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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama, Girl Drama, Girl,

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Speaker 2: all about them high school queens. We'll take you for

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Speaker 2: a ride, and our comic girl sharing for the right teams, Drama,

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Speaker 2: Queens up girl Fashion, but your tough girl, you could

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Speaker 2: sit with us.

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Speaker 1: Girl Drama, Queens Drama, Queise Drama, Queens Drama Drama, Queens Drama.

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Speaker 3: Queens Joy. This was a huge episode.

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Speaker 2: You think so.

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Speaker 3: I thought I was exhausted. You know, I had to

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Speaker 3: stop this episode multiple times because my best friend made

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Speaker 3: me lunch and I was just really absorbed in eating

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Speaker 3: this chili and I was like, I'm not paying attention here,

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Speaker 3: Like I feel like I was on a journey. Yeah,

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Speaker 3: there was a lot.

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Speaker 2: It was a lot. I think. Here's what my problem

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Speaker 2: was with this episode. All the pieces were there. I

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Speaker 2: felt like, yeah, it was the biggest episode. There was

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Speaker 2: a lot that happened, but all the pieces felt super

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Speaker 2: disjointed to me, Like, I don't know why brooks journey

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Speaker 2: with Baby Angie ended in like act one.

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Speaker 3: Yeah she's fine, Yeah, yeah, Like that.

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Speaker 2: Should have been part of the big cliffhanger at the

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Speaker 2: ending or something, you know, the relief at the ending,

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Speaker 2: the Peyton Lucas thing I thought played out pretty well,

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Speaker 2: but also the basketball stuff didn't start until like act three,

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Speaker 2: So yeah, it was just strange. I felt like I

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Speaker 2: kind of wish everything had been going on at the

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Speaker 2: same time. It would have felt like it balanced it

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Speaker 2: out a little bit more to me. So I don't know.

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Speaker 2: I've my notes say this EPP is so melodramatic.

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Speaker 3: Maybe that's why I needed to take a chili break.

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Speaker 3: I was like, I just sorry, guys, I got a dip.

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Speaker 3: Yeah for a second regroup.

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Speaker 2: I'm also like, I think I'm just on the edge

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Speaker 2: of my seat now waiting for the dog and the

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Speaker 2: heart because now that we've entered heart transplant territory, every

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Speaker 2: time I see Dan and they're an he's in the hospital,

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Speaker 2: I'm like, it's happening. It's happening now now same.

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Speaker 3: I really for sure when Brooke and Lucas were sitting

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Speaker 3: in the hospital, I was like, is it now? No,

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Speaker 3: it's not not yet.

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Speaker 2: That's they're gonna draw out forever.

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Speaker 3: But all of this took place over the course of

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Speaker 3: eighteen hours. Yeah, which is you know, they announced that

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Speaker 3: at the beginning, and it's just I love that it's

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Speaker 3: a montage of everyone behaving badly. Yeah, and the freeze

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Speaker 3: from how awful we all are?

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Speaker 2: Yeah, I know, it was so strange. The really good

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Speaker 2: one was Deb in front of the computer like that,

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Speaker 2: really that was a really good teaser. Yeah.

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Speaker 3: Because Okay, so here's the thing that just keeps creeping

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Speaker 3: up into my brain space when we watch specifically Deb,

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Speaker 3: not so much Moira. You know, like Karen always seemed

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Speaker 3: like an adult and I don't feel like an adult.

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Speaker 3: But when I watched Deb, she was supposed to have

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Speaker 3: Nathan at eighteen years old, and these kids are twenty

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Speaker 3: two now, and so Deb in this narrative is younger

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Speaker 3: than we are. Wait, what, she's forty? I know, I

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Speaker 3: just live my mind, and it's like, did we show

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Speaker 3: our titties to people at forty? I mean my husband

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Speaker 3: saw my boobs all the time.

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Speaker 2: Yeah, definitely, people saw my boobs when I was forty.

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Speaker 3: Wow. So it just changes the perspective in a way

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Speaker 3: that I think is hard to swallow. But also like,

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Speaker 3: good on her for not falling into like stereotypical mom zone.

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Speaker 2: Yeah, and then that is something I really love about Deb.

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Speaker 2: But if we're gonna like yeah, let's start with them. Like,

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Speaker 2: That's something I really love about Deb is she she's always.

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Speaker 3: Been very self aware and willing to.

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Speaker 2: Take risks, even when she was, you know, going through

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Speaker 2: a really rough patch and she was in rehab and

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Speaker 2: all the you know, trying to experiment with painkillers and

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Speaker 2: all this stuff. And Barbara is just such an amazing actress.

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Speaker 2: But I do you feel like Deb has a consistent

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Speaker 2: streak where she's always walking that fine line, like she

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Speaker 2: wants to be wild and still be responsible, but she's

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Speaker 2: willing to push it and push the limits, which I admire.

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Speaker 2: I think that's pretty cool.

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Speaker 3: Hey, we were so excited about Deb's boobs that we

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Speaker 3: forgot to read the synopsis.

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Speaker 2: Joy, Oh my god.

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Speaker 3: Our producer just came into the chat and was like,

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Speaker 3: you guys, grow up Barbara's boobs.

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Speaker 2: I can't think about anything else with the chapstick Barbara's boobs. Now,

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Speaker 2: I know we're that there's chapstick in there all the time.

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Speaker 3: Oh genius.

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Speaker 2: Okay, god, a synopsis? What does it say?

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Speaker 3: Listen? Season five, episode seventeen, Hate Is Safer Than Love.

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Speaker 3: Air date was May twelve, two thousand and eight. All right,

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Speaker 3: so Lucas is crashed by the news that Lindsay is

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Speaker 3: dating someone else, and he takes his anger out in

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Speaker 3: the wrong place.

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Speaker 2: Does he ever?

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Speaker 3: Brooks baby Angie?

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Speaker 2: Is it Brooks baby Foster baby?

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Speaker 3: Yeah? She undergoes urgency surgery. Hailey wrestles with her decision

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Speaker 3: to record a new album. I really am interested in

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Speaker 3: that storyline. Nathan is trying to get back into basketball shape,

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Speaker 3: Antwine meets up with a woman he met on the internet,

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Speaker 3: and Lucas Stun's pain with a hateful confession. God, this

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Speaker 3: episode had it all, even as disjoined it as it was,

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Speaker 3: it was packed. Okay, so let's go back to Barb

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Speaker 3: now that we got our business out of the way. Yes,

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Speaker 3: there is a playfulness there. And one of the things

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Speaker 3: that I think is a theme in this episode is

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Speaker 3: that notion that of psychology where it's like everyone goes

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Speaker 3: through trauma or like a big life changing event at

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Speaker 3: a certain age and then you're kind of stuck at

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Speaker 3: that age forever. And the things that stood out to

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Speaker 3: me here was that Barbara will always be eighteen years

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Speaker 3: old because that's the year that she got accidentally pregnant. Great.

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Speaker 3: When I say Barbara, I mean Deb Yeah, Deb is

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Speaker 3: always going to be eighteen years old, just co ed, frisky,

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Speaker 3: little animal. Yeah.

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Speaker 2: Yeah, because she tried, Like you can see how hard

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Speaker 2: she tried in the first few seasons, how hard she

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Speaker 2: tried to be the responsible southern mother what everybody expected

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Speaker 2: her to be, the perfect soccer mom or basketball mom

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Speaker 2: in this case. But yes, you nailed it.

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Speaker 3: And Lucas is always going to be a sixteen year

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Speaker 3: old boy because the faces he makes when he's going

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Speaker 3: through this Lindsey journeys, like the heartbreak and the hope.

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Speaker 3: And though she can't do this total sixteen year old boy,

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Speaker 3: we've watched him do it for multiple seasons now. But

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Speaker 3: then the real twist for me was Dan Scott in

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Speaker 3: this episode, who got down on Jamie's level and was

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Speaker 3: a four or five year old little kid that didn't

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Speaker 3: get the hugs he needed and throws really awful temper tantrums. Yeah,

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Speaker 3: and has never evolved past that point. That's it, and

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Speaker 3: it's just, Yeah, everybody's trapped at a certain age.

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Speaker 2: He's and that's why he's so desperate for everyone's approval

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Speaker 2: all the time.

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Speaker 3: Thinks he can get away with stuff. Yeah, a lot

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Speaker 3: of magical thinking with Dan Scott like with children, where

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Speaker 3: it's like I can make this disappear. Mm hmm.

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Speaker 2: Absolutely, And and that's why probably why he gets on

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Speaker 2: with Jamie so well too, and Jamie sens is that

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Speaker 2: camaraderie because I would never think of Dan Scott as

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Speaker 2: playful or like great with kids, and yet there is

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Speaker 2: that part of him that is that's actually where he's arrested.

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Speaker 2: That's so interesting.

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Speaker 3: Paul lights up when he's with that kid, He really does.

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Speaker 3: I was gonna say Lucas well. What was interesting by

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Speaker 3: what you said about Lucas is I really felt that

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Speaker 3: in I felt that in the moment when he took

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Speaker 3: the call from Lindsay at halftime girl like that Really,

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Speaker 3: I was like what grown man does not know to like,

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Speaker 3: there's got don't you don't take that call in the

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Speaker 3: middle of a game.

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Speaker 2: There's no way you pick up that phone. I know

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Speaker 2: you're waiting for her, but like, if it's bad news,

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Speaker 2: you gotta.

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Speaker 3: Know that not worth it. Here was my thinking is like,

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Speaker 3: you know, having played the woman who left him and

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Speaker 3: would have done anything for him, what a bitch move? Right,

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Speaker 3: Like she's been with him for years, she knows what

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Speaker 3: his basketball schedule is.

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Speaker 2: I thought the same thing too.

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Speaker 3: She knows it's like Friday night, it's like seven ish, yeh,

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Speaker 3: she knows he's in a game. She was hoping he

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Speaker 3: didn't have his phone in front of him and that

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Speaker 3: he wouldn't answer. She was trying to leave a voy.

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Speaker 2: Yeah that's good, that's good.

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Speaker 3: Yeah, it's like it's like the person that's like, I

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Speaker 3: left the message at six thirty in the.

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Speaker 2: Morning, you know, right when you were sleeping. I didn't

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Speaker 2: think she's trying to leave a message.

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Speaker 3: Allo.

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Speaker 2: I do think you're right about that now. But I

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Speaker 2: did think it was strange that she went ahead and

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Speaker 2: told him in the middle of the game that, and

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Speaker 2: he told her, like we're at halftime, in the middle

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Speaker 2: of a game, Like, why doesn't she just go yeay, listen,

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Speaker 2: I'm gonna call you right back. I'll call you back,

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Speaker 2: me get back to you, call me when you're done.

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Speaker 3: Oh it was just dick.

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Speaker 2: I didn't like it.

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Speaker 3: Well, and I it makes you wonder, you know, Like

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Speaker 3: we we like to be graceful about the age of

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Speaker 3: these characters. Like we have criticized Lucas, we've criticized Nathan,

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Speaker 3: we've criticized our own characters and then like with the disclaimer,

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Speaker 3: they're twenty two years old. Yeah, awful. I was awful

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Speaker 3: at twenty two years old. And Lizzy is also like

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Speaker 3: twenty two years old. Maybe she's just so sick of

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Speaker 3: being toyed with that. She had a dirty martini and

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Speaker 3: I was like, I'm gonna call him. I'm just gonna

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Speaker 3: call him and tell him.

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Speaker 2: Right in the middle of the game. Yeah, that was rough.

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Speaker 2: Well before that happened, I really liked seeing Lucas really

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Speaker 2: in his element. I know he's a writer and that's

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Speaker 2: the whole story, but I gonna say, like, I really

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Speaker 2: love him as a basketball coach. I feel like he

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Speaker 2: is hits his stride. He's so great with the players.

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Speaker 2: I mean, obviously he has some learning to do, but

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Speaker 2: I thought that was really fun to see because I

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Speaker 2: don't know that I've seen We've seen little moments of it,

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Speaker 2: but we haven't watched it for that long. It was

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Speaker 2: that was like a it was a good stretch. I

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Speaker 2: felt like that was about ten minutes of just basketball.

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Speaker 3: I put huge exclamation marks on here. Back to basketball.

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Speaker 3: I loved that we were back in the game and

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Speaker 3: my one of my favorite moments of this whole episode

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Speaker 3: is when the other coach and Lucas are kind of

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Speaker 3: like talking shit to each other. And now that my

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Speaker 3: kid is older and I'm going to see games and stuff,

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Speaker 3: there is a playfulness to like kids coaches where they're

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Speaker 3: having just as much fun as the kids. Yeah, getting spicy,

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Speaker 3: And I really really loved that. He the other coach

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Speaker 3: was like, y'all are going to get tired. You can't

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Speaker 3: keep this up. And then Lucas says subs And normally

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Speaker 3: it's like one or two, but Lucas replay replaces like

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Speaker 3: the entire team team, and the guy goes, what is

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Speaker 3: this hockey? And I loved it. I just I love

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Speaker 3: that notion that you don't have to play the game

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Speaker 3: like you're expected to and you can be really creative

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Speaker 3: with it and stay within the rules.

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Speaker 2: But I love that too, and I want to see

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Speaker 2: more of that. Yeah, but poor poor Quentin just huffing

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Speaker 2: and puffing and like rushing through. Man.

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Speaker 3: They turned that up to eleven eleven, Like Lucas got

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Speaker 3: that phone call from Lindsay, all of a sudden, he

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Speaker 3: was Joan Collins like, yeah, those poor children were like,

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Speaker 3: no more, coach Scott.

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Speaker 2: No more. Oh man, and why didn't Nathan jump in?

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Speaker 2: And why didn't skills? I mean, they tried, but it

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Speaker 2: was such a half assed effort, and I feel like

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Speaker 2: as is it as co coaches? I mean, Luke isn't

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Speaker 2: the coach, right? Isn't he a co coach with skills?

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Speaker 3: All I know is that.

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Speaker 4: I loved it so much because he goes, he goes

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Speaker 4: all right.

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Speaker 3: They all say Ravens on three and he says, no,

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Speaker 3: Bear Creek sucks. He makes the children yell Bear Creeks

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Speaker 3: so so sad. That is not Lucas Scott. We need

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Speaker 3: to defund him.

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Speaker 2: No, And then what the hell other coach is? Who

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Speaker 2: are these Bear Creek people? Where the coach is like, yeah,

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Speaker 2: break that kid's arm? What the hell kind of a

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Speaker 2: high school game? You're gonna ruin somebody's entire future for? Yeah,

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Speaker 2: because you're down. I don't know, is that real? Does

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Speaker 2: that happen a lot? And I just don't know about it.

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Speaker 2: I don't know a lot about high school sports.

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Speaker 3: I guess I do. I think that there's always like

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Speaker 3: that asshole coach like I've seen them because I went

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Speaker 3: to a really, really really competitive sport high school. Yeah,

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Speaker 3: and I think that there were certain players on our

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Speaker 3: team that other teams you would see them like go

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Speaker 3: for them, really target them. And I'm sure we did

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Speaker 3: the same thing to other schools, you know what. But

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Speaker 3: it's never the head coach. The head coach is always

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Speaker 3: this figurehead that's like wholesome and above reproach. It's always

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Speaker 3: like like the the offensive coach, you know, or like

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Speaker 3: the person that specializes in defense. It's like, yeah, you

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Speaker 3: get in there and you, you know, take the ankle out.

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Speaker 3: It's not the head coach is the one that has

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Speaker 3: to like smile for the cameras. It wouldn't have been Lucas.

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Speaker 3: It would have been like a special teams coach or

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Speaker 3: are there special teams in basketball? That's a football thing.

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Speaker 2: I don't know.

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Speaker 3: Sports sports, sports sports, But I love that this three

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Speaker 3: point strategy that Jamie came up with is so effective.

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Speaker 2: Yes, isn't that so fun? I love that they had

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Speaker 2: they involved him in that.

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Speaker 3: It's fun to watch.

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Speaker 2: Yeah, I would like to watch a whole basketball game

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Speaker 2: like that, like a real.

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Speaker 3: One, because even once you figure out the trick of

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Speaker 3: it right where you're like, all they're doing is shooting

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Speaker 3: three pointers. Yeah, if anyone can shoot, it's like impossible

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Speaker 3: to guard, and so it just you have to be

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Speaker 3: all over the court instead of kind of bunched up

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Speaker 3: in the middle or like right under the net. You

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Speaker 3: have to be everywhere at once, and it's impossible.

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Speaker 2: Did you watch Ted Lasso. No, that was one of

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Speaker 2: the things they did on the show. They broke up

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Speaker 2: the strategy and it was almost identical to that, like

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Speaker 2: you did. Anybody can shoot, so so there's no way

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Speaker 2: to guard. So anybody's it's anybody's ball at any moment.

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Speaker 3: In football, we called it this. It was a single

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Speaker 3: wing offense where the entire team could be a receiver,

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Speaker 3: which and like they would throw it to like the kicker.

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Speaker 3: Sometimes they would throw the ball to like a big,

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Speaker 3: huge offensive lineman would carry the ball for a while,

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Speaker 3: and so the other teams were so confused. They were like,

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Speaker 3: what is Parkview doing? Like you pass the ball to

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Speaker 3: the guy that's four hundred pounds and can't run, And

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Speaker 3: we were like, yes, you.

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Speaker 2: Do, Yes, you do. Why don't we do that? More?

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Speaker 2: Like why don't they do that more? In sports? It

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Speaker 2: feels like it would be the most fun way to play.

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Speaker 3: Just tricking people, tricking people. Yeah, and you never quite

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Speaker 3: know what to expect.

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Speaker 2: Like I get the idea of laying out a strategy

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Speaker 2: and doing a play, and maybe it's sort of like

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Speaker 2: what we do, and when we rehearse, like blocking rehearsal,

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Speaker 2: you have a general sense of where you're going to go.

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Speaker 2: And I could see why it might feel a bit

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Speaker 2: like pandemonium if anybody can do anything. But I mean,

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Speaker 2: there's still rules. But if the whole team is working

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Speaker 2: really well together and really in sync, yeah, I could

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Speaker 2: see that would be really fun.

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Speaker 3: We should well yeah, now, well that's that's how we'll

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Speaker 3: do our next rehearsal. Well, just anybody can say the lines, right,

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Speaker 3: You don't nearly have to say the lines.

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Speaker 2: Anybody can say you walk anywhere you want.

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Speaker 3: It will just be like a play. Uh huh.

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Speaker 2: Anybody can say the lines. That's great.

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Speaker 3: Okay. So at the beginning of the episode, hold on,

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Speaker 3: I'm going back. I need extensive notes here. So the

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Speaker 3: whole Brook thing at the hospital, is it wrong of

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Speaker 3: me to be a little butt hurt that Peyton gets up,

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Speaker 3: takes Brook to the hospital, is sitting with her, but

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Speaker 3: then the second Lucas gets there, Brooks like get lost like,

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Speaker 3: I'm sure Peyton would have loved to sit there with Lucas. Yeah,

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Speaker 3: I don't know.

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Speaker 2: She wasn't was she giving you permission to leave? Because

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Speaker 2: you know it was awkward for you?

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Speaker 3: It wasn't awkward for Peyton. Peyton would love to hang

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Speaker 3: out with Lucas and have an excuse. But then when

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Speaker 3: Brook says in front of Lucas like you can go,

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Speaker 3: if Peyton's.

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Speaker 2: Like, dude, dude, say help me out.

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Speaker 3: Man, Yeah, no, listen, we can all like reminisce together.

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Speaker 3: Let's just sit here.

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Speaker 2: I'll stay man, I'm all stay right here.

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Speaker 3: I didn't love it.

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Speaker 2: Well, Peyton had some stuff to do though, She had

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Speaker 2: to go take care of her big recording day with Haley,

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Speaker 2: and Mia shows up and that's fun. Nice to see

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Speaker 2: well Katie again.

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Speaker 3: The commercials that we did this episode.

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Speaker 2: Full on commercials, it's great. I mean, hey, like at

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Speaker 2: least it's a worthy cause. Well between the vote and

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00:17:39,800 --> 00:17:42,240
Speaker 2: then hold On wrote it down here. Oh yeah, he

336
00:17:42,400 --> 00:17:47,919
Speaker 2: saw Starburs Thursday Night concert series six Flags. There you go.

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Speaker 3: So that's USh two heavy hitters in there, man. Yeah.

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Speaker 3: And I remember it being this thing of like, why

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Speaker 3: don't you just improvise and tell us what your favorite

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00:17:57,280 --> 00:17:58,480
Speaker 3: starburst color is?

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Speaker 2: Oh really, they asked you. Yeah, like if it's not

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00:18:02,040 --> 00:18:04,359
Speaker 2: in the script, I'm not saying it, but asking me.

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Speaker 3: Yeah, give me my money whatever. Man, I guess they

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00:18:08,320 --> 00:18:11,200
Speaker 3: were keep right. Maybe they really were sponsoring Kate's tour.

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Speaker 3: Seems like that's reasonable. Was Kate on tour at that moment?

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Speaker 2: Though?

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Speaker 3: I have no idea. Yeah this, I remember wearing this outfit.

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00:18:21,800 --> 00:18:25,320
Speaker 3: I remember filming the water balloon stuff with you.

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Speaker 2: Yeah, I remember that too.

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Speaker 3: No other part of this, yeah, no other part.

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Speaker 2: But I'll tell you what. All of our makeup looked

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Speaker 2: really good in this episode. Did you notice that?

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Speaker 3: Do you know? What I noticed is how like fresh

354
00:18:37,640 --> 00:18:41,880
Speaker 3: and pale we all were. Remember in the early aughts

355
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Speaker 3: when we could be so pale and it wasn't a

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Speaker 3: vampire show. We just didn't understand contour or bronzing or

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Speaker 3: any of that mess.

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Speaker 2: That's right, Just that was pre Kardashian, like before they

359
00:18:55,600 --> 00:18:57,800
Speaker 2: were teaching everyone about drawing on your face.

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Speaker 3: I don't know. We were translucent. It was glorious.

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00:19:01,480 --> 00:19:03,920
Speaker 2: Yeah, it was really lovely, Like what's wrong with that?

362
00:19:05,680 --> 00:19:08,359
Speaker 3: No? I was into it. I liked it. It's so

363
00:19:08,480 --> 00:19:12,560
Speaker 3: funny when you look at the trends from now and then, yeah,

364
00:19:12,600 --> 00:19:17,640
Speaker 3: and you see like young kids look super super adult,

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Speaker 3: and like on Disney shows and Nickelodeon shows and stuff

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Speaker 3: like that, you're like, wow, you look forty and you're fourteen.

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Speaker 3: That's crazy. I feel like, looking back on these shows,

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00:19:28,480 --> 00:19:29,959
Speaker 3: we did look age appropriate.

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Speaker 2: Absolutely. That was I think such a part of the

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Speaker 2: character of the show, the town, the realism of the

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Speaker 2: life that we were living. But yeah, you're right, it

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Speaker 2: is funny. Maria went to school today and they had

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Speaker 2: like character day, so you dress up like your favorite character.

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Speaker 2: So she decided to go as Rory Gilmore, and my god,

375
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Speaker 2: it's so cute, right, And so we're looking through and

376
00:19:59,400 --> 00:20:01,840
Speaker 2: she's like, we're kind of scrambling this morning to get

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Speaker 2: it together. She's like, mom, do you have a Henley.

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00:20:05,640 --> 00:20:08,800
Speaker 2: I'm like a Henley. Wait, I don't even I literally

379
00:20:08,800 --> 00:20:11,400
Speaker 2: don't even remember what that is. And she's showing me these.

380
00:20:11,680 --> 00:20:14,760
Speaker 2: It's a long or short sleeved shirt. It's like usually

381
00:20:14,800 --> 00:20:17,160
Speaker 2: tight or ribbed, and it has those three it's kind

382
00:20:17,160 --> 00:20:18,880
Speaker 2: of like this, and it's got three buttons.

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Speaker 3: At the top. Yeah, like a thermal.

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00:20:20,920 --> 00:20:23,399
Speaker 2: Yeah, like a thermal but with like the three buttons

385
00:20:23,440 --> 00:20:25,560
Speaker 2: on the top. Apparently that's called a Henley. I feel

386
00:20:25,680 --> 00:20:29,000
Speaker 2: super out of touch, but it's back in trend now.

387
00:20:29,040 --> 00:20:31,080
Speaker 2: And she's like, Mom, don't you have one? Because you're

388
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Speaker 2: from all your old clothes. I was like, oh my gosh,

389
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Speaker 2: I don't have I do not. She ended up in

390
00:20:36,160 --> 00:20:38,679
Speaker 2: a sweater and jeans and converse and I made her

391
00:20:38,720 --> 00:20:41,119
Speaker 2: a mug that I tried to draw the Luke's logo

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Speaker 2: on it, and then and handed her crime and punishment

393
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Speaker 2: to walk out the door. And she looked at both

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Speaker 2: of them and was like, I don't want your props.

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Speaker 3: That's such a Loreli thing for you to do. It's

396
00:20:52,080 --> 00:20:54,200
Speaker 3: just like drawing a post it note real fast.

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Speaker 2: Here, here's a coffee cap, says Lukes. There you go,

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Speaker 2: fare that'll work.

399
00:20:57,880 --> 00:21:00,200
Speaker 3: Yeah, the trends really have come back.

400
00:21:00,240 --> 00:21:02,639
Speaker 2: And in fact, I know we see a lot of

401
00:21:02,680 --> 00:21:06,560
Speaker 2: the kids who have done all this high contour and

402
00:21:06,600 --> 00:21:08,760
Speaker 2: it's all the makeup trends on TikTok and everything. But

403
00:21:08,880 --> 00:21:12,000
Speaker 2: I think the natural look is coming back. All that

404
00:21:12,119 --> 00:21:14,840
Speaker 2: high flutin stuff is mellowing out. And I see a

405
00:21:14,880 --> 00:21:19,120
Speaker 2: lot of Maria and her friends a lot more makeup. Yeah,

406
00:21:19,119 --> 00:21:22,080
Speaker 2: it's a lot more mellow makeup. So it'll come back around.

407
00:21:22,160 --> 00:21:24,320
Speaker 2: I'm sure the vampire paleness will come back to.

408
00:21:25,000 --> 00:21:30,720
Speaker 3: Listen and like the super like Matt like just powder me, powder, powder,

409
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Speaker 3: just love it.

410
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Speaker 2: I loved our makeup though.

411
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Speaker 3: You know who looked very good in this episode? We

412
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Speaker 3: have to talk about? This is the doctor?

413
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Speaker 2: Okay? Excuse me? Yes, major chemistry with Brooke? Where did

414
00:21:48,560 --> 00:21:54,639
Speaker 2: he go? I was dying for that storyline? Same hard,

415
00:21:54,800 --> 00:21:57,359
Speaker 2: same like, can we please find out that actor's name?

416
00:21:57,400 --> 00:21:58,560
Speaker 3: We should probably talk about him?

417
00:21:58,640 --> 00:21:59,200
Speaker 2: Yeah we should?

418
00:22:00,080 --> 00:22:07,000
Speaker 3: Oh my good he was American? Andy right? American? And

419
00:22:07,760 --> 00:22:10,600
Speaker 3: which is like Chris Beatam Okay, Chris beat them? What

420
00:22:10,640 --> 00:22:12,879
Speaker 3: the hell else has Chris Beatam been doing these days?

421
00:22:12,920 --> 00:22:14,320
Speaker 3: Come on, Chris, Chris.

422
00:22:13,960 --> 00:22:16,000
Speaker 2: Where why didn't you stay on our show and make

423
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Speaker 2: us all so happy?

424
00:22:17,480 --> 00:22:21,359
Speaker 3: He was so dialed in. And what I really loved

425
00:22:21,359 --> 00:22:24,960
Speaker 3: about this performance between Sophia and him was that there

426
00:22:25,040 --> 00:22:29,440
Speaker 3: was no wink wink, like, hey, we're flirting over the baby?

427
00:22:29,560 --> 00:22:32,000
Speaker 2: No, And I loved it. He wouldn't give her his

428
00:22:32,040 --> 00:22:34,800
Speaker 2: first name in that moment. At first, I was like, oh,

429
00:22:34,800 --> 00:22:36,400
Speaker 2: why aren't you? Like what's wrong with you, why don't

430
00:22:36,440 --> 00:22:39,080
Speaker 2: you tell her? But it actually felt really great. I agree.

431
00:22:39,320 --> 00:22:41,280
Speaker 2: Just needed to keep it professional.

432
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Speaker 3: That's it. He was like the first person that remained

433
00:22:44,520 --> 00:22:47,639
Speaker 3: professional with her. Like think about like the English teacher

434
00:22:47,760 --> 00:22:50,960
Speaker 3: she hooked up with, and then like, yeah she hooked

435
00:22:51,040 --> 00:22:52,640
Speaker 3: up with that was totally unprofessed.

436
00:22:53,280 --> 00:22:55,119
Speaker 2: It was like everybody was always looking out for they

437
00:22:55,200 --> 00:22:57,639
Speaker 2: just oh she did. They just couldn't resist her. But

438
00:22:57,800 --> 00:23:00,320
Speaker 2: what a gross placed position to be in where you

439
00:23:00,320 --> 00:23:02,840
Speaker 2: feel like no man can ever resist you, no matter

440
00:23:02,880 --> 00:23:05,520
Speaker 2: what they've gotten, they've got integrity until they meet you.

441
00:23:05,840 --> 00:23:10,760
Speaker 2: Like gross, that's just that that's such an unsafe place

442
00:23:11,000 --> 00:23:16,040
Speaker 2: to live in. Emotionally, well, he hasn't aged a day, No,

443
00:23:16,040 --> 00:23:16,480
Speaker 2: not at all.

444
00:23:16,560 --> 00:23:22,280
Speaker 3: He was inside Amy Schumer Law and Order SVU. He

445
00:23:22,320 --> 00:23:23,879
Speaker 3: did three episodes.

446
00:23:23,600 --> 00:23:25,679
Speaker 2: Cocked Down Mister Popper's Penguins.

447
00:23:26,440 --> 00:23:29,000
Speaker 3: He was on Bowl blind Spot. He's got to be

448
00:23:29,119 --> 00:23:31,320
Speaker 3: New York based here because he's doing all the New

449
00:23:31,400 --> 00:23:34,160
Speaker 3: York shows, all right, Chris beat him?

450
00:23:34,840 --> 00:23:36,760
Speaker 2: Yeah, pan am oh, that makes sense.

451
00:23:37,240 --> 00:23:38,800
Speaker 3: He was in the following.

452
00:23:39,240 --> 00:23:42,560
Speaker 2: Yeah, like, I really her and I love that he

453
00:23:43,640 --> 00:23:46,239
Speaker 2: kept it professional and was that was so caring of

454
00:23:46,320 --> 00:23:49,159
Speaker 2: him to really look out for Brooks' best interests.

455
00:23:49,720 --> 00:23:52,480
Speaker 3: Yeah. Can you imagine a doctor hitting on you and

456
00:23:52,480 --> 00:23:54,199
Speaker 3: then taking away a baby that he had to do

457
00:23:54,240 --> 00:23:54,880
Speaker 3: surgery on?

458
00:23:55,520 --> 00:23:57,800
Speaker 2: No, and then what if the surgery doesn't go well?

459
00:23:57,800 --> 00:23:59,840
Speaker 2: It's like, what were you sitting there thinking about me?

460
00:24:00,080 --> 00:24:00,920
Speaker 2: Did you get distracted?

461
00:24:00,960 --> 00:24:01,119
Speaker 3: Like what?

462
00:24:01,240 --> 00:24:03,720
Speaker 2: I don't understand. Why are you're flirting with me before

463
00:24:03,760 --> 00:24:06,200
Speaker 2: you do a surgery on this trial? Gross?

464
00:24:06,240 --> 00:24:10,440
Speaker 3: He was above board, so handsome. I can't understand why

465
00:24:10,480 --> 00:24:14,680
Speaker 3: we didn't keep that storyline going. But I did notice

466
00:24:15,600 --> 00:24:17,960
Speaker 3: the Lucas cock blocking that went down.

467
00:24:18,119 --> 00:24:22,439
Speaker 2: I noticed that too, Like and what is he doing?

468
00:24:23,600 --> 00:24:25,119
Speaker 2: Why was he interfering?

469
00:24:26,160 --> 00:24:26,440
Speaker 3: Why?

470
00:24:26,560 --> 00:24:26,760
Speaker 2: Yeah?

471
00:24:26,840 --> 00:24:29,000
Speaker 3: He showed up with that coffee, and I was like,

472
00:24:29,200 --> 00:24:30,400
Speaker 3: abort abart.

473
00:24:30,760 --> 00:24:33,520
Speaker 2: I think he's in the next episode. It says he

474
00:24:33,560 --> 00:24:36,720
Speaker 2: did three episodes and we've only seen him in two

475
00:24:36,840 --> 00:24:37,840
Speaker 2: right when he met with her.

476
00:24:37,880 --> 00:24:41,120
Speaker 3: I've seen him in three because they met the first time, Yeah,

477
00:24:41,200 --> 00:24:44,399
Speaker 3: in his office, and then they've talked a second time.

478
00:24:44,640 --> 00:24:48,360
Speaker 3: Because we're all like, does this guy stay? I think so,

479
00:24:48,680 --> 00:24:51,480
Speaker 3: I don't know, you guys, I just think he's I

480
00:24:51,480 --> 00:24:55,439
Speaker 3: don't know. He was really wonderful and like Lucas is asking,

481
00:24:55,520 --> 00:24:56,520
Speaker 3: He's like, what's going on with you?

482
00:24:56,600 --> 00:24:57,040
Speaker 2: And Owen.

483
00:24:57,760 --> 00:24:59,119
Speaker 3: You know, oh he is in.

484
00:24:59,119 --> 00:25:01,639
Speaker 2: The next episode. Oh good, okay, so we'll see it.

485
00:25:01,680 --> 00:25:05,240
Speaker 2: We'll see something happen there. It has to he's married.

486
00:25:05,280 --> 00:25:06,080
Speaker 2: Maybe he's married.

487
00:25:07,040 --> 00:25:09,200
Speaker 3: Oh that's always.

488
00:25:08,840 --> 00:25:11,040
Speaker 2: A bump out, right, I bet he's married.

489
00:25:12,000 --> 00:25:16,280
Speaker 3: I bet he is. Someone was like, I'm all Marius Rgin,

490
00:25:17,040 --> 00:25:20,240
Speaker 3: that's right. But he would have been a great match

491
00:25:20,280 --> 00:25:22,959
Speaker 3: for Brooke because he's got a job where he is

492
00:25:23,000 --> 00:25:26,360
Speaker 3: her equal but does not give a shit about like.

493
00:25:26,440 --> 00:25:29,840
Speaker 2: The fame part of it's not intimidated by her, so caring.

494
00:25:30,400 --> 00:25:30,640
Speaker 3: Man.

495
00:25:30,840 --> 00:25:33,560
Speaker 2: I really feel like we missed out on that. If

496
00:25:33,560 --> 00:25:35,920
Speaker 2: we couldn't have a Brooke and Uncle Cooper storyline, can

497
00:25:35,960 --> 00:25:39,879
Speaker 2: I please at least have Brooke and Doctor Copeland.

498
00:25:40,600 --> 00:25:43,399
Speaker 3: They take away all the people that are like real

499
00:25:44,160 --> 00:25:49,120
Speaker 3: viable options. But the conversation with Luke and Brooke where

500
00:25:49,119 --> 00:25:52,200
Speaker 3: they're sitting there and they're, you know, she's asking about

501
00:25:52,240 --> 00:25:55,160
Speaker 3: Lindsay and he's and she says she's gonna call, She's

502
00:25:55,200 --> 00:25:59,119
Speaker 3: gonna call, she will, and then Luke asks about Owen

503
00:25:59,720 --> 00:26:04,000
Speaker 3: and obviously nothing's going on there, but Luke has comment

504
00:26:04,040 --> 00:26:08,280
Speaker 3: about Lindsay. Was it he said, I'll be okay for

505
00:26:08,359 --> 00:26:12,159
Speaker 3: a little while. Longer. When Brooke said she'll be in

506
00:26:12,240 --> 00:26:17,600
Speaker 3: touch this whole thing leading up to the Lindsay okay.

507
00:26:17,359 --> 00:26:19,240
Speaker 2: For a little while longer, Oh, like I can keep

508
00:26:19,240 --> 00:26:20,560
Speaker 2: holding out until.

509
00:26:20,280 --> 00:26:23,679
Speaker 3: She Yeah, Brook's crying and she says, I didn't I

510
00:26:23,720 --> 00:26:26,400
Speaker 3: never told Angie that I loved her, right, And then

511
00:26:26,400 --> 00:26:29,040
Speaker 3: they're like, okay, well, now let's we said the word love.

512
00:26:29,119 --> 00:26:32,120
Speaker 3: Let's talk about our love lives. Yeah, and she talks

513
00:26:32,119 --> 00:26:34,679
Speaker 3: about Owen. She's like, what about Lindsay. Luke says, I

514
00:26:34,680 --> 00:26:37,160
Speaker 3: haven't talked to her in one week. It's been one

515
00:26:37,160 --> 00:26:40,600
Speaker 3: week that I have not heard from her, And he says,

516
00:26:40,760 --> 00:26:44,280
Speaker 3: I'll be okay for a little while longer, And I

517
00:26:44,320 --> 00:26:50,920
Speaker 3: was like, but what does that mean? Like maybe I'm

518
00:26:50,960 --> 00:26:55,239
Speaker 3: being sensitive because all of the like Peyton wants him

519
00:26:55,359 --> 00:26:59,080
Speaker 3: so bad and he really wants to be with Lindsay,

520
00:26:59,640 --> 00:27:03,080
Speaker 3: and I'm starting to feel like a consolation prize at

521
00:27:03,080 --> 00:27:05,480
Speaker 3: this point, Like I said that a couple of weeks ago,

522
00:27:05,720 --> 00:27:08,760
Speaker 3: you did, and now it really feels.

523
00:27:08,440 --> 00:27:15,119
Speaker 4: Like that, Like, oh, he really is exhausting every tool

524
00:27:15,240 --> 00:27:18,080
Speaker 4: in his kit to like try to get Lindsay back,

525
00:27:18,119 --> 00:27:20,760
Speaker 4: And only when all hope is lost is he like.

526
00:27:21,720 --> 00:27:26,800
Speaker 3: Fine, Peyton does Lindsay Ever come back. I hope so

527
00:27:26,840 --> 00:27:27,320
Speaker 3: she's fun.

528
00:27:27,560 --> 00:27:29,920
Speaker 2: I can't remember if she came back and like and

529
00:27:29,960 --> 00:27:32,760
Speaker 2: he still then he chose Peyton or if that was Ever.

530
00:27:34,280 --> 00:27:39,800
Speaker 2: That sucks. I just I really, I mean Lucas. Lucas

531
00:27:40,000 --> 00:27:42,280
Speaker 2: was rough for me in this episode and watching him.

532
00:27:42,880 --> 00:27:45,760
Speaker 2: First of all, when you walked into Trick and he

533
00:27:45,920 --> 00:27:48,879
Speaker 2: was passed out. You in the shadows, I thought you

534
00:27:48,920 --> 00:27:53,440
Speaker 2: were Mikayla. The way that that was shot, briefly, there

535
00:27:53,440 --> 00:27:55,160
Speaker 2: was a brief moment where I went, oh my god,

536
00:27:55,200 --> 00:27:58,040
Speaker 2: it Lindsay came back and then you walked out it

537
00:27:58,080 --> 00:28:02,160
Speaker 2: was you, and you know, there she is. She's picking

538
00:28:02,240 --> 00:28:05,200
Speaker 2: him up, she's taking him home, taking care of him,

539
00:28:05,359 --> 00:28:09,200
Speaker 2: being a friend, and he says, I hate you. You

540
00:28:09,640 --> 00:28:12,560
Speaker 2: ruined my life. You're ruining my life.

541
00:28:14,640 --> 00:28:17,200
Speaker 3: The whole speech that Mea gives the guys are honest

542
00:28:17,240 --> 00:28:21,639
Speaker 3: when they're drunk. Oh yeah, ah yeah, So this happened

543
00:28:21,680 --> 00:28:22,879
Speaker 3: in real life on the show.

544
00:28:23,600 --> 00:28:25,080
Speaker 2: What do you mean in real life on the show?

545
00:28:25,560 --> 00:28:30,000
Speaker 3: An actor who shall remain nameless. I ran into in

546
00:28:30,080 --> 00:28:34,679
Speaker 3: town at a bar and they were ham boned and

547
00:28:34,720 --> 00:28:37,000
Speaker 3: I walked in and they were like, what are you

548
00:28:37,160 --> 00:28:41,920
Speaker 3: doing here? No one even likes you and like, like

549
00:28:42,080 --> 00:28:45,960
Speaker 3: when off on me? And I was like, what, like,

550
00:28:46,280 --> 00:28:50,200
Speaker 3: nobody likes you? And I was like, okay, all right,

551
00:28:50,280 --> 00:28:53,240
Speaker 3: and I was like, you need to leave, and so

552
00:28:53,320 --> 00:28:55,200
Speaker 3: I left. And then the next day I got a

553
00:28:55,240 --> 00:28:59,280
Speaker 3: phone call and it was this person saying, I don't

554
00:28:59,280 --> 00:29:02,200
Speaker 3: remember what I said said to you, but I woke

555
00:29:02,280 --> 00:29:05,040
Speaker 3: up this morning and I remember your face and I

556
00:29:05,080 --> 00:29:08,960
Speaker 3: said something so horrible to you, and I'm so sorry

557
00:29:09,280 --> 00:29:12,720
Speaker 3: and I don't remember what I said, but I didn't

558
00:29:12,800 --> 00:29:16,960
Speaker 3: mean it. And it was such a weird, like sweet,

559
00:29:17,000 --> 00:29:22,160
Speaker 3: awful interaction. And it's still to this day it haunts

560
00:29:22,200 --> 00:29:25,440
Speaker 3: me because I'm like, that's that was the real reaction.

561
00:29:26,160 --> 00:29:28,200
Speaker 3: Do boys tell the truth when they're drunk?

562
00:29:28,480 --> 00:29:28,959
Speaker 5: I don't know.

563
00:29:29,480 --> 00:29:31,920
Speaker 2: I think everybody tells the truth of what they're feeling

564
00:29:31,920 --> 00:29:35,400
Speaker 2: in that exact moment. I don't know that the truth

565
00:29:35,560 --> 00:29:39,760
Speaker 2: is actually the actual truth. I think it's just the

566
00:29:39,800 --> 00:29:41,400
Speaker 2: truth of my feelings right now.

567
00:29:41,760 --> 00:29:44,560
Speaker 3: Yeah. I mean, look, I know who I am when

568
00:29:44,600 --> 00:29:47,400
Speaker 3: I walk into a bar. Maybe not everybody's pumped for

569
00:29:47,440 --> 00:29:52,840
Speaker 3: that energy. It's like cool, cool, at least you're straight

570
00:29:52,920 --> 00:29:53,480
Speaker 3: up about it.

571
00:29:53,680 --> 00:29:55,520
Speaker 2: Wow. Yeah aggressive.

572
00:29:55,640 --> 00:29:59,080
Speaker 3: But then when this was in the script, I was like, wait,

573
00:29:59,240 --> 00:30:03,560
Speaker 3: does yeah, this is this a reference to that?

574
00:30:03,920 --> 00:30:05,680
Speaker 2: Did you tell anybody about it? Like how did that

575
00:30:05,800 --> 00:30:07,440
Speaker 2: end up getting into Yeah?

576
00:30:07,520 --> 00:30:08,400
Speaker 3: People know about it?

577
00:30:08,640 --> 00:30:09,880
Speaker 2: Okay, so yeah maybe.

578
00:30:09,880 --> 00:30:13,120
Speaker 3: But that's not I mean, look, life's wanting big quink

579
00:30:13,200 --> 00:30:16,760
Speaker 3: at ink. It could just be totally random. Maybe this

580
00:30:16,800 --> 00:30:18,840
Speaker 3: is something that boys do all the time, is get

581
00:30:18,840 --> 00:30:23,400
Speaker 3: hamboned and say mean things to girls. But I remember

582
00:30:24,160 --> 00:30:28,560
Speaker 3: playing that scene and that's what I was thinking about

583
00:30:28,560 --> 00:30:30,400
Speaker 3: when Peyton reacted to Lucas.

584
00:30:30,560 --> 00:30:33,240
Speaker 2: It was a good reaction, that turn at the door,

585
00:30:33,280 --> 00:30:37,760
Speaker 2: and then just what that was so innocent and sweet,

586
00:30:37,840 --> 00:30:41,880
Speaker 2: Like you couldn't possibly have just said that to me?

587
00:30:43,040 --> 00:30:43,640
Speaker 2: Broke my eye?

588
00:30:43,680 --> 00:30:44,080
Speaker 3: He did?

589
00:30:44,600 --> 00:30:45,000
Speaker 2: He did.

590
00:30:45,080 --> 00:30:46,440
Speaker 3: He meant it so much.

591
00:30:47,000 --> 00:30:49,680
Speaker 2: Why do you think he said that? Is it like

592
00:30:49,760 --> 00:30:51,520
Speaker 2: it's really that I love you?

593
00:30:52,240 --> 00:30:53,960
Speaker 3: I don't know. I didn't love that Peyton was like

594
00:30:54,080 --> 00:30:56,800
Speaker 3: stroking his hair and stuff. Like if the tables have

595
00:30:56,880 --> 00:30:59,680
Speaker 3: been turned and a boy was like stroking a pasted

596
00:30:59,680 --> 00:31:02,080
Speaker 3: out chick's hair and then kissing her on the head

597
00:31:02,120 --> 00:31:03,120
Speaker 3: and stuff, we'd be like.

598
00:31:04,280 --> 00:31:06,000
Speaker 2: I don't know if it's a friend. It's like you

599
00:31:06,560 --> 00:31:08,280
Speaker 2: care about somebody and you're just like.

600
00:31:08,760 --> 00:31:11,320
Speaker 3: But they're not friends, Like if it was Brooke, I

601
00:31:11,360 --> 00:31:12,320
Speaker 3: would understand it.

602
00:31:12,440 --> 00:31:16,120
Speaker 2: They're still friends, they have such a long history. She

603
00:31:16,240 --> 00:31:20,560
Speaker 2: cares about him. It felt totally just genuine and loving

604
00:31:20,640 --> 00:31:22,080
Speaker 2: and not creepy at all to me.

605
00:31:22,440 --> 00:31:24,840
Speaker 3: Really, because I thought Pain was being a total creep No,

606
00:31:25,280 --> 00:31:27,440
Speaker 3: just about it. I can't have you in real life,

607
00:31:27,520 --> 00:31:30,640
Speaker 3: so I'll wait for passed out and then I will

608
00:31:30,760 --> 00:31:33,280
Speaker 3: pitch you gross.

609
00:31:33,960 --> 00:31:35,800
Speaker 2: No, they have a long history. For me, it was

610
00:31:35,920 --> 00:31:38,080
Speaker 2: it felt totally natural. They've known each other for so long,

611
00:31:38,120 --> 00:31:40,600
Speaker 2: they've been through so much together. When you see somebody

612
00:31:40,600 --> 00:31:42,880
Speaker 2: that you've been through a lot with, regardless of the

613
00:31:42,920 --> 00:31:45,640
Speaker 2: status of your relationship at that moment, and you see

614
00:31:45,680 --> 00:31:48,320
Speaker 2: them in a bad place, of course you reach out

615
00:31:48,320 --> 00:31:50,680
Speaker 2: and you give them a hug, you stroke their hair,

616
00:31:50,720 --> 00:31:52,520
Speaker 2: and like, I love you.

617
00:31:52,760 --> 00:31:55,280
Speaker 3: I guess see Luca's waking up. Why are you touching me?

618
00:31:57,520 --> 00:31:59,880
Speaker 2: I hate you? You wrote a lot.

619
00:32:01,200 --> 00:32:04,960
Speaker 3: Where are you touching me? No? I want it to

620
00:32:05,040 --> 00:32:07,880
Speaker 3: work out for Peyton and Lucas. I just wish it.

621
00:32:09,440 --> 00:32:13,200
Speaker 3: I don't know how it's gonna be justified, Like, I

622
00:32:13,240 --> 00:32:17,160
Speaker 3: don't know how it's not consolation price second pickens.

623
00:32:17,400 --> 00:32:20,000
Speaker 2: Yeah, I hope that they address that. I hope Peyton

624
00:32:20,040 --> 00:32:23,280
Speaker 2: actually really addresses that. Do you remember ever having conversations

625
00:32:23,280 --> 00:32:24,520
Speaker 2: with the writers about that?

626
00:32:25,480 --> 00:32:25,640
Speaker 5: No?

627
00:32:25,960 --> 00:32:30,400
Speaker 3: I like, seriously, right now, all these years later, I'm

628
00:32:30,440 --> 00:32:33,479
Speaker 3: just a viewer at this point because I don't remember

629
00:32:33,520 --> 00:32:36,160
Speaker 3: how we get there, and I remember being really excited

630
00:32:36,640 --> 00:32:39,520
Speaker 3: about getting there and like Peyton and Lucas finally getting

631
00:32:39,560 --> 00:32:45,240
Speaker 3: together because I was all, I'm all for it. I

632
00:32:45,400 --> 00:32:49,040
Speaker 3: just don't know what the stepping stones are. I'm still

633
00:32:49,040 --> 00:32:52,400
Speaker 3: trying to figure it out, and I can't nothing. I

634
00:32:52,440 --> 00:33:03,880
Speaker 3: got nothing fixed, especially not after that. I want to

635
00:33:03,880 --> 00:33:09,120
Speaker 3: talk about Haley. Really, this storyline felt the realist to me,

636
00:33:09,880 --> 00:33:15,200
Speaker 3: Like Haley hearing me talk about I couldn't possibly have

637
00:33:15,280 --> 00:33:18,680
Speaker 3: commitments in my life like a husband or a kid,

638
00:33:18,960 --> 00:33:21,280
Speaker 3: or you have a boyfriend or a cat. You know,

639
00:33:22,920 --> 00:33:24,720
Speaker 3: that sting felt real.

640
00:33:25,840 --> 00:33:29,160
Speaker 2: It did. It's a it is a very real thing

641
00:33:29,920 --> 00:33:32,240
Speaker 2: when you watch musicians go on the road and the

642
00:33:32,280 --> 00:33:36,479
Speaker 2: way that their lives are, it's legitimately. I mean, we

643
00:33:36,520 --> 00:33:38,640
Speaker 2: look at like our transpot guys, you know, first and

644
00:33:38,800 --> 00:33:42,920
Speaker 2: last out m and it's like it's that schedule but

645
00:33:45,040 --> 00:33:47,240
Speaker 2: more because you actually don't get to go home at

646
00:33:47,240 --> 00:33:51,440
Speaker 2: the end of the night at all. There's no Yeah,

647
00:33:51,760 --> 00:33:53,880
Speaker 2: you're just on a bus and hopefully you go back

648
00:33:53,920 --> 00:33:56,320
Speaker 2: and see your family. I mean, unless you're a massive

649
00:33:56,320 --> 00:33:58,680
Speaker 2: superstar and then you can afford to have a family

650
00:33:58,760 --> 00:34:01,520
Speaker 2: bus and then a crew bus and then a musician bus.

651
00:34:01,960 --> 00:34:04,560
Speaker 2: But most most people on tour are not in that.

652
00:34:04,560 --> 00:34:07,840
Speaker 2: They're lucky if they get a a bus for everything. Yeah,

653
00:34:07,880 --> 00:34:12,239
Speaker 2: it's usually you you're in a van or you're you know,

654
00:34:12,560 --> 00:34:15,440
Speaker 2: it's printer van or self driving things like that. And

655
00:34:16,520 --> 00:34:19,600
Speaker 2: Haley was not famous enough to be able to have

656
00:34:19,640 --> 00:34:23,160
Speaker 2: a tour bus, so it's yeah, that would have been really,

657
00:34:23,239 --> 00:34:25,960
Speaker 2: really rough. And I think it's really wise of her

658
00:34:26,080 --> 00:34:30,000
Speaker 2: to be making this consideration thinking about what's going to

659
00:34:30,040 --> 00:34:31,080
Speaker 2: happen next.

660
00:34:31,800 --> 00:34:37,879
Speaker 3: What just the thought of like cool, I'm making an album,

661
00:34:38,200 --> 00:34:41,080
Speaker 3: but to what end? Yeah, like can I can I

662
00:34:41,200 --> 00:34:44,680
Speaker 3: even promote it? Am I wasting money and resources?

663
00:34:45,640 --> 00:34:45,839
Speaker 5: Yeah?

664
00:34:45,960 --> 00:34:48,840
Speaker 3: I hate it for her because she's only four years

665
00:34:48,840 --> 00:34:54,080
Speaker 3: older than Mia, but just a totally different lifetime. Yes,

666
00:34:54,280 --> 00:35:00,000
Speaker 3: and seeing how much fun Mea is having probably her

667
00:35:00,080 --> 00:35:03,399
Speaker 3: it's a little bit too. I just love that.

668
00:35:03,800 --> 00:35:10,320
Speaker 2: Yeah, I know, I feel for Haley. She's got a

669
00:35:10,320 --> 00:35:13,399
Speaker 2: lot of potential, she's got a lot of talents, and

670
00:35:14,040 --> 00:35:15,760
Speaker 2: she has so much in her life, and she's holding

671
00:35:15,760 --> 00:35:17,760
Speaker 2: so much, and she's holding space for so many people,

672
00:35:17,840 --> 00:35:21,000
Speaker 2: and she's trying to figure out like who am I,

673
00:35:21,080 --> 00:35:24,880
Speaker 2: where do I belong? What do I do? I know

674
00:35:24,960 --> 00:35:26,920
Speaker 2: we're all kind of trying to figure that out. But

675
00:35:26,960 --> 00:35:29,640
Speaker 2: when I look at like Peyton has a really clear

676
00:35:29,760 --> 00:35:32,240
Speaker 2: vision for her future and what she wants. It seems

677
00:35:32,280 --> 00:35:37,480
Speaker 2: like with the record label and not everything's figured out,

678
00:35:37,480 --> 00:35:42,720
Speaker 2: but she's she seems very focused on a direction. Brooke

679
00:35:43,040 --> 00:35:45,759
Speaker 2: is the same way. Brooke is a little bit more

680
00:35:45,800 --> 00:35:47,640
Speaker 2: add about it, like I want to do this, I

681
00:35:47,640 --> 00:35:48,920
Speaker 2: want to do this now, and I want to do this,

682
00:35:49,040 --> 00:35:51,359
Speaker 2: but you know, she knows how to succeed at all

683
00:35:51,400 --> 00:35:55,400
Speaker 2: of it, much like Sophia. So it's fun to watch

684
00:35:55,400 --> 00:36:02,880
Speaker 2: her go through those experiences. Yeah, Luke with writing in basketball, Nathan,

685
00:36:02,920 --> 00:36:05,320
Speaker 2: I guess it's a little more aimless, but he's finding

686
00:36:05,320 --> 00:36:08,120
Speaker 2: his way. Yeah, Hayley's just kind of like, don't I

687
00:36:08,120 --> 00:36:10,239
Speaker 2: don't know where to plant my feet? What is it?

688
00:36:10,280 --> 00:36:11,200
Speaker 2: What am I supposed to do?

689
00:36:11,760 --> 00:36:14,479
Speaker 3: Did any of it feel triggering? Though? Like I mean,

690
00:36:14,960 --> 00:36:18,560
Speaker 3: there are certain conversations that we had in that red

691
00:36:18,560 --> 00:36:22,000
Speaker 3: bedroom office space that like there's one that Peyton and

692
00:36:22,040 --> 00:36:25,840
Speaker 3: Mia have that I felt really not triggered by, but

693
00:36:25,960 --> 00:36:29,120
Speaker 3: just it was a little on the nose for you,

694
00:36:29,400 --> 00:36:32,919
Speaker 3: like you'd done the tour thing, you done the music thing,

695
00:36:33,040 --> 00:36:36,040
Speaker 3: and then you just recently gotten married and you were

696
00:36:36,120 --> 00:36:41,279
Speaker 3: really committed to being supportive of your relationship and of

697
00:36:41,320 --> 00:36:43,319
Speaker 3: your home and you had a baby, Like not long

698
00:36:43,360 --> 00:36:46,719
Speaker 3: after this, did you feel like they were kind of

699
00:36:46,760 --> 00:36:49,240
Speaker 3: like targeting your life choices?

700
00:36:50,480 --> 00:36:50,880
Speaker 4: I didn't.

701
00:36:51,000 --> 00:36:55,000
Speaker 2: I don't think I felt that at the time. I

702
00:36:55,040 --> 00:36:59,480
Speaker 2: think looking back now watching this, it definitely has a

703
00:36:59,560 --> 00:37:05,440
Speaker 2: strong to that and it makes I mean, we certainly

704
00:37:05,480 --> 00:37:08,000
Speaker 2: know that that was a habit in the writer's room

705
00:37:08,040 --> 00:37:10,600
Speaker 2: of take just let's just write for what's going on

706
00:37:10,640 --> 00:37:13,960
Speaker 2: in their personal lives so that nobody has to do

707
00:37:14,000 --> 00:37:16,400
Speaker 2: any acting. Like I didn't. I don't understand why that

708
00:37:16,440 --> 00:37:17,200
Speaker 2: was neat necessary.

709
00:37:17,280 --> 00:37:18,520
Speaker 3: They think we couldn't do it.

710
00:37:19,440 --> 00:37:21,640
Speaker 2: I think they just didn't want to be creative. Not

711
00:37:21,760 --> 00:37:27,960
Speaker 2: all of them, but some. But it is interesting for

712
00:37:28,000 --> 00:37:33,040
Speaker 2: me to watch Haley, Now, you know, how okay, have

713
00:37:33,120 --> 00:37:35,560
Speaker 2: you ever heard this? The things that like, the things

714
00:37:35,600 --> 00:37:37,960
Speaker 2: that piss you off the most about other people are

715
00:37:38,000 --> 00:37:42,800
Speaker 2: the things that are actually your deepest flaws. And yeah,

716
00:37:43,640 --> 00:37:48,480
Speaker 2: and I see that in Haley because I still cringe

717
00:37:48,520 --> 00:37:51,960
Speaker 2: when I watch her a lot. I still feel like

718
00:37:52,560 --> 00:37:56,400
Speaker 2: I do, and I think it's because I'm seeing things.

719
00:37:57,080 --> 00:38:01,200
Speaker 2: I'm able to watch myself in her in a way

720
00:38:01,239 --> 00:38:05,560
Speaker 2: that's safer than me trying to you know, the self

721
00:38:05,560 --> 00:38:08,000
Speaker 2: exploration we try and do when we work on ourselves.

722
00:38:07,640 --> 00:38:10,759
Speaker 3: Sure it's like looking through two mirrors instead of just

723
00:38:10,760 --> 00:38:11,560
Speaker 3: one totally.

724
00:38:12,000 --> 00:38:15,040
Speaker 2: So I'm watching myself in her, and I'm seeing the

725
00:38:15,400 --> 00:38:21,640
Speaker 2: patterns of holding back communication, just fear, just like constant

726
00:38:21,680 --> 00:38:24,799
Speaker 2: fear of doing the wrong thing, saying the wrong thing.

727
00:38:24,880 --> 00:38:26,840
Speaker 2: I mean, I've grown a lot in my life in

728
00:38:26,880 --> 00:38:29,080
Speaker 2: that realm, but I'm still I still have a long

729
00:38:29,080 --> 00:38:31,400
Speaker 2: way to go. And I know that because Haley pisses

730
00:38:31,440 --> 00:38:36,200
Speaker 2: me off so much. I watch it and I'm like, oh,

731
00:38:36,239 --> 00:38:38,160
Speaker 2: why does it still bother me? That must mean I

732
00:38:38,280 --> 00:38:40,720
Speaker 2: still function from that place in a lot of ways.

733
00:38:40,920 --> 00:38:44,240
Speaker 2: God dang it. Oh yeah.

734
00:38:44,400 --> 00:38:47,919
Speaker 3: I think she's so like vulnerable and likable in these

735
00:38:47,960 --> 00:38:51,760
Speaker 3: moments We're like, she's jealous of a kid, she's jealous

736
00:38:51,760 --> 00:38:53,759
Speaker 3: of an eighteen year old kid, and she's got the

737
00:38:53,880 --> 00:38:58,279
Speaker 3: moxy to just say it, yeah, instead of being like

738
00:38:58,400 --> 00:39:03,279
Speaker 3: everything's fine, everything's fine, She's just like, it's difficult to

739
00:39:03,360 --> 00:39:06,560
Speaker 3: be around you and all these things happening in your

740
00:39:06,640 --> 00:39:10,200
Speaker 3: orbit because because I don't want to say that it's

741
00:39:10,239 --> 00:39:14,920
Speaker 3: stuff that I've lost out on, but it is. Yeah,

742
00:39:15,320 --> 00:39:18,360
Speaker 3: you know, Haley won't ever get to go on a

743
00:39:18,360 --> 00:39:22,239
Speaker 3: big tour while she's a young, swinging single, you know,

744
00:39:22,440 --> 00:39:24,680
Speaker 3: and that kiss a different boy in a different town

745
00:39:24,760 --> 00:39:28,240
Speaker 3: every night and stay out till three in the morning.

746
00:39:28,600 --> 00:39:33,000
Speaker 3: Like those are rites of passage that she is not

747
00:39:33,200 --> 00:39:35,880
Speaker 3: going to go through by choice.

748
00:39:36,280 --> 00:39:39,359
Speaker 2: Yeah, every time you say yes to something, you're saying

749
00:39:39,360 --> 00:39:44,680
Speaker 2: no to something else. And I see that a lot. Yeah,

750
00:39:44,719 --> 00:39:47,080
Speaker 2: I see that with Haley. It is there are those

751
00:39:47,080 --> 00:39:49,000
Speaker 2: things that feel like the rights of passage. But she

752
00:39:49,080 --> 00:39:51,799
Speaker 2: said yes to some other things that were meaningful and

753
00:39:51,880 --> 00:39:54,800
Speaker 2: gave her different insights in life and things that felt

754
00:39:54,800 --> 00:39:58,680
Speaker 2: like she just learned a lot of different stuff. But

755
00:39:58,960 --> 00:40:01,560
Speaker 2: it is hard to look at the other side and

756
00:40:01,600 --> 00:40:04,840
Speaker 2: not go is the grass greener? Should I have? And

757
00:40:04,920 --> 00:40:08,279
Speaker 2: don't we all do that? We all whenever we've made

758
00:40:08,280 --> 00:40:10,759
Speaker 2: a choice, don't we always turn around and go? But

759
00:40:11,000 --> 00:40:12,600
Speaker 2: you know it's like Lot's wife and the Bible, she

760
00:40:12,680 --> 00:40:15,560
Speaker 2: turned around turn into a pillar assault should I go

761
00:40:15,719 --> 00:40:21,000
Speaker 2: back boom, no, no, never, you gotta commit.

762
00:40:21,440 --> 00:40:24,239
Speaker 3: She's got this mother in law as an example, though,

763
00:40:24,320 --> 00:40:27,240
Speaker 3: Like for all my girlfriends that had kids in high school,

764
00:40:27,360 --> 00:40:30,920
Speaker 3: because there were a number of them.

765
00:40:30,400 --> 00:40:33,719
Speaker 6: They all get to be like hot chicks at thirty eight,

766
00:40:34,120 --> 00:40:36,600
Speaker 6: you know, and then they've got like these twelve years

767
00:40:36,680 --> 00:40:40,239
Speaker 6: later instead of the twelve years up front, and it's

768
00:40:40,320 --> 00:40:41,680
Speaker 6: just a reversal of.

769
00:40:41,680 --> 00:40:45,680
Speaker 3: Like not twelve, look twenty three years whatever, whatever, however

770
00:40:45,719 --> 00:40:49,640
Speaker 3: long you want to be frisky. I just like that

771
00:40:49,680 --> 00:40:52,880
Speaker 3: they stack it at the end as opposed to the beginning.

772
00:40:53,880 --> 00:40:56,919
Speaker 3: And Yeah, you're not gonna miss out on it. You've

773
00:40:57,000 --> 00:41:02,040
Speaker 3: just reordered which order you're gonna do it. Yeah, Haley

774
00:41:02,040 --> 00:41:05,000
Speaker 3: could be on tour right now. She could be. She

775
00:41:05,040 --> 00:41:07,280
Speaker 3: could be making terrible choices.

776
00:41:09,719 --> 00:41:11,360
Speaker 2: I don't know if that would make her life any better,

777
00:41:11,400 --> 00:41:16,440
Speaker 2: but she certainly could be. Let's talk about, oh this

778
00:41:16,600 --> 00:41:19,320
Speaker 2: is the things are funny, little random notes, just to

779
00:41:19,360 --> 00:41:23,200
Speaker 2: finish off the Haley topic. Just sitting on that roundabout

780
00:41:23,239 --> 00:41:24,640
Speaker 2: on the playground.

781
00:41:24,760 --> 00:41:25,799
Speaker 3: Oh, how was that?

782
00:41:26,160 --> 00:41:29,960
Speaker 2: I have such vertical like motion sickness really really badly,

783
00:41:30,560 --> 00:41:33,640
Speaker 2: and so I can't do things that spin at all.

784
00:41:34,239 --> 00:41:38,320
Speaker 2: I actually stopped dancing when I was younger, because I couldn't.

785
00:41:38,360 --> 00:41:40,439
Speaker 2: I just couldn't. I could do like jazz and sort

786
00:41:40,480 --> 00:41:44,000
Speaker 2: of figure my way through like a turn. But if

787
00:41:44,040 --> 00:41:45,640
Speaker 2: you ever go to for anybody out there who has

788
00:41:45,640 --> 00:41:47,400
Speaker 2: never been to a dance class, you start at one

789
00:41:47,480 --> 00:41:49,160
Speaker 2: end of the room and you spin in a circle

790
00:41:49,200 --> 00:41:50,719
Speaker 2: over and over and over until you're on the other

791
00:41:51,000 --> 00:41:53,839
Speaker 2: side of the room. Yeah, I don't know. You don't

792
00:41:53,840 --> 00:41:55,640
Speaker 2: get dizzy. You can spin around your good.

793
00:41:55,560 --> 00:41:58,600
Speaker 3: Well, you can do fossy. You're just not doing like

794
00:41:58,719 --> 00:42:03,000
Speaker 3: what Twyla Tharp is up, the one that's always spinning. Yeah, yeah,

795
00:42:03,239 --> 00:42:05,520
Speaker 3: can you could you spin? You got no problem spinning

796
00:42:05,600 --> 00:42:08,279
Speaker 3: or you get dizzy? No. I have sort of like

797
00:42:08,400 --> 00:42:11,040
Speaker 3: I won't go under water because I don't like water

798
00:42:11,080 --> 00:42:13,239
Speaker 3: being over my head. I have little stuff like that.

799
00:42:13,320 --> 00:42:15,959
Speaker 3: But I you don't get dizzy, it seems fine. Well

800
00:42:16,120 --> 00:42:20,080
Speaker 3: that bad day, I don't like drops. Oh, I don't know.

801
00:42:20,200 --> 00:42:22,760
Speaker 2: You don't do roller coasters.

802
00:42:21,880 --> 00:42:25,200
Speaker 3: Sensory things. I get it. I knew a girl once

803
00:42:25,239 --> 00:42:28,640
Speaker 3: that couldn't do summersaults because being upside down made her cry.

804
00:42:31,680 --> 00:42:32,840
Speaker 2: That's really funny.

805
00:42:34,040 --> 00:42:35,799
Speaker 3: On the cheerleading squad, they tried to make her do

806
00:42:35,840 --> 00:42:38,120
Speaker 3: a summersault. She burst into tears.

807
00:42:37,800 --> 00:42:41,800
Speaker 2: And we were like, this is strange.

808
00:42:42,040 --> 00:42:44,680
Speaker 3: No, spinning is a weird feeling. So how did they

809
00:42:44,719 --> 00:42:45,560
Speaker 3: film that? Well?

810
00:42:45,680 --> 00:42:47,600
Speaker 2: I think they wanted me to do something else. I

811
00:42:47,640 --> 00:42:51,399
Speaker 2: think they wanted us to be sitting on it and

812
00:42:51,480 --> 00:42:54,360
Speaker 2: facing each other and talking and spinning, and it was

813
00:42:54,400 --> 00:42:56,719
Speaker 2: like a whole thing where they were gonna I was

814
00:42:56,760 --> 00:42:58,680
Speaker 2: going to be running around spinning with him and then

815
00:42:58,800 --> 00:43:00,840
Speaker 2: jump on and they wanted to have us have this

816
00:43:00,920 --> 00:43:06,120
Speaker 2: conversation with the thing spinning, which also felt weird because

817
00:43:06,120 --> 00:43:08,160
Speaker 2: I was like, well, that's not really the moment. It's

818
00:43:08,200 --> 00:43:09,120
Speaker 2: not the mood anyway.

819
00:43:09,320 --> 00:43:12,520
Speaker 3: But no, it's that seventies show with like the camera

820
00:43:12,600 --> 00:43:14,719
Speaker 3: in the middle with all the background spinard.

821
00:43:14,840 --> 00:43:17,239
Speaker 2: I think that's kind of what they wanted, something like that,

822
00:43:17,239 --> 00:43:19,640
Speaker 2: because it was there were some stylized moments in the episode,

823
00:43:19,760 --> 00:43:21,719
Speaker 2: but I just said, guys, I can't. So we ended

824
00:43:21,800 --> 00:43:23,960
Speaker 2: up just laying down on this thing and you can

825
00:43:24,000 --> 00:43:27,040
Speaker 2: see it. I'm I'm reading it and I'm controlling it

826
00:43:27,080 --> 00:43:29,440
Speaker 2: with my feet so that if we start going too fast,

827
00:43:29,520 --> 00:43:30,560
Speaker 2: I can slow down.

828
00:43:31,280 --> 00:43:35,320
Speaker 3: Oh it looked like so serene and sweet.

829
00:43:35,680 --> 00:43:37,759
Speaker 2: It was fun. I also was sick. I think I

830
00:43:37,800 --> 00:43:41,600
Speaker 2: caught Sophia's cold from the last episode. I don't know

831
00:43:41,600 --> 00:43:43,600
Speaker 2: if you heard that, but.

832
00:43:43,640 --> 00:43:47,760
Speaker 3: I loved that moment. Yeah, that moment of where everyone's

833
00:43:47,800 --> 00:43:51,880
Speaker 3: been lying to Jamie for so long and Haley finally

834
00:43:51,960 --> 00:43:55,759
Speaker 3: tells him your grandpa Dan's a bad guy. Yeah, it

835
00:43:55,800 --> 00:44:02,960
Speaker 3: was so simple and clean and loving but necessary. What

836
00:44:03,040 --> 00:44:04,920
Speaker 3: a hard thing to have to tell a kid.

837
00:44:05,239 --> 00:44:07,239
Speaker 2: And how satisfying that. Then she gets to go up

838
00:44:07,239 --> 00:44:10,320
Speaker 2: on the roof and throw water balloons at him with paper.

839
00:44:11,200 --> 00:44:15,000
Speaker 3: So great. Wait, so hold on, what the was going on?

840
00:44:15,600 --> 00:44:17,960
Speaker 3: Was I in front of a green screen at some point?

841
00:44:18,280 --> 00:44:20,840
Speaker 3: Why did you notice anything.

842
00:44:20,440 --> 00:44:23,680
Speaker 2: Weird about that your footage? Yeah, your coverage was weird.

843
00:44:24,120 --> 00:44:27,080
Speaker 3: Either we ran out of daylight and they were making

844
00:44:27,200 --> 00:44:31,880
Speaker 3: fake daylight so that it looked like the background was

845
00:44:31,920 --> 00:44:34,120
Speaker 3: lit up but the foreground wasn't, or it was a

846
00:44:34,160 --> 00:44:36,480
Speaker 3: green screen. I can't tell what's going on. But then

847
00:44:36,480 --> 00:44:38,480
Speaker 3: there was another point where I think Quentin was in

848
00:44:38,520 --> 00:44:42,080
Speaker 3: front of a green screen. Oh, like, there were a

849
00:44:42,160 --> 00:44:47,000
Speaker 3: couple parts. You guys at home send us messages if

850
00:44:47,040 --> 00:44:51,240
Speaker 3: you noticed those. There's some like weird parts that felt

851
00:44:51,239 --> 00:44:55,000
Speaker 3: like they were shot after the fact. But I loved

852
00:44:55,040 --> 00:44:57,239
Speaker 3: being on top of Karen's with you. I remember that

853
00:44:57,400 --> 00:45:01,600
Speaker 3: scene like yesterday. Yeah, that was fun because it was

854
00:45:01,680 --> 00:45:08,080
Speaker 3: like I remember not really knowing how to do the whole, like, no,

855
00:45:08,560 --> 00:45:10,040
Speaker 3: don't jump.

856
00:45:10,920 --> 00:45:13,560
Speaker 2: It was so yeah, no you you pulled it off though,

857
00:45:13,600 --> 00:45:17,920
Speaker 2: because it was so silly, like since when is Haley

858
00:45:18,320 --> 00:45:21,560
Speaker 2: somebody that anyone has to worry about Millicent's Like, Haley

859
00:45:21,600 --> 00:45:23,480
Speaker 2: looks depressed and she went up to the roof.

860
00:45:26,960 --> 00:45:29,319
Speaker 3: But that's what I think. I was being told like, no,

861
00:45:29,400 --> 00:45:31,640
Speaker 3: you have to play it like it's real, and I

862
00:45:31,719 --> 00:45:32,960
Speaker 3: remember being like, but.

863
00:45:35,200 --> 00:45:40,440
Speaker 2: I'm saying melodramatic this episode. Oh guys, I'm glad you

864
00:45:40,480 --> 00:45:42,480
Speaker 2: did that. And how many times did it take to

865
00:45:42,520 --> 00:45:45,960
Speaker 2: get that water balloon at Paul's feet? I feel like

866
00:45:46,000 --> 00:45:48,000
Speaker 2: it was a lot, I feel like, and because the

867
00:45:48,040 --> 00:45:51,000
Speaker 2: sidewalk had to be dried off every time they would

868
00:45:51,080 --> 00:45:53,920
Speaker 2: splash the water balloon and it didn't hit the right thrower.

869
00:45:54,920 --> 00:45:58,080
Speaker 3: Remember they used the flame thrower to evaporate the water

870
00:45:58,200 --> 00:45:59,080
Speaker 3: on the sidewalk.

871
00:45:59,320 --> 00:46:00,440
Speaker 2: I didn't remember that.

872
00:46:01,760 --> 00:46:05,560
Speaker 3: Yeah, dude, oh that's throw Yeah, if you need water

873
00:46:05,880 --> 00:46:10,280
Speaker 3: to disappear real quick, just a flamethrower.

874
00:46:11,080 --> 00:46:13,200
Speaker 2: Let me go go get mine out of my garage.

875
00:46:13,880 --> 00:46:17,680
Speaker 3: B RB those poor people that lived across from us.

876
00:46:19,640 --> 00:46:22,799
Speaker 2: Though his endless entertainment. Well, the last thing we didn't

877
00:46:22,880 --> 00:46:27,960
Speaker 2: hit his mouth, And I love I love him. I

878
00:46:27,960 --> 00:46:30,680
Speaker 2: always love mouth. He's always just doing the right thing.

879
00:46:30,800 --> 00:46:32,799
Speaker 2: Gosh darn it, he's just always doing the right thing.

880
00:46:34,120 --> 00:46:40,359
Speaker 3: I mean, not always he's bad with like hot chicks. Yeah, yeah,

881
00:46:41,000 --> 00:46:43,800
Speaker 3: grown up mouth is doing the right thing. I loved

882
00:46:44,680 --> 00:46:47,879
Speaker 3: that he knew full well he had that footage. Oh,

883
00:46:47,920 --> 00:46:49,720
Speaker 3: he knew he had that footage.

884
00:46:49,320 --> 00:46:52,680
Speaker 2: And put his job in jeopardy because he was, which

885
00:46:52,719 --> 00:46:56,480
Speaker 2: is dumb. No, it's Lucas's legacy. I mean, once something's

886
00:46:56,520 --> 00:46:58,720
Speaker 2: on tape, it's out there forever.

887
00:46:58,920 --> 00:47:02,200
Speaker 3: No, I'm saying it's dome. They like were upset with

888
00:47:02,280 --> 00:47:03,319
Speaker 3: him for not getting that.

889
00:47:03,719 --> 00:47:07,160
Speaker 2: Oh yeah, I don't know. I get it as a

890
00:47:07,239 --> 00:47:09,600
Speaker 2: job as a boss, You're like, I'm going to give

891
00:47:09,600 --> 00:47:12,000
Speaker 2: you a chance, go out there and get something great.

892
00:47:12,360 --> 00:47:15,840
Speaker 2: And if the person I sent out to get something

893
00:47:15,920 --> 00:47:18,560
Speaker 2: great at a basketball game that could have been kind

894
00:47:18,560 --> 00:47:22,320
Speaker 2: of boring anyway, happens to be there when one of

895
00:47:22,360 --> 00:47:24,959
Speaker 2: the biggest fights breaks out and it's this massive deal

896
00:47:25,040 --> 00:47:27,759
Speaker 2: and everybody's talking about it, and he didn't get any

897
00:47:27,800 --> 00:47:32,120
Speaker 2: footage I fired, sorry, fired, but I.

898
00:47:32,120 --> 00:47:34,719
Speaker 3: Can't believe Lucas isn't fired an adult grabbing a kid?

899
00:47:34,840 --> 00:47:39,280
Speaker 2: Oh no, absolutely, yeah that should have been a where

900
00:47:39,360 --> 00:47:42,680
Speaker 2: was Barry Corbyn for that? We needed a whitey comeback.

901
00:47:43,400 --> 00:47:44,640
Speaker 3: That's a Dan Scott move.

902
00:47:45,280 --> 00:47:50,160
Speaker 2: Oh good call. Yeah, throwing fits when things don't go

903
00:47:50,280 --> 00:47:52,880
Speaker 2: your way and everybody else has to suffer.

904
00:47:54,360 --> 00:47:58,000
Speaker 3: Screaming at the kids. Mmmm. I wonder if that dude,

905
00:47:59,360 --> 00:48:01,760
Speaker 3: Oh Dan, what standsuit so big in this episode?

906
00:48:02,120 --> 00:48:03,160
Speaker 2: You're so right.

907
00:48:05,360 --> 00:48:08,160
Speaker 3: He did. He was wearing like three sizes too big,

908
00:48:08,200 --> 00:48:09,600
Speaker 3: and I was like, are they trying to make it

909
00:48:09,600 --> 00:48:13,400
Speaker 3: look like he's like getting smaller because he's his heart's failing,

910
00:48:13,600 --> 00:48:14,360
Speaker 3: or like what.

911
00:48:14,520 --> 00:48:17,680
Speaker 2: Which is hilarious because Paul is so large. He's such

912
00:48:17,680 --> 00:48:20,080
Speaker 2: a big dude that how do you even.

913
00:48:19,960 --> 00:48:21,920
Speaker 3: How do you get closed too big? Beau's what I mean?

914
00:48:22,160 --> 00:48:25,959
Speaker 2: Yes, he has trouble enough getting clothes that will fit.

915
00:48:26,920 --> 00:48:29,440
Speaker 3: It did look like a little kid is so with

916
00:48:29,600 --> 00:48:33,279
Speaker 3: Jamie wearing his oversized suit and then Dan wearing his

917
00:48:33,360 --> 00:48:35,719
Speaker 3: oversize suit. Maybe that's why I felt like Dan was

918
00:48:35,760 --> 00:48:38,000
Speaker 3: really just like a five year old ye, Like they're

919
00:48:38,040 --> 00:48:40,800
Speaker 3: both just kind of shuffle and a rown. The hairs

920
00:48:40,840 --> 00:48:46,719
Speaker 3: in my face. No, we can't end. We can't end

921
00:48:46,760 --> 00:48:53,360
Speaker 3: without talking about my honorable mention is that creepy doll

922
00:48:53,880 --> 00:48:56,400
Speaker 3: that plays catatonic baby?

923
00:48:55,719 --> 00:49:00,919
Speaker 2: And I know it's creepy silicone baby Angie.

924
00:49:00,600 --> 00:49:05,480
Speaker 3: You guys, Baby Angie is this beautiful little girl with like.

925
00:49:05,880 --> 00:49:09,560
Speaker 5: Beautiful silky curly hair and pretty little lips and like

926
00:49:09,600 --> 00:49:14,680
Speaker 5: the cutest little nose. And not only did we use

927
00:49:14,719 --> 00:49:19,759
Speaker 5: one of those nasty lit covered silicone hospital dolls that

928
00:49:19,840 --> 00:49:21,799
Speaker 5: people use for filming, it.

929
00:49:21,680 --> 00:49:25,000
Speaker 3: Looked like they'd brushed off the lint girl. They did

930
00:49:25,120 --> 00:49:28,480
Speaker 3: multiple closeups of it. Why would you get a close

931
00:49:28,600 --> 00:49:30,000
Speaker 3: up of that thing?

932
00:49:30,239 --> 00:49:32,279
Speaker 2: Nobody was like, do we have any masking tape around here?

933
00:49:32,280 --> 00:49:33,719
Speaker 2: We can just like pick some of this lint uf

934
00:49:34,360 --> 00:49:36,600
Speaker 2: hop off the baby's face. What happened?

935
00:49:36,719 --> 00:49:40,160
Speaker 3: Nobody thought like, maybe we should keep this out of focus,

936
00:49:40,560 --> 00:49:44,960
Speaker 3: you know, like see see Brook's hand on a little

937
00:49:45,080 --> 00:49:48,680
Speaker 3: chest or something, or even just like Brooke holding like

938
00:49:48,719 --> 00:49:51,080
Speaker 3: a little hand, maybe a little silicone hand wouldn't The

939
00:49:51,120 --> 00:49:54,480
Speaker 3: looft is weird, but like all the veins are protruding

940
00:49:54,560 --> 00:49:57,360
Speaker 3: in this thing, and it's got all sunken eyeballs and

941
00:49:57,440 --> 00:50:03,000
Speaker 3: it looks horrible. Yeah, was this a Halloween episode? When

942
00:50:03,040 --> 00:50:05,640
Speaker 3: did this air May twelve?

943
00:50:06,200 --> 00:50:06,480
Speaker 2: Won't?

944
00:50:06,520 --> 00:50:06,840
Speaker 3: Won't?

945
00:50:07,080 --> 00:50:09,560
Speaker 2: I'm excited for Skills and ub. I can't wait to

946
00:50:09,600 --> 00:50:12,280
Speaker 2: see how that starts to unfold. That was a really

947
00:50:12,320 --> 00:50:17,480
Speaker 2: fun surprise. Probably my favorite moment from the episode. I

948
00:50:17,560 --> 00:50:18,440
Speaker 2: can't wait to see that.

949
00:50:19,680 --> 00:50:23,520
Speaker 3: I remember thinking it was totally unreasonable at the time. Yeah, like,

950
00:50:24,520 --> 00:50:30,400
Speaker 3: damn data, twenty two year old. But what's the youngest

951
00:50:30,440 --> 00:50:31,040
Speaker 3: you've kissed?

952
00:50:31,280 --> 00:50:37,920
Speaker 2: Ooh, well, the youngest age difference? Uh huh, I guess somebody.

953
00:50:38,000 --> 00:50:45,800
Speaker 2: I think I was, uh thirty six, thirty six or

954
00:50:45,840 --> 00:50:50,800
Speaker 2: thirty seven, and I was I was snogging on a

955
00:50:50,840 --> 00:50:51,719
Speaker 2: twenty three year old.

956
00:50:53,000 --> 00:50:55,240
Speaker 3: See, it's like the same age difference.

957
00:50:55,400 --> 00:50:56,680
Speaker 2: Yeah, I think it's exy.

958
00:50:58,600 --> 00:51:03,080
Speaker 3: Listen, love a gap, you know what I mean. I've

959
00:51:03,080 --> 00:51:05,920
Speaker 3: been locked down since I, you know, was what twenty six?

960
00:51:06,120 --> 00:51:07,720
Speaker 2: Yeah, but you got your age gap there.

961
00:51:08,320 --> 00:51:12,160
Speaker 3: I have to live vicariously through you, So just keep going.

962
00:51:12,640 --> 00:51:15,960
Speaker 3: I love that for Dab. Yeah, you know, she's texting

963
00:51:16,000 --> 00:51:17,839
Speaker 3: all her girlfriends from college being like.

964
00:51:17,960 --> 00:51:20,719
Speaker 2: Guess oh what. I also love that, But you know

965
00:51:20,800 --> 00:51:23,840
Speaker 2: she did. Her first reaction was this, this can't happen.

966
00:51:23,880 --> 00:51:26,799
Speaker 2: You saw, like, I can't believe I showed you my no, no, no,

967
00:51:26,920 --> 00:51:28,680
Speaker 2: absolutely not, you know. I mean, at least she had

968
00:51:28,680 --> 00:51:31,040
Speaker 2: the first appropriate reaction and then she was like, I

969
00:51:31,040 --> 00:51:43,640
Speaker 2: mean you are legal. Like, okay, all right, where are

970
00:51:43,640 --> 00:51:45,560
Speaker 2: we at with fan questions? Here? We got a couple

971
00:51:45,600 --> 00:51:46,680
Speaker 2: to jump into.

972
00:51:47,520 --> 00:51:50,560
Speaker 3: Yeah, Catherine wants to know. Can you explain what it

973
00:51:50,719 --> 00:51:55,280
Speaker 3: means when you say that people have chemistry? Which couple

974
00:51:55,320 --> 00:51:58,120
Speaker 3: do you think had the most on screen chemistry? I

975
00:51:58,160 --> 00:52:03,000
Speaker 3: guess that really is like a subjective, like an industry

976
00:52:03,280 --> 00:52:07,799
Speaker 3: term that can kind of seem pretentious and weird if

977
00:52:07,800 --> 00:52:09,080
Speaker 3: you don't work in film, or.

978
00:52:09,520 --> 00:52:12,319
Speaker 2: Isn't it vague? Though it's the same, Like you can

979
00:52:12,320 --> 00:52:15,399
Speaker 2: see it in a room with people. You can see

980
00:52:15,400 --> 00:52:16,920
Speaker 2: it in a room with people. You just look look

981
00:52:16,920 --> 00:52:18,799
Speaker 2: at two people talking, and there's some people that when

982
00:52:18,800 --> 00:52:21,200
Speaker 2: they talk to get the way that they light up

983
00:52:21,800 --> 00:52:23,440
Speaker 2: when they speak to each other, the way that their

984
00:52:23,480 --> 00:52:26,680
Speaker 2: body language connects. You're like, oh, they've got a good

985
00:52:26,719 --> 00:52:28,880
Speaker 2: there's like sparks flying.

986
00:52:29,200 --> 00:52:29,399
Speaker 5: Yeah.

987
00:52:29,440 --> 00:52:32,799
Speaker 3: But it's not like a thing that people applaud in

988
00:52:32,840 --> 00:52:35,560
Speaker 3: other industries. It's not like you'll see two teachers who

989
00:52:35,640 --> 00:52:38,040
Speaker 3: are like everyone else in the staff rooms, like they

990
00:52:38,040 --> 00:52:42,200
Speaker 3: have wonderful chemistry the way in our industry, it's like

991
00:52:42,239 --> 00:52:47,600
Speaker 3: the only thing that matters. Yep, true, very true, is

992
00:52:48,719 --> 00:52:53,640
Speaker 3: look at those chemists with their fabulous kid their emotional chemistry.

993
00:52:55,080 --> 00:52:56,359
Speaker 2: Yeah, that's what it is.

994
00:52:56,719 --> 00:53:03,720
Speaker 3: I think as an when you're a little, tiny baby actor,

995
00:53:04,560 --> 00:53:07,640
Speaker 3: I think it happens accidentally sometimes, like you just find

996
00:53:07,880 --> 00:53:11,880
Speaker 3: energies that match yours in a way where you know,

997
00:53:11,960 --> 00:53:14,839
Speaker 3: people talk about like higher vibration, where it's like you're

998
00:53:14,880 --> 00:53:17,680
Speaker 3: just in somebody's space and all of a sudden, things

999
00:53:17,680 --> 00:53:21,400
Speaker 3: start clicking and the language happens so easily, and the

1000
00:53:21,440 --> 00:53:26,080
Speaker 3: banter's really nice, and you're able to create eye contact

1001
00:53:26,160 --> 00:53:30,719
Speaker 3: that's not creepy, it's actually like lovely, and then you

1002
00:53:30,800 --> 00:53:33,319
Speaker 3: keep doing it over and over again and it sort

1003
00:53:33,320 --> 00:53:36,000
Speaker 3: of becomes like a muscle memory, and then you're able

1004
00:53:36,080 --> 00:53:40,160
Speaker 3: to manufacture that with whoever you're hired to work with.

1005
00:53:42,360 --> 00:53:47,120
Speaker 3: You know, it's our job to create chemistry. And there's

1006
00:53:47,239 --> 00:53:51,960
Speaker 3: nothing more infuriating than when you just can't just can't.

1007
00:53:52,480 --> 00:53:54,719
Speaker 2: You know that made what you just said made me

1008
00:53:54,840 --> 00:53:59,520
Speaker 2: think of Chemistry isn't always it's not always a good reaction,

1009
00:53:59,640 --> 00:54:02,520
Speaker 2: but it's a there's a strong reaction, so it doesn't

1010
00:54:02,560 --> 00:54:05,920
Speaker 2: necessarily even have to be two people whose energy matches

1011
00:54:06,000 --> 00:54:08,040
Speaker 2: and they get along, like it could be two people

1012
00:54:08,120 --> 00:54:11,840
Speaker 2: who really can't stand each other, but the combination of

1013
00:54:12,880 --> 00:54:19,680
Speaker 2: their respectives yeah, emotions around each other creates a reaction

1014
00:54:19,920 --> 00:54:23,640
Speaker 2: that is interesting to watch. And I think it's chemistry

1015
00:54:23,640 --> 00:54:26,520
Speaker 2: really just has to do with interest. There's something about

1016
00:54:26,560 --> 00:54:28,759
Speaker 2: the way that these two people interact with each other

1017
00:54:29,400 --> 00:54:32,880
Speaker 2: that makes me want to watch it more than the

1018
00:54:32,880 --> 00:54:36,520
Speaker 2: way they may interact with other people. And it's kind

1019
00:54:36,560 --> 00:54:39,760
Speaker 2: of just like the nit factor, where you don't really know.

1020
00:54:39,719 --> 00:54:41,560
Speaker 3: How to You can't predict it.

1021
00:54:42,080 --> 00:54:44,600
Speaker 2: Yeah, you can't, like you can try and manufacture it.

1022
00:54:44,960 --> 00:54:47,680
Speaker 2: That is our job, but it's not all. It doesn't

1023
00:54:47,680 --> 00:54:51,920
Speaker 2: It doesn't always work, and sometimes and it's so easy.

1024
00:54:52,000 --> 00:54:54,239
Speaker 3: It's surprising to me some of the people that I'm

1025
00:54:54,360 --> 00:54:58,239
Speaker 3: really really good friends with and who I enjoy, who

1026
00:54:58,280 --> 00:55:04,680
Speaker 3: I have zero screen chemists with, and I've been shocked

1027
00:55:04,680 --> 00:55:06,440
Speaker 3: in the past, like, oh, I really thought that we

1028
00:55:06,440 --> 00:55:11,640
Speaker 3: were gonna light this up. We did it, totally, we

1029
00:55:11,719 --> 00:55:15,920
Speaker 3: did it. But I remember doing that episode of Dawson's

1030
00:55:15,920 --> 00:55:20,600
Speaker 3: Creek with Chad and everyone kept telling me, you two

1031
00:55:20,680 --> 00:55:24,400
Speaker 3: have amazing chemistry, and that was not something that anyone

1032
00:55:24,440 --> 00:55:27,000
Speaker 3: had ever said to me as a VJ right, And

1033
00:55:27,040 --> 00:55:30,520
Speaker 3: I was deeply offended because in my mind I thought

1034
00:55:30,560 --> 00:55:32,360
Speaker 3: they were saying you should break up with your boyfriend

1035
00:55:32,360 --> 00:55:34,200
Speaker 3: and date Chad, and I was like, there is just

1036
00:55:34,239 --> 00:55:37,719
Speaker 3: no mother away that's gonna happen. But what they really

1037
00:55:37,760 --> 00:55:42,520
Speaker 3: meant was like, you two just have a thing. Yeah,

1038
00:55:42,640 --> 00:55:44,800
Speaker 3: just there's a thing that's neat to watch.

1039
00:55:44,880 --> 00:55:45,640
Speaker 2: It's interesting.

1040
00:55:45,680 --> 00:55:49,440
Speaker 3: And that was probably part of the reason that I

1041
00:55:49,480 --> 00:55:52,640
Speaker 3: got Peyton as a part, because they were like, you

1042
00:55:52,680 --> 00:55:56,120
Speaker 3: know who we should call that bitchy Burton girl because

1043
00:55:56,239 --> 00:55:58,640
Speaker 3: she likes to keep him on his toes, like she'll

1044
00:55:58,640 --> 00:55:59,600
Speaker 3: cackle in his face.

1045
00:55:59,800 --> 00:55:59,960
Speaker 2: Yeah.

1046
00:56:01,640 --> 00:56:04,160
Speaker 3: Who do you think you've had the most chemistry with

1047
00:56:04,480 --> 00:56:05,200
Speaker 3: in your career?

1048
00:56:05,239 --> 00:56:08,919
Speaker 2: That's a good question. I don't know. I think it's

1049
00:56:08,920 --> 00:56:11,600
Speaker 2: the same. I mean what you just said about people

1050
00:56:11,600 --> 00:56:13,200
Speaker 2: that you were on set with that you felt like

1051
00:56:13,200 --> 00:56:14,920
Speaker 2: for sure you were gonna have great chemistry with and

1052
00:56:14,960 --> 00:56:21,239
Speaker 2: then you ended up not. I've had those in my life.

1053
00:56:21,600 --> 00:56:22,799
Speaker 2: I mean, I know there's a lot of people out

1054
00:56:22,800 --> 00:56:23,919
Speaker 2: there who are going to be mad if I don't

1055
00:56:23,960 --> 00:56:25,040
Speaker 2: say James Lafferty.

1056
00:56:25,719 --> 00:56:28,280
Speaker 3: I know. And so you guys stop being so judgmental

1057
00:56:28,320 --> 00:56:29,240
Speaker 3: let her answer the question.

1058
00:56:31,680 --> 00:56:34,920
Speaker 2: When I was doing Pearson, I really loved working with

1059
00:56:35,000 --> 00:56:38,440
Speaker 2: Morgan Spector, and I felt like I felt like we

1060
00:56:38,480 --> 00:56:41,520
Speaker 2: had really good chemistry. It was so easy. I felt

1061
00:56:41,560 --> 00:56:42,920
Speaker 2: like in a lot of ways we were kind of

1062
00:56:42,920 --> 00:56:44,759
Speaker 2: reading each other's minds in the scene, like where the

1063
00:56:44,800 --> 00:56:47,160
Speaker 2: other person was going to go and how we were

1064
00:56:47,160 --> 00:56:51,360
Speaker 2: gonna just even body movements. It felt so natural that

1065
00:56:51,440 --> 00:56:54,000
Speaker 2: it was surprising, and it worked really well because there

1066
00:56:54,000 --> 00:56:55,440
Speaker 2: are two characters who were supposed to be having an

1067
00:56:55,440 --> 00:57:01,399
Speaker 2: affair with each other, so that was that felt great.

1068
00:57:01,040 --> 00:57:03,480
Speaker 2: I don't know, it's hard for me to judge when

1069
00:57:03,520 --> 00:57:05,919
Speaker 2: I watch it who I'm like, Oh, I have great

1070
00:57:05,960 --> 00:57:09,360
Speaker 2: chemistry with that person. Although Andrew Walker is another person

1071
00:57:09,640 --> 00:57:12,440
Speaker 2: I know for sure and I love him and we

1072
00:57:12,480 --> 00:57:13,680
Speaker 2: have great chemistry. What about you?

1073
00:57:15,600 --> 00:57:20,600
Speaker 3: I mean for me graduating from One Tree Hill, yeah,

1074
00:57:20,640 --> 00:57:24,160
Speaker 3: where it was such an important training ground for us

1075
00:57:24,200 --> 00:57:26,240
Speaker 3: because we had to create I mean, you didn't you

1076
00:57:26,240 --> 00:57:28,280
Speaker 3: were with Nathan the whole time. I had to create

1077
00:57:28,320 --> 00:57:30,760
Speaker 3: chemistry with a number of different people, and it's a

1078
00:57:30,840 --> 00:57:33,320
Speaker 3: skill that you practice. But then when I went to

1079
00:57:33,400 --> 00:57:37,360
Speaker 3: White Collar, it wasn't even just chemistry with Matt Boehmer

1080
00:57:37,400 --> 00:57:40,680
Speaker 3: because every scene was like a group scene. It was

1081
00:57:40,720 --> 00:57:43,800
Speaker 3: the chemistry with Matt, Tim Decay and Willie Garson all

1082
00:57:43,840 --> 00:57:47,160
Speaker 3: at the same time where it was so fast paced

1083
00:57:47,760 --> 00:57:54,000
Speaker 3: and I felt so like safe to experiment there that

1084
00:57:54,000 --> 00:57:58,720
Speaker 3: that felt electric. I'd never been anyone's Gal Friday before,

1085
00:57:58,840 --> 00:58:02,280
Speaker 3: and that felt like I mean, I was breathless going

1086
00:58:02,360 --> 00:58:04,520
Speaker 3: home from work every day because I was just like,

1087
00:58:04,680 --> 00:58:05,600
Speaker 3: this is it?

1088
00:58:05,760 --> 00:58:06,000
Speaker 2: Man?

1089
00:58:06,440 --> 00:58:06,840
Speaker 3: Cool?

1090
00:58:07,480 --> 00:58:10,040
Speaker 2: Yeah, that's kind of chemistry. Yeah, where it's not even

1091
00:58:10,120 --> 00:58:12,760
Speaker 2: just one person. Sometimes you get just the right combination

1092
00:58:12,840 --> 00:58:16,439
Speaker 2: in a room. Yeah, right, combination of compounds in one

1093
00:58:16,560 --> 00:58:20,000
Speaker 2: vial and papaw bam.

1094
00:58:20,440 --> 00:58:23,680
Speaker 3: Great question, Catherine, that really was I guess I'd never

1095
00:58:23,760 --> 00:58:24,920
Speaker 3: thought about it either.

1096
00:58:25,360 --> 00:58:27,080
Speaker 2: Well, let's spin a wheel. Yeah.

1097
00:58:27,200 --> 00:58:29,919
Speaker 3: While we're spinning the wheel, I told you my honorable mention.

1098
00:58:30,040 --> 00:58:31,600
Speaker 3: What was yours?

1099
00:58:33,160 --> 00:58:34,960
Speaker 2: I mean, I would make it the doctor, but we

1100
00:58:35,040 --> 00:58:37,760
Speaker 2: talked so much about him, but he's really great. It

1101
00:58:37,840 --> 00:58:42,200
Speaker 2: seemed honorable, honorable, the honorable Chris beat him. We miss you,

1102
00:58:42,400 --> 00:58:44,840
Speaker 2: We wish we could have had more of you.

1103
00:58:45,040 --> 00:58:45,240
Speaker 5: Right.

1104
00:58:46,080 --> 00:58:48,240
Speaker 3: Yeah, we didn't get to work with him, not at all,

1105
00:58:48,640 --> 00:58:51,760
Speaker 3: but the hell, I'm out all right. This week we

1106
00:58:51,840 --> 00:58:54,880
Speaker 3: have a most likely two oh, lord.

1107
00:58:56,000 --> 00:58:58,080
Speaker 2: Most likely to move back in with their parents.

1108
00:58:58,480 --> 00:59:02,200
Speaker 3: I mean, Nate in Haley are living, but I guess

1109
00:59:02,280 --> 00:59:04,200
Speaker 3: she moved back in with them, right, and then, like

1110
00:59:04,280 --> 00:59:07,520
Speaker 3: Lucas is still in his childhood bedroom, which also, by

1111
00:59:07,560 --> 00:59:08,920
Speaker 3: the way, we didn't talk about the fact that when

1112
00:59:08,960 --> 00:59:13,000
Speaker 3: the show opened after the montage, Skills is just hanging

1113
00:59:13,040 --> 00:59:15,919
Speaker 3: out in Lucas's bedroom and he's watching his computer, which

1114
00:59:15,960 --> 00:59:17,000
Speaker 3: now we know what he was watching.

1115
00:59:17,360 --> 00:59:22,080
Speaker 2: But also, like, do grown men who are uh, who

1116
00:59:22,120 --> 00:59:24,640
Speaker 2: are not romantically interested in each other hangout in each

1117
00:59:24,640 --> 00:59:30,040
Speaker 2: other's bedrooms? No, that doesn't seem realistic.

1118
00:59:29,960 --> 00:59:32,680
Speaker 3: Not when there's like a living room or a kitchen

1119
00:59:32,840 --> 00:59:34,600
Speaker 3: with a table. Yeah, such a.

1120
00:59:34,560 --> 00:59:36,920
Speaker 2: High school move. I was like, what, why y'all in

1121
00:59:37,000 --> 00:59:41,960
Speaker 2: Lucas's bedrooms? I mean, okay, but like that just seems unrealistic.

1122
00:59:43,600 --> 00:59:46,520
Speaker 3: I didn't even realize it was Lucas's bedroom. I was like,

1123
00:59:46,800 --> 00:59:50,160
Speaker 3: what is this weird office space in? I thought it

1124
00:59:50,200 --> 00:59:50,960
Speaker 3: was at the school.

1125
00:59:51,880 --> 00:59:53,800
Speaker 2: I guess they were having like a basketball meeting, it

1126
00:59:53,840 --> 00:59:56,120
Speaker 2: seemed like, but it was in his bedroom. I don't know.

1127
00:59:58,120 --> 01:00:00,280
Speaker 3: Look, Nathan is the one that has moved in and

1128
01:00:00,320 --> 01:00:02,840
Speaker 3: out of his mommy and daddy's houses. And like lived

1129
01:00:02,840 --> 01:00:06,720
Speaker 3: with them off and on forever. Nathan Nathan, Yeah, but

1130
01:00:06,760 --> 01:00:09,400
Speaker 3: what about in real life? In real life is most likely?

1131
01:00:10,600 --> 01:00:14,560
Speaker 3: I mean, Sophia's on a vacation with her parents right now. Yeah,

1132
01:00:14,720 --> 01:00:17,040
Speaker 3: she's traveling with her mom and dad, and she lives

1133
01:00:17,080 --> 01:00:20,600
Speaker 3: like closest to them. Yeah, she sees her parents.

1134
01:00:20,640 --> 01:00:23,160
Speaker 2: She does, but it's not a you know, there's a

1135
01:00:23,160 --> 01:00:26,400
Speaker 2: stigma about moving back in with your parents, and I

1136
01:00:26,440 --> 01:00:30,080
Speaker 2: don't think that she doesn't fit that at all. But

1137
01:00:30,200 --> 01:00:30,760
Speaker 2: I don't know if.

1138
01:00:30,640 --> 01:00:33,240
Speaker 3: People live in with their parents.

1139
01:00:36,160 --> 01:00:37,400
Speaker 2: I'm having a hard time.

1140
01:00:39,120 --> 01:00:41,680
Speaker 3: I am too. Yeah, as I'm just thinking.

1141
01:00:41,520 --> 01:00:44,640
Speaker 2: Well, we just everyone's such consummate professionals.

1142
01:00:44,040 --> 01:00:47,400
Speaker 3: Who would move back into their childhood home? There? That's

1143
01:00:47,440 --> 01:00:51,760
Speaker 3: good you, Yeah, that's the yeah. I would. Oh man,

1144
01:00:51,960 --> 01:00:54,520
Speaker 3: if I could buy my old house on Ithaca. Yes.

1145
01:00:55,080 --> 01:00:57,360
Speaker 3: Do you just listen to that Miranda Lambert song and

1146
01:00:57,440 --> 01:01:01,680
Speaker 3: just cry all the time. Wait, every time I go home,

1147
01:01:01,720 --> 01:01:04,000
Speaker 3: I drive past my old house and I keep hoping

1148
01:01:04,040 --> 01:01:05,720
Speaker 3: that they're like outside, so I can.

1149
01:01:05,680 --> 01:01:08,200
Speaker 2: Be like who I thought to day I could touch

1150
01:01:08,280 --> 01:01:12,720
Speaker 2: this plates or feeling, may I come in? She replaced

1151
01:01:12,760 --> 01:01:13,400
Speaker 2: the whole song.

1152
01:01:13,680 --> 01:01:19,840
Speaker 3: I would love to go back and buy Yeah, Jeffrey

1153
01:01:19,840 --> 01:01:22,560
Speaker 3: would be so bad. Baby. Guess what I did?

1154
01:01:24,480 --> 01:01:26,640
Speaker 2: A great another place to live fantastic.

1155
01:01:26,680 --> 01:01:29,080
Speaker 3: It's just chaining one more place to take care of

1156
01:01:29,600 --> 01:01:34,960
Speaker 3: Vinyl sighting. It's all that americanash that I love. Great. Well,

1157
01:01:35,000 --> 01:01:35,560
Speaker 3: here's to that.

1158
01:01:35,640 --> 01:01:37,440
Speaker 2: I hope it happens for you. That would be fun.

1159
01:01:37,960 --> 01:01:41,280
Speaker 2: It's fun to have guys. The next episode is season five,

1160
01:01:41,320 --> 01:01:46,080
Speaker 2: episode eighteen. What comes after the Blues? I don't know.

1161
01:01:46,280 --> 01:01:47,320
Speaker 2: I guess we're gonna find out.

1162
01:01:47,560 --> 01:01:49,680
Speaker 3: It's a finale, right, season five finale?

1163
01:01:49,720 --> 01:01:52,760
Speaker 2: Does Dan's heart finally get picked up by this dog?

1164
01:01:53,600 --> 01:01:55,800
Speaker 3: Yeah, we're gonna get heart confetti that we can all

1165
01:01:55,800 --> 01:01:56,480
Speaker 3: throw together.

1166
01:01:59,280 --> 01:02:02,800
Speaker 2: Gets in the mail. Bye, Hey, thanks for listening. Don't

1167
01:02:02,800 --> 01:02:03,960
Speaker 2: forget to leave us a review.

1168
01:02:04,200 --> 01:02:07,320
Speaker 3: You can also follow us on Instagram at Drama Queens

1169
01:02:07,400 --> 01:02:10,840
Speaker 3: O t H or email us at Drama Queens at

1170
01:02:10,880 --> 01:02:13,960
Speaker 3: iHeartRadio dot com. See you next time.

1171
01:02:15,160 --> 01:02:17,560
Speaker 2: We all about that high school drama.

1172
01:02:17,600 --> 01:02:21,080
Speaker 1: Girl Drama Girl, all about them high school queens.

1173
01:02:21,120 --> 01:02:23,280
Speaker 2: We'll take you for a ride at our comic girl

1174
01:02:24,080 --> 01:02:27,720
Speaker 2: Cheering for the Right Teams. Drama Queenslease my girl up

1175
01:02:27,760 --> 01:02:29,439
Speaker 2: girl fashion with your tough girl.

1176
01:02:29,520 --> 01:02:32,520
Speaker 1: You could sit with us Girl Drama Queens drama, queise drama,

1177
01:02:32,600 --> 01:02:36,280
Speaker 1: Queens drama drama, Queens drama, Queens