an

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Speaker 2: exclamation point, and my sister and I could not help playing.

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Speaker 2: It was like at the height of the most serious,

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Speaker 2: quiet part of the funeral.

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Speaker 1: And he was probably getting mad, and it's like, hey,

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Speaker 1: it's your fault. Funny socks.

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Speaker 2: You put on the most hilarious socks you could find

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Speaker 2: for this funeral, sir, Yeah.

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Speaker 1: You're showing them off almost on purpose. I'm very excited

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Speaker 1: for today's guest.

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Speaker 2: I am too.

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Speaker 1: Not only does he make me laugh pretty effortlessly, he's

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Speaker 1: someone I haven't seen for a long time, and we'll

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Speaker 1: talk about the last time I saw him, because maybe

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Speaker 1: there's a story there, let's hope. So thank you.

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Speaker 2: Clubs and colleges all over.

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Speaker 1: So many colleges, a lot of clubs and colleges, lots

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Speaker 1: of them. And uh and you you know him as

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Speaker 1: an actor as well. Put your hands together at home,

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Speaker 1: clap alone for Josh Batam please who Josh.

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Speaker 3: Hi, Thanks for having me on this podcast. I already

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Speaker 3: know that it's going to be a lot of fun.

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Speaker 3: Spoilers to those listening already spoilers, yeah.

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Speaker 1: Because you were just listening to our warm ups. And

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Speaker 1: even if there weren't a lot of yucks in there,

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Speaker 1: there was yuck potential.

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Speaker 4: Yeah, there was yucks and yuck potential.

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Speaker 3: I mean, in fact, I had to stifle myself from LMAO,

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Speaker 3: love my fucking ass off, l M l m fao

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Speaker 3: l m A f love my assing fuck off I had,

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Speaker 3: I was.

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Speaker 4: I was rolling on the floor loving.

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Speaker 2: Yes, the love it's all here.

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Speaker 1: Yeah, you look, you look good, Josh you thank you.

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Speaker 1: Chris looked like a young Mike Patten from Faith No.

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Speaker 4: More, oh I do. I always thought he was handsome,

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Speaker 4: very handy. Is he known for being handsome?

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Speaker 3: Yes?

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Speaker 4: I always thought he was handsome.

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Speaker 3: Even with the first video epic, the epic video, which

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Speaker 3: there's a slang word I don't use in the connotation

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Speaker 3: they used.

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Speaker 4: They you know, I don't call things epic in that way.

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Speaker 3: No, never have, No, I don't think I I don't

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Speaker 3: if I have. It wasn't when it started catching on

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Speaker 3: in the way that it's now caught on and probably

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Speaker 3: coming gone right, you know what I mean? Like that

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Speaker 3: was an epic thing or that's so epic, or what

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Speaker 3: an epic fail?

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Speaker 4: Or whatever? Yes, I would I wouldn't use that.

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Speaker 1: It was very overused in the snowboard community to describe

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Speaker 1: the quality of snow right, epo, oh how was it today?

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Speaker 4: Up there?

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Speaker 1: It was epic? And I I lived in a community

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Speaker 1: where I would cringe every time I heard it, and

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Speaker 1: then pretty soon, wouldn't you know it?

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Speaker 3: I started saying epic. Oh, I know when that happens

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Speaker 3: and you feel like, what have I become?

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Speaker 1: Yeah? Yeah, that's when I moved away and became a comedian.

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Speaker 2: You had to move away from the language of the area.

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Speaker 2: That's good.

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Speaker 1: I'm glad, and now look what I've become.

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Speaker 2: Oh yeah, I was just going to say, maybe this

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Speaker 2: is what you're going to say, is there? Were you

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Speaker 2: going to say that that you do have a piece

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Speaker 2: of slang that you like to use.

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Speaker 4: It is a tough one and I may not know

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Speaker 4: it until it comes out.

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Speaker 3: It might come out organically, but it did really but

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Speaker 3: and you know, I do, I do steer clear of

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Speaker 3: using the modern slang that went, you know, whatever's online

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Speaker 3: or whatever I'm hearing, And if I start to notice

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Speaker 3: that it's gets set, something gets set a lot.

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Speaker 4: I start to resent it.

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Speaker 1: Right.

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Speaker 4: Yeah, I don't know why.

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Speaker 3: I don't know what that means if I'm just older,

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Speaker 3: or why I start maybe because it's.

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Speaker 4: Like the equivalent of like water cooler humor or.

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Speaker 3: Yeah, it's just and I really hate on a television

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Speaker 3: show when there's like a young character or a quirky

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Speaker 3: character and they try to plug stale terms like got

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Speaker 3: like a character goes I'm tots.

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Speaker 4: Blah blah blah.

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Speaker 1: Hashtags.

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Speaker 3: Yeah, yeah, and these are supposed to be substitutions for

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Speaker 3: interesting character or a funny character or whatever. Oh my god,

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Speaker 3: I'm totes freaking out over here or whatever whatever someone.

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Speaker 1: Yeah, you know that a really fun version of noticing

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Speaker 1: when how out of touch they that show, Uh Saved

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Speaker 1: by the Bell was, because clearly you're realizing it's being

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Speaker 1: written by a bunch of old white guys in a

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Speaker 1: writing room, and they're writing for high school kids. Yeah,

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Speaker 1: and so all the slang is like, oh that that

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Speaker 1: kid's a good egg or whatever. It's something that kids

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Speaker 1: didn't say in the eighties. But it's just a room

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Speaker 1: of dudes with catheters writing.

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Speaker 3: I'm just gee, golly, I'm not so peachy after all.

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Speaker 1: Exactly, just leave it to beaver language.

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Speaker 3: Oh I had a I did think of a thing

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Speaker 3: something you said about Oh, whenever I said what have

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Speaker 3: I become? I I thought, I have a joke that

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Speaker 3: I make to if I'm ever visiting a friend and

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Speaker 3: they've got kids, you know what I mean, especially in Oklahoma,

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Speaker 3: because it's where I like, if I see someone like

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Speaker 3: my friend Rob has a.

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Speaker 4: Son named Harvey, and if I when.

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Speaker 3: I met Harvey or were I'm dinner at his house

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Speaker 3: and Harvey's running around every time he passed by, I go, hey, Harvey,

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Speaker 3: my name's Josh. I'm friends with your diet, which is like,

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Speaker 3: you know, I just remember. I feel like someone always said, hey.

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Speaker 1: Are you Bruce's son?

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Speaker 4: My name so and so I'm friends with your diet.

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Speaker 3: And uh, and I was a friend of mine, like

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Speaker 3: last year's name. His name's Chris, and he has son

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Speaker 3: named Miles. Oh, this is my Hi Miles, I'm Josh.

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Speaker 4: I'm friend with your diad and did the joke again.

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Speaker 3: And then oh, about a week later, I was at

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Speaker 3: the park, uh, walking my dog and there was a playground.

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Speaker 3: The park's connected to a school playground, and I see

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Speaker 3: it was kind of familiar, and he's still looking at me,

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Speaker 3: like that guy was kind of familiar, and I realized, oh,

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Speaker 3: is that Chrismas son.

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Speaker 1: I said, hey, are you Chris's son?

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Speaker 3: And he nods yes to go, oh, I'm Josh, I'm

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Speaker 3: friends with your dad.

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Speaker 4: And then I stopped and said, oh.

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Speaker 1: My god, you organically stay I became the character.

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Speaker 4: Yes, I became the character.

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Speaker 2: That you mocked.

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Speaker 3: See it now, Now I understood all those men who

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Speaker 3: said I'm friends with your dad what they were going through.

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Speaker 2: Yeah, that's a way of saying, I'm not a pedophile.

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Speaker 3: And my friends with your dad. No fucked eye contact.

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Speaker 3: But this was only because you remind me of a

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Speaker 3: friend of mine.

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Speaker 1: No funny business.

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Speaker 4: I have a dog which I do not want you

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Speaker 4: to pet.

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Speaker 2: Excuse me, stay away.

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Speaker 4: Yeah.

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Speaker 1: Yeah. In the eighties, you had to kind of explain yourself,

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Speaker 1: you know. Yeah, yeah, around you just everyone was being kidnapped.

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Speaker 1: You know, you have to say, I just want you

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Speaker 1: to know I know your parents.

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Speaker 2: Yep.

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Speaker 4: Yeah.

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Speaker 3: And then but then the kidnappers use that line. I'm

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Speaker 3: sure too, Yeah, exactly right, that's right. All they had

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Speaker 3: to say is I know your parents, Brad and Linda,

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Speaker 3: and they were pretty likely to get the name.

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Speaker 4: You know, get some parents' names, right.

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Speaker 1: I was on the cover of the local paper because

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Speaker 1: I would walk kids to school, because I had a

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Speaker 1: stop sign so I could walk myself to school. And

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Speaker 1: then they started bringing me to a daycare before kiddergarten.

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Speaker 1: So a photographer for the newspaper multiple times put me

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Speaker 1: in the paper. And this is like an eighties thing.

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Speaker 1: I don't know why they did it. They literally put

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Speaker 1: Chris Fairbanks walks his friend to school. His parents are

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Speaker 1: named Land and Jim, and he lives at one oh

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Speaker 1: five Kensington Avenue, like they put my address, they put

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Speaker 1: my parents' name, they put everything you need to lure me,

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Speaker 1: and I don't know. It's to this day, I can't.

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Speaker 1: I can't figure out why they would do that. And

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Speaker 1: I've been meaning to go get it, go to the

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Speaker 1: library and find that on the Microfilmiche yeah, yeah, yeah, yeah,

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Speaker 1: I gotta I gotta prove it. I gotta prove that

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Speaker 1: that was the caption.

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Speaker 3: Well, if you did, I hope we can steer the

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Speaker 3: conversation in a different direction. But I was gonna say,

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Speaker 3: if you did tragically get abused in some way and

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Speaker 3: you're looking for a settlement, I think you have someone

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Speaker 3: to uh sue.

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Speaker 4: Yeah, they would have got a case with this microphone.

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Speaker 4: Here is the evidence.

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Speaker 3: They put you in the firing line of the perverts

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Speaker 3: and you want to collect.

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Speaker 1: It's funny, but it's a grievance I have. That happened

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Speaker 1: in my forties, and I still want to blame that article.

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Speaker 4: I was walking that same round.

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Speaker 1: If it weren't for this, I would have nailed that

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Speaker 1: audition for the office.

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Speaker 2: Yeah, son of a Bitch paper Yeah, oh gosh, uh.

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Speaker 1: You Yeah, my my favorite thing, Josh, that you've done.

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Speaker 1: I really like you on Better Call Saul, But thank

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Speaker 1: you the Liz Lemon's what were you like her agent or.

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Speaker 4: Some Simon was the character's name. He was a pety

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Speaker 4: dog agent.

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Speaker 1: Yeah, you were so funny on that because on that

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Speaker 1: you were a version of yourself. On Better Call Saul,

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Speaker 1: you're totally different than who you are. You're like a

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Speaker 1: cool aloof guy.

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Speaker 4: But he's cool.

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Speaker 1: Yeah, it's kind of cool.

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Speaker 4: Well, he's like.

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Speaker 2: He's like a video guy, you know, he's like he's

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Speaker 2: like the guy that's like, hey man, we got to

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Speaker 2: get this thing done. Their business like it that I observed.

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Speaker 4: Yeah, yeah, yeah, I like that.

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Speaker 1: I like that. Yeah. It's what we're saying is you're

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Speaker 1: good actor because you're being someone that I don't.

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Speaker 5: Know you to be.

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Speaker 2: You do have range range.

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Speaker 4: Look at it's interesting.

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Speaker 1: It's interesting because you're said because about acting.

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Speaker 4: You know, really you're interacting. You were using no.

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Speaker 3: Matter what you're playing, you're using a piece of yourself

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Speaker 3: to play so you know that character doesn't exist somewhere

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Speaker 3: inside you know, me, somewhere.

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Speaker 4: I'm sure I wouldn't take it.

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Speaker 3: Out on a daily basis, but you know there is

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Speaker 3: a piece of meeting there somewhere.

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Speaker 2: You know, the faces of Josh, We'll be right back.

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Speaker 1: Thank you, thank you.

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Speaker 3: You know, when you know you're listening to like Terry Grosser,

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Speaker 3: Elvis Mitchell and when they get real uh.

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Speaker 1: You know, serious, and they right right. Thank you for that.

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Speaker 3: Yeah, it's interesting because and then asked a question like, so,

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Speaker 3: but don't you.

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Speaker 5: Think that there's a possibility that about the in the

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Speaker 5: album when the album came out, because your first book

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Speaker 5: and when it was publish blah blah blah. But isn't

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Speaker 5: it possible that blah blah blah question one way of

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Speaker 5: looking at it.

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Speaker 4: Well, yes and no. They do that a lot.

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Speaker 2: Deep talks.

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Speaker 3: They go, well, yeah, yes, and it is isn't it isn't.

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Speaker 1: This isn't.

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Speaker 4: Yeah, means it isn't. Yes, this is this isn't. Actually,

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Speaker 4: but thank you for that question.

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Speaker 1: Yeah, everything else perfectly enunciated, except.

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Speaker 4: As it isn't. This is this isn't.

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Speaker 1: Well, it's funny you asked that because this isn't. Sorry,

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Speaker 1: and I am as these says, is this these says

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Speaker 1: it isn't. He's a good friend. Yeah, I like to

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Speaker 1: bring him.

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Speaker 4: He said it isn't, but it is, you know, yes

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Speaker 4: and no.

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Speaker 2: Does that answer your question, Terry?

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Speaker 4: Yeah, Terry gives me Terry gross.

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Speaker 3: She's one of those people I don't want to know

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Speaker 3: what she looks like, and if someone shows me a picture,

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Speaker 3: I'm like, I didn't want to know.

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Speaker 4: I like coming up with it myself.

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Speaker 2: You know what, what do you picture her to look?

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Speaker 3: Yeah, like a little lady with like, you know, kind

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Speaker 3: of like oh, either like either a either a Bob

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Speaker 3: haircut or a George Clooney George Clooney er when he

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Speaker 3: had the Caesar haircut.

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Speaker 1: Angular haircut.

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Speaker 3: You're actually very close, you think, so maybe she's got glasses. Yep, yeah, yeah,

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Speaker 3: maybe she's recently. You know, maybe when you saw her

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Speaker 3: at one point when she was younger, she had a

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Speaker 3: kind of a oh you know, like a dirty blonde

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Speaker 3: colored hair.

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Speaker 4: But now she's gone totally gray.

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Speaker 3: And you're like, oh, Terry went totally gray since I've

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Speaker 3: seen her last.

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Speaker 1: Because because it looks more intellectual, right right, Yes, of course,

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Speaker 1: Terry is not a dier. She's not going to die.

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Speaker 2: No, no way, no way, especially not in quarantine.

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Speaker 1: But if you want someone to take you seriously with

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Speaker 1: what you're saying, it's best to let your hair go gray.

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Speaker 3: Yeah, oh I'm going I got a little bit of gray.

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Speaker 1: And I love it.

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Speaker 3: Yeah, I got like a one or two, you know,

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Speaker 3: I love them.

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Speaker 2: I don't I have all gray. I have to dye

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Speaker 2: my hair every three weeks and I don't. I don't

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Speaker 2: love it. But this is the difference between men and women,

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Speaker 2: and I wanted to bring this up at the beginning.

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Speaker 1: Sure we can cut in just to introduce the premise.

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Speaker 2: We'll cut it back.

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Speaker 3: Okay, so we're just starting now, beginning of the conversation.

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Speaker 3: And uh yeah, Karen, you had somethings for coming to

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Speaker 3: my show. Now you had something to say about gray

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Speaker 3: hair going.

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Speaker 2: Men and women.

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Speaker 4: Different, they're different. But how they different?

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Speaker 2: Different hair, different cares.

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Speaker 3: That interesting, different haircuts, different different haircares, big cares different

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Speaker 3: about their hair, kids different.

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Speaker 4: Thank you for listening to talk topic.

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Speaker 1: Top topic. You know where men and women aren't different anymore?

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Speaker 1: The world of soccer. Did you see today?

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Speaker 3: No?

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Speaker 1: Hey, no professional soccer's prize money. It's a start. It's

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Speaker 1: a start, and it's started with soccer.

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Speaker 2: It's a positive. It's true in a negative time. It's

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Speaker 2: a huge positive.

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Speaker 3: Women's soccer league will make the same amount of money

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Speaker 3: as the men's soccer league.

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Speaker 4: Is what you said?

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Speaker 1: Yeah, and so do soccer players.

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Speaker 4: They're not, they're not. They all get paid the same.

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Speaker 2: I wonder, I wonder there's there's no like executive producer.

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Speaker 2: There's more a consulting producer.

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Speaker 1: I bet soccer player, a goalie makes more than like

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Speaker 1: a left a full back. I don't know if that's

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Speaker 1: a position. I don't have fake soccer talk, nor do I.

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Speaker 3: Yeah, I don't have a good you know when the

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Speaker 3: improvisers they come up with the fake ones, Oh we

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Speaker 3: love it when they do that.

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Speaker 2: God, some of them are just so knowledgeable about every

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Speaker 2: single thing in detail where they can snap right into

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Speaker 2: like a soccer bit.

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Speaker 1: You know, yeah, can't.

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Speaker 4: I can't do it. I can't even do a fake one.

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Speaker 3: But sometimes the funny improvisers, they they don't know about it,

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Speaker 3: but they just got a good, you know, jargon they

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Speaker 3: go they tap into the jargon talk real good.

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Speaker 1: Yeah you do that. You see me do it? Yeah,

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Speaker 1: where you confidently bullshit and and people if they're watching,

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Speaker 1: they're like, I think he knows exactly what he's talking about.

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Speaker 1: Or you're just rolling with it.

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Speaker 4: Baby, I've seen you do it.

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Speaker 1: I've seen you. I've admire you do it.

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Speaker 4: Karen, I've seen you do it.

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Speaker 2: Have you this is the best?

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Speaker 3: I guess it's probably you know, sometimes you got it

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Speaker 3: and sometimes you don't.

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Speaker 2: Yeah, it's true. It's based on the night, it's based

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Speaker 2: on the drive over, It's based on your bet, your experience,

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Speaker 2: how comfortable you feel. Here's what I think. It's interesting

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Speaker 2: improv And Josh, have you done both improv and stand

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Speaker 2: up comedy?

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Speaker 1: Yes?

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Speaker 2: Yes, do you find and it's just improv is easier

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Speaker 2: because there's more help, there's more support, and there's more

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Speaker 2: acceptance of whatever's happening. Yeah, there's a post stand up

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Speaker 2: comedy where you have to do it right every fifteen

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Speaker 2: seconds or you're failing.

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Speaker 1: Right, and the audience will the animosity I think because

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Speaker 1: we talked about this with Mary Holland, I feel like

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Speaker 1: the reason I started to have animosity towards improv is

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Speaker 1: the audience was always on their side right and they're like, hey,

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Speaker 1: I don't care that that didn't work. They're just making

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Speaker 1: it up. But the minute someone doesn't like your stand up,

410
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Speaker 1: they cross their arms and they actually want to fight you. Yeah, Ryan,

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Speaker 1: I don't see that with bad improv, Like I don't

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Speaker 1: see people boo.

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00:20:50,000 --> 00:20:51,280
Speaker 4: Yeah. I remember.

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Speaker 3: I remember, like when I did the Groundlings, and every

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Speaker 3: class it was like, you know, let's they give a

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Speaker 3: base applause for the scene to begin, so you're walking

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Speaker 3: in on you know, you're walking in on a heavenly

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Speaker 3: you know. Even in let the classes okay, okay, good

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Speaker 3: and yeah, okay go, you know, and the the shows

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Speaker 3: were like that too, And I guess it probably was

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Speaker 3: the same at the UCB improv shows, which I didn't

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Speaker 3: do a lot of improv there.

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Speaker 1: But.

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Speaker 3: Uh yeah, I agree, I guess. I mean sometimes with

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Speaker 3: stand up though, I guess it's just it's case by case,

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Speaker 3: you know. Sometimes it's like wow, I'm on stage, can

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Speaker 3: do no wrong, and then it's on stage like hey,

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Speaker 3: I'm doing all wrong.

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Speaker 4: You know.

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Speaker 3: Sometimes it's like oh I lost him, Oh I got

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Speaker 3: to work hard to get them back, or and I

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Speaker 3: but I've also done improv where it's like wow, I

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Speaker 3: have no idea how to hook into what you know

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Speaker 3: if it if you're in like I don't know, stale

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Speaker 3: improv mode, you're like, I don't know how to add

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Speaker 3: on to what they're saying.

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Speaker 1: I don't know, I don't know. I forgot the rules,

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Speaker 1: I forgot the tools. That was his idea.

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00:21:58,359 --> 00:22:01,040
Speaker 3: Yeah, let him go with that question about comedy. I'll

440
00:22:01,080 --> 00:22:02,240
Speaker 3: only talk about failing.

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Speaker 2: That's what sticks in your mind.

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00:22:06,480 --> 00:22:09,119
Speaker 1: Yeah, did you ever? I don't call any money.

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Speaker 4: I've been bad.

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Speaker 2: I can't take it.

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Speaker 4: I can't take the compliment. I've got to pooh pooh them.

446
00:22:16,240 --> 00:22:19,520
Speaker 3: Don't comment me too hard because I've been bad before.

447
00:22:20,280 --> 00:22:23,040
Speaker 1: H Yeah, I've seen you do stand up where you

448
00:22:23,119 --> 00:22:25,400
Speaker 1: are making it all up and maybe there's a few

449
00:22:25,480 --> 00:22:30,280
Speaker 1: jokes in there, but you are just flying and in

450
00:22:30,320 --> 00:22:32,639
Speaker 1: a way that I haven't seen a lot of people

451
00:22:33,400 --> 00:22:36,760
Speaker 1: do where you were actually making it all up like

452
00:22:37,280 --> 00:22:40,240
Speaker 1: you're when you did those whole shows where you're just

453
00:22:40,280 --> 00:22:42,639
Speaker 1: falling down. For first of all, I thought at some

454
00:22:42,720 --> 00:22:46,000
Speaker 1: point you would have had to have gotten injured. Huh,

455
00:22:46,600 --> 00:22:50,120
Speaker 1: did you ever see Karen? Did you see Josh Stewit's

456
00:22:50,200 --> 00:22:51,880
Speaker 1: thirty minutes of falling down.

457
00:22:52,480 --> 00:22:55,480
Speaker 2: I never saw thirty minutes. I've seen videos of him

458
00:22:55,480 --> 00:22:57,400
Speaker 2: fall down, and I've seen it live shows.

459
00:22:57,600 --> 00:22:59,960
Speaker 1: Right right, there's a time where you're cleaning that video

460
00:23:00,080 --> 00:23:01,960
Speaker 1: where you're cleaning up in the park and you roll

461
00:23:02,040 --> 00:23:05,040
Speaker 1: down the hill and stop at a tree trash can

462
00:23:05,119 --> 00:23:08,479
Speaker 1: and then immediately start cleaning up again. But the but

463
00:23:08,560 --> 00:23:10,440
Speaker 1: the let me tell you about the things you've done.

464
00:23:10,520 --> 00:23:13,840
Speaker 1: Jobs one time makes you feel like special. The show

465
00:23:13,920 --> 00:23:16,440
Speaker 1: you where you get tangled and people.

466
00:23:16,280 --> 00:23:18,239
Speaker 4: Are listening and they don't know it, they better go

467
00:23:18,400 --> 00:23:18,960
Speaker 4: check it out.

468
00:23:19,359 --> 00:23:21,119
Speaker 2: They can check it out.

469
00:23:21,520 --> 00:23:27,760
Speaker 1: Josh fatim fa d em YouTube. But I always thought

470
00:23:27,920 --> 00:23:31,200
Speaker 1: you had to have gotten injured at some point wrestling

471
00:23:31,240 --> 00:23:33,440
Speaker 1: with a stool and a mic stands in the cord

472
00:23:34,040 --> 00:23:36,679
Speaker 1: with how bad I knew it. I didn't even know this,

473
00:23:36,840 --> 00:23:38,000
Speaker 1: but I knew the deeds.

474
00:23:38,400 --> 00:23:45,800
Speaker 3: I broke my wrist twice twice, yeah one.

475
00:23:46,240 --> 00:23:49,920
Speaker 4: I did it in twenty fourteen, real bad.

476
00:23:50,000 --> 00:23:53,720
Speaker 3: I had to have surgery, and then in twenty nine

477
00:23:53,880 --> 00:23:56,520
Speaker 3: and then I kind of slowed down doing so much

478
00:23:56,560 --> 00:23:59,480
Speaker 3: of that because I would just do it recklessly always.

479
00:23:59,720 --> 00:24:02,639
Speaker 3: And then twenty nineteen I was doing a longer show

480
00:24:03,080 --> 00:24:05,760
Speaker 3: and I was like, I'm on fire. It's going great.

481
00:24:06,160 --> 00:24:08,000
Speaker 3: I could do no wrong. Might as well throw in

482
00:24:08,040 --> 00:24:09,239
Speaker 3: some of that. I didn't do a lot of that

483
00:24:09,440 --> 00:24:11,760
Speaker 3: physical shtick at this show. Might as well throwing Oh,

484
00:24:11,760 --> 00:24:14,240
Speaker 3: I bet I can go nuts in the I'm feeling them.

485
00:24:14,560 --> 00:24:16,040
Speaker 4: And then I did something.

486
00:24:16,200 --> 00:24:19,240
Speaker 3: And then I slapped my arm on the ground strangely,

487
00:24:19,359 --> 00:24:22,080
Speaker 3: and I was like, it didn't hurt real bad. Something

488
00:24:22,119 --> 00:24:24,280
Speaker 3: felt weird and I could feel in my you know,

489
00:24:24,400 --> 00:24:27,320
Speaker 3: pinky and indeck or pinky and ring fingers, like something

490
00:24:27,359 --> 00:24:30,320
Speaker 3: seems strange. And then and then it was mostly fine.

491
00:24:30,359 --> 00:24:32,480
Speaker 3: But by the end of the night when I got home,

492
00:24:32,520 --> 00:24:34,120
Speaker 3: I couldn't straighten my arm out.

493
00:24:34,359 --> 00:24:37,880
Speaker 4: And then and then I think I.

494
00:24:37,480 --> 00:24:39,600
Speaker 3: After eventually went to the doctor and he said, I

495
00:24:39,640 --> 00:24:41,920
Speaker 3: think you broke your radial neck, which is I guess

496
00:24:41,920 --> 00:24:44,760
Speaker 3: the part of the arm. But they call it, yeah,

497
00:24:44,800 --> 00:24:46,600
Speaker 3: they called there's a it's right. I don't know if

498
00:24:46,640 --> 00:24:49,000
Speaker 3: this is airing or you know, if you could have

499
00:24:49,040 --> 00:24:50,800
Speaker 3: to describe it the part of the arm that's near

500
00:24:50,840 --> 00:24:53,880
Speaker 3: the elbow or something. I think I snapped. I think

501
00:24:54,000 --> 00:24:56,520
Speaker 3: because of the first break. Probably it made a different

502
00:24:56,520 --> 00:24:58,159
Speaker 3: part of the arm susceptible. I mean it was in

503
00:24:58,240 --> 00:25:00,720
Speaker 3: a major I didn't have to do anything except for

504
00:25:00,760 --> 00:25:04,040
Speaker 3: physical therapy for the second one. But the big one was,

505
00:25:04,200 --> 00:25:07,280
Speaker 3: you know, twenty fourteen, I was a show at UCB,

506
00:25:07,840 --> 00:25:11,760
Speaker 3: and I remember I felt like the audience was kind

507
00:25:11,760 --> 00:25:13,840
Speaker 3: of stiff, and I was like, it's you know, I

508
00:25:13,880 --> 00:25:15,719
Speaker 3: was like, oh. As soon as I walked out, I go, oh,

509
00:25:15,800 --> 00:25:18,440
Speaker 3: this is kind of a dud, and so I started

510
00:25:18,480 --> 00:25:21,520
Speaker 3: saying something and then I just I think I just

511
00:25:21,640 --> 00:25:26,080
Speaker 3: tossed my body in a really reckless way with my

512
00:25:26,119 --> 00:25:28,359
Speaker 3: feet in the air and landed and I'm not sure

513
00:25:28,400 --> 00:25:32,240
Speaker 3: how I landed, but I like felt the oh shoot,

514
00:25:32,480 --> 00:25:34,479
Speaker 3: you know which the audience four different ways.

515
00:25:34,520 --> 00:25:35,560
Speaker 1: Did they see your wrist?

516
00:25:36,040 --> 00:25:39,320
Speaker 4: Yeah, I went, I went, oh.

517
00:25:38,440 --> 00:25:41,560
Speaker 3: Well, first, before I even looked at it, I said, oh,

518
00:25:41,720 --> 00:25:44,400
Speaker 3: I think I broke my wrist, and then the audience.

519
00:25:44,040 --> 00:25:47,120
Speaker 4: Went ha ha. That's I was going to ask.

520
00:25:47,119 --> 00:25:48,919
Speaker 1: Did they laugh at you while your bone was?

521
00:25:49,040 --> 00:25:51,560
Speaker 3: They laughed that, And then I looked and then I

522
00:25:51,600 --> 00:25:54,959
Speaker 3: saw the bone like not, you know, protruding.

523
00:25:55,040 --> 00:25:57,199
Speaker 4: I said, oh, that's not what the risk is supposed

524
00:25:57,240 --> 00:25:57,720
Speaker 4: to look like.

525
00:25:58,320 --> 00:26:01,199
Speaker 3: And then I said, oh, I really broke it, and

526
00:26:01,240 --> 00:26:03,680
Speaker 3: then they went oh, And then.

527
00:26:06,200 --> 00:26:08,720
Speaker 4: It was it was I also had this like.

528
00:26:08,680 --> 00:26:12,040
Speaker 3: You know, the built in comedian, you know, thing of commitment,

529
00:26:12,080 --> 00:26:13,360
Speaker 3: thing of like show must go on.

530
00:26:13,960 --> 00:26:18,000
Speaker 4: You know, like doesn't you gotta don't stop performing for.

531
00:26:18,040 --> 00:26:21,879
Speaker 3: Nothing, you know, and uh, and then I started hearing

532
00:26:21,920 --> 00:26:25,159
Speaker 3: that voice, and then I thought, does it you know?

533
00:26:25,280 --> 00:26:28,159
Speaker 3: This is UCB and I have a broken wrist. And

534
00:26:28,200 --> 00:26:30,320
Speaker 3: I stood there for a second like I don't know

535
00:26:30,320 --> 00:26:32,520
Speaker 3: what to do. I broke my wrist. Should I tell

536
00:26:32,560 --> 00:26:35,560
Speaker 3: a joke? And then they were kind of like we

537
00:26:35,640 --> 00:26:37,760
Speaker 3: don't know, you know, they just stood there when I said,

538
00:26:37,840 --> 00:26:39,040
Speaker 3: you know, I guess I'll go to the hospital.

539
00:26:39,080 --> 00:26:41,520
Speaker 4: I broke my wrist, Okay, bye, And then I remember.

540
00:26:41,320 --> 00:26:44,280
Speaker 3: Like it was very like it was right after I

541
00:26:44,320 --> 00:26:46,320
Speaker 3: came on stage, Like I went on stage, broke it immediately,

542
00:26:46,359 --> 00:26:49,080
Speaker 3: and then I was like, oh, I better go, and

543
00:26:49,400 --> 00:26:51,479
Speaker 3: you know, they bring you on to a song and

544
00:26:51,520 --> 00:26:53,919
Speaker 3: then they plays off for the different song. I remember

545
00:26:53,960 --> 00:26:56,720
Speaker 3: like whatever the song was, it was like the same

546
00:26:56,800 --> 00:26:57,600
Speaker 3: song right.

547
00:26:57,400 --> 00:26:58,280
Speaker 4: Away, you know.

548
00:27:00,200 --> 00:27:01,920
Speaker 3: And then I kind of wandered around the back of

549
00:27:02,000 --> 00:27:04,440
Speaker 3: UCB like embarrassed and kind of in shock, like I

550
00:27:04,480 --> 00:27:06,520
Speaker 3: don't know what to do because it did really hurt

551
00:27:06,560 --> 00:27:09,560
Speaker 3: and it did literally look very broken, you know, and

552
00:27:09,600 --> 00:27:13,280
Speaker 3: I was holding my wrist and then I remember I

553
00:27:13,280 --> 00:27:14,960
Speaker 3: think I think it was like I think it was

554
00:27:15,000 --> 00:27:17,080
Speaker 3: Cody Fisher, who was running the house at the time.

555
00:27:17,160 --> 00:27:20,359
Speaker 3: She was like, Josh, are you okay. I was like, uh,

556
00:27:20,960 --> 00:27:23,520
Speaker 3: I brought my wrist and then I was like trying.

557
00:27:23,600 --> 00:27:25,360
Speaker 3: I was like planning to just walk to my car

558
00:27:25,440 --> 00:27:27,879
Speaker 3: and go somewhere. And then like so someone that was working,

559
00:27:27,960 --> 00:27:30,640
Speaker 3: you know, drove me the emergency room and.

560
00:27:30,640 --> 00:27:32,600
Speaker 1: Now oh my god. Yeah, and then there was a

561
00:27:32,600 --> 00:27:35,360
Speaker 1: big ride up in Variety about how you you had

562
00:27:35,359 --> 00:27:37,640
Speaker 1: a soft clothes, you didn't have a hard.

563
00:27:37,800 --> 00:27:39,879
Speaker 4: Yeah, yeah, it was.

564
00:27:40,040 --> 00:27:40,320
Speaker 5: It was.

565
00:27:40,400 --> 00:27:42,520
Speaker 3: It was on one of those you remember way back

566
00:27:42,560 --> 00:27:46,960
Speaker 3: in the in the comedy days of la and like, oh,

567
00:27:47,080 --> 00:27:49,720
Speaker 3: I mean it was probably like fifteen, six seventeen years

568
00:27:49,760 --> 00:27:52,479
Speaker 3: ago at this point. The website that everyone they put

569
00:27:52,520 --> 00:27:56,280
Speaker 3: the reviews of everyone sets on remember those days, and

570
00:27:56,320 --> 00:27:58,680
Speaker 3: the biggest fear that we had a special thing, right, yeah,

571
00:27:58,680 --> 00:28:01,680
Speaker 3: it was a special thing. And the biggest fear was like, oh,

572
00:28:01,720 --> 00:28:03,680
Speaker 3: I hope they don't write something. I hope they write

573
00:28:03,680 --> 00:28:05,200
Speaker 3: I was funny, any special thing.

574
00:28:05,359 --> 00:28:08,119
Speaker 1: I fully forgot about that. I would look up my

575
00:28:08,280 --> 00:28:12,840
Speaker 1: name to punish myself need what people said. Yeah, it

576
00:28:12,960 --> 00:28:16,360
Speaker 1: was pre like before you paid attention to YouTube comments.

577
00:28:16,600 --> 00:28:19,040
Speaker 3: Yeah, there were some names on there. I don't remember

578
00:28:19,160 --> 00:28:21,800
Speaker 3: mog remember. I hope Jouster thought I was funny or.

579
00:28:21,760 --> 00:28:24,919
Speaker 1: Whatever that was.

580
00:28:25,040 --> 00:28:27,960
Speaker 2: I used to look at that website from work because

581
00:28:28,000 --> 00:28:30,439
Speaker 2: I had stopped doing stand up comedy and I didn't this.

582
00:28:30,880 --> 00:28:33,359
Speaker 2: It was such a strange time because it was like

583
00:28:33,440 --> 00:28:37,439
Speaker 2: I stopped doing stand up to work to take a

584
00:28:37,480 --> 00:28:39,920
Speaker 2: TV job in like two thousand and two, and that's

585
00:28:40,000 --> 00:28:42,360
Speaker 2: kind of when like the internet became a thing and

586
00:28:42,560 --> 00:28:44,760
Speaker 2: it was just a whole new generation in a very

587
00:28:44,800 --> 00:28:48,320
Speaker 2: different way that comedy started working. And so like just

588
00:28:48,360 --> 00:28:50,160
Speaker 2: every once in a while I would look for my

589
00:28:50,280 --> 00:28:52,440
Speaker 2: name on a website like that when I was never

590
00:28:52,520 --> 00:28:57,040
Speaker 2: doing comedy were the weirdest. It was very sad.

591
00:28:56,960 --> 00:28:59,240
Speaker 1: Maybe nostalgically I'll be mentioned.

592
00:28:59,520 --> 00:29:02,720
Speaker 2: Yeah, but he's gonna which is like what but it started.

593
00:29:02,480 --> 00:29:05,920
Speaker 3: Out happen It started out like a mister show like

594
00:29:06,080 --> 00:29:08,280
Speaker 3: fan side or was it you start out a Tenacious

595
00:29:08,320 --> 00:29:11,080
Speaker 3: dfan side and a mister share like a both mister show.

596
00:29:11,600 --> 00:29:14,280
Speaker 4: So I mean that makes sense really a little.

597
00:29:14,360 --> 00:29:16,560
Speaker 3: But no, it makes sense that, like you know, there

598
00:29:16,560 --> 00:29:18,760
Speaker 3: would be some Karen discussion on there.

599
00:29:18,880 --> 00:29:21,320
Speaker 2: Yeah, I don't think so. But also I think it

600
00:29:21,400 --> 00:29:23,640
Speaker 2: was more like it was like an mbr Ish kind

601
00:29:23,680 --> 00:29:23,960
Speaker 2: of thing.

602
00:29:24,080 --> 00:29:25,640
Speaker 4: I Margo.

603
00:29:25,880 --> 00:29:28,120
Speaker 3: Those were oh if you could get up, if only

604
00:29:28,200 --> 00:29:30,560
Speaker 3: I could get up at Largo on Fairfax, across from

605
00:29:30,640 --> 00:29:32,240
Speaker 3: Kibbet's room, not the Future one.

606
00:29:32,800 --> 00:29:35,800
Speaker 1: Yeah, yeah, and we knew about the future. Well that's

607
00:29:35,800 --> 00:29:37,360
Speaker 1: how thought forward thinking we were.

608
00:29:37,520 --> 00:29:40,480
Speaker 3: Yeah, I don't want to get I sure would like

609
00:29:40,520 --> 00:29:42,080
Speaker 3: to get on the Future one, but I really want

610
00:29:42,080 --> 00:29:44,800
Speaker 3: to get on the Fairfax one here in two thousand

611
00:29:44,800 --> 00:29:45,160
Speaker 3: and three.

612
00:29:45,360 --> 00:29:47,640
Speaker 2: That's where I want to the present.

613
00:29:48,120 --> 00:29:52,200
Speaker 1: Yeah, yeah, I honestly I did not know you were injured.

614
00:29:52,280 --> 00:29:55,959
Speaker 1: I was I've seen you go full buster Keaton like

615
00:29:56,640 --> 00:29:58,880
Speaker 1: a guy who comedically broke his back.

616
00:29:59,400 --> 00:30:02,560
Speaker 3: Right had a broken neck for it, like until when

617
00:30:02,560 --> 00:30:04,640
Speaker 3: he was older he was like, your neck's broken, says

618
00:30:04,640 --> 00:30:05,120
Speaker 3: the doctor.

619
00:30:05,320 --> 00:30:08,800
Speaker 1: Still, Oh that was one of my bits. Yeah, where

620
00:30:08,840 --> 00:30:10,880
Speaker 1: I fell off a building into a moving car.

621
00:30:11,280 --> 00:30:14,320
Speaker 4: It's it's actually here's where my put my nerd hat on.

622
00:30:14,680 --> 00:30:17,920
Speaker 3: It's was this short where he he uh falls out

623
00:30:17,920 --> 00:30:20,920
Speaker 3: of a water tower or water thing and then the

624
00:30:20,960 --> 00:30:24,040
Speaker 3: water floods on top of him and when he fell out,

625
00:30:24,120 --> 00:30:27,600
Speaker 3: he hit he hit a railroad track and he stood

626
00:30:27,640 --> 00:30:32,480
Speaker 3: up and it's on film supposedly unless the general No.

627
00:30:32,600 --> 00:30:34,040
Speaker 4: I think it was one of the shorts.

628
00:30:34,360 --> 00:30:38,680
Speaker 2: Yeah, yeah, and it was, uh you said he broke

629
00:30:38,720 --> 00:30:39,120
Speaker 2: his neck.

630
00:30:39,480 --> 00:30:41,640
Speaker 3: He like, yeah, I guess he broke his neck and

631
00:30:41,720 --> 00:30:45,160
Speaker 3: uh by hitting like it was like on.

632
00:30:45,080 --> 00:30:47,200
Speaker 1: The on a railroad and like yeah, and then they

633
00:30:47,280 --> 00:30:50,120
Speaker 1: just put it in the movie. That's he didn't know it.

634
00:30:50,200 --> 00:30:51,480
Speaker 4: He put it in the movie. He was like, a

635
00:30:51,520 --> 00:30:52,280
Speaker 4: smart movie.

636
00:30:52,640 --> 00:30:54,280
Speaker 1: I like it. He probably didn't know that he broke

637
00:30:54,320 --> 00:30:58,320
Speaker 1: He's like, it still hurts, but good shot. Yeah, the

638
00:30:58,400 --> 00:31:02,200
Speaker 1: studio which I own won't approve if I bow out early,

639
00:31:02,360 --> 00:31:05,400
Speaker 1: which I own until until the studio that I own

640
00:31:05,480 --> 00:31:08,800
Speaker 1: now but will eventually be uh sign a contract with MGM,

641
00:31:08,840 --> 00:31:10,400
Speaker 1: where I won't have the freedom that I have now

642
00:31:10,400 --> 00:31:11,800
Speaker 1: with to perform with a broken neck.

643
00:31:12,160 --> 00:31:16,800
Speaker 4: He said it like that, Yeah exactly. He knew. Yeah,

644
00:31:16,880 --> 00:31:17,760
Speaker 4: he knew it was coming.

645
00:31:18,240 --> 00:31:20,440
Speaker 1: And then even back then he was like, God, I

646
00:31:20,440 --> 00:31:23,120
Speaker 1: hope I get to perform at the future Largo.

647
00:31:23,400 --> 00:31:24,520
Speaker 4: Right, I hope.

648
00:31:24,640 --> 00:31:28,400
Speaker 3: I hope this is where I get discovered by Raymond

649
00:31:28,440 --> 00:31:32,160
Speaker 3: roe Hower, who will be who will discover my films

650
00:31:32,160 --> 00:31:34,640
Speaker 3: in a basement, and then I'll have a resurgence and

651
00:31:34,680 --> 00:31:36,480
Speaker 3: start being in TV commercials.

652
00:31:36,680 --> 00:31:37,800
Speaker 4: Hopefully that will happen.

653
00:31:37,840 --> 00:31:41,360
Speaker 1: He knew the names. Yep, yeah, yeah, fingers crossed Josh.

654
00:31:41,400 --> 00:31:45,800
Speaker 2: When you were you, like as a teen, was the

655
00:31:45,800 --> 00:31:49,680
Speaker 2: physical stuff something that you did, like for fun or

656
00:31:49,720 --> 00:31:50,640
Speaker 2: to make your friends left?

657
00:31:50,680 --> 00:31:50,760
Speaker 4: Like?

658
00:31:50,800 --> 00:31:52,960
Speaker 2: How did you get to the point where you were

659
00:31:52,960 --> 00:31:55,360
Speaker 2: doing stuff like that on stage? Was it a thing

660
00:31:55,400 --> 00:31:58,200
Speaker 2: that you.

661
00:31:57,160 --> 00:31:59,520
Speaker 3: Yeah, Like I think I probably did, like lots of

662
00:31:59,560 --> 00:32:04,000
Speaker 3: following and stuff, and like, you know, I actually wasn't

663
00:32:04,080 --> 00:32:08,280
Speaker 3: in in middle school, like I was real into Charlie Chaplin,

664
00:32:08,880 --> 00:32:11,720
Speaker 3: you know. I'm sure I saw the the Robert Downey

665
00:32:11,760 --> 00:32:14,760
Speaker 3: Junior biopic and then that made me watch the real

666
00:32:14,880 --> 00:32:20,920
Speaker 3: Chaplain stuff and then and uh, and then I I

667
00:32:21,000 --> 00:32:24,280
Speaker 3: got more in a Buster Keaton I think, like, you know,

668
00:32:24,280 --> 00:32:26,320
Speaker 3: it wasn't on TV as much, and I got more

669
00:32:26,320 --> 00:32:28,719
Speaker 3: into Buster Keaton like in my late teens and stuff.

670
00:32:28,800 --> 00:32:31,640
Speaker 3: But but I would try to copy those guys without

671
00:32:31,680 --> 00:32:34,400
Speaker 3: any kind of training or anything like that. So I

672
00:32:34,480 --> 00:32:38,040
Speaker 3: now I don't do it really as much now just

673
00:32:38,160 --> 00:32:42,800
Speaker 3: because I'm like, oh, getting older or whatever. But uh,

674
00:32:43,080 --> 00:32:46,080
Speaker 3: but yeah, I did definitely try to do it and

675
00:32:46,120 --> 00:32:48,600
Speaker 3: be that that sticky guy.

676
00:32:48,480 --> 00:32:51,320
Speaker 1: Or whatever, you know, what's funny is I interviewed Jackie

677
00:32:51,640 --> 00:32:55,240
Speaker 1: Chan once for some movie press junket. Wow, and he

678
00:32:55,320 --> 00:32:58,600
Speaker 1: was really sweet and he had a translator. He actually

679
00:32:58,640 --> 00:33:03,920
Speaker 1: doesn't speak English very well. He he learned lines for movies.

680
00:33:03,600 --> 00:33:04,560
Speaker 4: Fanatically and stuff.

681
00:33:05,200 --> 00:33:09,200
Speaker 1: Yeah. But he he said his heroes were Buster Keaton

682
00:33:09,480 --> 00:33:14,240
Speaker 1: and Charlie Chaplin. And he's not a martial artist. The

683
00:33:14,280 --> 00:33:17,360
Speaker 1: guy who was his translator was actually also his fight

684
00:33:17,520 --> 00:33:21,840
Speaker 1: fight choreographer. Wow. But he said he just wanted to

685
00:33:22,880 --> 00:33:28,760
Speaker 1: physically be a physical comedian. Yeah, he loved comedy and

686
00:33:28,800 --> 00:33:31,200
Speaker 1: he loved physical comedy. That blew me away because he

687
00:33:31,280 --> 00:33:33,200
Speaker 1: came this, became this action star.

688
00:33:33,440 --> 00:33:37,640
Speaker 3: Yeah, well he's I feel like he's like, uh, I

689
00:33:37,680 --> 00:33:39,920
Speaker 3: think that he's credited for being like one of the first,

690
00:33:40,040 --> 00:33:44,280
Speaker 3: you know, martial arts stars to react with pain. And

691
00:33:44,320 --> 00:33:48,080
Speaker 3: that's kind of why it was funny. Yeah, that's what

692
00:33:48,120 --> 00:33:49,200
Speaker 3: I think they say.

693
00:33:49,400 --> 00:33:50,760
Speaker 4: I know it. I don't know why I'm acting like

694
00:33:50,880 --> 00:33:51,760
Speaker 4: I think they said this.

695
00:33:51,880 --> 00:33:55,560
Speaker 3: I just don't want to like alienate everyone by by

696
00:33:55,880 --> 00:33:57,320
Speaker 3: turning into a video store clerk.

697
00:33:57,560 --> 00:33:58,120
Speaker 4: Well that's what the.

698
00:33:58,080 --> 00:34:00,680
Speaker 3: Reason he did, was Goes. He actually he would he

699
00:34:00,680 --> 00:34:05,240
Speaker 3: would portray Payne. So, oh, I want to say, yeah,

700
00:34:05,280 --> 00:34:06,800
Speaker 3: he is a drunken master.

701
00:34:08,040 --> 00:34:10,239
Speaker 1: Yeah it works.

702
00:34:10,800 --> 00:34:11,000
Speaker 4: Yeah.

703
00:34:11,040 --> 00:34:13,120
Speaker 1: How long did you work at that video store? What

704
00:34:13,200 --> 00:34:13,360
Speaker 1: was that?

705
00:34:13,400 --> 00:34:15,440
Speaker 3: I worked at the video store Centiphile right by the

706
00:34:15,480 --> 00:34:20,839
Speaker 3: New Art uh for ten years from twenteow o three

707
00:34:20,880 --> 00:34:21,840
Speaker 3: to twenty thirteen.

708
00:34:23,000 --> 00:34:25,239
Speaker 2: Well, Josh, did you was that?

709
00:34:26,160 --> 00:34:26,279
Speaker 6: Uh?

710
00:34:26,360 --> 00:34:28,439
Speaker 2: I just remember that there was a stand up show there.

711
00:34:28,560 --> 00:34:30,920
Speaker 3: Yeah, I think a stand up show. I think I

712
00:34:30,960 --> 00:34:32,000
Speaker 3: had both of you on it.

713
00:34:32,120 --> 00:34:33,520
Speaker 1: Yeah. I did it a few times.

714
00:34:33,760 --> 00:34:34,440
Speaker 4: Yeah.

715
00:34:34,560 --> 00:34:37,360
Speaker 2: I was very excited to do that because because partly

716
00:34:37,400 --> 00:34:40,600
Speaker 2: because it was such a cool hit video store. Yeah,

717
00:34:40,719 --> 00:34:42,520
Speaker 2: and then partly because I was doing stand up again.

718
00:34:42,680 --> 00:34:43,399
Speaker 1: Yeah, I was back.

719
00:34:43,480 --> 00:34:43,799
Speaker 4: I was bad.

720
00:34:43,840 --> 00:34:46,520
Speaker 3: I haven't been doing stand up or really live performing

721
00:34:46,840 --> 00:34:47,719
Speaker 3: since the pandemic.

722
00:34:48,880 --> 00:34:49,280
Speaker 1: Yeah.

723
00:34:49,480 --> 00:34:49,640
Speaker 4: Yeah.

724
00:34:49,760 --> 00:34:52,080
Speaker 1: The last time I saw you, I showed up for

725
00:34:52,120 --> 00:34:54,160
Speaker 1: a show in the basement of a bar in Denver,

726
00:34:54,400 --> 00:34:56,040
Speaker 1: and I was because.

727
00:34:55,760 --> 00:34:57,920
Speaker 4: It was a February twenty twenty.

728
00:34:58,440 --> 00:35:00,759
Speaker 1: That's when we that's we last sight.

729
00:35:00,880 --> 00:35:04,239
Speaker 3: Yeah. I think it was February twenty twenty three.

730
00:35:04,360 --> 00:35:06,400
Speaker 1: Month I was like, what am I? I don't want to

731
00:35:06,440 --> 00:35:07,600
Speaker 1: be here and you were there. I was in a

732
00:35:07,640 --> 00:35:09,480
Speaker 1: bad mood and you were in a great mood, and

733
00:35:09,520 --> 00:35:11,200
Speaker 1: you put me in a good mood and then you

734
00:35:11,280 --> 00:35:14,239
Speaker 1: killed it. You were so funny. Do you remember how

735
00:35:14,239 --> 00:35:15,560
Speaker 1: well that show went for you?

736
00:35:15,640 --> 00:35:17,279
Speaker 3: I do, Yeah, I do remember that show because it

737
00:35:17,320 --> 00:35:19,080
Speaker 3: was like one of the last ones, I feel like

738
00:35:19,320 --> 00:35:20,320
Speaker 3: before the pandemic.

739
00:35:20,440 --> 00:35:23,880
Speaker 1: Yeah, and you were just on the whole time, and

740
00:35:23,960 --> 00:35:27,719
Speaker 1: you were riffing. Most of it, I feel was unplanned.

741
00:35:27,880 --> 00:35:30,200
Speaker 3: I would say about half of it if my memory,

742
00:35:30,239 --> 00:35:31,880
Speaker 3: I had the I had the set, but then there

743
00:35:31,960 --> 00:35:35,480
Speaker 3: was like I had some family there and some friends

744
00:35:35,520 --> 00:35:37,200
Speaker 3: you know that lived in Colorado, and then.

745
00:35:37,120 --> 00:35:38,279
Speaker 4: There I remember that show.

746
00:35:38,280 --> 00:35:41,120
Speaker 3: There was a guy who I'm sure he laughed at

747
00:35:41,200 --> 00:35:46,640
Speaker 3: everyone this loud, but he was having a hoot hollering time. Yeah,

748
00:35:46,960 --> 00:35:52,319
Speaker 3: he laughing, Yeah, like it hurt bug, like you said,

749
00:35:52,600 --> 00:35:54,399
Speaker 3: every joke shot we were shooting him.

750
00:35:54,400 --> 00:35:57,040
Speaker 1: And he was older guy, bald, he's a he's a

751
00:35:57,200 --> 00:36:01,240
Speaker 1: he's a fixture in audiences in Denver. Yes, sweet guy. Yeah,

752
00:36:01,440 --> 00:36:02,480
Speaker 1: his name is Dave.

753
00:36:03,000 --> 00:36:06,080
Speaker 3: I think Dave Caldwell is his name. Yes, Yeah, I

754
00:36:06,200 --> 00:36:07,959
Speaker 3: think I think we're Facebook friends now.

755
00:36:08,200 --> 00:36:10,960
Speaker 1: And I love his laugh. A lot of people thrown

756
00:36:11,000 --> 00:36:11,520
Speaker 1: off by it.

757
00:36:12,719 --> 00:36:13,120
Speaker 4: You need that.

758
00:36:13,160 --> 00:36:16,480
Speaker 1: You know me too. I made a point he was

759
00:36:16,560 --> 00:36:19,560
Speaker 1: banned from a show or banned from certain comics.

760
00:36:20,400 --> 00:36:22,200
Speaker 4: Let's let's out the banner now.

761
00:36:22,239 --> 00:36:22,960
Speaker 1: I can't.

762
00:36:23,040 --> 00:36:24,840
Speaker 4: No one goes to that banner.

763
00:36:25,200 --> 00:36:27,040
Speaker 1: I'll tell you after we're done recording.

764
00:36:27,200 --> 00:36:28,680
Speaker 4: We don't don't want to smeare them. You don't want

765
00:36:28,680 --> 00:36:29,200
Speaker 4: to ruin there.

766
00:36:29,320 --> 00:36:32,879
Speaker 1: Yeah, I can't do another smear campaign because then you'll

767
00:36:32,880 --> 00:36:33,840
Speaker 1: be banned from the banner.

768
00:36:34,320 --> 00:36:36,240
Speaker 4: Yeah, and we need that, you need that banner.

769
00:36:36,400 --> 00:36:38,960
Speaker 1: Everything is cyclical banners listening.

770
00:36:39,080 --> 00:36:41,799
Speaker 3: But I have been doing stand up for twenty years,

771
00:36:41,800 --> 00:36:43,279
Speaker 3: so you can text me his name. Let's say I

772
00:36:43,320 --> 00:36:46,440
Speaker 3: think the banner is Jerry Jifferson.

773
00:36:46,480 --> 00:36:52,439
Speaker 1: Oh, Jippy Jerry gips. But I made a point last

774
00:36:52,480 --> 00:36:55,480
Speaker 1: time I saw Dave Caldwell to say, this is my

775
00:36:55,560 --> 00:36:59,920
Speaker 1: favorite audience person in Denver. I'm so excited whenever he

776
00:37:00,080 --> 00:37:01,920
Speaker 1: is up front of a show. And I could tell

777
00:37:01,960 --> 00:37:05,560
Speaker 1: it made him feel good because he is so dedicated

778
00:37:05,600 --> 00:37:09,239
Speaker 1: to watching. He loves yeah, all the shows, all this.

779
00:37:09,800 --> 00:37:11,600
Speaker 2: Why would you have a problem with the person laughing

780
00:37:11,680 --> 00:37:14,359
Speaker 2: loud is because do people misinterpret what he's doing?

781
00:37:14,440 --> 00:37:19,040
Speaker 1: It is a startling he it is a version of

782
00:37:19,040 --> 00:37:21,479
Speaker 1: what Josh did, but louder like. He just goes bad

783
00:37:22,200 --> 00:37:23,759
Speaker 1: like it sounds like a.

784
00:37:24,000 --> 00:37:26,480
Speaker 4: Dog, abusing.

785
00:37:32,160 --> 00:37:35,279
Speaker 3: Like James and Domian when when we were used to

786
00:37:35,320 --> 00:37:39,160
Speaker 3: have a laugh so loud, like I remember, I've known

787
00:37:39,239 --> 00:37:42,399
Speaker 3: James forever, and like we did the growlings and stand

788
00:37:42,480 --> 00:37:43,520
Speaker 3: up and all that, and.

789
00:37:43,400 --> 00:37:44,719
Speaker 1: Like his laugh.

790
00:37:46,520 --> 00:37:47,200
Speaker 4: And just it was.

791
00:37:47,560 --> 00:37:49,560
Speaker 3: It was usually you would hear from the back and

792
00:37:49,600 --> 00:37:52,640
Speaker 3: you would know, like James is here good? Yeah, but

793
00:37:52,760 --> 00:37:54,000
Speaker 3: yeah Dave Caldwell.

794
00:37:54,440 --> 00:37:54,600
Speaker 6: Uh.

795
00:37:55,800 --> 00:37:58,200
Speaker 3: As soon as I was done with the show or later,

796
00:37:58,280 --> 00:38:02,080
Speaker 3: I was like, he's a fixed And then I felt like, oh,

797
00:38:02,120 --> 00:38:05,280
Speaker 3: I bet you whatever stick I was doing about enjoying

798
00:38:05,320 --> 00:38:08,319
Speaker 3: his laugh like on stage, and like I thought I

799
00:38:08,400 --> 00:38:10,080
Speaker 3: was so original when I was staying that, I bet

800
00:38:10,120 --> 00:38:12,160
Speaker 3: like half the comedians like, what's.

801
00:38:12,000 --> 00:38:13,280
Speaker 4: Going on with your great laugh?

802
00:38:13,360 --> 00:38:15,479
Speaker 1: I love this laugh? Oh laugh?

803
00:38:15,920 --> 00:38:17,560
Speaker 4: Can we give it up for this guy's laugh? It's

804
00:38:17,560 --> 00:38:19,399
Speaker 4: like I could do anything and get a laugh when

805
00:38:19,400 --> 00:38:20,280
Speaker 4: this guy's great.

806
00:38:22,200 --> 00:38:25,440
Speaker 1: Yeah. I think he heard that a lot, and I

807
00:38:25,480 --> 00:38:26,799
Speaker 1: think he appreciated it.

808
00:38:27,000 --> 00:38:27,560
Speaker 4: Yeah he must.

809
00:38:27,760 --> 00:38:30,160
Speaker 3: How do you feel when you're riff when you realize

810
00:38:30,200 --> 00:38:33,560
Speaker 3: your riff is an original and your riff is a cliche?

811
00:38:33,880 --> 00:38:36,080
Speaker 1: Yeah, I hate that when you're in a new city

812
00:38:36,080 --> 00:38:38,920
Speaker 1: and it's like, yeah, everyone makes fun of our bridge

813
00:38:38,960 --> 00:38:41,680
Speaker 1: that looks like a penis right. Yeah.

814
00:38:42,640 --> 00:38:45,040
Speaker 2: You know, have you ever done a thing where you

815
00:38:45,160 --> 00:38:48,560
Speaker 2: think you're riffing on stage and it's really original and

816
00:38:48,600 --> 00:38:51,080
Speaker 2: you realize you're just repeating someone else's joke.

817
00:38:51,680 --> 00:38:53,680
Speaker 4: The last comic I used to do that.

818
00:38:54,239 --> 00:38:55,560
Speaker 2: You know what I do. I used to do that

819
00:38:55,600 --> 00:38:58,480
Speaker 2: all the time with Blaine capatches jokes because I have

820
00:38:58,680 --> 00:39:01,640
Speaker 2: known Blaine forever, like when I started in San Francisco,

821
00:39:01,719 --> 00:39:04,360
Speaker 2: he was like a you know, fixture in San Francisco.

822
00:39:04,520 --> 00:39:07,600
Speaker 2: I've seen him do stand up so much that like,

823
00:39:07,840 --> 00:39:10,680
Speaker 2: and I love his comedy so much that I remember

824
00:39:10,960 --> 00:39:12,960
Speaker 2: all of it. So then i'd be It'd be like

825
00:39:13,160 --> 00:39:15,600
Speaker 2: one topic would come up and I'd be like, say something,

826
00:39:15,640 --> 00:39:18,160
Speaker 2: and then I'd have to go, that's blank. I just

827
00:39:18,280 --> 00:39:20,520
Speaker 2: like thinking that. I'm just like, oh, yeah, I just

828
00:39:20,560 --> 00:39:22,720
Speaker 2: had the best idea, and it's like, no, you didn't

829
00:39:22,719 --> 00:39:25,040
Speaker 2: have a perfect joke appear in your head.

830
00:39:25,200 --> 00:39:26,960
Speaker 4: I believe that didn't happen.

831
00:39:27,640 --> 00:39:30,600
Speaker 3: I know, yeah, I was gonna say I I can

832
00:39:30,680 --> 00:39:33,840
Speaker 3: remember there was a period of time when I would

833
00:39:34,120 --> 00:39:36,560
Speaker 3: when I was starting to do more like you know,

834
00:39:36,800 --> 00:39:39,280
Speaker 3: coming of age as a comedian and you start riffing

835
00:39:39,320 --> 00:39:41,799
Speaker 3: more on stage or you're like, hey, I can just

836
00:39:41,880 --> 00:39:43,759
Speaker 3: like stretch his oack, I can just keep talking, I

837
00:39:43,800 --> 00:39:48,440
Speaker 3: can keep finding jokes or whatever. And I realized, like, I'm, oh,

838
00:39:48,480 --> 00:39:50,960
Speaker 3: I'm doing it, but I'm sometimes I'm doing it like

839
00:39:51,000 --> 00:39:53,239
Speaker 3: Andy Kindler does it. And I realized it was like

840
00:39:53,560 --> 00:39:56,320
Speaker 3: I had a little bit of like yep, persona theft

841
00:39:56,400 --> 00:39:58,360
Speaker 3: or a riff theft or whatever, yeah that.

842
00:39:59,440 --> 00:40:02,680
Speaker 1: Is, and I, like Karen just said, sometimes I'd take

843
00:40:02,719 --> 00:40:05,800
Speaker 1: it so far where I would do his line, which

844
00:40:05,880 --> 00:40:07,879
Speaker 1: is or a third thing that is.

845
00:40:07,800 --> 00:40:11,600
Speaker 3: Funny, yeah, you come up, yeah, and another thing and

846
00:40:11,640 --> 00:40:12,520
Speaker 3: a third one.

847
00:40:12,560 --> 00:40:14,759
Speaker 1: And a third thing that caps it off in a

848
00:40:14,800 --> 00:40:17,960
Speaker 1: way that you enjoy. Like I've said, I'm like, oh,

849
00:40:18,000 --> 00:40:20,920
Speaker 1: I just did basically his material.

850
00:40:21,360 --> 00:40:24,120
Speaker 2: Yeah. But I think I think it's because when you

851
00:40:24,160 --> 00:40:26,520
Speaker 2: see a person and they make you laugh so hard,

852
00:40:26,600 --> 00:40:30,000
Speaker 2: when you believe yourself to be this experienced comedian that's

853
00:40:30,040 --> 00:40:31,719
Speaker 2: seen it all and you know what I mean, like

854
00:40:31,760 --> 00:40:34,319
Speaker 2: no one's funny whatever, and then you see someone that

855
00:40:34,480 --> 00:40:37,560
Speaker 2: does it like it really would burn itself into my brain.

856
00:40:38,120 --> 00:40:41,800
Speaker 2: So then it is, you know, that is the difficulty

857
00:40:41,560 --> 00:40:45,160
Speaker 2: of like riffing and giving yourself the chance to be

858
00:40:45,239 --> 00:40:48,240
Speaker 2: original or think of something new. But at the same time,

859
00:40:48,680 --> 00:40:50,960
Speaker 2: your brain is already filled with all these people that

860
00:40:51,040 --> 00:40:53,520
Speaker 2: you adore that have made you laugh so hard you're like,

861
00:40:53,560 --> 00:40:55,200
Speaker 2: oh my god, I'm gonna remember this forever.

862
00:40:55,400 --> 00:40:58,520
Speaker 1: So they should take it as a compliment. When we

863
00:40:58,840 --> 00:41:01,200
Speaker 1: even when we early on and we're doing this podcast

864
00:41:01,239 --> 00:41:05,239
Speaker 1: and we would joke about having advertisers, I would make

865
00:41:05,360 --> 00:41:10,480
Speaker 1: up fake commercials, and that's a Blaine capacity. Yeah, this

866
00:41:10,520 --> 00:41:14,360
Speaker 1: moment brought to you by where there's candies or whatever.

867
00:41:14,800 --> 00:41:18,200
Speaker 1: He did that all the time. And right now realizing.

868
00:41:17,760 --> 00:41:21,080
Speaker 3: Another yeah, another Blaine when I'm sure I did on

869
00:41:21,280 --> 00:41:24,440
Speaker 3: shows at one point or another that I feel like

870
00:41:24,560 --> 00:41:28,600
Speaker 3: is totally Blaine. Is uh something like you know we

871
00:41:28,640 --> 00:41:30,680
Speaker 3: have a clip of that right now or something. Yeah,

872
00:41:30,760 --> 00:41:33,120
Speaker 3: you know, let's see the clip right now, Let's go

873
00:41:33,200 --> 00:41:33,600
Speaker 3: to the clip.

874
00:41:33,840 --> 00:41:34,600
Speaker 1: Let's go to the clip.

875
00:41:34,680 --> 00:41:37,239
Speaker 2: Yeah, completely completely.

876
00:41:37,320 --> 00:41:40,600
Speaker 3: There's I always felt like, uh, you remember also the

877
00:41:40,640 --> 00:41:43,399
Speaker 3: thing that that that comedians are not really so much

878
00:41:43,440 --> 00:41:44,840
Speaker 3: up in arms. You don't hear about, But there was

879
00:41:44,880 --> 00:41:48,240
Speaker 3: a window of time probably like I don't know, five

880
00:41:48,440 --> 00:41:51,080
Speaker 3: to twelve or something where.

881
00:41:51,800 --> 00:41:54,680
Speaker 4: Joke thieves joke thieves.

882
00:41:55,239 --> 00:41:57,880
Speaker 6: If you will joke dief, we will kill you for

883
00:41:58,040 --> 00:41:59,480
Speaker 6: being a joke thief.

884
00:42:01,920 --> 00:42:04,719
Speaker 3: But this is like, but now it's I don't know,

885
00:42:05,320 --> 00:42:09,080
Speaker 3: there's there's way more egregious offenses. I guess in comedy,

886
00:42:09,360 --> 00:42:11,920
Speaker 3: you don't hear people talking about that guy's a joke

887
00:42:12,080 --> 00:42:15,279
Speaker 3: thief and he's going down with taking his career away

888
00:42:15,280 --> 00:42:19,080
Speaker 3: from being a joke. I always was more off put

889
00:42:19,120 --> 00:42:23,760
Speaker 3: by Cadence theft, right, you know what I mean? Yeah,

890
00:42:23,880 --> 00:42:28,680
Speaker 3: that always seemed like a you know, person on a theft. Yeah.

891
00:42:29,320 --> 00:42:32,520
Speaker 1: Yeah, I'd rather hear a stolen joke than another comic

892
00:42:32,600 --> 00:42:36,520
Speaker 1: trying desperately to sound like Kyle kanane yea when they

893
00:42:36,560 --> 00:42:40,400
Speaker 1: talk or where I started in Austin. It was also

894
00:42:40,560 --> 00:42:44,960
Speaker 1: the era and the state where he came up, but

895
00:42:45,280 --> 00:42:49,440
Speaker 1: everyone was trying to be edgy and sound like Bill Hicks.

896
00:42:50,160 --> 00:42:54,600
Speaker 1: Everyone already opened my had four or five Bill Hicks

897
00:42:54,640 --> 00:42:57,920
Speaker 1: wanna bees and they were actually smoking on stage and everything.

898
00:42:58,040 --> 00:43:01,120
Speaker 1: Oh wow. You know, the biggest Old Hicks thief was

899
00:43:01,160 --> 00:43:03,879
Speaker 1: Dennis Leary and he actually got famous from it right there.

900
00:43:04,520 --> 00:43:09,120
Speaker 1: The Sorry if you're listening, Sorry Dennis, Sorry Denny. Dennis

901
00:43:09,120 --> 00:43:10,719
Speaker 1: you've done well in your own right, Dennis. You got

902
00:43:10,719 --> 00:43:13,719
Speaker 1: a great career, Dennis, you turned it into your own thing. Yes,

903
00:43:13,920 --> 00:43:18,600
Speaker 1: I love the Fireman Show, Dennis. Will Dennis rescue me? Yeah,

904
00:43:18,640 --> 00:43:21,319
Speaker 1: rescue me from this situation, Dennis, because I feel backed

905
00:43:21,360 --> 00:43:22,320
Speaker 1: against wall Denny.

906
00:43:23,480 --> 00:43:25,280
Speaker 4: If you don't, if you don't get people pissed.

907
00:43:25,120 --> 00:43:27,360
Speaker 3: You about a bagging on Denny, You're gonna get a

908
00:43:27,360 --> 00:43:29,600
Speaker 3: lot of Denny fans saying I listened to your podcasts

909
00:43:29,760 --> 00:43:31,360
Speaker 3: you said the thing about Denny.

910
00:43:31,680 --> 00:43:32,479
Speaker 4: I'm out of here.

911
00:43:32,800 --> 00:43:35,160
Speaker 1: I'm not gonna listen no more because you.

912
00:43:34,800 --> 00:43:38,080
Speaker 4: You gotta apologize to me, Denny.

913
00:43:38,280 --> 00:43:43,200
Speaker 2: Me, no, come back, come back that listener, Come back,

914
00:43:43,239 --> 00:43:43,840
Speaker 2: one listener.

915
00:43:44,320 --> 00:43:56,760
Speaker 1: You say goodbye to Jouster slash Denny Slashier, Jousterer, Jipperson, Jousterer, Jefferson. Yeah, yeah,

916
00:43:57,360 --> 00:43:59,760
Speaker 1: your dog is very cute.

917
00:44:00,000 --> 00:44:01,320
Speaker 4: Oh he's a very good boy.

918
00:44:01,960 --> 00:44:04,560
Speaker 1: How long have you had that little boy, Bobby? I

919
00:44:04,719 --> 00:44:07,759
Speaker 1: found him in March twenty ten.

920
00:44:08,080 --> 00:44:08,719
Speaker 4: Can you believe it?

921
00:44:08,760 --> 00:44:11,759
Speaker 1: That's a long time I've met that little boy. I

922
00:44:11,800 --> 00:44:13,680
Speaker 1: always see that dog and I'm like, I'm friends with

923
00:44:13,719 --> 00:44:17,920
Speaker 1: your dad. Yeah, Hi, Hi, Bobby, I'm friends with your Hi. Babby,

924
00:44:18,440 --> 00:44:20,560
Speaker 1: and Nanny bites me basically.

925
00:44:20,280 --> 00:44:23,440
Speaker 2: Wait, I have a dog that looks a lot like

926
00:44:23,520 --> 00:44:27,520
Speaker 2: Bobby where she will not listen to me normally she comes, Blossom,

927
00:44:27,520 --> 00:44:28,200
Speaker 2: where are.

928
00:44:28,000 --> 00:44:31,640
Speaker 1: You, Blossom? Let's have a dog off. It's visual and

929
00:44:31,640 --> 00:44:33,040
Speaker 1: people love to hear it.

930
00:44:33,120 --> 00:44:36,279
Speaker 2: Because when Bobby first stood up, Bobby has two tan

931
00:44:36,440 --> 00:44:37,160
Speaker 2: spots on him.

932
00:44:37,200 --> 00:44:38,839
Speaker 4: Uh huh little coffee stains.

933
00:44:39,120 --> 00:44:40,279
Speaker 2: Yes, so does she.

934
00:44:40,760 --> 00:44:41,560
Speaker 1: I'm not kidding.

935
00:44:41,680 --> 00:44:45,560
Speaker 2: She looks a lot like, hey, Camire, would you Frank?

936
00:44:46,160 --> 00:44:49,600
Speaker 2: Not you Frank? He's not coming anyway. I don't know

937
00:44:49,640 --> 00:44:54,520
Speaker 2: where she went. Blossom this definitely.

938
00:44:55,560 --> 00:44:57,440
Speaker 4: For the sitcom character.

939
00:44:58,000 --> 00:45:01,440
Speaker 2: Blossom was named this one and I got her from

940
00:45:01,480 --> 00:45:03,640
Speaker 2: the rescue, and I was so scared of the rescue

941
00:45:03,640 --> 00:45:05,840
Speaker 2: people that I didn't want to change her name because

942
00:45:05,840 --> 00:45:08,480
Speaker 2: I was afraid they'd find out and somehow come back

943
00:45:08,480 --> 00:45:10,920
Speaker 2: and be like, uh, you agreed actually in your paperwork

944
00:45:10,920 --> 00:45:12,239
Speaker 2: that you would never change the dog's names.

945
00:45:13,560 --> 00:45:14,799
Speaker 4: That they really make you agree to.

946
00:45:15,200 --> 00:45:18,279
Speaker 2: I don't think so. But they were like they came

947
00:45:18,320 --> 00:45:21,560
Speaker 2: and checked my house to make sure the yard was fenced.

948
00:45:21,680 --> 00:45:24,400
Speaker 2: They were like, they were kind of intense in a

949
00:45:24,400 --> 00:45:27,480
Speaker 2: way that I wasn't used to. So I assumed that

950
00:45:28,040 --> 00:45:30,279
Speaker 2: they would be like they if I changed her name,

951
00:45:30,320 --> 00:45:32,279
Speaker 2: It's like, here's my new dogs. I kind of wanted

952
00:45:32,280 --> 00:45:33,120
Speaker 2: to name her Bertie.

953
00:45:33,160 --> 00:45:35,200
Speaker 4: We will listening to your podcast.

954
00:45:35,360 --> 00:45:37,880
Speaker 2: Check all my content. Yeah, Blossom came here.

955
00:45:38,960 --> 00:45:42,520
Speaker 3: Bertie, well Bobby when his name was found, uh, when

956
00:45:42,520 --> 00:45:44,640
Speaker 3: I found him he I found out that he had

957
00:45:44,680 --> 00:45:48,399
Speaker 3: a name from the previous owner and it was Bobie,

958
00:45:48,520 --> 00:45:54,080
Speaker 3: which I said, no, no, no and no no, not no,

959
00:45:54,239 --> 00:45:56,200
Speaker 3: and so I wouldn't. I said, I'm not calling this

960
00:45:56,239 --> 00:45:59,719
Speaker 3: guy that, and so I thought, I will confused and

961
00:46:00,040 --> 00:46:02,480
Speaker 3: too much. But he does look like his name is Bobby,

962
00:46:02,920 --> 00:46:04,360
Speaker 3: and so yes, he's Bobby.

963
00:46:04,719 --> 00:46:05,640
Speaker 4: He took to it.

964
00:46:06,480 --> 00:46:09,600
Speaker 2: Were the people from a different country or so with Boby, Yeah,

965
00:46:09,600 --> 00:46:10,279
Speaker 2: I don't know.

966
00:46:10,560 --> 00:46:12,839
Speaker 3: I did speak to the previous on on the phone.

967
00:46:12,880 --> 00:46:15,320
Speaker 3: There was no you know, accent or anything.

968
00:46:16,320 --> 00:46:18,400
Speaker 1: Boby's sounds like yeah.

969
00:46:18,560 --> 00:46:21,080
Speaker 4: Yeah, maybe maybe it means something.

970
00:46:21,280 --> 00:46:23,880
Speaker 1: I bought a car, My first car that I paid

971
00:46:24,880 --> 00:46:28,399
Speaker 1: cash for when I was like early twenties, was a

972
00:46:28,440 --> 00:46:33,680
Speaker 1: Buick Skyhawk. It was white like your dogs and the yeah,

973
00:46:33,760 --> 00:46:36,640
Speaker 1: two coffee stains. That was me. That's how I christened

974
00:46:36,640 --> 00:46:39,280
Speaker 1: the car. I broke a coffee on it the hood.

975
00:46:39,520 --> 00:46:42,560
Speaker 1: But the woman that I bought it from asked me

976
00:46:42,600 --> 00:46:47,200
Speaker 1: to please promise to call the the car Orville Wow,

977
00:46:47,960 --> 00:46:50,560
Speaker 1: And I thought she was kidding and She said, will

978
00:46:50,560 --> 00:46:53,960
Speaker 1: you continue to call the car Orville? And I was like, oh,

979
00:46:54,080 --> 00:46:57,400
Speaker 1: you're you're crazy. Oh I thought that you were making

980
00:46:57,440 --> 00:47:02,480
Speaker 1: a joke. Yes, I will call the car Orville. And

981
00:47:02,520 --> 00:47:06,439
Speaker 1: you know what, I did call the car Orville, like in, hey,

982
00:47:06,480 --> 00:47:09,200
Speaker 1: do you mind if I park Orville? Because it was

983
00:47:09,239 --> 00:47:13,360
Speaker 1: funny to my friends. So I would have liked, you know.

984
00:47:13,239 --> 00:47:16,400
Speaker 3: If you had started this story well when I drove Orville,

985
00:47:16,400 --> 00:47:20,040
Speaker 3: when I first got Orville, because you still got to

986
00:47:20,080 --> 00:47:20,840
Speaker 3: call it Orville.

987
00:47:21,360 --> 00:47:23,279
Speaker 4: You know that that agreement doesn't end.

988
00:47:23,360 --> 00:47:25,880
Speaker 3: You said you'd call the car Orville, and now you

989
00:47:25,920 --> 00:47:27,839
Speaker 3: can't just call it a buick Skylark that you used

990
00:47:27,880 --> 00:47:28,280
Speaker 3: to drive.

991
00:47:28,840 --> 00:47:33,200
Speaker 1: Yeah, yes, Skyhawks, sky high hawks, sporty or much sport here.

992
00:47:33,239 --> 00:47:35,439
Speaker 1: I just want to know let people know I still

993
00:47:35,480 --> 00:47:36,000
Speaker 1: have style.

994
00:47:38,440 --> 00:47:40,279
Speaker 3: That car talk just reminded me of the movie My

995
00:47:40,320 --> 00:47:42,560
Speaker 3: Cousin Vinnie, which I caught on TV recently, And that

996
00:47:42,680 --> 00:47:44,360
Speaker 3: is a funny movie.

997
00:47:44,760 --> 00:47:45,239
Speaker 1: Yes it is.

998
00:47:45,320 --> 00:47:47,440
Speaker 4: It holds up, it does, and Marissa.

999
00:47:47,080 --> 00:47:51,600
Speaker 3: Tomey's performance better than ever age as well, very funny.

1000
00:47:52,120 --> 00:47:55,080
Speaker 3: Such a good accent, great accent, such a great timing.

1001
00:47:55,080 --> 00:47:55,920
Speaker 4: What were you gonna say?

1002
00:47:56,400 --> 00:48:00,160
Speaker 3: Great concept, great concept, great concept, well written script some

1003
00:48:00,160 --> 00:48:03,000
Speaker 3: good setups that pay off later in an annoying way.

1004
00:48:03,520 --> 00:48:08,600
Speaker 1: A script written by Dale Loner Dale. Dale wrote that

1005
00:48:08,960 --> 00:48:13,759
Speaker 1: and Dirty Rotten Scoundrels and the War of the Roses

1006
00:48:14,160 --> 00:48:19,239
Speaker 1: and all all of his movies are about jilted lovers

1007
00:48:20,160 --> 00:48:23,920
Speaker 1: or divorce or getting revenge. And I sat next to

1008
00:48:24,000 --> 00:48:27,040
Speaker 1: him on an airplane going to the Aspen Comedy Festival.

1009
00:48:27,080 --> 00:48:30,080
Speaker 1: He just said he is a filmmaker. But he kept

1010
00:48:30,360 --> 00:48:33,440
Speaker 1: like pointing people out on the airplane. He's like, see her,

1011
00:48:33,680 --> 00:48:34,640
Speaker 1: we used to date.

1012
00:48:36,520 --> 00:48:36,800
Speaker 4: Man.

1013
00:48:37,040 --> 00:48:39,440
Speaker 1: She was a real train wreck. And I'm like, I

1014
00:48:39,480 --> 00:48:43,279
Speaker 1: think she can maybe hear you. But he went to

1015
00:48:43,320 --> 00:48:46,440
Speaker 1: my show and then and then afterwards he sent me

1016
00:48:46,480 --> 00:48:50,080
Speaker 1: an email. He's like, pretty good stuff, but I wonder

1017
00:48:50,120 --> 00:48:51,960
Speaker 1: if in this joke, if you could tighten it up.

1018
00:48:52,040 --> 00:48:53,560
Speaker 1: He gave me notes.

1019
00:48:55,719 --> 00:48:57,040
Speaker 4: Dale stick to the script.

1020
00:48:57,560 --> 00:49:01,080
Speaker 1: He also offered like, if you ever want to learn

1021
00:49:01,120 --> 00:49:03,800
Speaker 1: about screenwriting, I'll sit down with you and we could

1022
00:49:04,120 --> 00:49:06,319
Speaker 1: think of ideas. And I really wish I had done that.

1023
00:49:06,520 --> 00:49:08,440
Speaker 4: You might still be able too. You got his email.

1024
00:49:08,480 --> 00:49:09,080
Speaker 4: You still got that.

1025
00:49:09,560 --> 00:49:12,680
Speaker 1: Honestly, I'm worried now that he's listening along with the

1026
00:49:12,760 --> 00:49:14,839
Speaker 1: Dennis Leary.

1027
00:49:14,320 --> 00:49:18,200
Speaker 2: Well cut that part Dale's from from this moment forward,

1028
00:49:18,200 --> 00:49:19,080
Speaker 2: We're all pro Dale.

1029
00:49:19,320 --> 00:49:19,839
Speaker 1: Yeah. Dale.

1030
00:49:19,920 --> 00:49:22,160
Speaker 3: I mean, look, the whole conversation started because we're all

1031
00:49:22,160 --> 00:49:22,640
Speaker 3: in agreement.

1032
00:49:22,640 --> 00:49:26,719
Speaker 1: How great Dale is. He's unbelievable is Yeah. He was

1033
00:49:26,760 --> 00:49:28,719
Speaker 1: a nice He was a nice guy. He just he

1034
00:49:28,800 --> 00:49:31,640
Speaker 1: had a lot of anger I think in Hiss his

1035
00:49:31,760 --> 00:49:33,800
Speaker 1: last relationship, you know, And that's normal.

1036
00:49:33,960 --> 00:49:37,239
Speaker 3: I just had a therapy session before this started, and uh,

1037
00:49:37,320 --> 00:49:38,240
Speaker 3: and I'm still.

1038
00:49:38,040 --> 00:49:39,840
Speaker 4: Sorting through my own stuff, you know.

1039
00:49:40,080 --> 00:49:43,200
Speaker 3: Yeah, so we're just where it's we're all works in progress.

1040
00:49:43,600 --> 00:49:46,600
Speaker 3: Dale's a work in progress. He's probably hopefully he's moved.

1041
00:49:47,200 --> 00:49:49,160
Speaker 3: He's moved past some of those issues with the Girl

1042
00:49:49,160 --> 00:49:50,440
Speaker 3: on the airplane.

1043
00:49:50,000 --> 00:49:52,320
Speaker 1: Or Yeah, he has a new movie. I can't remember

1044
00:49:52,480 --> 00:49:54,560
Speaker 1: what it's called, but it had been it had been

1045
00:49:54,680 --> 00:49:57,560
Speaker 1: like since the nineties, and he has a new good movie. Yeah,

1046
00:49:58,000 --> 00:50:00,040
Speaker 1: because those are all good comedies.

1047
00:49:59,640 --> 00:50:02,839
Speaker 2: That he you know what The Three Rotten Scoundrels is.

1048
00:50:03,040 --> 00:50:05,240
Speaker 2: I remember seeing it in the theater and my friend

1049
00:50:05,280 --> 00:50:08,319
Speaker 2: and I literally doing the gasp when the reveal comes

1050
00:50:08,320 --> 00:50:10,400
Speaker 2: at the end. We were just like, what, like, the

1051
00:50:10,920 --> 00:50:12,440
Speaker 2: whole thing was so ofesome.

1052
00:50:12,520 --> 00:50:18,640
Speaker 3: Yeah, it was Glenn Headley the whole time. Glenn Headley's

1053
00:50:18,640 --> 00:50:19,879
Speaker 3: a dirty rotten scoundrel too.

1054
00:50:20,400 --> 00:50:23,040
Speaker 2: She's the true dirty rotten scout.

1055
00:50:23,160 --> 00:50:24,920
Speaker 3: What was the name of her, the thing, you know,

1056
00:50:25,040 --> 00:50:28,279
Speaker 3: the you know, the you, the viper or the the

1057
00:50:28,880 --> 00:50:31,560
Speaker 3: Eagle or the that she had a con artist nickname.

1058
00:50:32,520 --> 00:50:35,319
Speaker 2: Remember, I got to watch it again.

1059
00:50:35,360 --> 00:50:40,040
Speaker 1: I gotta watch Let's have a Dale Loner a film Festival. Yeah.

1060
00:50:40,640 --> 00:50:43,040
Speaker 4: There, for sure, comedies from that era.

1061
00:50:43,200 --> 00:50:47,279
Speaker 3: Studio comedies from that era had like, well, they had

1062
00:50:47,360 --> 00:50:51,480
Speaker 3: like scripts, I feel like and like a they had

1063
00:50:51,480 --> 00:50:54,680
Speaker 3: a script written. It wasn't just like all improv improv

1064
00:50:55,239 --> 00:50:57,719
Speaker 3: with you know, the you know, with a handful of

1065
00:50:57,800 --> 00:51:00,359
Speaker 3: the up and coming comedians of the day peppered in. Yeah.

1066
00:51:00,440 --> 00:51:01,640
Speaker 4: Yeah, and they.

1067
00:51:01,520 --> 00:51:06,080
Speaker 3: Had real titles, you know, not just like the mall,

1068
00:51:06,520 --> 00:51:12,720
Speaker 3: the house, the dog tag door, Uh, bad Mom, bad Stinker,

1069
00:51:13,200 --> 00:51:18,759
Speaker 3: Date Night, rough Night, Bad Night, Hard Night, House Night, Nighthouse,

1070
00:51:19,040 --> 00:51:23,840
Speaker 3: Night Before, Young Knight, Bad Night, bad Mom, bad Stinker,

1071
00:51:23,960 --> 00:51:28,360
Speaker 3: bad Grandpa, bad, dirty, dirty Grandpa, bad Lawyer, bad plumber,

1072
00:51:29,160 --> 00:51:36,440
Speaker 3: bad Office, Christmas Party, thief, bad Fine, bad Boss, horrible Boss,

1073
00:51:36,560 --> 00:51:41,080
Speaker 3: the Boss, Horrible Bosses, Horrible bosses too.

1074
00:51:42,680 --> 00:51:44,480
Speaker 4: These are all the real comedies.

1075
00:51:44,520 --> 00:51:44,719
Speaker 1: Now.

1076
00:51:45,360 --> 00:51:51,600
Speaker 3: Yeah, it's like the pitches are like uh yes, Okay,

1077
00:51:51,680 --> 00:51:52,320
Speaker 3: this is his.

1078
00:51:52,160 --> 00:51:55,440
Speaker 2: Funny imagic and I got noun ready.

1079
00:51:56,080 --> 00:51:59,600
Speaker 4: It's like this is the new the new I p in.

1080
00:51:59,600 --> 00:52:03,640
Speaker 3: Comedy is uh, hey, what if there was a garbage

1081
00:52:03,640 --> 00:52:05,320
Speaker 3: man and he's bad?

1082
00:52:06,400 --> 00:52:06,640
Speaker 4: Yeah.

1083
00:52:07,440 --> 00:52:10,360
Speaker 1: They just they have two dartboards and they spin them.

1084
00:52:10,640 --> 00:52:14,200
Speaker 1: One is of different occupations and the other one is

1085
00:52:14,239 --> 00:52:17,439
Speaker 1: of different situations. Yeah, or emotions.

1086
00:52:17,719 --> 00:52:18,319
Speaker 4: Yeah.

1087
00:52:18,600 --> 00:52:21,120
Speaker 1: Yeah. It landed on sad firemen.

1088
00:52:21,480 --> 00:52:24,759
Speaker 2: Yeah and action.

1089
00:52:25,200 --> 00:52:25,640
Speaker 4: Yeah.

1090
00:52:25,840 --> 00:52:28,680
Speaker 2: He comes sliding about down the pole crying, I don't

1091
00:52:28,719 --> 00:52:29,200
Speaker 2: want to go.

1092
00:52:29,440 --> 00:52:30,720
Speaker 1: I don't want to go to the fire.

1093
00:52:32,080 --> 00:52:37,359
Speaker 4: This fireman is a bad fireman. Sad fireman. Okay, said

1094
00:52:37,480 --> 00:52:38,759
Speaker 4: this one's sad. It's not bad.

1095
00:52:39,760 --> 00:52:42,720
Speaker 2: The studio notes come back and they're like, sad fireman

1096
00:52:42,760 --> 00:52:43,520
Speaker 2: seems suppressing.

1097
00:52:43,560 --> 00:52:46,600
Speaker 1: Could it be a bad Maybe he could be more bad? Yeah,

1098
00:52:46,640 --> 00:52:52,320
Speaker 1: he accidentally starts fires starring Drew Barrymore.

1099
00:52:53,760 --> 00:52:57,440
Speaker 2: Here's the thing I don't like modern comedies. You don't

1100
00:52:57,480 --> 00:53:00,840
Speaker 2: like no, no, Well, the trend and on comedies I

1101
00:53:00,840 --> 00:53:04,120
Speaker 2: don't like, which I think are from those bad Night

1102
00:53:04,239 --> 00:53:09,160
Speaker 2: Sad night era is it sounds. People now believe that

1103
00:53:09,239 --> 00:53:14,200
Speaker 2: you need to sound like you're improvising and you are

1104
00:53:14,320 --> 00:53:20,320
Speaker 2: also have a light stutter because it's like there's always

1105
00:53:20,400 --> 00:53:24,560
Speaker 2: that vibe of where it's like, can't you just read

1106
00:53:24,600 --> 00:53:28,680
Speaker 2: your line and say it with a certain like a

1107
00:53:28,680 --> 00:53:31,719
Speaker 2: certain zip, and we'll be out of this scene. Like

1108
00:53:32,120 --> 00:53:34,920
Speaker 2: it feels like there's people just kind of like like

1109
00:53:34,960 --> 00:53:37,160
Speaker 2: they're like, okay, both of you go over to the

1110
00:53:37,239 --> 00:53:39,640
Speaker 2: car wreck and then start, you know, just make it

1111
00:53:39,680 --> 00:53:41,640
Speaker 2: work around the car wreck and then see what happens.

1112
00:53:42,080 --> 00:53:44,239
Speaker 2: Like it's that vibe where I'm like, I don't want

1113
00:53:44,239 --> 00:53:46,160
Speaker 2: anybody to see what happens. I want you to know

1114
00:53:46,239 --> 00:53:48,480
Speaker 2: what's going to happen. I want you to hit every

1115
00:53:48,680 --> 00:53:52,120
Speaker 2: mark exactly and deliver a real good line when you

1116
00:53:52,160 --> 00:53:52,480
Speaker 2: get there.

1117
00:53:52,760 --> 00:53:56,359
Speaker 1: Yeah. I remember the first time I saw Juno, there

1118
00:53:56,440 --> 00:53:59,120
Speaker 1: was a lot of stammering, and it was almost like

1119
00:53:59,160 --> 00:54:04,440
Speaker 1: a forced ualness to the line, like oh, just generally

1120
00:54:04,480 --> 00:54:07,719
Speaker 1: I want you to say this. Like even a script

1121
00:54:07,760 --> 00:54:10,839
Speaker 1: like Waiting for Guffman, where each page is like they

1122
00:54:10,880 --> 00:54:14,080
Speaker 1: come in and talk about the show, the mayor comes

1123
00:54:14,120 --> 00:54:18,480
Speaker 1: in and changes the subject like it was fully improvised.

1124
00:54:18,600 --> 00:54:21,520
Speaker 1: It's such an interesting script to read. I had a

1125
00:54:21,560 --> 00:54:23,959
Speaker 1: copy of it. But when you watch that it they're

1126
00:54:23,960 --> 00:54:29,200
Speaker 1: not stammering and stuttering and forcing like human mannerisms. It

1127
00:54:29,400 --> 00:54:34,400
Speaker 1: just it just they're they're that good at improvising. Yeah, yeah,

1128
00:54:34,440 --> 00:54:36,680
Speaker 1: that they don't. They're not plugging in a million ums

1129
00:54:36,680 --> 00:54:39,560
Speaker 1: and us in there. Yeah yeah, yeah, No one wants

1130
00:54:39,600 --> 00:54:40,719
Speaker 1: your ums and us.

1131
00:54:41,280 --> 00:54:44,560
Speaker 2: Or repeat just repeating the same line several times, Yeah,

1132
00:54:44,680 --> 00:54:47,120
Speaker 2: that drives me nuts. Or just like say it once

1133
00:54:47,200 --> 00:54:48,759
Speaker 2: like you mean it and you don't have to say

1134
00:54:48,760 --> 00:54:49,520
Speaker 2: it five times.

1135
00:54:49,760 --> 00:54:51,960
Speaker 4: Yeah, yeah, I'm trying. What can you think of an

1136
00:54:52,000 --> 00:54:53,200
Speaker 4: example off the top of your head.

1137
00:54:53,719 --> 00:54:57,120
Speaker 2: I don't want to name names or name because of

1138
00:54:57,200 --> 00:54:58,359
Speaker 2: my career, right.

1139
00:54:58,360 --> 00:54:59,880
Speaker 4: You don't want to smear sometimes?

1140
00:55:00,760 --> 00:55:03,040
Speaker 3: I mean, I feel like a fun joke that was

1141
00:55:03,080 --> 00:55:05,960
Speaker 3: always fun to do, uh, at least at the shows

1142
00:55:05,960 --> 00:55:09,880
Speaker 3: that I ran, would be to name names of the

1143
00:55:09,920 --> 00:55:12,480
Speaker 3: things that suck, you know, And I'd be like, no

1144
00:55:12,520 --> 00:55:16,840
Speaker 3: one's here, guess about all the guess who sucks? And

1145
00:55:16,880 --> 00:55:19,960
Speaker 3: then and then you really like, uh, you know, you

1146
00:55:20,040 --> 00:55:22,600
Speaker 3: really uh shoot yourself in the career foot.

1147
00:55:23,160 --> 00:55:25,840
Speaker 4: Yes, but no one's watching, but someone might be.

1148
00:55:26,360 --> 00:55:30,959
Speaker 2: That very nineties. The nineties nineties comedy was very mean

1149
00:55:31,200 --> 00:55:34,480
Speaker 2: and very naming, Like I would go, that's how I

1150
00:55:34,480 --> 00:55:36,919
Speaker 2: would write comedy. It's just like I saw the movie

1151
00:55:37,000 --> 00:55:39,680
Speaker 2: step Mom and it sucked in here. Why and it's

1152
00:55:39,760 --> 00:55:42,920
Speaker 2: just like yeah, okay, I mean like okay, but it's

1153
00:55:43,320 --> 00:55:45,680
Speaker 2: one way to go, maybe not the best way to go.

1154
00:55:45,840 --> 00:55:48,400
Speaker 3: I actually, you said Drew barrymore and I had a story.

1155
00:55:48,400 --> 00:55:49,880
Speaker 3: I'll confess that.

1156
00:55:50,080 --> 00:55:53,879
Speaker 1: Uh who said Drew Barry I did just second ago

1157
00:55:54,120 --> 00:55:56,640
Speaker 1: doing the Bad Fireman Riff. And I said, I'll tell

1158
00:55:56,680 --> 00:55:59,200
Speaker 1: this story because I don't starter there's that movie that

1159
00:55:59,200 --> 00:56:02,360
Speaker 1: they really got it. So Drew Godrew Okay.

1160
00:56:02,400 --> 00:56:05,279
Speaker 3: So I used to run a show years ago in

1161
00:56:05,320 --> 00:56:06,919
Speaker 3: the basement of the Ramada Inn.

1162
00:56:08,280 --> 00:56:09,440
Speaker 1: Came with Justin Long.

1163
00:56:09,600 --> 00:56:12,759
Speaker 4: You were there, yes, oh my god, Okay, I can't

1164
00:56:12,800 --> 00:56:15,480
Speaker 4: believe you were there. So if you maybe you.

1165
00:56:15,560 --> 00:56:17,439
Speaker 3: I'll tell you what I remember, and then you tell

1166
00:56:17,440 --> 00:56:18,160
Speaker 3: me what you remember.

1167
00:56:18,320 --> 00:56:21,080
Speaker 1: They were there often, though they I don't think they were.

1168
00:56:21,120 --> 00:56:22,800
Speaker 4: At least they weren't my show often.

1169
00:56:22,960 --> 00:56:23,320
Speaker 1: Okay.

1170
00:56:23,400 --> 00:56:24,840
Speaker 2: No fighting, no fighting, guys.

1171
00:56:24,719 --> 00:56:26,200
Speaker 4: Okay, they weren't fighting. No work.

1172
00:56:26,360 --> 00:56:28,840
Speaker 1: I was there. I was there. I did not predict

1173
00:56:28,880 --> 00:56:30,600
Speaker 1: and I did not know you broke your wrist.

1174
00:56:30,880 --> 00:56:31,200
Speaker 4: Okay.

1175
00:56:31,239 --> 00:56:33,040
Speaker 3: I didn't break my wrist this night. This had to

1176
00:56:33,080 --> 00:56:36,400
Speaker 3: have been like two thousand and six or something like that, okay.

1177
00:56:36,840 --> 00:56:38,719
Speaker 3: And I was doing I would host his characters. A

1178
00:56:38,760 --> 00:56:40,560
Speaker 3: lot of the times it's just a silly character and

1179
00:56:40,600 --> 00:56:43,239
Speaker 3: kind of stretch out the characters between the acts, you know,

1180
00:56:43,760 --> 00:56:45,960
Speaker 3: or sometimes it just be myself. But this night I

1181
00:56:46,040 --> 00:56:48,680
Speaker 3: was doing some character. I can't remember exactly what it was,

1182
00:56:48,840 --> 00:56:52,040
Speaker 3: but I remember Drew Barrymore and Justin Long were there

1183
00:56:52,080 --> 00:56:56,120
Speaker 3: for some reason, maybe their friends girlfriend was doing stand

1184
00:56:56,200 --> 00:56:56,800
Speaker 3: up or something.

1185
00:56:56,680 --> 00:56:59,759
Speaker 1: Like yes and say her name in a minute, uh

1186
00:56:59,800 --> 00:57:02,680
Speaker 1: huh okay, and so h.

1187
00:57:03,640 --> 00:57:06,239
Speaker 3: It was going well, and it was maybe in my

1188
00:57:06,360 --> 00:57:07,719
Speaker 3: memory a little tense.

1189
00:57:07,520 --> 00:57:09,319
Speaker 1: Because it was like, oh, it's delivery here.

1190
00:57:09,560 --> 00:57:12,880
Speaker 3: I didn't make any reference to it, but I do

1191
00:57:13,000 --> 00:57:15,560
Speaker 3: remember like it was a little stiff, but the show

1192
00:57:15,600 --> 00:57:16,440
Speaker 3: wasn't going badly.

1193
00:57:16,760 --> 00:57:18,960
Speaker 4: And then after her act, they got up.

1194
00:57:18,920 --> 00:57:23,880
Speaker 3: And left, and I don't remember what I said, but

1195
00:57:24,040 --> 00:57:28,439
Speaker 3: I just unleashed. I just laid into I just made

1196
00:57:28,440 --> 00:57:32,120
Speaker 3: the most you know, I just went off on like whatever,

1197
00:57:32,200 --> 00:57:34,600
Speaker 3: Drew Barrymore, you know, oh what you know something about

1198
00:57:34,600 --> 00:57:37,360
Speaker 3: them being there. I just kept making jokes and I thought, oh,

1199
00:57:37,400 --> 00:57:39,960
Speaker 3: it'd be funny to say the meanest jokes possible, or

1200
00:57:40,400 --> 00:57:42,200
Speaker 3: I don't even know what the mean joke would be.

1201
00:57:42,240 --> 00:57:44,400
Speaker 4: Oh you were a little girl in et you were

1202
00:57:44,560 --> 00:57:48,960
Speaker 4: going to whatever. I can't, I have no idea.

1203
00:57:49,120 --> 00:57:55,360
Speaker 3: Yeah I got showed her, but uh, anyway, I.

1204
00:57:55,240 --> 00:57:56,480
Speaker 4: Think it was probably mean.

1205
00:57:57,000 --> 00:58:01,200
Speaker 3: And and then everyone was laughing really hard at the

1206
00:58:01,280 --> 00:58:02,760
Speaker 3: mean jokes about Drew Barrymore.

1207
00:58:03,200 --> 00:58:04,520
Speaker 4: And then.

1208
00:58:05,800 --> 00:58:09,960
Speaker 3: The show went on, and then later someone was like, Josh,

1209
00:58:10,480 --> 00:58:13,959
Speaker 3: they were there. They were staying. You know, you remember

1210
00:58:14,000 --> 00:58:16,400
Speaker 3: the Ramada that like you can't there's the doorway. They

1211
00:58:16,400 --> 00:58:18,400
Speaker 3: were right behind the stage.

1212
00:58:18,080 --> 00:58:20,080
Speaker 1: There here, and there's not a wall there. It was

1213
00:58:20,160 --> 00:58:24,320
Speaker 1: cut outs of like yeah foliage, Like yeah, maybe.

1214
00:58:24,080 --> 00:58:26,040
Speaker 3: There's like a piece of paper blocking Like I didn't

1215
00:58:26,080 --> 00:58:28,640
Speaker 3: see them in the hall. You couldn't see, but there's

1216
00:58:28,720 --> 00:58:30,360
Speaker 3: nothing stopping them from hearing.

1217
00:58:30,520 --> 00:58:33,760
Speaker 1: Every year you can hear it perfectly back there. I remember.

1218
00:58:33,800 --> 00:58:35,760
Speaker 1: That's how I used to watch the shows and hang

1219
00:58:35,840 --> 00:58:39,640
Speaker 1: out back there. Yeah, they heard it, they heard every word.

1220
00:58:40,160 --> 00:58:42,080
Speaker 3: And I mean, in my memory, I was like, oh,

1221
00:58:42,160 --> 00:58:45,560
Speaker 3: the famous people were making the the room uncomfortable, and

1222
00:58:45,600 --> 00:58:48,040
Speaker 3: so I felt like I was taking the the I

1223
00:58:48,160 --> 00:58:50,280
Speaker 3: was taking the piss out of it by making people

1224
00:58:50,320 --> 00:58:52,240
Speaker 3: relax by being like yeah, yeah, who cares.

1225
00:58:52,640 --> 00:58:54,600
Speaker 4: And it was all kind of as a joke, but.

1226
00:58:54,840 --> 00:59:00,920
Speaker 3: I remember, yeah, I remember feeling like, oops, you know.

1227
00:59:00,960 --> 00:59:01,360
Speaker 1: What I mean?

1228
00:59:02,600 --> 00:59:05,600
Speaker 3: Were they like mad to the second Well, there's a

1229
00:59:05,640 --> 00:59:06,960
Speaker 3: second part of the story.

1230
00:59:07,000 --> 00:59:10,479
Speaker 4: But but but Chris, what do you remember? Well?

1231
00:59:10,560 --> 00:59:13,760
Speaker 1: I remember them having fun, and they seem like they

1232
00:59:13,800 --> 00:59:17,040
Speaker 1: were they were laughing at things. But I vividly remember

1233
00:59:17,120 --> 00:59:19,280
Speaker 1: thinking they were gone and then they were back. But

1234
00:59:19,360 --> 00:59:21,520
Speaker 1: I do not, and I'm not.

1235
00:59:21,880 --> 00:59:23,520
Speaker 4: Did not come back to their seat after that.

1236
00:59:23,600 --> 00:59:27,520
Speaker 1: I'm sure I do not remember you being super mean

1237
00:59:27,760 --> 00:59:31,040
Speaker 1: and it being a whole thing like I think pretty

1238
00:59:31,120 --> 00:59:33,560
Speaker 1: much everyone in the room thought they had left, right,

1239
00:59:34,320 --> 00:59:37,280
Speaker 1: but they were behind. They were just behind talking to

1240
00:59:40,120 --> 00:59:42,280
Speaker 1: their friends with a comic that we used to see

1241
00:59:42,280 --> 00:59:44,480
Speaker 1: all the time, Karen at One on One cafe. She

1242
00:59:44,640 --> 00:59:48,440
Speaker 1: was She was a waitress there and also a funny comic.

1243
00:59:48,480 --> 00:59:51,560
Speaker 1: But she was somehow friends with them, and they that

1244
00:59:51,720 --> 00:59:54,200
Speaker 1: they were there. I'm just confirming they were there to support,

1245
00:59:54,320 --> 00:59:55,320
Speaker 1: Like you said, their friend.

1246
00:59:55,560 --> 00:59:57,960
Speaker 2: So it's you said you were going to say her name.

1247
00:59:58,120 --> 01:00:00,600
Speaker 1: I know, I know, wouldn't it be great? There wasn't

1248
01:00:00,600 --> 01:00:06,640
Speaker 1: a My family wasn't riddled with Alzheimer's. I also haven't

1249
01:00:06,640 --> 01:00:09,000
Speaker 1: seen her for a long time, but she was funny

1250
01:00:09,040 --> 01:00:11,640
Speaker 1: and I liked her. But I think she's not in

1251
01:00:11,680 --> 01:00:12,560
Speaker 1: comedy anymore.

1252
01:00:13,640 --> 01:00:15,440
Speaker 2: She's friends with Drew berrymore.

1253
01:00:17,800 --> 01:00:20,160
Speaker 1: I'm not sure how she knew her. And even back

1254
01:00:20,200 --> 01:00:22,240
Speaker 1: then I wanted to ask, like, how are you just

1255
01:00:22,280 --> 01:00:29,280
Speaker 1: friends with Drew Berry? Yay? Uh, maybe maybe.

1256
01:00:30,560 --> 01:00:32,560
Speaker 4: That's how anyone knows any celebrity.

1257
01:00:33,200 --> 01:00:37,640
Speaker 3: Yep, that's usually they must they must have addiction problem.

1258
01:00:37,760 --> 01:00:40,840
Speaker 1: Yes, celebrity friend you.

1259
01:00:41,040 --> 01:00:43,760
Speaker 4: The celebrity is gonna friend you. You gotta be addicted

1260
01:00:43,800 --> 01:00:44,320
Speaker 4: to something.

1261
01:00:44,760 --> 01:00:46,040
Speaker 1: Yeah, you gotta give it up.

1262
01:00:46,160 --> 01:00:48,360
Speaker 3: Yeah, you gotta give up addiction to make friends with

1263
01:00:48,400 --> 01:00:51,040
Speaker 3: the celebrity in La.

1264
01:00:51,760 --> 01:00:54,600
Speaker 1: Yeah. And it's gotta be at uc BE across from

1265
01:00:54,640 --> 01:00:57,560
Speaker 1: the Celebrity Center. You gotta stumble over there for am

1266
01:00:57,800 --> 01:01:02,480
Speaker 1: get get to know people brunch after boozing up at birds.

1267
01:01:02,800 --> 01:01:05,840
Speaker 2: In nearly nineties, we had a friend who went to

1268
01:01:05,840 --> 01:01:08,080
Speaker 2: AA and he would come back from the meetings and

1269
01:01:08,160 --> 01:01:11,400
Speaker 2: always be like, hey, you know Ozzy Osbourne was there,

1270
01:01:11,480 --> 01:01:14,200
Speaker 2: or he would name those super famous people that would

1271
01:01:14,200 --> 01:01:17,480
Speaker 2: be at the meetings. So my other friend Laura Milligan

1272
01:01:17,600 --> 01:01:20,240
Speaker 2: started she would be like, yeah, so and so is

1273
01:01:20,280 --> 01:01:23,640
Speaker 2: at his A meeting Because it was never anonymous, so

1274
01:01:23,640 --> 01:01:28,640
Speaker 2: she just called it a A just alcoholics alcoholics meeting.

1275
01:01:29,960 --> 01:01:35,200
Speaker 1: I go to am alcohol. What's SAM stand for?

1276
01:01:35,720 --> 01:01:36,040
Speaker 4: Meeting?

1277
01:01:36,160 --> 01:01:36,320
Speaker 1: Oh?

1278
01:01:36,480 --> 01:01:36,800
Speaker 4: Meeting?

1279
01:01:37,440 --> 01:01:40,600
Speaker 1: I thought it was gonna. I thought was going to be.

1280
01:01:40,360 --> 01:01:45,240
Speaker 2: The opposite of anonymous public, anonymous monogamous?

1281
01:01:46,200 --> 01:01:48,000
Speaker 4: Anonymous monogamous?

1282
01:01:49,120 --> 01:01:51,040
Speaker 3: Has anyone made the joke I feel like a joke

1283
01:01:51,080 --> 01:01:51,520
Speaker 3: I made once?

1284
01:01:51,600 --> 01:01:52,479
Speaker 4: I was like, that's too easy.

1285
01:01:52,480 --> 01:01:54,680
Speaker 3: I'm sure like probably someone like Chris has made that

1286
01:01:54,840 --> 01:01:56,800
Speaker 3: where it's like, oh, I'm addicted to workahol.

1287
01:02:00,600 --> 01:02:04,800
Speaker 1: Well, I think the fact that I laughed, snort, laughed

1288
01:02:04,800 --> 01:02:06,680
Speaker 1: at it lets you know that. Yeah, I would have

1289
01:02:06,760 --> 01:02:09,720
Speaker 1: said that on stage and everyone would have growned.

1290
01:02:10,240 --> 01:02:13,960
Speaker 4: Yeah, you got to make some groners. It's fun to

1291
01:02:14,000 --> 01:02:14,800
Speaker 4: make a groaner.

1292
01:02:17,560 --> 01:02:20,760
Speaker 2: Well, what's going on lately with you? Josh? What's your current?

1293
01:02:21,200 --> 01:02:22,720
Speaker 2: You haven't been doing stand up?

1294
01:02:22,760 --> 01:02:26,760
Speaker 3: Uh huh, I'm in your room. I'm in I'm just

1295
01:02:26,800 --> 01:02:28,320
Speaker 3: in the room. I turn the fans off. It's starting

1296
01:02:28,360 --> 01:02:30,720
Speaker 3: to get a little musty. Probably Bobby's like a little musty.

1297
01:02:31,080 --> 01:02:31,480
Speaker 4: I don't know.

1298
01:02:31,520 --> 01:02:33,360
Speaker 3: I've just been I mean I've been getting some acting

1299
01:02:33,440 --> 01:02:34,040
Speaker 3: work here and.

1300
01:02:34,000 --> 01:02:37,520
Speaker 1: There, and uh, you're a great actor, right, thank you.

1301
01:02:37,560 --> 01:02:40,720
Speaker 1: I think that you I would hate I don't tell

1302
01:02:40,760 --> 01:02:43,280
Speaker 1: anyone to stop performing live. I think that.

1303
01:02:43,440 --> 01:02:46,200
Speaker 3: I mean, I'll not It's not like I've quit forever.

1304
01:02:46,280 --> 01:02:48,000
Speaker 3: It's just sort of like Also, that's another thing I

1305
01:02:48,000 --> 01:02:50,640
Speaker 3: feel like, you know, you talked about like taking a

1306
01:02:50,640 --> 01:02:54,080
Speaker 3: writing job and then and you're like, oh, I don't perform,

1307
01:02:54,120 --> 01:02:55,920
Speaker 3: And there is something about like performing, like if you

1308
01:02:55,960 --> 01:02:57,880
Speaker 3: take a break, you got this voice in the back

1309
01:02:57,880 --> 01:03:00,960
Speaker 3: of your head that's like some meat head, you know,

1310
01:03:01,400 --> 01:03:06,080
Speaker 3: telling you like you're the pavement, you know, and you're.

1311
01:03:05,880 --> 01:03:07,760
Speaker 4: Like, who are you get out of here?

1312
01:03:08,200 --> 01:03:08,960
Speaker 2: I did come from.

1313
01:03:09,120 --> 01:03:11,040
Speaker 3: I don't have time. I don't want to right now.

1314
01:03:11,200 --> 01:03:13,640
Speaker 3: I think I haven't wanted to during the pandemic. But

1315
01:03:13,680 --> 01:03:15,680
Speaker 3: I wrote a couple of scripts and like one of them,

1316
01:03:16,120 --> 01:03:17,920
Speaker 3: you know, is like a small movie. I want to

1317
01:03:17,920 --> 01:03:20,560
Speaker 3: make it in Oklahoma, you know, so I'm trying to

1318
01:03:20,880 --> 01:03:22,040
Speaker 3: figure out how to pull that off.

1319
01:03:22,080 --> 01:03:23,840
Speaker 1: And are you from Tulsa.

1320
01:03:23,840 --> 01:03:26,520
Speaker 3: I'm from Tulsa, Oklahoma, and I've kind of been splitting

1321
01:03:26,520 --> 01:03:28,680
Speaker 3: my time between LA and Tulsa.

1322
01:03:29,520 --> 01:03:31,400
Speaker 1: Oh for family visit.

1323
01:03:31,480 --> 01:03:34,640
Speaker 3: Yeah, my family, My family's here, and uh, you know

1324
01:03:34,720 --> 01:03:38,320
Speaker 3: that's another thing that's just like, oh, pandemic. It's like

1325
01:03:38,400 --> 01:03:40,160
Speaker 3: you can do a lot of the stuff in LA,

1326
01:03:40,920 --> 01:03:44,920
Speaker 3: like do a great podcast from from Oklahoma.

1327
01:03:44,960 --> 01:03:47,080
Speaker 1: Bern and I have been doing the same thing a

1328
01:03:47,080 --> 01:03:51,160
Speaker 1: lot of family time for months on end. Yeah. Yeah,

1329
01:03:51,680 --> 01:03:55,160
Speaker 1: tell me about this nine hundred foot Jesus that someone

1330
01:03:55,240 --> 01:03:57,720
Speaker 1: had a vision of. What's that? What is that?

1331
01:03:57,920 --> 01:04:00,600
Speaker 4: Isn't there a band or a band called MC nine

1332
01:04:00,640 --> 01:04:01,440
Speaker 4: hundred Jesus?

1333
01:04:01,520 --> 01:04:03,920
Speaker 1: Right? Yeah? That was just like a Christian rapper, but

1334
01:04:03,960 --> 01:04:05,240
Speaker 1: there was Christian rapper.

1335
01:04:05,280 --> 01:04:07,080
Speaker 2: I didn't know British.

1336
01:04:07,360 --> 01:04:09,800
Speaker 4: Oh I he British?

1337
01:04:09,840 --> 01:04:17,520
Speaker 3: Mike, Yeah, he is thinking of the streets.

1338
01:04:17,800 --> 01:04:21,240
Speaker 4: What's streets? You so fit, don't you know?

1339
01:04:21,720 --> 01:04:23,600
Speaker 1: I like, I actually liked him a lot.

1340
01:04:23,720 --> 01:04:25,200
Speaker 4: I like that song, but I don't know any other

1341
01:04:25,400 --> 01:04:25,880
Speaker 4: the streets.

1342
01:04:25,960 --> 01:04:33,480
Speaker 1: But what's Orville Robert Oral Roberts or.

1343
01:04:31,840 --> 01:04:35,680
Speaker 3: Converts in Tulsa or Roberts University that he is the

1344
01:04:35,720 --> 01:04:36,680
Speaker 3: guy that had.

1345
01:04:36,520 --> 01:04:40,600
Speaker 1: A vision of And I remember he was quoted saying

1346
01:04:40,640 --> 01:04:44,080
Speaker 1: I was seeing Ida eye with a nine hundred foot Jesus.

1347
01:04:44,160 --> 01:04:46,439
Speaker 1: And I'm like, what was he laying down? How would

1348
01:04:46,480 --> 01:04:49,320
Speaker 1: you be Ida eye with a nine hundred foot Jesus?

1349
01:04:49,440 --> 01:04:52,480
Speaker 1: He's all I remember is it was like everything he

1350
01:04:52,560 --> 01:04:54,280
Speaker 1: said was it didn't even make sense.

1351
01:04:54,320 --> 01:04:55,160
Speaker 4: I think he was the fame.

1352
01:04:55,280 --> 01:04:58,800
Speaker 3: He was one famously was like, if I don't get

1353
01:04:58,800 --> 01:05:01,600
Speaker 3: this much money by this amount of time, he's gonna

1354
01:05:01,600 --> 01:05:02,200
Speaker 3: take me away.

1355
01:05:03,280 --> 01:05:03,520
Speaker 4: Yeah.

1356
01:05:03,600 --> 01:05:04,800
Speaker 1: Yeah, did it work.

1357
01:05:05,000 --> 01:05:06,560
Speaker 4: I think he got a lot of money.

1358
01:05:07,120 --> 01:05:10,360
Speaker 3: Yeah, and Jesus didn't take him, but I think Jesus

1359
01:05:10,400 --> 01:05:11,320
Speaker 3: did eventually take him.

1360
01:05:12,800 --> 01:05:15,920
Speaker 2: Has Jesus taken him? And do we know Jesus?

1361
01:05:16,600 --> 01:05:16,760
Speaker 1: Oh?

1362
01:05:16,800 --> 01:05:18,680
Speaker 4: I hope it wasn't the devil himself?

1363
01:05:19,640 --> 01:05:23,320
Speaker 2: The devil coming up from a blow in Tulsa.

1364
01:05:23,360 --> 01:05:27,200
Speaker 3: The they've recently opened the Bob Dylan Center, like a

1365
01:05:27,240 --> 01:05:30,880
Speaker 3: Bob a Bob Dylan museum where they his archives were donated.

1366
01:05:30,920 --> 01:05:32,480
Speaker 4: And uh, it's pretty.

1367
01:05:32,160 --> 01:05:35,919
Speaker 1: Cool that last time I went to Tulsa it washed

1368
01:05:35,920 --> 01:05:40,080
Speaker 1: away all the dirty feelings of performing at the Tulsa

1369
01:05:40,120 --> 01:05:40,800
Speaker 1: Comedy Club.

1370
01:05:40,880 --> 01:05:42,680
Speaker 3: Yeah, it's gotten better. It's a it's a there's a

1371
01:05:42,720 --> 01:05:44,000
Speaker 3: lot of stuff going on.

1372
01:05:44,160 --> 01:05:48,360
Speaker 1: Great, I loved it. What is a sweet audience that was?

1373
01:05:48,760 --> 01:05:48,920
Speaker 4: Yeah?

1374
01:05:49,160 --> 01:05:50,520
Speaker 1: Great? You're there now? Then?

1375
01:05:50,800 --> 01:05:53,160
Speaker 4: Yeah, I'm there right now, probably be in l A

1376
01:05:53,280 --> 01:05:54,480
Speaker 4: in like two weeks.

1377
01:05:54,840 --> 01:05:58,040
Speaker 3: But uh, I'm just kind of hanging around, you know,

1378
01:05:58,760 --> 01:06:04,320
Speaker 3: doing that. Josh, Yes, let's get lunch, let's get let's

1379
01:06:04,320 --> 01:06:05,000
Speaker 3: get a ruben.

1380
01:06:07,240 --> 01:06:09,640
Speaker 2: I mean, people are going back out. It's it's start,

1381
01:06:09,800 --> 01:06:11,000
Speaker 2: things are starting to open up.

1382
01:06:11,080 --> 01:06:12,320
Speaker 4: I got all my boosts.

1383
01:06:13,400 --> 01:06:16,120
Speaker 3: We've boost we boosted, I got every boost.

1384
01:06:16,240 --> 01:06:18,440
Speaker 2: I would love to see you in real life, Josh.

1385
01:06:18,480 --> 01:06:19,360
Speaker 4: I know it would be great.

1386
01:06:19,600 --> 01:06:22,680
Speaker 2: Yeah, it'd be so nice. Sorry, really quick MC nine

1387
01:06:22,760 --> 01:06:25,919
Speaker 2: hundred foot Jesus. My full apologies to Mark Griffin, who

1388
01:06:25,960 --> 01:06:29,160
Speaker 2: is EMC nine hundred foot Jesus. He was not only American,

1389
01:06:29,280 --> 01:06:30,360
Speaker 2: He's from Kentucky.

1390
01:06:30,960 --> 01:06:35,640
Speaker 3: So what's don't know what I'm I.

1391
01:06:35,720 --> 01:06:38,120
Speaker 1: Just know the music video was him in a cardboard

1392
01:06:38,200 --> 01:06:43,240
Speaker 1: box and as he recorded the video, they it was rotated.

1393
01:06:43,280 --> 01:06:45,720
Speaker 1: They were rolling. He was rolling around in a box

1394
01:06:45,760 --> 01:06:46,960
Speaker 1: and it looked really painful.

1395
01:06:47,200 --> 01:06:48,840
Speaker 4: Oh yeah, I do remember that.

1396
01:06:49,120 --> 01:06:51,360
Speaker 1: It's getting. It's one of those ones that's like you

1397
01:06:51,400 --> 01:06:52,600
Speaker 1: say it, say the name of it.

1398
01:06:52,760 --> 01:06:54,800
Speaker 4: Probably Oh yeah, here's the how the whole song goes.

1399
01:06:54,840 --> 01:06:56,520
Speaker 2: But you know, I'm going straight to heaven.

1400
01:06:57,200 --> 01:06:58,800
Speaker 1: I don't know, see Christians.

1401
01:06:59,280 --> 01:07:02,160
Speaker 2: Here's a song too Bad Shut Up, which I enjoyed.

1402
01:07:02,560 --> 01:07:05,000
Speaker 1: I don't know that its biggest.

1403
01:07:05,240 --> 01:07:07,000
Speaker 2: There's a song called If I Only had a brain that.

1404
01:07:07,080 --> 01:07:09,320
Speaker 4: If I had brain, I think that's it. I can't

1405
01:07:09,320 --> 01:07:10,160
Speaker 4: remember how it goes.

1406
01:07:10,360 --> 01:07:13,160
Speaker 3: I keep wanting to sing Skilo's hit song, you know,

1407
01:07:13,280 --> 01:07:16,360
Speaker 3: because I had a brain. I wish I had a basketball,

1408
01:07:16,400 --> 01:07:19,560
Speaker 3: I wish I had I wish I was taller, Yeah.

1409
01:07:19,440 --> 01:07:22,560
Speaker 1: Skos thing because it's like nine hundred for Jesus, he's pretty.

1410
01:07:22,240 --> 01:07:26,680
Speaker 3: Tall, but but wishes that he could get just a

1411
01:07:26,720 --> 01:07:27,800
Speaker 3: little bit taller, a.

1412
01:07:27,720 --> 01:07:29,080
Speaker 2: Little bit taller nine oh one.

1413
01:07:29,240 --> 01:07:30,920
Speaker 1: Yeah, wants to be one er.

1414
01:07:31,280 --> 01:07:31,640
Speaker 4: Yeah.

1415
01:07:31,800 --> 01:07:34,800
Speaker 1: Oh if I had a girl, I would call her. Yeah.

1416
01:07:35,960 --> 01:07:38,600
Speaker 1: But then he wants a rabbit and a hat, and

1417
01:07:38,640 --> 01:07:42,320
Speaker 1: it sticks for im. Paula a rabbit and a hat. Yeah, yeah,

1418
01:07:42,360 --> 01:07:42,960
Speaker 1: weird lyric.

1419
01:07:43,080 --> 01:07:45,320
Speaker 3: I mean, I think at that point he's just running

1420
01:07:45,320 --> 01:07:47,080
Speaker 3: out of wishes and he feels like I have a

1421
01:07:47,120 --> 01:07:48,920
Speaker 3: lot of pressure to make more wishes.

1422
01:07:49,240 --> 01:07:52,000
Speaker 2: Just looking around the magic shop. What should I wish

1423
01:07:52,080 --> 01:07:52,560
Speaker 2: for now?

1424
01:07:52,760 --> 01:07:54,720
Speaker 3: I was a little bit taller, for one, I was

1425
01:07:55,760 --> 01:07:58,360
Speaker 3: I wish I I wish I had a squirting flower.

1426
01:07:58,960 --> 01:08:00,840
Speaker 4: Yeah, I wish i'd trick gum.

1427
01:08:01,040 --> 01:08:04,280
Speaker 3: Yeah, I wish I wish I had some new insuls

1428
01:08:04,320 --> 01:08:06,400
Speaker 3: because I think I've got bunions coming on.

1429
01:08:08,800 --> 01:08:10,080
Speaker 4: I guess I could go get that. I don't need

1430
01:08:10,120 --> 01:08:10,760
Speaker 4: to wish for it.

1431
01:08:11,000 --> 01:08:15,240
Speaker 1: Yeah, he's wishing for logical things that are under ten dollars.

1432
01:08:15,680 --> 01:08:17,840
Speaker 2: He's wishing he could go to CVS, is what he's

1433
01:08:17,880 --> 01:08:18,559
Speaker 2: really wishing for.

1434
01:08:18,760 --> 01:08:21,120
Speaker 3: Yeah, I wish I had a CVS instead of a

1435
01:08:21,200 --> 01:08:24,280
Speaker 3: Dwayne Reid because I prefer the CVS too.

1436
01:08:24,720 --> 01:08:26,000
Speaker 2: I like the longer receipts.

1437
01:08:26,160 --> 01:08:31,479
Speaker 3: Yeah, because those because those coupons, I take advantage of them.

1438
01:08:31,680 --> 01:08:37,719
Speaker 2: Oh five for ten, Josh, I can't believe this. Sometimes

1439
01:08:37,760 --> 01:08:39,920
Speaker 2: we say this. This time I really mean it. That

1440
01:08:40,080 --> 01:08:43,200
Speaker 2: was an hour that went by like fifteen men very quickly.

1441
01:08:43,280 --> 01:08:43,599
Speaker 7: Wow.

1442
01:08:43,680 --> 01:08:46,200
Speaker 3: Yes, this is a lot of fun. I'm like, oh wow,

1443
01:08:46,200 --> 01:08:47,960
Speaker 3: I guess we are wrapping it up, aren't we.

1444
01:08:48,080 --> 01:08:48,760
Speaker 4: Yeah.

1445
01:08:49,000 --> 01:08:52,280
Speaker 1: And then you can turn on your air conditionery. Yeah,

1446
01:08:52,320 --> 01:08:54,840
Speaker 1: take the fan to blow the secondary wind from the

1447
01:08:54,880 --> 01:08:57,080
Speaker 1: air conditioner whatever that.

1448
01:08:57,479 --> 01:09:01,719
Speaker 2: Your systems that you had set up Berg cooling.

1449
01:09:02,120 --> 01:09:03,400
Speaker 1: Uh huh.

1450
01:09:03,520 --> 01:09:04,840
Speaker 3: I got a lot of dvs. Oh you know what

1451
01:09:04,840 --> 01:09:06,360
Speaker 3: else I did during the pandemic. We don't need to

1452
01:09:06,360 --> 01:09:08,080
Speaker 3: get into this rabbit hole, but you're like to figure

1453
01:09:08,160 --> 01:09:09,920
Speaker 3: us the question what else we're up to? I watched

1454
01:09:09,960 --> 01:09:13,160
Speaker 3: during the lockdown year and have continued to remain obsessed

1455
01:09:13,200 --> 01:09:17,680
Speaker 3: with a lot of film noir from the forties. I

1456
01:09:17,720 --> 01:09:21,760
Speaker 3: got real obsessive and I just kept watching. So I

1457
01:09:21,800 --> 01:09:24,760
Speaker 3: watched over three hundred of them from the black and

1458
01:09:24,760 --> 01:09:30,240
Speaker 3: white ones. So I'm real into that. Eddie Muller from TCM.

1459
01:09:30,760 --> 01:09:32,680
Speaker 3: I don't know him, but he's my main man. I'm

1460
01:09:32,680 --> 01:09:35,360
Speaker 3: a big fan. If I saw him, I'd be starstruck.

1461
01:09:36,160 --> 01:09:37,559
Speaker 3: I always want to talk to him too.

1462
01:09:37,760 --> 01:09:39,960
Speaker 4: Me too. I watched I Love Ben Mankowitz.

1463
01:09:40,840 --> 01:09:44,479
Speaker 3: I tweeked to him sometimes he replied a few times.

1464
01:09:44,520 --> 01:09:46,719
Speaker 3: I think he started getting annoyed, but he did follow

1465
01:09:46,760 --> 01:09:47,160
Speaker 3: me back.

1466
01:09:48,560 --> 01:09:50,439
Speaker 2: But then he didn't get annoyed. I bet he did.

1467
01:09:50,680 --> 01:09:54,519
Speaker 2: My friend Millie Cherko who has a podcast on our network.

1468
01:09:54,960 --> 01:09:58,920
Speaker 2: She is the programmer for the late night of tc

1469
01:09:59,080 --> 01:10:02,479
Speaker 2: SO the Underground. Yep, that's she picks those movies.

1470
01:10:02,520 --> 01:10:04,960
Speaker 3: She's She's going to talk to Millie and what does

1471
01:10:04,960 --> 01:10:06,559
Speaker 3: she have her podcast about those movies?

1472
01:10:07,520 --> 01:10:11,680
Speaker 2: I saw what you did? And Millie and based off

1473
01:10:11,720 --> 01:10:17,639
Speaker 2: the William Castle uh title, yep, yes, and they do.

1474
01:10:17,920 --> 01:10:20,880
Speaker 2: They basically do double features where they picked two movies

1475
01:10:20,960 --> 01:10:22,920
Speaker 2: and you have to guess what the theme is between

1476
01:10:22,920 --> 01:10:25,439
Speaker 2: the two and then they basically talk about them. And

1477
01:10:25,520 --> 01:10:28,640
Speaker 2: Millie is the cinema expert and Danielle is just the

1478
01:10:28,680 --> 01:10:29,559
Speaker 2: person who likes movies.

1479
01:10:29,640 --> 01:10:31,200
Speaker 4: They just talk about it with each other. They have

1480
01:10:31,240 --> 01:10:32,040
Speaker 4: guests on there too.

1481
01:10:32,320 --> 01:10:34,480
Speaker 2: They've had a couple of guests, but for the most.

1482
01:10:33,840 --> 01:10:37,519
Speaker 3: Part, no room for me to get in there.

1483
01:10:37,720 --> 01:10:38,960
Speaker 4: Well, I could be in a case, I could be

1484
01:10:39,040 --> 01:10:40,160
Speaker 4: a special guest.

1485
01:10:40,760 --> 01:10:44,120
Speaker 2: I will absolutely If I texted Milly, I'm because Millie's

1486
01:10:44,439 --> 01:10:47,840
Speaker 2: best friends with April Richardson, so I'm sure she knows

1487
01:10:47,840 --> 01:10:49,640
Speaker 2: who you are, so I'm sure they would love to

1488
01:10:49,680 --> 01:10:50,120
Speaker 2: have you.

1489
01:10:50,160 --> 01:10:51,599
Speaker 4: Well, there was a couple of those, you know they

1490
01:10:51,640 --> 01:10:51,880
Speaker 4: do those.

1491
01:10:51,960 --> 01:10:54,439
Speaker 3: Uh, here's why underground movies are so fun and great

1492
01:10:54,520 --> 01:10:57,080
Speaker 3: type promos, which I love all that. I love everything

1493
01:10:57,120 --> 01:10:59,520
Speaker 3: about TC. I didn't like when they did a redesigned

1494
01:11:00,400 --> 01:11:02,600
Speaker 3: but now I'm okay with it. But they really you

1495
01:11:02,680 --> 01:11:03,519
Speaker 3: just had to get used to it.

1496
01:11:03,720 --> 01:11:05,519
Speaker 4: That's it, that's it. And you know what Ben Mank

1497
01:11:05,600 --> 01:11:08,120
Speaker 4: even said, he made a whole spiel.

1498
01:11:08,520 --> 01:11:10,320
Speaker 3: You just gotta get used to it, or he said,

1499
01:11:11,000 --> 01:11:13,240
Speaker 3: and I know, I know, you know, I know you

1500
01:11:13,280 --> 01:11:14,600
Speaker 3: don't like change.

1501
01:11:14,360 --> 01:11:15,000
Speaker 4: Or something like that.

1502
01:11:15,360 --> 01:11:17,080
Speaker 3: But I've also been trying to get a Ben Mank

1503
01:11:17,120 --> 01:11:19,120
Speaker 3: impression down where he's like da da da da da

1504
01:11:19,200 --> 01:11:21,519
Speaker 3: da da da da. The film backs and then he

1505
01:11:21,520 --> 01:11:24,439
Speaker 3: finishes that and he goes from nineteen forty seven.

1506
01:11:26,360 --> 01:11:28,240
Speaker 4: He always he always takes a good pause.

1507
01:11:27,960 --> 01:11:31,400
Speaker 1: Before he goes from nineteen forty seven here.

1508
01:11:31,360 --> 01:11:33,680
Speaker 2: Is he winds up? It's the wind up in.

1509
01:11:33,640 --> 01:11:36,400
Speaker 4: The pitch Ben. I think that the movie mank should

1510
01:11:36,400 --> 01:11:37,360
Speaker 4: have been about Ben Mank.

1511
01:11:38,400 --> 01:11:42,200
Speaker 2: I am a huge fan of the both Mankowitz brothers, Josh,

1512
01:11:42,320 --> 01:11:46,679
Speaker 2: who is on Dateline and Ben. But TCM is when

1513
01:11:46,720 --> 01:11:48,840
Speaker 2: my dad and I are like to have to be

1514
01:11:48,960 --> 01:11:51,360
Speaker 2: together for an extended period of time, like we go

1515
01:11:51,400 --> 01:11:53,519
Speaker 2: on vacation or something, or I'm staying at his house.

1516
01:11:54,520 --> 01:11:57,519
Speaker 2: TCM is what we can watch together no matter what,

1517
01:11:57,960 --> 01:12:00,920
Speaker 2: because if it's some old movie, he'll be sitting there going,

1518
01:12:01,080 --> 01:12:03,120
Speaker 2: you know this guy fought in World Wars, Like he

1519
01:12:03,160 --> 01:12:05,320
Speaker 2: always has some sort of like fifties trivia.

1520
01:12:05,479 --> 01:12:07,280
Speaker 4: You want to do a podcast with your dad?

1521
01:12:08,040 --> 01:12:10,840
Speaker 2: He would be pretty great at it, pretty funny.

1522
01:12:10,640 --> 01:12:12,880
Speaker 4: Because yeah, I'd be like, oh, yeah, I heard about that.

1523
01:12:13,080 --> 01:12:14,960
Speaker 4: I'd be just trying to keep up. Yeah I knew that.

1524
01:12:15,200 --> 01:12:19,360
Speaker 2: Actually I always go oh really and then look at

1525
01:12:19,360 --> 01:12:20,000
Speaker 2: my phone again.

1526
01:12:20,120 --> 01:12:20,679
Speaker 4: But yeah.

1527
01:12:20,800 --> 01:12:23,320
Speaker 2: It's first of all, I love that they don't have commercials.

1528
01:12:23,400 --> 01:12:25,639
Speaker 2: I think that's like the greatest thing of all time.

1529
01:12:25,760 --> 01:12:28,760
Speaker 2: They just you don't have to worry about commercials. Yeah, yeah,

1530
01:12:28,800 --> 01:12:31,519
Speaker 2: it's the best. And they just roll movie after movie

1531
01:12:31,520 --> 01:12:35,000
Speaker 2: and they explained Ben Minkwit's at the beginning, explains why

1532
01:12:35,320 --> 01:12:37,280
Speaker 2: you're going to love this movie, what's great about it,

1533
01:12:37,320 --> 01:12:40,320
Speaker 2: how some weird thing that happened when they were filming it,

1534
01:12:40,400 --> 01:12:43,799
Speaker 2: what it was like in the era, Like it's an education,

1535
01:12:44,080 --> 01:12:44,840
Speaker 2: it's really cool.

1536
01:12:45,000 --> 01:12:47,559
Speaker 4: Yeah. They have a good approach to.

1537
01:12:49,280 --> 01:12:52,920
Speaker 3: Also, like you know, movies that would be canceled or

1538
01:12:52,920 --> 01:12:55,720
Speaker 3: something today. You know, that's a slang term that I'm like,

1539
01:12:55,800 --> 01:12:58,320
Speaker 3: I say it, but I don't even I don't want.

1540
01:12:58,120 --> 01:13:00,439
Speaker 4: To say it. It's just that's the easy word to say.

1541
01:13:00,560 --> 01:13:03,160
Speaker 3: Yes, you know, right, But they always say, well, here's

1542
01:13:03,200 --> 01:13:06,040
Speaker 3: why you don't you don't cancel it. You know, they're

1543
01:13:06,080 --> 01:13:10,840
Speaker 3: in they're good flowery TCM talk, but they do it well.

1544
01:13:10,880 --> 01:13:12,840
Speaker 3: They say, here's what, and we're going to show it,

1545
01:13:13,200 --> 01:13:15,800
Speaker 3: and you're gonna like it and appreciate.

1546
01:13:15,280 --> 01:13:16,000
Speaker 4: It for what it is.

1547
01:13:16,960 --> 01:13:19,680
Speaker 1: Don't be so hard on it for today's standards or whatever. Oh,

1548
01:13:19,680 --> 01:13:21,479
Speaker 1: there's like a disclaimer.

1549
01:13:20,960 --> 01:13:23,080
Speaker 3: That sometimes they do a disclaimer, but I think they

1550
01:13:23,160 --> 01:13:26,240
Speaker 3: do it. They do it softly, they do it. They

1551
01:13:26,240 --> 01:13:28,439
Speaker 3: don't do it like they don't condemn what they're going

1552
01:13:28,520 --> 01:13:30,960
Speaker 3: to show. You know, they don't say they don't condemn

1553
01:13:31,040 --> 01:13:33,559
Speaker 3: the viewer for wanting to watch old movies, you know,

1554
01:13:33,680 --> 01:13:35,720
Speaker 3: or whatever. It's just a context sort of a thing,

1555
01:13:35,760 --> 01:13:36,120
Speaker 3: I think.

1556
01:13:36,560 --> 01:13:38,920
Speaker 2: Right, It's kind of like if there's a movie that's

1557
01:13:38,960 --> 01:13:42,439
Speaker 2: all about a woman, you know, like you know, a

1558
01:13:42,479 --> 01:13:47,280
Speaker 2: woman be being tossed between you know, like she's supposed

1559
01:13:47,280 --> 01:13:48,840
Speaker 2: to be the wife of this person or that part,

1560
01:13:48,920 --> 01:13:51,479
Speaker 2: you know whatever, then they're like, it's of the time, right, Yeah,

1561
01:13:51,600 --> 01:13:54,080
Speaker 2: and this is kind of like it's very reflective of

1562
01:13:54,360 --> 01:13:56,840
Speaker 2: what it was like in nineteen thirty four or whatever.

1563
01:13:57,000 --> 01:14:00,000
Speaker 3: Occasionally they will do something that if I'm like trying

1564
01:14:00,160 --> 01:14:03,240
Speaker 3: to find a criticism, they might like it's like they

1565
01:14:03,280 --> 01:14:04,479
Speaker 3: might do something that's like.

1566
01:14:06,120 --> 01:14:06,919
Speaker 4: Not a stretch.

1567
01:14:07,040 --> 01:14:09,000
Speaker 3: But it's like, you don't need to do we have

1568
01:14:09,080 --> 01:14:12,000
Speaker 3: to tell today's audience that, like just to make them interested,

1569
01:14:12,080 --> 01:14:14,960
Speaker 3: Like you really got to make me, You really got

1570
01:14:14,960 --> 01:14:17,559
Speaker 3: to explain to me that Sam Fuller's a feminist or

1571
01:14:17,560 --> 01:14:20,360
Speaker 3: something like that. You know, it just feels like just

1572
01:14:20,400 --> 01:14:22,840
Speaker 3: show the movie, you know, the smart people will get it.

1573
01:14:23,600 --> 01:14:27,679
Speaker 1: Yeah, yeah, yeah, yeah. You can't rely on people being smart.

1574
01:14:27,760 --> 01:14:28,719
Speaker 1: I guess not.

1575
01:14:30,560 --> 01:14:34,840
Speaker 2: No, not a special They have to feel that like

1576
01:14:35,120 --> 01:14:38,760
Speaker 2: there's the fifteen ten to fifteen minutes between they you know,

1577
01:14:38,880 --> 01:14:41,960
Speaker 2: changing reels or whatever between from movie to movie, whereas

1578
01:14:42,040 --> 01:14:44,000
Speaker 2: I would love it if you just went from one

1579
01:14:44,040 --> 01:14:44,439
Speaker 2: to the other.

1580
01:14:44,720 --> 01:14:48,439
Speaker 1: Yeah, just like rolled on through, just like the Doors

1581
01:14:48,479 --> 01:14:49,719
Speaker 1: song to the other side.

1582
01:14:50,439 --> 01:14:54,160
Speaker 2: That's right, exactly, roll on through to the other side.

1583
01:14:54,240 --> 01:15:10,559
Speaker 7: Yeah, yeah, yeah, yeah, yeah.

1584
01:15:04,520 --> 01:15:05,439
Speaker 1: Josh, he are the best.

1585
01:15:05,600 --> 01:15:08,120
Speaker 3: This was so fun and thanks for having me, and

1586
01:15:08,240 --> 01:15:11,800
Speaker 3: thanks to uh yeah, well and better call Saul.

1587
01:15:11,880 --> 01:15:12,320
Speaker 4: I'm on it.

1588
01:15:13,120 --> 01:15:16,040
Speaker 1: Yeah, you're getting on it. Yeah, a great chat. At

1589
01:15:16,080 --> 01:15:17,920
Speaker 1: the end of this. I always say, you've been listening

1590
01:15:17,920 --> 01:15:20,840
Speaker 1: to Do you Need a Ride? D y n aar

1591
01:15:21,040 --> 01:15:24,519
Speaker 1: the are, but can you do it? Josh has Warner

1592
01:15:24,560 --> 01:15:25,520
Speaker 1: Werner Herzog.

1593
01:15:25,680 --> 01:15:27,680
Speaker 3: Okay, I don't think my heart sog impression is any

1594
01:15:27,680 --> 01:15:29,760
Speaker 3: good anymore. See that's what happens when you don't you

1595
01:15:29,800 --> 01:15:30,920
Speaker 3: don't do stand up anymore.

1596
01:15:30,920 --> 01:15:33,880
Speaker 4: You think you think you know pounding, You're gonna lose

1597
01:15:33,880 --> 01:15:35,080
Speaker 4: your heart sog impression.

1598
01:15:37,080 --> 01:15:40,200
Speaker 6: You have been absorbing the sounds of do you Need

1599
01:15:40,320 --> 01:15:46,120
Speaker 6: a Ride? Here today on this podcast network. There's only

1600
01:15:46,200 --> 01:15:48,920
Speaker 6: one way to listen. If you are having a ride.

1601
01:15:49,000 --> 01:15:52,320
Speaker 6: If there's no ride, then you will have an overwhelming

1602
01:15:52,400 --> 01:15:57,639
Speaker 6: sense of loss and lack of direction, which will which

1603
01:15:57,680 --> 01:16:02,520
Speaker 6: will sink you into an abysmal crime in your pillow depression.

1604
01:16:03,120 --> 01:16:06,439
Speaker 6: There's no way out except to get a ride with

1605
01:16:06,600 --> 01:16:07,800
Speaker 6: Do You Need a Ride?

1606
01:16:09,000 --> 01:16:13,439
Speaker 2: D y n aar. That's perfect.

1607
01:16:14,000 --> 01:16:16,439
Speaker 1: This has been an exactly right production.

1608
01:16:16,920 --> 01:16:18,720
Speaker 2: Produced by Casey O'Brien.

1609
01:16:18,720 --> 01:16:20,680
Speaker 1: Mixed by John Bradley.

1610
01:16:20,520 --> 01:16:22,040
Speaker 2: Artwork by Chris Fairbanks.

1611
01:16:22,160 --> 01:16:24,080
Speaker 1: Theme song by Karen Kilgarrett.

1612
01:16:24,360 --> 01:16:27,400
Speaker 2: Follow the show on Instagram, Twitter, and Facebook at dinar

1613
01:16:27,560 --> 01:16:30,600
Speaker 2: podcast That's d y n ar Podcast.

1614
01:16:31,000 --> 01:16:34,600
Speaker 1: For more information, go to exactly Rightmedia dot com.

1615
01:16:34,640 --> 01:16:36,879
Speaker 2: Thank you, Oh You're welcome.