1 00:00:02,560 --> 00:00:06,760 Speaker 1: Welcome to Stradio Lab, an intellectual podcast about straight culture 2 00:00:06,920 --> 00:00:10,160 Speaker 1: and also a stupid podcast about nothing. Don't say that, 3 00:00:10,480 --> 00:00:12,400 Speaker 1: it's just true. I don't want to lie to our listeners. 4 00:00:13,240 --> 00:00:17,200 Speaker 1: I'm George Severi and I'm Sam Taggart, and this is 5 00:00:17,200 --> 00:00:22,720 Speaker 1: Stradio Lab. Podcast starts now. Introductory episode of Stradio Lab 6 00:00:22,760 --> 00:00:27,240 Speaker 1: starts now. Wow. Hello, Hello, and welcome to season three 7 00:00:27,320 --> 00:00:31,880 Speaker 1: of the critically acknowledged podcast Stradio Lab. Yes, they're always 8 00:00:31,920 --> 00:00:35,480 Speaker 1: acknowledging us if you have clicked play on this. We've 9 00:00:35,479 --> 00:00:38,200 Speaker 1: been told that we need to sort of introduce who 10 00:00:38,200 --> 00:00:40,000 Speaker 1: we are and sort of explain what our deal is. 11 00:00:40,440 --> 00:00:42,440 Speaker 1: You know, Like I said, this is season three, so 12 00:00:42,680 --> 00:00:45,680 Speaker 1: part I'm already coming into this with a certain amount 13 00:00:45,720 --> 00:00:48,720 Speaker 1: of I'll say rage, I'll say anger. I'm like, you 14 00:00:48,760 --> 00:00:51,199 Speaker 1: should know. At this point, we've had two full seasons. 15 00:00:51,560 --> 00:00:54,680 Speaker 1: Multiple of our guests have gone on to be stars 16 00:00:54,720 --> 00:00:59,520 Speaker 1: of the stage, screen, you know, even the arts and sciences. Yeah, 17 00:01:00,320 --> 00:01:03,880 Speaker 1: some of them have won Presidential Medals of Freedom, Peabodies, 18 00:01:04,680 --> 00:01:07,880 Speaker 1: Nobel Prizes, not the Peace Prize. I know that's an 19 00:01:07,880 --> 00:01:11,000 Speaker 1: obvious joke, but they've actually won the one for economics. Yeah, 20 00:01:11,440 --> 00:01:15,800 Speaker 1: and in fact, they are not peaceful people. Um, they 21 00:01:15,800 --> 00:01:18,440 Speaker 1: haven't tried there. There, they've been tried for war crimes, 22 00:01:18,440 --> 00:01:21,000 Speaker 1: but in terms of their academic work and economics, you 23 00:01:21,080 --> 00:01:23,480 Speaker 1: can't argue that it's a slay. You have to separate 24 00:01:23,520 --> 00:01:27,680 Speaker 1: the work from the the art. I would say in 25 00:01:27,720 --> 00:01:29,760 Speaker 1: general with our guests, you really have to separate the 26 00:01:29,840 --> 00:01:32,000 Speaker 1: art from the artist, because yes, many of them are 27 00:01:32,040 --> 00:01:35,479 Speaker 1: war criminals, but they're also really funny comedians and artists. Yeah. 28 00:01:35,840 --> 00:01:38,520 Speaker 1: And I'll say they're really funny comedians often with no 29 00:01:38,680 --> 00:01:43,920 Speaker 1: other redeemable qualities. Yeah. So if you're listening, Okay, so 30 00:01:44,040 --> 00:01:46,800 Speaker 1: this is straight a lot pretty much some backstory on 31 00:01:46,800 --> 00:01:50,560 Speaker 1: our deal. We started this podcast two years ago. Yeah, 32 00:01:50,760 --> 00:01:53,360 Speaker 1: and you know, just to just to kind of reiterate 33 00:01:53,480 --> 00:01:57,880 Speaker 1: what might physically attractive and intellectually supreme. Co host Sam 34 00:01:57,880 --> 00:02:01,480 Speaker 1: Taggard said, we're kind of recording this to first of all, 35 00:02:01,520 --> 00:02:04,760 Speaker 1: welcome old fans back in and say hey Chica, and 36 00:02:04,800 --> 00:02:07,960 Speaker 1: second of all, potentially introduced new listeners who perhaps heard 37 00:02:07,960 --> 00:02:09,880 Speaker 1: and add for the podcast somewhere and staid, I don't 38 00:02:09,880 --> 00:02:13,760 Speaker 1: know who the hell these f slurs are, but I 39 00:02:13,800 --> 00:02:16,440 Speaker 1: think they sound like they could have something to say. 40 00:02:16,480 --> 00:02:18,960 Speaker 1: So you know it's it's chill, it's unofficial. We we 41 00:02:19,040 --> 00:02:21,239 Speaker 1: just wanted to kind of check in. We wanted to 42 00:02:21,240 --> 00:02:23,160 Speaker 1: to give you a little tap as you're as you're 43 00:02:23,160 --> 00:02:25,959 Speaker 1: sleeping in bed and we're we made coffin, were about 44 00:02:26,000 --> 00:02:30,919 Speaker 1: to leave for work and say, hey, you'll wait, um, 45 00:02:30,919 --> 00:02:33,239 Speaker 1: this is our deal. And yeah, to sort of piggyback 46 00:02:33,280 --> 00:02:35,920 Speaker 1: off of what my beautiful inside and Out co host 47 00:02:35,919 --> 00:02:39,760 Speaker 1: George was saying, is that, yeah, this isn't an official episode. 48 00:02:39,840 --> 00:02:43,079 Speaker 1: So if you absolutely hate it, then like fully respect 49 00:02:43,280 --> 00:02:45,520 Speaker 1: like if you're like this is really boring, were not 50 00:02:45,880 --> 00:02:47,560 Speaker 1: we don't normally like talk about like so this is 51 00:02:47,560 --> 00:02:49,200 Speaker 1: pretty much our deal, Like that's not really what our 52 00:02:49,200 --> 00:02:53,240 Speaker 1: podcast is about. But that's that is what this is about. Unfortunately, 53 00:02:53,440 --> 00:02:55,640 Speaker 1: that's just like my definition with this is about. So 54 00:02:55,680 --> 00:02:57,840 Speaker 1: if you don't like that, then you know your issue 55 00:02:57,880 --> 00:03:00,399 Speaker 1: is kind of more systemic rather than in terms rather 56 00:03:00,400 --> 00:03:05,240 Speaker 1: than artistic. Yeah. So yeah, our podcast is called Stradio 57 00:03:05,320 --> 00:03:07,760 Speaker 1: Lab and in it, you know, each episode we sort 58 00:03:07,800 --> 00:03:11,280 Speaker 1: of explore one element of straight culture that are all 59 00:03:11,320 --> 00:03:14,320 Speaker 1: star war criminal guests bring in that's right, and and 60 00:03:14,320 --> 00:03:16,720 Speaker 1: and elements of straight culture you know, can be anything. 61 00:03:16,760 --> 00:03:19,680 Speaker 1: They can be straightforward. We've had episodes on football, we 62 00:03:19,760 --> 00:03:22,400 Speaker 1: have episodes on you know what, what else would you 63 00:03:22,400 --> 00:03:25,160 Speaker 1: say is so straightforward? Cars? Cars? Of course, when you 64 00:03:25,200 --> 00:03:29,040 Speaker 1: think of cars, you think you know some guy, some 65 00:03:29,080 --> 00:03:32,160 Speaker 1: guy named Doug. Am I right? So true? Or if 66 00:03:32,160 --> 00:03:34,320 Speaker 1: you you know, you think about strities, think about fraternity's 67 00:03:34,360 --> 00:03:36,960 Speaker 1: gender reveal parties. These are so obviously straight So of 68 00:03:36,960 --> 00:03:39,120 Speaker 1: course that's one end of the spectrum. Another end of 69 00:03:39,160 --> 00:03:41,400 Speaker 1: the spectrum is, you know, more avant garde topics. We've 70 00:03:41,400 --> 00:03:44,200 Speaker 1: had a topic on an episode on math with one 71 00:03:44,240 --> 00:03:46,760 Speaker 1: of our dear friends, Josh Sharp. We've had an episode 72 00:03:46,760 --> 00:03:49,160 Speaker 1: on reading with one of our dear friends, Meg's talter. 73 00:03:49,720 --> 00:03:52,280 Speaker 1: We had an episode on trust issues with none other 74 00:03:52,320 --> 00:03:55,720 Speaker 1: than Nori Read. Nori read two time guests, Actually I 75 00:03:55,720 --> 00:03:58,560 Speaker 1: would and in fact that and in fact, the last 76 00:03:58,640 --> 00:04:01,480 Speaker 1: guest we had on she was the guest for the 77 00:04:01,520 --> 00:04:05,680 Speaker 1: season two finale, and that was my design. Yeah, two 78 00:04:05,680 --> 00:04:08,960 Speaker 1: time guests, four time war criminal. You do not want 79 00:04:09,000 --> 00:04:11,840 Speaker 1: to hear what she has done in Latin America. No, 80 00:04:12,000 --> 00:04:14,920 Speaker 1: it's bad, But Nori I would say, you know, if 81 00:04:14,960 --> 00:04:17,640 Speaker 1: someone were to ask me what episodes, and I could 82 00:04:17,640 --> 00:04:19,839 Speaker 1: never choose between all of my kids and I do 83 00:04:19,920 --> 00:04:22,320 Speaker 1: consider we have adopted all of our guests, so I 84 00:04:22,320 --> 00:04:25,839 Speaker 1: do consider them our children, and we owe billions in 85 00:04:26,080 --> 00:04:30,039 Speaker 1: alimony billions. But I would say I would say Nori's 86 00:04:30,080 --> 00:04:32,880 Speaker 1: first episode on trust issues, to me, it's like perfect 87 00:04:32,920 --> 00:04:35,640 Speaker 1: straight or lab episode. I would say Sarah Squirms episode 88 00:04:35,640 --> 00:04:39,359 Speaker 1: on Jackass the series a kind of pinnacle of straight culture. 89 00:04:39,960 --> 00:04:42,279 Speaker 1: Another great episode. I don't know what else. What do 90 00:04:42,320 --> 00:04:46,320 Speaker 1: you think other All Star ups? Iowa Debris episode on whiteness. Yeah, 91 00:04:46,360 --> 00:04:51,360 Speaker 1: Iowa Debris coming on. This is like early pandemic talking 92 00:04:51,440 --> 00:04:54,920 Speaker 1: about whiteness as a straight topic. Yeah. I would say 93 00:04:54,960 --> 00:04:57,320 Speaker 1: that was when I thought. I thought to myself, you know, 94 00:04:57,360 --> 00:05:01,039 Speaker 1: before that I was actually a staunch wing Republican. And 95 00:05:01,080 --> 00:05:03,680 Speaker 1: after that episode, I said, you know, something's not right 96 00:05:03,680 --> 00:05:06,560 Speaker 1: in our society. Maybe I'll be a centrist, right wing 97 00:05:06,600 --> 00:05:10,000 Speaker 1: Republican exactly. And now I'm a centrist, right wing Republican. 98 00:05:10,279 --> 00:05:13,039 Speaker 1: I'm kind of a never Trumper, if you will. A 99 00:05:13,120 --> 00:05:15,760 Speaker 1: Lincoln Project. First Lincoln Project, I was one of the 100 00:05:15,800 --> 00:05:19,359 Speaker 1: co founders. Yeah, which is huge. So yeah, you know 101 00:05:19,400 --> 00:05:21,880 Speaker 1: our podcasts you may be able to tell is part lies, 102 00:05:21,960 --> 00:05:26,480 Speaker 1: part truth, um the balancing act of the truth and 103 00:05:26,560 --> 00:05:28,560 Speaker 1: the lies I mean, how do you put up with it? George? 104 00:05:28,960 --> 00:05:33,640 Speaker 1: It is I would say the sign of all great 105 00:05:33,800 --> 00:05:36,600 Speaker 1: art is that you can never tell if someone's being serious, 106 00:05:36,800 --> 00:05:38,680 Speaker 1: if they have convictions that they have any point of 107 00:05:38,720 --> 00:05:41,279 Speaker 1: view at all. They're kind of just saying things that 108 00:05:41,360 --> 00:05:43,480 Speaker 1: kind of a series of sentences, a series of words, 109 00:05:43,640 --> 00:05:47,359 Speaker 1: really hoping just kind of flying, not even flying, I 110 00:05:47,360 --> 00:05:50,560 Speaker 1: would say, free falling from a plane and hoping that 111 00:05:50,600 --> 00:05:53,599 Speaker 1: a parachute will appear because they don't have one on 112 00:05:53,640 --> 00:05:57,359 Speaker 1: their person. Yeah, every single episode is a free fall. 113 00:05:57,520 --> 00:06:02,760 Speaker 1: And yeah, sometimes we die, sometimes we crash, and we burn. 114 00:06:03,120 --> 00:06:05,160 Speaker 1: It's true, you know. I'm I'm trying to think, like, 115 00:06:05,520 --> 00:06:08,760 Speaker 1: what other artists of our many peers would you compare? 116 00:06:09,240 --> 00:06:11,520 Speaker 1: I'll say this, Actually, I have a really good answer 117 00:06:11,600 --> 00:06:13,880 Speaker 1: for this. I love when you have when you propose 118 00:06:13,920 --> 00:06:17,360 Speaker 1: a question that you haven't answer. I propose a question, 119 00:06:17,440 --> 00:06:19,680 Speaker 1: didn't finish the question, and then already came up with 120 00:06:19,680 --> 00:06:22,480 Speaker 1: an answer. I was going to ask what artists would 121 00:06:22,520 --> 00:06:25,080 Speaker 1: you compare our work too in terms of its ethos 122 00:06:25,080 --> 00:06:28,359 Speaker 1: and its spirit? And immediately I know exactly what it is. 123 00:06:28,600 --> 00:06:30,320 Speaker 1: I just want to hear your answer. I would say 124 00:06:30,520 --> 00:06:35,240 Speaker 1: it is the new DEMI Lovato single Substance, where the 125 00:06:35,320 --> 00:06:38,120 Speaker 1: lyrics are, am I the only one looking for substance? 126 00:06:38,920 --> 00:06:42,400 Speaker 1: But here's the thing, Demi is asking that, but with 127 00:06:42,480 --> 00:06:46,440 Speaker 1: a wink, with a sense of humor. Demi does genuinely 128 00:06:46,480 --> 00:06:48,800 Speaker 1: believe in substance. And you can tell Demi is looking 129 00:06:48,800 --> 00:06:51,240 Speaker 1: around the world and saying, what the hell is up 130 00:06:51,240 --> 00:06:53,919 Speaker 1: with these jokers? Am I the only one looking for substance? 131 00:06:54,240 --> 00:06:57,880 Speaker 1: And yet when it's time for Demi to speak, Denny says, 132 00:06:58,560 --> 00:07:03,880 Speaker 1: just getting early. I mean, I can sympathize with her 133 00:07:04,000 --> 00:07:10,000 Speaker 1: so hard because like Demi, I mean, we are always like, oh, 134 00:07:10,080 --> 00:07:13,240 Speaker 1: what a gay podcast? Oh cool? And meanwhile then we 135 00:07:13,240 --> 00:07:14,920 Speaker 1: will host one and it's like, oh, let me guess 136 00:07:14,920 --> 00:07:16,760 Speaker 1: they have guests every week, and it's like, oh, that's 137 00:07:16,760 --> 00:07:19,280 Speaker 1: exactly what we're gonna do. And it's like, oh, how 138 00:07:19,320 --> 00:07:21,040 Speaker 1: hack would it be if they have segments? And it's like, 139 00:07:21,080 --> 00:07:24,120 Speaker 1: we're literally gonna have to have segments. Yeah, well, let 140 00:07:24,120 --> 00:07:26,080 Speaker 1: me guess. The guests are a mix of up and 141 00:07:26,160 --> 00:07:29,560 Speaker 1: coming Brooklyn comedians, up and coming l A comedians, some 142 00:07:29,760 --> 00:07:34,440 Speaker 1: U See B alumni, and then the occasional A list actor. Sure, sure, 143 00:07:34,640 --> 00:07:37,880 Speaker 1: oh wait, that's exactly what we're gonna do because it's 144 00:07:38,240 --> 00:07:41,400 Speaker 1: being self aware and this is tough. Um, this is 145 00:07:41,400 --> 00:07:45,000 Speaker 1: something I'm constantly struggling with. When you are self aware, 146 00:07:45,040 --> 00:07:47,040 Speaker 1: it actually doesn't erase the fact that you are doing 147 00:07:47,080 --> 00:07:49,000 Speaker 1: the thing that you are self aware of. It's literally 148 00:07:49,000 --> 00:07:53,760 Speaker 1: not enough. And so many people are like, honestly, okay, no, 149 00:07:54,080 --> 00:07:55,960 Speaker 1: and I'm not trying to drag her immediately talk about 150 00:07:56,000 --> 00:08:00,280 Speaker 1: being what you but um, oh god, the drag queen 151 00:08:00,640 --> 00:08:06,160 Speaker 1: that was on this most recent season, Betty bet diabetic 152 00:08:06,200 --> 00:08:08,920 Speaker 1: diabet diabet, who would always be like, Okay, not to 153 00:08:08,960 --> 00:08:11,720 Speaker 1: be like this person, but I'm going to be and 154 00:08:11,840 --> 00:08:13,560 Speaker 1: be like not to be a huge fucking bitch, but 155 00:08:13,600 --> 00:08:16,840 Speaker 1: you all suck, and um, it's like, yeah, but just 156 00:08:16,880 --> 00:08:19,080 Speaker 1: because yourself aware, it doesn't absolve you of the fact 157 00:08:19,080 --> 00:08:21,440 Speaker 1: that you are doing it. It's true, and that's kind 158 00:08:21,440 --> 00:08:23,280 Speaker 1: of what our deal is. I always think back to 159 00:08:23,600 --> 00:08:26,840 Speaker 1: our past guest, Guy Brandom, whose topic I believe was 160 00:08:27,240 --> 00:08:30,200 Speaker 1: tabletop role playing games? Is that right? One of the 161 00:08:30,240 --> 00:08:32,880 Speaker 1: wisest things he's ever said is that his definition of 162 00:08:33,000 --> 00:08:36,160 Speaker 1: camp is pretending to do something while you actually do it, 163 00:08:38,080 --> 00:08:41,520 Speaker 1: And in some ways that means that everything we've ever 164 00:08:41,600 --> 00:08:48,560 Speaker 1: done is camp. Oh God. Yeah, are huge influences of 165 00:08:48,559 --> 00:08:54,240 Speaker 1: ours are Diabette, Demilovado and Guy Brand Big three would 166 00:08:54,240 --> 00:08:56,839 Speaker 1: call them the Big three. Yeah, we're always referencing them 167 00:08:56,880 --> 00:09:00,320 Speaker 1: and their works. That's right. When are of three of 168 00:09:00,360 --> 00:09:01,840 Speaker 1: them going to collab? That's what I want to know. 169 00:09:02,840 --> 00:09:06,640 Speaker 1: I mean a Demi jukebox musical where she is played 170 00:09:06,679 --> 00:09:10,360 Speaker 1: by Diabette, written and directed by Guy Brandam done easy? Sorry, 171 00:09:10,360 --> 00:09:13,520 Speaker 1: are any industry folks listening to this pod truly call 172 00:09:13,600 --> 00:09:17,439 Speaker 1: the damn Tony's and just request the awards come now? Well, okay, 173 00:09:17,480 --> 00:09:20,120 Speaker 1: we also haven't like if people if you are listening 174 00:09:20,160 --> 00:09:21,320 Speaker 1: to this for the first time, this is the first 175 00:09:21,320 --> 00:09:24,600 Speaker 1: time you're hearing our voices, there's probably an element of like, 176 00:09:24,679 --> 00:09:27,000 Speaker 1: who the hell are that? Yeah, I'm so jealous of you, 177 00:09:27,040 --> 00:09:30,720 Speaker 1: by the way, So listen to us for the first time. Yeah, 178 00:09:30,760 --> 00:09:33,760 Speaker 1: you're probably crying. You're probably like having a breakthrough. You're 179 00:09:33,800 --> 00:09:36,080 Speaker 1: like calling your therapist and firing them because you're like, 180 00:09:36,120 --> 00:09:38,880 Speaker 1: never mind, Well, you know, it's so it's so true 181 00:09:38,880 --> 00:09:41,959 Speaker 1: what they say. There's there's such a there's so much 182 00:09:42,000 --> 00:09:43,880 Speaker 1: content out there, but none of it is good. And 183 00:09:43,920 --> 00:09:46,960 Speaker 1: now you finally found something that is and you're saying, wow, 184 00:09:47,080 --> 00:09:49,880 Speaker 1: is it the nineties again? Finally something that is an 185 00:09:49,880 --> 00:09:54,160 Speaker 1: algorithmically created for me, but also somehow even worse than 186 00:09:54,200 --> 00:09:57,240 Speaker 1: what I actually want, you know. Finally something that is surprising, 187 00:09:57,320 --> 00:10:01,320 Speaker 1: something I found serendipitously, something that yeah, occasionally has ads 188 00:10:01,320 --> 00:10:05,640 Speaker 1: for direct to consumer products, but as I want to hear, yeah, 189 00:10:05,679 --> 00:10:08,480 Speaker 1: I mean Demi Lovato is listening to this, and it's like, finally, 190 00:10:08,559 --> 00:10:12,400 Speaker 1: that's the substance I was talking about. I can stop 191 00:10:12,440 --> 00:10:15,720 Speaker 1: looking because I found it. God, who's your dream guests? 192 00:10:15,760 --> 00:10:19,439 Speaker 1: I mean, honestly, well and guy of course, but then 193 00:10:19,679 --> 00:10:26,960 Speaker 1: second tier, second tier dream guest, dream guest, dream guest. Honestly, 194 00:10:27,040 --> 00:10:29,080 Speaker 1: if we had a week, if we had a week 195 00:10:29,280 --> 00:10:31,800 Speaker 1: with all the Sex and City girls, each one of 196 00:10:31,840 --> 00:10:35,240 Speaker 1: them gets their own week, Yes, that would be oh 197 00:10:35,280 --> 00:10:37,600 Speaker 1: for Pride Month, That's right. And you know I'll say 198 00:10:37,640 --> 00:10:40,840 Speaker 1: this if you're interested in hearing more about sexon City. 199 00:10:41,000 --> 00:10:43,880 Speaker 1: Our previous guest, Lindsay Webber, who weekly is Lindsay Webber, 200 00:10:43,960 --> 00:10:46,600 Speaker 1: one of one of our North podcasting north Stars, was 201 00:10:46,960 --> 00:10:48,840 Speaker 1: a guest than Her topic was Sex and the City 202 00:10:48,840 --> 00:10:51,320 Speaker 1: as a straight topic, recorded during the first week of 203 00:10:51,360 --> 00:10:54,559 Speaker 1: in just like that, what Elsli and look how far 204 00:10:54,600 --> 00:10:56,480 Speaker 1: we've come, and look how far we've come, you know, 205 00:10:56,520 --> 00:10:58,600 Speaker 1: now that it's been renewed, actually and definitely I read 206 00:10:58,600 --> 00:11:02,280 Speaker 1: it's gonna be going on in till we die that 207 00:11:03,240 --> 00:11:05,240 Speaker 1: in each year, each year they're going to add a 208 00:11:05,320 --> 00:11:07,160 Speaker 1: one period to the ellipses, so at the end it 209 00:11:07,200 --> 00:11:09,520 Speaker 1: will be end, just like that with twenty seven ellipses. 210 00:11:11,800 --> 00:11:13,439 Speaker 1: If there was a contract that was like, you will 211 00:11:13,480 --> 00:11:16,440 Speaker 1: make this until you die, I would be like, perfect, 212 00:11:16,559 --> 00:11:18,280 Speaker 1: thank you. Yeah, I'd be like, oh, thank god, I 213 00:11:18,280 --> 00:11:20,840 Speaker 1: can finally like actually a plan ahead financially for once 214 00:11:20,880 --> 00:11:25,600 Speaker 1: in my life. Yeah. So I want to I want 215 00:11:25,640 --> 00:11:28,719 Speaker 1: to explain who we are. So basically, my name is 216 00:11:28,760 --> 00:11:33,240 Speaker 1: Sam and my name is George. Essentially essentially, so I 217 00:11:33,280 --> 00:11:36,000 Speaker 1: think as a sort of toxic couple's exercise, we should 218 00:11:36,960 --> 00:11:41,200 Speaker 1: describe the other one. Sure, and because you suggested it, 219 00:11:41,240 --> 00:11:45,960 Speaker 1: you have to go first. Okay, So my beautiful, sexy, 220 00:11:46,280 --> 00:11:51,960 Speaker 1: sumptuous co host George. Well, let's see. George. He's you know, 221 00:11:52,240 --> 00:11:54,559 Speaker 1: we have to say, we fall into roles in this podcast, 222 00:11:55,640 --> 00:11:59,680 Speaker 1: and George is the intellectual of the podcast. There have 223 00:11:59,760 --> 00:12:02,800 Speaker 1: been times when I've referenced sort of a fake tenure 224 00:12:02,960 --> 00:12:06,640 Speaker 1: ship at Harvard Hardford University because it's hard to get into. 225 00:12:07,320 --> 00:12:12,000 Speaker 1: There have been there have been times when we've maybe 226 00:12:12,480 --> 00:12:15,200 Speaker 1: said that we're different kinds of gay guys. George is 227 00:12:15,920 --> 00:12:18,240 Speaker 1: we've are you culturally gay? You know? He likes going 228 00:12:18,280 --> 00:12:20,480 Speaker 1: to the theater and me, I can't touch the stuff, 229 00:12:20,679 --> 00:12:23,960 Speaker 1: but any kind of artifice is immediately turns you off. 230 00:12:24,280 --> 00:12:27,720 Speaker 1: Say be real. I say it's time to be real. 231 00:12:27,880 --> 00:12:30,280 Speaker 1: Every play you've gone to, you have walked out because 232 00:12:30,280 --> 00:12:33,000 Speaker 1: you thought it was dishonest. And I'm grabbing people on 233 00:12:33,000 --> 00:12:34,800 Speaker 1: the street and I'm saying, you know they're lying in there. 234 00:12:36,559 --> 00:12:39,760 Speaker 1: You know everyone's paying for this box of lies. Um, 235 00:12:40,440 --> 00:12:44,600 Speaker 1: and let's see. Oh, and George is an incredible comedian. 236 00:12:44,720 --> 00:12:47,560 Speaker 1: We if we're we need to say the basics. You're 237 00:12:47,600 --> 00:12:50,840 Speaker 1: also an incredible comedian. There's no getting around the fact 238 00:12:50,840 --> 00:12:52,880 Speaker 1: that we are both comedians, and that is something we 239 00:12:53,120 --> 00:12:56,559 Speaker 1: fight against every single day of our lives. Sometimes I 240 00:12:56,600 --> 00:13:01,920 Speaker 1: feel like comedian is like it's like a slur. Well, 241 00:13:02,000 --> 00:13:04,320 Speaker 1: let's just learn. And it's also just like you don't 242 00:13:04,360 --> 00:13:05,640 Speaker 1: need It's almost like we don't need to be like, 243 00:13:05,640 --> 00:13:08,400 Speaker 1: oh in George is gay, Like it's like rare, it's 244 00:13:08,440 --> 00:13:11,520 Speaker 1: like that's a given, Like I think it's a given. 245 00:13:11,559 --> 00:13:16,120 Speaker 1: Maybe not, who knows it's true. I mean there's still time, yeah, 246 00:13:16,160 --> 00:13:18,200 Speaker 1: and I can grow in infinite ways in the future, 247 00:13:18,559 --> 00:13:23,760 Speaker 1: including sexually, So that's I think that. And and the 248 00:13:23,800 --> 00:13:25,880 Speaker 1: other side of the coin is what we were about 249 00:13:25,920 --> 00:13:28,880 Speaker 1: to say, was you feel I am more culturally gay 250 00:13:28,920 --> 00:13:32,320 Speaker 1: and you are more sexually gay, which actually dove tails 251 00:13:32,360 --> 00:13:36,640 Speaker 1: perfectly into me now describing you. So you know that again, 252 00:13:36,760 --> 00:13:38,800 Speaker 1: this this is all, you know. We make ourselves into 253 00:13:38,880 --> 00:13:43,600 Speaker 1: cartoon characters for for for for our hungry hippo audience 254 00:13:43,920 --> 00:13:46,319 Speaker 1: that just wants to be entertained. They don't see SS people. 255 00:13:47,400 --> 00:13:50,559 Speaker 1: They humanize us at every turn, every time they press play. 256 00:13:50,880 --> 00:13:53,400 Speaker 1: It physically hurts because I feel myself being reduced more 257 00:13:53,440 --> 00:13:59,520 Speaker 1: and more. It's very commentary being yes, it's a commentary, 258 00:13:59,559 --> 00:14:02,599 Speaker 1: you know again, of course, Lady Gay's music career is 259 00:14:02,600 --> 00:14:04,480 Speaker 1: a commentary on the concept of fame. Our career as 260 00:14:04,480 --> 00:14:07,439 Speaker 1: a commentary on being a kind of up and coming 261 00:14:07,440 --> 00:14:10,560 Speaker 1: but not yet famous, Brooklyn based comedian and sort of 262 00:14:10,600 --> 00:14:13,760 Speaker 1: testing how far you can take that term, how far 263 00:14:13,880 --> 00:14:16,840 Speaker 1: can you be up and coming before you're just um, 264 00:14:16,920 --> 00:14:19,560 Speaker 1: you never really took off yeah, you never. Yeah, it 265 00:14:19,640 --> 00:14:22,160 Speaker 1: was all an illusion, a perfect illusion. And lady, well, 266 00:14:22,200 --> 00:14:27,480 Speaker 1: it wasn't love. It wasn't love, that's for sure. Hopefully 267 00:14:27,520 --> 00:14:31,800 Speaker 1: one day we'll find the cure. So, Sam, you know, 268 00:14:32,480 --> 00:14:38,200 Speaker 1: to me, how do I describe my snatched eight Left 269 00:14:38,240 --> 00:14:42,600 Speaker 1: no Crumbs? Co host Sam Taggart, I guess the gay thing. 270 00:14:42,720 --> 00:14:44,760 Speaker 1: What I love about Sam is that he has this 271 00:14:44,920 --> 00:14:50,800 Speaker 1: sense of joy about quite frankly, so many things. One 272 00:14:50,840 --> 00:14:54,560 Speaker 1: of the things is I love you kind of come 273 00:14:54,600 --> 00:14:56,640 Speaker 1: alive in queer spaces in a way that I find 274 00:14:56,680 --> 00:15:00,360 Speaker 1: so inspiring. You know you, you love You're the You 275 00:15:00,400 --> 00:15:02,960 Speaker 1: are one of the leaders in creating a chosen family. 276 00:15:03,920 --> 00:15:07,400 Speaker 1: You really put the concept of showsen family on a map. Yeah. 277 00:15:07,480 --> 00:15:10,360 Speaker 1: We recently went on vacation together and it was the 278 00:15:10,400 --> 00:15:12,360 Speaker 1: two of us and two other gay couples, and you 279 00:15:12,440 --> 00:15:14,480 Speaker 1: refer to it as a straight vacation because it was 280 00:15:14,520 --> 00:15:19,560 Speaker 1: not in an explicitly gay destination. So that's that's the 281 00:15:19,680 --> 00:15:22,920 Speaker 1: kind of ethos that we're working with. I think, you know, 282 00:15:23,000 --> 00:15:24,960 Speaker 1: in terms of the sexually gay thing that we were 283 00:15:24,960 --> 00:15:26,960 Speaker 1: talking about, I think you have such a joy when 284 00:15:26,960 --> 00:15:30,080 Speaker 1: it comes to i'll say it corny nous. Yeah, yeah, 285 00:15:30,160 --> 00:15:32,400 Speaker 1: I really do look around and you are and you 286 00:15:32,440 --> 00:15:38,520 Speaker 1: are so happy just that bodies are all around. I mean, 287 00:15:38,600 --> 00:15:42,720 Speaker 1: the this podcast is bait for me sometimes, like when 288 00:15:42,720 --> 00:15:46,120 Speaker 1: it's like we're describing like straight things and I do 289 00:15:46,160 --> 00:15:49,040 Speaker 1: feel like it'll be like sweatpants and it's like, yeah, 290 00:15:49,080 --> 00:15:52,160 Speaker 1: but aren't those really hot? Like long underwear and it's like, yeah, 291 00:15:52,160 --> 00:15:55,040 Speaker 1: it's kind of hot. Well. A common theme is we'll 292 00:15:55,040 --> 00:15:57,000 Speaker 1: be talking about something as kind of an example of 293 00:15:57,040 --> 00:16:00,800 Speaker 1: something so straight it's depraved, you know, like think like 294 00:16:01,000 --> 00:16:04,200 Speaker 1: it could be the military, it can be uh, you know, 295 00:16:05,040 --> 00:16:09,280 Speaker 1: kind of like politics. Uh, you know, things that traditionally 296 00:16:09,320 --> 00:16:10,920 Speaker 1: you think we'd roll our eyes at. And then at 297 00:16:10,960 --> 00:16:13,800 Speaker 1: some point, sure enough, like clock work. Sam will be like, yeah, 298 00:16:13,840 --> 00:16:17,400 Speaker 1: but it's kind of hot, and it's just the truth. 299 00:16:17,480 --> 00:16:20,200 Speaker 1: It's just the truth is just the truth. Sam can 300 00:16:20,240 --> 00:16:25,920 Speaker 1: find homerotic subtext in you know, on an empty index card. Okay, 301 00:16:25,960 --> 00:16:29,680 Speaker 1: that's a pull quote. Um. And then the other thing 302 00:16:29,720 --> 00:16:32,520 Speaker 1: I'll say, you know, in terms of our dynamic is 303 00:16:32,840 --> 00:16:36,200 Speaker 1: to me, I'm like, you are improv you are you 304 00:16:36,240 --> 00:16:41,080 Speaker 1: are Tim Heideker, you are like Tim Robinson. And then 305 00:16:41,160 --> 00:16:44,920 Speaker 1: I'm you know, uh, I think, Who's who am I 306 00:16:45,080 --> 00:16:49,560 Speaker 1: Your cultural commentary, your commentary. You're bringing um, George Carlin, 307 00:16:49,640 --> 00:16:53,240 Speaker 1: You're bringing um some some truth and some heaf And 308 00:16:53,400 --> 00:16:56,040 Speaker 1: I have opinions about organized religion and I'm not afraid 309 00:16:56,040 --> 00:16:57,800 Speaker 1: to to to get them out there. And if you 310 00:16:57,840 --> 00:16:59,800 Speaker 1: don't like it, you can turn it off, you can 311 00:16:59,800 --> 00:17:02,760 Speaker 1: bring You're bringing Bill Maher. I'm bringing Bill Maher. So 312 00:17:02,880 --> 00:17:06,560 Speaker 1: far we have established that I'm uh right wing Republican, 313 00:17:06,600 --> 00:17:10,560 Speaker 1: and I'm giving Bill Maher. Well. I also want to 314 00:17:10,600 --> 00:17:14,080 Speaker 1: say in the dynamic, also talking about this, the straight 315 00:17:14,840 --> 00:17:17,040 Speaker 1: vacation we went on with two other gay couples, yes, 316 00:17:17,080 --> 00:17:19,560 Speaker 1: of course talking about me saying that it was straight. 317 00:17:19,840 --> 00:17:22,200 Speaker 1: There was also an element that proves part of your 318 00:17:22,359 --> 00:17:24,400 Speaker 1: thing where I asked you to recommend me a book 319 00:17:24,400 --> 00:17:28,240 Speaker 1: in the bookstore, and the joy that was on George's face, 320 00:17:28,640 --> 00:17:31,800 Speaker 1: it was incredible, buzzing around this little bookstore. It was 321 00:17:31,840 --> 00:17:34,200 Speaker 1: really one of those things where I had been waiting 322 00:17:34,240 --> 00:17:36,159 Speaker 1: my whole life, specifically for us to be in a 323 00:17:36,200 --> 00:17:39,399 Speaker 1: bookstore at a straight wedding or not, at a straight 324 00:17:39,480 --> 00:17:42,520 Speaker 1: vacation destination, and for you to turn to me and say, 325 00:17:42,680 --> 00:17:44,280 Speaker 1: I want you know, I want you to recommend me 326 00:17:44,320 --> 00:17:46,119 Speaker 1: a book. And I said what kind of book are 327 00:17:46,119 --> 00:17:47,480 Speaker 1: you kind of in the mood for? You said just 328 00:17:47,520 --> 00:17:49,800 Speaker 1: something that all the girls are talking about, that I 329 00:17:49,880 --> 00:17:51,879 Speaker 1: wanted a buzzy book. I wanted to be part of 330 00:17:51,880 --> 00:17:55,240 Speaker 1: the conversation. Yeah, you wanted. And I had never felt 331 00:17:55,280 --> 00:17:58,040 Speaker 1: so close to you as I did that. And then 332 00:17:58,119 --> 00:18:00,720 Speaker 1: I'll say this and again not to reduce each of 333 00:18:00,800 --> 00:18:04,000 Speaker 1: us to such a base level stereotype, but then I 334 00:18:04,240 --> 00:18:06,400 Speaker 1: similarity with you was asking you where can I get 335 00:18:06,440 --> 00:18:11,640 Speaker 1: a good speedo? Oh? And they're out? Because I said, 336 00:18:11,640 --> 00:18:13,359 Speaker 1: you know, talk about something I have put off for 337 00:18:13,400 --> 00:18:16,960 Speaker 1: so long. Is I still have not ever bought a 338 00:18:17,040 --> 00:18:19,640 Speaker 1: real speedo that I am happy with, that I feel 339 00:18:19,680 --> 00:18:21,720 Speaker 1: confident in, and that I am able to wear out. 340 00:18:21,840 --> 00:18:24,760 Speaker 1: I'll say it in public. Well, and this is and 341 00:18:24,840 --> 00:18:26,960 Speaker 1: I told you a speedo is a lifelong journey. It's 342 00:18:27,000 --> 00:18:29,760 Speaker 1: a lifelong journey. You're always looking for new ones and 343 00:18:30,040 --> 00:18:32,040 Speaker 1: there they all fit a little bit differently, and so 344 00:18:32,040 --> 00:18:33,600 Speaker 1: you're gonna have to buy a bunch and see which 345 00:18:33,600 --> 00:18:36,080 Speaker 1: ones work. It's tough. It's tough, of course, because I 346 00:18:36,080 --> 00:18:40,920 Speaker 1: have such a thick, juicy ass. I would And that's 347 00:18:40,960 --> 00:18:42,919 Speaker 1: almost I think what brings us together is both of 348 00:18:43,040 --> 00:18:46,520 Speaker 1: us have thick juicy acids. That actually is true. That 349 00:18:46,680 --> 00:18:50,320 Speaker 1: is kind of true, thick and juicy in different ways. 350 00:18:51,240 --> 00:18:53,560 Speaker 1: You're you know, you're this thick and juicy and kind 351 00:18:53,560 --> 00:18:56,680 Speaker 1: of an athletic way. She's doing squats minus thick and 352 00:18:56,760 --> 00:19:02,080 Speaker 1: juicing kind of a whoa, where did that come from? Way? No, 353 00:19:02,280 --> 00:19:05,080 Speaker 1: it's it's so beautiful to point out what makes those 354 00:19:05,160 --> 00:19:11,800 Speaker 1: different and when also what makes us the same. Oh 355 00:19:11,840 --> 00:19:15,040 Speaker 1: my god, wow. I mean I feel very good about 356 00:19:15,040 --> 00:19:17,480 Speaker 1: this as an intro. I mean, I think if you 357 00:19:17,600 --> 00:19:20,359 Speaker 1: don't get our deal by this point, I mean, if 358 00:19:20,359 --> 00:19:24,000 Speaker 1: you've stuck around this long one fully respect and we 359 00:19:24,160 --> 00:19:27,760 Speaker 1: do owe you ten dollars on memo, yeah, we owe 360 00:19:27,800 --> 00:19:30,320 Speaker 1: you a drink next time we see each other. Well, well, 361 00:19:30,359 --> 00:19:33,919 Speaker 1: only I'm not getting anyone of you know, novelty cocktail. No, 362 00:19:34,119 --> 00:19:36,960 Speaker 1: and honestly you shouldn't be getting those anyway. I agree. 363 00:19:37,000 --> 00:19:38,800 Speaker 1: Actually that's something I've been thinking about recently. You know, 364 00:19:38,840 --> 00:19:42,480 Speaker 1: what's fully out for me literally signature like not signature 365 00:19:42,480 --> 00:19:45,600 Speaker 1: cockli excuse me, craft cocktails. That's like a menu and 366 00:19:45,640 --> 00:19:48,080 Speaker 1: they all have different names and they're called like day 367 00:19:48,119 --> 00:19:51,760 Speaker 1: at the Beach, comma, but we're with your mom. They 368 00:19:51,760 --> 00:19:55,600 Speaker 1: are so completely out that I'm so out. Believe it. 369 00:19:56,040 --> 00:19:58,239 Speaker 1: When I see a restaurant hand me a menu with 370 00:19:58,280 --> 00:20:01,520 Speaker 1: like a list of their own drinks, I'm like, no, 371 00:20:01,640 --> 00:20:05,080 Speaker 1: quite frankly, I don't want that. I want a martini 372 00:20:05,240 --> 00:20:09,880 Speaker 1: or something normal. I also, why do I like, who 373 00:20:09,960 --> 00:20:13,480 Speaker 1: is this? Why do I trust this bartender? Where? And 374 00:20:14,160 --> 00:20:16,920 Speaker 1: also like are we children? Like? These are like they're 375 00:20:16,920 --> 00:20:20,720 Speaker 1: always sugary, They're always like with too much stuff, And 376 00:20:20,720 --> 00:20:23,399 Speaker 1: it's like literally all of them are named after children's books. 377 00:20:23,400 --> 00:20:25,600 Speaker 1: You can't ask me otherwise. They're literally all called like 378 00:20:26,040 --> 00:20:29,080 Speaker 1: the Slutty Pig. They're literally all Harry Potter characters. They're 379 00:20:29,119 --> 00:20:31,040 Speaker 1: all Harry Potter characters. And no, I will not be 380 00:20:31,080 --> 00:20:35,040 Speaker 1: having the Hermione Granger. I'm thirty one. I don't care 381 00:20:35,080 --> 00:20:38,680 Speaker 1: how much mescal you're thrown in there until you get 382 00:20:38,680 --> 00:20:41,240 Speaker 1: the damn Rosemary Spriggs out of it. I don't want 383 00:20:41,440 --> 00:20:42,919 Speaker 1: you want to you want to put me in the 384 00:20:42,960 --> 00:20:46,360 Speaker 1: position of having to say the words not too sweet. 385 00:20:46,840 --> 00:20:49,879 Speaker 1: I don't think so. I don't think suddenly suddenly that is, 386 00:20:50,200 --> 00:20:54,119 Speaker 1: to place that pressure on me. It makes me sick. 387 00:20:54,440 --> 00:20:57,080 Speaker 1: It really, it really, and it often actually quite literally 388 00:20:57,080 --> 00:20:59,639 Speaker 1: makes me it'll make my stomach ur. I think it 389 00:20:59,760 --> 00:21:02,200 Speaker 1: is all about classic to order a Manhattan, to order 390 00:21:02,240 --> 00:21:05,080 Speaker 1: a martini, to order a glass of red, a glass 391 00:21:05,080 --> 00:21:08,159 Speaker 1: of white. That's that's that's you know, that's all I 392 00:21:08,240 --> 00:21:10,520 Speaker 1: and and again this is actually to bringing back to 393 00:21:10,560 --> 00:21:13,960 Speaker 1: straight culture. It is so straight to be so desperate 394 00:21:13,960 --> 00:21:16,679 Speaker 1: for novelty that you are naming your cocktail, you know, 395 00:21:16,920 --> 00:21:21,639 Speaker 1: the pig with two faces. Yeah, there's something about honestly, 396 00:21:21,640 --> 00:21:23,680 Speaker 1: if normal to read trust issues, you don't trust that 397 00:21:23,760 --> 00:21:27,840 Speaker 1: people will understand you if you show yourself. It's signature. 398 00:21:27,880 --> 00:21:33,719 Speaker 1: Cocktails are fear based responses and it should be eradicated. Yeah, 399 00:21:33,840 --> 00:21:37,560 Speaker 1: and they are actually like they're a misguided, individualistic response 400 00:21:37,560 --> 00:21:39,879 Speaker 1: to a systemic problem. Just because you feel uncomfortable in 401 00:21:39,880 --> 00:21:45,800 Speaker 1: the world doesn't mean you need to create a new cocktail. Wow, 402 00:21:46,160 --> 00:21:50,600 Speaker 1: I mean talking about a sampler platter, Darling. You know, 403 00:21:50,600 --> 00:21:54,119 Speaker 1: we'll encourage everyone. All the past episodes are on the feed. 404 00:21:54,280 --> 00:21:57,720 Speaker 1: If you discover the podcast now potentially via an ad Imagine, 405 00:21:57,760 --> 00:22:00,440 Speaker 1: imagine your luck that you have literally two and a 406 00:22:00,480 --> 00:22:05,000 Speaker 1: half years of a backclog to fall back on. Yeah, 407 00:22:05,080 --> 00:22:07,720 Speaker 1: I mean, there's so many people in this world that 408 00:22:07,800 --> 00:22:10,600 Speaker 1: wish they were you. So, don't take that lightly. It's 409 00:22:10,840 --> 00:22:13,119 Speaker 1: it's very it's very binge able to use a language 410 00:22:13,119 --> 00:22:16,719 Speaker 1: of Netflix is Stranger Things, which I did watch, by 411 00:22:16,720 --> 00:22:20,160 Speaker 1: the way, it's crazy. I know that is a show 412 00:22:20,200 --> 00:22:23,000 Speaker 1: that I know in my heart and in my brain 413 00:22:23,400 --> 00:22:26,159 Speaker 1: everyone watches. I mean, the numbers are right there, and 414 00:22:26,240 --> 00:22:28,159 Speaker 1: yet when I actually do hear that someone watched it, 415 00:22:28,160 --> 00:22:31,800 Speaker 1: I'm shocked. The first two seasons are good, and now 416 00:22:31,920 --> 00:22:35,040 Speaker 1: I'm like stuck with it. Yeah. Yeah. We also both 417 00:22:35,080 --> 00:22:37,720 Speaker 1: have boyfriends that we talk about. Um, I hope that's 418 00:22:37,720 --> 00:22:41,119 Speaker 1: normal to bring up in this sampler platter. That's okay, hopefully, 419 00:22:41,160 --> 00:22:43,120 Speaker 1: hopefully this will be around by the time this errors. 420 00:22:43,440 --> 00:22:50,240 Speaker 1: Oh say that? So is is Misha a Stranger Things? Had? 421 00:22:50,359 --> 00:22:52,800 Speaker 1: He kind of is. He's at least a completionist, and 422 00:22:52,880 --> 00:22:56,480 Speaker 1: like he refuses to like let it like I would 423 00:22:56,520 --> 00:22:58,160 Speaker 1: be like, I was kind of like, it's not good, 424 00:22:58,160 --> 00:23:00,240 Speaker 1: I don't need to watch it, but he was like, well, 425 00:23:00,280 --> 00:23:03,359 Speaker 1: I want, I need to finish it, and I'm like okay, 426 00:23:03,480 --> 00:23:05,720 Speaker 1: But it ends up bumming me out, mostly because it's 427 00:23:05,760 --> 00:23:07,280 Speaker 1: like this used to be good. There used to be 428 00:23:07,320 --> 00:23:10,200 Speaker 1: something to do this, and now it's totally they've lost it, 429 00:23:10,280 --> 00:23:12,920 Speaker 1: But you know, I love to see those little kids 430 00:23:13,000 --> 00:23:15,440 Speaker 1: grow up. This is something I would think about a lot. 431 00:23:15,520 --> 00:23:18,560 Speaker 1: This is my official policy proposal when that show is over. 432 00:23:19,200 --> 00:23:22,280 Speaker 1: Those kids should return right back to school. They should 433 00:23:22,320 --> 00:23:24,240 Speaker 1: not be allowed to be in the industry. They should 434 00:23:24,240 --> 00:23:27,399 Speaker 1: actually go back and finish school. They need to go 435 00:23:27,440 --> 00:23:29,080 Speaker 1: to school, and they need to go to college, a 436 00:23:29,119 --> 00:23:32,400 Speaker 1: good state school. Well, you know, Millie Bobby Brown enrolled 437 00:23:32,520 --> 00:23:36,840 Speaker 1: in Perdue. Really about this, Yeah, she enrolled in online 438 00:23:36,840 --> 00:23:39,560 Speaker 1: classes at Perdue in their human services department, which is 439 00:23:39,600 --> 00:23:41,840 Speaker 1: like kind of I mean, no offense to people that 440 00:23:41,880 --> 00:23:43,840 Speaker 1: work in human services. You're obviously doing God's work. These 441 00:23:43,840 --> 00:23:45,919 Speaker 1: are people that do like work at like drug treatment 442 00:23:45,960 --> 00:23:50,400 Speaker 1: centers and uh, you know, do stuff around like family um, 443 00:23:50,520 --> 00:23:53,080 Speaker 1: social services and things like that. But the idea that 444 00:23:53,080 --> 00:23:55,679 Speaker 1: that is what Millie Bobby Brown would choose to study 445 00:23:55,720 --> 00:23:58,480 Speaker 1: is so fascinating to me. That is fascinating. I mean, 446 00:23:58,520 --> 00:24:00,800 Speaker 1: imagine you're going to the d MV. Suddenly there's Millie 447 00:24:00,840 --> 00:24:04,400 Speaker 1: Bobby Brown snatched in a ponytail wig and she says, yeah, 448 00:24:04,480 --> 00:24:07,080 Speaker 1: I'll take number fifty two next. I mean, that's kind 449 00:24:07,080 --> 00:24:09,520 Speaker 1: of a slay. I think that actually makes so much sense. 450 00:24:09,560 --> 00:24:13,120 Speaker 1: Every actor should go into public service afterwards, and like unglamorous, 451 00:24:13,160 --> 00:24:15,760 Speaker 1: non political public service. It should actually be kind of 452 00:24:15,800 --> 00:24:18,440 Speaker 1: like a mandatory military service, but for actresses, they should 453 00:24:18,440 --> 00:24:21,359 Speaker 1: work at the d m V for one week. The 454 00:24:21,359 --> 00:24:24,200 Speaker 1: the way that would fix so many problems. I mean, 455 00:24:24,240 --> 00:24:27,680 Speaker 1: even just getting people to believe in America again. Imagine 456 00:24:27,680 --> 00:24:29,880 Speaker 1: if you went to the DMV and Nicole Kidman was there. 457 00:24:30,320 --> 00:24:32,159 Speaker 1: I have to say, I'm actually now realizing, you know, 458 00:24:32,160 --> 00:24:35,040 Speaker 1: there are enough celebrities where if you really divided them up, 459 00:24:35,240 --> 00:24:38,520 Speaker 1: they could basically run all our social services, and that 460 00:24:38,560 --> 00:24:40,840 Speaker 1: would really solve a lot of problems because you would 461 00:24:40,840 --> 00:24:43,199 Speaker 1: have people with social power working for the government. I 462 00:24:43,280 --> 00:24:45,680 Speaker 1: was just listening to an episode of Fresh Air where 463 00:24:45,680 --> 00:24:47,399 Speaker 1: they were saying that the I R S is no 464 00:24:47,480 --> 00:24:50,439 Speaker 1: longer auditing like the super wealthy, so they end up 465 00:24:50,440 --> 00:24:52,920 Speaker 1: auditing a lot of like middle class and poor people 466 00:24:53,160 --> 00:24:56,000 Speaker 1: because they are afraid because the super wealthy have such 467 00:24:56,280 --> 00:24:59,080 Speaker 1: crazy means of evading taxes that it's not even worth it. 468 00:24:59,359 --> 00:25:01,680 Speaker 1: But imagine if I R S was literally manned by 469 00:25:01,760 --> 00:25:06,320 Speaker 1: George Clooney, he knows what to do. I mean, that 470 00:25:06,359 --> 00:25:08,960 Speaker 1: would be huge, that would be so helpful. He'd be like, 471 00:25:09,000 --> 00:25:11,000 Speaker 1: because he knows he's friends with him, he'd be like, actually, 472 00:25:11,000 --> 00:25:16,440 Speaker 1: could you look into my friends who was like a billionaire. Yeah. 473 00:25:16,440 --> 00:25:18,320 Speaker 1: It's like it's like the old employees of the I 474 00:25:18,400 --> 00:25:20,240 Speaker 1: R s are like, God, I you know this person, 475 00:25:20,280 --> 00:25:22,240 Speaker 1: I don't know what they're I don't know what they've 476 00:25:22,280 --> 00:25:24,040 Speaker 1: been doing all the Countralock George Clooney is like, oh, 477 00:25:24,080 --> 00:25:27,080 Speaker 1: I'm on close friends, let me check. Yeah, He's like, yeah, 478 00:25:27,080 --> 00:25:30,760 Speaker 1: he just posted I'm doing tax evasion. Just supposed I'm 479 00:25:30,800 --> 00:25:33,680 Speaker 1: not doing tax he just posted he just posted avoiding 480 00:25:33,680 --> 00:25:39,080 Speaker 1: taxes this year again. L O L L m A. Anyway, 481 00:25:39,200 --> 00:25:41,760 Speaker 1: what's what's the move tonight? And what's the move tonight? 482 00:25:42,240 --> 00:25:45,880 Speaker 1: Who's going to the Chateau Marmont? What are the good 483 00:25:45,920 --> 00:25:50,280 Speaker 1: Italian villas right now? I mean, do you think we 484 00:25:50,400 --> 00:25:52,439 Speaker 1: explained One more thing you need to know about our 485 00:25:52,440 --> 00:25:54,680 Speaker 1: podcast is that we talked about making the podcast while 486 00:25:54,720 --> 00:25:56,480 Speaker 1: we make the podcast, And thank you for saying that, 487 00:25:56,560 --> 00:25:59,119 Speaker 1: and that is essential. And so for this, as we 488 00:25:59,160 --> 00:26:02,080 Speaker 1: wrap this up, I want to say I'm happy with 489 00:26:02,280 --> 00:26:05,399 Speaker 1: um what this is. I think both of us, you know, 490 00:26:05,400 --> 00:26:07,040 Speaker 1: it could have been structured better. I think both of 491 00:26:07,119 --> 00:26:09,000 Speaker 1: us were sort of like let's just dive in and 492 00:26:09,040 --> 00:26:11,679 Speaker 1: just start to try to explain ourselves. And so maybe 493 00:26:11,800 --> 00:26:14,000 Speaker 1: if you were like that was weird and clunky up top, 494 00:26:14,040 --> 00:26:16,439 Speaker 1: it's like, yeah, we were figuring it out. Yeah, and 495 00:26:16,480 --> 00:26:19,720 Speaker 1: also like, who are like, Also, calm down, you know 496 00:26:19,760 --> 00:26:21,959 Speaker 1: what I mean. This is a free episode. There's no 497 00:26:22,040 --> 00:26:26,919 Speaker 1: reason to like. We didn't ask for feedback. And if 498 00:26:26,920 --> 00:26:29,520 Speaker 1: you don't like it, maybe keep that to yourself. Yeah, 499 00:26:29,720 --> 00:26:31,800 Speaker 1: there's many other podcasts out. You can go listen to 500 00:26:31,800 --> 00:26:35,919 Speaker 1: The Daily, you can go listen to podcast Um. You 501 00:26:35,960 --> 00:26:38,320 Speaker 1: can potentially go listen to our favorite podcasts, a Slate 502 00:26:38,359 --> 00:26:41,200 Speaker 1: culture gap fest. Yeah, well we have to have them on. 503 00:26:41,720 --> 00:26:43,640 Speaker 1: We need to have them on. That's a good note. 504 00:26:43,800 --> 00:26:46,360 Speaker 1: We actually could now. And let me say another thing 505 00:26:46,400 --> 00:26:49,160 Speaker 1: about this is, as Sam said, we talked about the podcast. 506 00:26:49,160 --> 00:26:51,119 Speaker 1: While we make the podcast, we think it makes it 507 00:26:51,160 --> 00:26:53,879 Speaker 1: more authentic and honest, and those are the two things 508 00:26:53,880 --> 00:26:56,520 Speaker 1: we are always in search of, is authenticity and honesty. 509 00:26:56,760 --> 00:27:02,440 Speaker 1: That in the perfect bottle of pinot Whoam. But here's 510 00:27:02,480 --> 00:27:05,119 Speaker 1: what I'll say. You know, we are yes out of Crossroads. 511 00:27:05,240 --> 00:27:07,640 Speaker 1: We had two and a half years of self producing 512 00:27:07,640 --> 00:27:12,479 Speaker 1: the podcast, growing it organically, almost almost intentionally trying not 513 00:27:12,520 --> 00:27:15,679 Speaker 1: to make money, losing money at every time, actively losing, 514 00:27:15,880 --> 00:27:19,919 Speaker 1: actively losing money. We almost had I would say a 515 00:27:20,040 --> 00:27:21,960 Speaker 1: pride was a point of pride that we felt so 516 00:27:22,040 --> 00:27:24,320 Speaker 1: d I Y so punk rock. And we are now 517 00:27:24,960 --> 00:27:26,919 Speaker 1: as of this season, we're part of a network. There 518 00:27:26,920 --> 00:27:31,240 Speaker 1: will be ads on the podcast. We have an incredible producer, Olivia, 519 00:27:31,280 --> 00:27:33,439 Speaker 1: who is who is helping us out. So it is 520 00:27:33,480 --> 00:27:36,600 Speaker 1: we're in a transitional faith. In some areas we seem 521 00:27:36,680 --> 00:27:38,679 Speaker 1: d I Y and punk rock, and in other areas 522 00:27:38,720 --> 00:27:42,040 Speaker 1: we've seen like business bitches making seven figures a year. 523 00:27:42,640 --> 00:27:45,119 Speaker 1: That's because we're transitioning from the former to the ladder 524 00:27:47,880 --> 00:27:50,159 Speaker 1: and um. One more thing to know is we have 525 00:27:50,240 --> 00:27:53,679 Speaker 1: no morals, no morals. Oh, we'll do anything. Yeah. I 526 00:27:53,720 --> 00:27:56,160 Speaker 1: think it's we're happy to have you on board the journey. 527 00:27:56,480 --> 00:27:59,720 Speaker 1: It's been fun. It's been it's been from independent to 528 00:28:00,080 --> 00:28:03,199 Speaker 1: my heart media and big money players network. And I 529 00:28:03,240 --> 00:28:05,280 Speaker 1: do want to give actually a special thanks if I 530 00:28:05,320 --> 00:28:07,919 Speaker 1: maybe earnest for one and one thing we do if you, 531 00:28:07,960 --> 00:28:10,159 Speaker 1: if you want, if you go back to our to 532 00:28:10,200 --> 00:28:13,040 Speaker 1: our old episodes, you'll see that twice a year we 533 00:28:13,080 --> 00:28:15,840 Speaker 1: do something called an Earnestness Bonanza where we dropped the 534 00:28:15,840 --> 00:28:18,439 Speaker 1: act and answer listener questions. And I want to channel 535 00:28:18,480 --> 00:28:21,639 Speaker 1: that for just just one second here and say from 536 00:28:21,680 --> 00:28:24,280 Speaker 1: the bottom of my heart, and I speak for both 537 00:28:24,280 --> 00:28:25,639 Speaker 1: of us when I say, we are so grateful to 538 00:28:25,680 --> 00:28:28,160 Speaker 1: everyone that has been listening. Whether it's from the first episode, 539 00:28:28,200 --> 00:28:30,040 Speaker 1: or whether from the second season, or whether from a 540 00:28:30,040 --> 00:28:32,080 Speaker 1: few months ago or a few weeks ago, we are 541 00:28:32,359 --> 00:28:35,240 Speaker 1: so grateful. We still can't believe anyone listens. When we 542 00:28:35,240 --> 00:28:39,400 Speaker 1: see people at live shows or or around around Brooklyn, 543 00:28:39,400 --> 00:28:42,640 Speaker 1: New York, it brings a smile to our face and 544 00:28:42,640 --> 00:28:45,160 Speaker 1: and and we both genuinely don't even don't even know 545 00:28:45,200 --> 00:28:48,440 Speaker 1: how to how to react that how great, you know, 546 00:28:48,800 --> 00:28:51,200 Speaker 1: That's how grateful gurs is what I'm trying to say it. 547 00:28:52,280 --> 00:28:55,000 Speaker 1: And then the other thing is that I think one 548 00:28:55,040 --> 00:28:56,959 Speaker 1: of the ways that we are trying to be a 549 00:28:56,960 --> 00:29:00,880 Speaker 1: little more professional is we used to always say when 550 00:29:00,880 --> 00:29:03,400 Speaker 1: we had a guest, we never plug anything that they're 551 00:29:03,400 --> 00:29:06,320 Speaker 1: in and we don't even say what they are. I mean, 552 00:29:06,360 --> 00:29:09,600 Speaker 1: we have had guests that were actively in the actively 553 00:29:09,640 --> 00:29:12,240 Speaker 1: promoting projects when they were on our podcast, and we 554 00:29:12,280 --> 00:29:15,080 Speaker 1: did not mention them a single time. And I think 555 00:29:15,080 --> 00:29:16,640 Speaker 1: we're gonna try to be a little better about that, 556 00:29:16,680 --> 00:29:18,640 Speaker 1: and I think we'll start by promoting our own work 557 00:29:18,640 --> 00:29:21,800 Speaker 1: a little bit, and I'll say that if you are 558 00:29:21,920 --> 00:29:25,840 Speaker 1: interested in more Stradio Lab, we have a Patreon which 559 00:29:25,880 --> 00:29:28,000 Speaker 1: you can find a patreon dot com slash Stradio Lab, 560 00:29:28,080 --> 00:29:31,360 Speaker 1: and we have an upcoming live show at City Winery 561 00:29:31,560 --> 00:29:33,280 Speaker 1: in New York City. This is the first time we've 562 00:29:33,320 --> 00:29:35,040 Speaker 1: had live shows before, but they've always done the Bellhouse. 563 00:29:35,120 --> 00:29:37,120 Speaker 1: Is the first time. We're going to be at City 564 00:29:37,120 --> 00:29:40,360 Speaker 1: Winery and that is on September twenty. It's a Saturday, 565 00:29:40,440 --> 00:29:42,719 Speaker 1: and the blink to tickets is in our is then 566 00:29:42,720 --> 00:29:46,600 Speaker 1: our socials. Yeah. Just to the non plugging thing, we 567 00:29:46,640 --> 00:29:49,240 Speaker 1: really thought it was funny to actively not plug anything 568 00:29:49,320 --> 00:29:51,760 Speaker 1: and then um later it started to feel I started 569 00:29:51,760 --> 00:29:54,840 Speaker 1: to feel guilty. Well because in the beginning, especially when 570 00:29:54,840 --> 00:29:57,560 Speaker 1: we didn't have listeners, it was like, well, plugging, wouldn't 571 00:29:57,560 --> 00:29:59,040 Speaker 1: do it. It's not you know. I was like, why 572 00:29:59,040 --> 00:30:00,880 Speaker 1: would we plug? We don't think we're like important, why 573 00:30:00,880 --> 00:30:04,600 Speaker 1: would we play? It feels so stupid to be doing 574 00:30:04,600 --> 00:30:08,120 Speaker 1: the first episode of a podcast and be like, please 575 00:30:08,200 --> 00:30:12,120 Speaker 1: follow our guest Charlie Barday. Just to mention someone that 576 00:30:12,240 --> 00:30:14,440 Speaker 1: was one of our first guests, like, please follow our 577 00:30:14,440 --> 00:30:16,680 Speaker 1: guest Charlie Barday on Twitter and Instagram. It's like, well, 578 00:30:16,800 --> 00:30:22,000 Speaker 1: seven people are listening to this. Yeah, but now we'll say, hey, 579 00:30:22,040 --> 00:30:25,640 Speaker 1: please follow Charlie Barday on Twitter, and please follow Charlie 580 00:30:25,640 --> 00:30:29,280 Speaker 1: Barday at Chunk bar Day on Twitter, and you won't 581 00:30:29,320 --> 00:30:32,080 Speaker 1: be disappointed. You won't be disappointed. Do you think we 582 00:30:32,160 --> 00:30:35,320 Speaker 1: nailed it? I think so, And I'll say this, rate 583 00:30:35,320 --> 00:30:40,240 Speaker 1: and review us on Apple Podcasts. Is that too far? Maybe? 584 00:30:40,400 --> 00:30:44,440 Speaker 1: Maybe that's that's one step too far. Yeah, for now, 585 00:30:44,480 --> 00:30:47,600 Speaker 1: I think we're okay, okay, okay, don't now if you're moved. 586 00:30:47,680 --> 00:30:49,560 Speaker 1: If you're so, if you're moved, but also like, it's 587 00:30:49,600 --> 00:30:50,960 Speaker 1: not a big deal. If you don't, We're not like 588 00:30:51,000 --> 00:30:53,200 Speaker 1: tell it. Don't be like they told us to do this. 589 00:30:53,360 --> 00:30:55,160 Speaker 1: Just be like no, no, no, be like if we 590 00:30:55,280 --> 00:30:58,480 Speaker 1: if I'm feeling it, feel it. But no, and but please, 591 00:30:58,800 --> 00:31:01,600 Speaker 1: one thing is we don't ever want negative criticism. No, 592 00:31:01,960 --> 00:31:04,960 Speaker 1: please don't reach out with negative criticism. If you find 593 00:31:04,960 --> 00:31:09,040 Speaker 1: our voices annoying. If you think I sound quote condescending 594 00:31:09,600 --> 00:31:13,200 Speaker 1: and shrill, uh, that's something you should keep yourself. Yeah, 595 00:31:13,280 --> 00:31:16,040 Speaker 1: it doesn't really help because Unfortunately, our voices are staying 596 00:31:16,080 --> 00:31:19,200 Speaker 1: the same and um, if anything, they're getting more annoying 597 00:31:19,200 --> 00:31:21,440 Speaker 1: by the second. That's true, honey, you don't have to 598 00:31:21,480 --> 00:31:23,320 Speaker 1: tell me. I listen to this podcast and I say, oh, 599 00:31:23,480 --> 00:31:26,280 Speaker 1: that's what I sound like. God bless Okay, that's too much. 600 00:31:26,360 --> 00:31:28,800 Speaker 1: We can we don't do. That's how deprecating we can. 601 00:31:28,880 --> 00:31:32,720 Speaker 1: Calm down. All right, Well, we are the best podcasters 602 00:31:32,720 --> 00:31:37,320 Speaker 1: in the world, and welcome to the Island of Misfit 603 00:31:37,400 --> 00:31:39,360 Speaker 1: Toys and the words of Emma Watson and the perks 604 00:31:39,360 --> 00:31:46,760 Speaker 1: of being a wallflower. This is Radio. Bye bye,