1 00:00:00,240 --> 00:00:05,600 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio. 2 00:00:05,040 --> 00:00:07,040 Speaker 2: And welcome back to Coast to Coast. We are back 3 00:00:07,080 --> 00:00:10,640 Speaker 2: with Harvey Kuberneck, author of many books including Turn Up 4 00:00:10,680 --> 00:00:15,040 Speaker 2: the Radio, Canyon of Dreams, Docs, Dot Rock, Jimmy Hendrix, 5 00:00:15,160 --> 00:00:18,279 Speaker 2: Voodoo Child, and a number of others. He is an 6 00:00:18,360 --> 00:00:21,040 Speaker 2: expert on the music world and is back with us 7 00:00:21,079 --> 00:00:22,919 Speaker 2: on Coast to Coast. Hey, Harvey, how you. 8 00:00:22,840 --> 00:00:26,880 Speaker 3: Been doing great? Just always delighted to be invited to 9 00:00:26,920 --> 00:00:30,080 Speaker 3: your program, and I know your listeners occasionally like to 10 00:00:30,120 --> 00:00:34,640 Speaker 3: take a little departure from area fifty one to Harvey 11 00:00:34,720 --> 00:00:35,479 Speaker 3: fifty one. 12 00:00:35,640 --> 00:00:37,640 Speaker 2: Exactly, and we're going to do that. You're still out 13 00:00:37,680 --> 00:00:38,600 Speaker 2: there on the West Coast. 14 00:00:38,720 --> 00:00:39,440 Speaker 3: I sure am. 15 00:00:40,000 --> 00:00:42,479 Speaker 2: I'm in Saint Louis. But had I been back in 16 00:00:42,560 --> 00:00:45,280 Speaker 2: Los Angeles, we would have had you physically in the studio. 17 00:00:46,000 --> 00:00:48,279 Speaker 3: Well, you know, I sort of. I spent a lot 18 00:00:48,320 --> 00:00:52,840 Speaker 3: of time going by your studio in Sherman Oaks, California. 19 00:00:52,960 --> 00:00:54,160 Speaker 3: We'll do it in the future. 20 00:00:54,360 --> 00:00:56,320 Speaker 2: We will do that. Indeed, how did you get so 21 00:00:56,440 --> 00:00:57,920 Speaker 2: involved in music? Harvey? 22 00:00:58,960 --> 00:01:03,400 Speaker 3: You know, it's the question I'm asked a lot. A 23 00:01:03,600 --> 00:01:09,959 Speaker 3: part of it is geographically, you know, I'm a native 24 00:01:10,000 --> 00:01:16,200 Speaker 3: of Los Angeles. I'm born in I'm born literally in 25 00:01:16,319 --> 00:01:20,160 Speaker 3: East Hollywood on the corner of like Sunset and Alvarado, 26 00:01:20,200 --> 00:01:23,000 Speaker 3: overlooking the Hollywood One on one Freeway at the Queen 27 00:01:23,040 --> 00:01:28,680 Speaker 3: of Angels Hospital, and I start the journey there. And 28 00:01:28,760 --> 00:01:32,319 Speaker 3: at the time Los Angeles, and I don't think people 29 00:01:32,360 --> 00:01:35,080 Speaker 3: really realized that, although I certainly detail it in my 30 00:01:35,120 --> 00:01:38,119 Speaker 3: book Turn Up the Radio. You know, there were many 31 00:01:38,480 --> 00:01:41,920 Speaker 3: R and B radio stations in LA in the fifties, 32 00:01:42,040 --> 00:01:47,440 Speaker 3: way into the sixties. There were jazz radio stations. There 33 00:01:47,520 --> 00:01:52,320 Speaker 3: was so much music. It was a thriving, vibrant community. 34 00:01:52,480 --> 00:01:55,320 Speaker 3: You know, sorry, folks, it all wasn't New York City 35 00:01:55,440 --> 00:02:00,960 Speaker 3: and Chicago. And you're just inundated with even before the 36 00:02:01,040 --> 00:02:04,840 Speaker 3: transistor radio arrived. It's just blaring in front of you. 37 00:02:05,560 --> 00:02:10,000 Speaker 3: And then, you know, with my parents and my brother Kenneth, 38 00:02:10,639 --> 00:02:15,280 Speaker 3: I end up, you know, leaving like downtown Los Angeles 39 00:02:15,280 --> 00:02:19,880 Speaker 3: and Coliseum Street Elementary School and Crenshaw Village and Merk Park, 40 00:02:19,880 --> 00:02:23,240 Speaker 3: and I end up in Culver City right near MGM Studios, 41 00:02:23,320 --> 00:02:27,880 Speaker 3: and somehow end up in West Hollywood going to high 42 00:02:27,960 --> 00:02:31,680 Speaker 3: school all through the late sixties. So it's so in 43 00:02:31,720 --> 00:02:34,079 Speaker 3: front of me, and you know, maybe I've become this 44 00:02:34,160 --> 00:02:37,680 Speaker 3: messenger and I mirror it out to other people as well. 45 00:02:37,760 --> 00:02:39,880 Speaker 3: It's just been part of my DNA. 46 00:02:40,680 --> 00:02:42,560 Speaker 2: Good for you. Did you ever know our old friend 47 00:02:42,560 --> 00:02:44,720 Speaker 2: who's passed away, our Gary Patterson? 48 00:02:45,800 --> 00:02:48,120 Speaker 3: No, I know we have a mutual friend in the 49 00:02:48,200 --> 00:02:50,720 Speaker 3: late Russ Reagan, but I didn't know the other guy. 50 00:02:50,880 --> 00:02:53,239 Speaker 2: Yeah, he was good. He did a great job. You 51 00:02:53,360 --> 00:02:56,600 Speaker 2: reminded me of you and just so excitable about the 52 00:02:56,680 --> 00:02:58,960 Speaker 2: music scene in the world and stuff like that. 53 00:02:59,320 --> 00:03:02,799 Speaker 3: Well, it's been my salvation, you know, you know, we 54 00:03:02,840 --> 00:03:08,239 Speaker 3: turned to music, you know, in happiness and decision making 55 00:03:08,280 --> 00:03:12,640 Speaker 3: situations just following you know, the Beach Boys. God only knows, 56 00:03:12,680 --> 00:03:14,960 Speaker 3: you know, I've been privileged to know Brian Wilson for 57 00:03:15,080 --> 00:03:18,040 Speaker 3: half a century. He must have done twelve interviews with him, 58 00:03:18,080 --> 00:03:21,440 Speaker 3: and I even, I mean, I've been fortunate. I was 59 00:03:21,480 --> 00:03:25,760 Speaker 3: able to say, Brian, what is it about? God only knows? 60 00:03:27,320 --> 00:03:31,200 Speaker 3: What is it? Why does it still impact fifty seven 61 00:03:31,320 --> 00:03:35,200 Speaker 3: years after you did it? And he'd say something like, 62 00:03:36,120 --> 00:03:39,840 Speaker 3: when I first did it, I was wondering would radio 63 00:03:40,040 --> 00:03:43,200 Speaker 3: ever play a song that had God in the title? 64 00:03:44,160 --> 00:03:48,080 Speaker 3: And then here I am being greeted or following the 65 00:03:48,200 --> 00:03:52,640 Speaker 3: declaration as you're using it as interstitial music. But think 66 00:03:52,680 --> 00:03:56,480 Speaker 3: about him, you know, having concerns almost two thirds of 67 00:03:56,520 --> 00:03:59,960 Speaker 3: a century ago about a song title, as well as 68 00:04:00,080 --> 00:04:03,120 Speaker 3: concerns about would the record label actually let the word 69 00:04:03,240 --> 00:04:06,680 Speaker 3: God be you know, in the package, artwork and everything. 70 00:04:06,920 --> 00:04:07,920 Speaker 3: We've come a long. 71 00:04:07,760 --> 00:04:10,280 Speaker 2: Way, I think, yeah, we sure have. Well, let's have 72 00:04:10,360 --> 00:04:13,680 Speaker 2: some fun talking about music. We'll take calls next hour 73 00:04:13,800 --> 00:04:18,400 Speaker 2: as well, Harvey. And you know, I'm a product of Detroit. 74 00:04:18,440 --> 00:04:21,560 Speaker 2: I'm a Motown guy. I've seen it all in Motown 75 00:04:21,640 --> 00:04:24,240 Speaker 2: and they continued to do a great job. Barry Gordy 76 00:04:24,360 --> 00:04:25,159 Speaker 2: still kick him. 77 00:04:25,320 --> 00:04:29,440 Speaker 3: Oh. I was just at a Motown event a week 78 00:04:29,480 --> 00:04:32,840 Speaker 3: ago and they honored Marvin Gay in the fifty third 79 00:04:32,880 --> 00:04:39,000 Speaker 3: anniversary of his album Let's Get It On. Robinson was 80 00:04:39,000 --> 00:04:41,080 Speaker 3: on the panel at the Grammy Museum in LA And 81 00:04:41,120 --> 00:04:44,080 Speaker 3: I spent some time with Smokey. I was just filmed 82 00:04:44,080 --> 00:04:48,440 Speaker 3: for a documentary with Smokey, but I spent some time 83 00:04:48,480 --> 00:04:52,600 Speaker 3: with him, and it became even more clear to me 84 00:04:53,800 --> 00:04:57,760 Speaker 3: what the city of Detroit gave to all of us. 85 00:04:57,839 --> 00:05:01,279 Speaker 3: Sure we know about general motors, and I mean people 86 00:05:01,400 --> 00:05:04,280 Speaker 3: like you, you know about the Detroit Tigers or al 87 00:05:04,400 --> 00:05:05,640 Speaker 3: Kayline or you know what. 88 00:05:05,680 --> 00:05:09,600 Speaker 2: I'm sure in all that world, but the music scene 89 00:05:09,800 --> 00:05:11,400 Speaker 2: look out well. 90 00:05:11,240 --> 00:05:14,880 Speaker 3: Even Smokey said on the panel about Detroit and especially Motown, 91 00:05:15,400 --> 00:05:18,640 Speaker 3: it could never happen again. I'm sure it's a brand now. 92 00:05:19,120 --> 00:05:23,000 Speaker 3: And Barry Gordy, who's ninety two or ninety three, he's 93 00:05:23,040 --> 00:05:27,839 Speaker 3: still involved. It's still He's still involved emotionally and fiscally. 94 00:05:28,480 --> 00:05:32,360 Speaker 3: But the music still continues, whether it be TV shows 95 00:05:32,480 --> 00:05:35,560 Speaker 3: or soundtracks. And I mean for somebody like you who 96 00:05:36,480 --> 00:05:39,479 Speaker 3: was there with Casey case and we're hearing it like 97 00:05:39,520 --> 00:05:42,200 Speaker 3: with the DJ's name was like Robin Seymour back there, 98 00:05:42,440 --> 00:05:46,719 Speaker 3: you know, yeah, I mean you were ground floor watching 99 00:05:47,800 --> 00:05:52,520 Speaker 3: something that's really informed the world and brought us all 100 00:05:52,560 --> 00:05:57,839 Speaker 3: closer together. And the music it just even in streaming 101 00:05:58,000 --> 00:06:02,839 Speaker 3: platforms or even you know, when you hear it, even 102 00:06:02,839 --> 00:06:07,600 Speaker 3: in elevators or something. Every time you hear a Motown recording, 103 00:06:08,040 --> 00:06:12,160 Speaker 3: you discover something different about it. And it was our 104 00:06:12,200 --> 00:06:14,960 Speaker 3: friend Russ Reagan who worked for Motown and Joe Batten 105 00:06:15,320 --> 00:06:19,640 Speaker 3: and it was involved with, you know, bringing Motown to 106 00:06:19,720 --> 00:06:22,200 Speaker 3: the West Coast. He was a promo man and worked 107 00:06:22,200 --> 00:06:25,360 Speaker 3: with Barry Gordy sixty to sixty three. He introduced the 108 00:06:25,400 --> 00:06:29,279 Speaker 3: world to like Please Mister Postman by the Marvelette. Russ 109 00:06:29,320 --> 00:06:32,719 Speaker 3: said he learned one thing from Barry. You can always 110 00:06:32,800 --> 00:06:36,760 Speaker 3: smell the opening of a motown record by the hooks 111 00:06:36,880 --> 00:06:40,160 Speaker 3: you you get brought into it still connects. 112 00:06:40,440 --> 00:06:43,279 Speaker 2: It really does. We had Smokey Robinson on the show 113 00:06:43,400 --> 00:06:47,320 Speaker 2: The Coast The Coast program several months ago Harvey, and 114 00:06:47,400 --> 00:06:48,760 Speaker 2: he was just wonderful. 115 00:06:48,880 --> 00:06:51,800 Speaker 3: Well, what was that like for you? That's oh, that 116 00:06:51,880 --> 00:06:54,440 Speaker 3: was as that's your soul. Brother. 117 00:06:54,920 --> 00:06:57,679 Speaker 2: I try not to get so excitable like a kid, 118 00:06:57,720 --> 00:07:00,640 Speaker 2: but deep down inside it's there. 119 00:07:00,960 --> 00:07:04,159 Speaker 3: I mean, I mean, listen, I've done interviews with him. 120 00:07:04,240 --> 00:07:07,320 Speaker 3: I just did a documentary, I was filmed with him. 121 00:07:07,680 --> 00:07:12,680 Speaker 3: I've seen him in markets. I then I said, smoke 122 00:07:12,840 --> 00:07:15,520 Speaker 3: I need about thirty seconds with you. I've got to 123 00:07:15,560 --> 00:07:18,520 Speaker 3: ask you a question. He said, no, what do you need, man? 124 00:07:18,560 --> 00:07:21,200 Speaker 3: What do you need? And I just said, that song 125 00:07:21,440 --> 00:07:25,640 Speaker 3: Tears of a Clown yep. And I just said when 126 00:07:25,640 --> 00:07:28,000 Speaker 3: I heard that, when I was I don't know, seventeen 127 00:07:28,120 --> 00:07:31,720 Speaker 3: or eighteen, I never heard somebody reference and use the 128 00:07:31,840 --> 00:07:37,120 Speaker 3: term pagliachi in the song lyric. You know, clown and 129 00:07:37,280 --> 00:07:39,960 Speaker 3: he just laughed and he said, well, why didn't you 130 00:07:40,040 --> 00:07:41,720 Speaker 3: get a thesaurus and look it up? 131 00:07:43,720 --> 00:07:43,840 Speaker 1: Hew? 132 00:07:43,920 --> 00:07:46,760 Speaker 2: You was classic. And he's touring now. 133 00:07:47,080 --> 00:07:50,800 Speaker 3: He's playing He had COVID a while ago, but he's 134 00:07:50,880 --> 00:07:53,840 Speaker 3: rebooked a bunch of dates and he's working until next year. 135 00:07:54,360 --> 00:08:00,000 Speaker 3: And he's featured in a wonderful documentary that's currently broadcast 136 00:08:00,160 --> 00:08:04,520 Speaker 3: on Showtime TV called Hitsville The Making of Motown, And 137 00:08:04,840 --> 00:08:09,240 Speaker 3: it's just so fantastic to hear him discuss songs and songwritings. 138 00:08:09,480 --> 00:08:13,480 Speaker 3: And I mean, I know, you know, Barry always said 139 00:08:13,960 --> 00:08:17,720 Speaker 3: Smokey is the guy, because Barry started as a songwriter. 140 00:08:17,880 --> 00:08:22,680 Speaker 3: But Smokey the wisdom of the songs, the direction you 141 00:08:22,880 --> 00:08:24,840 Speaker 3: take from the lyrics. And he had a lot of 142 00:08:24,880 --> 00:08:27,760 Speaker 3: co writers and people who worked with him. But I mean, 143 00:08:27,920 --> 00:08:32,320 Speaker 3: you were their ground floor, hearing shop around and hearing 144 00:08:32,400 --> 00:08:38,840 Speaker 3: these these seminal audiosnic gems that changed the world. But 145 00:08:39,040 --> 00:08:43,160 Speaker 3: you in Detroit, who you know sings and understands music. 146 00:08:44,160 --> 00:08:47,160 Speaker 3: It must be amazing for you as you see how 147 00:08:47,360 --> 00:08:51,520 Speaker 3: Motown expanded globally because to somebody like you, it's something 148 00:08:51,600 --> 00:08:54,520 Speaker 3: on what w K L, c W or whatever that 149 00:08:54,520 --> 00:08:57,040 Speaker 3: that station was over there. Look how it spread. 150 00:08:58,720 --> 00:09:01,760 Speaker 2: Yes, Bob was the one who had played the Beatles 151 00:09:01,800 --> 00:09:02,600 Speaker 2: first song. 152 00:09:03,760 --> 00:09:07,440 Speaker 3: Right, and was Georgie Woods a disc jockey over there? 153 00:09:07,480 --> 00:09:09,920 Speaker 3: I think it was more Philadelphia. But what a network 154 00:09:09,960 --> 00:09:13,200 Speaker 3: of disc jockeys that ushered the music to us? 155 00:09:13,280 --> 00:09:15,800 Speaker 2: Oh my god. Absolutely, We've got a couple of great 156 00:09:15,840 --> 00:09:18,280 Speaker 2: artists who listened to Coast as often as they can. 157 00:09:18,760 --> 00:09:24,320 Speaker 2: Billy Gibbons from zz Top and John Fogerty and great guys. 158 00:09:24,720 --> 00:09:28,960 Speaker 3: Yeah, and their very roots, you know, driven, you know, 159 00:09:29,120 --> 00:09:33,679 Speaker 3: artists and performers, and they their lives began, you know, 160 00:09:33,679 --> 00:09:37,079 Speaker 3: on the AM radio dial as kids and his fans. 161 00:09:37,120 --> 00:09:41,160 Speaker 3: And look how they were ushered into the world too. 162 00:09:41,480 --> 00:09:45,000 Speaker 2: Absolutely. Let's talk about some artists that are not with 163 00:09:45,080 --> 00:09:47,720 Speaker 2: us right now. Johnny Cash, what's happening there? 164 00:09:48,080 --> 00:09:54,480 Speaker 3: Well, it's September third, mark the twentyth anniversary of Johnny 165 00:09:54,520 --> 00:10:00,720 Speaker 3: Cash's physical passing. It's been twenty years that long already. Yeah. 166 00:10:00,760 --> 00:10:04,160 Speaker 3: I have a bond with Johnny partially because we share 167 00:10:04,200 --> 00:10:07,800 Speaker 3: a February twenty sixth, you know, day at date of birth, 168 00:10:08,400 --> 00:10:11,440 Speaker 3: and maybe I saw him in June twenty five thirty 169 00:10:11,480 --> 00:10:15,920 Speaker 3: times over, you know, forty or fifty years. But Johnny Cash, 170 00:10:16,000 --> 00:10:20,240 Speaker 3: there's a book coming out in November, a Life in Lyrics, 171 00:10:20,880 --> 00:10:25,360 Speaker 3: and starting very soon and going into next year, there's 172 00:10:25,440 --> 00:10:31,440 Speaker 3: a very there's an estate authorized touring exhibition of Johnny Cash, 173 00:10:31,520 --> 00:10:36,199 Speaker 3: like the Johnny Cash Concert Experience, which his son, John 174 00:10:36,240 --> 00:10:39,840 Speaker 3: Carter Cash is very involved in. That's touring all over 175 00:10:39,920 --> 00:10:44,160 Speaker 3: the United States where you hear Johnny's music. There are 176 00:10:44,280 --> 00:10:49,559 Speaker 3: excerpts from his television program and so it's not an 177 00:10:49,600 --> 00:10:53,679 Speaker 3: oldies but goodies kind of show. It's more of an 178 00:10:53,760 --> 00:10:57,080 Speaker 3: event and a tribute and a salute to Johnny. But 179 00:10:57,280 --> 00:11:00,640 Speaker 3: he's actually involved as far as you know, products and 180 00:11:00,720 --> 00:11:07,080 Speaker 3: recordings and in videotapes. So Johnny continues, the records keep going. 181 00:11:07,160 --> 00:11:11,920 Speaker 3: His impact is still there, and you know it's to 182 00:11:11,960 --> 00:11:14,480 Speaker 3: me he was always like a voice of America. It 183 00:11:14,600 --> 00:11:15,720 Speaker 3: still resonates to me. 184 00:11:16,280 --> 00:11:18,840 Speaker 2: I will always remember when he was at fulsome Prison. 185 00:11:19,679 --> 00:11:23,760 Speaker 3: What I have three different configurations of the life from 186 00:11:23,840 --> 00:11:27,839 Speaker 3: Fulsome Prison album. And you know, you start seeing people 187 00:11:27,880 --> 00:11:30,720 Speaker 3: like Johnny Cash, you know, initially they're on TV or 188 00:11:30,720 --> 00:11:33,240 Speaker 3: you see them touring, and then there's documentaries or in 189 00:11:33,280 --> 00:11:36,040 Speaker 3: the case of Johnny Cash, there's you know, walk the 190 00:11:36,080 --> 00:11:39,600 Speaker 3: Line theatrical movies, just like Elvis. All of a sudden, 191 00:11:39,600 --> 00:11:42,840 Speaker 3: there's biopics on Elvis. You know, you're seeing the growth 192 00:11:42,920 --> 00:11:49,800 Speaker 3: of this Southern music much like Detroit that reached global ears. 193 00:11:50,280 --> 00:11:52,440 Speaker 2: Well, that is so true. It is so true. And 194 00:11:52,440 --> 00:11:56,240 Speaker 2: I'll always remember Johnny Cash coming out going Hello, everybody, 195 00:11:56,280 --> 00:11:57,560 Speaker 2: I'm Johnny Cash. 196 00:11:57,720 --> 00:11:59,120 Speaker 3: That's how it all started. 197 00:12:00,520 --> 00:12:04,280 Speaker 2: What a talent, I mean, what's beautiful? What caught him on? 198 00:12:05,640 --> 00:12:08,240 Speaker 2: Because initially when you first hear him, you know, he's 199 00:12:08,559 --> 00:12:11,840 Speaker 2: kind of laid back, He's not like an Elvis, but 200 00:12:11,920 --> 00:12:14,640 Speaker 2: he caught on what sparked his career. 201 00:12:15,520 --> 00:12:19,920 Speaker 3: You know, he had such drive and determination to get 202 00:12:19,920 --> 00:12:24,920 Speaker 3: his music out there, and he was also guided by 203 00:12:25,920 --> 00:12:28,960 Speaker 3: maybe some of the right people, initially Sam Phillips at 204 00:12:28,960 --> 00:12:32,760 Speaker 3: Sun Records and then ending up at Columbia Records and 205 00:12:32,800 --> 00:12:37,280 Speaker 3: working with the producer Don Law and he you know 206 00:12:37,360 --> 00:12:40,439 Speaker 3: what I always find interesting about Johnny Cash, and I've 207 00:12:40,440 --> 00:12:43,840 Speaker 3: written a lot about him. There's a big article I've 208 00:12:43,920 --> 00:12:48,480 Speaker 3: just posted on him on a Kavehollywood dot com. I 209 00:12:48,480 --> 00:12:52,840 Speaker 3: don't think people realize from like late nineteen fifty nine 210 00:12:52,880 --> 00:12:57,680 Speaker 3: or sixty to nineteen sixty six, Johnny Cash was based 211 00:12:58,160 --> 00:13:01,560 Speaker 3: in southern California, kind of living in the Ventura area, 212 00:13:02,000 --> 00:13:06,200 Speaker 3: even had an office on Hollywood Boulevard. You don't really 213 00:13:06,240 --> 00:13:11,360 Speaker 3: realize he did six years in southern California. It wasn't 214 00:13:11,440 --> 00:13:16,480 Speaker 3: always you know, Memphis or Nashville. And so he was 215 00:13:16,880 --> 00:13:19,280 Speaker 3: again he's coming in the heart of Hollywood or making 216 00:13:19,360 --> 00:13:22,600 Speaker 3: records when he's living out here, and he was always 217 00:13:22,679 --> 00:13:26,280 Speaker 3: like fighting for the underdog and having concerns about Native 218 00:13:26,280 --> 00:13:30,240 Speaker 3: American rights. I mean, he's just part of the fabric 219 00:13:30,320 --> 00:13:32,079 Speaker 3: of our world. 220 00:13:32,640 --> 00:13:35,680 Speaker 2: That is truly remarkable. I do the first Sunday of 221 00:13:35,720 --> 00:13:38,559 Speaker 2: every month on Coast to Coast Harvey, and I end 222 00:13:38,600 --> 00:13:44,560 Speaker 2: the program with Disturbed with David the Diamond, the singer 223 00:13:44,960 --> 00:13:49,640 Speaker 2: Yes of singing sounds of Silence, and that is so haunting. 224 00:13:50,800 --> 00:13:53,439 Speaker 2: It gives me goosebumps every time I hear it. 225 00:13:53,559 --> 00:13:56,160 Speaker 3: And when we hear Johnny Cash, you know, it might 226 00:13:56,240 --> 00:13:58,760 Speaker 3: be I walk the Line, or it might be a 227 00:13:58,800 --> 00:14:02,480 Speaker 3: boy named Sue or some of the other things. You 228 00:14:02,600 --> 00:14:05,920 Speaker 3: actually stop for a minute when you are confronted hearing 229 00:14:06,000 --> 00:14:09,280 Speaker 3: the voice because there's this like a he's sort of 230 00:14:09,400 --> 00:14:12,320 Speaker 3: like this guide. I don't know, I guess for me, 231 00:14:13,000 --> 00:14:16,480 Speaker 3: you know, when I'm six, seven or eight, and Johnny 232 00:14:16,480 --> 00:14:19,600 Speaker 3: Cash is in the newspaper and I and I realized, 233 00:14:19,680 --> 00:14:21,480 Speaker 3: you know, they used to listen to people's day to 234 00:14:21,520 --> 00:14:24,520 Speaker 3: birth or where they lived or sometimes there's street addresses 235 00:14:24,560 --> 00:14:28,280 Speaker 3: in the old newspapers. And when I realized that he 236 00:14:28,360 --> 00:14:34,080 Speaker 3: had the same birthdays as me, oh, Fat's Domino. You know, 237 00:14:34,200 --> 00:14:38,400 Speaker 3: guy said, wow, you know who's Fats Domino. I got 238 00:14:38,400 --> 00:14:42,880 Speaker 3: to invest in Johnny Cash. We we're like February people. 239 00:14:42,920 --> 00:14:46,120 Speaker 3: I even said that the Smokey Robinson he said, hey, man, 240 00:14:46,160 --> 00:14:49,880 Speaker 3: I said, both born in February, and he'd go nineteenth 241 00:14:49,960 --> 00:14:52,000 Speaker 3: and I'll go twenty six. I know, it's sort of 242 00:14:52,000 --> 00:14:56,160 Speaker 3: a comical bond we have, but it brings people together. 243 00:14:56,240 --> 00:15:01,000 Speaker 3: And so Johnny this twenty years since he left, it 244 00:15:01,080 --> 00:15:03,560 Speaker 3: kind of shows you how quick life goes as well. 245 00:15:03,960 --> 00:15:07,800 Speaker 2: Absolutely, it's truly remarkable. One of my favorite Johnny Cash 246 00:15:07,800 --> 00:15:10,760 Speaker 2: songs is it Ain't Me Babe. That's one of his classics. 247 00:15:10,840 --> 00:15:13,720 Speaker 3: Well, he did that at the Newport Folk Festival. It 248 00:15:13,800 --> 00:15:16,880 Speaker 3: was a cover of a Bob Dylan song, singing out 249 00:15:16,880 --> 00:15:21,360 Speaker 3: with June right yes and kind. I saw him do 250 00:15:21,400 --> 00:15:25,800 Speaker 3: it the Troubater one time in West Hollywood and he 251 00:15:26,120 --> 00:15:29,320 Speaker 3: brought a lot of people's songs forward. You know, he 252 00:15:29,480 --> 00:15:33,600 Speaker 3: kind of exposed people like Chris Christofferson and popularized Bob Dylan. 253 00:15:34,000 --> 00:15:37,040 Speaker 3: Plus he was a very early supporter of Bob Dylan 254 00:15:37,040 --> 00:15:40,080 Speaker 3: at Columbia Records when Bob Dylan was first on the 255 00:15:40,160 --> 00:15:43,600 Speaker 3: label and his debut album didn't do very well, and 256 00:15:43,720 --> 00:15:48,880 Speaker 3: Johnny really lobbied for the executives and the promotional people 257 00:15:49,400 --> 00:15:53,280 Speaker 3: to really stick with this guy. And when Cash had 258 00:15:53,360 --> 00:15:57,360 Speaker 3: his you know, Johnny cash TV show on ABC between 259 00:15:57,400 --> 00:16:00,400 Speaker 3: sixty nine and seventy one, Bob Dylan was the first 260 00:16:00,400 --> 00:16:05,000 Speaker 3: guest on his TV series. And that stuff's all available 261 00:16:05,080 --> 00:16:08,840 Speaker 3: like on a double DVD. I encourage people to check 262 00:16:08,840 --> 00:16:12,680 Speaker 3: out that the Johnny Cashow DVD is just wonderful to 263 00:16:12,720 --> 00:16:16,120 Speaker 3: see the kind of people that Johnny put on a show, 264 00:16:16,120 --> 00:16:18,880 Speaker 3: from the Monkeys to Ray Charles. I mean, just think 265 00:16:18,920 --> 00:16:22,400 Speaker 3: about him and Buffy, Saint Marie. I mean, just giving 266 00:16:22,600 --> 00:16:25,840 Speaker 3: forum to these kind of people. This is a nineteen 267 00:16:25,960 --> 00:16:29,000 Speaker 3: sixty nine a year. This is a pre cable TV world. 268 00:16:29,000 --> 00:16:34,560 Speaker 3: There's only three like networks happening. Ronnie brought people to 269 00:16:34,720 --> 00:16:35,440 Speaker 3: our attention. 270 00:16:36,240 --> 00:16:37,880 Speaker 2: You're going to get a kick out of this. I 271 00:16:38,000 --> 00:16:42,440 Speaker 2: met a couple months ago Paul Anka, Well. 272 00:16:42,600 --> 00:16:45,120 Speaker 3: Where do you want to start? From Diana on down? 273 00:16:45,600 --> 00:16:49,200 Speaker 2: I mean plus my way. He wrote that for Frank Sinatra. 274 00:16:48,800 --> 00:16:54,440 Speaker 3: Who did He is beyond a survivor. I think he's 275 00:16:54,480 --> 00:16:59,240 Speaker 3: also overlooked in history. I've had some conversations years ago 276 00:16:59,320 --> 00:17:03,040 Speaker 3: with him because people forget what a businessman he has been, 277 00:17:03,080 --> 00:17:07,359 Speaker 3: whether it be artist management or starting as a teenager 278 00:17:07,359 --> 00:17:12,640 Speaker 3: from Canada, and you know, and I also think maybe, 279 00:17:12,720 --> 00:17:15,240 Speaker 3: I mean I wasn't present, but when you're coming from 280 00:17:15,280 --> 00:17:20,000 Speaker 3: Canada and in your Lebanese right with Elevenese, I think yes, 281 00:17:20,080 --> 00:17:23,000 Speaker 3: I mean, I'm not going to say they were inherent, 282 00:17:24,200 --> 00:17:28,399 Speaker 3: you know, odds against him, but he comes to like 283 00:17:28,520 --> 00:17:32,040 Speaker 3: Culver City or his first record label as a teenager, 284 00:17:32,520 --> 00:17:36,600 Speaker 3: and he ends up being the songwriter. He's a teen 285 00:17:36,760 --> 00:17:40,280 Speaker 3: idol initially with these wonderful puts your head on my shoulder, 286 00:17:40,640 --> 00:17:44,240 Speaker 3: and then he becomes this Vegas icon and he's still 287 00:17:44,280 --> 00:17:48,639 Speaker 3: out there touring and you realize, you know what, the 288 00:17:48,680 --> 00:17:51,280 Speaker 3: guy has had a sixty five year old career. You know, 289 00:17:51,280 --> 00:17:55,119 Speaker 3: when he started in the fifties, people always sort of 290 00:17:55,160 --> 00:17:57,320 Speaker 3: looked at rock and roll and said, oh, it's a 291 00:17:57,320 --> 00:18:00,760 Speaker 3: two or three year career. Maybe go back to college, 292 00:18:00,800 --> 00:18:03,639 Speaker 3: get a day job, and look at him two thirds 293 00:18:03,640 --> 00:18:07,640 Speaker 3: of a century later, just out there in doing it. 294 00:18:07,720 --> 00:18:09,760 Speaker 3: And he has a very devoted fan base. 295 00:18:10,359 --> 00:18:14,160 Speaker 2: Oh absolutely, And he's a class guy and a nice 296 00:18:14,200 --> 00:18:18,400 Speaker 2: guy too, Harvey. Yes, when we come back after the break, 297 00:18:18,480 --> 00:18:22,120 Speaker 2: let's talk a little bit about Wayne Newton and how 298 00:18:22,160 --> 00:18:26,360 Speaker 2: old is Mick Jagger? Eighty eighty years old and he's 299 00:18:26,359 --> 00:18:29,119 Speaker 2: still singing. They're coming out with a new album in 300 00:18:29,160 --> 00:18:30,560 Speaker 2: another month or two, aren't they. 301 00:18:31,000 --> 00:18:35,080 Speaker 3: In late October and today they issued a single from 302 00:18:35,119 --> 00:18:40,400 Speaker 3: this album. Rock and roll isn't just for kids anymore. 303 00:18:40,440 --> 00:18:44,000 Speaker 3: There are grandfathers on stage performing. 304 00:18:44,320 --> 00:18:47,560 Speaker 1: Listen to more Coast to Coast AM every weeknight at 305 00:18:47,600 --> 00:18:50,840 Speaker 1: one am Eastern, and go to Coast to coastam dot 306 00:18:50,880 --> 00:18:51,680 Speaker 1: com for more