1 00:00:00,440 --> 00:00:03,040 Speaker 1: Bridgewater is a production of I Heart Radio three D 2 00:00:03,120 --> 00:00:06,120 Speaker 1: audio and Grim and Mild from Aaron Mackey. For a 3 00:00:06,160 --> 00:00:24,480 Speaker 1: full exposure listen with headphones. Listener discretion advised, a Athanan baby, 4 00:00:24,480 --> 00:00:28,040 Speaker 1: where are you? Ethan? Hey, we're going to find him. An. 5 00:00:28,920 --> 00:00:31,880 Speaker 1: I know, you know, I think about all the all 6 00:00:31,880 --> 00:00:33,960 Speaker 1: the people that have gone missing here that you have found. 7 00:00:34,720 --> 00:00:37,879 Speaker 1: I didn't find everyone I know, but you are going 8 00:00:37,920 --> 00:00:45,440 Speaker 1: to find Nathan. I know it's gonna be okay. Yeah, yeah, no, 9 00:00:45,520 --> 00:00:48,920 Speaker 1: we are going to find him. I'm sure that, but 10 00:00:49,000 --> 00:01:00,120 Speaker 1: it doesn't mean that things are going to be okay. 11 00:01:26,920 --> 00:01:29,640 Speaker 1: All right, let's go over it again. They left for 12 00:01:29,720 --> 00:01:33,600 Speaker 1: the trip on Friday morning. Everything was fine Friday, Saturday night, 13 00:01:34,480 --> 00:01:36,959 Speaker 1: the trip. Woke up Sunday morning to find Ethan sleeping 14 00:01:37,000 --> 00:01:42,800 Speaker 1: bag empty and cold. This morning. What Sunday morning is? 15 00:01:42,800 --> 00:01:46,119 Speaker 1: This morning? It's only been a few hours after nine hours. Yeah, 16 00:01:46,200 --> 00:01:48,840 Speaker 1: it's been nine hours. Yes, and thank you. I'm aware 17 00:01:48,920 --> 00:01:52,080 Speaker 1: that it is still Sunday. I'm a cop. Specificity is 18 00:01:52,120 --> 00:01:56,680 Speaker 1: important to me, retired cop. Excuse me, if you're retired, 19 00:01:56,720 --> 00:01:58,880 Speaker 1: if you can, if you care about specificity, I'm just 20 00:01:58,960 --> 00:02:03,279 Speaker 1: sorrying all right, Jesus Christ Bradshaw my grandson is missing. 21 00:02:03,320 --> 00:02:05,160 Speaker 1: You really think this is an appropriate time to give 22 00:02:05,160 --> 00:02:09,800 Speaker 1: me some lip. I'm not trying. You're right, I'm sorry, 23 00:02:09,800 --> 00:02:13,120 Speaker 1: I'm just I'm wound up. All right, it's been a 24 00:02:13,160 --> 00:02:20,600 Speaker 1: stressful thirty six hours. Hey, how's it been doing. Oh, 25 00:02:20,680 --> 00:02:23,280 Speaker 1: he's all right. I guess I'm glad I insisted on 26 00:02:23,360 --> 00:02:25,120 Speaker 1: him staying at my place last night. I don't think 27 00:02:25,240 --> 00:02:27,079 Speaker 1: waking up in an empty apartment in the middle of 28 00:02:27,120 --> 00:02:29,600 Speaker 1: the night it would have been good for him. Nightmares, 29 00:02:31,040 --> 00:02:34,720 Speaker 1: wake up screaming, Yeah, how do you know that the lights? 30 00:02:35,240 --> 00:02:37,880 Speaker 1: That's what they do. The same thing happened to Thomas, 31 00:02:38,360 --> 00:02:44,840 Speaker 1: even what my dad mm hmm. After he saw the 32 00:02:44,919 --> 00:02:47,320 Speaker 1: lights and heard the voice for the first time, he 33 00:02:47,360 --> 00:02:50,720 Speaker 1: didn't sleep a full night through for months. He'd wake 34 00:02:50,800 --> 00:02:54,880 Speaker 1: up screaming. I don't remember that. I don't remember him 35 00:02:54,919 --> 00:02:58,720 Speaker 1: ever screaming in the middle of the night. Wait, and 36 00:02:58,840 --> 00:03:00,920 Speaker 1: when you say no, he was just really good at 37 00:03:00,960 --> 00:03:02,920 Speaker 1: hiding things from you, not because he was trying to 38 00:03:02,960 --> 00:03:06,200 Speaker 1: lie to you or anything. He just wanted to protected 39 00:03:06,240 --> 00:03:09,360 Speaker 1: from the darker things. And I have a feeling that 40 00:03:09,560 --> 00:03:13,640 Speaker 1: we have differing opinions about what the darker things were. 41 00:03:14,400 --> 00:03:17,560 Speaker 1: I knew my dad. Okay, I knew that he worked 42 00:03:17,600 --> 00:03:20,680 Speaker 1: on murders and kidnappings because he told me, and he 43 00:03:20,720 --> 00:03:23,240 Speaker 1: told me all kinds of other scary stuff. But he 44 00:03:23,320 --> 00:03:26,600 Speaker 1: was my dad, and so that made it all a 45 00:03:26,680 --> 00:03:30,160 Speaker 1: lot less scary. He was protecting me, but he wasn't 46 00:03:30,160 --> 00:03:32,440 Speaker 1: protecting me from sasquatch or aliens or any of that 47 00:03:32,520 --> 00:03:35,960 Speaker 1: other nonsense that you seem to believe. Oh, come on, 48 00:03:36,200 --> 00:03:41,640 Speaker 1: I don't believe in aliens. That's where you draw the line. Okay, 49 00:03:41,640 --> 00:03:46,200 Speaker 1: what you believe in aliens? No, of course, Actually no, 50 00:03:46,320 --> 00:03:49,080 Speaker 1: I don't believe in alien abductions. But yes, you know, 51 00:03:49,720 --> 00:03:53,480 Speaker 1: in an infinite universe, statistically it makes sense that there 52 00:03:53,480 --> 00:03:57,560 Speaker 1: would be aliens. Okay, of course, yes, the statistics rely 53 00:03:57,640 --> 00:04:01,680 Speaker 1: on the precious numbers of it. All numbers are reliable, 54 00:04:02,000 --> 00:04:05,680 Speaker 1: and yeah, so as hundreds of years of history, Jeremy, 55 00:04:05,840 --> 00:04:10,800 Speaker 1: so are facts and bigfoot sightings are not history. Okay. Well, 56 00:04:10,840 --> 00:04:13,200 Speaker 1: don't you think it's a bit strange that people have 57 00:04:13,280 --> 00:04:16,640 Speaker 1: experienced the same things in the same spot for centuries? 58 00:04:16,680 --> 00:04:18,560 Speaker 1: I mean, doesn't that tell you that there's something to 59 00:04:18,680 --> 00:04:21,600 Speaker 1: all of it? Or almost people just lying. I never 60 00:04:21,600 --> 00:04:23,600 Speaker 1: said that they were lying. I'm saying that humans are 61 00:04:23,640 --> 00:04:27,320 Speaker 1: susceptible to narrative. People haven't seen the same thing for centuries. 62 00:04:27,440 --> 00:04:31,120 Speaker 1: They've just experienced things that they can't explain and they 63 00:04:31,160 --> 00:04:34,960 Speaker 1: don't understand, and then they latch on to whatever the 64 00:04:35,000 --> 00:04:38,520 Speaker 1: most common story is that can fit around that. Great, 65 00:04:38,560 --> 00:04:40,920 Speaker 1: So you agree that there are events that are unexplainable. 66 00:04:41,080 --> 00:04:43,880 Speaker 1: Of course, there's plenty in the world that we don't 67 00:04:43,880 --> 00:04:48,520 Speaker 1: have answers for yet, but most sightings or supernatural encounters 68 00:04:48,520 --> 00:04:51,880 Speaker 1: can be explained by people in the past just not 69 00:04:52,080 --> 00:04:59,040 Speaker 1: understanding science, or people being high or exhausted or mentally ill. Okay, 70 00:04:59,120 --> 00:05:01,800 Speaker 1: all right, So which one of those categories does vipp 71 00:05:01,800 --> 00:05:05,520 Speaker 1: And fit into? And Vippin was scared and he was 72 00:05:05,560 --> 00:05:09,839 Speaker 1: filled with adrenaline, and he's already inclined to believe in 73 00:05:09,960 --> 00:05:14,800 Speaker 1: fantastical things, and that's a mental illness, isn't it? Believing? 74 00:05:15,760 --> 00:05:18,640 Speaker 1: That is not what I said God, and every single 75 00:05:18,800 --> 00:05:23,680 Speaker 1: little thing. I'm not going to apologize. I'm not for 76 00:05:23,760 --> 00:05:27,600 Speaker 1: being rational and for treating my own discipline and my 77 00:05:27,640 --> 00:05:32,000 Speaker 1: own work with serious thought. Oh, serious thought. Of course, 78 00:05:32,040 --> 00:05:35,000 Speaker 1: this is all about serious thought. Of course it is 79 00:05:35,120 --> 00:05:40,560 Speaker 1: That is my entire profession. And no, it isn't excuse me. 80 00:05:41,279 --> 00:05:44,240 Speaker 1: Do you know why you're a folklore professor, Jeremy Oh? 81 00:05:44,279 --> 00:05:47,320 Speaker 1: I can't wait. Please tell me. Okay, because you're a coward. 82 00:05:47,560 --> 00:05:50,760 Speaker 1: You hide behind myths to learn everything about them so 83 00:05:50,800 --> 00:05:53,279 Speaker 1: you don't have to face them head on. That is 84 00:05:53,320 --> 00:05:57,400 Speaker 1: a ridiculous assertion. I don't Yeah, I don't think that 85 00:05:57,440 --> 00:06:00,479 Speaker 1: you can call someone a coward for not believing in 86 00:06:00,520 --> 00:06:03,360 Speaker 1: ghost stories. It doesn't work like that. Look at where 87 00:06:03,400 --> 00:06:06,159 Speaker 1: you are, No, please, look at where you are. Look 88 00:06:06,240 --> 00:06:08,480 Speaker 1: what's happened in the past two weeks. You can't deny 89 00:06:08,520 --> 00:06:11,520 Speaker 1: that something's going on here that your book can't explain. 90 00:06:12,080 --> 00:06:14,720 Speaker 1: I can deny that. In fact, I can offer several 91 00:06:14,920 --> 00:06:19,000 Speaker 1: fact based explanations. Sweetie, all the facts in the world 92 00:06:19,000 --> 00:06:22,080 Speaker 1: won't change the fact that you are terrified and you're 93 00:06:22,120 --> 00:06:24,800 Speaker 1: not How could you not be terrified right now? There's 94 00:06:24,839 --> 00:06:28,640 Speaker 1: a kid in the woods, your grandson who's missing. Don't 95 00:06:28,680 --> 00:06:31,960 Speaker 1: you dare throw that in my face. Look, my dearest 96 00:06:32,160 --> 00:06:35,039 Speaker 1: friend is lying on a couch with a bloody head, 97 00:06:35,240 --> 00:06:38,560 Speaker 1: and there's potentially dangerous cult in the area. I don't 98 00:06:38,640 --> 00:06:41,919 Speaker 1: need supernatural reasons to be stressed right now. There is 99 00:06:42,000 --> 00:06:45,719 Speaker 1: plenty piling up in the real world, And none of 100 00:06:45,760 --> 00:06:47,800 Speaker 1: those things are going to get better if you keep 101 00:06:47,800 --> 00:06:50,560 Speaker 1: your head buried in the sand. And you're not going 102 00:06:50,600 --> 00:06:52,880 Speaker 1: to find your grandson if you think that he's been 103 00:06:52,880 --> 00:06:56,760 Speaker 1: taken by Puckwages. Well, thinking that hasn't slowed me down 104 00:06:56,760 --> 00:07:00,560 Speaker 1: in the past. I am sure that hasn't helped. Well, 105 00:07:00,640 --> 00:07:06,200 Speaker 1: I found you. What the hell are you talking about? Nothing? 106 00:07:06,320 --> 00:07:10,120 Speaker 1: Just forget it? Just nothing, Athan Man? What do you 107 00:07:10,160 --> 00:07:14,080 Speaker 1: mean you found me? You found me? I came to you. 108 00:07:14,080 --> 00:07:18,920 Speaker 1: You went missing for a bit when you were a kid? Athan, What? No, 109 00:07:19,040 --> 00:07:22,240 Speaker 1: I didn't Yeah, okay, sure, I'm sure you remember the 110 00:07:22,280 --> 00:07:25,200 Speaker 1: seventies much better than I do, So I don't know. 111 00:07:25,280 --> 00:07:27,840 Speaker 1: I actually don't know what you were smoking in the seventies. 112 00:07:28,200 --> 00:07:31,040 Speaker 1: Oh please, what did I say about you giving me live? 113 00:07:31,520 --> 00:07:34,640 Speaker 1: Tell me what you're talking about? Anne, I didn't realize 114 00:07:34,640 --> 00:07:37,000 Speaker 1: that you didn't remember Okay. I always thought that you 115 00:07:37,400 --> 00:07:40,360 Speaker 1: became a folklore professor because of what happened. I didn't 116 00:07:40,760 --> 00:07:42,560 Speaker 1: you know. But when you you said that you didn't 117 00:07:42,600 --> 00:07:45,400 Speaker 1: remember me from when you were a kid. And if 118 00:07:45,400 --> 00:07:47,679 Speaker 1: you didn't remember me, then chances where you've forgotten everything 119 00:07:47,680 --> 00:07:52,120 Speaker 1: else too, forgotten what else? And it makes perfect sense right, 120 00:07:52,360 --> 00:07:55,440 Speaker 1: you're repressing the hell out of all of it. That's 121 00:07:55,480 --> 00:07:58,080 Speaker 1: why you're so obsessed, and you know you just don't 122 00:07:58,080 --> 00:08:03,040 Speaker 1: even realize it, rep saying what what happened to you? Oh? 123 00:08:03,120 --> 00:08:08,160 Speaker 1: What happened to me? Please tell you? Got lost in 124 00:08:08,200 --> 00:08:14,200 Speaker 1: the forest? This forest? Yeah right, I got lost once 125 00:08:14,280 --> 00:08:18,160 Speaker 1: for about two minutes, but my dad found me almost immediately. No, no, 126 00:08:18,320 --> 00:08:20,000 Speaker 1: that was just the first time they tried to take you. 127 00:08:20,680 --> 00:08:24,000 Speaker 1: Excuse me, you got lost. You got genuinely lost for 128 00:08:24,040 --> 00:08:26,960 Speaker 1: a whole afternoon. Really, how did that happen? I wasn't 129 00:08:26,960 --> 00:08:29,880 Speaker 1: exactly taking myself on hiking trips. When I was five 130 00:08:29,960 --> 00:08:33,920 Speaker 1: years old. I was with my dad. You were four, actually, 131 00:08:34,840 --> 00:08:38,320 Speaker 1: and you were at my house. You were hanging out 132 00:08:38,320 --> 00:08:40,160 Speaker 1: in the backyard while Thomas and I went over some 133 00:08:40,200 --> 00:08:44,160 Speaker 1: case files, and something, something just lured you into the woods. 134 00:08:44,760 --> 00:08:46,560 Speaker 1: I mean, why do you think your dad was so 135 00:08:46,600 --> 00:08:48,880 Speaker 1: adamant about figuring out what was in here? His son 136 00:08:49,280 --> 00:08:52,240 Speaker 1: was talking about floating nights and little gray faced men 137 00:08:52,400 --> 00:08:55,800 Speaker 1: reaching out their hands. I mean he was, he was terrified. 138 00:08:56,679 --> 00:09:00,839 Speaker 1: What are you talking about? Plug tookulately, That's that's what 139 00:09:00,880 --> 00:09:03,920 Speaker 1: we think. I guess they don't like hurting little kids, 140 00:09:03,920 --> 00:09:06,439 Speaker 1: because we found you seven hours later, happy as a clam, 141 00:09:06,480 --> 00:09:09,520 Speaker 1: playing with some sticks, and I told you a story 142 00:09:09,559 --> 00:09:13,040 Speaker 1: about a pub. Well no, I mean you didn't really 143 00:09:13,040 --> 00:09:14,560 Speaker 1: know what to call it. You said it was a 144 00:09:14,600 --> 00:09:17,120 Speaker 1: little man, that's all you said. But one of the 145 00:09:17,200 --> 00:09:19,200 Speaker 1: sticks you were playing with had been sharpened into a 146 00:09:19,200 --> 00:09:23,520 Speaker 1: sphere and not something a four year old could do. Wow, 147 00:09:23,559 --> 00:09:28,400 Speaker 1: well that sounds like irrefutable evidence. You had nightmares for 148 00:09:28,480 --> 00:09:33,000 Speaker 1: weeks and weeks something I got a hold on you 149 00:09:33,080 --> 00:09:37,640 Speaker 1: and it just wouldn't let go. I don't remember having Well, 150 00:09:37,880 --> 00:09:41,000 Speaker 1: I didn't have nightmares about that. Anyway. You know your 151 00:09:41,040 --> 00:09:44,080 Speaker 1: dad weren't missing a year later to the day, So 152 00:09:44,120 --> 00:09:49,800 Speaker 1: I'm guessing that's what your nightmares became about. Yeah they did. 153 00:09:51,880 --> 00:09:56,600 Speaker 1: Wait wait, Anne, my dad not sleeping through the night. 154 00:09:56,600 --> 00:09:59,319 Speaker 1: How did you know about that? How did you know 155 00:09:59,440 --> 00:10:07,439 Speaker 1: about nightmares? My nightmares? What you said that he didn't 156 00:10:07,440 --> 00:10:11,400 Speaker 1: sleep for months? Did he did he tell you that? Did? 157 00:10:11,480 --> 00:10:15,280 Speaker 1: Did he tell you about me? And how else would 158 00:10:15,280 --> 00:10:19,680 Speaker 1: I know? And it's getting dark, so we need to 159 00:10:19,720 --> 00:10:30,240 Speaker 1: keep moving, Athan and athenh. It's probably just someone else 160 00:10:30,240 --> 00:10:34,400 Speaker 1: from the search party. I don't know. Come on, come on, 161 00:10:36,280 --> 00:10:45,720 Speaker 1: fuck Jesus Hello, what are you doing? Hello? Someone there? 162 00:10:47,360 --> 00:10:51,240 Speaker 1: Can you? Can you please point your flashlight down? Jeremy 163 00:10:51,760 --> 00:11:10,560 Speaker 1: get back this episode of Bridgewater. It was made possible 164 00:11:10,559 --> 00:11:13,720 Speaker 1: by the Zebra. Sometimes the past won't stay buried and 165 00:11:13,760 --> 00:11:16,120 Speaker 1: it comes back to haunt you, like when you're searching 166 00:11:16,160 --> 00:11:18,760 Speaker 1: for car or home insurance and whether you're part of 167 00:11:18,760 --> 00:11:21,960 Speaker 1: a nineteen seventies style satanic cults or your credit is 168 00:11:22,000 --> 00:11:25,280 Speaker 1: simply less than great, your history can shape your policy. 169 00:11:25,720 --> 00:11:27,960 Speaker 1: That's my Having an expert on your side can help 170 00:11:28,000 --> 00:11:30,439 Speaker 1: whenever you're looking for a policy, and that's where the 171 00:11:30,520 --> 00:11:33,600 Speaker 1: Zebra comes in. The Zebra compares car and home insurance 172 00:11:33,679 --> 00:11:36,640 Speaker 1: quotes from every major insurance company and under five minutes, 173 00:11:36,679 --> 00:11:38,360 Speaker 1: giving you all the facts you need to make the 174 00:11:38,440 --> 00:11:40,959 Speaker 1: right decision. It's the fastest way to find the right 175 00:11:41,000 --> 00:11:43,800 Speaker 1: coverage at the right price, all from a provider you 176 00:11:43,800 --> 00:11:46,760 Speaker 1: can trust. In fact, the Zebra saves people in average 177 00:11:46,760 --> 00:11:50,640 Speaker 1: of nino dollars per year on home and auto insurance combined. 178 00:11:51,080 --> 00:11:54,040 Speaker 1: That's enough money to use on something else, like getting 179 00:11:54,040 --> 00:11:57,840 Speaker 1: to the bottom of your father's mysterious disappearance in the woods. Look, 180 00:11:57,880 --> 00:11:59,880 Speaker 1: I'm a homeowner and a car owner, and I've had 181 00:11:59,880 --> 00:12:02,720 Speaker 1: a the old insurance for decades. And the most attractive 182 00:12:02,720 --> 00:12:05,560 Speaker 1: thing about the Zebra for me is just how simple 183 00:12:05,600 --> 00:12:09,120 Speaker 1: they make the process of finding insurance that fits. Compare 184 00:12:09,200 --> 00:12:13,400 Speaker 1: quotes for free today visit the Zebra dot com slash Bridgewater. 185 00:12:13,800 --> 00:12:34,600 Speaker 1: That's the Zebra dot com slash Bridgewater. Mr Bradshaw, Celeste Ah, 186 00:12:34,600 --> 00:12:41,000 Speaker 1: and Miss Becker. It's all right, Katie, it's just other seekers. Seekers. 187 00:12:41,640 --> 00:12:44,440 Speaker 1: You're looking for the missing boy, aren't you. What are 188 00:12:44,480 --> 00:12:48,600 Speaker 1: you doing the same, of course, but you're looking for Ethan. 189 00:12:49,400 --> 00:12:54,520 Speaker 1: We wanted to be of service. Wait, your Marts's girlfriend, right, 190 00:12:55,320 --> 00:13:00,440 Speaker 1: that's right. Well, why aren't you with her? Well? She right, yeah, 191 00:13:00,480 --> 00:13:02,240 Speaker 1: she doesn't want the force to know that you're together, 192 00:13:02,400 --> 00:13:07,320 Speaker 1: does she No, especially after what happened with Daniel. Well, 193 00:13:07,360 --> 00:13:09,520 Speaker 1: it seems like anytime someone goes missing in this place, 194 00:13:09,559 --> 00:13:12,960 Speaker 1: one of the weirdos is nearby. We're a tuned we 195 00:13:13,040 --> 00:13:17,719 Speaker 1: can be of help. Oh my god, attuned. We're sensitive 196 00:13:17,800 --> 00:13:21,720 Speaker 1: to the energies here, the spirits. Do you think energies 197 00:13:21,760 --> 00:13:24,760 Speaker 1: are going to help you find Ethan? Oskins? Has your 198 00:13:24,760 --> 00:13:27,559 Speaker 1: skepticism let you much aid in your search thus far? 199 00:13:28,559 --> 00:13:32,800 Speaker 1: Come on, Anne, let's keep moving. You shouldn't be out 200 00:13:32,840 --> 00:13:35,720 Speaker 1: here like this, and your girlfriend should have told you 201 00:13:35,760 --> 00:13:38,520 Speaker 1: that you're lucky that we didn't report your little meeting 202 00:13:38,559 --> 00:13:40,920 Speaker 1: the other night, and yet you did go out of 203 00:13:40,960 --> 00:13:44,880 Speaker 1: your way to acquire the police file on me. Batista 204 00:13:44,960 --> 00:13:47,840 Speaker 1: told you didn't she We don't keep secrets from each other, 205 00:13:48,559 --> 00:13:51,760 Speaker 1: and you don't keep secrets from your cult. It's not 206 00:13:51,960 --> 00:13:54,600 Speaker 1: a cult, you know. I have half a mind to 207 00:13:54,600 --> 00:14:00,240 Speaker 1: report Batista. No. Please, She's good at her job and 208 00:14:00,320 --> 00:14:03,880 Speaker 1: confidentiality is part of the job. So you don't have 209 00:14:04,160 --> 00:14:07,079 Speaker 1: a bunch of police files just sitting in your home. Man, 210 00:14:07,080 --> 00:14:09,880 Speaker 1: there's no privacy in this time. Not to mention, you 211 00:14:09,960 --> 00:14:13,360 Speaker 1: coerced her into giving you confidential information about Celeste. Don't 212 00:14:13,400 --> 00:14:15,800 Speaker 1: we have a more important task to focus on at 213 00:14:15,800 --> 00:14:19,160 Speaker 1: the moment. You don't seem particularly bothered by us looking 214 00:14:19,160 --> 00:14:23,560 Speaker 1: into your past. Why should I be? Did you find something? No, 215 00:14:24,240 --> 00:14:27,720 Speaker 1: it seems that other than cult activity in the seventies, 216 00:14:27,920 --> 00:14:31,560 Speaker 1: which was never proven to be criminal. Right, so your 217 00:14:31,800 --> 00:14:36,440 Speaker 1: your record in Freetown is squeaky clean, as it should be. 218 00:14:36,640 --> 00:14:39,200 Speaker 1: I have nothing to hide from those who seek the truth. 219 00:14:39,760 --> 00:14:43,000 Speaker 1: That's no more true today than it was forty years ago. 220 00:14:43,120 --> 00:14:45,880 Speaker 1: You were hiding something back then, and you're hiding something. 221 00:14:45,960 --> 00:14:49,680 Speaker 1: Now what secret do you think I have? You and 222 00:14:49,760 --> 00:14:54,080 Speaker 1: your friends, the other children? I told you I found 223 00:14:54,080 --> 00:14:58,360 Speaker 1: that group abhorrent, completely against everything that the gathering stands for. 224 00:14:58,720 --> 00:15:02,600 Speaker 1: But you all did some thing. Thomas new. He knew 225 00:15:02,640 --> 00:15:05,280 Speaker 1: that you were messing with things that you could never 226 00:15:05,440 --> 00:15:09,680 Speaker 1: hope to understand. And you think you can understand them. 227 00:15:09,800 --> 00:15:11,360 Speaker 1: You think you're the one is going to selve the 228 00:15:11,440 --> 00:15:15,720 Speaker 1: ancient secrets of this world, of the world's beyond. I'm 229 00:15:15,760 --> 00:15:18,880 Speaker 1: going to solve something, So you just better hope it 230 00:15:18,920 --> 00:15:25,720 Speaker 1: isn't whatever you've kept buried for four decades. Celeste, Yes, child, 231 00:15:26,400 --> 00:15:31,640 Speaker 1: do you hear that? Oh? Dear, what what is it? 232 00:15:32,320 --> 00:15:36,560 Speaker 1: The spirits? We've lingered too long? Okay, then let's get 233 00:15:36,560 --> 00:15:46,040 Speaker 1: a move on. Jeremy, Hello, who's there? They won't answer you. Hey, 234 00:15:46,320 --> 00:15:52,600 Speaker 1: all we can see are your flashlights? Whose art flashlights? Oh? 235 00:15:52,640 --> 00:15:56,440 Speaker 1: Come on, who's there? Will you show your faces? Don't 236 00:15:56,480 --> 00:16:01,080 Speaker 1: be hostile to the spirits, dear, you won't like what happens, Celeste. 237 00:16:01,120 --> 00:16:04,240 Speaker 1: They're not spirits, Okay, it's a person. So someone is 238 00:16:04,480 --> 00:16:08,520 Speaker 1: out there who's messing with us? Who are you? And 239 00:16:08,640 --> 00:16:11,640 Speaker 1: what do you want? You want? You Oh my god, 240 00:16:11,680 --> 00:16:14,560 Speaker 1: what is it? What? What are you saying? Everyone? Stay 241 00:16:14,600 --> 00:16:19,160 Speaker 1: prefoc is still. Don't look into the lights, Katie, close 242 00:16:19,200 --> 00:16:25,320 Speaker 1: your eyes, child, what the wait? Man, don't look into 243 00:16:25,400 --> 00:16:37,200 Speaker 1: the lights. And whatever you do, don't listen to the voice. Man, man, god, 244 00:16:37,320 --> 00:16:46,040 Speaker 1: damn it. Man. And are you okay? No? I am 245 00:16:46,080 --> 00:16:48,800 Speaker 1: not okay. Those things got away again. What are you 246 00:16:48,800 --> 00:16:55,040 Speaker 1: talking about? They've taken everything, because fucking place is taken everything. Man, 247 00:16:55,800 --> 00:16:58,280 Speaker 1: it's okay. You gotta come down. Come no, no, no, no, 248 00:16:58,280 --> 00:16:59,960 Speaker 1: no no. Don't you tell me to calm down. Don't 249 00:17:00,040 --> 00:17:02,840 Speaker 1: you have no you have no idea, you have no idea. 250 00:17:02,920 --> 00:17:05,440 Speaker 1: What's going on here? We're all stressed, and it's dark 251 00:17:05,480 --> 00:17:07,240 Speaker 1: and it's windy in this place is full of shadows, 252 00:17:07,240 --> 00:17:09,600 Speaker 1: and I'm seeing it too. I get it in for 253 00:17:09,640 --> 00:17:13,119 Speaker 1: fuck's sake, Bradshaw, open your goddamn head for once. What 254 00:17:13,320 --> 00:17:16,119 Speaker 1: do you think just happened? What did you just see? 255 00:17:16,400 --> 00:17:20,200 Speaker 1: I've I don't know. I saw lights and there was 256 00:17:20,240 --> 00:17:25,080 Speaker 1: a voice, and it's all power of suggestion. I don't 257 00:17:25,080 --> 00:17:27,480 Speaker 1: know all I've done for the past two days, and 258 00:17:27,520 --> 00:17:29,879 Speaker 1: talk about lights and voices in the woods. Of course, 259 00:17:29,920 --> 00:17:32,640 Speaker 1: I'm seeing that, right. And then you experience it yourself, 260 00:17:32,760 --> 00:17:35,400 Speaker 1: and you think it's just it's just because you've heard 261 00:17:35,440 --> 00:17:37,920 Speaker 1: a story. Okay, do you think that that that your 262 00:17:37,960 --> 00:17:40,879 Speaker 1: mind is that malleable? I don't know, and I just 263 00:17:40,880 --> 00:17:44,600 Speaker 1: think I am stressed and exhausted and scared for Ethan 264 00:17:44,640 --> 00:17:47,199 Speaker 1: and oh no, no, no, you you don't get to 265 00:17:47,200 --> 00:17:49,879 Speaker 1: be scared for Ethan. I am scared for Ethan. I 266 00:17:49,920 --> 00:17:52,840 Speaker 1: am scared for him and Olivia and my daughter and me. 267 00:17:52,960 --> 00:17:57,240 Speaker 1: But but you know who I'm scared for the most. You. 268 00:17:57,240 --> 00:18:00,520 Speaker 1: Your stubbornness is gonna get you gone, just like it 269 00:18:00,600 --> 00:18:02,879 Speaker 1: did with your father if he hadn't gone out alone 270 00:18:02,960 --> 00:18:06,480 Speaker 1: that night, if he if he had just woken me up. 271 00:18:08,359 --> 00:18:11,040 Speaker 1: I am telling you, what is happening again? That is 272 00:18:11,080 --> 00:18:18,080 Speaker 1: what the message said? What what message? And Thomas's Thomas's message. 273 00:18:18,080 --> 00:18:21,760 Speaker 1: He said that it's happening again. And something is broken here, Bradshaw, 274 00:18:22,400 --> 00:18:26,520 Speaker 1: something it's just not right in this forestingmore. Yeah, I 275 00:18:26,640 --> 00:18:31,720 Speaker 1: know it's full of coltson frank Ster's God knows what 276 00:18:32,640 --> 00:18:34,919 Speaker 1: you really think that that's what it was? Some teenagers 277 00:18:34,920 --> 00:18:39,040 Speaker 1: were flashlights? What else could it be? Reasonably realistically? What 278 00:18:39,160 --> 00:18:42,560 Speaker 1: could it be? Have you ever seen anything move that fast. 279 00:18:43,000 --> 00:18:45,960 Speaker 1: Do you think a flashlight can move on its own? 280 00:18:46,720 --> 00:18:50,680 Speaker 1: I don't know a drone? What about the pattern? Okay? 281 00:18:50,680 --> 00:18:53,639 Speaker 1: They were in the exact triangle that Vipen described. Can 282 00:18:53,680 --> 00:18:57,359 Speaker 1: you explain that? I don't know? I can't. Everyone keeps 283 00:18:57,400 --> 00:19:00,920 Speaker 1: asking me to explain everything. I don't know. And this 284 00:19:01,000 --> 00:19:03,600 Speaker 1: isn't getting us anywhere. We just need to keep looking. 285 00:19:03,680 --> 00:19:08,200 Speaker 1: Don't you think I know that? Well? We were prepared, Bradshaw, 286 00:19:08,480 --> 00:19:11,399 Speaker 1: just just like you said. I was half out of 287 00:19:11,400 --> 00:19:13,520 Speaker 1: my mind with worry when I said that there is 288 00:19:13,560 --> 00:19:16,960 Speaker 1: no monstrous dog waiting to attack us. Okay, no, that's 289 00:19:17,000 --> 00:19:19,840 Speaker 1: not what I'm talking about. Then what what are we 290 00:19:19,920 --> 00:19:25,000 Speaker 1: unprepared for? For something to open and then never close? 291 00:19:26,840 --> 00:19:34,480 Speaker 1: What does that mean? You? Watch? What the fund is that? Look? 292 00:19:34,560 --> 00:19:40,080 Speaker 1: Someone's over there. There's someone over there on the shore. Hey, Hey, 293 00:19:40,119 --> 00:19:48,680 Speaker 1: who's out there? Ethan? Ethan? Is that you? Who's there? Radshaw? 294 00:19:48,960 --> 00:19:57,200 Speaker 1: Get the flashlight? Ethan? Oh? Even what shoe? Okay? Oh 295 00:19:57,280 --> 00:20:00,440 Speaker 1: Jesus and look at his arms, Ethan? Are you honey? 296 00:20:00,440 --> 00:20:04,199 Speaker 1: Are you all right? It's Nana wants you Anthan? Can 297 00:20:04,240 --> 00:20:09,399 Speaker 1: you see us? Come here? Yeah? No, stop? He is 298 00:20:09,480 --> 00:20:27,159 Speaker 1: My grandson. Athan Bridgewater was created by Aaron Manky and 299 00:20:27,240 --> 00:20:31,800 Speaker 1: written and directed by Lauren Shippen, with executive producers Aaron Manky, 300 00:20:32,040 --> 00:20:37,240 Speaker 1: Misha Collins, Matt Frederick and Alex Williams, supervising producer Trevor Young, 301 00:20:37,680 --> 00:20:40,840 Speaker 1: editing and sound designed by Trevor Young and Matt Stillo, 302 00:20:41,240 --> 00:20:46,240 Speaker 1: and music by Chad Lawson, Starring Misha Collins as Jeremy Bradshaw, 303 00:20:46,400 --> 00:20:50,600 Speaker 1: Melissa Ponzio as Anne Becker, Karen Sony as Vip and Corona, 304 00:20:51,000 --> 00:20:55,760 Speaker 1: Laurie Allen as Nancy Collins, Cheryl Umania as Officer Bautista, 305 00:20:56,040 --> 00:20:59,920 Speaker 1: Victoria Grace as Katie Frank's Will Wheaton as Captain had 306 00:21:00,359 --> 00:21:05,480 Speaker 1: Hillary Burton Morgan as Shelley Hoskins, Jonathan Joss as Joseph Hoskins, 307 00:21:05,720 --> 00:21:10,480 Speaker 1: Sabra May as Olivia Hoskins, Samuel Marty as Ethan Hoskins, 308 00:21:10,760 --> 00:21:15,200 Speaker 1: Kristin Bauer as Celeste, and Nathan Fillion as Thomas Bradshaw, 309 00:21:15,760 --> 00:21:20,240 Speaker 1: with additional voice acting by Brigand Snow, Andrew Nowak, Julia 310 00:21:20,359 --> 00:21:25,440 Speaker 1: Maury Sawa, Jarvis Johnson and Brielle Bresnan, Kristen de Mecurio, 311 00:21:26,000 --> 00:21:30,520 Speaker 1: James Oliva, and Leron Amia. Learn more about the show 312 00:21:30,600 --> 00:21:34,160 Speaker 1: over at Grimm and mild dot com, Slash Bridgewater, and 313 00:21:34,200 --> 00:21:36,879 Speaker 1: find more podcasts from I Heart Radio on the I 314 00:21:36,960 --> 00:21:40,439 Speaker 1: heart Radio app, Apple Podcasts, or wherever you listen to 315 00:21:40,520 --> 00:21:44,320 Speaker 1: your favorite shows, and as always, thanks for listening.