WEBVTT - Five is the Magic Number?!?!?!?

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<v Speaker 1>It's nine O gene one engine with Jenny Garth and

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<v Speaker 1>Tory spelling.

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<v Speaker 2>Okay, you guys, ready Ready. Season five, Episode one, What

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<v Speaker 2>I Did on My Summer Vacation and Other Stories aired

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<v Speaker 2>September seventh, nineteen ninety four.

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<v Speaker 3>Synopsis. Season five kicks off with new hair and new drama.

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<v Speaker 3>We're in the Stays in London, but Valerie moves into

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<v Speaker 3>Beverly Hills and she's raided a rule of some trouble. Meanwhile,

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<v Speaker 3>Donna thinks she's over, David, Kelly is all over, Brandon,

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<v Speaker 3>Steve is already smitten, and Dylan is down and out

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<v Speaker 3>in Baja California.

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<v Speaker 2>Directive, I'm oh, Michael Lang is back. They must have

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<v Speaker 2>really liked Michael Lang. Michael Lang is directing and written

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<v Speaker 2>by Charles Rosen and Larry Moore.

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<v Speaker 1>Then nineteen ninety four was what was the most significant

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<v Speaker 1>thing in your lives Jenny and Tory's lives in nineteen

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<v Speaker 1>ninety four?

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<v Speaker 4>Like, did you get married? Have a baby? Can you?

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<v Speaker 4>You probably did one of those. No, I know, I

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<v Speaker 4>didn't have a baby till ninety seven, y'all. No, but

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<v Speaker 4>you might have gotten married? Oh really, Oh yeah, I

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<v Speaker 4>got Maybe I got married. How old would I have been?

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<v Speaker 4>Shuld anybody do math? How old would I have been

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<v Speaker 4>in nineteen ninety four? Uh? You would be yeah? Twenty No,

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<v Speaker 4>twenty two? Okay, so yeah I got married Rose twenty one.

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<v Speaker 4>What year? Google it?

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<v Speaker 2>I don't know, Probably check it because you know, I

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<v Speaker 2>could be wrong about that, but yeah, I probably got

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<v Speaker 2>out here either I was married, getting married, or getting divorced,

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<v Speaker 2>because those things all kind of happened real quick in

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<v Speaker 2>the in the nineties.

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<v Speaker 4>Oh, maybe I should google what year you did that

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<v Speaker 4>TV movie? You know, the one? Oh what one? Wow?

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<v Speaker 4>Was in ninety four? That was later later? Well, then

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<v Speaker 4>there'd be no divorce then. Oh oh, well, I guess

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<v Speaker 4>you're right. Did you meet Peter on a TV movie?

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<v Speaker 4>Is that what's happening that I'm not? Yes, okay, got it?

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<v Speaker 4>Got it.

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<v Speaker 1>For those of us playing along that don't don't speak

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<v Speaker 1>Tory Jenny are incidling.

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<v Speaker 2>Let's talk about the episode though, because it's way more interesting.

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<v Speaker 3>So this is the first time married for the first

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<v Speaker 3>time in nineteen ninety four, sixteenth you got married like

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<v Speaker 3>a minute ago, you know that?

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<v Speaker 2>Good job?

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<v Speaker 4>Wow? No, thank you? Wait?

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<v Speaker 1>Is this the first time we saw show and then credits.

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<v Speaker 4>Do you know what I'm talking about?

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<v Speaker 2>Like, like, what's that called when you do a little teaser?

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<v Speaker 4>Yeah, they do it on like other shows regularly.

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<v Speaker 1>So what I can't remember is is that the way

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<v Speaker 1>it's going to be here too?

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<v Speaker 4>Four? I don't know.

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<v Speaker 2>I think they change it up. I remember they did

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<v Speaker 2>that maybe once or twice in the last season. They

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<v Speaker 2>like showed a little bit of the show and then

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<v Speaker 2>rolled into the teaser I mean into the.

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<v Speaker 1>Yeah, yeah, yeah, the credits or or sometimes you get

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<v Speaker 1>that up previously on.

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<v Speaker 2>Yeah, we didn't do that.

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<v Speaker 4>I don't know. The show just feels very different. Yeah,

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<v Speaker 4>can we just credits? Like, how did you feel about that? Well?

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<v Speaker 4>We have two main two new cast members as regulars.

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<v Speaker 2>They look completely different, completely.

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<v Speaker 4>Well, Jenny, you're number two, Like I didn't you notice?

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<v Speaker 2>Like oh I wrote by the look I wrote it

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<v Speaker 2>down that I didn't.

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<v Speaker 4>I was like, uh, what's happening? Because what fascinates me? Seven?

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<v Speaker 4>With one gone, I'm still number seven, number number seven.

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<v Speaker 1>I used to be number eight, one, two, five, six, Yeah,

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<v Speaker 1>you're number seven. But what's what I was interested in

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<v Speaker 1>is how far down Luke Perry is. I would have

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<v Speaker 1>assumed since this is number five, but maybe not that

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<v Speaker 1>it would have gone Jason, Jenny, Luke, but it doesn't.

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<v Speaker 1>It goes Jason, Jenny, Iron, Gabrielle, then Luke, then Brian,

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<v Speaker 1>Austin Green, then Tory, than Mark, than Tiffany, than the Walshes.

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<v Speaker 4>Correct. Yeah, that's interesting to me.

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<v Speaker 3>Well, because everyone was I mean probably because Luke originally

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<v Speaker 3>wasn't in the first episode when they added him.

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<v Speaker 4>People already had their orders, so he had to.

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<v Speaker 2>He had to just get in line.

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<v Speaker 4>Yeah, but he went above you back then. I mean,

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<v Speaker 4>but but he jumped Brian. Yeah, he did so weird. Yeah,

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<v Speaker 4>he jumped Brian.

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<v Speaker 1>And does anybody ever get uh and Luke Perry do

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<v Speaker 1>you know what I mean?

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<v Speaker 4>Like you know how they Yeah.

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<v Speaker 2>That if you're a special guest star, right.

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<v Speaker 4>M hm.

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<v Speaker 1>Kathleen is not in this I should have done that

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<v Speaker 1>in The New Things.

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<v Speaker 4>Was she in the opening credit?

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<v Speaker 1>No, and she's not in the episode and she's not anywhere.

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<v Speaker 4>Did she join as a regular series regular? Do we know?

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<v Speaker 2>And I don't know that she'll be people You mentioned

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<v Speaker 2>Tiffany and Mark those are the.

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<v Speaker 3>Two are officially regulars. Well, Tiffany's near this season, but

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<v Speaker 3>Mark was on before as Jesse, but he's officially a

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<v Speaker 3>series regular.

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<v Speaker 4>Now. This must have been so exciting for people that were,

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<v Speaker 4>like say by the Bell fans who didn't know this

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<v Speaker 4>was happening, and then all of a sudden to see

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<v Speaker 4>the meet Valerie Malone and have it be Kelly right a.

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<v Speaker 3>Big press release before this that she was coming to

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<v Speaker 3>nine or two and O like, I don't remember back then.

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<v Speaker 4>Yeah, I don't remember.

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<v Speaker 2>We didn't really like internet to spread the TV.

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<v Speaker 1>And like teen beat would do you like how she

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<v Speaker 1>was introduced?

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<v Speaker 4>I did not. I thought we could have had a bit.

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<v Speaker 1>More fanfare, like so they talk about her the girl

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<v Speaker 1>that's gonna live in Brenda's room, which I still think

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<v Speaker 1>is ridiculous, and we can talk about that because you

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<v Speaker 1>just never say though, but we don't get her until

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<v Speaker 1>well into the episode and the intro of her is her.

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<v Speaker 4>Back, well, then give it. Then she turns around and she's.

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<v Speaker 1>Like, I thought maybe we would have had her I'm

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<v Speaker 1>down the stairs or just something a bit bigger. And

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<v Speaker 1>now maybe they wanted to downplay it, but they talk

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<v Speaker 1>about the girl and Brenda's room.

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<v Speaker 4>I don't know. I just thought, oh, I would have

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<v Speaker 4>done that, differently. Yeah, it wasn't a big moment.

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<v Speaker 2>I just like I was upset we didn't see her

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<v Speaker 2>at the airport, Like, what the fuck was the play

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<v Speaker 2>of going to the airport and doing all those scenes

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<v Speaker 2>at the airport, right.

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<v Speaker 1>I thought she should come off the plane.

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<v Speaker 4>Yeah.

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<v Speaker 3>I wish they had alluded to something that maybe Brenda

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<v Speaker 3>didn't go, which was coming back or would that be

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<v Speaker 3>a real setting to the fan?

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<v Speaker 4>A setup? And then she turned and you see brown hair.

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<v Speaker 2>That's the girl or the because I thought that Brenda

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<v Speaker 2>was coming back in the beginning of the episode, because

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<v Speaker 2>Mommy was making up her room for her and she

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<v Speaker 2>wanted it to look cozy.

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<v Speaker 3>She said, Oh, if they were smart, they would have

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<v Speaker 3>filmed that last scene with Shannon Luke two ways.

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<v Speaker 4>So it kept going, So you like that pan out.

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<v Speaker 4>We should have been running the show and that could

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<v Speaker 4>have been a flashback. I know we should have.

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<v Speaker 1>So what did you all think of the subtle dig

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<v Speaker 1>that I interpreted as a subtle dig When Brandon and

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<v Speaker 1>David are walking and he casually says, oh, she's staying

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<v Speaker 1>in London.

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<v Speaker 4>At this rate we met, we may never see her again,

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<v Speaker 4>and then David gives the yeah, they were to dig you, guys,

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<v Speaker 4>that is a dig. It didn't feel like a dig.

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<v Speaker 2>It just felt like addressing it in as.

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<v Speaker 4>Aggressive. Now you're speaking my language.

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<v Speaker 1>Okay, did like it? Just they wrote it in intentionally.

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<v Speaker 1>That's an intentional line that now we look at at

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<v Speaker 1>this rate, we may never see her again.

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<v Speaker 4>Because we don't.

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<v Speaker 2>They're trying to like lay the foundation for what is

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<v Speaker 2>The audience is freaking out, although it wasn't addressed enough

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<v Speaker 2>for me, who was like, my head was spinning, Where's Brenda?

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<v Speaker 4>Wait?

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<v Speaker 2>What do you mean she's not coming back? This girl

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<v Speaker 2>in her room? Like I needed more answers. I needed

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<v Speaker 2>to see Brenda on the phone at least, or something.

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<v Speaker 5>Yeah that could have happened, or yeah, or a fake

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<v Speaker 5>conversation where she can you do like they do on

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<v Speaker 5>Sex and the City with Samantha how they do the

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<v Speaker 5>text to Samantha, So they could have acted like they're

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<v Speaker 5>talking to her and she's not there.

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<v Speaker 1>I still think it's weird that Tiffany's in the credits

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<v Speaker 1>but we haven't met her.

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<v Speaker 4>You would have saved it for the second episode. I

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<v Speaker 4>would have.

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<v Speaker 6>Yeah.

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<v Speaker 1>I think I wouldn't have done that either, because it's

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<v Speaker 1>like say that you are sort of like living in

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<v Speaker 1>a bubble and you don't follow magazines and you just

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<v Speaker 1>watch the show.

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<v Speaker 4>You're like, well, who's that girl in the credits? Do

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<v Speaker 4>you know what I mean? Yeah? I want to like

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<v Speaker 4>or had.

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<v Speaker 1>Her come off the plane in the beginning of the

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<v Speaker 1>episode the credit and then go to the credits and

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<v Speaker 1>you're like, wow, okay, yeah, weird.

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<v Speaker 4>Fifth season, they had to do something big.

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<v Speaker 3>I'm sure there was something huge in the press that

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<v Speaker 3>Shannon was leaving, Tiffany was coming.

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<v Speaker 4>There had to be something because we got to get

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<v Speaker 4>people to keep going watch right. Yeah, so I'm sure

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<v Speaker 4>everyone knew.

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<v Speaker 1>It's still weird to me that they keep referring to

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<v Speaker 1>her multiple times as the girl staying in Brenda's room.

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<v Speaker 4>Wouldn't you say it.

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<v Speaker 1>As, Oh, we're getting ready for our very close family

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<v Speaker 1>friend that's moving in with us, the girl staying in

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<v Speaker 1>Brenda's room.

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<v Speaker 2>Like what they were trying to be mysterious? Can we

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<v Speaker 2>check and see what kind of pressed there was? Yeah,

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<v Speaker 2>at the beginning, get your phone out, come on. I

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<v Speaker 2>want to know, like, did they release something?

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<v Speaker 4>Was there? Big? Big one?

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<v Speaker 2>Like cover story on seventeen?

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<v Speaker 1>Oh, it would have been working so it would have

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<v Speaker 1>like been out and about, you know what I mean.

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<v Speaker 1>In the magazines, it would have been magazines like US Magazine,

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<v Speaker 1>Team Beat, People, TV Guide for sure.

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<v Speaker 4>I feel like, okay, so you guys.

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<v Speaker 3>Once we went into this season, I started like everything

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<v Speaker 3>was like came back to me. I think this is

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<v Speaker 3>the points in the program where I start to remember

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<v Speaker 3>everything filming wise.

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<v Speaker 4>Oh good, like five seasons in, we'll tell us everything. Yay,

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<v Speaker 4>you know what I mean.

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<v Speaker 3>Like, of course, when we watched stuff, we're like, oh,

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<v Speaker 3>I remember doing that scene, but it's not like consistent

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<v Speaker 3>this one. I was like, oh, I think from now on,

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<v Speaker 3>I consistently remember, we'll see you.

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<v Speaker 2>Remember filming the scene in the Beauty Solon with me?

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<v Speaker 4>Yes, wow, wow wow wow? Where were you? I don't know.

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<v Speaker 4>I feel like it was somewhere on Ventura.

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<v Speaker 2>I can't say yes.

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<v Speaker 4>I remember it came through the.

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<v Speaker 3>Alley and I had to film and there was something

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<v Speaker 3>weird with us that day, Me and you.

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<v Speaker 4>Yeah, never is not.

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<v Speaker 2>Why were Kelly and Donna?

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<v Speaker 3>I don't know, but I feel like Marie and Jenny.

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<v Speaker 3>There was something that day. I don't remember what it was,

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<v Speaker 3>but it was like weirdness, like uncomfortableness and I don't

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<v Speaker 3>know what over what remember?

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<v Speaker 4>Gosh, I wish you could, I know, but it's really

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<v Speaker 4>weird for Kelly and Donna. And that scene was just

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<v Speaker 4>so unnumn.

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<v Speaker 2>Yeah, it was so weird. And then because were they fighting?

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<v Speaker 2>Because was it that Kelly sided with David?

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<v Speaker 4>I just don't get it.

0:11:47.800 --> 0:11:52.160
<v Speaker 2>She would never side with David when he cheated on Donna. Like,

0:11:52.200 --> 0:11:53.880
<v Speaker 2>that's not Kelly.

0:11:55.840 --> 0:11:59.800
<v Speaker 4>Hmm. I think I made up right away totally.

0:11:59.800 --> 0:12:02.600
<v Speaker 1>And God bless those hair stylists because they brought them

0:12:02.640 --> 0:12:03.120
<v Speaker 1>back together.

0:12:03.400 --> 0:12:05.319
<v Speaker 4>You know what I noticed? Did you guys.

0:12:05.200 --> 0:12:08.880
<v Speaker 1>Notice on Beverly Cannon Flowers they put the phone number?

0:12:09.559 --> 0:12:11.800
<v Speaker 4>Can we call it? Can we call it? Yeah? What

0:12:11.960 --> 0:12:13.120
<v Speaker 4>is it? So?

0:12:13.160 --> 0:12:15.760
<v Speaker 1>The number they put up there was two seven five

0:12:16.320 --> 0:12:19.640
<v Speaker 1>three three seven two, and I'm assuming it was three

0:12:19.760 --> 0:12:22.240
<v Speaker 1>one oh because back then you didn't have area codes,

0:12:22.280 --> 0:12:23.199
<v Speaker 1>Like what.

0:12:23.280 --> 0:12:25.880
<v Speaker 4>Is it two seven five? He was seven five three

0:12:26.040 --> 0:12:30.480
<v Speaker 4>three seven two two and three y'all? But if it

0:12:30.520 --> 0:12:33.000
<v Speaker 4>was in Beverly Hills, was it two one three then?

0:12:33.120 --> 0:12:36.079
<v Speaker 4>Or was it three one oh? It's not allocated? Also,

0:12:36.120 --> 0:12:40.119
<v Speaker 4>does Tory know her flashlights on on her phone? Ill?

0:12:42.480 --> 0:12:42.840
<v Speaker 4>So Tory?

0:12:42.960 --> 0:12:45.520
<v Speaker 1>No one answer around with my flashlight on not allocated.

0:12:45.679 --> 0:12:51.000
<v Speaker 3>That number is not allocated, so for grabs, I think, Oh, yeah,

0:12:51.040 --> 0:12:51.760
<v Speaker 3>I noticed.

0:12:51.480 --> 0:12:55.880
<v Speaker 1>They showed Beverly Cannon flowers and Rodeo Collection, which I'm

0:12:55.920 --> 0:12:57.760
<v Speaker 1>assuming both of those things.

0:12:57.520 --> 0:13:04.319
<v Speaker 4>Were at the time. Real, yeah, yes, Rodeo Collection was.

0:13:05.040 --> 0:13:10.280
<v Speaker 4>I didn't really, I didn't really notice your question. Were bigger? No, no,

0:13:10.440 --> 0:13:14.680
<v Speaker 4>they look like they always looked to me, Hm, did

0:13:14.720 --> 0:13:15.800
<v Speaker 4>you know I'm done yet?

0:13:16.280 --> 0:13:16.480
<v Speaker 5>Well?

0:13:16.520 --> 0:13:20.320
<v Speaker 4>I thought it came in a later scene, but later

0:13:20.480 --> 0:13:22.360
<v Speaker 4>episode where we're at the.

0:13:23.960 --> 0:13:27.200
<v Speaker 3>A cat house or one of them, sorry like parties.

0:13:27.520 --> 0:13:30.360
<v Speaker 3>But when she turned and walked away from you and

0:13:30.440 --> 0:13:33.679
<v Speaker 3>Brandon and Valerie like I had no brawn and they

0:13:33.679 --> 0:13:34.880
<v Speaker 3>were bigger and you.

0:13:35.320 --> 0:13:41.400
<v Speaker 4>Like baby tea under my little long dress. So yeah,

0:13:42.360 --> 0:13:46.080
<v Speaker 4>but that is yeah, you're right. No, you know what? No, no, no,

0:13:46.360 --> 0:13:48.840
<v Speaker 4>I got them done over Christmas vacation. Okay, So now

0:13:49.240 --> 0:13:53.400
<v Speaker 4>I take a back. Santa brought you boobies. No, I

0:13:53.440 --> 0:13:56.200
<v Speaker 4>brought myself boobies. But it was a pain that asked

0:13:56.240 --> 0:14:02.040
<v Speaker 4>to go Christmas shopping. Okay.

0:14:02.040 --> 0:14:06.360
<v Speaker 2>So Donna and David have been broken up all summer. Yeah, David,

0:14:07.880 --> 0:14:12.320
<v Speaker 2>I guess was going on tour with Babyface.

0:14:12.160 --> 0:14:14.680
<v Speaker 4>Because that's humping Ariel.

0:14:14.640 --> 0:14:17.480
<v Speaker 2>And doing Aeriel all along the way getting crabs and yeah,

0:14:17.520 --> 0:14:20.000
<v Speaker 2>and then she got bored of them but gave him crabs,

0:14:20.520 --> 0:14:21.800
<v Speaker 2>which was gross.

0:14:22.600 --> 0:14:23.840
<v Speaker 4>Really gross, didn't you?

0:14:23.880 --> 0:14:27.240
<v Speaker 2>But I did kind of like his video presentation of it.

0:14:27.400 --> 0:14:30.240
<v Speaker 1>I have to tell you, guys something I can remember

0:14:30.920 --> 0:14:35.640
<v Speaker 1>being twenty, So this is nineteen ninety, about twenty watching that,

0:14:36.120 --> 0:14:41.560
<v Speaker 1>being in college and being completely panicked about what are crabs?

0:14:42.120 --> 0:14:42.960
<v Speaker 1>What are crabs?

0:14:43.680 --> 0:14:46.400
<v Speaker 4>How do you get them? Do I have them? Am

0:14:46.440 --> 0:14:52.840
<v Speaker 4>I going to get them? Like from your show? Oh? Really, well,

0:14:52.920 --> 0:14:56.160
<v Speaker 4>you're welcome. I had not that we educated you. Oh

0:14:56.240 --> 0:14:58.040
<v Speaker 4>my gosh, I had never heard of them.

0:14:58.080 --> 0:14:59.800
<v Speaker 1>So then this video comes on and we're all like,

0:15:00.200 --> 0:15:03.160
<v Speaker 1>David silver has what what is that? And like, I

0:15:03.160 --> 0:15:04.680
<v Speaker 1>don't even know how I figured it out because we

0:15:04.720 --> 0:15:06.960
<v Speaker 1>didn't have the internet, so I must have like crabs.

0:15:07.000 --> 0:15:11.040
<v Speaker 4>You guys, can you remember when Waterman got crabs our

0:15:11.160 --> 0:15:12.720
<v Speaker 4>makeup artist?

0:15:13.080 --> 0:15:14.560
<v Speaker 2>Do you remember this story?

0:15:14.800 --> 0:15:18.040
<v Speaker 4>No? And he didn't know what it was and so

0:15:18.080 --> 0:15:22.760
<v Speaker 4>he what's the fleaentic killer? Uh? No? Rat? He sprayed

0:15:22.760 --> 0:15:43.080
<v Speaker 4>it down there? Burns is nutsauce? What an idiot? Wait?

0:15:43.120 --> 0:15:45.040
<v Speaker 1>Before we move on, also, can we talk about how

0:15:45.040 --> 0:15:48.120
<v Speaker 1>in the flashback, one of you says, get a life.

0:15:48.840 --> 0:15:51.600
<v Speaker 3>Yeah, Kelly does to Donna, she would never say that,

0:15:51.680 --> 0:15:53.400
<v Speaker 3>Like my boyfriend just cheating on me.

0:15:53.520 --> 0:15:55.600
<v Speaker 4>I don't know, it doesn't make life.

0:15:56.120 --> 0:15:58.280
<v Speaker 2>That was like a total saying, we all wait, can

0:15:58.320 --> 0:15:59.880
<v Speaker 2>I just ask you a question about crabs?

0:16:00.160 --> 0:16:01.040
<v Speaker 4>Last thing about crabs?

0:16:01.120 --> 0:16:04.600
<v Speaker 2>Yeah, even if you have safe sex with a condom,

0:16:04.640 --> 0:16:06.040
<v Speaker 2>you can still get crabs, right.

0:16:06.320 --> 0:16:10.320
<v Speaker 4>Yeah, that's why they're like the area. It's like it's

0:16:10.400 --> 0:16:14.040
<v Speaker 4>like lice, so gross. I've never had that either.

0:16:14.160 --> 0:16:18.320
<v Speaker 1>That's why this show was so traumatizing to like an

0:16:18.360 --> 0:16:20.080
<v Speaker 1>average college person.

0:16:20.200 --> 0:16:22.520
<v Speaker 4>I was like, what is that.

0:16:22.520 --> 0:16:25.000
<v Speaker 2>I didn't feel like it was like clear, like we

0:16:25.080 --> 0:16:27.560
<v Speaker 2>know now because we know what crabs are. But as

0:16:27.600 --> 0:16:29.520
<v Speaker 2>a teenager, it was so quick and there were real

0:16:29.600 --> 0:16:32.120
<v Speaker 2>crabs crawling on rocks, so I didn't know if people

0:16:32.160 --> 0:16:33.400
<v Speaker 2>really made the connection.

0:16:34.960 --> 0:16:37.960
<v Speaker 1>Yes they did, because I was so traumatized. I remember

0:16:38.040 --> 0:16:40.360
<v Speaker 1>being like, what is that? What does that mean?

0:16:40.960 --> 0:16:42.840
<v Speaker 4>What do I so gross?

0:16:43.400 --> 0:16:45.320
<v Speaker 1>And I kind of think I asked around and I

0:16:45.360 --> 0:16:46.920
<v Speaker 1>guess it's not really that prevalent.

0:16:47.040 --> 0:16:50.280
<v Speaker 4>Maybe I might be. I think America, you.

0:16:50.280 --> 0:16:53.280
<v Speaker 2>Get crabs if you have greasy man bangs.

0:16:56.080 --> 0:17:00.480
<v Speaker 3>Wait, can we talk about Brandon's facial pubes like it's

0:17:01.040 --> 0:17:05.400
<v Speaker 3>I can't it's a little large, it's a drawing. It's

0:17:05.480 --> 0:17:07.920
<v Speaker 3>it's what you draw on some on a you draw

0:17:08.040 --> 0:17:10.440
<v Speaker 3>face or somebody's.

0:17:10.040 --> 0:17:13.720
<v Speaker 4>Picture, like a mocking thing. Go on, was he doing

0:17:13.760 --> 0:17:15.840
<v Speaker 4>a movie or something? And that's what he had, was

0:17:15.840 --> 0:17:18.600
<v Speaker 4>that it was a choice or he had to. Like Billy,

0:17:19.119 --> 0:17:26.119
<v Speaker 4>he's hot, but the hair was a little much. I

0:17:26.160 --> 0:17:26.520
<v Speaker 4>don't know.

0:17:26.600 --> 0:17:28.679
<v Speaker 2>It was weird to just open on Kelly and Brandon

0:17:28.720 --> 0:17:33.960
<v Speaker 2>and bed again and not have any like romance, not

0:17:34.080 --> 0:17:34.760
<v Speaker 2>have any.

0:17:34.720 --> 0:17:37.959
<v Speaker 4>Court like they're making it seem like just sex, but

0:17:38.000 --> 0:17:41.000
<v Speaker 4>it's not. They're like meant to be. No, they're fully together.

0:17:41.040 --> 0:17:43.520
<v Speaker 1>They've been traveling with the Washes and they're having family

0:17:43.640 --> 0:17:44.920
<v Speaker 1>dinners and the whole thing.

0:17:46.359 --> 0:17:48.719
<v Speaker 3>I do like your banter with him though. It's so

0:17:49.200 --> 0:17:53.040
<v Speaker 3>cool and sweet and just authentic. And I like Kelly with.

0:17:53.040 --> 0:17:54.360
<v Speaker 4>Him, Yeah, I do too.

0:17:54.520 --> 0:17:58.080
<v Speaker 2>I like Kelly already in season five way more than

0:17:58.119 --> 0:18:01.600
<v Speaker 2>I did in season four. Like she just seems happier.

0:18:02.200 --> 0:18:04.080
<v Speaker 4>Yeah, you're fun and bubbly, Kelly.

0:18:04.160 --> 0:18:09.040
<v Speaker 2>Yeah, she just seems like confident and secure and fun

0:18:09.080 --> 0:18:10.000
<v Speaker 2>and she doesn't give.

0:18:09.880 --> 0:18:15.160
<v Speaker 4>A lighter lighter much more because.

0:18:15.000 --> 0:18:19.000
<v Speaker 2>Dell Wig is gone and he's not bringing her down.

0:18:20.359 --> 0:18:24.480
<v Speaker 1>Yeah, it's very You've been totally accepted in the family.

0:18:25.480 --> 0:18:29.480
<v Speaker 1>It's like you're going on trips with them. It's all good.

0:18:29.880 --> 0:18:32.720
<v Speaker 1>I also must say I like your betting that strip

0:18:33.000 --> 0:18:36.520
<v Speaker 1>dark Bedding with the Paisley as the That was well done.

0:18:36.840 --> 0:18:38.280
<v Speaker 4>Very pritts, very pritts.

0:18:38.520 --> 0:18:41.040
<v Speaker 1>I actually was surprised I hadn't remembered that you had

0:18:41.080 --> 0:18:45.080
<v Speaker 1>traveled with them to Minnesota, Lake Minnetaka or whatever.

0:18:45.240 --> 0:18:47.919
<v Speaker 2>That doesn't seem like a dream vacation for Kellen Taylor,

0:18:48.000 --> 0:18:52.080
<v Speaker 2>but okay, I, on the other hand, would appreciate a

0:18:52.119 --> 0:18:54.120
<v Speaker 2>good Lake Minnetaka vacation.

0:18:55.760 --> 0:18:57.840
<v Speaker 4>I like lakes. You like lakes.

0:18:57.960 --> 0:19:00.520
<v Speaker 2>But yeah, they just Kelly and Brandon do seem together.

0:19:00.600 --> 0:19:03.760
<v Speaker 2>I just wish that the storytelling had gone a little differently.

0:19:04.440 --> 0:19:05.480
<v Speaker 4>Yeah, but.

0:19:06.920 --> 0:19:12.320
<v Speaker 1>Oh well, you are telling everybody now, it's not going

0:19:12.359 --> 0:19:13.680
<v Speaker 1>to be a secret for long.

0:19:13.840 --> 0:19:19.240
<v Speaker 4>You know, everybody's finding out. I just think it's still

0:19:19.320 --> 0:19:21.600
<v Speaker 4>so weird that they all don't talk for the whole summer.

0:19:21.640 --> 0:19:22.280
<v Speaker 4>It's just weird.

0:19:23.520 --> 0:19:28.440
<v Speaker 1>But there's no cell phones, there's no really maybe attached

0:19:28.440 --> 0:19:31.800
<v Speaker 1>to the BMW's no Internet, Like, what are they going

0:19:31.840 --> 0:19:34.720
<v Speaker 1>to mail letters to each other, like you didn't talk

0:19:34.760 --> 0:19:36.720
<v Speaker 1>for the summer landlines.

0:19:36.680 --> 0:19:41.800
<v Speaker 4>But why why are you not at the beach apartment?

0:19:41.840 --> 0:19:43.320
<v Speaker 4>Did you move out? And are you going to move

0:19:43.400 --> 0:19:47.080
<v Speaker 4>back in? Or what's you're staying with your parents? Your

0:19:47.119 --> 0:19:48.399
<v Speaker 4>parents you still have their house?

0:19:49.720 --> 0:19:51.239
<v Speaker 1>Well, because they were in a fight. So here's what

0:19:51.480 --> 0:19:54.359
<v Speaker 1>my theory on that you two were fighting. So she

0:19:54.440 --> 0:19:57.399
<v Speaker 1>went to Houston for the summer. She's back for a

0:19:57.440 --> 0:19:59.520
<v Speaker 1>week or whatever, but she's staying at home because you

0:19:59.560 --> 0:20:02.320
<v Speaker 1>two were on the outs. But now that you're gonna

0:20:02.320 --> 0:20:03.919
<v Speaker 1>be fine again, I think she's.

0:20:03.800 --> 0:20:05.840
<v Speaker 4>Gonna come back. Yeah, hopefully.

0:20:06.359 --> 0:20:09.560
<v Speaker 2>Well I'm saying that like I don't know, Wait, okay,

0:20:09.880 --> 0:20:15.080
<v Speaker 2>go to the Lax just gave me anxiety? What just

0:20:15.080 --> 0:20:18.800
<v Speaker 2>filming there? Looking at them film there made me fail anxious,

0:20:18.840 --> 0:20:20.439
<v Speaker 2>like I was about to miss my flight and I

0:20:20.480 --> 0:20:24.040
<v Speaker 2>didn't care for it because that was like the real Lax.

0:20:24.080 --> 0:20:25.639
<v Speaker 2>But was the whole point of going to Lex just

0:20:25.640 --> 0:20:26.720
<v Speaker 2>so we could see Howie Long?

0:20:27.000 --> 0:20:29.800
<v Speaker 4>Like why was how Long on the show?

0:20:30.880 --> 0:20:35.320
<v Speaker 1>So I believe there was something where the NFL was

0:20:35.359 --> 0:20:38.480
<v Speaker 1>on Fox maybe now and we did a whole thing

0:20:38.680 --> 0:20:41.879
<v Speaker 1>with Eye, So I'm pretty sure it was like robot replacement.

0:20:42.440 --> 0:20:44.959
<v Speaker 4>But that was just like Sinne football scene.

0:20:45.800 --> 0:20:48.880
<v Speaker 1>And did he call Steve Freddy? I was like, Freddy,

0:20:49.400 --> 0:20:51.160
<v Speaker 1>I don't know. I thought he called Steve the wrong name.

0:20:51.200 --> 0:20:55.200
<v Speaker 1>At first, I'm like, Freddy, Freddy, I don't I don't know.

0:20:55.359 --> 0:20:57.640
<v Speaker 3>My agin they were so scared, They're like, it's Howie Long.

0:20:57.680 --> 0:20:58.800
<v Speaker 3>We would just let it go.

0:20:59.720 --> 0:21:02.040
<v Speaker 4>It was because you know what, he is a very

0:21:02.119 --> 0:21:06.080
<v Speaker 4>large man, and the like some picture of all of

0:21:06.160 --> 0:21:09.160
<v Speaker 4>us with Howie Long home. How about the Raiders were

0:21:09.160 --> 0:21:09.640
<v Speaker 4>in LA.

0:21:10.000 --> 0:21:12.879
<v Speaker 1>It's like the Raiders were in Oakland, then they were

0:21:12.920 --> 0:21:14.960
<v Speaker 1>in LA, then they were back in Oakland, and now they're.

0:21:14.800 --> 0:21:17.160
<v Speaker 4>Like in Vegas, so they're not even It's so crazy.

0:21:17.240 --> 0:21:20.840
<v Speaker 4>Tory just fell asleep. WHI you're speaking foreign language totally

0:21:21.080 --> 0:21:21.800
<v Speaker 4>like I'm out.

0:21:23.480 --> 0:21:24.280
<v Speaker 2>I just saw you go.

0:21:24.400 --> 0:21:28.679
<v Speaker 1>Like and then was anyone disappointed when Howi Long's like,

0:21:28.720 --> 0:21:30.440
<v Speaker 1>not a word to your mom and I was like, oh,

0:21:30.480 --> 0:21:32.160
<v Speaker 1>it's gonna be juicy. And then it's just like how

0:21:32.160 --> 0:21:35.080
<v Speaker 1>he Long fantasized about Steve Sanders' mom.

0:21:35.520 --> 0:21:38.000
<v Speaker 4>And then he was gone, and who cares? But he

0:21:38.080 --> 0:21:43.240
<v Speaker 4>did another scene. No, I only saw one, I know,

0:21:43.359 --> 0:21:46.359
<v Speaker 4>but there's he was at the Walsh House for some reason,

0:21:46.480 --> 0:21:48.000
<v Speaker 4>or I guess that was just like maybe sure we

0:21:48.040 --> 0:21:51.000
<v Speaker 4>all took with him, or oh, I can't remember. I

0:21:51.000 --> 0:21:53.720
<v Speaker 4>don't know something we did something big with him. I

0:21:53.720 --> 0:21:56.080
<v Speaker 4>don't remember. He might come on another episode.

0:21:56.680 --> 0:21:59.639
<v Speaker 2>Oh maybe that'd be fun.

0:22:00.080 --> 0:22:02.760
<v Speaker 1>Okay, how about Steve devoting his love to you and

0:22:02.800 --> 0:22:06.360
<v Speaker 1>telling Brandon at the airport, I'm coming home for the love.

0:22:06.200 --> 0:22:10.159
<v Speaker 4>Of my life. Ridiculous? Too little, too late? Give me?

0:22:10.359 --> 0:22:12.919
<v Speaker 2>I mean, come on, Steve, We've already done this, Like,

0:22:13.119 --> 0:22:15.960
<v Speaker 2>I feel like we've done this too, maybe three times.

0:22:15.800 --> 0:22:18.320
<v Speaker 4>At least where he getting but Kelly calls it out.

0:22:18.320 --> 0:22:20.680
<v Speaker 2>She's like, yeah, every time he gets stumped, he comes

0:22:20.680 --> 0:22:24.240
<v Speaker 2>back to me, which is sweet and she handles it nicely,

0:22:24.320 --> 0:22:25.920
<v Speaker 2>like but it's still just.

0:22:25.960 --> 0:22:28.400
<v Speaker 4>Heart crushing for him, over and over.

0:22:28.720 --> 0:22:31.399
<v Speaker 2>You know who was in the show a lot this week?

0:22:31.480 --> 0:22:31.760
<v Speaker 4>Though?

0:22:32.760 --> 0:22:33.240
<v Speaker 2>The boom?

0:22:34.400 --> 0:22:37.479
<v Speaker 4>Oh no, I'm sorry, I'm sorry. Tell us where? Tell

0:22:37.560 --> 0:22:37.960
<v Speaker 4>us where he?

0:22:38.200 --> 0:22:40.000
<v Speaker 2>When I talk about the boom, But the boom was

0:22:40.040 --> 0:22:44.800
<v Speaker 2>even at Lax, y'all. It was in the in the house,

0:22:44.840 --> 0:22:47.439
<v Speaker 2>it was at Lax, it was in the hospital, it

0:22:47.480 --> 0:22:48.159
<v Speaker 2>was everywhere.

0:22:49.119 --> 0:22:52.000
<v Speaker 1>Are these loves or is this because we watch on

0:22:52.080 --> 0:22:53.000
<v Speaker 1>Bigger screens.

0:22:53.040 --> 0:22:57.639
<v Speaker 4>Now, oh you've mentioned that, maybe, Like, how could they

0:22:57.680 --> 0:23:00.600
<v Speaker 4>have it in there so much? Could be I had

0:23:00.600 --> 0:23:04.200
<v Speaker 4>a big screen TV in nineteen ninety four. No, but

0:23:04.200 --> 0:23:07.080
<v Speaker 4>it just wasn't. He was telling us how it's different now, Well,

0:23:07.119 --> 0:23:08.040
<v Speaker 4>because it's square.

0:23:08.160 --> 0:23:11.240
<v Speaker 1>Back then, the TVs were like square. So then when

0:23:11.280 --> 0:23:14.520
<v Speaker 1>it went to rectangle, I.

0:23:14.480 --> 0:23:16.200
<v Speaker 4>Don't know that cut off the top.

0:23:16.320 --> 0:23:20.160
<v Speaker 2>I would think, right, it seems there's no excuse for it.

0:23:20.160 --> 0:23:22.000
<v Speaker 4>It's just there's no excuse.

0:23:25.160 --> 0:23:29.800
<v Speaker 1>How about the traumatizing scene with the baby hand the

0:23:29.840 --> 0:23:30.679
<v Speaker 1>Hannah flashback?

0:23:31.280 --> 0:23:34.280
<v Speaker 2>Like what why? Why did they do it?

0:23:34.760 --> 0:23:37.639
<v Speaker 4>No? Really traumatizing? Right?

0:23:37.720 --> 0:23:40.480
<v Speaker 1>Did they have nothing else for her to be a

0:23:40.520 --> 0:23:41.840
<v Speaker 1>part of that? We had to see that?

0:23:42.920 --> 0:23:48.560
<v Speaker 4>Yeah, with the black and white flashback and the breastfeeding.

0:23:49.000 --> 0:23:50.800
<v Speaker 1>The baby's turning blue code blue?

0:23:50.960 --> 0:23:53.600
<v Speaker 4>I was like, oh my god, this is like not okay.

0:23:53.720 --> 0:23:56.199
<v Speaker 2>And but for no absolutely no payoff other than for

0:23:56.240 --> 0:23:58.480
<v Speaker 2>her to tell a little story to a complete stranger

0:23:58.480 --> 0:23:59.840
<v Speaker 2>and never see that girl again.

0:24:00.280 --> 0:24:02.520
<v Speaker 1>And once again her intuition is always right.

0:24:04.720 --> 0:24:07.600
<v Speaker 4>But is that Gab's real baby? Guys? I wondered that.

0:24:07.840 --> 0:24:09.680
<v Speaker 4>I'm totally wondering, why do you think that?

0:24:09.920 --> 0:24:13.439
<v Speaker 2>Well, because she had a baby, have attack on the

0:24:13.440 --> 0:24:14.080
<v Speaker 2>boob were there?

0:24:14.200 --> 0:24:19.960
<v Speaker 1>And would you not want your own baby not her boob?

0:24:26.200 --> 0:24:26.720
<v Speaker 4>I don't know.

0:24:27.880 --> 0:24:30.159
<v Speaker 2>And she felt she felt so natural with that baby.

0:24:30.200 --> 0:24:32.280
<v Speaker 2>I felt like, because didn't she just have a baby.

0:24:32.800 --> 0:24:35.159
<v Speaker 1>Yeah, so yeah, I went through my mind that it

0:24:35.200 --> 0:24:36.960
<v Speaker 1>was definitely her real baby.

0:24:37.000 --> 0:24:40.040
<v Speaker 4>But like, I don't know, you.

0:24:40.000 --> 0:24:46.040
<v Speaker 2>Know what I wondered, what why is Valerie so tan

0:24:46.359 --> 0:24:51.879
<v Speaker 2>if she's from Buffalo? These are the things, that's what

0:24:51.960 --> 0:24:54.120
<v Speaker 2>you wondered that make me think.

0:24:56.160 --> 0:24:59.160
<v Speaker 4>About when she gave the bree hands I'm not straight hands? Well,

0:24:59.280 --> 0:25:05.520
<v Speaker 4>tann Yeah, I remember Tiffany had a tanning bed in

0:25:05.560 --> 0:25:06.040
<v Speaker 4>her house.

0:25:06.920 --> 0:25:12.159
<v Speaker 1>No, you're right, she is cute. She's definitely cute. But

0:25:12.359 --> 0:25:14.600
<v Speaker 1>when she gave the wink and the finger gun?

0:25:16.680 --> 0:25:20.760
<v Speaker 4>Did you guys see that when they were playing basketball?

0:25:22.520 --> 0:25:24.120
<v Speaker 4>So okay, what do you guys think?

0:25:24.600 --> 0:25:26.760
<v Speaker 1>Come on, you gotta tell me because I know you're

0:25:26.800 --> 0:25:29.040
<v Speaker 1>not telling me, Like, do you hate Valerie?

0:25:29.040 --> 0:25:31.320
<v Speaker 4>Do you like Valerie? Were you?

0:25:31.840 --> 0:25:35.920
<v Speaker 1>Were you not welcoming to Tiffany? The boys welcoming.

0:25:35.440 --> 0:25:37.400
<v Speaker 4>To Well, you have to.

0:25:40.119 --> 0:25:41.359
<v Speaker 2>I'm not picking my face.

0:25:41.400 --> 0:25:47.600
<v Speaker 4>There's like a little bump er there. I can't so distracted? Sorry,

0:25:47.600 --> 0:25:52.359
<v Speaker 4>are you avoiding the questions thank you both are like

0:25:52.440 --> 0:25:55.440
<v Speaker 4>did you not like? Were you like? Why did they

0:25:55.440 --> 0:25:57.600
<v Speaker 4>bring her in? What were you guys?

0:25:58.400 --> 0:26:02.000
<v Speaker 3>What I was gonna say regards press, I remember Tiffany's

0:26:02.040 --> 0:26:03.399
<v Speaker 3>like first stay on set, there was a lot of

0:26:03.400 --> 0:26:06.080
<v Speaker 3>press there, like they like they were doing interviews with

0:26:06.080 --> 0:26:06.719
<v Speaker 3>her and stuff.

0:26:07.080 --> 0:26:13.320
<v Speaker 2>I remember, you know then, not as I would think

0:26:13.400 --> 0:26:16.480
<v Speaker 2>these ways now as adult, but as a young girl,

0:26:16.520 --> 0:26:19.480
<v Speaker 2>I remember thinking, yeah, why are they bringing this girl in?

0:26:19.840 --> 0:26:24.320
<v Speaker 2>Like we're doing great? Do we need to have what?

0:26:24.880 --> 0:26:28.679
<v Speaker 2>Why is someone coming to fill the Brenda shoes? It

0:26:28.800 --> 0:26:32.359
<v Speaker 2>just felt like, I don't know, it just felt like

0:26:32.800 --> 0:26:35.520
<v Speaker 2>I didn't I didn't get it, and I was probably not.

0:26:35.640 --> 0:26:40.000
<v Speaker 4>That open to the concept. M hmm.

0:26:40.640 --> 0:26:42.800
<v Speaker 2>But it worked for my character, that's for sure. Because

0:26:42.880 --> 0:26:46.360
<v Speaker 2>Kelly and Brenda, I mean Val and Brenda never got

0:26:46.400 --> 0:26:48.040
<v Speaker 2>along on the show.

0:26:48.119 --> 0:26:51.880
<v Speaker 4>You're Kelly, You're Kelly, Kelly and other Kelly.

0:26:52.320 --> 0:26:55.720
<v Speaker 2>You know that one Kelly and Val never got along?

0:26:56.600 --> 0:26:58.560
<v Speaker 2>Oh right, right right, Like it was always and.

0:26:58.560 --> 0:27:03.000
<v Speaker 1>This can be life imitates again, like you never know.

0:27:03.520 --> 0:27:06.320
<v Speaker 3>I was just like me slashed on as usual, like Hi,

0:27:06.520 --> 0:27:07.560
<v Speaker 3>how are you welcome?

0:27:07.600 --> 0:27:13.280
<v Speaker 4>Please like me? And also Killy, Yeah, this story in

0:27:13.280 --> 0:27:13.960
<v Speaker 4>my life.

0:27:15.320 --> 0:27:19.479
<v Speaker 2>Also Kelly's very intuitive about people and their character, and

0:27:19.520 --> 0:27:22.200
<v Speaker 2>she goes off her gut and they feel like Kelly

0:27:22.480 --> 0:27:27.800
<v Speaker 2>smelled our RATTOUI rat tattoo.

0:27:27.080 --> 0:27:31.879
<v Speaker 4>A pot smoking ratui. Yeah, I just want her to

0:27:31.920 --> 0:27:33.159
<v Speaker 4>know that they're gonna smell that.

0:27:35.359 --> 0:27:37.840
<v Speaker 1>I guess there's a whole internet thread about she rolls

0:27:37.840 --> 0:27:38.639
<v Speaker 1>it with one hand.

0:27:38.880 --> 0:27:41.159
<v Speaker 2>Yeah, and those aren't her fingers, by the way, rolling that.

0:27:41.280 --> 0:27:44.320
<v Speaker 4>Oh yeah, I kind of remember reading that. Definitely not

0:27:44.680 --> 0:27:48.680
<v Speaker 4>her fingers. Interesting. I did look at the nails.

0:27:48.720 --> 0:27:51.159
<v Speaker 2>It had long nails, had long nails rolling it, and

0:27:51.200 --> 0:27:53.480
<v Speaker 2>she didn't have long nails.

0:27:53.840 --> 0:27:57.720
<v Speaker 4>Right, I remember that she didn't know how to roll it,

0:27:57.760 --> 0:28:00.520
<v Speaker 4>so that someone had to do it, it is. That's interesting.

0:28:00.520 --> 0:28:05.480
<v Speaker 4>They didn't consult you guys at all about that's done?

0:28:06.400 --> 0:28:09.239
<v Speaker 4>Did they? Did you have chemistry reads with her? Or like?

0:28:09.400 --> 0:28:11.639
<v Speaker 1>Do you know what I'm saying? Like, that's weird that

0:28:11.680 --> 0:28:13.919
<v Speaker 1>they just brought her in and dropped her in.

0:28:14.200 --> 0:28:17.360
<v Speaker 4>Why we're just actors on this show.

0:28:17.840 --> 0:28:20.080
<v Speaker 1>But don't you normally have chemistry tests.

0:28:20.600 --> 0:28:21.840
<v Speaker 4>For another female lead?

0:28:22.840 --> 0:28:24.760
<v Speaker 2>I don't, So it's not our.

0:28:24.640 --> 0:28:27.000
<v Speaker 4>Place at all. We just did what we were told.

0:28:27.280 --> 0:28:30.360
<v Speaker 2>It just was really weird watching Valerie in Brenda's bathroom

0:28:30.480 --> 0:28:34.000
<v Speaker 2>like that, and then I just my overall gut instinct

0:28:34.119 --> 0:28:37.480
<v Speaker 2>as a viewer watching it and being connected and attached

0:28:37.520 --> 0:28:41.440
<v Speaker 2>to the original cast and to Brenda and to Brenda's bedroom.

0:28:41.520 --> 0:28:43.760
<v Speaker 2>I was like, I don't like what's happening. I don't

0:28:43.840 --> 0:28:46.080
<v Speaker 2>like what my eyes are seeing. I don't understand this.

0:28:46.240 --> 0:28:46.800
<v Speaker 4>I don't like it.

0:28:46.800 --> 0:28:51.400
<v Speaker 2>It's upsetting me. And that she's now gonna be a

0:28:51.400 --> 0:28:58.840
<v Speaker 2>bad girl instead of instead of a main character that

0:28:58.880 --> 0:29:03.560
<v Speaker 2>we love. But do people come to love Valerie?

0:29:03.880 --> 0:29:06.440
<v Speaker 4>Love to hate Vallerie's character? Yeah, love to hate?

0:29:07.200 --> 0:29:09.680
<v Speaker 2>Was anybody ever like how they feel about Brenda?

0:29:09.720 --> 0:29:12.360
<v Speaker 4>They? Did they ever feel that way about Valerie? Like

0:29:12.840 --> 0:29:13.360
<v Speaker 4>after a while?

0:29:13.480 --> 0:29:17.080
<v Speaker 1>No, because she doesn't stay. Also, she leaves too, do

0:29:17.080 --> 0:29:17.680
<v Speaker 1>you know what I mean?

0:29:17.960 --> 0:29:21.640
<v Speaker 4>Leaves? She doesn't leave there at the end? What in

0:29:21.680 --> 0:29:22.600
<v Speaker 4>season ten? What?

0:29:23.200 --> 0:29:27.600
<v Speaker 1>I don't think she's there, Tiffany Thesen did how many episodes?

0:29:27.840 --> 0:29:30.479
<v Speaker 4>You mean? I don't think she stays? So? And then

0:29:30.480 --> 0:29:35.280
<v Speaker 4>they brought Yeah, oh Vanessa Marcel came in. That's what.

0:29:35.400 --> 0:29:38.080
<v Speaker 4>She doesn't even stay that long. Why did she leave?

0:29:38.200 --> 0:29:40.360
<v Speaker 4>Why did she leave? Like? Why did she leave? Yeah?

0:29:40.400 --> 0:29:41.160
<v Speaker 4>Well I wasn't there.

0:29:41.200 --> 0:29:44.080
<v Speaker 3>I just you that doesn't make sense she would come

0:29:44.080 --> 0:29:46.280
<v Speaker 3>in season five and then leave before season ten.

0:29:46.520 --> 0:29:49.880
<v Speaker 4>She definitely leaves, you guys, And I'm just so.

0:29:49.960 --> 0:29:52.920
<v Speaker 2>Used to the show like having the bad Girls be

0:29:53.040 --> 0:29:56.400
<v Speaker 2>guest stars where they kind of come a upset the

0:29:56.400 --> 0:29:59.880
<v Speaker 2>Apple car do their thing and then the group is affected.

0:30:00.400 --> 0:30:03.600
<v Speaker 2>But this is a main character who now they're choosing

0:30:03.800 --> 0:30:05.800
<v Speaker 2>to make a bad.

0:30:05.600 --> 0:30:10.040
<v Speaker 3>Girl, but very like Aaron Spelling dynamic of it all,

0:30:10.160 --> 0:30:15.360
<v Speaker 3>like with Dynasty doing like you know, Alexis Carrington Colby

0:30:15.640 --> 0:30:18.480
<v Speaker 3>s Jone Collins. And then it worked on i mean

0:30:18.960 --> 0:30:22.360
<v Speaker 3>Melow's place bringing in Heather Locklear as Amanda.

0:30:22.640 --> 0:30:25.680
<v Speaker 4>So I guess they were like, oh, this is what happens,

0:30:25.720 --> 0:30:27.840
<v Speaker 4>and we can now do that with this show because

0:30:27.840 --> 0:30:28.880
<v Speaker 4>they've gotten older.

0:30:30.200 --> 0:30:35.480
<v Speaker 2>I mean it worked, Amy before you mentioned the fashion

0:30:35.560 --> 0:30:38.680
<v Speaker 2>the long dresses. Oh yeah, brings me to my question,

0:30:39.000 --> 0:30:45.400
<v Speaker 2>why the heck with Kelly wearing Nana's dress to the nightclub.

0:30:47.680 --> 0:30:50.280
<v Speaker 2>That was one of the ugliest dresses I've ever seen

0:30:50.360 --> 0:30:54.200
<v Speaker 2>on Kelly Taylor, and then she wears it to a

0:30:54.480 --> 0:30:55.160
<v Speaker 2>dance club.

0:30:56.280 --> 0:31:01.320
<v Speaker 4>We had costume designer change up somewhere in the seasons.

0:31:01.400 --> 0:31:05.720
<v Speaker 4>I'm wondering if it was season five, I feel like

0:31:05.800 --> 0:31:13.440
<v Speaker 4>it was it because I just came in like season five.

0:31:14.320 --> 0:31:17.840
<v Speaker 4>Maybe Molly Campbell. I don't mind. I'm not minding the fashion.

0:31:18.160 --> 0:31:20.400
<v Speaker 4>Here's the part where we should probably do.

0:31:21.960 --> 0:31:25.040
<v Speaker 2>Like our research before we do the podcast to say

0:31:25.080 --> 0:31:28.040
<v Speaker 2>this is the season that Molly Campbell took over amartment.

0:31:28.720 --> 0:31:29.840
<v Speaker 2>But that's not how.

0:31:29.720 --> 0:31:32.000
<v Speaker 4>We roll you guys. We are in it with you

0:31:32.320 --> 0:31:34.360
<v Speaker 4>moment to moment. Yeah, I like it that way.

0:31:35.280 --> 0:31:37.880
<v Speaker 1>So I might be stupid, it said the Internet says

0:31:37.920 --> 0:31:41.200
<v Speaker 1>she's on for six seasons five, six, seven, eight, nine, ten.

0:31:41.440 --> 0:31:43.600
<v Speaker 1>That would mean she stayed till ten. But I have

0:31:44.080 --> 0:31:47.640
<v Speaker 1>no memory of her being in the finale or she.

0:31:47.680 --> 0:31:51.440
<v Speaker 4>Was at my wedding. Then am I stupid right now?

0:31:52.280 --> 0:31:52.600
<v Speaker 7>Yeah?

0:31:53.200 --> 0:31:55.840
<v Speaker 4>I guess I'm stupid for some reason. Now I just

0:31:56.960 --> 0:31:59.720
<v Speaker 4>we drink together off screen. I thought she hotel where

0:31:59.720 --> 0:32:01.920
<v Speaker 4>we feel on the wedding? Yes, is she not there?

0:32:02.040 --> 0:32:03.720
<v Speaker 4>Or ten? No? She was there?

0:32:04.720 --> 0:32:07.560
<v Speaker 3>Oh my god, I'm so easily convinced that when you

0:32:07.640 --> 0:32:09.360
<v Speaker 3>told me she was, And I was like, okay.

0:32:09.240 --> 0:32:09.880
<v Speaker 4>Because.

0:32:11.120 --> 0:32:15.160
<v Speaker 1>Because Lindsey Price comes and there are so many people

0:32:15.200 --> 0:32:17.000
<v Speaker 1>that I do not have a memory of her being

0:32:17.000 --> 0:32:17.719
<v Speaker 1>at the wedding.

0:32:18.360 --> 0:32:21.520
<v Speaker 4>Her forgive me, please save your hate, save your hate email.

0:32:22.360 --> 0:32:23.920
<v Speaker 4>Once in a blue moon, I get it wrong.

0:32:31.600 --> 0:32:31.760
<v Speaker 6>Hi.

0:32:32.000 --> 0:32:35.080
<v Speaker 7>I'm Chris Harrison, host of the Most Dramatic podcast Ever.

0:32:35.840 --> 0:32:39.880
<v Speaker 7>I'm just like you, always looking for something interesting, heartfelt

0:32:40.040 --> 0:32:43.719
<v Speaker 7>and entertaining to listen to. You know, Look, maybe you

0:32:43.800 --> 0:32:46.400
<v Speaker 7>used to watch a show every Monday night and now

0:32:46.440 --> 0:32:48.680
<v Speaker 7>you have a lot of time on your hands and

0:32:48.720 --> 0:32:52.160
<v Speaker 7>you're looking for something new, someone who's here for the

0:32:52.240 --> 0:32:56.000
<v Speaker 7>right reasons. If you will, I've got you. Listen to

0:32:56.000 --> 0:32:59.920
<v Speaker 7>the Most Dramatic podcast Ever on the iHeartRadio app, Apple Podcasts,

0:33:00.120 --> 0:33:02.040
<v Speaker 7>or wherever you listen to podcasts.

0:33:02.560 --> 0:33:05.880
<v Speaker 8>Hey guys, it's jenn Ashkwitz and Kevin McHale from and

0:33:06.040 --> 0:33:08.880
<v Speaker 8>That's what you Really missed Podcasts. We are going through

0:33:09.000 --> 0:33:11.600
<v Speaker 8>all six seasons of Glee and we are giving you

0:33:11.640 --> 0:33:14.840
<v Speaker 8>the behind the scenes stories of what it was really

0:33:14.920 --> 0:33:17.040
<v Speaker 8>like filming, the musical numbers and episodes.

0:33:17.320 --> 0:33:19.680
<v Speaker 9>It's been so special to revisit the show that changed

0:33:19.680 --> 0:33:21.920
<v Speaker 9>our lives with some of our closest friends and to

0:33:21.920 --> 0:33:24.960
<v Speaker 9>share some of the most authentic and real experiences we

0:33:25.080 --> 0:33:28.760
<v Speaker 9>had together, completely raw and unfiltered. Plus, we chat with

0:33:28.800 --> 0:33:31.920
<v Speaker 9>our co stars like Jane Lynch, Chris Kolfer, Heather Morris

0:33:31.960 --> 0:33:34.760
<v Speaker 9>and Beriley, Harry Schamp, Junior, Court Over Street, Josh Susman,

0:33:34.840 --> 0:33:38.280
<v Speaker 9>Max Adler, Rome Rosemont, John Stamos, Alex Snull and Dot

0:33:38.280 --> 0:33:41.200
<v Speaker 9>Marie Jones on the pod, and so many.

0:33:40.960 --> 0:33:41.440
<v Speaker 4>More to come.

0:33:41.480 --> 0:33:43.080
<v Speaker 9>We have some exciting guests coming up.

0:33:43.000 --> 0:33:45.160
<v Speaker 8>And we can't forget the behind the scenes crew who

0:33:45.200 --> 0:33:48.200
<v Speaker 8>made it all happen, Our dear friends and literally the

0:33:48.240 --> 0:33:51.880
<v Speaker 8>hardest working crew in Hollywood. From creators Ryan Murphy and

0:33:52.000 --> 0:33:55.560
<v Speaker 8>I and Brennan to directors, camera operators, musical directors. We

0:33:55.600 --> 0:33:58.200
<v Speaker 8>are sharing all of our experiences on Glee.

0:33:58.440 --> 0:34:00.240
<v Speaker 9>So meet us in the choir room at McKinley, Hi,

0:34:00.400 --> 0:34:02.560
<v Speaker 9>and join us weekly on and that's what you really

0:34:02.560 --> 0:34:05.120
<v Speaker 9>missed available wherever you listen to your podcasts.

0:34:09.160 --> 0:34:12.160
<v Speaker 4>There was a funny point in the show when when

0:34:12.200 --> 0:34:17.080
<v Speaker 4>I think Andrea was on the phone with somebody, maybe

0:34:17.120 --> 0:34:19.719
<v Speaker 4>it was Dona, and she's feeding the baby and then

0:34:20.040 --> 0:34:22.160
<v Speaker 4>the baby burps, did you guy, Oh.

0:34:22.040 --> 0:34:27.240
<v Speaker 1>My god, that burp wasn't a baby.

0:34:27.280 --> 0:34:31.640
<v Speaker 2>That was definitely like a gaffer's burp, like somebody off camera, belish,

0:34:31.640 --> 0:34:32.960
<v Speaker 2>and they just decided to keep it.

0:34:33.560 --> 0:34:35.960
<v Speaker 4>I'm so happy to notice that because I was like, wait,

0:34:36.000 --> 0:34:38.319
<v Speaker 4>my daughter and I literally we just turned to each other.

0:34:38.400 --> 0:34:40.759
<v Speaker 2>We're like, what is that?

0:34:42.680 --> 0:34:42.960
<v Speaker 6>Wait.

0:34:43.280 --> 0:34:46.120
<v Speaker 1>There's a few things in this episode that I love

0:34:46.239 --> 0:34:51.920
<v Speaker 1>so much, one being our stars have sag cards, Oh

0:34:51.960 --> 0:34:54.520
<v Speaker 1>my god. And the other one, oh, you're a combination

0:34:54.600 --> 0:34:59.360
<v Speaker 1>of Mariah Carey, Heather Locklear, and Cindy Crawford. Yeah. I

0:34:59.400 --> 0:35:01.520
<v Speaker 1>was trying to wrap my head around, like she's none

0:35:01.560 --> 0:35:02.800
<v Speaker 1>of those things at all.

0:35:03.000 --> 0:35:08.720
<v Speaker 4>What I care, no, nothing. Maybe Charles Rosen and Larry

0:35:08.800 --> 0:35:10.520
<v Speaker 4>Mullen thought that's what she looked like, but.

0:35:10.560 --> 0:35:12.560
<v Speaker 1>They obviously had to throw Heather lock there in there

0:35:12.640 --> 0:35:14.640
<v Speaker 1>because of Aaron Spelling.

0:35:14.840 --> 0:35:20.439
<v Speaker 2>But right, all Brelly, let's just call them Brelly. They're

0:35:20.600 --> 0:35:24.440
<v Speaker 2>they're very comfortable with p d A. Apparently they're making

0:35:24.480 --> 0:35:29.240
<v Speaker 2>out in the Domini. Is it weird for you, guys,

0:35:30.120 --> 0:35:33.600
<v Speaker 2>because I would think it would be. Donna just accepts

0:35:33.640 --> 0:35:37.040
<v Speaker 2>that Brandon and Kelly are a couple without batting an eye,

0:35:37.560 --> 0:35:40.520
<v Speaker 2>and I don't know, it's weird for me to just

0:35:40.560 --> 0:35:41.839
<v Speaker 2>see them make it out all the time.

0:35:41.880 --> 0:35:45.080
<v Speaker 4>Now. It's kind of like Kelly and Dylan in front

0:35:45.080 --> 0:35:48.760
<v Speaker 4>of Brenda as soon as they were like together at school.

0:35:49.840 --> 0:35:53.720
<v Speaker 1>Yeah, it wasn't weird other than Valerie with the stink eye,

0:35:55.400 --> 0:35:56.279
<v Speaker 1>and I thought she was.

0:35:59.600 --> 0:35:59.920
<v Speaker 4>Brandon.

0:36:00.719 --> 0:36:03.399
<v Speaker 1>Yeah, and in the bathroom I thought she was Wait

0:36:03.440 --> 0:36:06.160
<v Speaker 1>are they related? Yeah, No, they're not related.

0:36:06.160 --> 0:36:06.719
<v Speaker 4>Oh they're not.

0:36:07.880 --> 0:36:12.600
<v Speaker 1>Well, she's family friends, they're not related.

0:36:12.680 --> 0:36:14.600
<v Speaker 4>He's her first she's his first.

0:36:14.480 --> 0:36:18.760
<v Speaker 1>Kiss, right right, right, So yeah, she's got it bad

0:36:18.880 --> 0:36:22.600
<v Speaker 1>for him, and she's really not a fan of you, Jenny.

0:36:22.360 --> 0:36:23.560
<v Speaker 4>Kelly, I see where this is going.

0:36:23.680 --> 0:36:26.640
<v Speaker 1>She's all stink eye at you, and then she was

0:36:26.680 --> 0:36:30.799
<v Speaker 1>all flirty over the toothbrush.

0:36:29.520 --> 0:36:31.640
<v Speaker 4>And then she's gonna go on to take all of

0:36:31.680 --> 0:36:35.040
<v Speaker 4>our men on this show. Damn it. I just remember

0:36:35.560 --> 0:36:39.600
<v Speaker 4>she takes all of our men? No, she does? She

0:36:39.640 --> 0:36:43.560
<v Speaker 4>take David? Does our men?

0:36:44.400 --> 0:36:46.360
<v Speaker 2>Wait, Brandon hooks up with Valerie?

0:36:47.960 --> 0:36:48.839
<v Speaker 4>I can't.

0:36:50.520 --> 0:36:52.759
<v Speaker 2>All of the guys hook up with her. Well, that

0:36:52.800 --> 0:36:54.319
<v Speaker 2>doesn't make me like her very much.

0:36:55.640 --> 0:36:58.040
<v Speaker 4>She does she take Steve too? Yeah? I think everybody

0:36:58.080 --> 0:37:04.360
<v Speaker 4>she shared ish, well, they're gonna looks like it. I

0:37:04.400 --> 0:37:07.720
<v Speaker 4>think every single boy on the show this is I can't.

0:37:08.160 --> 0:37:09.719
<v Speaker 4>Let's keep a track, Let's keep.

0:37:11.600 --> 0:37:12.879
<v Speaker 2>What about when they fear?

0:37:13.040 --> 0:37:16.160
<v Speaker 4>She doesn't go for Jim Wall So I'm safe.

0:37:16.480 --> 0:37:18.000
<v Speaker 1>The hug wigged me out, though there was like a

0:37:18.000 --> 0:37:19.600
<v Speaker 1>weird hug you caugged too much.

0:37:19.680 --> 0:37:23.080
<v Speaker 4>Too much? Oh, I didn't think. So, I don't know.

0:37:24.640 --> 0:37:27.680
<v Speaker 1>I think because I know she's so sort of dark

0:37:27.920 --> 0:37:29.640
<v Speaker 1>evil or like.

0:37:30.400 --> 0:37:32.360
<v Speaker 2>She's like a bad no good for everything.

0:37:33.000 --> 0:37:35.040
<v Speaker 1>She's like, I'll take them, I'll date them for the

0:37:35.239 --> 0:37:36.440
<v Speaker 1>credit cards.

0:37:37.960 --> 0:37:41.040
<v Speaker 2>Yeah, or I'll just put on a happy face and dance.

0:37:44.239 --> 0:37:46.960
<v Speaker 1>Well, they wanted to bring her in, I'm assuming as

0:37:47.000 --> 0:37:51.840
<v Speaker 1>the villain, right, but Tiffany Theson isn't really the villain type.

0:37:51.960 --> 0:37:54.160
<v Speaker 4>She's sort of the fun nice.

0:37:53.920 --> 0:37:57.040
<v Speaker 3>Girl, right, which is a great casting move because she

0:37:57.160 --> 0:38:02.080
<v Speaker 3>was the opposite of Kelly Saved by the Bell funny.

0:38:02.120 --> 0:38:05.799
<v Speaker 4>She was a Kelly Simlano maybe would have been better. Well,

0:38:05.840 --> 0:38:10.640
<v Speaker 4>never know, guys, it's not how the future went. And

0:38:10.719 --> 0:38:13.319
<v Speaker 4>I like Tiffany, but I don't I never would.

0:38:13.360 --> 0:38:16.320
<v Speaker 1>I never really bonded with Valerie, and probably why I

0:38:16.360 --> 0:38:17.920
<v Speaker 1>forgot her in the last season.

0:38:18.239 --> 0:38:23.720
<v Speaker 4>I just didn't bond with her. Feel closer with Claire. Hmm.

0:38:23.719 --> 0:38:27.680
<v Speaker 1>By the way, really, if I may interject with something crazy,

0:38:27.960 --> 0:38:30.960
<v Speaker 1>which I hope Randy is on here, So you know

0:38:31.200 --> 0:38:32.880
<v Speaker 1>the guy that comes to nine O two one, Oh,

0:38:32.960 --> 0:38:34.560
<v Speaker 1>his name's out of my head right now, but I

0:38:34.600 --> 0:38:37.799
<v Speaker 1>know he's I know he has the same manager you have.

0:38:38.080 --> 0:38:40.719
<v Speaker 1>And he comes on nine O two one. Oh, Daniel Cosgrove.

0:38:40.960 --> 0:38:45.320
<v Speaker 1>Daniel cosgro he plays and like the character he plays

0:38:45.360 --> 0:38:48.840
<v Speaker 1>on Sex and the City. Oh my god, do you

0:38:48.880 --> 0:38:49.319
<v Speaker 1>watch it?

0:38:50.120 --> 0:38:51.480
<v Speaker 4>And just like that, I've.

0:38:51.360 --> 0:38:53.320
<v Speaker 2>Pictured though that he that he's going to be on

0:38:54.400 --> 0:38:59.640
<v Speaker 2>Oh now like the new just like that? Yeah, Randall, Randall, James,

0:38:59.719 --> 0:39:01.239
<v Speaker 2>mister Hollywood, mister showviz.

0:39:01.440 --> 0:39:02.920
<v Speaker 4>I'm here, Randy.

0:39:03.480 --> 0:39:06.319
<v Speaker 1>Yeah, great job if you played a part in him

0:39:06.360 --> 0:39:07.080
<v Speaker 1>getting that part.

0:39:07.320 --> 0:39:10.879
<v Speaker 4>But did you watch it?

0:39:11.320 --> 0:39:15.839
<v Speaker 6>He loves taking jobs that are like kind of in

0:39:15.880 --> 0:39:20.360
<v Speaker 6>a way make a fool of him. But he I

0:39:20.360 --> 0:39:22.879
<v Speaker 6>don't know if you remember him on Billions where he

0:39:23.160 --> 0:39:26.960
<v Speaker 6>did you ever watch Billions? He plays a recurring character.

0:39:26.719 --> 0:39:29.320
<v Speaker 2>On that and his main.

0:39:30.880 --> 0:39:33.120
<v Speaker 6>Debut on the show is him getting out of a

0:39:33.160 --> 0:39:36.120
<v Speaker 6>pool from shot from behind, completely naked.

0:39:36.480 --> 0:39:38.839
<v Speaker 1>And I do remember, of course I remember that. Oh

0:39:38.880 --> 0:39:41.160
<v Speaker 1>my god, Well this one's the same. Can we I'll

0:39:41.200 --> 0:39:42.719
<v Speaker 1>just tell you guys two words and then I'll make

0:39:42.760 --> 0:39:44.920
<v Speaker 1>you want to watch it. Okay, Henus Pump.

0:39:46.920 --> 0:39:50.359
<v Speaker 2>Wait what about when when Brandon was he was saying

0:39:50.360 --> 0:39:53.000
<v Speaker 2>goodbye to Kelly? Okay, right at the end, and then

0:39:53.200 --> 0:39:57.080
<v Speaker 2>he goes back well, first of all, before your moment,

0:39:57.719 --> 0:40:01.560
<v Speaker 2>he comes back to the car and you know, basically

0:40:02.320 --> 0:40:06.600
<v Speaker 2>breaks up Steven val about to kiss, right, and he

0:40:06.719 --> 0:40:09.840
<v Speaker 2>says something so terrible that you could never say today.

0:40:10.640 --> 0:40:13.480
<v Speaker 1>Oh I didn't even catch it, but I tell you

0:40:13.920 --> 0:40:16.120
<v Speaker 1>about is someone going to ride in the front with me?

0:40:16.440 --> 0:40:16.640
<v Speaker 10>Yeah?

0:40:16.719 --> 0:40:23.239
<v Speaker 4>Yeah, she changed my name to Jeeves because it's like that,

0:40:23.360 --> 0:40:26.440
<v Speaker 4>the butler's name. He's yeah, isn't it like that?

0:40:27.080 --> 0:40:30.879
<v Speaker 2>There's moments like that You're like, oh my god, things

0:40:30.920 --> 0:40:31.319
<v Speaker 2>like that.

0:40:32.200 --> 0:40:37.200
<v Speaker 1>Yeah, there's always the cringe, you guys.

0:40:37.200 --> 0:40:40.200
<v Speaker 2>When Kelly walks gets up and walks into the beach

0:40:40.239 --> 0:40:44.040
<v Speaker 2>apartment and look, here's something and looks back. I was scared.

0:40:44.800 --> 0:40:47.480
<v Speaker 2>It was a bit scary because she was alone. She

0:40:47.640 --> 0:40:49.440
<v Speaker 2>lives in that beach apartment by herself.

0:40:49.480 --> 0:40:52.279
<v Speaker 4>At this moment, who do you think was coming? I

0:40:52.280 --> 0:40:54.439
<v Speaker 4>don't know. I don't know. I was getting excited. Maybe

0:40:54.480 --> 0:40:58.120
<v Speaker 4>a serial killer is coming on, Like things that are

0:40:58.120 --> 0:41:01.839
<v Speaker 4>about to happen, I know, to Wan of Us, this

0:41:01.880 --> 0:41:03.160
<v Speaker 4>is when it all starts happening.

0:41:03.239 --> 0:41:07.200
<v Speaker 1>Like, but Dylan is so distress, he's so drunk, and

0:41:07.239 --> 0:41:09.640
<v Speaker 1>he's so bad, and he's so hot.

0:41:10.880 --> 0:41:12.680
<v Speaker 4>He's like all at the same time.

0:41:12.760 --> 0:41:16.920
<v Speaker 2>Lifeguard hobo man, like I don't know, he's like.

0:41:17.920 --> 0:41:19.799
<v Speaker 3>Say that again, you can't see like a yeah, he's

0:41:19.800 --> 0:41:24.759
<v Speaker 3>like a hot lifeguard, I don't know, creeper, creeper.

0:41:25.520 --> 0:41:26.680
<v Speaker 4>Yeah, edit out hobo.

0:41:27.960 --> 0:41:31.640
<v Speaker 2>We didn't really talks like James, like a like a

0:41:32.160 --> 0:41:34.399
<v Speaker 2>unhomed James Dean.

0:41:34.880 --> 0:41:36.000
<v Speaker 4>Yeah.

0:41:35.800 --> 0:41:39.000
<v Speaker 1>Yeah, we didn't talk about his like broke ass, Like

0:41:39.160 --> 0:41:40.000
<v Speaker 1>now he's.

0:41:39.760 --> 0:41:44.400
<v Speaker 10>So drunk and a mess and Hen and he has

0:41:44.440 --> 0:41:46.840
<v Speaker 10>to sleep on the beach and we find out that

0:41:46.880 --> 0:41:50.600
<v Speaker 10>he saw their mugshots, like when he calls the police,

0:41:51.200 --> 0:41:53.560
<v Speaker 10>their pictures are in the mug book or whatever he

0:41:53.600 --> 0:41:55.200
<v Speaker 10>called it, like and and you're just.

0:41:55.160 --> 0:42:00.320
<v Speaker 2>Like like, oh my, I really heart Throb to bah outcare.

0:42:01.160 --> 0:42:05.719
<v Speaker 4>And like is he fully broke? I don't know, but

0:42:05.760 --> 0:42:08.000
<v Speaker 4>he looks real cute and his double denim.

0:42:09.040 --> 0:42:14.480
<v Speaker 1>Also, I loved his editorial comments to his voicemails, like

0:42:14.560 --> 0:42:17.239
<v Speaker 1>his answering machines going off. But he's like drunk on

0:42:17.280 --> 0:42:21.680
<v Speaker 1>the couch commenting to each of the each of the messages.

0:42:21.719 --> 0:42:24.520
<v Speaker 1>And I was just like, oh God, he's a mess.

0:42:24.560 --> 0:42:26.399
<v Speaker 2>I would have liked to see him a little more

0:42:26.480 --> 0:42:30.080
<v Speaker 2>over the edge, a little more drunk really a little

0:42:30.080 --> 0:42:34.799
<v Speaker 2>more like he had just you know, gone off the

0:42:34.840 --> 0:42:35.279
<v Speaker 2>deep end.

0:42:36.400 --> 0:42:40.320
<v Speaker 4>Maybe I think. I don't know. But when virus leaves

0:42:40.360 --> 0:42:43.400
<v Speaker 4>a message, do they have they have to pay her? Course,

0:42:43.960 --> 0:42:46.800
<v Speaker 4>like just for that as a voiceover?

0:42:47.200 --> 0:42:50.160
<v Speaker 1>God, jeez, unless your dad had some deal with her

0:42:50.160 --> 0:42:51.400
<v Speaker 1>where he could just be like, can you do me

0:42:51.440 --> 0:42:51.880
<v Speaker 1>a solid?

0:42:52.080 --> 0:42:56.839
<v Speaker 2>He calls her, records it on his phone.

0:42:57.800 --> 0:43:02.840
<v Speaker 4>I don't like backbone. I don't like dirty drunk Dylan.

0:43:03.480 --> 0:43:04.600
<v Speaker 4>I do I kind of do.

0:43:06.040 --> 0:43:09.319
<v Speaker 3>Oh my god, I know that. I know that she

0:43:09.360 --> 0:43:11.960
<v Speaker 3>gets she likes it.

0:43:12.920 --> 0:43:16.560
<v Speaker 2>Yeah, but Brandon's cute. Maybe maybe Kelly will shave his

0:43:16.680 --> 0:43:19.640
<v Speaker 2>face for him in a sexy bathroom scene in the

0:43:19.719 --> 0:43:20.480
<v Speaker 2>next episode.

0:43:20.520 --> 0:43:25.000
<v Speaker 4>That would be wonderful face that hair on his face?

0:43:25.040 --> 0:43:26.800
<v Speaker 4>What do they call it? Go tea?

0:43:27.120 --> 0:43:29.640
<v Speaker 3>Go tea is what they did on the calendar when

0:43:29.680 --> 0:43:33.600
<v Speaker 3>the boys, like remember the boys did that calendar all

0:43:33.600 --> 0:43:35.080
<v Speaker 3>of the boys in nine to two one hour for

0:43:35.239 --> 0:43:37.719
<v Speaker 3>of course for the girls. Didn't someone draw like an

0:43:37.760 --> 0:43:39.960
<v Speaker 3>evil like go tea on somebody afterwards?

0:43:40.880 --> 0:43:44.279
<v Speaker 4>And he liked it, so he grew one comic book.

0:43:44.520 --> 0:43:48.480
<v Speaker 4>I hope that goes away fast the same. I don't

0:43:48.520 --> 0:43:52.239
<v Speaker 4>think we're alone in this feeling, thank god. But he's

0:43:52.239 --> 0:43:55.239
<v Speaker 4>so I'm ready for I'm ready for Casper.

0:43:55.000 --> 0:43:57.720
<v Speaker 1>Van Dian and Jamie Walters to show up for Donna.

0:43:58.040 --> 0:44:00.640
<v Speaker 1>I'm ready for Donna to have someone.

0:44:00.080 --> 0:44:03.719
<v Speaker 2>Because, yeah, why are you pining looking at David like

0:44:03.760 --> 0:44:05.360
<v Speaker 2>that in the nightclub and after.

0:44:05.160 --> 0:44:08.160
<v Speaker 4>A leave me alone? No one saw it? I did it.

0:44:08.200 --> 0:44:09.680
<v Speaker 4>I did it. No one saw it.

0:44:10.320 --> 0:44:12.200
<v Speaker 3>I told you I was fine, and then I walked

0:44:12.239 --> 0:44:14.480
<v Speaker 3>away longingly looked at him.

0:44:14.520 --> 0:44:14.880
<v Speaker 4>Fine.

0:44:15.480 --> 0:44:17.719
<v Speaker 2>I just want to be there. I want Kelly to

0:44:17.760 --> 0:44:19.960
<v Speaker 2>be there in that moment to like smack you to

0:44:20.040 --> 0:44:20.640
<v Speaker 2>your senses.

0:44:20.880 --> 0:44:21.399
<v Speaker 4>Cut it out.

0:44:21.920 --> 0:44:24.480
<v Speaker 1>Ohone at the bar with like the long cord and

0:44:24.520 --> 0:44:27.320
<v Speaker 1>she's like talking over the bar with the long cord.

0:44:27.520 --> 0:44:28.200
<v Speaker 4>It's just like.

0:44:28.800 --> 0:44:31.360
<v Speaker 2>What it was this episode?

0:44:31.800 --> 0:44:34.719
<v Speaker 4>What do you guys rate it? I love it? Oh?

0:44:34.840 --> 0:44:36.680
<v Speaker 2>I mean you didn't love it? Okay, so what do

0:44:36.719 --> 0:44:40.879
<v Speaker 2>you what number do you give it?

0:44:41.080 --> 0:44:46.399
<v Speaker 4>Nine point two? Yeah? My people are back. I love it,

0:44:46.520 --> 0:44:51.399
<v Speaker 4>like I'm I go with a six? What sorry, I'm

0:44:51.400 --> 0:44:53.439
<v Speaker 4>gonna go with I'm gonna go with a six too,

0:44:54.080 --> 0:44:59.960
<v Speaker 4>all right? Solidary, Oh my god? What what change? My

0:45:00.160 --> 0:45:02.440
<v Speaker 4>are you guys talking? Not prepared for all this change

0:45:02.600 --> 0:45:06.520
<v Speaker 4>and not handled correctly the change? Like yeah, like just

0:45:06.560 --> 0:45:08.919
<v Speaker 4>I'm feeling left out to dry as a fan. Right now,

0:45:08.960 --> 0:45:10.680
<v Speaker 4>I don't feel I can recover.

0:45:10.480 --> 0:45:11.880
<v Speaker 2>Like I don't know what's happening.

0:45:11.960 --> 0:45:14.160
<v Speaker 4>I don't I don't have my feet's under me. No,

0:45:14.360 --> 0:45:14.880
<v Speaker 4>I'm worried.

0:45:15.280 --> 0:45:20.480
<v Speaker 1>Yeah, because I'm not saying it's perfect.

0:45:20.520 --> 0:45:23.920
<v Speaker 4>It's God its flaws, but it's still amazing. All Right,

0:45:23.960 --> 0:45:25.080
<v Speaker 4>We'll see, we'll see.

0:45:25.120 --> 0:45:27.800
<v Speaker 1>It's juicy, and we're getting set up for a lot

0:45:27.800 --> 0:45:31.759
<v Speaker 1>of juice. Like we're like Dylan's all a disaster and

0:45:32.120 --> 0:45:35.640
<v Speaker 1>Kelly and Brandon and Valerie or pot smoking Valerie is

0:45:35.680 --> 0:45:38.880
<v Speaker 1>going to stir up trouble and we got to figure

0:45:38.880 --> 0:45:42.160
<v Speaker 1>out what's going on with Steve per usual Donna, Like

0:45:42.200 --> 0:45:42.880
<v Speaker 1>it's just like.

0:45:43.160 --> 0:45:47.000
<v Speaker 3>David's drowning in his crabs crabs? What what's happening?

0:45:47.040 --> 0:45:47.480
<v Speaker 4>You tell us?

0:45:47.520 --> 0:45:50.640
<v Speaker 1>Poor Andrea is going to have a boring storyline. But

0:45:50.719 --> 0:45:51.800
<v Speaker 1>otherwise it's.

0:45:51.880 --> 0:45:54.360
<v Speaker 4>Why because being a mom. Oh actually, I do forget

0:45:54.400 --> 0:45:56.919
<v Speaker 4>about the one part that's gonna come. What what's gonna come?

0:45:57.480 --> 0:46:01.480
<v Speaker 2>You already know we sort of some weird foundation for

0:46:01.600 --> 0:46:06.800
<v Speaker 2>trouble in River City with Mark there just Jesse.

0:46:07.200 --> 0:46:08.560
<v Speaker 4>Yeah he's the bartender.

0:46:08.640 --> 0:46:13.239
<v Speaker 3>Yeah you're onto something, yeah you are. Yep, nothing can

0:46:13.280 --> 0:46:16.720
<v Speaker 3>ever go right in somebody's life. No, she finally found happiness,

0:46:16.760 --> 0:46:18.479
<v Speaker 3>had a baby, and something bad's gonna happen.

0:46:18.520 --> 0:46:22.239
<v Speaker 2>You're right, Yeah, well we'll see.

0:46:22.280 --> 0:46:25.160
<v Speaker 4>It's very, very exciting. I will give you quite Yeah.

0:46:25.239 --> 0:46:28.200
<v Speaker 2>Okay, so this is your homework, you guys. Next episode

0:46:28.239 --> 0:46:34.440
<v Speaker 2>is season five, episode two, under the Influence. Oh, I

0:46:34.480 --> 0:46:35.480
<v Speaker 2>bet that's about Dylan.

0:46:35.960 --> 0:46:39.640
<v Speaker 4>I think you're right, or is everyone under the influence

0:46:39.719 --> 0:46:40.440
<v Speaker 4>of Valerie?

0:46:40.560 --> 0:46:47.239
<v Speaker 2>Valerie, Kelly's not tell you that much, and I'm just

0:46:47.719 --> 0:46:52.520
<v Speaker 2>you guys. I'm speaking as Kelly. This is not Jenny.

0:46:53.320 --> 0:46:55.960
<v Speaker 1>No, we know Kelly doesn't like her just because of

0:46:56.000 --> 0:46:57.239
<v Speaker 1>the right.

0:46:57.400 --> 0:46:59.200
<v Speaker 4>I get it, and I'm just here to be liked.

0:46:59.200 --> 0:47:03.640
<v Speaker 4>We'll see next week. Tory, I love sort young Tory.

0:47:03.719 --> 0:47:04.560
<v Speaker 6>Please like me.

0:47:06.320 --> 0:47:10.800
<v Speaker 4>We like you, we love you. Thank you, Bye, everybody,