1
00:00:00,960 --> 00:00:04,960
Speaker 1: Look, may oh, I see you my own look over

2
00:00:05,000 --> 00:00:15,560
Speaker 1: there is that culture. Yes, goodness loves culture.

3
00:00:13,080 --> 00:00:17,160
Speaker 2: Live from Hollywood, Live from the street. Well we should

4
00:00:17,160 --> 00:00:18,720
Speaker 2: cut that out. We shouldn't give it. We shouldn't give

5
00:00:18,720 --> 00:00:19,240
Speaker 2: an dress.

6
00:00:19,280 --> 00:00:23,000
Speaker 3: We shouldn't. Well we are because if you said the street,

7
00:00:23,200 --> 00:00:25,239
Speaker 3: it's one of those streets that's so small in La

8
00:00:25,360 --> 00:00:27,640
Speaker 3: where if you said the street, everyone would know exactly

9
00:00:27,680 --> 00:00:28,200
Speaker 3: where to come.

10
00:00:28,240 --> 00:00:31,560
Speaker 2: And it's only like every million people on this fucking

11
00:00:31,560 --> 00:00:32,880
Speaker 2: street every time I come here.

12
00:00:32,960 --> 00:00:35,920
Speaker 3: You don't have to use fresh language. We're catching a

13
00:00:36,000 --> 00:00:37,800
Speaker 3: vibe today. We said this was going to be the

14
00:00:37,840 --> 00:00:38,680
Speaker 3: Vibes episode.

15
00:00:38,880 --> 00:00:41,360
Speaker 2: This is the Vibes and for that reason, we are

16
00:00:41,400 --> 00:00:48,880
Speaker 2: wearing sunglasses for parts, for important parts, to punctuate the conversation.

17
00:00:49,240 --> 00:00:51,680
Speaker 3: I do think it's a lot brighter in here than usual.

18
00:00:52,000 --> 00:00:54,680
Speaker 2: Yeah, oh god, we know. We had un accompanist in

19
00:00:54,760 --> 00:01:00,360
Speaker 2: high school. His name was Robert Lowe, like Rob Law,

20
00:01:01,280 --> 00:01:04,800
Speaker 2: and he was this I don't know, we'll call him

21
00:01:04,800 --> 00:01:08,240
Speaker 2: a cool cap. But he would clearly come in hung

22
00:01:08,560 --> 00:01:16,160
Speaker 2: over ough so ho, and he would wear sunglasses, stroll

23
00:01:16,200 --> 00:01:21,440
Speaker 2: in at three point thirty pm on a Tuesday, and

24
00:01:21,480 --> 00:01:25,880
Speaker 2: then we'd be running our our scales on stage, and

25
00:01:25,920 --> 00:01:27,520
Speaker 2: then there was just one day. I'll never forget it.

26
00:01:28,120 --> 00:01:32,720
Speaker 2: Here goes godh we just turn these lights down while

27
00:01:32,760 --> 00:01:36,160
Speaker 2: wearing sunglasses like Rob Low, you are.

28
00:01:36,280 --> 00:01:39,920
Speaker 3: So h oh well to say nothing of how the

29
00:01:40,120 --> 00:01:42,760
Speaker 3: other Rob Blow is ho t. One of my favorite

30
00:01:42,760 --> 00:01:46,600
Speaker 3: celebrity memoirs is Roblow's I think first memoir, because I

31
00:01:46,600 --> 00:01:49,320
Speaker 3: think he has more than one. Anna, could you look

32
00:01:49,400 --> 00:01:52,800
Speaker 3: up if Roblow has and how many autobiographies Roblow has?

33
00:01:52,840 --> 00:01:54,160
Speaker 3: It's going to be important for the conversation.

34
00:01:54,160 --> 00:01:56,560
Speaker 2: What do you think is the difference? I mean, I

35
00:01:56,920 --> 00:01:59,520
Speaker 2: mean there there are, like you know, things that are

36
00:01:59,600 --> 00:02:03,320
Speaker 2: characteristic stick of an autobiography and a memoir and a memoir.

37
00:02:03,640 --> 00:02:07,559
Speaker 2: An autobiography comprehensive, ieological.

38
00:02:06,920 --> 00:02:09,600
Speaker 3: And a memoir can be sort of a just a

39
00:02:09,639 --> 00:02:13,680
Speaker 3: glimpse expository. Yeah, I prefer a glimpse. Dash we look

40
00:02:13,680 --> 00:02:16,160
Speaker 3: out your number nine. I prefer a glimpse. When it

41
00:02:16,160 --> 00:02:19,400
Speaker 3: comes to two biopics, I would like to see, like,

42
00:02:19,720 --> 00:02:21,880
Speaker 3: this is the week I really hurt my leg, but

43
00:02:22,040 --> 00:02:24,240
Speaker 3: by the end of the week I still did the show.

44
00:02:24,760 --> 00:02:28,120
Speaker 3: I'd rather see overcame leg injury and did the did

45
00:02:28,160 --> 00:02:32,480
Speaker 3: the performance the program. Then this is what happened when

46
00:02:32,480 --> 00:02:34,359
Speaker 3: I was six. You're gonna see me an old age

47
00:02:34,400 --> 00:02:37,040
Speaker 3: makeup at ninety nine. I don't give a fuck.

48
00:02:37,080 --> 00:02:37,960
Speaker 2: I don't give a fuck.

49
00:02:38,200 --> 00:02:45,880
Speaker 3: How many memoirs? One autobiography? Oh, I bet that's really good.

50
00:02:46,120 --> 00:02:49,200
Speaker 3: I bet that's really good. You know, speaking of collection

51
00:02:49,400 --> 00:02:53,079
Speaker 3: of humor. I was looking at the cast list. You're

52
00:02:53,080 --> 00:02:57,480
Speaker 3: gonna you're not even gonna believe this five star weekend. Yes, yes, yes,

53
00:02:58,040 --> 00:03:00,920
Speaker 3: And not only was our guest in the show. I

54
00:03:00,960 --> 00:03:03,560
Speaker 3: have a feeling that's why maybe she stopped by today,

55
00:03:03,720 --> 00:03:07,080
Speaker 3: like maybe a little show starting on July ninth on

56
00:03:07,160 --> 00:03:12,640
Speaker 3: Peacock Catch a vibe, why don't you? But also Regina Hall,

57
00:03:13,160 --> 00:03:15,880
Speaker 3: Chloe seventy Ever heard of it? Ever heard of it?

58
00:03:16,040 --> 00:03:20,040
Speaker 3: Ever heard of that? Our producer, Rebecca is slippering through

59
00:03:20,080 --> 00:03:23,480
Speaker 3: the door. Yeah, like Chloe seven ee there, Like Chloe

60
00:03:23,480 --> 00:03:24,639
Speaker 3: seventy slipped into this.

61
00:03:24,639 --> 00:03:27,799
Speaker 2: Cast, slipped into the cast. But she's Chloe would never

62
00:03:27,800 --> 00:03:30,640
Speaker 2: be caught dead in Los Angeles. The water's too hard

63
00:03:30,680 --> 00:03:31,240
Speaker 2: for her.

64
00:03:31,919 --> 00:03:34,400
Speaker 3: Well, she might be caught dead in this show because

65
00:03:34,400 --> 00:03:36,680
Speaker 3: we're hearing that there is a ton of suspense in

66
00:03:36,760 --> 00:03:41,320
Speaker 3: drama as well as Jennifer Garner, and she can do

67
00:03:41,400 --> 00:03:44,960
Speaker 3: it all. Absolutely so good in thirteen going on thirty.

68
00:03:45,640 --> 00:03:49,360
Speaker 3: Oh so good in Love Simon, Yeah, so good in Alias.

69
00:03:49,800 --> 00:03:50,680
Speaker 3: But she's not here.

70
00:03:50,880 --> 00:03:53,960
Speaker 2: She's not here, our wonderful friend is.

71
00:03:54,280 --> 00:03:55,400
Speaker 3: She's catching a vibe.

72
00:03:55,440 --> 00:03:57,600
Speaker 2: She's catching a vibe. We have very fun memories of

73
00:03:57,600 --> 00:04:01,400
Speaker 2: her in this space, in this very build saying yeah,

74
00:04:01,560 --> 00:04:03,840
Speaker 2: this is the night when she popped in for our

75
00:04:03,920 --> 00:04:09,000
Speaker 2: great Global Songbook episode A huge. I love this place,

76
00:04:09,040 --> 00:04:09,800
Speaker 2: I love this place.

77
00:04:09,800 --> 00:04:15,400
Speaker 3: I love me woman La meaning Darce, and I said

78
00:04:15,400 --> 00:04:17,719
Speaker 3: the name a little early. I shot the load, but

79
00:04:17,760 --> 00:04:19,839
Speaker 3: I'm sucking the load back up to shoot it again.

80
00:04:21,000 --> 00:04:21,839
Speaker 3: That's how it works.

81
00:04:21,680 --> 00:04:23,320
Speaker 2: That's how we're in l a.

82
00:04:25,000 --> 00:04:25,040
Speaker 3: H.

83
00:04:25,279 --> 00:04:28,000
Speaker 4: He is welcome, Darcy Cardens.

84
00:04:29,360 --> 00:04:31,960
Speaker 3: Hey, whoa How long have you been able to do

85
00:04:32,000 --> 00:04:32,520
Speaker 3: that things?

86
00:04:32,560 --> 00:04:34,120
Speaker 4: I watched Greece the first time.

87
00:04:34,200 --> 00:04:35,840
Speaker 2: Oh my god, they do that in Greece. That's right,

88
00:04:36,120 --> 00:04:36,839
Speaker 2: My head's too big.

89
00:04:37,320 --> 00:04:44,200
Speaker 4: It's brush up, brush up. That is in a film

90
00:04:44,200 --> 00:04:45,800
Speaker 4: of highlights.

91
00:04:45,839 --> 00:04:48,159
Speaker 3: Really good, every scene scene.

92
00:04:48,640 --> 00:04:52,560
Speaker 4: I'll so, Robert.

93
00:04:54,080 --> 00:04:55,400
Speaker 3: I think I might be a little hungover.

94
00:04:55,520 --> 00:04:58,240
Speaker 2: Do you think so we went to jar last night?

95
00:04:58,320 --> 00:05:00,000
Speaker 4: Oh fine? Did you have the Leachi Martine?

96
00:05:00,880 --> 00:05:01,480
Speaker 3: Should we have?

97
00:05:01,720 --> 00:05:02,600
Speaker 4: It's famous for.

98
00:05:02,920 --> 00:05:04,760
Speaker 2: Can I just say something this is not my own things,

99
00:05:04,800 --> 00:05:07,080
Speaker 2: so honey. But I said this at the gold Galla

100
00:05:07,600 --> 00:05:10,200
Speaker 2: in front of many high profile Asians. They're like, what's

101
00:05:10,200 --> 00:05:12,159
Speaker 2: your hot? What's your hot? Take about Asian? Could Drake?

102
00:05:12,240 --> 00:05:17,839
Speaker 2: I go leachy looks and feels like glands gonads?

103
00:05:18,200 --> 00:05:20,280
Speaker 4: Tested it does?

104
00:05:20,360 --> 00:05:22,599
Speaker 2: Why are we like, okay popping that into our mouth?

105
00:05:23,600 --> 00:05:27,200
Speaker 3: It's so messed though, it's so raw. It's just mess.

106
00:05:27,600 --> 00:05:31,760
Speaker 4: If you if you unzipped a testy, squirt it out.

107
00:05:31,800 --> 00:05:33,400
Speaker 4: What's ever in there? It's gonna be.

108
00:05:33,520 --> 00:05:34,680
Speaker 2: It's gonna be in that Martini.

109
00:05:34,800 --> 00:05:36,440
Speaker 3: Let me tell you something. The balls I have in

110
00:05:36,440 --> 00:05:40,640
Speaker 3: my mouth that don't taste like leachi, to say nothing

111
00:05:40,680 --> 00:05:43,400
Speaker 3: of my current same sex partner. I'm making a joke, Fraser.

112
00:05:43,800 --> 00:05:47,240
Speaker 3: I'm not commenting on smell or taste the kind of did.

113
00:05:47,320 --> 00:05:48,360
Speaker 4: Which was it?

114
00:05:48,680 --> 00:05:52,760
Speaker 2: No, No, Now someone's gonna someone's gonna be down there

115
00:05:52,800 --> 00:05:54,880
Speaker 2: for me and say, oh I love these leachy.

116
00:05:55,080 --> 00:05:56,760
Speaker 4: I think that's good. You want it to be leachy?

117
00:05:56,880 --> 00:05:57,240
Speaker 2: Exactly?

118
00:05:57,520 --> 00:05:58,800
Speaker 4: It was leachy than stinky.

119
00:05:59,560 --> 00:06:04,080
Speaker 3: Worst for on three one two three time with mango

120
00:06:05,520 --> 00:06:07,560
Speaker 3: grape grape like grape.

121
00:06:07,520 --> 00:06:08,359
Speaker 4: But you hate grapes?

122
00:06:08,400 --> 00:06:10,200
Speaker 3: Are you kidding me? You hate grape flavor.

123
00:06:10,400 --> 00:06:11,840
Speaker 4: I know, what are you do?

124
00:06:13,040 --> 00:06:13,839
Speaker 3: I love grapes.

125
00:06:13,880 --> 00:06:17,239
Speaker 4: I hate the flavor of grape. Yeah, flavor of grape

126
00:06:17,279 --> 00:06:19,960
Speaker 4: is so different than a grape. Grape is one hundred

127
00:06:19,960 --> 00:06:22,680
Speaker 4: percent different than of grapes. Yes, a grape is one

128
00:06:22,720 --> 00:06:24,000
Speaker 4: hundred percent different than the grapes.

129
00:06:24,080 --> 00:06:25,880
Speaker 2: And that's real culture number sixty.

130
00:06:26,240 --> 00:06:28,839
Speaker 3: A grape grapes.

131
00:06:29,360 --> 00:06:34,880
Speaker 4: A grape is one hundred and eighty degree different than

132
00:06:35,080 --> 00:06:36,240
Speaker 4: the flavor grape.

133
00:06:36,279 --> 00:06:39,599
Speaker 3: Yeah, very good. Now I do want to blow rob

134
00:06:39,680 --> 00:06:42,960
Speaker 3: Low like a one hundred eighty degrees different than Robert Low.

135
00:06:43,920 --> 00:06:45,520
Speaker 2: I need to I need for us to go back

136
00:06:45,560 --> 00:06:47,599
Speaker 2: to what Matt also said in that statement, which is

137
00:06:47,600 --> 00:06:48,600
Speaker 2: he doesn't like mango.

138
00:06:49,080 --> 00:06:50,279
Speaker 4: You don't like mango the fruit.

139
00:06:51,000 --> 00:06:54,040
Speaker 3: It's one of the best. That's what I said. Wasn't

140
00:06:54,080 --> 00:06:56,240
Speaker 3: it exactly what I said? So I feel the need

141
00:06:56,360 --> 00:06:57,320
Speaker 3: to ask a question.

142
00:06:57,360 --> 00:07:00,320
Speaker 2: You said you didn't like mango, which is I've never

143
00:07:00,360 --> 00:07:02,560
Speaker 2: heard anyone in my life deride mango.

144
00:07:02,680 --> 00:07:04,360
Speaker 3: Had you been listening to me at dinner last night?

145
00:07:04,400 --> 00:07:05,520
Speaker 3: I did say you.

146
00:07:05,480 --> 00:07:07,000
Speaker 4: Said it last night because were like, I don't want

147
00:07:07,000 --> 00:07:07,360
Speaker 4: a mango.

148
00:07:07,640 --> 00:07:09,560
Speaker 2: You had a side conversation. I was not included.

149
00:07:09,640 --> 00:07:10,640
Speaker 3: It was a storbet option.

150
00:07:10,760 --> 00:07:12,040
Speaker 4: Oh and you said not mango for me?

151
00:07:12,560 --> 00:07:15,160
Speaker 3: I said, I said no, thank you. And I also

152
00:07:15,200 --> 00:07:16,760
Speaker 3: said no thank you to passion for one of the

153
00:07:16,800 --> 00:07:17,880
Speaker 3: other worst What.

154
00:07:17,920 --> 00:07:20,960
Speaker 4: You got your taste buds on? Wrong? Doll but doll

155
00:07:21,200 --> 00:07:21,640
Speaker 4: but doll.

156
00:07:21,960 --> 00:07:24,960
Speaker 2: Here's I was going to say, a friend, I don't

157
00:07:24,960 --> 00:07:26,800
Speaker 2: think soon had a future time and you can't. Passion

158
00:07:26,840 --> 00:07:28,480
Speaker 2: fruit should be the name for strawberry.

159
00:07:28,720 --> 00:07:30,880
Speaker 4: Oh my wait, let me take it all in.

160
00:07:31,040 --> 00:07:35,320
Speaker 2: Passion fruits should be the name for strawberry. Okay, why

161
00:07:35,360 --> 00:07:38,720
Speaker 2: is it called strawberry? A straw the most passionate fruit

162
00:07:38,800 --> 00:07:39,880
Speaker 2: is strawberry.

163
00:07:39,440 --> 00:07:40,440
Speaker 4: Easily looks like a heart.

164
00:07:40,520 --> 00:07:43,400
Speaker 3: Can I ask you a question about where they wear strawberry bushes?

165
00:07:43,480 --> 00:07:46,000
Speaker 3: Most crow is it? Is it amongst straw Is it

166
00:07:46,040 --> 00:07:48,080
Speaker 3: amongst straw like? Could that be true? Okay?

167
00:07:48,200 --> 00:07:51,360
Speaker 4: I do feel like horses eat straw and horses like strawberries,

168
00:07:51,360 --> 00:07:53,120
Speaker 4: so they got to be close to each other. Don't

169
00:07:53,200 --> 00:07:55,600
Speaker 4: know anything about horses straw strawberries.

170
00:07:55,720 --> 00:07:58,560
Speaker 2: Yea, yeah, yeah, yeah, yeah, but I thought they should

171
00:07:58,800 --> 00:07:59,080
Speaker 2: hear it.

172
00:07:59,240 --> 00:08:01,120
Speaker 4: Okay, here I'm thinking carrots.

173
00:08:01,760 --> 00:08:03,480
Speaker 3: They definitely do like carrots.

174
00:08:03,760 --> 00:08:06,120
Speaker 4: The same thing as hay And if so, I'm right.

175
00:08:06,640 --> 00:08:09,520
Speaker 3: Beca we actually are going to need a Google help.

176
00:08:09,600 --> 00:08:11,480
Speaker 3: Is straw the same thing as hey.

177
00:08:11,120 --> 00:08:13,000
Speaker 4: Straw the same thing as carrot?

178
00:08:13,160 --> 00:08:14,560
Speaker 2: Is the right name for.

179
00:08:14,560 --> 00:08:19,360
Speaker 4: That for sure? Okay? So straw haired a.

180
00:08:19,440 --> 00:08:28,280
Speaker 2: Nutrient rich nutrient feeds straw gold and yellow wheat and

181
00:08:28,400 --> 00:08:29,040
Speaker 2: wheat or oat.

182
00:08:29,280 --> 00:08:31,600
Speaker 4: Okay, So I didn't realize they were both food. I

183
00:08:31,680 --> 00:08:33,000
Speaker 4: thought they were literally.

184
00:08:32,760 --> 00:08:35,160
Speaker 2: Sticks sticks where I suck up my.

185
00:08:36,640 --> 00:08:42,000
Speaker 4: Yeah, right, hollow sticks a straw. Yeah, okay, So so

186
00:08:42,080 --> 00:08:43,360
Speaker 4: what was your My.

187
00:08:43,360 --> 00:08:46,120
Speaker 2: Thing is passion fruit should be the name for strawberries.

188
00:08:47,040 --> 00:08:47,680
Speaker 3: I'm there with you.

189
00:08:47,880 --> 00:08:50,199
Speaker 4: I don't think so, honey, strawberries the name.

190
00:08:52,000 --> 00:08:54,720
Speaker 2: Yeah, and that's what that's that's that's all. That's all

191
00:08:54,760 --> 00:08:55,199
Speaker 2: I'm saying.

192
00:08:55,280 --> 00:08:57,160
Speaker 3: It's gonna be hard, but I think we can do it.

193
00:08:57,440 --> 00:08:59,760
Speaker 4: And then, what was the flavor that you said you hate?

194
00:09:00,160 --> 00:09:02,679
Speaker 2: I don't hate my Oh, I just said stinky.

195
00:09:02,320 --> 00:09:09,640
Speaker 4: I think, and sink is not a flavorleach, I hate, despise.

196
00:09:09,760 --> 00:09:10,480
Speaker 3: What do I hate?

197
00:09:10,920 --> 00:09:14,040
Speaker 4: I definitely hate some things, but I also love so

198
00:09:14,120 --> 00:09:14,679
Speaker 4: many things.

199
00:09:15,520 --> 00:09:16,400
Speaker 2: The purest flavor.

200
00:09:16,480 --> 00:09:17,680
Speaker 3: I don't want to offend anything.

201
00:09:17,720 --> 00:09:19,720
Speaker 4: I don't like rosemary flavor?

202
00:09:19,760 --> 00:09:21,679
Speaker 2: Interesting, Yeah, what's that about?

203
00:09:21,720 --> 00:09:25,320
Speaker 4: I don't know? Just like I also don't like hazelnut flavor.

204
00:09:25,400 --> 00:09:27,880
Speaker 3: Okay you nutella?

205
00:09:28,200 --> 00:09:29,000
Speaker 4: Almost impossible?

206
00:09:29,360 --> 00:09:32,880
Speaker 3: Oh yeah, that's going to be hard. So Rosemary you

207
00:09:32,920 --> 00:09:36,400
Speaker 3: ever you ever have like a Rosemary infuse drink. It's

208
00:09:36,600 --> 00:09:39,760
Speaker 3: it's a total total I don't think it ever makes

209
00:09:40,160 --> 00:09:41,400
Speaker 3: It's a total mango.

210
00:09:41,120 --> 00:09:43,680
Speaker 4: From exactly for me. For it's a total mango.

211
00:09:43,679 --> 00:09:46,200
Speaker 3: For anyone ever gave me a drink with Rosemary in it,

212
00:09:46,240 --> 00:09:48,520
Speaker 3: I would say, hey, can you throw this out? Yeah?

213
00:09:49,800 --> 00:09:51,760
Speaker 4: I know, Mary.

214
00:09:52,760 --> 00:09:54,080
Speaker 3: I don't like it as a name either.

215
00:09:54,200 --> 00:10:00,480
Speaker 4: Do you remember do you remember that musical? Can name it?

216
00:10:00,640 --> 00:10:05,599
Speaker 4: You know it so well? Sounds like Matthew Broderick singing it.

217
00:10:08,800 --> 00:10:14,840
Speaker 4: Tell us it's a question. I guess that's a google.

218
00:10:14,920 --> 00:10:16,400
Speaker 2: Actually that's a google.

219
00:10:16,800 --> 00:10:19,640
Speaker 3: It's a big blind spot for me. But you hear

220
00:10:19,679 --> 00:10:23,000
Speaker 3: about this. Cynthia and Arianna are both going to be

221
00:10:23,040 --> 00:10:29,119
Speaker 3: in very like you know, not oft produced some musicals.

222
00:10:29,400 --> 00:10:33,240
Speaker 3: Cynthia is doing Passion with Jonathan Groff and directed by

223
00:10:33,280 --> 00:10:35,200
Speaker 3: Jamie Lloyd.

224
00:10:36,200 --> 00:10:43,760
Speaker 4: Jonathan Bailey are Jonathan's and Spin Around great? Those are

225
00:10:43,760 --> 00:10:46,720
Speaker 4: two of the best Jonathan's And I mean like those

226
00:10:46,800 --> 00:10:52,720
Speaker 4: are two of the best Jonathan's in the history of America.

227
00:10:51,920 --> 00:10:59,680
Speaker 3: Who sucks that's Jonathan. There are some Jonathan Swift. Jonathan

228
00:11:00,200 --> 00:11:03,320
Speaker 3: stop put the pen down, right just kidding r right now,

229
00:11:03,360 --> 00:11:06,840
Speaker 3: Johnathan Thomas. You didn't have staying power. Oh you did.

230
00:11:07,920 --> 00:11:12,520
Speaker 3: He's like my children, they're not listening to this, or

231
00:11:12,600 --> 00:11:13,360
Speaker 3: if they are.

232
00:11:13,480 --> 00:11:14,520
Speaker 4: Maybe they are in the future.

233
00:11:14,840 --> 00:11:18,120
Speaker 3: Oh oh gosh, you did it. I would hate for

234
00:11:18,240 --> 00:11:20,640
Speaker 3: Jonathan Taylor Thomas's kids in the future to be like,

235
00:11:20,679 --> 00:11:23,079
Speaker 3: I'm going to listen to every lost Colt and they

236
00:11:23,080 --> 00:11:25,959
Speaker 3: get to whatever this is, five hundred and forty nine

237
00:11:26,040 --> 00:11:26,480
Speaker 3: or whatever.

238
00:11:26,559 --> 00:11:30,600
Speaker 4: I guess they didn't like Dadda. Oh no, they didn't like.

239
00:11:30,559 --> 00:11:32,440
Speaker 2: That thirty, but they're calling him dadda.

240
00:11:32,920 --> 00:11:33,640
Speaker 4: He makes them.

241
00:11:34,160 --> 00:11:36,720
Speaker 3: Can I just can I just clear up. I've loved

242
00:11:36,840 --> 00:11:40,440
Speaker 3: Jonathan Taylor Thomas because I was doing a bit.

243
00:11:40,520 --> 00:11:42,800
Speaker 4: And also you were like, if I can't have him,

244
00:11:42,800 --> 00:11:43,280
Speaker 4: no one will.

245
00:11:43,480 --> 00:11:44,760
Speaker 3: Yeah. I'm always like that.

246
00:11:44,800 --> 00:11:47,120
Speaker 4: I know you are. Yeah, Yeah, You're always doing that.

247
00:11:47,640 --> 00:11:49,080
Speaker 3: I'm always saying that to people.

248
00:11:49,200 --> 00:11:50,319
Speaker 2: You always saying that to people.

249
00:11:50,360 --> 00:11:52,400
Speaker 3: I'm always saying to people, if I can't have them,

250
00:11:52,440 --> 00:11:53,360
Speaker 3: but no one can.

251
00:11:53,760 --> 00:11:56,920
Speaker 4: I'm always doing I'm always saying stuff like that to him,

252
00:11:57,520 --> 00:11:59,959
Speaker 4: seeing stuff like this, you know, we can't.

253
00:11:59,720 --> 00:12:01,880
Speaker 3: We talk about it. It's been out for weeks.

254
00:12:01,960 --> 00:12:03,840
Speaker 4: You guys know what you love it. We're talking about

255
00:12:04,040 --> 00:12:04,880
Speaker 4: the culture.

256
00:12:04,559 --> 00:12:06,720
Speaker 2: War, the culture Wards. Darcy did it for a second

257
00:12:06,760 --> 00:12:07,280
Speaker 2: year in a row.

258
00:12:07,520 --> 00:12:11,160
Speaker 3: I can't believe we've really cracked open, like the sort

259
00:12:11,200 --> 00:12:13,160
Speaker 3: of you know, Cagney and Lacy of our time, and

260
00:12:13,240 --> 00:12:15,559
Speaker 3: it is you and Joel care that's so funny.

261
00:12:15,840 --> 00:12:16,760
Speaker 4: That's so funny.

262
00:12:17,320 --> 00:12:20,240
Speaker 3: You will always present together like like, don't.

263
00:12:20,080 --> 00:12:25,640
Speaker 4: Make promises your ass can't deposit. Yeah, don't write checks about.

264
00:12:25,480 --> 00:12:34,920
Speaker 3: My ass depositing my I would love the deposit. Literally,

265
00:12:35,040 --> 00:12:38,960
Speaker 3: I've been vocal about it. The deposit. Get on it,

266
00:12:39,040 --> 00:12:42,000
Speaker 3: hunause on my depause.

267
00:12:42,200 --> 00:12:45,240
Speaker 4: Need those pause on my depause.

268
00:12:45,559 --> 00:12:47,679
Speaker 3: And that's the wit and humor that booked you the

269
00:12:47,679 --> 00:12:49,480
Speaker 3: five Star Weekend. Tell us about it.

270
00:12:50,040 --> 00:12:51,440
Speaker 4: That was pretty much magician.

271
00:12:53,200 --> 00:12:58,640
Speaker 2: The Weekend Weekend.

272
00:12:58,800 --> 00:13:00,200
Speaker 4: And we love it.

273
00:13:00,240 --> 00:13:02,320
Speaker 3: Is an amazing family is amazing.

274
00:13:02,640 --> 00:13:05,520
Speaker 4: When you're here, your when your family, your.

275
00:13:05,480 --> 00:13:06,280
Speaker 2: Peak, your peacock.

276
00:13:06,320 --> 00:13:12,600
Speaker 3: Never when we all saw each other at the upfronts.

277
00:13:10,640 --> 00:13:13,240
Speaker 4: It was like it felt what it was at ten

278
00:13:13,280 --> 00:13:15,840
Speaker 4: in the morning and it was a Monday. It was Monday.

279
00:13:15,960 --> 00:13:18,599
Speaker 4: Everyone was sort of like freshly coffeed, you know what

280
00:13:18,640 --> 00:13:18,880
Speaker 4: I mean.

281
00:13:18,920 --> 00:13:20,960
Speaker 3: It was a little like ah.

282
00:13:21,040 --> 00:13:23,880
Speaker 4: It felt a little like ah. And then we were

283
00:13:23,920 --> 00:13:26,640
Speaker 4: about I'm sure, of course you guys had rehearsed, but

284
00:13:27,160 --> 00:13:31,520
Speaker 4: we hadn't rehearsed. So what we're talking about, listeners is

285
00:13:31,559 --> 00:13:34,480
Speaker 4: we did something called Upfronts for NBC where you basically

286
00:13:34,520 --> 00:13:37,480
Speaker 4: like get you basically like sell your show to like

287
00:13:37,520 --> 00:13:40,480
Speaker 4: a bunch of ad people. And we did it at

288
00:13:40,480 --> 00:13:43,240
Speaker 4: the Radio City Music Hall and it was packed.

289
00:13:43,120 --> 00:13:43,960
Speaker 2: Ass, but.

290
00:13:45,600 --> 00:13:50,400
Speaker 4: Quiet ass. We hadn't rehearsed anything. So your you're backstage

291
00:13:50,440 --> 00:13:54,160
Speaker 4: at again Radio City Music Hall and you I don't

292
00:13:54,160 --> 00:13:57,040
Speaker 4: even know which way is what curtain is going to open,

293
00:13:57,520 --> 00:14:00,000
Speaker 4: and then it opens and you're on stage at radio

294
00:14:00,080 --> 00:14:03,920
Speaker 4: it's so overwhelming and there's a sea of lovely, wonderful

295
00:14:03,920 --> 00:14:07,920
Speaker 4: people that don't want to make a noise, not a sound,

296
00:14:08,880 --> 00:14:11,520
Speaker 4: not a laugh, not nothing. But that's okay, and we

297
00:14:11,559 --> 00:14:13,280
Speaker 4: love you and we hope that you love us. And

298
00:14:13,320 --> 00:14:16,440
Speaker 4: buy it. Please buy buy it, please buy it.

299
00:14:16,920 --> 00:14:19,840
Speaker 3: Whatever it is, you better buy it, buy it.

300
00:14:19,760 --> 00:14:21,960
Speaker 4: But it was really I mean not to like break

301
00:14:21,960 --> 00:14:24,200
Speaker 4: it down too much, but guys, it's so fun seeing

302
00:14:24,240 --> 00:14:25,040
Speaker 4: that ship like that.

303
00:14:25,160 --> 00:14:28,720
Speaker 3: It's I it does warm my heart to see of course,

304
00:14:28,760 --> 00:14:31,720
Speaker 3: it does. I need like real genuine friends there. I'm

305
00:14:31,760 --> 00:14:33,760
Speaker 3: like hi, because then it's just like you turn the

306
00:14:33,760 --> 00:14:36,720
Speaker 3: corner and it's like an overcaffeinated person from like from

307
00:14:36,800 --> 00:14:37,840
Speaker 3: like a procedural.

308
00:14:38,000 --> 00:14:39,480
Speaker 4: Yes, somebody that you may be watched on TV for

309
00:14:39,560 --> 00:14:41,920
Speaker 4: twenty years. But I'm like, oh, yes, and we know

310
00:14:42,000 --> 00:14:42,320
Speaker 4: each other.

311
00:14:42,440 --> 00:14:44,560
Speaker 3: We were coming off stage and we were sort of

312
00:14:44,600 --> 00:14:46,800
Speaker 3: like jaunting off, like, hey, we did it, and then

313
00:14:46,840 --> 00:14:48,960
Speaker 3: it was just Mariska. Of course it was like that

314
00:14:49,040 --> 00:14:50,000
Speaker 3: was great. Hi.

315
00:14:51,480 --> 00:14:54,280
Speaker 4: Yes, totally totally. And of course when you peak up

316
00:14:54,280 --> 00:14:55,560
Speaker 4: your family, so you have to kind of act like

317
00:14:55,560 --> 00:14:56,160
Speaker 4: your sisters.

318
00:14:56,400 --> 00:15:00,320
Speaker 2: Yeah, she's cousin, she's cousin for show. Ye wait, what's

319
00:15:00,360 --> 00:15:02,840
Speaker 2: your vibe when you're back in New York City? I

320
00:15:02,880 --> 00:15:04,080
Speaker 2: love it too much.

321
00:15:03,480 --> 00:15:05,120
Speaker 4: You love it so much.

322
00:15:05,360 --> 00:15:06,160
Speaker 3: You hit the restaurant.

323
00:15:06,600 --> 00:15:09,240
Speaker 4: I love hitting restaurants in the theater and the theater.

324
00:15:09,320 --> 00:15:12,680
Speaker 4: Can't be be hitting the goddamn theater. I just saw

325
00:15:12,800 --> 00:15:19,280
Speaker 4: Maya and O Mary, How was it was so good?

326
00:15:19,280 --> 00:15:20,840
Speaker 4: Did you say you love her your life?

327
00:15:20,840 --> 00:15:23,560
Speaker 3: I said, your lover, my lover. Yeah, but I love

328
00:15:23,760 --> 00:15:24,200
Speaker 3: and I do.

329
00:15:24,240 --> 00:15:26,720
Speaker 4: Love I love her, but my lover. It was amazing.

330
00:15:27,160 --> 00:15:29,880
Speaker 4: And I'll just I'll just see that every every every

331
00:15:29,920 --> 00:15:31,600
Speaker 4: new cast until I die. I can't. I love it

332
00:15:31,640 --> 00:15:31,960
Speaker 4: so much.

333
00:15:32,040 --> 00:15:35,480
Speaker 3: I think I've seen. The only one I missed was Oh,

334
00:15:35,480 --> 00:15:37,640
Speaker 3: I missed John Camra Mitchell because I wasn't there the

335
00:15:37,760 --> 00:15:39,080
Speaker 3: entire time. But I'm a completist.

336
00:15:39,120 --> 00:15:39,720
Speaker 2: You're a completet.

337
00:15:39,720 --> 00:15:40,880
Speaker 3: I'm seeing every Mary.

338
00:15:40,800 --> 00:15:45,400
Speaker 4: I missed Cracow. I, well, I'm going to see her

339
00:15:45,440 --> 00:15:51,360
Speaker 4: this week. And what I'm doing is I'm flying to

340
00:15:51,520 --> 00:15:55,760
Speaker 4: Ireland for like two nights to do an episode of

341
00:15:56,280 --> 00:16:00,720
Speaker 4: Celebrity name that tune it shoots in because.

342
00:16:00,480 --> 00:16:02,680
Speaker 3: I bet it's cheaper to do that, and then then

343
00:16:03,320 --> 00:16:05,960
Speaker 3: believable and believe it, I get.

344
00:16:05,840 --> 00:16:08,760
Speaker 4: To donate one hundred thousand dollar or something like that

345
00:16:08,800 --> 00:16:10,880
Speaker 4: to charity and it's going to be amazing, and and

346
00:16:11,040 --> 00:16:13,840
Speaker 4: also I'll win because I'm really good at me that tune, Yeah,

347
00:16:13,920 --> 00:16:15,880
Speaker 4: or maybe I won't. Okay, get in my head, So

348
00:16:16,920 --> 00:16:28,680
Speaker 4: let's let's ready go do that Korean? Bailey Ray, why

349
00:16:28,680 --> 00:16:32,000
Speaker 4: did I see?

350
00:16:32,000 --> 00:16:32,880
Speaker 3: But you were right?

351
00:16:33,400 --> 00:16:35,360
Speaker 4: I like Korean Korean?

352
00:16:35,480 --> 00:16:37,200
Speaker 3: Was my call?

353
00:16:40,520 --> 00:16:42,400
Speaker 4: Go put Yahn's records.

354
00:16:44,920 --> 00:16:47,720
Speaker 3: That's a great twist. I love that twin.

355
00:16:47,840 --> 00:16:49,600
Speaker 4: Did I make up yawns? I think my sister and

356
00:16:49,680 --> 00:16:54,120
Speaker 4: I said, Yahn's like like y o n s for your.

357
00:16:54,120 --> 00:16:56,960
Speaker 2: No no no. But I think is why when you

358
00:16:57,000 --> 00:17:01,560
Speaker 2: see this sad movie yns Odds isn't like Christmas Carols.

359
00:17:01,680 --> 00:17:02,600
Speaker 2: I think you and Miranda did.

360
00:17:02,880 --> 00:17:04,800
Speaker 4: I think we did, and we say yins. But Yin's

361
00:17:04,840 --> 00:17:09,520
Speaker 4: I think is like Pittsburgh or something. Guys guys likes guys,

362
00:17:11,600 --> 00:17:16,120
Speaker 4: Let googlet. Yin's guys means like eas like you all

363
00:17:16,320 --> 00:17:18,600
Speaker 4: you all go. Y's guy's gotta go down to the bar.

364
00:17:21,400 --> 00:17:25,840
Speaker 4: Yeahfore John is like yours. And that's just Miranda and Darcy.

365
00:17:25,960 --> 00:17:28,760
Speaker 2: I'm gonna say the state of Pennsylvania has come up

366
00:17:28,800 --> 00:17:32,520
Speaker 2: with the craziest to totally yeah, totally just the uses

367
00:17:32,560 --> 00:17:33,440
Speaker 2: of words for sure.

368
00:17:33,640 --> 00:17:40,639
Speaker 3: It's time for round two. Have named that? Sorry, sorry,

369
00:17:40,680 --> 00:17:42,800
Speaker 3: the artist is calibrating. Okay, here we go.

370
00:17:44,280 --> 00:17:54,520
Speaker 4: Mmmmmm can I have this song again?

371
00:17:54,560 --> 00:17:55,480
Speaker 3: Please? I know it.

372
00:17:55,880 --> 00:17:59,200
Speaker 4: Okay, you're going to a dimmer party.

373
00:18:00,080 --> 00:18:01,840
Speaker 2: Yes, this is the first.

374
00:18:05,520 --> 00:18:21,399
Speaker 4: M since you took your Lovenadi O'Connor moving Yon pairs

375
00:18:21,480 --> 00:18:21,960
Speaker 4: to Yon.

376
00:18:28,320 --> 00:18:30,320
Speaker 3: That wasn't so good, It was so good.

377
00:18:31,000 --> 00:18:34,560
Speaker 2: I think this is a perfect time to introduce us

378
00:18:34,720 --> 00:18:37,800
Speaker 2: a game that I don't think will succeed. But it's

379
00:18:37,840 --> 00:18:38,680
Speaker 2: called the girl game.

380
00:18:38,880 --> 00:18:39,080
Speaker 4: Okay.

381
00:18:40,520 --> 00:18:43,480
Speaker 2: This is take a turn and we sing. We think

382
00:18:43,520 --> 00:18:46,480
Speaker 2: of a song that has the word girl. We sing

383
00:18:46,640 --> 00:18:50,240
Speaker 2: the pitch of one girl in the song, and then

384
00:18:50,320 --> 00:18:52,400
Speaker 2: we have to guess what song you're you're thinking.

385
00:18:52,320 --> 00:18:54,280
Speaker 4: Okay, and when he says, we sing the pitch.

386
00:18:54,440 --> 00:18:57,680
Speaker 3: So if it was my girl, it was okay. Good.

387
00:18:59,119 --> 00:19:01,920
Speaker 2: For example, for girl, go put you on records on

388
00:19:02,119 --> 00:19:03,440
Speaker 2: and I would have gone.

389
00:19:03,480 --> 00:19:06,119
Speaker 4: Girl okay, okay, okay, okay, okay. So you just do

390
00:19:06,240 --> 00:19:08,800
Speaker 4: the girl, the girl moment, the girl okay, so do

391
00:19:08,840 --> 00:19:11,119
Speaker 4: you want to give me one second? They just think

392
00:19:11,119 --> 00:19:11,720
Speaker 4: of a girl song.

393
00:19:12,240 --> 00:19:13,000
Speaker 3: It's actually hard.

394
00:19:13,280 --> 00:19:15,040
Speaker 2: It's quite hard, and maybe maybe.

395
00:19:14,880 --> 00:19:17,480
Speaker 4: Too hard because also we can take a beat and

396
00:19:17,520 --> 00:19:22,159
Speaker 4: they could cut out this dead ass air for I

397
00:19:22,200 --> 00:19:23,480
Speaker 4: don't know if you do things like that.

398
00:19:23,920 --> 00:19:26,480
Speaker 3: All the songs I'm thinking of are like too hard okay,

399
00:19:26,480 --> 00:19:28,240
Speaker 3: but like I want to do about to be a

400
00:19:28,600 --> 00:19:30,040
Speaker 3: girl fight, But then it would just.

401
00:19:30,080 --> 00:19:31,320
Speaker 2: Be no girl right.

402
00:19:31,400 --> 00:19:33,240
Speaker 4: But here you would have gone girl, okay, let me

403
00:19:33,359 --> 00:19:39,360
Speaker 4: just think girl. Ohka, I got okay, okay, ready.

404
00:19:39,680 --> 00:19:40,160
Speaker 3: Okay.

405
00:19:42,800 --> 00:19:43,080
Speaker 4: Girl.

406
00:19:47,680 --> 00:19:50,040
Speaker 2: The more time one time I think it was that

407
00:19:50,200 --> 00:19:51,919
Speaker 2: was yeah, ok I.

408
00:19:51,880 --> 00:19:56,760
Speaker 4: Don't want to give you anything away, girl, A little

409
00:19:56,800 --> 00:20:00,959
Speaker 4: different girl? Close?

410
00:20:01,680 --> 00:20:09,680
Speaker 5: Girl, girl, do you want me to give you like

411
00:20:09,680 --> 00:20:13,680
Speaker 5: a give us the give you like a like the

412
00:20:13,760 --> 00:20:14,600
Speaker 5: word before or after?

413
00:20:15,240 --> 00:20:18,120
Speaker 2: Give us, give us a word far away from the girl.

414
00:20:18,840 --> 00:20:24,359
Speaker 4: How of this? I'm gonna go like this? Yeah, girl, girl,

415
00:20:25,760 --> 00:20:30,560
Speaker 4: what woman? I'm not again not a girl?

416
00:20:30,920 --> 00:20:33,280
Speaker 3: Don't tell me you what too many?

417
00:20:33,920 --> 00:20:39,560
Speaker 4: Not yet a woman. I'm just sad mad woman and me.

418
00:20:41,080 --> 00:20:41,439
Speaker 3: Go ahead.

419
00:20:41,680 --> 00:20:46,320
Speaker 2: That was money time time moment.

420
00:20:46,440 --> 00:20:47,359
Speaker 4: That is mine?

421
00:20:48,880 --> 00:20:57,400
Speaker 3: Why between, Oh, I'm not a girl? An emotional weight?

422
00:20:58,000 --> 00:20:59,560
Speaker 3: You want because you want to know what we never

423
00:20:59,600 --> 00:21:00,840
Speaker 3: sang on the podcast anymore.

424
00:21:00,920 --> 00:21:03,720
Speaker 4: I know it's been so long. Honestly, you did a

425
00:21:03,760 --> 00:21:07,159
Speaker 4: little singing with with Josh and Aaron. I feel not

426
00:21:07,280 --> 00:21:08,200
Speaker 4: a lot, not a lot.

427
00:21:08,320 --> 00:21:09,160
Speaker 3: That's just Broadway.

428
00:21:09,240 --> 00:21:09,880
Speaker 4: Yeah, that's true.

429
00:21:09,920 --> 00:21:12,640
Speaker 2: That's just by you inspired the music you guys.

430
00:21:12,680 --> 00:21:13,760
Speaker 4: I love the I love the music.

431
00:21:14,080 --> 00:21:16,800
Speaker 3: I love the music too. Let's take it back to music.

432
00:21:16,880 --> 00:21:18,280
Speaker 4: Okay, play girl, who's turn?

433
00:21:19,040 --> 00:21:23,040
Speaker 2: It's it's it's it's a flopped. It needs one new rule.

434
00:21:23,200 --> 00:21:24,760
Speaker 3: Well, we have to work, I mean we have to

435
00:21:24,920 --> 00:21:25,959
Speaker 3: like I have one.

436
00:21:26,040 --> 00:21:29,320
Speaker 4: Well, yeah, I get it ready. And then Katie kirk go,

437
00:21:30,680 --> 00:21:31,040
Speaker 4: I can.

438
00:21:31,000 --> 00:21:38,640
Speaker 3: Tell you and you need somebody to talk together.

439
00:21:39,280 --> 00:21:42,360
Speaker 4: We have twins, you know, like when twins or siblings

440
00:21:42,440 --> 00:21:44,000
Speaker 4: have like correct pitch.

441
00:21:45,000 --> 00:21:46,760
Speaker 3: I think it could be true that we are somehow.

442
00:21:47,800 --> 00:21:49,560
Speaker 4: God is so big.

443
00:21:49,720 --> 00:21:52,040
Speaker 3: Did you how did you feel about us getting sexual

444
00:21:52,119 --> 00:21:53,560
Speaker 3: with each other at the Culture Awards?

445
00:21:53,800 --> 00:21:56,680
Speaker 4: It was well, it was like it was legitimately hot.

446
00:21:56,720 --> 00:21:57,720
Speaker 4: Who was I sitting next to? You?

447
00:21:58,280 --> 00:22:00,000
Speaker 2: Were sitting next to Joe, Jason and Jason?

448
00:22:00,160 --> 00:22:03,160
Speaker 4: Yes, I was sitting next to my husband and yours.

449
00:22:03,280 --> 00:22:06,359
Speaker 3: Well, weren't you next to your husband? Yeah? It was

450
00:22:06,840 --> 00:22:07,760
Speaker 3: was it someone else?

451
00:22:08,000 --> 00:22:08,840
Speaker 4: It is my husband.

452
00:22:09,000 --> 00:22:12,280
Speaker 3: No, you've been carrying on an affair, told Kim, And

453
00:22:12,359 --> 00:22:14,399
Speaker 3: it's over today.

454
00:22:14,520 --> 00:22:16,159
Speaker 4: Today is the day that And what if I was

455
00:22:16,160 --> 00:22:18,840
Speaker 4: carrying on an affair with Jason for for decades?

456
00:22:19,480 --> 00:22:21,960
Speaker 3: My husband? Yes, my husband and I have been carrying

457
00:22:22,000 --> 00:22:22,520
Speaker 3: on an affair.

458
00:22:22,640 --> 00:22:24,720
Speaker 4: I called him my husband books, but it was an affair.

459
00:22:25,600 --> 00:22:28,440
Speaker 3: We find out you have like your actual husband from Lute. Yes,

460
00:22:28,920 --> 00:22:30,840
Speaker 3: he's very old, very old.

461
00:22:31,359 --> 00:22:36,440
Speaker 2: I Jason looking good. He's always always hot And will

462
00:22:36,480 --> 00:22:37,560
Speaker 2: you just say that hot?

463
00:22:37,680 --> 00:22:38,200
Speaker 3: Let us do it?

464
00:22:38,480 --> 00:22:40,760
Speaker 4: No, he's so hot you can yeah, yeah, I mean

465
00:22:40,800 --> 00:22:43,360
Speaker 4: if you want to do it so hot? I love

466
00:22:43,520 --> 00:22:43,960
Speaker 4: this part.

467
00:22:45,359 --> 00:22:46,359
Speaker 3: I love that part of.

468
00:22:48,200 --> 00:22:49,120
Speaker 2: He likes those parts.

469
00:22:49,200 --> 00:22:50,240
Speaker 4: Two on you right here?

470
00:22:50,480 --> 00:22:54,040
Speaker 3: What's you speaking of a man coming in here?

471
00:22:54,600 --> 00:22:55,000
Speaker 4: Can you hear?

472
00:22:55,280 --> 00:22:59,399
Speaker 3: Yeah? Speaking of the man in our life. Always always

473
00:22:59,440 --> 00:23:00,960
Speaker 3: handling our long pole?

474
00:23:01,119 --> 00:23:02,640
Speaker 4: And should I is this about good?

475
00:23:03,920 --> 00:23:04,120
Speaker 3: Okay?

476
00:23:04,440 --> 00:23:06,919
Speaker 4: Okay, just an, even.

477
00:23:06,800 --> 00:23:08,320
Speaker 3: Though we asked him yesterday, I ever tried it in

478
00:23:08,359 --> 00:23:08,680
Speaker 3: the butt?

479
00:23:08,800 --> 00:23:14,320
Speaker 4: No, okay. So obviously Brittany and Mallan are so hot.

480
00:23:14,480 --> 00:23:16,240
Speaker 3: They're they're so hot.

481
00:23:16,240 --> 00:23:19,120
Speaker 4: They're so hot on the show, but in on their show,

482
00:23:19,280 --> 00:23:22,640
Speaker 4: but on stage in person, you guys, I'm so sorry,

483
00:23:22,680 --> 00:23:25,240
Speaker 4: Brittany and Mallan. You guys are so hot, but you

484
00:23:25,400 --> 00:23:30,719
Speaker 4: guys actually hotted them down because we've also seen them

485
00:23:30,800 --> 00:23:34,119
Speaker 4: like eat each other out. Okay, but you guys, like,

486
00:23:34,400 --> 00:23:36,159
Speaker 4: we haven't seen you guys eat each other out. So

487
00:23:36,280 --> 00:23:39,880
Speaker 4: it's so exciting to see you. So we play two

488
00:23:40,040 --> 00:23:42,920
Speaker 4: gay guys eat each other out. Fishing husbands.

489
00:23:44,080 --> 00:23:46,119
Speaker 3: We played two fishermen they meet while they're hunting.

490
00:23:46,920 --> 00:23:51,280
Speaker 4: I'd watch it, watch it, Fishing husbands, I would watch it.

491
00:23:51,840 --> 00:23:54,520
Speaker 2: It's just a it's just an TV sort of tone.

492
00:23:54,560 --> 00:23:56,720
Speaker 2: We're just picking out you should do that.

493
00:23:56,880 --> 00:23:58,639
Speaker 4: But you guys really had something like you were you

494
00:23:58,720 --> 00:23:59,520
Speaker 4: guys did a great job.

495
00:23:59,560 --> 00:24:02,080
Speaker 3: And I know sibling off, you know what I mean,

496
00:24:02,160 --> 00:24:04,320
Speaker 3: Like he told me earlier in the week that I

497
00:24:04,400 --> 00:24:07,360
Speaker 3: had to be slower and more central. I know, it's weird,

498
00:24:07,400 --> 00:24:08,399
Speaker 3: and I was like, I'm going to do it.

499
00:24:09,160 --> 00:24:10,000
Speaker 4: Don't talk about it.

500
00:24:11,119 --> 00:24:12,480
Speaker 2: I just want to get on the same page. Case

501
00:24:12,600 --> 00:24:14,479
Speaker 2: and the rehearsal of the Cory rehearsals, Matt was doing

502
00:24:14,480 --> 00:24:16,399
Speaker 2: a thing where he was just like I was being silly,

503
00:24:17,560 --> 00:24:18,960
Speaker 2: arms and the air and doing this, and then watching

504
00:24:19,240 --> 00:24:20,960
Speaker 2: I'm like, it's funny, but it's like, I think we

505
00:24:21,080 --> 00:24:24,000
Speaker 2: need to we need to make people feel slightly uncomfortable.

506
00:24:24,000 --> 00:24:26,800
Speaker 4: It was so I mean, it was actually like heated rivalry.

507
00:24:26,880 --> 00:24:30,000
Speaker 4: It was like, you guys really were doing the slow sexy.

508
00:24:31,440 --> 00:24:31,600
Speaker 2: Yes.

509
00:24:32,280 --> 00:24:33,000
Speaker 4: And again.

510
00:24:34,560 --> 00:24:35,480
Speaker 3: It was so hot.

511
00:24:35,800 --> 00:24:38,040
Speaker 4: It was so hot. And again, Melan and Brittany, you're

512
00:24:38,200 --> 00:24:40,520
Speaker 4: so hot each other out every day for the rest

513
00:24:40,560 --> 00:24:44,040
Speaker 4: of your life. Camera. But I really liked watching you

514
00:24:44,119 --> 00:24:46,159
Speaker 4: guys get sexy with each other. Sorry, I guess I'm

515
00:24:46,200 --> 00:24:46,720
Speaker 4: into incest.

516
00:24:47,040 --> 00:24:51,920
Speaker 3: There was there was so much great woman on woman

517
00:24:52,080 --> 00:24:55,280
Speaker 3: man on man on the show. I loved when eighty

518
00:24:55,400 --> 00:24:58,080
Speaker 3: Brian said I would never e.

519
00:25:00,840 --> 00:25:03,000
Speaker 4: Even in a crunch, felt like siblings.

520
00:25:03,040 --> 00:25:04,119
Speaker 2: When you and Paul were kissing.

521
00:25:04,240 --> 00:25:06,200
Speaker 4: Oh yeah, Yeah, Paul and I have kissed before. You've

522
00:25:06,240 --> 00:25:08,040
Speaker 4: made out before, well, not made out, but we've kissed.

523
00:25:08,119 --> 00:25:10,440
Speaker 4: We did this like web series for broad City.

524
00:25:12,440 --> 00:25:13,800
Speaker 3: Yeah, your characters.

525
00:25:13,920 --> 00:25:17,280
Speaker 4: I feel like we we just we just did the

526
00:25:17,320 --> 00:25:19,359
Speaker 4: same thing that we did on the show, which is

527
00:25:19,400 --> 00:25:20,639
Speaker 4: like we improvised a kid.

528
00:25:20,760 --> 00:25:21,159
Speaker 3: I mean we like.

529
00:25:21,359 --> 00:25:24,120
Speaker 4: It wasn't there was no intimacy coordinating.

530
00:25:24,600 --> 00:25:27,280
Speaker 3: It was secrets easter egg for fans of the BC.

531
00:25:27,600 --> 00:25:29,320
Speaker 4: I feel like I feel like I should read the

532
00:25:29,400 --> 00:25:32,359
Speaker 4: text that I sent you guys, which is that? So

533
00:25:33,000 --> 00:25:35,040
Speaker 4: Paul texted me and said, do you know I'm playing Shrek?

534
00:25:35,040 --> 00:25:38,480
Speaker 4: And I said, just found out, so excited, and he

535
00:25:38,720 --> 00:25:40,800
Speaker 4: wrote like something like, if you consent.

536
00:25:41,119 --> 00:25:44,280
Speaker 2: I will give you dot dot dot next test, next

537
00:25:44,320 --> 00:25:45,520
Speaker 2: text a kiss.

538
00:25:45,440 --> 00:25:47,720
Speaker 4: And then I said I was just about to say

539
00:25:47,960 --> 00:25:50,200
Speaker 4: we should kiss. So it was it was a mutually

540
00:25:50,240 --> 00:25:51,040
Speaker 4: agreed upon kiss.

541
00:25:51,160 --> 00:25:53,800
Speaker 3: Yes, consent, just like we talked about him the piece. Yeah,

542
00:25:54,040 --> 00:25:57,000
Speaker 3: I love consent, love consent. I'm enthusiastic for it.

543
00:25:57,200 --> 00:25:59,679
Speaker 4: I wish I had tongued him down a little more

544
00:25:59,680 --> 00:26:01,280
Speaker 4: because he kind of he would have, but.

545
00:26:01,520 --> 00:26:03,760
Speaker 2: That's another layer of consent. We thinked, well, you just you.

546
00:26:03,720 --> 00:26:05,879
Speaker 4: Don't want to be the one. I do remember, like

547
00:26:05,960 --> 00:26:08,760
Speaker 4: my first stage kiss in a play.

548
00:26:09,800 --> 00:26:10,720
Speaker 2: Tongued that's okay.

549
00:26:11,000 --> 00:26:13,639
Speaker 4: I tongued in like a like a you have to

550
00:26:14,160 --> 00:26:16,720
Speaker 4: like what was it like almost like a respect like

551
00:26:16,760 --> 00:26:19,120
Speaker 4: a yeah, you know, you know when the doctor goes

552
00:26:19,160 --> 00:26:22,199
Speaker 4: like this, and yeah, it was almost like a reflexive thing.

553
00:26:22,240 --> 00:26:23,800
Speaker 4: And I and I I think I also kind of

554
00:26:23,800 --> 00:26:25,159
Speaker 4: had a crush him at the time, So maybe I

555
00:26:25,280 --> 00:26:26,119
Speaker 4: was like, who was it.

556
00:26:28,200 --> 00:26:29,840
Speaker 2: You wish you you don't want to say, I mean

557
00:26:30,640 --> 00:26:32,120
Speaker 2: I said Robert Low's name.

558
00:26:32,480 --> 00:26:34,720
Speaker 4: If I said it is he a person today, He's

559
00:26:34,760 --> 00:26:37,280
Speaker 4: a person that lives today, he's no longer enough.

560
00:26:38,240 --> 00:26:40,399
Speaker 2: But that I think I don't want because of that. No,

561
00:26:40,520 --> 00:26:42,080
Speaker 2: I don't want to make you. I don't want to

562
00:26:42,080 --> 00:26:42,480
Speaker 2: make you say.

563
00:26:42,600 --> 00:26:44,639
Speaker 4: And one of those great factors that you're just like

564
00:26:45,359 --> 00:26:47,400
Speaker 4: I mean, I mean where I'm like your gift.

565
00:26:47,400 --> 00:26:50,400
Speaker 3: Your voice, your gift.

566
00:26:50,600 --> 00:26:52,920
Speaker 4: But also he gave it to us for a long time.

567
00:26:53,040 --> 00:26:55,480
Speaker 4: Yeah I'm done with this ship there you gave it

568
00:26:55,560 --> 00:26:57,520
Speaker 4: to people are going to But I do remember I

569
00:26:57,640 --> 00:27:00,280
Speaker 4: kind of tongued him down. I don't mean I was

570
00:27:00,359 --> 00:27:02,480
Speaker 4: like like this like that a little it. I just

571
00:27:02,560 --> 00:27:04,200
Speaker 4: kind of like tongued and then I was like, oh

572
00:27:04,280 --> 00:27:06,120
Speaker 4: my god, I'm so sorry, and he was like, it's okay.

573
00:27:06,720 --> 00:27:09,439
Speaker 3: My only kiss on screen was with a straight man

574
00:27:09,520 --> 00:27:11,800
Speaker 3: and he was lovely. But I was nervous about it

575
00:27:11,840 --> 00:27:14,000
Speaker 3: the whole time because I think of it. His name

576
00:27:14,080 --> 00:27:15,520
Speaker 3: is John O. Wilson. It was on the show. I

577
00:27:15,600 --> 00:27:18,560
Speaker 3: loved that. I know that so handsome and great and

578
00:27:18,640 --> 00:27:21,040
Speaker 3: he was so lovely. But I was just like I

579
00:27:21,280 --> 00:27:22,920
Speaker 3: was a little bit like in my head the whole time,

580
00:27:23,040 --> 00:27:24,879
Speaker 3: like I'm kissing a straight man. And then I did

581
00:27:24,920 --> 00:27:27,600
Speaker 3: a little internalized homophobia. I like, I shouldn't even be here.

582
00:27:27,760 --> 00:27:29,680
Speaker 4: You guys had good chemistry though I shouldn't eve. I

583
00:27:29,680 --> 00:27:31,400
Speaker 4: shouldn't even exist. I shouldn't even be on this plane.

584
00:27:31,480 --> 00:27:33,520
Speaker 3: I was kind of like, ugh, this straight man has

585
00:27:33,600 --> 00:27:34,840
Speaker 3: to kiss a gay guy.

586
00:27:34,920 --> 00:27:35,760
Speaker 4: I didn't think of it.

587
00:27:35,840 --> 00:27:37,840
Speaker 3: I didn't think of it like an actor has a

588
00:27:37,960 --> 00:27:41,679
Speaker 3: job and is kissing another actor. I was just like flatulating,

589
00:27:41,840 --> 00:27:44,360
Speaker 3: like I can't believe it. I shouldn't be here.

590
00:27:44,640 --> 00:27:46,640
Speaker 4: Wait, I'm so sorry. This is actually really sad. It's

591
00:27:46,680 --> 00:27:49,920
Speaker 4: tough because it sucks that you had to like no,

592
00:27:50,320 --> 00:27:52,000
Speaker 4: I know, I know, I know but also even that

593
00:27:52,080 --> 00:27:54,840
Speaker 4: that would just even but it is like a thing. Yeah,

594
00:27:54,960 --> 00:27:56,080
Speaker 4: it is such a thing, totally.

595
00:27:56,560 --> 00:28:00,320
Speaker 3: I never want anyone to feel when I'm kissing them

596
00:28:00,480 --> 00:28:01,480
Speaker 3: like they don't want to do it.

597
00:28:03,680 --> 00:28:04,040
Speaker 2: Consent.

598
00:28:07,880 --> 00:28:09,800
Speaker 3: How serious are we getting just a little?

599
00:28:11,800 --> 00:28:12,359
Speaker 4: I loved it.

600
00:28:14,720 --> 00:28:15,840
Speaker 2: That was our first kiss.

601
00:28:16,280 --> 00:28:17,440
Speaker 3: I'm in the Paul Downs Club.

602
00:28:18,520 --> 00:28:22,080
Speaker 4: I have weirdly kissed so many people on camera. That's

603
00:28:22,160 --> 00:28:25,040
Speaker 4: wonderful a lot on stage, but so many people on camera.

604
00:28:25,119 --> 00:28:25,920
Speaker 4: I kind of can't believe it.

605
00:28:26,200 --> 00:28:28,720
Speaker 3: Well, comedians, they have that. You have to, yea, I

606
00:28:28,840 --> 00:28:30,280
Speaker 3: have You've made that with some of the.

607
00:28:31,000 --> 00:28:34,639
Speaker 4: Elite, truly, some of the hottest women alive a list.

608
00:28:34,600 --> 00:28:40,760
Speaker 3: Mouths one title, a couple, honey Mouth, Ariana Grande a.

609
00:28:41,320 --> 00:28:49,240
Speaker 2: Oh, Ariana list s s s s and Scarjo.

610
00:28:49,600 --> 00:28:52,560
Speaker 4: Oh, I mean kind of the world's hottest.

611
00:28:52,720 --> 00:28:55,000
Speaker 3: I also want to tell you that the greatest John.

612
00:28:54,880 --> 00:28:55,960
Speaker 2: Is in America, greatest John.

613
00:28:56,760 --> 00:28:59,560
Speaker 3: Had I known that there would be mouth on mouth today,

614
00:28:59,560 --> 00:29:05,240
Speaker 3: I would have shaved a little bit. Oh, yon.

615
00:29:06,680 --> 00:29:06,840
Speaker 4: All.

616
00:29:07,280 --> 00:29:10,240
Speaker 3: Today we went to go meet Studie's baby and I

617
00:29:10,360 --> 00:29:11,920
Speaker 3: went down to kiss the baby and I was like,

618
00:29:12,000 --> 00:29:14,520
Speaker 3: I can't because of my my, my beastly face.

619
00:29:15,200 --> 00:29:16,800
Speaker 4: So you're kind of like every time you kiss someone

620
00:29:16,840 --> 00:29:18,160
Speaker 4: you're thinking like, I'm a piece of ship.

621
00:29:19,080 --> 00:29:22,680
Speaker 3: I'm like, what's about? Sorry, God you are, Well, it's

622
00:29:22,720 --> 00:29:25,280
Speaker 3: my kink. How do you know we haven't stumbled upon

623
00:29:25,360 --> 00:29:28,440
Speaker 3: Finally the discussion of my kink on this show, which kissing.

624
00:29:28,880 --> 00:29:31,040
Speaker 4: You feel, Yeah, feeling like a little dirty pig, like

625
00:29:31,080 --> 00:29:33,040
Speaker 4: a dirty pig, feeling like this I don't.

626
00:29:32,800 --> 00:29:34,480
Speaker 2: Deserve to be Oh that's so easy.

627
00:29:34,920 --> 00:29:36,480
Speaker 3: Back in the day when I was on Grinder and

628
00:29:36,640 --> 00:29:39,600
Speaker 3: people would sometimes go like any kinks and I'd be like,

629
00:29:40,000 --> 00:29:41,800
Speaker 3: I'd be like, not really, I mean I guess this

630
00:29:42,040 --> 00:29:46,000
Speaker 3: this and they'd be like, for me, it's definitely kissing kin.

631
00:29:47,280 --> 00:29:51,000
Speaker 3: Some get some people think that that is like, well,

632
00:29:51,040 --> 00:29:51,520
Speaker 3: it's weird.

633
00:29:51,680 --> 00:29:53,160
Speaker 2: Some people want to focus on that.

634
00:29:53,400 --> 00:29:56,520
Speaker 4: Yeah, does sometimes a kink mean like I need this? No,

635
00:29:57,160 --> 00:29:59,040
Speaker 4: he means like to me, kink means like this is

636
00:29:59,080 --> 00:30:01,200
Speaker 4: a strange one. But here's my thing into it.

637
00:30:01,320 --> 00:30:03,600
Speaker 3: I don't think it's something that people do. I think

638
00:30:03,640 --> 00:30:06,120
Speaker 3: it's something that this guy did because and that was

639
00:30:06,160 --> 00:30:08,920
Speaker 3: indicative to me of like, oh, you're not looking intimate,

640
00:30:09,000 --> 00:30:12,480
Speaker 3: You're not you're not into looking for sex on this

641
00:30:12,600 --> 00:30:15,840
Speaker 3: app for like intimacy and passion, right, you're into it

642
00:30:15,920 --> 00:30:19,480
Speaker 3: in your words, to bang out and plow.

643
00:30:19,880 --> 00:30:22,040
Speaker 4: Interesting, okay, interesting even with kissing.

644
00:30:22,280 --> 00:30:25,360
Speaker 3: Yeah, well, I'm just saying like, if someone's like, I'm

645
00:30:25,440 --> 00:30:28,000
Speaker 3: into kissing, I feel like it's well I would have

646
00:30:28,160 --> 00:30:31,239
Speaker 3: I would have assumed, what are you saying that if

647
00:30:32,400 --> 00:30:34,719
Speaker 3: it was just funny, because the introduction of the conversation

648
00:30:34,880 --> 00:30:37,160
Speaker 3: was what's your kind And I said, Okay, it's this

649
00:30:37,320 --> 00:30:39,200
Speaker 3: and this, and he was like, for me, it's you know,

650
00:30:39,920 --> 00:30:42,960
Speaker 3: I contact kissing and the things that. For me, I

651
00:30:43,080 --> 00:30:46,320
Speaker 3: was like, yeah, for sure, it feels like that.

652
00:30:46,560 --> 00:30:47,840
Speaker 4: Yeah, totally totally.

653
00:30:47,920 --> 00:30:51,040
Speaker 3: I'm gonna try that that. I'm gonna try that. And

654
00:30:51,120 --> 00:30:51,480
Speaker 3: how was he?

655
00:30:52,480 --> 00:30:53,920
Speaker 2: I didn't go Okay, good happens.

656
00:30:54,440 --> 00:31:00,920
Speaker 4: I lost content. I know wi Fi For example, I'm fishing.

657
00:31:01,320 --> 00:31:03,880
Speaker 3: Fishing husband, I just remembered I had a fishing trip.

658
00:31:03,920 --> 00:31:08,240
Speaker 4: I've got no service on the lake. When I'm back

659
00:31:08,280 --> 00:31:10,160
Speaker 4: from the lake after I caught my bass and my

660
00:31:10,680 --> 00:31:12,480
Speaker 4: big sea birds.

661
00:31:12,760 --> 00:31:16,040
Speaker 3: Jason a fisher guy, golfer.

662
00:31:16,440 --> 00:31:20,040
Speaker 2: No, what's his most like husband?

663
00:31:20,360 --> 00:31:21,640
Speaker 3: What's his most male hobby?

664
00:31:22,440 --> 00:31:27,920
Speaker 4: Okay, not fishing or golf his most male hobby. He's like,

665
00:31:28,040 --> 00:31:30,600
Speaker 4: he'll fix whatever the fuck that's hot. Yeah, I guess

666
00:31:30,640 --> 00:31:33,880
Speaker 4: that's his most male fixer. He'll fix, you know, like

667
00:31:34,000 --> 00:31:35,440
Speaker 4: like if something's broken, he'll fix it.

668
00:31:35,800 --> 00:31:39,240
Speaker 3: Oh, what's the craziest thing that he could just fix

669
00:31:39,360 --> 00:31:40,080
Speaker 3: or has just fixed?

670
00:31:40,080 --> 00:31:42,520
Speaker 4: I mean to me, anything with a car blows my mind?

671
00:31:42,600 --> 00:31:43,200
Speaker 3: Are you kidding?

672
00:31:43,400 --> 00:31:45,640
Speaker 4: Like anything with a car blows my mind? And I'm like,

673
00:31:45,840 --> 00:31:47,240
Speaker 4: how this is science?

674
00:31:47,360 --> 00:31:48,160
Speaker 2: This would kill me.

675
00:31:48,560 --> 00:31:51,680
Speaker 4: So I'm like I couldn't even fathom so that like

676
00:31:51,840 --> 00:31:53,800
Speaker 4: just recently had a car thing that he was like, O,

677
00:31:53,800 --> 00:31:55,120
Speaker 4: I'll just buy the thing and I'll fix it. And

678
00:31:55,160 --> 00:31:55,640
Speaker 4: then he did it.

679
00:31:55,720 --> 00:31:59,280
Speaker 3: And then also I'm going to say it in the car,

680
00:31:59,680 --> 00:32:00,680
Speaker 3: what button does? What?

681
00:32:00,960 --> 00:32:01,640
Speaker 4: What button does?

682
00:32:01,680 --> 00:32:02,960
Speaker 2: What is what am I looking at?

683
00:32:03,040 --> 00:32:05,600
Speaker 4: I'm sitting here going what what's this? I don't go

684
00:32:06,680 --> 00:32:07,400
Speaker 4: Does that ever happen to you?

685
00:32:07,600 --> 00:32:07,760
Speaker 6: Yeah?

686
00:32:08,000 --> 00:32:11,040
Speaker 3: The whole dashboard changes color and you're in a different mode.

687
00:32:11,200 --> 00:32:11,760
Speaker 4: I don't want that.

688
00:32:11,920 --> 00:32:13,920
Speaker 3: You're like ultimate speed racer mode.

689
00:32:13,920 --> 00:32:15,840
Speaker 4: I don't want to be an ultimate speed Sometimes it

690
00:32:15,840 --> 00:32:17,520
Speaker 4: does it day to night. That can be confusing, But

691
00:32:17,640 --> 00:32:19,400
Speaker 4: just so you know that does that like like like

692
00:32:19,480 --> 00:32:23,240
Speaker 4: when the like sun changes, it might go into two

693
00:32:23,360 --> 00:32:24,000
Speaker 4: dark mode.

694
00:32:24,120 --> 00:32:25,000
Speaker 3: Oh, don't be.

695
00:32:25,080 --> 00:32:29,080
Speaker 2: Scared, right, I'm here going I'm here going I'm supposed

696
00:32:29,080 --> 00:32:29,760
Speaker 2: to be looking at.

697
00:32:29,640 --> 00:32:31,760
Speaker 4: The road, right, Why am I looking at right? Computer?

698
00:32:32,120 --> 00:32:34,240
Speaker 2: Why am I looking at? Why is the computer school?

699
00:32:34,360 --> 00:32:34,760
Speaker 3: Why am I?

700
00:32:35,040 --> 00:32:36,959
Speaker 4: Why am I sitting here in computer school when I'm

701
00:32:36,960 --> 00:32:37,560
Speaker 4: supposed to just.

702
00:32:37,600 --> 00:32:40,800
Speaker 3: Be driving in driving classes and driving class, driving world

703
00:32:40,880 --> 00:32:43,320
Speaker 3: to computer school when I had to in seventh grade.

704
00:32:43,480 --> 00:32:46,000
Speaker 3: And I do mean there was a period where we

705
00:32:46,080 --> 00:32:48,760
Speaker 3: had to go into computer to computers and it was

706
00:32:48,840 --> 00:32:51,160
Speaker 3: and then you would you do kid picks kid Picks?

707
00:32:51,200 --> 00:32:54,400
Speaker 4: Oh my god, wait, I feel like I feel like

708
00:32:54,480 --> 00:32:57,120
Speaker 4: Miranda and I Miranda again, my sister. I feel like

709
00:32:57,160 --> 00:33:00,320
Speaker 4: we learned how to like, Okay, tell this. I feel

710
00:33:00,400 --> 00:33:04,600
Speaker 4: like it's from kid picks. Ah they say day.

711
00:33:06,200 --> 00:33:12,880
Speaker 2: When you would type out the letters, it's like, oh, I'm.

712
00:33:12,800 --> 00:33:13,480
Speaker 4: Gonna get him wround.

713
00:33:13,520 --> 00:33:14,920
Speaker 3: I miss as.

714
00:33:16,160 --> 00:33:21,240
Speaker 2: Like gay you learned Spanish through kids.

715
00:33:21,960 --> 00:33:24,080
Speaker 4: But then my favorite was his voice would be like

716
00:33:25,040 --> 00:33:30,640
Speaker 4: diego or whatever? Why Z what is the diego? And

717
00:33:30,680 --> 00:33:33,560
Speaker 4: also I don't know if I'm doing I'm sitting here

718
00:33:34,080 --> 00:33:37,680
Speaker 4: talking kid picks, we're talking kids. I'm actually just quoting

719
00:33:37,760 --> 00:33:38,360
Speaker 4: kid picks.

720
00:33:38,400 --> 00:33:41,400
Speaker 2: You're quoting kid Picks. But in Canada, kid Picks would

721
00:33:41,400 --> 00:33:41,840
Speaker 2: do French.

722
00:33:42,080 --> 00:33:47,120
Speaker 4: They get whoa like, yeah, yeah, yeah, that is kid.

723
00:33:54,160 --> 00:33:58,040
Speaker 2: California kids must have been yeah yeah, kid picks.

724
00:33:58,760 --> 00:34:00,760
Speaker 4: Anyway, But that was computers, and that's going to be

725
00:34:00,800 --> 00:34:03,000
Speaker 4: computer school. Yeah, I didn't do any of that. I

726
00:34:03,200 --> 00:34:06,640
Speaker 4: died to think back on computer school because well, first

727
00:34:06,680 --> 00:34:08,040
Speaker 4: of all, all those teachers are dead.

728
00:34:09,360 --> 00:34:10,640
Speaker 3: I thought about that the other day.

729
00:34:11,000 --> 00:34:14,440
Speaker 4: And it's not dead in life, dead in the spirits

730
00:34:14,600 --> 00:34:19,520
Speaker 4: because pose computers. Oh yeah, yeah, those computers are big

731
00:34:19,640 --> 00:34:20,400
Speaker 4: pieces of cevent.

732
00:34:20,840 --> 00:34:25,040
Speaker 3: They're dead professionally certainly, yes, for personally likely possibly.

733
00:34:25,360 --> 00:34:28,719
Speaker 4: They spent all their little lives on computers, and now

734
00:34:29,160 --> 00:34:33,960
Speaker 4: computers are in our freaking eyeball. Yeah, get away to

735
00:34:33,960 --> 00:34:34,520
Speaker 4: the channel.

736
00:34:34,680 --> 00:34:38,040
Speaker 3: The seventeen computers in this room. Computer.

737
00:34:38,239 --> 00:34:42,160
Speaker 4: I have computer, computer, computer, computer, computer, literally literally, we.

738
00:34:42,280 --> 00:34:43,520
Speaker 3: Basically are all computer.

739
00:34:43,800 --> 00:34:46,840
Speaker 2: Wasn't it always County when not read just but Meredith Thierra,

740
00:34:47,000 --> 00:34:50,719
Speaker 2: a millionaire, would go computer elimited two of the answers.

741
00:34:51,040 --> 00:34:53,640
Speaker 2: They would fifty to fifty. Anytime Meredith the Air would

742
00:34:53,680 --> 00:34:56,520
Speaker 2: would ask for the computer, I'd be like, yes, bitch.

743
00:34:56,440 --> 00:35:00,440
Speaker 3: And we need more meritith number was that and that

744
00:35:00,560 --> 00:35:10,440
Speaker 3: was yeah, twelve twelve. Anytime it was yes, it became

745
00:35:10,520 --> 00:35:12,280
Speaker 3: a lot of different thing. Idea.

746
00:35:12,400 --> 00:35:13,279
Speaker 4: Yeah, they'll figure it out.

747
00:35:13,600 --> 00:35:14,320
Speaker 2: So many ideas.

748
00:35:14,600 --> 00:35:15,480
Speaker 4: No, no, no, we're good, We're good.

749
00:35:15,560 --> 00:35:18,479
Speaker 3: There was a lot of ideas, but one strong idea

750
00:35:18,560 --> 00:35:21,120
Speaker 3: was the five Star Weekend. I'm really happy it got made.

751
00:35:22,080 --> 00:35:23,879
Speaker 3: Can you talk about the camaraderie on set?

752
00:35:24,040 --> 00:35:28,120
Speaker 4: I'd love to. Yeah, so dumb, but I actually would

753
00:35:28,280 --> 00:35:29,680
Speaker 4: love to please tell.

754
00:35:29,600 --> 00:35:31,080
Speaker 3: Us about it? Okay, and you know it has our

755
00:35:31,320 --> 00:35:32,080
Speaker 3: favorite people in.

756
00:35:32,120 --> 00:35:33,440
Speaker 4: It, know, Okay, should I tell you some of them?

757
00:35:33,600 --> 00:35:36,440
Speaker 4: I mentioned some of the top but I wasn't here cast.

758
00:35:36,760 --> 00:35:39,399
Speaker 4: Wait I just said cast, but I meant to say

759
00:35:42,080 --> 00:35:45,480
Speaker 4: listeners at home. I was here. Yeah, that's what you

760
00:35:45,560 --> 00:35:47,520
Speaker 4: don't know when they're talking at the top.

761
00:35:47,680 --> 00:35:48,640
Speaker 3: Yeah, I was here.

762
00:35:48,760 --> 00:35:51,120
Speaker 2: The ruin the spell.

763
00:35:51,600 --> 00:35:54,200
Speaker 3: Well, now now that they know, we have to change

764
00:35:54,239 --> 00:35:59,120
Speaker 3: the whole top of the show. And now a quick

765
00:35:59,160 --> 00:36:01,920
Speaker 3: break from our spat. Vital Proteins and it is.

766
00:36:02,160 --> 00:36:07,000
Speaker 2: Vital Collagen peptides is a wellness supplement that supports healthy hair, skin, nails, bones,

767
00:36:07,080 --> 00:36:07,960
Speaker 2: and joints.

768
00:36:08,120 --> 00:36:11,560
Speaker 3: When we hit thirty, our body's collagen production starts to drop,

769
00:36:11,840 --> 00:36:13,680
Speaker 3: and that's when vital protein steps in.

770
00:36:13,880 --> 00:36:19,560
Speaker 2: Their iconic blue tub is everywhere. People love vital proteins

771
00:36:19,880 --> 00:36:22,040
Speaker 2: in part because it's so easy.

772
00:36:22,440 --> 00:36:25,600
Speaker 3: Just mix it into your coffee, tea or smoothie and

773
00:36:25,680 --> 00:36:26,200
Speaker 3: you're good to go.

774
00:36:26,520 --> 00:36:28,719
Speaker 2: Right now. You can get twenty percent off your next

775
00:36:28,920 --> 00:36:32,920
Speaker 2: order by going to Vitalproteins dot com and using promo

776
00:36:33,040 --> 00:36:37,160
Speaker 2: code Las Culture Vistas to zero at checkout.

777
00:36:37,360 --> 00:36:41,000
Speaker 3: Huge thanks again to our sponsor, Vital Proteins.

778
00:36:41,160 --> 00:36:43,680
Speaker 2: These statements have not been evaluated by the Food and

779
00:36:43,760 --> 00:36:48,600
Speaker 2: Drug Administration. This product is not intended to diagnose, treat, cure,

780
00:36:48,840 --> 00:36:50,920
Speaker 2: or prevent any disease.

781
00:36:51,320 --> 00:36:53,880
Speaker 4: Okay, so here's who we're talking about. Yeah, you got

782
00:36:54,000 --> 00:36:59,200
Speaker 4: Jen Garner, you got Regina Hall, Chloe seventy, Gema chan Y, Yes,

783
00:37:00,040 --> 00:37:06,600
Speaker 4: the Olephants, Harlow, Jane West, Do Coveney, Josh Hamilton, Judy Glear.

784
00:37:06,560 --> 00:37:11,239
Speaker 2: Okay, Judy Greer and Jennifer Garner in the same things again.

785
00:37:11,520 --> 00:37:16,040
Speaker 4: Wow right, Yeah, I think that's right. On thirty Reune

786
00:37:16,680 --> 00:37:19,800
Speaker 4: not to mention catch and release Reune with Timothy Oliphant

787
00:37:20,280 --> 00:37:21,200
Speaker 4: and Jenny g.

788
00:37:21,440 --> 00:37:23,719
Speaker 3: It's a catch and release for you. Yeah. I have

789
00:37:23,840 --> 00:37:26,040
Speaker 3: to ask about a few of the cast members, and

790
00:37:26,080 --> 00:37:28,960
Speaker 3: I'm asking. I asked the same question about all of them.

791
00:37:29,239 --> 00:37:33,960
Speaker 3: What was the most Jennifer Garner thing she did on.

792
00:37:34,120 --> 00:37:37,200
Speaker 4: Set, well, okay, the few that are coming to mind. Yes,

793
00:37:37,520 --> 00:37:40,200
Speaker 4: she was like the queen of food trucks, so she

794
00:37:40,239 --> 00:37:42,200
Speaker 4: would always get she'd get a food truck.

795
00:37:42,040 --> 00:37:44,440
Speaker 3: Like Weekly Loving, which just is taking care of.

796
00:37:44,560 --> 00:37:49,680
Speaker 4: Taking care of the cast children. Yeah, she like had

797
00:37:49,760 --> 00:37:51,640
Speaker 4: Gemma and I over to her house. She would have

798
00:37:51,680 --> 00:37:53,160
Speaker 4: had Regina and Chloe, but they were in New York

799
00:37:53,360 --> 00:37:58,560
Speaker 4: and just made us a chicken lunch, just whipped up

800
00:37:58,680 --> 00:38:05,279
Speaker 4: a chicken love it lunch was Delsh, you know what

801
00:38:05,360 --> 00:38:07,360
Speaker 4: I mean, like that type of thing where you like

802
00:38:07,719 --> 00:38:10,520
Speaker 4: just let me just whip you up a chicken.

803
00:38:10,719 --> 00:38:11,840
Speaker 3: So she was provided.

804
00:38:11,960 --> 00:38:14,560
Speaker 4: She's a provider. Yes, she's a provider. Also, I mean

805
00:38:15,280 --> 00:38:17,360
Speaker 4: I could talk forever about her. Also, like let me

806
00:38:17,480 --> 00:38:20,319
Speaker 4: just think what I want to say here, because chicken lunch,

807
00:38:20,400 --> 00:38:24,440
Speaker 4: so chicken lunch. She's so chicken lunch. But also not

808
00:38:24,800 --> 00:38:25,520
Speaker 4: sandwich lunch.

809
00:38:26,040 --> 00:38:31,160
Speaker 3: Chicken lunch, chicken lunch. Un, Chicken on a plate, hands down, Yeah,

810
00:38:31,880 --> 00:38:32,560
Speaker 3: chicken on a plate.

811
00:38:33,320 --> 00:38:34,320
Speaker 2: Here's some pant sauce.

812
00:38:34,480 --> 00:38:41,400
Speaker 4: Yeah, yeah, exactly, chicken. She's like pounded chicken pink go.

813
00:38:42,239 --> 00:38:53,960
Speaker 3: Wow, shoot me down. I loved now she's just glos.

814
00:38:56,000 --> 00:39:01,520
Speaker 4: She is so busy family, career, acting beyond everything, also

815
00:39:01,640 --> 00:39:06,759
Speaker 4: like charities, like traveling. She's so busy but reaches out.

816
00:39:07,440 --> 00:39:10,120
Speaker 4: She is such a good friend. I could cry talking

817
00:39:10,120 --> 00:39:17,720
Speaker 4: about her. She thoughtful, generous, like, uh, you can't believe

818
00:39:17,800 --> 00:39:21,680
Speaker 4: the care this person puts into her relationship. She's she is, like,

819
00:39:22,560 --> 00:39:24,480
Speaker 4: she's the fucking greatest.

820
00:39:25,239 --> 00:39:28,080
Speaker 3: Do you know my story about her? I was doing

821
00:39:28,160 --> 00:39:31,200
Speaker 3: the ride. Yeah, I was singing on the street. You remember,

822
00:39:31,200 --> 00:39:36,520
Speaker 3: because for those who don't know, what was the sideways

823
00:39:36,560 --> 00:39:38,680
Speaker 3: facing bus tour bus thirteen and a half feet all

824
00:39:38,760 --> 00:39:42,360
Speaker 3: it rode around. Comedians slash hosts were on the bus narrating,

825
00:39:42,440 --> 00:39:44,719
Speaker 3: and there were some people on the street performing and

826
00:39:44,800 --> 00:39:46,840
Speaker 3: I would do both, but this day I was performing

827
00:39:46,880 --> 00:39:48,719
Speaker 3: on the street in front of Carnegie Hall. I was

828
00:39:48,760 --> 00:39:51,319
Speaker 3: getting ready to walk down the street, have the bus

829
00:39:51,400 --> 00:39:52,799
Speaker 3: pull up and have them be like, who's this guy,

830
00:39:52,840 --> 00:39:54,319
Speaker 3: Let's see if it'll wave to us, and then start

831
00:39:54,400 --> 00:39:58,160
Speaker 3: singing my song, which was I know you're lying because

832
00:39:58,200 --> 00:39:59,400
Speaker 3: you're lit. Some move it.

833
00:40:00,040 --> 00:40:01,919
Speaker 4: Oh made a thig on them?

834
00:40:02,400 --> 00:40:02,560
Speaker 7: Sure?

835
00:40:02,600 --> 00:40:04,120
Speaker 3: It was, yeah, Meghan Trainer.

836
00:40:04,239 --> 00:40:05,439
Speaker 4: Okay, great, And as.

837
00:40:05,400 --> 00:40:08,800
Speaker 3: I'm singing it, the bus starts freaking out. Okay, You're like,

838
00:40:08,880 --> 00:40:11,480
Speaker 3: and I'm like, oh my god, I'm slaying down today.

839
00:40:11,520 --> 00:40:14,640
Speaker 3: The Megan Trainer and the guys there's like a saxophone

840
00:40:14,640 --> 00:40:18,239
Speaker 3: playing along and I turn around and the bus drives

841
00:40:18,280 --> 00:40:20,960
Speaker 3: away and they freaked out for me. I ate and

842
00:40:21,080 --> 00:40:23,160
Speaker 3: the saxophone guy goes, I was like, wow, we killed that,

843
00:40:23,239 --> 00:40:25,439
Speaker 3: and he goes, yeah, no, I think they just noticed

844
00:40:25,520 --> 00:40:28,600
Speaker 3: Jennifer Garner and I was like what. And apparently Jennifer

845
00:40:28,640 --> 00:40:30,960
Speaker 3: Garner had like stood by me while I sang the

846
00:40:30,960 --> 00:40:33,200
Speaker 3: whole time and did a whole thing like with the bus.

847
00:40:33,160 --> 00:40:35,280
Speaker 4: Like oh my god, she's she's a performer.

848
00:40:35,600 --> 00:40:37,400
Speaker 3: And then by the time I had turned around, she

849
00:40:37,560 --> 00:40:38,239
Speaker 3: was like rounding the.

850
00:40:38,280 --> 00:40:42,960
Speaker 4: Corner like totally, and she was like yes, I love that.

851
00:40:43,640 --> 00:40:45,799
Speaker 4: I mean, like even that, just like she knows who

852
00:40:45,880 --> 00:40:47,960
Speaker 4: she is. She's like, I'm going to talk to you bus,

853
00:40:48,080 --> 00:40:49,279
Speaker 4: and then I'm gonna walk away. I'm not going to

854
00:40:49,360 --> 00:40:51,120
Speaker 4: give you too much because I gotta take care of me.

855
00:40:51,320 --> 00:40:52,240
Speaker 3: It was wild stuff.

856
00:40:52,320 --> 00:40:55,160
Speaker 4: That is amazing. God, you're you're you're gonna love her

857
00:40:55,680 --> 00:40:56,760
Speaker 4: when you know when.

858
00:40:56,960 --> 00:40:59,319
Speaker 3: When we meet her. I mean, well, I have thought

859
00:40:59,400 --> 00:41:01,879
Speaker 3: we reached out to her to come to the culture wards.

860
00:41:01,920 --> 00:41:04,200
Speaker 3: Actually we wanted to accept the Award for Best Thing

861
00:41:04,320 --> 00:41:06,279
Speaker 3: to Say to a gay guy, which was you can

862
00:41:06,320 --> 00:41:07,680
Speaker 3: breathe Now, Simon is.

863
00:41:07,680 --> 00:41:09,960
Speaker 4: That she'll do She'll do it. We talked about it

864
00:41:10,040 --> 00:41:11,680
Speaker 4: last year. We'll do.

865
00:41:12,360 --> 00:41:12,960
Speaker 2: Make it happen.

866
00:41:13,160 --> 00:41:15,520
Speaker 4: Go through me next time. But you know what's I'm

867
00:41:15,640 --> 00:41:17,640
Speaker 4: not kidding all it'll happen.

868
00:41:18,280 --> 00:41:20,640
Speaker 2: I teefully believe too.

869
00:41:21,040 --> 00:41:24,040
Speaker 4: I have always loved her, and she talked to me

870
00:41:24,120 --> 00:41:25,239
Speaker 4: about the show last year.

871
00:41:25,360 --> 00:41:26,040
Speaker 3: What she did.

872
00:41:26,320 --> 00:41:29,040
Speaker 2: So she want I mean, you say, Megan la Cuista

873
00:41:29,160 --> 00:41:31,640
Speaker 2: absolutely miguista transphobia.

874
00:41:32,800 --> 00:41:40,960
Speaker 3: She totally agreed, Yeah, she says Jennifer. Yeah. Wow, Well

875
00:41:41,000 --> 00:41:43,319
Speaker 3: what was the most Chloe seventy thing that she did

876
00:41:43,400 --> 00:41:43,799
Speaker 3: on set?

877
00:41:43,920 --> 00:41:46,560
Speaker 4: Oh? My god, so many good Chloe things. Okay, I'm

878
00:41:46,600 --> 00:41:48,839
Speaker 4: just thinking of like the very first time we met. Okay,

879
00:41:49,360 --> 00:41:53,279
Speaker 4: well okay, first, this is just cool. Yeah, I went

880
00:41:53,560 --> 00:42:01,600
Speaker 4: vintage shopping, yes in Los Angeles, in Nantucket because we

881
00:42:02,360 --> 00:42:10,400
Speaker 4: dot com we is what you said, that's really funny, busy.

882
00:42:10,239 --> 00:42:18,919
Speaker 3: That's crazy in this climate. Hey Trump, can you coming

883
00:42:18,960 --> 00:42:19,279
Speaker 3: for your.

884
00:42:19,239 --> 00:42:22,880
Speaker 4: Baby spine cracking? That feels great, Hey Donald Trump?

885
00:42:23,400 --> 00:42:25,000
Speaker 3: Working for you, Donald Trump.

886
00:42:25,360 --> 00:42:26,520
Speaker 4: My spine is cracking.

887
00:42:29,239 --> 00:42:30,400
Speaker 3: My spine is cracking.

888
00:42:31,400 --> 00:42:34,680
Speaker 4: Okay, So I just remember imagine if you will. Okay,

889
00:42:35,440 --> 00:42:38,960
Speaker 4: taken it back. Okay. So I was the last of

890
00:42:39,040 --> 00:42:42,279
Speaker 4: the five to get cast. Thank you, we started, I

891
00:42:42,360 --> 00:42:45,279
Speaker 4: got cat, thank you, I started, I got cast, and

892
00:42:45,360 --> 00:42:49,600
Speaker 4: we started filming not but days later, five stars, five

893
00:42:49,719 --> 00:42:53,920
Speaker 4: days later. So Minky Spiro, the amazing director, had this

894
00:42:54,040 --> 00:42:56,560
Speaker 4: idea of bringing the five of us, five women who

895
00:42:56,640 --> 00:42:58,160
Speaker 4: had never worked together before, didn't.

896
00:42:57,920 --> 00:43:00,480
Speaker 3: Really know each other at all, very different women, different

897
00:43:00,520 --> 00:43:01,920
Speaker 3: women girls.

898
00:43:01,840 --> 00:43:04,880
Speaker 4: Very spice girls, and I'm like, are we who is?

899
00:43:06,160 --> 00:43:08,680
Speaker 4: And then we Her idea wasn't just that we were

900
00:43:08,719 --> 00:43:10,799
Speaker 4: going to like eat lunch together, but we were gonna

901
00:43:10,800 --> 00:43:14,880
Speaker 4: play pictionary together for like ninety minutes or maybe it

902
00:43:15,000 --> 00:43:19,040
Speaker 4: was two hours. No, this is Minky. So anyway, this

903
00:43:19,200 --> 00:43:20,480
Speaker 4: is how we got to know each other as we

904
00:43:20,640 --> 00:43:23,120
Speaker 4: sat in a living room and we play it like

905
00:43:23,239 --> 00:43:25,919
Speaker 4: these busy, busy women that were like prepping to start

906
00:43:25,960 --> 00:43:28,840
Speaker 4: shooting the show and me being like, I'm here. We

907
00:43:29,000 --> 00:43:32,520
Speaker 4: played pictionary for like I feel like saying two hours

908
00:43:32,640 --> 00:43:34,680
Speaker 4: is an exaggeration, but I literally think it was because

909
00:43:34,680 --> 00:43:37,640
Speaker 4: we kept being like another round, like really, but it

910
00:43:37,719 --> 00:43:39,600
Speaker 4: was so fun, so fun, so fus. But I have

911
00:43:39,719 --> 00:43:43,600
Speaker 4: this great memory of Chloe, Oh my god, I love

912
00:43:43,640 --> 00:43:46,680
Speaker 4: her so much. She we weren't on the same team,

913
00:43:47,600 --> 00:43:51,239
Speaker 4: it doesn't matter. I was basically helping someone else, like

914
00:43:51,320 --> 00:43:53,400
Speaker 4: someone that wasn't on my team, where I was like

915
00:43:53,600 --> 00:43:55,480
Speaker 4: giving him a little hint and she looked at me

916
00:43:55,520 --> 00:44:00,440
Speaker 4: and she was like and then she was like, what

917
00:44:00,920 --> 00:44:03,879
Speaker 4: the fuck? What the fuck? And that's kind of Chloe

918
00:44:03,960 --> 00:44:07,919
Speaker 4: in a nutshell, just kind of like their so cool,

919
00:44:08,120 --> 00:44:12,320
Speaker 4: just the just amazing and like, I don't know what

920
00:44:12,440 --> 00:44:14,360
Speaker 4: it was about. You know, this just happens you you.

921
00:44:15,360 --> 00:44:17,800
Speaker 4: I don't know why this particular group meshed like this,

922
00:44:18,000 --> 00:44:21,000
Speaker 4: but we just like got into it really fast. It

923
00:44:21,160 --> 00:44:24,160
Speaker 4: was like it was like girl time every day, five

924
00:44:24,239 --> 00:44:26,359
Speaker 4: of us, a lot of group scenes, so we're all

925
00:44:26,400 --> 00:44:29,840
Speaker 4: just sitting around. There was like no topic off limits.

926
00:44:29,880 --> 00:44:32,120
Speaker 4: We just like got deep fast. I don't know why.

927
00:44:32,320 --> 00:44:33,759
Speaker 3: It was just you tend to do that.

928
00:44:34,160 --> 00:44:36,640
Speaker 4: I don't. I mean I will, I'll go where the

929
00:44:37,200 --> 00:44:40,760
Speaker 4: wind blows me, but I don't like what I mean, whatever,

930
00:44:40,960 --> 00:44:41,560
Speaker 4: what is that like?

931
00:44:41,760 --> 00:44:43,160
Speaker 3: Well, I guess a lot of people would call it

932
00:44:43,239 --> 00:44:45,640
Speaker 3: like trauma. When it's a mutual thing, it can be

933
00:44:45,719 --> 00:44:46,880
Speaker 3: quite You were sort.

934
00:44:46,760 --> 00:44:49,200
Speaker 4: Of just like open. It was not like it wasn't

935
00:44:49,239 --> 00:44:53,960
Speaker 4: necessarily traum dumping, although trauma down, but it was like

936
00:44:54,320 --> 00:44:56,760
Speaker 4: it was just like it wasn't a bunch of women

937
00:44:56,920 --> 00:45:01,000
Speaker 4: kind of holding it in more like close to the

938
00:45:01,840 --> 00:45:06,319
Speaker 4: was it was yeah, exactly, it was like and yeah

939
00:45:06,440 --> 00:45:08,400
Speaker 4: it was. It was just like, tell me about it

940
00:45:08,680 --> 00:45:09,480
Speaker 4: and then what happened?

941
00:45:09,560 --> 00:45:10,879
Speaker 3: It was it's five.

942
00:45:11,320 --> 00:45:16,319
Speaker 2: It's five of you who people have obsession over.

943
00:45:16,719 --> 00:45:19,719
Speaker 4: It's that I'm upset I have obsession over. I just

944
00:45:19,760 --> 00:45:20,759
Speaker 4: thought of a Regia thing.

945
00:45:20,920 --> 00:45:22,759
Speaker 3: Don't know if that was going to be an extificate Belie.

946
00:45:23,080 --> 00:45:27,400
Speaker 4: Can you just imagine this woman. She's the funniest person alive,

947
00:45:27,560 --> 00:45:31,160
Speaker 4: and she has the the driest sense of humor. She

948
00:45:31,400 --> 00:45:34,680
Speaker 4: a scary amounts where you don't know if she's joking

949
00:45:34,880 --> 00:45:38,560
Speaker 4: lying to the truth. It's it's like genius level dry.

950
00:45:39,480 --> 00:45:46,000
Speaker 4: But she we were talking about old Please Guilt, Happy

951
00:45:46,040 --> 00:45:49,600
Speaker 4: Gilmore come yeah, and this is just a little funny thing,

952
00:45:49,760 --> 00:45:51,600
Speaker 4: she said. We were talking about who's going to see

953
00:45:51,600 --> 00:45:54,160
Speaker 4: it whatever? And she goes, because I haven't even seen

954
00:45:54,239 --> 00:45:59,600
Speaker 4: Gilmore Girls season one. That's really fun because I haven't

955
00:45:59,600 --> 00:46:02,520
Speaker 4: even season one, right, And so she's like, so how

956
00:46:02,520 --> 00:46:05,120
Speaker 4: am I going to see the movie? And then you're like, well,

957
00:46:05,280 --> 00:46:08,920
Speaker 4: you're trying to like she's also again off in a

958
00:46:09,000 --> 00:46:11,000
Speaker 4: puff of smoke, trying to catch up.

959
00:46:11,120 --> 00:46:17,400
Speaker 2: No, she's I'm obsessed with how like slippery.

960
00:46:17,160 --> 00:46:20,799
Speaker 4: Totally is and I do one more just popping into

961
00:46:20,840 --> 00:46:21,160
Speaker 4: my head.

962
00:46:21,239 --> 00:46:23,080
Speaker 3: So this is like kind of what this podcast is.

963
00:46:23,360 --> 00:46:25,760
Speaker 3: Like Regina Hall was good this exactly.

964
00:46:25,840 --> 00:46:28,319
Speaker 4: That's kind of what this podcast is Regina Hall being

965
00:46:28,360 --> 00:46:30,719
Speaker 4: good this day. I introduced her to my brother, who

966
00:46:30,880 --> 00:46:34,680
Speaker 4: is an editor for animation animated movies, and I said,

967
00:46:35,320 --> 00:46:37,439
Speaker 4: this is my brother Will he works in Netflix. Beet

968
00:46:37,520 --> 00:46:41,560
Speaker 4: that just kidding, he's an editor. And she goes, I'm

969
00:46:41,560 --> 00:46:44,840
Speaker 4: an editor, and I know right away she's lying, but

970
00:46:44,880 --> 00:46:48,279
Speaker 4: I keep going and and I'm an editor. And then

971
00:46:48,960 --> 00:46:52,800
Speaker 4: I say he does animation, and she goes, I edited Molana.

972
00:46:54,960 --> 00:46:55,799
Speaker 6: This is.

973
00:46:57,680 --> 00:47:01,160
Speaker 4: So my brother is like a good bullshit detection, and

974
00:47:01,280 --> 00:47:02,640
Speaker 4: she totally believed her.

975
00:47:03,760 --> 00:47:12,440
Speaker 3: She's so dead ass, like major clicking through far I'll go, yeah.

976
00:47:12,360 --> 00:47:16,759
Speaker 4: Yeah, she's just really funny. She's really quick and really

977
00:47:16,800 --> 00:47:17,640
Speaker 4: really funny.

978
00:47:20,000 --> 00:47:22,759
Speaker 2: Throwing something away because one of the best line reads

979
00:47:22,800 --> 00:47:24,080
Speaker 2: in any comedy ever is.

980
00:47:25,840 --> 00:47:25,880
Speaker 8: That.

981
00:47:28,360 --> 00:47:30,880
Speaker 3: I mean, like, where does she She's just funny.

982
00:47:30,960 --> 00:47:37,360
Speaker 4: Yeah, she just is good, Like she's so naturally funny ultimately.

983
00:47:37,040 --> 00:47:38,840
Speaker 3: Is when you come. When it comes down to it,

984
00:47:38,960 --> 00:47:40,160
Speaker 3: some people just like are.

985
00:47:40,200 --> 00:47:42,400
Speaker 2: Good, totally totally undeniable.

986
00:47:42,480 --> 00:47:43,280
Speaker 4: I know, undeniable.

987
00:47:43,360 --> 00:47:46,719
Speaker 2: I think I think we should give her her first oscar. Yeah,

988
00:47:46,800 --> 00:47:47,320
Speaker 2: I know, I know.

989
00:47:47,520 --> 00:47:50,239
Speaker 3: She got her. I think she's gonna get I do too. Yeah.

990
00:47:50,360 --> 00:47:52,640
Speaker 4: Also, this was fun when when Battle came out, we

991
00:47:52,719 --> 00:47:56,919
Speaker 4: were in Nantucket, so we went together one movie theater

992
00:47:57,000 --> 00:47:59,680
Speaker 4: in Nantucket and as one screen and it was playing

993
00:48:00,480 --> 00:48:03,640
Speaker 4: Major it was playing one Battle, and so we all

994
00:48:03,719 --> 00:48:05,400
Speaker 4: went with her like a lot of people, and it

995
00:48:05,480 --> 00:48:07,520
Speaker 4: was really sweet. It was so exciting.

996
00:48:07,640 --> 00:48:08,400
Speaker 3: It was so exciting.

997
00:48:08,520 --> 00:48:10,719
Speaker 2: That shot of her in the mirror telling Chase, like

998
00:48:10,840 --> 00:48:13,400
Speaker 2: you have to come with me. I'm like, chills, chills.

999
00:48:13,960 --> 00:48:19,239
Speaker 4: She's perfect, She's perfect, restrained. I mean, she's perfect. She's

1000
00:48:19,320 --> 00:48:19,880
Speaker 4: she's incredible.

1001
00:48:19,960 --> 00:48:21,840
Speaker 3: She has so much gravitas as an actress. Have you

1002
00:48:21,960 --> 00:48:23,960
Speaker 3: seen she can support the girls?

1003
00:48:26,920 --> 00:48:28,000
Speaker 4: God? Why haven't I seen this yet?

1004
00:48:28,000 --> 00:48:32,000
Speaker 3: I've heard it so so good. Yeah, she's amazing. Was

1005
00:48:32,000 --> 00:48:33,960
Speaker 3: like the manager of a hooter like looks out for

1006
00:48:34,160 --> 00:48:36,439
Speaker 3: supports the girls, supports the girls.

1007
00:48:36,680 --> 00:48:38,720
Speaker 4: Is it also sort of like a play on bral?

1008
00:48:38,920 --> 00:48:41,799
Speaker 3: Literally? Yeah, like support the girls they like and they

1009
00:48:41,800 --> 00:48:44,560
Speaker 3: work out like a Hooters. You know, you ever think

1010
00:48:44,600 --> 00:48:46,760
Speaker 3: about it to Hooters?

1011
00:48:47,080 --> 00:48:47,239
Speaker 2: Been?

1012
00:48:47,520 --> 00:48:48,560
Speaker 3: Have you enjoyed the wings?

1013
00:48:48,920 --> 00:48:50,200
Speaker 4: I've enjoyed the wings.

1014
00:48:51,080 --> 00:48:58,160
Speaker 3: Huh excuse me that just you know, it's a double entendre.

1015
00:48:58,400 --> 00:48:58,920
Speaker 3: It really is.

1016
00:48:59,160 --> 00:48:59,640
Speaker 4: Oh thank you?

1017
00:49:01,440 --> 00:49:04,200
Speaker 3: Yeah, oh my god, is that a fun name for

1018
00:49:04,239 --> 00:49:10,759
Speaker 3: a girl on gorgeous? Actually twins double double? I have

1019
00:49:10,880 --> 00:49:18,480
Speaker 3: two daughter's name Ondra.

1020
00:49:15,600 --> 00:49:25,040
Speaker 6: Ondras on time mashed potatoes only already, Aunt Jen Garner

1021
00:49:25,120 --> 00:49:26,000
Speaker 6: made chicken lunch.

1022
00:49:27,040 --> 00:49:32,359
Speaker 4: Garners here, she pounded the chicken.

1023
00:49:32,520 --> 00:49:35,000
Speaker 2: Aunt Jenner. Why did I say that?

1024
00:49:38,480 --> 00:49:41,080
Speaker 3: Garner is here? She pounded her chicken all night?

1025
00:49:42,080 --> 00:49:46,040
Speaker 4: Chicken chicken lunch? Is that from getting your.

1026
00:49:45,960 --> 00:49:50,720
Speaker 3: Finger out of chicken? From Anti Garner?

1027
00:49:51,239 --> 00:49:54,120
Speaker 4: From no from Aunt Jen Jenard?

1028
00:49:55,840 --> 00:49:57,960
Speaker 2: Aunt depends on.

1029
00:49:58,200 --> 00:50:00,120
Speaker 3: Be careful, you say, because this is the definitive an,

1030
00:50:00,400 --> 00:50:06,399
Speaker 3: it'll be this from from now is actually aunt. It's

1031
00:50:06,520 --> 00:50:08,879
Speaker 3: just another check in the column for we say things

1032
00:50:08,920 --> 00:50:10,320
Speaker 3: wrong from Long Island. Of course it's not.

1033
00:50:10,640 --> 00:50:13,120
Speaker 4: I would be so I'm so surprised you guys say aunt.

1034
00:50:13,200 --> 00:50:15,080
Speaker 4: I always think East Coast.

1035
00:50:14,920 --> 00:50:18,080
Speaker 3: Is so everything on Long Island that can sound worst does, Okay,

1036
00:50:18,239 --> 00:50:21,200
Speaker 3: So basically the word is like aunt.

1037
00:50:21,520 --> 00:50:23,719
Speaker 4: Yeah, you're going to say, right, right, right.

1038
00:50:24,360 --> 00:50:27,000
Speaker 2: Can you explain, Mario, because it's not Italian.

1039
00:50:27,880 --> 00:50:31,920
Speaker 3: I don't say Mario, I say, Mario, Well, it's pretty close.

1040
00:50:33,840 --> 00:50:34,600
Speaker 4: About Penis Wiener.

1041
00:50:36,160 --> 00:50:36,399
Speaker 2: Huh.

1042
00:50:36,719 --> 00:50:40,040
Speaker 4: In my family, meaning in mine and Jason's home, if

1043
00:50:40,120 --> 00:50:43,360
Speaker 4: something is this or that same same, we call it

1044
00:50:45,880 --> 00:50:47,680
Speaker 4: half a dozen, which I hate to do this, guys,

1045
00:50:47,719 --> 00:50:49,200
Speaker 4: but we talked about this last time.

1046
00:50:49,200 --> 00:50:49,680
Speaker 3: I know.

1047
00:50:53,120 --> 00:50:54,640
Speaker 2: So the new version is penis Wiener.

1048
00:50:54,800 --> 00:50:57,040
Speaker 4: You can say penis and it really we we we're

1049
00:50:57,200 --> 00:51:00,000
Speaker 4: we're imagine this if you will. We're renovating our house.

1050
00:51:00,120 --> 00:51:00,400
Speaker 2: Okay.

1051
00:51:00,440 --> 00:51:03,440
Speaker 4: So we're working with adults like contractors and architects and stuff.

1052
00:51:03,719 --> 00:51:06,000
Speaker 4: The amount of times we say penis Wiener to a

1053
00:51:06,080 --> 00:51:08,960
Speaker 4: grown adult man who's like, would you want this or that?

1054
00:51:09,080 --> 00:51:12,640
Speaker 4: Were like and they know it now get it?

1055
00:51:13,280 --> 00:51:15,399
Speaker 3: Yeah, it communicates a lot, it does.

1056
00:51:15,560 --> 00:51:17,400
Speaker 4: And feel free to take that, listeners, feel free to

1057
00:51:17,400 --> 00:51:21,800
Speaker 4: take that. It's penis wer So it's Penis Wiener, penis.

1058
00:51:22,160 --> 00:51:24,440
Speaker 4: So you were talking Mario. Sorry, I'm hopped up now.

1059
00:51:25,200 --> 00:51:28,480
Speaker 3: I have noticed I've been saying.

1060
00:51:29,800 --> 00:51:32,400
Speaker 2: It's very my fair lady. He's like, corrected, good job speech.

1061
00:51:32,760 --> 00:51:36,120
Speaker 4: Well, it depends on what depending on where you're from,

1062
00:51:36,200 --> 00:51:38,320
Speaker 4: you sometimes have to do that. For example, Sorry to

1063
00:51:38,600 --> 00:51:40,800
Speaker 4: utter his name again, but Jason grew up in Virginia

1064
00:51:40,840 --> 00:51:44,120
Speaker 4: where they say, what do you call the little waxy

1065
00:51:44,280 --> 00:51:47,760
Speaker 4: colored thing that you draw with crayon?

1066
00:51:48,239 --> 00:51:48,600
Speaker 3: Crown?

1067
00:51:49,520 --> 00:51:52,480
Speaker 2: No, I'm sorry he fixed it.

1068
00:51:54,760 --> 00:51:55,439
Speaker 4: That's just wrong.

1069
00:51:55,680 --> 00:51:57,439
Speaker 3: Crown is what goes on the head of a queen

1070
00:51:57,600 --> 00:51:58,000
Speaker 3: for sure.

1071
00:51:58,440 --> 00:52:00,120
Speaker 4: But some of your listeners right now are thinking.

1072
00:52:00,360 --> 00:52:04,759
Speaker 3: You, well, that's fine. If I said murder was wrong,

1073
00:52:04,960 --> 00:52:06,840
Speaker 3: some of them are probably like, oops, right, and what

1074
00:52:07,040 --> 00:52:10,880
Speaker 3: is it murder? Well, murder, They're just saying the concept.

1075
00:52:11,320 --> 00:52:13,479
Speaker 3: Sometimes they can hear things and if they're not happy

1076
00:52:13,560 --> 00:52:16,120
Speaker 3: with it, it's okay because they're wrong. And I love

1077
00:52:16,200 --> 00:52:18,719
Speaker 3: the listeners. I love the readers that Katie is the publicist,

1078
00:52:18,760 --> 00:52:20,640
Speaker 3: the final lesson, even the kyles. A lot of you

1079
00:52:20,760 --> 00:52:22,680
Speaker 3: are wrong out there about what you're doing in something

1080
00:52:22,760 --> 00:52:25,360
Speaker 3: you're thinking right now and the way that you've behaved

1081
00:52:25,600 --> 00:52:27,960
Speaker 3: today and probably all week is wrong.

1082
00:52:28,280 --> 00:52:29,160
Speaker 4: And that's one minute.

1083
00:52:29,400 --> 00:52:32,040
Speaker 3: And you can feel bad. And you know how long

1084
00:52:32,080 --> 00:52:34,040
Speaker 3: it took me to say that to myself. Guess what,

1085
00:52:34,200 --> 00:52:35,760
Speaker 3: it's okay if people feel bad.

1086
00:52:36,280 --> 00:52:39,200
Speaker 2: Huge, I have a game. Okay, this is the Penis

1087
00:52:39,239 --> 00:52:41,880
Speaker 2: Wiener game. Okay, I'm gonna name two things. One of

1088
00:52:41,920 --> 00:52:43,160
Speaker 2: them has to be penis and one of them has

1089
00:52:43,200 --> 00:52:46,320
Speaker 2: to be I love it, coke and PEPSI Which one's penis,

1090
00:52:46,320 --> 00:52:49,200
Speaker 2: which one's wer coke is penis?

1091
00:52:51,320 --> 00:52:55,719
Speaker 3: Yeah? Okay, okay. Jessica Simpson and Ashley Simpson, which one

1092
00:52:55,760 --> 00:52:57,000
Speaker 3: is penis? And which one is wiener?

1093
00:52:57,120 --> 00:53:02,760
Speaker 4: Jessica's Jessica's penis, Jica, Jessica's coke.

1094
00:53:03,000 --> 00:53:07,920
Speaker 3: Because Jessica's coke, Ashley's pills Ashley's pills.

1095
00:53:08,239 --> 00:53:09,560
Speaker 4: Well, because he's talking about coke.

1096
00:53:09,719 --> 00:53:13,160
Speaker 3: Oh that I see. I was like a massive Ashley

1097
00:53:13,200 --> 00:53:14,120
Speaker 3: Simpsons Standley.

1098
00:53:13,880 --> 00:53:15,400
Speaker 2: Are you massive?

1099
00:53:15,600 --> 00:53:17,520
Speaker 4: Is this actually on a Monday?

1100
00:53:18,280 --> 00:53:18,520
Speaker 3: Yeah?

1101
00:53:18,719 --> 00:53:23,239
Speaker 4: Cool? And I know that song became what it became

1102
00:53:23,320 --> 00:53:26,680
Speaker 4: and had a like it's been overshadowed by the moment,

1103
00:53:27,200 --> 00:53:28,920
Speaker 4: but I think it's a great song.

1104
00:53:29,680 --> 00:53:34,319
Speaker 2: Say defending high school, defending her posts and yeah wow

1105
00:53:35,440 --> 00:53:35,960
Speaker 2: for a.

1106
00:53:36,080 --> 00:53:39,759
Speaker 3: P comprote like a persuasive essay about Ashley Simpson should

1107
00:53:39,760 --> 00:53:42,319
Speaker 3: be forgiving your thesis. I really would like to read

1108
00:53:42,360 --> 00:53:44,600
Speaker 3: it again this man, I know. I would like to

1109
00:53:44,680 --> 00:53:48,000
Speaker 3: read it again now to see how how much fagotory

1110
00:53:48,120 --> 00:53:51,400
Speaker 3: is on display word by word reading on the pool.

1111
00:53:51,560 --> 00:53:53,440
Speaker 3: I really should find it. I don't know if it

1112
00:53:53,480 --> 00:53:59,319
Speaker 3: exists anymore, but I hope it does. The pool.

1113
00:54:00,280 --> 00:54:03,000
Speaker 2: I think Darcy walking into the first episode you recorded

1114
00:54:03,040 --> 00:54:04,040
Speaker 2: with this was a major moment.

1115
00:54:04,080 --> 00:54:06,920
Speaker 4: And I remember every year. I remember every moment, seconds

1116
00:54:07,120 --> 00:54:07,719
Speaker 4: of every moment.

1117
00:54:07,760 --> 00:54:10,840
Speaker 2: I remember what I did yesterday, Remember afternoon?

1118
00:54:11,080 --> 00:54:17,200
Speaker 3: That was back in two. It was and a half

1119
00:54:17,320 --> 00:54:17,880
Speaker 3: after you did.

1120
00:54:17,920 --> 00:54:19,319
Speaker 2: I don't think so many live in La.

1121
00:54:19,800 --> 00:54:23,279
Speaker 4: Okay, not to correct you, but first was show.

1122
00:54:23,280 --> 00:54:24,400
Speaker 3: Yes it was.

1123
00:54:24,520 --> 00:54:27,359
Speaker 2: And then and you were like, wait, yeah, the Gill

1124
00:54:28,080 --> 00:54:29,960
Speaker 2: was the first was first?

1125
00:54:30,000 --> 00:54:31,800
Speaker 4: Okay in my memory. It's so funny because I'm like,

1126
00:54:31,800 --> 00:54:34,319
Speaker 4: I remember everything, but now I'm like, okay, I think

1127
00:54:34,360 --> 00:54:38,840
Speaker 4: it was an apartment apartment Okay, it was type of studio,

1128
00:54:39,000 --> 00:54:42,239
Speaker 4: Yes it was. And then I did the show live show,

1129
00:54:42,880 --> 00:54:47,320
Speaker 4: and then I did like a downtown La office.

1130
00:54:48,120 --> 00:54:52,160
Speaker 3: Yes, yes, yeah, there was a lot. We have lived

1131
00:54:52,239 --> 00:54:56,520
Speaker 3: many different lives on this podcast. Another one because I

1132
00:54:56,560 --> 00:54:59,640
Speaker 3: announce it, we reveal were we're going to be getting

1133
00:54:59,680 --> 00:55:01,720
Speaker 3: a new said that Bowen Yang is designing.

1134
00:55:02,080 --> 00:55:03,080
Speaker 4: My god, this is so exciting.

1135
00:55:03,160 --> 00:55:05,120
Speaker 2: This is not this is not a big deal. Now

1136
00:55:05,440 --> 00:55:06,719
Speaker 2: now I feel the pressure.

1137
00:55:06,520 --> 00:55:08,360
Speaker 4: Feel feel feel the pressure.

1138
00:55:09,000 --> 00:55:10,880
Speaker 3: You you know what creates pressure? Diamonds.

1139
00:55:10,960 --> 00:55:12,480
Speaker 4: Oh, yes, if you think about it, do you know

1140
00:55:12,520 --> 00:55:13,400
Speaker 4: what creates pressure?

1141
00:55:13,440 --> 00:55:16,720
Speaker 3: Don't correct him, don't do you know what creates pressure?

1142
00:55:17,000 --> 00:55:17,600
Speaker 2: Diamonds?

1143
00:55:17,920 --> 00:55:20,440
Speaker 3: And actually, in a way, it's true culture number three.

1144
00:55:20,640 --> 00:55:23,040
Speaker 3: You know what creates pressure, diamonds.

1145
00:55:23,400 --> 00:55:25,600
Speaker 4: But also you can make that makes sense And I've

1146
00:55:25,600 --> 00:55:26,120
Speaker 4: already done it.

1147
00:55:26,920 --> 00:55:30,040
Speaker 2: What in the process of making a diamond you do

1148
00:55:30,200 --> 00:55:33,200
Speaker 2: create pressure? They say it again, like we ever been

1149
00:55:33,280 --> 00:55:35,440
Speaker 2: focused on the diamonds? No, what about the pressure that

1150
00:55:35,560 --> 00:55:38,560
Speaker 2: was just there? How about time together instead of gifts

1151
00:55:38,640 --> 00:55:40,760
Speaker 2: like diamonds? How about spend simply time together?

1152
00:55:40,960 --> 00:55:46,880
Speaker 3: Love time together? What's your love language? And when I

1153
00:55:47,000 --> 00:55:49,080
Speaker 3: asked this question, know that I want to know what

1154
00:55:49,480 --> 00:55:53,280
Speaker 3: your love language. Expression is not what you like to receive,

1155
00:55:53,560 --> 00:55:56,000
Speaker 3: because apparently that's a controversial thing with a lot of people.

1156
00:55:56,000 --> 00:55:58,080
Speaker 2: You can answer both ways, well, of course, can't.

1157
00:55:58,320 --> 00:55:59,160
Speaker 4: How do I like to give it?

1158
00:55:59,360 --> 00:55:59,560
Speaker 2: Yeah?

1159
00:55:59,640 --> 00:56:01,520
Speaker 3: Yeah, your love language? God? Wait, I don't know what

1160
00:56:01,760 --> 00:56:07,240
Speaker 3: love language do you speak? There's words of affirmation, physical touch, Okay,

1161
00:56:07,480 --> 00:56:12,080
Speaker 3: there is quality time, quality time and we're you said

1162
00:56:12,520 --> 00:56:13,239
Speaker 3: encouraging word.

1163
00:56:13,760 --> 00:56:16,680
Speaker 4: And this is how I show love that, This is

1164
00:56:16,680 --> 00:56:20,240
Speaker 4: how I show love, how I think I think words

1165
00:56:20,239 --> 00:56:21,360
Speaker 4: of affirmation.

1166
00:56:21,200 --> 00:56:23,919
Speaker 3: Yes, you're you are, words of affirmation, You're so good.

1167
00:56:24,880 --> 00:56:26,560
Speaker 4: It's my it's my love language. I'm going to say,

1168
00:56:26,880 --> 00:56:27,840
Speaker 4: I think it's definitely.

1169
00:56:28,320 --> 00:56:31,200
Speaker 3: Yeah, you think I also do with with lovers physical

1170
00:56:31,280 --> 00:56:33,600
Speaker 3: touch definitely for sure.

1171
00:56:33,640 --> 00:56:35,879
Speaker 4: I mean, but also it's not just like I need

1172
00:56:35,920 --> 00:56:37,960
Speaker 4: physical touch. It's like that's the way of showing love

1173
00:56:38,040 --> 00:56:38,560
Speaker 4: or receiving.

1174
00:56:38,760 --> 00:56:41,839
Speaker 3: Yes, well you talked about your husband's barrel chest earlier. Yeah,

1175
00:56:42,080 --> 00:56:46,040
Speaker 3: about how you love to get tactile with them chest.

1176
00:56:46,200 --> 00:56:49,399
Speaker 4: Yes, totally, I think yesterday that's fun.

1177
00:56:50,000 --> 00:56:52,000
Speaker 3: Hell yeah with the brass ring.

1178
00:56:52,800 --> 00:56:54,360
Speaker 4: What was this just kind of like warming up for

1179
00:56:54,480 --> 00:56:59,799
Speaker 4: a punch the y Yeah, a little bit of a.

1180
00:57:03,200 --> 00:57:06,120
Speaker 3: Should Can you believe we got karate chat by miss Piggy.

1181
00:57:06,400 --> 00:57:10,840
Speaker 4: What a moment from God above. He took the kids,

1182
00:57:10,880 --> 00:57:12,080
Speaker 4: I mean, what a moment.

1183
00:57:12,360 --> 00:57:13,160
Speaker 3: Yeah, that was amazing.

1184
00:57:13,239 --> 00:57:15,080
Speaker 4: That is I mean, there's too many things to say,

1185
00:57:15,200 --> 00:57:17,760
Speaker 4: like if you could tell little Matt and Bowen, but

1186
00:57:17,840 --> 00:57:19,960
Speaker 4: that one is actually like go back even for that's

1187
00:57:19,960 --> 00:57:23,520
Speaker 4: actually like life doesn't make sense. That's like seven years old.

1188
00:57:24,280 --> 00:57:26,920
Speaker 2: It's crazy, And every single time we were watching it

1189
00:57:26,960 --> 00:57:29,320
Speaker 2: in the edit, I go, she's the most beautiful one.

1190
00:57:29,440 --> 00:57:32,760
Speaker 3: She's really graceful and in person, she's a lot more

1191
00:57:32,840 --> 00:57:33,920
Speaker 3: self spoken than you think.

1192
00:57:34,160 --> 00:57:35,480
Speaker 2: Very yeah, very shy.

1193
00:57:35,600 --> 00:57:38,400
Speaker 4: Oh my god. Yeah, she has a grace about her elegance.

1194
00:57:38,560 --> 00:57:40,880
Speaker 3: She's actually never really raising her voice.

1195
00:57:41,200 --> 00:57:45,880
Speaker 2: She's I mean, that's not that's not that's just the pitch.

1196
00:57:46,000 --> 00:57:52,800
Speaker 4: That's exactly. It's really really good.

1197
00:57:53,600 --> 00:57:55,200
Speaker 3: Well you have to know. So we were in the

1198
00:57:55,240 --> 00:57:58,640
Speaker 3: writing room, like like all writing the Miss Piggy copy

1199
00:57:58,720 --> 00:58:01,320
Speaker 3: writing the Miss Piggy bit. There was so much anxiety

1200
00:58:01,400 --> 00:58:03,680
Speaker 3: passed around about like who was going to do it, like,

1201
00:58:03,800 --> 00:58:06,560
Speaker 3: because it's like Dante, you can say the word no.

1202
00:58:06,680 --> 00:58:08,720
Speaker 3: One ended up taking the first pass on the copy,

1203
00:58:09,160 --> 00:58:11,560
Speaker 3: and then when we're reading it, it was another level

1204
00:58:11,600 --> 00:58:13,800
Speaker 3: of anxiety about who was going to perform as a mistake,

1205
00:58:14,280 --> 00:58:16,600
Speaker 3: and we all did like take turns because you kind

1206
00:58:16,640 --> 00:58:19,040
Speaker 3: of have to do it as her to make sure

1207
00:58:19,080 --> 00:58:19,560
Speaker 3: it's working.

1208
00:58:19,880 --> 00:58:21,520
Speaker 4: Rhythm. Yeah, so much about it.

1209
00:58:21,600 --> 00:58:24,160
Speaker 3: It was. It was a fun opportunity, but I think

1210
00:58:24,320 --> 00:58:27,600
Speaker 3: one of the most vulnerable, very vulnerable to it.

1211
00:58:28,040 --> 00:58:30,160
Speaker 4: You like, if you like funk around with it, it's

1212
00:58:30,240 --> 00:58:32,440
Speaker 4: not it's not doing what you're setting out to do.

1213
00:58:32,640 --> 00:58:32,680
Speaker 6: It.

1214
00:58:33,160 --> 00:58:36,560
Speaker 4: Like, yes, probably when you're rehearsing your songs, You're like,

1215
00:58:36,680 --> 00:58:38,640
Speaker 4: I don't want to just like pretend to sing it.

1216
00:58:38,720 --> 00:58:39,360
Speaker 4: We got to sing it.

1217
00:58:39,520 --> 00:58:39,760
Speaker 3: Yeah.

1218
00:58:40,160 --> 00:58:42,760
Speaker 2: It's like it's like if you were reading for like

1219
00:58:42,880 --> 00:58:46,160
Speaker 2: Julie Andrews, you know what I mean. It's like the Queen.

1220
00:58:46,200 --> 00:58:49,240
Speaker 2: We'll have her on okay, but she speaking. I feel

1221
00:58:49,280 --> 00:58:52,760
Speaker 2: like I was relinquishing my miss Piggy impression.

1222
00:58:53,320 --> 00:58:56,720
Speaker 4: Who was like, I'm who, like nailed it, Matt, for sure.

1223
00:58:56,760 --> 00:58:58,040
Speaker 3: I was pretty good at it.

1224
00:59:00,080 --> 00:59:03,880
Speaker 2: Oh kurmey, wow, really good.

1225
00:59:04,520 --> 00:59:05,520
Speaker 3: But I did.

1226
00:59:05,600 --> 00:59:07,560
Speaker 2: I did this when Amy Polar was here. But my

1227
00:59:07,640 --> 00:59:11,440
Speaker 2: favorite Piggies sort of sound by stim is from about

1228
00:59:11,480 --> 00:59:14,000
Speaker 2: Christmas Carol, when she is the only person in the

1229
00:59:14,000 --> 00:59:18,200
Speaker 2: whole fucking movie to yell, to scream at Scrooge, and

1230
00:59:18,880 --> 00:59:22,880
Speaker 2: when Screwede is coming, you know, over to to crotch

1231
00:59:22,960 --> 00:59:31,360
Speaker 2: its to apologize, she freaks out rightfully. She goes, oh

1232
00:59:31,440 --> 00:59:32,560
Speaker 2: my god, that's so much.

1233
00:59:33,080 --> 00:59:38,080
Speaker 4: So like in my soul hearing that. I'm like, that's

1234
00:59:38,240 --> 00:59:39,040
Speaker 4: so good.

1235
00:59:38,960 --> 00:59:45,120
Speaker 2: At once is sony once at once and you will

1236
00:59:45,120 --> 00:59:46,040
Speaker 2: be leaving here at once.

1237
00:59:47,520 --> 00:59:50,320
Speaker 4: She's so in charge like that, I want to do.

1238
00:59:50,720 --> 00:59:52,680
Speaker 2: I want to tell someone at once and I want

1239
00:59:52,720 --> 00:59:54,280
Speaker 2: to tell someone wyata, Oh my.

1240
00:59:54,320 --> 00:59:57,720
Speaker 4: God, I've never told anybody at once, and I want to.

1241
00:59:58,360 --> 01:00:01,280
Speaker 4: I've never used this done at once at once. God,

1242
01:00:01,560 --> 01:00:03,720
Speaker 4: we should all kind of commit to doing that at

1243
01:00:03,960 --> 01:00:06,360
Speaker 4: least once and the next month.

1244
01:00:06,560 --> 01:00:09,920
Speaker 2: I want to let me just test this out, ok out,

1245
01:00:10,040 --> 01:00:11,200
Speaker 2: shut the funk up at once?

1246
01:00:11,280 --> 01:00:12,680
Speaker 4: Okay, weird, but I like it.

1247
01:00:13,760 --> 01:00:16,200
Speaker 3: It's because at what you want at once to hit

1248
01:00:16,320 --> 01:00:18,760
Speaker 3: hard and once you said hit the funk up. I'm

1249
01:00:18,800 --> 01:00:20,560
Speaker 3: thinking about is the customer, Okay.

1250
01:00:20,560 --> 01:00:24,040
Speaker 4: I wonder if it's like, like, God, how.

1251
01:00:25,480 --> 01:00:26,680
Speaker 3: What are you doing at once?

1252
01:00:27,280 --> 01:00:27,600
Speaker 2: Okay?

1253
01:00:27,720 --> 01:00:30,760
Speaker 3: Yeah, why are you typing? What are you why are

1254
01:00:30,800 --> 01:00:31,440
Speaker 3: you working on.

1255
01:00:33,320 --> 01:00:36,400
Speaker 4: At once?

1256
01:00:36,640 --> 01:00:37,240
Speaker 3: What is going on?

1257
01:00:37,600 --> 01:00:39,960
Speaker 2: Is like, how would you use it at once?

1258
01:00:40,520 --> 01:00:42,240
Speaker 3: It was a real question as well. I want to

1259
01:00:42,280 --> 01:00:45,280
Speaker 3: know what you guys are doing. Clack clack, you're working.

1260
01:00:45,720 --> 01:00:46,480
Speaker 4: We're working.

1261
01:00:47,160 --> 01:00:49,400
Speaker 3: I think it works, always working.

1262
01:00:50,600 --> 01:00:54,360
Speaker 4: I feel bad, Yeah, I feel like you're trying one

1263
01:00:54,600 --> 01:00:57,720
Speaker 4: single moment off and then you get on my So I'm.

1264
01:00:57,600 --> 01:01:02,040
Speaker 3: Working horse amongst the straw and the whatever all that ship.

1265
01:01:02,240 --> 01:01:04,240
Speaker 4: Eat some hay at once, love that.

1266
01:01:06,240 --> 01:01:08,040
Speaker 3: Hey, what are your kicks once?

1267
01:01:09,480 --> 01:01:12,080
Speaker 2: Its to be like, let's have sex at once.

1268
01:01:12,600 --> 01:01:16,920
Speaker 3: If at once o'clock, if it's okay with you, I

1269
01:01:16,960 --> 01:01:19,200
Speaker 3: would like to have sex at once.

1270
01:01:20,840 --> 01:01:22,800
Speaker 4: It has to be like, I mean, nothing beats get

1271
01:01:22,840 --> 01:01:25,200
Speaker 4: out of here at once, Get out of here at once,

1272
01:01:25,280 --> 01:01:29,880
Speaker 4: and you will be leaving at once. Get out of

1273
01:01:29,960 --> 01:01:32,919
Speaker 4: here at once. Do this at once. It's like, get

1274
01:01:33,040 --> 01:01:36,960
Speaker 4: out of here at once, leaving at once. Go get

1275
01:01:37,040 --> 01:01:38,840
Speaker 4: me that answer at once? Yes?

1276
01:01:39,880 --> 01:01:44,040
Speaker 3: Yeah, did Miranda Priestley ever say that once? That's all?

1277
01:01:44,240 --> 01:01:47,320
Speaker 2: Know that the most aggressive from the first movie, at

1278
01:01:47,400 --> 01:01:49,080
Speaker 2: least because I can, I feel like it's more in me.

1279
01:01:49,360 --> 01:01:49,560
Speaker 4: Sure.

1280
01:01:50,080 --> 01:01:53,640
Speaker 2: She goes the iconic line of just if you don't

1281
01:01:53,680 --> 01:01:54,360
Speaker 2: have that Harry.

1282
01:01:54,120 --> 01:01:56,520
Speaker 3: Potter book, it doesn't even bother coming back?

1283
01:01:57,240 --> 01:01:58,560
Speaker 4: Is there a way we get to put at once

1284
01:01:58,600 --> 01:01:58,880
Speaker 4: in there?

1285
01:02:00,120 --> 01:02:02,400
Speaker 3: But if you don't have that Harry Potter book at once.

1286
01:02:02,520 --> 01:02:03,800
Speaker 2: I don't even don't even bother?

1287
01:02:04,440 --> 01:02:05,840
Speaker 3: And who was it?

1288
01:02:06,160 --> 01:02:08,360
Speaker 4: What's her name? But what's her name?

1289
01:02:09,480 --> 01:02:09,800
Speaker 3: Street?

1290
01:02:10,520 --> 01:02:17,560
Speaker 4: Yeah, And she goes, she'd be like she kind of

1291
01:02:17,600 --> 01:02:21,720
Speaker 4: muttering like she said once, yeah, oh yeah, yeah, okay,

1292
01:02:21,720 --> 01:02:23,000
Speaker 4: she'd be like, oh ship she said that once.

1293
01:02:23,080 --> 01:02:29,920
Speaker 3: She Anne Hathaway was so good at the subtle exasperation

1294
01:02:30,720 --> 01:02:36,080
Speaker 3: that a romantic comedy heroin has to carry throat subtle exasperation,

1295
01:02:36,480 --> 01:02:38,200
Speaker 3: which is important it's very des vibe.

1296
01:02:43,120 --> 01:02:46,440
Speaker 4: Totally well, I get don't do that.

1297
01:02:48,800 --> 01:02:51,120
Speaker 3: Did you see Devil Wars product? You loved it?

1298
01:02:51,560 --> 01:02:52,240
Speaker 4: You loved it?

1299
01:02:52,560 --> 01:02:52,960
Speaker 3: You did?

1300
01:02:53,160 --> 01:02:53,520
Speaker 2: You did?

1301
01:02:53,920 --> 01:02:54,720
Speaker 3: We did? We did?

1302
01:02:55,800 --> 01:02:55,840
Speaker 6: We?

1303
01:02:56,080 --> 01:02:58,960
Speaker 3: Should we do Meisner for a second? Can we do

1304
01:02:59,040 --> 01:03:02,600
Speaker 3: a three person miser one? Two three? Can someone anyone

1305
01:03:02,680 --> 01:03:07,360
Speaker 3: at all say, uh, say a three word phrase?

1306
01:03:08,240 --> 01:03:08,439
Speaker 2: Yeah?

1307
01:03:11,600 --> 01:03:13,520
Speaker 3: Go ahead, do it a once.

1308
01:03:14,000 --> 01:03:17,919
Speaker 2: That's okay.

1309
01:03:18,320 --> 01:03:22,680
Speaker 3: Let's get this Okay, let's get this bread ready, mhm,

1310
01:03:23,320 --> 01:03:24,280
Speaker 3: Let's get this bread.

1311
01:03:25,960 --> 01:03:26,840
Speaker 2: Let's get this spread.

1312
01:03:28,880 --> 01:03:29,680
Speaker 4: Let's get this bread.

1313
01:03:31,880 --> 01:03:33,040
Speaker 3: Let's get this bread.

1314
01:03:36,160 --> 01:03:38,600
Speaker 2: Let's get this bread.

1315
01:03:41,440 --> 01:03:42,280
Speaker 4: Let's get this bread.

1316
01:03:44,960 --> 01:03:46,720
Speaker 3: Let's get this bread.

1317
01:03:53,600 --> 01:03:54,600
Speaker 2: Let's get this bread.

1318
01:04:01,040 --> 01:04:01,959
Speaker 4: Let's get this bread.

1319
01:04:05,880 --> 01:04:07,040
Speaker 2: Let's get this bread.

1320
01:04:09,480 --> 01:04:10,760
Speaker 4: Let's get this spread.

1321
01:04:11,880 --> 01:04:13,280
Speaker 2: Let's get this bread.

1322
01:04:14,560 --> 01:04:16,240
Speaker 4: Let's get this bread.

1323
01:04:16,760 --> 01:04:24,320
Speaker 2: And I felt like I broke I broke the spell

1324
01:04:24,360 --> 01:04:28,160
Speaker 2: a little No, never, but you you really went there?

1325
01:04:28,360 --> 01:04:28,560
Speaker 4: Yeah.

1326
01:04:28,800 --> 01:04:29,600
Speaker 3: I love acting.

1327
01:04:31,120 --> 01:04:32,880
Speaker 4: I love it with my friends, with anybody.

1328
01:04:32,920 --> 01:04:33,600
Speaker 3: I don't want to do this.

1329
01:04:33,840 --> 01:04:34,960
Speaker 4: I want I want to ask.

1330
01:04:35,080 --> 01:04:37,240
Speaker 3: I love when I get to do that here.

1331
01:04:41,480 --> 01:04:44,000
Speaker 4: The pod is just you know, it's like you set

1332
01:04:44,040 --> 01:04:51,720
Speaker 4: it up for years to be able to do that, and.

1333
01:04:53,640 --> 01:04:57,560
Speaker 3: Never noticed. Ade Bryant does this with her hands. She

1334
01:04:59,760 --> 01:05:03,720
Speaker 3: does it totally. We're watching the cut and she's just like,

1335
01:05:03,840 --> 01:05:04,800
Speaker 3: what did she say? Any of you?

1336
01:05:05,560 --> 01:05:09,720
Speaker 2: Yes, it's so good pointing is she's she's a pointer.

1337
01:05:10,320 --> 01:05:12,440
Speaker 3: But she points with all five fingers open and a

1338
01:05:12,600 --> 01:05:13,200
Speaker 3: hand like that.

1339
01:05:13,440 --> 01:05:15,480
Speaker 2: She's like, what's your what's your pointing technique?

1340
01:05:15,520 --> 01:05:15,800
Speaker 6: What's you.

1341
01:05:17,400 --> 01:05:20,880
Speaker 4: I'm so like, I don't know how crazy my hands are.

1342
01:05:20,960 --> 01:05:23,040
Speaker 4: I think I'm I mean, now I'm aware, but I

1343
01:05:23,160 --> 01:05:25,919
Speaker 4: think I don't realize how much I'm talking with my hands.

1344
01:05:25,920 --> 01:05:26,720
Speaker 4: But that's not pointing.

1345
01:05:26,840 --> 01:05:30,080
Speaker 2: Well no, no, no, no no, I think generally just gesticulating,

1346
01:05:30,480 --> 01:05:31,200
Speaker 2: what however you want?

1347
01:05:31,520 --> 01:05:32,800
Speaker 3: I'm this culture, Yes you are?

1348
01:05:32,960 --> 01:05:33,240
Speaker 4: I am.

1349
01:05:33,440 --> 01:05:36,200
Speaker 3: I am a point like it's it's a you know,

1350
01:05:36,280 --> 01:05:37,640
Speaker 3: a straight line but bent at the rest.

1351
01:05:37,680 --> 01:05:40,000
Speaker 4: Do you remember that kind of thing in theater school

1352
01:05:40,040 --> 01:05:41,840
Speaker 4: when you would sort of like do this and the

1353
01:05:41,880 --> 01:05:44,120
Speaker 4: director would be like do that? You know?

1354
01:05:44,160 --> 01:05:44,720
Speaker 2: What do you mean?

1355
01:05:44,800 --> 01:05:47,520
Speaker 3: Okay? So like you, we didn't go to theater school,

1356
01:05:48,840 --> 01:05:52,800
Speaker 3: ye Meisner, though, well, I know I didn't say we

1357
01:05:52,880 --> 01:06:01,880
Speaker 3: shouldn't have been in it. I said we weren't to

1358
01:06:01,960 --> 01:06:02,479
Speaker 3: theater school.

1359
01:06:02,800 --> 01:06:03,880
Speaker 4: Theater universities.

1360
01:06:04,160 --> 01:06:06,240
Speaker 3: Do you think Yale School of Drama would take me about?

1361
01:06:06,440 --> 01:06:06,880
Speaker 4: Absolutely?

1362
01:06:06,880 --> 01:06:09,440
Speaker 3: Do you do what would be your guys's monologues to

1363
01:06:09,440 --> 01:06:13,240
Speaker 3: audition for the Yale School of Drama today. I would

1364
01:06:13,360 --> 01:06:17,440
Speaker 3: do the ten things I hate about ye monologue styles.

1365
01:06:17,200 --> 01:06:22,520
Speaker 4: So good I would do would be like, no, you

1366
01:06:22,560 --> 01:06:28,560
Speaker 4: would kill it. I would do like just okay, a

1367
01:06:28,760 --> 01:06:32,400
Speaker 4: two persons scene, but take out all of the other lines.

1368
01:06:32,400 --> 01:06:32,640
Speaker 3: Okay.

1369
01:06:32,960 --> 01:06:36,760
Speaker 4: I would do just Ross's line in the like breakup

1370
01:06:36,800 --> 01:06:40,640
Speaker 4: scene with him and Jennifer Aniston. Wow, that's great, And

1371
01:06:40,680 --> 01:06:42,200
Speaker 4: I would have to make it work because all of

1372
01:06:42,240 --> 01:06:44,440
Speaker 4: her lines would be gone, so I'd be giving them

1373
01:06:44,440 --> 01:06:45,920
Speaker 4: something they'd never seen before.

1374
01:06:46,040 --> 01:06:47,200
Speaker 3: Yeah, yea, yea, yeah yeah.

1375
01:06:48,080 --> 01:06:54,120
Speaker 2: I would do Aaron Brockovich in the beginning when she's trying,

1376
01:06:54,200 --> 01:06:55,960
Speaker 2: when she's going through her resume.

1377
01:06:56,240 --> 01:06:58,400
Speaker 3: Goddamn, it's really good.

1378
01:06:58,480 --> 01:06:59,520
Speaker 4: But I'd love to see that.

1379
01:07:00,880 --> 01:07:03,960
Speaker 2: She has no medical experience, but I did what is

1380
01:07:04,000 --> 01:07:07,280
Speaker 2: she she like? She was like but I did work

1381
01:07:07,320 --> 01:07:10,480
Speaker 2: in like a dentist's office, Irvine or something like. She

1382
01:07:10,560 --> 01:07:12,120
Speaker 2: has a great monologue which she was trying to like

1383
01:07:12,160 --> 01:07:12,640
Speaker 2: apply for this.

1384
01:07:12,880 --> 01:07:15,320
Speaker 4: No, no, no, you came up something better.

1385
01:07:15,960 --> 01:07:20,440
Speaker 2: Also a Marion Brockavich, which choice when she's in the

1386
01:07:20,520 --> 01:07:23,760
Speaker 2: courtroom and then like the lawyers like growing her and

1387
01:07:23,880 --> 01:07:26,360
Speaker 2: then it ends with her, just get such a bad apple.

1388
01:07:27,760 --> 01:07:30,880
Speaker 4: My, my, fucking good job. You guys are so good

1389
01:07:30,920 --> 01:07:31,480
Speaker 4: at that thing.

1390
01:07:31,560 --> 01:07:33,520
Speaker 3: You just well, he came out of He came around

1391
01:07:33,560 --> 01:07:35,600
Speaker 3: the corner like a bat out of hell. Wow.

1392
01:07:36,120 --> 01:07:37,400
Speaker 4: When was the last time you saw that movie?

1393
01:07:38,120 --> 01:07:38,760
Speaker 2: Not soon?

1394
01:07:39,000 --> 01:07:39,960
Speaker 3: Not soon enough?

1395
01:07:40,200 --> 01:07:42,360
Speaker 2: Why not recently?

1396
01:07:42,680 --> 01:07:44,920
Speaker 3: But it wasn't watch it?

1397
01:07:45,480 --> 01:07:45,959
Speaker 2: Watch it tonight.

1398
01:07:46,600 --> 01:07:47,440
Speaker 3: That's actually a really.

1399
01:07:47,280 --> 01:07:48,480
Speaker 2: Good idea that you guys have.

1400
01:07:48,680 --> 01:07:51,920
Speaker 4: The your brains are so good. You yes, because you

1401
01:07:52,040 --> 01:07:55,200
Speaker 4: have that Aaron Brockovich monologue. You both do, and you

1402
01:07:55,360 --> 01:07:59,919
Speaker 4: have countless other fucking monologues in your head at all times.

1403
01:08:00,200 --> 01:08:02,320
Speaker 2: This was the monologue that sealed the deal for me

1404
01:08:02,360 --> 01:08:04,680
Speaker 2: and Matt in the year I would say twenty thirty.

1405
01:08:06,520 --> 01:08:06,880
Speaker 6: This is me.

1406
01:08:09,360 --> 01:08:11,760
Speaker 7: I didn't know what help. I cut hisself that wire.

1407
01:08:12,640 --> 01:08:17,040
Speaker 7: Didn't know what help man. I thought it was a surgeon,

1408
01:08:17,120 --> 01:08:19,559
Speaker 7: but I really can't. I thought it was a surgeon, but.

1409
01:08:19,640 --> 01:08:22,880
Speaker 3: I'm not so is he.

1410
01:08:23,240 --> 01:08:23,680
Speaker 4: I knew it.

1411
01:08:24,000 --> 01:08:28,040
Speaker 2: I knew it was Grace, Graces so much good stuff, and.

1412
01:08:28,920 --> 01:08:32,880
Speaker 4: Those first few seasons, and I'm sure it just gets

1413
01:08:32,920 --> 01:08:34,920
Speaker 4: better better, But I let you know, you stop when

1414
01:08:34,960 --> 01:08:36,639
Speaker 4: you stop, Yeah, those first few stop.

1415
01:08:37,160 --> 01:08:39,880
Speaker 3: Sure, Gris autom gets better and it's Bettermber every day

1416
01:08:40,560 --> 01:08:44,320
Speaker 3: culture number forty, I'm sure gets better and better.

1417
01:08:45,040 --> 01:08:47,520
Speaker 4: But you stop when you stop, and when I stopped.

1418
01:08:47,560 --> 01:08:51,200
Speaker 2: Really your turn? Sorry go what monologue?

1419
01:08:51,720 --> 01:08:54,320
Speaker 3: But I don't know, I mean, I like, I well,

1420
01:08:54,400 --> 01:08:56,200
Speaker 3: the time is now. This is the Ye School of

1421
01:08:56,280 --> 01:08:56,920
Speaker 3: Drama audition.

1422
01:08:57,040 --> 01:08:59,080
Speaker 2: Honey, okay, can be one of your own.

1423
01:08:59,080 --> 01:09:01,680
Speaker 3: And we're two very so veer gay men who are

1424
01:09:01,760 --> 01:09:07,400
Speaker 3: not going to make the like monologue monologue monologue.

1425
01:09:07,479 --> 01:09:11,360
Speaker 2: I know, I never really like the top teen monologue.

1426
01:09:11,640 --> 01:09:12,240
Speaker 3: It was a team.

1427
01:09:12,680 --> 01:09:14,840
Speaker 4: They were also like again, not to theater school you.

1428
01:09:14,840 --> 01:09:17,160
Speaker 4: But they would always be like, don't look at those books.

1429
01:09:18,800 --> 01:09:21,479
Speaker 4: Those are overdone. I remember the first monologue I did

1430
01:09:21,520 --> 01:09:23,439
Speaker 4: in high school. I had just read a book. This

1431
01:09:23,520 --> 01:09:25,240
Speaker 4: is kind of timely. I had just read the book

1432
01:09:25,360 --> 01:09:28,160
Speaker 4: Girl Interrupted, which is now going to Broadway or on Broadway.

1433
01:09:28,320 --> 01:09:30,800
Speaker 3: Oh wow, it it was just a book.

1434
01:09:30,880 --> 01:09:32,760
Speaker 4: This is a book before the movie. It was just

1435
01:09:32,840 --> 01:09:35,080
Speaker 4: a book about a girl that went to a goddamn

1436
01:09:35,200 --> 01:09:35,920
Speaker 4: place where they.

1437
01:09:35,920 --> 01:09:37,840
Speaker 2: Make you interrupt interrupted her.

1438
01:09:38,280 --> 01:09:41,519
Speaker 4: She was like, get out of here once, but they,

1439
01:09:41,880 --> 01:09:44,120
Speaker 4: you know, because they kept interrupting her. They said get

1440
01:09:44,120 --> 01:09:45,800
Speaker 4: out of here. They said get out of here. At

1441
01:09:45,840 --> 01:09:47,240
Speaker 4: once mental hospital.

1442
01:09:47,400 --> 01:09:49,120
Speaker 2: Yeah, but she was mid sentence.

1443
01:09:49,000 --> 01:09:54,000
Speaker 4: The first monologue. The first page I want to say

1444
01:09:54,640 --> 01:09:59,439
Speaker 4: is what I did. That's a mean yeah, yeah, like

1445
01:09:59,479 --> 01:10:00,639
Speaker 4: I took it out of the book.

1446
01:10:01,160 --> 01:10:01,960
Speaker 3: That's cool.

1447
01:10:02,040 --> 01:10:05,439
Speaker 4: I just remember being like, uh, no one's ever done

1448
01:10:05,479 --> 01:10:07,400
Speaker 4: this before, and then they made it into it. It

1449
01:10:07,479 --> 01:10:10,280
Speaker 4: felt so like, you know, I felt really like no

1450
01:10:10,400 --> 01:10:13,160
Speaker 4: one will ever know anything about that. I am so unique.

1451
01:10:13,160 --> 01:10:14,600
Speaker 4: And then it was made into a movie, and then

1452
01:10:14,720 --> 01:10:16,840
Speaker 4: it was made into a play and it clearly had

1453
01:10:17,040 --> 01:10:18,120
Speaker 4: it clearly had a path.

1454
01:10:19,160 --> 01:10:22,560
Speaker 2: I'm getting Alison Williams cool girl ward vibes from you.

1455
01:10:23,960 --> 01:10:25,240
Speaker 3: I don't make any promises.

1456
01:10:25,320 --> 01:10:26,760
Speaker 2: Yeah, I'm not promising anything.

1457
01:10:26,760 --> 01:10:29,400
Speaker 3: We haven't even seen what happens on Bravo next year.

1458
01:10:29,600 --> 01:10:32,160
Speaker 3: Yeah yeah, but can you become a Bravo IT girl

1459
01:10:32,200 --> 01:10:32,760
Speaker 3: by next year?

1460
01:10:32,880 --> 01:10:33,080
Speaker 9: Yes?

1461
01:10:33,760 --> 01:10:36,200
Speaker 2: If anyone I know can become a Bravo A girl,

1462
01:10:36,280 --> 01:10:37,280
Speaker 2: it's Darcy Carter.

1463
01:10:37,479 --> 01:10:41,920
Speaker 3: How would you? How would you? Okay, so are because

1464
01:10:41,920 --> 01:10:43,439
Speaker 3: it's like, you know, it's a lot of pressure.

1465
01:10:43,479 --> 01:10:45,240
Speaker 4: It's a lot of pressure. It's like two diamonds. It's

1466
01:10:45,280 --> 01:10:49,880
Speaker 4: like one diamonds pressure pushing two diamonds together. So much pressure?

1467
01:10:53,680 --> 01:10:56,880
Speaker 3: How much supposed to become a diamond like this, honey,

1468
01:10:57,000 --> 01:11:03,839
Speaker 3: and there must be another way. That's my question of diamond.

1469
01:11:04,640 --> 01:11:07,800
Speaker 3: Something becoming a diamond. I'll be like, oh my god,

1470
01:11:08,000 --> 01:11:11,240
Speaker 3: that is so hard. I have to do this. This

1471
01:11:11,360 --> 01:11:13,320
Speaker 3: is almost as hard as me when I when this

1472
01:11:13,400 --> 01:11:19,080
Speaker 3: process is complete, the hardest. Right now, I'm just what coal, o,

1473
01:11:19,600 --> 01:11:22,360
Speaker 3: honey or whatever? Any coal is a goal?

1474
01:11:22,640 --> 01:11:23,240
Speaker 4: Oh yeah?

1475
01:11:23,520 --> 01:11:23,720
Speaker 2: Yeah?

1476
01:11:23,800 --> 01:11:28,040
Speaker 4: Wait, by the way, is that factual? Does coal become diamond?

1477
01:11:28,160 --> 01:11:29,559
Speaker 3: And can you guys look that up at once?

1478
01:11:30,040 --> 01:11:31,920
Speaker 2: Just carbon? Anything with carbon?

1479
01:11:32,439 --> 01:11:38,400
Speaker 4: Okay, so maybe like a soda a carbon aid in Sodada?

1480
01:11:40,120 --> 01:11:40,880
Speaker 3: What are they made of?

1481
01:11:41,360 --> 01:11:42,000
Speaker 4: What the hell?

1482
01:11:42,280 --> 01:11:42,360
Speaker 6: Car?

1483
01:11:42,560 --> 01:11:42,840
Speaker 2: Carbon?

1484
01:11:43,000 --> 01:11:43,360
Speaker 3: Carbon?

1485
01:11:45,520 --> 01:11:46,559
Speaker 4: Just doesn't have carbon?

1486
01:11:46,840 --> 01:11:47,000
Speaker 3: Oh?

1487
01:11:47,120 --> 01:11:50,559
Speaker 4: Interesting? So this is a wives tale and Sedimentary yeah

1488
01:11:50,800 --> 01:11:55,879
Speaker 4: said you. We can trust you back, Okay, Sedimentary, said Mentory.

1489
01:11:56,479 --> 01:11:57,280
Speaker 4: Her name is Menory.

1490
01:11:57,320 --> 01:11:58,880
Speaker 2: I want a young wives tale for.

1491
01:12:00,680 --> 01:12:02,400
Speaker 3: We're just gonna say I want a young wife.

1492
01:12:02,479 --> 01:12:03,639
Speaker 2: I want a young wife too.

1493
01:12:04,120 --> 01:12:06,760
Speaker 4: Yeah, on a young I don't mind being warm right now,

1494
01:12:06,800 --> 01:12:08,240
Speaker 4: but do I look like siding?

1495
01:12:09,120 --> 01:12:11,519
Speaker 3: It's so hot in here, sleeveless.

1496
01:12:11,760 --> 01:12:13,360
Speaker 4: It's so fun and fine and I want to be

1497
01:12:13,400 --> 01:12:16,040
Speaker 4: here forever. But as long as it's not sweating, and

1498
01:12:16,120 --> 01:12:20,040
Speaker 4: if it is, Viewers at home, enjoy it.

1499
01:12:20,240 --> 01:12:22,200
Speaker 3: Wait, oh my god, it works to sweat because it's

1500
01:12:22,280 --> 01:12:23,040
Speaker 3: July eighth.

1501
01:12:23,200 --> 01:12:27,759
Speaker 4: It is July, and today July eighth, the day before.

1502
01:12:27,560 --> 01:12:29,680
Speaker 3: The lis sitting on July ninth, in which case it's

1503
01:12:29,760 --> 01:12:32,200
Speaker 3: July ninth, but I guess it's coming out on July eighth.

1504
01:12:32,240 --> 01:12:33,120
Speaker 3: A really hot time.

1505
01:12:33,200 --> 01:12:34,599
Speaker 4: It's such a hot time. It's one of the hottest

1506
01:12:34,640 --> 01:12:37,200
Speaker 4: times in well, not the world. Have you ever been

1507
01:12:37,240 --> 01:12:38,599
Speaker 4: to Australia July.

1508
01:12:40,800 --> 01:12:41,000
Speaker 3: Rough?

1509
01:12:41,200 --> 01:12:42,280
Speaker 4: Yeah, it's not so bad.

1510
01:12:42,280 --> 01:12:42,800
Speaker 2: It's not bad.

1511
01:12:44,479 --> 01:12:45,280
Speaker 4: They do flippy floppy.

1512
01:12:46,439 --> 01:12:48,800
Speaker 3: Where will you be on July eighth when this comes out?

1513
01:12:48,880 --> 01:12:50,800
Speaker 3: And July ninth when the show comes out? Do you

1514
01:12:50,880 --> 01:12:52,040
Speaker 3: know what your schedule is? Yes?

1515
01:12:52,080 --> 01:12:52,240
Speaker 6: I do.

1516
01:12:52,479 --> 01:12:54,640
Speaker 4: What is on July eighth? We have last night? We

1517
01:12:54,760 --> 01:12:57,320
Speaker 4: had no no tonight. I have the premiere Love that,

1518
01:12:57,479 --> 01:12:59,680
Speaker 4: and I have the premier in New York City, right

1519
01:12:59,840 --> 01:13:05,080
Speaker 4: in Los Angeles, right Los Angeles, in the targets, in

1520
01:13:05,360 --> 01:13:05,679
Speaker 4: the tar.

1521
01:13:05,840 --> 01:13:07,680
Speaker 3: In the tar, we come out of the guitar, the

1522
01:13:07,760 --> 01:13:10,960
Speaker 3: five of us, that would be a gaily.

1523
01:13:11,120 --> 01:13:13,120
Speaker 4: We're going to be on a platform under the tar.

1524
01:13:13,760 --> 01:13:16,320
Speaker 4: And then when it's my first enter there, the platform.

1525
01:13:16,000 --> 01:13:18,320
Speaker 3: Is going to and the you rise out of the.

1526
01:13:20,000 --> 01:13:22,880
Speaker 4: Like lydia tars, like lydiat like five lydia tars and

1527
01:13:23,000 --> 01:13:26,240
Speaker 4: then what are you doing tars? And then on the

1528
01:13:26,320 --> 01:13:29,320
Speaker 4: day that it comes out tomorrow, I think I have

1529
01:13:29,720 --> 01:13:30,479
Speaker 4: pressed tomorrow.

1530
01:13:30,560 --> 01:13:36,520
Speaker 2: But oh, you know the usual, the Mark Malcolins.

1531
01:13:36,120 --> 01:13:36,920
Speaker 4: The Malclins.

1532
01:13:37,880 --> 01:13:40,280
Speaker 3: Yeah, Cameron, he's growing his hair out.

1533
01:13:40,479 --> 01:13:44,320
Speaker 4: I noticed, right, all the all the guys their hair.

1534
01:13:45,439 --> 01:13:48,679
Speaker 2: Actually, Jared's growing his hair out. I want to say,

1535
01:13:51,120 --> 01:13:53,280
Speaker 2: Jared who Entertainment Weekly?

1536
01:13:53,360 --> 01:13:56,800
Speaker 3: Jared, Oh, yeah, his hair out. I want to go,

1537
01:13:57,640 --> 01:13:58,519
Speaker 3: do you Yeah?

1538
01:13:58,520 --> 01:13:58,640
Speaker 1: I do?

1539
01:13:58,760 --> 01:13:59,840
Speaker 4: Actually, I mean that'd be cute.

1540
01:13:59,880 --> 01:14:00,280
Speaker 3: You could.

1541
01:14:00,439 --> 01:14:01,840
Speaker 4: I mean you can pull it all you can pull

1542
01:14:01,880 --> 01:14:04,599
Speaker 4: it all off. Well you don't pull out the hair,

1543
01:14:04,920 --> 01:14:07,880
Speaker 4: don't pull it out, pull it off, pull it off.

1544
01:14:08,560 --> 01:14:09,200
Speaker 4: You can pull off.

1545
01:14:09,240 --> 01:14:11,519
Speaker 3: I think I'm gonna do it. I'm gonna grow out, like, hey,

1546
01:14:11,560 --> 01:14:14,599
Speaker 3: I have to shoot something this month, and then after

1547
01:14:14,680 --> 01:14:17,160
Speaker 3: this you do. I'm going I'm going like I can say.

1548
01:14:17,120 --> 01:14:18,680
Speaker 4: Yeah, yeah, it's out unless it's something else.

1549
01:14:18,680 --> 01:14:19,519
Speaker 3: I'm a mister smith.

1550
01:14:19,600 --> 01:14:27,000
Speaker 2: It's so exciting. Who are the spice girls among the five?

1551
01:14:27,160 --> 01:14:27,760
Speaker 3: Yeah, we got to do.

1552
01:14:27,800 --> 01:14:28,639
Speaker 2: I think you're sporty.

1553
01:14:28,760 --> 01:14:30,559
Speaker 3: It's all been leading up to this. I was gonna

1554
01:14:30,560 --> 01:14:34,200
Speaker 3: say you're sporty too, okay, okay, and you're good with that.

1555
01:14:34,400 --> 01:14:35,000
Speaker 4: Yeah, I'm good with that.

1556
01:14:35,040 --> 01:14:38,120
Speaker 2: I'm going to say, all love. I think you want

1557
01:14:38,160 --> 01:14:40,080
Speaker 2: to say Chloe's posh, but I think Cloe's scary.

1558
01:14:40,320 --> 01:14:42,000
Speaker 4: And I think that Gemma is poshed.

1559
01:14:42,840 --> 01:14:50,519
Speaker 3: Yeah, Regina might be. Regina is baby baby? No, I

1560
01:14:50,560 --> 01:14:55,400
Speaker 3: think Regina feels like Ginger and Jennifer Garner somehow baby,

1561
01:14:55,560 --> 01:14:59,000
Speaker 3: Jennifer Garner somehow baby. I mean then again, if if

1562
01:14:59,160 --> 01:15:02,479
Speaker 3: if Jennifer Gardner is the lead, I know, then who

1563
01:15:02,560 --> 01:15:04,920
Speaker 3: does that make her ginger? I don't but I think

1564
01:15:05,000 --> 01:15:08,240
Speaker 3: that I don't want to. I don't want to do

1565
01:15:08,520 --> 01:15:10,439
Speaker 3: I want I don't want to sheet numbers or anything.

1566
01:15:11,640 --> 01:15:14,200
Speaker 3: It's okay. So then I'm like, is she because Jennifer

1567
01:15:14,240 --> 01:15:15,639
Speaker 3: Garner's vibe is kind of sporty?

1568
01:15:15,760 --> 01:15:18,920
Speaker 4: I know, I actually think your baby your baby, but

1569
01:15:19,160 --> 01:15:20,960
Speaker 4: I don't know. I mean, I'm amost like, am I scary?

1570
01:15:21,520 --> 01:15:21,560
Speaker 2: No?

1571
01:15:22,240 --> 01:15:22,519
Speaker 4: Baby?

1572
01:15:22,640 --> 01:15:23,639
Speaker 3: I think your baby?

1573
01:15:23,960 --> 01:15:27,800
Speaker 4: Yeah? And and I think Regina ginger and I think

1574
01:15:27,920 --> 01:15:31,840
Speaker 4: Jen sporty. Jenny, jump up on that table right now,

1575
01:15:32,040 --> 01:15:36,640
Speaker 4: slay your ass, devil. I've seen you can still do

1576
01:15:36,680 --> 01:15:38,720
Speaker 4: that right this second, you think so, she rides her

1577
01:15:38,760 --> 01:15:41,120
Speaker 4: bike around the God she doesn't take the you know.

1578
01:15:41,680 --> 01:15:44,240
Speaker 3: Is she's still oh yeah really you know.

1579
01:15:44,360 --> 01:15:47,000
Speaker 4: You get in the van to go to set. She's like,

1580
01:15:47,160 --> 01:15:48,680
Speaker 4: I'll meet you there. I'm going to bike there.

1581
01:15:48,800 --> 01:15:52,519
Speaker 3: She's sporty, damn, just presents that.

1582
01:15:52,800 --> 01:15:53,760
Speaker 4: They love her.

1583
01:15:53,960 --> 01:15:56,000
Speaker 3: Okay, there you go, they say, you know, with Jen,

1584
01:15:56,479 --> 01:15:58,040
Speaker 3: she's going to bike to set. So this is her

1585
01:15:58,120 --> 01:16:00,000
Speaker 3: touch ups take a little bit longer, but we love.

1586
01:16:00,760 --> 01:16:03,000
Speaker 4: She gets sharing looks even better. That's what they know.

1587
01:16:03,240 --> 01:16:03,519
Speaker 3: She got.

1588
01:16:03,720 --> 01:16:05,599
Speaker 2: She got a bond me truck today.

1589
01:16:05,760 --> 01:16:06,400
Speaker 3: Yeah, she got a.

1590
01:16:06,439 --> 01:16:07,479
Speaker 4: Bond of truck today.

1591
01:16:07,640 --> 01:16:08,880
Speaker 3: Was there ever a bond me truck?

1592
01:16:08,920 --> 01:16:11,360
Speaker 4: I'm sure there was. I love, we got a lot.

1593
01:16:11,479 --> 01:16:15,080
Speaker 3: I love. I love Vietnamese chickens. So do I? I

1594
01:16:15,200 --> 01:16:17,439
Speaker 3: really do. I do as well. That's why I said it,

1595
01:16:17,560 --> 01:16:19,800
Speaker 3: And that's also why I said it. And then at once,

1596
01:16:19,840 --> 01:16:20,880
Speaker 3: you notice I said it at once.

1597
01:16:21,000 --> 01:16:22,360
Speaker 4: I love bond me at once.

1598
01:16:22,880 --> 01:16:24,640
Speaker 3: I want to bond me at once. I want to

1599
01:16:25,160 --> 01:16:27,120
Speaker 3: should we do a bond Me episode of the podcast?

1600
01:16:27,360 --> 01:16:30,560
Speaker 3: And what is that podcast on me? That might be

1601
01:16:30,760 --> 01:16:35,200
Speaker 3: title of that wait podcasting? You know like that just

1602
01:16:35,439 --> 01:16:36,120
Speaker 3: what that mean?

1603
01:16:36,840 --> 01:16:42,479
Speaker 4: Sitting here wondering, I don't understand podcast me. I don't know,

1604
01:16:43,280 --> 01:16:46,799
Speaker 4: but you might change the goddamn podcast name.

1605
01:16:47,080 --> 01:16:50,599
Speaker 3: To What do you think about changing our podcast name

1606
01:16:50,720 --> 01:16:52,600
Speaker 3: to just lost culture? No?

1607
01:16:53,439 --> 01:16:53,840
Speaker 4: Do you want to?

1608
01:16:54,120 --> 01:16:54,960
Speaker 2: I don't know why.

1609
01:16:57,000 --> 01:16:58,040
Speaker 3: I just think it's kind of fierce.

1610
01:16:58,200 --> 01:17:00,800
Speaker 2: I mean, do it then if there's like, this is

1611
01:17:00,840 --> 01:17:05,120
Speaker 2: the thing about Last Culturistas, no fucking television show on

1612
01:17:05,240 --> 01:17:05,639
Speaker 2: this earth?

1613
01:17:05,720 --> 01:17:10,280
Speaker 3: No, he says, last Costa Rica, Costa Rica.

1614
01:17:10,520 --> 01:17:12,000
Speaker 4: That is so funny. I had a nice moment with

1615
01:17:12,040 --> 01:17:12,439
Speaker 4: your dad.

1616
01:17:12,360 --> 01:17:14,519
Speaker 3: At but he told me. He goes, he comes over

1617
01:17:14,560 --> 01:17:16,360
Speaker 3: to me and he goes, I love Darcy. You know.

1618
01:17:16,760 --> 01:17:19,280
Speaker 3: She said you guys have known each other for ten years.

1619
01:17:19,400 --> 01:17:22,080
Speaker 2: And I was like, oh my god, I guess that's And.

1620
01:17:22,120 --> 01:17:23,600
Speaker 4: Then he goes, nice to meet you, and I go

1621
01:17:23,680 --> 01:17:25,680
Speaker 4: we've met before, and he goes, what And I was like,

1622
01:17:25,760 --> 01:17:28,360
Speaker 4: we had a phone call, and he finished the sentence.

1623
01:17:28,200 --> 01:17:30,320
Speaker 3: Was like the phone yes, yes, yes, yes, yes yes.

1624
01:17:30,600 --> 01:17:32,839
Speaker 2: Richie is such a hit with the with with everybody.

1625
01:17:32,920 --> 01:17:34,679
Speaker 3: Did you see his chain? Of course I didn't.

1626
01:17:34,680 --> 01:17:36,720
Speaker 4: But also I don't think it. I'm sure it didn't

1627
01:17:36,760 --> 01:17:38,200
Speaker 4: make the cut. I mean, we all watched it. Did

1628
01:17:38,280 --> 01:17:38,840
Speaker 4: it make the cut?

1629
01:17:38,960 --> 01:17:40,880
Speaker 3: I don't think it made the cut because it wasn't on.

1630
01:17:41,080 --> 01:17:44,080
Speaker 3: My dad was wearing an iconic chain with his initials

1631
01:17:44,120 --> 01:17:44,280
Speaker 3: on it.

1632
01:17:44,360 --> 01:17:46,440
Speaker 4: But at one point in this sort of like intermission

1633
01:17:47,240 --> 01:17:52,400
Speaker 4: like commercial break, Matt said, give it for my dad's necklace.

1634
01:17:53,280 --> 01:17:56,599
Speaker 3: Because he was he actually looked like like fashion on ten,

1635
01:17:57,080 --> 01:17:59,599
Speaker 3: like like blazer over a T shirt.

1636
01:18:01,320 --> 01:18:03,639
Speaker 4: In fact, I loved it so much that you said

1637
01:18:03,640 --> 01:18:05,639
Speaker 4: that that. I was like, I wonder if it would

1638
01:18:05,640 --> 01:18:08,080
Speaker 4: work if when you come out, when me Darby comes out,

1639
01:18:08,120 --> 01:18:11,760
Speaker 4: I call myself Derby. When I come out to the microphone,

1640
01:18:12,080 --> 01:18:13,880
Speaker 4: should I say, like and everybody give it up for

1641
01:18:13,960 --> 01:18:17,640
Speaker 4: Matt's dad's necklace. But well, that totally it would have

1642
01:18:17,640 --> 01:18:18,120
Speaker 4: worked in the room.

1643
01:18:18,160 --> 01:18:21,120
Speaker 3: It would have been cutting, would have been cut as

1644
01:18:21,439 --> 01:18:23,600
Speaker 3: but you would have given it clean. You would have

1645
01:18:23,640 --> 01:18:24,920
Speaker 3: given us a clean line.

1646
01:18:25,200 --> 01:18:27,000
Speaker 4: Totally, it would have it would have been for you guys.

1647
01:18:27,520 --> 01:18:30,280
Speaker 2: This is I'm just saying, we do it live one year.

1648
01:18:30,360 --> 01:18:32,920
Speaker 3: Maybe he really wants to do it, oh live.

1649
01:18:32,960 --> 01:18:34,920
Speaker 4: I'm like, you have I see what you're saying, yeah,

1650
01:18:34,960 --> 01:18:36,280
Speaker 4: because this is what it sounds.

1651
01:18:36,120 --> 01:18:36,560
Speaker 3: Hard to me.

1652
01:18:37,200 --> 01:18:38,679
Speaker 2: It sounds like a fucking nightmare.

1653
01:18:38,960 --> 01:18:43,000
Speaker 4: Actually, well, this is the thing I don't I don't know, buddy,

1654
01:18:43,040 --> 01:18:46,400
Speaker 4: You what you didn't have to do anything you didn't have, Like,

1655
01:18:46,880 --> 01:18:49,559
Speaker 4: it's practically the same thing, practically perfect in every way

1656
01:18:49,680 --> 01:18:50,679
Speaker 4: Mary Poppin's style.

1657
01:18:50,880 --> 01:18:52,439
Speaker 2: Yes, and I just I just want people to like

1658
01:18:53,520 --> 01:18:56,599
Speaker 2: kind of like we should all just experience it together totally.

1659
01:18:56,840 --> 01:18:58,160
Speaker 4: I think it could be live, and I think you

1660
01:18:58,160 --> 01:19:02,160
Speaker 4: guys would thrive. But yeah, also scary. It's like if

1661
01:19:02,200 --> 01:19:04,320
Speaker 4: you don't have to, you don't, you don't if you don't.

1662
01:19:04,439 --> 01:19:06,360
Speaker 3: I mean, I think we have a couple more years

1663
01:19:06,360 --> 01:19:08,240
Speaker 3: of doing it to tape, and I think the next

1664
01:19:08,320 --> 01:19:10,640
Speaker 3: move for the show Fingers Crossed Knockwood is to do

1665
01:19:10,720 --> 01:19:11,439
Speaker 3: it in the n y C.

1666
01:19:11,600 --> 01:19:12,280
Speaker 4: Okay, yeah, I think so.

1667
01:19:12,280 --> 01:19:14,200
Speaker 3: I think that that would be you have Live up

1668
01:19:14,240 --> 01:19:16,400
Speaker 3: the butt because of He's got Live up the.

1669
01:19:16,439 --> 01:19:21,479
Speaker 2: Butt telling you it is such a fun it's the

1670
01:19:21,720 --> 01:19:24,400
Speaker 2: scariest thing, but it's so funny.

1671
01:19:24,400 --> 01:19:25,880
Speaker 4: I don't think I've ever done anything live.

1672
01:19:26,000 --> 01:19:28,559
Speaker 3: I've done I've done like I did well, I guess

1673
01:19:28,600 --> 01:19:30,080
Speaker 3: the SNL carpet was live.

1674
01:19:31,439 --> 01:19:32,680
Speaker 4: I've done my life.

1675
01:19:34,640 --> 01:19:40,640
Speaker 3: Jenna exactly, You've got. It's not that I don't like

1676
01:19:40,960 --> 01:19:43,000
Speaker 3: want and I'm excited by live. It's just that I

1677
01:19:43,120 --> 01:19:46,320
Speaker 3: know the show is so I would I would hate

1678
01:19:46,360 --> 01:19:49,519
Speaker 3: to lose opportunities to do things because it was live

1679
01:19:50,160 --> 01:19:50,759
Speaker 3: in the middle.

1680
01:19:51,000 --> 01:19:53,400
Speaker 4: For five hours with my legs crossed like a little

1681
01:19:54,520 --> 01:19:59,320
Speaker 4: dead their life. But just like like criss cross apple sauce,

1682
01:20:00,560 --> 01:20:01,120
Speaker 4: I mean.

1683
01:20:02,640 --> 01:20:07,479
Speaker 3: Kindergartener, kindergartener, kindergartener, kindergarten at once.

1684
01:20:07,600 --> 01:20:10,439
Speaker 2: You know it's crazy, Jennifer Gardener. You know it's a

1685
01:20:10,560 --> 01:20:13,559
Speaker 2: crazy word. That is German warm.

1686
01:20:14,320 --> 01:20:14,720
Speaker 4: Hum hmm.

1687
01:20:15,200 --> 01:20:18,960
Speaker 2: The word warm is German is It's like, oh, well, yeah, sure,

1688
01:20:19,000 --> 01:20:21,600
Speaker 2: that word is you know romance language, that word is.

1689
01:20:21,760 --> 01:20:24,719
Speaker 2: You know this warm is just German, y'all?

1690
01:20:25,040 --> 01:20:26,240
Speaker 4: And what does it mean?

1691
01:20:26,600 --> 01:20:31,800
Speaker 2: Warm? Okay, cool, I'm just learning German lingo.

1692
01:20:31,840 --> 01:20:43,519
Speaker 3: And who's that grande? Aren't you an originator? This is

1693
01:20:43,560 --> 01:20:52,960
Speaker 3: on the permanent record, but learn at once it was yeah, yeah, girls,

1694
01:20:53,760 --> 01:20:55,640
Speaker 3: because I think I am going to agree with and

1695
01:20:55,680 --> 01:20:57,080
Speaker 3: then it's an impossible game.

1696
01:20:57,800 --> 01:20:59,880
Speaker 2: I will develop it and it's time to do.

1697
01:21:00,000 --> 01:21:01,719
Speaker 3: I don't think so, honey, if you can even believe,

1698
01:21:02,360 --> 01:21:04,840
Speaker 3: which you probably can at home, because this is about

1699
01:21:04,880 --> 01:21:07,640
Speaker 3: that time. And what I don't think, so, honey, is

1700
01:21:07,720 --> 01:21:13,080
Speaker 3: for the uninformed is sixty seconds absolute pop off to

1701
01:21:13,840 --> 01:21:19,400
Speaker 3: something on some topic. It's really a thesis statement. That

1702
01:21:19,520 --> 01:21:23,719
Speaker 3: gets followed up on brutally brutally brutalists. Yeah, it's a brutalist.

1703
01:21:24,960 --> 01:21:25,639
Speaker 3: I do have something.

1704
01:21:25,680 --> 01:21:28,400
Speaker 4: I know you used to say sixty seconds to rant On.

1705
01:21:28,760 --> 01:21:30,080
Speaker 3: I try to make it different every time.

1706
01:21:30,080 --> 01:21:32,160
Speaker 4: I know, you know what's funny? I was thinking back

1707
01:21:32,439 --> 01:21:36,360
Speaker 4: so long ago. There was like at least oon episode

1708
01:21:36,439 --> 01:21:40,080
Speaker 4: where we where we where you didn't do I don't

1709
01:21:40,120 --> 01:21:42,160
Speaker 4: think so honey, and you tried something else.

1710
01:21:42,520 --> 01:21:45,679
Speaker 2: Yeah, yeah, yeah, year two or yes.

1711
01:21:46,240 --> 01:21:48,960
Speaker 4: We're going to try this one this time along the line.

1712
01:21:49,000 --> 01:21:51,680
Speaker 3: We did a positive day with Mike Calton and we

1713
01:21:51,800 --> 01:21:53,120
Speaker 3: did I think, so honey.

1714
01:21:52,960 --> 01:21:55,840
Speaker 4: Oh funny, that's funny, that's so cute, and he did.

1715
01:21:55,800 --> 01:21:57,120
Speaker 3: You want to know what that was? Actually that was

1716
01:21:57,240 --> 01:21:59,559
Speaker 3: very fortuitous day because he said I think so honey.

1717
01:21:59,600 --> 01:22:02,880
Speaker 3: Maggie Rogers like, who's that? He was like, she is

1718
01:22:03,080 --> 01:22:05,720
Speaker 3: an unbelievable seging. You have to check her out, and

1719
01:22:06,439 --> 01:22:07,479
Speaker 3: let's just say we checked her.

1720
01:22:07,439 --> 01:22:09,439
Speaker 4: Out, and let's just say the world checked her out.

1721
01:22:09,920 --> 01:22:11,400
Speaker 3: She's going to come on the pod this year at

1722
01:22:11,439 --> 01:22:11,760
Speaker 3: some point.

1723
01:22:11,800 --> 01:22:13,479
Speaker 4: She should, and I would love I would love her

1724
01:22:13,560 --> 01:22:17,120
Speaker 4: to take out an acoustic guitar and drum a drum song.

1725
01:22:17,320 --> 01:22:19,240
Speaker 3: Did you were you ever listening to Last Coach when

1726
01:22:19,280 --> 01:22:21,479
Speaker 3: we used to do the musical episodes, God.

1727
01:22:21,439 --> 01:22:24,800
Speaker 4: Like wait like a long time ago, like a musical.

1728
01:22:24,520 --> 01:22:27,439
Speaker 2: Improv artists, no artists coming like they would play they.

1729
01:22:27,320 --> 01:22:28,960
Speaker 4: Would play it. I don't. I don't think I ever heard,

1730
01:22:29,000 --> 01:22:31,000
Speaker 4: but it's quite nice. But also maybe I did, but

1731
01:22:31,040 --> 01:22:32,040
Speaker 4: I feel like I remember that.

1732
01:22:33,720 --> 01:22:34,880
Speaker 3: We did that several times.

1733
01:22:34,920 --> 01:22:37,760
Speaker 4: We did where you would have if the person was

1734
01:22:37,800 --> 01:22:44,680
Speaker 4: a singer, you'd have him sing Yeah, people, did you

1735
01:22:44,760 --> 01:22:45,559
Speaker 4: want to do this again?

1736
01:22:46,360 --> 01:22:48,400
Speaker 3: Maybe it would be fun to do it with actually,

1737
01:22:48,439 --> 01:22:50,360
Speaker 3: because I want them to come on at some point,

1738
01:22:50,400 --> 01:22:53,400
Speaker 3: and we also we already have to like change the

1739
01:22:53,400 --> 01:22:54,920
Speaker 3: setup because there's three of them, is time.

1740
01:22:55,120 --> 01:22:56,040
Speaker 4: Yeah, that'd be fun.

1741
01:22:56,439 --> 01:22:57,160
Speaker 2: But they love that.

1742
01:22:57,840 --> 01:22:58,360
Speaker 4: I can't believe.

1743
01:22:59,280 --> 01:23:01,840
Speaker 3: I know, well, because they're sort of a three, they're

1744
01:23:01,840 --> 01:23:02,479
Speaker 3: sort of a trio.

1745
01:23:03,880 --> 01:23:06,360
Speaker 2: Nail down, that's a five oz.

1746
01:23:06,520 --> 01:23:07,320
Speaker 4: That's a sinco baby.

1747
01:23:07,320 --> 01:23:10,800
Speaker 2: We call that, honey. All right, everybody, here we go, Okay,

1748
01:23:11,080 --> 01:23:13,000
Speaker 2: this is not rogers. Don't think so many time starts now.

1749
01:23:12,960 --> 01:23:16,080
Speaker 3: I don't think so, honey, just based on the Rotten

1750
01:23:16,120 --> 01:23:19,639
Speaker 3: Tomatoes score, deciding we're not seeing that anymore, especially when

1751
01:23:19,680 --> 01:23:22,920
Speaker 3: we have plans to see the film I understand. No,

1752
01:23:23,200 --> 01:23:25,960
Speaker 3: I'm just saying because actually what happened was we were

1753
01:23:26,000 --> 01:23:27,840
Speaker 3: excited to see Scary Movie six and then it had

1754
01:23:27,880 --> 01:23:30,080
Speaker 3: a twenty eight percent on Rotten Tomatoes, and it caused

1755
01:23:30,160 --> 01:23:33,120
Speaker 3: a lot of discord amongst people that were attending the film,

1756
01:23:33,360 --> 01:23:35,800
Speaker 3: and I thought, Okay, well, we can't just base it

1757
01:23:35,840 --> 01:23:37,840
Speaker 3: on the Rotten Tomato score, because how many times do

1758
01:23:37,960 --> 01:23:39,960
Speaker 3: we love a movie that has a very low Rotten

1759
01:23:40,000 --> 01:23:42,439
Speaker 3: Tomato score, you know what I'm saying, Like probably a

1760
01:23:42,520 --> 01:23:45,240
Speaker 3: lot of comedies too, which are looked at as disposable.

1761
01:23:45,560 --> 01:23:48,680
Speaker 3: I'm actually really interested that it hasn't come out yet,

1762
01:23:48,680 --> 01:23:50,599
Speaker 3: but I really hope that stopped that Training gets amazing

1763
01:23:50,640 --> 01:23:53,280
Speaker 3: reviews because it is so good. But sometimes comedies just

1764
01:23:53,320 --> 01:23:55,160
Speaker 3: get the shorter under the stick. And I don't think,

1765
01:23:55,240 --> 01:23:57,800
Speaker 3: so honey, that that is cool. And I certainly don't

1766
01:23:57,840 --> 01:24:00,800
Speaker 3: want to be a part of a a audience that

1767
01:24:00,960 --> 01:24:03,360
Speaker 3: is bailing on these comedies, knowing that that is true.

1768
01:24:03,840 --> 01:24:06,000
Speaker 3: Mind you, I did hear some things about the movie

1769
01:24:06,040 --> 01:24:07,640
Speaker 3: that make me less inclined to see it, But the

1770
01:24:07,720 --> 01:24:11,800
Speaker 3: thing is, like, I don't know, I do think so honey,

1771
01:24:12,360 --> 01:24:14,320
Speaker 3: until y'all are like, I don't think so honey, and

1772
01:24:14,360 --> 01:24:15,760
Speaker 3: then it makes me feel like a little bit sad,

1773
01:24:15,960 --> 01:24:19,400
Speaker 3: just based on Rotten Tomatoes total. I did just hear

1774
01:24:19,600 --> 01:24:20,639
Speaker 3: it wasn't that funny.

1775
01:24:20,720 --> 01:24:22,280
Speaker 4: Okay, well, well we'll be the judge of that.

1776
01:24:22,400 --> 01:24:23,080
Speaker 2: Well the judge of that.

1777
01:24:23,240 --> 01:24:23,439
Speaker 3: Yeah.

1778
01:24:24,000 --> 01:24:27,720
Speaker 2: And as long as they're letting Regina Hall be dry truly.

1779
01:24:27,640 --> 01:24:30,559
Speaker 3: Well, that's my thing is. It's like, ultimately, that's why

1780
01:24:30,920 --> 01:24:34,000
Speaker 3: I don't always trust a Rotten Tomato score, because if

1781
01:24:34,080 --> 01:24:36,599
Speaker 3: for Gina Hall is in something for me, you add

1782
01:24:36,760 --> 01:24:39,920
Speaker 3: fifty points to any Rotten Tomato score. I realized, I

1783
01:24:40,040 --> 01:24:42,400
Speaker 3: haven't seen any of the movies that they're going to

1784
01:24:42,439 --> 01:24:44,960
Speaker 3: be satirizing this time, whereas back in the day I

1785
01:24:45,120 --> 01:24:47,439
Speaker 3: was still watching a lot of the movies that they

1786
01:24:47,479 --> 01:24:48,160
Speaker 3: were satirizing.

1787
01:24:48,439 --> 01:24:51,680
Speaker 4: It is like recognizing the exactly the thing.

1788
01:24:51,800 --> 01:24:53,720
Speaker 3: And so then I realized, like, oh, that might be

1789
01:24:53,800 --> 01:24:55,920
Speaker 3: a reason. Once I once I realized, because I did

1790
01:24:56,160 --> 01:24:58,000
Speaker 3: read a couple of reviews like, oh, these are the

1791
01:24:58,120 --> 01:25:01,679
Speaker 3: movies that are the riff. Maybe that's the reason. Why

1792
01:25:02,280 --> 01:25:02,880
Speaker 3: do you not.

1793
01:25:03,320 --> 01:25:06,640
Speaker 4: Scary movie boy? No, no, you are.

1794
01:25:06,920 --> 01:25:10,240
Speaker 2: I am always curious about them. I'm begging on my

1795
01:25:10,280 --> 01:25:13,040
Speaker 2: hands and knees that we go see backrooms or obsessions, but.

1796
01:25:13,320 --> 01:25:17,479
Speaker 4: It's a lot Jason's well whatever you see themtten tomatoes

1797
01:25:17,520 --> 01:25:20,320
Speaker 4: you right now? I make him see movies and I

1798
01:25:20,400 --> 01:25:22,600
Speaker 4: tell you, and yeah, the scary movies like kind of

1799
01:25:22,680 --> 01:25:23,519
Speaker 4: detail for detail.

1800
01:25:23,720 --> 01:25:26,519
Speaker 3: I can't with explicit violence, and especially when it doesn't

1801
01:25:26,560 --> 01:25:29,160
Speaker 3: make any when it doesn't need to happen. Yeah, I

1802
01:25:29,280 --> 01:25:32,080
Speaker 3: guess like it just it just like upsets me and

1803
01:25:32,160 --> 01:25:33,920
Speaker 3: bumps me out, and when it comes out of nowhere

1804
01:25:33,960 --> 01:25:35,519
Speaker 3: to it just feels like careless to me.

1805
01:25:35,600 --> 01:25:37,839
Speaker 4: I'm cheap totally and an assault.

1806
01:25:38,240 --> 01:25:42,200
Speaker 3: Yeah, yeah, but that smart horror I actually really enjoy same.

1807
01:25:42,400 --> 01:25:44,519
Speaker 3: I always see Jordan Peele's movies.

1808
01:25:45,360 --> 01:25:46,960
Speaker 4: I saw Weapons, but I got like a minute by

1809
01:25:47,040 --> 01:25:47,599
Speaker 4: minute play.

1810
01:25:47,520 --> 01:25:50,000
Speaker 2: Back for sure, play play by play, and it's just

1811
01:25:50,040 --> 01:25:51,479
Speaker 2: one moment in Weapons that I think you would hate

1812
01:25:51,479 --> 01:25:51,800
Speaker 2: and that's it.

1813
01:25:52,080 --> 01:25:56,000
Speaker 4: Yeah, and you'd have to leave and you have to

1814
01:25:56,080 --> 01:25:57,439
Speaker 4: leave before then, and that'd be fine.

1815
01:25:57,560 --> 01:25:58,439
Speaker 3: But doesn't have.

1816
01:25:58,479 --> 01:26:00,960
Speaker 4: Violence in Yeah, but I heard I hear something.

1817
01:26:01,160 --> 01:26:03,840
Speaker 3: Oh, well, you know what Bowe and Yang's I don't

1818
01:26:03,840 --> 01:26:05,840
Speaker 3: think so Honey is going to have comedy in it

1819
01:26:05,960 --> 01:26:06,920
Speaker 3: as well as insight.

1820
01:26:07,000 --> 01:26:09,280
Speaker 2: I don't know about that. Those are both debatable. Let's

1821
01:26:09,360 --> 01:26:09,800
Speaker 2: let's do it.

1822
01:26:10,000 --> 01:26:12,960
Speaker 3: Well, let's live in a world where we have a belief.

1823
01:26:14,320 --> 01:26:15,760
Speaker 3: This is bow and yangs. I don't think so, honey,

1824
01:26:15,800 --> 01:26:16,719
Speaker 3: as time stuched now.

1825
01:26:16,760 --> 01:26:19,639
Speaker 2: I don't think so honey calling it full fat coke.

1826
01:26:19,800 --> 01:26:22,240
Speaker 2: I've got a can right here. Let's look at the

1827
01:26:22,280 --> 01:26:27,880
Speaker 2: fat content, shall we? Yeah, total fat, zero grams. Cut

1828
01:26:28,040 --> 01:26:32,920
Speaker 2: that shit out at once. I said, die coke has zero.

1829
01:26:33,320 --> 01:26:36,719
Speaker 2: That's that's why claw Huney has zero zero. I understand

1830
01:26:36,760 --> 01:26:38,960
Speaker 2: what we're doing. We're being cutesy about you know, dyet

1831
01:26:39,240 --> 01:26:43,080
Speaker 2: full fat. It's not like that. No, the det thing

1832
01:26:43,200 --> 01:26:45,960
Speaker 2: is actually a cute little holdover from the eighties or

1833
01:26:46,000 --> 01:26:46,320
Speaker 2: something such.

1834
01:26:46,439 --> 01:26:49,679
Speaker 3: Thirty seconds full fat coke, Call it full sugar.

1835
01:26:50,400 --> 01:26:54,640
Speaker 2: Call it thirty milligrams sodium coke. That's crazy. That's a

1836
01:26:54,720 --> 01:26:56,800
Speaker 2: lot crazy. It's a long walk sodium in this.

1837
01:26:57,200 --> 01:27:02,240
Speaker 3: Oh, anyway, you did what what you didn't know there'd

1838
01:27:02,280 --> 01:27:02,439
Speaker 3: be So.

1839
01:27:03,920 --> 01:27:06,280
Speaker 2: It's actually twenty five grams of carbs. Okay, call it

1840
01:27:06,360 --> 01:27:08,800
Speaker 2: that called that. Oh, I shouldn't have I shouldn't have

1841
01:27:08,840 --> 01:27:09,080
Speaker 2: had this.

1842
01:27:09,320 --> 01:27:10,040
Speaker 4: Know that I think about it.

1843
01:27:10,160 --> 01:27:13,679
Speaker 2: Oops, But I have had to talk about eleven pm

1844
01:27:13,760 --> 01:27:16,439
Speaker 2: last night. You did up putting good things in my body,

1845
01:27:16,479 --> 01:27:16,840
Speaker 2: and that's.

1846
01:27:16,720 --> 01:27:18,400
Speaker 3: Your one minute. Yeah, but you know, now that we're

1847
01:27:18,439 --> 01:27:21,120
Speaker 3: done with the show that we're being I think that's

1848
01:27:21,160 --> 01:27:24,400
Speaker 3: I like that moment we had a pizza. They are

1849
01:27:24,520 --> 01:27:25,600
Speaker 3: the nights.

1850
01:27:27,520 --> 01:27:28,240
Speaker 2: I would have that against.

1851
01:27:28,439 --> 01:27:35,240
Speaker 3: Lucifer's not the best, the Devil, the Devil.

1852
01:27:35,479 --> 01:27:36,719
Speaker 4: Lucifer's worshiped the devil.

1853
01:27:36,920 --> 01:27:40,120
Speaker 3: I love years ago. One time I was flirty dming

1854
01:27:40,240 --> 01:27:41,840
Speaker 3: with whoever runs their social.

1855
01:27:41,800 --> 01:27:44,360
Speaker 4: And if you're still running it, he's taken.

1856
01:27:44,479 --> 01:27:48,519
Speaker 2: Now, back off, back off, you better not speak to me.

1857
01:27:48,680 --> 01:27:53,439
Speaker 4: Again unless you're talking about pepperonium sausage, that kind of

1858
01:27:53,520 --> 01:27:54,799
Speaker 4: pepperonium sausage.

1859
01:27:55,160 --> 01:27:58,320
Speaker 2: If there's anyone I would flirt with on a mascot level,

1860
01:27:58,400 --> 01:27:59,799
Speaker 2: it would be the Pizza Demon.

1861
01:28:00,280 --> 01:28:05,160
Speaker 3: Oh and you hear that devil? Back off me go

1862
01:28:05,280 --> 01:28:07,360
Speaker 3: to bowen, my god, the pizza Demon.

1863
01:28:07,479 --> 01:28:09,240
Speaker 2: It's pizza pizza.

1864
01:28:09,360 --> 01:28:12,880
Speaker 3: You've had, Lucifers, I've had. You gotta get it with

1865
01:28:13,000 --> 01:28:14,720
Speaker 3: buffalo sauce and pepperoni.

1866
01:28:15,080 --> 01:28:16,080
Speaker 2: It's so spicy.

1867
01:28:19,080 --> 01:28:22,280
Speaker 4: Makes me want to say, makes me want to do

1868
01:28:22,360 --> 01:28:23,960
Speaker 4: a little vocal run.

1869
01:28:25,200 --> 01:28:26,679
Speaker 2: Vocal run vocal lessons.

1870
01:28:26,880 --> 01:28:29,160
Speaker 4: Yeah, I took one. I haven't taken one in a

1871
01:28:29,200 --> 01:28:32,040
Speaker 4: long time, but I took one, like maybe five years ago.

1872
01:28:32,479 --> 01:28:33,240
Speaker 3: Was that Eric Vitro.

1873
01:28:33,640 --> 01:28:40,040
Speaker 4: Yes, actually, yeah, like like Ari's guys, Yeah, that's amazing. Great.

1874
01:28:41,400 --> 01:28:43,639
Speaker 4: It was a great lesson and I was like, keep

1875
01:28:43,800 --> 01:28:45,519
Speaker 4: doing this, you idiot, and I didn't do it.

1876
01:28:47,040 --> 01:28:49,160
Speaker 2: It's like accupuncture, It's like, oh, keep doing this to

1877
01:28:49,200 --> 01:28:49,519
Speaker 2: get better.

1878
01:28:49,640 --> 01:28:50,160
Speaker 4: It was great.

1879
01:28:50,240 --> 01:28:51,760
Speaker 3: I always say I'm going to do it year round

1880
01:28:51,760 --> 01:28:54,879
Speaker 3: because I start in October to start getting ready for Christmas,

1881
01:28:55,080 --> 01:28:58,120
Speaker 3: and I always stopped doing it in January and then

1882
01:28:58,160 --> 01:29:00,639
Speaker 3: I lose it until we have to, you know, get

1883
01:29:00,680 --> 01:29:02,519
Speaker 3: ready for the culture words. But it would be a

1884
01:29:02,600 --> 01:29:04,360
Speaker 3: great thing to aspire to to like have that like

1885
01:29:04,400 --> 01:29:06,439
Speaker 3: a regular part of because it's like therapy, I know.

1886
01:29:06,800 --> 01:29:08,360
Speaker 4: And when you're doing it, are you doing it once

1887
01:29:08,360 --> 01:29:10,559
Speaker 4: a week, once a month? By I mean when I'm.

1888
01:29:10,439 --> 01:29:12,160
Speaker 3: Doing it, I'm doing it a few a few times

1889
01:29:12,200 --> 01:29:12,679
Speaker 3: a week.

1890
01:29:14,600 --> 01:29:15,040
Speaker 2: Christmas.

1891
01:29:15,120 --> 01:29:17,120
Speaker 3: But I also love it. Like I said, it's it

1892
01:29:17,280 --> 01:29:20,040
Speaker 3: is it is. It does feel like additional therapy. Sometimes

1893
01:29:20,080 --> 01:29:22,320
Speaker 3: I go and I won't realize I need this, but

1894
01:29:22,360 --> 01:29:24,640
Speaker 3: I'll just end up talking the whole time because I'm like,

1895
01:29:25,439 --> 01:29:28,640
Speaker 3: you know, needing to like work through something or you

1896
01:29:28,720 --> 01:29:30,080
Speaker 3: know whatever.

1897
01:29:30,080 --> 01:29:33,600
Speaker 2: Whatever you're about to do A vocal rum. Darcy I am,

1898
01:29:33,800 --> 01:29:35,200
Speaker 2: this is Darcy card and I don't think so many

1899
01:29:35,280 --> 01:29:35,920
Speaker 2: her time starts now.

1900
01:29:36,680 --> 01:29:40,320
Speaker 4: I don't think so, honey, that the kitchen, that the

1901
01:29:40,439 --> 01:29:44,040
Speaker 4: room of the kitchen continues to be dirty.

1902
01:29:44,080 --> 01:29:50,880
Speaker 9: You clean it very well, the whole gag not but

1903
01:29:51,000 --> 01:29:57,840
Speaker 9: a day later, stay once again, and all you did

1904
01:29:58,320 --> 01:29:59,479
Speaker 9: was get some yogurt.

1905
01:30:00,439 --> 01:30:01,719
Speaker 3: It's not like you made a big.

1906
01:30:05,760 --> 01:30:12,800
Speaker 4: Nas and nanas. No, you simply put a slap and

1907
01:30:12,880 --> 01:30:18,920
Speaker 4: then suddenly covered and you have to once again reach

1908
01:30:19,040 --> 01:30:23,120
Speaker 4: for them all. And I don't think so, honey, that

1909
01:30:23,800 --> 01:30:28,720
Speaker 4: room has gotten an attitude. It needs to figure itself.

1910
01:30:30,040 --> 01:30:32,439
Speaker 2: Why so many seconds?

1911
01:30:33,479 --> 01:30:36,559
Speaker 4: I would like I would like that room to take

1912
01:30:36,600 --> 01:30:41,920
Speaker 4: a note from a bed, living bath, even a little

1913
01:30:42,040 --> 01:30:43,479
Speaker 4: less noise from you.

1914
01:30:44,520 --> 01:30:49,080
Speaker 3: I don't think so, honey. You're filthy and kill them

1915
01:30:49,160 --> 01:30:54,280
Speaker 3: all the time.

1916
01:30:55,160 --> 01:30:57,120
Speaker 2: It is deep in my soul.

1917
01:30:57,320 --> 01:31:05,320
Speaker 6: It really was, move me kill this is terrible, killed terrible,

1918
01:31:05,920 --> 01:31:06,519
Speaker 6: kill them.

1919
01:31:09,479 --> 01:31:10,960
Speaker 3: They were also so good in the show.

1920
01:31:11,160 --> 01:31:15,519
Speaker 2: They were so the most funniest, the funniest.

1921
01:31:16,040 --> 01:31:17,599
Speaker 4: They are so funny.

1922
01:31:17,760 --> 01:31:20,599
Speaker 2: You are a sligh for them.

1923
01:31:20,720 --> 01:31:22,160
Speaker 3: You are do you notice his point?

1924
01:31:22,320 --> 01:31:22,360
Speaker 4: You?

1925
01:31:24,120 --> 01:31:25,840
Speaker 2: Here's here's you.

1926
01:31:26,000 --> 01:31:27,880
Speaker 4: Wait, here's you, here's you, and here's me.

1927
01:31:27,960 --> 01:31:30,479
Speaker 3: In theater school ah, when prompted.

1928
01:31:30,600 --> 01:31:33,400
Speaker 2: When prompted, I still don't understand the difference between this and.

1929
01:31:33,960 --> 01:31:35,880
Speaker 4: Maybe naturally you'd be like, and you over there, and

1930
01:31:35,960 --> 01:31:39,160
Speaker 4: your teacher would be like, point and you over.

1931
01:31:39,080 --> 01:31:43,719
Speaker 8: There, wowing impact to you at home, And I'm pointing

1932
01:31:43,760 --> 01:31:45,800
Speaker 8: to you at home, and I am saying, you know,

1933
01:31:46,240 --> 01:31:49,400
Speaker 8: I'm going to point you to your remote control tomorrow.

1934
01:31:49,520 --> 01:31:52,360
Speaker 3: That is July ninth. If you're listening to the July eighth,

1935
01:31:52,479 --> 01:31:55,120
Speaker 3: because the five Star weekend, you're going to be checking

1936
01:31:55,240 --> 01:31:56,839
Speaker 3: in to a five star experience.

1937
01:31:57,680 --> 01:31:58,720
Speaker 2: That's really good.

1938
01:31:59,000 --> 01:31:59,320
Speaker 4: You guys.

1939
01:31:59,360 --> 01:31:59,760
Speaker 3: I love you.

1940
01:32:00,040 --> 01:32:00,479
Speaker 2: I love you.

1941
01:32:00,640 --> 01:32:02,639
Speaker 3: Do you know how much we love you? And also

1942
01:32:02,920 --> 01:32:05,360
Speaker 3: do you know that Like when we were leaving again

1943
01:32:05,439 --> 01:32:07,879
Speaker 3: today we picture locked the Culture Awards, so we're excited.

1944
01:32:08,160 --> 01:32:10,479
Speaker 3: So we got a glass of champagne at the end

1945
01:32:10,600 --> 01:32:12,439
Speaker 3: and we said we were coming here, and the whole

1946
01:32:12,920 --> 01:32:15,800
Speaker 3: post crew it was like, please tell her that we

1947
01:32:15,960 --> 01:32:16,360
Speaker 3: love her.

1948
01:32:18,120 --> 01:32:20,599
Speaker 4: Sorry, Yeah, so nice.

1949
01:32:20,880 --> 01:32:21,800
Speaker 3: Yeah, it's just true.

1950
01:32:24,320 --> 01:32:28,360
Speaker 4: That's so nice. That's whatever. That's so nice. I love you, guys.

1951
01:32:29,320 --> 01:32:30,840
Speaker 4: I talk about you all the time. Wait, I do

1952
01:32:30,920 --> 01:32:32,719
Speaker 4: want to say something that I said five hundred times

1953
01:32:33,000 --> 01:32:37,000
Speaker 4: to interviewers in almost the Lady Gaga when there's one

1954
01:32:37,040 --> 01:32:39,080
Speaker 4: in the room sort of way. But I'm going to

1955
01:32:39,080 --> 01:32:42,120
Speaker 4: say it again, which is that the show that you

1956
01:32:42,200 --> 01:32:45,600
Speaker 4: guys put on is the exact same show that you

1957
01:32:45,760 --> 01:32:49,240
Speaker 4: would have done in the UCB basement in New York City.

1958
01:32:49,600 --> 01:32:52,720
Speaker 4: Show it is joke for joke. You don't you You

1959
01:32:53,240 --> 01:32:56,519
Speaker 4: stick to what you know is funny. You don't sell

1960
01:32:56,560 --> 01:33:00,120
Speaker 4: out to anybody. It is a weird comedy show you

1961
01:33:00,160 --> 01:33:03,320
Speaker 4: guys are doing with uber celebrities. It's insane. There is

1962
01:33:03,520 --> 01:33:05,400
Speaker 4: no reason it should work as well as it does.

1963
01:33:05,600 --> 01:33:07,240
Speaker 4: But the fact that it does is because you guys

1964
01:33:07,280 --> 01:33:10,880
Speaker 4: are sticking true to who you are and and you're

1965
01:33:10,960 --> 01:33:13,040
Speaker 4: not You're not selling out and you're not letting anybody

1966
01:33:13,080 --> 01:33:15,920
Speaker 4: tell you what to do. It's it's unbelievable. It's it's

1967
01:33:16,720 --> 01:33:18,920
Speaker 4: when I say it's rare, I mean it doesn't exist.

1968
01:33:19,040 --> 01:33:20,679
Speaker 4: It exists just for you guys.

1969
01:33:20,840 --> 01:33:22,040
Speaker 2: That's it. Thank you. At Once?

1970
01:33:22,280 --> 01:33:24,920
Speaker 3: Than is this title of at Once?

1971
01:33:25,240 --> 01:33:25,559
Speaker 6: It is.

1972
01:33:28,479 --> 01:33:29,840
Speaker 2: Miss biggie, Miss biggie.

1973
01:33:29,960 --> 01:33:30,560
Speaker 3: You will be leaving it.

1974
01:33:30,840 --> 01:33:31,559
Speaker 2: You'll be leaving at once.

1975
01:33:31,960 --> 01:33:33,519
Speaker 3: Should it be just all caps? At once?

1976
01:33:33,600 --> 01:33:33,920
Speaker 2: At once?

1977
01:33:34,000 --> 01:33:35,719
Speaker 3: At once?

1978
01:33:36,160 --> 01:33:38,880
Speaker 4: At once? I love you at once? I love you,

1979
01:33:39,479 --> 01:33:42,960
Speaker 4: wetting it, you love you at once.

1980
01:33:42,960 --> 01:33:47,160
Speaker 3: I love you at once. You really were troopers today

1981
01:33:47,240 --> 01:33:48,320
Speaker 3: and I want you to know that I love you

1982
01:33:48,400 --> 01:33:48,800
Speaker 3: at once.

1983
01:33:48,920 --> 01:33:49,679
Speaker 4: We love you at once.

1984
01:33:50,320 --> 01:33:52,200
Speaker 3: All right, Well we end every episode with the song

1985
01:33:52,320 --> 01:34:01,160
Speaker 3: of course he said, go take me Timeless, Emmy, Sam

1986
01:34:02,040 --> 01:34:06,200
Speaker 3: love me Sago Ota be.

1987
01:34:09,360 --> 01:34:09,719
Speaker 4: Side.

1988
01:34:11,520 --> 01:34:15,960
Speaker 3: Well you don't even miss Elo, know, you.

1989
01:34:16,080 --> 01:34:18,479
Speaker 4: Know, you know, I know.

1990
01:34:21,120 --> 01:34:25,200
Speaker 3: I'm just gonna go to the end issas and to

1991
01:34:25,760 --> 01:34:27,120
Speaker 3: hear that again. Better.

1992
01:34:27,520 --> 01:34:28,439
Speaker 4: No, that was really good.

1993
01:34:28,520 --> 01:34:30,080
Speaker 3: But you gotta stream the moona album.

1994
01:34:30,160 --> 01:34:32,200
Speaker 4: What No, I was gonna say, streama.

1995
01:34:33,240 --> 01:34:40,400
Speaker 2: One streama at once last. Culture Recis is the production

1996
01:34:40,479 --> 01:34:42,519
Speaker 2: by Will Ferrell's Big Money Players in the Heart radio.

1997
01:34:42,360 --> 01:34:45,599
Speaker 3: Podcasts, created and hosted by Matt Rogers and Bowen Yang,

1998
01:34:45,800 --> 01:34:49,240
Speaker 3: executive produced by Anna Hasby and produced by Becca Ramos,

1999
01:34:49,520 --> 01:34:52,200
Speaker 3: edited by hot Dog Sandwich and our music is by

2000
01:34:52,240 --> 01:34:53,080
Speaker 3: Henrik Murski