1 00:00:00,640 --> 00:00:03,559 Speaker 1: Hey, everybody, chuck here and it's Saturday, and that means 2 00:00:03,600 --> 00:00:06,120 Speaker 1: that I am hungover. I'm just kidding. I feel like 3 00:00:06,120 --> 00:00:08,960 Speaker 1: a fresh daisy. And right now I'm going to listen 4 00:00:08,960 --> 00:00:10,719 Speaker 1: to this one again, and I think you should too. 5 00:00:11,119 --> 00:00:13,399 Speaker 1: The Stuff you Should Know select this week is called 6 00:00:13,520 --> 00:00:16,160 Speaker 1: what makes a One Hit Wonder? Super super Cool stuff 7 00:00:16,200 --> 00:00:22,919 Speaker 1: about pop culture and music. From March two, enjoy m 8 00:00:26,520 --> 00:00:28,840 Speaker 1: Welcome to Stuff you Should Know, a production of I 9 00:00:29,000 --> 00:00:38,479 Speaker 1: Heart Radios How Stuff Works. Hey, and welcome to the podcast. 10 00:00:38,600 --> 00:00:45,560 Speaker 1: I'm Josh Clark. There's Charles W. Chuck Bryant. Say something. Um, yeah, 11 00:00:45,760 --> 00:00:47,800 Speaker 1: I didn't even say say something funny. I just said 12 00:00:47,840 --> 00:00:50,680 Speaker 1: say something I know. Frozen. Yeah, it's all right, man. 13 00:00:50,760 --> 00:00:53,920 Speaker 1: That's good quality in a broadcaster to freeze up on 14 00:00:53,920 --> 00:00:57,000 Speaker 1: the air and a professional talker. Yeah, yeah, how you 15 00:00:57,040 --> 00:01:01,600 Speaker 1: doing was great? Freezing? Um? I'm good man. I'm This 16 00:01:01,640 --> 00:01:03,560 Speaker 1: is a fun, goofy little topic and we haven't done 17 00:01:03,600 --> 00:01:05,160 Speaker 1: one like that in a while. This was a fun 18 00:01:05,280 --> 00:01:08,160 Speaker 1: article written by a guy named Charles W. Bryant, the 19 00:01:08,200 --> 00:01:10,560 Speaker 1: writer for the site. Yeah, I will go ahead and 20 00:01:10,560 --> 00:01:12,639 Speaker 1: say one thing I was disappointed in in this article, 21 00:01:12,800 --> 00:01:14,640 Speaker 1: and I would still like to see someone tackle this 22 00:01:14,800 --> 00:01:20,280 Speaker 1: in documentary style. Maybe is the psychology of being a 23 00:01:20,280 --> 00:01:23,760 Speaker 1: one hit wonder? Oh, like what it does to your psyche? Yeah? 24 00:01:23,920 --> 00:01:26,400 Speaker 1: Is it better to have that one hit and fade 25 00:01:26,440 --> 00:01:28,400 Speaker 1: away and at least you had that? Or is it 26 00:01:28,400 --> 00:01:31,679 Speaker 1: better to have never? You know? I just I would 27 00:01:31,720 --> 00:01:34,080 Speaker 1: be real curious to see a series of interviews with 28 00:01:34,120 --> 00:01:37,160 Speaker 1: one hit wonders to see like how they feel about it. 29 00:01:37,480 --> 00:01:39,479 Speaker 1: You're saying, is it better to have hit and lost 30 00:01:39,520 --> 00:01:41,680 Speaker 1: than never to have hit at all? Exactly? And I 31 00:01:41,680 --> 00:01:43,800 Speaker 1: couldn't really find anything on that. So I'm sure there's 32 00:01:43,800 --> 00:01:46,000 Speaker 1: one or two who like, listen to the podcast, and 33 00:01:46,040 --> 00:01:48,120 Speaker 1: if you do, right in, let us know how it is. 34 00:01:48,600 --> 00:01:53,919 Speaker 1: We're interested. Loue Bega, Yeah, the very least lou Vega listens, 35 00:01:55,280 --> 00:01:58,640 Speaker 1: the fake loue Vega. So, Chuck, I wanted to commend 36 00:01:58,680 --> 00:02:03,280 Speaker 1: you for this article because you really like this is 37 00:02:03,280 --> 00:02:05,760 Speaker 1: a tough one for With how stuff works articles, we 38 00:02:05,880 --> 00:02:09,200 Speaker 1: typically take a topic that is, you know, has a 39 00:02:09,240 --> 00:02:11,200 Speaker 1: lot of research done on it, it's very well defined, 40 00:02:11,240 --> 00:02:14,480 Speaker 1: and then we deconstruct it. This one is like I 41 00:02:15,120 --> 00:02:16,960 Speaker 1: looked on the internet and if you type in one 42 00:02:17,000 --> 00:02:20,520 Speaker 1: hit wonder, there is like zero scholarly work done on 43 00:02:20,520 --> 00:02:23,320 Speaker 1: it for good reason. Yeah, well, I mean it's interesting 44 00:02:23,320 --> 00:02:25,240 Speaker 1: though too. Like you brought up the psychology of being 45 00:02:25,240 --> 00:02:27,440 Speaker 1: a one there shouldn't been anyone ever done a study 46 00:02:27,480 --> 00:02:30,760 Speaker 1: like that. There is nothing. It's all just lists. And 47 00:02:30,760 --> 00:02:33,160 Speaker 1: I actually did find one good website. It's called um 48 00:02:33,240 --> 00:02:37,160 Speaker 1: one Hit Wonder Central dot Com and they have everything 49 00:02:37,160 --> 00:02:39,000 Speaker 1: and you can play like every song they have it 50 00:02:39,040 --> 00:02:41,720 Speaker 1: by years who the one hit wonder was from like 51 00:02:41,760 --> 00:02:44,560 Speaker 1: the sixties to the two thousand's, maybe fifties. There are 52 00:02:44,680 --> 00:02:46,600 Speaker 1: some of the greatest songs to me, or some of 53 00:02:46,600 --> 00:02:48,919 Speaker 1: the one hit Wonders. And I mean that's the points, 54 00:02:48,960 --> 00:02:51,760 Speaker 1: Like you know, one hit Wonder is just something that 55 00:02:51,840 --> 00:02:54,640 Speaker 1: everybody liked at one time. We just didn't like whatever 56 00:02:54,680 --> 00:02:58,160 Speaker 1: else they were making, right, Um, at least as a 57 00:02:58,440 --> 00:03:03,080 Speaker 1: large collective group. Anyway, back to me commending you, Um, 58 00:03:03,240 --> 00:03:05,440 Speaker 1: you had to take something that was really amorphous that 59 00:03:05,520 --> 00:03:08,720 Speaker 1: everybody knew and we knew if you got wrong, and 60 00:03:08,800 --> 00:03:11,760 Speaker 1: whipping into shape like a definable shape, and you got 61 00:03:11,800 --> 00:03:14,840 Speaker 1: it right. I think you did a great job. So Um. 62 00:03:15,000 --> 00:03:17,040 Speaker 1: The first thing you pointed out was that no one 63 00:03:17,240 --> 00:03:20,440 Speaker 1: is certain of the origin of this phrase. That's right, 64 00:03:20,720 --> 00:03:22,760 Speaker 1: but we figured out that it was it first came 65 00:03:22,760 --> 00:03:26,360 Speaker 1: in print. Right, Well, that's what phrases dot org says, 66 00:03:26,480 --> 00:03:28,600 Speaker 1: and I couldn't find anything to dispute it. But a 67 00:03:28,680 --> 00:03:33,240 Speaker 1: writer there wrote the sentence in July seventy seven about 68 00:03:33,280 --> 00:03:37,320 Speaker 1: Abba instead of becoming what everyone expected a one hit wonder, 69 00:03:37,480 --> 00:03:40,920 Speaker 1: they soon had a string of hits behind them. And 70 00:03:41,280 --> 00:03:43,680 Speaker 1: although the website phrase dot org does say it appears 71 00:03:43,680 --> 00:03:46,440 Speaker 1: to have already been a used phrase, but this is 72 00:03:46,440 --> 00:03:48,839 Speaker 1: the first time they've seen it in print, right, and 73 00:03:48,840 --> 00:03:52,160 Speaker 1: and so, and there actually is like a definition for 74 00:03:52,480 --> 00:03:57,120 Speaker 1: one hit wonder, like there's well, a hit, I guess 75 00:03:57,200 --> 00:03:59,360 Speaker 1: you define a hit, and then it's got to be 76 00:03:59,440 --> 00:04:03,480 Speaker 1: on the because we're so American centric, has to be 77 00:04:03,520 --> 00:04:06,640 Speaker 1: on the billboard top and then specifically in the top 78 00:04:06,680 --> 00:04:10,160 Speaker 1: forty to be considered a hit. Right, Yeah, technically for 79 00:04:10,440 --> 00:04:12,400 Speaker 1: like when most people like there have been books written 80 00:04:12,400 --> 00:04:15,240 Speaker 1: about one hit wonders and that's usually what what they say. Okay, 81 00:04:15,680 --> 00:04:17,640 Speaker 1: so that wasn't just you or anything saying. And I 82 00:04:17,640 --> 00:04:20,120 Speaker 1: thought it was a great definition. No, it's a good definition, 83 00:04:20,160 --> 00:04:22,720 Speaker 1: but that's the generally held definition. But then that's where 84 00:04:22,720 --> 00:04:27,360 Speaker 1: it gets really blurry. As we're about to find out right, Well, 85 00:04:27,560 --> 00:04:29,560 Speaker 1: in many ways, I mean, yeah, you make a point 86 00:04:29,640 --> 00:04:32,960 Speaker 1: that there's a lot of one hit wonders by that definition. 87 00:04:33,040 --> 00:04:37,920 Speaker 1: Who are legendary musicians like Jimi Hendrix one hit, Janis 88 00:04:37,960 --> 00:04:44,839 Speaker 1: Joplin one hit, Garth Brooks as Chris Gaines. Yeah, that's 89 00:04:45,120 --> 00:04:49,200 Speaker 1: this only Billboard hit. Yeah, this is only Billboard Top 90 00:04:49,240 --> 00:04:52,520 Speaker 1: forty hit. Yeah, but he had country hits, just lived 91 00:04:52,560 --> 00:04:57,039 Speaker 1: on the country top ten. But yeah, as in the 92 00:04:57,080 --> 00:05:00,839 Speaker 1: mainstream top forty. His only hit was Chris Kayes with 93 00:05:00,920 --> 00:05:05,080 Speaker 1: the haircut and the soul patch Man. That was Yeah, 94 00:05:05,160 --> 00:05:06,920 Speaker 1: I don't know what the song that was even I 95 00:05:06,960 --> 00:05:12,920 Speaker 1: don't um beck Yeah, the Dead, The Dead, the White Stripes, 96 00:05:13,279 --> 00:05:17,160 Speaker 1: lou Reid, Iggy pop Divo, some like iconic bands and 97 00:05:17,320 --> 00:05:22,440 Speaker 1: musicians that have only had one hit. Um. And then 98 00:05:22,520 --> 00:05:25,200 Speaker 1: you've got artists who never had that hit but are 99 00:05:25,240 --> 00:05:28,919 Speaker 1: still considered one hit wonders. Because what you end up 100 00:05:28,960 --> 00:05:32,279 Speaker 1: realizing is, despite the definition of what a hit is, 101 00:05:32,839 --> 00:05:35,320 Speaker 1: a one hit wonder is something different. It's just an 102 00:05:35,400 --> 00:05:40,320 Speaker 1: artist and a song who captured something for a moment 103 00:05:40,360 --> 00:05:42,760 Speaker 1: in time. It doesn't matter if it was a top 104 00:05:42,760 --> 00:05:48,000 Speaker 1: forty hit. Right like you you say, um, Wallavoodoo's Mexican Radio. Absolutely, 105 00:05:48,120 --> 00:05:50,960 Speaker 1: it's not a top forty hit. No, but that's definitely 106 00:05:51,160 --> 00:05:54,880 Speaker 1: a hit. Sure in the zeitgeist did you put it? Absolutely? 107 00:05:55,160 --> 00:06:00,120 Speaker 1: Who else? I'll melt with you Modern English, the Weather Girls, 108 00:06:00,120 --> 00:06:03,040 Speaker 1: it's raining man, Like you would say, all of these 109 00:06:03,040 --> 00:06:05,360 Speaker 1: are definitely one hit wonders, and none of them had 110 00:06:05,400 --> 00:06:08,880 Speaker 1: top forty hits. Right, So, but sticking to the strict definition, 111 00:06:09,520 --> 00:06:12,400 Speaker 1: um that, I mean that still works too. Write like 112 00:06:12,480 --> 00:06:17,160 Speaker 1: the Penguins, Earth Angel. Yeah, in the fifties, right, Um, 113 00:06:17,160 --> 00:06:21,359 Speaker 1: in the sixties you had um Summertime Blues by Blue Cheer, 114 00:06:22,120 --> 00:06:24,640 Speaker 1: but they really spent blue on like their one there, 115 00:06:24,640 --> 00:06:27,560 Speaker 1: one thing there, one shot was covered in blue. Blue 116 00:06:27,600 --> 00:06:31,080 Speaker 1: Cheer did Summertime Blues? Green tambourine? Remember that song? No, 117 00:06:32,040 --> 00:06:36,280 Speaker 1: I didn't mean tambourine. It was very like psychedelic No 118 00:06:36,680 --> 00:06:40,080 Speaker 1: and the Lemon Pipers. You know. It's one of those 119 00:06:40,080 --> 00:06:44,039 Speaker 1: songs where sort of like h in the seventies, Argents, 120 00:06:44,080 --> 00:06:47,680 Speaker 1: hold your head up like everybody knows that song. But 121 00:06:47,720 --> 00:06:50,719 Speaker 1: I bet ninety nine people out of a hundred I've 122 00:06:50,720 --> 00:06:53,760 Speaker 1: never heard of the band Argent. No, they probably think, oh, 123 00:06:53,880 --> 00:06:56,280 Speaker 1: wasn't that The guests who or wasn't that in Joe Dirt? 124 00:06:56,480 --> 00:07:00,159 Speaker 1: Or yes, wasn't that in? Was it? Yeah? Really I 125 00:07:00,200 --> 00:07:03,359 Speaker 1: never saw that movie. What I never saw Joe Dirt? 126 00:07:03,440 --> 00:07:07,040 Speaker 1: Oh man, such a great like keep your Chin up 127 00:07:07,240 --> 00:07:12,120 Speaker 1: movie is so good. Like I really can hate David Spade, 128 00:07:12,400 --> 00:07:16,000 Speaker 1: you can hate all of that kind of comedy, but 129 00:07:16,200 --> 00:07:19,320 Speaker 1: that movie has such like it's got heart, it's a 130 00:07:19,360 --> 00:07:22,720 Speaker 1: cute movie. Well, I had friends. It's on Netflix streaming. Yeah, 131 00:07:22,760 --> 00:07:24,120 Speaker 1: I had friends that worked on it. And that's where 132 00:07:24,120 --> 00:07:26,920 Speaker 1: I have my Gary Busey insider story. Oh yeah, yeah, 133 00:07:26,920 --> 00:07:28,320 Speaker 1: I think I told you. You You know he was He 134 00:07:28,360 --> 00:07:31,040 Speaker 1: was supposed to play the father and if you'll notice 135 00:07:31,040 --> 00:07:32,440 Speaker 1: in the film, he does not play the father. No, 136 00:07:32,520 --> 00:07:35,360 Speaker 1: it's done by one Fred Ward. Yeah. So Gary Bucy 137 00:07:35,440 --> 00:07:37,760 Speaker 1: was on set for a day and it didn't work out. 138 00:07:37,920 --> 00:07:39,559 Speaker 1: He made it. Wish I could tell the whole story. 139 00:07:39,960 --> 00:07:42,720 Speaker 1: He made it into Black Sheep with Chris Farley and um, 140 00:07:43,240 --> 00:07:45,720 Speaker 1: David Spade. That. Yeah, he was like the crazy guy 141 00:07:45,720 --> 00:07:49,280 Speaker 1: who lived in a school bus in the woods. It 142 00:07:49,360 --> 00:07:52,360 Speaker 1: was the part he was born to play exactly. Please 143 00:07:52,400 --> 00:07:55,360 Speaker 1: don't come to our office, Gary. Um. All right, So 144 00:07:55,400 --> 00:07:59,880 Speaker 1: that was the fifties and that's generally when the rock 145 00:08:00,120 --> 00:08:02,280 Speaker 1: era in the fifties is when you people say you 146 00:08:02,320 --> 00:08:04,920 Speaker 1: can start talking about things like one hit wonders, like 147 00:08:05,000 --> 00:08:07,120 Speaker 1: not some guy who had one big band hit in 148 00:08:07,120 --> 00:08:10,480 Speaker 1: the nineteen thirties, although I'm sure they were there, you 149 00:08:10,560 --> 00:08:14,280 Speaker 1: know that's true. Uh, there's been one song that was 150 00:08:14,320 --> 00:08:17,120 Speaker 1: a one hit wonder for two bands, which is interesting. 151 00:08:17,160 --> 00:08:20,960 Speaker 1: Oh yeah, let's hear funky Town really yeah, Lips Incorporated. 152 00:08:21,960 --> 00:08:24,720 Speaker 1: And then I don't know if you remember Pseudo Echo. 153 00:08:24,840 --> 00:08:27,800 Speaker 1: They did a version of that in it was a 154 00:08:27,840 --> 00:08:31,760 Speaker 1: little more electric and upbeat, and that was a bona 155 00:08:31,760 --> 00:08:34,960 Speaker 1: fide top forty hit as well. Seems can't people couldn't 156 00:08:34,960 --> 00:08:37,400 Speaker 1: get enough of Funky Town. I hope whoever wrote that 157 00:08:37,520 --> 00:08:45,240 Speaker 1: like really cast in. Yeah, so the sixties all right, Now, 158 00:08:45,280 --> 00:08:47,840 Speaker 1: the sixties was the green tambour in seventies songs like 159 00:08:47,880 --> 00:08:52,079 Speaker 1: Spirit in the Sky by Norman Greenbaum. Yeah it's a 160 00:08:52,120 --> 00:08:55,560 Speaker 1: good song. Uh, it was an Apollo thirteen one took 161 00:08:55,600 --> 00:08:59,240 Speaker 1: over the line. I I literally wrote shutter next to that, 162 00:08:59,400 --> 00:09:03,160 Speaker 1: what like, oh you hate that song? It's pretty bad. 163 00:09:03,240 --> 00:09:07,120 Speaker 1: Brewer and Shipley and then Seasons in the Sun, great song. 164 00:09:07,320 --> 00:09:11,120 Speaker 1: Terry Jack's never heard of the guy no no, no 165 00:09:11,240 --> 00:09:13,840 Speaker 1: rev no re um. And you also make the point 166 00:09:13,840 --> 00:09:16,800 Speaker 1: that the seventies were lousy with disco one hit wonders. 167 00:09:16,800 --> 00:09:19,720 Speaker 1: And in our Disco episode we talked about why because 168 00:09:19,760 --> 00:09:22,240 Speaker 1: it was all producer driven rather than artists driven. Exactly. 169 00:09:22,240 --> 00:09:24,280 Speaker 1: I didn't even bother to like list any in here. 170 00:09:24,559 --> 00:09:26,720 Speaker 1: You know, it's you can just name a disco song 171 00:09:26,760 --> 00:09:29,599 Speaker 1: and there you have it. The eighties, of course, you 172 00:09:29,640 --> 00:09:32,240 Speaker 1: had bands like Soft Cells, Tainted Love and Oh Mickey, 173 00:09:32,280 --> 00:09:37,040 Speaker 1: You're So Fine, Tony Basil, Uh, I Want Candy by 174 00:09:37,080 --> 00:09:42,000 Speaker 1: Bow Wow Wow Kajago. Remember what song I don't remember? 175 00:09:42,960 --> 00:09:45,360 Speaker 1: Is that who? That was too shy shy? Yeah. Uh 176 00:09:45,360 --> 00:09:47,280 Speaker 1: so the eighties was lousy with it, but a lot 177 00:09:47,320 --> 00:09:49,360 Speaker 1: of those songs are great songs, and a lot of 178 00:09:49,360 --> 00:09:54,480 Speaker 1: the artists in the eighties were popular in other countries. Yeah, 179 00:09:55,000 --> 00:09:57,679 Speaker 1: and are known as one hit wonders here in the US. 180 00:09:57,720 --> 00:10:02,079 Speaker 1: Like I was reading an article on I think Cracked 181 00:10:02,160 --> 00:10:05,559 Speaker 1: maybe about one hit Wonders and they were saying, like, 182 00:10:06,040 --> 00:10:09,400 Speaker 1: Aha had Take on Me, which was a hit here 183 00:10:09,400 --> 00:10:11,839 Speaker 1: in the United States, but that was it. But they're 184 00:10:11,880 --> 00:10:14,120 Speaker 1: like one of the top fifty grossing bands of all 185 00:10:14,160 --> 00:10:18,240 Speaker 1: time worldwide. Yeah. Well, and Aha falls into another weird category, 186 00:10:18,240 --> 00:10:20,520 Speaker 1: which is a band that's known as a one hit 187 00:10:20,520 --> 00:10:24,360 Speaker 1: wonder who actually had a quieter second hit. Oh really Yeah, 188 00:10:24,400 --> 00:10:27,160 Speaker 1: they had a song called the Sun Always Shines on 189 00:10:27,200 --> 00:10:29,960 Speaker 1: TV that was like a top twenty hit. I nick, wow, 190 00:10:30,000 --> 00:10:32,760 Speaker 1: I don't remember that one. Nobody does. They're good though, 191 00:10:33,160 --> 00:10:35,880 Speaker 1: now they're awesome. Um. And then remember right said Fred 192 00:10:36,040 --> 00:10:40,640 Speaker 1: on Too Sexy huge in England, Yes, like there I'm 193 00:10:40,679 --> 00:10:44,240 Speaker 1: Too Sexy was actually only hit number two in England. 194 00:10:44,280 --> 00:10:46,199 Speaker 1: They had another one that hit number one, but here 195 00:10:46,200 --> 00:10:48,640 Speaker 1: in the States, I think it hit number one here. 196 00:10:49,440 --> 00:10:51,440 Speaker 1: And then that was it for right side Fred. Uh, 197 00:10:51,559 --> 00:10:54,840 Speaker 1: the same with Frankie Goes to Hollywood and uh yeah, 198 00:10:54,880 --> 00:10:58,920 Speaker 1: they were really big in Europe. And Gary Newman, Yeah 199 00:10:58,960 --> 00:11:01,240 Speaker 1: that was a good song. That song holds up car 200 00:11:01,280 --> 00:11:03,480 Speaker 1: go back and listen to cars. Yeah, that dude was 201 00:11:03,600 --> 00:11:06,640 Speaker 1: a good musician. Well, and he was hugely popular and 202 00:11:06,679 --> 00:11:08,920 Speaker 1: still like tours today. Yeah, so he's he's one of 203 00:11:08,920 --> 00:11:11,080 Speaker 1: those guys that's like, please don't call me a one 204 00:11:11,120 --> 00:11:14,280 Speaker 1: hit wonder. I had a long successful career. Look at 205 00:11:14,280 --> 00:11:18,360 Speaker 1: my house. You know it's a car No, I think 206 00:11:18,400 --> 00:11:21,480 Speaker 1: it's like a mansion. He lives in his car. It's 207 00:11:21,480 --> 00:11:26,760 Speaker 1: predel safest, he can lock all his doors. Uh Falco 208 00:11:27,120 --> 00:11:30,920 Speaker 1: and oh yeah, Nina, we're really big in German speaking countries. 209 00:11:31,040 --> 00:11:33,480 Speaker 1: Yeah yeah, I could see that. But you know, had 210 00:11:33,480 --> 00:11:38,959 Speaker 1: the ninety nine red balloons balloons and then Falco's rock 211 00:11:39,040 --> 00:11:43,160 Speaker 1: Me on My Dais. Yeah, huge hit here. It's like 212 00:11:43,320 --> 00:11:46,320 Speaker 1: it didn't occur to my young brain that that wasn't 213 00:11:46,840 --> 00:11:49,240 Speaker 1: from the Ama Dais soundtrack, because remember it came out 214 00:11:49,280 --> 00:11:52,679 Speaker 1: at about the same time as the movie, and um, 215 00:11:53,040 --> 00:11:55,600 Speaker 1: like I just thought it was part of the soundtrack, yeah, 216 00:11:55,640 --> 00:11:58,640 Speaker 1: the movie soundtrack. Well, the point with this, though, is 217 00:11:58,679 --> 00:12:01,640 Speaker 1: that one hit one or is sort of a sort 218 00:12:01,679 --> 00:12:04,640 Speaker 1: of a derogatory term to throw on unearnest. So a 219 00:12:04,640 --> 00:12:08,920 Speaker 1: lot of these people are like in America, like you jerks, 220 00:12:09,360 --> 00:12:12,000 Speaker 1: I was huge in Europe or maybe some other country 221 00:12:12,440 --> 00:12:17,200 Speaker 1: and uh yeah, who cares so much for you? One 222 00:12:17,280 --> 00:12:22,640 Speaker 1: hit the nineties crash Test Dummies, remember those dudes. Well 223 00:12:22,679 --> 00:12:27,000 Speaker 1: that was the song. Oh yeah, yeah, that's right, the Makrana, 224 00:12:27,080 --> 00:12:29,200 Speaker 1: even though I don't even like to count that. Um, 225 00:12:29,679 --> 00:12:32,959 Speaker 1: what about Faith No More is epic? Yeah, see that's 226 00:12:32,960 --> 00:12:36,720 Speaker 1: a band that hugely critically popular and had a big 227 00:12:36,720 --> 00:12:41,760 Speaker 1: cult following. But yeah, just the one hit the epic. Yeah, 228 00:12:42,200 --> 00:12:44,600 Speaker 1: that was the name of it, right, you want it all, 229 00:12:44,640 --> 00:12:46,520 Speaker 1: but you can't have it. That was I remember here 230 00:12:46,559 --> 00:12:49,000 Speaker 1: that song in the first time. This is the coolest 231 00:12:49,000 --> 00:12:52,160 Speaker 1: thing I've ever heard. Yeah, and that lead singer, what's 232 00:12:52,160 --> 00:12:54,880 Speaker 1: his name, Mike something, he's like super respected. He's been 233 00:12:54,920 --> 00:12:57,960 Speaker 1: another band like Mr. Bungle. Yeah. Yeah, yeah, it's a 234 00:12:57,960 --> 00:13:01,360 Speaker 1: big like has a big cult fall and not not 235 00:13:01,480 --> 00:13:04,640 Speaker 1: among colts, even like among people who aren't in cults. 236 00:13:05,160 --> 00:13:07,800 Speaker 1: All right, so that's music, that's an overview. Yeah. You 237 00:13:07,840 --> 00:13:09,600 Speaker 1: make a really good point in this article that, like 238 00:13:09,679 --> 00:13:13,720 Speaker 1: one hit wonder, that derogatory term isn't just um aimed 239 00:13:13,760 --> 00:13:16,800 Speaker 1: at people only in the music industry, although that's where 240 00:13:16,880 --> 00:13:19,240 Speaker 1: the lion's share of it is, but it shows up 241 00:13:19,240 --> 00:13:21,680 Speaker 1: in sports. You pointed out a couple of them, a 242 00:13:21,679 --> 00:13:23,959 Speaker 1: couple of instances. Yeah, well, if you have one hit 243 00:13:24,000 --> 00:13:26,800 Speaker 1: in baseball, then you've been a complete and utter failure. 244 00:13:27,280 --> 00:13:29,160 Speaker 1: But a couple of guys have had one hit and 245 00:13:29,200 --> 00:13:31,160 Speaker 1: that one hit was a home run, which is pretty cool, 246 00:13:31,160 --> 00:13:33,400 Speaker 1: which is pretty interesting. Who was that? There was a 247 00:13:33,440 --> 00:13:38,720 Speaker 1: guy named um Chris Jellic whose name might recognize for 248 00:13:38,760 --> 00:13:41,960 Speaker 1: some reason. Yeah, And I don't follow the Mets or anything, 249 00:13:42,000 --> 00:13:44,200 Speaker 1: but I guess I just saw that that bit of 250 00:13:44,240 --> 00:13:46,120 Speaker 1: trivia before that he had one hit and there was 251 00:13:46,160 --> 00:13:48,840 Speaker 1: a home run. Yeah. Maybe. So there's a guy who 252 00:13:48,880 --> 00:13:53,760 Speaker 1: didn't have a hit UM named Eddie Goodell. He had 253 00:13:53,800 --> 00:13:57,120 Speaker 1: one plate appearance in a nineteen fifty one game for 254 00:13:57,160 --> 00:14:00,760 Speaker 1: the Yankees, and he was a little person. Oh yeah, 255 00:14:00,800 --> 00:14:03,080 Speaker 1: and they put him in against the St. Louis Browns 256 00:14:03,240 --> 00:14:08,880 Speaker 1: and he drew four consecutive um uh balls and got 257 00:14:08,880 --> 00:14:11,880 Speaker 1: a walk. Really yeah, and his jerseys in the Hall 258 00:14:11,960 --> 00:14:15,520 Speaker 1: of Fame, and it's you can't see me doing this 259 00:14:15,600 --> 00:14:17,959 Speaker 1: right now, I'm rubbing my face. His number was one 260 00:14:18,040 --> 00:14:21,640 Speaker 1: eight really yeah. But he was I guess you could 261 00:14:21,680 --> 00:14:23,720 Speaker 1: say a one hit sports wonder. It was kind of 262 00:14:23,720 --> 00:14:26,600 Speaker 1: a fun story until then. Yeah, but I mean that's 263 00:14:26,680 --> 00:14:28,480 Speaker 1: that was his jam. That's what he got paid for, 264 00:14:28,600 --> 00:14:31,080 Speaker 1: and that's I mean, he was aware that he was 265 00:14:31,120 --> 00:14:34,320 Speaker 1: a little person. So money off. What about the art world, 266 00:14:34,360 --> 00:14:39,800 Speaker 1: design world, there's a very famous person, Harvey Belle, who 267 00:14:39,800 --> 00:14:42,640 Speaker 1: has the perfect name for what he did. Why is 268 00:14:42,680 --> 00:14:44,800 Speaker 1: it the perfect name, Harvey bell It sounds like the 269 00:14:44,840 --> 00:14:48,200 Speaker 1: creator of the smiley face. Yeah, the iconic seventy smiley face. 270 00:14:48,640 --> 00:14:51,920 Speaker 1: He created that as a marketing campaign UM kind it 271 00:14:51,960 --> 00:14:58,040 Speaker 1: sounded like an internal um morale campaign for State UH 272 00:14:58,240 --> 00:15:02,720 Speaker 1: Mutual Life Assurance company UM and it took off. I 273 00:15:02,760 --> 00:15:04,600 Speaker 1: don't know if the company made the money or what, 274 00:15:04,640 --> 00:15:07,720 Speaker 1: but he was paid two forty bucks for it. And 275 00:15:07,800 --> 00:15:12,360 Speaker 1: he never had another artistic hit. And I looked to 276 00:15:12,440 --> 00:15:14,480 Speaker 1: see if there were any other artists who were considered 277 00:15:14,520 --> 00:15:16,160 Speaker 1: one hit wonder and I found some, but I didn't 278 00:15:16,160 --> 00:15:19,160 Speaker 1: recognize any of them. I did recognize one grant would 279 00:15:19,520 --> 00:15:23,120 Speaker 1: the painter of American Gothic. Oh, yeah, he painted that 280 00:15:23,320 --> 00:15:26,160 Speaker 1: and was He won all sorts of prizes, became like 281 00:15:26,200 --> 00:15:29,360 Speaker 1: this like caused celeb like all over the art world, 282 00:15:29,800 --> 00:15:33,560 Speaker 1: and the media started digging into his life and realized 283 00:15:33,600 --> 00:15:36,720 Speaker 1: that he was a middle aged bachelor who lived at 284 00:15:36,760 --> 00:15:39,280 Speaker 1: home with his mother and sister, and like wanted to 285 00:15:39,280 --> 00:15:41,080 Speaker 1: know more about that, and all of a sudden, he 286 00:15:41,160 --> 00:15:44,240 Speaker 1: like just really couldn't handle the the limelight. And it's 287 00:15:44,280 --> 00:15:46,840 Speaker 1: it's a pretty sad story. I think I read an 288 00:15:46,920 --> 00:15:49,880 Speaker 1: article about it on Mental flass. It was worth reading. 289 00:15:49,960 --> 00:15:52,440 Speaker 1: So he never painted again, or I don't think he 290 00:15:52,480 --> 00:15:54,480 Speaker 1: ever kind of went for the Gusto if he didn't 291 00:15:54,520 --> 00:15:56,480 Speaker 1: just stop painting altogether. I don't remember the end of 292 00:15:56,480 --> 00:15:58,480 Speaker 1: the article. Well, the art world certainly has a lot 293 00:15:58,480 --> 00:16:01,960 Speaker 1: of people famous, pre famous for a single painting, but 294 00:16:02,040 --> 00:16:04,480 Speaker 1: they may have been, you know, very revered in other 295 00:16:04,560 --> 00:16:08,360 Speaker 1: areas like faith no More. That's right there, the Faith 296 00:16:08,400 --> 00:16:10,840 Speaker 1: no More of the art world. I told just all 297 00:16:10,840 --> 00:16:13,040 Speaker 1: the scream this last trip to New York. Oh yeah, 298 00:16:13,040 --> 00:16:17,960 Speaker 1: and you're like, yeah, this was like I can't see 299 00:16:17,960 --> 00:16:20,400 Speaker 1: what you're I mean, like you build something like that 300 00:16:20,480 --> 00:16:22,520 Speaker 1: up in your head, see it everywhere, and then just 301 00:16:22,560 --> 00:16:24,280 Speaker 1: to see the real one. It's either going to go 302 00:16:24,320 --> 00:16:27,800 Speaker 1: one of two ways. You're gonna be underwhelmed or amazed. 303 00:16:28,520 --> 00:16:31,520 Speaker 1: You know, I completely agree. And that's been my uh, 304 00:16:31,880 --> 00:16:34,200 Speaker 1: it's been what's happened to me with art because you 305 00:16:34,280 --> 00:16:35,640 Speaker 1: know how I feel about art. I know how you 306 00:16:35,680 --> 00:16:39,160 Speaker 1: feel about art. I love it. Well, now we're on 307 00:16:39,200 --> 00:16:42,560 Speaker 1: the road, driving in your truck. Want to learn a 308 00:16:42,680 --> 00:16:46,400 Speaker 1: thing or two from Josh can chuck it stuff you 309 00:16:46,440 --> 00:17:10,359 Speaker 1: should know? All right? What about books? Yeah? Um, To 310 00:17:10,440 --> 00:17:15,359 Speaker 1: Kill a Mockingbird. Yeah, that's the one most often cited 311 00:17:15,400 --> 00:17:17,840 Speaker 1: as the one hit wonder because Harperlely wrote one book 312 00:17:18,760 --> 00:17:21,240 Speaker 1: that's um one of those rare ones where I actually 313 00:17:21,280 --> 00:17:24,520 Speaker 1: think the movie is better than the book. And I 314 00:17:24,560 --> 00:17:26,359 Speaker 1: love the book. It's one of my favorite books of 315 00:17:26,359 --> 00:17:28,600 Speaker 1: all time. And I hadn't read it in a while, 316 00:17:28,760 --> 00:17:30,480 Speaker 1: and I went back and read it, and then I 317 00:17:30,520 --> 00:17:32,680 Speaker 1: watched the movie shortly after. I was like, holy cow, 318 00:17:32,720 --> 00:17:35,119 Speaker 1: the movies better than the book. Yeah, Gregory Peck, I 319 00:17:35,119 --> 00:17:38,000 Speaker 1: mean yeah, talk about one of the best casting. But everybody, 320 00:17:38,040 --> 00:17:41,080 Speaker 1: like all of those actors were amazing, every single one 321 00:17:41,119 --> 00:17:44,800 Speaker 1: of them. Yeah, Yeah, that's good stuff. She wrote, um, 322 00:17:44,880 --> 00:17:47,080 Speaker 1: the one book, and she worked on a second for 323 00:17:47,119 --> 00:17:49,320 Speaker 1: a while called The Long Goodbye, but shelved it. Then 324 00:17:49,359 --> 00:17:52,240 Speaker 1: in the nineteen eighties she started another book and never 325 00:17:52,680 --> 00:17:55,920 Speaker 1: finished that one either. And I guess she just procrastinated. 326 00:17:56,840 --> 00:17:58,920 Speaker 1: I think she just I don't know. I don't know 327 00:17:58,920 --> 00:18:01,280 Speaker 1: if anyone has an answer why she never wrote again. 328 00:18:01,480 --> 00:18:05,199 Speaker 1: Same with the Sallenger, Yeah, Catching the Rye. That was it, 329 00:18:05,320 --> 00:18:07,520 Speaker 1: except he wrote short stories too, but I mean I 330 00:18:07,520 --> 00:18:10,440 Speaker 1: think he never published another novel. Yeah, And I will 331 00:18:10,440 --> 00:18:14,480 Speaker 1: never know. And John Kennedy tool sure, Confederacy of Dunce 332 00:18:14,600 --> 00:18:17,919 Speaker 1: is how often do you think about that book just 333 00:18:18,000 --> 00:18:22,400 Speaker 1: in your normal life? How I don't know. Almost never. 334 00:18:22,480 --> 00:18:24,760 Speaker 1: Maybe yeah, a couple of times a year, maybe when 335 00:18:24,840 --> 00:18:28,719 Speaker 1: it's like a movie in the works that never happens. 336 00:18:28,920 --> 00:18:32,760 Speaker 1: I was thinking about that movie or that book yesterday 337 00:18:33,560 --> 00:18:36,760 Speaker 1: and I hadn't read this article yet. Have you read it? No? Yeah, 338 00:18:36,800 --> 00:18:38,760 Speaker 1: it's good. It's like I think a lot of people 339 00:18:38,800 --> 00:18:41,560 Speaker 1: have these expectations because it's known as his like genius 340 00:18:41,560 --> 00:18:44,680 Speaker 1: work after this guy committed suicide, and it is really good. 341 00:18:45,320 --> 00:18:47,639 Speaker 1: But um, I don't think it's like one of the 342 00:18:47,680 --> 00:18:50,040 Speaker 1: greatest books of all time or anything. Yeah, so what 343 00:18:50,080 --> 00:18:52,840 Speaker 1: happened to him? Do you know? No? I I just 344 00:18:52,960 --> 00:18:55,119 Speaker 1: I've never read the book. I don't know much about it. 345 00:18:55,160 --> 00:18:57,160 Speaker 1: I know it's kind of like a wacky Southern Gothic 346 00:18:57,320 --> 00:19:00,440 Speaker 1: yea yeah, um kind of novel I lived his aunts, 347 00:19:00,480 --> 00:19:03,439 Speaker 1: I think, or something like, yeah, this crazy character in Louisiana. 348 00:19:04,119 --> 00:19:07,040 Speaker 1: It's always grabbed my attention because it's just like a 349 00:19:07,119 --> 00:19:10,480 Speaker 1: perfect title, and then the guy's name is perfect as well, 350 00:19:10,880 --> 00:19:15,680 Speaker 1: John Kennedy tool or the character his the author got you, well, 351 00:19:15,760 --> 00:19:19,680 Speaker 1: he killed himself. He was clearly now suffered some sort 352 00:19:19,680 --> 00:19:23,639 Speaker 1: of mental illness, and um could not get published, and 353 00:19:23,720 --> 00:19:28,720 Speaker 1: that drove him to eventually commit suicide in nineteen nine, 354 00:19:29,160 --> 00:19:30,919 Speaker 1: and his mother made it her life's work to get 355 00:19:30,920 --> 00:19:35,200 Speaker 1: it published and did so. And then his second book 356 00:19:35,240 --> 00:19:37,440 Speaker 1: was published, The Neon Bible, I think in six and 357 00:19:37,480 --> 00:19:39,240 Speaker 1: that was made into a movie. So he's not a 358 00:19:39,240 --> 00:19:43,040 Speaker 1: one hit wonder then, well, Neon Bible wasn't a huge hit. 359 00:19:43,160 --> 00:19:48,080 Speaker 1: But but yeah, I would say he's a one hit wonder. Um. 360 00:19:48,119 --> 00:19:51,400 Speaker 1: And you also bring up movies too, man, Yeah, and 361 00:19:52,160 --> 00:19:54,199 Speaker 1: on books again, Sylvia Plath is on here for the 362 00:19:54,240 --> 00:19:56,359 Speaker 1: Bell Jar. I kinda wish I hadn't put that in 363 00:19:56,440 --> 00:19:58,800 Speaker 1: here because she was a well known poet. That's why 364 00:19:58,800 --> 00:20:01,440 Speaker 1: I hadn't mentioned it, you know. But she did write 365 00:20:01,440 --> 00:20:03,840 Speaker 1: the one book and then would you do stick her 366 00:20:03,840 --> 00:20:05,800 Speaker 1: head in the oven or something. I don't know how 367 00:20:05,880 --> 00:20:09,080 Speaker 1: she killed herself. I think Virginia Wolf drowned herself, right, 368 00:20:09,800 --> 00:20:14,280 Speaker 1: Sylvia herself on herself? I think did she That sounds right? 369 00:20:14,800 --> 00:20:18,200 Speaker 1: I remember that scene in Wonder Boys where Toby McGuire 370 00:20:18,280 --> 00:20:21,480 Speaker 1: rattles off the famous celebrity suicides. It was really great. 371 00:20:21,520 --> 00:20:25,000 Speaker 1: That was a great movie. Joseph Heller with Catch twenty two. Yeah, 372 00:20:25,040 --> 00:20:29,720 Speaker 1: that's certainly a one hit wonder um. So yeah, movies, um, 373 00:20:29,760 --> 00:20:33,560 Speaker 1: I mean there more directors and actors that you could 374 00:20:33,600 --> 00:20:38,040 Speaker 1: even mention that had one hit, but legit super super hits, 375 00:20:38,040 --> 00:20:42,120 Speaker 1: people like Michael is it Chimino or Samino? Samino? I think, 376 00:20:42,400 --> 00:20:44,960 Speaker 1: although if it's if you're speaking in the Italian, it 377 00:20:44,960 --> 00:20:49,000 Speaker 1: would be Chimino. Uh. He did The Deer Hunter, of course, 378 00:20:49,520 --> 00:20:53,760 Speaker 1: one Best Picture in four other Academy Awards. Did he mal? Huh? 379 00:20:53,840 --> 00:20:56,880 Speaker 1: Did he mal? That's what they tell him when they're 380 00:20:56,920 --> 00:20:59,639 Speaker 1: like making them play Russian Roulette? Did he Yeah, except 381 00:20:59,680 --> 00:21:02,840 Speaker 1: they scream it. Yeah. Yeah, that scene was so intense. 382 00:21:03,840 --> 00:21:06,600 Speaker 1: I saw that very young, really young to be seeing 383 00:21:06,640 --> 00:21:09,000 Speaker 1: that movie in retrospect, like it made an impression on you. 384 00:21:09,080 --> 00:21:13,320 Speaker 1: Oh yeah, huge? Um. But yeah. He famously made Heaven's 385 00:21:13,480 --> 00:21:16,879 Speaker 1: Gate um as his follow up, which was one of 386 00:21:16,920 --> 00:21:22,000 Speaker 1: the notorious disasters along with Ishtar. Wasn't like water World 387 00:21:22,880 --> 00:21:26,240 Speaker 1: Skate Warren Baby movie too? Or is that Heaven Can Wait? 388 00:21:27,320 --> 00:21:29,960 Speaker 1: He was in Heaven Can Wait an Ishtar? So what 389 00:21:30,040 --> 00:21:32,800 Speaker 1: about Heaven's Gate? What was that about? Yeah? I think 390 00:21:32,840 --> 00:21:36,879 Speaker 1: it was a Western if I'm not mistaken. Yeah, And 391 00:21:36,920 --> 00:21:39,840 Speaker 1: it was just a notorious failure and a very expensive one. 392 00:21:40,359 --> 00:21:42,879 Speaker 1: And then Tomino never he made a few other movies, 393 00:21:42,920 --> 00:21:45,359 Speaker 1: but you haven't heard of many of them. He did 394 00:21:45,359 --> 00:21:47,760 Speaker 1: a year of the Dragon was like with Mickey Rourke, 395 00:21:47,800 --> 00:21:50,480 Speaker 1: which the only other like notable movie that was supposed 396 00:21:50,480 --> 00:21:52,080 Speaker 1: to be a good one. Yeah, but it was far 397 00:21:52,160 --> 00:21:54,560 Speaker 1: from a hit, you know what I'm saying. And then 398 00:21:54,600 --> 00:21:59,040 Speaker 1: my favorite, uh, Steve Gordon, one of my favorite movies 399 00:21:59,040 --> 00:22:01,359 Speaker 1: of all time. I have not seen it. You didn't 400 00:22:01,359 --> 00:22:04,520 Speaker 1: see Arthur. Not only have I not seen the original Arthur, 401 00:22:04,560 --> 00:22:07,320 Speaker 1: I haven't seen the remake that includes our friend Hodgeman 402 00:22:08,160 --> 00:22:10,600 Speaker 1: as a candy store manager. I believe that was terrible, 403 00:22:10,680 --> 00:22:13,200 Speaker 1: by the way, not Hodgman's bit, not Hodgement was great, 404 00:22:13,240 --> 00:22:17,040 Speaker 1: but the remake was really bad. And it was so 405 00:22:17,119 --> 00:22:19,760 Speaker 1: sad because Arthur is one of the movies that I 406 00:22:19,800 --> 00:22:23,760 Speaker 1: hold very very dear to me, and Steve Gordon wrote 407 00:22:23,800 --> 00:22:26,040 Speaker 1: and directed it and then died afterwards. It was the 408 00:22:26,080 --> 00:22:28,359 Speaker 1: only movie he ever made by his own hand. No. 409 00:22:28,560 --> 00:22:30,920 Speaker 1: I think he had a heart attack or something and 410 00:22:30,920 --> 00:22:35,359 Speaker 1: died young but young ish, uh. And it was just 411 00:22:35,400 --> 00:22:40,000 Speaker 1: so like it was a gut wrenching experience watching the 412 00:22:40,080 --> 00:22:42,800 Speaker 1: remake for me? Why did you watch it? Like? For example, 413 00:22:43,080 --> 00:22:45,160 Speaker 1: I think Red Dawn is one of my favorite movies 414 00:22:45,160 --> 00:22:47,000 Speaker 1: of all time. There's not a chance that I will 415 00:22:47,000 --> 00:22:49,280 Speaker 1: ever see the remake of Red Dawn. Well, I'm not either, 416 00:22:49,320 --> 00:22:53,159 Speaker 1: And I learned after Arthur. Yeah, so that's the one 417 00:22:53,200 --> 00:22:55,320 Speaker 1: that taught you the lesson. Yeah, I'm not gonna watch 418 00:22:55,320 --> 00:22:58,280 Speaker 1: anything that was really precious to me if they rebooted 419 00:22:58,359 --> 00:23:01,280 Speaker 1: or remake it again. Never again. It sounds like Hodgeman 420 00:23:01,320 --> 00:23:03,640 Speaker 1: tell you a valuable lesson. Yeah. And I like Russell Brand, 421 00:23:03,680 --> 00:23:05,840 Speaker 1: you know, and I thought, you know, they made Helen 422 00:23:05,920 --> 00:23:09,240 Speaker 1: Mirre and John Gielgood's character and was just enough of 423 00:23:09,240 --> 00:23:11,320 Speaker 1: a spin where I was like, well, that's could be interesting. 424 00:23:11,920 --> 00:23:15,000 Speaker 1: But then everything about the movie was just some new 425 00:23:15,080 --> 00:23:19,760 Speaker 1: little spin to make it different. And it was like, hey, 426 00:23:19,840 --> 00:23:22,639 Speaker 1: let's make the man a woman, Let's make the the 427 00:23:22,680 --> 00:23:26,119 Speaker 1: white guy, uh Puerto Rican, you know, and it was 428 00:23:26,119 --> 00:23:29,359 Speaker 1: like Louis Guzman and it was just it was bad, 429 00:23:30,560 --> 00:23:36,280 Speaker 1: so bad. Yeah. Well that's it for Arthur. Yeah. Um, 430 00:23:36,400 --> 00:23:38,520 Speaker 1: if you want to learn more about Arthur, you can 431 00:23:38,600 --> 00:23:40,879 Speaker 1: type that word in this search part. Isn't that what 432 00:23:40,960 --> 00:23:43,960 Speaker 1: this podcast is about? I forgot? Yeah, this Arthur one 433 00:23:44,000 --> 00:23:46,600 Speaker 1: hit wonders More, that's what it was. You should read 434 00:23:46,600 --> 00:23:48,679 Speaker 1: this article by Chuck, it's a good one. Um. You 435 00:23:48,720 --> 00:23:51,639 Speaker 1: can type one hit wonders in the search bar how 436 00:23:51,680 --> 00:23:54,040 Speaker 1: stuff works dot com and it will bring up this 437 00:23:54,200 --> 00:23:59,680 Speaker 1: article again. Uh, commendable article. Thanks Uh and I said commendable. 438 00:23:59,680 --> 00:24:03,040 Speaker 1: So it's time for word from our sponsor. Well, now 439 00:24:03,240 --> 00:24:06,680 Speaker 1: we're on the road, driving in your truck. I want 440 00:24:06,720 --> 00:24:10,040 Speaker 1: to learn a thing or two from Josh can chuck. 441 00:24:10,320 --> 00:24:33,000 Speaker 1: It's stuff you should know. All right, thanks, Now it's 442 00:24:33,040 --> 00:24:37,240 Speaker 1: time for listener mail. Josh, I'm gonna call this. Uh, 443 00:24:37,400 --> 00:24:39,520 Speaker 1: we're gonna give this guy's wife a tongue last year. 444 00:24:39,840 --> 00:24:43,800 Speaker 1: Oh jeez, what you do? You'll see dudes have been 445 00:24:43,800 --> 00:24:46,639 Speaker 1: an avid listener since shortly after its inception. I'm a 446 00:24:46,720 --> 00:24:49,400 Speaker 1: huge fan, especially enjoy listening to it while I'm stressed out. 447 00:24:49,960 --> 00:24:51,880 Speaker 1: That always a soues my nerves to hear your band. 448 00:24:52,720 --> 00:24:54,840 Speaker 1: Over the years, I've tried to convince my now wife 449 00:24:54,880 --> 00:24:59,280 Speaker 1: Elizabeth to listen. Unfortunately, she's always insists that you two 450 00:24:59,280 --> 00:25:03,920 Speaker 1: are stoner and that you're retty Repartee is contrived. It 451 00:25:04,000 --> 00:25:06,480 Speaker 1: is so far off. She makes me change over to 452 00:25:06,560 --> 00:25:09,719 Speaker 1: this American Life or Radio Lab great shows, which are 453 00:25:09,800 --> 00:25:12,480 Speaker 1: podcast I download to fill the time between stuff you 454 00:25:12,480 --> 00:25:16,000 Speaker 1: should know releases. I've repeatedly informed her that you guys 455 00:25:16,000 --> 00:25:19,080 Speaker 1: are not stoners. You've done frequent podcasts on the l 456 00:25:19,119 --> 00:25:22,719 Speaker 1: effects of drugs, and this is not uh convinced her 457 00:25:22,760 --> 00:25:26,280 Speaker 1: still listen within the When you read letters during listener 458 00:25:26,320 --> 00:25:29,600 Speaker 1: mail about couples who enjoy listening together, that's so sad. 459 00:25:30,640 --> 00:25:33,120 Speaker 1: If I'm not mistaken, one pair even became engaged during 460 00:25:33,119 --> 00:25:36,240 Speaker 1: a listener mail segment. Yeah, we don't know about that yet. 461 00:25:36,440 --> 00:25:39,800 Speaker 1: I'm not vouch you for that. Um. It recently struck 462 00:25:39,920 --> 00:25:42,320 Speaker 1: me that perhaps if you were to give Elizabeth a 463 00:25:42,320 --> 00:25:44,640 Speaker 1: shout out at the end of the show, she might 464 00:25:44,640 --> 00:25:47,040 Speaker 1: be impressed enough to become a fan as well. You 465 00:25:47,080 --> 00:25:49,639 Speaker 1: could say hi to Elizabeth at the end of the show, 466 00:25:49,760 --> 00:25:53,160 Speaker 1: you'd be contributing to my marital blizz. So wait a second, 467 00:25:53,200 --> 00:25:57,480 Speaker 1: way second, you realize what's going on here? For being manipulated, Yeah, 468 00:25:57,640 --> 00:26:01,160 Speaker 1: to to say hey to somebody who doesn't even like us, 469 00:26:01,359 --> 00:26:04,040 Speaker 1: I know, I feel like there should be some money 470 00:26:04,040 --> 00:26:06,560 Speaker 1: exchange for this. Well, no, I feel instead of saying 471 00:26:06,600 --> 00:26:08,160 Speaker 1: hi to Elizabeth, but she needs to get a tongue 472 00:26:08,240 --> 00:26:15,080 Speaker 1: lashing for these baseless accusations. Yea of us sitting around 473 00:26:15,359 --> 00:26:18,240 Speaker 1: like in a garage smoking marijuanaking a marijuana and just 474 00:26:18,359 --> 00:26:22,000 Speaker 1: like talking. Yeah, that's b s. That's someone who's never 475 00:26:22,240 --> 00:26:24,359 Speaker 1: listened to the show. We had banter. We might go 476 00:26:24,440 --> 00:26:27,200 Speaker 1: off on tangents and we might say like five million 477 00:26:27,240 --> 00:26:30,159 Speaker 1: times in this sentence, but we're not sitting around smoking 478 00:26:30,160 --> 00:26:32,919 Speaker 1: weed just rambling. Yeah, we're just relaxed. A lot of 479 00:26:32,920 --> 00:26:39,960 Speaker 1: work goes into the show. So Elizabeth mellow out. Dude, Yeah, seriously, 480 00:26:40,000 --> 00:26:46,680 Speaker 1: maybe you need to go in the garage. Not so Anyway, 481 00:26:47,040 --> 00:26:49,159 Speaker 1: this guy is a neurologist and he said the alien 482 00:26:49,200 --> 00:26:53,680 Speaker 1: hand syndrome part struck close to his heart. Awesome. And Devin, 483 00:26:54,000 --> 00:26:56,760 Speaker 1: if this doesn't do it, then Elizabeth, you can just 484 00:26:56,800 --> 00:26:58,919 Speaker 1: go listen to this American Life and Radio life. Let 485 00:26:58,960 --> 00:27:00,880 Speaker 1: her hang out with our glass. It's cool. And I'm 486 00:27:00,880 --> 00:27:03,639 Speaker 1: sorry for your marriage because it is clearly clearly headed 487 00:27:03,640 --> 00:27:06,080 Speaker 1: in the wrong direction. I think we had her until 488 00:27:06,240 --> 00:27:09,359 Speaker 1: just that last sence right there. No, she's great in 489 00:27:09,480 --> 00:27:13,160 Speaker 1: Churchill Partill tune in. Um, we'll find out. Let us know, Devin, 490 00:27:13,200 --> 00:27:16,560 Speaker 1: will you if you want us to say something specific 491 00:27:16,640 --> 00:27:20,280 Speaker 1: to somebody you know, Um, we very well might do 492 00:27:20,320 --> 00:27:23,800 Speaker 1: it if you ask you might. We have before um. 493 00:27:23,840 --> 00:27:26,600 Speaker 1: You can tweet to us at s y s K podcast. 494 00:27:26,920 --> 00:27:28,760 Speaker 1: You can join us on Facebook dot com so list 495 00:27:28,760 --> 00:27:30,760 Speaker 1: Stuff you Should Know. You can send us an email 496 00:27:30,800 --> 00:27:34,040 Speaker 1: to Stuff Podcast at how stuff Works dot com and 497 00:27:34,160 --> 00:27:36,560 Speaker 1: as always, joined us at our home on the web. 498 00:27:36,880 --> 00:27:42,000 Speaker 1: Stuff you Should Know dot Com. Stuff you Should Know 499 00:27:42,080 --> 00:27:44,480 Speaker 1: is a production of iHeart Radios How stuff Works for 500 00:27:44,560 --> 00:27:47,200 Speaker 1: more podcasts for my Heart Radio, isn't the iHeart Radio app, 501 00:27:47,320 --> 00:27:49,959 Speaker 1: Apple Podcasts or wherever you listen to your favorite shows