WEBVTT - Chapter 6: Adrift At Sea

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<v Speaker 1>You were listening to Strawberry Spring, based on a short

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<v Speaker 1>story by Stephen King. M M, watch out, I know, Henry,

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<v Speaker 1>it's just hard to see through the fog. Where are

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<v Speaker 1>those lights coming from? There? Right in my mirror? I

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<v Speaker 1>can barely see Mom, Look out over here. This one's

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<v Speaker 1>still alive. Grab the stretcher, give me Patty Angry two three.

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<v Speaker 1>We had one boy here. It looks like fourteen to

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<v Speaker 1>sixteen years of age. Car accident. He suffered lacerations on

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<v Speaker 1>his face and blunt force trauma to his head. Hurry up,

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<v Speaker 1>we're losing him. He's having a seizure. How much longer

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<v Speaker 1>I don't know. And this soap five maybe ten minutes,

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<v Speaker 1>I don't know. Just step on it. He's awake, doctor, Henry.

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<v Speaker 1>Can you hear me, he's moving. Don't try to speak.

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<v Speaker 1>I tried to sit up, but my head was splitting.

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<v Speaker 1>I could hear people running around the room, but somehow

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<v Speaker 1>I remained calm, like I was a drift at sea, Henry,

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<v Speaker 1>just not if you can hear me. I barely had

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<v Speaker 1>the strength to move, let alone talk. Everything was a blur,

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<v Speaker 1>but room came into focus just long enough for me

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<v Speaker 1>to see my arms bandaged. My right leg was broken.

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<v Speaker 1>I had no idea how serious my injuries were. Nurse

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<v Speaker 1>and give him something for the pain. He's gonna need

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<v Speaker 1>to rest. I couldn't stay away long enough to follow

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<v Speaker 1>what was going on. I passed out. He's going to sleep. Awhile, nurse,

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<v Speaker 1>please make a note in his chart. He was able

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<v Speaker 1>to follow some basic command. I drifted in and out

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<v Speaker 1>of consciousness. Shadows and light passed over me one morning,

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<v Speaker 1>or it could have been night, I don't remember. I

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<v Speaker 1>heard the door open. I wasn't sure at first, but

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<v Speaker 1>there was the silhouette of a man watching me. He

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<v Speaker 1>wandered into the room and hovered about me like some

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<v Speaker 1>kind of spirit. Dead said you. The shape just stood

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<v Speaker 1>there staring down at me. It must have been my

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<v Speaker 1>imagination because it looked like it was crying. Whoever, whatever

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<v Speaker 1>that was, held my hand for a moment as I

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<v Speaker 1>drifted back into the black. Abyss, Good morning, Henry. How

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<v Speaker 1>are you feeling today? Hi? Dr Howard, I'm okay. How

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<v Speaker 1>are your headaches? They seem to be going away good.

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<v Speaker 1>I'm just gonna take a look at your eyes. This

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<v Speaker 1>might be a little bright. Can you follow the light

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<v Speaker 1>for me? Without moving your head good, and everything looks okay.

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<v Speaker 1>The doctor had come to see me regularly over what

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<v Speaker 1>I think was a few days. It's hard to tell,

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<v Speaker 1>but there was something about this time that didn't feel right.

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<v Speaker 1>I could see from the look on his face something

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<v Speaker 1>was wrong, but for whatever reason, I couldn't figure out

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<v Speaker 1>what it was. It was blank, expressionless. Henry, has anyone

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<v Speaker 1>had a chance to talk to you about what's happened? No?

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<v Speaker 1>I know. We were in a car accident, but that's it.

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<v Speaker 1>Are my mother and brother, Okay, Henry, this isn't going

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<v Speaker 1>to be easy to hear. But my mother and brother

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<v Speaker 1>were not okay. In fact, they were dead. Their problems

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<v Speaker 1>were over mine. On the other hand, we're just beginning. Hello,

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<v Speaker 1>it's this thing on am I coming through? This is

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<v Speaker 1>Kevin Hartigan. I'm fourteen years old and I live in

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<v Speaker 1>the New Sharon Home for Boys. I had been staying

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<v Speaker 1>in the New Sharon Home for Boys for about a year.

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<v Speaker 1>I shared a room with a few other teenagers. We

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<v Speaker 1>were all orphans. It was okay, I guess. We read

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<v Speaker 1>comic books in the wreck room. There was a TV

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<v Speaker 1>that we could watch The Lone Ranger on, so that

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<v Speaker 1>was good. In spite of there being a few dozen

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<v Speaker 1>other boys around my age, though I never really made

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<v Speaker 1>what I would call friends with anyone. Kevin was an

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<v Speaker 1>orphan there at the same time. I guess it was

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<v Speaker 1>the closest thing I had to a friend. Hey, Henry, huh,

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<v Speaker 1>headmaster's office. He told me to send you in on

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<v Speaker 1>my way out, So that's what I'm doing. I knew

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<v Speaker 1>the drill by now. I'd head down the hallway, listen

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<v Speaker 1>to what he has to say, then go back to

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<v Speaker 1>my room. But it wasn't his fault. He was just

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<v Speaker 1>doing his job. Come in, Henry, take a seat. You

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<v Speaker 1>wanted to see me, I did. I'm not sure if

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<v Speaker 1>you heard yet, but we have a family coming here

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<v Speaker 1>tomorrow and they're looking to adopt. I know this won't

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<v Speaker 1>be an issue for you, but I have to remind

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<v Speaker 1>everybody to be on their best behavior. You are representing

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<v Speaker 1>the New Sharon Home for Boys, Yes, sir, the New

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<v Speaker 1>Sharon Home for Boys. We called it the New Prison

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<v Speaker 1>Home for Strays. I was fifteen years old by then,

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<v Speaker 1>even I knew no one wanted to adopt a teenager.

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<v Speaker 1>They wanted the younger kids, the ones they could rays

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<v Speaker 1>and mold. Into reflections of themselves. By fifteen, it was

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<v Speaker 1>too late. I was who I was. My record or

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<v Speaker 1>personal history did not work in my favor. The accident

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<v Speaker 1>was referred to as a traumatic event, which is another

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<v Speaker 1>way of saying bad luck. It was what it was,

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<v Speaker 1>and we are who we are. That didn't stop the

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<v Speaker 1>headmaster from trying to convince me I had a shot. Henry,

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<v Speaker 1>my boy, don't get discouraged. Have I ever told you

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<v Speaker 1>about William Bell? I'm not I'm not sure, sir. William

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<v Speaker 1>Bell was a lot like you. He lost both his

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<v Speaker 1>parents in a car accident, had no next of kin.

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<v Speaker 1>If I recall, he was brought in when he was

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<v Speaker 1>thirteen years old. He was afraid of his own shadow.

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<v Speaker 1>If I'm not mistaken. He was eventually adopted and moved

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<v Speaker 1>to Maine. It's a beautiful state, but it can get

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<v Speaker 1>cold in the winter. He rose above his own adversity

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<v Speaker 1>and chose not to let it get the best of him.

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<v Speaker 1>I'll be damned if he didn't make the most of himself.

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<v Speaker 1>How did he do that, sir? By going to his

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<v Speaker 1>classes and getting good grades, And sure enough, one day,

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<v Speaker 1>it might have been on his seventeenth birthday, he was

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<v Speaker 1>adopted by a couple from Syracuse. I thought she said Maine, right, Maine.

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<v Speaker 1>I may have mixed up where he moved to. But

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<v Speaker 1>what I'm trying to say is don't give up hope.

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<v Speaker 1>The family coming in today could be the right fit

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<v Speaker 1>for you, and you might be the right fit for them.

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<v Speaker 1>Either way. My point is be patient and good things

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<v Speaker 1>will happen for you. You're young, you have your whole

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<v Speaker 1>life ahead of you. Yes, sir, good boy, put her there.

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<v Speaker 1>I shook his hand. I wanted to believe him, but

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<v Speaker 1>all I could think was William Bell spent four years

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<v Speaker 1>of his life waiting for someone to adopt him. I

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<v Speaker 1>know he was just trying to be positive. I always

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<v Speaker 1>wondered if there really was a William Bell, or that's

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<v Speaker 1>just the kind of name that circulates among people that

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<v Speaker 1>run these institutions. You've got a powerful grip there, Henry.

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<v Speaker 1>Now do me a favor and send in Weston when

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<v Speaker 1>you get back to your room. I never knew of

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<v Speaker 1>the headmaster genuinely thought someone would adopted me, or if

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<v Speaker 1>he was just trying to keep my hopes. Who knows,

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<v Speaker 1>maybe his hopes up to he seems sad for most

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<v Speaker 1>of us in there. He knew the truth. Saying that

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<v Speaker 1>out loud just made it real. What do you guys

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<v Speaker 1>think anyone got a shot? Maybe if you're under ten. Otherwise,

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<v Speaker 1>no way. What are you doing over there trying to

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<v Speaker 1>tie my necktie? Yeah it looks great if you're making

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<v Speaker 1>a noose and you give me a hand. I never

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<v Speaker 1>learned how to time with your dad never showed you. No,

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<v Speaker 1>he went to Korea. He died before he ever had

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<v Speaker 1>a chance. Sorry, here I'll show you. This is how

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<v Speaker 1>my dad taught me. Picture in your house, a cat

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<v Speaker 1>and a mouse. As the cat naps, the mouse scurries passed,

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<v Speaker 1>cat awaits, and a chase takes place. Cat jumps, with

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<v Speaker 1>dinner in sight, around the chair, not once, but twice.

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<v Speaker 1>As the mouse highs, the cat looks inside wiggle ism

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<v Speaker 1>might boardcat is stuck tight. Hey that's pretty good. Thanks, Yeah,

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<v Speaker 1>no problem, But you still don't have a shot. I

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<v Speaker 1>sat in the waiting area, lined with wood paneled walls,

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<v Speaker 1>staring straight ahead. The longer I looked at the wood grain,

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<v Speaker 1>the more I thought I saw images embedded in it.

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<v Speaker 1>One by one, my fellow orphans and I sat on

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<v Speaker 1>the bench as each one of us entered the Headmaster's office.

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<v Speaker 1>We slipped down the bench, one seed closer to going

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<v Speaker 1>to a new home. We sat, We waited. We were

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<v Speaker 1>all quiet. It's not that we couldn't talk to each other,

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<v Speaker 1>but there wasn't anything to say. Everyone knew what was

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<v Speaker 1>going on inside that office. Judgment day. Finally the headmaster

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<v Speaker 1>opened the door. Henry, come on in and meet Mr

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<v Speaker 1>and Mrs Current. I got up and started walking. It

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<v Speaker 1>was about a fifteen foot walk. I knew that because

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<v Speaker 1>the square tiles on the floor were one foot each.

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<v Speaker 1>I counted as I walked, mostly trying to call my nerves.

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<v Speaker 1>Two three. It might as well have been a mile.

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<v Speaker 1>I've read that prisoners on death row, I think the

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<v Speaker 1>last walk to the electric chair feels like a mile.

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<v Speaker 1>This could have felt longer. It didn't matter though. An

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<v Speaker 1>hour and a half waiting in the hallway and I

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<v Speaker 1>finally got my chance. Would it be a stay of

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<v Speaker 1>execution or not? That was the question. M hm, Henry,

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<v Speaker 1>please meet the Currents. This was the first time I

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<v Speaker 1>had met a family that was looking to adopt. I'll

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<v Speaker 1>never forget it. She wore a yellow dress with her

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<v Speaker 1>hair pinned up. He had broke cream and his hair

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<v Speaker 1>that smell is impossible to forget, strong and citruous. I

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<v Speaker 1>instantly thought of my father. He used to wear it,

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<v Speaker 1>and when I give him a hug, a scent when

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<v Speaker 1>right up my nose. He had a tie on. And

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<v Speaker 1>I guess they were as nervous as I was, because

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<v Speaker 1>he made some small talk. Nice to meet you. It's

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<v Speaker 1>a pleasure to meet you too, Henry, Hey, nice tie.

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<v Speaker 1>I hated him already. We both knew it was a

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<v Speaker 1>shitty tie to make matters worse. It wasn't even tied well.

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<v Speaker 1>I could tell they were an East Coast type of family,

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<v Speaker 1>probably came from money. There were the types that tried

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<v Speaker 1>really hard to have a baby, but it never really

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<v Speaker 1>happened for them. How long have you been here at

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<v Speaker 1>the Boys Home? About a year and a half. I

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<v Speaker 1>came here right after my family, like many of the

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<v Speaker 1>boys here in the home, Henry's family had an accident,

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<v Speaker 1>and we were fortunate enough to have him join the

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<v Speaker 1>rest of our fine, upstanding young men. As I was saying,

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<v Speaker 1>right after my family died, Mrs Karrent had a sadness

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<v Speaker 1>in her eyes that reminded me of my own mother.

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<v Speaker 1>When I looked at her, I felt like she had

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<v Speaker 1>already given up on having a baby. Adoption was her

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<v Speaker 1>only hope, and even though she was polite, I could

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<v Speaker 1>tell I was not going to be offering her the

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<v Speaker 1>hope she was looking for. I didn't think any of

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<v Speaker 1>the boys at the home wood. She needed to find

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<v Speaker 1>some young girl from a nice family that got in

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<v Speaker 1>trouble and couldn't deal with the scandal, send her to

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<v Speaker 1>her grandparents for the school year, and come home good

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<v Speaker 1>as new, minus a baby. So tell us about yourself. Um, okay,

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<v Speaker 1>I like comic books and listening to the radio. I'm

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<v Speaker 1>pretty good at school. What classes do you like? English? Really? Yeah?

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<v Speaker 1>One day. I hope to be a writer. That's good.

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<v Speaker 1>It's good to have something to work towards. Henry's being modest.

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<v Speaker 1>He's one of our best students here. Thank you, sir.

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<v Speaker 1>After that, we made some more small talk, and fifteen

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<v Speaker 1>minutes later I went back to being an orphan. I

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<v Speaker 1>didn't know what meeting them would be like, but I

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<v Speaker 1>was pretty sure I didn't pass the audition. After leaving

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<v Speaker 1>the Currents, I figured i'd take a walk about the grounds.

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<v Speaker 1>Being an orphan is hard enough, but the Boy's Home

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<v Speaker 1>was crowded. Sometimes the only way to get any space

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<v Speaker 1>was to go outside. I thought about Mrs Curran. Even

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<v Speaker 1>though I didn't have any illusions about getting adopted, I

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<v Speaker 1>wondered what it would be like if shows my mother

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<v Speaker 1>hearing about teenagers getting adopted. It was like a fairy tale,

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<v Speaker 1>like Santa Claus or the Tooth Fairy. It just wasn't really.

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<v Speaker 1>The only thing you have in this world is which

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<v Speaker 1>you can see, touch, taste and feel. Walking around was

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<v Speaker 1>the only thing that felt real to me. It's the

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<v Speaker 1>first time I realized it helped me clear my head.

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<v Speaker 1>It still does. As my feet crushed the dried leaves

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<v Speaker 1>on the ground, I saw something moved behind the trees.

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<v Speaker 1>At first I thought it was a shadow, but then

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<v Speaker 1>I saw what I thought was a man who seemed

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<v Speaker 1>to be watching him. I moved towards him, but he

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<v Speaker 1>ducked behind a hedge of vines and facing streets. I

0:14:25.560 --> 0:14:29.080
<v Speaker 1>sped up. I was running after him before I knew it.

0:14:29.440 --> 0:14:32.040
<v Speaker 1>The man was fast. He was more of a shadow

0:14:32.080 --> 0:14:34.840
<v Speaker 1>of figure that I couldn't make out. I stopped to

0:14:34.880 --> 0:14:39.520
<v Speaker 1>catch my breath, and for a split second his face turned.

0:14:40.000 --> 0:14:43.840
<v Speaker 1>I guessed he looked just like my father. I saw

0:14:43.880 --> 0:14:45.920
<v Speaker 1>my breath in the cold air and started to run

0:14:45.960 --> 0:14:49.720
<v Speaker 1>after him again. This time I was faster, passing one

0:14:49.760 --> 0:14:54.960
<v Speaker 1>tree after another until I caught up. It was only

0:14:55.000 --> 0:14:59.840
<v Speaker 1>a shadow. It was March and the spring colors were bright.

0:15:00.960 --> 0:15:03.960
<v Speaker 1>The sun blinded me and my head started to pound.

0:15:04.720 --> 0:15:14.120
<v Speaker 1>The world started to spend. I lost consciousness and fell back. Hey,

0:15:14.120 --> 0:15:17.080
<v Speaker 1>there's someone over here behind the statute because some lights

0:15:17.080 --> 0:15:22.200
<v Speaker 1>over here. Jesus, it's another body. This one's a guy

0:15:23.560 --> 0:15:29.960
<v Speaker 1>Christ He's alive. Yeah, help him up? Where am i? Hey? Kid,

0:15:30.600 --> 0:15:33.200
<v Speaker 1>joined the middle of a quiet You want to explain

0:15:33.240 --> 0:15:36.720
<v Speaker 1>what you're doing here? I was. I was walking to

0:15:36.760 --> 0:15:39.720
<v Speaker 1>my girlfriend's apartment when I got dizzy and passed out.

0:15:40.440 --> 0:15:44.160
<v Speaker 1>What were you doing out after Curkfield? It wasn't after

0:15:44.240 --> 0:15:46.960
<v Speaker 1>curfew when I started walking. Look, I don't know how

0:15:47.000 --> 0:15:49.000
<v Speaker 1>long I was out for. What time is it? It's

0:15:49.040 --> 0:15:51.400
<v Speaker 1>just after I love him? Do you have any I

0:15:51.480 --> 0:15:57.240
<v Speaker 1>d here? I'm Henry Dennon. Captain Spencer won't want to,

0:15:57.360 --> 0:16:01.040
<v Speaker 1>but he can vouch for me. One of them walked

0:16:01.040 --> 0:16:03.520
<v Speaker 1>back to their patrol car and called it in the

0:16:03.600 --> 0:16:06.600
<v Speaker 1>other stayed with me, shining a flashlight in my face.

0:16:07.280 --> 0:16:09.920
<v Speaker 1>Do you mind turning that away. It's pretty bright. How

0:16:09.920 --> 0:16:13.520
<v Speaker 1>about you stay quiet until you check out. I looked around.

0:16:14.280 --> 0:16:16.320
<v Speaker 1>That's when I realized I passed down the middle of

0:16:16.360 --> 0:16:19.880
<v Speaker 1>the quad, right behind a statue of Deborah Sampson, a

0:16:19.960 --> 0:16:22.960
<v Speaker 1>Massachusetts woman who disguised herselves as a man to serve

0:16:23.040 --> 0:16:27.040
<v Speaker 1>in the Continental Army during the Revolutionary War. Just for

0:16:27.080 --> 0:16:29.240
<v Speaker 1>a moment, I could have sworn she came to life,

0:16:30.280 --> 0:16:32.760
<v Speaker 1>musket in hand. She aimed the barrel at me and

0:16:32.800 --> 0:16:38.720
<v Speaker 1>looked like she was about to shoot. I wondered if

0:16:38.720 --> 0:16:40.800
<v Speaker 1>the cops didn't miss their chance. They have a man

0:16:40.920 --> 0:16:43.680
<v Speaker 1>dressed as a woman. Maybe then they could have caused

0:16:43.760 --> 0:16:47.320
<v Speaker 1>radio jack. If he checks out, we're gonna let him go.

0:16:47.680 --> 0:16:51.520
<v Speaker 1>Thank you, officers. Don't thank me, pal, You're lucky to

0:16:51.600 --> 0:16:54.040
<v Speaker 1>Captain knows you. If it was up to me, I

0:16:54.080 --> 0:16:56.560
<v Speaker 1>would have clubbed you over the head and dragged you

0:16:56.600 --> 0:16:59.960
<v Speaker 1>into the station. Do yourself a favor and goes straight

0:17:00.120 --> 0:17:03.640
<v Speaker 1>to your girlfriend's place. If we find you out again

0:17:03.680 --> 0:17:08.439
<v Speaker 1>after curfew, you're getting arrested. I don't care who you know.

0:17:09.280 --> 0:17:14.320
<v Speaker 1>Got it got it good? I get the hell out.

0:17:14.359 --> 0:17:27.560
<v Speaker 1>Are Hey, Henry Waite up? I thought that was you?

0:17:27.880 --> 0:17:30.080
<v Speaker 1>What are you doing out here at this hour? I

0:17:30.080 --> 0:17:32.520
<v Speaker 1>can ask you the same. I'm just finishing the lace

0:17:32.520 --> 0:17:35.000
<v Speaker 1>shift at the station, late shift. I thought you were

0:17:35.040 --> 0:17:39.240
<v Speaker 1>the morning guy, morning, noon, night. I'm here whenever you

0:17:39.280 --> 0:17:41.919
<v Speaker 1>need to hear me. Hey, what's going on with the

0:17:41.960 --> 0:17:44.080
<v Speaker 1>cops back there? They're giving you a hard time? Kind

0:17:44.119 --> 0:17:48.240
<v Speaker 1>of but not really, thankfully, Captain Spencer vouch for me. Well,

0:17:48.240 --> 0:17:50.960
<v Speaker 1>that's good. Keep your friends close and your enemies closer, right,

0:17:51.480 --> 0:17:54.640
<v Speaker 1>something like that. You know, I'm not sure if you're

0:17:54.720 --> 0:17:57.320
<v Speaker 1>turned around, but this isn't the way back to the dorms.

0:17:57.720 --> 0:18:00.560
<v Speaker 1>I'm on my way to Rachel's. I'll never understand what

0:18:00.680 --> 0:18:04.320
<v Speaker 1>she's sees in you. You're a lucky guy. I've never

0:18:04.320 --> 0:18:07.399
<v Speaker 1>been able to keep a long term relationship. Something always

0:18:07.440 --> 0:18:10.600
<v Speaker 1>gets in the way, like what I'm not quite sure,

0:18:11.200 --> 0:18:15.720
<v Speaker 1>but maybe one day you'll help me figure it out. Maybe.

0:18:15.960 --> 0:18:19.440
<v Speaker 1>Until then, this is where I go left and you

0:18:19.520 --> 0:18:24.080
<v Speaker 1>go right. I gotta crash you on the morning shift.

0:18:24.560 --> 0:18:29.280
<v Speaker 1>Like I said, morning, noon, and night. If you're listening,

0:18:29.800 --> 0:18:33.000
<v Speaker 1>I'm there for you, you know, keep you company on

0:18:33.040 --> 0:18:35.960
<v Speaker 1>these long foggy nights. You know how, I know you're

0:18:36.000 --> 0:18:40.240
<v Speaker 1>perfect for radio, know how He's spewing an endless dream

0:18:40.280 --> 0:18:52.280
<v Speaker 1>of bullshit. You have no idea. So after Captain spends

0:18:52.320 --> 0:18:55.360
<v Speaker 1>her vouch for me, they let me go, and here

0:18:55.400 --> 0:18:58.879
<v Speaker 1>I am. Thank god they didn't arrest you. Keep telling

0:18:58.880 --> 0:19:01.720
<v Speaker 1>you it's for seat coming up here after curfew. No

0:19:01.920 --> 0:19:03.920
<v Speaker 1>I know, but by the time I finished at the

0:19:03.920 --> 0:19:07.439
<v Speaker 1>papers late. Plus, I don't want you to be here alone.

0:19:07.520 --> 0:19:09.719
<v Speaker 1>If you don't have to be here, what does bring

0:19:09.800 --> 0:19:12.720
<v Speaker 1>me help Jack caught you out, then i'd be the

0:19:12.760 --> 0:19:16.800
<v Speaker 1>first guy that kills. So far, I think I'm safe. Well,

0:19:18.520 --> 0:19:22.280
<v Speaker 1>you're here now, that's all that matters. Let's try to

0:19:22.320 --> 0:19:27.920
<v Speaker 1>get some sleep. Tomorrow is another day. I laid down

0:19:27.960 --> 0:19:32.440
<v Speaker 1>next to Rachel. There was just enough moonlight creeping into

0:19:32.480 --> 0:19:36.320
<v Speaker 1>the room to remind me how beautiful she was, especially

0:19:36.400 --> 0:19:39.879
<v Speaker 1>when she was sleeping. I closed my eyes and shut

0:19:39.880 --> 0:19:43.080
<v Speaker 1>out the light. The only rest I could get was

0:19:43.119 --> 0:19:47.160
<v Speaker 1>when I was in complete darkness. But Rachel was wrong

0:19:47.200 --> 0:19:52.239
<v Speaker 1>about one thing. Tomorrow wouldn't be just another day for

0:19:52.320 --> 0:20:06.160
<v Speaker 1>Hannah Gray. Can we hear anything now about the weather,

0:20:06.720 --> 0:20:09.719
<v Speaker 1>like what like when is this ship gonna let up?

0:20:10.560 --> 0:20:12.480
<v Speaker 1>I can tell you right now if we have a

0:20:12.520 --> 0:20:15.520
<v Speaker 1>snowballs chance in helly catching this guy it ain't gonna

0:20:15.560 --> 0:20:17.960
<v Speaker 1>be in the middle of this flock, that's for sure. Yeah,

0:20:17.960 --> 0:20:21.400
<v Speaker 1>at least it's quiet out here, other than your irish yest,

0:20:21.480 --> 0:20:29.040
<v Speaker 1>not like a hair of the crickets. Fuck is that ice?

0:20:30.040 --> 0:20:33.359
<v Speaker 1>And mean with your flashlight? Would you funk? Don't move?

0:20:34.280 --> 0:20:38.119
<v Speaker 1>Don't move? What do you mean? Don't move? Help me up?

0:20:38.280 --> 0:20:44.280
<v Speaker 1>Would you? What is that on me? Is that it's blood?

0:20:45.840 --> 0:20:49.000
<v Speaker 1>That night they found Hannah Gray's head. It was split

0:20:49.080 --> 0:20:50.960
<v Speaker 1>in two, with one half on the north side of

0:20:50.960 --> 0:20:53.080
<v Speaker 1>the quad and the other half on the south side.

0:20:53.920 --> 0:20:57.320
<v Speaker 1>The kill was so precise her glasses were cut right

0:20:57.359 --> 0:21:01.520
<v Speaker 1>down the middle. Another night had passed, another girl was dead.

0:21:02.520 --> 0:21:05.480
<v Speaker 1>Spring heel Jack was like a spark on the horizon.

0:21:06.280 --> 0:21:08.119
<v Speaker 1>You could see it just long enough to know you

0:21:08.160 --> 0:21:11.400
<v Speaker 1>can't catch it. I sat next to Anne. We were

0:21:11.440 --> 0:21:15.520
<v Speaker 1>both sobering up finding ahead. We'll do that to you.

0:21:19.400 --> 0:21:22.080
<v Speaker 1>Oh do you think we'll have to wait here? Beats me?

0:21:22.119 --> 0:21:25.960
<v Speaker 1>You probably until they get all the paperwork done. You know,

0:21:26.000 --> 0:21:27.520
<v Speaker 1>if you told me I'd be coming back to New

0:21:27.560 --> 0:21:30.960
<v Speaker 1>Sharon in nineteen seventy six to investigate spring heeled Jack,

0:21:31.600 --> 0:21:34.960
<v Speaker 1>I wouldn't have believed you. I get that if you

0:21:35.080 --> 0:21:36.520
<v Speaker 1>told me while I was back here, you and I

0:21:36.560 --> 0:21:38.880
<v Speaker 1>would make amends. I would have told you you're crazy.

0:21:39.760 --> 0:21:43.359
<v Speaker 1>I get that too, Henry. If you would have told

0:21:43.359 --> 0:21:44.919
<v Speaker 1>me we'd find the head of a victim in the

0:21:45.000 --> 0:21:48.359
<v Speaker 1>same exact spot where Chelseie Spencer's head was found, I'd

0:21:48.359 --> 0:21:52.879
<v Speaker 1>tell you that spring heel Jack was back yes, and

0:21:53.160 --> 0:21:55.680
<v Speaker 1>closed her eyes. It was all too much for her.

0:21:56.359 --> 0:21:58.160
<v Speaker 1>I think she was able to block it out when

0:21:58.200 --> 0:22:03.520
<v Speaker 1>she moved away. The murder the book me coming back

0:22:03.560 --> 0:22:06.920
<v Speaker 1>here resolve too much. As for me. I sat next

0:22:06.920 --> 0:22:09.560
<v Speaker 1>to her on the bench in the hall. She leaned

0:22:09.600 --> 0:22:12.440
<v Speaker 1>her head on my shoulder, as much out of affection

0:22:12.600 --> 0:22:19.000
<v Speaker 1>as exhaustion, or maybe she was just drunk. I watched

0:22:19.000 --> 0:22:22.639
<v Speaker 1>everyone run back and forth, one by one. They'd hurry

0:22:22.640 --> 0:22:26.480
<v Speaker 1>into Chief Spencer's office. They'd exited just as fast as

0:22:26.560 --> 0:22:30.160
<v Speaker 1>they entered. We waited, just like at the Boy's home.

0:22:30.760 --> 0:22:33.520
<v Speaker 1>Sit and wait your turn. Your time will come. Just

0:22:33.640 --> 0:22:35.960
<v Speaker 1>be patient. But what if I didn't want to be

0:22:36.040 --> 0:22:39.720
<v Speaker 1>patient anymore? What if my time had come and gone?

0:22:43.400 --> 0:22:47.920
<v Speaker 1>Dat right? Asses in here now, Jesus Christ, let's go.

0:22:48.440 --> 0:22:51.320
<v Speaker 1>Why am I nervous? We didn't do anything wrong. Some

0:22:51.440 --> 0:22:57.399
<v Speaker 1>authority figures you never outgrow What is this? Is this

0:22:57.480 --> 0:23:00.239
<v Speaker 1>some kind of sick joke? What do you mean? You

0:23:00.280 --> 0:23:02.480
<v Speaker 1>know what I mean? He placed her in the same

0:23:02.520 --> 0:23:08.199
<v Speaker 1>exact spot as check. You know where she was, And

0:23:08.240 --> 0:23:12.359
<v Speaker 1>now we have a new victim. Her parents were already contacted.

0:23:13.200 --> 0:23:18.399
<v Speaker 1>They're identifying her right now. Jesus, Jesus is right. Do

0:23:18.440 --> 0:23:20.320
<v Speaker 1>you know how hard it was to make that call?

0:23:21.720 --> 0:23:24.760
<v Speaker 1>Do you? I can only imagine. I'm sorry you had

0:23:24.760 --> 0:23:26.240
<v Speaker 1>to be the one to do it. Yeah, well so

0:23:26.359 --> 0:23:29.159
<v Speaker 1>am I. But this stops now. I have John Dancy

0:23:29.200 --> 0:23:32.720
<v Speaker 1>and custody right down the hall. You found him. It

0:23:32.840 --> 0:23:35.920
<v Speaker 1>wasn't hard. He's been living with his mother just outside

0:23:35.920 --> 0:23:39.320
<v Speaker 1>of town. You should see him, strung out on dope.

0:23:39.960 --> 0:23:43.320
<v Speaker 1>He looks like every other junkie, rejected. Do you really

0:23:43.359 --> 0:23:46.600
<v Speaker 1>think he's spring Hill jock. We looked at every suspect

0:23:46.640 --> 0:23:50.160
<v Speaker 1>at the time, he had access, he knew the campus,

0:23:50.320 --> 0:23:54.480
<v Speaker 1>and after he found a carman girl, we never suspected him.

0:23:54.560 --> 0:23:58.160
<v Speaker 1>What about Mma, Laura? We might pick him up again too,

0:23:58.200 --> 0:24:01.320
<v Speaker 1>for questioning. I've had a theory for a long time.

0:24:01.920 --> 0:24:05.040
<v Speaker 1>What if they were in on it together. I'm a

0:24:05.119 --> 0:24:08.720
<v Speaker 1>Laura is in jail. Dancy goes out and kills gives

0:24:08.760 --> 0:24:12.280
<v Speaker 1>him the perfect alibi. Have you ever heard such a thing.

0:24:12.680 --> 0:24:15.679
<v Speaker 1>If I'm Laura and Dancy was somehow orchestrate multiple murders

0:24:15.720 --> 0:24:18.280
<v Speaker 1>across this long of a time span, it would be unprecedented.

0:24:19.240 --> 0:24:23.440
<v Speaker 1>It would explain a lot two different people. One can

0:24:23.520 --> 0:24:28.719
<v Speaker 1>lead a normal life while one kills and vice versa. Hello,

0:24:30.480 --> 0:24:36.159
<v Speaker 1>are you sure? How long? All right? Just give me

0:24:36.200 --> 0:24:42.040
<v Speaker 1>a minute, would you? Are you okay? What is it here?

0:24:43.000 --> 0:24:47.840
<v Speaker 1>We're all gonna need this drink up. What's going on?

0:24:49.720 --> 0:24:52.480
<v Speaker 1>The girl's parents, they're in the hallway. They want to

0:24:52.480 --> 0:24:55.000
<v Speaker 1>come in and talk to me about the case. Don't

0:24:55.000 --> 0:24:57.320
<v Speaker 1>even think about it. You two are mixed up in

0:24:57.320 --> 0:24:59.639
<v Speaker 1>this case more than any two people on earth. You

0:24:59.680 --> 0:25:04.239
<v Speaker 1>think gonna face these parents alone? You've got another thing coming. Now,

0:25:04.320 --> 0:25:06.240
<v Speaker 1>sit down and follow my lead. Don't say anything you

0:25:06.280 --> 0:25:15.400
<v Speaker 1>don't need to. Hi, Please come in, Chief Spencer. Thank

0:25:15.400 --> 0:25:18.679
<v Speaker 1>you for seeing us. We understand you lost your own

0:25:18.760 --> 0:25:25.280
<v Speaker 1>daughter to this this animal. Yeah, I did eight years

0:25:25.280 --> 0:25:28.920
<v Speaker 1>ago this month. It can't be. This is crazy. After

0:25:29.080 --> 0:25:34.040
<v Speaker 1>all these years, they look exactly the same. We need

0:25:34.080 --> 0:25:38.520
<v Speaker 1>to know what you're doing to find the rest of her.

0:25:39.280 --> 0:25:41.640
<v Speaker 1>Believe me, we have every available man on the job

0:25:42.240 --> 0:25:45.120
<v Speaker 1>spring Hill. Jack has a history of leaving the remains

0:25:45.119 --> 0:25:48.920
<v Speaker 1>somewhere on campus, so we will find her, but are

0:25:48.920 --> 0:25:52.240
<v Speaker 1>you going to catch him? We're going to do everything

0:25:52.240 --> 0:25:56.440
<v Speaker 1>we can. If I can introduce you, this is Anne Bray,

0:25:56.560 --> 0:25:59.640
<v Speaker 1>she's here from the Globe to help with the investigation.

0:26:00.520 --> 0:26:04.760
<v Speaker 1>I'm so sorry for your loss. And this is Henry Denton.

0:26:05.480 --> 0:26:07.800
<v Speaker 1>They were both students doing the first wave of killings.

0:26:08.240 --> 0:26:11.320
<v Speaker 1>Henry actually wrote the book on them. You should know.

0:26:11.400 --> 0:26:14.679
<v Speaker 1>I have a suspect and custody right now, and I

0:26:14.760 --> 0:26:17.080
<v Speaker 1>intend on getting a confession out of him in any

0:26:17.119 --> 0:26:21.920
<v Speaker 1>accomplices he may have. They don't remember me. How could

0:26:21.960 --> 0:26:26.399
<v Speaker 1>they nineteen sixty one and was fifteen years ago. I

0:26:26.480 --> 0:26:30.919
<v Speaker 1>sat right across from them in the headmaster's office. She

0:26:31.000 --> 0:26:33.199
<v Speaker 1>has more grain now, but her hair is basically the

0:26:33.240 --> 0:26:37.960
<v Speaker 1>same style. His hairs were seating, but the brille cream.

0:26:38.040 --> 0:26:42.000
<v Speaker 1>I'd know that scent anywhere. I was right about what

0:26:42.040 --> 0:26:45.240
<v Speaker 1>I knew back then. They didn't want to adopt the

0:26:45.280 --> 0:26:50.440
<v Speaker 1>teenage boy. They wanted a baby. They found on Marcia.

0:26:50.920 --> 0:26:53.600
<v Speaker 1>She was two at the time. Now she was seventeen

0:26:53.680 --> 0:26:57.480
<v Speaker 1>years old. They don't remember me, but I remember that

0:26:58.800 --> 0:27:01.440
<v Speaker 1>I didn't feel it at the time. I bet the rejection.

0:27:02.280 --> 0:27:06.160
<v Speaker 1>I can feel it now, emotional memory all coming back.

0:27:08.119 --> 0:27:11.480
<v Speaker 1>Mr and Mrs Curran. I'm sorry to meet you under

0:27:11.480 --> 0:27:21.000
<v Speaker 1>these circumstances. You seem so familiar. Have we met? Do

0:27:21.119 --> 0:27:23.359
<v Speaker 1>I tell them who I am, that I was a

0:27:23.480 --> 0:27:27.320
<v Speaker 1>scared teenager in an orphanage, just looking for a home.

0:27:27.720 --> 0:27:31.360
<v Speaker 1>Do I tell them I wanted parents? Do I tell

0:27:31.400 --> 0:27:34.159
<v Speaker 1>them how sorry I am for their loss? Or do

0:27:34.359 --> 0:27:39.400
<v Speaker 1>I just avert my eyes and sympathize for them? Maybe

0:27:39.400 --> 0:27:56.920
<v Speaker 1>the answer is all of the above. M yeh did it?

0:28:00.600 --> 0:28:04.439
<v Speaker 1>Strawberry Spring Executive produced by Lee Metzker, Jared Gootstat and

0:28:04.520 --> 0:28:09.240
<v Speaker 1>Philip Alberstadt, starring Garrett Headland, My Lot, Ventimilia Horizon, Guardiola,

0:28:09.400 --> 0:28:13.399
<v Speaker 1>Sydney Sweeney, Ken Marino, Al Madrigal and Breck Passenger. Audio

0:28:13.480 --> 0:28:17.280
<v Speaker 1>up in house production by Georgana Black, Franzheim and Laura Ramadan,

0:28:17.640 --> 0:28:21.359
<v Speaker 1>Edited by Carry Caulfield, Eric and Jeremiah Zimmerman. Sound design

0:28:21.400 --> 0:28:24.679
<v Speaker 1>and mixed by Jeremiah Zimmerman, scored by Jeff Peters. Songs

0:28:24.680 --> 0:28:27.960
<v Speaker 1>and music by Jared Gutstat and Jesse Siebenberg. Strawberry Spring

0:28:28.040 --> 0:28:30.840
<v Speaker 1>is published in Stephen King's Short story collection night Shift,

0:28:30.960 --> 0:28:34.359
<v Speaker 1>available in paperback and ebro from Anchor Books, and as

0:28:34.400 --> 0:28:37.000
<v Speaker 1>an audio book from Penguin Random House Audio. For the

0:28:37.000 --> 0:28:39.840
<v Speaker 1>fullest of production credits, please visit audio up dot com.

0:28:39.880 --> 0:28:42.240
<v Speaker 1>You can find more podcasts from I heart Radio on

0:28:42.320 --> 0:28:45.400
<v Speaker 1>the i Heart Radio app, Apple Podcasts, or wherever you

0:28:45.480 --> 0:28:46.480
<v Speaker 1>listen to podcasts.