1 00:00:10,360 --> 00:00:14,200 Speaker 1: Hey, everybody, welcome to a bonus episode of I Saw 2 00:00:14,240 --> 00:00:16,479 Speaker 1: What You Did. My name is Millie de Jericho. 3 00:00:17,040 --> 00:00:19,680 Speaker 2: I'm Daniel Henderson, and you know how we. 4 00:00:19,680 --> 00:00:23,520 Speaker 1: Do on these bonus We kick back, cut loose, hang ten, 5 00:00:24,440 --> 00:00:25,560 Speaker 1: catch a vibe. 6 00:00:25,520 --> 00:00:27,800 Speaker 2: And read your emails to you. 7 00:00:28,360 --> 00:00:32,479 Speaker 1: That's right, that's right. We have an entire slate of 8 00:00:32,560 --> 00:00:34,879 Speaker 1: emails this week, so we kind of want to hit 9 00:00:34,920 --> 00:00:37,519 Speaker 1: it now. Oh my god, I don't even know what 10 00:00:37,560 --> 00:00:39,199 Speaker 1: to say about this first one, because I feel like 11 00:00:39,440 --> 00:00:42,879 Speaker 1: everything has been leading up to this in terms of 12 00:00:42,920 --> 00:00:44,680 Speaker 1: the FMKS. 13 00:00:45,360 --> 00:00:49,680 Speaker 2: Little did either little did the writer know? Or the writer. 14 00:00:51,640 --> 00:00:55,840 Speaker 1: Now? I I feel a lot of pressure on this one, obviously, 15 00:00:55,880 --> 00:00:57,800 Speaker 1: because I feel like, you know, this is, like, like I said, 16 00:00:57,840 --> 00:01:01,320 Speaker 1: a very important question. But I'm gonna read it out 17 00:01:01,360 --> 00:01:05,560 Speaker 1: and then we'll figure out what's what. Okay. The title 18 00:01:05,640 --> 00:01:12,399 Speaker 1: of this email is called FMK Christian Slater Edition, and 19 00:01:12,680 --> 00:01:20,120 Speaker 1: it's an email from Nicole, and Nicole writes, greetings Danielle 20 00:01:20,160 --> 00:01:22,920 Speaker 1: and Millie. I have been a devoted listener from day one. 21 00:01:23,200 --> 00:01:25,800 Speaker 1: You are so fucking smart, funny, honest, and share an 22 00:01:25,800 --> 00:01:29,880 Speaker 1: amazing rapport that only comes from a truly ride or 23 00:01:29,920 --> 00:01:33,959 Speaker 1: die bond. While I have commentated messaged many times on Instagram, 24 00:01:34,000 --> 00:01:36,400 Speaker 1: I have never actually written in It's not because I 25 00:01:36,440 --> 00:01:40,040 Speaker 1: don't relate to most everything you. My fellow jen Xer's 26 00:01:40,160 --> 00:01:44,040 Speaker 1: wax poetic about I to just turned forty five and 27 00:01:44,080 --> 00:01:46,800 Speaker 1: subdenly became more familiar with my poo than I ever 28 00:01:46,959 --> 00:01:52,080 Speaker 1: needed or desired. What finally made me decide to inundate 29 00:01:52,120 --> 00:01:54,680 Speaker 1: you with my own voice was obviously your discussion about 30 00:01:54,760 --> 00:01:58,680 Speaker 1: Christian Slater, specifically your idea to have a Christian Slater 31 00:01:58,760 --> 00:02:02,480 Speaker 1: theme month. I not only fully support this plan, but 32 00:02:02,480 --> 00:02:04,960 Speaker 1: desperately want to be a third wheel in these discussions. 33 00:02:05,360 --> 00:02:08,720 Speaker 1: Slater was my first obsession at thirteen years old, so 34 00:02:09,000 --> 00:02:12,000 Speaker 1: much so that my mother referred to him as my 35 00:02:12,120 --> 00:02:15,400 Speaker 1: future son in law. I even fancied that we had 36 00:02:15,440 --> 00:02:19,720 Speaker 1: a song together. Has any couple worth their salt had? 37 00:02:20,560 --> 00:02:22,960 Speaker 2: I can't believe you didn't tell us what the song was, Nicole, 38 00:02:23,600 --> 00:02:27,480 Speaker 2: and I guarantee it was Brian Adams. If you really 39 00:02:28,120 --> 00:02:29,519 Speaker 2: love a woman. 40 00:02:31,240 --> 00:02:36,320 Speaker 1: That is so fucking funny, Nicole, Okay. Rather than crashing 41 00:02:36,639 --> 00:02:38,800 Speaker 1: such a dynamic duo, however, I'm just gonna throw out 42 00:02:38,800 --> 00:02:41,919 Speaker 1: a couple fmks in the theme of Christian Slater thank 43 00:02:41,960 --> 00:02:45,760 Speaker 1: you both so much more than I can cover here. 44 00:02:45,880 --> 00:02:49,079 Speaker 1: As a from birth centophile, a pro bono film writer, 45 00:02:49,160 --> 00:02:54,360 Speaker 1: and a fledgling podcaster, I'm so very grateful for your voices, Nicole. Okay, Wow, 46 00:02:54,880 --> 00:02:59,560 Speaker 1: two rounds, heavy, heavy hitters, all right, here we go. 47 00:03:01,680 --> 00:03:08,280 Speaker 1: First up, Psycho Slater FMK fuck Mary Kill, Jason JD. 48 00:03:08,480 --> 00:03:14,320 Speaker 1: Dean from Heathers Arkansas, Dave Rutebah from Young Guns two, 49 00:03:15,560 --> 00:03:18,520 Speaker 1: and Clarence Worley from True Romance. 50 00:03:19,639 --> 00:03:24,600 Speaker 2: Danielle, Oh boy, I mean this is harder than I 51 00:03:24,639 --> 00:03:29,119 Speaker 2: thought it would be. I'm gonna out the gate Kill Arkansas, 52 00:03:29,200 --> 00:03:33,360 Speaker 2: Dave Rutebab just because Young Guns two is not my 53 00:03:33,400 --> 00:03:37,200 Speaker 2: favorites later and I don't think he looks cute and 54 00:03:37,240 --> 00:03:43,080 Speaker 2: cowboy gear ah, so you gotta go. Okay, then the 55 00:03:43,120 --> 00:03:46,920 Speaker 2: other two psychos I'm choosing between. It's tough because Jason JD. 56 00:03:47,280 --> 00:03:57,480 Speaker 2: Dean is obviously my first later crush, Like, how can 57 00:03:57,520 --> 00:04:02,560 Speaker 2: I deny my first later crush. But then Clarence Whirley, 58 00:04:03,840 --> 00:04:10,640 Speaker 2: I feel like it's not marriable mm. But then JD. 59 00:04:10,800 --> 00:04:15,080 Speaker 2: Blew up a school and started what was a dark 60 00:04:15,120 --> 00:04:17,400 Speaker 2: time in American history. He was at the forefront of 61 00:04:17,440 --> 00:04:20,359 Speaker 2: a very dark time in American history with school violence. 62 00:04:20,839 --> 00:04:26,200 Speaker 2: So I am going to fuck JD. 63 00:04:26,800 --> 00:04:29,040 Speaker 1: Oh okay, yes, yes, yes, I'm. 64 00:04:28,880 --> 00:04:31,279 Speaker 2: Gonna fuck JD from Heathers because we could do it 65 00:04:31,320 --> 00:04:34,200 Speaker 2: in a car. That's kind of all he wants, like, 66 00:04:34,240 --> 00:04:35,880 Speaker 2: he just wants to fucking blow people up. 67 00:04:36,080 --> 00:04:38,680 Speaker 1: Yeah, buddy, Oh but what about his boat with his 68 00:04:38,839 --> 00:04:41,440 Speaker 1: sacks and his box. He would you could fuck on 69 00:04:41,480 --> 00:04:44,719 Speaker 1: the boat. We can bug everywhere as the world burns. 70 00:04:45,000 --> 00:04:45,679 Speaker 1: As the world. 71 00:04:45,560 --> 00:04:51,360 Speaker 2: Burns, like corn nuts, bek or plane, he doesn't care. 72 00:04:51,560 --> 00:04:53,400 Speaker 2: He doesn't want the corn nuts. He doesn't want you. 73 00:04:53,520 --> 00:04:55,400 Speaker 2: He'll let you hang out with your friends. And here's 74 00:04:55,440 --> 00:04:58,760 Speaker 2: the real reason I'll fuck JD. I think afterwards he 75 00:04:58,800 --> 00:05:03,240 Speaker 2: would be down to talk major shit about people. He's 76 00:05:03,279 --> 00:05:04,160 Speaker 2: such a shit talker. 77 00:05:04,440 --> 00:05:05,520 Speaker 1: Oh yeah, for sure. 78 00:05:05,720 --> 00:05:07,839 Speaker 2: So I'm gonna fuck him. We're gonna talk some shit, 79 00:05:08,120 --> 00:05:11,359 Speaker 2: and then I'm gonna leave, and I'll be very surprised. 80 00:05:11,400 --> 00:05:13,360 Speaker 2: I'll have to act surprise when the newsmans come around 81 00:05:13,400 --> 00:05:14,719 Speaker 2: and like, did you know this guy that you fucked 82 00:05:14,760 --> 00:05:18,680 Speaker 2: just blew up a bunch of people, And I'll be like, well, 83 00:05:18,680 --> 00:05:20,760 Speaker 2: he blew this up first, so I knew it was coming. 84 00:05:22,400 --> 00:05:24,479 Speaker 2: And I'm gonna marry Clarence Worley because I kind of 85 00:05:24,480 --> 00:05:26,680 Speaker 2: feel like he'd be out in a shed doing his 86 00:05:26,720 --> 00:05:27,800 Speaker 2: weirdo shit all the time. 87 00:05:28,480 --> 00:05:28,880 Speaker 1: True. 88 00:05:29,360 --> 00:05:31,360 Speaker 2: Yeah, you know me, I don't want a husband that's 89 00:05:31,360 --> 00:05:33,680 Speaker 2: gonna be like around. Yeah. 90 00:05:34,040 --> 00:05:36,080 Speaker 1: Yeah, he's kind he's kind of a nerd that has 91 00:05:36,080 --> 00:05:37,400 Speaker 1: his own like nerd passions. 92 00:05:37,680 --> 00:05:38,040 Speaker 2: Yeah. 93 00:05:38,320 --> 00:05:38,520 Speaker 1: Yeah. 94 00:05:38,600 --> 00:05:40,400 Speaker 2: So I'll marry Clarence and let him do his thing 95 00:05:40,920 --> 00:05:42,960 Speaker 2: in his shed, and I will also act surprise when 96 00:05:42,960 --> 00:05:44,640 Speaker 2: the news vans show up and I'm like, hey, did 97 00:05:44,680 --> 00:05:52,040 Speaker 2: you know this guy like was basically Ted Kaczynski. I'm like, no, 98 00:05:52,160 --> 00:05:53,840 Speaker 2: I never went in that shit. I had no idea 99 00:05:55,200 --> 00:05:57,479 Speaker 2: that was a good That was a hard one in 100 00:05:57,520 --> 00:06:00,080 Speaker 2: a couple of ways. But I'm dying to hear your answers. 101 00:06:01,080 --> 00:06:07,800 Speaker 1: Okay, So I'm gonna admit it's been either a hot 102 00:06:07,880 --> 00:06:11,120 Speaker 1: minute or no minute since I've seen Young Guns. I 103 00:06:11,120 --> 00:06:15,360 Speaker 1: can't remember no minute Young Guns too. That is like 104 00:06:15,440 --> 00:06:18,279 Speaker 1: I saw actually Young Guns was playing you know what's 105 00:06:18,279 --> 00:06:21,839 Speaker 1: really weird? You know, like CMT, the country music television 106 00:06:21,960 --> 00:06:25,799 Speaker 1: channel that was primarily like an MTV for country music. 107 00:06:27,400 --> 00:06:31,440 Speaker 1: Is yeah, of course, right, So they started playing a 108 00:06:31,440 --> 00:06:34,080 Speaker 1: lot of movies like they pretty much play all movies now, 109 00:06:34,120 --> 00:06:37,680 Speaker 1: which is really weird. And I feel like the movies 110 00:06:37,680 --> 00:06:39,960 Speaker 1: that they play are kind of like they've got kind 111 00:06:40,000 --> 00:06:42,880 Speaker 1: of this like southern bent, like a or Americana kind 112 00:06:42,880 --> 00:06:45,200 Speaker 1: of bent. So it's like they'll play like Sweet Home 113 00:06:45,240 --> 00:06:48,880 Speaker 1: Alabama with uh Reese Witherspoon, but then they'll play like 114 00:06:48,960 --> 00:06:51,880 Speaker 1: western type stuff, like not old westerns, but kind of 115 00:06:51,880 --> 00:06:54,560 Speaker 1: like newer westerns. And they were playing Young Guns the 116 00:06:54,640 --> 00:06:57,440 Speaker 1: other day and I was like, am I gonna sit 117 00:06:57,520 --> 00:07:00,479 Speaker 1: here in the middle of the folding laundry and then just 118 00:07:00,520 --> 00:07:03,279 Speaker 1: stop doing everything to watch Young Guns? Because I hadn't 119 00:07:03,279 --> 00:07:07,280 Speaker 1: watched it in forever. And then I remembered from that 120 00:07:07,279 --> 00:07:10,280 Speaker 1: that there they made a sequel least I think they 121 00:07:10,320 --> 00:07:13,560 Speaker 1: made at least one, right obviously, And then I was like, 122 00:07:13,720 --> 00:07:17,040 Speaker 1: have I seen Young Guns too? So now I don't. 123 00:07:17,120 --> 00:07:19,600 Speaker 1: I don't remember I've seen Young Guns too. Having said 124 00:07:19,640 --> 00:07:26,320 Speaker 1: any of this, I am going to fuck Clarence from 125 00:07:26,320 --> 00:07:31,480 Speaker 1: True Romance. Wow, Yes, just because it feels like that's 126 00:07:31,520 --> 00:07:34,560 Speaker 1: the kind of appropriate thing for him and his character, 127 00:07:34,760 --> 00:07:37,200 Speaker 1: Like you know, everybody loves like a lover's on the 128 00:07:37,240 --> 00:07:39,760 Speaker 1: run thing. I think that I would be in that 129 00:07:39,800 --> 00:07:44,560 Speaker 1: tradition with him as well. Okay, I'm going to marry 130 00:07:44,800 --> 00:07:46,560 Speaker 1: Arkansas Day from Young. 131 00:07:46,360 --> 00:07:48,680 Speaker 2: Guns two because you don't know him. 132 00:07:49,080 --> 00:07:50,160 Speaker 1: I don't really know him. 133 00:07:50,320 --> 00:07:52,840 Speaker 2: You're going to marry at first sight with Arkansas Day. 134 00:07:53,040 --> 00:07:57,560 Speaker 1: Right. It feels like men in that era were the 135 00:07:57,680 --> 00:08:00,640 Speaker 1: marrying type. It feels like they only married people at 136 00:08:00,720 --> 00:08:02,200 Speaker 1: like sixteen. 137 00:08:02,160 --> 00:08:04,040 Speaker 2: So they were also the type to wear the same 138 00:08:04,120 --> 00:08:08,280 Speaker 2: pair of pants for a year straight without watching them 139 00:08:08,560 --> 00:08:11,520 Speaker 2: and is getting those nutbugs. 140 00:08:11,840 --> 00:08:14,320 Speaker 1: I'm not saying it wouldn't be tough for a modern 141 00:08:14,400 --> 00:08:16,320 Speaker 1: gal like me to be married to like an Old 142 00:08:16,400 --> 00:08:22,240 Speaker 1: West husband. I'm sure there are a lot of complications 143 00:08:22,520 --> 00:08:23,720 Speaker 1: with the Old West. 144 00:08:23,520 --> 00:08:26,360 Speaker 2: Husband, but a lot of rickets, a lot of rickets 145 00:08:26,360 --> 00:08:27,080 Speaker 2: going on back then. 146 00:08:27,400 --> 00:08:30,840 Speaker 1: Yeah, but I know for a fact that Jad from 147 00:08:30,920 --> 00:08:32,920 Speaker 1: Heathers is not the marrying kind. 148 00:08:33,520 --> 00:08:38,280 Speaker 2: So absolutely you have to fuck or kill him. You 149 00:08:38,320 --> 00:08:38,600 Speaker 2: have to. 150 00:08:38,679 --> 00:08:41,400 Speaker 1: Yes, he's got a really bad relationship with his father, 151 00:08:41,960 --> 00:08:43,920 Speaker 1: Like that's just gonna be, that's gonna play out on 152 00:08:44,000 --> 00:08:48,160 Speaker 1: any kind of like you know, subsequent children we would have, 153 00:08:48,600 --> 00:08:50,920 Speaker 1: and I just I don't know, like to me, he 154 00:08:51,760 --> 00:08:54,640 Speaker 1: is he'd be too annoying to be in a marriage 155 00:08:54,840 --> 00:08:58,640 Speaker 1: or well, yeah, I mean it's it's he's definitely too 156 00:08:58,640 --> 00:09:01,559 Speaker 1: annoyed to be in a marriage with. But I when 157 00:09:01,600 --> 00:09:04,320 Speaker 1: I would give in a choice between Clarence and JD, 158 00:09:04,120 --> 00:09:06,600 Speaker 1: had like, let's just kill JD. It's kind of feels 159 00:09:06,600 --> 00:09:11,160 Speaker 1: like it's what he wants. He's a nihilist, so that's legit. 160 00:09:11,640 --> 00:09:15,200 Speaker 1: Yeah yeah, okay, so down into it. That is the 161 00:09:15,280 --> 00:09:21,240 Speaker 1: first round. Now the second round really really is tugs 162 00:09:21,240 --> 00:09:25,040 Speaker 1: at my heart shrinks. Okay, so this the second and 163 00:09:25,200 --> 00:09:33,800 Speaker 1: final Christian Slater FMK is Sensitive Slater FMK, and we 164 00:09:34,000 --> 00:09:38,960 Speaker 1: have three choices for the FMK, Mark Hunter from Pump 165 00:09:39,040 --> 00:09:45,560 Speaker 1: Up the Volume, Adam from Untamed Heart, and Lewis Ferrell 166 00:09:45,720 --> 00:09:47,600 Speaker 1: from Bed of Roses. 167 00:09:48,400 --> 00:09:55,720 Speaker 2: This is so easy for me, okay, okay, easy for me. 168 00:09:55,920 --> 00:09:58,960 Speaker 2: I'm gonna marry Adam from Untamed Heart because he's not 169 00:09:59,000 --> 00:10:06,600 Speaker 2: long for this world. God, i will marry him. I'll 170 00:10:06,600 --> 00:10:16,400 Speaker 2: fuck him once, and I'll probably die like bye, thanks. 171 00:10:12,760 --> 00:10:14,280 Speaker 1: Being around and in your ship. 172 00:10:14,600 --> 00:10:18,560 Speaker 2: That's the way. Leaving toast sweat on the counter is like, 173 00:10:18,600 --> 00:10:21,080 Speaker 2: you're not gonna be long for this world. You're gonna die. 174 00:10:22,520 --> 00:10:26,600 Speaker 2: Mary Adam for sure, absolutely fuck Mark Hunter from Pump 175 00:10:26,679 --> 00:10:29,040 Speaker 2: Up the Volume. He is every bad dude, I've ever 176 00:10:29,080 --> 00:10:32,040 Speaker 2: been attracted to rolled up into one and he's shirtless 177 00:10:32,280 --> 00:10:38,320 Speaker 2: frequently and he's hot and mean, and you got to 178 00:10:38,320 --> 00:10:45,040 Speaker 2: just fuck that guy and run away. And I'm killing 179 00:10:45,120 --> 00:10:48,440 Speaker 2: Louis from Better Roses because I don't care about romance. 180 00:10:52,920 --> 00:10:54,679 Speaker 1: This is these rounds. 181 00:10:54,360 --> 00:10:56,960 Speaker 2: Always reveal a lot about me. But that's just straight 182 00:10:57,040 --> 00:10:58,439 Speaker 2: up like Lewis is boring. 183 00:10:59,160 --> 00:11:03,160 Speaker 1: Yeah, so you gotta go, dude. I have to say so, 184 00:11:03,320 --> 00:11:06,000 Speaker 1: I never saw the movie Bet of Roses, but the 185 00:11:06,120 --> 00:11:09,960 Speaker 1: trailer I've seen probably like seven thousand times in the nineties. 186 00:11:09,960 --> 00:11:12,160 Speaker 1: And then when I I just watched it again before 187 00:11:12,200 --> 00:11:15,640 Speaker 1: we popped on and do the podcast and the trailer, 188 00:11:16,840 --> 00:11:18,679 Speaker 1: I mean, it was like it was instantly taken back. 189 00:11:18,679 --> 00:11:21,680 Speaker 1: I mean, first of all, you have the frickin' Enya 190 00:11:22,320 --> 00:11:28,480 Speaker 1: Storms in Africa song. You know, it's like indicating this 191 00:11:28,559 --> 00:11:31,920 Speaker 1: is gonna be a romance about older people. And then 192 00:11:31,960 --> 00:11:38,200 Speaker 1: I was like I forgot all about like the the storyline, 193 00:11:38,200 --> 00:11:40,559 Speaker 1: which is like, I guess Mary Stewart Masterson is like 194 00:11:40,600 --> 00:11:43,080 Speaker 1: a high powered business woman and then she's like there's 195 00:11:43,080 --> 00:11:46,760 Speaker 1: a guy that leaves me flowers everywhere? Who is he? 196 00:11:46,760 --> 00:11:51,240 Speaker 1: He's a stalker? Bitch? Run away, kill that dude? Why me? 197 00:11:51,760 --> 00:11:53,920 Speaker 1: And then and then in the trailer he says like, 198 00:11:54,040 --> 00:11:56,520 Speaker 1: it's just because I walked past your apartment one night 199 00:11:56,679 --> 00:11:59,199 Speaker 1: and I looked in the window and you were crying. 200 00:12:00,280 --> 00:12:01,960 Speaker 1: I had to know you. 201 00:12:03,040 --> 00:12:07,400 Speaker 2: So so creepy. That was the nineties, folks, a whole 202 00:12:07,440 --> 00:12:09,960 Speaker 2: movie where they turned stalking into romance. 203 00:12:10,800 --> 00:12:13,040 Speaker 1: Yeah, and then there's that that one, that one part 204 00:12:13,080 --> 00:12:16,960 Speaker 1: where like her best friend who looks kind of like 205 00:12:17,280 --> 00:12:20,480 Speaker 1: a young Judy Tanuda. I don't know who the actress is, 206 00:12:20,559 --> 00:12:26,560 Speaker 1: but she's like, if you hurt her, I'll kill you, okay. 207 00:12:27,760 --> 00:12:29,320 Speaker 2: And he's like, oh, have I got news for you. 208 00:12:29,360 --> 00:12:32,560 Speaker 2: I've already planned on murdering both of you so you 209 00:12:32,600 --> 00:12:34,480 Speaker 2: will not get the chance. I have the rope and 210 00:12:34,520 --> 00:12:37,280 Speaker 2: the tape in my car. That has been my plan 211 00:12:37,360 --> 00:12:39,280 Speaker 2: all along. That's the part of the movie they don't 212 00:12:39,320 --> 00:12:41,760 Speaker 2: show you is where he actually kills. He could fucking 213 00:12:41,800 --> 00:12:44,240 Speaker 2: annihilates everyone in her life. 214 00:12:43,760 --> 00:12:49,960 Speaker 1: He pushes back as like Hydranges and Marrygolds that he's 215 00:12:50,080 --> 00:12:52,240 Speaker 1: and there's just like a murder board behind all the 216 00:12:52,280 --> 00:12:54,200 Speaker 1: flowers in his apartment. 217 00:12:54,360 --> 00:12:57,120 Speaker 2: Like you think it's all romantic because you walk in 218 00:12:57,160 --> 00:13:00,840 Speaker 2: and it's like fifteen dozen roses and then he just 219 00:13:00,880 --> 00:13:08,960 Speaker 2: pops out from the back with a fucking machete. Yeah, 220 00:13:08,960 --> 00:13:11,120 Speaker 2: he gotta go. You're not missing anything but better room 221 00:13:11,200 --> 00:13:17,280 Speaker 2: unless we rewrite it to be that. 222 00:13:17,400 --> 00:13:19,679 Speaker 1: Having said that, I kind of want to watch it, Like, 223 00:13:19,679 --> 00:13:22,480 Speaker 1: I'm like, should I watch it? Am I gonna cry? 224 00:13:22,760 --> 00:13:24,560 Speaker 1: If I watch it? I feel like I might cry. 225 00:13:24,840 --> 00:13:25,800 Speaker 1: Of course you'll cry. 226 00:13:27,480 --> 00:13:29,960 Speaker 2: We talk a good game on this podcast, but you're sensitive. 227 00:13:30,200 --> 00:13:33,800 Speaker 1: Oh look, I make no bones about that shit I am. 228 00:13:34,000 --> 00:13:38,440 Speaker 1: I am a big softy as we know. And it's 229 00:13:38,440 --> 00:13:41,280 Speaker 1: evident from the episode that we did, because I feel 230 00:13:41,280 --> 00:13:44,120 Speaker 1: like this got kicked off way way back when when 231 00:13:44,160 --> 00:13:47,240 Speaker 1: we did talk about Christians later being like your Numero 232 00:13:47,440 --> 00:13:50,439 Speaker 1: Uno crush, right, And I think it was because we 233 00:13:50,440 --> 00:13:53,600 Speaker 1: were talking about cleaving the cube, right yeah, oh yeah, 234 00:13:53,640 --> 00:13:55,760 Speaker 1: And then I talked about at one point like I 235 00:13:55,800 --> 00:13:59,760 Speaker 1: watched Untamed Heart like one hundred thousand times and Bob 236 00:14:00,080 --> 00:14:04,000 Speaker 1: bought the standard dev DVD at Blockbuster h before they 237 00:14:04,000 --> 00:14:07,360 Speaker 1: went out of business. But so, so here's my list, 238 00:14:07,400 --> 00:14:08,760 Speaker 1: here's here's my choices. 239 00:14:08,840 --> 00:14:11,360 Speaker 2: Okay, I can't believe we haven't even gotten to your 240 00:14:11,360 --> 00:14:12,559 Speaker 2: pixel I go. 241 00:14:12,960 --> 00:14:14,840 Speaker 1: Because I was like, I just want to know about 242 00:14:14,920 --> 00:14:19,480 Speaker 1: your picks. It's like, who cares about men? I guess 243 00:14:20,480 --> 00:14:26,920 Speaker 1: I'm going to fuck Adam from Untamed Heart because you 244 00:14:27,600 --> 00:14:31,440 Speaker 1: like a real emotional f and then he's gonna die 245 00:14:31,720 --> 00:14:37,160 Speaker 1: and then he dies, so that would be it would 246 00:14:37,200 --> 00:14:41,520 Speaker 1: just be very intense, a one time intense situation, which 247 00:14:41,520 --> 00:14:42,600 Speaker 1: I'm I'm okay with. 248 00:14:42,920 --> 00:14:45,920 Speaker 2: Look, there's nothing like going out with a terminally ill bang. 249 00:14:48,800 --> 00:14:49,680 Speaker 2: That's how I want to go. 250 00:14:49,960 --> 00:14:54,000 Speaker 1: Yeah, exactly, exactly. Probably even more controversial is that I'm 251 00:14:54,000 --> 00:14:55,960 Speaker 1: gonna marry Lewis from Power. 252 00:15:00,320 --> 00:15:02,360 Speaker 2: Wait. That means you're killing Mark Hunter. 253 00:15:02,760 --> 00:15:06,359 Speaker 1: I know, and I don't want to do it necessarily, 254 00:15:06,440 --> 00:15:10,160 Speaker 1: but I feel like, again, it's the starkiness that I 255 00:15:10,280 --> 00:15:12,480 Speaker 1: just feel like is not in like an LTR thing 256 00:15:12,560 --> 00:15:14,280 Speaker 1: where I'm just like, oh, I'm gonna sit around and 257 00:15:14,520 --> 00:15:17,200 Speaker 1: this guy's just gonna hate everything. He's gonna be like 258 00:15:18,120 --> 00:15:21,240 Speaker 1: a fifty five year old like bitter gen X guy 259 00:15:21,760 --> 00:15:25,640 Speaker 1: who's like, you know, uh god, I fucking hate modern music. 260 00:15:25,680 --> 00:15:25,840 Speaker 2: Man. 261 00:15:25,960 --> 00:15:29,560 Speaker 1: It's like these stupid bands, like all these like new 262 00:15:29,680 --> 00:15:30,960 Speaker 1: bands there. 263 00:15:31,120 --> 00:15:34,160 Speaker 2: If there's one thing we've learned from our fmks, especially 264 00:15:34,320 --> 00:15:39,200 Speaker 2: from the Chucky episode, you're not about that mouth and 265 00:15:39,280 --> 00:15:44,000 Speaker 2: Mark Hunter got a mouth on him. 266 00:15:44,760 --> 00:15:46,920 Speaker 1: I'm sorry to like every dude in my generation, but 267 00:15:47,040 --> 00:15:47,920 Speaker 1: I don't want to marry you. 268 00:15:47,960 --> 00:15:51,360 Speaker 2: I mean, look at like, apologize those fucking dudes. They 269 00:15:51,440 --> 00:15:54,200 Speaker 2: never learned how to be human beings. Goodbye, Like what 270 00:15:55,600 --> 00:15:59,040 Speaker 2: we don't know them? Shit. Gen X women were like, 271 00:15:59,080 --> 00:16:00,800 Speaker 2: all right, I have to do everything. I take care 272 00:16:00,840 --> 00:16:03,080 Speaker 2: of myself by fucking house. I have to do everything. 273 00:16:03,200 --> 00:16:05,280 Speaker 2: And the dudes were like, oh no if I like 274 00:16:05,360 --> 00:16:09,800 Speaker 2: Nirvana and I'm like, that can't be your life. Like 275 00:16:09,920 --> 00:16:12,520 Speaker 2: I had apologize it of those dudes for never growing up. 276 00:16:13,800 --> 00:16:17,200 Speaker 1: Oh my god. So there you have it, Nicole. That 277 00:16:17,200 --> 00:16:21,360 Speaker 1: that is the answer to your incredible email this week 278 00:16:21,400 --> 00:16:26,040 Speaker 1: about Christian Slader. I hope it satisfies. Wow. That felt 279 00:16:26,080 --> 00:16:28,920 Speaker 1: like a big weight off my shoulders. You want to 280 00:16:28,920 --> 00:16:29,920 Speaker 1: read this next one? 281 00:16:30,200 --> 00:16:33,640 Speaker 2: You know I do. The email subject is a surprise 282 00:16:33,800 --> 00:16:36,840 Speaker 2: to no one straight man has never heard of Filma 283 00:16:36,960 --> 00:16:41,600 Speaker 2: and Louise. Dear Milly and Danielle. Thank you for your 284 00:16:41,640 --> 00:16:45,160 Speaker 2: superb podcast. It is such a delight. I was recently 285 00:16:45,200 --> 00:16:47,680 Speaker 2: on a date with a man, my first mistake, I know. 286 00:16:49,280 --> 00:16:52,240 Speaker 2: When the conversation came around to movies, I mentioned I 287 00:16:52,280 --> 00:16:56,760 Speaker 2: had recently rewatched Thelma and Louise. He shrugged, you don't 288 00:16:56,760 --> 00:16:59,760 Speaker 2: know Thelma and Louise. I asked, well, I'm not so 289 00:16:59,800 --> 00:17:02,800 Speaker 2: good with directors. What are some of their movies? He replied. 290 00:17:03,960 --> 00:17:07,119 Speaker 2: This man had neither seen nor even heard of this 291 00:17:07,240 --> 00:17:11,359 Speaker 2: incredibly famous picture. I immediately knew I never wanted to 292 00:17:11,359 --> 00:17:14,359 Speaker 2: see him again. Now, of course, people don't have to 293 00:17:14,480 --> 00:17:17,080 Speaker 2: like everything I like, but this helped me discover we 294 00:17:17,080 --> 00:17:21,160 Speaker 2: were on different planets taste wise. I'm curious, are there 295 00:17:21,200 --> 00:17:23,840 Speaker 2: any movies that you use as a litmus test when 296 00:17:23,840 --> 00:17:26,680 Speaker 2: getting to know new people? Are there any that would 297 00:17:26,680 --> 00:17:30,840 Speaker 2: constitute an automatic pass or fail? Thanks again for all 298 00:17:30,880 --> 00:17:37,760 Speaker 2: you do, Eileen, who uses she her pronouns wow, wow, Yeah, Eileen, 299 00:17:38,359 --> 00:17:39,960 Speaker 2: you took one for the team with that date. I'm 300 00:17:40,000 --> 00:17:41,560 Speaker 2: so sorry. I'm glad you got out of there and 301 00:17:41,600 --> 00:17:43,400 Speaker 2: you're not going back well. 302 00:17:43,200 --> 00:17:46,040 Speaker 1: And like, okay, I was trying to think of, like, 303 00:17:46,520 --> 00:17:48,600 Speaker 1: in what ways would I give this guy a pass 304 00:17:48,640 --> 00:17:52,800 Speaker 1: for not realizing that Thelma and Louise weren't the names 305 00:17:52,880 --> 00:17:59,320 Speaker 1: of two directors like merchant Ivory or something like. I 306 00:17:59,359 --> 00:18:02,399 Speaker 1: was like, he's not from this country, or he was 307 00:18:02,760 --> 00:18:06,159 Speaker 1: he's working in a research station in Antarctica or something like, 308 00:18:06,200 --> 00:18:08,480 Speaker 1: I don't those are the only two ways I'd be like, Okay, 309 00:18:08,480 --> 00:18:11,560 Speaker 1: well I get it. Wow, though that's a that's pretty 310 00:18:11,560 --> 00:18:14,560 Speaker 1: big information to drop in there, all right, And this is. 311 00:18:14,440 --> 00:18:17,840 Speaker 2: This I agree with Eileen that this is a different 312 00:18:17,880 --> 00:18:20,680 Speaker 2: planet kind of question, where like if you haven't even 313 00:18:20,720 --> 00:18:23,320 Speaker 2: heard of it, then you don't pay attention to the 314 00:18:23,359 --> 00:18:25,720 Speaker 2: same things pop culturally that I do, like we're not 315 00:18:26,600 --> 00:18:29,840 Speaker 2: on the same level in that way, which is very 316 00:18:29,880 --> 00:18:30,560 Speaker 2: important to me. 317 00:18:31,080 --> 00:18:35,680 Speaker 1: Yeah. So yeah, so then like, so what about you? Okay, 318 00:18:35,760 --> 00:18:37,960 Speaker 1: Like the second part of a question, is there like 319 00:18:38,000 --> 00:18:40,720 Speaker 1: a movie? I guess it would be like kind of 320 00:18:40,720 --> 00:18:43,000 Speaker 1: both ways, right, like a movie where if if you 321 00:18:43,040 --> 00:18:45,119 Speaker 1: were on a date or somebody or with somebody and 322 00:18:45,160 --> 00:18:49,120 Speaker 1: they mentioned this movie, it's a no go. Or if 323 00:18:49,119 --> 00:18:51,440 Speaker 1: they mentioned a movie, it's like a hell, yeah, let's 324 00:18:51,680 --> 00:18:52,960 Speaker 1: let's let's. 325 00:18:52,720 --> 00:18:56,440 Speaker 2: Bone well, you know me first and foremost, if anyone 326 00:18:56,480 --> 00:18:59,520 Speaker 2: has seen The Raid, I'm gonna fuck him in the 327 00:18:59,520 --> 00:19:02,600 Speaker 2: restaurant or the coffee shop or wherever we are. Wow, 328 00:19:04,040 --> 00:19:08,000 Speaker 2: if you have seen The Raid Redemption, you're getting many 329 00:19:08,000 --> 00:19:16,240 Speaker 2: more dates like end of one. But I also like 330 00:19:16,400 --> 00:19:18,760 Speaker 2: I feel like I don't have I don't have a 331 00:19:18,800 --> 00:19:20,960 Speaker 2: fail in terms of like if I mentioned a movie 332 00:19:20,960 --> 00:19:23,760 Speaker 2: that they haven't seen, unless it's like something like this, 333 00:19:23,880 --> 00:19:27,320 Speaker 2: like a big pop culture movie. But I feel like, oh, 334 00:19:27,520 --> 00:19:30,320 Speaker 2: I get excited to like introduce people to new things 335 00:19:30,440 --> 00:19:32,280 Speaker 2: or kind of you. There's a lot of discussion can 336 00:19:32,320 --> 00:19:35,119 Speaker 2: kind of stem from from that sort of thing. But 337 00:19:35,200 --> 00:19:38,760 Speaker 2: I will I will say, and this comes from purely 338 00:19:38,840 --> 00:19:44,359 Speaker 2: from my nineties gen xness. If anyone mentions the fucking 339 00:19:44,440 --> 00:19:47,159 Speaker 2: movie dos Boot to me, I'm walking out of wherever 340 00:19:47,200 --> 00:19:47,480 Speaker 2: we are. 341 00:19:51,320 --> 00:19:53,280 Speaker 1: This is like the second or third time you brought 342 00:19:53,320 --> 00:19:55,800 Speaker 1: up Doss Boot, and I get. 343 00:19:55,720 --> 00:20:01,639 Speaker 2: Obsessed with that movie in the nineties, and I'm like, 344 00:20:02,600 --> 00:20:06,000 Speaker 2: get over it, whatever it is, get over it, get 345 00:20:06,000 --> 00:20:06,919 Speaker 2: over it. Do his Boot. 346 00:20:07,359 --> 00:20:09,679 Speaker 1: But that kind of shit not even like fight Club, 347 00:20:09,760 --> 00:20:12,560 Speaker 1: though you don't. You don't raise an eyebrow when somebody's like, 348 00:20:12,600 --> 00:20:14,600 Speaker 1: fight Club's my favorite movie. 349 00:20:14,840 --> 00:20:16,800 Speaker 2: Oh yeah, I mean that that would be like a 350 00:20:17,760 --> 00:20:20,000 Speaker 2: preliminary question that I would use to even weed them 351 00:20:20,000 --> 00:20:24,800 Speaker 2: out before the first date, like and usually put it 352 00:20:24,880 --> 00:20:27,520 Speaker 2: this dudes, it like there like obsessed with fight Club, 353 00:20:27,560 --> 00:20:29,000 Speaker 2: they usually put it in their fucking bio. 354 00:20:29,680 --> 00:20:36,280 Speaker 1: Yeah, that feels almost so passe that if you are 355 00:20:36,480 --> 00:20:39,639 Speaker 1: at this point still in an extreme stand for Fight Club. 356 00:20:39,680 --> 00:20:43,040 Speaker 1: I'm kind of like, were you at a research station 357 00:20:43,119 --> 00:20:46,320 Speaker 1: an Antarctica for most of your life? Like how do 358 00:20:46,400 --> 00:20:49,280 Speaker 1: you not know? Like that? 359 00:20:51,000 --> 00:20:52,880 Speaker 2: So many more movies have come out, so. 360 00:20:53,000 --> 00:20:55,880 Speaker 1: Many more, and that's how I feel, exactly, so many 361 00:20:55,920 --> 00:20:57,520 Speaker 1: more movies have come out. I kind of feel a 362 00:20:57,560 --> 00:21:00,920 Speaker 1: way too with I gotta say I kind of feel 363 00:21:00,920 --> 00:21:05,320 Speaker 1: that way about Caddy Shack. Oh yeah, yeah, I kind 364 00:21:05,320 --> 00:21:08,040 Speaker 1: of feel like one a guy's like I love Caddy Shack. 365 00:21:08,080 --> 00:21:13,400 Speaker 1: I'm like, m just dig a little deeper, just a 366 00:21:13,400 --> 00:21:14,280 Speaker 1: tiny bit deeper. 367 00:21:14,720 --> 00:21:18,800 Speaker 2: I've never seen it. I've never seen Animal House. Yeah yeah, 368 00:21:18,960 --> 00:21:21,600 Speaker 2: I'm not into the type of person who would love 369 00:21:21,640 --> 00:21:22,640 Speaker 2: that those films. 370 00:21:23,040 --> 00:21:26,000 Speaker 1: Yeah, I feel Caddyshack in particular. I think it's because 371 00:21:26,080 --> 00:21:28,200 Speaker 1: I'm from the South and there's just like a lot 372 00:21:28,200 --> 00:21:30,600 Speaker 1: of like preppy guys who play golf that like like 373 00:21:30,680 --> 00:21:35,200 Speaker 1: that shit. And I'm like, and I've watched it. I've 374 00:21:35,240 --> 00:21:37,760 Speaker 1: watched it at least two times in my life, and 375 00:21:37,840 --> 00:21:40,719 Speaker 1: I'm I don't know, I mean, it's probably like not 376 00:21:41,400 --> 00:21:41,840 Speaker 1: my fave. 377 00:21:42,240 --> 00:21:44,840 Speaker 2: You've given it a chance, You've given it a square chance. 378 00:21:45,080 --> 00:21:48,200 Speaker 1: Oh, I definitely have I definitely have because I was like, oh, 379 00:21:48,240 --> 00:21:50,840 Speaker 1: look at all these comedians like, uh, you know, it's 380 00:21:50,880 --> 00:21:53,320 Speaker 1: just such a classic, And I was like, uh, you know, 381 00:21:53,520 --> 00:21:56,240 Speaker 1: and there's probably met out there like this bitch doesn't 382 00:21:56,280 --> 00:21:59,800 Speaker 1: like Caddyshack. She's canceled. So it goes both ways, but 383 00:22:00,320 --> 00:22:03,240 Speaker 1: then also too, like I was, there is a moment 384 00:22:03,240 --> 00:22:05,160 Speaker 1: where I feel like there are certain movies like fight Club. 385 00:22:05,240 --> 00:22:07,480 Speaker 1: I gotta say, I think The Matrix is one where 386 00:22:08,040 --> 00:22:10,840 Speaker 1: it can go either way, like, yeah, the Matrix is 387 00:22:10,880 --> 00:22:13,640 Speaker 1: like cool and awesome, but then there's a certain type 388 00:22:13,640 --> 00:22:16,479 Speaker 1: of person that really really loves it that I'm scared of. 389 00:22:17,000 --> 00:22:19,960 Speaker 2: Well, I feel like that person who really really loves it, 390 00:22:19,960 --> 00:22:23,120 Speaker 2: it's usually paired with something else that I can't handle. 391 00:22:23,200 --> 00:22:29,159 Speaker 2: Like I love The Matrix and the band rush and 392 00:22:29,160 --> 00:22:29,600 Speaker 2: I'm like. 393 00:22:29,640 --> 00:22:33,200 Speaker 1: Oh god, yeah, get me out of here. 394 00:22:33,760 --> 00:22:36,520 Speaker 2: So it's usually like like if you just like the movie, 395 00:22:36,720 --> 00:22:38,560 Speaker 2: I can get there because it's a good movie. It's 396 00:22:38,320 --> 00:22:40,440 Speaker 2: a it's a good movie. But if you like it 397 00:22:40,600 --> 00:22:43,320 Speaker 2: and you're obsessed with it, and you also are obsessed, 398 00:22:43,400 --> 00:22:46,240 Speaker 2: you're also usually obsessed with something else that's very much 399 00:22:46,320 --> 00:22:50,120 Speaker 2: not me. Yeah, and I can't go down that prog 400 00:22:50,240 --> 00:22:51,159 Speaker 2: rack hole with you. 401 00:22:51,680 --> 00:22:55,119 Speaker 1: Yeah, it's like I love the Matrix and I'm a 402 00:22:55,200 --> 00:22:58,520 Speaker 1: horrible in cel that hates women. Yes, yeah, it could. 403 00:22:58,680 --> 00:23:00,520 Speaker 1: It's so on the fence side that. 404 00:23:01,040 --> 00:23:03,359 Speaker 2: You know, it's always paired with something else. But I 405 00:23:03,400 --> 00:23:05,359 Speaker 2: think also, I mean, look for both of us. I 406 00:23:05,400 --> 00:23:08,040 Speaker 2: think if someone even mentioned Smoky in the bandit were there, 407 00:23:08,400 --> 00:23:13,040 Speaker 2: yoh god. I mean that there's some like immediate like yes, yes. 408 00:23:12,920 --> 00:23:15,359 Speaker 1: Yes, oh yeah. I was trying to think about this 409 00:23:15,359 --> 00:23:18,359 Speaker 1: because I think in one episode I said that back 410 00:23:18,400 --> 00:23:20,880 Speaker 1: when I was like in college, if I found out 411 00:23:20,880 --> 00:23:24,359 Speaker 1: a guy liked Chunking Express, I was like, let's get married. 412 00:23:26,359 --> 00:23:29,000 Speaker 1: And I feel like now, I mean, I'm pretty much 413 00:23:29,000 --> 00:23:32,320 Speaker 1: I've got relaxed rules now as an adult. Okay, I 414 00:23:32,400 --> 00:23:35,119 Speaker 1: will say, though, if a guy came to me and 415 00:23:35,160 --> 00:23:38,520 Speaker 1: said I love the movie Bored in Flames or like 416 00:23:38,720 --> 00:23:42,720 Speaker 1: some kind of like feminist masterpiece, I'd be like, let's 417 00:23:43,480 --> 00:23:46,159 Speaker 1: not get married, but let's be partnered and live in 418 00:23:46,200 --> 00:23:46,879 Speaker 1: separate houses. 419 00:23:47,040 --> 00:23:52,040 Speaker 2: Let's get a dog, Yeah, let's get let's share custody 420 00:23:52,040 --> 00:23:52,520 Speaker 2: of a dog. 421 00:23:53,040 --> 00:23:57,320 Speaker 1: Yeah, let's have a relationship where none of us have 422 00:23:57,359 --> 00:23:59,880 Speaker 1: to give up our own independence or conveniences. 423 00:24:00,080 --> 00:24:04,560 Speaker 2: And if his movie's Born in Flames. He's down for that, Yeah, exactly. 424 00:24:04,640 --> 00:24:07,720 Speaker 1: He's an evolved dude, So there you go. So that 425 00:24:07,720 --> 00:24:09,800 Speaker 1: would be kind of my answers for that. But this 426 00:24:09,920 --> 00:24:15,040 Speaker 1: is actually a really interesting question. Also, Oh, one more Inception. 427 00:24:16,880 --> 00:24:20,800 Speaker 1: Wait what that's a movie that if a guy's like 428 00:24:20,840 --> 00:24:23,080 Speaker 1: I love Inception, it's like the greatest mode, Like, uh 429 00:24:23,960 --> 00:24:26,320 Speaker 1: oh I like Inception? 430 00:24:27,680 --> 00:24:28,560 Speaker 2: Am I that dude? 431 00:24:28,720 --> 00:24:29,680 Speaker 1: Are people saying that. 432 00:24:29,600 --> 00:24:32,560 Speaker 2: To me, Like, oh gosh, you likes Inception? It's not. 433 00:24:32,920 --> 00:24:36,680 Speaker 1: No, Actually it's more attractive if you like Inception. I'm 434 00:24:36,720 --> 00:24:39,359 Speaker 1: just saying it's less attractive if there's a guy that 435 00:24:39,920 --> 00:24:44,320 Speaker 1: comes with it in a very emphatic, intense way. 436 00:24:44,440 --> 00:24:46,960 Speaker 2: That's just that is wild. I've never encountered that dude. 437 00:24:47,040 --> 00:24:49,879 Speaker 2: Now I want to. I can't wait to find that 438 00:24:49,960 --> 00:24:51,679 Speaker 2: dude because I feel like we'd fight. I feel like 439 00:24:51,720 --> 00:24:53,680 Speaker 2: you think, oh, they both like Inception, maybe they'd be 440 00:24:53,760 --> 00:24:55,480 Speaker 2: perfect for each other. No, I feel like i'd fight 441 00:24:55,560 --> 00:24:58,280 Speaker 2: that guy because that guy, again, it's always paired with 442 00:24:58,320 --> 00:25:00,520 Speaker 2: something else where. He's like Christopher no one was only 443 00:25:00,520 --> 00:25:02,720 Speaker 2: fucking director that matters. And I'm like, I can't with this. 444 00:25:02,800 --> 00:25:05,240 Speaker 2: I gotta fight you now physically. Also, I will say, 445 00:25:05,240 --> 00:25:06,560 Speaker 2: this is bringing up so much for me. I didn't 446 00:25:06,600 --> 00:25:09,200 Speaker 2: even realize this. But that's the beauty of the bonus episode. 447 00:25:09,560 --> 00:25:13,000 Speaker 2: If some guy is like, you know, my favorite movie 448 00:25:13,200 --> 00:25:15,720 Speaker 2: is Portrait of a Woman on Fire, I'd be like, no, 449 00:25:16,040 --> 00:25:17,720 Speaker 2: you would think that would be attractive to me. But 450 00:25:17,760 --> 00:25:22,680 Speaker 2: I'm like, no, you're fetishizing lesbianism goodbye. 451 00:25:22,880 --> 00:25:25,000 Speaker 1: Yeah, oh I know. And that's that's why I think 452 00:25:25,080 --> 00:25:27,760 Speaker 1: Born in Flames is an actual good litmus test, because 453 00:25:28,080 --> 00:25:30,920 Speaker 1: I don't believe there's lesbian sex in Born in Flames. 454 00:25:30,960 --> 00:25:33,000 Speaker 1: It's just activism. 455 00:25:33,280 --> 00:25:34,000 Speaker 2: Yeah, you know. 456 00:25:34,440 --> 00:25:36,359 Speaker 1: So a guy that's like, well, I can't watch a 457 00:25:36,440 --> 00:25:41,119 Speaker 1: lesbian movie unless there's lesbian fucking in it, that means that, 458 00:25:41,240 --> 00:25:43,479 Speaker 1: you know, they would have to get past that level 459 00:25:43,880 --> 00:25:45,080 Speaker 1: in order to enjoy. 460 00:25:44,840 --> 00:25:48,960 Speaker 2: Born completely completely, even though Portrait of a Woman on 461 00:25:49,000 --> 00:25:52,480 Speaker 2: Fire is basically like, well, let's touch pinkies, like, it's 462 00:25:52,520 --> 00:25:54,359 Speaker 2: not it's like barely gay. 463 00:25:54,600 --> 00:25:57,160 Speaker 1: But the arm Pit movie is that the Armpit movie? 464 00:25:58,520 --> 00:25:58,960 Speaker 2: Is it. 465 00:26:04,920 --> 00:26:07,240 Speaker 1: The Armpit movie? Right? 466 00:26:07,760 --> 00:26:08,080 Speaker 2: Isn't it? 467 00:26:09,240 --> 00:26:10,800 Speaker 1: What do you think's happening in these armpits? 468 00:26:10,800 --> 00:26:14,040 Speaker 2: In this movie? It was like the eighteen hundreds. Yeah, 469 00:26:13,280 --> 00:26:18,240 Speaker 2: I swear yes, Key said yes, Okay, maybe I forgot. 470 00:26:18,240 --> 00:26:21,000 Speaker 2: I've only seen it once. I did not remember an 471 00:26:21,080 --> 00:26:23,480 Speaker 2: armpit part and she like kiss it, she lick at 472 00:26:23,560 --> 00:26:26,760 Speaker 2: armpits in that movie. God, is that the extent of 473 00:26:26,800 --> 00:26:28,959 Speaker 2: the lesbian sex in that movie? Because I was bored 474 00:26:28,960 --> 00:26:29,360 Speaker 2: by it. 475 00:26:29,640 --> 00:26:33,400 Speaker 1: I want to say that it's like some kind of drug. 476 00:26:33,680 --> 00:26:37,640 Speaker 1: They take a drug and it's through their armpits or something, 477 00:26:38,080 --> 00:26:40,040 Speaker 1: or am I getting that confused with like the worst 478 00:26:40,040 --> 00:26:40,760 Speaker 1: person in the world. 479 00:26:40,880 --> 00:26:42,800 Speaker 2: No, worst person in the world. They just straight up 480 00:26:42,840 --> 00:26:43,480 Speaker 2: took LSD. 481 00:26:43,760 --> 00:26:46,040 Speaker 1: Okay, okay, okay, okay. 482 00:26:46,240 --> 00:26:48,520 Speaker 2: I need to rewatch Portrait of a Women on Fire 483 00:26:48,560 --> 00:26:53,359 Speaker 2: apparently because I did not remember the armpit drug scene, 484 00:26:55,840 --> 00:26:57,920 Speaker 2: which does not bode well for me trying to keep 485 00:26:58,040 --> 00:27:00,159 Speaker 2: Alzheimer's at bay because it wasn't that long ago that 486 00:27:00,200 --> 00:27:00,639 Speaker 2: I saw it. 487 00:27:01,800 --> 00:27:03,040 Speaker 1: Well, I just told you, I thought it was a 488 00:27:03,040 --> 00:27:06,600 Speaker 1: different movie. So we both need to do some brain games. 489 00:27:09,080 --> 00:27:09,720 Speaker 1: Holy shit. 490 00:27:09,880 --> 00:27:13,800 Speaker 2: Oh what a great email, What a great email. Thank 491 00:27:13,840 --> 00:27:14,679 Speaker 2: you so much, Eileen. 492 00:27:15,200 --> 00:27:22,399 Speaker 1: Yes, Eileen, thank you so much. I'm gonna read this 493 00:27:22,480 --> 00:27:27,719 Speaker 1: next one. Yeah yeah, This one is from Lindsey and 494 00:27:27,760 --> 00:27:29,879 Speaker 1: it's called best part of going to the movies in 495 00:27:29,880 --> 00:27:35,560 Speaker 1: the nineties as a teenager. Hey you two crazy kids. First, 496 00:27:35,960 --> 00:27:38,199 Speaker 1: love the pod. It's the only one I listened to 497 00:27:38,280 --> 00:27:42,240 Speaker 1: without ever skipping any episodes, and your intros always make 498 00:27:42,280 --> 00:27:47,040 Speaker 1: me laugh slash add joy to my day. Second, we're 499 00:27:47,080 --> 00:27:49,800 Speaker 1: about the same age. I'm forty five and grew up 500 00:27:49,840 --> 00:27:52,720 Speaker 1: as a nineties kid, and I'm curious if either of 501 00:27:52,760 --> 00:27:55,280 Speaker 1: you ever did this. But my favorite part of going 502 00:27:55,320 --> 00:27:58,600 Speaker 1: to the movies back then was planning to see a 503 00:27:59,040 --> 00:28:02,680 Speaker 1: R rated movie, but telling our parents we were going 504 00:28:02,680 --> 00:28:06,880 Speaker 1: to see a different one instead, something peachy or whatever. 505 00:28:07,520 --> 00:28:10,200 Speaker 1: We'd look up the movie times in the newspaper, remember 506 00:28:10,240 --> 00:28:13,639 Speaker 1: those old things, and then coordinate as closely as we 507 00:28:13,680 --> 00:28:16,560 Speaker 1: could on the timing. We'd buy the ticket for one movie, 508 00:28:16,640 --> 00:28:19,160 Speaker 1: then sneak into the rate at AR movie instead. There 509 00:28:19,280 --> 00:28:22,359 Speaker 1: was something thrilling about the whole experience and getting away 510 00:28:22,359 --> 00:28:24,399 Speaker 1: with it and also seeing a damn good movie we 511 00:28:24,400 --> 00:28:27,320 Speaker 1: wouldn't be able to otherwise in the process. Ah, the 512 00:28:27,359 --> 00:28:30,760 Speaker 1: good old days. Keep on doing what you're doing, Lindsey. 513 00:28:31,280 --> 00:28:33,920 Speaker 2: I mean yeah, I mean I comme at this from 514 00:28:33,920 --> 00:28:37,840 Speaker 2: two different two different positions, because on the one hand, 515 00:28:38,680 --> 00:28:40,480 Speaker 2: there's no way my grandmother gave a shit about me 516 00:28:40,480 --> 00:28:42,600 Speaker 2: seeing in our movie I was gonna say, like, I 517 00:28:42,640 --> 00:28:44,640 Speaker 2: did not have to hide that from her, but I 518 00:28:44,760 --> 00:28:47,600 Speaker 2: did have to help my other friends hide it from 519 00:28:47,640 --> 00:28:50,120 Speaker 2: their parents. Yeah, so I definitely did that because a 520 00:28:50,120 --> 00:28:51,600 Speaker 2: lot of my friends were like, I'm not allowed, and 521 00:28:51,640 --> 00:28:54,040 Speaker 2: I'm like, what, You're not allowed to see Silence of 522 00:28:54,040 --> 00:28:58,120 Speaker 2: the Lambs, Let's go. So definitely did that, but my 523 00:28:58,120 --> 00:29:01,320 Speaker 2: family did not care, like nobody was checking and another 524 00:29:01,320 --> 00:29:03,360 Speaker 2: beautiful part of the nineties, nobody was checking to see 525 00:29:03,360 --> 00:29:05,680 Speaker 2: what I was actually doing. But it was also easier 526 00:29:05,720 --> 00:29:09,920 Speaker 2: to do back then because, as I have stated, I 527 00:29:10,000 --> 00:29:12,280 Speaker 2: used to skip into a lot of movies because, yeah, 528 00:29:12,440 --> 00:29:14,600 Speaker 2: movie theaters are by and large run by teenagers, or 529 00:29:14,600 --> 00:29:17,720 Speaker 2: at least they were, so nobody cared if we went 530 00:29:17,760 --> 00:29:19,840 Speaker 2: in with like a crew of eight people and we're 531 00:29:19,880 --> 00:29:21,360 Speaker 2: just sitting in an R rated movie. No one was 532 00:29:21,400 --> 00:29:22,960 Speaker 2: gonna come in and be like, hey, you're eleven, what 533 00:29:23,000 --> 00:29:24,560 Speaker 2: are you doing here? Nobody give me shit? 534 00:29:25,000 --> 00:29:30,720 Speaker 1: Yeah, yeah, I uh, I'm with you. I don't think 535 00:29:30,720 --> 00:29:32,680 Speaker 1: I was ever told not to see R rated movies, 536 00:29:33,520 --> 00:29:37,920 Speaker 1: but yeah, I definitely remember there being like having friends 537 00:29:37,960 --> 00:29:40,720 Speaker 1: whose parents were like super Christian or something, and then 538 00:29:40,840 --> 00:29:43,600 Speaker 1: we couldn't watch things and we would have to sneak 539 00:29:43,640 --> 00:29:47,120 Speaker 1: into something else. But I now I'm just trying to 540 00:29:47,120 --> 00:29:50,239 Speaker 1: recall what that would be because I was always like, 541 00:29:51,120 --> 00:29:53,520 Speaker 1: I think my vibe was like trying to see more 542 00:29:53,560 --> 00:29:55,520 Speaker 1: than one movie in a day. That was like my 543 00:29:56,240 --> 00:29:58,400 Speaker 1: way of sneaking around in the movie theater. Like I 544 00:29:58,440 --> 00:30:02,280 Speaker 1: was like, we're going to say, God, this isn't this 545 00:30:02,400 --> 00:30:05,320 Speaker 1: was an epic afternoon. But I remember my friend and 546 00:30:05,360 --> 00:30:09,320 Speaker 1: I went to go see ring Master, the Jerry Springer movie. 547 00:30:10,800 --> 00:30:18,440 Speaker 1: Ah God, Rest in Peace King. So we went and 548 00:30:18,480 --> 00:30:23,720 Speaker 1: saw ring Master, and then, speaking of Christian Slater, another 549 00:30:23,800 --> 00:30:25,640 Speaker 1: movie that was playing in the same movie theater was 550 00:30:26,000 --> 00:30:32,120 Speaker 1: Very Bad Things. Oh that way, yeah, and that So 551 00:30:32,200 --> 00:30:34,520 Speaker 1: we watched ring Master and then we were like, okay, 552 00:30:34,600 --> 00:30:37,840 Speaker 1: let's pretend we're like leaving, like you go to the bathroom, 553 00:30:38,200 --> 00:30:41,520 Speaker 1: and then I'll like, you know, walk into another movie theater, 554 00:30:41,520 --> 00:30:43,160 Speaker 1: and then you meet me in the Very Bad Things 555 00:30:43,240 --> 00:30:47,400 Speaker 1: movie theater, and I remember we both sat there for 556 00:30:47,400 --> 00:30:49,840 Speaker 1: probably about fifteen minutes and then we're like, this is 557 00:30:49,840 --> 00:30:52,920 Speaker 1: the worst movie we've ever seen, and we left. 558 00:30:53,000 --> 00:30:54,920 Speaker 2: So it's a good litmus test. 559 00:30:55,320 --> 00:30:58,920 Speaker 1: Yeah, yeah, yeah, but that was I think more. That's 560 00:30:58,960 --> 00:31:01,320 Speaker 1: the thing that I remember is that I wanted to 561 00:31:01,360 --> 00:31:04,040 Speaker 1: see like multiple movies in a day but only pay 562 00:31:04,120 --> 00:31:04,560 Speaker 1: for one. 563 00:31:04,920 --> 00:31:08,880 Speaker 2: Yes, absolutely, And the newspaper was crucial for that. Sometimes 564 00:31:08,920 --> 00:31:11,520 Speaker 2: I would just rip that part out of the newspaper 565 00:31:11,560 --> 00:31:12,360 Speaker 2: and carry it with me. 566 00:31:12,840 --> 00:31:13,440 Speaker 1: Yeah. 567 00:31:13,520 --> 00:31:15,200 Speaker 2: So then in between movies you can be like, all right, 568 00:31:15,240 --> 00:31:17,920 Speaker 2: this one's starting next, like we can go yeah, yeah, 569 00:31:17,960 --> 00:31:19,480 Speaker 2: because if you sitod there and looked at the board, 570 00:31:19,520 --> 00:31:21,760 Speaker 2: it'd be obvious that you're like skipping into the movie. 571 00:31:21,960 --> 00:31:23,840 Speaker 2: And the board was usually in the front with all 572 00:31:23,840 --> 00:31:26,120 Speaker 2: the times on it, and you have like, after you 573 00:31:26,120 --> 00:31:29,320 Speaker 2: buy your ticket, you can't see that board anymore, so 574 00:31:29,400 --> 00:31:31,360 Speaker 2: you have to bring the newspaper with you. But yeah, 575 00:31:31,400 --> 00:31:33,880 Speaker 2: of course that was like the nineties write of passage, 576 00:31:33,920 --> 00:31:36,800 Speaker 2: sneaking into movies pretending you're going to see a PG 577 00:31:36,960 --> 00:31:39,400 Speaker 2: movie and going to see an R movie. It's why 578 00:31:39,400 --> 00:31:41,960 Speaker 2: we're all supremely fucked up right now? 579 00:31:42,280 --> 00:31:46,680 Speaker 1: Yeah, did you so? Did your grandmother ever take you 580 00:31:46,840 --> 00:31:48,560 Speaker 1: to an R AND movie in the theater or was 581 00:31:48,600 --> 00:31:49,920 Speaker 1: it just like rented stuff for. 582 00:31:50,080 --> 00:31:51,600 Speaker 2: Like it was rented, like we watched a lot of 583 00:31:51,680 --> 00:31:54,239 Speaker 2: RA movies at home. Yeah, she never wanted to go 584 00:31:54,280 --> 00:31:56,000 Speaker 2: to the movies with us because we were fucking kids. 585 00:31:56,000 --> 00:31:58,560 Speaker 2: We were nightmares. She's like, I'm not going with you 586 00:31:58,640 --> 00:31:59,840 Speaker 2: kids to goddamn movie. 587 00:32:00,240 --> 00:32:05,640 Speaker 1: Yeah I know. I just saw recently, I rewatched Total 588 00:32:05,720 --> 00:32:09,400 Speaker 1: Recall and I had not seen that movie since the 589 00:32:09,400 --> 00:32:13,360 Speaker 1: movie theater. And then I remembered that my dad took 590 00:32:13,440 --> 00:32:16,080 Speaker 1: me to see Total Recall like when it came out, 591 00:32:16,600 --> 00:32:18,920 Speaker 1: and I'm pretty sure that's an R rated movie. But 592 00:32:19,160 --> 00:32:21,320 Speaker 1: I was like, oh good. I was like, I don't 593 00:32:21,360 --> 00:32:23,280 Speaker 1: even remember how old. I was, like twelve when I 594 00:32:23,280 --> 00:32:26,000 Speaker 1: saw Total Recall. So I'm like, huh, my dad brought 595 00:32:26,000 --> 00:32:27,080 Speaker 1: me to an R rated movie. 596 00:32:27,120 --> 00:32:29,160 Speaker 2: He wanted to see that movie, that's all. He wanted 597 00:32:29,200 --> 00:32:30,680 Speaker 2: to see it, and you were with him for that day. 598 00:32:30,680 --> 00:32:31,840 Speaker 2: For whatever reason, you. 599 00:32:32,440 --> 00:32:35,360 Speaker 1: Got to you gotta see it. And I gotta tell you, 600 00:32:35,560 --> 00:32:39,400 Speaker 1: just for the record, Total Recall fucking completely holds up. 601 00:32:39,440 --> 00:32:42,640 Speaker 1: It is really best. Oh my god. I love the 602 00:32:42,680 --> 00:32:43,360 Speaker 1: shit out of it. 603 00:32:43,560 --> 00:32:45,280 Speaker 2: Let's put it in an episode. I'd love to see 604 00:32:45,280 --> 00:32:45,640 Speaker 2: it again. 605 00:32:45,840 --> 00:32:48,240 Speaker 1: Oh my god. Between that and Tremors, I was like, 606 00:32:48,320 --> 00:32:54,000 Speaker 1: nineteen ninety is the greatest year for film. Write a 607 00:32:54,000 --> 00:32:59,000 Speaker 1: book about it. Oh God, don't tempt me. But yeah, 608 00:32:59,360 --> 00:33:02,040 Speaker 1: so that's a good question. Lindsay actually that was pretty 609 00:33:02,680 --> 00:33:03,760 Speaker 1: provoking for us. 610 00:33:03,960 --> 00:33:07,160 Speaker 2: Thank you, Lindsey. I appreciate it all right. The next 611 00:33:07,320 --> 00:33:12,120 Speaker 2: email subject is breakup movies. Hi, Danielle and Milly. First 612 00:33:12,120 --> 00:33:14,400 Speaker 2: of all, I love your pod. My favorite thing to 613 00:33:14,400 --> 00:33:16,760 Speaker 2: do is listen while I'm cooking dinner on Tuesday evenings. 614 00:33:17,040 --> 00:33:19,520 Speaker 2: Your friendship makes me happy and I truly love how 615 00:33:19,560 --> 00:33:22,520 Speaker 2: you two support each other. Thank you for setting that example. 616 00:33:23,440 --> 00:33:25,560 Speaker 2: I am currently going through a breakup from a ten 617 00:33:25,840 --> 00:33:29,560 Speaker 2: year plus relationship. I'm having a very difficult time with this. 618 00:33:30,040 --> 00:33:32,640 Speaker 2: My therapist suggested watching sad films so that I can 619 00:33:32,640 --> 00:33:35,600 Speaker 2: feel the sadness to help me tolerate my emotions. I'm 620 00:33:35,600 --> 00:33:38,960 Speaker 2: doing my best. My question to you two is what 621 00:33:39,040 --> 00:33:42,520 Speaker 2: are some good breakup films that you would suggest to watch. 622 00:33:43,080 --> 00:33:46,440 Speaker 2: I recently watched Begin Again, starring Kira Knightley and Mark Ruffalo. 623 00:33:46,920 --> 00:33:48,640 Speaker 2: I would say that it really hit home for me 624 00:33:48,680 --> 00:33:51,120 Speaker 2: in so many ways, from when she realizes her boyfriend 625 00:33:51,160 --> 00:33:53,880 Speaker 2: is cheating, to all the wonderful music played throughout the film, 626 00:33:54,440 --> 00:33:57,240 Speaker 2: the connections that are made through music, and the reality 627 00:33:57,280 --> 00:34:00,200 Speaker 2: that it's okay to begin again. Thank you for me 628 00:34:00,200 --> 00:34:02,400 Speaker 2: me feel validated when I stand up for myself and 629 00:34:02,440 --> 00:34:05,720 Speaker 2: other marginalized people against the patriarchy who was constantly trying 630 00:34:05,760 --> 00:34:08,760 Speaker 2: to bring us down. Also, thank you for making women 631 00:34:08,800 --> 00:34:11,840 Speaker 2: of our age I'm forty three feel cool for wanting 632 00:34:11,840 --> 00:34:14,160 Speaker 2: to do nothing more than stay home, watch movies and 633 00:34:14,200 --> 00:34:17,799 Speaker 2: cuddle our pets, stay cool and kind, best wishes and more. 634 00:34:17,840 --> 00:34:23,680 Speaker 2: Misregards Amanda, who uses she her pronouns ah Amanda, Well, 635 00:34:23,719 --> 00:34:27,000 Speaker 2: I mean, my knee jerk instinct is to say I'm 636 00:34:27,040 --> 00:34:30,239 Speaker 2: sorry your tenure plus relationship ended. But if he was 637 00:34:30,320 --> 00:34:32,880 Speaker 2: cheating on you, or if there was, it's not always 638 00:34:32,880 --> 00:34:35,600 Speaker 2: a bad thing when those relationships end. So I will say, 639 00:34:35,680 --> 00:34:38,879 Speaker 2: I hope you're in a good place now. And your 640 00:34:38,880 --> 00:34:42,120 Speaker 2: therapist suggesting watching sad films is interesting to me because 641 00:34:42,680 --> 00:34:44,960 Speaker 2: I haven't broken up with someone in a long time. 642 00:34:45,000 --> 00:34:48,200 Speaker 2: But when I do, I go the other way. I 643 00:34:48,239 --> 00:34:52,719 Speaker 2: want revenge and bloodshed and humor, and I do not 644 00:34:52,840 --> 00:34:55,480 Speaker 2: want sadness because I'm already pretty good at being sad. 645 00:34:56,320 --> 00:35:00,279 Speaker 2: So I would suggest watching something like The Wedding Singer. 646 00:35:00,640 --> 00:35:02,280 Speaker 1: Which is a great fucking breakup. 647 00:35:03,000 --> 00:35:07,439 Speaker 2: It me that part where he's singing, maybe we could 648 00:35:07,480 --> 00:35:09,279 Speaker 2: drop the clip in, But where he's singing, it was 649 00:35:09,280 --> 00:35:11,000 Speaker 2: all bullshit. It was a fucking joke. 650 00:35:13,719 --> 00:35:20,759 Speaker 1: Shit, yeah, I love it. What he's like, get out 651 00:35:20,760 --> 00:35:23,360 Speaker 1: of my Van Halen T shirt before he jinx it 652 00:35:23,480 --> 00:35:24,880 Speaker 1: and break up the band or whatever. 653 00:35:27,160 --> 00:35:31,239 Speaker 2: Like that's where I go for breakup movies, is like revenge, 654 00:35:31,440 --> 00:35:32,600 Speaker 2: bloodshed or humor. 655 00:35:33,600 --> 00:35:38,040 Speaker 1: Yeah, I I'm with you. I mean, obviously I'm gonna 656 00:35:38,040 --> 00:35:41,919 Speaker 1: suggest Possession from nineteen eighty one. That's a really good 657 00:35:41,920 --> 00:35:46,640 Speaker 1: breakup movie. You did not just sig chance Possession for 658 00:35:46,840 --> 00:35:58,959 Speaker 1: a break bitch, I love you. That is that would 659 00:35:59,000 --> 00:36:00,480 Speaker 1: probably send you a the edge. 660 00:36:00,520 --> 00:36:05,120 Speaker 2: I have to admit that would send you over the edge, 661 00:36:05,239 --> 00:36:07,520 Speaker 2: not just feeling good about your breakup, but literally never 662 00:36:07,560 --> 00:36:08,440 Speaker 2: wanting to date again. 663 00:36:08,719 --> 00:36:11,799 Speaker 1: Yeah, you're like, at least I was left for a 664 00:36:11,920 --> 00:36:18,880 Speaker 1: creature at least. Oh good God, I mean, I I 665 00:36:18,880 --> 00:36:22,080 Speaker 1: don't know. I mean there's like I love the Wedding Singer. Actually, 666 00:36:22,120 --> 00:36:24,680 Speaker 1: I think The Wedding Singer is maybe my favorite Adam 667 00:36:24,760 --> 00:36:25,600 Speaker 1: Sandler movie. 668 00:36:26,080 --> 00:36:26,360 Speaker 2: Yeah. 669 00:36:26,400 --> 00:36:29,960 Speaker 1: It is so fucking charming and wonderful and I've. 670 00:36:30,040 --> 00:36:32,200 Speaker 2: Got in it. And he's hot. 671 00:36:32,680 --> 00:36:38,280 Speaker 1: Oh yeah, he's hot. Great, Yeah, he's hot. He's your boyfriend. God. 672 00:36:38,400 --> 00:36:42,040 Speaker 1: I mean I'm trying to think of like some other things, 673 00:36:42,120 --> 00:36:47,640 Speaker 1: like I oh, god. I mean, I mean, of course, 674 00:36:47,640 --> 00:36:50,280 Speaker 1: we've talked about a lot of breakup movies on the podcast, 675 00:36:50,320 --> 00:36:53,680 Speaker 1: and we've talked about like high fidelity, you know, another 676 00:36:53,800 --> 00:36:56,960 Speaker 1: like real, real sour breakup movie. 677 00:36:57,600 --> 00:36:59,680 Speaker 2: I don't know, he was afraid of Virginia Wolf is 678 00:36:59,680 --> 00:37:02,200 Speaker 2: where I go like, oh god, I could ended up 679 00:37:02,200 --> 00:37:03,320 Speaker 2: in a marriage with that person. 680 00:37:03,960 --> 00:37:07,160 Speaker 1: Yeah, or like even like waiting to exhale or something 681 00:37:07,200 --> 00:37:09,799 Speaker 1: like something that's kind of like a good like fuck you, 682 00:37:10,440 --> 00:37:14,319 Speaker 1: I'm so happy to be single. Yeah, And I don't know. 683 00:37:14,400 --> 00:37:18,279 Speaker 1: I mean there's all there's also like I don't know. 684 00:37:18,360 --> 00:37:20,719 Speaker 1: To me, I don't like the kind of like like 685 00:37:20,880 --> 00:37:23,560 Speaker 1: lighthearted rom comms that like to go dark. It's like, 686 00:37:23,600 --> 00:37:27,320 Speaker 1: if we're already dark, let's go darker. 687 00:37:28,200 --> 00:37:28,880 Speaker 2: What had you? 688 00:37:28,960 --> 00:37:32,239 Speaker 1: Have you ever seen Blue Valentine? I don't. Yeah, yeah, 689 00:37:32,280 --> 00:37:34,480 Speaker 1: I haven't seen that since it came out and that 690 00:37:34,520 --> 00:37:35,719 Speaker 1: shit wrecked me. 691 00:37:35,800 --> 00:37:40,040 Speaker 2: I only saw ones because it was like devastating. 692 00:37:40,360 --> 00:37:44,080 Speaker 1: Yeah, I feel like that might rock you a little 693 00:37:44,080 --> 00:37:46,799 Speaker 1: too much. But I don't know I would give I 694 00:37:46,800 --> 00:37:50,000 Speaker 1: would personally give it a go if I was going 695 00:37:50,000 --> 00:37:52,520 Speaker 1: through a breakup, but yeah, I don't know. That's I 696 00:37:52,520 --> 00:37:53,640 Speaker 1: think those are my choices. 697 00:37:53,719 --> 00:37:57,680 Speaker 2: Great Yeah, it's great, and Amanda, listen. We hope you 698 00:37:57,719 --> 00:38:00,440 Speaker 2: get through it and come out the other side remembering 699 00:38:00,480 --> 00:38:02,799 Speaker 2: that you're fine just the way you are, that women 700 00:38:02,840 --> 00:38:05,560 Speaker 2: our age can do whatever the fuck we want, and 701 00:38:05,640 --> 00:38:07,760 Speaker 2: you'll come out of this being in a better place. 702 00:38:09,200 --> 00:38:11,759 Speaker 2: And that's all. Just keep listening to things that make 703 00:38:11,800 --> 00:38:14,920 Speaker 2: you happy, lean towards all of your emotions, keep going 704 00:38:14,960 --> 00:38:15,920 Speaker 2: to therapy. You'll be fine. 705 00:38:16,360 --> 00:38:23,279 Speaker 1: Yeah, you will have your Nestley Alpine White moment where 706 00:38:23,320 --> 00:38:26,759 Speaker 1: you're on the rock, You're looking out into the horizon 707 00:38:27,560 --> 00:38:31,279 Speaker 1: and yes, storms in Africa is playing behind you, and 708 00:38:31,320 --> 00:38:33,960 Speaker 1: you'll be like ready to transition into the next phase. 709 00:38:34,360 --> 00:38:36,480 Speaker 2: So yeah. Or you'll be on a date with someone 710 00:38:36,680 --> 00:38:39,279 Speaker 2: at a seaside restaurant and he'll bring up Dot's boot 711 00:38:39,320 --> 00:38:41,640 Speaker 2: and you can just slip the table and get the 712 00:38:41,640 --> 00:38:42,359 Speaker 2: fuck out of there. 713 00:38:42,920 --> 00:38:45,919 Speaker 1: You can roundhouse kick him in his fucking face. That's right, 714 00:38:47,360 --> 00:38:49,240 Speaker 1: No dos boot in this house. 715 00:38:49,800 --> 00:38:50,960 Speaker 2: This next one is short. 716 00:38:51,320 --> 00:38:54,600 Speaker 1: This most one is short, but so cool. I think 717 00:38:54,640 --> 00:39:01,640 Speaker 1: this letter is from Ali's Elise. Elise both ways are cool, 718 00:39:02,480 --> 00:39:05,600 Speaker 1: but the title of it is fem do Cinema. Hi. 719 00:39:05,800 --> 00:39:08,000 Speaker 1: I'm a French tattoo artist and a big fan of 720 00:39:08,000 --> 00:39:10,200 Speaker 1: the pod. I'm listening to the latest episode and just 721 00:39:10,239 --> 00:39:12,200 Speaker 1: had to throw my hat in the ring. If you're 722 00:39:12,200 --> 00:39:14,359 Speaker 1: ever in Marseille, it would be an honor to give 723 00:39:14,360 --> 00:39:20,759 Speaker 1: you a fem Do cinema tattoo. Sincerely, Ali's Aalise. Wow. 724 00:39:21,840 --> 00:39:23,600 Speaker 2: I think all that means is we are taking a 725 00:39:23,640 --> 00:39:27,160 Speaker 2: specific trip to Marseille. Oh my god, for sure. 726 00:39:27,200 --> 00:39:30,520 Speaker 1: Yeah, I will definitely go do. 727 00:39:30,560 --> 00:39:33,120 Speaker 2: That, and we did. We also got a nice email 728 00:39:33,160 --> 00:39:37,360 Speaker 2: from someone who drew some fem do cinema art and 729 00:39:37,400 --> 00:39:42,239 Speaker 2: they put frank heads in the background. What. Yeah, it's 730 00:39:42,239 --> 00:39:44,239 Speaker 2: pretty cool. Maybe well I'll ask if we're allowed to 731 00:39:44,280 --> 00:39:47,600 Speaker 2: post it on the uh on the Instagram because it 732 00:39:47,640 --> 00:39:50,560 Speaker 2: was beautiful. I mean we, for copyright reasons, cannot actually 733 00:39:51,320 --> 00:39:55,319 Speaker 2: make that a T shirt or get that. Yeah, but 734 00:39:55,400 --> 00:39:58,239 Speaker 2: it was beautiful. It was beautiful, So thank you. We 735 00:39:58,280 --> 00:40:01,880 Speaker 2: are definitely making a trip to Ants to get this tattoo. 736 00:40:02,680 --> 00:40:06,840 Speaker 1: Also, I'm sorry I'm feeling ourselves because we have French listeners. 737 00:40:07,480 --> 00:40:10,799 Speaker 2: I know a French tattoo artist. I know. 738 00:40:10,920 --> 00:40:14,440 Speaker 1: I'm like, listen, we have the best listeners in the world. 739 00:40:14,960 --> 00:40:18,240 Speaker 1: We have a listener who's a French tattoo artist. Okay, 740 00:40:18,640 --> 00:40:23,000 Speaker 1: like it's the coolest. Fuck all you other podcasts doing 741 00:40:23,080 --> 00:40:23,640 Speaker 1: some things. 742 00:40:25,120 --> 00:40:28,640 Speaker 2: I love competition. Now whose listeners are coolest? Ours? Get 743 00:40:28,680 --> 00:40:30,719 Speaker 2: out of here. We don't have to have this fucking competition. 744 00:40:31,680 --> 00:40:32,960 Speaker 1: I love this for us. 745 00:40:33,160 --> 00:40:35,799 Speaker 2: Okay, thank you so much for writing in and making 746 00:40:35,880 --> 00:40:38,360 Speaker 2: us feel cool and giving us a reason to travel 747 00:40:38,400 --> 00:40:41,040 Speaker 2: and get a tattoo. That was the best, the best, 748 00:40:41,960 --> 00:40:42,919 Speaker 2: All right? I got what more? 749 00:40:43,239 --> 00:40:43,719 Speaker 1: Yeah? 750 00:40:43,800 --> 00:40:44,520 Speaker 2: You ready for it? 751 00:40:44,840 --> 00:40:45,920 Speaker 1: I'm ready. 752 00:40:46,600 --> 00:40:52,080 Speaker 2: The email subject is obsolete video store job stories, dear 753 00:40:52,320 --> 00:41:02,080 Speaker 2: movie may even goddesses. I'm not gonna accept that, but okay. Yes, 754 00:41:02,280 --> 00:41:04,560 Speaker 2: I worked at West Coast Video in the nineties and 755 00:41:04,600 --> 00:41:07,160 Speaker 2: I still miss it sometimes. Here are some low lights. 756 00:41:07,719 --> 00:41:09,920 Speaker 2: The year Groundhog Day came out and my boss made 757 00:41:10,000 --> 00:41:13,120 Speaker 2: us play it on repeat on February second. I still 758 00:41:13,120 --> 00:41:14,920 Speaker 2: cringe every time I hear the first few notes of 759 00:41:14,960 --> 00:41:19,960 Speaker 2: I Got You, Babe, repeatedly finding Watership Down and Fritz 760 00:41:20,040 --> 00:41:24,719 Speaker 2: the Cat in the children's section because they're animated, being 761 00:41:24,760 --> 00:41:27,480 Speaker 2: as repeatedly to find that movie with the guy from 762 00:41:27,480 --> 00:41:30,319 Speaker 2: that other thing where everything like explodes and stuff, you 763 00:41:30,360 --> 00:41:33,239 Speaker 2: know the one I mean, right, And yes, nine out 764 00:41:33,239 --> 00:41:36,799 Speaker 2: of ten times I did ah good times I missed 765 00:41:36,800 --> 00:41:39,120 Speaker 2: the discoveries of being able to take home two videos 766 00:41:39,160 --> 00:41:41,560 Speaker 2: a night, and I can still conjure up the store's 767 00:41:41,600 --> 00:41:44,000 Speaker 2: theme song if I give it a second thought. Video 768 00:41:44,040 --> 00:41:46,759 Speaker 2: stores may be gone, but movies live on forever. Thank 769 00:41:46,800 --> 00:41:49,000 Speaker 2: you for your passion, the laughs, and for schooling me 770 00:41:49,080 --> 00:41:52,360 Speaker 2: with every show. Please keep up the good work. Side note, 771 00:41:52,440 --> 00:41:55,440 Speaker 2: Millie did an episode where she basically interviewed Danielle. Can 772 00:41:55,480 --> 00:41:57,600 Speaker 2: we get a vice versa on that please? I'd love 773 00:41:57,640 --> 00:42:01,400 Speaker 2: to know more about our seven Deadly Monkeys members. Thanks again. 774 00:42:01,400 --> 00:42:06,680 Speaker 2: In toodles, Amanda, who's a she her pronouns. I absolutely 775 00:42:06,760 --> 00:42:09,400 Speaker 2: loved the notion of Fritz the Cat being in the 776 00:42:09,480 --> 00:42:10,239 Speaker 2: children's section. 777 00:42:10,440 --> 00:42:11,239 Speaker 1: I know too. 778 00:42:12,000 --> 00:42:13,760 Speaker 2: That sent me over the bucket edge. 779 00:42:14,400 --> 00:42:17,000 Speaker 1: Yeah, that did like Meet the Feebles or something like. 780 00:42:17,160 --> 00:42:19,879 Speaker 1: I love like the ideas of these like really like 781 00:42:20,360 --> 00:42:25,040 Speaker 1: hardcore adult films being like in a children's section. That's 782 00:42:25,080 --> 00:42:25,680 Speaker 1: so funny. 783 00:42:26,040 --> 00:42:29,600 Speaker 2: Video stores were wild and two videos a night that's incredible. 784 00:42:29,640 --> 00:42:31,560 Speaker 2: That's incredibly impressive. I'm surprised I never worked at a 785 00:42:31,600 --> 00:42:34,839 Speaker 2: video store for that, but I wanted to. I did 786 00:42:34,840 --> 00:42:37,320 Speaker 2: want to address that. I have asked Millie several times 787 00:42:37,320 --> 00:42:39,360 Speaker 2: if I could interview her, and she let me do 788 00:42:39,400 --> 00:42:42,360 Speaker 2: it a little bit when her book came out, but 789 00:42:42,480 --> 00:42:46,040 Speaker 2: only about the book. So would you be down to 790 00:42:46,120 --> 00:42:49,920 Speaker 2: do a bonus episode where I interview you about your life? 791 00:42:50,640 --> 00:42:52,760 Speaker 2: Because I have tried. Don't think I haven't tried, folks. 792 00:42:54,080 --> 00:42:59,080 Speaker 1: I mean, if the people demanded, I guess I will 793 00:42:59,120 --> 00:43:02,480 Speaker 1: let you do it. I just feel like I'm not 794 00:43:02,520 --> 00:43:05,600 Speaker 1: as interesting as you like in terms of like life experiences, 795 00:43:05,840 --> 00:43:08,319 Speaker 1: and you just you know, I don't know. I just 796 00:43:09,080 --> 00:43:09,960 Speaker 1: you know, you know me. 797 00:43:10,239 --> 00:43:13,040 Speaker 2: I just first and foremost, it ain't a competition. 798 00:43:13,560 --> 00:43:13,840 Speaker 1: I know. 799 00:43:14,920 --> 00:43:18,880 Speaker 2: Second of all, you are you're Every single time you 800 00:43:18,920 --> 00:43:22,879 Speaker 2: tell me something about your past, it kills me. It 801 00:43:22,920 --> 00:43:26,480 Speaker 2: cracks me up. It is so funny you sitting at 802 00:43:26,480 --> 00:43:28,680 Speaker 2: a fucking cafe in Atlanta with a pen like a 803 00:43:28,719 --> 00:43:31,360 Speaker 2: plume pen in the dark, writing in a journal. I 804 00:43:31,440 --> 00:43:33,960 Speaker 2: want more of those stories, like how did you get 805 00:43:34,000 --> 00:43:34,760 Speaker 2: to be so cool? 806 00:43:35,800 --> 00:43:38,080 Speaker 1: Well, I'm like, I think that's kind of what I mean. Okay, 807 00:43:38,120 --> 00:43:39,759 Speaker 1: First of all, it's definitely not a competition. 808 00:43:39,880 --> 00:43:40,319 Speaker 2: We know that. 809 00:43:41,160 --> 00:43:44,480 Speaker 1: But I feel like when I think about my life 810 00:43:44,480 --> 00:43:46,520 Speaker 1: and I think about your life, like put together in 811 00:43:46,560 --> 00:43:49,480 Speaker 1: the same timeframe, it's like, you know, as a teenager, 812 00:43:49,560 --> 00:43:52,919 Speaker 1: you were like going into New York City and then 813 00:43:53,200 --> 00:43:56,319 Speaker 1: as a young person, you like lived everywhere across the 814 00:43:56,400 --> 00:43:59,560 Speaker 1: country and drove to Alesca and had all these experiences 815 00:43:59,600 --> 00:44:02,640 Speaker 1: and also and it's like, my shit is like, oh, 816 00:44:02,680 --> 00:44:06,120 Speaker 1: I just like lived in suburbia and I had to 817 00:44:06,480 --> 00:44:09,920 Speaker 1: make my own fun because my fucking parents in my 818 00:44:10,400 --> 00:44:13,719 Speaker 1: life was so boring that I'm like, while you were 819 00:44:13,800 --> 00:44:19,240 Speaker 1: fighting bears, I was like, you know, sitting in coffee 820 00:44:19,239 --> 00:44:21,640 Speaker 1: shops wearing all black, being an idiot. 821 00:44:21,840 --> 00:44:24,799 Speaker 2: Like I'm just like, you know, but here's what. So 822 00:44:24,920 --> 00:44:28,279 Speaker 2: many more people have your experience than mine. They want 823 00:44:28,320 --> 00:44:30,879 Speaker 2: to be validated. And then you took that. You took 824 00:44:30,920 --> 00:44:33,759 Speaker 2: that suburban experience and you went on to have a 825 00:44:33,840 --> 00:44:38,720 Speaker 2: twenty year career as a film programmer and even just 826 00:44:38,719 --> 00:44:42,200 Speaker 2: just getting to tell people stories about how you got 827 00:44:42,200 --> 00:44:45,200 Speaker 2: into underground films and like you used to be a 828 00:44:45,280 --> 00:44:48,239 Speaker 2: DJ at a gay club, Like come on, you got stories? 829 00:44:48,719 --> 00:44:52,000 Speaker 1: Yeah yeah, I mean yeah, but that all happened like 830 00:44:52,280 --> 00:44:54,239 Speaker 1: in my adult life, you know, where I was like 831 00:44:54,680 --> 00:44:56,439 Speaker 1: as I was growing up, I was just like such 832 00:44:56,480 --> 00:45:00,960 Speaker 1: a little shit and hated everything, and you know, it's 833 00:45:01,000 --> 00:45:03,120 Speaker 1: just like I just wonder that I had had it, 834 00:45:03,400 --> 00:45:06,320 Speaker 1: Like I wish I had had, especially in my twenties, 835 00:45:06,360 --> 00:45:08,359 Speaker 1: just more of that kind of adventurous life of like 836 00:45:08,719 --> 00:45:10,680 Speaker 1: I wish I had moved. I mean, I didn't move 837 00:45:10,960 --> 00:45:14,120 Speaker 1: outside of Georgia until my late thirties, so you know, 838 00:45:14,600 --> 00:45:16,719 Speaker 1: I don't know. I always look at it comparatively. I'm like, 839 00:45:16,719 --> 00:45:18,600 Speaker 1: she's just so much more interesting than me. But I 840 00:45:18,640 --> 00:45:20,640 Speaker 1: but I also understand it's not a competition. 841 00:45:20,880 --> 00:45:24,400 Speaker 2: So well, people want to know. So would you be 842 00:45:24,520 --> 00:45:27,280 Speaker 2: down for me to interview you for a bonus episode? 843 00:45:27,719 --> 00:45:31,400 Speaker 1: Yeah, of course, of course I would do that. You 844 00:45:31,480 --> 00:45:34,319 Speaker 1: got it on tape, folks, Yes, yes, I would. I 845 00:45:34,360 --> 00:45:36,399 Speaker 1: love Amanda was like, I'd like to know more about 846 00:45:36,400 --> 00:45:38,759 Speaker 1: her Seven Deadly Monkeys. 847 00:45:38,800 --> 00:45:42,759 Speaker 2: Member, this is what I mean, Like, who else who 848 00:45:42,800 --> 00:45:45,440 Speaker 2: is it I can club in high school than they 849 00:45:45,480 --> 00:45:47,080 Speaker 2: call the Seven Deadly Monkeys. 850 00:45:47,360 --> 00:45:52,320 Speaker 1: You're coolest shit. That's not Oh wait no, it's not cool. 851 00:45:52,840 --> 00:45:56,360 Speaker 2: It is hilarious and cools. We want to know more 852 00:45:56,480 --> 00:46:01,120 Speaker 2: of that, Like you definitely had more traditionally fun high 853 00:46:01,120 --> 00:46:04,480 Speaker 2: school experiences that I did, And that's the kind of 854 00:46:04,480 --> 00:46:05,719 Speaker 2: stuff I want to know about to you, And I 855 00:46:05,800 --> 00:46:09,680 Speaker 2: want to know about your career and just everything anything 856 00:46:09,719 --> 00:46:11,920 Speaker 2: that makes you as wonderful as you are. I think 857 00:46:11,920 --> 00:46:15,839 Speaker 2: people want to know and I will definitely interview Millie 858 00:46:15,960 --> 00:46:18,640 Speaker 2: and now we have it on Now we have it on. 859 00:46:18,640 --> 00:46:22,640 Speaker 1: Record that to it. Yes, I will. I will do that. 860 00:46:22,680 --> 00:46:26,080 Speaker 1: But I also thank you Amanda for for having an 861 00:46:26,160 --> 00:46:29,640 Speaker 1: interest in my life in that way. I appreciate it, 862 00:46:29,719 --> 00:46:32,920 Speaker 1: and thanks for the email. Honestly, like, so you never 863 00:46:32,960 --> 00:46:35,719 Speaker 1: worked at a video store? Just to recircle back on that, no, 864 00:46:36,120 --> 00:46:37,720 Speaker 1: did you wish record store? 865 00:46:38,120 --> 00:46:40,480 Speaker 2: No? I worked at a lot of bookstores, and the 866 00:46:40,520 --> 00:46:43,719 Speaker 2: bookstores had like record stores attached, or you know things 867 00:46:43,760 --> 00:46:44,600 Speaker 2: like that, like in all. 868 00:46:45,239 --> 00:46:48,719 Speaker 1: Okay, so you had bookstores and like coffee shops. Okay, Yeah, 869 00:46:48,800 --> 00:46:50,120 Speaker 1: I don't know why I thought you worked in a 870 00:46:50,320 --> 00:46:55,360 Speaker 1: record store. But yeah, listen, I love nineties video store culture. 871 00:46:55,400 --> 00:46:58,560 Speaker 1: We can talk about it all fucking day. And I 872 00:46:58,600 --> 00:46:59,360 Speaker 1: love this email. 873 00:46:59,640 --> 00:47:03,040 Speaker 2: I thank you, Amanda Will. 874 00:47:05,000 --> 00:47:08,720 Speaker 1: What an epp. I love it. Please keep sending great 875 00:47:08,800 --> 00:47:11,440 Speaker 1: emails to us. We are at I Saw what you 876 00:47:11,480 --> 00:47:13,239 Speaker 1: Did Pod at gmail dot com. 877 00:47:13,640 --> 00:47:15,680 Speaker 2: You can find us on our social media at I 878 00:47:15,719 --> 00:47:18,440 Speaker 2: Sawpod on Instagram and Twitter. 879 00:47:18,960 --> 00:47:21,160 Speaker 1: We also have merged. Go to the I Saw what 880 00:47:21,200 --> 00:47:22,840 Speaker 1: you Did section of the Exactly Right. 881 00:47:22,719 --> 00:47:27,160 Speaker 2: Shop and this Bonus episode, like all our new bonus episodes, 882 00:47:27,320 --> 00:47:31,359 Speaker 2: drops on the third Thursday of every month, and if 883 00:47:31,400 --> 00:47:35,040 Speaker 2: you are writing to us, your chances of getting your 884 00:47:35,120 --> 00:47:40,680 Speaker 2: email read on the show increase with the deletion of paragraphs. 885 00:47:40,800 --> 00:47:43,880 Speaker 2: So the fewer paragraphs you have, the more likely we 886 00:47:43,920 --> 00:47:45,200 Speaker 2: are to read your email on the show. 887 00:47:45,440 --> 00:47:45,640 Speaker 1: You can. 888 00:47:45,760 --> 00:47:47,200 Speaker 2: You can send us whatever you want, but if you 889 00:47:47,239 --> 00:47:52,560 Speaker 2: want to hear your letter read aloud, keep it short 890 00:47:52,600 --> 00:47:53,080 Speaker 2: and sweet. 891 00:47:53,440 --> 00:47:57,960 Speaker 1: Yeah, all right, Danielle, listen. As always a fucking pleasure 892 00:47:58,040 --> 00:48:05,000 Speaker 1: doing this podcast with you. Dos boot tas boom. Okay, 893 00:48:05,160 --> 00:48:06,880 Speaker 1: Now you gotta say doss boot at the end of 894 00:48:06,880 --> 00:48:07,480 Speaker 1: every episode. 895 00:48:07,520 --> 00:48:10,600 Speaker 2: Sorry no, because the people are gonna want to watch 896 00:48:10,600 --> 00:48:12,719 Speaker 2: that fucking movie. 897 00:48:13,719 --> 00:48:16,120 Speaker 1: It's me doss Boot has become the new Mark One. 898 00:48:16,239 --> 00:48:17,040 Speaker 1: I hate to say it. 899 00:48:18,040 --> 00:48:32,279 Speaker 2: So this has been an exactly right production. Produced by 900 00:48:32,320 --> 00:48:35,480 Speaker 2: Casey O'Brien, mixed by Edson Choi. Our theme song is 901 00:48:35,480 --> 00:48:39,520 Speaker 2: by Tom Bryfogel. Artwork by Garrett Ross. Our executive producers 902 00:48:39,520 --> 00:48:42,120 Speaker 2: are Georgia hart Start, Karen kil Gareff, and Daniel Kramer. 903 00:48:42,480 --> 00:48:44,840 Speaker 2: You can follow us on Instagram and Twitter at I 904 00:48:44,920 --> 00:48:47,680 Speaker 2: Saw Pod, and you can email us at I Saw 905 00:48:47,680 --> 00:48:49,120 Speaker 2: What you did pod at gmail,