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Speaker 1: It's nine O gene one engine with Jenny Garth and

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Speaker 1: Tory spelling.

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Speaker 2: Okay, you guys, ready Ready. Season five, Episode one, What

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Speaker 2: I Did on My Summer Vacation and Other Stories aired

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Speaker 2: September seventh, nineteen ninety four.

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Speaker 3: Synopsis. Season five kicks off with new hair and new drama.

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Speaker 3: We're in the Stays in London, but Valerie moves into

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Speaker 3: Beverly Hills and she's raided a rule of some trouble. Meanwhile,

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Speaker 3: Donna thinks she's over, David, Kelly is all over, Brandon,

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Speaker 3: Steve is already smitten, and Dylan is down and out

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Speaker 3: in Baja California.

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Speaker 2: Directive, I'm oh, Michael Lang is back. They must have

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Speaker 2: really liked Michael Lang. Michael Lang is directing and written

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Speaker 2: by Charles Rosen and Larry Moore.

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Speaker 1: Then nineteen ninety four was what was the most significant

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Speaker 1: thing in your lives Jenny and Tory's lives in nineteen

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Speaker 1: ninety four?

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Speaker 4: Like, did you get married? Have a baby? Can you?

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Speaker 4: You probably did one of those. No, I know, I

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Speaker 4: didn't have a baby till ninety seven, y'all. No, but

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Speaker 4: you might have gotten married? Oh really, Oh yeah, I

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Speaker 4: got Maybe I got married. How old would I have been?

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Speaker 4: Shuld anybody do math? How old would I have been

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Speaker 4: in nineteen ninety four? Uh? You would be yeah? Twenty No,

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Speaker 4: twenty two? Okay, so yeah I got married Rose twenty one.

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Speaker 4: What year? Google it?

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Speaker 2: I don't know, Probably check it because you know, I

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Speaker 2: could be wrong about that, but yeah, I probably got

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Speaker 2: out here either I was married, getting married, or getting divorced,

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Speaker 2: because those things all kind of happened real quick in

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Speaker 2: the in the nineties.

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Speaker 4: Oh, maybe I should google what year you did that

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Speaker 4: TV movie? You know, the one? Oh what one? Wow?

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Speaker 4: Was in ninety four? That was later later? Well, then

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Speaker 4: there'd be no divorce then. Oh oh, well, I guess

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Speaker 4: you're right. Did you meet Peter on a TV movie?

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Speaker 4: Is that what's happening that I'm not? Yes, okay, got it?

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Speaker 4: Got it.

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Speaker 1: For those of us playing along that don't don't speak

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Speaker 1: Tory Jenny are incidling.

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Speaker 2: Let's talk about the episode though, because it's way more interesting.

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Speaker 3: So this is the first time married for the first

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Speaker 3: time in nineteen ninety four, sixteenth you got married like

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Speaker 3: a minute ago, you know that?

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Speaker 2: Good job?

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Speaker 4: Wow? No, thank you? Wait?

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Speaker 1: Is this the first time we saw show and then credits.

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Speaker 4: Do you know what I'm talking about?

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Speaker 2: Like, like, what's that called when you do a little teaser?

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Speaker 4: Yeah, they do it on like other shows regularly.

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Speaker 1: So what I can't remember is is that the way

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Speaker 1: it's going to be here too?

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Speaker 4: Four? I don't know.

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Speaker 2: I think they change it up. I remember they did

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Speaker 2: that maybe once or twice in the last season. They

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Speaker 2: like showed a little bit of the show and then

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Speaker 2: rolled into the teaser I mean into the.

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Speaker 1: Yeah, yeah, yeah, the credits or or sometimes you get

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Speaker 1: that up previously on.

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Speaker 2: Yeah, we didn't do that.

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Speaker 4: I don't know. The show just feels very different. Yeah,

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Speaker 4: can we just credits? Like, how did you feel about that? Well?

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Speaker 4: We have two main two new cast members as regulars.

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Speaker 2: They look completely different, completely.

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Speaker 4: Well, Jenny, you're number two, Like I didn't you notice?

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Speaker 2: Like oh I wrote by the look I wrote it

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Speaker 2: down that I didn't.

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Speaker 4: I was like, uh, what's happening? Because what fascinates me? Seven?

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Speaker 4: With one gone, I'm still number seven, number number seven.

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Speaker 1: I used to be number eight, one, two, five, six, Yeah,

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Speaker 1: you're number seven. But what's what I was interested in

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Speaker 1: is how far down Luke Perry is. I would have

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Speaker 1: assumed since this is number five, but maybe not that

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Speaker 1: it would have gone Jason, Jenny, Luke, but it doesn't.

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Speaker 1: It goes Jason, Jenny, Iron, Gabrielle, then Luke, then Brian,

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Speaker 1: Austin Green, then Tory, than Mark, than Tiffany, than the Walshes.

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Speaker 4: Correct. Yeah, that's interesting to me.

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Speaker 3: Well, because everyone was I mean probably because Luke originally

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Speaker 3: wasn't in the first episode when they added him.

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Speaker 4: People already had their orders, so he had to.

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Speaker 2: He had to just get in line.

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Speaker 4: Yeah, but he went above you back then. I mean,

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Speaker 4: but but he jumped Brian. Yeah, he did so weird. Yeah,

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Speaker 4: he jumped Brian.

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Speaker 1: And does anybody ever get uh and Luke Perry do

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Speaker 1: you know what I mean?

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Speaker 4: Like you know how they Yeah.

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Speaker 2: That if you're a special guest star, right.

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Speaker 4: M hm.

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Speaker 1: Kathleen is not in this I should have done that

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Speaker 1: in The New Things.

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Speaker 4: Was she in the opening credit?

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Speaker 1: No, and she's not in the episode and she's not anywhere.

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Speaker 4: Did she join as a regular series regular? Do we know?

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Speaker 2: And I don't know that she'll be people You mentioned

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Speaker 2: Tiffany and Mark those are the.

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Speaker 3: Two are officially regulars. Well, Tiffany's near this season, but

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Speaker 3: Mark was on before as Jesse, but he's officially a

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Speaker 3: series regular.

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Speaker 4: Now. This must have been so exciting for people that were,

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Speaker 4: like say by the Bell fans who didn't know this

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Speaker 4: was happening, and then all of a sudden to see

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Speaker 4: the meet Valerie Malone and have it be Kelly right a.

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Speaker 3: Big press release before this that she was coming to

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Speaker 3: nine or two and O like, I don't remember back then.

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Speaker 4: Yeah, I don't remember.

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Speaker 2: We didn't really like internet to spread the TV.

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Speaker 1: And like teen beat would do you like how she

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Speaker 1: was introduced?

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Speaker 4: I did not. I thought we could have had a bit.

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Speaker 1: More fanfare, like so they talk about her the girl

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Speaker 1: that's gonna live in Brenda's room, which I still think

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Speaker 1: is ridiculous, and we can talk about that because you

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Speaker 1: just never say though, but we don't get her until

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Speaker 1: well into the episode and the intro of her is her.

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Speaker 4: Back, well, then give it. Then she turns around and she's.

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Speaker 1: Like, I thought maybe we would have had her I'm

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Speaker 1: down the stairs or just something a bit bigger. And

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Speaker 1: now maybe they wanted to downplay it, but they talk

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Speaker 1: about the girl and Brenda's room.

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Speaker 4: I don't know. I just thought, oh, I would have

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Speaker 4: done that, differently. Yeah, it wasn't a big moment.

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Speaker 2: I just like I was upset we didn't see her

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Speaker 2: at the airport, Like, what the fuck was the play

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Speaker 2: of going to the airport and doing all those scenes

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Speaker 2: at the airport, right.

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Speaker 1: I thought she should come off the plane.

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Speaker 4: Yeah.

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Speaker 3: I wish they had alluded to something that maybe Brenda

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Speaker 3: didn't go, which was coming back or would that be

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Speaker 3: a real setting to the fan?

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Speaker 4: A setup? And then she turned and you see brown hair.

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Speaker 2: That's the girl or the because I thought that Brenda

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Speaker 2: was coming back in the beginning of the episode, because

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Speaker 2: Mommy was making up her room for her and she

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Speaker 2: wanted it to look cozy.

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Speaker 3: She said, Oh, if they were smart, they would have

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Speaker 3: filmed that last scene with Shannon Luke two ways.

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Speaker 4: So it kept going, So you like that pan out.

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Speaker 4: We should have been running the show and that could

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Speaker 4: have been a flashback. I know we should have.

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Speaker 1: So what did you all think of the subtle dig

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Speaker 1: that I interpreted as a subtle dig When Brandon and

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Speaker 1: David are walking and he casually says, oh, she's staying

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Speaker 1: in London.

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Speaker 4: At this rate we met, we may never see her again,

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Speaker 4: and then David gives the yeah, they were to dig you, guys,

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Speaker 4: that is a dig. It didn't feel like a dig.

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Speaker 2: It just felt like addressing it in as.

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Speaker 4: Aggressive. Now you're speaking my language.

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Speaker 1: Okay, did like it? Just they wrote it in intentionally.

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Speaker 1: That's an intentional line that now we look at at

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Speaker 1: this rate, we may never see her again.

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Speaker 4: Because we don't.

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Speaker 2: They're trying to like lay the foundation for what is

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Speaker 2: The audience is freaking out, although it wasn't addressed enough

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Speaker 2: for me, who was like, my head was spinning, Where's Brenda?

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Speaker 4: Wait?

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Speaker 2: What do you mean she's not coming back? This girl

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Speaker 2: in her room? Like I needed more answers. I needed

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Speaker 2: to see Brenda on the phone at least, or something.

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Speaker 5: Yeah that could have happened, or yeah, or a fake

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Speaker 5: conversation where she can you do like they do on

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Speaker 5: Sex and the City with Samantha how they do the

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Speaker 5: text to Samantha, So they could have acted like they're

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Speaker 5: talking to her and she's not there.

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Speaker 1: I still think it's weird that Tiffany's in the credits

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Speaker 1: but we haven't met her.

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Speaker 4: You would have saved it for the second episode. I

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Speaker 4: would have.

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Speaker 6: Yeah.

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Speaker 1: I think I wouldn't have done that either, because it's

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Speaker 1: like say that you are sort of like living in

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Speaker 1: a bubble and you don't follow magazines and you just

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Speaker 1: watch the show.

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Speaker 4: You're like, well, who's that girl in the credits? Do

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Speaker 4: you know what I mean? Yeah? I want to like

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Speaker 4: or had.

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Speaker 1: Her come off the plane in the beginning of the

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Speaker 1: episode the credit and then go to the credits and

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Speaker 1: you're like, wow, okay, yeah, weird.

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Speaker 4: Fifth season, they had to do something big.

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Speaker 3: I'm sure there was something huge in the press that

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Speaker 3: Shannon was leaving, Tiffany was coming.

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Speaker 4: There had to be something because we got to get

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Speaker 4: people to keep going watch right. Yeah, so I'm sure

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Speaker 4: everyone knew.

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Speaker 1: It's still weird to me that they keep referring to

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Speaker 1: her multiple times as the girl staying in Brenda's room.

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Speaker 4: Wouldn't you say it.

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Speaker 1: As, Oh, we're getting ready for our very close family

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Speaker 1: friend that's moving in with us, the girl staying in

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Speaker 1: Brenda's room.

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Speaker 2: Like what they were trying to be mysterious? Can we

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Speaker 2: check and see what kind of pressed there was? Yeah,

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Speaker 2: at the beginning, get your phone out, come on. I

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Speaker 2: want to know, like, did they release something?

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Speaker 4: Was there? Big? Big one?

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Speaker 2: Like cover story on seventeen?

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Speaker 1: Oh, it would have been working so it would have

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Speaker 1: like been out and about, you know what I mean.

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Speaker 1: In the magazines, it would have been magazines like US Magazine,

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Speaker 1: Team Beat, People, TV Guide for sure.

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Speaker 4: I feel like, okay, so you guys.

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Speaker 3: Once we went into this season, I started like everything

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Speaker 3: was like came back to me. I think this is

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Speaker 3: the points in the program where I start to remember

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Speaker 3: everything filming wise.

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Speaker 4: Oh good, like five seasons in, we'll tell us everything. Yay,

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Speaker 4: you know what I mean.

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Speaker 3: Like, of course, when we watched stuff, we're like, oh,

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Speaker 3: I remember doing that scene, but it's not like consistent

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Speaker 3: this one. I was like, oh, I think from now on,

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Speaker 3: I consistently remember, we'll see you.

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Speaker 2: Remember filming the scene in the Beauty Solon with me?

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Speaker 4: Yes, wow, wow wow wow? Where were you? I don't know.

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Speaker 4: I feel like it was somewhere on Ventura.

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Speaker 2: I can't say yes.

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Speaker 4: I remember it came through the.

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Speaker 3: Alley and I had to film and there was something

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Speaker 3: weird with us that day, Me and you.

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Speaker 4: Yeah, never is not.

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Speaker 2: Why were Kelly and Donna?

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Speaker 3: I don't know, but I feel like Marie and Jenny.

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Speaker 3: There was something that day. I don't remember what it was,

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Speaker 3: but it was like weirdness, like uncomfortableness and I don't

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Speaker 3: know what over what remember?

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Speaker 4: Gosh, I wish you could, I know, but it's really

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Speaker 4: weird for Kelly and Donna. And that scene was just

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Speaker 4: so unnumn.

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Speaker 2: Yeah, it was so weird. And then because were they fighting?

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Speaker 2: Because was it that Kelly sided with David?

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Speaker 4: I just don't get it.

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Speaker 2: She would never side with David when he cheated on Donna. Like,

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Speaker 2: that's not Kelly.

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Speaker 4: Hmm. I think I made up right away totally.

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Speaker 1: And God bless those hair stylists because they brought them

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Speaker 1: back together.

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Speaker 4: You know what I noticed? Did you guys.

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Speaker 1: Notice on Beverly Cannon Flowers they put the phone number?

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Speaker 4: Can we call it? Can we call it? Yeah? What

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Speaker 4: is it? So?

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Speaker 1: The number they put up there was two seven five

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Speaker 1: three three seven two, and I'm assuming it was three

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Speaker 1: one oh because back then you didn't have area codes,

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Speaker 1: Like what.

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Speaker 4: Is it two seven five? He was seven five three

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Speaker 4: three seven two two and three y'all? But if it

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Speaker 4: was in Beverly Hills, was it two one three then?

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Speaker 4: Or was it three one oh? It's not allocated? Also,

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Speaker 4: does Tory know her flashlights on on her phone? Ill?

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Speaker 4: So Tory?

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Speaker 1: No one answer around with my flashlight on not allocated.

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Speaker 3: That number is not allocated, so for grabs, I think, Oh, yeah,

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Speaker 3: I noticed.

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Speaker 1: They showed Beverly Cannon flowers and Rodeo Collection, which I'm

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Speaker 1: assuming both of those things.

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Speaker 4: Were at the time. Real, yeah, yes, Rodeo Collection was.

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Speaker 4: I didn't really, I didn't really notice your question. Were bigger? No, no,

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Speaker 4: they look like they always looked to me, Hm, did

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Speaker 4: you know I'm done yet?

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Speaker 5: Well?

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Speaker 4: I thought it came in a later scene, but later

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Speaker 4: episode where we're at the.

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Speaker 3: A cat house or one of them, sorry like parties.

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Speaker 3: But when she turned and walked away from you and

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Speaker 3: Brandon and Valerie like I had no brawn and they

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Speaker 3: were bigger and you.

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Speaker 4: Like baby tea under my little long dress. So yeah,

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Speaker 4: but that is yeah, you're right. No, you know what? No, no, no,

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Speaker 4: I got them done over Christmas vacation. Okay, So now

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Speaker 4: I take a back. Santa brought you boobies. No, I

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Speaker 4: brought myself boobies. But it was a pain that asked

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Speaker 4: to go Christmas shopping. Okay.

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Speaker 2: So Donna and David have been broken up all summer. Yeah, David,

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Speaker 2: I guess was going on tour with Babyface.

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Speaker 4: Because that's humping Ariel.

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Speaker 2: And doing Aeriel all along the way getting crabs and yeah,

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Speaker 2: and then she got bored of them but gave him crabs,

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Speaker 2: which was gross.

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Speaker 4: Really gross, didn't you?

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Speaker 2: But I did kind of like his video presentation of it.

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Speaker 1: I have to tell you, guys something I can remember

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Speaker 1: being twenty, So this is nineteen ninety, about twenty watching that,

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Speaker 1: being in college and being completely panicked about what are crabs?

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Speaker 1: What are crabs?

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Speaker 4: How do you get them? Do I have them? Am

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Speaker 4: I going to get them? Like from your show? Oh? Really, well,

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Speaker 4: you're welcome. I had not that we educated you. Oh

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Speaker 4: my gosh, I had never heard of them.

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Speaker 1: So then this video comes on and we're all like,

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Speaker 1: David silver has what what is that? And like, I

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Speaker 1: don't even know how I figured it out because we

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Speaker 1: didn't have the internet, so I must have like crabs.

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Speaker 4: You guys, can you remember when Waterman got crabs our

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Speaker 4: makeup artist?

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Speaker 2: Do you remember this story?

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Speaker 4: No? And he didn't know what it was and so

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Speaker 4: he what's the fleaentic killer? Uh? No? Rat? He sprayed

300
00:15:22,760 --> 00:15:43,080
Speaker 4: it down there? Burns is nutsauce? What an idiot? Wait?

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Speaker 1: Before we move on, also, can we talk about how

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Speaker 1: in the flashback, one of you says, get a life.

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Speaker 3: Yeah, Kelly does to Donna, she would never say that,

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Speaker 3: Like my boyfriend just cheating on me.

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Speaker 4: I don't know, it doesn't make life.

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Speaker 2: That was like a total saying, we all wait, can

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Speaker 2: I just ask you a question about crabs?

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00:16:00,160 --> 00:16:01,040
Speaker 4: Last thing about crabs?

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00:16:01,120 --> 00:16:04,600
Speaker 2: Yeah, even if you have safe sex with a condom,

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Speaker 2: you can still get crabs, right.

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Speaker 4: Yeah, that's why they're like the area. It's like it's

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Speaker 4: like lice, so gross. I've never had that either.

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Speaker 1: That's why this show was so traumatizing to like an

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Speaker 1: average college person.

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Speaker 4: I was like, what is that.

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Speaker 2: I didn't feel like it was like clear, like we

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00:16:25,080 --> 00:16:27,560
Speaker 2: know now because we know what crabs are. But as

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00:16:27,600 --> 00:16:29,520
Speaker 2: a teenager, it was so quick and there were real

319
00:16:29,600 --> 00:16:32,120
Speaker 2: crabs crawling on rocks, so I didn't know if people

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Speaker 2: really made the connection.

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00:16:34,960 --> 00:16:37,960
Speaker 1: Yes they did, because I was so traumatized. I remember

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00:16:38,040 --> 00:16:40,360
Speaker 1: being like, what is that? What does that mean?

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Speaker 4: What do I so gross?

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Speaker 1: And I kind of think I asked around and I

325
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Speaker 1: guess it's not really that prevalent.

326
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Speaker 4: Maybe I might be. I think America, you.

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Speaker 2: Get crabs if you have greasy man bangs.

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Speaker 3: Wait, can we talk about Brandon's facial pubes like it's

329
00:17:01,040 --> 00:17:05,400
Speaker 3: I can't it's a little large, it's a drawing. It's

330
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Speaker 3: it's what you draw on some on a you draw

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Speaker 3: face or somebody's.

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Speaker 4: Picture, like a mocking thing. Go on, was he doing

333
00:17:13,760 --> 00:17:15,840
Speaker 4: a movie or something? And that's what he had, was

334
00:17:15,840 --> 00:17:18,600
Speaker 4: that it was a choice or he had to. Like Billy,

335
00:17:19,119 --> 00:17:26,119
Speaker 4: he's hot, but the hair was a little much. I

336
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Speaker 4: don't know.

337
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Speaker 2: It was weird to just open on Kelly and Brandon

338
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Speaker 2: and bed again and not have any like romance, not

339
00:17:34,080 --> 00:17:34,760
Speaker 2: have any.

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Speaker 4: Court like they're making it seem like just sex, but

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Speaker 4: it's not. They're like meant to be. No, they're fully together.

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Speaker 1: They've been traveling with the Washes and they're having family

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Speaker 1: dinners and the whole thing.

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Speaker 3: I do like your banter with him though. It's so

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00:17:49,200 --> 00:17:53,040
Speaker 3: cool and sweet and just authentic. And I like Kelly with.

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Speaker 4: Him, Yeah, I do too.

347
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Speaker 2: I like Kelly already in season five way more than

348
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Speaker 2: I did in season four. Like she just seems happier.

349
00:18:02,200 --> 00:18:04,080
Speaker 4: Yeah, you're fun and bubbly, Kelly.

350
00:18:04,160 --> 00:18:09,040
Speaker 2: Yeah, she just seems like confident and secure and fun

351
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Speaker 2: and she doesn't give.

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Speaker 4: A lighter lighter much more because.

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Speaker 2: Dell Wig is gone and he's not bringing her down.

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00:18:20,359 --> 00:18:24,480
Speaker 1: Yeah, it's very You've been totally accepted in the family.

355
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Speaker 1: It's like you're going on trips with them. It's all good.

356
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Speaker 1: I also must say I like your betting that strip

357
00:18:33,000 --> 00:18:36,520
Speaker 1: dark Bedding with the Paisley as the That was well done.

358
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Speaker 4: Very pritts, very pritts.

359
00:18:38,520 --> 00:18:41,040
Speaker 1: I actually was surprised I hadn't remembered that you had

360
00:18:41,080 --> 00:18:45,080
Speaker 1: traveled with them to Minnesota, Lake Minnetaka or whatever.

361
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Speaker 2: That doesn't seem like a dream vacation for Kellen Taylor,

362
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Speaker 2: but okay, I, on the other hand, would appreciate a

363
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Speaker 2: good Lake Minnetaka vacation.

364
00:18:55,760 --> 00:18:57,840
Speaker 4: I like lakes. You like lakes.

365
00:18:57,960 --> 00:19:00,520
Speaker 2: But yeah, they just Kelly and Brandon do seem together.

366
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Speaker 2: I just wish that the storytelling had gone a little differently.

367
00:19:04,440 --> 00:19:05,480
Speaker 4: Yeah, but.

368
00:19:06,920 --> 00:19:12,320
Speaker 1: Oh well, you are telling everybody now, it's not going

369
00:19:12,359 --> 00:19:13,680
Speaker 1: to be a secret for long.

370
00:19:13,840 --> 00:19:19,240
Speaker 4: You know, everybody's finding out. I just think it's still

371
00:19:19,320 --> 00:19:21,600
Speaker 4: so weird that they all don't talk for the whole summer.

372
00:19:21,640 --> 00:19:22,280
Speaker 4: It's just weird.

373
00:19:23,520 --> 00:19:28,440
Speaker 1: But there's no cell phones, there's no really maybe attached

374
00:19:28,440 --> 00:19:31,800
Speaker 1: to the BMW's no Internet, Like, what are they going

375
00:19:31,840 --> 00:19:34,720
Speaker 1: to mail letters to each other, like you didn't talk

376
00:19:34,760 --> 00:19:36,720
Speaker 1: for the summer landlines.

377
00:19:36,680 --> 00:19:41,800
Speaker 4: But why why are you not at the beach apartment?

378
00:19:41,840 --> 00:19:43,320
Speaker 4: Did you move out? And are you going to move

379
00:19:43,400 --> 00:19:47,080
Speaker 4: back in? Or what's you're staying with your parents? Your

380
00:19:47,119 --> 00:19:48,399
Speaker 4: parents you still have their house?

381
00:19:49,720 --> 00:19:51,239
Speaker 1: Well, because they were in a fight. So here's what

382
00:19:51,480 --> 00:19:54,359
Speaker 1: my theory on that you two were fighting. So she

383
00:19:54,440 --> 00:19:57,399
Speaker 1: went to Houston for the summer. She's back for a

384
00:19:57,440 --> 00:19:59,520
Speaker 1: week or whatever, but she's staying at home because you

385
00:19:59,560 --> 00:20:02,320
Speaker 1: two were on the outs. But now that you're gonna

386
00:20:02,320 --> 00:20:03,919
Speaker 1: be fine again, I think she's.

387
00:20:03,800 --> 00:20:05,840
Speaker 4: Gonna come back. Yeah, hopefully.

388
00:20:06,359 --> 00:20:09,560
Speaker 2: Well I'm saying that like I don't know, Wait, okay,

389
00:20:09,880 --> 00:20:15,080
Speaker 2: go to the Lax just gave me anxiety? What just

390
00:20:15,080 --> 00:20:18,800
Speaker 2: filming there? Looking at them film there made me fail anxious,

391
00:20:18,840 --> 00:20:20,439
Speaker 2: like I was about to miss my flight and I

392
00:20:20,480 --> 00:20:24,040
Speaker 2: didn't care for it because that was like the real Lax.

393
00:20:24,080 --> 00:20:25,639
Speaker 2: But was the whole point of going to Lex just

394
00:20:25,640 --> 00:20:26,720
Speaker 2: so we could see Howie Long?

395
00:20:27,000 --> 00:20:29,800
Speaker 4: Like why was how Long on the show?

396
00:20:30,880 --> 00:20:35,320
Speaker 1: So I believe there was something where the NFL was

397
00:20:35,359 --> 00:20:38,480
Speaker 1: on Fox maybe now and we did a whole thing

398
00:20:38,680 --> 00:20:41,879
Speaker 1: with Eye, So I'm pretty sure it was like robot replacement.

399
00:20:42,440 --> 00:20:44,959
Speaker 4: But that was just like Sinne football scene.

400
00:20:45,800 --> 00:20:48,880
Speaker 1: And did he call Steve Freddy? I was like, Freddy,

401
00:20:49,400 --> 00:20:51,160
Speaker 1: I don't know. I thought he called Steve the wrong name.

402
00:20:51,200 --> 00:20:55,200
Speaker 1: At first, I'm like, Freddy, Freddy, I don't I don't know.

403
00:20:55,359 --> 00:20:57,640
Speaker 3: My agin they were so scared, They're like, it's Howie Long.

404
00:20:57,680 --> 00:20:58,800
Speaker 3: We would just let it go.

405
00:20:59,720 --> 00:21:02,040
Speaker 4: It was because you know what, he is a very

406
00:21:02,119 --> 00:21:06,080
Speaker 4: large man, and the like some picture of all of

407
00:21:06,160 --> 00:21:09,160
Speaker 4: us with Howie Long home. How about the Raiders were

408
00:21:09,160 --> 00:21:09,640
Speaker 4: in LA.

409
00:21:10,000 --> 00:21:12,879
Speaker 1: It's like the Raiders were in Oakland, then they were

410
00:21:12,920 --> 00:21:14,960
Speaker 1: in LA, then they were back in Oakland, and now they're.

411
00:21:14,800 --> 00:21:17,160
Speaker 4: Like in Vegas, so they're not even It's so crazy.

412
00:21:17,240 --> 00:21:20,840
Speaker 4: Tory just fell asleep. WHI you're speaking foreign language totally

413
00:21:21,080 --> 00:21:21,800
Speaker 4: like I'm out.

414
00:21:23,480 --> 00:21:24,280
Speaker 2: I just saw you go.

415
00:21:24,400 --> 00:21:28,679
Speaker 1: Like and then was anyone disappointed when Howi Long's like,

416
00:21:28,720 --> 00:21:30,440
Speaker 1: not a word to your mom and I was like, oh,

417
00:21:30,480 --> 00:21:32,160
Speaker 1: it's gonna be juicy. And then it's just like how

418
00:21:32,160 --> 00:21:35,080
Speaker 1: he Long fantasized about Steve Sanders' mom.

419
00:21:35,520 --> 00:21:38,000
Speaker 4: And then he was gone, and who cares? But he

420
00:21:38,080 --> 00:21:43,240
Speaker 4: did another scene. No, I only saw one, I know,

421
00:21:43,359 --> 00:21:46,359
Speaker 4: but there's he was at the Walsh House for some reason,

422
00:21:46,480 --> 00:21:48,000
Speaker 4: or I guess that was just like maybe sure we

423
00:21:48,040 --> 00:21:51,000
Speaker 4: all took with him, or oh, I can't remember. I

424
00:21:51,000 --> 00:21:53,720
Speaker 4: don't know something we did something big with him. I

425
00:21:53,720 --> 00:21:56,080
Speaker 4: don't remember. He might come on another episode.

426
00:21:56,680 --> 00:21:59,639
Speaker 2: Oh maybe that'd be fun.

427
00:22:00,080 --> 00:22:02,760
Speaker 1: Okay, how about Steve devoting his love to you and

428
00:22:02,800 --> 00:22:06,360
Speaker 1: telling Brandon at the airport, I'm coming home for the love.

429
00:22:06,200 --> 00:22:10,159
Speaker 4: Of my life. Ridiculous? Too little, too late? Give me?

430
00:22:10,359 --> 00:22:12,919
Speaker 2: I mean, come on, Steve, We've already done this, Like,

431
00:22:13,119 --> 00:22:15,960
Speaker 2: I feel like we've done this too, maybe three times.

432
00:22:15,800 --> 00:22:18,320
Speaker 4: At least where he getting but Kelly calls it out.

433
00:22:18,320 --> 00:22:20,680
Speaker 2: She's like, yeah, every time he gets stumped, he comes

434
00:22:20,680 --> 00:22:24,240
Speaker 2: back to me, which is sweet and she handles it nicely,

435
00:22:24,320 --> 00:22:25,920
Speaker 2: like but it's still just.

436
00:22:25,960 --> 00:22:28,400
Speaker 4: Heart crushing for him, over and over.

437
00:22:28,720 --> 00:22:31,399
Speaker 2: You know who was in the show a lot this week?

438
00:22:31,480 --> 00:22:31,760
Speaker 4: Though?

439
00:22:32,760 --> 00:22:33,240
Speaker 2: The boom?

440
00:22:34,400 --> 00:22:37,479
Speaker 4: Oh no, I'm sorry, I'm sorry. Tell us where? Tell

441
00:22:37,560 --> 00:22:37,960
Speaker 4: us where he?

442
00:22:38,200 --> 00:22:40,000
Speaker 2: When I talk about the boom, But the boom was

443
00:22:40,040 --> 00:22:44,800
Speaker 2: even at Lax, y'all. It was in the in the house,

444
00:22:44,840 --> 00:22:47,439
Speaker 2: it was at Lax, it was in the hospital, it

445
00:22:47,480 --> 00:22:48,159
Speaker 2: was everywhere.

446
00:22:49,119 --> 00:22:52,000
Speaker 1: Are these loves or is this because we watch on

447
00:22:52,080 --> 00:22:53,000
Speaker 1: Bigger screens.

448
00:22:53,040 --> 00:22:57,639
Speaker 4: Now, oh you've mentioned that, maybe, Like, how could they

449
00:22:57,680 --> 00:23:00,600
Speaker 4: have it in there so much? Could be I had

450
00:23:00,600 --> 00:23:04,200
Speaker 4: a big screen TV in nineteen ninety four. No, but

451
00:23:04,200 --> 00:23:07,080
Speaker 4: it just wasn't. He was telling us how it's different now, Well,

452
00:23:07,119 --> 00:23:08,040
Speaker 4: because it's square.

453
00:23:08,160 --> 00:23:11,240
Speaker 1: Back then, the TVs were like square. So then when

454
00:23:11,280 --> 00:23:14,520
Speaker 1: it went to rectangle, I.

455
00:23:14,480 --> 00:23:16,200
Speaker 4: Don't know that cut off the top.

456
00:23:16,320 --> 00:23:20,160
Speaker 2: I would think, right, it seems there's no excuse for it.

457
00:23:20,160 --> 00:23:22,000
Speaker 4: It's just there's no excuse.

458
00:23:25,160 --> 00:23:29,800
Speaker 1: How about the traumatizing scene with the baby hand the

459
00:23:29,840 --> 00:23:30,679
Speaker 1: Hannah flashback?

460
00:23:31,280 --> 00:23:34,280
Speaker 2: Like what why? Why did they do it?

461
00:23:34,760 --> 00:23:37,639
Speaker 4: No? Really traumatizing? Right?

462
00:23:37,720 --> 00:23:40,480
Speaker 1: Did they have nothing else for her to be a

463
00:23:40,520 --> 00:23:41,840
Speaker 1: part of that? We had to see that?

464
00:23:42,920 --> 00:23:48,560
Speaker 4: Yeah, with the black and white flashback and the breastfeeding.

465
00:23:49,000 --> 00:23:50,800
Speaker 1: The baby's turning blue code blue?

466
00:23:50,960 --> 00:23:53,600
Speaker 4: I was like, oh my god, this is like not okay.

467
00:23:53,720 --> 00:23:56,199
Speaker 2: And but for no absolutely no payoff other than for

468
00:23:56,240 --> 00:23:58,480
Speaker 2: her to tell a little story to a complete stranger

469
00:23:58,480 --> 00:23:59,840
Speaker 2: and never see that girl again.

470
00:24:00,280 --> 00:24:02,520
Speaker 1: And once again her intuition is always right.

471
00:24:04,720 --> 00:24:07,600
Speaker 4: But is that Gab's real baby? Guys? I wondered that.

472
00:24:07,840 --> 00:24:09,680
Speaker 4: I'm totally wondering, why do you think that?

473
00:24:09,920 --> 00:24:13,439
Speaker 2: Well, because she had a baby, have attack on the

474
00:24:13,440 --> 00:24:14,080
Speaker 2: boob were there?

475
00:24:14,200 --> 00:24:19,960
Speaker 1: And would you not want your own baby not her boob?

476
00:24:26,200 --> 00:24:26,720
Speaker 4: I don't know.

477
00:24:27,880 --> 00:24:30,159
Speaker 2: And she felt she felt so natural with that baby.

478
00:24:30,200 --> 00:24:32,280
Speaker 2: I felt like, because didn't she just have a baby.

479
00:24:32,800 --> 00:24:35,159
Speaker 1: Yeah, so yeah, I went through my mind that it

480
00:24:35,200 --> 00:24:36,960
Speaker 1: was definitely her real baby.

481
00:24:37,000 --> 00:24:40,040
Speaker 4: But like, I don't know, you.

482
00:24:40,000 --> 00:24:46,040
Speaker 2: Know what I wondered, what why is Valerie so tan

483
00:24:46,359 --> 00:24:51,879
Speaker 2: if she's from Buffalo? These are the things, that's what

484
00:24:51,960 --> 00:24:54,120
Speaker 2: you wondered that make me think.

485
00:24:56,160 --> 00:24:59,160
Speaker 4: About when she gave the bree hands I'm not straight hands? Well,

486
00:24:59,280 --> 00:25:05,520
Speaker 4: tann Yeah, I remember Tiffany had a tanning bed in

487
00:25:05,560 --> 00:25:06,040
Speaker 4: her house.

488
00:25:06,920 --> 00:25:12,159
Speaker 1: No, you're right, she is cute. She's definitely cute. But

489
00:25:12,359 --> 00:25:14,600
Speaker 1: when she gave the wink and the finger gun?

490
00:25:16,680 --> 00:25:20,760
Speaker 4: Did you guys see that when they were playing basketball?

491
00:25:22,520 --> 00:25:24,120
Speaker 4: So okay, what do you guys think?

492
00:25:24,600 --> 00:25:26,760
Speaker 1: Come on, you gotta tell me because I know you're

493
00:25:26,800 --> 00:25:29,040
Speaker 1: not telling me, Like, do you hate Valerie?

494
00:25:29,040 --> 00:25:31,320
Speaker 4: Do you like Valerie? Were you?

495
00:25:31,840 --> 00:25:35,920
Speaker 1: Were you not welcoming to Tiffany? The boys welcoming.

496
00:25:35,440 --> 00:25:37,400
Speaker 4: To Well, you have to.

497
00:25:40,119 --> 00:25:41,359
Speaker 2: I'm not picking my face.

498
00:25:41,400 --> 00:25:47,600
Speaker 4: There's like a little bump er there. I can't so distracted? Sorry,

499
00:25:47,600 --> 00:25:52,359
Speaker 4: are you avoiding the questions thank you both are like

500
00:25:52,440 --> 00:25:55,440
Speaker 4: did you not like? Were you like? Why did they

501
00:25:55,440 --> 00:25:57,600
Speaker 4: bring her in? What were you guys?

502
00:25:58,400 --> 00:26:02,000
Speaker 3: What I was gonna say regards press, I remember Tiffany's

503
00:26:02,040 --> 00:26:03,399
Speaker 3: like first stay on set, there was a lot of

504
00:26:03,400 --> 00:26:06,080
Speaker 3: press there, like they like they were doing interviews with

505
00:26:06,080 --> 00:26:06,719
Speaker 3: her and stuff.

506
00:26:07,080 --> 00:26:13,320
Speaker 2: I remember, you know then, not as I would think

507
00:26:13,400 --> 00:26:16,480
Speaker 2: these ways now as adult, but as a young girl,

508
00:26:16,520 --> 00:26:19,480
Speaker 2: I remember thinking, yeah, why are they bringing this girl in?

509
00:26:19,840 --> 00:26:24,320
Speaker 2: Like we're doing great? Do we need to have what?

510
00:26:24,880 --> 00:26:28,679
Speaker 2: Why is someone coming to fill the Brenda shoes? It

511
00:26:28,800 --> 00:26:32,359
Speaker 2: just felt like, I don't know, it just felt like

512
00:26:32,800 --> 00:26:35,520
Speaker 2: I didn't I didn't get it, and I was probably not.

513
00:26:35,640 --> 00:26:40,000
Speaker 4: That open to the concept. M hmm.

514
00:26:40,640 --> 00:26:42,800
Speaker 2: But it worked for my character, that's for sure. Because

515
00:26:42,880 --> 00:26:46,360
Speaker 2: Kelly and Brenda, I mean Val and Brenda never got

516
00:26:46,400 --> 00:26:48,040
Speaker 2: along on the show.

517
00:26:48,119 --> 00:26:51,880
Speaker 4: You're Kelly, You're Kelly, Kelly and other Kelly.

518
00:26:52,320 --> 00:26:55,720
Speaker 2: You know that one Kelly and Val never got along?

519
00:26:56,600 --> 00:26:58,560
Speaker 2: Oh right, right right, Like it was always and.

520
00:26:58,560 --> 00:27:03,000
Speaker 1: This can be life imitates again, like you never know.

521
00:27:03,520 --> 00:27:06,320
Speaker 3: I was just like me slashed on as usual, like Hi,

522
00:27:06,520 --> 00:27:07,560
Speaker 3: how are you welcome?

523
00:27:07,600 --> 00:27:13,280
Speaker 4: Please like me? And also Killy, Yeah, this story in

524
00:27:13,280 --> 00:27:13,960
Speaker 4: my life.

525
00:27:15,320 --> 00:27:19,479
Speaker 2: Also Kelly's very intuitive about people and their character, and

526
00:27:19,520 --> 00:27:22,200
Speaker 2: she goes off her gut and they feel like Kelly

527
00:27:22,480 --> 00:27:27,800
Speaker 2: smelled our RATTOUI rat tattoo.

528
00:27:27,080 --> 00:27:31,879
Speaker 4: A pot smoking ratui. Yeah, I just want her to

529
00:27:31,920 --> 00:27:33,159
Speaker 4: know that they're gonna smell that.

530
00:27:35,359 --> 00:27:37,840
Speaker 1: I guess there's a whole internet thread about she rolls

531
00:27:37,840 --> 00:27:38,639
Speaker 1: it with one hand.

532
00:27:38,880 --> 00:27:41,159
Speaker 2: Yeah, and those aren't her fingers, by the way, rolling that.

533
00:27:41,280 --> 00:27:44,320
Speaker 4: Oh yeah, I kind of remember reading that. Definitely not

534
00:27:44,680 --> 00:27:48,680
Speaker 4: her fingers. Interesting. I did look at the nails.

535
00:27:48,720 --> 00:27:51,159
Speaker 2: It had long nails, had long nails rolling it, and

536
00:27:51,200 --> 00:27:53,480
Speaker 2: she didn't have long nails.

537
00:27:53,840 --> 00:27:57,720
Speaker 4: Right, I remember that she didn't know how to roll it,

538
00:27:57,760 --> 00:28:00,520
Speaker 4: so that someone had to do it, it is. That's interesting.

539
00:28:00,520 --> 00:28:05,480
Speaker 4: They didn't consult you guys at all about that's done?

540
00:28:06,400 --> 00:28:09,239
Speaker 4: Did they? Did you have chemistry reads with her? Or like?

541
00:28:09,400 --> 00:28:11,639
Speaker 1: Do you know what I'm saying? Like, that's weird that

542
00:28:11,680 --> 00:28:13,919
Speaker 1: they just brought her in and dropped her in.

543
00:28:14,200 --> 00:28:17,360
Speaker 4: Why we're just actors on this show.

544
00:28:17,840 --> 00:28:20,080
Speaker 1: But don't you normally have chemistry tests.

545
00:28:20,600 --> 00:28:21,840
Speaker 4: For another female lead?

546
00:28:22,840 --> 00:28:24,760
Speaker 2: I don't, So it's not our.

547
00:28:24,640 --> 00:28:27,000
Speaker 4: Place at all. We just did what we were told.

548
00:28:27,280 --> 00:28:30,360
Speaker 2: It just was really weird watching Valerie in Brenda's bathroom

549
00:28:30,480 --> 00:28:34,000
Speaker 2: like that, and then I just my overall gut instinct

550
00:28:34,119 --> 00:28:37,480
Speaker 2: as a viewer watching it and being connected and attached

551
00:28:37,520 --> 00:28:41,440
Speaker 2: to the original cast and to Brenda and to Brenda's bedroom.

552
00:28:41,520 --> 00:28:43,760
Speaker 2: I was like, I don't like what's happening. I don't

553
00:28:43,840 --> 00:28:46,080
Speaker 2: like what my eyes are seeing. I don't understand this.

554
00:28:46,240 --> 00:28:46,800
Speaker 4: I don't like it.

555
00:28:46,800 --> 00:28:51,400
Speaker 2: It's upsetting me. And that she's now gonna be a

556
00:28:51,400 --> 00:28:58,840
Speaker 2: bad girl instead of instead of a main character that

557
00:28:58,880 --> 00:29:03,560
Speaker 2: we love. But do people come to love Valerie?

558
00:29:03,880 --> 00:29:06,440
Speaker 4: Love to hate Vallerie's character? Yeah, love to hate?

559
00:29:07,200 --> 00:29:09,680
Speaker 2: Was anybody ever like how they feel about Brenda?

560
00:29:09,720 --> 00:29:12,360
Speaker 4: They? Did they ever feel that way about Valerie? Like

561
00:29:12,840 --> 00:29:13,360
Speaker 4: after a while?

562
00:29:13,480 --> 00:29:17,080
Speaker 1: No, because she doesn't stay. Also, she leaves too, do

563
00:29:17,080 --> 00:29:17,680
Speaker 1: you know what I mean?

564
00:29:17,960 --> 00:29:21,640
Speaker 4: Leaves? She doesn't leave there at the end? What in

565
00:29:21,680 --> 00:29:22,600
Speaker 4: season ten? What?

566
00:29:23,200 --> 00:29:27,600
Speaker 1: I don't think she's there, Tiffany Thesen did how many episodes?

567
00:29:27,840 --> 00:29:30,479
Speaker 4: You mean? I don't think she stays? So? And then

568
00:29:30,480 --> 00:29:35,280
Speaker 4: they brought Yeah, oh Vanessa Marcel came in. That's what.

569
00:29:35,400 --> 00:29:38,080
Speaker 4: She doesn't even stay that long. Why did she leave?

570
00:29:38,200 --> 00:29:40,360
Speaker 4: Why did she leave? Like? Why did she leave? Yeah?

571
00:29:40,400 --> 00:29:41,160
Speaker 4: Well I wasn't there.

572
00:29:41,200 --> 00:29:44,080
Speaker 3: I just you that doesn't make sense she would come

573
00:29:44,080 --> 00:29:46,280
Speaker 3: in season five and then leave before season ten.

574
00:29:46,520 --> 00:29:49,880
Speaker 4: She definitely leaves, you guys, And I'm just so.

575
00:29:49,960 --> 00:29:52,920
Speaker 2: Used to the show like having the bad Girls be

576
00:29:53,040 --> 00:29:56,400
Speaker 2: guest stars where they kind of come a upset the

577
00:29:56,400 --> 00:29:59,880
Speaker 2: Apple car do their thing and then the group is affected.

578
00:30:00,400 --> 00:30:03,600
Speaker 2: But this is a main character who now they're choosing

579
00:30:03,800 --> 00:30:05,800
Speaker 2: to make a bad.

580
00:30:05,600 --> 00:30:10,040
Speaker 3: Girl, but very like Aaron Spelling dynamic of it all,

581
00:30:10,160 --> 00:30:15,360
Speaker 3: like with Dynasty doing like you know, Alexis Carrington Colby

582
00:30:15,640 --> 00:30:18,480
Speaker 3: s Jone Collins. And then it worked on i mean

583
00:30:18,960 --> 00:30:22,360
Speaker 3: Melow's place bringing in Heather Locklear as Amanda.

584
00:30:22,640 --> 00:30:25,680
Speaker 4: So I guess they were like, oh, this is what happens,

585
00:30:25,720 --> 00:30:27,840
Speaker 4: and we can now do that with this show because

586
00:30:27,840 --> 00:30:28,880
Speaker 4: they've gotten older.

587
00:30:30,200 --> 00:30:35,480
Speaker 2: I mean it worked, Amy before you mentioned the fashion

588
00:30:35,560 --> 00:30:38,680
Speaker 2: the long dresses. Oh yeah, brings me to my question,

589
00:30:39,000 --> 00:30:45,400
Speaker 2: why the heck with Kelly wearing Nana's dress to the nightclub.

590
00:30:47,680 --> 00:30:50,280
Speaker 2: That was one of the ugliest dresses I've ever seen

591
00:30:50,360 --> 00:30:54,200
Speaker 2: on Kelly Taylor, and then she wears it to a

592
00:30:54,480 --> 00:30:55,160
Speaker 2: dance club.

593
00:30:56,280 --> 00:31:01,320
Speaker 4: We had costume designer change up somewhere in the seasons.

594
00:31:01,400 --> 00:31:05,720
Speaker 4: I'm wondering if it was season five, I feel like

595
00:31:05,800 --> 00:31:13,440
Speaker 4: it was it because I just came in like season five.

596
00:31:14,320 --> 00:31:17,840
Speaker 4: Maybe Molly Campbell. I don't mind. I'm not minding the fashion.

597
00:31:18,160 --> 00:31:20,400
Speaker 4: Here's the part where we should probably do.

598
00:31:21,960 --> 00:31:25,040
Speaker 2: Like our research before we do the podcast to say

599
00:31:25,080 --> 00:31:28,040
Speaker 2: this is the season that Molly Campbell took over amartment.

600
00:31:28,720 --> 00:31:29,840
Speaker 2: But that's not how.

601
00:31:29,720 --> 00:31:32,000
Speaker 4: We roll you guys. We are in it with you

602
00:31:32,320 --> 00:31:34,360
Speaker 4: moment to moment. Yeah, I like it that way.

603
00:31:35,280 --> 00:31:37,880
Speaker 1: So I might be stupid, it said the Internet says

604
00:31:37,920 --> 00:31:41,200
Speaker 1: she's on for six seasons five, six, seven, eight, nine, ten.

605
00:31:41,440 --> 00:31:43,600
Speaker 1: That would mean she stayed till ten. But I have

606
00:31:44,080 --> 00:31:47,640
Speaker 1: no memory of her being in the finale or she.

607
00:31:47,680 --> 00:31:51,440
Speaker 4: Was at my wedding. Then am I stupid right now?

608
00:31:52,280 --> 00:31:52,600
Speaker 7: Yeah?

609
00:31:53,200 --> 00:31:55,840
Speaker 4: I guess I'm stupid for some reason. Now I just

610
00:31:56,960 --> 00:31:59,720
Speaker 4: we drink together off screen. I thought she hotel where

611
00:31:59,720 --> 00:32:01,920
Speaker 4: we feel on the wedding? Yes, is she not there?

612
00:32:02,040 --> 00:32:03,720
Speaker 4: Or ten? No? She was there?

613
00:32:04,720 --> 00:32:07,560
Speaker 3: Oh my god, I'm so easily convinced that when you

614
00:32:07,640 --> 00:32:09,360
Speaker 3: told me she was, And I was like, okay.

615
00:32:09,240 --> 00:32:09,880
Speaker 4: Because.

616
00:32:11,120 --> 00:32:15,160
Speaker 1: Because Lindsey Price comes and there are so many people

617
00:32:15,200 --> 00:32:17,000
Speaker 1: that I do not have a memory of her being

618
00:32:17,000 --> 00:32:17,719
Speaker 1: at the wedding.

619
00:32:18,360 --> 00:32:21,520
Speaker 4: Her forgive me, please save your hate, save your hate email.

620
00:32:22,360 --> 00:32:23,920
Speaker 4: Once in a blue moon, I get it wrong.

621
00:32:31,600 --> 00:32:31,760
Speaker 6: Hi.

622
00:32:32,000 --> 00:32:35,080
Speaker 7: I'm Chris Harrison, host of the Most Dramatic podcast Ever.

623
00:32:35,840 --> 00:32:39,880
Speaker 7: I'm just like you, always looking for something interesting, heartfelt

624
00:32:40,040 --> 00:32:43,719
Speaker 7: and entertaining to listen to. You know, Look, maybe you

625
00:32:43,800 --> 00:32:46,400
Speaker 7: used to watch a show every Monday night and now

626
00:32:46,440 --> 00:32:48,680
Speaker 7: you have a lot of time on your hands and

627
00:32:48,720 --> 00:32:52,160
Speaker 7: you're looking for something new, someone who's here for the

628
00:32:52,240 --> 00:32:56,000
Speaker 7: right reasons. If you will, I've got you. Listen to

629
00:32:56,000 --> 00:32:59,920
Speaker 7: the Most Dramatic podcast Ever on the iHeartRadio app, Apple Podcasts,

630
00:33:00,120 --> 00:33:02,040
Speaker 7: or wherever you listen to podcasts.

631
00:33:02,560 --> 00:33:05,880
Speaker 8: Hey guys, it's jenn Ashkwitz and Kevin McHale from and

632
00:33:06,040 --> 00:33:08,880
Speaker 8: That's what you Really missed Podcasts. We are going through

633
00:33:09,000 --> 00:33:11,600
Speaker 8: all six seasons of Glee and we are giving you

634
00:33:11,640 --> 00:33:14,840
Speaker 8: the behind the scenes stories of what it was really

635
00:33:14,920 --> 00:33:17,040
Speaker 8: like filming, the musical numbers and episodes.

636
00:33:17,320 --> 00:33:19,680
Speaker 9: It's been so special to revisit the show that changed

637
00:33:19,680 --> 00:33:21,920
Speaker 9: our lives with some of our closest friends and to

638
00:33:21,920 --> 00:33:24,960
Speaker 9: share some of the most authentic and real experiences we

639
00:33:25,080 --> 00:33:28,760
Speaker 9: had together, completely raw and unfiltered. Plus, we chat with

640
00:33:28,800 --> 00:33:31,920
Speaker 9: our co stars like Jane Lynch, Chris Kolfer, Heather Morris

641
00:33:31,960 --> 00:33:34,760
Speaker 9: and Beriley, Harry Schamp, Junior, Court Over Street, Josh Susman,

642
00:33:34,840 --> 00:33:38,280
Speaker 9: Max Adler, Rome Rosemont, John Stamos, Alex Snull and Dot

643
00:33:38,280 --> 00:33:41,200
Speaker 9: Marie Jones on the pod, and so many.

644
00:33:40,960 --> 00:33:41,440
Speaker 4: More to come.

645
00:33:41,480 --> 00:33:43,080
Speaker 9: We have some exciting guests coming up.

646
00:33:43,000 --> 00:33:45,160
Speaker 8: And we can't forget the behind the scenes crew who

647
00:33:45,200 --> 00:33:48,200
Speaker 8: made it all happen, Our dear friends and literally the

648
00:33:48,240 --> 00:33:51,880
Speaker 8: hardest working crew in Hollywood. From creators Ryan Murphy and

649
00:33:52,000 --> 00:33:55,560
Speaker 8: I and Brennan to directors, camera operators, musical directors. We

650
00:33:55,600 --> 00:33:58,200
Speaker 8: are sharing all of our experiences on Glee.

651
00:33:58,440 --> 00:34:00,240
Speaker 9: So meet us in the choir room at McKinley, Hi,

652
00:34:00,400 --> 00:34:02,560
Speaker 9: and join us weekly on and that's what you really

653
00:34:02,560 --> 00:34:05,120
Speaker 9: missed available wherever you listen to your podcasts.

654
00:34:09,160 --> 00:34:12,160
Speaker 4: There was a funny point in the show when when

655
00:34:12,200 --> 00:34:17,080
Speaker 4: I think Andrea was on the phone with somebody, maybe

656
00:34:17,120 --> 00:34:19,719
Speaker 4: it was Dona, and she's feeding the baby and then

657
00:34:20,040 --> 00:34:22,160
Speaker 4: the baby burps, did you guy, Oh.

658
00:34:22,040 --> 00:34:27,240
Speaker 1: My god, that burp wasn't a baby.

659
00:34:27,280 --> 00:34:31,640
Speaker 2: That was definitely like a gaffer's burp, like somebody off camera, belish,

660
00:34:31,640 --> 00:34:32,960
Speaker 2: and they just decided to keep it.

661
00:34:33,560 --> 00:34:35,960
Speaker 4: I'm so happy to notice that because I was like, wait,

662
00:34:36,000 --> 00:34:38,319
Speaker 4: my daughter and I literally we just turned to each other.

663
00:34:38,400 --> 00:34:40,759
Speaker 2: We're like, what is that?

664
00:34:42,680 --> 00:34:42,960
Speaker 6: Wait.

665
00:34:43,280 --> 00:34:46,120
Speaker 1: There's a few things in this episode that I love

666
00:34:46,239 --> 00:34:51,920
Speaker 1: so much, one being our stars have sag cards, Oh

667
00:34:51,960 --> 00:34:54,520
Speaker 1: my god. And the other one, oh, you're a combination

668
00:34:54,600 --> 00:34:59,360
Speaker 1: of Mariah Carey, Heather Locklear, and Cindy Crawford. Yeah. I

669
00:34:59,400 --> 00:35:01,520
Speaker 1: was trying to wrap my head around, like she's none

670
00:35:01,560 --> 00:35:02,800
Speaker 1: of those things at all.

671
00:35:03,000 --> 00:35:08,720
Speaker 4: What I care, no, nothing. Maybe Charles Rosen and Larry

672
00:35:08,800 --> 00:35:10,520
Speaker 4: Mullen thought that's what she looked like, but.

673
00:35:10,560 --> 00:35:12,560
Speaker 1: They obviously had to throw Heather lock there in there

674
00:35:12,640 --> 00:35:14,640
Speaker 1: because of Aaron Spelling.

675
00:35:14,840 --> 00:35:20,439
Speaker 2: But right, all Brelly, let's just call them Brelly. They're

676
00:35:20,600 --> 00:35:24,440
Speaker 2: they're very comfortable with p d A. Apparently they're making

677
00:35:24,480 --> 00:35:29,240
Speaker 2: out in the Domini. Is it weird for you, guys,

678
00:35:30,120 --> 00:35:33,600
Speaker 2: because I would think it would be. Donna just accepts

679
00:35:33,640 --> 00:35:37,040
Speaker 2: that Brandon and Kelly are a couple without batting an eye,

680
00:35:37,560 --> 00:35:40,520
Speaker 2: and I don't know, it's weird for me to just

681
00:35:40,560 --> 00:35:41,839
Speaker 2: see them make it out all the time.

682
00:35:41,880 --> 00:35:45,080
Speaker 4: Now. It's kind of like Kelly and Dylan in front

683
00:35:45,080 --> 00:35:48,760
Speaker 4: of Brenda as soon as they were like together at school.

684
00:35:49,840 --> 00:35:53,720
Speaker 1: Yeah, it wasn't weird other than Valerie with the stink eye,

685
00:35:55,400 --> 00:35:56,279
Speaker 1: and I thought she was.

686
00:35:59,600 --> 00:35:59,920
Speaker 4: Brandon.

687
00:36:00,719 --> 00:36:03,399
Speaker 1: Yeah, and in the bathroom I thought she was Wait

688
00:36:03,440 --> 00:36:06,160
Speaker 1: are they related? Yeah, No, they're not related.

689
00:36:06,160 --> 00:36:06,719
Speaker 4: Oh they're not.

690
00:36:07,880 --> 00:36:12,600
Speaker 1: Well, she's family friends, they're not related.

691
00:36:12,680 --> 00:36:14,600
Speaker 4: He's her first she's his first.

692
00:36:14,480 --> 00:36:18,760
Speaker 1: Kiss, right right, right, So yeah, she's got it bad

693
00:36:18,880 --> 00:36:22,600
Speaker 1: for him, and she's really not a fan of you, Jenny.

694
00:36:22,360 --> 00:36:23,560
Speaker 4: Kelly, I see where this is going.

695
00:36:23,680 --> 00:36:26,640
Speaker 1: She's all stink eye at you, and then she was

696
00:36:26,680 --> 00:36:30,799
Speaker 1: all flirty over the toothbrush.

697
00:36:29,520 --> 00:36:31,640
Speaker 4: And then she's gonna go on to take all of

698
00:36:31,680 --> 00:36:35,040
Speaker 4: our men on this show. Damn it. I just remember

699
00:36:35,560 --> 00:36:39,600
Speaker 4: she takes all of our men? No, she does? She

700
00:36:39,640 --> 00:36:43,560
Speaker 4: take David? Does our men?

701
00:36:44,400 --> 00:36:46,360
Speaker 2: Wait, Brandon hooks up with Valerie?

702
00:36:47,960 --> 00:36:48,839
Speaker 4: I can't.

703
00:36:50,520 --> 00:36:52,759
Speaker 2: All of the guys hook up with her. Well, that

704
00:36:52,800 --> 00:36:54,319
Speaker 2: doesn't make me like her very much.

705
00:36:55,640 --> 00:36:58,040
Speaker 4: She does she take Steve too? Yeah? I think everybody

706
00:36:58,080 --> 00:37:04,360
Speaker 4: she shared ish, well, they're gonna looks like it. I

707
00:37:04,400 --> 00:37:07,720
Speaker 4: think every single boy on the show this is I can't.

708
00:37:08,160 --> 00:37:09,719
Speaker 4: Let's keep a track, Let's keep.

709
00:37:11,600 --> 00:37:12,879
Speaker 2: What about when they fear?

710
00:37:13,040 --> 00:37:16,160
Speaker 4: She doesn't go for Jim Wall So I'm safe.

711
00:37:16,480 --> 00:37:18,000
Speaker 1: The hug wigged me out, though there was like a

712
00:37:18,000 --> 00:37:19,600
Speaker 1: weird hug you caugged too much.

713
00:37:19,680 --> 00:37:23,080
Speaker 4: Too much? Oh, I didn't think. So, I don't know.

714
00:37:24,640 --> 00:37:27,680
Speaker 1: I think because I know she's so sort of dark

715
00:37:27,920 --> 00:37:29,640
Speaker 1: evil or like.

716
00:37:30,400 --> 00:37:32,360
Speaker 2: She's like a bad no good for everything.

717
00:37:33,000 --> 00:37:35,040
Speaker 1: She's like, I'll take them, I'll date them for the

718
00:37:35,239 --> 00:37:36,440
Speaker 1: credit cards.

719
00:37:37,960 --> 00:37:41,040
Speaker 2: Yeah, or I'll just put on a happy face and dance.

720
00:37:44,239 --> 00:37:46,960
Speaker 1: Well, they wanted to bring her in, I'm assuming as

721
00:37:47,000 --> 00:37:51,840
Speaker 1: the villain, right, but Tiffany Theson isn't really the villain type.

722
00:37:51,960 --> 00:37:54,160
Speaker 4: She's sort of the fun nice.

723
00:37:53,920 --> 00:37:57,040
Speaker 3: Girl, right, which is a great casting move because she

724
00:37:57,160 --> 00:38:02,080
Speaker 3: was the opposite of Kelly Saved by the Bell funny.

725
00:38:02,120 --> 00:38:05,799
Speaker 4: She was a Kelly Simlano maybe would have been better. Well,

726
00:38:05,840 --> 00:38:10,640
Speaker 4: never know, guys, it's not how the future went. And

727
00:38:10,719 --> 00:38:13,319
Speaker 4: I like Tiffany, but I don't I never would.

728
00:38:13,360 --> 00:38:16,320
Speaker 1: I never really bonded with Valerie, and probably why I

729
00:38:16,360 --> 00:38:17,920
Speaker 1: forgot her in the last season.

730
00:38:18,239 --> 00:38:23,720
Speaker 4: I just didn't bond with her. Feel closer with Claire. Hmm.

731
00:38:23,719 --> 00:38:27,680
Speaker 1: By the way, really, if I may interject with something crazy,

732
00:38:27,960 --> 00:38:30,960
Speaker 1: which I hope Randy is on here, So you know

733
00:38:31,200 --> 00:38:32,880
Speaker 1: the guy that comes to nine O two one, Oh,

734
00:38:32,960 --> 00:38:34,560
Speaker 1: his name's out of my head right now, but I

735
00:38:34,600 --> 00:38:37,799
Speaker 1: know he's I know he has the same manager you have.

736
00:38:38,080 --> 00:38:40,719
Speaker 1: And he comes on nine O two one. Oh, Daniel Cosgrove.

737
00:38:40,960 --> 00:38:45,320
Speaker 1: Daniel cosgro he plays and like the character he plays

738
00:38:45,360 --> 00:38:48,840
Speaker 1: on Sex and the City. Oh my god, do you

739
00:38:48,880 --> 00:38:49,319
Speaker 1: watch it?

740
00:38:50,120 --> 00:38:51,480
Speaker 4: And just like that, I've.

741
00:38:51,360 --> 00:38:53,320
Speaker 2: Pictured though that he that he's going to be on

742
00:38:54,400 --> 00:38:59,640
Speaker 2: Oh now like the new just like that? Yeah, Randall, Randall, James,

743
00:38:59,719 --> 00:39:01,239
Speaker 2: mister Hollywood, mister showviz.

744
00:39:01,440 --> 00:39:02,920
Speaker 4: I'm here, Randy.

745
00:39:03,480 --> 00:39:06,319
Speaker 1: Yeah, great job if you played a part in him

746
00:39:06,360 --> 00:39:07,080
Speaker 1: getting that part.

747
00:39:07,320 --> 00:39:10,879
Speaker 4: But did you watch it?

748
00:39:11,320 --> 00:39:15,839
Speaker 6: He loves taking jobs that are like kind of in

749
00:39:15,880 --> 00:39:20,360
Speaker 6: a way make a fool of him. But he I

750
00:39:20,360 --> 00:39:22,879
Speaker 6: don't know if you remember him on Billions where he

751
00:39:23,160 --> 00:39:26,960
Speaker 6: did you ever watch Billions? He plays a recurring character.

752
00:39:26,719 --> 00:39:29,320
Speaker 2: On that and his main.

753
00:39:30,880 --> 00:39:33,120
Speaker 6: Debut on the show is him getting out of a

754
00:39:33,160 --> 00:39:36,120
Speaker 6: pool from shot from behind, completely naked.

755
00:39:36,480 --> 00:39:38,839
Speaker 1: And I do remember, of course I remember that. Oh

756
00:39:38,880 --> 00:39:41,160
Speaker 1: my god, Well this one's the same. Can we I'll

757
00:39:41,200 --> 00:39:42,719
Speaker 1: just tell you guys two words and then I'll make

758
00:39:42,760 --> 00:39:44,920
Speaker 1: you want to watch it. Okay, Henus Pump.

759
00:39:46,920 --> 00:39:50,359
Speaker 2: Wait what about when when Brandon was he was saying

760
00:39:50,360 --> 00:39:53,000
Speaker 2: goodbye to Kelly? Okay, right at the end, and then

761
00:39:53,200 --> 00:39:57,080
Speaker 2: he goes back well, first of all, before your moment,

762
00:39:57,719 --> 00:40:01,560
Speaker 2: he comes back to the car and you know, basically

763
00:40:02,320 --> 00:40:06,600
Speaker 2: breaks up Steven val about to kiss, right, and he

764
00:40:06,719 --> 00:40:09,840
Speaker 2: says something so terrible that you could never say today.

765
00:40:10,640 --> 00:40:13,480
Speaker 1: Oh I didn't even catch it, but I tell you

766
00:40:13,920 --> 00:40:16,120
Speaker 1: about is someone going to ride in the front with me?

767
00:40:16,440 --> 00:40:16,640
Speaker 10: Yeah?

768
00:40:16,719 --> 00:40:23,239
Speaker 4: Yeah, she changed my name to Jeeves because it's like that,

769
00:40:23,360 --> 00:40:26,440
Speaker 4: the butler's name. He's yeah, isn't it like that?

770
00:40:27,080 --> 00:40:30,879
Speaker 2: There's moments like that You're like, oh my god, things

771
00:40:30,920 --> 00:40:31,319
Speaker 2: like that.

772
00:40:32,200 --> 00:40:37,200
Speaker 1: Yeah, there's always the cringe, you guys.

773
00:40:37,200 --> 00:40:40,200
Speaker 2: When Kelly walks gets up and walks into the beach

774
00:40:40,239 --> 00:40:44,040
Speaker 2: apartment and look, here's something and looks back. I was scared.

775
00:40:44,800 --> 00:40:47,480
Speaker 2: It was a bit scary because she was alone. She

776
00:40:47,640 --> 00:40:49,440
Speaker 2: lives in that beach apartment by herself.

777
00:40:49,480 --> 00:40:52,279
Speaker 4: At this moment, who do you think was coming? I

778
00:40:52,280 --> 00:40:54,439
Speaker 4: don't know. I don't know. I was getting excited. Maybe

779
00:40:54,480 --> 00:40:58,120
Speaker 4: a serial killer is coming on, Like things that are

780
00:40:58,120 --> 00:41:01,839
Speaker 4: about to happen, I know, to Wan of Us, this

781
00:41:01,880 --> 00:41:03,160
Speaker 4: is when it all starts happening.

782
00:41:03,239 --> 00:41:07,200
Speaker 1: Like, but Dylan is so distress, he's so drunk, and

783
00:41:07,239 --> 00:41:09,640
Speaker 1: he's so bad, and he's so hot.

784
00:41:10,880 --> 00:41:12,680
Speaker 4: He's like all at the same time.

785
00:41:12,760 --> 00:41:16,920
Speaker 2: Lifeguard hobo man, like I don't know, he's like.

786
00:41:17,920 --> 00:41:19,799
Speaker 3: Say that again, you can't see like a yeah, he's

787
00:41:19,800 --> 00:41:24,759
Speaker 3: like a hot lifeguard, I don't know, creeper, creeper.

788
00:41:25,520 --> 00:41:26,680
Speaker 4: Yeah, edit out hobo.

789
00:41:27,960 --> 00:41:31,640
Speaker 2: We didn't really talks like James, like a like a

790
00:41:32,160 --> 00:41:34,399
Speaker 2: unhomed James Dean.

791
00:41:34,880 --> 00:41:36,000
Speaker 4: Yeah.

792
00:41:35,800 --> 00:41:39,000
Speaker 1: Yeah, we didn't talk about his like broke ass, Like

793
00:41:39,160 --> 00:41:40,000
Speaker 1: now he's.

794
00:41:39,760 --> 00:41:44,400
Speaker 10: So drunk and a mess and Hen and he has

795
00:41:44,440 --> 00:41:46,840
Speaker 10: to sleep on the beach and we find out that

796
00:41:46,880 --> 00:41:50,600
Speaker 10: he saw their mugshots, like when he calls the police,

797
00:41:51,200 --> 00:41:53,560
Speaker 10: their pictures are in the mug book or whatever he

798
00:41:53,600 --> 00:41:55,200
Speaker 10: called it, like and and you're just.

799
00:41:55,160 --> 00:42:00,320
Speaker 2: Like like, oh my, I really heart Throb to bah outcare.

800
00:42:01,160 --> 00:42:05,719
Speaker 4: And like is he fully broke? I don't know, but

801
00:42:05,760 --> 00:42:08,000
Speaker 4: he looks real cute and his double denim.

802
00:42:09,040 --> 00:42:14,480
Speaker 1: Also, I loved his editorial comments to his voicemails, like

803
00:42:14,560 --> 00:42:17,239
Speaker 1: his answering machines going off. But he's like drunk on

804
00:42:17,280 --> 00:42:21,680
Speaker 1: the couch commenting to each of the each of the messages.

805
00:42:21,719 --> 00:42:24,520
Speaker 1: And I was just like, oh God, he's a mess.

806
00:42:24,560 --> 00:42:26,399
Speaker 2: I would have liked to see him a little more

807
00:42:26,480 --> 00:42:30,080
Speaker 2: over the edge, a little more drunk really a little

808
00:42:30,080 --> 00:42:34,799
Speaker 2: more like he had just you know, gone off the

809
00:42:34,840 --> 00:42:35,279
Speaker 2: deep end.

810
00:42:36,400 --> 00:42:40,320
Speaker 4: Maybe I think. I don't know. But when virus leaves

811
00:42:40,360 --> 00:42:43,400
Speaker 4: a message, do they have they have to pay her? Course,

812
00:42:43,960 --> 00:42:46,800
Speaker 4: like just for that as a voiceover?

813
00:42:47,200 --> 00:42:50,160
Speaker 1: God, jeez, unless your dad had some deal with her

814
00:42:50,160 --> 00:42:51,400
Speaker 1: where he could just be like, can you do me

815
00:42:51,440 --> 00:42:51,880
Speaker 1: a solid?

816
00:42:52,080 --> 00:42:56,839
Speaker 2: He calls her, records it on his phone.

817
00:42:57,800 --> 00:43:02,840
Speaker 4: I don't like backbone. I don't like dirty drunk Dylan.

818
00:43:03,480 --> 00:43:04,600
Speaker 4: I do I kind of do.

819
00:43:06,040 --> 00:43:09,319
Speaker 3: Oh my god, I know that. I know that she

820
00:43:09,360 --> 00:43:11,960
Speaker 3: gets she likes it.

821
00:43:12,920 --> 00:43:16,560
Speaker 2: Yeah, but Brandon's cute. Maybe maybe Kelly will shave his

822
00:43:16,680 --> 00:43:19,640
Speaker 2: face for him in a sexy bathroom scene in the

823
00:43:19,719 --> 00:43:20,480
Speaker 2: next episode.

824
00:43:20,520 --> 00:43:25,000
Speaker 4: That would be wonderful face that hair on his face?

825
00:43:25,040 --> 00:43:26,800
Speaker 4: What do they call it? Go tea?

826
00:43:27,120 --> 00:43:29,640
Speaker 3: Go tea is what they did on the calendar when

827
00:43:29,680 --> 00:43:33,600
Speaker 3: the boys, like remember the boys did that calendar all

828
00:43:33,600 --> 00:43:35,080
Speaker 3: of the boys in nine to two one hour for

829
00:43:35,239 --> 00:43:37,719
Speaker 3: of course for the girls. Didn't someone draw like an

830
00:43:37,760 --> 00:43:39,960
Speaker 3: evil like go tea on somebody afterwards?

831
00:43:40,880 --> 00:43:44,279
Speaker 4: And he liked it, so he grew one comic book.

832
00:43:44,520 --> 00:43:48,480
Speaker 4: I hope that goes away fast the same. I don't

833
00:43:48,520 --> 00:43:52,239
Speaker 4: think we're alone in this feeling, thank god. But he's

834
00:43:52,239 --> 00:43:55,239
Speaker 4: so I'm ready for I'm ready for Casper.

835
00:43:55,000 --> 00:43:57,720
Speaker 1: Van Dian and Jamie Walters to show up for Donna.

836
00:43:58,040 --> 00:44:00,640
Speaker 1: I'm ready for Donna to have someone.

837
00:44:00,080 --> 00:44:03,719
Speaker 2: Because, yeah, why are you pining looking at David like

838
00:44:03,760 --> 00:44:05,360
Speaker 2: that in the nightclub and after.

839
00:44:05,160 --> 00:44:08,160
Speaker 4: A leave me alone? No one saw it? I did it.

840
00:44:08,200 --> 00:44:09,680
Speaker 4: I did it. No one saw it.

841
00:44:10,320 --> 00:44:12,200
Speaker 3: I told you I was fine, and then I walked

842
00:44:12,239 --> 00:44:14,480
Speaker 3: away longingly looked at him.

843
00:44:14,520 --> 00:44:14,880
Speaker 4: Fine.

844
00:44:15,480 --> 00:44:17,719
Speaker 2: I just want to be there. I want Kelly to

845
00:44:17,760 --> 00:44:19,960
Speaker 2: be there in that moment to like smack you to

846
00:44:20,040 --> 00:44:20,640
Speaker 2: your senses.

847
00:44:20,880 --> 00:44:21,399
Speaker 4: Cut it out.

848
00:44:21,920 --> 00:44:24,480
Speaker 1: Ohone at the bar with like the long cord and

849
00:44:24,520 --> 00:44:27,320
Speaker 1: she's like talking over the bar with the long cord.

850
00:44:27,520 --> 00:44:28,200
Speaker 4: It's just like.

851
00:44:28,800 --> 00:44:31,360
Speaker 2: What it was this episode?

852
00:44:31,800 --> 00:44:34,719
Speaker 4: What do you guys rate it? I love it? Oh?

853
00:44:34,840 --> 00:44:36,680
Speaker 2: I mean you didn't love it? Okay, so what do

854
00:44:36,719 --> 00:44:40,879
Speaker 2: you what number do you give it?

855
00:44:41,080 --> 00:44:46,399
Speaker 4: Nine point two? Yeah? My people are back. I love it,

856
00:44:46,520 --> 00:44:51,399
Speaker 4: like I'm I go with a six? What sorry, I'm

857
00:44:51,400 --> 00:44:53,439
Speaker 4: gonna go with I'm gonna go with a six too,

858
00:44:54,080 --> 00:44:59,960
Speaker 4: all right? Solidary, Oh my god? What what change? My

859
00:45:00,160 --> 00:45:02,440
Speaker 4: are you guys talking? Not prepared for all this change

860
00:45:02,600 --> 00:45:06,520
Speaker 4: and not handled correctly the change? Like yeah, like just

861
00:45:06,560 --> 00:45:08,919
Speaker 4: I'm feeling left out to dry as a fan. Right now,

862
00:45:08,960 --> 00:45:10,680
Speaker 4: I don't feel I can recover.

863
00:45:10,480 --> 00:45:11,880
Speaker 2: Like I don't know what's happening.

864
00:45:11,960 --> 00:45:14,160
Speaker 4: I don't I don't have my feet's under me. No,

865
00:45:14,360 --> 00:45:14,880
Speaker 4: I'm worried.

866
00:45:15,280 --> 00:45:20,480
Speaker 1: Yeah, because I'm not saying it's perfect.

867
00:45:20,520 --> 00:45:23,920
Speaker 4: It's God its flaws, but it's still amazing. All Right,

868
00:45:23,960 --> 00:45:25,080
Speaker 4: We'll see, we'll see.

869
00:45:25,120 --> 00:45:27,800
Speaker 1: It's juicy, and we're getting set up for a lot

870
00:45:27,800 --> 00:45:31,759
Speaker 1: of juice. Like we're like Dylan's all a disaster and

871
00:45:32,120 --> 00:45:35,640
Speaker 1: Kelly and Brandon and Valerie or pot smoking Valerie is

872
00:45:35,680 --> 00:45:38,880
Speaker 1: going to stir up trouble and we got to figure

873
00:45:38,880 --> 00:45:42,160
Speaker 1: out what's going on with Steve per usual Donna, Like

874
00:45:42,200 --> 00:45:42,880
Speaker 1: it's just like.

875
00:45:43,160 --> 00:45:47,000
Speaker 3: David's drowning in his crabs crabs? What what's happening?

876
00:45:47,040 --> 00:45:47,480
Speaker 4: You tell us?

877
00:45:47,520 --> 00:45:50,640
Speaker 1: Poor Andrea is going to have a boring storyline. But

878
00:45:50,719 --> 00:45:51,800
Speaker 1: otherwise it's.

879
00:45:51,880 --> 00:45:54,360
Speaker 4: Why because being a mom. Oh actually, I do forget

880
00:45:54,400 --> 00:45:56,919
Speaker 4: about the one part that's gonna come. What what's gonna come?

881
00:45:57,480 --> 00:46:01,480
Speaker 2: You already know we sort of some weird foundation for

882
00:46:01,600 --> 00:46:06,800
Speaker 2: trouble in River City with Mark there just Jesse.

883
00:46:07,200 --> 00:46:08,560
Speaker 4: Yeah he's the bartender.

884
00:46:08,640 --> 00:46:13,239
Speaker 3: Yeah you're onto something, yeah you are. Yep, nothing can

885
00:46:13,280 --> 00:46:16,720
Speaker 3: ever go right in somebody's life. No, she finally found happiness,

886
00:46:16,760 --> 00:46:18,479
Speaker 3: had a baby, and something bad's gonna happen.

887
00:46:18,520 --> 00:46:22,239
Speaker 2: You're right, Yeah, well we'll see.

888
00:46:22,280 --> 00:46:25,160
Speaker 4: It's very, very exciting. I will give you quite Yeah.

889
00:46:25,239 --> 00:46:28,200
Speaker 2: Okay, so this is your homework, you guys. Next episode

890
00:46:28,239 --> 00:46:34,440
Speaker 2: is season five, episode two, under the Influence. Oh, I

891
00:46:34,480 --> 00:46:35,480
Speaker 2: bet that's about Dylan.

892
00:46:35,960 --> 00:46:39,640
Speaker 4: I think you're right, or is everyone under the influence

893
00:46:39,719 --> 00:46:40,440
Speaker 4: of Valerie?

894
00:46:40,560 --> 00:46:47,239
Speaker 2: Valerie, Kelly's not tell you that much, and I'm just

895
00:46:47,719 --> 00:46:52,520
Speaker 2: you guys. I'm speaking as Kelly. This is not Jenny.

896
00:46:53,320 --> 00:46:55,960
Speaker 1: No, we know Kelly doesn't like her just because of

897
00:46:56,000 --> 00:46:57,239
Speaker 1: the right.

898
00:46:57,400 --> 00:46:59,200
Speaker 4: I get it, and I'm just here to be liked.

899
00:46:59,200 --> 00:47:03,640
Speaker 4: We'll see next week. Tory, I love sort young Tory.

900
00:47:03,719 --> 00:47:04,560
Speaker 6: Please like me.

901
00:47:06,320 --> 00:47:10,800
Speaker 4: We like you, we love you. Thank you, Bye, everybody,