1 00:00:00,240 --> 00:00:05,600 Speaker 1: Now here's a highlight from coast to coast am on iHeartRadio. 2 00:00:05,000 --> 00:00:08,039 Speaker 2: And welcome back. George Nory with you, Robert merchstill with us, 3 00:00:08,080 --> 00:00:11,799 Speaker 2: Now we're joined with John Kozik's obsession with collecting and 4 00:00:11,880 --> 00:00:16,360 Speaker 2: researching Ouiji began when he inherited his grandmother's board in 5 00:00:16,400 --> 00:00:20,239 Speaker 2: the late nineteen nineties. Now he was surprised to discover 6 00:00:20,320 --> 00:00:24,400 Speaker 2: that Ouigi was simply one specific brand of a talking board, 7 00:00:24,480 --> 00:00:27,680 Speaker 2: and that they date much further back than the Ouigi 8 00:00:27,680 --> 00:00:31,240 Speaker 2: of Parker Brothers fame. You remember that. Of course, through 9 00:00:31,240 --> 00:00:34,000 Speaker 2: the years of dedication, John John is now one of 10 00:00:34,040 --> 00:00:38,599 Speaker 2: the most knowledgeable people on the subject. Back in twenty thirteen, 11 00:00:38,640 --> 00:00:41,720 Speaker 2: he became a founding member of the Talking Board Historical 12 00:00:41,840 --> 00:00:45,479 Speaker 2: Society in twenty nineteen. He opened the doors of the 13 00:00:45,520 --> 00:00:49,000 Speaker 2: Salem Which Board Museum to the public. In May of 14 00:00:49,040 --> 00:00:51,320 Speaker 2: two thousand and four, just a few months ago, he 15 00:00:51,400 --> 00:00:56,200 Speaker 2: opened the second location Which Board Museum in Baltimore. John, 16 00:00:56,280 --> 00:00:58,240 Speaker 2: welcome to the program. 17 00:00:58,480 --> 00:01:01,560 Speaker 3: Oh, thank you so much for having me this great looking. 18 00:01:01,280 --> 00:01:05,840 Speaker 2: Forward to this. So your grandmother got you started into this? Huh? 19 00:01:05,920 --> 00:01:09,680 Speaker 4: She did. She used the wija board alone and her fingers. 20 00:01:09,760 --> 00:01:12,280 Speaker 4: She would fly on the plan chat it would, you know, 21 00:01:12,480 --> 00:01:15,039 Speaker 4: go all across the board really fast. She would yell 22 00:01:15,080 --> 00:01:17,800 Speaker 4: out letters and numbers quicker than anyone could write down 23 00:01:17,800 --> 00:01:21,360 Speaker 4: what she was saying. So yeah, that's really how me started, 24 00:01:21,520 --> 00:01:22,959 Speaker 4: was inheriting that board. 25 00:01:23,880 --> 00:01:26,520 Speaker 2: Now, well, we're talking with merch and he hasn't really 26 00:01:26,520 --> 00:01:29,039 Speaker 2: had a bad experience with the Luigi boards, have you. 27 00:01:30,640 --> 00:01:32,800 Speaker 4: Well, to be honest with you, I actually don't use 28 00:01:32,920 --> 00:01:35,759 Speaker 4: Wija boards. And I really hate for people to think 29 00:01:35,760 --> 00:01:38,280 Speaker 4: that maybe it's because I'm nervous or afraid. That's really 30 00:01:38,280 --> 00:01:40,520 Speaker 4: not it at all. But I just don't have the 31 00:01:40,560 --> 00:01:43,520 Speaker 4: same connection to the board that my grandmother did. And 32 00:01:44,600 --> 00:01:46,760 Speaker 4: you know, I've been a musician for over thirty five 33 00:01:46,840 --> 00:01:49,120 Speaker 4: years as well, and I always make a joke that 34 00:01:49,160 --> 00:01:52,000 Speaker 4: if Jimmy Hendrix was my father, I wouldn't want to 35 00:01:52,000 --> 00:01:54,240 Speaker 4: play guitar. It's kind of how I feel about the 36 00:01:54,280 --> 00:01:56,120 Speaker 4: Wijia board. I mean, I believe they work, and they 37 00:01:56,120 --> 00:01:59,240 Speaker 4: work definitely for everyone, But because you influenced the board, 38 00:01:59,600 --> 00:02:02,640 Speaker 4: I'm very nervous that it won't work for me, that 39 00:02:02,720 --> 00:02:04,680 Speaker 4: I will influence into not working with me. 40 00:02:05,760 --> 00:02:08,520 Speaker 2: How far back John do they go? How old are they? 41 00:02:09,800 --> 00:02:12,760 Speaker 4: Well, I mean they really come about just post civil war, 42 00:02:13,400 --> 00:02:18,239 Speaker 4: and they're homemade at that point, So really it's those 43 00:02:18,240 --> 00:02:21,640 Speaker 4: two devices that are crossing paths. It's an alphabet board 44 00:02:21,800 --> 00:02:25,600 Speaker 4: that people had believed that they could communicate with spirits. 45 00:02:25,760 --> 00:02:29,080 Speaker 4: They heard knocking responses back to them, and so they 46 00:02:29,280 --> 00:02:32,040 Speaker 4: basically try asking yes and no questions, waiting for a 47 00:02:32,080 --> 00:02:35,360 Speaker 4: knock or eventually pointing to the alphabet on a board 48 00:02:35,560 --> 00:02:38,520 Speaker 4: and wait for a knock. And then it crosses paths 49 00:02:38,560 --> 00:02:41,480 Speaker 4: with the automatic writing plan CHAT, which has a pencil 50 00:02:41,520 --> 00:02:43,959 Speaker 4: at the front and wheels in the back where someone 51 00:02:43,960 --> 00:02:46,840 Speaker 4: would channel a spirit to themselves and write or draw 52 00:02:46,919 --> 00:02:50,079 Speaker 4: on a piece of paper whatever came through. So really 53 00:02:50,440 --> 00:02:53,000 Speaker 4: just post civil wars where these devices are coming together 54 00:02:53,440 --> 00:02:57,840 Speaker 4: and they're homemade up until eighteen ninety, and that first 55 00:02:57,880 --> 00:03:00,920 Speaker 4: mass produce board is what becomes the Wija brand that 56 00:03:00,960 --> 00:03:01,760 Speaker 4: we all know today. 57 00:03:02,680 --> 00:03:04,440 Speaker 2: How did we get that name Ouiji? 58 00:03:06,360 --> 00:03:09,920 Speaker 4: Well, there was a seance one night in Baltimore. The 59 00:03:09,960 --> 00:03:12,960 Speaker 4: manufacturers had first made a board called the witchboard, kind 60 00:03:13,000 --> 00:03:15,639 Speaker 4: of a generic name for it. But at the seance, 61 00:03:15,680 --> 00:03:18,799 Speaker 4: a woman named Helen Peters she had asked the board 62 00:03:19,120 --> 00:03:21,960 Speaker 4: what it wanted to be called, and the board spelled 63 00:03:22,000 --> 00:03:24,640 Speaker 4: back Leja. When she asked, well, what does that mean? 64 00:03:25,120 --> 00:03:28,480 Speaker 4: The board spelled back good luck. So the board actually 65 00:03:28,560 --> 00:03:31,280 Speaker 4: named itself and then we just became that first mass 66 00:03:31,280 --> 00:03:31,919 Speaker 4: produced board. 67 00:03:33,600 --> 00:03:37,440 Speaker 2: Truly remarkable. And tell us about the Talking Boards Society. 68 00:03:38,840 --> 00:03:41,760 Speaker 4: Yeah, so Merch and I are both founding members of 69 00:03:41,920 --> 00:03:48,320 Speaker 4: the TVHS. We're a group that registered nonprofit. We research, preserve, 70 00:03:48,840 --> 00:03:53,520 Speaker 4: celebrate the history of these boards. And you know, through 71 00:03:53,520 --> 00:03:57,440 Speaker 4: the research that Merch has done, we've uncovered, you know, 72 00:03:57,480 --> 00:04:00,400 Speaker 4: Helen's story. Sadly, she was written out of history for 73 00:04:00,720 --> 00:04:04,000 Speaker 4: over one hundred years and really only rediscovered about ten 74 00:04:04,080 --> 00:04:07,480 Speaker 4: years ago. We were able to raise money and put 75 00:04:07,480 --> 00:04:11,200 Speaker 4: a headstone in for her. Her brother in law, Elijah, 76 00:04:11,280 --> 00:04:15,000 Speaker 4: Elijah Bond, who patted Thelija board, he was actually buried 77 00:04:15,280 --> 00:04:18,640 Speaker 4: in an unmarked grave in Baltimore. We're able to raise 78 00:04:18,680 --> 00:04:20,159 Speaker 4: money to put a headstone. 79 00:04:19,760 --> 00:04:20,240 Speaker 2: In for him. 80 00:04:20,520 --> 00:04:24,440 Speaker 4: Who've done a few other projects as well. But yeah, 81 00:04:24,440 --> 00:04:27,000 Speaker 4: we continue to keep doing things and really just spreading 82 00:04:27,000 --> 00:04:27,720 Speaker 4: the word of WIJA. 83 00:04:28,760 --> 00:04:32,800 Speaker 2: Let's bring in Merch for a second here, Robert. How 84 00:04:32,839 --> 00:04:35,840 Speaker 2: long have people been collecting boards? How many different kinds 85 00:04:35,839 --> 00:04:36,839 Speaker 2: of boards are there? 86 00:04:37,839 --> 00:04:38,039 Speaker 4: Oh? 87 00:04:38,080 --> 00:04:42,599 Speaker 3: My gosh, Well, when I started in nineteen ninety two. 88 00:04:43,080 --> 00:04:46,040 Speaker 4: You know, I was the baby. There were a few gray. 89 00:04:45,800 --> 00:04:48,720 Speaker 3: Beards that are even still with us, So I mean 90 00:04:48,760 --> 00:04:54,520 Speaker 3: maybe there were maybe there were five in nineteen ninety two. Today, 91 00:04:55,240 --> 00:04:58,480 Speaker 3: I mean there are you know, over one hundred collectors. 92 00:04:58,800 --> 00:05:01,400 Speaker 3: Some are very serious, some just like to put them 93 00:05:01,440 --> 00:05:05,520 Speaker 3: on the walls. As far as how many boards, I 94 00:05:05,600 --> 00:05:08,800 Speaker 3: you know, I have over a thousand, and I know 95 00:05:08,880 --> 00:05:13,000 Speaker 3: there are as many that I don't have. So that's like, 96 00:05:13,040 --> 00:05:15,280 Speaker 3: remember I was talking to you about this never ending story. 97 00:05:15,320 --> 00:05:18,120 Speaker 3: Why I love it because I know I'll never have 98 00:05:18,240 --> 00:05:20,640 Speaker 3: all of them, you know. And that's kind of the 99 00:05:20,640 --> 00:05:23,680 Speaker 3: beauty of this is that all the different collectors tend 100 00:05:23,680 --> 00:05:27,080 Speaker 3: to focus in a different way. Some of them really 101 00:05:27,080 --> 00:05:30,400 Speaker 3: get into the satanic panic stuff. They really like the 102 00:05:30,440 --> 00:05:33,200 Speaker 3: eighties and that kind of artwork. Some people are really 103 00:05:33,279 --> 00:05:36,880 Speaker 3: drawn to the forties, and they love when color really 104 00:05:36,920 --> 00:05:40,359 Speaker 3: started getting into the boards. So if you can imagine 105 00:05:40,400 --> 00:05:44,039 Speaker 3: a theme. The wonderful thing about WIJA is that it's 106 00:05:44,040 --> 00:05:48,279 Speaker 3: like a chameleon. Every decade, every generation, it tends to 107 00:05:48,520 --> 00:05:53,120 Speaker 3: find itself in it. And John and I were just 108 00:05:53,720 --> 00:05:56,440 Speaker 3: we just got to work on a brand new board 109 00:05:56,440 --> 00:05:59,000 Speaker 3: that's coming out. John, why don't you tell them. I 110 00:05:59,040 --> 00:06:00,719 Speaker 3: mean this was really thanks to you. 111 00:06:01,880 --> 00:06:06,279 Speaker 4: Oh yes, this is very exciting. Actually, there's a wija 112 00:06:06,520 --> 00:06:09,839 Speaker 4: they're going to make a Salem edition of the Wija board, 113 00:06:10,480 --> 00:06:13,240 Speaker 4: and so they're tying in a lot of the Salem, 114 00:06:13,320 --> 00:06:18,360 Speaker 4: Massachusetts landmarks and actually putting it on a board all 115 00:06:18,400 --> 00:06:22,280 Speaker 4: themed around that city. That'll be out actually, I think 116 00:06:22,320 --> 00:06:25,919 Speaker 4: it's out in the warehouse now, so that'll be the 117 00:06:25,960 --> 00:06:28,960 Speaker 4: one that most people will see this Halloween season. 118 00:06:30,440 --> 00:06:32,599 Speaker 2: Was this a big Was this a big seller for 119 00:06:32,720 --> 00:06:35,120 Speaker 2: Parker Brothers when they came out with the game version? 120 00:06:36,680 --> 00:06:42,080 Speaker 3: Oh yeah, yeah, definitely. I mean they knew when they 121 00:06:42,120 --> 00:06:44,880 Speaker 3: bought it, they could see that the previous company, the 122 00:06:44,920 --> 00:06:48,720 Speaker 3: William full Company, they just couldn't fulfill their orders. They 123 00:06:48,720 --> 00:06:51,360 Speaker 3: were hearing it from other people that months were going 124 00:06:51,400 --> 00:06:54,479 Speaker 3: by and they weren't getting boards. And Parker Brothers, being 125 00:06:54,480 --> 00:06:58,640 Speaker 3: a worldwide company in nineteen sixty six, knew that they 126 00:06:58,680 --> 00:07:01,720 Speaker 3: could just leverage this and really believed, to their credit 127 00:07:01,960 --> 00:07:05,479 Speaker 3: that they could put the Wiki board in every living 128 00:07:05,560 --> 00:07:09,720 Speaker 3: room again. And that's what they do in that first year, 129 00:07:10,120 --> 00:07:12,480 Speaker 3: nineteen sixty six is when they buy it. So from 130 00:07:12,520 --> 00:07:16,280 Speaker 3: sixty six to sixty seven, for the very first year. 131 00:07:16,360 --> 00:07:18,400 Speaker 3: It is the first time it's ever happened. It's never 132 00:07:18,440 --> 00:07:22,640 Speaker 3: happened since we just outsold Monopoly, the only game to 133 00:07:22,680 --> 00:07:25,680 Speaker 3: ever do it in any year. So that if you 134 00:07:25,680 --> 00:07:29,200 Speaker 3: can think about the numbers we're talking about, you know, 135 00:07:29,280 --> 00:07:32,560 Speaker 3: we're talking about millions and millions of Wiji boards. So 136 00:07:32,680 --> 00:07:35,640 Speaker 3: Parker Brothers, it was a huge hit for them. 137 00:07:36,000 --> 00:07:38,520 Speaker 2: John, You've got a witchboard museum that you just set 138 00:07:38,600 --> 00:07:42,239 Speaker 2: up in Baltimore, And ironically, Baltimore's where that little boy 139 00:07:43,400 --> 00:07:47,360 Speaker 2: was who was the center of the movie The Exorcist. 140 00:07:48,040 --> 00:07:51,720 Speaker 2: He was a real true story. And if I recall, 141 00:07:52,680 --> 00:07:56,160 Speaker 2: didn't he play with a Wigi board before he got possessed. 142 00:07:57,760 --> 00:08:00,480 Speaker 4: Well that's what some people believe, but I believe there's 143 00:08:00,520 --> 00:08:04,120 Speaker 4: actually nothing to back that up as far as him 144 00:08:04,200 --> 00:08:08,160 Speaker 4: using the board and that causing the possession. It's one 145 00:08:08,160 --> 00:08:10,280 Speaker 4: of those things. I know. Merchant was actually able to 146 00:08:10,320 --> 00:08:17,920 Speaker 4: meet William Peter Bladdie, who wrote the script, and we 147 00:08:17,960 --> 00:08:20,480 Speaker 4: have a copy of that script. Yeah, and so Merchant 148 00:08:20,600 --> 00:08:24,920 Speaker 4: probably tell you his exact words, but Bladdy explained that 149 00:08:25,080 --> 00:08:28,480 Speaker 4: really he had used the Ouija board more as a 150 00:08:28,520 --> 00:08:31,480 Speaker 4: way to explain how the kid was able to get 151 00:08:31,480 --> 00:08:35,800 Speaker 4: in a mischief without the mother knowing that, you know, 152 00:08:36,240 --> 00:08:39,480 Speaker 4: talking to that captain, talking to Captain Howdi in the 153 00:08:39,520 --> 00:08:43,320 Speaker 4: basement and so, and not really being part of the story, 154 00:08:43,360 --> 00:08:46,920 Speaker 4: but just as a way to explain how things were 155 00:08:46,960 --> 00:08:48,480 Speaker 4: able to progress. 156 00:08:49,160 --> 00:08:51,240 Speaker 2: Merch tell us a little bit more about Bladdy. 157 00:08:52,360 --> 00:08:55,640 Speaker 3: Yeah, I was, I was lucky enough to many years 158 00:08:55,640 --> 00:08:59,400 Speaker 3: ago do exorcism live h with. I think it was 159 00:09:00,400 --> 00:09:05,400 Speaker 3: Destination America at the time, but owned by Discovery. And 160 00:09:06,160 --> 00:09:08,640 Speaker 3: what it was was they took a bunch of us 161 00:09:08,960 --> 00:09:12,360 Speaker 3: from the paranormal field, me because of my experience with 162 00:09:12,360 --> 00:09:17,000 Speaker 3: the Ouiji Board and its history, and they took us 163 00:09:17,040 --> 00:09:20,960 Speaker 3: to Saint Louis and that is where the boy from 164 00:09:21,400 --> 00:09:27,400 Speaker 3: Maryland Cottage City, Maryland. Actually that's where the exorcisms happened. 165 00:09:27,720 --> 00:09:31,440 Speaker 3: So the story happens in two places. It happens, you know, 166 00:09:31,559 --> 00:09:36,080 Speaker 3: the possession begins in Maryland and it ends and Saint Louis. 167 00:09:36,120 --> 00:09:38,400 Speaker 3: So we went back to the house where that happened. 168 00:09:38,679 --> 00:09:42,199 Speaker 2: He was he was in the now defunct Election Brothers 169 00:09:42,280 --> 00:09:44,640 Speaker 2: Hospital exactly. 170 00:09:44,760 --> 00:09:47,800 Speaker 3: Yep, he was taken there in Georgetown, you know there, 171 00:09:47,840 --> 00:09:52,240 Speaker 3: but when you know, he's moved to Saint Louis. That's 172 00:09:52,240 --> 00:09:55,560 Speaker 3: where they really, you know, start these exorcisms that are 173 00:09:55,600 --> 00:09:59,240 Speaker 3: like NonStop. Twenty four seven, and we were invited to 174 00:09:59,240 --> 00:10:02,000 Speaker 3: the house and I got to use the Wigi board 175 00:10:02,040 --> 00:10:05,000 Speaker 3: in the house, which was that was definitely an interesting experience. 176 00:10:05,040 --> 00:10:08,360 Speaker 3: But in the kind of getting up for that, I 177 00:10:08,360 --> 00:10:11,520 Speaker 3: got to talk to Laddie and you know, I asked him, 178 00:10:11,840 --> 00:10:15,200 Speaker 3: as I've asked many people involved in the case, was 179 00:10:15,240 --> 00:10:17,840 Speaker 3: the wigi board really used? Have you ever seen any 180 00:10:17,880 --> 00:10:20,800 Speaker 3: evidence of that? And the answer was no, he said, 181 00:10:21,040 --> 00:10:24,120 Speaker 3: I used it as a tool to introduce how this 182 00:10:24,200 --> 00:10:27,400 Speaker 3: little girl was being left alone by her mother, Like 183 00:10:27,600 --> 00:10:29,720 Speaker 3: she was playing the wigi board by herself. She didn't 184 00:10:29,760 --> 00:10:32,560 Speaker 3: have anyone else to play with, And so of course 185 00:10:32,679 --> 00:10:35,679 Speaker 3: that may have been the intent, but that's not how 186 00:10:35,720 --> 00:10:40,000 Speaker 3: it was received, you know, after the movie comes out, 187 00:10:40,080 --> 00:10:43,160 Speaker 3: which you know is slightly related to the true story 188 00:10:44,040 --> 00:10:47,040 Speaker 3: that affects Wigi board. So, you know, with this argument 189 00:10:47,040 --> 00:10:49,640 Speaker 3: of does art imitate life or does life imitate art? 190 00:10:50,160 --> 00:10:50,679 Speaker 1: Who knows? 191 00:10:51,360 --> 00:10:57,199 Speaker 3: But leading up to you know, nineteen seventy three, you're 192 00:10:57,240 --> 00:11:00,840 Speaker 3: getting to a time when these things wiki boards were 193 00:11:00,880 --> 00:11:05,400 Speaker 3: already starting to look different in movies. They were getting darker. 194 00:11:05,600 --> 00:11:08,000 Speaker 3: They were you know, originally it was all jokes. I 195 00:11:08,080 --> 00:11:13,640 Speaker 3: love Lucy the seance, everyone's laughing, they're date game. But 196 00:11:14,080 --> 00:11:17,720 Speaker 3: as we're getting to the seventies, things are getting darker. 197 00:11:17,760 --> 00:11:20,480 Speaker 3: People are using the Wigi board for darker purposes, and 198 00:11:20,520 --> 00:11:24,559 Speaker 3: the Wiji board is giving them darker messages. The Exorcist 199 00:11:24,640 --> 00:11:28,400 Speaker 3: comes out, and as John can tell you, it's like 200 00:11:28,640 --> 00:11:30,280 Speaker 3: the straw that breaks the camel's back. 201 00:11:31,880 --> 00:11:33,960 Speaker 2: John, when that movie came out, it must have been 202 00:11:34,000 --> 00:11:36,760 Speaker 2: a boon for sales for the Ouiji board. 203 00:11:37,720 --> 00:11:42,280 Speaker 4: It was funny is sales go up about fifteen percent 204 00:11:42,600 --> 00:11:46,199 Speaker 4: after that. But really, what I like about The Exorcist 205 00:11:46,520 --> 00:11:49,440 Speaker 4: is the we just seen in the movie is so 206 00:11:49,920 --> 00:11:52,679 Speaker 4: almost subliminal. It's such a short scene and they don't 207 00:11:52,720 --> 00:11:55,840 Speaker 4: really ever reference it. It takes a while for people 208 00:11:55,920 --> 00:11:59,400 Speaker 4: to kind of realize or not even realize that why 209 00:11:59,440 --> 00:12:01,960 Speaker 4: they might be afraid of the Wigia board, or you know, 210 00:12:02,120 --> 00:12:05,160 Speaker 4: the superstitions and rules that kind of come from the 211 00:12:05,160 --> 00:12:09,280 Speaker 4: movie that just we don't know of before. There's a 212 00:12:09,320 --> 00:12:12,360 Speaker 4: superstition that you should never use the Wigia board alone. 213 00:12:12,960 --> 00:12:16,000 Speaker 4: And I think that really starts with that movie. You know, 214 00:12:16,040 --> 00:12:19,600 Speaker 4: that's how they explained how she'd become possessed. Was using 215 00:12:19,600 --> 00:12:24,000 Speaker 4: it in the basement to speak to Captain Howdie. The 216 00:12:24,080 --> 00:12:26,720 Speaker 4: rule that you always say goodbye on the wija board. 217 00:12:26,920 --> 00:12:29,080 Speaker 4: You know, some might argue that that's where it starts 218 00:12:29,120 --> 00:12:32,960 Speaker 4: as well. So, you know, besides sales going up, of course, 219 00:12:33,400 --> 00:12:36,160 Speaker 4: I think the long impact of it is, you know, 220 00:12:36,240 --> 00:12:40,360 Speaker 4: some rules, some superstitions, and really people just not being 221 00:12:40,400 --> 00:12:42,360 Speaker 4: aware as to why they might be afraid of the 222 00:12:42,360 --> 00:12:46,480 Speaker 4: wigia board because they just they don't even remember that 223 00:12:46,520 --> 00:12:47,679 Speaker 4: there's a wiga in the movie. 224 00:12:48,160 --> 00:12:51,040 Speaker 2: Now, tell us about the museums in Salem and Baltimore. 225 00:12:51,120 --> 00:12:52,200 Speaker 2: What do you have there? 226 00:12:53,960 --> 00:12:56,959 Speaker 4: Well, Salem was the first one that was opened, and 227 00:12:58,320 --> 00:13:00,840 Speaker 4: you know, Salem is an important city to the Wijia board. 228 00:13:00,840 --> 00:13:03,840 Speaker 4: There that's where Parker Brothers was located. I'm about a 229 00:13:03,880 --> 00:13:07,240 Speaker 4: stone's throw from where that warehouse with a factory was. 230 00:13:07,920 --> 00:13:12,000 Speaker 4: And so not only that, that museum kind of tells 231 00:13:12,240 --> 00:13:15,120 Speaker 4: as much history as I can possibly tell in one room. 232 00:13:15,840 --> 00:13:19,239 Speaker 4: Not only to cover the beginning and Helen and Elijah 233 00:13:19,360 --> 00:13:21,760 Speaker 4: and the people behind it, we get into a lot 234 00:13:21,760 --> 00:13:25,360 Speaker 4: of the pulp culture influence of it, and so a 235 00:13:25,400 --> 00:13:28,079 Speaker 4: lot of movies and a lot of books and plays 236 00:13:28,120 --> 00:13:31,920 Speaker 4: and music all about the Wijia board there, and that's 237 00:13:31,960 --> 00:13:36,400 Speaker 4: where I'm at myself every day. So that museum is 238 00:13:36,400 --> 00:13:38,920 Speaker 4: a little special because it's really my happy place in 239 00:13:38,960 --> 00:13:41,920 Speaker 4: life where I go there and I'm just so excited 240 00:13:41,960 --> 00:13:45,240 Speaker 4: to meet anyone who's interested in wanting to learn more 241 00:13:45,240 --> 00:13:47,360 Speaker 4: about the Wigia board, and so I tell a lot 242 00:13:47,360 --> 00:13:51,800 Speaker 4: of stories. I'm there, answer questions and really help people 243 00:13:52,120 --> 00:13:55,360 Speaker 4: through whatever part of the wija they might be most 244 00:13:55,400 --> 00:13:59,280 Speaker 4: interested in. You know, some people might want to just 245 00:13:59,320 --> 00:14:03,960 Speaker 4: talk about spiritualism and where the board started, and then 246 00:14:04,240 --> 00:14:08,840 Speaker 4: some people, really I need lawyers who study trademark infringement. 247 00:14:08,920 --> 00:14:11,400 Speaker 4: We can talk about those cases. We can talk about 248 00:14:12,320 --> 00:14:14,439 Speaker 4: five hundred plus horror movies with the wigiboard in it. 249 00:14:14,760 --> 00:14:17,480 Speaker 4: So Salem is really a special place for me to 250 00:14:17,559 --> 00:14:22,320 Speaker 4: be and spend my time talking about Wigia boards. And luckily, 251 00:14:22,720 --> 00:14:26,480 Speaker 4: you know, I was able to expand the museum by 252 00:14:26,720 --> 00:14:31,560 Speaker 4: going to Baltimore, and so Baltimore, of course where it 253 00:14:31,600 --> 00:14:35,240 Speaker 4: all starts. A lot of the history there needs to 254 00:14:35,280 --> 00:14:38,440 Speaker 4: be told there. I need people that came to Salem 255 00:14:38,760 --> 00:14:41,760 Speaker 4: who were from Baltimore, who had no idea of just 256 00:14:42,400 --> 00:14:44,800 Speaker 4: how much history had been in their city. So to 257 00:14:44,800 --> 00:14:46,680 Speaker 4: bring it to the city and be able to explain 258 00:14:46,680 --> 00:14:52,800 Speaker 4: those stories to them, and luckily Merch being extraordinary collector 259 00:14:53,040 --> 00:14:56,560 Speaker 4: and wonderful friend, he has curated a lot of really 260 00:14:56,680 --> 00:15:00,360 Speaker 4: amazing artifacts in both museums that you know, people are 261 00:15:00,440 --> 00:15:03,040 Speaker 4: very I'm very fortunate to be able to put on display, 262 00:15:03,360 --> 00:15:05,240 Speaker 4: but I think that people are very lucky to be 263 00:15:05,240 --> 00:15:09,040 Speaker 4: able to see. These are extremely rare items that you 264 00:15:09,160 --> 00:15:13,040 Speaker 4: just couldn't see anywhere else. In Salem. We have, you know, 265 00:15:13,080 --> 00:15:16,200 Speaker 4: a printing plate that was used by Parker Brothers. We 266 00:15:16,320 --> 00:15:19,840 Speaker 4: have a watch that William Fuld had been wearing at 267 00:15:19,880 --> 00:15:23,560 Speaker 4: the time of his death. William Fold, synonymous to the 268 00:15:23,600 --> 00:15:26,560 Speaker 4: Wigia Board, had made it for his family, made it 269 00:15:26,560 --> 00:15:31,600 Speaker 4: for over seventy years, and he asked the you know 270 00:15:32,680 --> 00:15:35,800 Speaker 4: the Bigia Boyd Toultonate should build a second Factor Baltimore, 271 00:15:36,160 --> 00:15:39,680 Speaker 4: which he did. He ended up sadly falling from the 272 00:15:39,760 --> 00:15:42,640 Speaker 4: roof of the building and dying from his injuries. But 273 00:15:42,720 --> 00:15:44,520 Speaker 4: we have the watch who was wearing when he died. 274 00:15:44,600 --> 00:15:48,560 Speaker 4: We have the script to the extrecist. So there's a 275 00:15:48,640 --> 00:15:50,920 Speaker 4: lot of amazing things that you know, a lot of 276 00:15:50,920 --> 00:15:53,040 Speaker 4: people would not be able to see in any other 277 00:15:53,040 --> 00:15:55,080 Speaker 4: way if it wasn't on public display. 278 00:15:56,120 --> 00:15:59,640 Speaker 2: Truly remarkable, do it either one of you know Karen Dolman. 279 00:16:01,280 --> 00:16:02,880 Speaker 4: We know Karen extremely well. 280 00:16:02,960 --> 00:16:09,840 Speaker 2: Yeah, we all know Karen. She LOVESIGI boards, oh yes. 281 00:16:10,000 --> 00:16:12,320 Speaker 4: And I love talking about her at the museum. Karen 282 00:16:13,080 --> 00:16:15,680 Speaker 4: is with Merchant myself a member of the talking about 283 00:16:15,800 --> 00:16:20,040 Speaker 4: historical society, and really for me, I talk about her 284 00:16:20,040 --> 00:16:23,000 Speaker 4: every day because she's my go to person when I 285 00:16:23,080 --> 00:16:26,480 Speaker 4: talk about when people want to know more about using 286 00:16:26,520 --> 00:16:29,560 Speaker 4: the wija board, because of all of her experience using it, 287 00:16:30,400 --> 00:16:34,320 Speaker 4: our YouTube videos. You know, she's really a great resource 288 00:16:34,360 --> 00:16:36,960 Speaker 4: to anyone who's went a little nervous to use the 289 00:16:36,960 --> 00:16:41,160 Speaker 4: wija board to feel more comfortable. So, yeah, Karen's great. 290 00:16:42,200 --> 00:16:45,480 Speaker 2: But you don't feel it as if using the Ouiji 291 00:16:45,600 --> 00:16:48,280 Speaker 2: board can conjure up anything demonic. 292 00:16:51,640 --> 00:16:55,560 Speaker 4: I mean, I do think that you know, with the 293 00:16:55,600 --> 00:16:59,960 Speaker 4: wrong intent, that you know, you can possibly have conversations 294 00:17:00,080 --> 00:17:03,480 Speaker 4: that might not be pleasant. You know, it's like a 295 00:17:03,480 --> 00:17:06,360 Speaker 4: cell phone. You don't always know who you're talking with, 296 00:17:06,800 --> 00:17:08,800 Speaker 4: and if you dial numbers in the middle of night, 297 00:17:09,200 --> 00:17:11,159 Speaker 4: you know, people might not be friendly or want to 298 00:17:11,200 --> 00:17:16,040 Speaker 4: talk to you. But I don't think there's anything to 299 00:17:16,119 --> 00:17:18,520 Speaker 4: be scared of to me personally, I think you just 300 00:17:18,680 --> 00:17:20,200 Speaker 4: hang up the phone. You stop talking. 301 00:17:20,560 --> 00:17:23,840 Speaker 1: Listen to more Coast to Coast AM every weeknight at 302 00:17:23,840 --> 00:17:26,800 Speaker 1: one a m. Eastern and go to Coast to coastam 303 00:17:26,840 --> 00:17:27,920 Speaker 1: dot com for more