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Speaker 1: Alright, folks, check it out. I got shows coming up

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Speaker 1: and I really want to see you there. So let

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Speaker 1: me give you some specifics so you can get your

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Speaker 1: tickets and make your plans. Now that the world seems

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Speaker 1: to be opening up, now is a great time to

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Speaker 1: get out and laugh with everybody else. So from July

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Speaker 1: nine to eleven, I'll be in Ontario, California at the

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Speaker 1: Ontario Improv. From July to the seventeenth, coming to Raleigh,

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Speaker 1: North Carolina at the Raleigh Improv, my first time there.

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Speaker 1: I'm excited. I'll also be in Oklahoma City from August

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Speaker 1: fifth to the seventh at Bricktown Comedy Club again, another

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Speaker 1: place that I've never been to before, so I'm excited

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Speaker 1: to go to Oklahoma City, Oklahoma. Anyway, From August twelfth

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Speaker 1: to the fourteenth, I'll be in Liberty Township, Ohio at

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Speaker 1: the Funny Bone. Some people called the Cincinnati Funny Bone,

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Speaker 1: but really it's in Liberty Township. It's right outside Cincinnasti.

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Speaker 1: And then I'm back in California at the American Comedy

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Speaker 1: Company in San Diego, California, from August nineteen to two.

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Speaker 1: There will be more dates added to this and if

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Speaker 1: you want to come out, you come list see me.

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Speaker 1: I'll also be in Abu Dhabi on September seventeen at

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Speaker 1: the new Etty Had Arena. I will be the first

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Speaker 1: performer there and you should be there for this premier event.

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Speaker 1: Well you know who this is. It's me Russell Peters

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Speaker 1: and we're listening to this new episode of Culturally Canceled.

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Speaker 1: On today's episode, we got my my homeboy who hanging

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Speaker 1: out with us from Nupius. I know a bunch of

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Speaker 1: going who the hell is oo? And what's the Nupius?

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Speaker 1: Well we explains it to you. Um, the very funny

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Speaker 1: France Cassius, another guy that opens for me, but he's

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Speaker 1: a he's a headliner in his own right as well.

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Speaker 1: And the legendary B boy from the rock Steady Crew

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Speaker 1: Crazy Legs. So this one is This one's entertaining for me.

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Speaker 1: And if you're a hip hop nerd or a B

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Speaker 1: boy or anything in that world, you're gonna want to

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Speaker 1: tune into this one. And if you think it's boring,

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Speaker 1: then that's your problem, bottom line, as you're listening to

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Speaker 1: your eavesdropping on my conversations and that's what this is

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Speaker 1: all about. Well, come to culturally canceled. I'm Russell Peters,

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Speaker 1: your host, hence the name can culturally canceled with Russell

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Speaker 1: cancel the cultured whatever the funk I called it, you

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Speaker 1: know the podcast that I started. Anyway, this is it

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Speaker 1: today with me are two of my homeboys and one

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Speaker 1: of them and one of them with three of my homeboys,

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Speaker 1: and one of them is an actually a legendary guy,

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Speaker 1: one's a legendary gangster, and the other one is my

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Speaker 1: friend who um just kidding. So on my left we

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Speaker 1: got my boy sitting in with us from nupius uh toe.

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Speaker 1: Nupius stands for again any you that's new P. That's

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Speaker 1: power E. That's four in us new powerful is four. Yeah,

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Speaker 1: he is four, the fourth letter. Oh so was Eddie's

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Speaker 1: name forty? He could be Oh, I didn't know that

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Speaker 1: he was the four. I see how you got me

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Speaker 1: on that one. You see he did too much, no, no,

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Speaker 1: too much because generically doom baps. So you know what

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Speaker 1: I mean, that should really fit where you wet with it,

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Speaker 1: you know what I'm saying. I mean, I like the

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Speaker 1: x Klan and they had all the weird stuff going on.

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Speaker 1: But anyway, and right it Directly across from me is

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Speaker 1: France Cassius shop comedian extraordinaire, one of my buddies. He's

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Speaker 1: on the road with me lately quite a bit. He

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Speaker 1: took some time off from the game, came back and

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Speaker 1: he's been he's been knocking it out of the park

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Speaker 1: every show. Welcome to the show, Frank. And then obviously

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Speaker 1: we have the legendary rock Steady Crew face of the

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Speaker 1: rock Steady Crew, whether people know it or not, whether

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Speaker 1: he wants to admit it or not. When people think

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Speaker 1: of the rock Steady Crew, they think of crazy Legs,

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Speaker 1: and right beside me is Ricardo Crazy Legs Cologne. I'm

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Speaker 1: glad you just you didn't say colon and leave the

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Speaker 1: accent out. Well, you know that'd be weird because then

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Speaker 1: you and then I call you crazy colon and that's

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Speaker 1: when you get older and the continent. I just made

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Speaker 1: it up us your first used, your first time meeting

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Speaker 1: Legs now France. Uh yeah, because because you're a New

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Speaker 1: York guy too, right, yeah, yeah, we never met. We

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Speaker 1: never met, but I definitely I mean he's in New

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Speaker 1: York City. Star. Oh yeah, I mean the word you're

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Speaker 1: too kind because when I hear you. Obviously you met

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Speaker 1: Legs at my house before, right, who's West coast legend

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Speaker 1: to um, he's he's very West Coast, Like, teaches me

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Speaker 1: how to stand and how to throw up gang signs.

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Speaker 1: So it's really nice. Somebody has to do, yeah, because

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Speaker 1: I'd be throwing up the wrong ones, like you're gonna

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Speaker 1: get killed throwing that ship up and yeah, so he

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Speaker 1: guides me in the right direction with my wrong direction.

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Speaker 1: I needed to learn how to wear my hat the

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Speaker 1: right way. In Chicago one time, my first tour, we

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Speaker 1: went there, this dude comes up, where you ever talking?

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Speaker 1: This is one And actually I was the first sime.

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Speaker 1: I went to Toronto. The last stop was Toronto the

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Speaker 1: Kitchen Tour. Eric Bogosian was on it. Wow. Yeah, what

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Speaker 1: was he doing on it? He stand up? Oh he

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Speaker 1: used to be a standard he was a radio host,

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Speaker 1: right and uh yeah, this guy comes up to me like, Yo,

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Speaker 1: what's set you from you talking about? I don't know,

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Speaker 1: I don't know what you're talking about. You're wearing your

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Speaker 1: hat to the sign like yeah, I'm a b boy.

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Speaker 1: He didn't know what I was talking about because breaking

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Speaker 1: hadn't made didn't make it out there yet and it

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Speaker 1: was just like, yo, you know, people would have run

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Speaker 1: up on you if they see you just like just

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Speaker 1: like this, wearing my hat a little bit to the side.

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Speaker 1: It was a gang affiliation thing for them. I try,

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Speaker 1: I try wearing my hat side ways, and it never works.

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Speaker 1: I swear, I never works for me. Now you don't

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Speaker 1: have to slant. No, I can't do it. I tried it,

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Speaker 1: even with these hats are we like, It's like it'll

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Speaker 1: look good, but then I'll be uncomfortable as because I'm

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Speaker 1: a liber I guess because I need to be bounced.

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Speaker 1: I put that ship centered again. Come on, I was

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Speaker 1: just picturing my dad and put the hot on straight,

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Speaker 1: you idiot. That's how I picture. Yeah, that that I think.

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Speaker 1: I mean, it's not just about games, it's just about

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Speaker 1: whatever you know, cats are on at that particular time.

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Speaker 1: You know, Chicago still like that though everywhere I think

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Speaker 1: everywhere you know they down their gang banging right now

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Speaker 1: in New York, yeah, now they are. But I mean

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Speaker 1: that's only old quite like they're even much smaller cities.

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Speaker 1: It ain't quite like the real regular killing per capital

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Speaker 1: per mile. I don't know Chicago itself might be that

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Speaker 1: Chicago well, each each city does, each city does, and

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Speaker 1: it's about but it's New York. We gotta be cool

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Speaker 1: because we're stacked up. So you can't have beef with

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Speaker 1: everybody you know over here. You need you got beef

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Speaker 1: with somebody from another neighborhood. You need gas money, you know,

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Speaker 1: just to continue to be right now. Chicago, there's been

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Speaker 1: a decrease, and I think that's being purposely done, believing

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Speaker 1: in that that part is a whole, the angle, but

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Speaker 1: the gas, the gas press to go everything to kill

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Speaker 1: drive Bucks. I like a cup shout out to the

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Speaker 1: low lives, and see what happened with Nipsey. You see

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Speaker 1: what happened. They've been some yeah, some some some blood kids,

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Speaker 1: some blood kids. You know what I'm saying. It's a

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Speaker 1: whole that's gonna be a problem for the whole section.

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Speaker 1: They went over, They went over and put some kids

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Speaker 1: name on it, and come on, now, that's not they

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Speaker 1: used to be that. There's something behind that, man, there's

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Speaker 1: something behind that. It's not real street ship anymore. It's

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Speaker 1: not at all. Yeah, yeah, yeah, you know. Problem is

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Speaker 1: And I'm not I'm not making this a joke, but

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Speaker 1: I really feel like this whole younger generation. That's just

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Speaker 1: shooting willy nilly. Everybody came up playing Grand Theft Auto

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Speaker 1: were you just shot people willy nilly and it meant nothing.

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Speaker 1: It was almost funny. Tap in on what you propping though?

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Speaker 1: That's real though. Uh, games like that. Also, it wasn't

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Speaker 1: just that game, but that one did shoot it through

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Speaker 1: the roof. Yeah, because that one made it more urban,

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Speaker 1: they made they set it in urban settings. Yeah. The

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Speaker 1: other ones were set in war settings, you know what

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Speaker 1: I mean, where it was like, Okay, you're at war,

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Speaker 1: this is what you're gonna do. But now it's just like, oh,

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Speaker 1: I'm driving down the street, let's go kill somebody. Yeah yeah,

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Speaker 1: and then go get a burger, you know what I mean,

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Speaker 1: Like if the fun part was trying to get away

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Speaker 1: with it? Yeah, how many bodies did each side? Good body?

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Speaker 1: You know what I'm saying. Crazy just some serious condition

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Speaker 1: like dogs like dogs and cats, dogs see each other,

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Speaker 1: instant enemy. It's crazy. Yeah, you know you couldn't do that.

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Speaker 1: I mean New York is harder to do that because

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Speaker 1: when you make the block hot, it's different. That's crazy.

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Speaker 1: That's that's the ogs have come down and you doing yeah,

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Speaker 1: trying to live my life right now, and you're you're

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Speaker 1: making the block hot. Yeah, but see you have Yeah,

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Speaker 1: but they'll kill the ogs too. Yeah, there's no the

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Speaker 1: gs they're doing anything. Like everybody is doing their own things,

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Speaker 1: so it's separated like that, there is no more of

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Speaker 1: a of a straight mind. Yeah. Well, I don't want

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Speaker 1: to say unity because it's still the same hood, but

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Speaker 1: they're not kicking it together. Let's just say it like that. Yeah,

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Speaker 1: but like ye, when you were younger, you would um,

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Speaker 1: you would respect, and now thes are beating with the

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Speaker 1: young gs and like the fun is going on right

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Speaker 1: right right Who you're gonna learn game from exactly? Yeah. Yeah,

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Speaker 1: but if somebody feels that they know you know what

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Speaker 1: I mean, then it's kind of hard to commute. They

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Speaker 1: look at your you're playing and the way you did

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Speaker 1: it different from them, and it's like, Yo, you're doing

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Speaker 1: your way. I don't need your advice whatever, blah blah blah.

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Speaker 1: I'm doing it this way. I'm getting paid this way.

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Speaker 1: You feel me you paid this way? Good? Thanks, thanks,

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Speaker 1: but don't know thanks. I don't need your rules, don't

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Speaker 1: need your call. That's where the young boys are now.

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Speaker 1: Remember start straight dope. They're talking about cryptocurrency. So you

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Speaker 1: got to look at the communication from they went from

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Speaker 1: the crypto. You know, it's it's a whole another yea.

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Speaker 1: They went from bloods to blood money. They went from

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Speaker 1: pyrou to pok it. So it's like this, we're not

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Speaker 1: I'm not saying saying that that all they do is

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Speaker 1: bad or all they do is good, and that's on

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Speaker 1: on either level. I'm just saying that the stuff that

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Speaker 1: that we had to do, they didn't have to do.

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Speaker 1: So whatever we did to get money, you know what

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Speaker 1: I mean, that they don't have to do that. You

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Speaker 1: think about it, we just legal Everything changes, everything changes.

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Speaker 1: It's totally changed from when the young you know, the

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Speaker 1: o G the old ogs was young, you know, saying

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Speaker 1: the whole different. It's a whole different system now and

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Speaker 1: they trying to hear no OG system. That's what I'm saying.

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Speaker 1: Look at it like, yo, I'm doubling tripling what you

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Speaker 1: used to make. O G. It's a different time, you

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Speaker 1: know what. You know what I'm saying, different time you

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Speaker 1: made millions, I'm making billions and a lot of cats

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Speaker 1: s done to have father's grown up. So they don't

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Speaker 1: really respect other men. I can dig that too. I

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Speaker 1: didn't have a father. Are talking, man, I'm just saying,

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Speaker 1: you know, so it's like, look at it like music wise, right,

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Speaker 1: how cast a young cat quickly? You know what I'm saying,

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Speaker 1: me called, you know, a legend like him, like oh,

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Speaker 1: that's that old ship, you know what I mean, not

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Speaker 1: really knowing what it is or respecting it. It's the

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Speaker 1: same thing with the streets. It's like they know who

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Speaker 1: he is and all of that right there. It's just

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Speaker 1: they feel how they feel. They feel they you know,

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Speaker 1: but I don't have it. I don't. They don't. They don't.

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Speaker 1: They just feel like, Okay, that worked for you. That's

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Speaker 1: cool of your life. I'm young now, I'm young, and

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Speaker 1: and you know, hungry. You know what I'm saying, I'm

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Speaker 1: doing it my way. I already my plan is already working.

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Speaker 1: So whatever you're trying to tell me, yeah, I'm good.

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Speaker 1: But that's that's that's that I mean. I think a

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Speaker 1: lot of old school heads have, especially hip hop, have

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Speaker 1: the sense of entitlement where they think everyone's gonna bow

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Speaker 1: down to them and me, I don't have about none

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Speaker 1: of that stuff. Like, yo, let the young people live.

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Speaker 1: I don't care they want to rock their music. I'm

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Speaker 1: not judging them. That's exactly they have the soundtrack to that.

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Speaker 1: Our parents did that to us, you know what I'm saying.

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Speaker 1: Our parents were saying, Oh, yeah, mine didn't, but I'm lucky.

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Speaker 1: I was lucky. But yeah, yeah, you know I was

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Speaker 1: that kids. Their music from the sixties is better seventies

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Speaker 1: and their whole culture and everything was better. That's just generational.

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Speaker 1: We we think our music is better, and there this

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Speaker 1: kid's music, and they think our music is trash, and

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Speaker 1: it's worse and worse and worse to every generation. Yeah,

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Speaker 1: I'm saying, but above and beyond the musical degeneration, we're

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Speaker 1: watching civilization degenerate too. Yeah, gone, street codes are gone.

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Speaker 1: Snitching is okay, murders okay, murder and has always been there,

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Speaker 1: but the snitching, but murdered murdering like a lot. Look,

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Speaker 1: a lot of stuff is just being reported. Cast been

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Speaker 1: killing cats. I mean that that's never stopped, whether it's

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Speaker 1: East coast, West coast, or whatever. What I'm saying is

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Speaker 1: is that motives, actions, thought process are less different. Now, well,

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00:13:35,720 --> 00:13:41,920
Speaker 1: the cops are getting caught now, yeah, you know We

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00:13:41,960 --> 00:13:44,000
Speaker 1: deserve to know what we're putting in our bodies and why,

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00:13:44,480 --> 00:13:46,840
Speaker 1: especially when it comes to something we take every day.

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00:13:51,440 --> 00:13:55,320
Speaker 1: quality nutrients and bioavailable forms your body can actually use

249
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250
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Speaker 1: There's an artificial colorance, plus the fresh taste and delayed

251
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252
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253
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254
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255
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256
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273
00:15:24,160 --> 00:15:29,840
Speaker 1: Becoming a troll is actually a viable lifestyle. Literally. I

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00:15:29,840 --> 00:15:31,640
Speaker 1: mean you look at the Jake Paul and the Logan

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Speaker 1: calls and the Takashi six nine and all them guys

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Speaker 1: that their whole basis is being a control I have

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00:15:39,240 --> 00:15:41,880
Speaker 1: a whole other opinion about Takashi six and nine because

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Speaker 1: just knowing the story of how they and I don't

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00:15:44,480 --> 00:15:47,440
Speaker 1: know if it's wrong, if I got bad data, but

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Speaker 1: Doud was like a cashier or something like that, and

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Speaker 1: then they they basically brought him into their world, turned

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Speaker 1: them into something that he wasn't trying to be. He

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Speaker 1: ends up snitching on them. But to me, it's like, yo,

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Speaker 1: well you turn to cash, you try to turn the

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Speaker 1: cash here into something that you were and didn't even

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00:16:06,880 --> 00:16:10,120
Speaker 1: qualify him. I didn't know. I mean, you had to

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00:16:10,240 --> 00:16:14,040
Speaker 1: know that he was gonna snitch once he got himmed up.

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Speaker 1: He's not. He's not that background. But the worst part

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00:16:18,560 --> 00:16:21,000
Speaker 1: is he snitched and came out and got a fucking deal.

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00:16:23,000 --> 00:16:26,320
Speaker 1: That's the part. It's like he's being rewarded, but who

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00:16:26,320 --> 00:16:28,920
Speaker 1: ever put him on they have to be held accountable

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00:16:29,040 --> 00:16:32,920
Speaker 1: for like, and he's not qualifying this dude. He got

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Speaker 1: to qualify, Yeah, I did. It's no, it's no consequences. See,

294
00:16:42,040 --> 00:16:44,600
Speaker 1: once upon a time there was consequences for different actions.

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00:16:45,000 --> 00:16:51,240
Speaker 1: There are no consequences no more. We know he ain't

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Speaker 1: gonna walk around with without security because he knows somebody.

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00:16:55,760 --> 00:16:58,080
Speaker 1: But this is it's not like he even doing any

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Speaker 1: of the stuff that everybody is talking about. He was

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00:17:00,120 --> 00:17:02,920
Speaker 1: like when he came out here, he slid in and

300
00:17:03,000 --> 00:17:05,520
Speaker 1: slid out. Nobody knew he was. But at the same

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00:17:05,560 --> 00:17:08,120
Speaker 1: time I kind of get him because like people are

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00:17:08,119 --> 00:17:11,800
Speaker 1: coming at him and I would say myself to ignore them.

303
00:17:11,920 --> 00:17:15,800
Speaker 1: But as a twenty two year old man who's making

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00:17:15,880 --> 00:17:20,280
Speaker 1: so much money. He's a boy. Yeah, I agree. I

305
00:17:20,320 --> 00:17:28,200
Speaker 1: agree you talking about you know, people keep coming at

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00:17:28,240 --> 00:17:30,600
Speaker 1: you and trying to like, you know, oh yeah, so

307
00:17:30,680 --> 00:17:32,560
Speaker 1: when you get money and go fuck you. You know,

308
00:17:32,880 --> 00:17:35,760
Speaker 1: people you don't know, like total strangers. You know, other

309
00:17:35,800 --> 00:17:38,240
Speaker 1: people in the business who have made it themselves, you know,

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00:17:38,240 --> 00:17:42,440
Speaker 1: the rappers or whatever. I mean. Okay, he's snitched. That's

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00:17:42,440 --> 00:17:45,359
Speaker 1: a bad thing. Of course, it's a bad thing. But

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00:17:46,240 --> 00:17:52,240
Speaker 1: you know, as a man period, like even before that,

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Speaker 1: before he snitched, you know, if niggers just trying to

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00:17:54,240 --> 00:17:57,600
Speaker 1: boss you around, tell you what to do with your money, like, yo,

315
00:17:57,760 --> 00:18:02,879
Speaker 1: I made this, this is me six nine. You you know,

316
00:18:02,920 --> 00:18:05,600
Speaker 1: people trying to he puts h stuff in that I

317
00:18:05,600 --> 00:18:08,240
Speaker 1: can't even qualify that he puts himself in that position

318
00:18:08,240 --> 00:18:09,960
Speaker 1: to do it. Well, he did put your right and

319
00:18:10,000 --> 00:18:15,600
Speaker 1: you're absolutely he'd be talking talking throwing up gang side.

320
00:18:15,680 --> 00:18:18,320
Speaker 1: But they recruited him and turned them into that. That's

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00:18:18,320 --> 00:18:21,679
Speaker 1: what I'm saying. It's like, Yo, didn't somebody say y'all,

322
00:18:21,720 --> 00:18:24,840
Speaker 1: you know, don't suck with shorty because it's kind of suspect,

323
00:18:25,160 --> 00:18:27,639
Speaker 1: like we can't really you know, they all him to

324
00:18:27,720 --> 00:18:30,560
Speaker 1: ride like that. You know, I just like he was

325
00:18:30,600 --> 00:18:33,119
Speaker 1: a cash year, Like he was working in the market,

326
00:18:33,560 --> 00:18:37,880
Speaker 1: in the supermarket, and somebody created this image for him

327
00:18:37,920 --> 00:18:41,440
Speaker 1: or telling him to be something and then try to that. Yeah,

328
00:18:41,480 --> 00:18:45,480
Speaker 1: he tried to live up to and gathering. He tried

329
00:18:45,520 --> 00:18:49,000
Speaker 1: to live up to that persona. It backfired on the

330
00:18:49,080 --> 00:18:55,399
Speaker 1: people who put right from Brooklyn. Yeah, yeah, but that

331
00:18:55,440 --> 00:19:01,040
Speaker 1: doesn't mean I think I think a big misnomers being

332
00:19:01,080 --> 00:19:04,680
Speaker 1: Puerto Rican being from He's not He's not in Puerto Rican.

333
00:19:04,880 --> 00:19:09,800
Speaker 1: He's Mexican Puerto Rican. He's stuck in Listen. Listen. People

334
00:19:09,840 --> 00:19:12,040
Speaker 1: really have this misunderstanding about the Hood that it's full

335
00:19:12,080 --> 00:19:16,040
Speaker 1: of thugs and gangsters. There's I would say more nerds

336
00:19:16,680 --> 00:19:20,040
Speaker 1: in the Hood than there are gangsters in the hood. Yes, yeah,

337
00:19:20,200 --> 00:19:23,200
Speaker 1: you know there's a lot of regular normal nerds trying

338
00:19:23,240 --> 00:19:30,680
Speaker 1: to do their schoolwork running around. Yeah, that's some guy

339
00:19:30,840 --> 00:19:34,520
Speaker 1: trying to act hood at our hotels having cigars and

340
00:19:34,560 --> 00:19:37,359
Speaker 1: he tried to start fights. And I'm sitting there with

341
00:19:37,359 --> 00:19:39,439
Speaker 1: my laptop and he's like, no, no, don't let him.

342
00:19:39,440 --> 00:19:42,080
Speaker 1: I let him fight. They're not gonna fight. I literally

343
00:19:42,080 --> 00:19:45,960
Speaker 1: had my laptop barking right by me. I go he

344
00:19:45,760 --> 00:19:47,800
Speaker 1: So he walked past me and mean he knocked over

345
00:19:47,800 --> 00:19:50,399
Speaker 1: bottom water. So I tried to kick the bottle out

346
00:19:50,400 --> 00:19:51,879
Speaker 1: the way and he goes, you're trying to trip me.

347
00:19:52,160 --> 00:19:57,080
Speaker 1: You look at him and I just really how you want?

348
00:19:57,119 --> 00:20:00,240
Speaker 1: Like I'm like, really real that you wearing you to

349
00:20:00,240 --> 00:20:03,440
Speaker 1: the side, right, Yeah. I wasn't even sucking face. It

350
00:20:03,480 --> 00:20:09,040
Speaker 1: was like I know you ain't gonna yeo. Yeah, this

351
00:20:09,080 --> 00:20:12,440
Speaker 1: ship was funny. Man. This dude, oh out of shaped, tall,

352
00:20:12,560 --> 00:20:15,000
Speaker 1: young motherfucker. He was big. He was young, but he

353
00:20:15,040 --> 00:20:16,600
Speaker 1: was drunk, like six four but he's all you can

354
00:20:16,640 --> 00:20:22,880
Speaker 1: see his pu Yeah yeah, he's plays talk mark. That's

355
00:20:22,880 --> 00:20:29,560
Speaker 1: an easy dropping yeah. Yeah. But so this Italian dude

356
00:20:29,560 --> 00:20:32,120
Speaker 1: that was with us, how was that hot? Right? Yeah?

357
00:20:32,119 --> 00:20:35,080
Speaker 1: That was hot. This Italian dude is bigger than him

358
00:20:35,119 --> 00:20:37,560
Speaker 1: almost his side. I'm about the same side. He was

359
00:20:37,600 --> 00:20:39,800
Speaker 1: a little bit taller, but they were both big dudes.

360
00:20:40,560 --> 00:20:45,880
Speaker 1: So boy, you know, gotta with this like yo yo,

361
00:20:46,400 --> 00:20:49,360
Speaker 1: Russ is just sitting with his legs like yo, let

362
00:20:49,359 --> 00:20:51,760
Speaker 1: it go. Let They ain't gotta do ship, Let go.

363
00:20:52,040 --> 00:20:56,680
Speaker 1: There was too much, too much. He ain't gotta do ship.

364
00:20:56,920 --> 00:20:59,600
Speaker 1: So they go around circling each other and then like

365
00:20:59,640 --> 00:21:03,240
Speaker 1: it was what you want? What you want? You want?

366
00:21:03,680 --> 00:21:07,439
Speaker 1: You know what it sounds like if you take listen,

367
00:21:07,520 --> 00:21:09,959
Speaker 1: if you take the conversation they had and they were fighting,

368
00:21:10,480 --> 00:21:12,600
Speaker 1: and make it a male and a female and soften

369
00:21:12,640 --> 00:21:15,159
Speaker 1: the tone, it sounds like a couple arguing about what

370
00:21:15,200 --> 00:21:18,840
Speaker 1: you want to do for dinner? You want to come

371
00:21:19,000 --> 00:21:22,480
Speaker 1: out of nowhere? When is it just like this? Am

372
00:21:22,480 --> 00:21:25,919
Speaker 1: I not right? Literally? There was its exact same conversation.

373
00:21:26,280 --> 00:21:28,000
Speaker 1: What you want to do with me? What I want

374
00:21:28,000 --> 00:21:29,639
Speaker 1: to do? Why are we talking about it? If you

375
00:21:29,680 --> 00:21:32,200
Speaker 1: want to fight, we would have been fighting. Hilarious. Dog

376
00:21:32,400 --> 00:21:36,359
Speaker 1: rust is just sitting there like that. Do that? Just

377
00:21:36,440 --> 00:21:43,880
Speaker 1: let him and I'm over here and make that peacemaker fake.

378
00:21:44,160 --> 00:21:45,679
Speaker 1: This is why we have this is why we have

379
00:21:45,720 --> 00:21:49,600
Speaker 1: ghetto PTSD because all these stories or this bullshit that

380
00:21:49,680 --> 00:21:52,119
Speaker 1: we live. Man, it's a mission to come out of

381
00:21:52,160 --> 00:21:54,800
Speaker 1: the house. You didn't make it to the liquor stow

382
00:21:55,000 --> 00:21:57,440
Speaker 1: to make it to work, to make it back home. Yeah,

383
00:21:57,480 --> 00:21:59,360
Speaker 1: I was trying to tie that. My mother first set

384
00:21:59,400 --> 00:22:01,879
Speaker 1: me out to go buy co text for her and

385
00:22:01,920 --> 00:22:05,520
Speaker 1: it was raining at the bag broke and I was

386
00:22:05,640 --> 00:22:13,280
Speaker 1: all the nine years old, nine years old in the

387
00:22:13,359 --> 00:22:17,560
Speaker 1: hood you're like, yeah, you get to see that ship

388
00:22:17,680 --> 00:22:20,000
Speaker 1: all around the house. And I had to go with

389
00:22:20,040 --> 00:22:22,760
Speaker 1: the food stamp pact though, you know the paper one

390
00:22:22,840 --> 00:22:24,919
Speaker 1: of course. Yeah. See back then you could buy co

391
00:22:25,080 --> 00:22:26,960
Speaker 1: Text and all that those type of ships. My head

392
00:22:27,040 --> 00:22:30,040
Speaker 1: Cheese would send me to the store to get her stuff.

393
00:22:30,040 --> 00:22:31,800
Speaker 1: I gotta pull out. Not only do I got the

394
00:22:31,840 --> 00:22:33,840
Speaker 1: biggest thing of co Text and all that type of

395
00:22:34,880 --> 00:22:37,240
Speaker 1: the blue box. It was the blue, No, the purple.

396
00:22:37,320 --> 00:22:41,040
Speaker 1: You're right, those are the ones that right, actresses, those

397
00:22:41,080 --> 00:22:44,000
Speaker 1: are those are like the pillows in the hotels. That

398
00:22:44,119 --> 00:22:46,320
Speaker 1: was the worst ship that ever happened in my life.

399
00:22:46,359 --> 00:22:47,920
Speaker 1: And I've got to bring the book out. And then

400
00:22:47,920 --> 00:22:49,840
Speaker 1: the lady trying to act like she can't find it

401
00:22:49,880 --> 00:22:52,080
Speaker 1: and ship, you know, it's at the back. Man, take

402
00:22:52,119 --> 00:22:55,639
Speaker 1: that little us like super heavy overnight with wings and

403
00:22:55,640 --> 00:22:59,200
Speaker 1: all kinds of ship. And when the box broke on

404
00:22:59,359 --> 00:23:02,640
Speaker 1: legs soaked up all the puddles in New York. Hey, man,

405
00:23:02,960 --> 00:23:07,800
Speaker 1: look here, all I know is traumatized. This traumatize. Yeah,

406
00:23:08,160 --> 00:23:10,080
Speaker 1: don't send your kids to the store to getting nothing

407
00:23:10,119 --> 00:23:12,159
Speaker 1: for y'all. With the b BT cords and all that

408
00:23:12,200 --> 00:23:14,320
Speaker 1: other je you can buy cigarettes for your parents if

409
00:23:14,320 --> 00:23:18,320
Speaker 1: they wrote a note. Yeah, yeah, I remember them. Yeah. Yeah.

410
00:23:18,800 --> 00:23:22,480
Speaker 1: We didn't even have parents give my some permission to

411
00:23:22,680 --> 00:23:25,159
Speaker 1: buy the blah blah blah. You give it, Yeah, you

412
00:23:25,160 --> 00:23:27,280
Speaker 1: gotta give it to you, and that was it. Yeah, oh,

413
00:23:27,400 --> 00:23:31,560
Speaker 1: let me authenticate this first. Yeah, there was always the

414
00:23:31,640 --> 00:23:33,440
Speaker 1: door in the hood. They would let you get credit

415
00:23:33,480 --> 00:23:35,360
Speaker 1: and stuff too. You know what I'm saying. You get

416
00:23:35,400 --> 00:23:38,200
Speaker 1: some milk, some cheese, some stuff like that. Credit was

417
00:23:38,240 --> 00:23:42,159
Speaker 1: all that stuff. That's funny. You could be all wealthy

418
00:23:42,119 --> 00:23:46,840
Speaker 1: and get credit. Well, you get hood credit. It wasn't

419
00:23:46,880 --> 00:23:50,280
Speaker 1: like you got real store credit. You get the car

420
00:23:50,560 --> 00:23:52,800
Speaker 1: and we're going to stores right next door to the

421
00:23:52,920 --> 00:23:57,439
Speaker 1: number of spots right right. My mother needed credit at

422
00:23:57,480 --> 00:24:00,520
Speaker 1: the grocery store, but was always at the number of spot. Yeah,

423
00:24:01,119 --> 00:24:03,720
Speaker 1: now would look here. Number of spots is what kept

424
00:24:03,760 --> 00:24:07,080
Speaker 1: America goon. Nobody want to admit that. What I'm saying,

425
00:24:07,119 --> 00:24:09,240
Speaker 1: I don't know too many people that hit like that.

426
00:24:09,400 --> 00:24:12,040
Speaker 1: I didn't say nobody hit. I said number of spots

427
00:24:12,119 --> 00:24:14,440
Speaker 1: was what kept because the gambling shacks kept money going,

428
00:24:14,600 --> 00:24:19,200
Speaker 1: kept money flowing. Yeah, you had to believe it's something. Yeah, well,

429
00:24:19,280 --> 00:24:23,280
Speaker 1: I stole my first pass good sneakers. I was the

430
00:24:23,320 --> 00:24:26,439
Speaker 1: lookout for the guys to steal sneakers. There was a

431
00:24:26,480 --> 00:24:30,720
Speaker 1: store on our mall called Shoe World and uh, just

432
00:24:30,840 --> 00:24:34,040
Speaker 1: like eighty six, and they had all the shoes out.

433
00:24:34,119 --> 00:24:36,480
Speaker 1: They never had like a stockroom. Really they had a

434
00:24:36,520 --> 00:24:38,840
Speaker 1: stockhom with extra ship in it, but for the most

435
00:24:38,880 --> 00:24:42,160
Speaker 1: part everything was out in pairs. So they would send

436
00:24:42,200 --> 00:24:44,120
Speaker 1: me in because I look like a nerty little Indian kid,

437
00:24:44,880 --> 00:24:46,919
Speaker 1: I would ask for something we knew wasn't out. You

438
00:24:46,920 --> 00:24:50,960
Speaker 1: were never a nerd bro I was. And I walked

439
00:24:50,960 --> 00:24:52,760
Speaker 1: in and go, hey, you have blah blah blah blah

440
00:24:52,760 --> 00:24:55,040
Speaker 1: blah blah. I didn't find it out there. Okay, let

441
00:24:55,080 --> 00:24:56,320
Speaker 1: me go in the back and check. And as soon

442
00:24:56,320 --> 00:24:59,680
Speaker 1: as you go back, family clear the shelf and then

443
00:25:00,000 --> 00:25:01,400
Speaker 1: come back out. And I'm like, okay, thank you don't

444
00:25:01,440 --> 00:25:03,520
Speaker 1: have so we would just change the sides, like yeah,

445
00:25:03,600 --> 00:25:06,520
Speaker 1: let me get a seven and a half instead. That's

446
00:25:06,560 --> 00:25:09,360
Speaker 1: what you do. You go in and you we don't

447
00:25:09,359 --> 00:25:11,680
Speaker 1: need to do all that. I would just send the

448
00:25:11,720 --> 00:25:15,320
Speaker 1: check in the back and then guys, this is in Toronto, right,

449
00:25:15,320 --> 00:25:20,080
Speaker 1: They really trusted you guys over there. Here's the that's

450
00:25:20,119 --> 00:25:21,800
Speaker 1: the worst part about it. I would help him do this,

451
00:25:21,840 --> 00:25:23,480
Speaker 1: and then they would sell me the shoes they store.

452
00:25:23,520 --> 00:25:26,679
Speaker 1: I'm like, wait, I fucking helped you steal this ship.

453
00:25:27,600 --> 00:25:28,879
Speaker 1: Give it. You give me five bucks, I'll give you

454
00:25:28,920 --> 00:25:32,239
Speaker 1: a parent like I have five bucks. Ain't nothing like

455
00:25:32,640 --> 00:25:34,840
Speaker 1: going to go do something and you get into it.

456
00:25:34,960 --> 00:25:36,840
Speaker 1: You did what I'm saying me like that right there.

457
00:25:37,800 --> 00:25:39,440
Speaker 1: You know, you gotta know what it is ahead of

458
00:25:39,520 --> 00:25:43,160
Speaker 1: time before you go get into for real. But now

459
00:25:43,400 --> 00:25:45,320
Speaker 1: what you do, though, Russ, that's what you do? You

460
00:25:45,359 --> 00:25:47,440
Speaker 1: send him in the store. Wait, why are we still

461
00:25:47,480 --> 00:25:51,800
Speaker 1: doing this? We're all in our fifties and you want

462
00:25:51,800 --> 00:26:00,600
Speaker 1: to figure out how to get foot locker after this

463
00:26:02,520 --> 00:26:05,000
Speaker 1: something like that, you might as well go to the

464
00:26:05,080 --> 00:26:08,400
Speaker 1: rail yard. The rail yard is where the real ship. God,

465
00:26:08,520 --> 00:26:10,600
Speaker 1: he's like, hey, you did this ship before. What's the

466
00:26:10,640 --> 00:26:16,040
Speaker 1: rail yard in? Oh Oh? We used to when I

467
00:26:16,040 --> 00:26:19,560
Speaker 1: was a kid and we were straight starving Marvin status

468
00:26:20,119 --> 00:26:24,080
Speaker 1: and you go to a jam underground social club in

469
00:26:24,119 --> 00:26:27,760
Speaker 1: the basement of a building. And we would literally at

470
00:26:27,760 --> 00:26:30,080
Speaker 1: three o'clock in the morning, three four o'clock, we go

471
00:26:30,200 --> 00:26:33,280
Speaker 1: to the bakery, cast them loading up the bread. When

472
00:26:33,280 --> 00:26:36,000
Speaker 1: they go inside, because we were starving, we just run

473
00:26:36,000 --> 00:26:38,679
Speaker 1: inside the truck rabble of bread and that was how

474
00:26:38,760 --> 00:26:41,959
Speaker 1: much he's after a jam. But that's like seventy eight.

475
00:26:42,080 --> 00:26:46,440
Speaker 1: Seventy seven was bi boring already, right yeah, oh yeah yeah.

476
00:26:47,119 --> 00:26:50,800
Speaker 1: How deep was the crew in seven? I was? I was?

477
00:26:51,119 --> 00:26:53,240
Speaker 1: You started when I didn't join the crew. I started

478
00:26:53,280 --> 00:26:56,639
Speaker 1: seventy seven, but I didn't join a crew until like

479
00:26:56,680 --> 00:26:58,840
Speaker 1: a year later, which was called the Bronx Boys. And

480
00:26:58,880 --> 00:27:01,160
Speaker 1: then I got into rocks that in seventy nine. Who

481
00:27:01,160 --> 00:27:03,600
Speaker 1: started rock study. Uh, two brothers by the name of

482
00:27:03,680 --> 00:27:08,480
Speaker 1: Jimmy D and Jimmy Lee, and uh, they let you win. Yeah,

483
00:27:08,520 --> 00:27:10,160
Speaker 1: I had to earn my way in. I mean they

484
00:27:10,160 --> 00:27:12,320
Speaker 1: treated me like a scrub at first, but that was

485
00:27:12,440 --> 00:27:14,840
Speaker 1: that was normal. I mean back then. To be this

486
00:27:15,000 --> 00:27:20,200
Speaker 1: back then was also followed by maybe like them helping

487
00:27:20,240 --> 00:27:23,320
Speaker 1: you out. Well, yeah, that was trash because it was

488
00:27:23,359 --> 00:27:24,720
Speaker 1: you had to be earned, It had to be earned.

489
00:27:25,040 --> 00:27:27,600
Speaker 1: It wasn't just given to you. Back then, everything was earned.

490
00:27:28,000 --> 00:27:29,840
Speaker 1: That's where we don't have a sense of entitlement because

491
00:27:29,840 --> 00:27:31,680
Speaker 1: we looked at everything. Look up, Jimmy D and Jimmy

492
00:27:31,720 --> 00:27:34,560
Speaker 1: Lee will probably find a picture. What year is that picture?

493
00:27:34,720 --> 00:27:39,760
Speaker 1: That's eight three? Yeah, that's baby love Every time. I

494
00:27:39,800 --> 00:27:41,520
Speaker 1: tell you, guys, I used to have a crush on babylove.

495
00:27:41,600 --> 00:27:44,720
Speaker 1: When did you guys let girls in Uh? We always

496
00:27:44,720 --> 00:27:46,840
Speaker 1: had girls in rock studies. Bullshit. Wait a second, I

497
00:27:46,840 --> 00:27:50,360
Speaker 1: was doing new broke girls into rock study. Yeah, so

498
00:27:50,640 --> 00:27:55,080
Speaker 1: we started pretty eight. Yep. That Jimmy D and Jimmy Lee,

499
00:27:56,119 --> 00:27:59,840
Speaker 1: those two were pretty notorious in the Bronx. Um. I

500
00:28:00,000 --> 00:28:02,800
Speaker 1: don't really want to I don't Yeah, I don't really

501
00:28:02,800 --> 00:28:06,400
Speaker 1: want to get into the details of it. Were they good? Oh,

502
00:28:06,520 --> 00:28:10,800
Speaker 1: they were top tier, top tier B boys. Yeah, definitely. Wait,

503
00:28:10,840 --> 00:28:12,840
Speaker 1: but then how many people were? All right, So go

504
00:28:12,880 --> 00:28:15,240
Speaker 1: back to that dude on the left. His name is

505
00:28:15,240 --> 00:28:17,439
Speaker 1: a Batche He's an original B boy from back in

506
00:28:17,480 --> 00:28:19,760
Speaker 1: the days. So he was the leader of the Bronx

507
00:28:19,800 --> 00:28:23,439
Speaker 1: Boys Batch. Yeah, that's on a graffiti name. Yeah, he

508
00:28:23,480 --> 00:28:25,840
Speaker 1: was a graffiti right. Also, So Jimmy D and Jimmy

509
00:28:25,920 --> 00:28:29,560
Speaker 1: Lee went bombing with Batch and all these other people,

510
00:28:29,600 --> 00:28:32,760
Speaker 1: and and uh, Jimmy Jimmy Lee didn't want to be

511
00:28:32,800 --> 00:28:36,440
Speaker 1: graffiti writers. They wanted to start breaking, you know, break more.

512
00:28:36,960 --> 00:28:40,480
Speaker 1: So one day after going on writing, they formed rock

513
00:28:40,560 --> 00:28:44,960
Speaker 1: Steady Crew, got the blessing of badge and they you

514
00:28:45,000 --> 00:28:47,680
Speaker 1: know they were always wait, wait, hold on a second.

515
00:28:48,160 --> 00:28:51,560
Speaker 1: Jimmy D and Jimmy Lee got the blessing for rock

516
00:28:51,600 --> 00:28:54,320
Speaker 1: Steady Crew from from Batch because they were part of

517
00:28:54,360 --> 00:28:59,000
Speaker 1: the Bronx boys who came up crew huh, who came

518
00:28:59,080 --> 00:29:02,920
Speaker 1: up with the name rock Steady Well breaking was more

519
00:29:02,960 --> 00:29:07,520
Speaker 1: called rocking Ascal back. So because Jimmy D and Jimmy

520
00:29:07,560 --> 00:29:09,640
Speaker 1: Lee were always battling, they said to him, yo, you

521
00:29:09,640 --> 00:29:13,560
Speaker 1: gotta stay battling, stay steady battling, and they just formed

522
00:29:13,640 --> 00:29:15,640
Speaker 1: rock Steady Crew because of the name of the dancer

523
00:29:15,840 --> 00:29:22,480
Speaker 1: and there always battling. They steady rocking. Yeah, yeah, even

524
00:29:22,520 --> 00:29:25,520
Speaker 1: I see see that that pictures were like seventies six seven.

525
00:29:25,720 --> 00:29:28,560
Speaker 1: That yeah, that had to be with those shirts. That

526
00:29:28,680 --> 00:29:33,200
Speaker 1: had to be like yeah, around seventies seven, seventy eight. Damn.

527
00:29:34,600 --> 00:29:36,520
Speaker 1: I mean look at the leaves, the bell bottom leaves

528
00:29:36,560 --> 00:29:42,080
Speaker 1: all rolled up like that was the year year to blackout. Yeah,

529
00:29:42,120 --> 00:29:44,800
Speaker 1: that was the year the blackout. Yeah. I was actually

530
00:29:44,840 --> 00:29:53,640
Speaker 1: in Brooklyn. Happen my grandmother's on Columbus look right now,

531
00:29:53,760 --> 00:29:59,560
Speaker 1: yeah yeah, Jimmy oh yeah, they had the house medallions. Mhm.

532
00:30:00,960 --> 00:30:05,200
Speaker 1: That's dopeas and pumas to yeah, and those those dudes

533
00:30:05,200 --> 00:30:09,520
Speaker 1: were definitely notorious in the Bronx. So they they got down,

534
00:30:09,880 --> 00:30:13,120
Speaker 1: they were out, Yes, they did. They got busy, they

535
00:30:13,240 --> 00:30:17,800
Speaker 1: got very busy. Did they get up one day? Jimmy

536
00:30:17,880 --> 00:30:20,720
Speaker 1: Lee got him up. But they're both alive still. Yeah.

537
00:30:20,800 --> 00:30:25,640
Speaker 1: Jimmy d uh became a career military person. They don't.

538
00:30:25,680 --> 00:30:27,600
Speaker 1: I think at least twenty five years in the Navy,

539
00:30:27,840 --> 00:30:32,880
Speaker 1: like really high ranking. Yeah. Yeah, he did antoine fishing.

540
00:30:33,400 --> 00:30:38,200
Speaker 1: He basically, yeah, did antoine fishing. Yeah. Jimmy Lee is

541
00:30:38,200 --> 00:30:41,200
Speaker 1: he Puerto Rican? Jimmy Lee, Yeah, Jimmy d is black

542
00:30:41,240 --> 00:30:43,600
Speaker 1: and Puerto Rican and jim Le's Puerto Rican and Jimmy

543
00:30:43,680 --> 00:30:47,360
Speaker 1: Lee is Um it's an extended vacation since eight three.

544
00:30:47,840 --> 00:30:52,560
Speaker 1: Well damn yeah, is he coming out? Um? He went

545
00:30:52,600 --> 00:30:55,600
Speaker 1: in under the rocket feller laws, so that's a problem,

546
00:30:55,640 --> 00:30:59,120
Speaker 1: you know, but they've recently changed those things. So who knows.

547
00:30:59,600 --> 00:31:04,400
Speaker 1: Hopefully he you know, nothing, Well, hopefully nothing. Well, yeah,

548
00:31:04,560 --> 00:31:07,840
Speaker 1: depends because but if you catch all the charges while

549
00:31:07,840 --> 00:31:10,440
Speaker 1: you're in there, I don't know how that works. When

550
00:31:10,440 --> 00:31:14,040
Speaker 1: you're in there, you're definitely gonna catch other charges. Oh yeah, yeah,

551
00:31:14,480 --> 00:31:17,600
Speaker 1: that's that's just the way it's set up. Yeah, it

552
00:31:17,640 --> 00:31:21,640
Speaker 1: ain't nursery school. Sure ain't not at all. You're not

553
00:31:21,680 --> 00:31:23,920
Speaker 1: in there for a slap on the wrist. Yes, I'm

554
00:31:23,960 --> 00:31:27,240
Speaker 1: in there to get better. You're in there to be reminded. Yeah,

555
00:31:27,600 --> 00:31:29,520
Speaker 1: but it was bugged out back then because most of

556
00:31:29,920 --> 00:31:31,600
Speaker 1: a lot of dudes that I met when I first

557
00:31:31,600 --> 00:31:34,040
Speaker 1: started breaking wall stick up kids, my Steady clips standing

558
00:31:34,040 --> 00:31:37,560
Speaker 1: in the back, Yes, my introduction to rock Steady crew.

559
00:31:37,960 --> 00:31:41,360
Speaker 1: I was brought to go rob someone. Okay, so you

560
00:31:41,400 --> 00:31:44,920
Speaker 1: were part of the rob Steady crew, yeah, pretty much. Yeah,

561
00:31:44,920 --> 00:31:47,600
Speaker 1: but we weren't successful that night, so you know what

562
00:31:47,720 --> 00:31:50,600
Speaker 1: kind of what kind of robbery wasn't Oh that was

563
00:31:50,720 --> 00:31:53,440
Speaker 1: just like a snatch of purse kind of thing. Meanwhile,

564
00:31:53,440 --> 00:31:55,640
Speaker 1: there's no one out at night anyway in the Bronx,

565
00:31:57,960 --> 00:32:02,360
Speaker 1: but my skills and those things as well. Standing up, Yes,

566
00:32:02,400 --> 00:32:09,720
Speaker 1: it is rock Steady j one right back, the tall

567
00:32:09,720 --> 00:32:13,360
Speaker 1: white boy behind it, Yes, on the other side of

568
00:32:13,360 --> 00:32:15,840
Speaker 1: the clips there. Yes, Yeah, we put the white people

569
00:32:15,840 --> 00:32:21,440
Speaker 1: in the back. And that guy with the brown shirt

570
00:32:21,480 --> 00:32:24,480
Speaker 1: looked like the kid from NYPD on New York Undercover,

571
00:32:24,600 --> 00:32:30,480
Speaker 1: which he looked like Michael de Lorenzo does. Oh wow. Yeah,

572
00:32:31,640 --> 00:32:35,360
Speaker 1: who sat down on the bottom right uh fable all right,

573
00:32:35,400 --> 00:32:39,240
Speaker 1: ship pop master for then you got a little leap

574
00:32:39,280 --> 00:32:42,440
Speaker 1: in the middle, the little guy. Yeah, then Bones Malone

575
00:32:42,480 --> 00:32:46,680
Speaker 1: with the hat Bones He I like Bones Maloney. Bones

576
00:32:46,760 --> 00:32:52,600
Speaker 1: is an amazing writer. His his skill level is ridiculous. Man,

577
00:32:52,640 --> 00:32:54,320
Speaker 1: hold on, let's get back to this issue. Hit this

578
00:32:54,400 --> 00:32:58,480
Speaker 1: lick to get in. What about him? He was in

579
00:32:58,600 --> 00:33:01,400
Speaker 1: rock Steady too, Yeah, Missing Ease, Frosty Freeze, but frost

580
00:33:01,400 --> 00:33:05,320
Speaker 1: she Freeze died. Um. So you don't have to break

581
00:33:05,360 --> 00:33:07,800
Speaker 1: a nothing kind of while there. You don't have to

582
00:33:07,800 --> 00:33:10,000
Speaker 1: break on nothing. You don't have to like battle nobody

583
00:33:10,040 --> 00:33:12,480
Speaker 1: in the feed. No, no, I'm talking about you. Yeah,

584
00:33:13,280 --> 00:33:15,240
Speaker 1: my cousin, Let me let battle Jimmy d and Jimmy

585
00:33:15,320 --> 00:33:18,280
Speaker 1: Lee to get into rock Steady. We lost, but we

586
00:33:18,320 --> 00:33:20,840
Speaker 1: did really well in the battles, so it wasn't about

587
00:33:20,920 --> 00:33:24,560
Speaker 1: winning the battles. And like, yo, how are you developing

588
00:33:24,600 --> 00:33:27,680
Speaker 1: and how are you handling yourself right now in this situation? What?

589
00:33:27,800 --> 00:33:31,600
Speaker 1: Um so seventy what what moves were you doing? There

590
00:33:31,600 --> 00:33:35,239
Speaker 1: were very few moves, especially because it was scrub. So

591
00:33:35,280 --> 00:33:38,800
Speaker 1: the thing was you basically learned to move and you

592
00:33:38,880 --> 00:33:41,200
Speaker 1: try to be ambidextrious with every move. That you learned

593
00:33:41,400 --> 00:33:44,600
Speaker 1: go to the right here, like you have more. I

594
00:33:44,760 --> 00:33:47,880
Speaker 1: used to do that ship I would do this one.

595
00:33:48,200 --> 00:33:50,360
Speaker 1: That was an awful move. I was trying to copy you.

596
00:33:51,720 --> 00:33:53,400
Speaker 1: And I was trying to what we were calling a

597
00:33:53,440 --> 00:33:57,479
Speaker 1: shuffle back then on the ground footwork footwork. See how

598
00:33:57,520 --> 00:34:01,520
Speaker 1: footwork was top rocking so right, so what we were

599
00:34:01,560 --> 00:34:03,720
Speaker 1: calling shuffling, I was trying to do yours, and yours

600
00:34:03,760 --> 00:34:06,840
Speaker 1: was always so fucking ill. So here's the thing. I

601
00:34:06,880 --> 00:34:10,000
Speaker 1: go to Japan one day and these cats and this

602
00:34:10,080 --> 00:34:12,840
Speaker 1: is like in the nineties in early nineties, and we

603
00:34:12,880 --> 00:34:16,200
Speaker 1: get there and this guy's like, hey, we in Japan,

604
00:34:16,280 --> 00:34:19,520
Speaker 1: we do footwork like you. And I was like like me, like,

605
00:34:19,560 --> 00:34:21,399
Speaker 1: what do you mean, like a sixth steps? I just

606
00:34:21,600 --> 00:34:24,839
Speaker 1: do I don't do anything. Oh no, no, like this

607
00:34:24,920 --> 00:34:28,600
Speaker 1: when we do our footwork, it's I'm like, yo, I

608
00:34:28,640 --> 00:34:33,279
Speaker 1: was born that way. Like so they literally developed their

609
00:34:33,320 --> 00:34:35,680
Speaker 1: style to look like the way my feet. They thought

610
00:34:35,719 --> 00:34:40,200
Speaker 1: you were a pigeontoed huh, bro, I was born crazy legs.

611
00:34:40,239 --> 00:34:46,280
Speaker 1: I literally had the forest gump bars on my legs. Hilarious. Yeah, wow,

612
00:34:46,360 --> 00:34:52,600
Speaker 1: you really had crazy Yeah yeah, Well, was your mom

613
00:34:52,600 --> 00:34:54,719
Speaker 1: from Puerto Rico or in New York and my mom

614
00:34:54,880 --> 00:35:00,400
Speaker 1: was born in Spanish Harlem, okay, Pops, Puerto Rico. Then

615
00:35:00,440 --> 00:35:03,440
Speaker 1: he moved back. Uh, then he moved to the Bronx

616
00:35:03,840 --> 00:35:06,520
Speaker 1: and uh, you know part of that migration that was

617
00:35:06,640 --> 00:35:09,560
Speaker 1: sold to dream by the United States and then got

618
00:35:09,600 --> 00:35:14,880
Speaker 1: here became like hard labors. That's a whole another a

619
00:35:14,920 --> 00:35:19,040
Speaker 1: Bronx does the old bait the switch for everybody. Yeah,

620
00:35:19,320 --> 00:35:22,960
Speaker 1: it happened to every non white ethnic group in the world,

621
00:35:24,080 --> 00:35:27,520
Speaker 1: having Indian people in Africa, in the West Indies, same ship.

622
00:35:27,560 --> 00:35:30,040
Speaker 1: They Hey, come here, we'll give you this and now

623
00:35:30,080 --> 00:35:31,440
Speaker 1: you can make this and listen and you can go

624
00:35:31,480 --> 00:35:33,719
Speaker 1: back to India. Sorry, it's a one way ticket. You're

625
00:35:33,719 --> 00:35:36,600
Speaker 1: not going back. My father came up here, up in

626
00:35:36,640 --> 00:35:39,880
Speaker 1: the States and ended up making plastic bags in the Bronx. Wow,

627
00:35:39,920 --> 00:35:43,239
Speaker 1: that's it, and you ended up baring nylon pants. It's

628
00:35:43,280 --> 00:35:49,759
Speaker 1: not a trip. Now he passed away. I want to

629
00:35:49,760 --> 00:36:00,759
Speaker 1: bring this show out, guys. Yeah right, yeah, style, let's

630
00:36:00,800 --> 00:36:08,200
Speaker 1: go to Angelo back it happen. Yeah. So for people

631
00:36:08,239 --> 00:36:10,360
Speaker 1: that don't know this about me, and I might have

632
00:36:10,400 --> 00:36:13,439
Speaker 1: said it before, but people, I was gonna russell, you're

633
00:36:13,480 --> 00:36:15,359
Speaker 1: you're so involved with hip hop, you love the hip

634
00:36:15,400 --> 00:36:18,799
Speaker 1: hop culture. I go, yes, I do, and like, what

635
00:36:18,920 --> 00:36:21,400
Speaker 1: is it? What is it about the hip hop culture?

636
00:36:21,440 --> 00:36:25,000
Speaker 1: And people think hip hop is just a music? And

637
00:36:25,040 --> 00:36:27,759
Speaker 1: that's the part that bothers me because I'm from the

638
00:36:27,800 --> 00:36:31,319
Speaker 1: generation where we knew about the elements of hip hop

639
00:36:32,000 --> 00:36:35,040
Speaker 1: and it was obviously you know, dejaang M, seeing graffiti

640
00:36:35,040 --> 00:36:37,600
Speaker 1: and b boing and people what got you into it?

641
00:36:37,640 --> 00:36:42,400
Speaker 1: And this man right here is literally the sole reason

642
00:36:42,440 --> 00:36:44,920
Speaker 1: that I'm so into hip hop today because I was.

643
00:36:45,239 --> 00:36:46,520
Speaker 1: It came to me at a time where I had

644
00:36:46,520 --> 00:36:48,759
Speaker 1: no identity. I don't know who the funk I was.

645
00:36:48,800 --> 00:36:50,239
Speaker 1: I don't know what I was. I had nothing to

646
00:36:50,320 --> 00:36:54,200
Speaker 1: define me, and it was watching him and flash dance

647
00:36:54,239 --> 00:36:56,960
Speaker 1: and wild style and beat Street, and I was like,

648
00:36:58,440 --> 00:37:00,280
Speaker 1: to me, it was like the coolest motherfucker on the planet.

649
00:37:00,280 --> 00:37:01,959
Speaker 1: When I was a kid, even with that wild afro

650
00:37:02,120 --> 00:37:03,879
Speaker 1: you had, I was just like, you know everything he does.

651
00:37:03,960 --> 00:37:06,520
Speaker 1: There was no thing as a shape up back then, No, no,

652
00:37:06,560 --> 00:37:09,799
Speaker 1: there was none. And if you had remember who was

653
00:37:09,800 --> 00:37:12,560
Speaker 1: it was it Frost? You had a really clean, perfect afro.

654
00:37:13,840 --> 00:37:17,759
Speaker 1: Yeah yeah, yeah, Frosty, Yeah Frost. He had more money

655
00:37:17,760 --> 00:37:23,280
Speaker 1: to me. He lived one Columbus. I that's three blocks

656
00:37:23,320 --> 00:37:25,759
Speaker 1: away from my grandma right there. I bet you. I

657
00:37:25,800 --> 00:37:34,319
Speaker 1: bet your grandma's dad. Yeah, why I missed that? I

658
00:37:34,360 --> 00:37:41,800
Speaker 1: bet your grandma's dad. It was like, were you scuffing

659
00:37:41,880 --> 00:37:44,600
Speaker 1: up your mom's floors? No, we didn't have I didn't

660
00:37:44,600 --> 00:37:46,759
Speaker 1: have a house big enough to scuff up. It was

661
00:37:46,760 --> 00:37:49,960
Speaker 1: a hallway here. I gonna up that hallway. So that's

662
00:37:50,040 --> 00:37:53,200
Speaker 1: that pictures. When we were doing Star Wars. Star Wars,

663
00:37:53,320 --> 00:37:56,720
Speaker 1: what was shot in eighty two? It was shot because

664
00:37:56,760 --> 00:38:01,040
Speaker 1: in the periods, because there was an issue. Okay, Star

665
00:38:01,080 --> 00:38:03,239
Speaker 1: Wars was more about graffiti though, wasn't it. Yeah, And

666
00:38:03,680 --> 00:38:07,080
Speaker 1: it just happened at Henny child Fund ended up using

667
00:38:07,239 --> 00:38:11,040
Speaker 1: us in it because we had already established a relationship

668
00:38:11,040 --> 00:38:13,759
Speaker 1: with him. What was the issue with the two periods,

669
00:38:14,480 --> 00:38:17,080
Speaker 1: I don't know there was. I think, oh they ran

670
00:38:17,080 --> 00:38:22,360
Speaker 1: out of money. Yeah, that could be a problem because

671
00:38:22,400 --> 00:38:27,680
Speaker 1: a little delay. That was a classic. Oh man, the

672
00:38:27,680 --> 00:38:30,719
Speaker 1: theater we went the Circle Theater in the wish I

673
00:38:30,760 --> 00:38:33,880
Speaker 1: could have seen it in Yeah, the cloud of smoke

674
00:38:34,000 --> 00:38:37,320
Speaker 1: in there, don't you wish you could have seen the

675
00:38:37,360 --> 00:38:42,239
Speaker 1: movie in the theater then too? Yeah, it was so

676
00:38:42,320 --> 00:38:45,400
Speaker 1: much weed and liquor in that movie. Theater. How do

677
00:38:45,440 --> 00:38:47,920
Speaker 1: you feel doing that with I don't know, man, we

678
00:38:47,960 --> 00:38:51,439
Speaker 1: would didn't know. Honestly, we didn't know ship. The first

679
00:38:51,440 --> 00:38:54,600
Speaker 1: time I saw it, I thought it was a documentary. Yeah,

680
00:38:54,640 --> 00:38:57,520
Speaker 1: because there was I was like, everybody looks like a

681
00:38:57,560 --> 00:39:01,520
Speaker 1: real person, Like nobody looked Hollywood. And Lee Kenyonas had

682
00:39:01,520 --> 00:39:05,120
Speaker 1: the fucked up scratched scar across his nose and I

683
00:39:05,160 --> 00:39:08,000
Speaker 1: was like, yo, this And then I realized Lee must

684
00:39:08,040 --> 00:39:13,520
Speaker 1: have been a real graffiti artist because his acting was horrible. Yeah,

685
00:39:13,520 --> 00:39:18,400
Speaker 1: if you can remove this, yeah, he's still doing his art.

686
00:39:18,600 --> 00:39:21,479
Speaker 1: He's never met him. He's amazing. He's a great brother

687
00:39:21,520 --> 00:39:26,719
Speaker 1: to know. I never met Lee kenyon Oh he looks

688
00:39:26,800 --> 00:39:29,840
Speaker 1: so he still looks bad. Yeah, yeah, but he actually

689
00:39:29,880 --> 00:39:32,880
Speaker 1: looks better bad now though he's He's a better looking

690
00:39:33,000 --> 00:39:36,320
Speaker 1: bad That's my bro, man. One of the most beautiful

691
00:39:36,360 --> 00:39:41,320
Speaker 1: people you can meet in the game. Is he Russian?

692
00:39:41,320 --> 00:39:48,560
Speaker 1: How are you gonna be what from San Juan Russia?

693
00:39:50,920 --> 00:39:56,880
Speaker 1: It's not Lee Kenyonas off usan a little bit. It

694
00:39:56,960 --> 00:39:58,520
Speaker 1: was Russian to get out the hood is what he

695
00:39:58,560 --> 00:40:02,719
Speaker 1: was doing. M See. We all have bust to that

696
00:40:02,760 --> 00:40:06,840
Speaker 1: FROs back then? When did you stop? Like, actually, you

697
00:40:06,880 --> 00:40:09,600
Speaker 1: know Sammy dancing. He didn't stop dancing. I mean he

698
00:40:09,680 --> 00:40:13,600
Speaker 1: still breaks. I would say compete. He in My last

699
00:40:13,640 --> 00:40:17,000
Speaker 1: competition was five years ago, No bullshit, like two years ago,

700
00:40:17,520 --> 00:40:22,279
Speaker 1: and he was already in his fifties. Yeah, yeah, somebody,

701
00:40:22,320 --> 00:40:27,200
Speaker 1: that's what I'm sitting here. Battle Well, it was a

702
00:40:27,280 --> 00:40:29,480
Speaker 1: battle in Houston. They were doing a Rebel BC one

703
00:40:29,920 --> 00:40:33,080
Speaker 1: event and they had the Rebel BC one All Stars

704
00:40:33,520 --> 00:40:36,200
Speaker 1: versus a local squad, and then one of the guys

705
00:40:36,200 --> 00:40:39,560
Speaker 1: from rock Steady was going to represent for the local squad.

706
00:40:40,160 --> 00:40:41,839
Speaker 1: And I was just like, all right, well, you know,

707
00:40:42,480 --> 00:40:45,480
Speaker 1: I'm just jumping with Rebel BC one All Stars and

708
00:40:45,760 --> 00:40:48,760
Speaker 1: go after my own dude, of my own crew. And

709
00:40:49,040 --> 00:40:51,640
Speaker 1: yeah that was in only danced like a couple of times,

710
00:40:51,920 --> 00:40:55,680
Speaker 1: reinjured myself as usual. Yeah that's the way you should

711
00:40:55,719 --> 00:40:59,000
Speaker 1: go at this age. Yeah, exactly right on schedule. Did

712
00:40:59,040 --> 00:41:01,759
Speaker 1: you win? It wasn't even about It wasn't it was

713
00:41:01,800 --> 00:41:05,799
Speaker 1: just about It was just like an exhibition battle. But yeah,

714
00:41:05,840 --> 00:41:10,680
Speaker 1: it didn't matter. What was your toughest battle? Uh these days?

715
00:41:10,680 --> 00:41:15,040
Speaker 1: Oh my toughest battle ship, man, I don't look at

716
00:41:15,080 --> 00:41:16,640
Speaker 1: it that Or how about this? Who was the biggest

717
00:41:16,640 --> 00:41:20,279
Speaker 1: nemesis my biggest The crew's biggest nemesis was it New

718
00:41:20,320 --> 00:41:22,920
Speaker 1: York City Breakers. It was between New York City Breakers

719
00:41:22,920 --> 00:41:26,640
Speaker 1: and Dynamic. It's because it's Dynamic was first, but then

720
00:41:26,680 --> 00:41:29,120
Speaker 1: they kind of faded away, so we needed someone else.

721
00:41:29,200 --> 00:41:33,480
Speaker 1: But New York City Breakers was that other crew. And

722
00:41:35,280 --> 00:41:38,640
Speaker 1: um yeah, I mean and they had the Kiss Breakers too, right,

723
00:41:39,400 --> 00:41:42,880
Speaker 1: Oh yeah yeah, but they weren't a real crew. That

724
00:41:43,000 --> 00:41:46,000
Speaker 1: was just like some promo stuff. Yeah, because that don't

725
00:41:46,000 --> 00:41:53,040
Speaker 1: even sound right. The kids breaking radio station still doesn't

726
00:41:53,040 --> 00:42:00,200
Speaker 1: sound right. I mean, Kiss was a huge. Kiss was

727
00:42:00,560 --> 00:42:05,840
Speaker 1: what they were doing gigs all over the city for free.

728
00:42:06,560 --> 00:42:10,120
Speaker 1: But kis only play hip hop on Saturday nights only

729
00:42:10,120 --> 00:42:14,120
Speaker 1: became a hip hop station earlier. Kiss became a big

730
00:42:14,200 --> 00:42:19,560
Speaker 1: hip hop station and Kissing, um yes, the magic was

731
00:42:20,280 --> 00:42:27,000
Speaker 1: now he was HBI WBLS. Those were the two big stations.

732
00:42:27,040 --> 00:42:29,080
Speaker 1: I only know that because of kars one I used

733
00:42:29,120 --> 00:42:35,560
Speaker 1: to listen to on before. But you know who who's

734
00:42:36,160 --> 00:42:39,000
Speaker 1: I guess Unsung Africa his Solam because he has Zulu

735
00:42:39,040 --> 00:42:44,480
Speaker 1: beats and Zulu beats was dope. So I've been fortunate

736
00:42:44,640 --> 00:42:47,440
Speaker 1: enough to have the helix Mattress. Let me tell you

737
00:42:47,440 --> 00:42:50,319
Speaker 1: it's incredible. I took the Helix quiz, which is what

738
00:42:50,360 --> 00:42:52,879
Speaker 1: you'll do, and I was matched with the Midnight Lux,

739
00:42:52,880 --> 00:42:55,640
Speaker 1: which happens to be their most awarded mattress because I

740
00:42:55,680 --> 00:42:58,120
Speaker 1: wanted something with a medium feel and I tend to

741
00:42:58,120 --> 00:43:00,520
Speaker 1: sleep on my side. And let me tell you it's amazing.

742
00:43:00,840 --> 00:43:03,600
Speaker 1: It's made with luxury memory film that's specifically designed to

743
00:43:03,600 --> 00:43:07,319
Speaker 1: offer pressure point relief for side sleepers like myself. So

744
00:43:07,360 --> 00:43:09,840
Speaker 1: now I don't wake up with sore hips or shoulders

745
00:43:09,840 --> 00:43:12,800
Speaker 1: anymore because I got a huge hold a very masculine guy,

746
00:43:12,880 --> 00:43:15,680
Speaker 1: and Helix makes it really simple to find the right mattress.

747
00:43:15,960 --> 00:43:18,120
Speaker 1: If you're looking for a mattress, you take the quiz,

748
00:43:18,360 --> 00:43:20,640
Speaker 1: you order the mattress that you're matched too, and then

749
00:43:20,640 --> 00:43:22,840
Speaker 1: the mattress comes right to your door ship for free.

750
00:43:23,120 --> 00:43:25,240
Speaker 1: You don't ever need to go to a mattress store again.

751
00:43:25,760 --> 00:43:29,160
Speaker 1: You can't always avoid getting sad, but you can avoid

752
00:43:29,239 --> 00:43:32,840
Speaker 1: mattress stores that make you sad. Just go to Helix

753
00:43:33,120 --> 00:43:36,640
Speaker 1: sleep dot com slash peters take their two minutes sleep

754
00:43:36,719 --> 00:43:39,319
Speaker 1: quiz and they'll match you to a customized mattress that

755
00:43:39,360 --> 00:43:42,560
Speaker 1: will give you the best sleep of your life. They

756
00:43:42,600 --> 00:43:45,000
Speaker 1: have a tenure warranty and you get to try it

757
00:43:45,040 --> 00:43:48,000
Speaker 1: out for a hundred nights risk free. They'll even pick

758
00:43:48,040 --> 00:43:49,600
Speaker 1: it up for you if you don't love it, but

759
00:43:49,680 --> 00:43:53,000
Speaker 1: believe me you will. Helix is offering up to two

760
00:43:53,360 --> 00:43:57,319
Speaker 1: dollars off all mattress orders and two free pillows for

761
00:43:57,360 --> 00:44:01,879
Speaker 1: our listeners at helix sleep dot com slash peters. That's

762
00:44:02,200 --> 00:44:06,239
Speaker 1: Helix sleep dot com slash peters for up to two

763
00:44:06,960 --> 00:44:13,320
Speaker 1: off and two free pillows sleep. Well, my friends, where's

764
00:44:13,320 --> 00:44:17,040
Speaker 1: the African Islam? Now? He is in Germany living there. Yeah,

765
00:44:17,120 --> 00:44:20,319
Speaker 1: he's been living there for a long time. Damn Germany. Yep,

766
00:44:22,719 --> 00:44:25,640
Speaker 1: I don't know. Get him over here immediately. So rock

767
00:44:25,680 --> 00:44:29,000
Speaker 1: Steady was part of Zulu Nation. Yeah, yeah, for sure.

768
00:44:29,880 --> 00:44:32,840
Speaker 1: I mean we we were our own thing. But yeah,

769
00:44:33,320 --> 00:44:35,840
Speaker 1: you know there was this I heard this whole I

770
00:44:35,880 --> 00:44:38,040
Speaker 1: know it's not true, but I heard this whole theory

771
00:44:38,080 --> 00:44:41,680
Speaker 1: by why they were called b boys. You know that story, right? No,

772
00:44:41,760 --> 00:44:47,680
Speaker 1: I don't. They were saying that I'm gonna be offended, right.

773
00:44:47,760 --> 00:44:50,960
Speaker 1: You know, there's a couple of people, there's a couple

774
00:44:51,000 --> 00:45:01,120
Speaker 1: of real things. But they were called BAM's boys, Bams boys.

775
00:45:03,040 --> 00:45:10,840
Speaker 1: You burned and if you know, you know, oh my god,

776
00:45:12,719 --> 00:45:19,200
Speaker 1: I'm going to leave that one alone. Good choice. No,

777
00:45:19,400 --> 00:45:21,520
Speaker 1: But within the gay community, they used to have a

778
00:45:21,560 --> 00:45:25,560
Speaker 1: sling called the Boys, which is Bannjie Boys Banjie dig

779
00:45:26,000 --> 00:45:29,320
Speaker 1: with THEE, which is kind of like hot rock homos.

780
00:45:30,480 --> 00:45:34,000
Speaker 1: I don't like like like the first g like h yeah,

781
00:45:34,080 --> 00:45:39,640
Speaker 1: yeah yeah, like gay thugs and ship. Yeah yeah, that's you.

782
00:45:39,760 --> 00:45:44,719
Speaker 1: Just you could just say a separate scene though. Yeah,

783
00:45:44,719 --> 00:45:47,480
Speaker 1: I'd say, so what's the what's the other story? You know,

784
00:45:47,719 --> 00:45:51,839
Speaker 1: just regular boys, Bronx Boys, break boys, big girls whatever. Yeah.

785
00:45:51,840 --> 00:45:54,520
Speaker 1: I always understood B boy that I mean that they

786
00:45:54,640 --> 00:45:56,919
Speaker 1: danced on the break, you know, bad break on the break.

787
00:45:56,960 --> 00:46:00,719
Speaker 1: But originally it was Bronze boy. Okay, that's what I was.

788
00:46:02,280 --> 00:46:03,680
Speaker 1: What is it from Brooklyn? You can still be a

789
00:46:03,719 --> 00:46:10,520
Speaker 1: B boy then at you it's the thing that was

790
00:46:10,560 --> 00:46:15,040
Speaker 1: Bronx boy because he was from the Bronx. But if

791
00:46:16,880 --> 00:46:18,959
Speaker 1: he you know, he knows he's from New York City

792
00:46:19,000 --> 00:46:22,080
Speaker 1: like me, and the Bronx has stiff for the Bronx Boy,

793
00:46:22,120 --> 00:46:24,680
Speaker 1: but everywhere else in New York City the B boys

794
00:46:24,719 --> 00:46:28,160
Speaker 1: stands for break boy. He was a break yeah. But

795
00:46:30,040 --> 00:46:32,600
Speaker 1: like I said, the first crew I was in was

796
00:46:32,680 --> 00:46:35,960
Speaker 1: the Bronx Boys. Which was also known as the B Boys,

797
00:46:36,560 --> 00:46:40,359
Speaker 1: but then also cool Hirk when he would the one

798
00:46:41,160 --> 00:46:43,880
Speaker 1: about to throw on break beats whoever would be on

799
00:46:43,920 --> 00:46:47,600
Speaker 1: the mic and say, be boys, you read break girls?

800
00:46:47,760 --> 00:46:50,960
Speaker 1: Are you ready? Well back now? But we didn't call

801
00:46:51,000 --> 00:46:54,400
Speaker 1: it breakdancing back then. It wasn't called breakdancing. B B

802
00:46:54,600 --> 00:46:57,960
Speaker 1: standing for break boy. When when break boy break when

803
00:46:58,000 --> 00:47:01,879
Speaker 1: the first came out? Yeah, when when you know when

804
00:47:01,880 --> 00:47:12,279
Speaker 1: it first came out it was Bronx roys. Let me

805
00:47:12,320 --> 00:47:15,440
Speaker 1: give you the evolution. It went from Bronx to the

806
00:47:15,600 --> 00:47:20,640
Speaker 1: B boy And then when when uh run DMC did

807
00:47:20,680 --> 00:47:23,280
Speaker 1: I'm a B boys standing in my B boys stands?

808
00:47:24,280 --> 00:47:26,800
Speaker 1: They got that wrong. Although jam mass j used to

809
00:47:26,840 --> 00:47:32,400
Speaker 1: break um, but what they took as the meaning for

810
00:47:32,480 --> 00:47:36,880
Speaker 1: B boy was standing like this, which for us that

811
00:47:37,000 --> 00:47:39,440
Speaker 1: was the hard rock stands, not the B boys stance.

812
00:47:39,480 --> 00:47:41,320
Speaker 1: There was no such thing as a B boys stands.

813
00:47:42,560 --> 00:47:45,319
Speaker 1: So they so, I it's funny because to me, it's like,

814
00:47:45,360 --> 00:47:47,279
Speaker 1: all right, well this is our element. Why they trying

815
00:47:47,280 --> 00:47:49,560
Speaker 1: to take credit? They don't do this. So there was

816
00:47:49,800 --> 00:47:53,560
Speaker 1: a conference up in in uh San Francisco and I'm

817
00:47:53,600 --> 00:47:56,600
Speaker 1: like the panelists assassin, like yo, like why do you

818
00:47:56,640 --> 00:47:59,680
Speaker 1: guys call yourself be boys and they're like, oh, well,

819
00:47:59,719 --> 00:48:03,000
Speaker 1: you know, we didn't use the word back in Queens,

820
00:48:03,000 --> 00:48:05,399
Speaker 1: but when we heard it, we thought it sounded fly,

821
00:48:05,920 --> 00:48:08,560
Speaker 1: so we called ourselves b boys. So they didn't know

822
00:48:08,640 --> 00:48:11,800
Speaker 1: what they were doing. Damn. So now with the terms

823
00:48:11,840 --> 00:48:15,839
Speaker 1: and everything, which one is, because I would look at

824
00:48:15,840 --> 00:48:19,560
Speaker 1: you as as the authority for this stuff, for what

825
00:48:19,800 --> 00:48:22,719
Speaker 1: the names of ship should be. That's just the way

826
00:48:22,719 --> 00:48:25,799
Speaker 1: I look at you. So what terms have you accepted

827
00:48:25,880 --> 00:48:27,799
Speaker 1: throughout the years that didn't make sense to you before

828
00:48:27,840 --> 00:48:30,880
Speaker 1: that that has become kind of I accept all right.

829
00:48:30,960 --> 00:48:34,080
Speaker 1: So the word breakdance actually came from my manager. We

830
00:48:34,080 --> 00:48:38,000
Speaker 1: went in a meeting in nWo and she misspoke. She

831
00:48:38,040 --> 00:48:42,520
Speaker 1: had a British accent and she was just like saying

832
00:48:42,600 --> 00:48:45,480
Speaker 1: something that she said break dancers, and we just started

833
00:48:45,560 --> 00:48:48,560
Speaker 1: screaming on her because we didn't know what breakdancers were,

834
00:48:49,320 --> 00:48:54,520
Speaker 1: and um, you know she was our publicists also, so

835
00:48:54,560 --> 00:48:58,360
Speaker 1: she was feeding that information out there to the press.

836
00:48:58,400 --> 00:49:01,080
Speaker 1: That's how the word breakdancing came about, because in the

837
00:49:01,080 --> 00:49:03,480
Speaker 1: seventies it did not exist at all. Yeah, and you

838
00:49:03,520 --> 00:49:05,959
Speaker 1: may talk to an old school head and they'll be like, yeah,

839
00:49:05,960 --> 00:49:08,600
Speaker 1: we would breakdancing. But these are also old school heads

840
00:49:08,719 --> 00:49:12,560
Speaker 1: that are so disconnected from the history and that period

841
00:49:12,640 --> 00:49:16,040
Speaker 1: that they're just going along with what's the north. For me,

842
00:49:16,600 --> 00:49:20,520
Speaker 1: hip hop wouldn't exist without b boys and graffiti artists

843
00:49:21,320 --> 00:49:23,800
Speaker 1: exact think it wouldn't be called hip hop is all.

844
00:49:24,719 --> 00:49:27,640
Speaker 1: But I'm saying so when people say hip hop as

845
00:49:27,640 --> 00:49:31,600
Speaker 1: a style of music, that's really not exactly because it's

846
00:49:31,840 --> 00:49:33,360
Speaker 1: like it's part of a thing, but it's not a

847
00:49:33,400 --> 00:49:36,799
Speaker 1: style of music. It's not like anyone. I don't care

848
00:49:36,800 --> 00:49:39,440
Speaker 1: if they could say whoever made up hip hop? But

849
00:49:39,480 --> 00:49:41,960
Speaker 1: it's like, all right, well, what trains did that person do?

850
00:49:42,120 --> 00:49:44,920
Speaker 1: Or what walls? What b boy beer battles? Was that

851
00:49:45,000 --> 00:49:48,480
Speaker 1: person in? What rhymes did that person say? So to

852
00:49:48,560 --> 00:49:51,279
Speaker 1: give anyone person credit for creating hip hop is it's

853
00:49:51,360 --> 00:49:53,239
Speaker 1: kind of ridiculous because then you have to go through

854
00:49:53,280 --> 00:49:56,239
Speaker 1: all these different elements and was that person that talented

855
00:49:56,920 --> 00:49:59,480
Speaker 1: to have excelled in all those things? And you know,

856
00:49:59,480 --> 00:50:01,440
Speaker 1: because then then you gotta if you gotta say a

857
00:50:01,480 --> 00:50:03,960
Speaker 1: person created hip hop and they say they like, oh right,

858
00:50:04,000 --> 00:50:06,359
Speaker 1: they created graffiti. So now we gotta talk to Tack

859
00:50:06,480 --> 00:50:11,200
Speaker 1: one three and Lee Knonez and compare notes with them

860
00:50:11,400 --> 00:50:15,960
Speaker 1: and no one person, so it can stake that claim.

861
00:50:16,000 --> 00:50:20,319
Speaker 1: I think Cool Hurt became the father of the hip

862
00:50:20,360 --> 00:50:24,880
Speaker 1: hop style of deejaying, not even really but musically, like

863
00:50:25,360 --> 00:50:28,440
Speaker 1: do you know how he was dubbed father of hip hop? No,

864
00:50:28,560 --> 00:50:31,800
Speaker 1: I don't like and eight two when we did in

865
00:50:31,800 --> 00:50:33,560
Speaker 1: New York City Raped to It. I was the first

866
00:50:33,800 --> 00:50:35,879
Speaker 1: hip hop tour ever done before it was called hip

867
00:50:35,880 --> 00:50:40,160
Speaker 1: hop and also known as the Roxy Tour. The Roxy Tour,

868
00:50:40,320 --> 00:50:44,719
Speaker 1: yeah it was. Uh no, it's sponsored by europe One

869
00:50:45,040 --> 00:50:49,279
Speaker 1: and f NAC. So um, we we're on that touring.

870
00:50:49,360 --> 00:50:52,200
Speaker 1: Bambody was doing interviews and he was the one who

871
00:50:52,560 --> 00:50:55,080
Speaker 1: named hip hop. He's the one that gave it the

872
00:50:55,160 --> 00:50:59,879
Speaker 1: umbrella name and yeah Bam and made it officially by

873
00:51:00,239 --> 00:51:07,480
Speaker 1: New Buddy not that party. So um, he ended up

874
00:51:08,400 --> 00:51:12,600
Speaker 1: naming hip hop and uh so when he would he

875
00:51:12,640 --> 00:51:16,439
Speaker 1: didn't want the credit because like even Fine Bam had

876
00:51:16,480 --> 00:51:20,279
Speaker 1: his problems. But he's the dude that corralled everyone and

877
00:51:20,320 --> 00:51:22,400
Speaker 1: he was the first person saying I wanted to be

878
00:51:22,480 --> 00:51:24,160
Speaker 1: boys here, I want the writers here, and I want

879
00:51:24,400 --> 00:51:28,040
Speaker 1: all these different elements at my party. And you know,

880
00:51:28,080 --> 00:51:30,360
Speaker 1: we got to give him that credit. And so you

881
00:51:30,400 --> 00:51:33,319
Speaker 1: figured nine years of existence. It had no name. It

882
00:51:33,400 --> 00:51:35,200
Speaker 1: was just like, yo, you break, you know, you write

883
00:51:35,280 --> 00:51:37,520
Speaker 1: you D j U, M C and that's how you

884
00:51:37,560 --> 00:51:40,400
Speaker 1: are identified. And they just all happened to be in

885
00:51:40,400 --> 00:51:44,000
Speaker 1: the same circle. Yeah, kind of like if you break,

886
00:51:44,160 --> 00:51:46,399
Speaker 1: you like the way graffiti looked, and if you break,

887
00:51:46,600 --> 00:51:49,040
Speaker 1: you needed this particular style of music to do it too.

888
00:51:50,280 --> 00:51:53,880
Speaker 1: It was yeah, but it wasn't like you know, it

889
00:51:53,920 --> 00:51:57,520
Speaker 1: wasn't like you know, it wasn't like, uh, there was rappers.

890
00:51:57,520 --> 00:51:59,880
Speaker 1: It was you weren't a rapper. You were an M

891
00:52:00,160 --> 00:52:04,120
Speaker 1: four DJ. Yeah. Nobody was talking about rapping back then. Yeah,

892
00:52:04,520 --> 00:52:07,200
Speaker 1: So where did the It was just MC so But

893
00:52:07,280 --> 00:52:09,279
Speaker 1: I'm saying you guys went hand in hand, right, the

894
00:52:09,360 --> 00:52:12,080
Speaker 1: music and yeah, yeah and the break Yeah, because we

895
00:52:12,120 --> 00:52:14,440
Speaker 1: would go to the jams because usually since there were

896
00:52:14,440 --> 00:52:18,239
Speaker 1: no rap records, it would be them playing whatever top

897
00:52:18,320 --> 00:52:21,520
Speaker 1: forty plus break beats and then at a certain time

898
00:52:22,200 --> 00:52:24,239
Speaker 1: Furious five gets on the mic and does their show

899
00:52:24,520 --> 00:52:26,120
Speaker 1: right right, right right, you know. But when the break

900
00:52:26,120 --> 00:52:28,560
Speaker 1: beats are on, the B boys and the girls were

901
00:52:28,600 --> 00:52:31,359
Speaker 1: hit in the floor. When the songs that good times

902
00:52:31,400 --> 00:52:35,040
Speaker 1: are on, you're dancing with the girls and you wouldn't

903
00:52:35,080 --> 00:52:39,200
Speaker 1: dance to the breakup good times? Nah, not not too slow.

904
00:52:39,400 --> 00:52:42,000
Speaker 1: Now we had, I mean we had way better than that,

905
00:52:42,440 --> 00:52:44,600
Speaker 1: all right, So how did that become? You know, this

906
00:52:44,680 --> 00:52:47,680
Speaker 1: song that y'all always broke to because we liked it,

907
00:52:48,320 --> 00:52:50,759
Speaker 1: because if it would if we didn't like it, they

908
00:52:50,760 --> 00:52:52,960
Speaker 1: ain't gonna play it. And then that's before my time.

909
00:52:53,000 --> 00:52:56,640
Speaker 1: So I would say, asked, what are the older people

910
00:52:56,680 --> 00:52:59,040
Speaker 1: like Has and them about that, because that's their lane.

911
00:52:59,600 --> 00:53:02,759
Speaker 1: I ain't as older old as those dudes. Yeah, I

912
00:53:02,840 --> 00:53:09,120
Speaker 1: always think it only have like five years a young.

913
00:53:09,800 --> 00:53:14,920
Speaker 1: I'm a young you have to be and do And

914
00:53:15,000 --> 00:53:17,319
Speaker 1: that's why I refused. We were talking about that. Yeah,

915
00:53:17,640 --> 00:53:20,160
Speaker 1: but that's why I refused to fully answer that question.

916
00:53:21,760 --> 00:53:24,920
Speaker 1: It's not my point. Okay, So was Jimmy Arthur Brunch?

917
00:53:25,000 --> 00:53:29,080
Speaker 1: Was that? Was that a song from your generation? Of

918
00:53:29,120 --> 00:53:31,480
Speaker 1: the generation before you? Then we got that from I mean,

919
00:53:31,600 --> 00:53:33,840
Speaker 1: I mean I started seventy seven. These dudes all started

920
00:53:33,880 --> 00:53:37,560
Speaker 1: like seventvo. So I'm still within the generation, but a

921
00:53:37,640 --> 00:53:42,719
Speaker 1: tale and of a certain era. But yeah, I mean

922
00:53:42,960 --> 00:53:45,239
Speaker 1: I grew up on the same way everyone else did.

923
00:53:45,280 --> 00:53:48,080
Speaker 1: We were all watching Soul Train and growing up to

924
00:53:48,080 --> 00:53:50,840
Speaker 1: our parents music like the stylist makes the moments and

925
00:53:50,880 --> 00:53:55,480
Speaker 1: all that stuff. Even Barbara Streisan, Johnny Mathis. You're hearing

926
00:53:55,520 --> 00:53:59,560
Speaker 1: all these things. So you know, I grew up on

927
00:53:59,600 --> 00:54:02,719
Speaker 1: a variet did music in South southe Yeah, you know.

928
00:54:03,000 --> 00:54:06,120
Speaker 1: But my my uncles would have jam sessions in my house.

929
00:54:06,160 --> 00:54:09,480
Speaker 1: They played Timballe's upright Bass Oregon. All that stuff was

930
00:54:09,480 --> 00:54:13,439
Speaker 1: happening great, and people check, yeah, check check. I think

931
00:54:13,600 --> 00:54:16,479
Speaker 1: people don't realize that salsa was created in the Bronx. No,

932
00:54:16,520 --> 00:54:20,359
Speaker 1: salsa was creating in Spanish, Harlem, was it? I heard

933
00:54:20,400 --> 00:54:28,000
Speaker 1: the Bronx. Yeah, I could be wrong, And then I

934
00:54:28,160 --> 00:54:29,960
Speaker 1: heard no. I heard that it started in the Bronx.

935
00:54:30,000 --> 00:54:37,239
Speaker 1: And then the musicians and yeah, yes, yeah you think

936
00:54:37,640 --> 00:54:42,640
Speaker 1: Hector Leo is Russian? Right you calling? You got to

937
00:54:42,680 --> 00:54:46,720
Speaker 1: call that? Did the routines and then where you guys

938
00:54:46,719 --> 00:54:50,040
Speaker 1: were at. Routines were always part of breaking that that

939
00:54:50,160 --> 00:54:55,680
Speaker 1: was happening before I started breaking. So that was I mean, again,

940
00:54:55,960 --> 00:54:58,879
Speaker 1: I leave that to the older dudes. What you want

941
00:54:58,880 --> 00:55:01,600
Speaker 1: to take credit for, Let's let's get with that. Uh

942
00:55:01,760 --> 00:55:04,799
Speaker 1: you know, I don't really I know you don't want

943
00:55:04,800 --> 00:55:10,200
Speaker 1: to take anything. Can you take credit for the backspin? Yes? Yeah,

944
00:55:10,320 --> 00:55:18,799
Speaker 1: windmill threads the threads all right, right? Right? You boy,

945
00:55:18,880 --> 00:55:24,600
Speaker 1: dizzy does I don't like threads? Actually, thank you? No,

946
00:55:24,640 --> 00:55:28,919
Speaker 1: I mean I look at it, my man, I don't don't.

947
00:55:30,280 --> 00:55:31,960
Speaker 1: It was too easy for me to do that. Then

948
00:55:32,000 --> 00:55:33,640
Speaker 1: I was like, this came too easy. It can't be

949
00:55:33,640 --> 00:55:36,560
Speaker 1: a good move. That's how it looks. Should have evolved it, Yeah,

950
00:55:36,600 --> 00:55:39,319
Speaker 1: well I couldn't. We didn't know it could involved. The

951
00:55:39,320 --> 00:55:41,920
Speaker 1: first time I saw n first one, when I heard

952
00:55:41,960 --> 00:55:44,560
Speaker 1: the name, I go with that's the future. Oh no.

953
00:55:44,680 --> 00:55:47,680
Speaker 1: But here's the thing, even with the nine, so we

954
00:55:47,680 --> 00:55:49,600
Speaker 1: were already traveling, so when we would come up with

955
00:55:49,640 --> 00:55:52,120
Speaker 1: moves and we're on the road, people would rename them

956
00:55:52,160 --> 00:55:54,319
Speaker 1: because it's not like they were hanging with us. They

957
00:55:54,320 --> 00:55:56,399
Speaker 1: would see us do certain things and then they call

958
00:55:56,480 --> 00:56:00,120
Speaker 1: it something else. So the was actually someone else's move,

959
00:56:00,480 --> 00:56:03,360
Speaker 1: which was a different move, and then my move was

960
00:56:03,400 --> 00:56:06,640
Speaker 1: just called a hand spin. But people just mixed everything else.

961
00:56:06,640 --> 00:56:09,200
Speaker 1: So the person who created an actual move called the

962
00:56:09,280 --> 00:56:14,880
Speaker 1: nine get shipped on and losing that title. I remember.

963
00:56:15,040 --> 00:56:17,600
Speaker 1: But like the first time I saw nineteen, I was like, Yo,

964
00:56:18,320 --> 00:56:20,759
Speaker 1: what the fund did that guy just do? And I

965
00:56:20,840 --> 00:56:23,480
Speaker 1: never even did it? Well, I just came up with

966
00:56:24,080 --> 00:56:26,680
Speaker 1: other people evolved it. It was like one spin and

967
00:56:26,680 --> 00:56:28,759
Speaker 1: then you jumped down. Yeah, and then you see these cats.

968
00:56:28,760 --> 00:56:31,359
Speaker 1: First time we saw it was Korean cats jumping on

969
00:56:31,360 --> 00:56:36,080
Speaker 1: one hand doing like that was my movie Beat Street. Yeah.

970
00:56:36,239 --> 00:56:40,520
Speaker 1: I like Yeah, I like wild style too, but I

971
00:56:40,600 --> 00:56:45,440
Speaker 1: like breaking that you're trying to pass by. Break let

972
00:56:45,440 --> 00:56:47,120
Speaker 1: me let me, let me break down break not breaking?

973
00:56:47,200 --> 00:56:54,000
Speaker 1: Was come on now? What about four or five months ago?

974
00:56:54,120 --> 00:56:56,360
Speaker 1: That was my due? Yeah, year ago after Yeah, I

975
00:56:56,400 --> 00:56:59,200
Speaker 1: spen about a year, about five months like, no, like

976
00:56:59,280 --> 00:57:07,040
Speaker 1: two three months ago, I think five. I think unless

977
00:57:07,480 --> 00:57:10,480
Speaker 1: unless happen all that busy. I still want to know

978
00:57:10,480 --> 00:57:14,840
Speaker 1: why use pass? You can't pass? No pass? No? I

979
00:57:14,880 --> 00:57:23,800
Speaker 1: mean I was never yeah for the West Coast Coast.

980
00:57:23,960 --> 00:57:28,080
Speaker 1: I didn't like Beech Street. I didn't like breaking. And

981
00:57:28,120 --> 00:57:31,760
Speaker 1: the thing is is that it's like the people act

982
00:57:31,840 --> 00:57:34,720
Speaker 1: like the only thing you can do with a storyline

983
00:57:34,800 --> 00:57:37,439
Speaker 1: from the Hood is make sure that you pair up

984
00:57:38,120 --> 00:57:42,880
Speaker 1: uh one of us with some white girl ballerina and

985
00:57:42,960 --> 00:57:46,600
Speaker 1: that ship is just corny and not real. There's only

986
00:57:46,600 --> 00:57:48,160
Speaker 1: one way out the hood, and needs you need a

987
00:57:48,200 --> 00:57:51,880
Speaker 1: White Coast sign to get out. Exactly what was Henry

988
00:57:51,960 --> 00:57:54,440
Speaker 1: Chawn Fonto. Was he black? Yeah, but he wasn't the

989
00:57:54,440 --> 00:57:57,120
Speaker 1: only person. I give Henry chold found a whole lot

990
00:57:57,120 --> 00:58:00,640
Speaker 1: of credit. But that was a short moment in time.

991
00:58:00,680 --> 00:58:03,440
Speaker 1: But I was also dancing for several years before that,

992
00:58:04,200 --> 00:58:06,520
Speaker 1: and I was already making a name for myself by

993
00:58:06,720 --> 00:58:11,360
Speaker 1: running into like territory where I wasn't really welcomed and

994
00:58:11,760 --> 00:58:14,040
Speaker 1: just to go battle somebody and then get chased out

995
00:58:14,040 --> 00:58:17,800
Speaker 1: of the neighborhood. You know, Henry child found wasn't there

996
00:58:17,800 --> 00:58:19,880
Speaker 1: with his little Volkswagen to get me out of there.

997
00:58:22,600 --> 00:58:26,000
Speaker 1: He's still alive. Yeah, Harry is the man never met

998
00:58:26,080 --> 00:58:30,080
Speaker 1: him either. A lot of people was the last d

999
00:58:35,560 --> 00:58:39,160
Speaker 1: Did you guys have a lot of black breakers? Yeah, yep,

1000
00:58:39,920 --> 00:58:43,040
Speaker 1: Rock said he was always a very diverse group. Remember

1001
00:58:43,080 --> 00:58:46,760
Speaker 1: there was a lot of blacks or Phillips or Puerto Rican. Yeah,

1002
00:58:46,800 --> 00:58:50,960
Speaker 1: we were very well. Mr Freeze was it was French Jew.

1003
00:58:51,280 --> 00:58:54,600
Speaker 1: He was born in France, really, yeah Freeze. Mr Freese

1004
00:58:54,600 --> 00:58:57,480
Speaker 1: was actually breaking probably a year before me. Really was

1005
00:58:57,720 --> 00:59:00,640
Speaker 1: from the Bronx. But his parents were French is. Yeah,

1006
00:59:00,680 --> 00:59:07,280
Speaker 1: they were in concentration camps as well. It was a Jew. Yeah,

1007
00:59:07,520 --> 00:59:15,720
Speaker 1: oh wow, he was actually freezing steam. Yea Freeze is easily.

1008
00:59:17,440 --> 00:59:22,280
Speaker 1: Ah wow. I would say maybe the second Caucasian B

1009
00:59:22,480 --> 00:59:27,280
Speaker 1: boy in his Mr Freeze and Frosty free Frosty Freeze.

1010
00:59:27,440 --> 00:59:33,960
Speaker 1: His family was from Belize believing, so so Caucasians will

1011
00:59:34,040 --> 00:59:39,800
Speaker 1: breaking in yeah. Yeah, And there was in Manhattan, there

1012
00:59:39,840 --> 00:59:44,200
Speaker 1: was the other dude. There was this other dude named

1013
00:59:44,320 --> 00:59:47,800
Speaker 1: Chinese Flash. Yeah. He was he fresh, Yeah, he was

1014
00:59:47,840 --> 00:59:52,880
Speaker 1: dope and that was Chinese. Yeah, and he was dope. Yep.

1015
00:59:53,520 --> 00:59:55,200
Speaker 1: The funny ship is that I think he was down

1016
00:59:55,200 --> 00:59:57,520
Speaker 1: with these dudes called the Shamrock Crew. So it's all

1017
00:59:57,640 --> 01:00:00,760
Speaker 1: funked up in there. Like, so he was active Chinese

1018
01:00:01,080 --> 01:00:09,000
Speaker 1: black dudes in a Irish crew name with Chinese Flash. Yeah,

1019
01:00:10,120 --> 01:00:16,640
Speaker 1: and he's black. So how come the Chinese pop popping

1020
01:00:16,920 --> 01:00:20,240
Speaker 1: and pop popping and locking get incorporated into B boy?

1021
01:00:21,000 --> 01:00:23,680
Speaker 1: It was because that was a completely separate style of dance. Yeah,

1022
01:00:23,680 --> 01:00:29,160
Speaker 1: that Robot West Coast, that's Fresno, that's that's I mean.

1023
01:00:29,240 --> 01:00:33,560
Speaker 1: People were imitating what they saw on Soul Train, and

1024
01:00:33,720 --> 01:00:37,200
Speaker 1: they wrongly called the dance electric boogie because they saw

1025
01:00:38,000 --> 01:00:40,800
Speaker 1: the electric boogaloos on Soul Train. So a lot of

1026
01:00:40,840 --> 01:00:43,640
Speaker 1: people in New York did it wrong. So they would

1027
01:00:43,680 --> 01:00:45,680
Speaker 1: mix up what they saw from the Electric Boogaloos and

1028
01:00:45,760 --> 01:00:50,000
Speaker 1: the lockers. That's like mixing south Side and Medenge. It

1029
01:00:50,040 --> 01:00:58,720
Speaker 1: just doesn't work. So yeah, that was eighty two eight one.

1030
01:01:00,080 --> 01:01:04,720
Speaker 1: What the incorporation, Yeah, yeah, yeah, because I was always

1031
01:01:04,760 --> 01:01:08,200
Speaker 1: like I liked um waves and pops and locks. I

1032
01:01:08,280 --> 01:01:11,720
Speaker 1: don't really like locking that much. Locking always look corny

1033
01:01:11,760 --> 01:01:16,080
Speaker 1: to me. Always like I never I was watching, I go, oh,

1034
01:01:16,240 --> 01:01:18,200
Speaker 1: come on, I don't want to see this fucking rerun ship.

1035
01:01:18,960 --> 01:01:20,400
Speaker 1: You know. I would always look at it like that.

1036
01:01:20,480 --> 01:01:22,320
Speaker 1: I was like, because it looked too happy. They don't

1037
01:01:22,360 --> 01:01:24,440
Speaker 1: have a big smile. It had his place, though. That

1038
01:01:24,520 --> 01:01:33,680
Speaker 1: was the West Coast thing, I know, it had. I

1039
01:01:33,760 --> 01:01:38,960
Speaker 1: associate popping with with the West Coast because indeed, in

1040
01:01:39,120 --> 01:01:42,480
Speaker 1: these hard out here indeed, yeah, I was able to

1041
01:01:42,520 --> 01:01:45,920
Speaker 1: hit a crazy legs about Mr. Animation the other day

1042
01:01:45,920 --> 01:01:49,600
Speaker 1: because he was fucking dope. But he was a real

1043
01:01:49,680 --> 01:01:52,440
Speaker 1: gang banger. Yeah, the majority of the cats were real

1044
01:01:52,480 --> 01:01:55,960
Speaker 1: gang Skia Rabbit rest in peace to him too. See.

1045
01:01:56,000 --> 01:01:58,959
Speaker 1: Locking was more of a thing, you know what I mean,

1046
01:01:59,000 --> 01:02:02,280
Speaker 1: where you know cats would do they had their routines together.

1047
01:02:02,360 --> 01:02:05,080
Speaker 1: It was more of that type of situation versus popping.

1048
01:02:05,760 --> 01:02:08,440
Speaker 1: It started off one kind of way where everybody was together,

1049
01:02:08,520 --> 01:02:11,640
Speaker 1: but then when y'all started making your migration this way,

1050
01:02:11,680 --> 01:02:13,760
Speaker 1: then it became something. It was more. But you know,

1051
01:02:13,920 --> 01:02:15,760
Speaker 1: I think there were some of those people were already

1052
01:02:15,800 --> 01:02:20,040
Speaker 1: doing things um that we're not even on most people's radars,

1053
01:02:20,120 --> 01:02:24,200
Speaker 1: kind of like you had, uh, grand Master Flowers opening

1054
01:02:24,280 --> 01:02:29,240
Speaker 1: up for James Brown at Yankee Stadium and I didn't

1055
01:02:29,240 --> 01:02:31,640
Speaker 1: even know who grand Master Flowers was at that time.

1056
01:02:31,840 --> 01:02:34,040
Speaker 1: I know who he wasn't ntil seventy seven. I think

1057
01:02:34,280 --> 01:02:41,320
Speaker 1: that was why look at that, Yeah, Grandmaster Flowers and

1058
01:02:41,400 --> 01:02:45,160
Speaker 1: since you know now heppen for James Brown back in

1059
01:02:45,160 --> 01:02:49,320
Speaker 1: the day. So did you guys have to damn damn

1060
01:02:49,440 --> 01:02:51,680
Speaker 1: did you guys have to deal with you know, the

1061
01:02:51,720 --> 01:02:54,600
Speaker 1: whole MC like that that really didn't become prevalent until

1062
01:02:54,680 --> 01:02:57,840
Speaker 1: later with you, like I happened having mcs where everything

1063
01:02:57,840 --> 01:03:01,800
Speaker 1: is separated basically you know, everything everything was getting together

1064
01:03:01,880 --> 01:03:06,320
Speaker 1: at that point, you know, I mean MC. I think

1065
01:03:06,400 --> 01:03:08,680
Speaker 1: when people just started getting more record deals, that's when

1066
01:03:08,720 --> 01:03:11,880
Speaker 1: you started seeing DJs and m C has become separated.

1067
01:03:11,920 --> 01:03:16,800
Speaker 1: And you know, you couldn't monetize graffiti or breaking at

1068
01:03:16,840 --> 01:03:21,200
Speaker 1: that time, so you know, people just focused on all right,

1069
01:03:21,200 --> 01:03:24,760
Speaker 1: where's the money? Rap? You can you can produce records, man,

1070
01:03:24,800 --> 01:03:28,160
Speaker 1: you don't step to the bad The raps were like,

1071
01:03:28,200 --> 01:03:29,560
Speaker 1: you guys want to come on tour with us? We

1072
01:03:29,600 --> 01:03:32,120
Speaker 1: need something because we don't really have a performance. I've

1073
01:03:32,160 --> 01:03:36,800
Speaker 1: never background dance for anybody. If I did, it would

1074
01:03:36,800 --> 01:03:39,439
Speaker 1: be like a feature with a K R. S One

1075
01:03:39,880 --> 01:03:43,120
Speaker 1: or somebody that I really respected, or somebody that was

1076
01:03:43,160 --> 01:03:46,320
Speaker 1: a friend that I did a favor for. But Na,

1077
01:03:46,560 --> 01:03:50,080
Speaker 1: why do you say it was so much? Because because

1078
01:03:50,080 --> 01:03:54,840
Speaker 1: to him, he was He's a foreground dance. His whole

1079
01:03:54,840 --> 01:03:57,360
Speaker 1: ship was a performance. So it's kind of like, don't

1080
01:03:57,520 --> 01:04:01,200
Speaker 1: use my performance to up your whack performance, basically your

1081
01:04:01,280 --> 01:04:06,080
Speaker 1: lack of performance. But he had said he wouldn't back anybody.

1082
01:04:06,080 --> 01:04:10,400
Speaker 1: They were the viagraa to those guys with their limp show,

1083
01:04:10,440 --> 01:04:12,280
Speaker 1: and the rock Study Crew would get your rock hard.

1084
01:04:14,400 --> 01:04:16,080
Speaker 1: That's actually where the name came from, guys. It was

1085
01:04:16,080 --> 01:04:21,880
Speaker 1: actually the rock Hard Study Crew. So you guys just

1086
01:04:21,960 --> 01:04:25,960
Speaker 1: kept it going for generations. Yeah. Yeah, and I mean

1087
01:04:26,120 --> 01:04:29,480
Speaker 1: your son never be boy nah my son, my son

1088
01:04:29,640 --> 01:04:36,400
Speaker 1: is marked in the financial field. That's wild though, But

1089
01:04:36,480 --> 01:04:38,600
Speaker 1: I was Yeah, but I was told my son. You know,

1090
01:04:38,640 --> 01:04:40,520
Speaker 1: since he was a kid. I was told people and

1091
01:04:40,600 --> 01:04:43,160
Speaker 1: I ask you, do you Duy's like your dad? And

1092
01:04:43,280 --> 01:04:44,720
Speaker 1: I told him, you know when they ask you that,

1093
01:04:44,920 --> 01:04:47,360
Speaker 1: just say yo, my my dad said that he didn't

1094
01:04:47,400 --> 01:04:51,800
Speaker 1: have options, and I have options, you know. So I

1095
01:04:51,880 --> 01:04:54,680
Speaker 1: never wanted to get pressure to be on right. Let

1096
01:04:54,720 --> 01:04:56,920
Speaker 1: him do what him? Yet him do him? Yeah, it's

1097
01:04:56,960 --> 01:04:59,520
Speaker 1: like expecting your kids all to be funny just what

1098
01:04:59,560 --> 01:05:06,040
Speaker 1: we were what just like we were talking about the

1099
01:05:06,040 --> 01:05:08,439
Speaker 1: degenerations change, you know what I'm saying, And you gotta

1100
01:05:08,480 --> 01:05:14,800
Speaker 1: let them do what they do. It's the animation who no, No,

1101
01:05:14,960 --> 01:05:18,600
Speaker 1: I just messing around, but no, not really Jessey Jeff's

1102
01:05:18,640 --> 01:05:22,800
Speaker 1: kids don't DJ except for his oldest son, one of

1103
01:05:22,800 --> 01:05:27,280
Speaker 1: them MS though. Right yeah, I'm mirror MCS and Corey.

1104
01:05:27,320 --> 01:05:31,880
Speaker 1: I think DJs now my son. I my son plays golf,

1105
01:05:32,960 --> 01:05:36,680
Speaker 1: so you know, nob he really he's really dope. We

1106
01:05:36,720 --> 01:05:41,800
Speaker 1: have really fast they're crazy, crazy clubs crazy. He's nice,

1107
01:05:42,400 --> 01:05:45,800
Speaker 1: but he's legit nice. So I've never played golf. I'm

1108
01:05:45,840 --> 01:05:51,600
Speaker 1: not much of a bowling. Oh yeah, like I hold lift.

1109
01:05:51,920 --> 01:05:54,200
Speaker 1: I hold the golf club like a hockey stick. Because

1110
01:05:54,200 --> 01:05:59,240
Speaker 1: they grew up in Canada force of habit right the

1111
01:05:59,280 --> 01:06:02,680
Speaker 1: old Russians board of Golf. Oh sorry, Francie were saying,

1112
01:06:03,960 --> 01:06:07,320
Speaker 1: you still do you still judge people? Like when need

1113
01:06:07,400 --> 01:06:10,280
Speaker 1: you stop? I still judge? Yeah? I mean it's far

1114
01:06:10,400 --> 01:06:13,960
Speaker 1: letting people into the rock Steady. Oh. I haven't been

1115
01:06:14,000 --> 01:06:18,320
Speaker 1: in charge of rock study in terms of uh right now,

1116
01:06:18,520 --> 01:06:24,000
Speaker 1: no one. But I stopped doing those things like picking

1117
01:06:24,040 --> 01:06:26,439
Speaker 1: people to be in rock study and like five years ago.

1118
01:06:27,720 --> 01:06:31,360
Speaker 1: So because I just I work on I'm more focused

1119
01:06:31,400 --> 01:06:35,560
Speaker 1: on my efforts in Puerto Rico and just other problems

1120
01:06:35,640 --> 01:06:37,560
Speaker 1: that I want to do. No. I have a music

1121
01:06:37,600 --> 01:06:41,520
Speaker 1: festival called port Rock Study out there, and you know,

1122
01:06:41,600 --> 01:06:44,160
Speaker 1: of course the rock Steady history, but also back in

1123
01:06:44,200 --> 01:06:48,600
Speaker 1: the days Porto Rocks. So yeah, so I felt like,

1124
01:06:48,640 --> 01:06:50,360
Speaker 1: all right, well I have the ability to get people.

1125
01:06:50,360 --> 01:06:52,800
Speaker 1: We need to expand on porter Rocks because people listening

1126
01:06:52,840 --> 01:06:58,320
Speaker 1: on Puerto rican the slang with port Rocks for for

1127
01:06:58,360 --> 01:07:05,560
Speaker 1: referencing us. That's all fair. Look as much as I

1128
01:07:05,600 --> 01:07:07,800
Speaker 1: love fast food, I know that I can eat it

1129
01:07:07,840 --> 01:07:10,480
Speaker 1: all the time, but cooking can be consuming and annoying,

1130
01:07:10,800 --> 01:07:13,120
Speaker 1: so it's hard to motivate me to do it, like

1131
01:07:13,280 --> 01:07:15,919
Speaker 1: really difficult to do that. But now that I'm using

1132
01:07:15,920 --> 01:07:17,920
Speaker 1: Hello Fresh, cooking is no big deal for me. I mean,

1133
01:07:17,960 --> 01:07:19,640
Speaker 1: it's still kind of a big deal for me, but

1134
01:07:19,720 --> 01:07:22,560
Speaker 1: it's fast, it's easy, and all the recipes are right there,

1135
01:07:22,560 --> 01:07:26,000
Speaker 1: and they're really delicious. With Hello Fresh, you get fresh,

1136
01:07:26,360 --> 01:07:29,880
Speaker 1: pre measured ingredients and mouth watering seasonal recipes delivered right

1137
01:07:29,920 --> 01:07:31,640
Speaker 1: to your door. I can tell you right now that

1138
01:07:31,760 --> 01:07:34,240
Speaker 1: my mouth is actually watering. You can skip trips to

1139
01:07:34,280 --> 01:07:37,160
Speaker 1: the grocery store and count on Hello Fresh to make

1140
01:07:37,240 --> 01:07:41,240
Speaker 1: home cooking easy, fun and affordable. That's why it's America's

1141
01:07:41,320 --> 01:07:44,240
Speaker 1: number one meal kit. You know I love a deal, right,

1142
01:07:44,360 --> 01:07:46,160
Speaker 1: so believe me when I tell you that Hello Fresh

1143
01:07:46,200 --> 01:07:49,040
Speaker 1: is a great deal. It's twenty eight percent cheaper than

1144
01:07:49,080 --> 01:07:52,680
Speaker 1: shopping at your local grocery store and seventy two cheaper

1145
01:07:52,680 --> 01:07:55,320
Speaker 1: than going to a restaurant. And the thing is their

1146
01:07:55,320 --> 01:07:58,080
Speaker 1: meals taste like amazing restaurant meals, so it's a win

1147
01:07:58,160 --> 01:08:01,120
Speaker 1: win situation. I think the thing for me is how

1148
01:08:01,200 --> 01:08:04,440
Speaker 1: much flexibility I have with Hello Fresh. My schedule changes

1149
01:08:04,520 --> 01:08:07,720
Speaker 1: all the time, so I need flexibility, and with Hello Fresh,

1150
01:08:07,840 --> 01:08:09,960
Speaker 1: I can skip orders when I know I won't be home,

1151
01:08:10,280 --> 01:08:12,800
Speaker 1: and I can customize my box every week so that

1152
01:08:12,840 --> 01:08:15,120
Speaker 1: if I have friends staying with me, there's enough food

1153
01:08:15,120 --> 01:08:17,120
Speaker 1: for them too. I can even double up on my

1154
01:08:17,160 --> 01:08:19,960
Speaker 1: kid's favorite recipes to keep them happy. Yes, I know

1155
01:08:20,000 --> 01:08:22,639
Speaker 1: what you're thinking. Who needs that many chicken nuggets? Hey,

1156
01:08:22,680 --> 01:08:26,000
Speaker 1: they give me options, which is super helpful. It really

1157
01:08:26,080 --> 01:08:28,639
Speaker 1: makes my life a lot easier. So go to Hello

1158
01:08:28,680 --> 01:08:33,400
Speaker 1: Fresh dot com slash twelve peters and use code twelve

1159
01:08:33,479 --> 01:08:38,040
Speaker 1: peters for twelve free meals including free shipping. That's Hello

1160
01:08:38,120 --> 01:08:41,920
Speaker 1: Fresh dot com slash twelve peters. That's the number twelve

1161
01:08:42,200 --> 01:08:45,519
Speaker 1: and my last name Peters and use code twelve peters

1162
01:08:45,520 --> 01:08:49,040
Speaker 1: for twelve free meals, including free shipping. Hello Fresh, America's

1163
01:08:49,160 --> 01:08:54,240
Speaker 1: number one meal kit. You wish your back on Putter

1164
01:08:54,320 --> 01:08:59,719
Speaker 1: Rock Mouch, I'll tell you on the podcast Porter Rock Steady.

1165
01:09:00,040 --> 01:09:03,400
Speaker 1: One of them poolside parties or something, playing some smooth

1166
01:09:03,400 --> 01:09:08,120
Speaker 1: house shit, you know, yes, thinking about it? No, No,

1167
01:09:08,200 --> 01:09:10,160
Speaker 1: because I've been I've been asking him for years. No,

1168
01:09:10,240 --> 01:09:13,040
Speaker 1: but I already got with trying to see when Puerto

1169
01:09:13,120 --> 01:09:16,080
Speaker 1: Rico's starts openings. I don't want money. I just want

1170
01:09:16,080 --> 01:09:18,960
Speaker 1: to go there and sucking. You know, yeah, we're charging

1171
01:09:19,040 --> 01:09:25,280
Speaker 1: him now. People sleeping skills though, so that's that's the thing.

1172
01:09:25,520 --> 01:09:30,080
Speaker 1: Oh yeah, yeah, I know Russell's legit. He get over

1173
01:09:31,280 --> 01:09:34,160
Speaker 1: timement to death. I would house it to death. He

1174
01:09:34,160 --> 01:09:37,920
Speaker 1: would house it to death. I would say, Russell, if

1175
01:09:37,920 --> 01:09:42,680
Speaker 1: you had like up, if you had like a celebrity,

1176
01:09:42,720 --> 01:09:48,840
Speaker 1: like a Hollywood celebrity DJ battle, who's your competition. I

1177
01:09:48,840 --> 01:09:51,400
Speaker 1: don't know. I don't know who else can DJ. I

1178
01:09:51,439 --> 01:09:54,360
Speaker 1: know plenty of people dabble. Yeah, but that doesn't mean

1179
01:09:54,400 --> 01:09:56,800
Speaker 1: the DJs in my mind, I mean, right, you bought

1180
01:09:56,800 --> 01:09:58,360
Speaker 1: a control or what do you fucking do you know

1181
01:09:58,400 --> 01:10:02,280
Speaker 1: what I mean? Or maybe you you did it a

1182
01:10:02,320 --> 01:10:04,240
Speaker 1: long time ago and you think you're gonna come back

1183
01:10:04,240 --> 01:10:05,960
Speaker 1: to what the game changed. You know, you gotta move

1184
01:10:06,000 --> 01:10:09,320
Speaker 1: with the game. I'm thinking, and I can't think I

1185
01:10:09,320 --> 01:10:19,519
Speaker 1: mean the truth. Yeah, yeah, he took your job. Yeah,

1186
01:10:20,040 --> 01:10:22,200
Speaker 1: she's that good at DJ as she is making porno

1187
01:10:22,280 --> 01:10:25,000
Speaker 1: tapes and if you've seen the Pornto tapes, they're not

1188
01:10:25,160 --> 01:10:30,400
Speaker 1: very good. You gotta bring those up now, yo. I

1189
01:10:30,400 --> 01:10:33,479
Speaker 1: think interesting. Um, I know I know he does dub,

1190
01:10:33,600 --> 01:10:36,000
Speaker 1: but I think he can just plays house and stuff

1191
01:10:36,040 --> 01:10:39,439
Speaker 1: like that. Um, but again, if he plays like an

1192
01:10:39,439 --> 01:10:41,200
Speaker 1: English guy, then it's not really a problem to me

1193
01:10:41,240 --> 01:10:44,960
Speaker 1: because because the English, there's a lot of England they

1194
01:10:45,080 --> 01:10:48,400
Speaker 1: know they got great music. They the DJs no music,

1195
01:10:49,000 --> 01:10:52,679
Speaker 1: but they play weirdly, like they play weird Remember being

1196
01:10:52,680 --> 01:10:54,639
Speaker 1: in England and like a fucking track will be playing

1197
01:10:55,120 --> 01:10:57,160
Speaker 1: and right over the lyrics. You're here and they and

1198
01:10:57,160 --> 01:10:59,639
Speaker 1: they don't talk over they dropped the music and then

1199
01:10:59,720 --> 01:11:02,200
Speaker 1: drop it back up. It'll be like the song sing

1200
01:11:02,200 --> 01:11:03,560
Speaker 1: and then all of a sudden, big out to the

1201
01:11:04,160 --> 01:11:09,160
Speaker 1: brick and then the music comes back up North London,

1202
01:11:09,280 --> 01:11:11,320
Speaker 1: North London, mass if I see you and then back up.

1203
01:11:11,320 --> 01:11:13,360
Speaker 1: It's like it's just it's always and and you're like,

1204
01:11:13,400 --> 01:11:16,000
Speaker 1: what the what the fuck right over the lyrics, So

1205
01:11:16,080 --> 01:11:18,719
Speaker 1: you gotta try like do it over the instrumental part,

1206
01:11:18,840 --> 01:11:21,200
Speaker 1: Like but I guess that's the way when we don't

1207
01:11:21,200 --> 01:11:22,720
Speaker 1: want to copy that. You guys, we're doing our own thing.

1208
01:11:22,720 --> 01:11:24,400
Speaker 1: And I'm like, but your own thing kind of sucks

1209
01:11:24,439 --> 01:11:26,120
Speaker 1: up the vibe of the party right now. And I

1210
01:11:26,160 --> 01:11:29,799
Speaker 1: heard DJ's over there, like big DJs over there literally

1211
01:11:29,800 --> 01:11:31,360
Speaker 1: play a song out to the end, like the fun

1212
01:11:31,560 --> 01:11:34,599
Speaker 1: was that. Yeah, where's the musical Turett's that you're supposed

1213
01:11:34,600 --> 01:11:36,760
Speaker 1: to have? Well, no, I mean you could like you

1214
01:11:36,840 --> 01:11:39,679
Speaker 1: could play three verses and then fade the fu mix out.

1215
01:11:40,360 --> 01:11:42,360
Speaker 1: You ain't gotta do it right after first bar. But

1216
01:11:42,400 --> 01:11:44,280
Speaker 1: I'm just saying, at least mix your way out. A

1217
01:11:44,320 --> 01:11:47,559
Speaker 1: lot of guys just like fade out and fading is this.

1218
01:11:47,640 --> 01:11:49,559
Speaker 1: I could have done this at home on my mom's stereo.

1219
01:11:50,320 --> 01:11:52,599
Speaker 1: Well they don't really, they don't really let records breed

1220
01:11:52,680 --> 01:11:55,720
Speaker 1: no more anyway, So you know, I mean, you know

1221
01:11:55,840 --> 01:11:57,960
Speaker 1: that's that that goes with the attention span of everybody.

1222
01:11:57,960 --> 01:12:00,200
Speaker 1: And also when you're playing an old school party, don't

1223
01:12:00,280 --> 01:12:02,040
Speaker 1: really need to hear the whole fucking song. You already

1224
01:12:02,040 --> 01:12:05,120
Speaker 1: know where the song goes, certain of two verses and

1225
01:12:05,160 --> 01:12:10,080
Speaker 1: you're out of it all night. That all night. Certain

1226
01:12:10,120 --> 01:12:12,880
Speaker 1: songs I could hit for a wow, I'll play all

1227
01:12:12,960 --> 01:12:15,519
Speaker 1: night by training it for you love dance? Oh yeah,

1228
01:12:15,520 --> 01:12:19,120
Speaker 1: I love dancing. Yeah that was a good und teddy

1229
01:12:19,120 --> 01:12:23,400
Speaker 1: penograss or something. I love dance dance. See how you

1230
01:12:23,439 --> 01:12:25,080
Speaker 1: can let ride because of the house song is like

1231
01:12:25,120 --> 01:12:29,040
Speaker 1: six seven minutes long, So they're designed to be played

1232
01:12:29,080 --> 01:12:33,719
Speaker 1: for a long time. Yeah, they are. What's your favorite

1233
01:12:33,800 --> 01:12:38,240
Speaker 1: music to break too? It's all funking soul, and then

1234
01:12:38,240 --> 01:12:44,680
Speaker 1: there's there are certain uh Latin percussion styles of records.

1235
01:12:45,120 --> 01:12:47,880
Speaker 1: I noticed yet the commonality and the stuff he likes

1236
01:12:48,240 --> 01:12:50,760
Speaker 1: has a lot of congos and bongos in it, a

1237
01:12:50,760 --> 01:12:54,559
Speaker 1: lot of James Brown, James Brown. Yeah, definitely a lot

1238
01:12:54,560 --> 01:12:56,519
Speaker 1: of the do do do Do Do Do Do Do

1239
01:12:56,720 --> 01:12:59,680
Speaker 1: Do Do do do do do do. Yeah, it has to

1240
01:12:59,680 --> 01:13:01,559
Speaker 1: be on that as a record. Can we loop that

1241
01:13:01,640 --> 01:13:04,920
Speaker 1: and get that recorded? I don't know who gonna spare

1242
01:13:05,000 --> 01:13:09,040
Speaker 1: some on neck what you said? Yeah, so um, yeah,

1243
01:13:09,080 --> 01:13:11,160
Speaker 1: it has to be a certain typloic. It has to

1244
01:13:11,160 --> 01:13:14,880
Speaker 1: be at least like one eleven and better or maybe

1245
01:13:14,880 --> 01:13:20,040
Speaker 1: even actually one sixteen and better. What was your favorite move?

1246
01:13:20,680 --> 01:13:22,920
Speaker 1: What was your goal to go to as far as

1247
01:13:22,960 --> 01:13:27,880
Speaker 1: I'm concerned, was shuffling. Yeah. My footwork, good footwork. His

1248
01:13:27,920 --> 01:13:33,120
Speaker 1: footwork was fucking incredible. All was fast, smooth, even even speed,

1249
01:13:33,160 --> 01:13:35,160
Speaker 1: from the from the time he starts the time he finished.

1250
01:13:35,720 --> 01:13:39,160
Speaker 1: I would watch the shuffling and go, goddamnit, motherfucker is nice.

1251
01:13:39,360 --> 01:13:43,439
Speaker 1: I didn't realize anything about my footwork until maybe ten

1252
01:13:43,520 --> 01:13:47,439
Speaker 1: years ago. And your donkey kicks, I never really did

1253
01:13:47,479 --> 01:13:50,559
Speaker 1: those much. Yeah, yeah, yeah, those swipes you would do

1254
01:13:50,760 --> 01:13:55,479
Speaker 1: sw yeah, twisted in a different direction, so check it out.

1255
01:13:55,560 --> 01:13:58,519
Speaker 1: The reason for that is I have an underdeveloped cop

1256
01:13:58,560 --> 01:14:03,880
Speaker 1: six bone man underdeveloped Cockal are you going you have

1257
01:14:03,920 --> 01:14:06,679
Speaker 1: a cock six? I have a six, but my costis

1258
01:14:06,680 --> 01:14:09,479
Speaker 1: bone is supposed to stop right there. It's under developed,

1259
01:14:09,479 --> 01:14:11,559
Speaker 1: so it goes through. That's why I'm able to do

1260
01:14:11,600 --> 01:14:14,920
Speaker 1: the swipes. But Jimmy d taught me swipes. There you are,

1261
01:14:16,600 --> 01:14:21,400
Speaker 1: David let him and Dick I was on the show.

1262
01:14:21,479 --> 01:14:24,799
Speaker 1: Can I talk to him? Trick? Who's that can? Yeah?

1263
01:14:25,479 --> 01:14:28,639
Speaker 1: He came on after you and b Street right? Uh?

1264
01:14:28,720 --> 01:14:31,760
Speaker 1: Because he Legs was the last one. Legs won the battle. Yeah,

1265
01:14:31,760 --> 01:14:35,880
Speaker 1: when he took his shoes off. Yeah. So the funny

1266
01:14:35,960 --> 01:14:38,720
Speaker 1: thing is is that one of us I'm not going

1267
01:14:38,800 --> 01:14:41,519
Speaker 1: to say who I think was coming off of smoking

1268
01:14:41,600 --> 01:14:47,479
Speaker 1: dust the night before the little bent leg on it.

1269
01:14:47,600 --> 01:14:52,360
Speaker 1: That's not too bad. Yeah, this is this is eight three. Wow,

1270
01:14:52,600 --> 01:14:56,720
Speaker 1: we're promoting flashdance. How did you create the women? Accident?

1271
01:14:57,360 --> 01:15:03,600
Speaker 1: Sounds about right? Ye. The backspin was an accident, The

1272
01:15:03,640 --> 01:15:06,599
Speaker 1: windmill was an accident. The ninety was an accident. I

1273
01:15:06,640 --> 01:15:10,240
Speaker 1: was telling them that we used to call that backspin.

1274
01:15:10,320 --> 01:15:14,759
Speaker 1: That Swift just did a New York City backspin. Oh yeah, everybody.

1275
01:15:14,800 --> 01:15:16,320
Speaker 1: It looked like a dive. It looked like it was

1276
01:15:16,360 --> 01:15:18,000
Speaker 1: going to do a windmill and anyone into a backspin,

1277
01:15:18,240 --> 01:15:21,640
Speaker 1: so that that backsman is actually those are sipes right there.

1278
01:15:21,640 --> 01:15:26,920
Speaker 1: Look at that. It was called go Yeah. Can I

1279
01:15:26,920 --> 01:15:30,360
Speaker 1: call you? I'm actually shocked about watching this now. Where

1280
01:15:30,360 --> 01:15:36,400
Speaker 1: at least you had instead of procids. Yeah, we had

1281
01:15:36,439 --> 01:15:39,280
Speaker 1: a little bit more of a budget. Yeah, but like

1282
01:15:39,479 --> 01:15:45,840
Speaker 1: five hours was hot back. Oh yeah, definitely. Yeah. And

1283
01:15:45,880 --> 01:15:48,960
Speaker 1: I'm sure those sneakers were obtained by a stick up

1284
01:15:49,040 --> 01:15:51,960
Speaker 1: or something. Those Adidas. I'm sure somebody got stuck up

1285
01:15:52,040 --> 01:15:54,400
Speaker 1: anyone shopping when y'all trying to battle each other. No,

1286
01:15:54,560 --> 01:15:59,719
Speaker 1: we were just doing this. This was for David Ledleman.

1287
01:16:00,160 --> 01:16:02,000
Speaker 1: Can I share the story you tell me about how

1288
01:16:02,040 --> 01:16:04,320
Speaker 1: you came back from the Wild Style Tour and didn't

1289
01:16:04,360 --> 01:16:08,680
Speaker 1: realize you were famous? That wash you mean in Hawaii

1290
01:16:09,000 --> 01:16:10,680
Speaker 1: when you went to go stick somebody up and they

1291
01:16:10,680 --> 01:16:16,240
Speaker 1: recognized you. Know that never happened? Are you told me

1292
01:16:16,280 --> 01:16:18,639
Speaker 1: you you were a stick up? Kids? Then now you're

1293
01:16:18,640 --> 01:16:20,600
Speaker 1: making stories up? No? No, no no, okay, might have the

1294
01:16:20,680 --> 01:16:23,000
Speaker 1: same story, but you you went out, you were like

1295
01:16:23,479 --> 01:16:25,439
Speaker 1: somebody recognized you, and I don't think I could rob

1296
01:16:25,479 --> 01:16:30,200
Speaker 1: anybody anymore because people know who I is. That fair? No,

1297
01:16:30,400 --> 01:16:33,880
Speaker 1: I mean it sounds good. Well, then we should make

1298
01:16:33,880 --> 01:16:37,559
Speaker 1: that folklore. Yeah, cool, let's do it. Hey DMX did

1299
01:16:37,560 --> 01:16:41,480
Speaker 1: the same thing before while he was famous. Oh yeah,

1300
01:16:41,920 --> 01:16:46,439
Speaker 1: art his soul. But yeah, d m X, yeah we were.

1301
01:16:46,520 --> 01:16:50,599
Speaker 1: We were wilding up, man, we were not look at

1302
01:16:50,640 --> 01:16:56,559
Speaker 1: that unshaped afro who was your personal nemesis? Though, Um,

1303
01:16:56,600 --> 01:16:58,559
Speaker 1: I didn't have one. It was a crack pipe. No,

1304
01:16:59,560 --> 01:17:02,759
Speaker 1: I didn't have one. Or I mean I was teaching

1305
01:17:02,760 --> 01:17:05,280
Speaker 1: a lot of people, and I started meeting all these

1306
01:17:05,280 --> 01:17:08,160
Speaker 1: people because in the Bronx breaking was dying out and

1307
01:17:08,200 --> 01:17:11,000
Speaker 1: I was just getting better. And then I had to

1308
01:17:11,040 --> 01:17:13,800
Speaker 1: find other people a battle. So I became like this

1309
01:17:13,960 --> 01:17:16,760
Speaker 1: mercenary b boy. Once I would battle someone, they'd be like, oh,

1310
01:17:16,760 --> 01:17:19,080
Speaker 1: ship just lost the legs. I'm gonna get legs to

1311
01:17:19,120 --> 01:17:21,680
Speaker 1: battle somebody else who I lost it before, and they

1312
01:17:21,680 --> 01:17:25,400
Speaker 1: would use me for revenge. And then that's how I

1313
01:17:25,400 --> 01:17:28,839
Speaker 1: started recruiting people. So I had never done this movie before.

1314
01:17:29,520 --> 01:17:30,920
Speaker 1: You just did it in the movie. I just did

1315
01:17:30,920 --> 01:17:32,880
Speaker 1: in the movie. They're like, hey, we need to end

1316
01:17:32,920 --> 01:17:36,000
Speaker 1: the movie the scene somehow the best move ends it?

1317
01:17:36,280 --> 01:17:38,240
Speaker 1: All right? Cool. Let me try to ship when you

1318
01:17:38,320 --> 01:17:39,920
Speaker 1: shot that? How many times you'll have to do that

1319
01:17:40,040 --> 01:17:44,639
Speaker 1: same battle though? Uh? Once, that's hard. We just kept

1320
01:17:44,680 --> 01:17:47,439
Speaker 1: going and going and to touch video here. Yeah. Yeah,

1321
01:17:47,479 --> 01:17:52,400
Speaker 1: we got exploited in so many ways, bro. We literally

1322
01:17:52,439 --> 01:17:59,519
Speaker 1: got exploited by Richard Branson. Yeah. Wow, he gave us

1323
01:17:59,520 --> 01:18:02,120
Speaker 1: a million dollar deal and where we all got seven

1324
01:18:02,200 --> 01:18:11,800
Speaker 1: thousand dollars each. Yeah, the rest of the money go recuperable,

1325
01:18:15,439 --> 01:18:18,960
Speaker 1: you know? Was that for the intro video over there?

1326
01:18:19,840 --> 01:18:24,960
Speaker 1: Like no, no, before an airline existed with him, let's

1327
01:18:24,960 --> 01:18:27,679
Speaker 1: do when he had Virgin Records. Yeah, well right, that's

1328
01:18:27,680 --> 01:18:30,640
Speaker 1: so um up rock and hey you came out of

1329
01:18:30,720 --> 01:18:33,680
Speaker 1: Virgin right, that's right. That's probably why I found the

1330
01:18:34,000 --> 01:18:38,599
Speaker 1: forty five in England and the picture disc. Yeah, so

1331
01:18:39,080 --> 01:18:41,320
Speaker 1: a hand that picture disc too at some point. Yeah,

1332
01:18:41,400 --> 01:18:45,559
Speaker 1: Charisma and Virgin Chrisma. I forgot about that label too.

1333
01:18:47,040 --> 01:18:50,280
Speaker 1: We made millions of downs. Wait, Wiggles is from where

1334
01:18:50,680 --> 01:18:53,439
Speaker 1: Bronx South Bronx was hero Was he down with from

1335
01:18:53,479 --> 01:18:55,439
Speaker 1: the beginning? Because I don't Yeah, I was gonna say

1336
01:18:55,439 --> 01:18:58,880
Speaker 1: I don't remember him in the early eighties. Yeah, he

1337
01:18:58,960 --> 01:19:03,040
Speaker 1: was around, though he wasn't s Yes, he was who

1338
01:19:03,320 --> 01:19:07,280
Speaker 1: who who open up your dog? The dancers in there?

1339
01:19:07,920 --> 01:19:10,960
Speaker 1: That's right, ship, But he didn't dance at the roxy

1340
01:19:11,080 --> 01:19:14,240
Speaker 1: or on the train station or nothing. Did you ever

1341
01:19:14,280 --> 01:19:17,960
Speaker 1: want to MC or yea? Back then we did everything

1342
01:19:18,040 --> 01:19:20,080
Speaker 1: until you figured out what you were good at. So

1343
01:19:20,320 --> 01:19:23,120
Speaker 1: obviously I wasn't good at him. Seeing legs is actually

1344
01:19:23,120 --> 01:19:26,400
Speaker 1: really solid DJ. He gets busy, He gets busy, plays

1345
01:19:26,439 --> 01:19:30,519
Speaker 1: down here, mixing zo point, cutting zo point? When did

1346
01:19:30,520 --> 01:19:34,120
Speaker 1: the total headspin come out? What the total head spin? Right?

1347
01:19:34,360 --> 01:19:38,280
Speaker 1: When they started spinning all the way like times? So

1348
01:19:38,320 --> 01:19:42,800
Speaker 1: the first husbands were done before I started dancing. Um,

1349
01:19:43,200 --> 01:19:47,519
Speaker 1: the other ones came up in like, wait, what about

1350
01:19:47,520 --> 01:19:49,519
Speaker 1: when the cats started using helmets and just kept going?

1351
01:19:49,560 --> 01:19:55,040
Speaker 1: Remember that I was like three wiggles. Cousin was the

1352
01:19:55,120 --> 01:19:57,479
Speaker 1: first one to do that then with the head helmet

1353
01:19:57,560 --> 01:20:01,559
Speaker 1: handle with the helmet? Wow? Where did the flare come from?

1354
01:20:01,640 --> 01:20:03,800
Speaker 1: Who was the first to do that from? That was

1355
01:20:03,880 --> 01:20:08,640
Speaker 1: this dude name German Puerto Rican cat. Wait, wasn't it

1356
01:20:08,680 --> 01:20:12,439
Speaker 1: already in the like gymnastics world on? But he just

1357
01:20:12,439 --> 01:20:14,599
Speaker 1: did like he was a gymnasawls so but he just

1358
01:20:14,720 --> 01:20:16,839
Speaker 1: brought it. He's the one who brought it into breaking.

1359
01:20:17,200 --> 01:20:20,360
Speaker 1: So For me, I stopped dancing in eight five because

1360
01:20:20,840 --> 01:20:23,200
Speaker 1: nobody was doing it anymore and I didn't want to

1361
01:20:23,200 --> 01:20:26,000
Speaker 1: look like the nerdy kid that's still hanging onto it.

1362
01:20:26,120 --> 01:20:28,760
Speaker 1: But the fund apart for me was I didn't get

1363
01:20:28,800 --> 01:20:31,280
Speaker 1: my windmill down until I until it start to end.

1364
01:20:31,320 --> 01:20:33,559
Speaker 1: I was like, motherfucker, I just got this move now.

1365
01:20:34,160 --> 01:20:36,040
Speaker 1: But that's what happened to me because in seventy nine,

1366
01:20:36,040 --> 01:20:38,960
Speaker 1: when I started getting better, breaking was already dying for

1367
01:20:39,000 --> 01:20:41,320
Speaker 1: the first time. And that was that was only in

1368
01:20:41,360 --> 01:20:44,240
Speaker 1: the Bronx, since that's the only place you really saw

1369
01:20:44,439 --> 01:20:46,960
Speaker 1: for the most part. Yeah, how many times have you

1370
01:20:47,000 --> 01:20:51,400
Speaker 1: had to revolve it? Two times? Two times? But it's

1371
01:20:51,479 --> 01:20:54,519
Speaker 1: huge across the world now. Yeah, now it sustains itself.

1372
01:20:54,680 --> 01:20:59,559
Speaker 1: It's going into the Olympics in in and they do

1373
01:20:59,640 --> 01:21:02,439
Speaker 1: that right. Yeah. It had some downtime from about eighty five,

1374
01:21:03,040 --> 01:21:06,960
Speaker 1: I'd say about ninety yeah, because the thing is that

1375
01:21:07,439 --> 01:21:09,120
Speaker 1: it may have been down over here, but it was

1376
01:21:09,160 --> 01:21:13,400
Speaker 1: doing well in Japan, in Germany especially. There were some

1377
01:21:13,439 --> 01:21:17,320
Speaker 1: dope b boys in my hometown. Yeah, Philippino. I was

1378
01:21:17,320 --> 01:21:22,559
Speaker 1: the Filipino guys that were badass gizmo GisMo from Toronto. Yeah, gizmo.

1379
01:21:22,920 --> 01:21:26,000
Speaker 1: He was in a bag of tricks. Okay, I'm telling

1380
01:21:26,000 --> 01:21:28,519
Speaker 1: you about your hood. Well, no, I know, you know,

1381
01:21:28,600 --> 01:21:31,479
Speaker 1: back of tricks. But again those are all like, those

1382
01:21:31,479 --> 01:21:33,519
Speaker 1: are way younger cats to me. Those guys all came

1383
01:21:33,560 --> 01:21:36,920
Speaker 1: up in the nineties. But up there they did. They

1384
01:21:37,080 --> 01:21:41,599
Speaker 1: brought it back. Yeah, Intricate crew, Yeah that was the Rivals. Well,

1385
01:21:41,640 --> 01:21:44,800
Speaker 1: you know, guys, I enjoyed this. Yeah, this was very,

1386
01:21:44,880 --> 01:21:48,600
Speaker 1: very very It was informative. If not, it was watchful.

1387
01:21:49,120 --> 01:21:52,280
Speaker 1: It was why I bored you. No, no, no, you

1388
01:21:52,280 --> 01:21:55,040
Speaker 1: you said some stuff straight on the roof. He's talking

1389
01:21:55,040 --> 01:21:57,599
Speaker 1: about everything else. Listeners like I didn't like this one.

1390
01:21:57,600 --> 01:22:01,280
Speaker 1: I'm like, that's your fucking problem. Yeah, oh no. The

1391
01:22:01,600 --> 01:22:04,240
Speaker 1: one thing about b boys and be girls, when it

1392
01:22:04,280 --> 01:22:07,719
Speaker 1: comes to stuff like this, they're on it and they'll

1393
01:22:07,720 --> 01:22:10,800
Speaker 1: play it over and over again. If you look at

1394
01:22:10,880 --> 01:22:14,040
Speaker 1: any movie that has even just any kind of dance

1395
01:22:14,080 --> 01:22:17,599
Speaker 1: in it, the most viewed scenes in any movie is

1396
01:22:17,720 --> 01:22:21,360
Speaker 1: the dance. Listen. I'm telling I told you this before too,

1397
01:22:21,400 --> 01:22:25,120
Speaker 1: but if any music video in the early eighties had

1398
01:22:25,120 --> 01:22:27,280
Speaker 1: any breakdancing in it, I would watch the video, even

1399
01:22:27,280 --> 01:22:29,559
Speaker 1: if the song was trash. I would watch party Trained

1400
01:22:29,600 --> 01:22:31,200
Speaker 1: by the Gap Band because that's some ill b boying

1401
01:22:31,280 --> 01:22:35,160
Speaker 1: in it saved the overtime. It was in that. No,

1402
01:22:35,360 --> 01:22:37,280
Speaker 1: that was the New York City Breakers because it was

1403
01:22:37,280 --> 01:22:40,120
Speaker 1: a really nice women in that one. Where did you

1404
01:22:40,200 --> 01:22:44,360
Speaker 1: film Flashdance Pittsburgh and l A really Pittsburgh. Yeah, we

1405
01:22:44,400 --> 01:22:46,960
Speaker 1: filmed the last scene over here where I doubled for

1406
01:22:47,439 --> 01:22:53,599
Speaker 1: Jennifer Bills Alight, we look the shame? I'm which which

1407
01:22:53,600 --> 01:22:55,120
Speaker 1: scene was it? The one where she poured the water

1408
01:22:55,160 --> 01:22:59,280
Speaker 1: on hers, the outdoor scene when you and Mr Freeze

1409
01:22:59,439 --> 01:23:07,120
Speaker 1: no indoors and when she's um uh auditioning. Yeah, that

1410
01:23:07,240 --> 01:23:12,919
Speaker 1: was your back. If you do, men, you'll see a bulge.

1411
01:23:14,120 --> 01:23:18,360
Speaker 1: That's me. That ain't happening. That ain't gonna happen. You

1412
01:23:18,840 --> 01:23:21,639
Speaker 1: gave the game up for real. You gave the game man.

1413
01:23:21,960 --> 01:23:25,000
Speaker 1: That was that was I was humiliated. They wanted me

1414
01:23:25,040 --> 01:23:29,200
Speaker 1: to shave my my newly peach fuzz mustache. As a

1415
01:23:29,200 --> 01:23:31,760
Speaker 1: Puerto Rican growing up in the Bronx, They're like, as

1416
01:23:31,800 --> 01:23:33,680
Speaker 1: soon as it's growing, y'a, you gotta shave it for

1417
01:23:33,720 --> 01:23:37,679
Speaker 1: this thing. Like, man, you have to put a wig on. Yeah,

1418
01:23:37,760 --> 01:23:44,240
Speaker 1: weirdos tights hard shaved on the wrong shaved mustache, damn

1419
01:23:44,320 --> 01:23:47,920
Speaker 1: man's man, turn you into and now look at you

1420
01:23:48,040 --> 01:23:52,679
Speaker 1: shaved clean shaving man. Thanks flash dance and I get

1421
01:23:52,680 --> 01:23:57,479
Speaker 1: waxed right his asshole, shiny guys, I haven't seen a

1422
01:23:57,520 --> 01:24:01,400
Speaker 1: lot of information, right, um, I want to. I want

1423
01:24:01,400 --> 01:24:04,840
Speaker 1: to thank my guests today on Culturally Canceled. Thank you sir,

1424
01:24:05,320 --> 01:24:08,599
Speaker 1: we had my man oh from South Central, Thank you

1425
01:24:08,880 --> 01:24:13,519
Speaker 1: from Nupius. It's a new you and theunius. Uh, that's

1426
01:24:13,520 --> 01:24:16,080
Speaker 1: what we do. I don't know how to power for us. Man,

1427
01:24:16,120 --> 01:24:18,280
Speaker 1: It's just nupious. That's all you got, but you keep

1428
01:24:18,560 --> 01:24:21,640
Speaker 1: breaking that new you want to for the three D

1429
01:24:22,520 --> 01:24:25,400
Speaker 1: and then uh, and then we want to thank our

1430
01:24:25,479 --> 01:24:31,519
Speaker 1: Russian friend France Cashiers for being there, the Killery over

1431
01:24:33,200 --> 01:24:36,120
Speaker 1: and the legendary Crazy Legs and the rock Steady crew

1432
01:24:37,479 --> 01:24:40,880
Speaker 1: and uh and you how do you know what are

1433
01:24:40,880 --> 01:24:47,639
Speaker 1: the realists? Hip hop heads? Who has success and doesn't

1434
01:24:47,680 --> 01:24:49,280
Speaker 1: just say hip hop for the hell of it like

1435
01:24:49,520 --> 01:24:55,600
Speaker 1: you're legit? And and it's refreshing to see to communicate

1436
01:24:55,680 --> 01:24:58,720
Speaker 1: with someone who's just not talking ship Well, well I

1437
01:24:58,720 --> 01:25:01,240
Speaker 1: am always talking ship of I know that, but you don't.

1438
01:25:01,760 --> 01:25:05,000
Speaker 1: I mean, well, you know what you're authentic? I got

1439
01:25:05,040 --> 01:25:07,000
Speaker 1: the coast sign from from the man who introduced me

1440
01:25:07,000 --> 01:25:08,880
Speaker 1: to hip hop. I think that's the best way to

1441
01:25:08,960 --> 01:25:13,880
Speaker 1: end this episode of Culturally Canceled with myself Rustle Peters Game.

1442
01:25:17,720 --> 01:25:20,360
Speaker 1: Thanks for listening to this episode of Culturally Canceled. They

1443
01:25:20,360 --> 01:25:23,840
Speaker 1: hope you enjoyed today's conversation. I'm really excited to tell

1444
01:25:23,880 --> 01:25:26,240
Speaker 1: you that culturally cancel has a phone line now, so

1445
01:25:26,280 --> 01:25:28,560
Speaker 1: you can call in, leave a message and ask me

1446
01:25:28,600 --> 01:25:30,840
Speaker 1: a question that I might answer on the show. So far,

1447
01:25:30,880 --> 01:25:35,360
Speaker 1: I've answered zero. Ask me about music, food, comedy, boxing, whatever.

1448
01:25:35,640 --> 01:25:37,280
Speaker 1: It's our little non to the ways of the old

1449
01:25:37,280 --> 01:25:40,240
Speaker 1: school radio shows. So have fun with it, and if

1450
01:25:40,240 --> 01:25:42,559
Speaker 1: you like the podcast, be sure to rate and review

1451
01:25:42,600 --> 01:25:44,960
Speaker 1: it on Apple Podcasts. Some more people can find out

1452
01:25:45,000 --> 01:25:47,200
Speaker 1: about it. And if you're just a negative nili, keep

1453
01:25:47,240 --> 01:25:50,320
Speaker 1: it to yourself and follow us on Instagram at culturally

1454
01:25:50,400 --> 01:25:54,000
Speaker 1: Canceled and culturally RP on Twitter. We're also on YouTube

1455
01:25:54,040 --> 01:25:55,479
Speaker 1: if you want to see on my backyard looks like

1456
01:25:55,479 --> 01:25:57,520
Speaker 1: in real life, or just where we do the podcast.

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Speaker 1: Until next week, I'll be are You'll be there, uh,