WEBVTT - #114 - Dom Kennedy

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<v Speaker 1>Bulet cav Show Special guests in here got the homie,

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<v Speaker 1>Don Kennedy Mane. That's right, that's right with it, Oh

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<v Speaker 1>bule Cave got to be here. Yeah, Hey, so talk

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<v Speaker 1>about man. First of all, you've been on a run,

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<v Speaker 1>a very underrated run the last few years between the

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<v Speaker 1>half a Meal Shit Out last year and From the

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<v Speaker 1>West Side with Love three. Yeah, this is like your baby,

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<v Speaker 1>this series. Yeah, it's kind of the I remember the

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<v Speaker 1>first time I heard nineteen ninety seven. Yeah, just this

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<v Speaker 1>is kind of like the original was what really put

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<v Speaker 1>you on the map? Exactly? Why now have dropped part three?

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<v Speaker 1>Because Part two was what twenty eleven, twenty eleven, First

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<v Speaker 1>one twenty ten, twenty eleven, twenty twenty one. Man, just

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<v Speaker 1>the ups and downs of the music game, you know

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<v Speaker 1>what I'm saying, loving it, being in love with it,

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<v Speaker 1>you know, having some successes, you know, being underrated, getting

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<v Speaker 1>too the label stage, taking meetings, you know, and just realizing,

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<v Speaker 1>like like you said, my passion is from the west

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<v Speaker 1>I would love you know, one of my staple you know,

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<v Speaker 1>I don't know. Somebody asked me one day, if you

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<v Speaker 1>had a book about your life, what would you call it?

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<v Speaker 1>And I was like, from the West, I would love

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<v Speaker 1>you know what I'm saying, and so as I'm you know,

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<v Speaker 1>after working with here boy, let's say maybe twenty eighteen,

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<v Speaker 1>twenty seventeen, twenty nineteen. Last year, I put out Rap

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<v Speaker 1>and Roll. You know, I kind of kept the songs

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<v Speaker 1>that I do a hit separate from songs that I

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<v Speaker 1>create on my own with other producers. And then we

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<v Speaker 1>started working and I did a couple of solo songs

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<v Speaker 1>and I told him like, man, you know, he was

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<v Speaker 1>really inspiring me in like a different way with my music.

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<v Speaker 1>And I told him, like, you know what I think

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<v Speaker 1>I could make from the West? I would love three

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<v Speaker 1>you know, and I need your help, you know. And

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<v Speaker 1>that was kind of the beginning of it. And I

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<v Speaker 1>was like a year and a half ago. You know.

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<v Speaker 1>It's crazy the just the relationship that you guys musically

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<v Speaker 1>have put on paper the last few years. Yeah, whether

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<v Speaker 1>it's the half a meal shit or whether it's like

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<v Speaker 1>I feel like hearing you on records with like nas

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<v Speaker 1>like just's certain shit that like you never thought you

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<v Speaker 1>would ever hear. And I feel like like like one

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<v Speaker 1>day we'll look back at like the last few years

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<v Speaker 1>that hip boys had and just the magic that's coming

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<v Speaker 1>out of his studio, the relationships that are happening, and man,

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<v Speaker 1>you know the shit he's doing with Sean, she's doing

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<v Speaker 1>withs doing with you, and I just think it's real special,

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<v Speaker 1>Like what's that energy like over there? Because at any

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<v Speaker 1>time you go over to hit spot, like you never

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<v Speaker 1>know who's gonna be in the studio, never knows. And

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<v Speaker 1>he's brings so many worlds together that wouldn't be together, yeah,

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<v Speaker 1>never know, brings so many from you know, producers to engineers,

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<v Speaker 1>like the engineer work were now built, the relationship through

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<v Speaker 1>working with it, you know, and several artists even collapse

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<v Speaker 1>that's never come out or you know, we never done

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<v Speaker 1>any music. You know, people like Anderson Pat you know

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<v Speaker 1>what I mean, Like people like Sweetie, you know what

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<v Speaker 1>I mean. Like they'll literally be in a studio on

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<v Speaker 1>a random day, you know what I'm saying, and the

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<v Speaker 1>collaborations is open. So you hear me with like Quinn

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<v Speaker 1>Miller or like Nahs for instance, on the courtesy I

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<v Speaker 1>have for mil those is just coming from everybody just

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<v Speaker 1>building me on Big Sean album, you know that that's

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<v Speaker 1>coming from us eating together, sharing music sharing ideas somebody

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<v Speaker 1>playing Sean maybe playing a verse and an me being

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<v Speaker 1>like I could try so I could add something to that,

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<v Speaker 1>you know, and end up on his album, you know

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<v Speaker 1>what I'm saying. But that's all directly related around here, boy,

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<v Speaker 1>Like he's like the sun, you know what I mean,

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<v Speaker 1>the solar system, and we all are planets, but we

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<v Speaker 1>all moving around Bro's energy and his spirit, you were,

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<v Speaker 1>and Burden of Proof too, right, I was, exactly And

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<v Speaker 1>that's like something that nobody like I would never ever

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<v Speaker 1>think that Benny would be on a record. I never

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<v Speaker 1>had no relationship with nobody. Shout to Benny the butcher

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<v Speaker 1>Man obviously super talented, you know East Coast MC, but

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<v Speaker 1>it's no connection there outside of here. Boy, you know,

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<v Speaker 1>that's all what I'm doing an album with Bennie. He's

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<v Speaker 1>six seven songs in, that's what's up. I'm listening to

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<v Speaker 1>it like damn bro Hard. You know, he coming in

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<v Speaker 1>every day working, listening the beats, just sit His process

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<v Speaker 1>was different. So in the instance of that song that

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<v Speaker 1>I'm on, you know, just seeing how he took his

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<v Speaker 1>time just mentally writing. He didn't write nothing down, but

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<v Speaker 1>he would just walk around listen to the song and

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<v Speaker 1>then I'm like, again, like, y'all I could contribute. That's

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<v Speaker 1>a big factor for me. That's one thing that me

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<v Speaker 1>and he always talk about. It's like, whether it's a

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<v Speaker 1>Dom Kennedy song or not, I always got something I

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<v Speaker 1>could contribute, even if it's just insight, even if it's

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<v Speaker 1>four bars a bars whatever, I always have something to contribute.

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<v Speaker 1>And just being in that environment and people knowing who

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<v Speaker 1>I am I think as well obviously, you know, allows

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<v Speaker 1>me to them to be like, yeah, go ahead, you

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<v Speaker 1>know what I mean. And then like in the case

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<v Speaker 1>of that Benie song, just dropping that hook and then

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<v Speaker 1>being like, dang shit hard, you know what I mean,

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<v Speaker 1>And the next thing I know, it's out and people

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<v Speaker 1>like I heard you on being a Butcher album. Yeah,

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<v Speaker 1>that's what's up, you know what I mean. You talked

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<v Speaker 1>about being like underappreciated, underrated. Yeah, I feel like your

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<v Speaker 1>whole career that's kind of been the story right now.

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<v Speaker 1>You said that, I didn't feel that you just you

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<v Speaker 1>say that. I don't know you said that. You said,

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<v Speaker 1>but what is the like for you? Yeah, I feel

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<v Speaker 1>like you've kind of been the people's champ at LA

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<v Speaker 1>for your whole career, you know what I'm saying, And

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<v Speaker 1>you have like an extremely hardcore fan base that just

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<v Speaker 1>fucks with you, and they fuck with you over all

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<v Speaker 1>this time. Like we think it's been eleven years since

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<v Speaker 1>the first from the West Side would Love. Yeah, put

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<v Speaker 1>my first project out in twenty two thousand and eight. Man,

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<v Speaker 1>so I've been in it for a minute, Yeah for sure,

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<v Speaker 1>thirteen plus at least. You know, what do you think

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<v Speaker 1>is like, you know the reason why maybe you might

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<v Speaker 1>still be a little underrated or why you still kind

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<v Speaker 1>of fly under the commercial radar a bit. Well, I

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<v Speaker 1>never embraced fully commercial success. You know, never tastes like

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<v Speaker 1>fully commercial approval. I don't want to say records, because

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<v Speaker 1>to me, a song is just a song, right, you

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<v Speaker 1>know what I'm saying. It's certain things that you have

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<v Speaker 1>to do obviously if you want, you know, maximum spins

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<v Speaker 1>and exposure and to fit into you know what they

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<v Speaker 1>call now playlist, but just fully never embracing you know,

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<v Speaker 1>one of my homies that really know me, he taught

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<v Speaker 1>me a couple of years ago, like, man, he felt

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<v Speaker 1>like I kind of did everything, but like embrace the

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<v Speaker 1>rap game. I was gonna say, you feel like you're

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<v Speaker 1>in the rap game, but you're kind of like an outsider,

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<v Speaker 1>right exactly, and you're like peace with that. I'm sure, yeah,

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<v Speaker 1>for sure. But yeah, and that just him saying that

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<v Speaker 1>kind of made it more more like put it on

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<v Speaker 1>my conscious more to like, I don't want to be

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<v Speaker 1>a anti you know, the rap game. So it's not

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<v Speaker 1>like I'll go out my way to embrace it or

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<v Speaker 1>do things even like the features that we just was

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<v Speaker 1>talking about and things like that. But that's probably things

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<v Speaker 1>four or five years ago I probably wouldn't even I

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<v Speaker 1>was gonna say, old Dom like I felt like, like

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<v Speaker 1>seeing you on all these albums, I just wouldn't have

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<v Speaker 1>been available, right, you know, for stuff like that. But

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<v Speaker 1>just understanding my position in it and how important it

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<v Speaker 1>is to myself and others like and once my real

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<v Speaker 1>you know, I want somebody that really love you and

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<v Speaker 1>know you, you know, pre the rap game and all

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<v Speaker 1>that really tells you something like that you gotta listen,

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<v Speaker 1>you know, And so I did. I did take it

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<v Speaker 1>to heart, and I began, like, you know, just examining everything,

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<v Speaker 1>just helping more people and myself even you know, where

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<v Speaker 1>I could Yeah, No, I think like you obviously as

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<v Speaker 1>far as like you had other opportunities to write, because

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<v Speaker 1>I know there was a point in time where everyone

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<v Speaker 1>was trying to sign you ye at the peak of MMG.

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<v Speaker 1>I know you guys had conversations like what was like

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<v Speaker 1>were you always just like yo, I'm gonna do it

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<v Speaker 1>with the OPM way like I'm you know, like why

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<v Speaker 1>did you never really take that bigger step as far

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<v Speaker 1>as like never owner, shit was never on the table.

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<v Speaker 1>And I always more than anything more than being a celebrity,

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<v Speaker 1>more than being super rich off for you know, whatever

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<v Speaker 1>they could offer me in any way, I always wanted

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<v Speaker 1>to be a CEO, you know what I'm saying, Like,

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<v Speaker 1>I always wanted to be a CEO. I always thought

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<v Speaker 1>of myself as a CEO. And I always felt like

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<v Speaker 1>I was smarter than just what the microphone and the

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<v Speaker 1>instrumental had to offer, you know, and and and my

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<v Speaker 1>only thing was it wasn't a fear I had. But

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<v Speaker 1>I never wanted to just be the menuce Like as

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<v Speaker 1>good as I could be as a rapper, as an artist,

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<v Speaker 1>I never just wanted to just be that. You know,

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<v Speaker 1>that would have felt like a failure to me automatically,

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<v Speaker 1>Like if you try. If I had a room full

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<v Speaker 1>of plaques and like a power full of money like

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<v Speaker 1>looney like uh dug tails and I was just a rapper,

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<v Speaker 1>I would still feel bad because you're not fulfilled because

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<v Speaker 1>I was. Yeah, it would exactly. I would just be disposable,

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<v Speaker 1>you know, artists based off of whatever song I was.

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<v Speaker 1>People dem was tight high at the time, and that

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<v Speaker 1>would be it, you know, and I would be just

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<v Speaker 1>chasing that. How how serious were those talks because I

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<v Speaker 1>remember Roster talked to you and Nip at that time

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<v Speaker 1>and Wizard time. Yeah, how seriously those talks? Well, well mmg,

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<v Speaker 1>that was more like obviously I was a lot younger

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<v Speaker 1>than I was still in man, was a big fan

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<v Speaker 1>of Rick Ross, you know what I mean, And so

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<v Speaker 1>that was more predicated on, you know, somebody that was

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<v Speaker 1>heavy in the game and still is, and somebody like

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<v Speaker 1>myself who was up and coming, who hoped to be

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<v Speaker 1>you know, get good at this shit, get great at

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<v Speaker 1>this and just trying to learn, you know, like from them.

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<v Speaker 1>I had other situations with major labels that was a

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<v Speaker 1>lot closer to being a real you know situation. But again,

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<v Speaker 1>when it came down to ownership and to OPM being

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<v Speaker 1>represented the right way in the deal and never really

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<v Speaker 1>sat right with me. They never really saw the full

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<v Speaker 1>full potential of like what it was that I wanted

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<v Speaker 1>to do and what we was capable of doing. So again,

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<v Speaker 1>it was easy for me to say no because if

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<v Speaker 1>all I was gonna be diminished to it was like

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<v Speaker 1>an artist on trial. I had passed that all the

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<v Speaker 1>artists that they was trying to do that with, I

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<v Speaker 1>had did more shows than them already, you know what

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<v Speaker 1>I'm saying, Like I had soho more T shirts than

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<v Speaker 1>them already, you know, like we was doing venues. Like

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<v Speaker 1>I wasn't interested in none of that. You know, I

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<v Speaker 1>was not genuinely in my heart, I was never really

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<v Speaker 1>interested in any of that. What would be some advice

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<v Speaker 1>you would give to like a bubbling artist because obviously

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<v Speaker 1>you came up in a different era when I mean,

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<v Speaker 1>I really feel like it was kind of like peak

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<v Speaker 1>blog era too. Dope, it's not right, you know what

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<v Speaker 1>I'm saying. I was starting out and were first getting notice. Yep,

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<v Speaker 1>it's coming out of that. It was pretty music. Yeah,

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<v Speaker 1>it was a different time, and I also thought it

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<v Speaker 1>was dope because there were so many curators that really

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<v Speaker 1>had power because like maybe shake and mech fuck with

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<v Speaker 1>you over here. So if they post you like rap

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<v Speaker 1>rate on my you know what I mean. It was

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<v Speaker 1>Now it's like very few people in charge of these

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<v Speaker 1>playlists that can make or break people's careers. But at

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<v Speaker 1>the same time, like there's other ways to build an

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<v Speaker 1>organic following and to monetize being an artist if you

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<v Speaker 1>could figure out how to get those fans to you know,

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<v Speaker 1>spend money with you. But in twenty twenty one, what

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<v Speaker 1>be some advice you would give to some upcoming artists

0:11:01.960 --> 0:11:04.880
<v Speaker 1>that are kind of bubbling, like just to kind of

0:11:04.960 --> 0:11:07.120
<v Speaker 1>you know, whether or not it's to stay independent or

0:11:07.320 --> 0:11:09.719
<v Speaker 1>to sign or just some things. Man, Now it's a

0:11:09.800 --> 0:11:12.040
<v Speaker 1>different game. You know, it would depend on what you

0:11:12.280 --> 0:11:14.960
<v Speaker 1>what you are intent was coming in. You know, mine

0:11:15.040 --> 0:11:17.360
<v Speaker 1>tent was to build a label. I was inspired by

0:11:17.559 --> 0:11:22.400
<v Speaker 1>Jay Prince, Master, p sug Knight, Sean Combs, Russell Simmons,

0:11:22.480 --> 0:11:25.520
<v Speaker 1>people like that. That was the type of legacy regardless

0:11:25.640 --> 0:11:27.719
<v Speaker 1>of if anybody wanted to box me in as just

0:11:27.920 --> 0:11:29.760
<v Speaker 1>you know, in a blog air rapper. That's how I

0:11:29.840 --> 0:11:32.679
<v Speaker 1>honestly saw myself in my label, you know, and I'm

0:11:32.720 --> 0:11:35.480
<v Speaker 1>still working towards that right now. So if you're an

0:11:35.559 --> 0:11:37.800
<v Speaker 1>artist coming in right now, you might need a label

0:11:38.040 --> 0:11:40.520
<v Speaker 1>to push your record because, like you said, it's so

0:11:40.679 --> 0:11:43.400
<v Speaker 1>many gatekeepers now in the game, and so in the twist,

0:11:44.040 --> 0:11:46.319
<v Speaker 1>I can't like, I don't see too many people that

0:11:46.360 --> 0:11:49.240
<v Speaker 1>could do what I do. That's just being honest. That's

0:11:49.320 --> 0:11:51.160
<v Speaker 1>just being honest, you know what I mean. Like, I'm

0:11:51.200 --> 0:11:53.840
<v Speaker 1>not gonna sugarcoat it like I never did back then,

0:11:53.960 --> 0:11:56.520
<v Speaker 1>and I don't especially right now, because to do what

0:11:56.600 --> 0:11:58.319
<v Speaker 1>I do, you have to be really great, you have

0:11:58.400 --> 0:12:00.400
<v Speaker 1>to have a lot of you know. That's why I

0:12:00.440 --> 0:12:03.199
<v Speaker 1>only really fucked with Nip coming up right, because he

0:12:03.320 --> 0:12:05.520
<v Speaker 1>the only one that had the courage and you know

0:12:05.520 --> 0:12:07.880
<v Speaker 1>what I'm saying, the talent and to back it up,

0:12:08.240 --> 0:12:09.760
<v Speaker 1>you know, and to go out there, like how we

0:12:09.840 --> 0:12:12.120
<v Speaker 1>was talking before this, when you gotta go out in

0:12:12.200 --> 0:12:15.040
<v Speaker 1>your hometown and do your thing and around the country

0:12:15.080 --> 0:12:17.599
<v Speaker 1>as well, around the world as well, and represent you

0:12:17.679 --> 0:12:19.319
<v Speaker 1>know what I'm saying that let people see that. And

0:12:19.400 --> 0:12:21.480
<v Speaker 1>it's like, if you can't do that, if you're not

0:12:21.559 --> 0:12:24.120
<v Speaker 1>willing to do that without no machine behind you, you

0:12:24.200 --> 0:12:27.760
<v Speaker 1>can't play in my game. You can't playing. It's impossible.

0:12:28.160 --> 0:12:30.280
<v Speaker 1>It's impossible, you know what I mean. I did it

0:12:30.440 --> 0:12:33.960
<v Speaker 1>a couple of times, you know, multiple times, and it's

0:12:34.080 --> 0:12:37.120
<v Speaker 1>like I would not lie to somebody and tell them,

0:12:37.280 --> 0:12:43.000
<v Speaker 1>like follow my footsteps, because not everybody's path, not at all.

0:12:43.200 --> 0:12:46.000
<v Speaker 1>You know, a lot of them they need the system. Yeah,

0:12:46.000 --> 0:12:47.600
<v Speaker 1>because if you don't got the system behind you, then

0:12:47.600 --> 0:12:49.400
<v Speaker 1>you got to really depend on yourself. You gotta be

0:12:49.520 --> 0:12:51.480
<v Speaker 1>willing to take risks of the exact people. You gotta

0:12:51.520 --> 0:12:54.160
<v Speaker 1>have money, you gotta have insight, you gotta be able

0:12:54.240 --> 0:12:57.600
<v Speaker 1>to you know, whether through a whole couple of seasons,

0:12:57.720 --> 0:13:00.559
<v Speaker 1>maybe just grinding it out with great produce, you know,

0:13:00.720 --> 0:13:03.200
<v Speaker 1>me and Me and Nip in the studio with mic

0:13:03.240 --> 0:13:06.599
<v Speaker 1>and kids for eight months. Them days is over, you

0:13:06.720 --> 0:13:09.280
<v Speaker 1>know what I'm saying, Like we had great producers, we

0:13:09.360 --> 0:13:11.880
<v Speaker 1>had great ideas, but that led us to the victories

0:13:11.960 --> 0:13:15.040
<v Speaker 1>into the better days later. But it's like a lot

0:13:15.120 --> 0:13:17.800
<v Speaker 1>of people they can't they can't weather that. They want

0:13:17.880 --> 0:13:19.960
<v Speaker 1>instant results, you know what I mean. It took us

0:13:20.160 --> 0:13:23.640
<v Speaker 1>years of believing in ourselves and working on what we

0:13:23.840 --> 0:13:26.040
<v Speaker 1>thought was good to be able to present it to

0:13:26.120 --> 0:13:28.079
<v Speaker 1>the world. You know, I don't see that type of

0:13:28.160 --> 0:13:31.080
<v Speaker 1>patience right people. Yeah, the patients is kind of out

0:13:31.120 --> 0:13:34.280
<v Speaker 1>the window these days. Yeah, people want results. Yeah, they

0:13:34.360 --> 0:13:37.360
<v Speaker 1>want to put out a song and you know, just gratification. Yeah,

0:13:37.440 --> 0:13:39.520
<v Speaker 1>go viral and do their thing, and that's all good.

0:13:39.600 --> 0:13:43.600
<v Speaker 1>But that that type of response takes like a system

0:13:44.040 --> 0:13:45.839
<v Speaker 1>without it, ye know, that kind of response takes a

0:13:45.920 --> 0:13:49.320
<v Speaker 1>bag exactly. Take. Yeah, it takes like a machine. It does.

0:13:49.600 --> 0:13:51.920
<v Speaker 1>And I wouldn't lie to a kid and tell them like, oh,

0:13:52.000 --> 0:13:53.960
<v Speaker 1>you could do this or you could achieve these type

0:13:53.960 --> 0:13:56.480
<v Speaker 1>of numbers. Are these type of results without that, because

0:13:56.520 --> 0:13:59.199
<v Speaker 1>otherwise you're hitting the lottery if you Because it happens,

0:13:59.400 --> 0:14:03.439
<v Speaker 1>but it happens very seldomly, right, like somebody independently gets

0:14:03.480 --> 0:14:05.280
<v Speaker 1>a TikTok record to go. You know what I'm saying.

0:14:05.640 --> 0:14:07.560
<v Speaker 1>It's like hitting a lot of low key right. Yeah.

0:14:08.320 --> 0:14:10.959
<v Speaker 1>You mentioned like how you obviously you and Nip's relationship

0:14:11.160 --> 0:14:13.720
<v Speaker 1>was you know, a great one one that was very

0:14:13.720 --> 0:14:17.720
<v Speaker 1>important to hip hop. You guys put out incredible records together.

0:14:17.800 --> 0:14:20.440
<v Speaker 1>You guys were peers for I feel like you guys

0:14:20.560 --> 0:14:23.840
<v Speaker 1>kind of career wise were parallel to each other the

0:14:23.880 --> 0:14:27.880
<v Speaker 1>whole time. What was it about Nip from the Jump

0:14:27.960 --> 0:14:30.720
<v Speaker 1>that you guys just kind of saw each other as

0:14:31.080 --> 0:14:32.680
<v Speaker 1>you know, like he's one of me. You know what

0:14:32.720 --> 0:14:35.040
<v Speaker 1>I'm saying, Like you built the same way tape. Just

0:14:35.120 --> 0:14:38.040
<v Speaker 1>the neighborhood, you know what I'm saying, where Nip comes from.

0:14:38.120 --> 0:14:40.480
<v Speaker 1>I know that area well, you know La Meurt Park

0:14:40.600 --> 0:14:43.240
<v Speaker 1>is down the street. You know, this is all actual effectuals,

0:14:43.320 --> 0:14:45.480
<v Speaker 1>not just rap, you know. And we got a lot

0:14:45.520 --> 0:14:47.520
<v Speaker 1>of the same homies and know a lot of the

0:14:47.600 --> 0:14:50.120
<v Speaker 1>same people coming up. I didn't know nib growing up,

0:14:50.240 --> 0:14:54.280
<v Speaker 1>but immediately when I saw him, you know, doing what

0:14:54.480 --> 0:14:57.000
<v Speaker 1>he was going to do in the music business, I

0:14:57.200 --> 0:14:59.920
<v Speaker 1>understood it because I had that type of heart at

0:15:00.000 --> 0:15:02.360
<v Speaker 1>as well. You know, I had that type of heart

0:15:02.400 --> 0:15:06.000
<v Speaker 1>as well, and I knew that immediately upon discovering him,

0:15:06.080 --> 0:15:08.600
<v Speaker 1>that this was somebody that I was going to work

0:15:08.640 --> 0:15:14.480
<v Speaker 1>with and you know, our our our careers would be

0:15:14.880 --> 0:15:17.680
<v Speaker 1>intertwined in a way, you know, and I chose, and

0:15:17.800 --> 0:15:20.880
<v Speaker 1>I chose to make it a good story, you know,

0:15:21.400 --> 0:15:24.560
<v Speaker 1>immediately even before I met him, you know, and so

0:15:25.200 --> 0:15:28.440
<v Speaker 1>you know, just meeting him, I thought, like, you know,

0:15:28.560 --> 0:15:31.280
<v Speaker 1>he was brilliant. He was serious about what he was

0:15:31.360 --> 0:15:33.640
<v Speaker 1>going to do. I could tell that at a young age.

0:15:33.680 --> 0:15:36.480
<v Speaker 1>And the most important thing I loved was the structure

0:15:36.520 --> 0:15:40.200
<v Speaker 1>of the business. I love you know, Black Sam, you

0:15:40.280 --> 0:15:44.240
<v Speaker 1>know Panietzche, you know household names, Jay Rock, you know

0:15:44.400 --> 0:15:47.400
<v Speaker 1>Fats rest in peace. You know. These was like copy supreme.

0:15:47.840 --> 0:15:51.040
<v Speaker 1>These was like people that he really loved and worked

0:15:51.080 --> 0:15:53.560
<v Speaker 1>with and they all respected each other. And I thought

0:15:53.640 --> 0:15:57.520
<v Speaker 1>that I wanted my friends and my family to see that,

0:15:57.720 --> 0:16:00.600
<v Speaker 1>because that's why I wanted, you know, I wanted us

0:16:00.680 --> 0:16:03.080
<v Speaker 1>to be And eventually we had separate CRUs He had

0:16:03.120 --> 0:16:06.560
<v Speaker 1>all money in I have OHPM. But you know, when

0:16:06.600 --> 0:16:09.680
<v Speaker 1>we got together, it was always like a family thing.

0:16:09.880 --> 0:16:13.040
<v Speaker 1>You know. We had shows together where you know, his

0:16:13.240 --> 0:16:15.960
<v Speaker 1>family will be selling merch, My family will be selling merch,

0:16:16.320 --> 0:16:19.120
<v Speaker 1>simple as that, you know, trading secrets side by side

0:16:19.200 --> 0:16:21.960
<v Speaker 1>on you know, new technologies and things like that, things

0:16:22.000 --> 0:16:25.720
<v Speaker 1>that people never really saw right, you know, And that

0:16:25.960 --> 0:16:28.560
<v Speaker 1>was like those were the most important things to me,

0:16:28.840 --> 0:16:30.440
<v Speaker 1>you know what, I mean, to be there for him

0:16:30.520 --> 0:16:33.520
<v Speaker 1>when he was trying to make something of his career

0:16:33.600 --> 0:16:36.120
<v Speaker 1>when people maybe didn't believe in it. But I knew

0:16:36.120 --> 0:16:39.360
<v Speaker 1>how talented and how special that he was for sure.

0:16:39.440 --> 0:16:42.160
<v Speaker 1>It's just it's an art to this all, you know,

0:16:42.280 --> 0:16:44.760
<v Speaker 1>and trying to get people to fill that through music

0:16:44.920 --> 0:16:47.640
<v Speaker 1>is not easy, you know, No, it's definitely. I feel

0:16:47.680 --> 0:16:50.040
<v Speaker 1>like you guys are always going to be synonymous with

0:16:50.080 --> 0:16:53.840
<v Speaker 1>each other in terms of just the classic record y'all got,

0:16:54.080 --> 0:16:56.760
<v Speaker 1>yeah for sure. And I just feel like, you know,

0:16:57.280 --> 0:17:02.240
<v Speaker 1>out of la from like twenty ten on, like you

0:17:02.360 --> 0:17:04.639
<v Speaker 1>guys were built for the longevity. Like if you think

0:17:04.680 --> 0:17:06.080
<v Speaker 1>about all the artists that came up during that era,

0:17:06.160 --> 0:17:09.240
<v Speaker 1>obviously it's Kendrick j. Rock, but you guys kind of

0:17:09.320 --> 0:17:15.280
<v Speaker 1>feel like you guys kind of embody ownership, yeah, boss shit. Accountability, yeah,

0:17:15.480 --> 0:17:17.960
<v Speaker 1>for sure. Accountability. We used to talk about it a lot.

0:17:18.080 --> 0:17:19.919
<v Speaker 1>You know, it was worse that I was thrown around,

0:17:20.040 --> 0:17:22.800
<v Speaker 1>you know. And the great thing about it is now

0:17:22.840 --> 0:17:26.080
<v Speaker 1>we inspired a lot of artists that's out right now

0:17:26.240 --> 0:17:29.680
<v Speaker 1>doing the thing. And that's the most incredible part is

0:17:29.720 --> 0:17:32.880
<v Speaker 1>that all those times that we were sitting around trying

0:17:32.920 --> 0:17:36.000
<v Speaker 1>to make songs and inspire people and you know, find

0:17:36.080 --> 0:17:38.600
<v Speaker 1>our fans and our voices, and it's like, now people

0:17:38.720 --> 0:17:41.520
<v Speaker 1>really appreciate it, you know, And we probably didn't get

0:17:41.600 --> 0:17:43.960
<v Speaker 1>that then, and we wasn't any for the glory or

0:17:44.040 --> 0:17:46.639
<v Speaker 1>the credit immediately, so it didn't really matter. But I

0:17:46.720 --> 0:17:49.520
<v Speaker 1>think the beautiful thing is like all the artists that's

0:17:49.560 --> 0:17:52.280
<v Speaker 1>out right now that's having their career and having the

0:17:52.440 --> 0:17:54.320
<v Speaker 1>way with it was the ones that I was inspired

0:17:54.359 --> 0:17:56.920
<v Speaker 1>and listening to the things that we was putting out.

0:17:57.160 --> 0:18:00.880
<v Speaker 1>You know, when we was doing our thing was like this, Uh,

0:18:02.440 --> 0:18:03.960
<v Speaker 1>I know that there was supposed to be like some

0:18:04.119 --> 0:18:06.000
<v Speaker 1>sort of supergroup with you nip and was a YG

0:18:07.000 --> 0:18:10.359
<v Speaker 1>look but yeah, yeah, yeah, you know about that. Okay,

0:18:10.640 --> 0:18:15.080
<v Speaker 1>so like this like nipsy YG dumb. Yeah. I remember

0:18:15.160 --> 0:18:17.760
<v Speaker 1>like like hearing that this was like a real thing

0:18:17.880 --> 0:18:20.119
<v Speaker 1>that was supposed to happen. Yeah, it was talks about it.

0:18:21.200 --> 0:18:23.520
<v Speaker 1>What what ended up happening with that? And like how

0:18:23.560 --> 0:18:26.959
<v Speaker 1>far along did those talks get. I remember we had

0:18:27.000 --> 0:18:30.119
<v Speaker 1>a couple of phone conversations about it, like everybody had

0:18:30.160 --> 0:18:32.879
<v Speaker 1>to get on the phone, you know, a couple of people.

0:18:33.000 --> 0:18:35.680
<v Speaker 1>I think they just was surprised at that time and

0:18:35.840 --> 0:18:40.159
<v Speaker 1>wanted to hear everybody's voice together to agree with it,

0:18:40.440 --> 0:18:42.800
<v Speaker 1>because it was like speculation. I don't even know who

0:18:43.040 --> 0:18:45.600
<v Speaker 1>first presented or came up with it, but yeah, it was.

0:18:45.880 --> 0:18:47.520
<v Speaker 1>It was a little time where that was like on

0:18:47.640 --> 0:18:50.000
<v Speaker 1>the table and I remember we had maybe one or

0:18:50.040 --> 0:18:52.200
<v Speaker 1>two phone calls about it where we were all on

0:18:52.280 --> 0:18:55.200
<v Speaker 1>the conference call just in agreement with it and just

0:18:55.320 --> 0:18:58.119
<v Speaker 1>you know, they just working out. Nah. I mean, I

0:18:58.200 --> 0:19:01.399
<v Speaker 1>think that all those career was just going in different

0:19:01.840 --> 0:19:04.440
<v Speaker 1>trajectories at that time. And that was one of the

0:19:04.520 --> 0:19:06.760
<v Speaker 1>things because we never even really got in and made

0:19:06.800 --> 0:19:08.879
<v Speaker 1>no songs or like made no plans. It was just

0:19:09.040 --> 0:19:11.480
<v Speaker 1>all like talks, That's what I was gonna say. It

0:19:11.520 --> 0:19:13.280
<v Speaker 1>was like, so there was no music that was not

0:19:14.760 --> 0:19:17.879
<v Speaker 1>damn no, it was no like official sessions for that

0:19:18.160 --> 0:19:21.920
<v Speaker 1>at all. In any way. Do you do you still

0:19:21.960 --> 0:19:24.840
<v Speaker 1>have unreleased records with Nip that may or may not

0:19:24.880 --> 0:19:28.080
<v Speaker 1>see the light of day one day? Me personally, I

0:19:28.280 --> 0:19:31.159
<v Speaker 1>don't not that I could think of. No. Every single

0:19:31.280 --> 0:19:34.679
<v Speaker 1>thing that I'm saying, I'm sure that there are songs

0:19:34.880 --> 0:19:37.480
<v Speaker 1>that you know, either myself, Mike and Keys, they got

0:19:37.600 --> 0:19:39.479
<v Speaker 1>all the music, you know, they got some shit, they

0:19:39.520 --> 0:19:41.720
<v Speaker 1>got all the ship. Yeah, So I'm not saying that

0:19:41.840 --> 0:19:44.919
<v Speaker 1>people won't. But it's nothing that I have that I'm like, oh,

0:19:45.000 --> 0:19:47.320
<v Speaker 1>I'm saving this for this, you know, or like I

0:19:47.440 --> 0:19:49.440
<v Speaker 1>have it for this, or Nip did a verse or

0:19:49.520 --> 0:19:52.480
<v Speaker 1>drop like, Nah, I don't have anything like that. Double

0:19:52.600 --> 0:19:54.840
<v Speaker 1>Up is obviously one of the highlights of Victory Lap.

0:19:55.200 --> 0:19:59.000
<v Speaker 1>What can you tell us about your your rolling that

0:19:59.119 --> 0:20:01.960
<v Speaker 1>record and how that came out? Man, that was a

0:20:02.040 --> 0:20:06.160
<v Speaker 1>beautiful evening man Nip had. You know, he was working

0:20:06.240 --> 0:20:08.960
<v Speaker 1>on this album. We went from like you know, on

0:20:09.080 --> 0:20:10.760
<v Speaker 1>the come up and in the times where we was

0:20:10.840 --> 0:20:13.440
<v Speaker 1>really working together. We worked together heavy, like damn near

0:20:13.560 --> 0:20:16.440
<v Speaker 1>every day for like a couple of years, all the time,

0:20:16.600 --> 0:20:19.720
<v Speaker 1>you know. And then when they got the deal with

0:20:19.800 --> 0:20:22.640
<v Speaker 1>Atlantic and I was doing other stuff. I had traveled

0:20:22.680 --> 0:20:25.440
<v Speaker 1>and did a couple of tours, and I hadn't really

0:20:25.520 --> 0:20:28.640
<v Speaker 1>seen Nip as much for like a little window besides

0:20:28.680 --> 0:20:31.359
<v Speaker 1>like shows. He came to one of my festivals in Anaheim,

0:20:32.880 --> 0:20:34.560
<v Speaker 1>might have been dand Night, I don't know, at the

0:20:34.600 --> 0:20:37.680
<v Speaker 1>Angel Stadium. I think that that was a big one. Yeah,

0:20:37.840 --> 0:20:41.760
<v Speaker 1>he came out and showed up for me. And then

0:20:42.000 --> 0:20:43.640
<v Speaker 1>a little bit after that, you know, he was working

0:20:43.680 --> 0:20:45.639
<v Speaker 1>on an album the whole time though. That's one thing

0:20:45.720 --> 0:20:49.800
<v Speaker 1>I could say, like it was always focused, like about

0:20:49.880 --> 0:20:52.960
<v Speaker 1>that album and being adamant about it coming out one day.

0:20:53.040 --> 0:20:55.520
<v Speaker 1>How it was because I remember having conbos with him

0:20:56.240 --> 0:20:59.120
<v Speaker 1>years ago and him playing me songs that was still

0:20:59.200 --> 0:21:02.680
<v Speaker 1>on our idea. That was, you know, way before that

0:21:02.920 --> 0:21:06.280
<v Speaker 1>album came out, so you know, in the midst of

0:21:06.320 --> 0:21:08.720
<v Speaker 1>all of that, you know, I would see Bro and

0:21:09.240 --> 0:21:11.639
<v Speaker 1>he was like, man, come, I got I want to

0:21:11.680 --> 0:21:14.439
<v Speaker 1>play the album. He was he was camped out at

0:21:14.560 --> 0:21:19.320
<v Speaker 1>uh what's the spot off Vine, you know Paramount. He

0:21:19.400 --> 0:21:21.280
<v Speaker 1>used to have his whip right there and pair on

0:21:21.400 --> 0:21:24.400
<v Speaker 1>the curb. Everybody know that. Knowing, I went up there

0:21:24.480 --> 0:21:26.200
<v Speaker 1>one day and he was like, yeah, you know, the

0:21:26.320 --> 0:21:29.119
<v Speaker 1>music done. I'm just vibing, just listening, showing my support.

0:21:29.200 --> 0:21:31.240
<v Speaker 1>He was getting tatted. It was funny because I remember

0:21:31.320 --> 0:21:34.639
<v Speaker 1>he was getting blasted the big All Money in on

0:21:34.800 --> 0:21:36.520
<v Speaker 1>that was a part of the rollout. He took his

0:21:36.600 --> 0:21:38.480
<v Speaker 1>shirt off a lot on the campaign. So I was

0:21:38.520 --> 0:21:40.359
<v Speaker 1>there to night he was getting blasted and he was

0:21:40.400 --> 0:21:44.520
<v Speaker 1>playing me songs and he was like, man, really, I

0:21:44.680 --> 0:21:47.440
<v Speaker 1>just got one verse song that I really really love

0:21:48.320 --> 0:21:51.720
<v Speaker 1>that I haven't did two verses, but that could make

0:21:51.760 --> 0:21:54.480
<v Speaker 1>the album. Man. He played it and I just went

0:21:54.600 --> 0:21:56.680
<v Speaker 1>right in the booth and I remember he was getting tatted.

0:21:56.720 --> 0:21:58.520
<v Speaker 1>He was smiling, just looking at me, you know what

0:21:58.520 --> 0:22:00.680
<v Speaker 1>I mean, recording it. I never get that. And I

0:22:00.720 --> 0:22:02.440
<v Speaker 1>could just see him through the window and he was

0:22:02.520 --> 0:22:04.159
<v Speaker 1>like listening to what I was saying and he was

0:22:04.200 --> 0:22:07.679
<v Speaker 1>getting tatted and it was just a cool night. Man.

0:22:07.760 --> 0:22:09.840
<v Speaker 1>And the next time I really heard the song, I

0:22:10.000 --> 0:22:12.760
<v Speaker 1>really found out, you know, how it went down was

0:22:12.880 --> 0:22:17.440
<v Speaker 1>really when they released, being at the release party, yeah, exactly,

0:22:17.520 --> 0:22:20.160
<v Speaker 1>and then hearing you know, exactly what Belly had added

0:22:20.240 --> 0:22:22.680
<v Speaker 1>to it and just the final project, man, and I

0:22:22.840 --> 0:22:25.280
<v Speaker 1>just thought it was like the highest quality, you know,

0:22:25.520 --> 0:22:27.680
<v Speaker 1>not that that's nothing, that's what I expect from it,

0:22:27.880 --> 0:22:31.520
<v Speaker 1>but I was really floored by how well, you know,

0:22:31.640 --> 0:22:34.040
<v Speaker 1>he was able to weather the storm and really get

0:22:34.080 --> 0:22:36.520
<v Speaker 1>his vision all the way out on the highest level. Man.

0:22:36.800 --> 0:22:39.800
<v Speaker 1>I'll forever be proud of him for that. Yes, it

0:22:39.920 --> 0:22:42.080
<v Speaker 1>might be my favorite song, Victory Lap, It's one of them.

0:22:42.119 --> 0:22:45.080
<v Speaker 1>But it's crazy because like I just think, like, what

0:22:45.280 --> 0:22:47.600
<v Speaker 1>if Nip was still here and he was over there

0:22:47.640 --> 0:22:50.480
<v Speaker 1>at Chialdie with what's going on a hip boy spot

0:22:50.600 --> 0:22:53.159
<v Speaker 1>like him in the middle. That's what I'm saying, Like

0:22:53.280 --> 0:22:56.680
<v Speaker 1>they just forgetting, they were just getting there. They're they're like,

0:22:56.800 --> 0:23:01.879
<v Speaker 1>you know what I'm saying, Like, just imagine, I know

0:23:02.080 --> 0:23:03.760
<v Speaker 1>I think about it every day. Man. I was the

0:23:03.880 --> 0:23:06.160
<v Speaker 1>last place I saw him and spoke to him at

0:23:07.040 --> 0:23:11.320
<v Speaker 1>and Hey Boy Studio finishing racks in the Middle. Yep,

0:23:11.640 --> 0:23:15.920
<v Speaker 1>you know it's crazy man, Yeah, rip the great Hey

0:23:15.960 --> 0:23:17.880
<v Speaker 1>what up man, We gotta interrupt the interview real quick

0:23:17.920 --> 0:23:20.399
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0:24:23.040 --> 0:24:24.960
<v Speaker 1>shout out to odd Socks. Let's get back to the interview.

0:24:25.040 --> 0:24:28.640
<v Speaker 1>You got to help me understand, man, When or how

0:24:29.840 --> 0:24:33.600
<v Speaker 1>can we get the original on the DSPs and the

0:24:33.680 --> 0:24:37.919
<v Speaker 1>yellow album on THEES? Okay, those those are real expensive.

0:24:38.000 --> 0:24:40.200
<v Speaker 1>I say that a lot my fans know because of

0:24:40.320 --> 0:24:43.960
<v Speaker 1>all the features and example, clear no disrespect to that

0:24:44.160 --> 0:24:46.680
<v Speaker 1>Pith and right, and they're at off man. They have

0:24:46.800 --> 0:24:48.800
<v Speaker 1>nothing to do with it. But I'm just saying that

0:24:48.960 --> 0:24:52.240
<v Speaker 1>if I don't want to listen to or, I gotta

0:24:52.240 --> 0:24:54.639
<v Speaker 1>pull up the YouTube. Recently, I just almost been like,

0:24:54.960 --> 0:24:57.240
<v Speaker 1>you know, fuck it and let's just take our shot

0:24:57.320 --> 0:25:01.879
<v Speaker 1>and just run it. I know we'll gets sued, might

0:25:02.880 --> 0:25:05.280
<v Speaker 1>so listen. Static Selected always told me this because he

0:25:05.400 --> 0:25:07.720
<v Speaker 1>samples every all his ship. I don't even want to

0:25:07.960 --> 0:25:12.119
<v Speaker 1>air his ship out Like he's like, hey, bro, if

0:25:12.160 --> 0:25:14.520
<v Speaker 1>I get sued, that me as a record doing something. Yep.

0:25:14.800 --> 0:25:18.240
<v Speaker 1>Facts facts, man, But with the again, with the guest

0:25:18.320 --> 0:25:20.800
<v Speaker 1>features on there, with the pepperwork that they tied to,

0:25:21.000 --> 0:25:26.119
<v Speaker 1>you could imagine that they're not let's just throw it

0:25:26.600 --> 0:25:29.040
<v Speaker 1>without it, without it having any of the features on it.

0:25:29.440 --> 0:25:31.879
<v Speaker 1>Like the track list is just it doesn't say their

0:25:32.000 --> 0:25:34.760
<v Speaker 1>name on it. I would have to. I would have

0:25:34.880 --> 0:25:36.679
<v Speaker 1>to if I went that way. But I have been

0:25:36.760 --> 0:25:40.280
<v Speaker 1>in discussions. We're working on some maybe a little anniversary

0:25:40.440 --> 0:25:42.880
<v Speaker 1>or just some fly like a relaunch for that one.

0:25:42.960 --> 0:25:44.879
<v Speaker 1>That would be special. Man. I definitely want to do

0:25:45.000 --> 0:25:47.680
<v Speaker 1>that before sooner than later. I will say that. I

0:25:47.800 --> 0:25:50.800
<v Speaker 1>think about it a lot. I've been in discussions with,

0:25:52.119 --> 0:25:53.920
<v Speaker 1>you know, people that don't even have nothing to do

0:25:54.000 --> 0:25:56.320
<v Speaker 1>with me, honestly, but just that just want to help,

0:25:56.440 --> 0:25:59.479
<v Speaker 1>that's in tune with business and music, and they're like, yo,

0:26:00.320 --> 0:26:03.320
<v Speaker 1>you know, look into this, this and this. But it's

0:26:03.400 --> 0:26:06.000
<v Speaker 1>a process. You know. It's like Wiz finally got Cushion

0:26:06.000 --> 0:26:10.800
<v Speaker 1>Orange on the exactly exactly, you know, exactly, Big Crip

0:26:10.880 --> 0:26:13.440
<v Speaker 1>got all his old ship on the DP. It takes time.

0:26:13.640 --> 0:26:16.800
<v Speaker 1>Joey Badass and the like that. You guys came up

0:26:16.920 --> 0:26:19.240
<v Speaker 1>like they were mixtapes, but they weren't. They were albums.

0:26:19.320 --> 0:26:21.600
<v Speaker 1>That was great music. It was just music. It was

0:26:21.720 --> 0:26:24.640
<v Speaker 1>great music for me. I always made wanted to make

0:26:24.720 --> 0:26:28.919
<v Speaker 1>my music as albums. I always tried to keep that integrity.

0:26:29.240 --> 0:26:31.879
<v Speaker 1>But it was free music back then, you know. So

0:26:32.200 --> 0:26:35.160
<v Speaker 1>I don't feel cheated. I don't feel you know better

0:26:35.240 --> 0:26:38.240
<v Speaker 1>about none of that, because that's how I made that music.

0:26:38.400 --> 0:26:40.120
<v Speaker 1>You know, I knew what I was doing going into

0:26:40.200 --> 0:26:43.000
<v Speaker 1>I came off the era where they thought the music

0:26:43.080 --> 0:26:45.760
<v Speaker 1>business was done that real. You feel what I'm saying.

0:26:45.840 --> 0:26:48.040
<v Speaker 1>Like people forget that when they ask questions and they

0:26:48.119 --> 0:26:50.280
<v Speaker 1>think like, oh no, no, no spotted Like me, I

0:26:50.320 --> 0:26:52.840
<v Speaker 1>don't think about Spotify when I make songs. I'm sorry,

0:26:53.160 --> 0:26:56.040
<v Speaker 1>you know what I'm saying, Like I'm pat I was

0:26:56.320 --> 0:26:58.520
<v Speaker 1>around before that, Like I think about the fans, I

0:26:58.600 --> 0:27:00.280
<v Speaker 1>think about what I want to say. I think about

0:27:00.280 --> 0:27:02.480
<v Speaker 1>great music because back then, you guys had to figure

0:27:02.480 --> 0:27:04.880
<v Speaker 1>out how to monetize everything else with the music. Because

0:27:05.560 --> 0:27:08.800
<v Speaker 1>pre ship died tomorrow, I would not give a fuck,

0:27:08.920 --> 0:27:10.880
<v Speaker 1>you feel me like, I would still do my thing.

0:27:10.960 --> 0:27:12.800
<v Speaker 1>I was still figure it out. I would still make

0:27:12.880 --> 0:27:15.439
<v Speaker 1>away just like I did before. That's all the result

0:27:15.800 --> 0:27:18.359
<v Speaker 1>of trying to be in the music business like that.

0:27:18.560 --> 0:27:21.119
<v Speaker 1>It doesn't really affect like my process, you know. But

0:27:21.600 --> 0:27:23.520
<v Speaker 1>at the end of the day, I want to get

0:27:23.560 --> 0:27:27.160
<v Speaker 1>the Flyers music possible to the fans. So that's where

0:27:27.200 --> 0:27:29.280
<v Speaker 1>we have where I have to deal with it, you know. Yeah,

0:27:29.320 --> 0:27:32.639
<v Speaker 1>it's it's definitely I feel like with a lot of

0:27:32.720 --> 0:27:34.920
<v Speaker 1>like my favorite artists from that error. It's like, fuck,

0:27:35.040 --> 0:27:36.800
<v Speaker 1>like j Cole, I just saw him at the form

0:27:36.840 --> 0:27:38.639
<v Speaker 1>and he performs with shit on Friday Night Lights. I'm like,

0:27:38.680 --> 0:27:41.399
<v Speaker 1>only if we could get Friday Night Lights. It's not

0:27:43.440 --> 0:27:45.280
<v Speaker 1>but yeah, I imagine it's a lot of artists and

0:27:45.320 --> 0:27:47.280
<v Speaker 1>a lot of great you know music like back in

0:27:47.320 --> 0:27:51.560
<v Speaker 1>the day all that ship Like, yeah, you want to

0:27:51.560 --> 0:27:54.000
<v Speaker 1>buy a certain movie on DVDs, but it might not

0:27:54.119 --> 0:27:56.760
<v Speaker 1>be at Best Buy. That's real, you feel what I'm saying, Like,

0:27:57.080 --> 0:27:59.240
<v Speaker 1>that's that's how the game goes. Sometimes I was looking

0:27:59.280 --> 0:28:01.520
<v Speaker 1>for the Mac you know what I mean on DVD

0:28:01.680 --> 0:28:03.600
<v Speaker 1>we be trying to find and I buy it on

0:28:03.680 --> 0:28:09.639
<v Speaker 1>Amazon Prime exactly, Like fine, you know, as far as

0:28:09.680 --> 0:28:12.240
<v Speaker 1>the CEO ship, man, like obviously you know you've been

0:28:12.280 --> 0:28:15.119
<v Speaker 1>building o PM for a minute. Andyeah, you know you

0:28:15.200 --> 0:28:17.080
<v Speaker 1>got some really dope talented artists that you've been working

0:28:17.080 --> 0:28:19.560
<v Speaker 1>with over the year Shooter to Nico four G G

0:28:19.800 --> 0:28:23.120
<v Speaker 1>four G four. I remember he came a freestyle killed

0:28:23.119 --> 0:28:26.560
<v Speaker 1>it with you. But what is like the roster looking

0:28:26.640 --> 0:28:30.359
<v Speaker 1>like now? Man, We're about to expand twenty twenty two

0:28:30.400 --> 0:28:33.160
<v Speaker 1>were expanding right now. We still got Dom Kennedy. Of course,

0:28:33.200 --> 0:28:36.080
<v Speaker 1>we got J throw five, who was one of my

0:28:36.800 --> 0:28:40.160
<v Speaker 1>motherfucker's alive. Yeah, exactly, man, that's my homie. You know

0:28:40.200 --> 0:28:43.360
<v Speaker 1>what I'm saying. It's a small roster, you know what

0:28:43.440 --> 0:28:45.560
<v Speaker 1>I'm saying right now, But I'm expanding. Man, I don't

0:28:45.560 --> 0:28:47.360
<v Speaker 1>want to say like what I got going in the

0:28:47.480 --> 0:28:49.600
<v Speaker 1>works right now, and you know, put it all the

0:28:49.640 --> 0:28:52.240
<v Speaker 1>way out there. But definitely in twenty twenty two, you're

0:28:52.280 --> 0:28:54.920
<v Speaker 1>gonna see some new artists come out on O PM,

0:28:55.040 --> 0:28:56.520
<v Speaker 1>you know what I mean. And the whole vision is

0:28:56.560 --> 0:28:59.200
<v Speaker 1>gonna come to Fruition for sure. So look forward to

0:28:59.320 --> 0:29:02.520
<v Speaker 1>that ship with like Interscope was kind of your partner

0:29:02.560 --> 0:29:05.840
<v Speaker 1>on on some ship. Right. No, they wasn't, or they

0:29:05.960 --> 0:29:08.560
<v Speaker 1>was trying to sign us, but yeah, they was trying

0:29:08.600 --> 0:29:10.880
<v Speaker 1>to do a deal with us, but mainly just with me,

0:29:11.280 --> 0:29:13.560
<v Speaker 1>you know. And J three or five end up at

0:29:13.640 --> 0:29:15.320
<v Speaker 1>a point he had a solo deal, That's what I

0:29:15.400 --> 0:29:17.520
<v Speaker 1>was thinking. Yeah, he had a solo deal for his

0:29:17.960 --> 0:29:21.560
<v Speaker 1>first album, came out officially through Interscope, but no Dom

0:29:21.640 --> 0:29:24.520
<v Speaker 1>Kennedy music, nothing else ever came up. What's going on

0:29:24.600 --> 0:29:27.360
<v Speaker 1>with Jay? He's about to put out some singles, hopefully

0:29:27.440 --> 0:29:30.000
<v Speaker 1>sooner than later, probably top of the year, you know

0:29:30.000 --> 0:29:32.479
<v Speaker 1>what I'm saying. But he's working on some singles right now,

0:29:32.600 --> 0:29:36.040
<v Speaker 1>playing me a couple you know songs. But is Jay

0:29:36.120 --> 0:29:37.800
<v Speaker 1>he gonna do what he do? You know what I'm saying.

0:29:37.880 --> 0:29:40.360
<v Speaker 1>He official LA, so it's hard for him to kind

0:29:40.400 --> 0:29:43.960
<v Speaker 1>of like he's an LA celebrity and then it's the

0:29:44.080 --> 0:29:48.200
<v Speaker 1>rap game. Say yeah, for sure, LA celebrity kind of

0:29:48.280 --> 0:29:52.440
<v Speaker 1>always text President over the rap game. You know. I mean,

0:29:52.720 --> 0:29:55.200
<v Speaker 1>we we all got friends here in the LA. Hip

0:29:55.200 --> 0:30:00.520
<v Speaker 1>hop Syne are the same way, exactly exactly. You talked

0:30:00.560 --> 0:30:02.760
<v Speaker 1>about being influential to a lot of the artists that

0:30:02.840 --> 0:30:06.200
<v Speaker 1>are kind of doing their thing. Now. Someone who I

0:30:06.400 --> 0:30:08.400
<v Speaker 1>always kind of when I listen to I always reminds

0:30:08.440 --> 0:30:11.840
<v Speaker 1>me of you is Larry June. Larry jon Like Larry

0:30:11.920 --> 0:30:15.560
<v Speaker 1>June is like the like bays Don Kennedy. Sure, Larry Jones. Man,

0:30:15.600 --> 0:30:17.680
<v Speaker 1>I look at him as the bais Larry Jones. Man,

0:30:18.040 --> 0:30:20.360
<v Speaker 1>he's been He's been killing it for years. I glad

0:30:20.400 --> 0:30:22.760
<v Speaker 1>to see someone is finally starting to get a lot

0:30:22.840 --> 0:30:26.240
<v Speaker 1>of like looks, but like well deserved. Who are some

0:30:26.320 --> 0:30:30.280
<v Speaker 1>people who you like that that you're fans of that

0:30:30.480 --> 0:30:32.240
<v Speaker 1>is a part of the new generation of the Rapture

0:30:32.280 --> 0:30:38.320
<v Speaker 1>that you're like class Blast, Don Tolliver, you know, I

0:30:38.440 --> 0:30:43.000
<v Speaker 1>really like his innovation, you know what I'm saying. Ship

0:30:43.680 --> 0:30:47.080
<v Speaker 1>people like Meg the Stallion, you know, and Jason Cash,

0:30:47.160 --> 0:30:52.440
<v Speaker 1>he another artist from Carson exactly chopping with him, you know,

0:30:52.560 --> 0:30:54.960
<v Speaker 1>and being a rideaut obviously. You know. I was just

0:30:55.040 --> 0:30:57.120
<v Speaker 1>at being on show last night, you know, and all

0:30:57.200 --> 0:31:01.320
<v Speaker 1>of those people's kind of like loosely inner and you know,

0:31:02.120 --> 0:31:05.560
<v Speaker 1>music that I had probably a decade ago that helped

0:31:05.600 --> 0:31:07.720
<v Speaker 1>them kind of see themselves in the space that they

0:31:07.880 --> 0:31:10.400
<v Speaker 1>in right now, you know what I'm saying. And it's

0:31:10.520 --> 0:31:13.200
<v Speaker 1>like that's important for me. But those people right there

0:31:13.280 --> 0:31:15.680
<v Speaker 1>kind of stick out the most, you know, meeting somebody

0:31:15.880 --> 0:31:19.520
<v Speaker 1>like Blast and them truly like knowing about my catalog

0:31:19.760 --> 0:31:22.280
<v Speaker 1>and like what years certain shit came out and where

0:31:22.320 --> 0:31:24.479
<v Speaker 1>they was at with it, and then seeing the success

0:31:24.680 --> 0:31:27.640
<v Speaker 1>they have. You know, it definitely makes me feel good

0:31:27.720 --> 0:31:30.600
<v Speaker 1>because it's like all that work didn't go and noticed

0:31:30.600 --> 0:31:33.720
<v Speaker 1>all that music. You know, I'm real sincere about this shit,

0:31:34.000 --> 0:31:37.560
<v Speaker 1>you know, making music, being an artist first and foremost,

0:31:37.640 --> 0:31:41.200
<v Speaker 1>and so when you see other artists flourishing and doing

0:31:41.320 --> 0:31:44.040
<v Speaker 1>they thing and they just randomly might shout you out

0:31:44.040 --> 0:31:45.800
<v Speaker 1>a lot of people. Was hit me like a year

0:31:45.800 --> 0:31:48.160
<v Speaker 1>ago when Don Toloro was doing his press run and

0:31:48.200 --> 0:31:50.920
<v Speaker 1>he was shouting me out a lot on like bigger

0:31:51.000 --> 0:31:53.560
<v Speaker 1>platforms and people was kind of like thrown off by it.

0:31:53.680 --> 0:31:56.680
<v Speaker 1>But you know, I understood it because I've done shows

0:31:56.760 --> 0:31:59.960
<v Speaker 1>for years in Houston, you know, for years in Houston

0:32:00.080 --> 0:32:02.960
<v Speaker 1>and no coverage, no big you know, hope, I but

0:32:03.080 --> 0:32:05.360
<v Speaker 1>selling out shows, and I'm like, these are the type

0:32:05.360 --> 0:32:08.160
<v Speaker 1>of people reason why I was out there selling tickets

0:32:08.320 --> 0:32:10.480
<v Speaker 1>and having fans. It was kids like that that was

0:32:10.560 --> 0:32:13.120
<v Speaker 1>probably in high school doing their thing whatever, and they

0:32:13.240 --> 0:32:16.640
<v Speaker 1>was for some reason, they gravitated towards my message in

0:32:16.720 --> 0:32:19.720
<v Speaker 1>my music. You know, No, that's crazy. Yeah, there's definitely

0:32:19.840 --> 0:32:24.880
<v Speaker 1>like I feel like, you know, Phoenix is where I'm from,

0:32:24.920 --> 0:32:27.400
<v Speaker 1>and that's a big market for you. But you have

0:32:27.600 --> 0:32:29.840
<v Speaker 1>like your certain pockets of the country where motherfuckers just

0:32:29.920 --> 0:32:35.440
<v Speaker 1>show out for you. Yeah. Yeah, Arizona, d C. What's

0:32:35.680 --> 0:32:38.960
<v Speaker 1>hell Yeah yeah, hell yeah. Shout out to DC, Maryland,

0:32:39.000 --> 0:32:42.040
<v Speaker 1>Virginia period. But like my show in DC at like

0:32:42.160 --> 0:32:47.840
<v Speaker 1>Howard Theater, Silver Springs, Maryland, cracking, crazy, cracking, Yeah, for

0:32:47.960 --> 0:32:51.240
<v Speaker 1>sure for years though years, Like this is not new,

0:32:51.480 --> 0:32:56.400
<v Speaker 1>you know, like years supporting me for years, you know, Atlanta, Detroit,

0:32:57.120 --> 0:33:00.320
<v Speaker 1>you know, for real, these are places that's like, were

0:33:00.400 --> 0:33:02.960
<v Speaker 1>real people that really, you know, on a random day

0:33:03.040 --> 0:33:05.280
<v Speaker 1>during the week, you know, in bad weather, you know,

0:33:05.360 --> 0:33:07.920
<v Speaker 1>would come out and pack a venue for me just

0:33:08.000 --> 0:33:11.080
<v Speaker 1>to see me, you know, do my thing. And I

0:33:11.200 --> 0:33:16.680
<v Speaker 1>definitely appreciate it. You also always have like a banger

0:33:16.800 --> 0:33:19.840
<v Speaker 1>on deck with T Fly. Yeah. T Fly, someone who

0:33:20.880 --> 0:33:24.400
<v Speaker 1>I think maybe doesn't get enough flowers, like, you know,

0:33:24.960 --> 0:33:30.720
<v Speaker 1>had this Dick record that was huge. Yeah, but like

0:33:30.840 --> 0:33:33.360
<v Speaker 1>you guys always have have a record together. Yeah. I

0:33:33.440 --> 0:33:36.160
<v Speaker 1>feel like it almost feels like every project he flyes

0:33:36.240 --> 0:33:39.200
<v Speaker 1>like my brother man. Like it was funny because Okay,

0:33:39.280 --> 0:33:41.480
<v Speaker 1>in that era where I was talking all about working

0:33:41.520 --> 0:33:43.960
<v Speaker 1>with Nip and doing all of that, I met T

0:33:44.200 --> 0:33:46.480
<v Speaker 1>Fly during those times. He had the studio on the

0:33:46.560 --> 0:33:49.080
<v Speaker 1>same building next to us. Okay, but I didn't know

0:33:49.200 --> 0:33:52.360
<v Speaker 1>T Fly. But every day he used to sleep at

0:33:52.400 --> 0:33:55.040
<v Speaker 1>the studio. We would leave like we kind of was

0:33:55.120 --> 0:33:57.360
<v Speaker 1>having money a little bit, you know, we had cars.

0:33:57.640 --> 0:33:59.440
<v Speaker 1>T Fly was on to come up about to get

0:33:59.480 --> 0:34:02.640
<v Speaker 1>a deal with I think Sony, Epic, whoever he had

0:34:02.680 --> 0:34:05.360
<v Speaker 1>this deal with. He was trying to get that deal.

0:34:05.760 --> 0:34:07.600
<v Speaker 1>But I was so I was hearing all the music

0:34:07.680 --> 0:34:09.920
<v Speaker 1>that he was recording that wasn't out, and that's how

0:34:09.960 --> 0:34:12.960
<v Speaker 1>I got familiar with him. So by the time I'm

0:34:13.000 --> 0:34:15.480
<v Speaker 1>working on Get Home Safely. And I remember I was

0:34:15.560 --> 0:34:18.080
<v Speaker 1>somewhere at a truck stop on the road one day

0:34:18.080 --> 0:34:20.400
<v Speaker 1>and somebody came up to me, and it's a true story,

0:34:20.480 --> 0:34:22.760
<v Speaker 1>Like randomly, I swear to guy, like two in the morning,

0:34:23.239 --> 0:34:25.440
<v Speaker 1>I'm at a little thing, looking through the little glass,

0:34:25.480 --> 0:34:27.759
<v Speaker 1>about to get a ginger rel or some shit of water,

0:34:28.080 --> 0:34:31.280
<v Speaker 1>and the dude's like he's staring at me. I'm obviously like, okay,

0:34:31.320 --> 0:34:33.600
<v Speaker 1>he gonna say something about music, And he asked me like,

0:34:34.120 --> 0:34:35.759
<v Speaker 1>how did you know to put a T Fly on

0:34:35.840 --> 0:34:39.719
<v Speaker 1>that song? And I was like, damn, I mean, I

0:34:39.840 --> 0:34:41.600
<v Speaker 1>guess that's how he looked at it, you know, like

0:34:41.680 --> 0:34:43.480
<v Speaker 1>it just came out of nowhere but now. When we

0:34:43.640 --> 0:34:46.160
<v Speaker 1>was recording, t Fly was in that same building recording,

0:34:46.239 --> 0:34:48.160
<v Speaker 1>so I was hearing his songs every day. He was

0:34:48.200 --> 0:34:50.480
<v Speaker 1>recording three or four songs, and I realized I knew

0:34:50.520 --> 0:34:53.439
<v Speaker 1>the songs before they came out because I was hearing

0:34:53.480 --> 0:34:55.640
<v Speaker 1>them play them all day while we was just sitting

0:34:55.640 --> 0:34:58.040
<v Speaker 1>there eating, chilling, I was hearing them. So by the

0:34:58.120 --> 0:35:00.200
<v Speaker 1>time I got to do and get home safely and

0:35:00.320 --> 0:35:02.840
<v Speaker 1>I had to be for Still Calling, I sat. I

0:35:02.920 --> 0:35:05.120
<v Speaker 1>went in his room and I said, could you do

0:35:05.239 --> 0:35:07.440
<v Speaker 1>a hook for me on this and then I'll do

0:35:07.520 --> 0:35:09.640
<v Speaker 1>the verse? You know what I'm saying. And I sat

0:35:09.719 --> 0:35:11.440
<v Speaker 1>there with him and he was like cool. And that's

0:35:11.520 --> 0:35:15.759
<v Speaker 1>really how our collaborations really started working, you know what

0:35:15.800 --> 0:35:18.200
<v Speaker 1>I'm saying. After that one day, it was like a Saturday,

0:35:18.239 --> 0:35:19.960
<v Speaker 1>I remember, and I was like, man, I got this

0:35:20.080 --> 0:35:22.080
<v Speaker 1>b Bro, I think that you would kill it. And

0:35:22.200 --> 0:35:24.680
<v Speaker 1>we did Still Calling that day and then I've been

0:35:24.760 --> 0:35:27.640
<v Speaker 1>working with Bro literally ever since till shit, I seen

0:35:27.719 --> 0:35:29.880
<v Speaker 1>him last week. You guys, I feel like, yeah, we

0:35:30.000 --> 0:35:32.280
<v Speaker 1>never really fell out, you know what I'm saying, because

0:35:32.840 --> 0:35:36.640
<v Speaker 1>you know, I understand what he does and he understands

0:35:36.680 --> 0:35:39.239
<v Speaker 1>what I do, and we always rocking. And you know,

0:35:39.560 --> 0:35:41.719
<v Speaker 1>I put out an EP on o PM, like a

0:35:41.800 --> 0:35:44.320
<v Speaker 1>five song EP, and I ended up being on four songs,

0:35:44.440 --> 0:35:47.640
<v Speaker 1>not intentionally but just being on songs. But yeah, me

0:35:47.680 --> 0:35:50.879
<v Speaker 1>and T Fly working on some a collaboration for the people. Man,

0:35:50.880 --> 0:35:54.480
<v Speaker 1>I'm glad you got yeah, OPM. We're gonna put out

0:35:54.480 --> 0:35:57.880
<v Speaker 1>an album. Oh Ship, Yeah that's together yeaheah. We already

0:35:57.920 --> 0:35:59.719
<v Speaker 1>working on it. I was working on it before. That's

0:35:59.760 --> 0:36:03.000
<v Speaker 1>a Bullleg keV exclusive, so a T flight down project

0:36:03.080 --> 0:36:05.960
<v Speaker 1>on the way. Yeah, you guys have such a crazy chemistry. Yeah,

0:36:05.960 --> 0:36:08.240
<v Speaker 1>we're gonna do a whole album. We already, we already

0:36:08.280 --> 0:36:09.960
<v Speaker 1>more than halfway in. I kind of put it on

0:36:10.080 --> 0:36:12.359
<v Speaker 1>pause to finish the West Side three. But that's how

0:36:12.400 --> 0:36:14.560
<v Speaker 1>I got that intermission, and it was kind of like

0:36:14.640 --> 0:36:16.960
<v Speaker 1>a warm up to introduce and to keep the vibes

0:36:17.040 --> 0:36:19.120
<v Speaker 1>going for the album. People will hear it. But we

0:36:19.200 --> 0:36:20.800
<v Speaker 1>got a great you know, we're gonna put out a

0:36:20.800 --> 0:36:23.080
<v Speaker 1>great body of work twenty twenty two. How many records

0:36:23.080 --> 0:36:27.200
<v Speaker 1>you guys have done right now? Ship? Maybe twelve, but

0:36:27.360 --> 0:36:30.760
<v Speaker 1>only like sounds like an album, Yeah, but yeah, probably

0:36:30.920 --> 0:36:32.680
<v Speaker 1>really like three or four that I really want to

0:36:32.760 --> 0:36:34.360
<v Speaker 1>keep We got a lot of work to do, but

0:36:34.440 --> 0:36:36.080
<v Speaker 1>we're gonna put it out though it's already on the

0:36:36.120 --> 0:36:38.719
<v Speaker 1>bucks for sure. Yeah, it's already on the books. It's

0:36:38.880 --> 0:36:41.840
<v Speaker 1>something we've been working on. One of my favorite records

0:36:41.880 --> 0:36:44.759
<v Speaker 1>of yours was CDC with you Carter and Uh and

0:36:44.880 --> 0:36:49.440
<v Speaker 1>case Veggies. Yeah, Casey Veggies. That record was incredible and

0:36:49.480 --> 0:36:51.960
<v Speaker 1>I always just we used to bump the fuck out

0:36:52.000 --> 0:36:54.720
<v Speaker 1>of that song. Did you guys ever talk about putting

0:36:54.719 --> 0:36:58.000
<v Speaker 1>the tape out as like CDC or it was just

0:36:58.160 --> 0:37:01.200
<v Speaker 1>being funny like abbreviating our names at that time. You

0:37:01.280 --> 0:37:03.320
<v Speaker 1>know what I'm saying. The title that song, that was

0:37:03.400 --> 0:37:05.719
<v Speaker 1>a beat that hit Boy had through us and we

0:37:05.960 --> 0:37:08.239
<v Speaker 1>just hit Boy beat. That's I don't even realize it

0:37:08.320 --> 0:37:13.040
<v Speaker 1>was h favorite like that crazy, that was hit Boy

0:37:13.160 --> 0:37:15.600
<v Speaker 1>and that was Casey Veggie's just going crazy on it

0:37:15.840 --> 0:37:17.920
<v Speaker 1>like how we do pulling up, staying in, you know,

0:37:18.160 --> 0:37:21.680
<v Speaker 1>staying in attendance. Bro got off on it at my

0:37:21.840 --> 0:37:24.080
<v Speaker 1>studio and then the rest is history, you know. But

0:37:24.160 --> 0:37:25.680
<v Speaker 1>that was a hit Boy beat that came out of

0:37:25.719 --> 0:37:27.480
<v Speaker 1>a fudder or some beats that hit Boy gave me

0:37:27.560 --> 0:37:29.480
<v Speaker 1>that case he had picked and just went, well, here

0:37:29.640 --> 0:37:32.840
<v Speaker 1>was that was that twenty twelve, eleven eleven, So that

0:37:33.000 --> 0:37:37.000
<v Speaker 1>was that was around the time Watch This Throne came out.

0:37:37.080 --> 0:37:39.759
<v Speaker 1>That was pre that, so that it was right before that.

0:37:40.000 --> 0:37:42.800
<v Speaker 1>You could even say a lot that the the thesis

0:37:42.920 --> 0:37:46.359
<v Speaker 1>for Washing the Throne was that song That's crazy. Yeah,

0:37:46.560 --> 0:37:49.440
<v Speaker 1>you could say that wholeheartedly. You could say that that

0:37:49.640 --> 0:37:52.920
<v Speaker 1>sound spun off of that right there. That's wild yo.

0:37:53.120 --> 0:37:55.960
<v Speaker 1>So the album is out. Is there gonna be another

0:37:56.000 --> 0:37:59.319
<v Speaker 1>o PM compilation? I hope so? Young Nation Man, thanks

0:37:59.360 --> 0:38:01.800
<v Speaker 1>for asking you. That's one thing I've been flirting with,

0:38:02.000 --> 0:38:03.680
<v Speaker 1>you know what I mean. Nico G four he just

0:38:03.719 --> 0:38:06.080
<v Speaker 1>put out a type called Winners Type. It's doing pretty well.

0:38:06.480 --> 0:38:08.560
<v Speaker 1>And then just in the midst of like recording West,

0:38:08.600 --> 0:38:11.120
<v Speaker 1>I would love three working with Jay. You know, those

0:38:11.200 --> 0:38:15.400
<v Speaker 1>Young Nation compilation albums are designed for everybody to shine

0:38:15.760 --> 0:38:17.920
<v Speaker 1>and then to spin off and get fans on their

0:38:17.960 --> 0:38:21.320
<v Speaker 1>own solo projects. So it's definitely one like it was

0:38:21.400 --> 0:38:23.799
<v Speaker 1>a big gap between the first one and the second one.

0:38:23.840 --> 0:38:25.960
<v Speaker 1>And the one thing I've been telling the crew is like,

0:38:26.800 --> 0:38:29.520
<v Speaker 1>we gotta do a better job. If that's a platform

0:38:29.600 --> 0:38:31.680
<v Speaker 1>that we have, we should do a better job of

0:38:31.840 --> 0:38:35.920
<v Speaker 1>introducing new music, new artists, stand current ourselves with no

0:38:36.120 --> 0:38:39.799
<v Speaker 1>ideas and no production through those platforms. So it's very

0:38:39.960 --> 0:38:43.520
<v Speaker 1>very likely that you'll see a Young Nation Volume three

0:38:43.600 --> 0:38:45.520
<v Speaker 1>and twenty twenty two as well. Do you feel like

0:38:45.520 --> 0:38:48.120
<v Speaker 1>you're still like learning rolling with the punges when it

0:38:48.160 --> 0:38:50.160
<v Speaker 1>comes to doing the CEO shit, because it's no like,

0:38:50.440 --> 0:38:53.360
<v Speaker 1>it's no real blueprint, it's anything, right, it's not And

0:38:53.480 --> 0:38:56.680
<v Speaker 1>it changes every day. You know, people in positions that

0:38:56.840 --> 0:38:59.239
<v Speaker 1>you might meet and have a contact and then next

0:38:59.320 --> 0:39:01.200
<v Speaker 1>you might call him two months later and they'll be like, oh,

0:39:01.200 --> 0:39:03.120
<v Speaker 1>I'm not even doing that no more, but I'm doing this,

0:39:03.280 --> 0:39:05.560
<v Speaker 1>you know what I'm saying. So I've learned that I've

0:39:05.640 --> 0:39:09.000
<v Speaker 1>learned how to deal with producers, artists. You know, I've

0:39:09.080 --> 0:39:11.719
<v Speaker 1>had artists now that I have deals and then god

0:39:12.000 --> 0:39:13.919
<v Speaker 1>don't have deals. And you know, I had a group

0:39:14.000 --> 0:39:16.560
<v Speaker 1>called Warren Brow. They was doing their thing. They don't

0:39:16.680 --> 0:39:18.360
<v Speaker 1>it was one brother? Are they the ones? Who did

0:39:18.400 --> 0:39:22.279
<v Speaker 1>you guys collaborate with the Red Bull? Wasn't exactly. They

0:39:22.360 --> 0:39:24.600
<v Speaker 1>had had a situation where red Bull. But they're not

0:39:24.680 --> 0:39:26.640
<v Speaker 1>a group anymore, you know. So I kind of have

0:39:26.840 --> 0:39:30.239
<v Speaker 1>learned that it's like being a CEO and being having

0:39:30.280 --> 0:39:33.960
<v Speaker 1>a true label is not like everything doesn't go as planned,

0:39:34.080 --> 0:39:39.040
<v Speaker 1>So hell yeah, it's us down broke up. Yeah yeah

0:39:39.320 --> 0:39:42.520
<v Speaker 1>officially you know that, and that that's not an OPM car,

0:39:42.600 --> 0:39:45.320
<v Speaker 1>that's a Warren broke, Like I collaborate with these people,

0:39:45.400 --> 0:39:49.000
<v Speaker 1>but you know, just going from Okay, this is something new,

0:39:49.080 --> 0:39:51.560
<v Speaker 1>this is exciting to like, damn, they don't even want it.

0:39:51.600 --> 0:39:53.320
<v Speaker 1>They're not doing it no more, you know, and you

0:39:53.440 --> 0:39:55.520
<v Speaker 1>kind of got to accept that, just like a label does.

0:39:55.600 --> 0:39:58.520
<v Speaker 1>Like every artist that a label signs, maybe one out

0:39:58.560 --> 0:40:01.120
<v Speaker 1>of what a hundred of them go platinum. That's real,

0:40:01.280 --> 0:40:03.759
<v Speaker 1>you know what I'm saying. Yeah, so you can't sit

0:40:03.840 --> 0:40:06.880
<v Speaker 1>around and be like, oh they don't you know, so

0:40:07.320 --> 0:40:10.000
<v Speaker 1>this didn't work out, so it's done. Like nah, you

0:40:10.239 --> 0:40:12.879
<v Speaker 1>just keep going. You take it as a lesson learned.

0:40:12.960 --> 0:40:15.320
<v Speaker 1>You got great music that you made in the process

0:40:15.400 --> 0:40:17.160
<v Speaker 1>and things that you learn and you just apply that

0:40:17.200 --> 0:40:19.680
<v Speaker 1>shit going forward, you know. But yeah, I take a

0:40:19.719 --> 0:40:23.600
<v Speaker 1>lot of It's been more bruises on that side than anything. Man,

0:40:23.680 --> 0:40:26.200
<v Speaker 1>being on the CEO side, it's tough and for a

0:40:26.320 --> 0:40:29.600
<v Speaker 1>point in time, and weighed down on my artistry as well,

0:40:29.719 --> 0:40:32.279
<v Speaker 1>you know, because as I got older, as I'm you

0:40:32.320 --> 0:40:34.480
<v Speaker 1>know I'm older now, so I wanted to like be

0:40:34.680 --> 0:40:37.239
<v Speaker 1>more involved in business, you know, And I was cool

0:40:37.320 --> 0:40:39.600
<v Speaker 1>with being an artist obviously I made dope songs. I

0:40:39.760 --> 0:40:42.320
<v Speaker 1>was a rapper, but it kind of started bothering me,

0:40:42.440 --> 0:40:44.560
<v Speaker 1>I think in a way a couple of years where

0:40:44.600 --> 0:40:46.719
<v Speaker 1>it was like I wanted to be more in the

0:40:46.840 --> 0:40:49.879
<v Speaker 1>business and more you know, serious about that and help

0:40:49.960 --> 0:40:52.279
<v Speaker 1>more artists. But it just wasn't working out. So it

0:40:52.440 --> 0:40:56.279
<v Speaker 1>kind of like, you know, not soured how I looked

0:40:56.320 --> 0:40:59.200
<v Speaker 1>at the game, but just like it made it less fun.

0:40:59.280 --> 0:41:01.120
<v Speaker 1>I will say that. Yeah, I feel like when you

0:41:01.200 --> 0:41:04.000
<v Speaker 1>start dealing with other artists and you start dealing with

0:41:05.160 --> 0:41:09.239
<v Speaker 1>individuals in general, right with anything, like you feel like, yo,

0:41:10.000 --> 0:41:12.560
<v Speaker 1>I've done all this? Is it like hard? Like I

0:41:12.600 --> 0:41:14.440
<v Speaker 1>don't use the word babysitting, but is it hard to

0:41:14.600 --> 0:41:17.640
<v Speaker 1>like work with a bunch of different variables when it

0:41:17.719 --> 0:41:21.160
<v Speaker 1>comes to being like, hey, this is what you need

0:41:21.239 --> 0:41:23.759
<v Speaker 1>to do. It is, but you can't walk someone it

0:41:23.960 --> 0:41:26.839
<v Speaker 1>is because it's non transferable. Man. It's like I work

0:41:26.920 --> 0:41:30.719
<v Speaker 1>out at seven o'clock. Right, If I go work out,

0:41:32.040 --> 0:41:35.040
<v Speaker 1>you don't get stronger. You know what I'm saying, You

0:41:35.160 --> 0:41:37.560
<v Speaker 1>gotta go. I could tell you what I'm doing. I

0:41:37.640 --> 0:41:39.880
<v Speaker 1>could even let you come, you know, ride with me,

0:41:39.960 --> 0:41:43.480
<v Speaker 1>but there pull up right if you don't do the

0:41:43.560 --> 0:41:46.640
<v Speaker 1>same things at least, like how could you expect the

0:41:46.719 --> 0:41:50.000
<v Speaker 1>same results? You know? And it's non transferable, So no

0:41:50.120 --> 0:41:52.399
<v Speaker 1>matter nothing I tell you or try to pound into

0:41:52.440 --> 0:41:56.279
<v Speaker 1>your head could really work unless you embrace it and

0:41:56.400 --> 0:41:59.080
<v Speaker 1>do it yourself, and your results might be better than mine.

0:41:59.400 --> 0:42:01.120
<v Speaker 1>You know. That's one thing I try to get them

0:42:01.120 --> 0:42:04.040
<v Speaker 1>to understand, Like I didn't do it the best way

0:42:04.239 --> 0:42:06.480
<v Speaker 1>or the right way. I did it my way, you know,

0:42:06.600 --> 0:42:08.920
<v Speaker 1>and what I thought was best at the time for me,

0:42:09.680 --> 0:42:13.319
<v Speaker 1>my self esteem, my state of mind, you know, my heart,

0:42:13.480 --> 0:42:16.560
<v Speaker 1>Like I do what's best for that. But that doesn't

0:42:16.680 --> 0:42:18.800
<v Speaker 1>mean that you gotta do what I do. You know,

0:42:19.280 --> 0:42:21.400
<v Speaker 1>do it your way, you know, take the good part's

0:42:21.520 --> 0:42:23.479
<v Speaker 1>lead up parts you don't like. I think the best

0:42:23.600 --> 0:42:25.839
<v Speaker 1>artists that end up making it having the most longevity.

0:42:26.200 --> 0:42:28.080
<v Speaker 1>I mean, everyone has management and all that, but are

0:42:28.160 --> 0:42:30.160
<v Speaker 1>kind of like self managers, if that makes sense. You

0:42:30.239 --> 0:42:34.239
<v Speaker 1>got to like they almost like they're like if they

0:42:34.280 --> 0:42:38.319
<v Speaker 1>didn't have management, they would take the initiative their self starters. Yeah,

0:42:38.400 --> 0:42:40.319
<v Speaker 1>you know what I'm saying. You got to you got

0:42:40.440 --> 0:42:43.360
<v Speaker 1>to because I see so many artists that are fucking incredible,

0:42:43.400 --> 0:42:45.759
<v Speaker 1>but the reason why they never made it is maybe

0:42:45.760 --> 0:42:48.960
<v Speaker 1>because they were lazy or they just didn't. Yeah, you

0:42:49.040 --> 0:42:51.759
<v Speaker 1>gotta be self motivated. Man, nobody's gonna at the end

0:42:51.760 --> 0:42:54.239
<v Speaker 1>of the day a manager. You know all of that.

0:42:54.400 --> 0:42:56.920
<v Speaker 1>They following your lead. You know, they can only get

0:42:56.960 --> 0:42:59.600
<v Speaker 1>you to believe and do and do so much. You know.

0:42:59.760 --> 0:43:03.440
<v Speaker 1>And another thing is, like people want to see us

0:43:03.840 --> 0:43:07.480
<v Speaker 1>as an artist enthusiastic. You know, we gotta love it

0:43:07.640 --> 0:43:10.560
<v Speaker 1>before we could sell it to anybody, even your manager,

0:43:10.680 --> 0:43:13.640
<v Speaker 1>even your you know whoever, Like people could tell if

0:43:13.719 --> 0:43:15.920
<v Speaker 1>you really in tune it, if you really are who

0:43:16.000 --> 0:43:18.120
<v Speaker 1>you say you are, if you really are what you're pushing,

0:43:18.239 --> 0:43:21.120
<v Speaker 1>you know, and what you want is to attract people

0:43:21.239 --> 0:43:24.239
<v Speaker 1>that believe in the same things as you. You know

0:43:24.239 --> 0:43:28.000
<v Speaker 1>what I'm saying. And don't mind you know, spreading, promoting

0:43:28.360 --> 0:43:33.000
<v Speaker 1>whatever it is, you know, your agenda, your product, you know. Yeah,

0:43:33.040 --> 0:43:36.400
<v Speaker 1>how you gonna ask someone to be enthusiastic about your ship? Right?

0:43:36.480 --> 0:43:38.520
<v Speaker 1>You're not and you just lay it up like, you know,

0:43:39.000 --> 0:43:41.719
<v Speaker 1>not really tripping and you want them to be you know,

0:43:41.920 --> 0:43:43.840
<v Speaker 1>come back like, oh I got you on Jay Leno

0:43:44.000 --> 0:43:46.520
<v Speaker 1>and it's like, what like that don't happen? You know

0:43:46.920 --> 0:43:49.680
<v Speaker 1>they look at it like that, but that that's not

0:43:49.760 --> 0:43:52.279
<v Speaker 1>how the game goes. You know. Some people be too

0:43:52.360 --> 0:43:56.120
<v Speaker 1>cool about their own ship, and it is your ship exactly.

0:43:56.280 --> 0:43:58.960
<v Speaker 1>If you don't love it, you cannot expect anybody else

0:43:59.040 --> 0:44:01.400
<v Speaker 1>to work harder than you are, to love your product

0:44:01.520 --> 0:44:04.040
<v Speaker 1>more than you. That's a foods game. And even even

0:44:04.080 --> 0:44:06.319
<v Speaker 1>like when you like, you know, there's we're in la right,

0:44:06.360 --> 0:44:08.960
<v Speaker 1>So there's always opportunities where people will get the ox

0:44:09.040 --> 0:44:10.800
<v Speaker 1>Court in the studio, like, Yo, don't just play that

0:44:10.840 --> 0:44:13.640
<v Speaker 1>ship and like sit back right. You gotta like feel

0:44:13.680 --> 0:44:16.080
<v Speaker 1>your ship in those moments, you know what I'm saying,

0:44:16.239 --> 0:44:17.960
<v Speaker 1>and work your way up to feeling that. If you

0:44:18.040 --> 0:44:20.399
<v Speaker 1>don't feel that way, be honest about it and keep

0:44:20.480 --> 0:44:23.040
<v Speaker 1>going to you do. Are you in hit Boy going

0:44:23.080 --> 0:44:24.920
<v Speaker 1>to do any more? Half a real Ship? Yeah, courtessy

0:44:25.000 --> 0:44:28.320
<v Speaker 1>half a mil I mean originally it was a trilogy anyway,

0:44:28.440 --> 0:44:30.520
<v Speaker 1>So we we've dropped two albums. We put out the

0:44:30.560 --> 0:44:33.239
<v Speaker 1>EPs just because we were just learning how to work

0:44:33.320 --> 0:44:35.440
<v Speaker 1>and what we was gonna be talking about. But we've

0:44:35.520 --> 0:44:37.960
<v Speaker 1>dropped two albums on courtesy half a mil which is

0:44:38.000 --> 0:44:39.759
<v Speaker 1>me and here boy. We're gonna have at least one

0:44:39.880 --> 0:44:42.200
<v Speaker 1>more for sure. I don't know when it's coming out,

0:44:42.239 --> 0:44:44.600
<v Speaker 1>but we already you know what I mean, it's locked

0:44:44.640 --> 0:44:47.440
<v Speaker 1>in for sure. Anything else you got that you're working on,

0:44:47.600 --> 0:44:49.520
<v Speaker 1>any any sort of anything that you want to man,

0:44:49.680 --> 0:44:52.879
<v Speaker 1>just with my new artists shooting visuals from the West Side.

0:44:52.920 --> 0:44:55.359
<v Speaker 1>We left three you just on the beach, which was Dobele,

0:44:55.440 --> 0:44:58.840
<v Speaker 1>Mike Kis Deep Thought, mars k Franklin. You know what

0:44:58.880 --> 0:45:01.040
<v Speaker 1>I mean. Check that out. Don't walk away with Quinn Miller.

0:45:01.040 --> 0:45:04.920
<v Speaker 1>I'm gonna shoot some of the solo videos now and

0:45:05.040 --> 0:45:07.319
<v Speaker 1>then twenty twenty two I'll be on the road for sure,

0:45:07.640 --> 0:45:09.960
<v Speaker 1>more new music. You know, I'm firting with the idea.

0:45:10.320 --> 0:45:13.920
<v Speaker 1>Obviously I dropped the t fly information, but just man,

0:45:13.960 --> 0:45:16.120
<v Speaker 1>I want to stay consistent with the music, you know,

0:45:16.280 --> 0:45:18.719
<v Speaker 1>as long until I'm done, just with that part of

0:45:18.840 --> 0:45:20.719
<v Speaker 1>my spirit, you know what I'm saying. And right now

0:45:21.840 --> 0:45:24.759
<v Speaker 1>I really feel like not that I rediscover something, but

0:45:24.880 --> 0:45:27.160
<v Speaker 1>it feels like you have though. Yeah, I mean, thank

0:45:27.200 --> 0:45:29.479
<v Speaker 1>you Kevi's I didn't want to say that. For a minute.

0:45:29.520 --> 0:45:32.080
<v Speaker 1>It felt like you weren't really like into this shit. Anymore. Yeah,

0:45:32.160 --> 0:45:33.719
<v Speaker 1>I mean it was a lot of factors, you know,

0:45:33.800 --> 0:45:35.680
<v Speaker 1>a little bit of what I touched on earlier about

0:45:35.680 --> 0:45:38.239
<v Speaker 1>the business side and just certain things when things, you know,

0:45:39.120 --> 0:45:42.960
<v Speaker 1>it gets like I don't want to say not being

0:45:43.160 --> 0:45:46.080
<v Speaker 1>into it, because I was always into writing songs and

0:45:46.239 --> 0:45:48.719
<v Speaker 1>making music and I do it about myself most of

0:45:48.800 --> 0:45:50.600
<v Speaker 1>the time. So what is it not to be into?

0:45:50.800 --> 0:45:55.120
<v Speaker 1>But just rediscovering that passion, you know what I'm saying,

0:45:55.200 --> 0:45:57.879
<v Speaker 1>and that initial mission statement, you know what I'm saying,

0:45:57.960 --> 0:46:00.640
<v Speaker 1>and having great friends and people that you know and

0:46:00.760 --> 0:46:03.160
<v Speaker 1>love like here boy, that to just remind you you

0:46:03.239 --> 0:46:05.440
<v Speaker 1>know what I'm saying and support you through it. And

0:46:05.560 --> 0:46:08.600
<v Speaker 1>that's initially, honestly why I thought it from the West

0:46:08.600 --> 0:46:10.840
<v Speaker 1>Side with Love three and why it's so important to me.

0:46:11.280 --> 0:46:14.160
<v Speaker 1>And just seeing a you know, the it's only been

0:46:14.200 --> 0:46:16.800
<v Speaker 1>out like not even two weeks, so just seeing the

0:46:16.880 --> 0:46:20.080
<v Speaker 1>initial you know, feedback just lets me know, like, Okay,

0:46:20.239 --> 0:46:22.960
<v Speaker 1>it is a lot on the table for us. And

0:46:23.160 --> 0:46:26.360
<v Speaker 1>it is a segment of just music in general, and

0:46:26.560 --> 0:46:30.120
<v Speaker 1>especially rap where it's like the conversations and the things

0:46:30.239 --> 0:46:32.160
<v Speaker 1>that I talk about in the music that I talk

0:46:32.200 --> 0:46:35.200
<v Speaker 1>about is necessary, you know what I'm saying. And it's avoiding.

0:46:35.960 --> 0:46:38.560
<v Speaker 1>I feel like it's my job to you know, shed

0:46:38.640 --> 0:46:40.640
<v Speaker 1>some light on that. No, you're definitely I feel like

0:46:40.680 --> 0:46:42.520
<v Speaker 1>you've been back in your bag the last couple of years. Man,

0:46:42.719 --> 0:46:45.960
<v Speaker 1>Thank you. So it's been great to see you. Can't

0:46:45.960 --> 0:46:48.000
<v Speaker 1>wait to hear the t FLA ship. Yeah. Now it's

0:46:48.000 --> 0:46:50.160
<v Speaker 1>gonna be do It's gonna be dope. Man, it's gonna

0:46:50.200 --> 0:46:52.480
<v Speaker 1>be on point, like we got we already got songs

0:46:52.560 --> 0:46:56.160
<v Speaker 1>I'm excited about, like sharing. That's why I feel, you know,

0:46:56.360 --> 0:46:59.160
<v Speaker 1>real good about the music that we making and even

0:46:59.239 --> 0:47:02.480
<v Speaker 1>saying that it and just honestly just us being It's

0:47:02.560 --> 0:47:05.960
<v Speaker 1>really about when as artists and friends that we all

0:47:06.080 --> 0:47:08.120
<v Speaker 1>see and eye to eye in in a great space

0:47:08.239 --> 0:47:10.600
<v Speaker 1>as human beings, you know what I'm saying. And that's

0:47:10.680 --> 0:47:13.000
<v Speaker 1>when I feel like in what I've seen, like you know,

0:47:13.200 --> 0:47:15.880
<v Speaker 1>not saying we all got to have a lot of

0:47:15.960 --> 0:47:18.080
<v Speaker 1>money or you know, so for it's just you know,

0:47:18.320 --> 0:47:21.440
<v Speaker 1>just real life. And I feel like that's happening right now.

0:47:21.680 --> 0:47:23.480
<v Speaker 1>And from the West Side, we love three. I feel

0:47:23.520 --> 0:47:25.440
<v Speaker 1>like it's definitely one of the reasons why, you know,

0:47:25.520 --> 0:47:27.520
<v Speaker 1>and I want to continue that. Well, look, go get

0:47:27.560 --> 0:47:30.239
<v Speaker 1>the album. That shit is Fire, Thank you man. I'm

0:47:30.239 --> 0:47:32.759
<v Speaker 1>sure more visuals are coming like yes, yes, so there'll

0:47:32.760 --> 0:47:34.799
<v Speaker 1>be some more visuals hopefully be hitting the road yeap

0:47:35.000 --> 0:47:37.719
<v Speaker 1>twenty twenty two. I'm looking forward to it, probably like springtime,

0:47:37.880 --> 0:47:40.480
<v Speaker 1>will be out there, a lot of special guests Fire,

0:47:40.640 --> 0:47:42.600
<v Speaker 1>you know what I mean. For sure, there it is, man,

0:47:42.719 --> 0:47:44.799
<v Speaker 1>Well look, thanks for pulling up man, Yes, sir