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Speaker 1: We got that laughter for your soul. And now to

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Speaker 1: get into the Frankie on this show. The Frankie on

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Speaker 1: this show brought to you, but it depends m brought

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Speaker 1: to you by Sandwiches as real though today it's it's Yeah,

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Speaker 1: we got a lot of talk about. Yeah, there's a

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Speaker 1: lot to talk about. Clarifications. Yeah, man, now, but you

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Speaker 1: do love your talking out. It's one of the things

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Speaker 1: I love about you. It's what these I love about you. Really,

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Speaker 1: I couldn't tell me and me and the homie christ

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Speaker 1: is stratter. For those who don't know, uh those have

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Speaker 1: you been been coming to my live shows throughout the years,

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Speaker 1: you know that Rudio has been my host the whole time.

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Speaker 1: Rocket with me boys, yes, uh the host with the

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Speaker 1: most man, I'm out there trying to make it happen.

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Speaker 1: But bring the crowd up, do your thing. I love it. Uh. Well,

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Speaker 1: the show just adapted over the years, and I just

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Speaker 1: tried to adapt to the show over the years. You know,

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Speaker 1: like with the energy you're bringing to the to the stage,

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Speaker 1: I'm just trying to bring trying to like match that,

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Speaker 1: just match that energy. Yeah yeah, no, get there, keep

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Speaker 1: him there. But yeah, yeah, yeah, because you were there

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Speaker 1: the whole right, like when the when the videos started

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Speaker 1: going viral and I had to start doing you know,

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Speaker 1: I didn't have to start. I wanted to do the

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Speaker 1: character's life. There's a lot of people are saying, oh,

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Speaker 1: they should do who Creeper was, and they didn't really know.

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Speaker 1: They didn't even know I did stand upright. You know.

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Speaker 1: It's still to this day people are like, oh, it

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Speaker 1: does stand up, you know, especially now with this for

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Speaker 1: on Hulu and all that. They're like and they just

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Speaker 1: know me as that. Now they come to their shows like, oh,

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Speaker 1: he does stand up. And then we've had we've had

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Speaker 1: we have this chemistry and followship thing like yeah, we've

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Speaker 1: been doing this for this is my sixteenth year doing

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Speaker 1: stand up, you know, and it's like, well now it'll

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Speaker 1: be seventeen years this fall. Dude. I remember Il Parada

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Speaker 1: back in the day and shout out Keego, Breeze, shout

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Speaker 1: out to Keiko. That's like, that's like an old school.

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Speaker 1: I've always been honored because some people actually called Il

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Speaker 1: Parada like the West Coast Apollo. And I know it's

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Speaker 1: not a big theater or anything like that, but it

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Speaker 1: has that energy, the energy where it's like if you're

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Speaker 1: not doing well, that lets you know. And I appreciate that.

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Speaker 1: It's one of the very few spots left the way

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Speaker 1: the way San Francisco has changed, you know. And it

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Speaker 1: was like, man, I remember the first place I ever

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Speaker 1: headline was at Il Parada. So those who don't know,

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Speaker 1: it's it's in Portral Patrol Hill neighborhood of San Francisco,

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Speaker 1: you know, so there's the Mission Portraro, that whole area. Uh,

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Speaker 1: it's it's a very blue collar bar, you know. It's

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Speaker 1: it's it's the people. It's for locals. It's the locals.

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Speaker 1: People go after work, you know, watch the game and

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Speaker 1: Kiko breeze, you know, Tony Sparks is a whole sir

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Speaker 1: a long time and I remember it was it was

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Speaker 1: my birthday actually, and I think it was. Man, it

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Speaker 1: must have been two thousand seven, two eight, maybe just

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Speaker 1: maybe just a year or two, maybe a year and

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Speaker 1: a half. For two years after I started doing stand

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Speaker 1: up and the headliner couldn't make it, and then Keiko

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Speaker 1: and Tony were like, oh, man, it's your birthday. My

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Speaker 1: parents were there, all that stuff they had come up

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Speaker 1: because we were just you know, whatever, they would come

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Speaker 1: up a lot anyway, just to see family and all

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Speaker 1: that stuff. Remember that night, it was like, uh, you know,

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Speaker 1: they were like, hey, man, the headline can make I

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Speaker 1: was just supposed to do a spot that you want

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Speaker 1: a headline, man, And that night at El Parada, Man,

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Speaker 1: it was it just worked out. Sometimes it stars aligning.

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Speaker 1: It's kind of like my like, oh man, you're meant

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Speaker 1: to do this, you know, And it was like you know,

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Speaker 1: and then obviously you know, you know, I was even

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Speaker 1: after that night, I was like, oh man, I'm about

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Speaker 1: to brow up, like this is happening. You're on You're

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Speaker 1: on the right home, Like it's happening. I'm manifesting it.

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Speaker 1: Let's go see, you know, ten years later, up thirty

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Speaker 1: five years old, sleeping on my homies couch like it's happening.

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Speaker 1: You're like flossing in the mirror, like it's happening. It's

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Speaker 1: gonna happen. I know it is. But that it was

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Speaker 1: good man. It was because yeah, that vibe. But now

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Speaker 1: here we are you doing your own podcast and just

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Speaker 1: all the success that you've built off of. And by

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Speaker 1: the way, man, I know, it's hard to do a podcast, Uh,

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Speaker 1: mainly because you have to have like different shirts. You

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Speaker 1: have to have multiple shirts because you can't wear the

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Speaker 1: same shirt twice. Man, I know people do notice those

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Speaker 1: type of things. Yeah, I appreciate your efforts. Yeah, thank you.

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Speaker 1: Only I switched up the shirt, but thanks for la.

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Speaker 1: People know that I record more than one interview. Well

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Speaker 1: that's not what I was saying. I'm just like like,

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Speaker 1: like even if you, if you, even if you weren't

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Speaker 1: doing more than one on one day, you still have

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Speaker 1: that more shirts because you can't wear the same shirt

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Speaker 1: on the podcast twice. Yes, people will point these things outright,

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Speaker 1: having different Yeah, yeah, yeah, that's the thing on when

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Speaker 1: I get a good shirt that just fits good. Come,

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Speaker 1: I know you'd like to wear your shirts a little

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Speaker 1: one size too small. It's called it's called fitted. Understand. Understand,

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Speaker 1: there's a reason why. It's for It's for us to

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Speaker 1: the people that want. I love that you own up

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Speaker 1: to it because sometimes depending what city were in, Like

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Speaker 1: when we're in Minneapolis in the winter and you're going

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Speaker 1: up their nipples out my boy fitted shirt with no

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Speaker 1: undershirt and just the nipples back. But it's confidence because

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Speaker 1: you're like, yeah, I know my nipples are you announce

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Speaker 1: it to the people. And the thing is that the

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Speaker 1: thing is that I feel like I may even have

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Speaker 1: a condition because my nipples do not get they do

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Speaker 1: not get soft like that, no matter what, no matter

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Speaker 1: what time of day it is, no matter what season,

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Speaker 1: You're always gonna get erect like erect nipples. And I'm

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Speaker 1: not even aroused. I'm just this is just my natural state.

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Speaker 1: Very right. Well, congratulations that I'm just saying because when

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Speaker 1: people do see me, they do point out the nipples

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Speaker 1: because I wear a lot of those softball teas and

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Speaker 1: and then and the nipples really pop out, you know

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Speaker 1: what I'm saying. So I just I don't want anybody

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Speaker 1: get the wrong idea. That's all. No, No, I mean,

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Speaker 1: I thank you for the disclaimer and putting it out there.

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Speaker 1: But I love that you continue that life, you know,

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Speaker 1: and you're like, oh man, I'm cool with it. This

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Speaker 1: is what I do. I know, it's a thing. I know.

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Speaker 1: My nipples they pop bam, and it's one of the

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Speaker 1: many things I appreciate appreciate about you. With that being said,

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Speaker 1: this is the Frankie you know on the show podcast

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Speaker 1: I'm Frankie. I'm hearing one of my right here, a

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Speaker 1: long time road dog, the host with the most rudy

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Speaker 1: or tease. Sir, thank you for having me, Bro, it's

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Speaker 1: been a it's been a long time coming. I was like,

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Speaker 1: been watching you build this whole podcast, and I'm like

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Speaker 1: seeing all the people that you got coming on and stuff,

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Speaker 1: and I'm like, man, hopefully one day I can go

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Speaker 1: rock with my boys. So thank you for having me.

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Speaker 1: Then oh yeah, yeah, man. Well you know I was

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Speaker 1: one of those fools like because everybody telling me all

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Speaker 1: you need to do a pocket and I was one

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Speaker 1: of those like, man, everybody has a podcast. But then um,

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Speaker 1: you see how strong it was, and and and then

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Speaker 1: like other like mentors or community be like, no, man,

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Speaker 1: there's people like they run out of podcast and listen

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Speaker 1: to because some people that's all they do when they're

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Speaker 1: in their cars. The first thing to do on podcast

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Speaker 1: podcast podcast. And then so I was like, okay, well

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Speaker 1: if I do something, I want to do different. So

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Speaker 1: the idea was already in my head, like I want

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Speaker 1: to do sketches. Um, the whole first season we just

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Speaker 1: did all sketches, which was a lot of work, remember that.

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Speaker 1: And it wasn't until the second season I was like

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Speaker 1: or towards the end of the first season into the

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Speaker 1: second season, I was like, you know, I want to

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Speaker 1: incorporate interviews to know I needed, you know, something I

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Speaker 1: need to get better at and doing my thing, and

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Speaker 1: I just wanted homies to talk to and stuff like that.

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Speaker 1: And then you know, obviously we had the amazing opportunity

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Speaker 1: with Will Ferrell's you know, big much shots, big money players.

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Speaker 1: We are at the iHeart Studios, and Will Ferrell showly

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Speaker 1: love to to my character work and what I do

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Speaker 1: and all that, and and I was like, dang man,

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Speaker 1: like what it was already in my head and all

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Speaker 1: of a sudden you got the o G like that.

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Speaker 1: It's like, hey, you know, we want to bring bring

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Speaker 1: you to our platform. I honestly, bro like, I was

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Speaker 1: excited to see you actually have one, because you're not

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Speaker 1: the only comic that criticizes the fact that every comic

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Speaker 1: had a podcast or has a podcast, right, But I

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Speaker 1: love the fact that podcasts that become like such a

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Speaker 1: big part of the culture now, not just comedy culture,

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Speaker 1: but just like American culture because because honestly, like I

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Speaker 1: enjoy I think that people enjoy having conversation and people

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Speaker 1: enjoy listening to conversation. But for some odd reason, like

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Speaker 1: we don't really you know, we don't really like display,

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Speaker 1: we don't show how much we enjoy talking to each other,

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Speaker 1: but we do. And people will listen to two strangers

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Speaker 1: have a conversation and you give them the opportunity. Oh yeah, No,

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Speaker 1: I don't know why, but that's how we're built. No,

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Speaker 1: And it's interesting. And I know you love to talk

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Speaker 1: at me and the homie Chris and try to So

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Speaker 1: for those who don't know, Chris trying to play Hulio

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Speaker 1: is the co star creator of this fool uh So

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Speaker 1: for those who don't know, it's it was me, Rudy

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Speaker 1: and Chris and the Bayonet like touring for years and

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Speaker 1: so we've spent a lot of time together, a lot,

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Speaker 1: you know. And one of the things that we enjoyed

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Speaker 1: about you is Rudy loves to conversate, you know, converse,

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Speaker 1: you know whatever, with strangers, with people I know, so

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Speaker 1: and he's kind of like he throws lines out like

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Speaker 1: a fisherman, like you know, we'll be at a bar

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Speaker 1: and you know, especially if they're sports on or something,

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Speaker 1: and if he can't get somebody engaged, they don't even

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Speaker 1: know what they're getting into. There's an open seat next

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Speaker 1: to Rudy and he's like he tapped a little chair

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Speaker 1: like here, and then if the conversation goes in and

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Speaker 1: he gets him. He even tapped his leg, got one,

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Speaker 1: Here we go. That's the universal sign right there, trapped

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Speaker 1: got him, Here we go. But I love that you

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Speaker 1: little to talk about You're you're a great speaker to it,

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Speaker 1: like you know, you do your say like that hold

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Speaker 1: tip like you know it's drawn in, Like Okay, this

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Speaker 1: guy knows that he's doing here. Brother, way I look

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Speaker 1: at him and like, look, we we we spend so

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Speaker 1: much time. We've spent so much time on the road together. Man,

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Speaker 1: It's like one of the best one of the dopest

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Speaker 1: parts is like after the shows, you know, you're obviously

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Speaker 1: you're you're in you know full Frankie kenyonis mode, right.

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Speaker 1: So I'm helping, whether it's merch or whether it's with pictures,

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Speaker 1: whatever it may be. And bro, I get a kick

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Speaker 1: out of like just getting to know the people that

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Speaker 1: actually come and check out the show. So I just

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Speaker 1: figured like when we're out on the road and we

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Speaker 1: go eat or whatever, we go to a bar, I mean,

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Speaker 1: just keep the keep the flow going, because I mnna

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Speaker 1: have to talk to a thousand people after the show,

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Speaker 1: after the show's over anyways, so I might as well

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Speaker 1: just get the get the wheels turning now, you know,

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Speaker 1: early in the daytime. Yeah, let's get it. Oh my gosh.

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Speaker 1: So so sometimes we'll be in hotel rooms and I

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Speaker 1: remember those one morning, Homie, and it was it was

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Speaker 1: we had rooms where those balconies. Those were like and

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Speaker 1: I'm in the room next door this motherfucker. You're like

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Speaker 1: on the balcony at like eight am, just talking sports

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Speaker 1: like gee king or something like all out like that,

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Speaker 1: Like you were doing a podcast and I'm waking up

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Speaker 1: like these motherfucker's like, and I opened the door, shut

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Speaker 1: the funk up. So anyway, talking about Clay Thompson's about

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Speaker 1: got another good year, you were like a disgruntled landlord.

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Speaker 1: I was like, why is this do something? I don't

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Speaker 1: owe him rent? What's the bro But again speaking to

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Speaker 1: the power of conversation though, and the way that it

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Speaker 1: has a gravitational pool, because it does. Did that lady

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Speaker 1: not come out on her own balcony a couple of

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Speaker 1: minutes later and start giving comments on Clay Thompson as well,

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Speaker 1: and then Frankie, and we all looked at Frankie and

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Speaker 1: you were just disgruntled. You're like, you're fucking getting involved

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Speaker 1: in this ship. You're you're you're going along with the

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Speaker 1: I'm like you like the you don't know what you're

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Speaker 1: getting hit too, girl. I like you in let me

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Speaker 1: go up there with for this conversation and I'll bring coffee.

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Speaker 1: Don't worry about it. I got you. It's the power

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Speaker 1: of conversation, bro that people people funk with that, and

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Speaker 1: that will never that will never fade away. That is

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Speaker 1: part of the human condition. So as much as people

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Speaker 1: will say, like, oh man, I don't like it. Sometimes

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Speaker 1: really talks too much. I mean it is true sometimes

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Speaker 1: I do talk too much, but I mean we all

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Speaker 1: to talk. I talk too much sometimes, you know. I'm

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Speaker 1: not as confident as you though, when it comes to conversations.

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Speaker 1: I'll be like cool, like I got a short memory, Doug,

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Speaker 1: Like if I said something stupid or I bothered you,

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Speaker 1: I forgot about it already and I'm just moving on

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Speaker 1: to the next ridiculous thing. I'm gonna say. Yeah, as

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Speaker 1: long as nobody has like a phone out, to fact

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Speaker 1: check me in the moment. I can go all day.

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Speaker 1: I can just make you're definitely that. Like when we're

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Speaker 1: talking Hirod mentioned that earlier, You're like, well, let's google that. No, no,

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Speaker 1: we don't need that right now. Come on, you got

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Speaker 1: press in a moment. Are you with this or not?

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Speaker 1: Because I got other people to bother, I can bother

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Speaker 1: somebody else if you don't want to tap on the

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Speaker 1: shoulder and I'm gonna be go. My job is very

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Speaker 1: stressful and I can't wait to get home where it

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Speaker 1: gets cozy. I like to make myself, set me eat,

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Speaker 1: pour myself a glass of wine, then walk around the

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Speaker 1: house of my favorite piannies. Tia Donna's piannies are lazy, cute,

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Speaker 1: and so very comfortable. It feels like I'm almost wearing nothing.

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Speaker 1: Package for holy fuck, thanks for the package. Tia Dona's

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Speaker 1: piannies come in a variety of colors that fit all

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Speaker 1: different body tights, from petite flat butt sizes for the

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Speaker 1: slimmer ladies to the wide load panties with extra room

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Speaker 1: for that sexy front. But those are my favorite. That's

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Speaker 1: a lot of cute, So try Tiadonna's piannies. Available everywhere

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Speaker 1: because you deserve the bs m m mmmmmmmmmm. We got

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Speaker 1: that laughter for your soul and now tuned into the

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Speaker 1: Frankie on this show. And for those who don't know, Man, uh,

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Speaker 1: you have been a radio personality for it's it's been

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Speaker 1: eight years now, Man. And I started off in a

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Speaker 1: sports talk shoutout to uh the Game uh KGMZ down

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Speaker 1: in San Francisco. Did a morning show there on the

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Speaker 1: weekends called the Three Amigos, and then after that I

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Speaker 1: actually worked for the Giants and the forty Niners Slagship

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Speaker 1: station which just cambr and I did a morning show there,

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Speaker 1: all sports talk and I loved it. And you know,

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Speaker 1: I don't have a radio radio background, so like I

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Speaker 1: didn't go to school for like communications or anything like that.

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Speaker 1: I just got picked up at a comedy show because

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Speaker 1: I was doing a bit about the forty Niners. And

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Speaker 1: then one of the people that was in the in

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Speaker 1: the in the crowd happened to be the person that

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Speaker 1: was dating the boss at one of these stations, and

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Speaker 1: so she put me in touch with him, and that's

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Speaker 1: how I got into I just stumbled into Radio Dog.

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Speaker 1: So that's how that's how I went down I was

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Speaker 1: doing like I was doing a bit on like Colin

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Speaker 1: Kaepernick or something like that, and this lady heard me

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Speaker 1: and it was like it was that Tommy Tease the

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Speaker 1: comedy club Tommy Teas, like a Tuesday night. Nobody was

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Speaker 1: there and it was just one crowd of women doing

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Speaker 1: a bachelorette party, and so she heard my she heard

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Speaker 1: my bid and I was talking to them, obviously because

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Speaker 1: nobody else was in the building. So she put me

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Speaker 1: in touch with her. Nobody nobody else is in there, bro,

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Speaker 1: but she put me in touch with her, dude, And

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Speaker 1: that's that's how I got into radio. So I feel

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Speaker 1: bad when I see other people, like these youngsters that

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Speaker 1: are like eighty dollars in debt because they went to

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Speaker 1: college and everything. Feel bad. But I'm just saying though.

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Speaker 1: Sometimes they'll tell me. They'll be like, oh, so, how'd

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Speaker 1: you get into radio, And I'll be like, I'm just

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Speaker 1: telling jokes at a club and then boom, I landed

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Speaker 1: here yea, And in the meantime, like you know, they

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Speaker 1: gotta they're working in a different way. But yeah, man,

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Speaker 1: you never know, but you gotta keep your options up man. Yeah,

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Speaker 1: I mean that's you know, I went to school. I

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Speaker 1: did it. That's what my degree is in broadcasting the

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Speaker 1: media communications to be I was like, I want to

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Speaker 1: be in the morning radio DJ. Wow. I was like

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Speaker 1: my my goal in the beginning. And I was like, Hey,

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Speaker 1: what's up y'all in the morning, positive vibes, wake up?

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Speaker 1: Wake up because you got radio energy though. No, And

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Speaker 1: when I was a youngster, I would, you know, with

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Speaker 1: audio cassette tapes, you know, he could double record. I

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Speaker 1: would record tracks and then like basically record my own

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Speaker 1: radio show, like episodes, and I'd be like, what's up

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Speaker 1: have y'all? Dat at that? All right? I want to

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Speaker 1: give this this next one to Rick James, you know,

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Speaker 1: Dada da give it up for this jam. And I

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Speaker 1: would play the songs and I'll have these audio cassettes

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Speaker 1: from being this this jockey. And so I was like,

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Speaker 1: and this was when I was like, you know, tan

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Speaker 1: and leven, twelve years old. My mom dad raised me

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Speaker 1: on good music. You know, that's what it is. And

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Speaker 1: back in those days, like we didn't know, like the

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Speaker 1: the idea of being a stand up comic probably wasn't,

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Speaker 1: you know, the first thing that came to mind. But

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Speaker 1: little did you know at that time that just trying

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Speaker 1: to emulate the radio personalities and like trying to do

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Speaker 1: kind of mimic what they do. That kind of leads

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Speaker 1: you this thing right here, bro, this microphone is a

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Speaker 1: very powerful thing, man. So like there's a lot of

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Speaker 1: different ways that you can take this this microphone. I mean,

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Speaker 1: you could do radio, you could do stand up comedy.

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Speaker 1: People that always say that rappers and and comics are

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Speaker 1: like cousins, you know, because there's a lot of similarities

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Speaker 1: in both of those worlds. So like, you start doing

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Speaker 1: stuff that revolves around this microphone, you know, different opportunities

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Speaker 1: are gonna open up for you. And you have no idea.

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Speaker 1: Look at you now, I mean you have no idea

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Speaker 1: we're gonna have a podcast, and you never did radio,

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Speaker 1: but yet here you are basically kind of living out

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Speaker 1: the dream that you were doing as a kid when

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Speaker 1: you were recording yourself on that cassette. Yeah it's the voices, man,

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Speaker 1: I'm telling you. You know, you have all the radio energy, man,

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Speaker 1: for real. And then it was like my mom and

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Speaker 1: pop has always had stand up on the and in

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Speaker 1: the house, and so it was always like, uh, fascinating

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Speaker 1: to me because sometimes you know, when I was a youngster,

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Speaker 1: they they were struggling, you know, like find like they

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Speaker 1: always took care of us, always had you always had

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Speaker 1: a roof overhead full of the table and stuff like that.

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Speaker 1: But man, I remember, you know, and it's like emotional

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Speaker 1: to talk about, but I was like they always just

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Speaker 1: for about their kids so much. And I remember like

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Speaker 1: walking into the living room and walking on them like

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Speaker 1: crying together, like because they were they didn't know how

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Speaker 1: we're gonna pay the next bill or pay the the

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Speaker 1: you know, for the house, and that we would get

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Speaker 1: our water turned off, the power turned off, because they

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Speaker 1: were always trying to create a better situation for us.

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Speaker 1: And it was like but one thing that they always

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Speaker 1: had on was comedy and music, you know, and so

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Speaker 1: stand up, I could see like dang, like you know,

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Speaker 1: one minute they're they're crying, to the next minute they're like,

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Speaker 1: oh they're laughing at something. Just looking to that humor something.

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Speaker 1: It's it's the medicine to help you get through. And

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Speaker 1: so I was like, damn, I was always fascinated with it.

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Speaker 1: And then I started performing for them in our living

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Speaker 1: room and just like you know, I would get my

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Speaker 1: dad's closed, my mom's I didn't get I was making

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Speaker 1: characters and that's how you know. I was just I

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Speaker 1: found a sprinkler head and my dad's work truck and

379
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Speaker 1: I'll pretend I was a mic and just doing ship.

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Speaker 1: So it was always like in my head I wanted

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Speaker 1: to do something, and then it wasn't. When I was

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Speaker 1: living in San Francisco, you know, and we finished school

383
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Speaker 1: and all that, and I was like, man, I want

384
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Speaker 1: to go to UH. I want to try this ship

385
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Speaker 1: in a way. You know. One of my one of

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Speaker 1: my homeboys, my pretty more Danny, he was like doing

387
00:16:36,480 --> 00:16:38,280
Speaker 1: the audio ship and all that stuff from from what

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00:16:38,360 --> 00:16:40,120
Speaker 1: we learned in school, and he was like, I did

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Speaker 1: this audio recording for this dude at this cafe slash laundry.

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Speaker 1: Matt the Brainwashing, the Soma District shout out r I

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Speaker 1: p Brainwashed, one of the greatest spots in America. It

392
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Speaker 1: was the longest running open mic and Santanist going or

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Speaker 1: something like that. Gets wire dropping in there, Robin Williams.

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Speaker 1: When they closed they when they closed that place down,

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Speaker 1: a lot of us were legitimately sad. It wasn't just

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Speaker 1: like they closed down a club or just the venue.

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Speaker 1: I was like, dude, Brainwatchers were so many Barrier comics,

398
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Speaker 1: a lot of great comics UM got their start. Man,

399
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Speaker 1: So it was the first place ever just said. It

400
00:17:10,400 --> 00:17:12,240
Speaker 1: was like, you know, and I'm grateful that was a

401
00:17:12,320 --> 00:17:14,160
Speaker 1: great place to hold the craft. You got better stage

402
00:17:14,160 --> 00:17:16,480
Speaker 1: time than you would have starting out here in Lost,

403
00:17:16,520 --> 00:17:18,600
Speaker 1: you know, in l A. And uh, I've been back

404
00:17:18,640 --> 00:17:20,280
Speaker 1: in l A for you know, it was ten years

405
00:17:20,320 --> 00:17:23,359
Speaker 1: in August, I right back. But but man, I spent

406
00:17:24,040 --> 00:17:26,960
Speaker 1: you know that whole time Hony my crab building becoming

407
00:17:27,000 --> 00:17:28,679
Speaker 1: the comics that I and before I was like all

408
00:17:28,760 --> 00:17:30,240
Speaker 1: right now I'm ready to go back to l A

409
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Speaker 1: and then you know, do the thing. But but it

410
00:17:32,880 --> 00:17:36,639
Speaker 1: was like that, yeah, that that stage and that vibe

411
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Speaker 1: and just like man, it was just like it was

412
00:17:39,440 --> 00:17:41,760
Speaker 1: so dope. And then that's where I met. I met

413
00:17:41,840 --> 00:17:44,280
Speaker 1: you like shortly after you've been doing it a while

414
00:17:44,320 --> 00:17:47,280
Speaker 1: time having at it. This is year fourteen now, yea, yeah,

415
00:17:47,320 --> 00:17:49,080
Speaker 1: that's the year fourteen, and I spent the last I've

416
00:17:49,080 --> 00:17:52,320
Speaker 1: had the privilege of working with you on the road

417
00:17:52,400 --> 00:17:54,240
Speaker 1: for like almost five years now, I want to say,

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Speaker 1: I want to probably close to five years now fully

419
00:17:57,119 --> 00:18:01,240
Speaker 1: like officially, UM that's that's wild man of time flies, bro. Yeah,

420
00:18:01,400 --> 00:18:03,560
Speaker 1: real talk. And but you know, we all started doing

421
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Speaker 1: comedy just before. We're looking the same we're looking for

422
00:18:05,640 --> 00:18:07,560
Speaker 1: the same thing. We're looking for like an outlet, Like

423
00:18:07,640 --> 00:18:09,800
Speaker 1: how could I turn what it is that I feel

424
00:18:09,840 --> 00:18:12,399
Speaker 1: on the inside that I think is valuable, But I

425
00:18:12,480 --> 00:18:14,520
Speaker 1: don't know how to apply it anywhere else, you know,

426
00:18:14,680 --> 00:18:16,520
Speaker 1: But how can I use this? You know? And then

427
00:18:16,600 --> 00:18:18,760
Speaker 1: you come across the open mic one day, you give

428
00:18:18,800 --> 00:18:20,920
Speaker 1: it a try, and the thing that I love about

429
00:18:20,920 --> 00:18:22,840
Speaker 1: stand up comedy, brother, Like what I saw from the

430
00:18:22,880 --> 00:18:25,080
Speaker 1: get go was that it's it's sink or swim, Like

431
00:18:25,200 --> 00:18:27,600
Speaker 1: that's really the feeling. You know. If it doesn't work,

432
00:18:28,080 --> 00:18:29,680
Speaker 1: you have to make a decision in that moment, like

433
00:18:29,720 --> 00:18:31,560
Speaker 1: am I going to continue to make myself vulnerable and

434
00:18:31,640 --> 00:18:33,720
Speaker 1: embarrass myself in front of these people? Like like should

435
00:18:33,720 --> 00:18:35,720
Speaker 1: I keep doing that? Is that good for me? You know?

436
00:18:36,240 --> 00:18:39,359
Speaker 1: But if you're lucky enough, you'll find out that you

437
00:18:39,440 --> 00:18:42,080
Speaker 1: are a glutton for punishment, and then you'll keep on

438
00:18:42,200 --> 00:18:44,200
Speaker 1: coming back to the ship over and over again. If

439
00:18:44,240 --> 00:18:46,520
Speaker 1: you're lucky enough to be a glutton for punishment, you

440
00:18:46,600 --> 00:18:48,680
Speaker 1: can make a career out of this. You can do

441
00:18:48,800 --> 00:18:50,679
Speaker 1: something with it. You can do something like real comedy

442
00:18:50,760 --> 00:18:52,440
Speaker 1: with your life. That's part of it. Man. You have

443
00:18:52,640 --> 00:18:55,560
Speaker 1: to go through it. We've all seen, We've seen legends.

444
00:18:55,840 --> 00:18:59,200
Speaker 1: Just eat it, absolutely know, and it's just part of it,

445
00:18:59,280 --> 00:19:03,160
Speaker 1: even after you're already doing your thing, like the stars

446
00:19:03,200 --> 00:19:05,159
Speaker 1: don't always a line, no matter how much do you are,

447
00:19:05,200 --> 00:19:07,520
Speaker 1: And it's like, but that's the that's part of the

448
00:19:08,000 --> 00:19:10,120
Speaker 1: excitement and the adrenaline of it, like, oh, lets see

449
00:19:10,160 --> 00:19:12,280
Speaker 1: how it goes? Like you know, when you're in a slump,

450
00:19:12,440 --> 00:19:15,200
Speaker 1: just like you know, sometimes I'm up there and either

451
00:19:15,480 --> 00:19:16,960
Speaker 1: because I'm sick of my jokes or I'm just not

452
00:19:17,040 --> 00:19:18,960
Speaker 1: feeling it, or my mind's elsewhere and I just can't

453
00:19:19,000 --> 00:19:22,040
Speaker 1: get locked in. But then you always break out of

454
00:19:22,119 --> 00:19:24,240
Speaker 1: that slump. And usually when I break out of it,

455
00:19:24,359 --> 00:19:27,160
Speaker 1: like when I'm filling mediocre on stage for like three

456
00:19:27,200 --> 00:19:29,399
Speaker 1: or four sets in a row, five sets. Man, it

457
00:19:29,440 --> 00:19:31,480
Speaker 1: depends what's going on in your personal life, all kinds

458
00:19:31,480 --> 00:19:34,000
Speaker 1: of factors in right. But then when you break out

459
00:19:34,040 --> 00:19:35,680
Speaker 1: of it, Usually when I come out of those somethings,

460
00:19:36,440 --> 00:19:38,840
Speaker 1: I come out and take it to another level even more.

461
00:19:38,920 --> 00:19:41,440
Speaker 1: You just feel, you know, tapped into some whole other

462
00:19:41,480 --> 00:19:44,560
Speaker 1: ship and you're like taking people on a whole another journey,

463
00:19:44,600 --> 00:19:46,280
Speaker 1: and it was like, bamn, here we are. So it's

464
00:19:46,320 --> 00:19:49,439
Speaker 1: like it's it's it's such a beautiful art and dope thing. Man.

465
00:19:49,520 --> 00:19:52,040
Speaker 1: It's because it's just you and the mic, and especially

466
00:19:52,040 --> 00:19:54,000
Speaker 1: when you're going to crowds that paid to be there,

467
00:19:54,280 --> 00:19:57,080
Speaker 1: like when you're starting out, you're in these rooms people

468
00:19:57,320 --> 00:19:59,359
Speaker 1: some people don't even know it's comedy night at some bar,

469
00:19:59,440 --> 00:20:04,399
Speaker 1: and they're many like nineties pop trivia, yes, and so

470
00:20:04,600 --> 00:20:07,200
Speaker 1: you're already looking at you like guys performing for free

471
00:20:07,280 --> 00:20:10,040
Speaker 1: right right, Yeah, I wanted to be trivia night. They

472
00:20:10,040 --> 00:20:13,000
Speaker 1: want to do some karaoke shout out all the karaoke

473
00:20:13,080 --> 00:20:18,600
Speaker 1: clubs out there too, because that's my number, is carry

474
00:20:19,040 --> 00:20:22,840
Speaker 1: this fool will go on karaoke night tours in the area,

475
00:20:23,480 --> 00:20:29,560
Speaker 1: like by himself, right, Like okay, sing a little ys here,

476
00:20:29,640 --> 00:20:31,560
Speaker 1: a little snoop dog, Like when when we go on

477
00:20:31,600 --> 00:20:33,720
Speaker 1: the road with you, bro, Like you make flyers for

478
00:20:33,760 --> 00:20:36,040
Speaker 1: the comedy shows, I make flyers for all the karaoke clubs.

479
00:20:36,040 --> 00:20:41,240
Speaker 1: I'm gonna hit up hey this this Saturday. I'm gonna

480
00:20:41,240 --> 00:20:43,040
Speaker 1: be in Miami with Reggie Keone is What'll be doing

481
00:20:43,080 --> 00:20:44,960
Speaker 1: the comedy ship, but I'll also be at Ray Raised

482
00:20:45,000 --> 00:20:49,480
Speaker 1: Lounge or I'm gonna be singing Snoop Doggy Dog nothing

483
00:20:49,520 --> 00:20:53,639
Speaker 1: but a g thing four times come through. That's my

484
00:20:53,680 --> 00:20:58,800
Speaker 1: ship right there, bro oh man. So, and then for

485
00:20:58,920 --> 00:21:02,840
Speaker 1: your birthday every year you're a three, and I know

486
00:21:03,000 --> 00:21:04,720
Speaker 1: this year you went, Man, you had got your car

487
00:21:04,800 --> 00:21:07,639
Speaker 1: broken into You're supposed to go to vacation because you

488
00:21:07,760 --> 00:21:10,280
Speaker 1: like to travel, and then and then all of a

489
00:21:10,320 --> 00:21:11,879
Speaker 1: sudden and so but you still you're like, you know what,

490
00:21:11,960 --> 00:21:14,520
Speaker 1: I'm gonna get this TRADEO. It's my birthday, and you

491
00:21:14,600 --> 00:21:16,440
Speaker 1: and you had it like a Homies auto body I

492
00:21:16,520 --> 00:21:18,680
Speaker 1: had in my Buddies auto body shop and we just

493
00:21:18,800 --> 00:21:20,840
Speaker 1: kind of had just kind of like a get together.

494
00:21:20,840 --> 00:21:23,080
Speaker 1: Well he was actually fixing my car while I had

495
00:21:23,160 --> 00:21:25,600
Speaker 1: the Trio there, so it's actually it was like it

496
00:21:25,680 --> 00:21:27,960
Speaker 1: was a to stop deal, you know what I'm saying,

497
00:21:27,960 --> 00:21:29,600
Speaker 1: Like we're gonna get my car fixed and he's gonna

498
00:21:29,600 --> 00:21:31,720
Speaker 1: provide the space to have a trio. And Bro, like

499
00:21:31,760 --> 00:21:34,280
Speaker 1: a trio is you know for for like old school Mexicans.

500
00:21:34,400 --> 00:21:37,800
Speaker 1: That's just like that's the official you know, We're gonna

501
00:21:37,840 --> 00:21:40,240
Speaker 1: have a little celebration and it's not gonna be anything

502
00:21:40,280 --> 00:21:42,359
Speaker 1: over the top, but this is like an official celebration.

503
00:21:42,400 --> 00:21:44,399
Speaker 1: You bring a trio in, you let them play for

504
00:21:44,480 --> 00:21:46,639
Speaker 1: two hours, and you just have something lot and just

505
00:21:47,040 --> 00:21:49,399
Speaker 1: they're like your jukebox. You just say whatever song you

506
00:21:49,480 --> 00:21:51,280
Speaker 1: want and the and the good one you play it.

507
00:21:51,520 --> 00:21:54,119
Speaker 1: But but with that being said, you do kind of,

508
00:21:54,240 --> 00:21:55,800
Speaker 1: like I don't want to say trick them. That's a

509
00:21:55,840 --> 00:21:57,960
Speaker 1: strong word, but you kind of let them do their

510
00:21:58,000 --> 00:22:00,800
Speaker 1: little performance knowing that you're gonna take the mic and

511
00:22:01,560 --> 00:22:06,480
Speaker 1: absolutely that's that's not even a honestly, this last trick.

512
00:22:06,720 --> 00:22:08,359
Speaker 1: Do you let their see her get it in They're like, okay,

513
00:22:09,000 --> 00:22:11,159
Speaker 1: it's a little extra fatia. And then you know this

514
00:22:11,359 --> 00:22:13,159
Speaker 1: last time I told him, I said, look, I got

515
00:22:13,200 --> 00:22:15,320
Speaker 1: you guys for three hours, and I appreciate every minute

516
00:22:15,320 --> 00:22:16,960
Speaker 1: of it, but just know that at the one and

517
00:22:17,000 --> 00:22:20,080
Speaker 1: a half hour mark, I'm taking over. Okay, So you

518
00:22:20,240 --> 00:22:23,000
Speaker 1: just I'm gonna just needed three give us a little something.

519
00:22:23,359 --> 00:22:30,639
Speaker 1: Let me see that, all right, PELI see that, and

520
00:22:30,800 --> 00:22:33,760
Speaker 1: then come me. You know that's the right come on

521
00:22:33,920 --> 00:22:38,240
Speaker 1: right right, And I'm not even I'm not even trying. Dog,

522
00:22:38,600 --> 00:22:41,080
Speaker 1: I woke up like this you know that bad with

523
00:22:41,240 --> 00:22:45,119
Speaker 1: the harmonies, Dog bro, I don't know. I mean, I

524
00:22:45,200 --> 00:22:49,240
Speaker 1: just I'm looking dog like Mexicans. I think who said

525
00:22:49,280 --> 00:22:52,560
Speaker 1: it best? I'm paraphrasing, but I gam to. I saw

526
00:22:52,600 --> 00:22:55,200
Speaker 1: a clip of him receiving an award on Instagram and

527
00:22:55,280 --> 00:22:56,800
Speaker 1: they were like, you know, you have a great way

528
00:22:56,880 --> 00:23:00,400
Speaker 1: for you have a great feel for the darkness of life,

529
00:23:00,760 --> 00:23:02,760
Speaker 1: but also you have a way of making a jovial

530
00:23:02,960 --> 00:23:05,320
Speaker 1: and hilarious They were like, and they asked him, why

531
00:23:05,440 --> 00:23:07,639
Speaker 1: is that? Because you noticed his movies really do have

532
00:23:07,880 --> 00:23:11,040
Speaker 1: like that that uh, those two elements that dynamic. It's dark,

533
00:23:11,080 --> 00:23:14,119
Speaker 1: but it's also there's also some positivity to it. And

534
00:23:14,160 --> 00:23:15,680
Speaker 1: they asked him, They're like, why is that? And he

535
00:23:15,720 --> 00:23:17,240
Speaker 1: had a great he had a great answer, dog and

536
00:23:17,280 --> 00:23:19,280
Speaker 1: he was like, because he goes I'm Mexican man, he

537
00:23:19,359 --> 00:23:22,359
Speaker 1: goes on Mexican like in the Mexican culture, like not

538
00:23:22,520 --> 00:23:24,880
Speaker 1: only we look at death like you know, that's something

539
00:23:24,960 --> 00:23:26,879
Speaker 1: to be celebrated because you know, we're all headed there,

540
00:23:26,880 --> 00:23:29,000
Speaker 1: you know what I'm saying. So it's like I wanna

541
00:23:29,200 --> 00:23:30,960
Speaker 1: I want to enjoy life to the fullest, you know

542
00:23:30,960 --> 00:23:32,399
Speaker 1: what I'm saying. Like every single time I get a

543
00:23:32,480 --> 00:23:34,280
Speaker 1: chance my birthday comes along. I'm like, this is just

544
00:23:34,359 --> 00:23:35,960
Speaker 1: a reminder man that you know, we're not here for

545
00:23:36,000 --> 00:23:38,080
Speaker 1: a long time. Dog, We're not We're not here for

546
00:23:38,160 --> 00:23:39,639
Speaker 1: a long time. So we should be here for a

547
00:23:39,720 --> 00:23:41,840
Speaker 1: good time as long as we have time. That's the

548
00:23:41,920 --> 00:23:44,359
Speaker 1: main thing right there. You know, Yeah, you're right like always,

549
00:23:44,480 --> 00:23:46,399
Speaker 1: I mean, death is always dead. It could be very

550
00:23:46,440 --> 00:23:51,320
Speaker 1: sad and very like, but you know, i mean celebration,

551
00:23:51,680 --> 00:23:54,160
Speaker 1: that's a positive thing. Like Folds are celebrating and it's

552
00:23:54,200 --> 00:23:56,480
Speaker 1: like we bring you know, gifts and the photos and

553
00:23:56,560 --> 00:23:59,160
Speaker 1: the you know, I remember putting out like a Nintendo

554
00:23:59,560 --> 00:24:03,119
Speaker 1: cartridge and oranges or whatever for the you know, for

555
00:24:03,200 --> 00:24:05,879
Speaker 1: that and who celebrates dead like death is something that

556
00:24:05,880 --> 00:24:07,359
Speaker 1: you would be like the other was more those day

557
00:24:07,400 --> 00:24:09,959
Speaker 1: of the Dead. It just sounds so bleak, like who

558
00:24:10,040 --> 00:24:11,119
Speaker 1: the funk would it go out of their way to

559
00:24:11,200 --> 00:24:19,720
Speaker 1: celebrate that. Mexicans, we're gonna celebrate that ship, right, We're

560
00:24:19,720 --> 00:24:22,159
Speaker 1: gonna make a We're gonna make a show out of this,

561
00:24:22,320 --> 00:24:23,960
Speaker 1: you know, because that's really what life is man in

562
00:24:24,000 --> 00:24:26,080
Speaker 1: a lot of ways. Just it's just one big show.

563
00:24:26,160 --> 00:24:28,239
Speaker 1: Doc It's just one big show. And then as soon

564
00:24:28,320 --> 00:24:30,560
Speaker 1: as the as soon as the curtain comes down, it's

565
00:24:30,560 --> 00:24:35,800
Speaker 1: a wrap. That's a pitch in the dirt for ball

566
00:24:35,880 --> 00:24:38,800
Speaker 1: four and that's another one for Himenez. Looks like Keller

567
00:24:38,880 --> 00:24:40,399
Speaker 1: seen enough of the night jeen year old rook and

568
00:24:40,440 --> 00:24:42,680
Speaker 1: the bullpen continues to be a not so bright spot

569
00:24:42,760 --> 00:24:46,120
Speaker 1: for this ball club. As we make another pitching change,

570
00:24:46,160 --> 00:24:48,720
Speaker 1: it's a perfect time to introduce our special guests from

571
00:24:48,720 --> 00:24:53,400
Speaker 1: the American Council for Partisian Culture. It's out for douchy Bru.

572
00:24:53,680 --> 00:24:56,479
Speaker 1: How you doing that for Doucy good bro so Bru. Now,

573
00:24:56,560 --> 00:24:59,520
Speaker 1: today's Partisian Heritage Day at the park and I must say,

574
00:24:59,600 --> 00:25:02,679
Speaker 1: you have a lively, lively group here. It's nice, Bro.

575
00:25:03,000 --> 00:25:07,600
Speaker 1: My people come together. Four party. No bullsh other stadiums. Bro.

576
00:25:07,920 --> 00:25:10,560
Speaker 1: They think their party, Bro, they think their party. They

577
00:25:10,640 --> 00:25:14,080
Speaker 1: no party, Bro, They no party. They're like, oh, give

578
00:25:14,119 --> 00:25:17,959
Speaker 1: me fifteen dollar piece beer, bro and soggycho Bro. Okay,

579
00:25:18,480 --> 00:25:21,000
Speaker 1: let me put sogno in helmet Bro. Make it worth

580
00:25:21,080 --> 00:25:25,199
Speaker 1: twenty three dollars bro. Bullshit Bro. Yes, the stadium has

581
00:25:25,240 --> 00:25:28,200
Speaker 1: definitely made some upgrades over the years to make sure

582
00:25:28,240 --> 00:25:31,040
Speaker 1: the fan experience as second to none. They used to

583
00:25:31,200 --> 00:25:34,240
Speaker 1: only have garlic fry ket Or carding, big bag for lock, Polish,

584
00:25:34,320 --> 00:25:38,040
Speaker 1: hot Dog Larish bro Okay, sore So cutting candy peanuts,

585
00:25:38,280 --> 00:25:41,480
Speaker 1: but now they have spicy crispy to No Bro bro Okay,

586
00:25:41,680 --> 00:25:49,080
Speaker 1: Russian Perowski, bro Okay bro Chinese soup dumb bro lamb Chicken.

587
00:25:49,400 --> 00:25:51,600
Speaker 1: Looks like Keller is going with a sixteen year veteran

588
00:25:51,680 --> 00:25:55,080
Speaker 1: Jack Percy. His five point three e r A isn't

589
00:25:55,080 --> 00:25:57,119
Speaker 1: anything to write home about. But the thirty eight year

590
00:25:57,160 --> 00:25:59,600
Speaker 1: old Righty has been known to deliver. But my favorite

591
00:25:59,640 --> 00:26:03,440
Speaker 1: thing here, Bro, it's traditional partition dessert bro Okay. That's

592
00:26:03,480 --> 00:26:07,480
Speaker 1: molly cream circle bro orange shut but and creamy popsicle

593
00:26:07,720 --> 00:26:10,280
Speaker 1: with one fifty mins of M D M A. Bro,

594
00:26:10,720 --> 00:26:15,000
Speaker 1: I'm tripping bulls Bros. Wild pitching the dirt gold mass

595
00:26:15,040 --> 00:26:17,159
Speaker 1: does a great job to recover and hold Takahashi a

596
00:26:17,280 --> 00:26:19,200
Speaker 1: third That seems like a lot of M D M

597
00:26:19,280 --> 00:26:21,399
Speaker 1: A per creamsicle. Why don't you say I for Ducy.

598
00:26:21,880 --> 00:26:25,040
Speaker 1: That's kiddy stop Bro I ate three during first dating, Bro,

599
00:26:25,320 --> 00:26:28,240
Speaker 1: No Bushy, I can see your section is really getting

600
00:26:28,240 --> 00:26:30,760
Speaker 1: into the ball game over there. Looks like they're giving

601
00:26:30,800 --> 00:26:35,560
Speaker 1: each other backrupts. Yes, Bro, they give each other Backrob

602
00:26:35,680 --> 00:26:38,680
Speaker 1: Bro massage Bro for good time for makeout and dance

603
00:26:38,760 --> 00:26:42,600
Speaker 1: Bro dancing dancing party. Bro Here He'll take to the

604
00:26:42,720 --> 00:26:46,240
Speaker 1: next level. Bro. He here, bro here, Bro, I brought

605
00:26:46,280 --> 00:26:49,479
Speaker 1: one for you to try Bro partition traditional des Bro

606
00:26:49,720 --> 00:26:55,360
Speaker 1: M d M A creamsicle. Bro here try for you. Bro. Okay, sure,

607
00:26:55,400 --> 00:27:00,680
Speaker 1: I'll try one. Let's see here. Wow can barely tell

608
00:27:00,760 --> 00:27:03,480
Speaker 1: the M d M A. This is a really great creamsicle.

609
00:27:03,600 --> 00:27:08,240
Speaker 1: Huh delicious duchess for starters, Bro Okay, my people Rosso

610
00:27:08,400 --> 00:27:11,160
Speaker 1: Uncle Kaine mescal and d MT sugarcube Bro. And that's

611
00:27:11,240 --> 00:27:14,560
Speaker 1: very popped out. Pro Plexio for clinical depression Bro PCP

612
00:27:14,720 --> 00:27:18,040
Speaker 1: extasy Harry Potter, Bro my granted juice. Bro. I called

613
00:27:18,119 --> 00:27:21,160
Speaker 1: my mother every day Bro to tell her I love you. Bro.

614
00:27:22,320 --> 00:27:24,439
Speaker 1: We gotta full count here, runners will be going if

615
00:27:24,480 --> 00:27:29,200
Speaker 1: for mirrors connects Percy winds up and the pitch swing

616
00:27:29,440 --> 00:27:33,159
Speaker 1: and strike three. The old guy still has it. That

617
00:27:33,200 --> 00:27:36,000
Speaker 1: should pump up the pitching staff. That brings us to

618
00:27:36,119 --> 00:27:40,159
Speaker 1: the seventh inning stretch. Ladies and gentlemen Afroducci as our

619
00:27:40,240 --> 00:27:42,080
Speaker 1: special guests, we would like you to lead us in

620
00:27:42,160 --> 00:27:52,240
Speaker 1: the age old tradition. This be my pleasure. Bro dig

621
00:27:52,600 --> 00:27:57,080
Speaker 1: me up to the ball game, Bro, dig me for

622
00:27:57,560 --> 00:28:02,840
Speaker 1: the crowd. No, Bush, I need some Molly creams cord. Bro.

623
00:28:03,960 --> 00:28:08,200
Speaker 1: I don't care if I never go home, Brong, Let's

624
00:28:08,400 --> 00:28:13,159
Speaker 1: get fucked up for party. If they don't win, I

625
00:28:13,359 --> 00:28:18,320
Speaker 1: don't care, Bro, for it's one, two, three heats of

626
00:28:18,520 --> 00:28:28,359
Speaker 1: molly at all game for party, Bushy. Wow, all of

627
00:28:28,400 --> 00:28:31,479
Speaker 1: a sudden, I feel like dancing dance Bro for party.

628
00:28:33,560 --> 00:28:37,080
Speaker 1: Oh gosh, I'm feeling a lot of horny here. Okay, Bro,

629
00:28:37,200 --> 00:28:40,640
Speaker 1: don't get crazy. Bro. You're on air. Bro, Okay, chill, Bro,

630
00:28:42,560 --> 00:28:47,240
Speaker 1: All right, well rolling by. All's out here. Okay, Bro, relax,

631
00:28:47,280 --> 00:28:50,680
Speaker 1: it's take it's a commercial break. Let's take commercial. Bro.

632
00:28:50,800 --> 00:28:55,440
Speaker 1: You're peeking. Bro, you're pecky. I love your afronuc I

633
00:28:55,560 --> 00:29:04,800
Speaker 1: love you too, Bro, No bullshit, we got that laughterfore

634
00:29:04,840 --> 00:29:09,320
Speaker 1: your soul and now Toto on this show. But the

635
00:29:09,400 --> 00:29:11,120
Speaker 1: thing that throws that throws people off about me in

636
00:29:11,200 --> 00:29:12,479
Speaker 1: terms of sports, storm and this is the one thing

637
00:29:12,560 --> 00:29:14,840
Speaker 1: that back at home, this is what really gave me

638
00:29:14,920 --> 00:29:17,960
Speaker 1: thick skin, like fun comedy. What gave me thick skin

639
00:29:18,120 --> 00:29:20,720
Speaker 1: was being a Dodger fan in the Bay Area. And

640
00:29:20,760 --> 00:29:24,400
Speaker 1: I'm a die hard, die hard. What's the story with

641
00:29:24,440 --> 00:29:26,360
Speaker 1: that because your dad was a Dodger fan or something.

642
00:29:26,960 --> 00:29:28,880
Speaker 1: So you know, if you know, if you know a

643
00:29:28,880 --> 00:29:31,240
Speaker 1: little bit about like baseball history. Back in the eighties,

644
00:29:31,400 --> 00:29:34,600
Speaker 1: there was a young man from Sonora, Mexico that was

645
00:29:34,680 --> 00:29:36,760
Speaker 1: brought in to play for the Dodgers, A big, chunky

646
00:29:36,840 --> 00:29:40,000
Speaker 1: dude with a beautiful bob haircut at the time, you

647
00:29:40,040 --> 00:29:41,560
Speaker 1: know what I'm saying. His little he didn't have his

648
00:29:41,640 --> 00:29:44,560
Speaker 1: glasses yet because his eyes weren't bad just yet. But

649
00:29:44,680 --> 00:29:47,080
Speaker 1: he was left handed. He threw a screwball. He was chunky.

650
00:29:47,760 --> 00:29:49,760
Speaker 1: Who could that. He had a muffin top. You know.

651
00:29:49,760 --> 00:29:52,000
Speaker 1: It was beautiful, man, it was gorgeous. He had little

652
00:29:52,040 --> 00:29:54,560
Speaker 1: skinny legs with the fat body, classic Mexican body, you know.

653
00:29:55,120 --> 00:29:57,440
Speaker 1: And for now, the Valezuela took the nation by storm,

654
00:29:57,520 --> 00:30:00,760
Speaker 1: and every Mexican in California at least became a Dodger.

655
00:30:01,120 --> 00:30:04,320
Speaker 1: Mexican A worldwide became even if you hated the Dodgers,

656
00:30:04,400 --> 00:30:08,560
Speaker 1: if you were Mexican like like that. Yeah, man, And

657
00:30:08,640 --> 00:30:10,680
Speaker 1: he had that belly like he looks like he just

658
00:30:10,760 --> 00:30:12,440
Speaker 1: got done in a twelve pack of tackles, you know,

659
00:30:12,560 --> 00:30:14,520
Speaker 1: and it was just out there dominating. It was so

660
00:30:14,720 --> 00:30:19,360
Speaker 1: exca like a potluck softball Sunday body, but dominating. And

661
00:30:19,400 --> 00:30:20,960
Speaker 1: you know, back in the eighties they were those tight

662
00:30:21,000 --> 00:30:23,520
Speaker 1: as pants. So the legs are super skinny, but the

663
00:30:24,000 --> 00:30:30,040
Speaker 1: but the upper half was plump. It was he was

664
00:30:30,120 --> 00:30:31,840
Speaker 1: the dude where like by the third inning his shirt

665
00:30:31,920 --> 00:30:33,640
Speaker 1: was just gonna become untucked and you just had to

666
00:30:33,720 --> 00:30:35,840
Speaker 1: deal with that. You know, there was no way around that.

667
00:30:36,120 --> 00:30:38,040
Speaker 1: You couldn't strapped that belt up tight enough. So I

668
00:30:38,120 --> 00:30:39,960
Speaker 1: fell in love with with the notion, with the idea

669
00:30:40,000 --> 00:30:42,480
Speaker 1: for Anoderls, just like my pops did. Man, and ever

670
00:30:42,560 --> 00:30:45,080
Speaker 1: since themn bro like luckily like for me, like as

671
00:30:45,120 --> 00:30:47,560
Speaker 1: a sports fan, once I latch onto a team, that's

672
00:30:47,600 --> 00:30:49,600
Speaker 1: my team, that's my and I always say, like if

673
00:30:49,600 --> 00:30:52,000
Speaker 1: I had a kid, you know, and he wanted to

674
00:30:52,040 --> 00:30:55,240
Speaker 1: be a Giants fan, I'd be like, no, cheer for

675
00:30:55,320 --> 00:30:57,400
Speaker 1: whoever you want, but just the important thing is to

676
00:30:57,520 --> 00:31:00,560
Speaker 1: stick to that team. Wherever you cheer for, line, but

677
00:31:00,680 --> 00:31:02,880
Speaker 1: just stick to that team. So that's how I'm riding

678
00:31:02,920 --> 00:31:05,560
Speaker 1: with the Dodgers to the very end. Man, Yeah, all day,

679
00:31:06,240 --> 00:31:08,400
Speaker 1: not like the brand new Warriors fans that came all

680
00:31:08,400 --> 00:31:12,280
Speaker 1: of a sudden when I started waiting. I mean that happens,

681
00:31:12,320 --> 00:31:14,040
Speaker 1: you know. You know what I do like the you

682
00:31:14,080 --> 00:31:16,680
Speaker 1: know what, I always like basketball. I'm really into it.

683
00:31:17,040 --> 00:31:21,880
Speaker 1: Yes it happens sometimes, but uh yeah, anyways, this is

684
00:31:21,920 --> 00:31:25,040
Speaker 1: not a sports pod, right, yeah, you see, sometimes I

685
00:31:25,120 --> 00:31:27,240
Speaker 1: don't do it. You made me do I know. I

686
00:31:27,360 --> 00:31:29,120
Speaker 1: wanted you to get that in. You know what I'm saying,

687
00:31:29,120 --> 00:31:31,280
Speaker 1: because I know you're a big sports guys, right, just

688
00:31:31,400 --> 00:31:33,360
Speaker 1: get that in. But we got we got more important

689
00:31:33,360 --> 00:31:36,000
Speaker 1: things to talk about today. What's that. Well, there's something,

690
00:31:36,080 --> 00:31:40,960
Speaker 1: there's something that's been pressing. Well, the thing is, it's like,

691
00:31:42,120 --> 00:31:43,880
Speaker 1: you know, being on the road. I mean, we've been

692
00:31:43,880 --> 00:31:47,720
Speaker 1: touring together five years, as we mentioned, um, and sometimes man,

693
00:31:47,880 --> 00:31:50,000
Speaker 1: it's dope because we get to try all kinds of

694
00:31:50,080 --> 00:31:53,880
Speaker 1: different foods and stuff like that. Um. But the one thing,

695
00:31:54,040 --> 00:31:56,840
Speaker 1: the one thing that always kind of comes through is

696
00:31:57,080 --> 00:31:59,560
Speaker 1: a sandwich. You know, because when you're on the road,

697
00:32:00,000 --> 00:32:02,960
Speaker 1: you get a sandwich on me. It's good later for

698
00:32:03,040 --> 00:32:05,560
Speaker 1: the most part. Sometimes you know, like it's not like

699
00:32:06,080 --> 00:32:07,800
Speaker 1: you know, and it's easy to pack up, easy to

700
00:32:07,880 --> 00:32:10,240
Speaker 1: travel with. You know, boom boom. You get a sandwich

701
00:32:10,240 --> 00:32:11,560
Speaker 1: at the airport, I could take it on the plane.

702
00:32:11,600 --> 00:32:13,600
Speaker 1: With me, it's not a big deal. It's made for practicality,

703
00:32:13,720 --> 00:32:17,240
Speaker 1: like bringing a big bowl of you know, fried chicken

704
00:32:17,280 --> 00:32:19,280
Speaker 1: on the plane or that person. You know, it's like boom,

705
00:32:19,320 --> 00:32:21,760
Speaker 1: there's no compact situation if I see you with fried

706
00:32:21,840 --> 00:32:23,560
Speaker 1: chicken on the plane and I'm kicking you off myself

707
00:32:24,240 --> 00:32:27,200
Speaker 1: our share at least you can't say no the fried chicken.

708
00:32:27,320 --> 00:32:29,239
Speaker 1: But but yeah, offer if you're gonna bust it out

709
00:32:29,280 --> 00:32:32,080
Speaker 1: like that on the plane, but not uh but yeah,

710
00:32:32,120 --> 00:32:34,560
Speaker 1: no traveling you know, a sandwich so when many comes

711
00:32:34,600 --> 00:32:36,280
Speaker 1: clutch all the time, you could eat half of it.

712
00:32:36,360 --> 00:32:38,320
Speaker 1: You could put it in your backpack. Boom, we move.

713
00:32:39,160 --> 00:32:41,440
Speaker 1: And but what we one thing we were talking about was,

714
00:32:42,880 --> 00:32:44,600
Speaker 1: you know, because people would be like, well, you know,

715
00:32:44,640 --> 00:32:48,800
Speaker 1: a Mexican sandwich is you know, like yeah, good. But

716
00:32:49,440 --> 00:32:51,240
Speaker 1: to me and I think it's something that we agree on,

717
00:32:52,720 --> 00:32:55,400
Speaker 1: is you know, people say, oh, it's a Mexican sandwich.

718
00:32:55,400 --> 00:32:57,720
Speaker 1: That's a that's the way to describe to a person

719
00:32:57,800 --> 00:33:02,360
Speaker 1: doesn't know. Also is for for another reference, another reference

720
00:33:02,600 --> 00:33:06,840
Speaker 1: the different type of a different type of And there's

721
00:33:06,840 --> 00:33:11,160
Speaker 1: a difference too between that between that's exactly and all

722
00:33:11,200 --> 00:33:14,200
Speaker 1: the ways. But and then but then there's a difference

723
00:33:14,240 --> 00:33:18,560
Speaker 1: between and a sandwich, right right, And it's important to

724
00:33:18,600 --> 00:33:21,040
Speaker 1: point these things out, you know, people need to understand this.

725
00:33:21,200 --> 00:33:23,720
Speaker 1: It's about here's the thing, bro like, the reason I'm

726
00:33:23,760 --> 00:33:26,200
Speaker 1: so adamant about this idea that that's different than the sandwich.

727
00:33:26,200 --> 00:33:28,320
Speaker 1: First of all, shout out to all sandwiches. I love sandwiches.

728
00:33:28,600 --> 00:33:31,239
Speaker 1: I was raised on sandwiches, still make sandwiches to this day.

729
00:33:31,280 --> 00:33:32,640
Speaker 1: Some of my best friends are sandwiches. You know what

730
00:33:32,680 --> 00:33:34,520
Speaker 1: I'm saying. But what I'm trying, what I try to

731
00:33:34,560 --> 00:33:39,240
Speaker 1: tell people is that what I try to tell people, though,

732
00:33:39,320 --> 00:33:42,960
Speaker 1: is that you have to consider what a sandwich is. Okay,

733
00:33:43,040 --> 00:33:45,440
Speaker 1: And I always bring this back to the age old

734
00:33:45,480 --> 00:33:48,640
Speaker 1: debate about whether a hot dog is a sandwich or not. Okay,

735
00:33:48,720 --> 00:33:51,360
Speaker 1: let's let's start there. Yeah, this this has been a

736
00:33:51,440 --> 00:33:54,280
Speaker 1: debate that's been It's come up a lot actually to

737
00:33:54,440 --> 00:33:58,280
Speaker 1: this day of Americans believe that a hot dog is

738
00:33:58,320 --> 00:34:01,280
Speaker 1: a sandwich. Well wait, can we go fact chicken gon't

739
00:34:01,320 --> 00:34:11,160
Speaker 1: work for a Yes, that's more than half. Now, Now

740
00:34:11,239 --> 00:34:13,359
Speaker 1: here's the thing. You feel that way. I feel that way.

741
00:34:13,400 --> 00:34:16,120
Speaker 1: We both you know, reasonable men, you know, like we

742
00:34:16,239 --> 00:34:18,200
Speaker 1: know what we're what we mean when we say that

743
00:34:18,280 --> 00:34:19,800
Speaker 1: a hot dog is not a sandwich, and I agree

744
00:34:19,840 --> 00:34:22,399
Speaker 1: with you. But here's the thing though, if you don't

745
00:34:22,560 --> 00:34:25,920
Speaker 1: create that parameter that a hot dog is not a sandwich,

746
00:34:26,320 --> 00:34:28,560
Speaker 1: then you start going into the world of oh, well,

747
00:34:28,680 --> 00:34:30,520
Speaker 1: is a thorth a sandwich? And the reason it's not

748
00:34:30,600 --> 00:34:34,359
Speaker 1: a sandwich is just it's simple number one. It's more

749
00:34:34,440 --> 00:34:36,760
Speaker 1: fulfilling than a sandwich. A sandwich is a snack food.

750
00:34:37,160 --> 00:34:39,879
Speaker 1: A sandwich is Nobody eats a thor after having sex

751
00:34:40,160 --> 00:34:41,799
Speaker 1: and then go back to have sex. That's a meal.

752
00:34:41,880 --> 00:34:43,960
Speaker 1: You just had a whole meal. You have gardness sal

753
00:34:44,040 --> 00:34:45,480
Speaker 1: that you had by story, had a bunch of food

754
00:34:45,520 --> 00:34:48,239
Speaker 1: in there. That's a whole meal. Inside a sandwich, you

755
00:34:48,280 --> 00:34:50,520
Speaker 1: can knock get ham, chicken, a half a peanut, butter

756
00:34:50,560 --> 00:34:53,279
Speaker 1: and jelly, go back to ram jam exactly exactly bro.

757
00:34:53,400 --> 00:34:55,600
Speaker 1: So it's a snack more than more than it is

758
00:34:55,600 --> 00:34:57,200
Speaker 1: a meal. A thorth is not a snack. A thorth

759
00:34:57,239 --> 00:34:59,680
Speaker 1: does a whole meal. Second of all, you gotta look

760
00:34:59,680 --> 00:35:03,480
Speaker 1: at x Okay. The U s d A has described

761
00:35:03,560 --> 00:35:07,839
Speaker 1: the sandwich as uh two slices of bread, one on top,

762
00:35:07,920 --> 00:35:11,200
Speaker 1: one on the bottom, with either fish, beef, or poultry

763
00:35:11,800 --> 00:35:14,759
Speaker 1: in the middle of the two pieces, the keyword being

764
00:35:14,880 --> 00:35:18,400
Speaker 1: two okay athor in many occasions, is a piece of

765
00:35:18,440 --> 00:35:21,440
Speaker 1: bread that slice down the middle, connected at the bottom

766
00:35:21,920 --> 00:35:24,440
Speaker 1: with all the feelings on the inside. Now why is

767
00:35:24,480 --> 00:35:29,239
Speaker 1: this important to note? Because we have we have to

768
00:35:29,719 --> 00:35:32,520
Speaker 1: we have to create these parameters and understand them. Because

769
00:35:32,600 --> 00:35:35,759
Speaker 1: although you may be thinking yourself already, that's ridiculous. Come on,

770
00:35:35,880 --> 00:35:37,879
Speaker 1: that's a sandwich. If you slice it down the middle

771
00:35:38,120 --> 00:35:40,320
Speaker 1: and you just you know, have the bottom connected, that's crazy.

772
00:35:41,719 --> 00:35:44,480
Speaker 1: But let me ask you this, though, I dare you,

773
00:35:45,040 --> 00:35:47,959
Speaker 1: I dare you to go to Philly and tell people

774
00:35:48,040 --> 00:35:51,600
Speaker 1: that a cheese steak is a sandwich. You're in the

775
00:35:51,680 --> 00:35:54,560
Speaker 1: world of trouble. You're in the world of trouble because

776
00:35:55,080 --> 00:35:58,359
Speaker 1: exactly with the whiz all that, and and they will

777
00:35:58,440 --> 00:36:00,640
Speaker 1: never they will never bow down to the idea because

778
00:36:00,640 --> 00:36:03,000
Speaker 1: it's not And a and a cheese steak have a

779
00:36:03,080 --> 00:36:07,840
Speaker 1: lot of common they are you understand, cheese steak is

780
00:36:07,880 --> 00:36:10,040
Speaker 1: not a sandwich. And I dare you to say that

781
00:36:10,120 --> 00:36:12,680
Speaker 1: to somebody from Philadelphia. There's there's the thorth time, the

782
00:36:12,760 --> 00:36:14,680
Speaker 1: cheese that community. Really, they have a lot more in

783
00:36:14,760 --> 00:36:16,640
Speaker 1: common than than we like to admit. You know what

784
00:36:16,680 --> 00:36:19,840
Speaker 1: I'm saying, But we're basically cousins separated by a border,

785
00:36:19,920 --> 00:36:24,400
Speaker 1: you know what I'm saying, Like Philippa, Philadelphia is not

786
00:36:24,640 --> 00:36:28,640
Speaker 1: that far from Mexico in spirit, and and and and

787
00:36:29,120 --> 00:36:33,560
Speaker 1: the the the cheese steak is where we where we

788
00:36:33,680 --> 00:36:36,000
Speaker 1: find our common ground. So I think we need to

789
00:36:36,040 --> 00:36:37,560
Speaker 1: note these things. We need to point these things out

790
00:36:37,560 --> 00:36:40,480
Speaker 1: because the thorth is clearly not a sandwich for these

791
00:36:40,520 --> 00:36:42,800
Speaker 1: reasons that are just laid out for you, you know.

792
00:36:43,120 --> 00:36:44,440
Speaker 1: And if you don't believe me, look, if you don't

793
00:36:44,440 --> 00:36:46,600
Speaker 1: believe me, if it's too convoluted everything I just said,

794
00:36:47,040 --> 00:36:49,160
Speaker 1: just go to Philadelphia and tell somebody to give you

795
00:36:49,239 --> 00:36:52,480
Speaker 1: a Philly cheese steak sandwich, and you'll get smacked because

796
00:36:52,600 --> 00:36:54,120
Speaker 1: because they don't play, they don't play that, they're not

797
00:36:54,120 --> 00:36:57,600
Speaker 1: gonna allow you to to bring down devalue their their

798
00:36:57,760 --> 00:37:01,200
Speaker 1: their culinary, their foods. Well. And that's a great point

799
00:37:01,200 --> 00:37:07,120
Speaker 1: because there are some restaurants, yeah said um um. And

800
00:37:07,200 --> 00:37:09,480
Speaker 1: then they have sandwiches too, exactly, bro, you know what

801
00:37:09,560 --> 00:37:12,120
Speaker 1: I mean, Like other American menu like will make you

802
00:37:12,160 --> 00:37:14,920
Speaker 1: a cheeseburger, make you a sandwich. But we also right,

803
00:37:15,200 --> 00:37:16,880
Speaker 1: you know, we have those restaurants here in lass And

804
00:37:17,120 --> 00:37:18,520
Speaker 1: you know what, Dog, I'm glad that we're in l

805
00:37:18,560 --> 00:37:20,040
Speaker 1: A and we're talking about this, and I'm glad that

806
00:37:20,160 --> 00:37:23,320
Speaker 1: you just mentioned tacos, because there's another point to be

807
00:37:23,400 --> 00:37:24,840
Speaker 1: made here, you know what I'm saying, Like, we have

808
00:37:25,239 --> 00:37:28,239
Speaker 1: another reason why these parameters are important. Is because if

809
00:37:28,320 --> 00:37:32,120
Speaker 1: we allow people to call it thorta or a cheese

810
00:37:32,120 --> 00:37:36,239
Speaker 1: steak a sandwich when it's clearly a sliced piece of

811
00:37:36,320 --> 00:37:38,799
Speaker 1: bread where it's connected at the bottom and folded up

812
00:37:38,840 --> 00:37:41,160
Speaker 1: at the top. If we allow people to call that

813
00:37:41,320 --> 00:37:46,480
Speaker 1: a sandwich, how long, Frankie, before people know? How how

814
00:37:46,600 --> 00:37:50,000
Speaker 1: long before people call a taco a sandwich? And let

815
00:37:50,040 --> 00:37:52,440
Speaker 1: me tell you something, as long as I'm breathing, I

816
00:37:52,480 --> 00:37:55,720
Speaker 1: will never allow that. I will never allow that. That's crazy.

817
00:37:56,080 --> 00:37:58,920
Speaker 1: It'll be a cold day in hell before I let

818
00:37:59,000 --> 00:38:01,560
Speaker 1: somebody even play with the idea that a taco is

819
00:38:01,600 --> 00:38:03,640
Speaker 1: a sandwich. You know, but I know right now you're saying,

820
00:38:03,640 --> 00:38:05,319
Speaker 1: you're something like, oh, that's crazy, fool Like, nobody would

821
00:38:05,360 --> 00:38:07,600
Speaker 1: ever say that. Give it time. It's good time. It's

822
00:38:07,640 --> 00:38:10,520
Speaker 1: like when people like, as soon as lettuce goes into

823
00:38:10,560 --> 00:38:13,480
Speaker 1: a bridle, that's that's a wrap, right, it's a rap,

824
00:38:13,600 --> 00:38:15,919
Speaker 1: literally a fear to exactly, I'm not eating that ship.

825
00:38:16,239 --> 00:38:19,920
Speaker 1: I'm not. I don't soggy lettuce right right right, I

826
00:38:19,960 --> 00:38:21,600
Speaker 1: mean if I'm hungry, and that's how you do your

827
00:38:21,600 --> 00:38:25,080
Speaker 1: super reo. Okay, whatever, But but and and I've had

828
00:38:25,160 --> 00:38:26,920
Speaker 1: had some reals that do a good job of somehow

829
00:38:27,000 --> 00:38:29,840
Speaker 1: separating the letter. But it's like, to me, that's just

830
00:38:30,880 --> 00:38:32,239
Speaker 1: that's a lot of that's a lot of work, you know,

831
00:38:32,320 --> 00:38:34,160
Speaker 1: It's it's like, what are you doing? And so so

832
00:38:34,320 --> 00:38:35,480
Speaker 1: look at the end of the day, we're like, I

833
00:38:35,600 --> 00:38:37,120
Speaker 1: love sandwiches, you know what I'm saying, But I love

834
00:38:37,200 --> 00:38:38,680
Speaker 1: tort does And I think there are two different things

835
00:38:38,760 --> 00:38:41,080
Speaker 1: and we should respect that because look, we don't have

836
00:38:41,160 --> 00:38:42,800
Speaker 1: to we don't have to combine. Not everything has to

837
00:38:42,880 --> 00:38:45,600
Speaker 1: be like this hodgepodge of everything is the same. It's

838
00:38:45,640 --> 00:38:47,920
Speaker 1: just say no, just give each one of those two items.

839
00:38:47,960 --> 00:38:51,200
Speaker 1: It's respect. A sandwich is one thing. That's another thing.

840
00:38:51,360 --> 00:38:59,160
Speaker 1: That steak is felicchi steak with exactly sandwiches and that man,

841
00:38:59,200 --> 00:39:05,200
Speaker 1: I have one that is a good one. And and

842
00:39:05,480 --> 00:39:07,840
Speaker 1: and and they you know they usually put the refried beans,

843
00:39:08,080 --> 00:39:11,880
Speaker 1: they you know, paste that on and it's constructed different

844
00:39:11,880 --> 00:39:14,560
Speaker 1: than the sandwich. Ye, totally different. Sandwich is just made

845
00:39:14,600 --> 00:39:16,400
Speaker 1: the slapping on blah blah blah, you're slaping on you

846
00:39:16,520 --> 00:39:18,440
Speaker 1: making nice and tall or sometimes you even put a

847
00:39:18,520 --> 00:39:20,520
Speaker 1: third piece of bread in the sandwich. You would never

848
00:39:20,600 --> 00:39:23,279
Speaker 1: do that in you. That's not that's not even a

849
00:39:23,800 --> 00:39:25,680
Speaker 1: that's not an option because you're doing that. It's a

850
00:39:25,800 --> 00:39:28,800
Speaker 1: role because exactly exactly so we gotta, you know, we

851
00:39:28,880 --> 00:39:30,360
Speaker 1: gotta point these things out. And you know, I'm just

852
00:39:30,400 --> 00:39:32,279
Speaker 1: glad that you gave me an opportunity to point these

853
00:39:32,280 --> 00:39:35,480
Speaker 1: things out because I worry about the future sometimes and

854
00:39:35,520 --> 00:39:37,400
Speaker 1: I don't want the kids to be that's scary. You

855
00:39:37,480 --> 00:39:40,200
Speaker 1: mentioning somebody calling a tackle a sandwich. Could you imagine

856
00:39:40,239 --> 00:39:43,879
Speaker 1: that fall East, all the California would would burn down

857
00:39:44,160 --> 00:39:47,120
Speaker 1: if they if they just insisted on calling a taco

858
00:39:47,160 --> 00:39:49,160
Speaker 1: a sandwich. And I'm just I'm just saying, but I

859
00:39:49,239 --> 00:39:51,240
Speaker 1: felt it looked like a little sickness in my stomach

860
00:39:51,560 --> 00:39:54,560
Speaker 1: thinking that right, right, that's probably from the from that

861
00:39:54,640 --> 00:39:57,799
Speaker 1: sandwich that we had this morning left over. I'm saying,

862
00:39:57,800 --> 00:40:09,920
Speaker 1: the sandwich is coming cle mmmmmmmmm mm the sich my

863
00:40:10,160 --> 00:40:23,560
Speaker 1: cover you. Yeah, we want to listen to mate, Yeah,

864
00:40:24,800 --> 00:40:31,960
Speaker 1: the dis recursion from the first Yeah, I love let

865
00:40:32,120 --> 00:40:34,440
Speaker 1: us in my sandwich. Never written up a rito. Catch me.

866
00:40:34,520 --> 00:40:35,920
Speaker 1: I'm the one that went back in the bag of

867
00:40:36,040 --> 00:40:38,919
Speaker 1: cheetos and miss free throw. Ain't no thing to my team.

868
00:40:39,000 --> 00:40:41,280
Speaker 1: That's the end of the fourth that we're needing. By thirteen,

869
00:40:41,760 --> 00:40:46,359
Speaker 1: we get cheese, provolone, cheddar, the halapeno pepper jack. Even better,

870
00:40:46,920 --> 00:40:49,560
Speaker 1: A good sandwich always hits the spot. Sun that Dutch

871
00:40:49,640 --> 00:40:53,880
Speaker 1: grunches got your voice, brown mayonnaise, mustard, however you like.

872
00:40:54,080 --> 00:40:56,759
Speaker 1: You can even add hot sauce and every fucking bite.

873
00:40:56,800 --> 00:40:59,560
Speaker 1: Who so convenient when you need a quick meal. Now

874
00:40:59,600 --> 00:41:03,160
Speaker 1: you ratulating yourself how your belly feels. Put a deal

875
00:41:03,520 --> 00:41:05,760
Speaker 1: pickle on the sign and I said, crunching the ballots

876
00:41:05,760 --> 00:41:08,040
Speaker 1: to doubt chips and turn the party out. It doesn't

877
00:41:08,040 --> 00:41:10,839
Speaker 1: matter what time of day it is my bed night.

878
00:41:11,200 --> 00:41:18,600
Speaker 1: Give me your Yeah. We want to listen to mals

879
00:41:18,719 --> 00:41:32,879
Speaker 1: Toto selected Yeah the recursion the first day. Now when

880
00:41:32,920 --> 00:41:34,879
Speaker 1: I hear my tummy rumbling on my hat to give

881
00:41:34,920 --> 00:41:37,320
Speaker 1: me something, I had a little bacon in the sandwich.

882
00:41:37,360 --> 00:41:39,759
Speaker 1: Donna be jumping. I'm gonna get the munch in don't

883
00:41:39,800 --> 00:41:41,880
Speaker 1: forget the pickle into the pepper chini is about to

884
00:41:41,920 --> 00:41:43,719
Speaker 1: have you chokeing up a little. I don't cut it

885
00:41:43,800 --> 00:41:46,319
Speaker 1: down the middle. I slice it the diagonal. If they

886
00:41:46,400 --> 00:41:49,760
Speaker 1: got the rocks, gonna be magical. Spread the union Tactical

887
00:41:50,040 --> 00:41:52,360
Speaker 1: cheese is a must and I never been so. I

888
00:41:52,480 --> 00:41:59,560
Speaker 1: never cut the crust never. Yeah, we want to listen

889
00:41:59,640 --> 00:42:12,920
Speaker 1: to me else? Yeah, the dis recursion for the first stay. Yeah,

890
00:42:16,360 --> 00:42:19,040
Speaker 1: you know what I'm saying on me A sandwiches never

891
00:42:19,160 --> 00:42:21,680
Speaker 1: lets me down, even on the late Now to get

892
00:42:21,719 --> 00:42:25,960
Speaker 1: to the crib hale, peb and J comes through. Man consistent,

893
00:42:26,840 --> 00:42:29,279
Speaker 1: always available, guys goes nice to the glass of milk,

894
00:42:29,560 --> 00:42:31,279
Speaker 1: you know what I'm saying, or ship whatever what you want,

895
00:42:31,280 --> 00:42:36,279
Speaker 1: wheat bread, French roll, you know French did Ruben. What

896
00:42:36,400 --> 00:42:42,240
Speaker 1: you want me? You wanna h push from me? Okay,

897
00:42:42,360 --> 00:42:45,320
Speaker 1: what you want me? Wanna have sandwich? You want to

898
00:42:45,360 --> 00:42:48,560
Speaker 1: do a esteate? What turkey with a cat and bacon?

899
00:42:48,640 --> 00:42:53,279
Speaker 1: A classic calif I should so good on me? Yeah,

900
00:42:53,280 --> 00:42:54,960
Speaker 1: but the man names. But you want to have pickles?

901
00:42:55,280 --> 00:43:00,120
Speaker 1: You want pickles? Yeah? Sandwiches have always been in a

902
00:43:00,160 --> 00:43:02,399
Speaker 1: big part of my life for me, my my dad

903
00:43:02,680 --> 00:43:04,520
Speaker 1: and my mom. And you know my dad was, you know,

904
00:43:04,640 --> 00:43:07,320
Speaker 1: pinching his pen. He's trying to make it move bologny

905
00:43:07,360 --> 00:43:09,279
Speaker 1: sandwiches on me. But he you know, he showed us

906
00:43:09,320 --> 00:43:11,399
Speaker 1: the move where you you know, you fry the put

907
00:43:11,440 --> 00:43:13,680
Speaker 1: the bologny on the in the you know, in the pans,

908
00:43:14,239 --> 00:43:15,759
Speaker 1: so it gets a little blistered up in the middle.

909
00:43:15,760 --> 00:43:18,840
Speaker 1: And that's a hitter, homie. That's a goods called And

910
00:43:18,920 --> 00:43:21,320
Speaker 1: even my dad was would be like making man a

911
00:43:21,400 --> 00:43:24,960
Speaker 1: sandwich or something straight up the glass of milk. That's

912
00:43:24,960 --> 00:43:28,120
Speaker 1: called an imagination Sandwich's just imagining all the foods in there.

913
00:43:28,280 --> 00:43:31,120
Speaker 1: Oh man, yeah, yeah, all man do that all Manna's

914
00:43:31,800 --> 00:43:33,719
Speaker 1: next time you see. My dad asked him, say it

915
00:43:33,760 --> 00:43:36,640
Speaker 1: was up with the Mannai sandwiches. But everybody check your cholesterol. Man,

916
00:43:36,719 --> 00:43:42,399
Speaker 1: that's a lot a lot of man. I'm still here, SWI, Rudy,

917
00:43:42,440 --> 00:43:44,719
Speaker 1: what you're telling me like that? Sorry, I'm sorry about that.

918
00:43:44,719 --> 00:43:47,359
Speaker 1: I'm sorry about that. For a minute. Sandwich right now,

919
00:43:47,520 --> 00:43:48,759
Speaker 1: I'll take I'd be honored to have one of your

920
00:43:48,840 --> 00:43:51,839
Speaker 1: dad's Manna sandwiches, a little mustard on it, a little spread,

921
00:43:51,840 --> 00:43:53,759
Speaker 1: a little by his roles. Home. We're gonna sit down

922
00:43:53,760 --> 00:43:57,840
Speaker 1: with that man. Through that respect the og in the

923
00:43:57,880 --> 00:44:02,600
Speaker 1: sandwich ways. Oh man, thank you Rudy for coming coming

924
00:44:02,640 --> 00:44:03,960
Speaker 1: so much. Is there anything else you want to talk

925
00:44:04,000 --> 00:44:05,880
Speaker 1: about mentioning? Man, what kind of you know, what can

926
00:44:05,920 --> 00:44:07,440
Speaker 1: we talk about here? Man? I mean, you know, I

927
00:44:07,520 --> 00:44:10,000
Speaker 1: think we covered the important stuff. We definitely got through

928
00:44:10,080 --> 00:44:14,320
Speaker 1: the sandwich talk. You had bullet points ready, but I

929
00:44:14,440 --> 00:44:17,000
Speaker 1: was ready because this is this I'm just passionate about this, man.

930
00:44:17,080 --> 00:44:19,040
Speaker 1: But you know, I just I just want to thank

931
00:44:19,040 --> 00:44:20,480
Speaker 1: you so much for having me on. Man. It's like

932
00:44:20,640 --> 00:44:22,680
Speaker 1: it's been the last five years I've been like reading

933
00:44:22,760 --> 00:44:24,879
Speaker 1: really incredible. So this is like just a nice little

934
00:44:25,000 --> 00:44:27,640
Speaker 1: cherry on the on the umpie for all of it. Man,

935
00:44:28,080 --> 00:44:30,480
Speaker 1: you're my guy, man host with the most man brother.

936
00:44:30,640 --> 00:44:33,280
Speaker 1: I don't know how many shows you've hosted for me already.

937
00:44:34,320 --> 00:44:35,759
Speaker 1: It's been a lot, and it's been a honter. We've

938
00:44:35,760 --> 00:44:38,200
Speaker 1: got to travel the country and you know, I remember,

939
00:44:38,719 --> 00:44:40,480
Speaker 1: you know, doing gigs back in the day with you

940
00:44:40,640 --> 00:44:42,000
Speaker 1: or it's like, oh man, you know, I hope we

941
00:44:42,040 --> 00:44:44,239
Speaker 1: get paid or you know we're gonna get back home,

942
00:44:44,320 --> 00:44:47,160
Speaker 1: but dude, or like like the comic strip and El

943
00:44:47,200 --> 00:44:49,560
Speaker 1: Passo shout out to the comic strip and is that place?

944
00:44:49,680 --> 00:44:52,600
Speaker 1: Is this still up and running? Yeah? Yeah, man, And

945
00:44:52,640 --> 00:44:54,800
Speaker 1: I remember remember the comic trip the first time. The

946
00:44:54,840 --> 00:44:56,280
Speaker 1: first time we went down there was like the dressing

947
00:44:56,360 --> 00:44:59,120
Speaker 1: room was just like it was like the broom closet,

948
00:44:59,360 --> 00:45:01,880
Speaker 1: you know what I mean. It was like, okay, then

949
00:45:01,960 --> 00:45:04,239
Speaker 1: they had a broom closet. Odor definitely ran had a

950
00:45:04,280 --> 00:45:06,319
Speaker 1: couple of buckets of a couple of buckets, couple of mobs,

951
00:45:06,360 --> 00:45:08,200
Speaker 1: and I was like, wow, but you know what those

952
00:45:08,239 --> 00:45:10,160
Speaker 1: crazy because we were so excited. I was so excited

953
00:45:10,200 --> 00:45:14,360
Speaker 1: to be there, even though that was in comparison to

954
00:45:14,440 --> 00:45:18,880
Speaker 1: like the things we'll passing. One of my favor what

955
00:45:18,880 --> 00:45:22,440
Speaker 1: do they call it, chuko shout out some good. You

956
00:45:22,520 --> 00:45:26,239
Speaker 1: could accidentally walk into Mexico if you're not careful out there.

957
00:45:26,360 --> 00:45:30,120
Speaker 1: You met my theal my yeah, my Josierra is the

958
00:45:30,160 --> 00:45:35,120
Speaker 1: chief of the nation right right there. And Indian Reservation

959
00:45:35,239 --> 00:45:37,239
Speaker 1: right there, dude, and you took us and you took

960
00:45:37,320 --> 00:45:39,440
Speaker 1: us in uh. And I just remember thinking to myself

961
00:45:39,480 --> 00:45:42,239
Speaker 1: like that, this this place feels very spiritual, like his

962
00:45:42,360 --> 00:45:44,520
Speaker 1: house felt very spiritual. You know, it was like clean,

963
00:45:44,600 --> 00:45:46,920
Speaker 1: It was like healing, like a healing feel. When we

964
00:45:47,000 --> 00:45:49,840
Speaker 1: walked up in there and then Uh, I think I

965
00:45:49,920 --> 00:45:51,480
Speaker 1: don't know if he was. Was he chief for you

966
00:45:51,520 --> 00:45:52,920
Speaker 1: when you guys met him? But here I want to

967
00:45:52,920 --> 00:45:55,200
Speaker 1: see it now. So was that it was like I see,

968
00:45:55,360 --> 00:45:58,480
Speaker 1: is that beyond chief? That's chief? That's chief? Okay. I

969
00:45:58,560 --> 00:46:01,040
Speaker 1: don't know if I feel maybe he was, because I

970
00:46:01,080 --> 00:46:02,759
Speaker 1: think there was like that you were making that point

971
00:46:02,840 --> 00:46:05,040
Speaker 1: like you know, my uncle's the chief, you know, um,

972
00:46:05,239 --> 00:46:07,480
Speaker 1: But I don't know if I don't remember for for

973
00:46:07,600 --> 00:46:09,400
Speaker 1: sure though, but it was the dope best time, man,

974
00:46:09,480 --> 00:46:10,920
Speaker 1: Like I could say that I met a chief, I

975
00:46:11,000 --> 00:46:13,960
Speaker 1: met a real chief in real life. You're still out there.

976
00:46:14,160 --> 00:46:18,560
Speaker 1: They're out there, man, they exist sandwiches to sandwich all day.

977
00:46:20,040 --> 00:46:23,320
Speaker 1: But yeah, so anything you want to plug for anybody,

978
00:46:23,320 --> 00:46:25,360
Speaker 1: you know, anything you've got going on, because yeah, I

979
00:46:25,400 --> 00:46:27,000
Speaker 1: mean absolutely. I mean, if you guys want to come out,

980
00:46:27,200 --> 00:46:28,759
Speaker 1: I got a show coming up in back in the

981
00:46:28,800 --> 00:46:31,960
Speaker 1: East Bay, UM on Friday the twentieth, January twentie. I

982
00:46:32,000 --> 00:46:34,520
Speaker 1: don't know when this is gonna air, but yeah, January

983
00:46:34,560 --> 00:46:37,400
Speaker 1: twenty over at the Washington End. It's called Comedy Oakland.

984
00:46:37,960 --> 00:46:40,600
Speaker 1: I'll be headlining there and then I'll be back on

985
00:46:40,640 --> 00:46:44,480
Speaker 1: the road with you man. When we had a riverside

986
00:46:44,560 --> 00:46:49,799
Speaker 1: Riverside February fourth, Sacramento, California. Yes, sir, at the Guilt Theater, right, Yeah,

987
00:46:49,880 --> 00:46:54,719
Speaker 1: it's gonna be a good time. The Crest Theater even better. Yeah,

988
00:46:54,760 --> 00:46:56,080
Speaker 1: but at the Crest Theater. Yeah you said it. R

989
00:46:56,160 --> 00:46:59,239
Speaker 1: Rudy ye yeah. Man. If you want to check out

990
00:46:59,280 --> 00:47:01,520
Speaker 1: what I do, just follow me on Twitter and on Instagram.

991
00:47:01,680 --> 00:47:04,239
Speaker 1: It's Rudy Ortiz I T S r U, d Y

992
00:47:04,480 --> 00:47:06,239
Speaker 1: or t Z. And if you want to hear me

993
00:47:06,320 --> 00:47:07,520
Speaker 1: in the morning, if you're in the Bay area, man,

994
00:47:07,600 --> 00:47:09,200
Speaker 1: just check out kab Alex one or two point nine

995
00:47:09,200 --> 00:47:13,000
Speaker 1: from six to nine freskin Rudy in the morning. Thank

996
00:47:13,040 --> 00:47:15,040
Speaker 1: you again, Frankie, I appreciate you. Doug. All right, y'all,

997
00:47:15,080 --> 00:47:17,719
Speaker 1: Thank you, Rudyo all right for Homie Frankie on this one.

998
00:47:17,800 --> 00:47:23,959
Speaker 1: Love y'all, see you next time. That for tuning into

999
00:47:24,000 --> 00:47:27,120
Speaker 1: another episode of The Frankie in Your Next Show, presented

1000
00:47:27,200 --> 00:47:30,279
Speaker 1: by Will Ferrell's Big Funny Players Network. Shout out to

1001
00:47:30,360 --> 00:47:33,759
Speaker 1: the homies Haign So, Olivia, Nick the Homie earned Dog

1002
00:47:33,840 --> 00:47:37,719
Speaker 1: here in the studio, James Fritz, Kevin Kamia, Bobby d

1003
00:47:37,920 --> 00:47:41,759
Speaker 1: J Buzz, the legendary soul assassins by me. You know

1004
00:47:41,880 --> 00:47:43,800
Speaker 1: how we do, Homie. Thank you for giving it. I

1005
00:47:43,920 --> 00:47:46,440
Speaker 1: saw an opportunity of get down and if you get

1006
00:47:46,480 --> 00:47:47,960
Speaker 1: a chance. Told me it's go ahead and rank and

1007
00:47:48,040 --> 00:47:51,600
Speaker 1: review the podcast or continue living your life. We'll see

1008
00:47:51,600 --> 00:47:54,680
Speaker 1: you on the next episode of The Frankie Next Show.

1009
00:47:54,800 --> 00:47:56,080
Speaker 1: That's what's soft break there