1 00:00:00,240 --> 00:00:09,680 Speaker 1: It's one engine with Jenny Garth and Tory spelling. Oh 2 00:00:09,720 --> 00:00:13,520 Speaker 1: my goodness, you guys, I mean the Stalker. 3 00:00:13,880 --> 00:00:15,840 Speaker 2: Remember last week we were trying to guess what face 4 00:00:15,840 --> 00:00:16,320 Speaker 2: off meant. 5 00:00:16,960 --> 00:00:17,960 Speaker 1: I think I guessed it. 6 00:00:18,239 --> 00:00:22,160 Speaker 2: You did, I did you put the sports in a row? 7 00:00:22,200 --> 00:00:26,600 Speaker 1: I'm not happy here. I will not reveal it yet. Yes, 8 00:00:26,880 --> 00:00:30,200 Speaker 1: but there is something in this episode that shocked me 9 00:00:30,240 --> 00:00:33,000 Speaker 1: more than anything I've pretty much ever seen on television. 10 00:00:33,040 --> 00:00:36,479 Speaker 1: And I've seen a lot of really bold the same thing. 11 00:00:37,080 --> 00:00:40,120 Speaker 1: Thank you. I think it's what's bad to do with 12 00:00:41,320 --> 00:00:48,879 Speaker 1: hint the Stalker. Okay, hmm, how are you guys? Not? 13 00:00:48,920 --> 00:00:51,000 Speaker 1: Like like I almost thought I would not be able 14 00:00:51,000 --> 00:00:51,440 Speaker 1: to sleep. 15 00:00:51,800 --> 00:00:52,640 Speaker 2: Was it the Dead Rat? 16 00:00:54,040 --> 00:00:56,920 Speaker 1: Yes? I didn't want to reveal it yet, but it 17 00:00:57,000 --> 00:01:01,040 Speaker 1: was such a lingering zoom in like they cut back 18 00:01:01,080 --> 00:01:04,600 Speaker 1: to it for a long amount of time and I 19 00:01:04,800 --> 00:01:10,640 Speaker 1: just kept staring and it was disgusting. 20 00:01:11,560 --> 00:01:14,720 Speaker 3: Okay, wait, well I didn't play what were you eating 21 00:01:14,760 --> 00:01:16,880 Speaker 3: during this time? Because you always eat while you watched 22 00:01:16,920 --> 00:01:19,560 Speaker 3: that episode? See, I knew it, agreed, That's what really 23 00:01:19,640 --> 00:01:20,160 Speaker 3: grossed her out. 24 00:01:20,200 --> 00:01:21,080 Speaker 1: And she was eating and. 25 00:01:21,040 --> 00:01:24,559 Speaker 2: She's like it was a groady eat mouse. 26 00:01:24,680 --> 00:01:30,600 Speaker 1: I watched this not last night, but SAT Saturday night. Yeah, 27 00:01:31,160 --> 00:01:33,600 Speaker 1: it's my big night party. 28 00:01:33,600 --> 00:01:33,839 Speaker 2: Girl. 29 00:01:34,240 --> 00:01:36,200 Speaker 1: I don't think I was eating, If anything, I was 30 00:01:36,240 --> 00:01:42,440 Speaker 1: having a sugar retreat. It was so vile and aggressive. 31 00:01:42,480 --> 00:01:45,119 Speaker 1: And I watched Walking Dead where they literally poked people 32 00:01:46,319 --> 00:01:48,480 Speaker 1: in the brains. 33 00:01:48,240 --> 00:01:51,120 Speaker 3: And this rodent in nineteen ninety seven disturbed you. 34 00:01:52,600 --> 00:01:53,280 Speaker 1: To that point. 35 00:01:54,680 --> 00:01:56,600 Speaker 2: It was fake, Amy, It's not real. 36 00:01:56,960 --> 00:02:00,720 Speaker 1: You didn't think it looked completely real, Completely shocked. And 37 00:02:00,800 --> 00:02:09,160 Speaker 1: here's my confusion. This episode has me like twisted up sideways. 38 00:02:09,520 --> 00:02:13,720 Speaker 1: Number one? What is going on with the guy that 39 00:02:13,919 --> 00:02:17,240 Speaker 1: tried to rape an attack and now you're. 40 00:02:17,120 --> 00:02:19,520 Speaker 2: Not to be in the same room with her? 41 00:02:20,040 --> 00:02:21,799 Speaker 1: Oh my god, We're not there yet. Will you could? 42 00:02:22,160 --> 00:02:23,239 Speaker 2: I'm sorry, let's start. 43 00:02:23,320 --> 00:02:24,480 Speaker 1: Let's start, okay. 44 00:02:24,880 --> 00:02:29,680 Speaker 2: This is episode seventeen of season seven, Face Off Air 45 00:02:29,800 --> 00:02:32,919 Speaker 2: January twenty ninth, nineteen ninety seven. 46 00:02:33,720 --> 00:02:38,919 Speaker 3: Synopsis, What the puck is going on? Judge lets Garrett Coke, 47 00:02:39,080 --> 00:02:42,120 Speaker 3: causing Donna and David some serious distress. 48 00:02:42,320 --> 00:02:43,160 Speaker 1: Guys, bear with me. 49 00:02:43,680 --> 00:02:47,560 Speaker 3: Tom Miller switches teams when he goes from Valerie boy 50 00:02:47,639 --> 00:02:51,160 Speaker 3: toy to Kelly's crush. Meanwhile, Brandon puts Tracy on ice 51 00:02:51,320 --> 00:02:55,040 Speaker 3: after she makes a rookie mistake and Stephen Clara have 52 00:02:55,120 --> 00:02:57,679 Speaker 3: fun playing house until he noticed there are cracks in 53 00:02:57,720 --> 00:02:59,280 Speaker 3: the foundation the pun. 54 00:03:01,800 --> 00:03:06,440 Speaker 1: Props to producer Lorraine on that. When you were reading that, 55 00:03:06,520 --> 00:03:08,919 Speaker 1: I realized, like, this episode makes no sense. 56 00:03:09,440 --> 00:03:11,800 Speaker 2: Wait, wait, it's directed. I want to give these guys credit. 57 00:03:11,840 --> 00:03:17,400 Speaker 2: Director by Laurie McCarthy. Okay, who goes first? I know 58 00:03:17,440 --> 00:03:19,359 Speaker 2: you got a lot so disjointed. 59 00:03:20,080 --> 00:03:22,919 Speaker 1: I love it. Every single thing I'm kind of into. 60 00:03:23,080 --> 00:03:28,560 Speaker 1: I want to talk about who'sy and Brandon can't. What's 61 00:03:28,560 --> 00:03:28,959 Speaker 1: her name? 62 00:03:29,200 --> 00:03:31,560 Speaker 2: Her name's Tracy, Tracy Tracy. 63 00:03:33,240 --> 00:03:35,920 Speaker 1: Okay, but we have that going. We have the weird 64 00:03:36,000 --> 00:03:40,080 Speaker 1: Steven Clare thing going, we have the stalker going like 65 00:03:40,480 --> 00:03:42,840 Speaker 1: we have always some Valerie Hockey. 66 00:03:43,080 --> 00:03:46,360 Speaker 3: Yeah, I mean it was double ups. They couldn't fuse 67 00:03:46,440 --> 00:03:49,280 Speaker 3: the storylines together. They had to separate them. 68 00:03:49,400 --> 00:03:52,080 Speaker 1: It feels like there's seven episodes in this one episode. 69 00:03:52,160 --> 00:03:55,640 Speaker 2: It's true, yeah, it does. But it was exciting because 70 00:03:55,680 --> 00:03:57,680 Speaker 2: there was so much going on. You didn't never know 71 00:03:57,760 --> 00:03:59,080 Speaker 2: what we were going to be coming back. 72 00:03:58,960 --> 00:04:03,120 Speaker 1: To laugh that they just got rid of Mark. They're 73 00:04:03,160 --> 00:04:06,520 Speaker 1: just like, you're gone, and the new guy lives with David, 74 00:04:07,320 --> 00:04:11,160 Speaker 1: his somewhat mortal enemy in the beginning is now his roommate. 75 00:04:11,600 --> 00:04:14,320 Speaker 2: They had to put him somewhere, could They couldn't build 76 00:04:14,320 --> 00:04:15,360 Speaker 2: a set for him. 77 00:04:15,480 --> 00:04:18,239 Speaker 3: I wish he'd come to the beach apartment and protect us. 78 00:04:19,240 --> 00:04:21,400 Speaker 1: Oh my god, I know, and everyone's just taking this 79 00:04:21,600 --> 00:04:22,200 Speaker 1: very lightly. 80 00:04:23,080 --> 00:04:25,800 Speaker 2: I finally was happy to see Kelly step up and 81 00:04:26,240 --> 00:04:30,000 Speaker 2: be caring and take care of Donna. 82 00:04:30,839 --> 00:04:33,200 Speaker 3: Okay, should we talk about that storyline? 83 00:04:33,839 --> 00:04:36,359 Speaker 1: Yes, let's start with the big guns. Yeah, let's just 84 00:04:36,400 --> 00:04:37,040 Speaker 1: start with it. 85 00:04:37,240 --> 00:04:39,520 Speaker 2: As I was watching it from the very beginning it 86 00:04:39,600 --> 00:04:41,159 Speaker 2: started to happen, I was like, oh my god, this 87 00:04:41,240 --> 00:04:43,840 Speaker 2: dogger's still on the loose. I totally forgot about it. 88 00:04:44,040 --> 00:04:45,920 Speaker 1: That just made me think of the juice is on 89 00:04:46,000 --> 00:04:49,200 Speaker 1: the loose. 90 00:04:49,200 --> 00:04:52,440 Speaker 2: The dogger's on the loose, and nobody knows who he is. 91 00:04:52,520 --> 00:04:55,719 Speaker 2: I do not know who it is. I know it's 92 00:04:55,800 --> 00:04:57,240 Speaker 2: not that guy. 93 00:04:57,640 --> 00:05:01,520 Speaker 1: What's his name, Garrett Slan, So obvious it's not him, 94 00:05:01,880 --> 00:05:03,039 Speaker 1: AKA the guy. 95 00:05:02,920 --> 00:05:07,840 Speaker 3: From Cable Guy. Oh yeah, tune one in the helicopter. 96 00:05:09,440 --> 00:05:12,760 Speaker 1: Nutty pretty well, David bow so good. 97 00:05:13,000 --> 00:05:15,400 Speaker 2: Wait what was his role in Cable Guy. 98 00:05:15,760 --> 00:05:20,880 Speaker 3: Oh at the end, when like everything comes to a 99 00:05:20,880 --> 00:05:23,240 Speaker 3: head and like they think everything's okay, he's like taking 100 00:05:23,279 --> 00:05:25,880 Speaker 3: on the new role of cable guy and he's like the. 101 00:05:25,760 --> 00:05:33,440 Speaker 1: Helicopter driver and he turns around. 102 00:05:33,520 --> 00:05:35,880 Speaker 3: He's like crazy, just like him, like Jim Carrey. I 103 00:05:35,920 --> 00:05:36,240 Speaker 3: don't know. 104 00:05:36,520 --> 00:05:41,480 Speaker 2: Great movie anyway. Yeah, Donna is still on guard because 105 00:05:42,160 --> 00:05:44,279 Speaker 2: especially now because Garrett is out of jail. 106 00:05:44,920 --> 00:05:47,920 Speaker 3: Wait, you guys, is this how it happens? Like no, 107 00:05:48,839 --> 00:05:51,720 Speaker 3: Like it just feels a little like everyone's being a 108 00:05:51,760 --> 00:05:54,120 Speaker 3: little precious, Like no, that's fine. 109 00:05:53,920 --> 00:05:58,479 Speaker 1: But Nana's that this guy who did attempt to murder 110 00:05:58,520 --> 00:06:01,760 Speaker 1: you first of all got out in two years. That 111 00:06:01,920 --> 00:06:03,679 Speaker 1: is totally he's. 112 00:06:03,520 --> 00:06:04,800 Speaker 3: Gonna murder me or just rape me. 113 00:06:05,480 --> 00:06:09,360 Speaker 1: He had a knife, he tried to sounds like attempted murder. 114 00:06:09,400 --> 00:06:13,840 Speaker 1: Didn't have a knife. Yeah, I'm calling it attempted murder. 115 00:06:13,880 --> 00:06:16,240 Speaker 2: Okay, your parents aren't don't come home for. 116 00:06:16,279 --> 00:06:18,880 Speaker 1: It, and everyone is almost mocking you. 117 00:06:19,040 --> 00:06:22,360 Speaker 3: It's just instinctually watching it. It's hard to watch because 118 00:06:22,400 --> 00:06:25,200 Speaker 3: I'm like, ooh, there's a lot of close close ups 119 00:06:25,240 --> 00:06:28,360 Speaker 3: which send me over to edge as you and it's 120 00:06:28,400 --> 00:06:30,840 Speaker 3: a lot of drama and I'm like, oh, there's no 121 00:06:31,040 --> 00:06:32,520 Speaker 3: TV movie girl coming out. 122 00:06:32,920 --> 00:06:35,440 Speaker 1: But I'm like, god, she's a. 123 00:06:35,400 --> 00:06:39,200 Speaker 3: Little it's a little heightened, but actually not like it 124 00:06:39,279 --> 00:06:40,200 Speaker 3: just keeps going. 125 00:06:41,839 --> 00:06:46,200 Speaker 1: I'm sorry, there would be an armed security guard outside 126 00:06:46,279 --> 00:06:50,760 Speaker 1: your house if doctor Martin's precious daughter and he's loaded, 127 00:06:51,440 --> 00:06:56,240 Speaker 1: and you're got a clear stalker and your attempted rapist, 128 00:06:56,680 --> 00:07:00,279 Speaker 1: attempted murders is just on the most trauma, but just 129 00:07:00,279 --> 00:07:02,160 Speaker 1: on the loose, visiting you regularly. 130 00:07:02,520 --> 00:07:03,800 Speaker 2: Who puts you in the bed? 131 00:07:05,279 --> 00:07:07,279 Speaker 1: Who did I think you did? 132 00:07:07,920 --> 00:07:10,600 Speaker 2: Garrett did not do that. Garrett's land didn't do that. 133 00:07:10,680 --> 00:07:13,320 Speaker 1: No, he isn't the stalker, but he is a stalker. 134 00:07:14,040 --> 00:07:18,040 Speaker 1: You have two, I'm sorry you have too. That is stalking. 135 00:07:18,640 --> 00:07:21,560 Speaker 3: It's wild because they it's he's such a red herring 136 00:07:21,600 --> 00:07:25,520 Speaker 3: because as soon as like everyone's backstern, he's like smiling 137 00:07:25,560 --> 00:07:28,360 Speaker 3: at her like, oh that was to come get you, 138 00:07:29,160 --> 00:07:31,880 Speaker 3: and then I don't know, like to show up. 139 00:07:31,920 --> 00:07:33,880 Speaker 1: Why didn't he call her? He didn't learn anything? 140 00:07:33,920 --> 00:07:35,920 Speaker 3: And every other stocker's calling her like what why didn't 141 00:07:35,920 --> 00:07:37,240 Speaker 3: he call her and talk to her? 142 00:07:37,480 --> 00:07:40,280 Speaker 1: Guys, that guy didn't learn anything in prison nothing. How 143 00:07:40,320 --> 00:07:44,600 Speaker 1: long was he there? Two years? Two years to be rehabilitated, 144 00:07:44,760 --> 00:07:47,720 Speaker 1: and he is like visiting you way too much. 145 00:07:48,040 --> 00:07:51,760 Speaker 3: Second of all, mocking me in a classroom. 146 00:07:52,120 --> 00:07:55,760 Speaker 2: Your boyfriend the judge is like, really. 147 00:07:56,080 --> 00:07:59,560 Speaker 3: Oh, oh wait, I thought he punched David to take 148 00:07:59,640 --> 00:08:01,880 Speaker 3: himself out of the game so that she'll see that 149 00:08:01,880 --> 00:08:03,240 Speaker 3: there's someone else coming for her. 150 00:08:03,760 --> 00:08:04,960 Speaker 1: So that he can go back to jail. 151 00:08:05,680 --> 00:08:08,400 Speaker 3: Correct, Because he feels like at this point he's like 152 00:08:08,480 --> 00:08:09,520 Speaker 3: trying to warner right. 153 00:08:09,560 --> 00:08:12,240 Speaker 1: He says, Okay, if he's not your he's not your hero. 154 00:08:13,520 --> 00:08:14,760 Speaker 1: No this guy. 155 00:08:15,840 --> 00:08:18,240 Speaker 3: No, but I think he's like trying to do the 156 00:08:18,280 --> 00:08:18,920 Speaker 3: right thing. 157 00:08:19,040 --> 00:08:22,400 Speaker 1: In a weird way. I'm not kidding. And he knows 158 00:08:22,440 --> 00:08:24,080 Speaker 1: if he punches David, that's it. 159 00:08:24,600 --> 00:08:25,800 Speaker 2: I didn't get that. 160 00:08:25,960 --> 00:08:28,360 Speaker 1: No, because he punched David and then came back for 161 00:08:28,480 --> 00:08:30,760 Speaker 1: more and took another punch at the Pepad. Did you 162 00:08:30,760 --> 00:08:33,400 Speaker 1: guys see Pepad on the door? Please tell me you're 163 00:08:33,440 --> 00:08:37,360 Speaker 1: noticing that, it says Pepad. No, what are you guys watching? 164 00:08:38,040 --> 00:08:41,680 Speaker 1: He's on the door. There's a whole door in the pit, 165 00:08:41,800 --> 00:08:44,160 Speaker 1: peach pit after dark, that says p Pad. 166 00:08:44,280 --> 00:08:46,680 Speaker 3: Which there had been a dead rodent smeared across it. 167 00:08:46,720 --> 00:08:47,480 Speaker 3: I would have noticed. 168 00:08:47,720 --> 00:08:50,640 Speaker 1: I don't know, but this whole thing is nuts. And 169 00:08:50,640 --> 00:08:53,480 Speaker 1: then the dead rat, the stalker doesn't like you. That's 170 00:08:53,520 --> 00:08:57,120 Speaker 1: what's weird. You would think that the stalker is obsessed 171 00:08:57,160 --> 00:09:00,000 Speaker 1: with you, like he wants to be with you. Yeah, 172 00:09:00,080 --> 00:09:03,160 Speaker 1: but instead he's sending flowers and then torturing you with 173 00:09:03,200 --> 00:09:05,599 Speaker 1: a dead rat. Like I don't even I don't even understand. 174 00:09:07,120 --> 00:09:11,200 Speaker 3: He's a typical guy. He's playing games, Like when you 175 00:09:11,240 --> 00:09:12,760 Speaker 3: close your eyes, do you see that rat? Because I 176 00:09:12,760 --> 00:09:15,000 Speaker 3: do when I close my eyes right now, it's in 177 00:09:15,080 --> 00:09:15,360 Speaker 3: the bed. 178 00:09:15,480 --> 00:09:19,920 Speaker 2: Just yeah. I can be very like, yeah, you look. Yeah, 179 00:09:20,480 --> 00:09:22,320 Speaker 2: I don't know that face. 180 00:09:22,440 --> 00:09:25,160 Speaker 3: I will never unsea the rat. I can let go up. 181 00:09:25,280 --> 00:09:27,239 Speaker 3: I cannot unsee that face forever. 182 00:09:27,000 --> 00:09:30,119 Speaker 1: Because that's what he said. He was like, I thought, okay, 183 00:09:30,320 --> 00:09:32,400 Speaker 1: we get it. There's a rat in the bed and 184 00:09:32,440 --> 00:09:35,160 Speaker 1: they're gonna but instead they went. 185 00:09:38,160 --> 00:09:41,880 Speaker 3: I feel like Kelly aka Jenny would really scrub those 186 00:09:41,920 --> 00:09:43,480 Speaker 3: sheets out towards. 187 00:09:43,120 --> 00:09:45,240 Speaker 1: Oh my god, I would move. 188 00:09:45,640 --> 00:09:49,760 Speaker 2: I would literally those the flannels, the super sleepy flannels 189 00:09:50,520 --> 00:09:52,360 Speaker 2: all of a sudden had special sheets that would put 190 00:09:52,360 --> 00:09:52,839 Speaker 2: you to sleep. 191 00:09:54,000 --> 00:09:57,040 Speaker 3: I like, when lights go out, like you've didn't like 192 00:09:57,120 --> 00:10:00,880 Speaker 3: I came to save you, you did. 193 00:10:00,520 --> 00:10:04,360 Speaker 1: I did. I wasn't gonna leave without you. First of all, 194 00:10:04,360 --> 00:10:06,240 Speaker 1: the lights went out and you grabbed the knife, and 195 00:10:06,280 --> 00:10:08,439 Speaker 1: then you're out with that poor is that your landlord 196 00:10:08,559 --> 00:10:11,200 Speaker 1: or neighbor I've never seen before. 197 00:10:11,240 --> 00:10:13,800 Speaker 2: I don't never seen this guy before. Is he a stalker? 198 00:10:13,840 --> 00:10:17,640 Speaker 3: Incredible, mister Limpet. I don't know, no, no explaining, but 199 00:10:17,760 --> 00:10:20,520 Speaker 3: I grabbed Kelly like I was gonna like die, but 200 00:10:20,600 --> 00:10:24,040 Speaker 3: I'm like, I gotta get her out. But Kelly does 201 00:10:24,040 --> 00:10:26,320 Speaker 3: step up for Donna in this episode, like she believes 202 00:10:26,320 --> 00:10:28,880 Speaker 3: her now is a lot of ish. 203 00:10:28,920 --> 00:10:31,480 Speaker 1: They're a first of all, A lot of things on 204 00:10:31,600 --> 00:10:36,360 Speaker 1: nine O two and oh are done very realistically. This 205 00:10:36,360 --> 00:10:40,400 Speaker 1: this is kind of stalker dynasty style, Like it's it's 206 00:10:40,520 --> 00:10:41,400 Speaker 1: very odd. 207 00:10:41,160 --> 00:10:46,840 Speaker 2: You're super heightened and also very dramatic two stalkers like 208 00:10:46,960 --> 00:10:50,000 Speaker 2: and you wouldn't get a stalker to this degree without 209 00:10:50,320 --> 00:10:53,280 Speaker 2: stalkers and microphone, you know, like back up. 210 00:10:53,679 --> 00:10:55,319 Speaker 1: Like when you're like, I don't think I'm gonna do 211 00:10:55,360 --> 00:10:59,160 Speaker 1: the weather for a while. Oh really, Donna, Okay, I 212 00:10:59,200 --> 00:11:03,960 Speaker 1: have a bone with you with Jenny or me? Yeah? Jen? 213 00:11:04,280 --> 00:11:05,560 Speaker 1: Not really? Uh? 214 00:11:06,080 --> 00:11:08,960 Speaker 3: My nipples on high alert again in a scene with you, 215 00:11:09,080 --> 00:11:10,560 Speaker 3: and you're like, if I was in a scene, I 216 00:11:10,559 --> 00:11:12,440 Speaker 3: would say, Hey, do you want your nipple showing or not? 217 00:11:14,040 --> 00:11:16,640 Speaker 2: I probably did say something and you probably said I 218 00:11:16,679 --> 00:11:21,200 Speaker 2: actually want my nipples showing I disagree. 219 00:11:21,720 --> 00:11:25,040 Speaker 3: Well don't I don't never know, we'll never remember. 220 00:11:25,600 --> 00:11:28,400 Speaker 2: So, but we're saying that your nips are out regularly, 221 00:11:28,520 --> 00:11:30,560 Speaker 2: So it's not like that was the only time that 222 00:11:30,640 --> 00:11:31,880 Speaker 2: I called it out. 223 00:11:33,400 --> 00:11:35,680 Speaker 3: Now that you're rewatching, you might call it out again 224 00:11:35,720 --> 00:11:36,480 Speaker 3: another episode. 225 00:11:36,559 --> 00:11:39,240 Speaker 1: I don't know. This would be the first of many, 226 00:11:39,800 --> 00:11:41,880 Speaker 1: second of many. I kind of want, why is that 227 00:11:41,920 --> 00:11:45,400 Speaker 1: guy even allowed on campus? That this guy goes to campus, 228 00:11:45,559 --> 00:11:50,679 Speaker 1: goes into your classroom. He's a convicted rapist, I'm not 229 00:11:50,679 --> 00:11:54,320 Speaker 1: sure about the intended murder. And then he's like costing 230 00:11:54,360 --> 00:12:00,000 Speaker 1: you in your classroom. And then you're like, but hold me, wait, 231 00:12:00,360 --> 00:12:04,320 Speaker 1: so do you think people believe her? Do you think 232 00:12:04,360 --> 00:12:08,440 Speaker 1: they think she's just like he's out? Why is he 233 00:12:08,559 --> 00:12:11,040 Speaker 1: cornering her in a classroom and. 234 00:12:11,040 --> 00:12:13,040 Speaker 3: She can't call the police and say, hey, I was 235 00:12:13,120 --> 00:12:14,640 Speaker 3: cornered in the classroom by. 236 00:12:14,600 --> 00:12:18,319 Speaker 1: Him, corect where's your cell phone? He has actually nine. 237 00:12:18,880 --> 00:12:21,240 Speaker 2: What they don't have cell phones yet? 238 00:12:21,320 --> 00:12:23,400 Speaker 1: I mean, now you guys have him in the car 239 00:12:23,520 --> 00:12:27,280 Speaker 1: in ninety seven, I have a car phone. In ninety seven, 240 00:12:28,160 --> 00:12:30,240 Speaker 1: I had a job and a cell phone. Oh it 241 00:12:30,320 --> 00:12:30,880 Speaker 1: was like this. 242 00:12:30,840 --> 00:12:32,720 Speaker 3: Probably had a job, you did not have a cell phone. 243 00:12:32,720 --> 00:12:35,280 Speaker 2: It was giant, a big one, the big ones. 244 00:12:36,080 --> 00:12:38,600 Speaker 1: I wasn't like a brick, it still was a flippy 245 00:12:39,120 --> 00:12:40,160 Speaker 1: oh with an antenna? 246 00:12:40,880 --> 00:12:43,480 Speaker 3: Are you sure about this? In nineteen ninety seven? 247 00:12:44,160 --> 00:12:44,319 Speaker 1: Right? 248 00:12:44,400 --> 00:12:48,320 Speaker 2: Yeah, very sure? What did we have, jen, I had 249 00:12:48,360 --> 00:12:52,160 Speaker 2: a giant brick phone with an antenna. 250 00:12:52,200 --> 00:12:54,000 Speaker 1: Like Zach Morris remember that one? 251 00:12:55,240 --> 00:12:56,520 Speaker 2: Ridiculous? 252 00:12:57,840 --> 00:12:58,600 Speaker 1: What could I have? 253 00:12:59,040 --> 00:13:00,960 Speaker 3: Is this when like motor was like big? 254 00:13:02,280 --> 00:13:05,840 Speaker 1: Yesterday? I pulled the ultimate. I'm a grandma. So I 255 00:13:05,920 --> 00:13:08,480 Speaker 1: was at my friend's house and her kid who just 256 00:13:08,520 --> 00:13:12,360 Speaker 1: graduated high school, and they were like talking out their 257 00:13:12,400 --> 00:13:15,160 Speaker 1: summer or whatever and the ones like yeah, you snapped 258 00:13:15,160 --> 00:13:18,000 Speaker 1: me from Hawaii and I'm like snapped me and I 259 00:13:18,080 --> 00:13:23,120 Speaker 1: go back in my day? Literally was like back in 260 00:13:23,200 --> 00:13:29,720 Speaker 1: my day, we had to aim remember aim AOL instant messenger? 261 00:13:29,880 --> 00:13:32,520 Speaker 2: What oh al instant messenger? Aim? 262 00:13:32,559 --> 00:13:34,800 Speaker 1: You don't remember that? You guys are AOL people? Yeah? 263 00:13:35,160 --> 00:13:38,520 Speaker 3: Is like but you it lived on your computer then yeah. 264 00:13:38,320 --> 00:13:39,680 Speaker 1: And you would like again, that's how you could like, 265 00:13:39,800 --> 00:13:42,800 Speaker 1: I know, we only had that, or you could fax 266 00:13:42,880 --> 00:13:46,719 Speaker 1: remember faxes? And then I was literally like, do you 267 00:13:46,720 --> 00:13:50,800 Speaker 1: guys know faxes? And these two like teenagers are basically 268 00:13:50,840 --> 00:13:53,840 Speaker 1: like uh huh, old lady. And then my friend's finally like, 269 00:13:54,120 --> 00:13:56,400 Speaker 1: I think they need to get away from us. 270 00:13:57,000 --> 00:14:00,280 Speaker 2: Oh my gosh. I had a full on facts exchange. 271 00:14:00,920 --> 00:14:03,839 Speaker 2: I was on location once and I had made sure 272 00:14:03,880 --> 00:14:05,839 Speaker 2: that I had a fax machine so that I could 273 00:14:06,120 --> 00:14:09,520 Speaker 2: send faxes back and forth to my ex husband, and 274 00:14:10,280 --> 00:14:14,520 Speaker 2: I remember like he would draw pictures and write poems 275 00:14:14,559 --> 00:14:16,160 Speaker 2: and then facts them to me and by. 276 00:14:16,360 --> 00:14:17,360 Speaker 1: Your husband at the time. 277 00:14:17,800 --> 00:14:22,640 Speaker 2: Yeah, but I rent the ink disappears, you guys on 278 00:14:22,680 --> 00:14:26,080 Speaker 2: the fax machine, like what it just fades to nothing eventually, 279 00:14:26,160 --> 00:14:30,240 Speaker 2: So there's no evidence of that what I'm sorry what 280 00:14:31,080 --> 00:14:34,160 Speaker 2: the ink does not did not last on the fax machine, 281 00:14:34,160 --> 00:14:35,600 Speaker 2: like you can't keep that forever? 282 00:14:36,280 --> 00:14:37,720 Speaker 1: And did you try to keep that? 283 00:14:38,720 --> 00:14:39,640 Speaker 2: And then it was just like. 284 00:14:40,200 --> 00:14:41,600 Speaker 3: One day you just looked at it and it was 285 00:14:41,680 --> 00:14:43,960 Speaker 3: just like because remember that paper was like. 286 00:14:43,920 --> 00:14:47,600 Speaker 1: Wait, you guys, Yeah, it's not disappearing ink on a fax. 287 00:14:47,680 --> 00:14:48,560 Speaker 1: It's like a print out. 288 00:14:48,640 --> 00:14:50,960 Speaker 2: I'm not saying it's disappearing. I'm saying the quality of 289 00:14:51,000 --> 00:14:53,400 Speaker 2: the print out just wasn't what it was what it 290 00:14:53,440 --> 00:14:57,280 Speaker 2: is now, so that it faded, well, yeah, this what 291 00:14:57,360 --> 00:14:57,880 Speaker 2: happened to me. 292 00:14:57,960 --> 00:15:01,640 Speaker 3: So and it wasn't like good hard stalker like thick paper. 293 00:15:01,800 --> 00:15:03,720 Speaker 1: It was like a slimsy paper. 294 00:15:03,840 --> 00:15:07,200 Speaker 3: Yeah, yeah, I know what you're talking about. 295 00:15:07,680 --> 00:15:10,440 Speaker 1: I think that makes me think of Julia Roberts dating 296 00:15:10,480 --> 00:15:12,920 Speaker 1: Matthew Perry and they faxed each other. But I might 297 00:15:12,960 --> 00:15:16,400 Speaker 1: be making that a I forgot about that. I think 298 00:15:16,440 --> 00:15:19,520 Speaker 1: that's true, though. I think they faxed each other. I 299 00:15:19,520 --> 00:15:22,360 Speaker 1: don't know what, but you've got mail, I just pick 300 00:15:22,480 --> 00:15:29,080 Speaker 1: up the phone. No, it's cute, I guess. But anyway, I. 301 00:15:28,960 --> 00:15:32,720 Speaker 2: Feel like he punches David just out of impulse. Really, 302 00:15:33,160 --> 00:15:37,240 Speaker 2: he's off kilter. I don't think he had any mastermind, Like, 303 00:15:37,240 --> 00:15:38,240 Speaker 2: oh not either. 304 00:15:39,040 --> 00:15:41,440 Speaker 1: He's just totally nuts. I was trying to look for 305 00:15:41,480 --> 00:15:44,400 Speaker 1: the bright side people. I think the confusion is we 306 00:15:44,480 --> 00:15:46,840 Speaker 1: think he's the guy, but he's not the guy. 307 00:15:47,200 --> 00:15:49,960 Speaker 2: But remember when we're at the hockey game, all of 308 00:15:50,000 --> 00:15:52,080 Speaker 2: a sudden, out of nowhere, who pops up but a 309 00:15:52,080 --> 00:15:59,640 Speaker 2: CUTV employee, the guy who's probably the stoker, because they 310 00:15:59,640 --> 00:16:01,640 Speaker 2: want you to think that the stalker is the other 311 00:16:01,640 --> 00:16:06,480 Speaker 2: guy that's super inappropriate at the CUTV. But I think 312 00:16:06,720 --> 00:16:10,760 Speaker 2: it's the guy that such a nice guy get me. 313 00:16:11,200 --> 00:16:14,160 Speaker 2: But I remember that guy. She's just weird. 314 00:16:14,240 --> 00:16:16,800 Speaker 1: How mad he is and then the message and the 315 00:16:16,920 --> 00:16:19,600 Speaker 1: rat and like the whole thing. Yeah, why is he 316 00:16:19,680 --> 00:16:23,000 Speaker 1: so angry because you're you're ignoring him and you're not 317 00:16:23,360 --> 00:16:27,160 Speaker 1: again him? What was what was she supposed to do? 318 00:16:27,320 --> 00:16:30,280 Speaker 1: I don't know. I don't know. You're you're scared by 319 00:16:30,280 --> 00:16:34,040 Speaker 1: his flowers as opposed to like maybe he can't try 320 00:16:34,280 --> 00:16:37,040 Speaker 1: like the organic way and just got to know me 321 00:16:37,080 --> 00:16:40,000 Speaker 1: and asked me out. But you're with David. 322 00:16:40,360 --> 00:16:42,440 Speaker 3: Oh, And I didn't know she was coming in. 323 00:16:43,120 --> 00:16:46,160 Speaker 1: Oh my god, I know immediately had when he came in. 324 00:16:46,520 --> 00:16:48,360 Speaker 2: What do you mean you're talking about the singer. 325 00:16:49,520 --> 00:16:51,800 Speaker 3: I know what's going to happen, and I know what 326 00:16:51,840 --> 00:16:55,080 Speaker 3: happened in real life, and I just Natalie Sigliuti. 327 00:16:55,320 --> 00:16:57,360 Speaker 2: She's pretty mean, Chloe. 328 00:16:57,720 --> 00:16:59,720 Speaker 3: I don't know. She was just really nice and I 329 00:16:59,800 --> 00:17:03,720 Speaker 3: knew because she did another show for my dad and 330 00:17:03,720 --> 00:17:05,439 Speaker 3: I think she hung out with my brother when they 331 00:17:05,440 --> 00:17:12,600 Speaker 3: were young. But she came on set very flirty with 332 00:17:12,600 --> 00:17:16,520 Speaker 3: with Brian, just Brian, and I was yeah, and I 333 00:17:16,560 --> 00:17:19,480 Speaker 3: was like, my territory. 334 00:17:19,600 --> 00:17:20,439 Speaker 2: You were fired up. 335 00:17:21,600 --> 00:17:22,120 Speaker 1: I was so. 336 00:17:22,200 --> 00:17:25,320 Speaker 3: Fired up because you know, like we weren't together, but 337 00:17:26,600 --> 00:17:29,280 Speaker 3: we were kind of together on camera once in a 338 00:17:29,280 --> 00:17:30,280 Speaker 3: while off Caermar. 339 00:17:30,200 --> 00:17:30,840 Speaker 2: That was your man. 340 00:17:31,400 --> 00:17:33,640 Speaker 3: That was Yeah, it was hard not to have feelings. 341 00:17:33,680 --> 00:17:35,320 Speaker 3: I'm sure he would feel the same way if a 342 00:17:35,359 --> 00:17:37,479 Speaker 3: guy came on the set was super flirty, Like she 343 00:17:37,640 --> 00:17:39,360 Speaker 3: was so flirty with him that I. 344 00:17:39,359 --> 00:17:44,199 Speaker 1: Was just like, really, yeah, we should have her on 345 00:17:44,320 --> 00:17:47,480 Speaker 1: because she's done a lot of things. They probably hooked up, 346 00:17:47,520 --> 00:17:49,320 Speaker 1: I'm sure of it. Well, let's have her on in fine, 347 00:17:49,480 --> 00:17:53,520 Speaker 1: not great, perfect, because she she's that girl where you're like, 348 00:17:53,720 --> 00:17:56,520 Speaker 1: I know her from everywhere. She was on All My Children, 349 00:17:57,240 --> 00:17:59,639 Speaker 1: she was just on that show doc Odyssey, which I 350 00:17:59,640 --> 00:18:03,040 Speaker 1: do watch that show she was on. She did eleven 351 00:18:03,119 --> 00:18:05,360 Speaker 1: episodes of the show called Deputy Never Heard of It? 352 00:18:05,640 --> 00:18:08,919 Speaker 1: And she was on This is Us. She did twenty 353 00:18:08,960 --> 00:18:11,560 Speaker 1: five episodes of g I Joe Rennegade, which I'd never 354 00:18:11,800 --> 00:18:12,160 Speaker 1: be there. 355 00:18:12,520 --> 00:18:14,240 Speaker 3: But like back in the day in the nineties, what 356 00:18:14,400 --> 00:18:14,720 Speaker 3: was she in? 357 00:18:16,119 --> 00:18:19,920 Speaker 1: Like, she was in a nineties before Saved by the Bell, 358 00:18:20,040 --> 00:18:23,600 Speaker 1: The New Classes six Saved by the Bell, and that's 359 00:18:23,760 --> 00:18:27,520 Speaker 1: right before she came to nine O two and oh okay, 360 00:18:27,520 --> 00:18:29,800 Speaker 1: so she did sixty five episodes of The New Class. 361 00:18:29,840 --> 00:18:31,959 Speaker 1: Were any of the OG's on the New Class? 362 00:18:33,160 --> 00:18:36,880 Speaker 3: You mean, mister Belding, Yeah, mister Belding was and then 363 00:18:36,880 --> 00:18:38,640 Speaker 3: does she do model zinc for my dad? 364 00:18:39,040 --> 00:18:41,440 Speaker 1: Pacific Palisades? Was that Pacific Palisades? 365 00:18:41,560 --> 00:18:43,200 Speaker 3: That's the one. 366 00:18:43,440 --> 00:18:48,760 Speaker 1: Yep, ye, Like she's very familiar, Like I knew immediately. 367 00:18:48,800 --> 00:18:50,800 Speaker 1: I was like, I know her. I definitely know her. 368 00:18:51,359 --> 00:18:56,920 Speaker 1: She definitely thirteen episodes of Pacific Palisades. What was that again? 369 00:18:58,440 --> 00:19:03,680 Speaker 3: It was you know, same show, different zip code. 370 00:19:04,000 --> 00:19:06,000 Speaker 1: It looked like she was the lead on that thing. 371 00:19:06,760 --> 00:19:10,159 Speaker 3: And the guy that plays Evan Trevor went on to 372 00:19:10,160 --> 00:19:11,120 Speaker 3: do that show as well. 373 00:19:13,600 --> 00:19:16,240 Speaker 1: Evan, let's talker. 374 00:19:17,280 --> 00:19:19,760 Speaker 2: Oh I figured it out? 375 00:19:19,880 --> 00:19:24,119 Speaker 3: Oh, Jay Trevor Edmond, Yeah, can we get him on? 376 00:19:24,920 --> 00:19:25,560 Speaker 1: Sure we can't. 377 00:19:38,280 --> 00:19:41,159 Speaker 2: Well, good news is at the end we hear David 378 00:19:41,240 --> 00:19:46,080 Speaker 2: say now your ass is mine or something. I really 379 00:19:46,119 --> 00:19:49,120 Speaker 2: love that line, and I was like, good for you, 380 00:19:49,240 --> 00:19:51,840 Speaker 2: David for not like getting into it with him, because 381 00:19:53,240 --> 00:19:56,520 Speaker 2: it's all he has. Every now he can really pin him. 382 00:19:56,560 --> 00:19:56,919 Speaker 1: True. 383 00:19:56,960 --> 00:20:01,080 Speaker 3: But so legally, if someone throws the punch first, you're 384 00:20:01,119 --> 00:20:03,120 Speaker 3: okay to then going order. 385 00:20:03,160 --> 00:20:05,440 Speaker 1: This guy keeps breaking a restraining order. 386 00:20:06,880 --> 00:20:09,120 Speaker 2: Right anymore they didn't have one, then. 387 00:20:10,440 --> 00:20:12,639 Speaker 1: They can really get into that courtroom fast too. 388 00:20:12,680 --> 00:20:16,160 Speaker 3: It's weird and I think it's so inappropriate, Like imagine 389 00:20:16,240 --> 00:20:19,240 Speaker 3: someone like I wouldn't even want to imagine someone tries 390 00:20:19,280 --> 00:20:21,840 Speaker 3: to rape you and you think you're gonna die, and 391 00:20:21,880 --> 00:20:23,960 Speaker 3: then you're sitting in a tiny room with them again, 392 00:20:24,080 --> 00:20:28,280 Speaker 3: just like that seems so heartless to do to her, 393 00:20:29,960 --> 00:20:32,080 Speaker 3: She mus have I don't think that's appropriate. 394 00:20:32,320 --> 00:20:34,600 Speaker 2: Oh I'm looking at the breeze grand up and I'm 395 00:20:34,640 --> 00:20:38,919 Speaker 2: like looking back at you. That's sinister. Little smile on 396 00:20:39,000 --> 00:20:39,840 Speaker 2: his face. 397 00:20:42,200 --> 00:20:44,760 Speaker 1: Did not feel real. I felt like a lot of 398 00:20:44,800 --> 00:20:46,160 Speaker 1: dramatic license going on. 399 00:20:47,680 --> 00:20:49,640 Speaker 2: But it made it fun to what is this how 400 00:20:49,720 --> 00:20:50,880 Speaker 2: it works? 401 00:20:51,359 --> 00:20:55,119 Speaker 1: Well? How about you? Kelly just loves Tom out of nowhere. 402 00:20:55,160 --> 00:20:57,439 Speaker 1: I mean we saw inklings of it before when you 403 00:20:57,440 --> 00:20:59,159 Speaker 1: were like he's kilned or whatever, But all of a 404 00:20:59,200 --> 00:21:01,199 Speaker 1: sudden it's on. 405 00:21:03,040 --> 00:21:06,800 Speaker 2: Yeah, for somebody who wants to move slow with Mark, 406 00:21:08,119 --> 00:21:13,399 Speaker 2: the old inhabitant of the house, now she's ready to 407 00:21:13,480 --> 00:21:17,640 Speaker 2: get going with Tom. I think do you think it's 408 00:21:17,760 --> 00:21:19,280 Speaker 2: driven by the valerie of it all? 409 00:21:21,280 --> 00:21:24,720 Speaker 1: Yes? I think you think he's cute. But I think 410 00:21:24,760 --> 00:21:27,520 Speaker 1: you like that he likes you and you can just 411 00:21:27,520 --> 00:21:30,679 Speaker 1: stick it to her, or you just feel chemistry with 412 00:21:30,720 --> 00:21:34,600 Speaker 1: this one. There is more chemistry with this guy, I 413 00:21:34,640 --> 00:21:35,800 Speaker 1: will say than the other guy. 414 00:21:35,920 --> 00:21:37,280 Speaker 3: Yeah, but still not. 415 00:21:38,560 --> 00:21:41,119 Speaker 1: It's better though, Even in the peach pit after the movie, 416 00:21:41,240 --> 00:21:45,240 Speaker 1: I thought, oh that's more. Something's there more than Mark 417 00:21:45,400 --> 00:21:45,800 Speaker 1: or Mark. 418 00:21:46,600 --> 00:21:49,520 Speaker 2: It's so crazy. We just had him on and I 419 00:21:49,520 --> 00:21:55,000 Speaker 2: wish I had seen these episodes so I knew that. Yeah, 420 00:21:55,200 --> 00:22:00,480 Speaker 2: I love interest, and I would have remembered better. I 421 00:22:00,480 --> 00:22:05,000 Speaker 2: think if I had some clues, because I don't remember 422 00:22:05,000 --> 00:22:06,000 Speaker 2: this happening at. 423 00:22:05,840 --> 00:22:08,359 Speaker 1: All, and he was a good hockey player. I feel 424 00:22:08,359 --> 00:22:10,600 Speaker 1: like this whole thing was just to have brand. I 425 00:22:10,640 --> 00:22:14,680 Speaker 1: feel like this is the Jason Priestley fantasy season where 426 00:22:14,680 --> 00:22:16,320 Speaker 1: he gets to do all the things he wants. 427 00:22:16,560 --> 00:22:20,919 Speaker 2: Yeah, because he's the producer, executive producer. Now, yeah, call 428 00:22:20,960 --> 00:22:21,600 Speaker 2: the shots. 429 00:22:21,920 --> 00:22:24,119 Speaker 1: Immediately I had to google Cam Neely because I was like, 430 00:22:24,440 --> 00:22:27,119 Speaker 1: it's all special guests cam Neely, and I'm like, I 431 00:22:27,119 --> 00:22:29,560 Speaker 1: thought it was a football player. Who's Cam Neely? I 432 00:22:29,560 --> 00:22:31,000 Speaker 1: think I was thinking of Cam Newton. 433 00:22:31,200 --> 00:22:35,399 Speaker 2: These were very famous Canadian hockey players, even closer to 434 00:22:35,560 --> 00:22:38,200 Speaker 2: Jason's heart. 435 00:22:38,480 --> 00:22:40,359 Speaker 1: And then Jason got it in and looked the penalty 436 00:22:40,400 --> 00:22:41,679 Speaker 1: box of so dramatic. 437 00:22:41,880 --> 00:22:45,000 Speaker 2: I liked it when he was all tough guy. 438 00:22:45,280 --> 00:22:48,840 Speaker 1: Yeah, I like to sort of like afterward. First of all, so. 439 00:22:48,840 --> 00:22:51,000 Speaker 2: Much to discuss in this episode. Wait, you got to 440 00:22:51,040 --> 00:22:58,359 Speaker 2: go back because so kept over at Brandon's. Of course 441 00:22:58,440 --> 00:22:59,879 Speaker 2: Valerie clocks hat. 442 00:23:00,160 --> 00:23:02,360 Speaker 1: Right, But. 443 00:23:03,800 --> 00:23:05,639 Speaker 2: He gets up in the morning and there's just no 444 00:23:05,960 --> 00:23:07,440 Speaker 2: like lovey feelings. 445 00:23:07,520 --> 00:23:12,000 Speaker 1: It's just so from him. There's no mystery. Something is 446 00:23:12,040 --> 00:23:13,240 Speaker 1: so off. It's like. 447 00:23:15,600 --> 00:23:18,280 Speaker 2: He's trying. He's trying, like it feels like even at 448 00:23:18,280 --> 00:23:21,280 Speaker 2: the end of the episode, he's he says, I have 449 00:23:21,320 --> 00:23:22,960 Speaker 2: three little words for you. I don't know what those 450 00:23:22,960 --> 00:23:23,480 Speaker 2: words were. 451 00:23:23,560 --> 00:23:25,080 Speaker 1: Oh my god. Then he whispered, and all I wanted 452 00:23:25,119 --> 00:23:26,000 Speaker 1: to do I leaned in. 453 00:23:26,080 --> 00:23:28,440 Speaker 2: I was like, I love it took too long. 454 00:23:28,480 --> 00:23:30,600 Speaker 1: I'm trying to move the screen. I thought it was dirty. 455 00:23:30,640 --> 00:23:32,200 Speaker 1: I thought it was maybe we were supposed to assume 456 00:23:32,240 --> 00:23:35,399 Speaker 1: it was dirty. Did you from Brandon Walsh? Yeah, I 457 00:23:35,440 --> 00:23:39,120 Speaker 1: felt like he was like something dirty. Yeah. 458 00:23:39,119 --> 00:23:43,280 Speaker 2: But and then just her like Tracy's pure like agony 459 00:23:43,400 --> 00:23:46,880 Speaker 2: over do I say I love him? And I love him? 460 00:23:46,920 --> 00:23:49,479 Speaker 2: And if he doesn't say it, and Valerie telling her 461 00:23:49,560 --> 00:23:52,440 Speaker 2: never say it. First, you know, there was a lot 462 00:23:52,640 --> 00:23:54,880 Speaker 2: of agony from poor Tracy. 463 00:23:54,880 --> 00:23:59,119 Speaker 1: Like she's a helper or no, there's some mo o. 464 00:24:00,160 --> 00:24:05,720 Speaker 2: I feel like there's some like I don't know, she 465 00:24:05,800 --> 00:24:08,560 Speaker 2: feels like damaged in a way in the Love. 466 00:24:08,440 --> 00:24:11,359 Speaker 1: Department, Tracy. Yeah, I find her to just be so 467 00:24:11,560 --> 00:24:16,080 Speaker 1: cute and so darling, and yet I don't care. I'm like, 468 00:24:16,080 --> 00:24:18,879 Speaker 1: you're so cute and you're so darling, and you're smart 469 00:24:18,920 --> 00:24:21,680 Speaker 1: and you're fun, and you're in between Kelly and Valerie 470 00:24:21,680 --> 00:24:24,720 Speaker 1: and you're trying to you're giving the good face acting 471 00:24:24,800 --> 00:24:26,240 Speaker 1: and the whole thing. And then I'm like, I just 472 00:24:26,240 --> 00:24:28,639 Speaker 1: don't care. Like if she was gone tomorrow, I'd be 473 00:24:28,680 --> 00:24:29,400 Speaker 1: like this, look. 474 00:24:29,480 --> 00:24:33,560 Speaker 3: I just feel like it's the way she's written because 475 00:24:33,560 --> 00:24:37,480 Speaker 3: we know she's rittable of it. She's adorable in real life. 476 00:24:38,200 --> 00:24:41,560 Speaker 3: I just remember it being so different. I don't remember 477 00:24:42,359 --> 00:24:45,359 Speaker 3: the character playing out this way and the two of 478 00:24:45,359 --> 00:24:47,720 Speaker 3: them together, Like, I just remember it being a really 479 00:24:47,880 --> 00:24:52,000 Speaker 3: great combo, and now watching it, I'm like, oh my god, No. 480 00:24:54,320 --> 00:24:57,280 Speaker 2: Yeah, I think they look too much alike for me. 481 00:24:58,920 --> 00:25:00,800 Speaker 1: She's like, Susan, did you feel that way? 482 00:25:00,920 --> 00:25:03,760 Speaker 2: Also when she's standing sitting next to Valerie at the 483 00:25:03,800 --> 00:25:12,000 Speaker 2: ice Dome, Uh, they look identical, like in a weird way, 484 00:25:12,119 --> 00:25:13,080 Speaker 2: like face structure. 485 00:25:13,160 --> 00:25:15,280 Speaker 1: Noone to remember where that place was, where that ice 486 00:25:16,080 --> 00:25:17,679 Speaker 1: hockey rink thingy was. 487 00:25:18,119 --> 00:25:20,439 Speaker 2: They're not that many in LA, So, yeah, it looked 488 00:25:20,520 --> 00:25:22,359 Speaker 2: like I had to be the Burbank one. 489 00:25:22,720 --> 00:25:25,040 Speaker 1: Yeah, it looked like something that existed. 490 00:25:25,600 --> 00:25:28,760 Speaker 3: Should I want to be in ice Culver City? 491 00:25:29,840 --> 00:25:30,800 Speaker 2: Why would we be there? 492 00:25:31,560 --> 00:25:34,400 Speaker 3: I don't know. If we have another sports driven episode 493 00:25:34,400 --> 00:25:35,680 Speaker 3: with the title I'm gonna just. 494 00:25:36,200 --> 00:25:40,440 Speaker 2: Walk away, You're gonna never watch it again. 495 00:25:40,920 --> 00:25:43,280 Speaker 1: I don't know where I was going with that. I 496 00:25:43,359 --> 00:25:45,320 Speaker 1: just can't, like it's too much. 497 00:25:46,800 --> 00:25:50,560 Speaker 2: What about when Tom asks Kelly for a good luck kiss? 498 00:25:52,320 --> 00:25:55,439 Speaker 2: I was like, Oh, that's moving a little too quickly. 499 00:25:56,080 --> 00:25:58,640 Speaker 1: So are you though? You're so flirty with him. 500 00:25:58,600 --> 00:26:02,440 Speaker 2: So flirty. She's like, yeah, I don't know. I feel 501 00:26:02,480 --> 00:26:04,560 Speaker 2: like she's excited to have any kind of feeling for 502 00:26:04,640 --> 00:26:06,760 Speaker 2: someone after her whole Mark experience. 503 00:26:07,920 --> 00:26:13,080 Speaker 3: I feel like Kelly's usually good about being alone. I think, yeah, 504 00:26:13,560 --> 00:26:16,280 Speaker 3: like she's empowered. And it's like, since Mark, why didn't 505 00:26:16,320 --> 00:26:19,439 Speaker 3: she just take a break, Like she's like, oh, waking 506 00:26:19,520 --> 00:26:20,320 Speaker 3: up alone again? 507 00:26:21,000 --> 00:26:23,639 Speaker 2: No, but she said right from the beginning when somebody 508 00:26:23,680 --> 00:26:25,840 Speaker 2: paid her a compliment, right. 509 00:26:25,760 --> 00:26:28,439 Speaker 1: And now yeah, she makes like a crack about that 510 00:26:28,560 --> 00:26:28,920 Speaker 1: or something. 511 00:26:29,000 --> 00:26:32,200 Speaker 3: Right, So they're like sprinkling this in in this episode. 512 00:26:32,200 --> 00:26:35,840 Speaker 3: But I feel like that's uncharacteristic for Kelly because she's strong, 513 00:26:35,960 --> 00:26:39,880 Speaker 3: she's wanted. Yeah, I don't want the movie do that way. 514 00:26:40,080 --> 00:26:42,800 Speaker 1: We know what, we know what movie you went to? 515 00:26:43,040 --> 00:26:46,240 Speaker 2: Do they reveal that what was the biggest blockbuster in 516 00:26:46,320 --> 00:26:48,359 Speaker 2: nineteen ninety seven, because that's probably it? 517 00:26:49,080 --> 00:26:52,120 Speaker 1: Oh, con Air? I don't know. One was conn Air, 518 00:26:53,280 --> 00:26:53,880 Speaker 1: conn Air? 519 00:26:54,440 --> 00:26:56,920 Speaker 2: It was conn Air, that would be so excited. 520 00:26:57,320 --> 00:27:00,480 Speaker 1: Air is a great movie, exciting, whoa whoa con Air 521 00:27:00,920 --> 00:27:03,920 Speaker 1: nineteen ninety seven. Sorry, I'm amazing. 522 00:27:04,880 --> 00:27:09,560 Speaker 3: It is silent of nineteen ninety seven, But it wasn't January. 523 00:27:09,600 --> 00:27:11,960 Speaker 1: I think it was summer, so there goes that. I 524 00:27:11,960 --> 00:27:15,280 Speaker 1: think it was in the summer. It was Titanic. Yos 525 00:27:17,520 --> 00:27:25,000 Speaker 1: Are you going good? Yo? Yeah? Sorry Titanic yos Yo 526 00:27:26,480 --> 00:27:27,720 Speaker 1: can talk about Claire. 527 00:27:27,960 --> 00:27:29,080 Speaker 3: I love Conny Air, but. 528 00:27:29,680 --> 00:27:33,520 Speaker 1: I loved conn Air. Conny girl. I loved her. Oh 529 00:27:33,560 --> 00:27:39,359 Speaker 1: Monica Potter from Parenthood, she was so good. 530 00:27:39,520 --> 00:27:42,000 Speaker 2: What's going on with Monica Potter Potter these days? 531 00:27:42,040 --> 00:27:42,520 Speaker 1: These days? 532 00:27:42,560 --> 00:27:42,760 Speaker 2: Yeah? 533 00:27:42,920 --> 00:27:43,360 Speaker 3: I don't know. 534 00:27:44,040 --> 00:27:45,879 Speaker 2: Like he's got such a great look. 535 00:27:46,440 --> 00:27:48,199 Speaker 1: She's cute. Do you want me to tell you trivia 536 00:27:48,200 --> 00:27:51,879 Speaker 1: about the theme song from conn Air or no please 537 00:27:51,920 --> 00:27:57,520 Speaker 1: do okay. Originally, Leanne Ryan's recorded a version of the song, 538 00:27:58,160 --> 00:28:00,840 Speaker 1: and then the movie producers thought, oh, it doesn't quite 539 00:28:00,880 --> 00:28:03,720 Speaker 1: have what we need, so they went to Trisha Yearwood 540 00:28:03,920 --> 00:28:06,880 Speaker 1: and she re recorded it and that's what you hear 541 00:28:06,880 --> 00:28:09,440 Speaker 1: in the movie. But Leanne Rimes was like, you know what, 542 00:28:09,680 --> 00:28:11,640 Speaker 1: I like what I did with this. I'm also going 543 00:28:11,680 --> 00:28:13,520 Speaker 1: to release it. And they I think they both had 544 00:28:13,600 --> 00:28:14,680 Speaker 1: hits with that same song. 545 00:28:15,520 --> 00:28:17,920 Speaker 2: Wait, can you say a little of it? What is it? 546 00:28:17,920 --> 00:28:20,840 Speaker 1: It's that? How do I live with that? 547 00:28:21,560 --> 00:28:22,359 Speaker 2: You? Yeah? 548 00:28:22,880 --> 00:28:25,680 Speaker 1: Want so it's very like oh like that. 549 00:28:26,440 --> 00:28:28,719 Speaker 3: Ah, that was hard hitting during that time watching in 550 00:28:28,720 --> 00:28:32,040 Speaker 3: the theaters though, and like wanting. 551 00:28:32,240 --> 00:28:35,000 Speaker 1: Monica Potter just did something with Freddy Prin's. It looks 552 00:28:35,080 --> 00:28:39,120 Speaker 1: like what that's what I'm seeing? The Girl in the Pool? 553 00:28:40,280 --> 00:28:45,040 Speaker 3: What a horror film, A lifetime movie, A life move 554 00:28:45,400 --> 00:28:46,000 Speaker 3: get out of here. 555 00:28:46,800 --> 00:28:48,960 Speaker 1: Yeah, it's like a lifetime movie. One of those type 556 00:28:48,960 --> 00:28:52,480 Speaker 1: of deals. Yeah, The Girl in the Pool with Freddy 557 00:28:52,520 --> 00:28:55,720 Speaker 1: Prin's A well to do the family man is forced 558 00:28:55,720 --> 00:28:58,640 Speaker 1: to struggle through a surprise birthday party moments after hiding 559 00:28:58,680 --> 00:29:03,200 Speaker 1: the murdered corpse of his mistress, whoa They must have 560 00:29:03,240 --> 00:29:06,400 Speaker 1: paid big bucks for that. So Freddy is married to 561 00:29:06,720 --> 00:29:09,040 Speaker 1: This is what I'm just from just looking at the 562 00:29:09,080 --> 00:29:12,960 Speaker 1: trailer with no noise YEA. Freddie is married to Monica Potter, 563 00:29:13,120 --> 00:29:16,360 Speaker 1: but he has a gal and somehow she dies in 564 00:29:16,360 --> 00:29:16,880 Speaker 1: the pool. 565 00:29:17,720 --> 00:29:18,760 Speaker 2: He kills her. 566 00:29:19,000 --> 00:29:21,000 Speaker 1: He tries to bring her back. He doesn't want her 567 00:29:21,040 --> 00:29:24,040 Speaker 1: to die. He tries to bring her back, hides her body, 568 00:29:24,080 --> 00:29:27,760 Speaker 1: and literally immediately walks out to his surprise birthday. Bar Wow, 569 00:29:28,240 --> 00:29:31,360 Speaker 1: I gotta watch this. I have to watch this. I 570 00:29:31,440 --> 00:29:34,120 Speaker 1: have to watch this. One's it coming out. This looks 571 00:29:34,240 --> 00:29:36,800 Speaker 1: it's out. This was from twenty twenty four. It looks 572 00:29:37,480 --> 00:29:39,720 Speaker 1: amazingly amazing, like. 573 00:29:39,680 --> 00:29:41,840 Speaker 3: You're doing a lifetime movie one year and the next 574 00:29:41,920 --> 00:29:44,120 Speaker 3: year you're starring in like the sequel to one of 575 00:29:44,120 --> 00:29:45,440 Speaker 3: the biggest horror films ever. 576 00:29:46,480 --> 00:29:50,520 Speaker 1: Life. Ain't my funny question, Torri? When was Scream? When 577 00:29:50,520 --> 00:29:52,920 Speaker 1: were you in Scream? Because what's happening in nine to two? 578 00:29:53,040 --> 00:29:54,200 Speaker 1: Note song reminds me. 579 00:29:54,200 --> 00:29:56,760 Speaker 2: Of that, giving me screen vibes for sure, especially the 580 00:29:56,800 --> 00:29:58,120 Speaker 2: close up through the blinds. 581 00:29:59,320 --> 00:30:02,760 Speaker 3: Yeah, do you know's how I hid my nose? 582 00:30:03,080 --> 00:30:03,200 Speaker 1: No? 583 00:30:03,320 --> 00:30:06,480 Speaker 2: But I you said before you didn't you had moments 584 00:30:06,480 --> 00:30:08,120 Speaker 2: where you couldn't watch it because of the close ups. 585 00:30:08,160 --> 00:30:11,000 Speaker 2: I thought you looked so beautiful in the whole episode. 586 00:30:11,040 --> 00:30:13,520 Speaker 2: Your skin look beautiful, your hair was nice and like 587 00:30:13,560 --> 00:30:15,600 Speaker 2: smooth and not distracting. 588 00:30:15,480 --> 00:30:17,360 Speaker 1: Though, Thank you guy. 589 00:30:18,240 --> 00:30:21,600 Speaker 3: I don't know. I think Scream was nineteen ninety eight, 590 00:30:21,680 --> 00:30:22,400 Speaker 3: nineteen ninety seven. 591 00:30:22,520 --> 00:30:25,080 Speaker 1: No, Scream was nineteen ninety six. But I was in 592 00:30:25,120 --> 00:30:28,920 Speaker 1: Scream two. Oh fudge. Okay, Well maybe that's they thought 593 00:30:28,960 --> 00:30:33,720 Speaker 1: Scream wanted good that they nine O two and oh 594 00:30:33,800 --> 00:30:36,800 Speaker 1: did it and then that's how you got screamed too. Nope, 595 00:30:37,880 --> 00:30:41,600 Speaker 1: Stream two ninety seven, Oh wow, they cranked those out, 596 00:30:41,720 --> 00:30:45,840 Speaker 1: ninety ninety seven, just kidding. Quite a cast to me. 597 00:30:45,880 --> 00:30:48,320 Speaker 1: The Oliphip was on Scream two. Oh. I used to 598 00:30:48,360 --> 00:30:50,320 Speaker 1: think he was so hot. What's he doing these days? 599 00:30:50,400 --> 00:30:53,000 Speaker 1: He was hot? I don't know. His brother went to 600 00:30:53,040 --> 00:30:54,520 Speaker 1: college with us. Really? 601 00:30:55,160 --> 00:31:09,840 Speaker 2: Yeah, do you guys want to talk about Clarence steven All? 602 00:31:10,040 --> 00:31:11,800 Speaker 1: Yes, because it's so boring. 603 00:31:12,280 --> 00:31:18,040 Speaker 3: I like her roots, really, it's just I don't even 604 00:31:18,120 --> 00:31:21,400 Speaker 3: get it. Like back then, roots weren't a thing, you know, 605 00:31:21,640 --> 00:31:22,320 Speaker 3: especially in TV. 606 00:31:22,440 --> 00:31:27,200 Speaker 2: They're playing house. I would be so bored if I 607 00:31:27,320 --> 00:31:29,000 Speaker 2: was one of them. 608 00:31:29,160 --> 00:31:32,080 Speaker 1: They're playing house in a grown cool house. Then they 609 00:31:32,160 --> 00:31:33,840 Speaker 1: then they talk about living together and then they say 610 00:31:33,960 --> 00:31:36,400 Speaker 1: actually no, and that was their whole storyline. 611 00:31:36,560 --> 00:31:38,920 Speaker 2: Yeah, because are they going to be breaking up soon? 612 00:31:40,040 --> 00:31:42,920 Speaker 1: She knows that she's moving. She knows the nls are 613 00:31:42,960 --> 00:31:44,840 Speaker 1: moving at the end of the Yeah. 614 00:31:44,720 --> 00:31:47,120 Speaker 2: They move at the end of the Okay, yeah, it 615 00:31:47,120 --> 00:31:52,160 Speaker 2: feels like they're there, you know, tape their future down 616 00:31:52,200 --> 00:31:52,720 Speaker 2: a little bit. 617 00:31:53,280 --> 00:31:57,240 Speaker 1: I like, yes, they look really good. I wasn't crazy 618 00:31:57,280 --> 00:32:01,200 Speaker 1: about her. But what we're halfway through season seven, so 619 00:32:01,240 --> 00:32:04,680 Speaker 1: she's got like, we're on season I'm sorry, episode seventeen 620 00:32:04,720 --> 00:32:09,320 Speaker 1: and there's thirty two, so we're a little more than halfway. No, 621 00:32:09,840 --> 00:32:10,880 Speaker 1: what about. 622 00:32:12,000 --> 00:32:14,080 Speaker 2: Do we talk about her? When she said I love you? 623 00:32:14,120 --> 00:32:16,080 Speaker 2: I think we talked about it. Yeah, and then. 624 00:32:17,680 --> 00:32:20,760 Speaker 1: It's like, oh my god, why would. 625 00:32:20,640 --> 00:32:22,760 Speaker 2: She just blurt? I mean it felt like she was like, 626 00:32:23,200 --> 00:32:24,720 Speaker 2: I love you like when you leave. 627 00:32:24,800 --> 00:32:27,120 Speaker 1: Yeah, good acting. 628 00:32:27,920 --> 00:32:31,360 Speaker 2: Yeah, but he heard it, and I think he got 629 00:32:31,360 --> 00:32:35,160 Speaker 2: freaked out. Yeah, he just got all he says, I 630 00:32:35,280 --> 00:32:36,360 Speaker 2: don't know what to say to that. 631 00:32:37,280 --> 00:32:38,040 Speaker 1: It's so awkward. 632 00:32:38,560 --> 00:32:42,120 Speaker 3: Yeah, she knew not to say it, she was coached 633 00:32:42,320 --> 00:32:43,040 Speaker 3: not to say it. 634 00:32:43,400 --> 00:32:45,720 Speaker 1: Well, of course, then she had to say it by vow. 635 00:32:46,200 --> 00:32:50,840 Speaker 1: Oh god, now she should have asked chat cheepy tea. 636 00:32:51,080 --> 00:32:53,640 Speaker 2: I thought Val was great in this episode too, Like 637 00:32:53,720 --> 00:32:57,800 Speaker 2: I love like the Kelly Val like cat fighting. Oh yeah, 638 00:32:59,040 --> 00:33:00,360 Speaker 2: I enjoyed it early. 639 00:33:00,720 --> 00:33:03,960 Speaker 3: I love anything with Kelly and foul like im. 640 00:33:04,520 --> 00:33:05,520 Speaker 1: It's really good. 641 00:33:05,720 --> 00:33:08,760 Speaker 2: It feels really despising each other. 642 00:33:10,120 --> 00:33:13,720 Speaker 1: I know that was trivia that I just found. You 643 00:33:13,760 --> 00:33:16,120 Speaker 1: may have this? Do you have trivia? Cam Neely was 644 00:33:16,160 --> 00:33:17,160 Speaker 1: also in Dumb and Dumber? 645 00:33:18,040 --> 00:33:19,640 Speaker 2: Do you have as a hockey player? 646 00:33:22,000 --> 00:33:25,240 Speaker 1: No, as the angry diner customer Sea bass? 647 00:33:27,320 --> 00:33:27,720 Speaker 2: Wow? 648 00:33:29,040 --> 00:33:31,520 Speaker 3: Wow, the angry diner is that? 649 00:33:31,600 --> 00:33:31,800 Speaker 1: Oh? 650 00:33:31,840 --> 00:33:34,640 Speaker 3: That's is that when they get the pills and well. 651 00:33:34,560 --> 00:33:38,840 Speaker 1: I was just remembered. Remember he puts the like something, 652 00:33:38,840 --> 00:33:44,440 Speaker 1: doesn't he who dies? Oh? Like he keels over? That's 653 00:33:44,480 --> 00:33:46,480 Speaker 1: coming back to me, you know what I mean? 654 00:33:46,920 --> 00:33:50,640 Speaker 2: I never never dumber? 655 00:33:51,000 --> 00:33:53,760 Speaker 1: What what? What? Immediately tonight? 656 00:33:53,880 --> 00:33:57,120 Speaker 2: I have a confession. I've never watched Dumb and Dumber? 657 00:33:57,560 --> 00:34:00,600 Speaker 1: What tonight? Tonight? You know what you're doing? Love it? 658 00:34:01,240 --> 00:34:06,520 Speaker 2: I love it? So brain rotting stupid. 659 00:34:06,960 --> 00:34:09,960 Speaker 1: Oh no, it's so good. He's all what's her name? 660 00:34:10,080 --> 00:34:15,200 Speaker 3: Okay, hold on, very simps tonight it's you love cable guy. 661 00:34:16,239 --> 00:34:20,839 Speaker 2: I did, But there was the like I don't know. Wait, 662 00:34:20,880 --> 00:34:21,960 Speaker 2: who's in Dumb and Dumber? 663 00:34:22,360 --> 00:34:26,360 Speaker 1: Ye Daniels and Jim Carrey and Lauren Hawley. First of 664 00:34:26,400 --> 00:34:28,680 Speaker 1: all those type of movies. I think Dumb and Dumber 665 00:34:28,719 --> 00:34:30,600 Speaker 1: and Tommy Boy are like two of the best. 666 00:34:30,840 --> 00:34:33,920 Speaker 3: Oh not what I know? 667 00:34:34,719 --> 00:34:39,960 Speaker 1: Sorry, Oh my god. When those eminem's go watching, when 668 00:34:39,960 --> 00:34:42,040 Speaker 1: those emin ms or whatever they are go rolling, and 669 00:34:42,080 --> 00:34:44,640 Speaker 1: he's all they go into the fancy car and he's like, 670 00:34:44,640 --> 00:34:45,920 Speaker 1: they got a hard candy shill. 671 00:34:45,960 --> 00:34:49,640 Speaker 2: You should be okay, wait what about what when he 672 00:34:49,680 --> 00:34:53,000 Speaker 2: puts on the jag and he's like, fat little coat. 673 00:34:53,280 --> 00:34:57,280 Speaker 1: I got to revisit it, my god. Brothers don't shake hands, 674 00:34:57,400 --> 00:34:58,920 Speaker 1: brothers got a hug. 675 00:34:59,040 --> 00:35:02,600 Speaker 3: Like wait, I can't believe. Does Dave know you have 676 00:35:02,640 --> 00:35:03,680 Speaker 3: not watched Dumb and Dumber? 677 00:35:04,040 --> 00:35:06,600 Speaker 2: He does because he tries to watch it all the time. 678 00:35:06,760 --> 00:35:09,160 Speaker 2: And I'm like, I can't get any dumber. Why I'm 679 00:35:09,160 --> 00:35:10,040 Speaker 2: gonna get dumber? 680 00:35:10,640 --> 00:35:11,640 Speaker 1: No? 681 00:35:11,640 --> 00:35:13,600 Speaker 3: No, But now I'm worried if you see it now 682 00:35:13,640 --> 00:35:16,160 Speaker 3: at this point in time, that it won't stand up 683 00:35:16,320 --> 00:35:18,240 Speaker 3: and you'll be like an see, it wasn't great. 684 00:35:18,320 --> 00:35:21,880 Speaker 1: But like the diarrhea scene, Oh my god, I was 685 00:35:21,920 --> 00:35:23,120 Speaker 1: about to say it. I didn't want to be the 686 00:35:23,120 --> 00:35:23,719 Speaker 1: one to say it. 687 00:35:23,960 --> 00:35:26,280 Speaker 3: I didn't want to go on to say so hard, 688 00:35:27,600 --> 00:35:28,439 Speaker 3: don't go in there. 689 00:35:29,080 --> 00:35:32,040 Speaker 2: Oh that's that's going to go in there? 690 00:35:32,200 --> 00:35:35,240 Speaker 1: Why I know that because it's iconic. 691 00:35:35,520 --> 00:35:37,560 Speaker 3: I feel like you've seen clips of it, but not 692 00:35:37,719 --> 00:35:41,319 Speaker 3: our scenes. Oh my gosh, don't watch the new Dumb 693 00:35:41,320 --> 00:35:44,240 Speaker 3: and Dummer. I feel like it wasn't great pull. 694 00:35:44,160 --> 00:35:45,759 Speaker 1: Up and they want him to come along and he's all, 695 00:35:45,840 --> 00:35:50,279 Speaker 1: can you bully Whatever happens at the end, I'm like, 696 00:35:50,400 --> 00:35:59,239 Speaker 1: oh my god, it's so hilarious. It's so Mary, Mary, look, 697 00:36:00,480 --> 00:36:03,520 Speaker 1: oh god, you're just gonna watch. Can we talk about 698 00:36:03,520 --> 00:36:04,120 Speaker 1: everything in this? 699 00:36:04,360 --> 00:36:06,279 Speaker 2: Can I just ask you? I need to know. Are 700 00:36:06,400 --> 00:36:09,160 Speaker 2: Brandon and Tracy staying together? 701 00:36:09,480 --> 00:36:10,440 Speaker 1: Are you know this? 702 00:36:11,080 --> 00:36:14,080 Speaker 2: And what's Who'sy's name? Saying together? 703 00:36:14,320 --> 00:36:18,920 Speaker 3: Now you're saying who'sy? I can't Tom Tom Tom Tom? 704 00:36:19,440 --> 00:36:22,920 Speaker 2: Like I feel like instead of those characters coming together, 705 00:36:23,640 --> 00:36:28,759 Speaker 2: they're going apart. Brandon and Kelly ruin. You don't want 706 00:36:28,760 --> 00:36:31,000 Speaker 2: to tell me spoilers, which I just love from a 707 00:36:31,080 --> 00:36:32,000 Speaker 2: show thirty years ago. 708 00:36:32,040 --> 00:36:32,640 Speaker 1: What do you mean? 709 00:36:33,200 --> 00:36:35,400 Speaker 3: I feel like you were told when Jill came on, 710 00:36:35,480 --> 00:36:38,160 Speaker 3: she she told you what you tell me? 711 00:36:38,880 --> 00:36:39,480 Speaker 1: Well, if you don't know. 712 00:36:39,520 --> 00:36:41,200 Speaker 3: I'm not gonna tell you. 713 00:36:43,239 --> 00:36:45,480 Speaker 2: This is the best part about having a memory like mine, 714 00:36:45,480 --> 00:36:49,680 Speaker 2: as you you can watch things and then you a 715 00:36:49,680 --> 00:36:53,440 Speaker 2: week later, it's like you never saw it. So who you? 716 00:36:54,280 --> 00:37:00,719 Speaker 1: Yeah, yeah, you're like Dory from Finding Nemo. I love it. 717 00:37:00,760 --> 00:37:01,239 Speaker 2: I like her. 718 00:37:01,560 --> 00:37:03,720 Speaker 1: Took me a second to get that. That's so funny. 719 00:37:03,760 --> 00:37:04,760 Speaker 1: She is like Dory. 720 00:37:05,040 --> 00:37:07,360 Speaker 3: Yeah, ring on the finger. 721 00:37:07,640 --> 00:37:10,000 Speaker 1: I'm just I'm just waiting for Dick. When does the 722 00:37:10,080 --> 00:37:14,719 Speaker 1: Dick thing happen? Oh? When is Dick dying? Think? So? 723 00:37:15,760 --> 00:37:16,439 Speaker 2: Oh he does? 724 00:37:16,760 --> 00:37:21,520 Speaker 1: You're right, okay, I think it's a good death. Oh yeah, 725 00:37:21,600 --> 00:37:23,279 Speaker 1: Cliff is coming back soon too. 726 00:37:24,120 --> 00:37:26,560 Speaker 2: Let's get it going. Come on, I'm ready. 727 00:37:26,719 --> 00:37:30,799 Speaker 1: There's a lot to come. There's a lot next week. 728 00:37:30,840 --> 00:37:34,960 Speaker 2: You have episode eighteen. We interrupt this program. 729 00:37:35,160 --> 00:37:38,760 Speaker 1: This is this is it. This is where we stalker. 730 00:37:38,920 --> 00:37:45,120 Speaker 1: This is it. There's no mistakes and stocking. This is it. 731 00:37:45,600 --> 00:37:48,400 Speaker 2: I love you. People do not listen to the podcast 732 00:37:48,440 --> 00:37:52,440 Speaker 2: to hear any of us sing. 733 00:37:51,360 --> 00:37:53,720 Speaker 1: How do I Live? It was really a treat for people. 734 00:37:53,719 --> 00:37:58,839 Speaker 3: Guys, do you like when we sing? Okay, when you sing? 735 00:37:59,080 --> 00:37:59,920 Speaker 1: I can't do it? 736 00:38:00,080 --> 00:38:01,160 Speaker 2: Real singer? 737 00:38:01,680 --> 00:38:05,280 Speaker 1: Guy? Should hear guy? Should hear me? When I'm really singing. 738 00:38:05,600 --> 00:38:08,480 Speaker 1: Oh you're good. I mean no, but like you know, 739 00:38:08,560 --> 00:38:10,840 Speaker 1: I was in the sixth grade play sound of Music. 740 00:38:12,120 --> 00:38:15,520 Speaker 1: Who did you play? Obviously, Torri? Maria? 741 00:38:15,640 --> 00:38:17,600 Speaker 2: Please please please? 742 00:38:18,640 --> 00:38:22,520 Speaker 1: What was that you played? Maria? You played the lead? 743 00:38:23,120 --> 00:38:26,400 Speaker 1: Thank you in sixth grade? Thank you? What I can do? 744 00:38:26,520 --> 00:38:27,840 Speaker 1: The hills are alone? 745 00:38:28,320 --> 00:38:29,160 Speaker 2: Do it? Do it now? 746 00:38:29,200 --> 00:38:31,359 Speaker 1: For no? No, I can't do it? Zoom. I can't. 747 00:38:31,480 --> 00:38:35,520 Speaker 1: I can't for an alto, No, I'm not. I can't 748 00:38:35,520 --> 00:38:36,800 Speaker 1: those high. 749 00:38:36,480 --> 00:38:37,080 Speaker 3: You're an altum? 750 00:38:37,680 --> 00:38:40,320 Speaker 1: Wait? What do you guys read this? So you're an alto? 751 00:38:40,840 --> 00:38:41,600 Speaker 1: But you're an alto? 752 00:38:42,719 --> 00:38:44,720 Speaker 2: I rated eight and a half. 753 00:38:44,880 --> 00:38:51,720 Speaker 1: And what if Anne came back? Was the soccer amazing? 754 00:38:51,719 --> 00:38:55,720 Speaker 1: If Anne came back? Richard Riccolo is in an episode 755 00:38:55,719 --> 00:38:59,480 Speaker 1: of nine to two and O what Yeah, I just 756 00:38:59,560 --> 00:39:01,960 Speaker 1: realized from two guys a girl in a pizza place 757 00:39:02,080 --> 00:39:05,760 Speaker 1: Jennifer Eve, do you remember that? That is so random 758 00:39:06,800 --> 00:39:10,719 Speaker 1: Tiffany's ex. Oh that's right, Oh my god? Is this 759 00:39:10,800 --> 00:39:14,960 Speaker 1: how they met ex fiance? That is so coming back 760 00:39:15,000 --> 00:39:15,200 Speaker 1: to me. 761 00:39:15,400 --> 00:39:16,200 Speaker 2: He was on our show. 762 00:39:16,600 --> 00:39:20,759 Speaker 1: Yeah, I just saw Richard Riccolo plays Dean in an 763 00:39:20,800 --> 00:39:24,239 Speaker 1: upcoming episode twenty one, So we will need to try 764 00:39:24,239 --> 00:39:25,120 Speaker 1: to get get him booked. 765 00:39:25,280 --> 00:39:27,040 Speaker 2: Maybe that's where they met Jen? 766 00:39:27,239 --> 00:39:29,120 Speaker 1: Is this Jen? You would know? Is this true? 767 00:39:29,480 --> 00:39:31,240 Speaker 2: Don't ask me these kind of questions. 768 00:39:31,400 --> 00:39:36,520 Speaker 1: Youmber, when was two guys, a girl and a pizza place? 769 00:39:36,640 --> 00:39:38,680 Speaker 1: Oh two years later, and I think that's when they 770 00:39:38,680 --> 00:39:40,239 Speaker 1: were dating. I think he was on two Guys and 771 00:39:40,280 --> 00:39:41,920 Speaker 1: a Girl in a pizza place when they were dating 772 00:39:42,440 --> 00:39:46,680 Speaker 1: for sure. Yeah, so this is how they met. I think, Wow, 773 00:39:46,960 --> 00:39:50,880 Speaker 1: on here, I can't believe this. Well, we definitely need 774 00:39:50,960 --> 00:39:54,120 Speaker 1: to get him because that is something I never realized. 775 00:39:54,120 --> 00:39:57,440 Speaker 3: That's a Sawcy story. That is that almost went to 776 00:39:57,480 --> 00:40:02,360 Speaker 3: the finish line. Remember Jen, Yeah, She's like, no, I remember, 777 00:40:03,480 --> 00:40:04,560 Speaker 3: do you What do you remember? 778 00:40:05,440 --> 00:40:08,200 Speaker 1: I think I hung out with them around that era 779 00:40:09,680 --> 00:40:13,799 Speaker 1: for work stuff there. Ajillian Nathan Fillion was also in 780 00:40:13,800 --> 00:40:15,120 Speaker 1: Two Guys and a Girl in a Pizza Place. 781 00:40:15,560 --> 00:40:18,520 Speaker 2: It's so fun going down Google memory road with you 782 00:40:18,560 --> 00:40:21,480 Speaker 2: guys every episode. But we have to. 783 00:40:22,400 --> 00:40:23,400 Speaker 1: I feel good about this. 784 00:40:24,080 --> 00:40:26,400 Speaker 2: I gave my score. I said nine point seven. Anybody 785 00:40:26,440 --> 00:40:27,359 Speaker 2: else I. 786 00:40:27,280 --> 00:40:29,000 Speaker 1: Was going to give it a ten. I was going 787 00:40:29,080 --> 00:40:31,080 Speaker 1: to give it a ten. I'm going to give it 788 00:40:31,080 --> 00:40:32,800 Speaker 1: a nine and a half. I'm going to give it 789 00:40:32,840 --> 00:40:33,720 Speaker 1: a nine point eight. 790 00:40:34,480 --> 00:40:34,840 Speaker 2: Nice. 791 00:40:35,120 --> 00:40:37,480 Speaker 1: Nice school did you say nine point seven ten. 792 00:40:38,239 --> 00:40:39,200 Speaker 2: I said eight point seven. 793 00:40:39,239 --> 00:40:40,919 Speaker 1: I think I think you said nine. 794 00:40:41,360 --> 00:40:43,520 Speaker 2: Don't you remember that I just said it, like one 795 00:40:43,640 --> 00:40:44,440 Speaker 2: or two minutes. 796 00:40:44,200 --> 00:40:46,319 Speaker 1: Story, you just said it? 797 00:40:47,040 --> 00:40:50,000 Speaker 3: And why the two points, like the two half points 798 00:40:50,280 --> 00:40:52,880 Speaker 3: give me the nine seven? Yeah, so it's a nine, 799 00:40:54,160 --> 00:40:55,879 Speaker 3: But why not a nine to five? Why a nine 800 00:40:55,920 --> 00:40:56,480 Speaker 3: to seven? 801 00:40:56,880 --> 00:40:59,000 Speaker 2: I don't really know. I just felt like. 802 00:40:59,200 --> 00:41:01,879 Speaker 1: Why you round it up? Like what pushed it over 803 00:41:01,920 --> 00:41:02,560 Speaker 1: the edge for you? 804 00:41:02,600 --> 00:41:07,400 Speaker 2: That you're like, I enjoyed the hockey stuff. 805 00:41:07,400 --> 00:41:09,120 Speaker 1: Honestly, No, you did not. 806 00:41:09,840 --> 00:41:13,520 Speaker 2: I did. I did because I like the friction between 807 00:41:13,520 --> 00:41:17,040 Speaker 2: those characters and I like the friction that happened in 808 00:41:17,120 --> 00:41:17,840 Speaker 2: the stands. 809 00:41:19,160 --> 00:41:22,319 Speaker 1: So yeah, the stands were good. If people don't listen 810 00:41:22,320 --> 00:41:24,200 Speaker 1: to the end of these episodes, I feel bad with 811 00:41:24,280 --> 00:41:27,040 Speaker 1: that because the best stuffs at the end. Yeah, that's 812 00:41:27,040 --> 00:41:29,680 Speaker 1: too right now. Next week is the big thing. 813 00:41:29,760 --> 00:41:34,799 Speaker 3: It's the hostage situation in the news studio on air. 814 00:41:37,080 --> 00:41:38,800 Speaker 2: Exciting, yep.