WEBVTT - What the Puck?

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<v Speaker 1>It's one engine with Jenny Garth and Tory spelling. Oh

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<v Speaker 1>my goodness, you guys, I mean the Stalker.

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<v Speaker 2>Remember last week we were trying to guess what face

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<v Speaker 2>off meant.

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<v Speaker 1>I think I guessed it.

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<v Speaker 2>You did, I did you put the sports in a row?

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<v Speaker 1>I'm not happy here. I will not reveal it yet. Yes,

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<v Speaker 1>but there is something in this episode that shocked me

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<v Speaker 1>more than anything I've pretty much ever seen on television.

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<v Speaker 1>And I've seen a lot of really bold the same thing.

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<v Speaker 1>Thank you. I think it's what's bad to do with

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<v Speaker 1>hint the Stalker. Okay, hmm, how are you guys? Not?

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<v Speaker 1>Like like I almost thought I would not be able

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<v Speaker 1>to sleep.

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<v Speaker 2>Was it the Dead Rat?

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<v Speaker 1>Yes? I didn't want to reveal it yet, but it

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<v Speaker 1>was such a lingering zoom in like they cut back

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<v Speaker 1>to it for a long amount of time and I

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<v Speaker 1>just kept staring and it was disgusting.

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<v Speaker 3>Okay, wait, well I didn't play what were you eating

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<v Speaker 3>during this time? Because you always eat while you watched

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<v Speaker 3>that episode? See, I knew it, agreed, That's what really

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<v Speaker 3>grossed her out.

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<v Speaker 1>And she was eating and.

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<v Speaker 2>She's like it was a groady eat mouse.

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<v Speaker 1>I watched this not last night, but SAT Saturday night. Yeah,

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<v Speaker 1>it's my big night party.

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<v Speaker 2>Girl.

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<v Speaker 1>I don't think I was eating, If anything, I was

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<v Speaker 1>having a sugar retreat. It was so vile and aggressive.

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<v Speaker 1>And I watched Walking Dead where they literally poked people

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<v Speaker 1>in the brains.

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<v Speaker 3>And this rodent in nineteen ninety seven disturbed you.

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<v Speaker 1>To that point.

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<v Speaker 2>It was fake, Amy, It's not real.

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<v Speaker 1>You didn't think it looked completely real, Completely shocked. And

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<v Speaker 1>here's my confusion. This episode has me like twisted up sideways.

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<v Speaker 1>Number one? What is going on with the guy that

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<v Speaker 1>tried to rape an attack and now you're.

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<v Speaker 2>Not to be in the same room with her?

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<v Speaker 1>Oh my god, We're not there yet. Will you could?

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<v Speaker 2>I'm sorry, let's start.

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<v Speaker 1>Let's start, okay.

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<v Speaker 2>This is episode seventeen of season seven, Face Off Air

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<v Speaker 2>January twenty ninth, nineteen ninety seven.

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<v Speaker 3>Synopsis, What the puck is going on? Judge lets Garrett Coke,

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<v Speaker 3>causing Donna and David some serious distress.

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<v Speaker 1>Guys, bear with me.

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<v Speaker 3>Tom Miller switches teams when he goes from Valerie boy

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<v Speaker 3>toy to Kelly's crush. Meanwhile, Brandon puts Tracy on ice

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<v Speaker 3>after she makes a rookie mistake and Stephen Clara have

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<v Speaker 3>fun playing house until he noticed there are cracks in

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<v Speaker 3>the foundation the pun.

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<v Speaker 1>Props to producer Lorraine on that. When you were reading that,

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<v Speaker 1>I realized, like, this episode makes no sense.

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<v Speaker 2>Wait, wait, it's directed. I want to give these guys credit.

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<v Speaker 2>Director by Laurie McCarthy. Okay, who goes first? I know

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<v Speaker 2>you got a lot so disjointed.

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<v Speaker 1>I love it. Every single thing I'm kind of into.

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<v Speaker 1>I want to talk about who'sy and Brandon can't. What's

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<v Speaker 1>her name?

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<v Speaker 2>Her name's Tracy, Tracy Tracy.

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<v Speaker 1>Okay, but we have that going. We have the weird

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<v Speaker 1>Steven Clare thing going, we have the stalker going like

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<v Speaker 1>we have always some Valerie Hockey.

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<v Speaker 3>Yeah, I mean it was double ups. They couldn't fuse

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<v Speaker 3>the storylines together. They had to separate them.

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<v Speaker 1>It feels like there's seven episodes in this one episode.

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<v Speaker 2>It's true, yeah, it does. But it was exciting because

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<v Speaker 2>there was so much going on. You didn't never know

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<v Speaker 2>what we were going to be coming back.

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<v Speaker 1>To laugh that they just got rid of Mark. They're

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<v Speaker 1>just like, you're gone, and the new guy lives with David,

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<v Speaker 1>his somewhat mortal enemy in the beginning is now his roommate.

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<v Speaker 2>They had to put him somewhere, could They couldn't build

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<v Speaker 2>a set for him.

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<v Speaker 3>I wish he'd come to the beach apartment and protect us.

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<v Speaker 1>Oh my god, I know, and everyone's just taking this

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<v Speaker 1>very lightly.

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<v Speaker 2>I finally was happy to see Kelly step up and

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<v Speaker 2>be caring and take care of Donna.

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<v Speaker 3>Okay, should we talk about that storyline?

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<v Speaker 1>Yes, let's start with the big guns. Yeah, let's just

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<v Speaker 1>start with it.

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<v Speaker 2>As I was watching it from the very beginning it

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<v Speaker 2>started to happen, I was like, oh my god, this

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<v Speaker 2>dogger's still on the loose. I totally forgot about it.

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<v Speaker 1>That just made me think of the juice is on

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<v Speaker 1>the loose.

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<v Speaker 2>The dogger's on the loose, and nobody knows who he is.

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<v Speaker 2>I do not know who it is. I know it's

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<v Speaker 2>not that guy.

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<v Speaker 1>What's his name, Garrett Slan, So obvious it's not him,

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<v Speaker 1>AKA the guy.

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<v Speaker 3>From Cable Guy. Oh yeah, tune one in the helicopter.

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<v Speaker 1>Nutty pretty well, David bow so good.

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<v Speaker 2>Wait what was his role in Cable Guy.

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<v Speaker 3>Oh at the end, when like everything comes to a

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<v Speaker 3>head and like they think everything's okay, he's like taking

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<v Speaker 3>on the new role of cable guy and he's like the.

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<v Speaker 1>Helicopter driver and he turns around.

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<v Speaker 3>He's like crazy, just like him, like Jim Carrey. I

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<v Speaker 3>don't know.

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<v Speaker 2>Great movie anyway. Yeah, Donna is still on guard because

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<v Speaker 2>especially now because Garrett is out of jail.

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<v Speaker 3>Wait, you guys, is this how it happens? Like no,

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<v Speaker 3>Like it just feels a little like everyone's being a

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<v Speaker 3>little precious, Like no, that's fine.

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<v Speaker 1>But Nana's that this guy who did attempt to murder

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<v Speaker 1>you first of all got out in two years. That

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<v Speaker 1>is totally he's.

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<v Speaker 3>Gonna murder me or just rape me.

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<v Speaker 1>He had a knife, he tried to sounds like attempted murder.

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<v Speaker 1>Didn't have a knife. Yeah, I'm calling it attempted murder.

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<v Speaker 2>Okay, your parents aren't don't come home for.

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<v Speaker 1>It, and everyone is almost mocking you.

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<v Speaker 3>It's just instinctually watching it. It's hard to watch because

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<v Speaker 3>I'm like, ooh, there's a lot of close close ups

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<v Speaker 3>which send me over to edge as you and it's

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<v Speaker 3>a lot of drama and I'm like, oh, there's no

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<v Speaker 3>TV movie girl coming out.

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<v Speaker 1>But I'm like, god, she's a.

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<v Speaker 3>Little it's a little heightened, but actually not like it

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<v Speaker 3>just keeps going.

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<v Speaker 1>I'm sorry, there would be an armed security guard outside

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<v Speaker 1>your house if doctor Martin's precious daughter and he's loaded,

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<v Speaker 1>and you're got a clear stalker and your attempted rapist,

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<v Speaker 1>attempted murders is just on the most trauma, but just

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<v Speaker 1>on the loose, visiting you regularly.

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<v Speaker 2>Who puts you in the bed?

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<v Speaker 1>Who did I think you did?

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<v Speaker 2>Garrett did not do that. Garrett's land didn't do that.

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<v Speaker 1>No, he isn't the stalker, but he is a stalker.

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<v Speaker 1>You have two, I'm sorry you have too. That is stalking.

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<v Speaker 3>It's wild because they it's he's such a red herring

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<v Speaker 3>because as soon as like everyone's backstern, he's like smiling

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<v Speaker 3>at her like, oh that was to come get you,

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<v Speaker 3>and then I don't know, like to show up.

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<v Speaker 1>Why didn't he call her? He didn't learn anything?

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<v Speaker 3>And every other stocker's calling her like what why didn't

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<v Speaker 3>he call her and talk to her?

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<v Speaker 1>Guys, that guy didn't learn anything in prison nothing. How

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<v Speaker 1>long was he there? Two years? Two years to be rehabilitated,

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<v Speaker 1>and he is like visiting you way too much.

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<v Speaker 3>Second of all, mocking me in a classroom.

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<v Speaker 2>Your boyfriend the judge is like, really.

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<v Speaker 3>Oh, oh wait, I thought he punched David to take

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<v Speaker 3>himself out of the game so that she'll see that

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<v Speaker 3>there's someone else coming for her.

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<v Speaker 1>So that he can go back to jail.

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<v Speaker 3>Correct, Because he feels like at this point he's like

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<v Speaker 3>trying to warner right.

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<v Speaker 1>He says, Okay, if he's not your he's not your hero.

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<v Speaker 1>No this guy.

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<v Speaker 3>No, but I think he's like trying to do the

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<v Speaker 3>right thing.

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<v Speaker 1>In a weird way. I'm not kidding. And he knows

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<v Speaker 1>if he punches David, that's it.

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<v Speaker 2>I didn't get that.

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<v Speaker 1>No, because he punched David and then came back for

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<v Speaker 1>more and took another punch at the Pepad. Did you

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<v Speaker 1>guys see Pepad on the door? Please tell me you're

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<v Speaker 1>noticing that, it says Pepad. No, what are you guys watching?

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<v Speaker 1>He's on the door. There's a whole door in the pit,

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<v Speaker 1>peach pit after dark, that says p Pad.

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<v Speaker 3>Which there had been a dead rodent smeared across it.

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<v Speaker 3>I would have noticed.

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<v Speaker 1>I don't know, but this whole thing is nuts. And

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<v Speaker 1>then the dead rat, the stalker doesn't like you. That's

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<v Speaker 1>what's weird. You would think that the stalker is obsessed

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<v Speaker 1>with you, like he wants to be with you. Yeah,

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<v Speaker 1>but instead he's sending flowers and then torturing you with

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<v Speaker 1>a dead rat. Like I don't even I don't even understand.

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<v Speaker 3>He's a typical guy. He's playing games, Like when you

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<v Speaker 3>close your eyes, do you see that rat? Because I

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<v Speaker 3>do when I close my eyes right now, it's in

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<v Speaker 3>the bed.

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<v Speaker 2>Just yeah. I can be very like, yeah, you look. Yeah,

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<v Speaker 2>I don't know that face.

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<v Speaker 3>I will never unsea the rat. I can let go up.

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<v Speaker 3>I cannot unsee that face forever.

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<v Speaker 1>Because that's what he said. He was like, I thought, okay,

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<v Speaker 1>we get it. There's a rat in the bed and

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<v Speaker 1>they're gonna but instead they went.

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<v Speaker 3>I feel like Kelly aka Jenny would really scrub those

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<v Speaker 3>sheets out towards.

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<v Speaker 1>Oh my god, I would move.

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<v Speaker 2>I would literally those the flannels, the super sleepy flannels

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<v Speaker 2>all of a sudden had special sheets that would put

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<v Speaker 2>you to sleep.

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<v Speaker 3>I like, when lights go out, like you've didn't like

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<v Speaker 3>I came to save you, you did.

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<v Speaker 1>I did. I wasn't gonna leave without you. First of all,

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<v Speaker 1>the lights went out and you grabbed the knife, and

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<v Speaker 1>then you're out with that poor is that your landlord

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<v Speaker 1>or neighbor I've never seen before.

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<v Speaker 2>I don't never seen this guy before. Is he a stalker?

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<v Speaker 3>Incredible, mister Limpet. I don't know, no, no explaining, but

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<v Speaker 3>I grabbed Kelly like I was gonna like die, but

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<v Speaker 3>I'm like, I gotta get her out. But Kelly does

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<v Speaker 3>step up for Donna in this episode, like she believes

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<v Speaker 3>her now is a lot of ish.

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<v Speaker 1>They're a first of all, A lot of things on

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<v Speaker 1>nine O two and oh are done very realistically. This

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<v Speaker 1>this is kind of stalker dynasty style, Like it's it's

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<v Speaker 1>very odd.

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<v Speaker 2>You're super heightened and also very dramatic two stalkers like

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<v Speaker 2>and you wouldn't get a stalker to this degree without

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<v Speaker 2>stalkers and microphone, you know, like back up.

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<v Speaker 1>Like when you're like, I don't think I'm gonna do

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<v Speaker 1>the weather for a while. Oh really, Donna, Okay, I

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<v Speaker 1>have a bone with you with Jenny or me? Yeah? Jen?

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<v Speaker 1>Not really? Uh?

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<v Speaker 3>My nipples on high alert again in a scene with you,

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<v Speaker 3>and you're like, if I was in a scene, I

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<v Speaker 3>would say, Hey, do you want your nipple showing or not?

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<v Speaker 2>I probably did say something and you probably said I

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<v Speaker 2>actually want my nipples showing I disagree.

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<v Speaker 3>Well don't I don't never know, we'll never remember.

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<v Speaker 2>So, but we're saying that your nips are out regularly,

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<v Speaker 2>So it's not like that was the only time that

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<v Speaker 2>I called it out.

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<v Speaker 3>Now that you're rewatching, you might call it out again

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<v Speaker 3>another episode.

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<v Speaker 1>I don't know. This would be the first of many,

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<v Speaker 1>second of many. I kind of want, why is that

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<v Speaker 1>guy even allowed on campus? That this guy goes to campus,

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<v Speaker 1>goes into your classroom. He's a convicted rapist, I'm not

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<v Speaker 1>sure about the intended murder. And then he's like costing

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<v Speaker 1>you in your classroom. And then you're like, but hold me, wait,

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<v Speaker 1>so do you think people believe her? Do you think

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<v Speaker 1>they think she's just like he's out? Why is he

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<v Speaker 1>cornering her in a classroom and.

0:12:11.040 --> 0:12:13.040
<v Speaker 3>She can't call the police and say, hey, I was

0:12:13.120 --> 0:12:14.640
<v Speaker 3>cornered in the classroom by.

0:12:14.600 --> 0:12:18.319
<v Speaker 1>Him, corect where's your cell phone? He has actually nine.

0:12:18.880 --> 0:12:21.240
<v Speaker 2>What they don't have cell phones yet?

0:12:21.320 --> 0:12:23.400
<v Speaker 1>I mean, now you guys have him in the car

0:12:23.520 --> 0:12:27.280
<v Speaker 1>in ninety seven, I have a car phone. In ninety seven,

0:12:28.160 --> 0:12:30.240
<v Speaker 1>I had a job and a cell phone. Oh it

0:12:30.320 --> 0:12:30.880
<v Speaker 1>was like this.

0:12:30.840 --> 0:12:32.720
<v Speaker 3>Probably had a job, you did not have a cell phone.

0:12:32.720 --> 0:12:35.280
<v Speaker 2>It was giant, a big one, the big ones.

0:12:36.080 --> 0:12:38.600
<v Speaker 1>I wasn't like a brick, it still was a flippy

0:12:39.120 --> 0:12:40.160
<v Speaker 1>oh with an antenna?

0:12:40.880 --> 0:12:43.480
<v Speaker 3>Are you sure about this? In nineteen ninety seven?

0:12:44.160 --> 0:12:44.319
<v Speaker 1>Right?

0:12:44.400 --> 0:12:48.320
<v Speaker 2>Yeah, very sure? What did we have, jen, I had

0:12:48.360 --> 0:12:52.160
<v Speaker 2>a giant brick phone with an antenna.

0:12:52.200 --> 0:12:54.000
<v Speaker 1>Like Zach Morris remember that one?

0:12:55.240 --> 0:12:56.520
<v Speaker 2>Ridiculous?

0:12:57.840 --> 0:12:58.600
<v Speaker 1>What could I have?

0:12:59.040 --> 0:13:00.960
<v Speaker 3>Is this when like motor was like big?

0:13:02.280 --> 0:13:05.840
<v Speaker 1>Yesterday? I pulled the ultimate. I'm a grandma. So I

0:13:05.920 --> 0:13:08.480
<v Speaker 1>was at my friend's house and her kid who just

0:13:08.520 --> 0:13:12.360
<v Speaker 1>graduated high school, and they were like talking out their

0:13:12.400 --> 0:13:15.160
<v Speaker 1>summer or whatever and the ones like yeah, you snapped

0:13:15.160 --> 0:13:18.000
<v Speaker 1>me from Hawaii and I'm like snapped me and I

0:13:18.080 --> 0:13:23.120
<v Speaker 1>go back in my day? Literally was like back in

0:13:23.200 --> 0:13:29.720
<v Speaker 1>my day, we had to aim remember aim AOL instant messenger?

0:13:29.880 --> 0:13:32.520
<v Speaker 2>What oh al instant messenger? Aim?

0:13:32.559 --> 0:13:34.800
<v Speaker 1>You don't remember that? You guys are AOL people? Yeah?

0:13:35.160 --> 0:13:38.520
<v Speaker 3>Is like but you it lived on your computer then yeah.

0:13:38.320 --> 0:13:39.680
<v Speaker 1>And you would like again, that's how you could like,

0:13:39.800 --> 0:13:42.800
<v Speaker 1>I know, we only had that, or you could fax

0:13:42.880 --> 0:13:46.719
<v Speaker 1>remember faxes? And then I was literally like, do you

0:13:46.720 --> 0:13:50.800
<v Speaker 1>guys know faxes? And these two like teenagers are basically

0:13:50.840 --> 0:13:53.840
<v Speaker 1>like uh huh, old lady. And then my friend's finally like,

0:13:54.120 --> 0:13:56.400
<v Speaker 1>I think they need to get away from us.

0:13:57.000 --> 0:14:00.280
<v Speaker 2>Oh my gosh. I had a full on facts exchange.

0:14:00.920 --> 0:14:03.839
<v Speaker 2>I was on location once and I had made sure

0:14:03.880 --> 0:14:05.839
<v Speaker 2>that I had a fax machine so that I could

0:14:06.120 --> 0:14:09.520
<v Speaker 2>send faxes back and forth to my ex husband, and

0:14:10.280 --> 0:14:14.520
<v Speaker 2>I remember like he would draw pictures and write poems

0:14:14.559 --> 0:14:16.160
<v Speaker 2>and then facts them to me and by.

0:14:16.360 --> 0:14:17.360
<v Speaker 1>Your husband at the time.

0:14:17.800 --> 0:14:22.640
<v Speaker 2>Yeah, but I rent the ink disappears, you guys on

0:14:22.680 --> 0:14:26.080
<v Speaker 2>the fax machine, like what it just fades to nothing eventually,

0:14:26.160 --> 0:14:30.240
<v Speaker 2>So there's no evidence of that what I'm sorry what

0:14:31.080 --> 0:14:34.160
<v Speaker 2>the ink does not did not last on the fax machine,

0:14:34.160 --> 0:14:35.600
<v Speaker 2>like you can't keep that forever?

0:14:36.280 --> 0:14:37.720
<v Speaker 1>And did you try to keep that?

0:14:38.720 --> 0:14:39.640
<v Speaker 2>And then it was just like.

0:14:40.200 --> 0:14:41.600
<v Speaker 3>One day you just looked at it and it was

0:14:41.680 --> 0:14:43.960
<v Speaker 3>just like because remember that paper was like.

0:14:43.920 --> 0:14:47.600
<v Speaker 1>Wait, you guys, Yeah, it's not disappearing ink on a fax.

0:14:47.680 --> 0:14:48.560
<v Speaker 1>It's like a print out.

0:14:48.640 --> 0:14:50.960
<v Speaker 2>I'm not saying it's disappearing. I'm saying the quality of

0:14:51.000 --> 0:14:53.400
<v Speaker 2>the print out just wasn't what it was what it

0:14:53.440 --> 0:14:57.280
<v Speaker 2>is now, so that it faded, well, yeah, this what

0:14:57.360 --> 0:14:57.880
<v Speaker 2>happened to me.

0:14:57.960 --> 0:15:01.640
<v Speaker 3>So and it wasn't like good hard stalker like thick paper.

0:15:01.800 --> 0:15:03.720
<v Speaker 1>It was like a slimsy paper.

0:15:03.840 --> 0:15:07.200
<v Speaker 3>Yeah, yeah, I know what you're talking about.

0:15:07.680 --> 0:15:10.440
<v Speaker 1>I think that makes me think of Julia Roberts dating

0:15:10.480 --> 0:15:12.920
<v Speaker 1>Matthew Perry and they faxed each other. But I might

0:15:12.960 --> 0:15:16.400
<v Speaker 1>be making that a I forgot about that. I think

0:15:16.440 --> 0:15:19.520
<v Speaker 1>that's true, though. I think they faxed each other. I

0:15:19.520 --> 0:15:22.360
<v Speaker 1>don't know what, but you've got mail, I just pick

0:15:22.480 --> 0:15:29.080
<v Speaker 1>up the phone. No, it's cute, I guess. But anyway, I.

0:15:28.960 --> 0:15:32.720
<v Speaker 2>Feel like he punches David just out of impulse. Really,

0:15:33.160 --> 0:15:37.240
<v Speaker 2>he's off kilter. I don't think he had any mastermind, Like,

0:15:37.240 --> 0:15:38.240
<v Speaker 2>oh not either.

0:15:39.040 --> 0:15:41.440
<v Speaker 1>He's just totally nuts. I was trying to look for

0:15:41.480 --> 0:15:44.400
<v Speaker 1>the bright side people. I think the confusion is we

0:15:44.480 --> 0:15:46.840
<v Speaker 1>think he's the guy, but he's not the guy.

0:15:47.200 --> 0:15:49.960
<v Speaker 2>But remember when we're at the hockey game, all of

0:15:50.000 --> 0:15:52.080
<v Speaker 2>a sudden, out of nowhere, who pops up but a

0:15:52.080 --> 0:15:59.640
<v Speaker 2>CUTV employee, the guy who's probably the stoker, because they

0:15:59.640 --> 0:16:01.640
<v Speaker 2>want you to think that the stalker is the other

0:16:01.640 --> 0:16:06.480
<v Speaker 2>guy that's super inappropriate at the CUTV. But I think

0:16:06.720 --> 0:16:10.760
<v Speaker 2>it's the guy that such a nice guy get me.

0:16:11.200 --> 0:16:14.160
<v Speaker 2>But I remember that guy. She's just weird.

0:16:14.240 --> 0:16:16.800
<v Speaker 1>How mad he is and then the message and the

0:16:16.920 --> 0:16:19.600
<v Speaker 1>rat and like the whole thing. Yeah, why is he

0:16:19.680 --> 0:16:23.000
<v Speaker 1>so angry because you're you're ignoring him and you're not

0:16:23.360 --> 0:16:27.160
<v Speaker 1>again him? What was what was she supposed to do?

0:16:27.320 --> 0:16:30.280
<v Speaker 1>I don't know. I don't know. You're you're scared by

0:16:30.280 --> 0:16:34.040
<v Speaker 1>his flowers as opposed to like maybe he can't try

0:16:34.280 --> 0:16:37.040
<v Speaker 1>like the organic way and just got to know me

0:16:37.080 --> 0:16:40.000
<v Speaker 1>and asked me out. But you're with David.

0:16:40.360 --> 0:16:42.440
<v Speaker 3>Oh, And I didn't know she was coming in.

0:16:43.120 --> 0:16:46.160
<v Speaker 1>Oh my god, I know immediately had when he came in.

0:16:46.520 --> 0:16:48.360
<v Speaker 2>What do you mean you're talking about the singer.

0:16:49.520 --> 0:16:51.800
<v Speaker 3>I know what's going to happen, and I know what

0:16:51.840 --> 0:16:55.080
<v Speaker 3>happened in real life, and I just Natalie Sigliuti.

0:16:55.320 --> 0:16:57.360
<v Speaker 2>She's pretty mean, Chloe.

0:16:57.720 --> 0:16:59.720
<v Speaker 3>I don't know. She was just really nice and I

0:16:59.800 --> 0:17:03.720
<v Speaker 3>knew because she did another show for my dad and

0:17:03.720 --> 0:17:05.439
<v Speaker 3>I think she hung out with my brother when they

0:17:05.440 --> 0:17:12.600
<v Speaker 3>were young. But she came on set very flirty with

0:17:12.600 --> 0:17:16.520
<v Speaker 3>with Brian, just Brian, and I was yeah, and I

0:17:16.560 --> 0:17:19.480
<v Speaker 3>was like, my territory.

0:17:19.600 --> 0:17:20.439
<v Speaker 2>You were fired up.

0:17:21.600 --> 0:17:22.120
<v Speaker 1>I was so.

0:17:22.200 --> 0:17:25.320
<v Speaker 3>Fired up because you know, like we weren't together, but

0:17:26.600 --> 0:17:29.280
<v Speaker 3>we were kind of together on camera once in a

0:17:29.280 --> 0:17:30.280
<v Speaker 3>while off Caermar.

0:17:30.200 --> 0:17:30.840
<v Speaker 2>That was your man.

0:17:31.400 --> 0:17:33.640
<v Speaker 3>That was Yeah, it was hard not to have feelings.

0:17:33.680 --> 0:17:35.320
<v Speaker 3>I'm sure he would feel the same way if a

0:17:35.359 --> 0:17:37.479
<v Speaker 3>guy came on the set was super flirty, Like she

0:17:37.640 --> 0:17:39.360
<v Speaker 3>was so flirty with him that I.

0:17:39.359 --> 0:17:44.199
<v Speaker 1>Was just like, really, yeah, we should have her on

0:17:44.320 --> 0:17:47.480
<v Speaker 1>because she's done a lot of things. They probably hooked up,

0:17:47.520 --> 0:17:49.320
<v Speaker 1>I'm sure of it. Well, let's have her on in fine,

0:17:49.480 --> 0:17:53.520
<v Speaker 1>not great, perfect, because she she's that girl where you're like,

0:17:53.720 --> 0:17:56.520
<v Speaker 1>I know her from everywhere. She was on All My Children,

0:17:57.240 --> 0:17:59.639
<v Speaker 1>she was just on that show doc Odyssey, which I

0:17:59.640 --> 0:18:03.040
<v Speaker 1>do watch that show she was on. She did eleven

0:18:03.119 --> 0:18:05.360
<v Speaker 1>episodes of the show called Deputy Never Heard of It?

0:18:05.640 --> 0:18:08.919
<v Speaker 1>And she was on This is Us. She did twenty

0:18:08.960 --> 0:18:11.560
<v Speaker 1>five episodes of g I Joe Rennegade, which I'd never

0:18:11.800 --> 0:18:12.160
<v Speaker 1>be there.

0:18:12.520 --> 0:18:14.240
<v Speaker 3>But like back in the day in the nineties, what

0:18:14.400 --> 0:18:14.720
<v Speaker 3>was she in?

0:18:16.119 --> 0:18:19.920
<v Speaker 1>Like, she was in a nineties before Saved by the Bell,

0:18:20.040 --> 0:18:23.600
<v Speaker 1>The New Classes six Saved by the Bell, and that's

0:18:23.760 --> 0:18:27.520
<v Speaker 1>right before she came to nine O two and oh okay,

0:18:27.520 --> 0:18:29.800
<v Speaker 1>so she did sixty five episodes of The New Class.

0:18:29.840 --> 0:18:31.959
<v Speaker 1>Were any of the OG's on the New Class?

0:18:33.160 --> 0:18:36.880
<v Speaker 3>You mean, mister Belding, Yeah, mister Belding was and then

0:18:36.880 --> 0:18:38.640
<v Speaker 3>does she do model zinc for my dad?

0:18:39.040 --> 0:18:41.440
<v Speaker 1>Pacific Palisades? Was that Pacific Palisades?

0:18:41.560 --> 0:18:43.200
<v Speaker 3>That's the one.

0:18:43.440 --> 0:18:48.760
<v Speaker 1>Yep, ye, Like she's very familiar, Like I knew immediately.

0:18:48.800 --> 0:18:50.800
<v Speaker 1>I was like, I know her. I definitely know her.

0:18:51.359 --> 0:18:56.920
<v Speaker 1>She definitely thirteen episodes of Pacific Palisades. What was that again?

0:18:58.440 --> 0:19:03.680
<v Speaker 3>It was you know, same show, different zip code.

0:19:04.000 --> 0:19:06.000
<v Speaker 1>It looked like she was the lead on that thing.

0:19:06.760 --> 0:19:10.159
<v Speaker 3>And the guy that plays Evan Trevor went on to

0:19:10.160 --> 0:19:11.120
<v Speaker 3>do that show as well.

0:19:13.600 --> 0:19:16.240
<v Speaker 1>Evan, let's talker.

0:19:17.280 --> 0:19:19.760
<v Speaker 2>Oh I figured it out?

0:19:19.880 --> 0:19:24.119
<v Speaker 3>Oh, Jay Trevor Edmond, Yeah, can we get him on?

0:19:24.920 --> 0:19:25.560
<v Speaker 1>Sure we can't.

0:19:38.280 --> 0:19:41.159
<v Speaker 2>Well, good news is at the end we hear David

0:19:41.240 --> 0:19:46.080
<v Speaker 2>say now your ass is mine or something. I really

0:19:46.119 --> 0:19:49.120
<v Speaker 2>love that line, and I was like, good for you,

0:19:49.240 --> 0:19:51.840
<v Speaker 2>David for not like getting into it with him, because

0:19:53.240 --> 0:19:56.520
<v Speaker 2>it's all he has. Every now he can really pin him.

0:19:56.560 --> 0:19:56.919
<v Speaker 1>True.

0:19:56.960 --> 0:20:01.080
<v Speaker 3>But so legally, if someone throws the punch first, you're

0:20:01.119 --> 0:20:03.120
<v Speaker 3>okay to then going order.

0:20:03.160 --> 0:20:05.440
<v Speaker 1>This guy keeps breaking a restraining order.

0:20:06.880 --> 0:20:09.120
<v Speaker 2>Right anymore they didn't have one, then.

0:20:10.440 --> 0:20:12.639
<v Speaker 1>They can really get into that courtroom fast too.

0:20:12.680 --> 0:20:16.160
<v Speaker 3>It's weird and I think it's so inappropriate, Like imagine

0:20:16.240 --> 0:20:19.240
<v Speaker 3>someone like I wouldn't even want to imagine someone tries

0:20:19.280 --> 0:20:21.840
<v Speaker 3>to rape you and you think you're gonna die, and

0:20:21.880 --> 0:20:23.960
<v Speaker 3>then you're sitting in a tiny room with them again,

0:20:24.080 --> 0:20:28.280
<v Speaker 3>just like that seems so heartless to do to her,

0:20:29.960 --> 0:20:32.080
<v Speaker 3>She mus have I don't think that's appropriate.

0:20:32.320 --> 0:20:34.600
<v Speaker 2>Oh I'm looking at the breeze grand up and I'm

0:20:34.640 --> 0:20:38.919
<v Speaker 2>like looking back at you. That's sinister. Little smile on

0:20:39.000 --> 0:20:39.840
<v Speaker 2>his face.

0:20:42.200 --> 0:20:44.760
<v Speaker 1>Did not feel real. I felt like a lot of

0:20:44.800 --> 0:20:46.160
<v Speaker 1>dramatic license going on.

0:20:47.680 --> 0:20:49.640
<v Speaker 2>But it made it fun to what is this how

0:20:49.720 --> 0:20:50.880
<v Speaker 2>it works?

0:20:51.359 --> 0:20:55.119
<v Speaker 1>Well? How about you? Kelly just loves Tom out of nowhere.

0:20:55.160 --> 0:20:57.439
<v Speaker 1>I mean we saw inklings of it before when you

0:20:57.440 --> 0:20:59.159
<v Speaker 1>were like he's kilned or whatever, But all of a

0:20:59.200 --> 0:21:01.199
<v Speaker 1>sudden it's on.

0:21:03.040 --> 0:21:06.800
<v Speaker 2>Yeah, for somebody who wants to move slow with Mark,

0:21:08.119 --> 0:21:13.399
<v Speaker 2>the old inhabitant of the house, now she's ready to

0:21:13.480 --> 0:21:17.640
<v Speaker 2>get going with Tom. I think do you think it's

0:21:17.760 --> 0:21:19.280
<v Speaker 2>driven by the valerie of it all?

0:21:21.280 --> 0:21:24.720
<v Speaker 1>Yes? I think you think he's cute. But I think

0:21:24.760 --> 0:21:27.520
<v Speaker 1>you like that he likes you and you can just

0:21:27.520 --> 0:21:30.679
<v Speaker 1>stick it to her, or you just feel chemistry with

0:21:30.720 --> 0:21:34.600
<v Speaker 1>this one. There is more chemistry with this guy, I

0:21:34.640 --> 0:21:35.800
<v Speaker 1>will say than the other guy.

0:21:35.920 --> 0:21:37.280
<v Speaker 3>Yeah, but still not.

0:21:38.560 --> 0:21:41.119
<v Speaker 1>It's better though, Even in the peach pit after the movie,

0:21:41.240 --> 0:21:45.240
<v Speaker 1>I thought, oh that's more. Something's there more than Mark

0:21:45.400 --> 0:21:45.800
<v Speaker 1>or Mark.

0:21:46.600 --> 0:21:49.520
<v Speaker 2>It's so crazy. We just had him on and I

0:21:49.520 --> 0:21:55.000
<v Speaker 2>wish I had seen these episodes so I knew that. Yeah,

0:21:55.200 --> 0:22:00.480
<v Speaker 2>I love interest, and I would have remembered better. I

0:22:00.480 --> 0:22:05.000
<v Speaker 2>think if I had some clues, because I don't remember

0:22:05.000 --> 0:22:06.000
<v Speaker 2>this happening at.

0:22:05.840 --> 0:22:08.359
<v Speaker 1>All, and he was a good hockey player. I feel

0:22:08.359 --> 0:22:10.600
<v Speaker 1>like this whole thing was just to have brand. I

0:22:10.640 --> 0:22:14.680
<v Speaker 1>feel like this is the Jason Priestley fantasy season where

0:22:14.680 --> 0:22:16.320
<v Speaker 1>he gets to do all the things he wants.

0:22:16.560 --> 0:22:20.919
<v Speaker 2>Yeah, because he's the producer, executive producer. Now, yeah, call

0:22:20.960 --> 0:22:21.600
<v Speaker 2>the shots.

0:22:21.920 --> 0:22:24.119
<v Speaker 1>Immediately I had to google Cam Neely because I was like,

0:22:24.440 --> 0:22:27.119
<v Speaker 1>it's all special guests cam Neely, and I'm like, I

0:22:27.119 --> 0:22:29.560
<v Speaker 1>thought it was a football player. Who's Cam Neely? I

0:22:29.560 --> 0:22:31.000
<v Speaker 1>think I was thinking of Cam Newton.

0:22:31.200 --> 0:22:35.399
<v Speaker 2>These were very famous Canadian hockey players, even closer to

0:22:35.560 --> 0:22:38.200
<v Speaker 2>Jason's heart.

0:22:38.480 --> 0:22:40.359
<v Speaker 1>And then Jason got it in and looked the penalty

0:22:40.400 --> 0:22:41.679
<v Speaker 1>box of so dramatic.

0:22:41.880 --> 0:22:45.000
<v Speaker 2>I liked it when he was all tough guy.

0:22:45.280 --> 0:22:48.840
<v Speaker 1>Yeah, I like to sort of like afterward. First of all, so.

0:22:48.840 --> 0:22:51.000
<v Speaker 2>Much to discuss in this episode. Wait, you got to

0:22:51.040 --> 0:22:58.359
<v Speaker 2>go back because so kept over at Brandon's. Of course

0:22:58.440 --> 0:22:59.879
<v Speaker 2>Valerie clocks hat.

0:23:00.160 --> 0:23:02.360
<v Speaker 1>Right, But.

0:23:03.800 --> 0:23:05.639
<v Speaker 2>He gets up in the morning and there's just no

0:23:05.960 --> 0:23:07.440
<v Speaker 2>like lovey feelings.

0:23:07.520 --> 0:23:12.000
<v Speaker 1>It's just so from him. There's no mystery. Something is

0:23:12.040 --> 0:23:13.240
<v Speaker 1>so off. It's like.

0:23:15.600 --> 0:23:18.280
<v Speaker 2>He's trying. He's trying, like it feels like even at

0:23:18.280 --> 0:23:21.280
<v Speaker 2>the end of the episode, he's he says, I have

0:23:21.320 --> 0:23:22.960
<v Speaker 2>three little words for you. I don't know what those

0:23:22.960 --> 0:23:23.480
<v Speaker 2>words were.

0:23:23.560 --> 0:23:25.080
<v Speaker 1>Oh my god. Then he whispered, and all I wanted

0:23:25.119 --> 0:23:26.000
<v Speaker 1>to do I leaned in.

0:23:26.080 --> 0:23:28.440
<v Speaker 2>I was like, I love it took too long.

0:23:28.480 --> 0:23:30.600
<v Speaker 1>I'm trying to move the screen. I thought it was dirty.

0:23:30.640 --> 0:23:32.200
<v Speaker 1>I thought it was maybe we were supposed to assume

0:23:32.240 --> 0:23:35.399
<v Speaker 1>it was dirty. Did you from Brandon Walsh? Yeah, I

0:23:35.440 --> 0:23:39.120
<v Speaker 1>felt like he was like something dirty. Yeah.

0:23:39.119 --> 0:23:43.280
<v Speaker 2>But and then just her like Tracy's pure like agony

0:23:43.400 --> 0:23:46.880
<v Speaker 2>over do I say I love him? And I love him?

0:23:46.920 --> 0:23:49.479
<v Speaker 2>And if he doesn't say it, and Valerie telling her

0:23:49.560 --> 0:23:52.440
<v Speaker 2>never say it. First, you know, there was a lot

0:23:52.640 --> 0:23:54.880
<v Speaker 2>of agony from poor Tracy.

0:23:54.880 --> 0:23:59.119
<v Speaker 1>Like she's a helper or no, there's some mo o.

0:24:00.160 --> 0:24:05.720
<v Speaker 2>I feel like there's some like I don't know, she

0:24:05.800 --> 0:24:08.560
<v Speaker 2>feels like damaged in a way in the Love.

0:24:08.440 --> 0:24:11.359
<v Speaker 1>Department, Tracy. Yeah, I find her to just be so

0:24:11.560 --> 0:24:16.080
<v Speaker 1>cute and so darling, and yet I don't care. I'm like,

0:24:16.080 --> 0:24:18.879
<v Speaker 1>you're so cute and you're so darling, and you're smart

0:24:18.920 --> 0:24:21.680
<v Speaker 1>and you're fun, and you're in between Kelly and Valerie

0:24:21.680 --> 0:24:24.720
<v Speaker 1>and you're trying to you're giving the good face acting

0:24:24.800 --> 0:24:26.240
<v Speaker 1>and the whole thing. And then I'm like, I just

0:24:26.240 --> 0:24:28.639
<v Speaker 1>don't care. Like if she was gone tomorrow, I'd be

0:24:28.680 --> 0:24:29.400
<v Speaker 1>like this, look.

0:24:29.480 --> 0:24:33.560
<v Speaker 3>I just feel like it's the way she's written because

0:24:33.560 --> 0:24:37.480
<v Speaker 3>we know she's rittable of it. She's adorable in real life.

0:24:38.200 --> 0:24:41.560
<v Speaker 3>I just remember it being so different. I don't remember

0:24:42.359 --> 0:24:45.359
<v Speaker 3>the character playing out this way and the two of

0:24:45.359 --> 0:24:47.720
<v Speaker 3>them together, Like, I just remember it being a really

0:24:47.880 --> 0:24:52.000
<v Speaker 3>great combo, and now watching it, I'm like, oh my god, No.

0:24:54.320 --> 0:24:57.280
<v Speaker 2>Yeah, I think they look too much alike for me.

0:24:58.920 --> 0:25:00.800
<v Speaker 1>She's like, Susan, did you feel that way?

0:25:00.920 --> 0:25:03.760
<v Speaker 2>Also when she's standing sitting next to Valerie at the

0:25:03.800 --> 0:25:12.000
<v Speaker 2>ice Dome, Uh, they look identical, like in a weird way,

0:25:12.119 --> 0:25:13.080
<v Speaker 2>like face structure.

0:25:13.160 --> 0:25:15.280
<v Speaker 1>Noone to remember where that place was, where that ice

0:25:16.080 --> 0:25:17.679
<v Speaker 1>hockey rink thingy was.

0:25:18.119 --> 0:25:20.439
<v Speaker 2>They're not that many in LA, So, yeah, it looked

0:25:20.520 --> 0:25:22.359
<v Speaker 2>like I had to be the Burbank one.

0:25:22.720 --> 0:25:25.040
<v Speaker 1>Yeah, it looked like something that existed.

0:25:25.600 --> 0:25:28.760
<v Speaker 3>Should I want to be in ice Culver City?

0:25:29.840 --> 0:25:30.800
<v Speaker 2>Why would we be there?

0:25:31.560 --> 0:25:34.400
<v Speaker 3>I don't know. If we have another sports driven episode

0:25:34.400 --> 0:25:35.680
<v Speaker 3>with the title I'm gonna just.

0:25:36.200 --> 0:25:40.440
<v Speaker 2>Walk away, You're gonna never watch it again.

0:25:40.920 --> 0:25:43.280
<v Speaker 1>I don't know where I was going with that. I

0:25:43.359 --> 0:25:45.320
<v Speaker 1>just can't, like it's too much.

0:25:46.800 --> 0:25:50.560
<v Speaker 2>What about when Tom asks Kelly for a good luck kiss?

0:25:52.320 --> 0:25:55.439
<v Speaker 2>I was like, Oh, that's moving a little too quickly.

0:25:56.080 --> 0:25:58.640
<v Speaker 1>So are you though? You're so flirty with him.

0:25:58.600 --> 0:26:02.440
<v Speaker 2>So flirty. She's like, yeah, I don't know. I feel

0:26:02.480 --> 0:26:04.560
<v Speaker 2>like she's excited to have any kind of feeling for

0:26:04.640 --> 0:26:06.760
<v Speaker 2>someone after her whole Mark experience.

0:26:07.920 --> 0:26:13.080
<v Speaker 3>I feel like Kelly's usually good about being alone. I think, yeah,

0:26:13.560 --> 0:26:16.280
<v Speaker 3>like she's empowered. And it's like, since Mark, why didn't

0:26:16.320 --> 0:26:19.439
<v Speaker 3>she just take a break, Like she's like, oh, waking

0:26:19.520 --> 0:26:20.320
<v Speaker 3>up alone again?

0:26:21.000 --> 0:26:23.639
<v Speaker 2>No, but she said right from the beginning when somebody

0:26:23.680 --> 0:26:25.840
<v Speaker 2>paid her a compliment, right.

0:26:25.760 --> 0:26:28.439
<v Speaker 1>And now yeah, she makes like a crack about that

0:26:28.560 --> 0:26:28.920
<v Speaker 1>or something.

0:26:29.000 --> 0:26:32.200
<v Speaker 3>Right, So they're like sprinkling this in in this episode.

0:26:32.200 --> 0:26:35.840
<v Speaker 3>But I feel like that's uncharacteristic for Kelly because she's strong,

0:26:35.960 --> 0:26:39.880
<v Speaker 3>she's wanted. Yeah, I don't want the movie do that way.

0:26:40.080 --> 0:26:42.800
<v Speaker 1>We know what, we know what movie you went to?

0:26:43.040 --> 0:26:46.240
<v Speaker 2>Do they reveal that what was the biggest blockbuster in

0:26:46.320 --> 0:26:48.359
<v Speaker 2>nineteen ninety seven, because that's probably it?

0:26:49.080 --> 0:26:52.120
<v Speaker 1>Oh, con Air? I don't know. One was conn Air,

0:26:53.280 --> 0:26:53.880
<v Speaker 1>conn Air?

0:26:54.440 --> 0:26:56.920
<v Speaker 2>It was conn Air, that would be so excited.

0:26:57.320 --> 0:27:00.480
<v Speaker 1>Air is a great movie, exciting, whoa whoa con Air

0:27:00.920 --> 0:27:03.920
<v Speaker 1>nineteen ninety seven. Sorry, I'm amazing.

0:27:04.880 --> 0:27:09.560
<v Speaker 3>It is silent of nineteen ninety seven, But it wasn't January.

0:27:09.600 --> 0:27:11.960
<v Speaker 1>I think it was summer, so there goes that. I

0:27:11.960 --> 0:27:15.280
<v Speaker 1>think it was in the summer. It was Titanic. Yos

0:27:17.520 --> 0:27:25.000
<v Speaker 1>Are you going good? Yo? Yeah? Sorry Titanic yos Yo

0:27:26.480 --> 0:27:27.720
<v Speaker 1>can talk about Claire.

0:27:27.960 --> 0:27:29.080
<v Speaker 3>I love Conny Air, but.

0:27:29.680 --> 0:27:33.520
<v Speaker 1>I loved conn Air. Conny girl. I loved her. Oh

0:27:33.560 --> 0:27:39.359
<v Speaker 1>Monica Potter from Parenthood, she was so good.

0:27:39.520 --> 0:27:42.000
<v Speaker 2>What's going on with Monica Potter Potter these days?

0:27:42.040 --> 0:27:42.520
<v Speaker 1>These days?

0:27:42.560 --> 0:27:42.760
<v Speaker 2>Yeah?

0:27:42.920 --> 0:27:43.360
<v Speaker 3>I don't know.

0:27:44.040 --> 0:27:45.879
<v Speaker 2>Like he's got such a great look.

0:27:46.440 --> 0:27:48.199
<v Speaker 1>She's cute. Do you want me to tell you trivia

0:27:48.200 --> 0:27:51.879
<v Speaker 1>about the theme song from conn Air or no please

0:27:51.920 --> 0:27:57.520
<v Speaker 1>do okay. Originally, Leanne Ryan's recorded a version of the song,

0:27:58.160 --> 0:28:00.840
<v Speaker 1>and then the movie producers thought, oh, it doesn't quite

0:28:00.880 --> 0:28:03.720
<v Speaker 1>have what we need, so they went to Trisha Yearwood

0:28:03.920 --> 0:28:06.880
<v Speaker 1>and she re recorded it and that's what you hear

0:28:06.880 --> 0:28:09.440
<v Speaker 1>in the movie. But Leanne Rimes was like, you know what,

0:28:09.680 --> 0:28:11.640
<v Speaker 1>I like what I did with this. I'm also going

0:28:11.680 --> 0:28:13.520
<v Speaker 1>to release it. And they I think they both had

0:28:13.600 --> 0:28:14.680
<v Speaker 1>hits with that same song.

0:28:15.520 --> 0:28:17.920
<v Speaker 2>Wait, can you say a little of it? What is it?

0:28:17.920 --> 0:28:20.840
<v Speaker 1>It's that? How do I live with that?

0:28:21.560 --> 0:28:22.359
<v Speaker 2>You? Yeah?

0:28:22.880 --> 0:28:25.680
<v Speaker 1>Want so it's very like oh like that.

0:28:26.440 --> 0:28:28.719
<v Speaker 3>Ah, that was hard hitting during that time watching in

0:28:28.720 --> 0:28:32.040
<v Speaker 3>the theaters though, and like wanting.

0:28:32.240 --> 0:28:35.000
<v Speaker 1>Monica Potter just did something with Freddy Prin's. It looks

0:28:35.080 --> 0:28:39.120
<v Speaker 1>like what that's what I'm seeing? The Girl in the Pool?

0:28:40.280 --> 0:28:45.040
<v Speaker 3>What a horror film, A lifetime movie, A life move

0:28:45.400 --> 0:28:46.000
<v Speaker 3>get out of here.

0:28:46.800 --> 0:28:48.960
<v Speaker 1>Yeah, it's like a lifetime movie. One of those type

0:28:48.960 --> 0:28:52.480
<v Speaker 1>of deals. Yeah, The Girl in the Pool with Freddy

0:28:52.520 --> 0:28:55.720
<v Speaker 1>Prin's A well to do the family man is forced

0:28:55.720 --> 0:28:58.640
<v Speaker 1>to struggle through a surprise birthday party moments after hiding

0:28:58.680 --> 0:29:03.200
<v Speaker 1>the murdered corpse of his mistress, whoa They must have

0:29:03.240 --> 0:29:06.400
<v Speaker 1>paid big bucks for that. So Freddy is married to

0:29:06.720 --> 0:29:09.040
<v Speaker 1>This is what I'm just from just looking at the

0:29:09.080 --> 0:29:12.960
<v Speaker 1>trailer with no noise YEA. Freddie is married to Monica Potter,

0:29:13.120 --> 0:29:16.360
<v Speaker 1>but he has a gal and somehow she dies in

0:29:16.360 --> 0:29:16.880
<v Speaker 1>the pool.

0:29:17.720 --> 0:29:18.760
<v Speaker 2>He kills her.

0:29:19.000 --> 0:29:21.000
<v Speaker 1>He tries to bring her back. He doesn't want her

0:29:21.040 --> 0:29:24.040
<v Speaker 1>to die. He tries to bring her back, hides her body,

0:29:24.080 --> 0:29:27.760
<v Speaker 1>and literally immediately walks out to his surprise birthday. Bar Wow,

0:29:28.240 --> 0:29:31.360
<v Speaker 1>I gotta watch this. I have to watch this. I

0:29:31.440 --> 0:29:34.120
<v Speaker 1>have to watch this. One's it coming out. This looks

0:29:34.240 --> 0:29:36.800
<v Speaker 1>it's out. This was from twenty twenty four. It looks

0:29:37.480 --> 0:29:39.720
<v Speaker 1>amazingly amazing, like.

0:29:39.680 --> 0:29:41.840
<v Speaker 3>You're doing a lifetime movie one year and the next

0:29:41.920 --> 0:29:44.120
<v Speaker 3>year you're starring in like the sequel to one of

0:29:44.120 --> 0:29:45.440
<v Speaker 3>the biggest horror films ever.

0:29:46.480 --> 0:29:50.520
<v Speaker 1>Life. Ain't my funny question, Torri? When was Scream? When

0:29:50.520 --> 0:29:52.920
<v Speaker 1>were you in Scream? Because what's happening in nine to two?

0:29:53.040 --> 0:29:54.200
<v Speaker 1>Note song reminds me.

0:29:54.200 --> 0:29:56.760
<v Speaker 2>Of that, giving me screen vibes for sure, especially the

0:29:56.800 --> 0:29:58.120
<v Speaker 2>close up through the blinds.

0:29:59.320 --> 0:30:02.760
<v Speaker 3>Yeah, do you know's how I hid my nose?

0:30:03.080 --> 0:30:03.200
<v Speaker 1>No?

0:30:03.320 --> 0:30:06.480
<v Speaker 2>But I you said before you didn't you had moments

0:30:06.480 --> 0:30:08.120
<v Speaker 2>where you couldn't watch it because of the close ups.

0:30:08.160 --> 0:30:11.000
<v Speaker 2>I thought you looked so beautiful in the whole episode.

0:30:11.040 --> 0:30:13.520
<v Speaker 2>Your skin look beautiful, your hair was nice and like

0:30:13.560 --> 0:30:15.600
<v Speaker 2>smooth and not distracting.

0:30:15.480 --> 0:30:17.360
<v Speaker 1>Though, Thank you guy.

0:30:18.240 --> 0:30:21.600
<v Speaker 3>I don't know. I think Scream was nineteen ninety eight,

0:30:21.680 --> 0:30:22.400
<v Speaker 3>nineteen ninety seven.

0:30:22.520 --> 0:30:25.080
<v Speaker 1>No, Scream was nineteen ninety six. But I was in

0:30:25.120 --> 0:30:28.920
<v Speaker 1>Scream two. Oh fudge. Okay, Well maybe that's they thought

0:30:28.960 --> 0:30:33.720
<v Speaker 1>Scream wanted good that they nine O two and oh

0:30:33.800 --> 0:30:36.800
<v Speaker 1>did it and then that's how you got screamed too. Nope,

0:30:37.880 --> 0:30:41.600
<v Speaker 1>Stream two ninety seven, Oh wow, they cranked those out,

0:30:41.720 --> 0:30:45.840
<v Speaker 1>ninety ninety seven, just kidding. Quite a cast to me.

0:30:45.880 --> 0:30:48.320
<v Speaker 1>The Oliphip was on Scream two. Oh. I used to

0:30:48.360 --> 0:30:50.320
<v Speaker 1>think he was so hot. What's he doing these days?

0:30:50.400 --> 0:30:53.000
<v Speaker 1>He was hot? I don't know. His brother went to

0:30:53.040 --> 0:30:54.520
<v Speaker 1>college with us. Really?

0:30:55.160 --> 0:31:09.840
<v Speaker 2>Yeah, do you guys want to talk about Clarence steven All?

0:31:10.040 --> 0:31:11.800
<v Speaker 1>Yes, because it's so boring.

0:31:12.280 --> 0:31:18.040
<v Speaker 3>I like her roots, really, it's just I don't even

0:31:18.120 --> 0:31:21.400
<v Speaker 3>get it. Like back then, roots weren't a thing, you know,

0:31:21.640 --> 0:31:22.320
<v Speaker 3>especially in TV.

0:31:22.440 --> 0:31:27.200
<v Speaker 2>They're playing house. I would be so bored if I

0:31:27.320 --> 0:31:29.000
<v Speaker 2>was one of them.

0:31:29.160 --> 0:31:32.080
<v Speaker 1>They're playing house in a grown cool house. Then they

0:31:32.160 --> 0:31:33.840
<v Speaker 1>then they talk about living together and then they say

0:31:33.960 --> 0:31:36.400
<v Speaker 1>actually no, and that was their whole storyline.

0:31:36.560 --> 0:31:38.920
<v Speaker 2>Yeah, because are they going to be breaking up soon?

0:31:40.040 --> 0:31:42.920
<v Speaker 1>She knows that she's moving. She knows the nls are

0:31:42.960 --> 0:31:44.840
<v Speaker 1>moving at the end of the Yeah.

0:31:44.720 --> 0:31:47.120
<v Speaker 2>They move at the end of the Okay, yeah, it

0:31:47.120 --> 0:31:52.160
<v Speaker 2>feels like they're there, you know, tape their future down

0:31:52.200 --> 0:31:52.720
<v Speaker 2>a little bit.

0:31:53.280 --> 0:31:57.240
<v Speaker 1>I like, yes, they look really good. I wasn't crazy

0:31:57.280 --> 0:32:01.200
<v Speaker 1>about her. But what we're halfway through season seven, so

0:32:01.240 --> 0:32:04.680
<v Speaker 1>she's got like, we're on season I'm sorry, episode seventeen

0:32:04.720 --> 0:32:09.320
<v Speaker 1>and there's thirty two, so we're a little more than halfway. No,

0:32:09.840 --> 0:32:10.880
<v Speaker 1>what about.

0:32:12.000 --> 0:32:14.080
<v Speaker 2>Do we talk about her? When she said I love you?

0:32:14.120 --> 0:32:16.080
<v Speaker 2>I think we talked about it. Yeah, and then.

0:32:17.680 --> 0:32:20.760
<v Speaker 1>It's like, oh my god, why would.

0:32:20.640 --> 0:32:22.760
<v Speaker 2>She just blurt? I mean it felt like she was like,

0:32:23.200 --> 0:32:24.720
<v Speaker 2>I love you like when you leave.

0:32:24.800 --> 0:32:27.120
<v Speaker 1>Yeah, good acting.

0:32:27.920 --> 0:32:31.360
<v Speaker 2>Yeah, but he heard it, and I think he got

0:32:31.360 --> 0:32:35.160
<v Speaker 2>freaked out. Yeah, he just got all he says, I

0:32:35.280 --> 0:32:36.360
<v Speaker 2>don't know what to say to that.

0:32:37.280 --> 0:32:38.040
<v Speaker 1>It's so awkward.

0:32:38.560 --> 0:32:42.120
<v Speaker 3>Yeah, she knew not to say it, she was coached

0:32:42.320 --> 0:32:43.040
<v Speaker 3>not to say it.

0:32:43.400 --> 0:32:45.720
<v Speaker 1>Well, of course, then she had to say it by vow.

0:32:46.200 --> 0:32:50.840
<v Speaker 1>Oh god, now she should have asked chat cheepy tea.

0:32:51.080 --> 0:32:53.640
<v Speaker 2>I thought Val was great in this episode too, Like

0:32:53.720 --> 0:32:57.800
<v Speaker 2>I love like the Kelly Val like cat fighting. Oh yeah,

0:32:59.040 --> 0:33:00.360
<v Speaker 2>I enjoyed it early.

0:33:00.720 --> 0:33:03.960
<v Speaker 3>I love anything with Kelly and foul like im.

0:33:04.520 --> 0:33:05.520
<v Speaker 1>It's really good.

0:33:05.720 --> 0:33:08.760
<v Speaker 2>It feels really despising each other.

0:33:10.120 --> 0:33:13.720
<v Speaker 1>I know that was trivia that I just found. You

0:33:13.760 --> 0:33:16.120
<v Speaker 1>may have this? Do you have trivia? Cam Neely was

0:33:16.160 --> 0:33:17.160
<v Speaker 1>also in Dumb and Dumber?

0:33:18.040 --> 0:33:19.640
<v Speaker 2>Do you have as a hockey player?

0:33:22.000 --> 0:33:25.240
<v Speaker 1>No, as the angry diner customer Sea bass?

0:33:27.320 --> 0:33:27.720
<v Speaker 2>Wow?

0:33:29.040 --> 0:33:31.520
<v Speaker 3>Wow, the angry diner is that?

0:33:31.600 --> 0:33:31.800
<v Speaker 1>Oh?

0:33:31.840 --> 0:33:34.640
<v Speaker 3>That's is that when they get the pills and well.

0:33:34.560 --> 0:33:38.840
<v Speaker 1>I was just remembered. Remember he puts the like something,

0:33:38.840 --> 0:33:44.440
<v Speaker 1>doesn't he who dies? Oh? Like he keels over? That's

0:33:44.480 --> 0:33:46.480
<v Speaker 1>coming back to me, you know what I mean?

0:33:46.920 --> 0:33:50.640
<v Speaker 2>I never never dumber?

0:33:51.000 --> 0:33:53.760
<v Speaker 1>What what? What? Immediately tonight?

0:33:53.880 --> 0:33:57.120
<v Speaker 2>I have a confession. I've never watched Dumb and Dumber?

0:33:57.560 --> 0:34:00.600
<v Speaker 1>What tonight? Tonight? You know what you're doing? Love it?

0:34:01.240 --> 0:34:06.520
<v Speaker 2>I love it? So brain rotting stupid.

0:34:06.960 --> 0:34:09.960
<v Speaker 1>Oh no, it's so good. He's all what's her name?

0:34:10.080 --> 0:34:15.200
<v Speaker 3>Okay, hold on, very simps tonight it's you love cable guy.

0:34:16.239 --> 0:34:20.839
<v Speaker 2>I did, But there was the like I don't know. Wait,

0:34:20.880 --> 0:34:21.960
<v Speaker 2>who's in Dumb and Dumber?

0:34:22.360 --> 0:34:26.360
<v Speaker 1>Ye Daniels and Jim Carrey and Lauren Hawley. First of

0:34:26.400 --> 0:34:28.680
<v Speaker 1>all those type of movies. I think Dumb and Dumber

0:34:28.719 --> 0:34:30.600
<v Speaker 1>and Tommy Boy are like two of the best.

0:34:30.840 --> 0:34:33.920
<v Speaker 3>Oh not what I know?

0:34:34.719 --> 0:34:39.960
<v Speaker 1>Sorry, Oh my god. When those eminem's go watching, when

0:34:39.960 --> 0:34:42.040
<v Speaker 1>those emin ms or whatever they are go rolling, and

0:34:42.080 --> 0:34:44.640
<v Speaker 1>he's all they go into the fancy car and he's like,

0:34:44.640 --> 0:34:45.920
<v Speaker 1>they got a hard candy shill.

0:34:45.960 --> 0:34:49.640
<v Speaker 2>You should be okay, wait what about what when he

0:34:49.680 --> 0:34:53.000
<v Speaker 2>puts on the jag and he's like, fat little coat.

0:34:53.280 --> 0:34:57.280
<v Speaker 1>I got to revisit it, my god. Brothers don't shake hands,

0:34:57.400 --> 0:34:58.920
<v Speaker 1>brothers got a hug.

0:34:59.040 --> 0:35:02.600
<v Speaker 3>Like wait, I can't believe. Does Dave know you have

0:35:02.640 --> 0:35:03.680
<v Speaker 3>not watched Dumb and Dumber?

0:35:04.040 --> 0:35:06.600
<v Speaker 2>He does because he tries to watch it all the time.

0:35:06.760 --> 0:35:09.160
<v Speaker 2>And I'm like, I can't get any dumber. Why I'm

0:35:09.160 --> 0:35:10.040
<v Speaker 2>gonna get dumber?

0:35:10.640 --> 0:35:11.640
<v Speaker 1>No?

0:35:11.640 --> 0:35:13.600
<v Speaker 3>No, But now I'm worried if you see it now

0:35:13.640 --> 0:35:16.160
<v Speaker 3>at this point in time, that it won't stand up

0:35:16.320 --> 0:35:18.240
<v Speaker 3>and you'll be like an see, it wasn't great.

0:35:18.320 --> 0:35:21.880
<v Speaker 1>But like the diarrhea scene, Oh my god, I was

0:35:21.920 --> 0:35:23.120
<v Speaker 1>about to say it. I didn't want to be the

0:35:23.120 --> 0:35:23.719
<v Speaker 1>one to say it.

0:35:23.960 --> 0:35:26.280
<v Speaker 3>I didn't want to go on to say so hard,

0:35:27.600 --> 0:35:28.439
<v Speaker 3>don't go in there.

0:35:29.080 --> 0:35:32.040
<v Speaker 2>Oh that's that's going to go in there?

0:35:32.200 --> 0:35:35.240
<v Speaker 1>Why I know that because it's iconic.

0:35:35.520 --> 0:35:37.560
<v Speaker 3>I feel like you've seen clips of it, but not

0:35:37.719 --> 0:35:41.319
<v Speaker 3>our scenes. Oh my gosh, don't watch the new Dumb

0:35:41.320 --> 0:35:44.240
<v Speaker 3>and Dummer. I feel like it wasn't great pull.

0:35:44.160 --> 0:35:45.759
<v Speaker 1>Up and they want him to come along and he's all,

0:35:45.840 --> 0:35:50.279
<v Speaker 1>can you bully Whatever happens at the end, I'm like,

0:35:50.400 --> 0:35:59.239
<v Speaker 1>oh my god, it's so hilarious. It's so Mary, Mary, look,

0:36:00.480 --> 0:36:03.520
<v Speaker 1>oh god, you're just gonna watch. Can we talk about

0:36:03.520 --> 0:36:04.120
<v Speaker 1>everything in this?

0:36:04.360 --> 0:36:06.279
<v Speaker 2>Can I just ask you? I need to know. Are

0:36:06.400 --> 0:36:09.160
<v Speaker 2>Brandon and Tracy staying together?

0:36:09.480 --> 0:36:10.440
<v Speaker 1>Are you know this?

0:36:11.080 --> 0:36:14.080
<v Speaker 2>And what's Who'sy's name? Saying together?

0:36:14.320 --> 0:36:18.920
<v Speaker 3>Now you're saying who'sy? I can't Tom Tom Tom Tom?

0:36:19.440 --> 0:36:22.920
<v Speaker 2>Like I feel like instead of those characters coming together,

0:36:23.640 --> 0:36:28.759
<v Speaker 2>they're going apart. Brandon and Kelly ruin. You don't want

0:36:28.760 --> 0:36:31.000
<v Speaker 2>to tell me spoilers, which I just love from a

0:36:31.080 --> 0:36:32.000
<v Speaker 2>show thirty years ago.

0:36:32.040 --> 0:36:32.640
<v Speaker 1>What do you mean?

0:36:33.200 --> 0:36:35.400
<v Speaker 3>I feel like you were told when Jill came on,

0:36:35.480 --> 0:36:38.160
<v Speaker 3>she she told you what you tell me?

0:36:38.880 --> 0:36:39.480
<v Speaker 1>Well, if you don't know.

0:36:39.520 --> 0:36:41.200
<v Speaker 3>I'm not gonna tell you.

0:36:43.239 --> 0:36:45.480
<v Speaker 2>This is the best part about having a memory like mine,

0:36:45.480 --> 0:36:49.680
<v Speaker 2>as you you can watch things and then you a

0:36:49.680 --> 0:36:53.440
<v Speaker 2>week later, it's like you never saw it. So who you?

0:36:54.280 --> 0:37:00.719
<v Speaker 1>Yeah, yeah, you're like Dory from Finding Nemo. I love it.

0:37:00.760 --> 0:37:01.239
<v Speaker 2>I like her.

0:37:01.560 --> 0:37:03.720
<v Speaker 1>Took me a second to get that. That's so funny.

0:37:03.760 --> 0:37:04.760
<v Speaker 1>She is like Dory.

0:37:05.040 --> 0:37:07.360
<v Speaker 3>Yeah, ring on the finger.

0:37:07.640 --> 0:37:10.000
<v Speaker 1>I'm just I'm just waiting for Dick. When does the

0:37:10.080 --> 0:37:14.719
<v Speaker 1>Dick thing happen? Oh? When is Dick dying? Think? So?

0:37:15.760 --> 0:37:16.439
<v Speaker 2>Oh he does?

0:37:16.760 --> 0:37:21.520
<v Speaker 1>You're right, okay, I think it's a good death. Oh yeah,

0:37:21.600 --> 0:37:23.279
<v Speaker 1>Cliff is coming back soon too.

0:37:24.120 --> 0:37:26.560
<v Speaker 2>Let's get it going. Come on, I'm ready.

0:37:26.719 --> 0:37:30.799
<v Speaker 1>There's a lot to come. There's a lot next week.

0:37:30.840 --> 0:37:34.960
<v Speaker 2>You have episode eighteen. We interrupt this program.

0:37:35.160 --> 0:37:38.760
<v Speaker 1>This is this is it. This is where we stalker.

0:37:38.920 --> 0:37:45.120
<v Speaker 1>This is it. There's no mistakes and stocking. This is it.

0:37:45.600 --> 0:37:48.400
<v Speaker 2>I love you. People do not listen to the podcast

0:37:48.440 --> 0:37:52.440
<v Speaker 2>to hear any of us sing.

0:37:51.360 --> 0:37:53.720
<v Speaker 1>How do I Live? It was really a treat for people.

0:37:53.719 --> 0:37:58.839
<v Speaker 3>Guys, do you like when we sing? Okay, when you sing?

0:37:59.080 --> 0:37:59.920
<v Speaker 1>I can't do it?

0:38:00.080 --> 0:38:01.160
<v Speaker 2>Real singer?

0:38:01.680 --> 0:38:05.280
<v Speaker 1>Guy? Should hear guy? Should hear me? When I'm really singing.

0:38:05.600 --> 0:38:08.480
<v Speaker 1>Oh you're good. I mean no, but like you know,

0:38:08.560 --> 0:38:10.840
<v Speaker 1>I was in the sixth grade play sound of Music.

0:38:12.120 --> 0:38:15.520
<v Speaker 1>Who did you play? Obviously, Torri? Maria?

0:38:15.640 --> 0:38:17.600
<v Speaker 2>Please please please?

0:38:18.640 --> 0:38:22.520
<v Speaker 1>What was that you played? Maria? You played the lead?

0:38:23.120 --> 0:38:26.400
<v Speaker 1>Thank you in sixth grade? Thank you? What I can do?

0:38:26.520 --> 0:38:27.840
<v Speaker 1>The hills are alone?

0:38:28.320 --> 0:38:29.160
<v Speaker 2>Do it? Do it now?

0:38:29.200 --> 0:38:31.359
<v Speaker 1>For no? No, I can't do it? Zoom. I can't.

0:38:31.480 --> 0:38:35.520
<v Speaker 1>I can't for an alto, No, I'm not. I can't

0:38:35.520 --> 0:38:36.800
<v Speaker 1>those high.

0:38:36.480 --> 0:38:37.080
<v Speaker 3>You're an altum?

0:38:37.680 --> 0:38:40.320
<v Speaker 1>Wait? What do you guys read this? So you're an alto?

0:38:40.840 --> 0:38:41.600
<v Speaker 1>But you're an alto?

0:38:42.719 --> 0:38:44.720
<v Speaker 2>I rated eight and a half.

0:38:44.880 --> 0:38:51.720
<v Speaker 1>And what if Anne came back? Was the soccer amazing?

0:38:51.719 --> 0:38:55.720
<v Speaker 1>If Anne came back? Richard Riccolo is in an episode

0:38:55.719 --> 0:38:59.480
<v Speaker 1>of nine to two and O what Yeah, I just

0:38:59.560 --> 0:39:01.960
<v Speaker 1>realized from two guys a girl in a pizza place

0:39:02.080 --> 0:39:05.760
<v Speaker 1>Jennifer Eve, do you remember that? That is so random

0:39:06.800 --> 0:39:10.719
<v Speaker 1>Tiffany's ex. Oh that's right, Oh my god? Is this

0:39:10.800 --> 0:39:14.960
<v Speaker 1>how they met ex fiance? That is so coming back

0:39:15.000 --> 0:39:15.200
<v Speaker 1>to me.

0:39:15.400 --> 0:39:16.200
<v Speaker 2>He was on our show.

0:39:16.600 --> 0:39:20.759
<v Speaker 1>Yeah, I just saw Richard Riccolo plays Dean in an

0:39:20.800 --> 0:39:24.239
<v Speaker 1>upcoming episode twenty one, So we will need to try

0:39:24.239 --> 0:39:25.120
<v Speaker 1>to get get him booked.

0:39:25.280 --> 0:39:27.040
<v Speaker 2>Maybe that's where they met Jen?

0:39:27.239 --> 0:39:29.120
<v Speaker 1>Is this Jen? You would know? Is this true?

0:39:29.480 --> 0:39:31.240
<v Speaker 2>Don't ask me these kind of questions.

0:39:31.400 --> 0:39:36.520
<v Speaker 1>Youmber, when was two guys, a girl and a pizza place?

0:39:36.640 --> 0:39:38.680
<v Speaker 1>Oh two years later, and I think that's when they

0:39:38.680 --> 0:39:40.239
<v Speaker 1>were dating. I think he was on two Guys and

0:39:40.280 --> 0:39:41.920
<v Speaker 1>a Girl in a pizza place when they were dating

0:39:42.440 --> 0:39:46.680
<v Speaker 1>for sure. Yeah, so this is how they met. I think, Wow,

0:39:46.960 --> 0:39:50.880
<v Speaker 1>on here, I can't believe this. Well, we definitely need

0:39:50.960 --> 0:39:54.120
<v Speaker 1>to get him because that is something I never realized.

0:39:54.120 --> 0:39:57.440
<v Speaker 3>That's a Sawcy story. That is that almost went to

0:39:57.480 --> 0:40:02.360
<v Speaker 3>the finish line. Remember Jen, Yeah, She's like, no, I remember,

0:40:03.480 --> 0:40:04.560
<v Speaker 3>do you What do you remember?

0:40:05.440 --> 0:40:08.200
<v Speaker 1>I think I hung out with them around that era

0:40:09.680 --> 0:40:13.799
<v Speaker 1>for work stuff there. Ajillian Nathan Fillion was also in

0:40:13.800 --> 0:40:15.120
<v Speaker 1>Two Guys and a Girl in a Pizza Place.

0:40:15.560 --> 0:40:18.520
<v Speaker 2>It's so fun going down Google memory road with you

0:40:18.560 --> 0:40:21.480
<v Speaker 2>guys every episode. But we have to.

0:40:22.400 --> 0:40:23.400
<v Speaker 1>I feel good about this.

0:40:24.080 --> 0:40:26.400
<v Speaker 2>I gave my score. I said nine point seven. Anybody

0:40:26.440 --> 0:40:27.359
<v Speaker 2>else I.

0:40:27.280 --> 0:40:29.000
<v Speaker 1>Was going to give it a ten. I was going

0:40:29.080 --> 0:40:31.080
<v Speaker 1>to give it a ten. I'm going to give it

0:40:31.080 --> 0:40:32.800
<v Speaker 1>a nine and a half. I'm going to give it

0:40:32.840 --> 0:40:33.720
<v Speaker 1>a nine point eight.

0:40:34.480 --> 0:40:34.840
<v Speaker 2>Nice.

0:40:35.120 --> 0:40:37.480
<v Speaker 1>Nice school did you say nine point seven ten.

0:40:38.239 --> 0:40:39.200
<v Speaker 2>I said eight point seven.

0:40:39.239 --> 0:40:40.919
<v Speaker 1>I think I think you said nine.

0:40:41.360 --> 0:40:43.520
<v Speaker 2>Don't you remember that I just said it, like one

0:40:43.640 --> 0:40:44.440
<v Speaker 2>or two minutes.

0:40:44.200 --> 0:40:46.319
<v Speaker 1>Story, you just said it?

0:40:47.040 --> 0:40:50.000
<v Speaker 3>And why the two points, like the two half points

0:40:50.280 --> 0:40:52.880
<v Speaker 3>give me the nine seven? Yeah, so it's a nine,

0:40:54.160 --> 0:40:55.879
<v Speaker 3>But why not a nine to five? Why a nine

0:40:55.920 --> 0:40:56.480
<v Speaker 3>to seven?

0:40:56.880 --> 0:40:59.000
<v Speaker 2>I don't really know. I just felt like.

0:40:59.200 --> 0:41:01.879
<v Speaker 1>Why you round it up? Like what pushed it over

0:41:01.920 --> 0:41:02.560
<v Speaker 1>the edge for you?

0:41:02.600 --> 0:41:07.400
<v Speaker 2>That you're like, I enjoyed the hockey stuff.

0:41:07.400 --> 0:41:09.120
<v Speaker 1>Honestly, No, you did not.

0:41:09.840 --> 0:41:13.520
<v Speaker 2>I did. I did because I like the friction between

0:41:13.520 --> 0:41:17.040
<v Speaker 2>those characters and I like the friction that happened in

0:41:17.120 --> 0:41:17.840
<v Speaker 2>the stands.

0:41:19.160 --> 0:41:22.319
<v Speaker 1>So yeah, the stands were good. If people don't listen

0:41:22.320 --> 0:41:24.200
<v Speaker 1>to the end of these episodes, I feel bad with

0:41:24.280 --> 0:41:27.040
<v Speaker 1>that because the best stuffs at the end. Yeah, that's

0:41:27.040 --> 0:41:29.680
<v Speaker 1>too right now. Next week is the big thing.

0:41:29.760 --> 0:41:34.799
<v Speaker 3>It's the hostage situation in the news studio on air.

0:41:37.080 --> 0:41:38.800
<v Speaker 2>Exciting, yep.