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Speaker 1: The volume. Baby, do you want me to do the

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Speaker 1: clock because you all fucked up today? You sure? Can

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Speaker 1: you see your eyes open behind our shades? She didn't

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Speaker 1: even hit the bike, baby, Are your eyes open behind

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Speaker 1: the shade?

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Speaker 2: Le?

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Speaker 3: Please?

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Speaker 4: What we're standing in solidarity with you for the people

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Speaker 4: that can't see this and I'm listening. We all have

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Speaker 4: on sunglasses because Demarus is feeling under the weather or

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Speaker 4: not because of natural causes, because of things she caused

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Speaker 4: herself with alcohol. So yeah, we're standing in solidarity, all

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Speaker 4: wearing sunglasses. The hangover casts baby, y, I feel great?

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Speaker 1: Why would you? Why would you do that to yourself? Baby?

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Speaker 3: I didn't. You don't even understand.

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Speaker 5: You don't even understand how this really isn't my fault,

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Speaker 5: Like it really isn't my fault.

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Speaker 3: When I when I caused, when I.

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Speaker 1: Sorry, it's okay, use your vowels.

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Speaker 5: When I come in here hungover of my own accord,

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Speaker 5: I take responsibility. Burgers and bottles ship like that. When

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Speaker 5: I got drunk against my will when I really didn't

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Speaker 5: want to. Now I'm just pissed, I'm here.

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Speaker 1: I wish press charges. Yeah, how does one get drunk

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Speaker 1: against their will? Bro?

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Speaker 5: I went I got drunk on Saturday. That was my will.

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Speaker 5: I willed that whatever. I was hung over all day Sunday.

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Speaker 5: Mind you Sunday, I'm fucked up. I don't feel good.

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Speaker 5: I'm like, you know, I promised my friend Allison that

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Speaker 5: I will take her to Pergola for because you just

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Speaker 5: graduated nursing school. Obserlations, Yes, congratulations. Sorry, I promised her

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Speaker 5: I will take her. I'm like, you know, I'm just

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Speaker 5: gonna fight through, take you to Pergola. Alex comes right

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Speaker 5: where y'all know. Alex, same person at got me kicked

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Speaker 5: out the Ice Bice show. We're at Pergola. Shots start coming.

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Speaker 5: They're like, Yo, we're just gonna go to the club

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Speaker 5: for an hour. How why are we going to the

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Speaker 5: club for an hour. We're at dinner, it's a Sunday,

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Speaker 5: we have families. You see what I'm saying. It's about to

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Speaker 5: be Christmas. It's presence under the tree. Why the fuck

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Speaker 5: is we going to the club never hour before? That's

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Speaker 5: fucking insane.

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Speaker 3: Like, honestly, I'm.

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Speaker 4: Here Alex's side of this entire thing. Miss Eddie has

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Speaker 4: school because for some reason, it's always her fault.

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Speaker 5: It's literally always her fucking fault. It's always her fault.

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Speaker 5: So next thing you know, it's six of us and

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Speaker 5: there's three bottles of as Spades and three bottles of

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Speaker 5: Don Julio coming toward us.

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Speaker 4: Oh that's champagne and tequila. Yeah, that's why you feel

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Speaker 4: this like shit.

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Speaker 1: So that's that.

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Speaker 4: The fact that Pergola is not enough and you need more.

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Speaker 4: It's crazy to me. Pergola is the club.

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Speaker 5: No, that was just that was just the opening. I'm

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Speaker 5: gonna go get a family. I've decided that I need

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Speaker 5: someone to be accountable to. I need somebody to answer to.

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Speaker 5: I'm gonna go. I'm gonna have a kid and get

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Speaker 5: married and have a family, Okay, because I can't.

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Speaker 1: I can't, no, no, no, no, what happened to the

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Speaker 1: kingdom man ship? I'm she first, I don't cheat back. Yeah,

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Speaker 1: bust first, I don't bust back. All of that. You

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Speaker 1: don't never get a family now. Now, she want a

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Speaker 1: family to settle down. She want kids. That hangover will

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Speaker 1: clear about five third baby at baby going to shake

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Speaker 1: ass tonight. She gonna be in this spot tonight. If

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Speaker 1: not tonight, definitely why you're hearing this on Tuesday night.

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Speaker 1: She'll be in the club somewhe's shaking ass. Don't let

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Speaker 1: baby d fool. She just hurts. She in an eye,

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Speaker 1: all right now in your reserve. Sprained ankle, She got

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Speaker 1: a sprained ankle. She going ice her ankle. You know

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Speaker 1: she'd be back ready for game two tomorrow night.

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Speaker 4: During about I kind of feel like the guy that

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Speaker 4: missed the card to the robbery and they all got

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Speaker 4: caught and now they're all doing fifteen because I was

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Speaker 4: supposed to go, Oh that's.

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Speaker 1: Called something else? What is that? The rat? The rat?

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Speaker 1: We all got locked. Maybe you didn't make the n

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Speaker 1: my time and I missed, you know, see hee when

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Speaker 1: he was like y'all, yeah, well you was at why

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Speaker 1: you ain't me? You was busy telling you gave her

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Speaker 1: dropped the dog.

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Speaker 4: In the Sopranos, when Tony b went to jail for

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Speaker 4: like twenty years for a robbery, and Tony was supposed

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Speaker 4: to be there, but he had like a panic attack

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Speaker 4: and passed out, and then he said two black guys

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Speaker 4: robbed him.

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Speaker 1: That's why he couldn't make.

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Speaker 4: It feel like Jesse Smole, right, I was gonna come,

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Speaker 4: but I was robbed on the train.

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Speaker 1: Oh, I just want to shout out ed Eddin, who

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Speaker 1: still works with RAND Media. Contract would believe people once

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Speaker 1: people no longer work with us that, yeah, we think

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Speaker 1: that they no longer and some people still work with

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Speaker 1: Ran Media. He does this thing where he goes when

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Speaker 1: he comes in here when I'm not here, and he

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Speaker 1: leaves me little sticky notes.

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Speaker 4: So Eden, I want to say, that's your naughty elf.

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Speaker 1: Yeah, he left me a wong fool with a heart

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Speaker 1: and a boat through the heart.

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Speaker 4: Oh, you guys have inside jokes.

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Speaker 1: Well because Editing, you know, he does his podcast. I

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Speaker 1: forgot the name of it. Is it like Bodiquas and

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Speaker 1: Movies or something like that.

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Speaker 4: I didn't want to say it. Cinema Poppies shout out,

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Speaker 4: I'm not going. We talked about doing Training.

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Speaker 1: Yeah, I did too movie. I am I am gonna

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Speaker 1: do Edan's Cinepoca ed and I'm gonna do your Cinne

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Speaker 1: Poppies episode. But Eddin thought that I was gonna do

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Speaker 1: the movie too long. Foo, Okay, got you. I told

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Speaker 1: you Training John Leguizamo, you know, but I told him

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Speaker 1: I wanted to do Hanging with the Homeboys, another John

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Speaker 1: Leguizambo movie. So so this weekend he was like, Yo,

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Speaker 1: we're gonna do Long Foo. I was like, but that's

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Speaker 1: not the movie I wanted to do. And I asked,

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Speaker 1: and I said, are you sure you want me to

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Speaker 1: come on your podcast and talk about the movie Wong Foo?

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Speaker 1: We will be canceled.

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Speaker 4: You're Puerto Rican though, Yeah, I'm Puerto Rican.

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Speaker 1: So you know, shout out to John like but I

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Speaker 1: was like, I don't know who.

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Speaker 4: Edon't got in trouble. Apparently he's not Puerto ric No,

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Speaker 4: Edit's not Puerto Rican. Well, John is not Portorican.

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Speaker 1: John leg was almost not Puerto Rican. I believe this. No.

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Speaker 4: Edon went viral for explaining that he's been lying about

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Speaker 4: being Puerto Rican for way. John leg was almost telling

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Speaker 4: me yesterday and we can fact check it. I'm cool

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Speaker 4: with a slow opener. So the American get hurt, you know,

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Speaker 4: her footing?

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Speaker 1: Yeah, so what John Legamo's Colombian and American.

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Speaker 4: Edon went viral on his podcast explaining this to people,

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Speaker 4: and apparently like his team even reached out and was like, yo,

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Speaker 4: take that clip down.

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Speaker 1: John leg was almost people. I don't know if I'm

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Speaker 1: allowed to say John leg was Homo's not Puerto Rican

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Speaker 1: blew my mind. Oh my god. Yeah. So I don't know, Edit,

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Speaker 1: I don't know if you want me to do your

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Speaker 1: your podcast on my Wong Foo. I don't know if

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Speaker 1: you want to be canceled or not. But I got

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Speaker 1: a lot of a lot of things I would like

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Speaker 1: to talk about about the movie Wong Fool. Yeah. I

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Speaker 1: think in twenty twenty five it can be very well,

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Speaker 1: twenty twenty six, very progressive, very progressive. I think we

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Speaker 1: can have a very very progressive come but ed thank

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Speaker 1: you for my my sticky note.

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Speaker 4: Yeah, Eddon and I were in here on a Sunday.

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Speaker 4: We were shooting Prince Jerald Prince Miller's podcast. Shout out

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Speaker 4: to Prince. We shot in an episode with him and

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Speaker 4: Ken the Supreme McGriff's son, which is out now. Is

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Speaker 4: a fucking amazing conversation. Yeah, two family members around the holidays,

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Speaker 4: chopping it up. You know, Prince maybe disciplining him a

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Speaker 4: bit for some of his is some of his antics

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Speaker 4: in the past, some of his that's Cole.

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Speaker 1: Who we've had on the cow Man Cole Stay out

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Speaker 1: of Trouble Man, Stay out of trouble.

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Speaker 4: Yeah, we check out Jerald Prince Miller's podcast that Ma

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Speaker 4: and I are producing. So we were in here on

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Speaker 4: Sunday with that and shooting that. We had a good time, dope,

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Speaker 4: and it was too much time to kill to go

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Speaker 4: meet Damarus because dameris s at a reservation for ten pm.

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Speaker 4: When you start your night at ten pm. This is

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Speaker 4: how you come to work.

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Speaker 1: See, baby, we do.

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Speaker 4: But if we were did six thirty, I would have

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Speaker 4: been there.

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Speaker 1: Baby, d When you hang out with me, you don't

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Speaker 1: feel like that the next day, right, you have good food,

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Speaker 1: good drinks, and.

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Speaker 3: You can hung out with you. One time in my

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Speaker 3: entire life.

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Speaker 1: That shit, that's all you can remember that Now at

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Speaker 1: my funeral, you could talk about that one time we

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Speaker 1: went to dinner. How you had a great time and

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Speaker 1: he wasn't hung over the next day. Right, Sure, there

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Speaker 1: you go, Bow, we are back instead. I was in

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Speaker 1: your neck of the woods when I we, But I was.

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Speaker 1: I was in Harlem.

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Speaker 4: I went up there just you know, have some turkeys

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Speaker 4: out in hall.

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Speaker 1: Yeah.

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Speaker 4: Last night instead of going out to Pergola.

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Speaker 1: With who was you handing out turkeys with? I was.

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Speaker 4: I was just wanting to go see Austin and his mom.

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Speaker 4: Oh what's to Charles?

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Speaker 1: Uh?

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Speaker 4: Is it Charles soul food whatever that is right for?

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Speaker 4: Oh my god, when they're going order, yeah, oh my god.

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Speaker 1: Yeah, Charles Chicken, Is it Charles something like that? Charles. Yes, man,

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Speaker 1: had a good time. Some of the best green beans

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Speaker 1: I've had in a long time. Yeah, Charles shout out

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Speaker 1: to Charles pan fry. Yeah it was great. The Harlem

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Speaker 1: stopped by. Yeah, he left them yell at you for

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Speaker 1: a little bit. Yeah, great food. Woke me up. Yeah,

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Speaker 1: great food.

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Speaker 4: But come from me. What club did you guys end

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Speaker 4: up going to after Progola?

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Speaker 3: It's called Code Cynostoria.

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Speaker 1: Oh yeah, I was in Diami. They went to Diami

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Speaker 1: Pergola to the sty. Yeah, tell us about it, baby,

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Speaker 1: the Expounder your night.

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Speaker 4: You're committed when you go from the city to a

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Speaker 4: story and you don't live in the story, that's a commitment,

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Speaker 4: what you mean? So what they play? What are they

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Speaker 4: playing in the younger clothes?

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Speaker 3: I don't know.

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Speaker 5: I lost my voice screaming I'm a and you know

207
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Speaker 5: what pisses me off? Screaming I'm a boss at my

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Speaker 5: I'm thirty two, thirty one. That song came out when

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Speaker 5: I was like twenty one. Why have I been screaming

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Speaker 5: the lyrics time a boss for teen years, like I

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Speaker 5: need to.

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Speaker 1: Really scream and screaming I'm a boss from you gotta

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Speaker 1: be to work in the morning. It's that we don't

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Speaker 1: know what talk about screaming. I'm a boss on the

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Speaker 1: couch at one when you gotta be at work in

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Speaker 1: the morning, I'm a boss. No, you're gonna get You're

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Speaker 1: gonna be late. That's what you want to you want

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Speaker 1: you might want to get home and get in bed

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Speaker 1: right now, is what you want to do.

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Speaker 4: That's a screamble song, though. That was a good era

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Speaker 4: of Meek screambo songs. Outside of the intro I'm a boss. Uh,

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Speaker 4: what's when he's fucking shorty in the bathroom, She's screaming

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Speaker 4: out him coming house party, party, screamable song. Meek had

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Speaker 4: some some classes pause but yo about say how you

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Speaker 4: know that.

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Speaker 3: He screams?

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Speaker 5: Okay, so that's he makes screamable music because he's screaming

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Speaker 5: in all his music.

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Speaker 4: He creeping along.

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Speaker 1: That's very true. We are backspots by Boost Mobile Unlimited Talk,

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Speaker 1: text and data. Rory. If you didn't know that, I

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Speaker 1: did not thank you for telling Mergers on Sale got

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Speaker 1: some merch left and Patreon dot com forward slash New

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Speaker 1: Roryan Mall for everything New Rooryan Mall. Behind the scenes,

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Speaker 1: you can see what we do. Had some conversations that

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Speaker 1: we don't really want to have on the public airways

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Speaker 1: because that's not for everybody.

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Speaker 4: True, And it's the twenty third now. I know some

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Speaker 4: of you have not gotten a single Christmas gift or

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Speaker 4: any shopping done, so I don't know. Maybe give someone

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Speaker 4: Patreon for a month. Yeah, that'd be a cool little

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Speaker 4: stocking stuff. Or maybe we make those cards that you see, Uh,

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Speaker 4: you know that got the Applebee's one home depot. They

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Speaker 4: put them like in Dwayne reads, she get like the

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Speaker 4: new Royal Mall Patreon card. Yeah, then she could give someone,

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Speaker 4: except we don't tell Dwayne Reed. We just put them

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Speaker 4: put them on there, like we just stick them on

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Speaker 4: there in front of Apple.

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Speaker 1: Well.

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Speaker 4: I may mess this up, so please everyone correct me.

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Speaker 4: I do want to give the rundown of the holiday schedule.

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Speaker 4: Happy holidays to everyone. Of course you're listening to this

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Speaker 4: on Tuesday, but we will be off for our Thursday

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Speaker 4: and Friday episode because we will be celebrating Jesus' alleged birthday,

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Speaker 4: and then we'll be back next Tuesday, and then we're

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Speaker 4: off for New Year's Eve, and then we are back

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Speaker 4: at the top of January. January sixth, we will be back, all.

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Speaker 1: Right, Roach, So what are you doing for the holidays?

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Speaker 1: What's the plans? This is where I is Oamar gonna

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Speaker 1: run you a uk as it already does.

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Speaker 4: This is where I used to love Thanksgiving and Christmas

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Speaker 4: being so close to each other holiday season. But when

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Speaker 4: you host this back to back thing is going to

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Speaker 4: be I'm not ready. I'll say that like I'm gonna

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Speaker 4: rush out of here just to go cleaning my entire

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Speaker 4: house that's still dirty from Thanksgiving.

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Speaker 1: Yeah, so everybody coming over. Yeah, it'll just be a repeat,

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Speaker 1: repeated Thanksgiving. But good times, man, we'll see enjoyed time

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Speaker 1: with the family. Baby, did what you do? Ain't going home?

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Speaker 1: All right? Thank you for that.

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Speaker 3: I'll drive back down tomorrow.

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Speaker 1: You drive back down to Syracuse. Yeah, okay, down to Syracuse,

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Speaker 1: up to Atlanta, drive down a shirt. Let me know

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Speaker 1: when you get there. If you drive down to Syracuse,

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Speaker 1: let me know when you get to me for clumbing.

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Speaker 1: I'm driving over to India. Yeah, I'm gonna drop to India,

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Speaker 1: I know, drive over there.

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Speaker 4: Well, you do anything to be in the south up

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Speaker 4: north where we not buying nobody.

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Speaker 1: I'm gonna go see the family, my nephew know, he's

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Speaker 1: the kids get stuff. But I'm gonna go see the fan,

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Speaker 1: spend some time with them, and I may or may

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Speaker 1: not take a vacation just so, you know, just to

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Speaker 1: kind of just reset for the twenty twenty six. I

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Speaker 1: hear that that's it. Yeah, wouldn't I wouldn't be mad

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Speaker 1: at that. Man, be nice to do. They don't want

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Speaker 1: to bring in the New Year on the beach at midnight,

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Speaker 1: that'd be cute and then watch the sun rise?

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Speaker 4: Is it like really expensive? I've never done a New

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Speaker 4: Year's outside of the city.

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Speaker 1: Like it can be. It depended on where you go.

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Speaker 1: It can be. What if I want to just like

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Speaker 1: go to d C. Fire that's just some random ship.

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Speaker 1: Yeah that's cool. Okay, that's cool too. Get a nice

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Speaker 1: hotel room in DC. Yeah, just chill for New Year's. Yeah,

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Speaker 1: gotta be dope. Yeah.

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Speaker 4: I don't know if I have any New York's plans.

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Speaker 4: I mean, Tamaris, we'll be pregnant and married by then.

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Speaker 1: So by New Year's all right, that's what's up. Going

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Speaker 1: back to Q.

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Speaker 4: Is gonna get a homegrown fella, homegrown, nice local that

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Speaker 4: she went to middle school with.

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Speaker 1: The homegrown fella cooking. Maybe D for Christmas.

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Speaker 3: I usually do seafood for Christmas.

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Speaker 1: The seven fish she knows about, the seven fish Italian

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Speaker 1: of you. The seven fishes she knows, you know, the

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Speaker 1: seven fishes, baby D.

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Speaker 5: I only do like three fishes though, like shrimp crable.

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Speaker 1: That's what's up.

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Speaker 4: Yeah, she just named three things that are not she said, shrimp, crab,

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Speaker 4: legs and locks.

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Speaker 1: Alright, so not name the three fishes that cook. Talking

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Speaker 1: over people, I'm gonna do the three fishes shrip, crab

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Speaker 1: legs and lost your baby did so over my Christmas

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Speaker 1: baking there Nobody told you to go fucking drink a

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Speaker 1: subspade and don Julio, look at you. That you a mess, Welsh.

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Speaker 4: You're had in a section that's a lot of a

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Speaker 4: lot of bottles for three young young women.

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Speaker 1: You know, you know, no, we don't know. I don't know.

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Speaker 1: I had six bottles and there was three.

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Speaker 5: You know that we had.

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Speaker 1: We had to drink all that. That's oh my god,

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Speaker 1: that is hilarious as long as everybody made it home

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Speaker 1: safe and everybody's good.

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Speaker 5: Yeah, Alex had, Alex had to get up like you

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Speaker 5: know when you drunk and like like I don't have

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Speaker 5: people say I don't have a real job, and I

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Speaker 5: get so angry, like this is a real job. But

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Speaker 5: like I can come in here at twelve o'clock hungover,

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Speaker 5: and it's funny. Anything I do other than like die

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Speaker 5: makes this podcast better, like anything.

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Speaker 1: How would you pass away? Oh for alcohol boyds? Oh

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Speaker 1: it's not funny, that's no, But like.

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Speaker 4: People pass away isn't funny, but there are funny ways

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Speaker 4: that people have passed away.

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Speaker 1: Like what name a funny way? I want to say it?

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Speaker 1: Not even going down that the top ten funniest ways

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Speaker 1: you can die? That sounds like a.

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Speaker 4: Clip, but no for fish, dumb ass snorkeling retreat.

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Speaker 5: We Yeah, I can come in here and y'all will

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Speaker 5: just laugh at me, like me being drunk, y'all just

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Speaker 5: laugh at me.

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Speaker 3: Get my heart broken, y'all just laugh at me.

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Speaker 5: Like if like anything that happens to me is lord,

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Speaker 5: if I go to jail, it's all funny. My friends

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Speaker 5: have like real jobs, like Alex is building a jail

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Speaker 5: right now, Like she got to put outlets in a jail.

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Speaker 4: She drove in to jail. Yeah, oh she's a democrat

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Speaker 4: ahead like privatized.

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Speaker 3: No, she's an electrical engineer.

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Speaker 5: But yeah, like, imagine trying to do something working out electricity,

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Speaker 5: drawing and ship while you're drunk.

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Speaker 1: I could never do no shit like that. Yeah, that's

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Speaker 1: that's a job. You got to be alert.

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Speaker 4: Can you imagine being a prison inmate and thinking electrical

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Speaker 4: engineers coming and Alex show up and you've been locked

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Speaker 4: up for ten years.

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Speaker 1: Chill, just chill, he calm down, trying to get canceled

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Speaker 1: already going, wait, was cancing for what?

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Speaker 4: There's even like a big female CEO with the inmates

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Speaker 4: go crazy a bad electrical engineer.

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Speaker 1: They'd be calm. No, no, they definitely would not be calm.

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Speaker 1: It'd be pannemonium on that tea for sure.

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Speaker 4: Well, on Saturday night into Sunday, my phone was blowing

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Speaker 4: up with more congratulations and I'm thinking, oh, people are

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Speaker 4: getting some of the netflu can't speak Netflix news a

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Speaker 4: little late, you know, they read the article this and that. No,

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Speaker 4: everyone's congratulat me on being the new morning show host

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Speaker 4: of Hot ninety seven.

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Speaker 1: You're the new morning shows? You too? You too me? Yeah,

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Speaker 1: I've never spoke. I've never spoke to nobody from Hot nineties.

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Speaker 3: You have side ventures.

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Speaker 4: Well, let's let's let's start at the beginning. Okay, let's start.

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Speaker 4: I want to say Friday, Hot ninety seven announced a

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Speaker 4: coming soon image with three individuals, and I'm not here

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Speaker 4: to shit on these people the way everyone else did

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Speaker 4: in New York. But we're just not familiar with who

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Speaker 4: these three people are to be quite honest, and they

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Speaker 4: could be very talented Rondelle Smith, Alna Harris, and I

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Speaker 4: don't know if this is a playoff like a million

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Speaker 4: million Okay, is this real?

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Speaker 1: Okay?

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Speaker 4: Everyone assumed that this meant they were taking over the

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Speaker 4: morning show, which everyone just started shitting on me in

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Speaker 4: the comments. See, this is why the show is not

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Speaker 4: fucking valid. Roy just be making shot up. Well, let's

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Speaker 4: start with the actual words that I did say, because

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Speaker 4: I know you guys always ignore the words that were said. Yeah,

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00:17:02,240 --> 00:17:04,480
Speaker 4: and just go with what you assume you heard. I'd

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Speaker 4: said I had spoken to the person that was in negotiations.

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Speaker 4: I don't know if they're taking the gig, but I

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Speaker 4: thought it made sense for how to reach out to them. Also,

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Speaker 4: if you read what Hot ninety seven posted, it says

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Speaker 4: the new Hot ninety seven hosts they have cleared house

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Speaker 4: on so much shit. It does not say the morning

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Speaker 4: show host whatsoever. But then Flex put a bunch of

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Speaker 4: crying emojis under it, And now I'm really fucking confused

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Speaker 4: on what's going on.

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Speaker 1: Yeah, I don't know what's going on.

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Speaker 4: So then come Saturday, I get a DM from a

401
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Speaker 4: YouTuber that was sent an email from somebody that I

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Speaker 4: will obviously not say say their name, but a former

403
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Speaker 4: employee of who bought Hot ninety seven iMedia. I yeah,

404
00:17:45,960 --> 00:17:48,600
Speaker 4: something like that something, I yeah, they bought it from EMS.

405
00:17:49,040 --> 00:17:51,320
Speaker 4: She was a former employee there during the layoffs. She

406
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Speaker 4: was let go, but she still had all the emails

407
00:17:54,240 --> 00:17:56,919
Speaker 4: of the potential hosts and what they would be offered

408
00:17:57,960 --> 00:18:00,959
Speaker 4: for a three year deal. We were on there at

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00:18:01,000 --> 00:18:02,880
Speaker 4: a million dollars. I'm not sure if they were saying

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00:18:03,480 --> 00:18:06,320
Speaker 4: a million dollars for three years, a million dollars or

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00:18:06,359 --> 00:18:08,640
Speaker 4: a million dollars each year if you take a three

412
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Speaker 4: year deal. Now, I am not shaming anyone's salary whatsoever.

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Speaker 4: I've been dead Broke. I want to make sure I'm

414
00:18:16,600 --> 00:18:18,800
Speaker 4: not coming across as that. But if you are on

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Speaker 4: a W two in New York City and New York

416
00:18:20,800 --> 00:18:27,280
Speaker 4: State after taxes a million dollars split twice city tax,

417
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Speaker 4: state tax, federal tax, you could be a manager a.

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Speaker 1: Tripole and make that shit in three years. Yeah, that's

419
00:18:34,320 --> 00:18:36,920
Speaker 1: a fact. But this is all Yeah, got split in

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Speaker 1: a half. Yeah, so it's up nothing and nothing is

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Speaker 1: up at all. This is all news to me. I

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Speaker 1: had no idea about this.

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Speaker 4: Some people on there, Gay p from on the Radar,

424
00:18:49,480 --> 00:18:53,840
Speaker 4: s O and Heineken, Armant Wiggins. Yeah, just a bunch

425
00:18:53,880 --> 00:18:56,400
Speaker 4: of people that media co was looking at. I can

426
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Speaker 4: speak for myself. I have not spoken to one person

427
00:18:59,359 --> 00:19:01,359
Speaker 4: from Hot Night seven. Nobody's reached out. I have no

428
00:19:01,480 --> 00:19:04,760
Speaker 4: idea the validity of this entire thing, but I mean

429
00:19:04,920 --> 00:19:06,760
Speaker 4: it's a podcast, so we can have fun. All of

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Speaker 4: that meal is getting it done.

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Speaker 5: Bro What will be the price, because I don't know

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Speaker 5: how much that on the air, I know how much

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00:19:13,560 --> 00:19:15,320
Speaker 5: job value will be the starting price.

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Speaker 3: I know how much your value, like well, I know.

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00:19:18,240 --> 00:19:20,200
Speaker 4: My first question would not actually be the price, It

436
00:19:20,200 --> 00:19:22,480
Speaker 4: would be what are you expecting of Maul?

437
00:19:22,520 --> 00:19:23,840
Speaker 1: And I at Hot ninety seven.

438
00:19:23,920 --> 00:19:26,680
Speaker 4: What is this true commitment in my flex where I

439
00:19:26,720 --> 00:19:29,440
Speaker 4: have to wear the brand on my forehead for the

440
00:19:29,520 --> 00:19:32,600
Speaker 4: rest of my life and dedicate everything I have to

441
00:19:32,800 --> 00:19:37,040
Speaker 4: this morning show? Or am I showing up for four

442
00:19:37,080 --> 00:19:39,760
Speaker 4: hours every morning and getting the job done and just

443
00:19:39,800 --> 00:19:41,840
Speaker 4: getting good ratings and then going about my merry way.

444
00:19:44,160 --> 00:19:45,399
Speaker 4: That's what I would want to know, Like, what are

445
00:19:45,400 --> 00:19:48,680
Speaker 4: you really expecting out of a morning show co host

446
00:19:48,760 --> 00:19:49,040
Speaker 4: right now?

447
00:19:49,520 --> 00:19:50,960
Speaker 5: But even that, you don't want to do that shit.

448
00:19:51,000 --> 00:19:52,480
Speaker 5: We were just talking about how that shit takes up

449
00:19:52,520 --> 00:19:53,200
Speaker 5: your entire life.

450
00:19:54,320 --> 00:19:57,760
Speaker 4: I mean, yes, but we were also saying as podcasters,

451
00:19:57,840 --> 00:20:01,320
Speaker 4: we can relate that we are pread You can't get

452
00:20:01,359 --> 00:20:03,560
Speaker 4: a fucking day off or go on vacation or see

453
00:20:03,600 --> 00:20:05,679
Speaker 4: our families or you know, no.

454
00:20:05,800 --> 00:20:06,120
Speaker 1: We can't.

455
00:20:06,520 --> 00:20:09,480
Speaker 4: We're literally doing it this weekend. I'm up at four am. Anyways,

456
00:20:09,520 --> 00:20:11,920
Speaker 4: with tomorrow, Like I could just go there for a

457
00:20:11,960 --> 00:20:17,359
Speaker 4: few hours and walk over here. That's too much, Listen,

458
00:20:17,359 --> 00:20:18,720
Speaker 4: I wouldn't mind having health insurance.

459
00:20:21,680 --> 00:20:22,080
Speaker 3: That's fair.

460
00:20:22,680 --> 00:20:24,280
Speaker 1: Sometimes it's cool to be an employee. I don't know

461
00:20:24,280 --> 00:20:25,360
Speaker 1: if I want to talk that much.

462
00:20:26,359 --> 00:20:28,560
Speaker 4: Oh not, you just repeat the takesh it's a bad

463
00:20:28,640 --> 00:20:29,919
Speaker 4: pitch for them to hire us.

464
00:20:30,600 --> 00:20:32,400
Speaker 1: I don't know if I want to talk that much though.

465
00:20:33,040 --> 00:20:34,480
Speaker 4: I mean, you know there's breaks in between.

466
00:20:34,920 --> 00:20:39,639
Speaker 1: You think they let me DJ? Why not? Because they

467
00:20:39,720 --> 00:20:42,200
Speaker 1: have DJ? Yeah? But I mean you create a playlist?

468
00:20:42,280 --> 00:20:45,480
Speaker 4: No, probably, I'm sure there was one band view Yeah.

469
00:20:45,560 --> 00:20:47,280
Speaker 4: And first of all, morning radios, you just got to

470
00:20:47,280 --> 00:20:49,520
Speaker 4: play the hits. People don't even want to play the

471
00:20:49,800 --> 00:20:51,639
Speaker 4: don't play a new song which you are feeling.

472
00:20:51,720 --> 00:20:53,280
Speaker 1: It's really not that bad if you think about it,

473
00:20:53,280 --> 00:20:56,480
Speaker 1: if you just allowed if again, this is my first

474
00:20:56,480 --> 00:20:58,000
Speaker 1: time hearing it is, so this is just all just

475
00:20:58,160 --> 00:21:00,720
Speaker 1: us joking and having fun with this. Never heard about

476
00:21:01,200 --> 00:21:05,360
Speaker 1: how ninety seven thinking of Rory and myself at all.

477
00:21:05,880 --> 00:21:08,400
Speaker 1: But if they wanted us to do them on the show,

478
00:21:08,600 --> 00:21:10,080
Speaker 1: I would sit in there and I would say, okay,

479
00:21:10,119 --> 00:21:11,679
Speaker 1: but how are we doing it? Are you gonna let

480
00:21:11,760 --> 00:21:13,720
Speaker 1: us do it all way? Because if it's just music

481
00:21:13,800 --> 00:21:16,359
Speaker 1: and us just talking in between the songs, it's not

482
00:21:16,480 --> 00:21:18,200
Speaker 1: that bad. That's that's kind of my point.

483
00:21:18,240 --> 00:21:20,960
Speaker 4: I would ask, what are you looking for from us

484
00:21:21,119 --> 00:21:23,200
Speaker 4: besides just the ratings that are certain.

485
00:21:23,440 --> 00:21:25,640
Speaker 1: Let us create the playlist, let us have fun, talk

486
00:21:25,680 --> 00:21:27,080
Speaker 1: shit a little bit, and.

487
00:21:27,280 --> 00:21:30,320
Speaker 5: You know, but y'all curse so much though I don't

488
00:21:30,359 --> 00:21:32,720
Speaker 5: know about radio. For y'all, y'all curse so much.

489
00:21:32,600 --> 00:21:35,800
Speaker 1: I don't have to curse. Yeah, Okay, try it for

490
00:21:35,840 --> 00:21:37,920
Speaker 1: the rest of the episode. Okay, are you gonna get

491
00:21:37,920 --> 00:21:40,520
Speaker 1: me like angry baby? I don't curse that much though

492
00:21:41,320 --> 00:21:43,960
Speaker 1: you think I curse a lot when I speak, Yes, well.

493
00:21:44,320 --> 00:21:46,200
Speaker 5: Curse more than You're not a hard curse like you're

494
00:21:46,280 --> 00:21:48,479
Speaker 5: not a hard swear though, like me and Rory are

495
00:21:48,600 --> 00:21:51,160
Speaker 5: hard swears, like we swear like trying to get better.

496
00:21:51,480 --> 00:21:55,439
Speaker 3: It's bad, but you just say curse words like in passing.

497
00:21:55,680 --> 00:21:58,960
Speaker 5: So you do curse often, but it's not It doesn't

498
00:21:59,000 --> 00:22:01,480
Speaker 5: feel like you're cursing because there's not so much aggression

499
00:22:01,560 --> 00:22:01,960
Speaker 5: behind it.

500
00:22:02,240 --> 00:22:04,240
Speaker 1: Me and Rory are like fuck people, like.

501
00:22:04,320 --> 00:22:06,680
Speaker 5: That's our favorite curse world Yours.

502
00:22:06,280 --> 00:22:08,560
Speaker 4: Is like ship ours is cc to take that million

503
00:22:08,560 --> 00:22:09,640
Speaker 4: dollar salary pretty quick.

504
00:22:10,600 --> 00:22:12,240
Speaker 1: Yeah, but I can just to clean that up for

505
00:22:12,280 --> 00:22:12,760
Speaker 1: the right price.

506
00:22:13,080 --> 00:22:15,720
Speaker 4: I think I easily could do for the right price,

507
00:22:16,440 --> 00:22:18,320
Speaker 4: having a curse price and a noncurse price.

508
00:22:18,520 --> 00:22:21,800
Speaker 1: I got a curse I free, and I got a

509
00:22:21,880 --> 00:22:23,560
Speaker 1: non curse fee. Yeah. Absolutely.

510
00:22:24,320 --> 00:22:29,440
Speaker 4: Also, like the way radio has changed in digital, like

511
00:22:29,560 --> 00:22:33,280
Speaker 4: the way Breakfast Club dominated on YouTube and socials throughout

512
00:22:33,320 --> 00:22:37,680
Speaker 4: the last decade. Are they looking for that, because that's

513
00:22:37,920 --> 00:22:39,840
Speaker 4: that's takes a lot, not a budget just for co

514
00:22:39,880 --> 00:22:43,879
Speaker 4: host but for digital people, program directors, producers like that

515
00:22:44,040 --> 00:22:46,239
Speaker 4: takes a lot as well. That's not just being there

516
00:22:46,280 --> 00:22:49,720
Speaker 4: for four hours. We got to do our long format

517
00:22:49,920 --> 00:22:53,520
Speaker 4: interviews as well as the radio. So to me, that's

518
00:22:53,560 --> 00:22:55,440
Speaker 4: not like I'm not in and out of there five

519
00:22:55,560 --> 00:22:59,920
Speaker 4: to nine, like you had to stay there. That's that's

520
00:23:00,000 --> 00:23:01,400
Speaker 4: why I'm saying that price doesn't get it done.

521
00:23:01,920 --> 00:23:05,240
Speaker 1: Yeah, that that that price definitely wouldn't get it done.

522
00:23:05,320 --> 00:23:08,159
Speaker 1: Even though that we've never spoke to anybody. Nobody ever

523
00:23:08,200 --> 00:23:10,600
Speaker 1: approached us about that, So I'm not sure where this

524
00:23:10,800 --> 00:23:14,240
Speaker 1: came from, but yeah, that number would definitely not I'm

525
00:23:14,240 --> 00:23:15,919
Speaker 1: gonna just put that out. That number would not get

526
00:23:15,960 --> 00:23:16,240
Speaker 1: it done.

527
00:23:16,440 --> 00:23:19,920
Speaker 4: I think shout out to our brothers s O and Heineken.

528
00:23:20,400 --> 00:23:21,240
Speaker 1: They would be great.

529
00:23:21,760 --> 00:23:23,960
Speaker 4: But if you think if the merriage things, we'd have

530
00:23:24,000 --> 00:23:25,680
Speaker 4: to curve some of our point of view and some

531
00:23:25,800 --> 00:23:29,440
Speaker 4: of our language that's on Heidigen up there.

532
00:23:29,400 --> 00:23:29,720
Speaker 1: Would be.

533
00:23:31,600 --> 00:23:35,040
Speaker 4: CC's dream. I think they do a great job, but

534
00:23:35,040 --> 00:23:36,639
Speaker 4: they would have to. It's the same thing with us

535
00:23:36,720 --> 00:23:39,720
Speaker 4: with Curb, how we speak about certain things, they'd be great.

536
00:23:39,760 --> 00:23:42,480
Speaker 4: But I still think the person that I had mentioned

537
00:23:43,200 --> 00:23:45,920
Speaker 4: last week that was in negotiations is still the best fit.

538
00:23:47,160 --> 00:23:49,679
Speaker 4: Even seeing this list, I do too. So I mean,

539
00:23:49,720 --> 00:23:53,240
Speaker 4: I hope that works out, still negotiations and that that regard.

540
00:23:53,320 --> 00:23:56,440
Speaker 4: But yeah, apparently we're the new hosts. We got to

541
00:23:56,520 --> 00:23:58,600
Speaker 4: check on Netflix if this is okay. But yeah, I mean,

542
00:23:58,600 --> 00:24:00,520
Speaker 4: I'll see at four am on January first.

543
00:24:00,359 --> 00:24:03,040
Speaker 1: Let's do it. Looking forward to it, man. Speaking of

544
00:24:03,119 --> 00:24:06,440
Speaker 1: Netflix Ory, this weekend was a big weekend on Netflix.

545
00:24:07,040 --> 00:24:12,000
Speaker 1: Friday Night Netflix Anthony Joshua, Jake Paul. Uh, the fight

546
00:24:12,080 --> 00:24:13,919
Speaker 1: that we've all been you know, I guess we were

547
00:24:13,960 --> 00:24:15,240
Speaker 1: waiting for it. We thought it was gonna be tank,

548
00:24:15,680 --> 00:24:18,080
Speaker 1: but then they had to pivot to Anthony Joshua, bless

549
00:24:18,119 --> 00:24:20,879
Speaker 1: you baby, d Sorry, let's throw up. I don't think

550
00:24:20,880 --> 00:24:24,520
Speaker 1: that the sorry knowing about it, we got somebody to

551
00:24:24,560 --> 00:24:27,560
Speaker 1: clean it up. So the Anthony Joshua Jake Paul fight

552
00:24:27,760 --> 00:24:31,280
Speaker 1: was Friday Rory, and everybody had their you know, apprehensions

553
00:24:31,320 --> 00:24:34,600
Speaker 1: going into it. Is it's fixed, what is it gonna baby?

554
00:24:34,760 --> 00:24:36,000
Speaker 1: What was that? I don't even know what that was

555
00:24:36,040 --> 00:24:37,720
Speaker 1: and that come out your mouth for your ask baby,

556
00:24:37,760 --> 00:24:40,080
Speaker 1: d which one was that? Was that a sneeze call

557
00:24:40,200 --> 00:24:42,600
Speaker 1: for far? Which one was that? It's all kind of

558
00:24:42,680 --> 00:24:46,280
Speaker 1: gas is happening right now? Baby? Are you okay? You're right?

559
00:24:46,320 --> 00:24:47,840
Speaker 1: All right now, I'm gonna try this one more time.

560
00:24:47,920 --> 00:24:53,040
Speaker 1: Anthony Joshua, Jake Paul, and Jake Paul Friday Night, exclusively

561
00:24:53,160 --> 00:24:57,879
Speaker 1: on Our New Home Rory, our new Partners Netflix. So

562
00:24:58,000 --> 00:25:00,800
Speaker 1: the fight happened, and you know, going into it, me

563
00:25:00,840 --> 00:25:02,879
Speaker 1: and Peg was talking, you know, all week. I was like, man,

564
00:25:02,920 --> 00:25:05,320
Speaker 1: I don't know, Jake Paul might get killed, he might

565
00:25:05,359 --> 00:25:07,640
Speaker 1: get hurt, just noy. But then I was apprehensive because

566
00:25:07,640 --> 00:25:13,320
Speaker 1: I was like, Anthony josh is Anthony Joshua's biggest pay day, baby, Okay, yeah,

567
00:25:13,600 --> 00:25:18,080
Speaker 1: all right, good, this is Anthony Joshua's biggest payday. And

568
00:25:18,320 --> 00:25:21,680
Speaker 1: we all knew obviously, Anthony Joshua was the toughest opponent

569
00:25:21,760 --> 00:25:24,200
Speaker 1: that Jake probably got into the ring. I mean, he

570
00:25:24,359 --> 00:25:26,560
Speaker 1: fought Mike Tyson, but the older Mike text.

571
00:25:26,560 --> 00:25:29,520
Speaker 4: Joshua was some of the toughest opponents that are professional boxer.

572
00:25:29,640 --> 00:25:32,320
Speaker 1: Yeah, but you know, Anthony Joshua's taking a couple of

573
00:25:32,359 --> 00:25:36,120
Speaker 1: losses in the real boxing world, he's taking a couple

574
00:25:36,160 --> 00:25:38,440
Speaker 1: of losses. He's kind of you know, people are like,

575
00:25:38,520 --> 00:25:41,280
Speaker 1: he's not the fighter that he once was. So, you know,

576
00:25:41,440 --> 00:25:44,000
Speaker 1: the Jake Paul fans felt like this was a safe

577
00:25:44,080 --> 00:25:47,359
Speaker 1: fight for Jake. They felt like, Okay, you know, Anthony

578
00:25:47,480 --> 00:25:50,000
Speaker 1: Joshua took a couple of losses. You know, it's like

579
00:25:50,080 --> 00:25:53,520
Speaker 1: this is the perfect time. Let me first say salute

580
00:25:53,560 --> 00:25:56,120
Speaker 1: to Jake Paul for even taking this fight, for even

581
00:25:56,119 --> 00:25:58,200
Speaker 1: getting into the ring. I think Jake Paul has proven

582
00:25:59,080 --> 00:26:01,280
Speaker 1: that he's not afraid to fight anybody. He's proven that

583
00:26:01,320 --> 00:26:03,880
Speaker 1: he's one of the greatest marketers, he's proven that he's

584
00:26:03,880 --> 00:26:06,800
Speaker 1: one of the greatest promoters. He's definitely the greatest promoter

585
00:26:06,880 --> 00:26:09,200
Speaker 1: when it comes to women's boxing that I think we've

586
00:26:09,240 --> 00:26:12,879
Speaker 1: probably seen. So shout out point to Jake Paul for

587
00:26:13,040 --> 00:26:15,520
Speaker 1: that a loan. There's not many people that would be

588
00:26:15,560 --> 00:26:18,120
Speaker 1: willing to get in the ring with Anthony Joshua if

589
00:26:18,160 --> 00:26:21,440
Speaker 1: they weren't quote unquote quote unquote real boxers.

590
00:26:21,760 --> 00:26:23,240
Speaker 4: For one hundred million dollars, I get my asked with

591
00:26:23,320 --> 00:26:24,040
Speaker 4: by Anthony jos.

592
00:26:24,640 --> 00:26:26,840
Speaker 1: Break my Joe. Yeah, no, no, one hundred percent so

593
00:26:26,960 --> 00:26:27,200
Speaker 1: to fight.

594
00:26:27,400 --> 00:26:29,440
Speaker 4: I respect that Jake Paul has built himself in a

595
00:26:29,480 --> 00:26:34,080
Speaker 4: position as a to do their marketer to even no

596
00:26:34,160 --> 00:26:36,040
Speaker 4: one would put that offer on the table for no

597
00:26:36,080 --> 00:26:40,040
Speaker 4: One's Netflix. Rory Anthony Joshua, Right, you know, I might

598
00:26:40,160 --> 00:26:41,439
Speaker 4: make the Hot ninety seven salaries.

599
00:26:41,720 --> 00:26:46,159
Speaker 1: But yeah, but Jake Paul's obviously worked themselves into a

600
00:26:46,200 --> 00:26:49,080
Speaker 1: position where the money to draw is huge. It's a

601
00:26:49,200 --> 00:26:51,720
Speaker 1: huge name, huge brand, and a lot of people tuned

602
00:26:51,760 --> 00:26:56,119
Speaker 1: in to watch it. But I think what happened is

603
00:26:56,160 --> 00:26:59,800
Speaker 1: what most people thought was gonna happen. Jake Paul was

604
00:26:59,800 --> 00:27:02,960
Speaker 1: good to get hurt. He was going to get knocked out. Well,

605
00:27:03,000 --> 00:27:04,359
Speaker 1: I will, I will give him credit. He didn't go

606
00:27:04,359 --> 00:27:06,959
Speaker 1: to sleep. He just got his jaw broke in two

607
00:27:07,000 --> 00:27:10,480
Speaker 1: places and wasn't able to you know. His corner was like,

608
00:27:10,640 --> 00:27:12,120
Speaker 1: you know, and that's it. The ref was like, yeah,

609
00:27:12,200 --> 00:27:15,119
Speaker 1: that's let's just stop before Jake gets seriously hurt.

610
00:27:15,280 --> 00:27:17,240
Speaker 4: I was waiting for six nines rendition up through the wire.

611
00:27:17,600 --> 00:27:20,760
Speaker 4: Let's to get the canvas. I didn't know six and

612
00:27:20,800 --> 00:27:22,879
Speaker 4: I was still around. Yeah, that was like the biggest

613
00:27:22,880 --> 00:27:28,120
Speaker 4: shot streaming. Okay, he's doing the stream thing, all right, yes,

614
00:27:28,320 --> 00:27:30,119
Speaker 4: do I give Jake Paul credit for getting the ring

615
00:27:30,200 --> 00:27:34,120
Speaker 4: of gosp respected for sure. This is the first time

616
00:27:34,160 --> 00:27:37,119
Speaker 4: we've seen Jake Paul go against somebody that where he

617
00:27:37,680 --> 00:27:42,800
Speaker 4: had a significant physical difference, yeah, or age difference. He's

618
00:27:42,800 --> 00:27:44,920
Speaker 4: always kind of had the upper hand who he was

619
00:27:45,000 --> 00:27:51,400
Speaker 4: fighting no matter what. Anthony Joshua is probably the perfect

620
00:27:52,040 --> 00:27:57,480
Speaker 4: pause physically fit boxer right now as far as height reach.

621
00:27:58,480 --> 00:28:00,520
Speaker 4: Knowing how to move at six six like that that

622
00:28:00,760 --> 00:28:05,960
Speaker 4: quickly and smoothly is very difficulty. I'd be shitting my

623
00:28:06,080 --> 00:28:07,639
Speaker 4: pants that were like damn, I didn't know he was

624
00:28:07,760 --> 00:28:10,040
Speaker 4: that big, Like getting in that ring, I would probably

625
00:28:10,040 --> 00:28:12,480
Speaker 4: shot my pants. So I give Jake Paul credit there.

626
00:28:13,440 --> 00:28:15,200
Speaker 4: I'm not gonna give a bunch of credit to somebody

627
00:28:15,280 --> 00:28:19,440
Speaker 4: for running for five rounds and grabbing legs like, yeah,

628
00:28:20,000 --> 00:28:21,960
Speaker 4: he got up one or two shots where I was like,

629
00:28:22,000 --> 00:28:24,400
Speaker 4: all right, cool, I think you know, AJ's just trying

630
00:28:24,440 --> 00:28:26,320
Speaker 4: to get him to get his hands down. That's why

631
00:28:26,400 --> 00:28:27,320
Speaker 4: he let that one shot go.

632
00:28:28,840 --> 00:28:29,600
Speaker 1: It was boring.

633
00:28:30,920 --> 00:28:33,960
Speaker 4: I mean, knockout was incredible, but du like even it was,

634
00:28:34,280 --> 00:28:36,200
Speaker 4: the first three rounds were some of the worst ref

635
00:28:36,640 --> 00:28:39,040
Speaker 4: boxing I've ever seen in my entire life, Like they

636
00:28:39,080 --> 00:28:41,880
Speaker 4: were even giving penalties to aj was like, Doug, this

637
00:28:41,960 --> 00:28:45,800
Speaker 4: guy's tackling his legs. Even the announcer towards Dan was like, guys,

638
00:28:45,960 --> 00:28:49,280
Speaker 4: that's not his fault. You can't give have a point

639
00:28:49,320 --> 00:28:51,840
Speaker 4: taken away because someone is hanging on his legs.

640
00:28:51,840 --> 00:28:53,080
Speaker 1: What the ref said? That the ref said, you know,

641
00:28:53,120 --> 00:28:55,960
Speaker 1: people didn't pay to see this, so you know, please stop,

642
00:28:56,000 --> 00:28:57,440
Speaker 1: but that, I mean, listen. At that point, I think

643
00:28:57,960 --> 00:29:00,560
Speaker 1: Jake Paul realized, like, damn, like I'm not. First of all,

644
00:29:01,360 --> 00:29:03,240
Speaker 1: I'm not My wind is not as up as I

645
00:29:03,280 --> 00:29:05,280
Speaker 1: thought it would be. Yeah, I'm doing a lot of

646
00:29:05,440 --> 00:29:07,600
Speaker 1: you know, running dancing in the ring. My cardios not

647
00:29:07,840 --> 00:29:10,800
Speaker 1: what I thought it was gonna be. And yeah, and

648
00:29:10,840 --> 00:29:14,320
Speaker 1: then you know, he he he landed one on Anthony

649
00:29:14,400 --> 00:29:17,520
Speaker 1: Joshua that I think he might have felt like would

650
00:29:17,560 --> 00:29:19,960
Speaker 1: have shook anybody else a little bit. And once he

651
00:29:20,000 --> 00:29:22,600
Speaker 1: saw Anthony Joshua just walk through that like nothing had happened,

652
00:29:22,800 --> 00:29:24,640
Speaker 1: I think at that point Jake Paul knew, all right, yeah,

653
00:29:24,680 --> 00:29:27,920
Speaker 1: this is I'm outmatched physically. I can't do nothing with

654
00:29:28,040 --> 00:29:31,560
Speaker 1: this guy. Let me just not die here tonight. Yeah,

655
00:29:31,560 --> 00:29:33,200
Speaker 1: And I think at that point it became clear that

656
00:29:33,680 --> 00:29:35,920
Speaker 1: Jake Paul was in flight mode. I get.

657
00:29:35,960 --> 00:29:37,920
Speaker 4: I mean, I give him credit for taking the knockout

658
00:29:37,920 --> 00:29:40,120
Speaker 4: because when he was knocked down right before that, in

659
00:29:40,240 --> 00:29:41,320
Speaker 4: that round, he could.

660
00:29:41,120 --> 00:29:41,600
Speaker 1: Have stayed down.

661
00:29:41,880 --> 00:29:43,880
Speaker 4: Yeah, I respect that because I know he couldn't see.

662
00:29:44,320 --> 00:29:48,520
Speaker 4: I know his brain was he got into survival mode

663
00:29:48,560 --> 00:29:50,800
Speaker 4: where his brain just was carrying his legs wherever the

664
00:29:50,840 --> 00:29:53,840
Speaker 4: fuck they were gonna go, and he sat there to

665
00:29:53,880 --> 00:29:56,400
Speaker 4: take a shot that broke his jaw in two places.

666
00:29:56,480 --> 00:30:00,000
Speaker 4: So I respect that after he was grabbing the left

667
00:30:00,000 --> 00:30:01,400
Speaker 4: eggs and doing all that shit and making it a

668
00:30:01,480 --> 00:30:03,720
Speaker 4: boring fight, he got up to go get knocked out,

669
00:30:04,040 --> 00:30:06,200
Speaker 4: Like he could have stayed down. So I respect that

670
00:30:06,280 --> 00:30:08,480
Speaker 4: he gave us the show, yeah, and got up to

671
00:30:08,480 --> 00:30:09,200
Speaker 4: get knocked the fuck.

672
00:30:09,280 --> 00:30:11,600
Speaker 1: He got his jaw broke for the brand. He got

673
00:30:11,640 --> 00:30:13,160
Speaker 1: his jaw broke for the blue so he can stick

674
00:30:13,160 --> 00:30:14,520
Speaker 1: his tongue out and make a T shirt. Yeah, it

675
00:30:14,560 --> 00:30:16,440
Speaker 1: split out blood. You know that that's part of it.

676
00:30:16,520 --> 00:30:18,600
Speaker 1: That's part of the the llay. You know it's not

677
00:30:19,120 --> 00:30:22,640
Speaker 1: it's not fake. Yeah, it's not rigged. My jaws really broke.

678
00:30:22,720 --> 00:30:25,600
Speaker 1: I'm really spitting up blood, you know, that's part of it.

679
00:30:25,760 --> 00:30:27,640
Speaker 1: Just to prove the people that I'm really in this ring,

680
00:30:27,760 --> 00:30:31,640
Speaker 1: really taking shots, and it's not scripted, So I don't

681
00:30:31,680 --> 00:30:33,920
Speaker 1: know what this does to Jake Paul's brand moving forward.

682
00:30:33,960 --> 00:30:35,680
Speaker 1: I don't know if Jake Paul gets back in the

683
00:30:35,800 --> 00:30:38,680
Speaker 1: ring and fight after this. He definitely does. I don't

684
00:30:38,680 --> 00:30:39,960
Speaker 1: know if people are gonna want to see it, though,

685
00:30:40,800 --> 00:30:41,880
Speaker 1: I think you know what I'm saying, Like, I just

686
00:30:41,920 --> 00:30:44,320
Speaker 1: don't know if if people are gonna people have been

687
00:30:44,360 --> 00:30:46,200
Speaker 1: waiting for him to get beat, waiting for him to

688
00:30:46,200 --> 00:30:50,200
Speaker 1: get knocked out, it happened. I mean, who do you

689
00:30:50,320 --> 00:30:53,440
Speaker 1: go unless And I think it would have been worse

690
00:30:53,480 --> 00:30:56,320
Speaker 1: with Tank because Tank is faster than Anthony. He's not

691
00:30:56,320 --> 00:30:59,840
Speaker 1: as strong as Anthony, Joshua, He's faster, he hits hard,

692
00:31:00,880 --> 00:31:02,400
Speaker 1: you know, I think the loss would have been worse

693
00:31:02,920 --> 00:31:04,960
Speaker 1: with Tanks. So does he go back and fight Tank

694
00:31:05,040 --> 00:31:05,400
Speaker 1: after this?

695
00:31:05,640 --> 00:31:07,840
Speaker 4: I think that would be the play if they can

696
00:31:07,840 --> 00:31:11,120
Speaker 4: all get on the same page and Tank can because again,

697
00:31:11,280 --> 00:31:13,880
Speaker 4: we really don't know what happened in behind the scenes

698
00:31:13,880 --> 00:31:14,000
Speaker 4: with that.

699
00:31:14,080 --> 00:31:15,600
Speaker 1: Yeah, we could take j Paul's word for it, but

700
00:31:15,880 --> 00:31:18,200
Speaker 1: there's other guys. Obviously, you could put Jake Paul versus

701
00:31:18,280 --> 00:31:20,760
Speaker 1: and it's a draw. I'm gonna take some time. He's

702
00:31:20,760 --> 00:31:22,719
Speaker 1: gonna take a year, But I still think people are

703
00:31:22,760 --> 00:31:24,200
Speaker 1: going to tune in for j Paul. But we talked

704
00:31:24,400 --> 00:31:26,320
Speaker 1: a few episodes ago, like the a laure is starting

705
00:31:26,400 --> 00:31:28,200
Speaker 1: to come off a little bit. No matter what, like

706
00:31:28,320 --> 00:31:31,200
Speaker 1: things are always going to start to plateau, But people

707
00:31:31,200 --> 00:31:33,840
Speaker 1: are still going to tuning with j Paul. I mean, listen, man,

708
00:31:34,120 --> 00:31:36,560
Speaker 1: if they don't, He's made a lot of money his

709
00:31:36,720 --> 00:31:40,600
Speaker 1: his promotion company has promoted some really good fights. Shout

710
00:31:40,640 --> 00:31:45,040
Speaker 1: out to Alicia Baumgardner on defending her belt. I think

711
00:31:45,120 --> 00:31:46,920
Speaker 1: she's you know, what she's doing on the woman's side

712
00:31:47,160 --> 00:31:50,320
Speaker 1: is great for the sport. So I think Jake Paul

713
00:31:50,400 --> 00:31:53,440
Speaker 1: is gonna probably move more into just promoting full time

714
00:31:53,520 --> 00:31:56,480
Speaker 1: than actually being a draw and being the talent. But listen,

715
00:31:56,560 --> 00:31:58,000
Speaker 1: you never know if it's somebody out there that they

716
00:31:58,040 --> 00:32:00,360
Speaker 1: feel like they can get another big bag for, then

717
00:32:00,480 --> 00:32:02,520
Speaker 1: you know, Jake Paul's obviously proving that he'll get in

718
00:32:02,560 --> 00:32:04,920
Speaker 1: the ring with anybody. So salute to Jake Paul and

719
00:32:05,040 --> 00:32:08,200
Speaker 1: his team for putting together another another great fight night

720
00:32:08,840 --> 00:32:09,640
Speaker 1: on Netflix.

721
00:32:09,720 --> 00:32:11,480
Speaker 4: Now, after the fight ended, I just want to ask,

722
00:32:11,560 --> 00:32:13,920
Speaker 4: did you think it was gonna go more than one round,

723
00:32:14,000 --> 00:32:15,760
Speaker 4: because that was what a lot of people were saying. Yeah,

724
00:32:15,760 --> 00:32:17,240
Speaker 4: it was a win for Jake Paul because it went

725
00:32:17,600 --> 00:32:19,760
Speaker 4: I thought it was gonna go three rounds. Do you

726
00:32:19,840 --> 00:32:22,840
Speaker 4: think Anthony Joshua held back a bit so we could

727
00:32:22,880 --> 00:32:23,280
Speaker 4: get a fight.

728
00:32:24,320 --> 00:32:26,560
Speaker 1: Yeah, he definitely held back. I mean, Anthony Joshua could

729
00:32:26,560 --> 00:32:28,400
Speaker 1: have went there and he could have put Jake Paul

730
00:32:28,440 --> 00:32:30,400
Speaker 1: away in the first round if he wanted to. Anthony

731
00:32:30,520 --> 00:32:34,640
Speaker 1: Joshua is you know, light years ahead of Jake Paul

732
00:32:34,760 --> 00:32:37,040
Speaker 1: in any fight ring. But I think that that was

733
00:32:37,120 --> 00:32:38,680
Speaker 1: part of it. He wanted to kind of just dance

734
00:32:38,720 --> 00:32:41,400
Speaker 1: around a little bit and exchange punch his head and there.

735
00:32:41,480 --> 00:32:43,160
Speaker 1: But after a while it got to the point where

736
00:32:43,160 --> 00:32:44,720
Speaker 1: Anthony josh was like, I had enough enough. Let me

737
00:32:44,800 --> 00:32:45,880
Speaker 1: just got to get this night over it.

738
00:32:46,040 --> 00:32:49,000
Speaker 4: But even then, though, like I feel like Anthony he

739
00:32:49,720 --> 00:32:51,520
Speaker 4: he probably thought about it knocking about the first round,

740
00:32:51,560 --> 00:32:55,320
Speaker 4: but Jake was running around everywhere. Yeah, It's like sometimes

741
00:32:55,320 --> 00:32:57,360
Speaker 4: when he plays spaces, it doesn't know how to play spades.

742
00:32:57,400 --> 00:32:59,520
Speaker 4: It fucks up how the game goes, and they may

743
00:32:59,640 --> 00:33:01,920
Speaker 4: even win just because they're not playing the right way.

744
00:33:01,960 --> 00:33:04,200
Speaker 4: It's sucking up how the game goes. That's how Jake

745
00:33:04,240 --> 00:33:06,520
Speaker 4: Paul was going to fight. It may have went longer

746
00:33:06,560 --> 00:33:09,640
Speaker 4: because aj really couldn't have knocked him out because he wasn't.

747
00:33:09,440 --> 00:33:11,880
Speaker 1: Boxing, j Paul. You can't knock someone out that that's

748
00:33:11,920 --> 00:33:13,640
Speaker 1: not boxing. Jake Paul had no chance in this fight.

749
00:33:13,880 --> 00:33:15,680
Speaker 4: Of course, now I'm sinking maybe it went the distance

750
00:33:15,960 --> 00:33:18,840
Speaker 4: because he wasn't boxing. He was running and rabbing legs like,

751
00:33:18,880 --> 00:33:20,800
Speaker 4: you can't knock that person out. Well, yeah, I mean

752
00:33:21,280 --> 00:33:22,960
Speaker 4: Anthony box to get knocked out.

753
00:33:23,000 --> 00:33:24,480
Speaker 1: He caught up to me when it was Tom He's

754
00:33:24,560 --> 00:33:27,240
Speaker 1: you know that that that right hook was the that

755
00:33:27,360 --> 00:33:31,680
Speaker 1: was the Netflix you know, the doom, Yeah, the doom,

756
00:33:31,800 --> 00:33:37,240
Speaker 1: that's what Jake Paul just dead silent all Jake PAULHS,

757
00:33:37,280 --> 00:33:40,440
Speaker 1: are you still fighting? Are you still watching? Are you

758
00:33:40,520 --> 00:33:44,600
Speaker 1: still fighting? Jake Paul didn't want no more of that.

759
00:33:44,680 --> 00:33:47,160
Speaker 1: He saw his face. He was like he knew his

760
00:33:47,200 --> 00:33:49,280
Speaker 1: ship was broke. One thing about it, you know, when

761
00:33:49,360 --> 00:33:51,960
Speaker 1: something snaping, that was I've never heard my face do

762
00:33:52,080 --> 00:33:54,200
Speaker 1: that before. I don't know what that sound was, but

763
00:33:54,320 --> 00:33:54,960
Speaker 1: it wasn't good.

764
00:33:55,000 --> 00:33:57,640
Speaker 4: And also in the interview, that's why with Jake Paul,

765
00:33:58,280 --> 00:33:59,400
Speaker 4: I think my jaw is broken.

766
00:33:59,600 --> 00:34:01,760
Speaker 1: Then stop talking Noah, I mean he was letting it

767
00:34:01,840 --> 00:34:03,680
Speaker 1: be known. Like that's again, that's part of it. That's

768
00:34:03,760 --> 00:34:06,520
Speaker 1: part of like, listen, this is not fake. I really

769
00:34:06,640 --> 00:34:09,319
Speaker 1: got hit. I really my jaw is really broke. That's

770
00:34:09,400 --> 00:34:11,200
Speaker 1: part of the brand, to show people that it's not

771
00:34:11,640 --> 00:34:14,239
Speaker 1: scripted the way they think it is. What's not your

772
00:34:14,320 --> 00:34:16,600
Speaker 1: favorite or best knockouts? What are some of the funniest

773
00:34:16,640 --> 00:34:19,719
Speaker 1: knockouts to you? Because I even think Jake Paul has

774
00:34:19,760 --> 00:34:24,680
Speaker 1: one of those with Uh Nate Robinson, No, that wasn't funny.

775
00:34:24,680 --> 00:34:25,680
Speaker 1: I was scared for Nate. No.

776
00:34:26,080 --> 00:34:29,200
Speaker 4: I mean yeah, once he was okay, it was It

777
00:34:29,280 --> 00:34:32,440
Speaker 4: was a funny knockout. Yeah, it was a very funny knockout,

778
00:34:33,239 --> 00:34:36,880
Speaker 4: Manny Pacio because they just they memed up every Michael Jackson,

779
00:34:36,960 --> 00:34:37,719
Speaker 4: Manny are you okay?

780
00:34:38,000 --> 00:34:38,920
Speaker 1: Are you okay? Manny?

781
00:34:39,400 --> 00:34:41,040
Speaker 4: Like that was one of the funnier knockouts.

782
00:34:41,520 --> 00:34:45,799
Speaker 1: Uh Zab Judah? Was it? Ricky Hadden? Yeah, Zab did

783
00:34:45,840 --> 00:34:49,080
Speaker 1: the stanky leg. Yeah, that was a funny knockout.

784
00:34:50,120 --> 00:34:51,759
Speaker 4: It wasn't funny, but it was kind of funny. It

785
00:34:51,800 --> 00:34:55,239
Speaker 4: was who was Mayweather fighting? When the ref didn't call

786
00:34:55,360 --> 00:34:58,440
Speaker 4: time and made it was like, well, all right, I mean,

787
00:34:58,520 --> 00:35:00,480
Speaker 4: it wasn't funny per se, but it it's kind of

788
00:35:00,520 --> 00:35:03,600
Speaker 4: fucking funny. Floyd Mayweather and victor Or Teaz when he

789
00:35:03,640 --> 00:35:05,960
Speaker 4: head butted them and he thought that the ref had

790
00:35:06,040 --> 00:35:08,399
Speaker 4: cold time, and Floyd was like, there's no time. Someone

791
00:35:08,520 --> 00:35:10,200
Speaker 4: just clean knock you out when you're just standing there.

792
00:35:10,280 --> 00:35:12,479
Speaker 1: Yeah, protect yourself at the old times. Listen.

793
00:35:12,600 --> 00:35:14,200
Speaker 4: They gave Floyd a lot of shit about that, but

794
00:35:14,280 --> 00:35:17,920
Speaker 4: it's a fight if nobody calls time, like, I'm not

795
00:35:18,040 --> 00:35:18,600
Speaker 4: gonna punch you.

796
00:35:18,800 --> 00:35:22,000
Speaker 1: Oh this Nick Young Minicon fight was. I don't know

797
00:35:22,080 --> 00:35:25,080
Speaker 1: what Nick was doing. Nick went completely out the ring.

798
00:35:25,160 --> 00:35:28,640
Speaker 1: I don't Yeah, this was I don't know what caused Nick.

799
00:35:28,719 --> 00:35:32,719
Speaker 1: They want to do this, but you know he had fun.

800
00:35:32,800 --> 00:35:35,440
Speaker 1: I guess fun night right, going there? Get it work in,

801
00:35:35,440 --> 00:35:36,160
Speaker 1: Get a little sweater.

802
00:35:36,200 --> 00:35:37,680
Speaker 4: You know it's so good the penworking.

803
00:35:37,760 --> 00:35:40,120
Speaker 1: Yeah, get the goodn't get the pen working again. You

804
00:35:40,160 --> 00:35:40,640
Speaker 1: know what I'm saying.

805
00:35:44,719 --> 00:35:46,880
Speaker 4: Well, I know all you want for Christmas and for

806
00:35:47,000 --> 00:35:49,680
Speaker 4: New Years for that matter, is the all new iPhones seventeen.

807
00:35:50,360 --> 00:35:53,000
Speaker 1: You've been talking about it for the entire year. It's

808
00:35:53,040 --> 00:35:54,279
Speaker 1: happening now Christmas time.

809
00:35:54,360 --> 00:35:56,360
Speaker 4: Is that because it's designed to be the most powerful iPhone.

810
00:35:56,400 --> 00:35:58,640
Speaker 1: Ever, No, that's because I don't have to worry about traffic.

811
00:35:58,680 --> 00:36:00,480
Speaker 1: They'll come to my house holiday traffic at that.

812
00:36:00,600 --> 00:36:00,920
Speaker 4: There you go.

813
00:36:01,600 --> 00:36:02,399
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814
00:36:02,440 --> 00:36:04,960
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815
00:36:05,000 --> 00:36:06,840
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816
00:36:06,920 --> 00:36:09,440
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817
00:36:09,520 --> 00:36:13,440
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818
00:36:13,760 --> 00:36:16,120
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00:36:16,160 --> 00:36:18,319
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820
00:36:18,600 --> 00:36:22,960
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821
00:36:23,080 --> 00:36:24,920
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822
00:36:25,000 --> 00:36:29,480
Speaker 4: college football, NFL. Holidays just bring great sports traditions. We

823
00:36:29,600 --> 00:36:32,640
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824
00:36:32,760 --> 00:36:35,000
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825
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826
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830
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839
00:37:10,200 --> 00:37:13,920
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840
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845
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846
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Speaker 4: But yeah, as you were saying, right before the fight,

847
00:37:41,680 --> 00:37:43,920
Speaker 4: Dave Chappelle announced that after the fight he would be

848
00:37:44,000 --> 00:37:48,840
Speaker 4: dropping a surprise special on Netflix. Unstoppable, I believe is

849
00:37:48,880 --> 00:37:51,600
Speaker 4: the name of it. You watched The Unstoppable Rory, I

850
00:37:51,680 --> 00:37:53,960
Speaker 4: did because I watched the next day. Yeah, yeah, I

851
00:37:54,000 --> 00:37:56,040
Speaker 4: didn't stay at that l You watched the Unstopable. I

852
00:37:56,200 --> 00:37:59,120
Speaker 4: watched the Unstoppable Act. I don't know what you what

853
00:37:59,280 --> 00:38:00,279
Speaker 4: you watched in your home.

854
00:38:00,360 --> 00:38:03,120
Speaker 1: I listened to NAS the end album, yeah, which I

855
00:38:03,200 --> 00:38:05,040
Speaker 1: never understood why they gave not so much shit about

856
00:38:05,040 --> 00:38:08,480
Speaker 1: that too. Yeah that's another conversation. Yeah, I hear you.

857
00:38:08,560 --> 00:38:10,680
Speaker 1: You know what I mean. But Dave Chappelle's new special,

858
00:38:11,800 --> 00:38:19,160
Speaker 1: what did you think whe Where to begin? The second

859
00:38:19,200 --> 00:38:20,520
Speaker 1: half of that was.

860
00:38:22,239 --> 00:38:24,080
Speaker 4: I wouldn't say some of the best stand up comedy

861
00:38:24,080 --> 00:38:25,839
Speaker 4: I've ever seen, but some of the best stand up

862
00:38:25,920 --> 00:38:29,480
Speaker 4: I've ever seen in my entire life by far. And

863
00:38:29,680 --> 00:38:32,239
Speaker 4: I hate to even like do the comparison thing, but

864
00:38:32,960 --> 00:38:38,120
Speaker 4: you know, Chappelle is of that that cloth of George Carlin,

865
00:38:38,400 --> 00:38:41,560
Speaker 4: where so much of what is going on is funny,

866
00:38:41,600 --> 00:38:46,200
Speaker 4: but it is very much political with a point of view. Okay,

867
00:38:46,880 --> 00:38:49,640
Speaker 4: And that second act, even as he was going into it,

868
00:38:49,640 --> 00:38:53,759
Speaker 4: is the longest closer. Ever, how he tied everything back

869
00:38:53,800 --> 00:38:57,239
Speaker 4: to his original point throughout the four different segments he

870
00:38:57,360 --> 00:39:02,040
Speaker 4: did in that second half was genius, Like to write

871
00:39:02,080 --> 00:39:04,360
Speaker 4: that out would be genius, but to perform it that

872
00:39:04,480 --> 00:39:07,160
Speaker 4: way and that type of style was like, I mean,

873
00:39:07,760 --> 00:39:09,840
Speaker 4: Chappelle is to go like, what do you.

874
00:39:09,800 --> 00:39:13,200
Speaker 1: Say at this point? Yeah, the first half was very funny.

875
00:39:13,719 --> 00:39:19,400
Speaker 4: Some stuff repetitive, you know, I think Chappelle's trans jokes

876
00:39:19,400 --> 00:39:23,879
Speaker 4: are hilarious, but any comic like, at some point let's

877
00:39:23,920 --> 00:39:25,600
Speaker 4: just move on. But then, you know, still the funny

878
00:39:25,640 --> 00:39:27,200
Speaker 4: in there, and Chappelle just likes to piss people up.

879
00:39:27,680 --> 00:39:30,919
Speaker 4: First half was very funny. Few parts were a little

880
00:39:31,040 --> 00:39:33,960
Speaker 4: doll but that second half was masterful. I watched the

881
00:39:34,080 --> 00:39:38,560
Speaker 4: second half specifically three different times. It's some of the

882
00:39:38,640 --> 00:39:40,600
Speaker 4: greatest writing I've ever heard.

883
00:39:40,800 --> 00:39:45,359
Speaker 1: I enjoyed it. I thought it was very important. I thought, well,

884
00:39:45,440 --> 00:39:47,640
Speaker 1: Dave hit it on the nose. His voice has become

885
00:39:48,520 --> 00:39:52,440
Speaker 1: more powerful than he intended it to be, so naturally,

886
00:39:52,480 --> 00:39:55,920
Speaker 1: I think that his comedy style has to change. When

887
00:39:55,960 --> 00:39:59,840
Speaker 1: your voice becomes that powerful and your brand becomes the

888
00:40:00,040 --> 00:40:03,160
Speaker 1: that big, I think your your your brand, and your

889
00:40:03,200 --> 00:40:06,560
Speaker 1: style has to change a little bit. But it was entertaining,

890
00:40:06,960 --> 00:40:08,960
Speaker 1: it was informative. I love the fact, like you said,

891
00:40:08,960 --> 00:40:11,879
Speaker 1: the second half of it, his closer, how he tied

892
00:40:11,880 --> 00:40:15,880
Speaker 1: everything together the Man Act in which you know, Puff

893
00:40:16,000 --> 00:40:19,399
Speaker 1: was found guilty of. He ties it all way back

894
00:40:19,400 --> 00:40:23,040
Speaker 1: to you know, obviously Jack Johnson, just the way he

895
00:40:23,120 --> 00:40:26,320
Speaker 1: did that, which is masterful. I think that, you know,

896
00:40:26,440 --> 00:40:28,640
Speaker 1: Dave is one of the few comedians that can give us,

897
00:40:29,280 --> 00:40:30,800
Speaker 1: you know, it give us the mirror to look in

898
00:40:31,200 --> 00:40:33,560
Speaker 1: as a country and as a people and say, you know,

899
00:40:33,640 --> 00:40:35,480
Speaker 1: these are the things that's always been around. These are

900
00:40:35,560 --> 00:40:37,279
Speaker 1: things that we've always had to deal with. These has

901
00:40:37,280 --> 00:40:40,399
Speaker 1: always been our issues. But didn't find light and find

902
00:40:40,480 --> 00:40:42,719
Speaker 1: humor in that. And I think that's what Dave did

903
00:40:43,320 --> 00:40:46,360
Speaker 1: with his closer or the way he closed it with uh,

904
00:40:46,400 --> 00:40:50,040
Speaker 1: I stand with Israel. You know, everybody's talking about that,

905
00:40:50,160 --> 00:40:54,400
Speaker 1: but even that was very intentional. Yeah, you know, and

906
00:40:54,880 --> 00:40:56,480
Speaker 1: I think it just speaks to what Dave has been

907
00:40:56,480 --> 00:40:58,600
Speaker 1: able to accomplish, him talking about buying up all the

908
00:40:58,640 --> 00:41:04,120
Speaker 1: property and town in Ohio. You know, it just speaks

909
00:41:04,160 --> 00:41:06,799
Speaker 1: to what Dave is doing as a as a man,

910
00:41:07,440 --> 00:41:09,160
Speaker 1: as a as a talent, as a you know, one

911
00:41:09,200 --> 00:41:12,759
Speaker 1: of the greatest comedians, one of the greatest writers. You know,

912
00:41:12,840 --> 00:41:15,440
Speaker 1: he's been able to do some some groundbreaking things and

913
00:41:15,640 --> 00:41:18,239
Speaker 1: and and build his brand to a level where you know,

914
00:41:18,320 --> 00:41:21,000
Speaker 1: he can do some incredible things on stage, but just

915
00:41:21,080 --> 00:41:22,879
Speaker 1: him and the mic, so I thought it was great.

916
00:41:22,920 --> 00:41:26,480
Speaker 1: It's not the you know, slap knee slap comedy that

917
00:41:26,560 --> 00:41:29,759
Speaker 1: people probably was expecting. But I don't think I don't

918
00:41:29,760 --> 00:41:32,840
Speaker 1: think we should go into Dave Chappelle's specials expecting that any.

919
00:41:32,840 --> 00:41:34,520
Speaker 4: But even like when he did his first Netflix deal

920
00:41:34,560 --> 00:41:38,160
Speaker 4: he did the George Floyd one, I think seven thirteen,

921
00:41:38,480 --> 00:41:43,320
Speaker 4: he also did the one after HBO started streaming chappelle

922
00:41:43,400 --> 00:41:47,440
Speaker 4: Show Redemption song. I believe was that it was very

923
00:41:47,520 --> 00:41:50,880
Speaker 4: much like that in a much longer form of the

924
00:41:50,920 --> 00:41:54,359
Speaker 4: stuff that he's been yeah doing, But that second half,

925
00:41:54,560 --> 00:41:59,600
Speaker 4: I mean it, like music and stand up, like the

926
00:42:00,360 --> 00:42:04,640
Speaker 4: classic greatest stuff speaks to the exact time of what's happening.

927
00:42:05,080 --> 00:42:07,440
Speaker 4: Like if you go listen to Illmatic, you know what

928
00:42:07,600 --> 00:42:10,680
Speaker 4: nineteen ninety four in New York City was like. If

929
00:42:10,680 --> 00:42:12,120
Speaker 4: you weren't there, you could just listen and you know

930
00:42:12,239 --> 00:42:15,359
Speaker 4: now what that is. How Chappelle, like you said, put

931
00:42:15,360 --> 00:42:18,040
Speaker 4: the mirror in front of us to how our society

932
00:42:18,040 --> 00:42:22,000
Speaker 4: has become so hypocritical. He showed both sides, even to

933
00:42:22,120 --> 00:42:26,440
Speaker 4: the metaphor of him buying up the entire Silver Springs, Ohio.

934
00:42:27,200 --> 00:42:31,760
Speaker 4: This would be gentrification if the races were removed. Absolutely,

935
00:42:31,840 --> 00:42:34,440
Speaker 4: And then he gives a perspective of even understanding the

936
00:42:34,560 --> 00:42:37,680
Speaker 4: slumlords that gentrify, Like what about that firehouse?

937
00:42:37,800 --> 00:42:38,920
Speaker 1: Yeah, exactly understand.

938
00:42:39,200 --> 00:42:41,680
Speaker 4: That's not my problem. Oh you can't afford that rent.

939
00:42:42,200 --> 00:42:46,600
Speaker 4: I can afford it. It's just he's showing both sides,

940
00:42:46,960 --> 00:42:49,640
Speaker 4: and I think a lot of comics and a lot

941
00:42:49,680 --> 00:42:54,320
Speaker 4: of artists show one side, even down to what we

942
00:42:54,520 --> 00:42:59,560
Speaker 4: ended up cutting Damaris when it was a certain mass

943
00:42:59,640 --> 00:43:01,760
Speaker 4: shoot we were talking about, and I said to Maris,

944
00:43:01,800 --> 00:43:05,360
Speaker 4: I don't have a conspiracy. I'm not saying I know

945
00:43:05,480 --> 00:43:10,120
Speaker 4: anything that's happening here. This just seems fishy, which is fine,

946
00:43:10,400 --> 00:43:13,680
Speaker 4: But the Internet, myself included too, I am a hypocrite.

947
00:43:13,920 --> 00:43:19,040
Speaker 4: We've become so much into the deep diving of conspiracies that, yes,

948
00:43:19,320 --> 00:43:23,040
Speaker 4: some conspiracy are one thousand percent true? Is there hip

949
00:43:23,040 --> 00:43:27,279
Speaker 4: hop cops? One hundred percent? Was Nipsey possibly targeted by

950
00:43:27,360 --> 00:43:27,919
Speaker 4: hip hop cops?

951
00:43:28,040 --> 00:43:28,239
Speaker 1: Sure?

952
00:43:28,719 --> 00:43:31,080
Speaker 4: Did Nipsey also happen to be from a gang? And

953
00:43:31,160 --> 00:43:35,080
Speaker 4: maybe there's nothing really here whatsoever? The doctor seb thing, Well,

954
00:43:35,200 --> 00:43:39,719
Speaker 4: my man's also died from AIDS with Doctor Sev. We've

955
00:43:40,280 --> 00:43:43,279
Speaker 4: all just gotten so deep into this that sometimes the

956
00:43:43,320 --> 00:43:45,000
Speaker 4: things in front of our faces just really is what

957
00:43:45,120 --> 00:43:48,279
Speaker 4: it is. Is Puff a piece of shit for beating

958
00:43:48,360 --> 00:43:52,280
Speaker 4: up Cassie? Absolutely? Is that man act shit fucking nuts.

959
00:43:52,320 --> 00:43:54,800
Speaker 4: At the same time, two things can be true, Like

960
00:43:54,920 --> 00:43:57,520
Speaker 4: that's what I got out of that entire second half.

961
00:43:57,880 --> 00:44:00,560
Speaker 4: Two things can always be true. If you go on

962
00:44:00,600 --> 00:44:03,919
Speaker 4: Twitter right now, everything no put intent is so black

963
00:44:04,000 --> 00:44:07,359
Speaker 4: and white. When we were raised in the gray area

964
00:44:07,600 --> 00:44:11,919
Speaker 4: of things and we've become so black and white on everything. Yeah,

965
00:44:12,360 --> 00:44:15,879
Speaker 4: Puffing and Big were definitely talked about hip hop cops

966
00:44:15,880 --> 00:44:18,480
Speaker 4: to hip hop cops know that Puff was beaten people up.

967
00:44:19,080 --> 00:44:20,399
Speaker 1: Yeah they didn't do shit.

968
00:44:20,520 --> 00:44:22,759
Speaker 4: Yeah it's convenient that it happened this time, but it's

969
00:44:22,760 --> 00:44:25,239
Speaker 4: Puff still a piece of shit. Absolutely, two things can

970
00:44:25,280 --> 00:44:29,160
Speaker 4: be true. So that's really what I think I took

971
00:44:29,200 --> 00:44:32,759
Speaker 4: from that entire thing. We've all become hypocrites in our

972
00:44:32,800 --> 00:44:36,920
Speaker 4: own brains about nonsense. Some things are conspiracies and some

973
00:44:37,040 --> 00:44:40,080
Speaker 4: things are just this is what it is. Sometimes Tupac

974
00:44:40,200 --> 00:44:44,520
Speaker 4: punches the wrong crypt was he also target about the

975
00:44:44,560 --> 00:44:48,600
Speaker 4: FBI that was per so you know, I just thought

976
00:44:48,719 --> 00:44:52,320
Speaker 4: he he put it in the most masterful way of

977
00:44:52,480 --> 00:44:55,760
Speaker 4: wording what's currently going on. I thought it was especially

978
00:44:55,800 --> 00:44:56,160
Speaker 4: on Twitter.

979
00:44:56,239 --> 00:44:58,840
Speaker 1: I thought it was great. I enjoyed it. I watched

980
00:44:58,880 --> 00:45:01,799
Speaker 1: it twice because you know, you watch it the first

981
00:45:01,840 --> 00:45:03,360
Speaker 1: time and you're like, oh shit, that was dope, and

982
00:45:03,400 --> 00:45:04,719
Speaker 1: then you got to go watch it again because I

983
00:45:04,760 --> 00:45:07,520
Speaker 1: might have missed something. But yeah, it was a masterful,

984
00:45:07,680 --> 00:45:15,520
Speaker 1: masterful class of just stand up storytelling, truth telling that

985
00:45:15,640 --> 00:45:17,600
Speaker 1: I think only Dave can do in the way that

986
00:45:17,719 --> 00:45:19,719
Speaker 1: he does it. I think at this point in time,

987
00:45:19,920 --> 00:45:23,160
Speaker 1: it is probably stamped that he is probably the greatest

988
00:45:24,080 --> 00:45:26,800
Speaker 1: comedian of all time. I mean, obviously, you know, I

989
00:45:27,280 --> 00:45:29,719
Speaker 1: grew up on guys like Richard Pryor and you know,

990
00:45:30,080 --> 00:45:33,799
Speaker 1: Martin and Eddie Murphy and guys like that who will

991
00:45:34,239 --> 00:45:40,200
Speaker 1: go to themselves. But I don't know if they can do.

992
00:45:42,120 --> 00:45:42,239
Speaker 2: Well.

993
00:45:42,280 --> 00:45:44,480
Speaker 1: They didn't. I don't know if they did. But what

994
00:45:44,600 --> 00:45:47,040
Speaker 1: Dave has been able to do for longer when it

995
00:45:47,120 --> 00:45:49,320
Speaker 1: comes to stand up A lot of those guys, you know,

996
00:45:49,400 --> 00:45:52,400
Speaker 1: once they cross over into film Hollywood, they don't really

997
00:45:52,440 --> 00:45:54,080
Speaker 1: come back to the stand up world like that. It's

998
00:45:54,160 --> 00:45:55,920
Speaker 1: kind of like, you know, leave that alone. I did that.

999
00:45:56,200 --> 00:45:58,200
Speaker 1: I you know, I grew from that into you know,

1000
00:45:58,800 --> 00:46:01,319
Speaker 1: a movie star. Some people use stand up to get

1001
00:46:01,360 --> 00:46:04,560
Speaker 1: to the sitcom. Yeah, and it's yeah, like Dave's Dave's

1002
00:46:04,600 --> 00:46:07,600
Speaker 1: not a movie star. No, I wouldn't say Dave Chappelle

1003
00:46:07,680 --> 00:46:11,000
Speaker 1: is a movie star. He's he's he stood true to

1004
00:46:11,200 --> 00:46:14,080
Speaker 1: being a stand up comedian. Like, that's what I think.

1005
00:46:14,120 --> 00:46:16,480
Speaker 4: We could have just stayed on TV and did more.

1006
00:46:16,880 --> 00:46:18,680
Speaker 1: If you want to do that, he could have did that,

1007
00:46:18,840 --> 00:46:21,160
Speaker 1: but even nastally, you know that sketch comedy, that's a

1008
00:46:21,239 --> 00:46:22,239
Speaker 1: different type of TV.

1009
00:46:23,360 --> 00:46:26,640
Speaker 4: Chappelle, to me, is a lot like NAS as far

1010
00:46:26,719 --> 00:46:29,720
Speaker 4: as the latter parts of their career, where they're already

1011
00:46:29,840 --> 00:46:33,160
Speaker 4: legends and could just go off into the sunset. Open

1012
00:46:33,239 --> 00:46:36,840
Speaker 4: comedy clubs do this and that, but are still putting

1013
00:46:36,920 --> 00:46:39,080
Speaker 4: out content at a higher clip than some of the

1014
00:46:39,160 --> 00:46:41,719
Speaker 4: younger kids. Like I love that NAS keeps and some

1015
00:46:41,840 --> 00:46:45,040
Speaker 4: of them may not, you know, Magic three may not

1016
00:46:45,280 --> 00:46:47,879
Speaker 4: be as good as King Disease, Like sometimes they won't

1017
00:46:47,880 --> 00:46:51,279
Speaker 4: be the best, Like the Dreamer. Chappelle's stand up before this,

1018
00:46:51,400 --> 00:46:54,880
Speaker 4: I liked it. It wasn't like ground There was moments

1019
00:46:54,920 --> 00:46:57,000
Speaker 4: in it, but it wasn't like groundbreaking. To me, Chappelle

1020
00:46:57,000 --> 00:46:59,640
Speaker 4: could have easily had Chappelle show killing him softly for

1021
00:46:59,719 --> 00:47:02,000
Speaker 4: what it's worth, did sticks and Stones and went off

1022
00:47:02,040 --> 00:47:03,440
Speaker 4: in the sunset, and Dave Schapelle would still be the

1023
00:47:03,440 --> 00:47:04,879
Speaker 4: greatest comedian ever.

1024
00:47:05,400 --> 00:47:06,640
Speaker 1: He's still like.

1025
00:47:06,800 --> 00:47:11,680
Speaker 4: Even from his deal with Netflix in twenty seventeen, one, two, three, four,

1026
00:47:13,760 --> 00:47:18,000
Speaker 4: he's put out twelve right, that's well, and some of

1027
00:47:18,040 --> 00:47:20,080
Speaker 4: them when you do and say complete stand ups like

1028
00:47:20,160 --> 00:47:22,600
Speaker 4: the Stix like Redemption Song, this and that, But that's

1029
00:47:22,600 --> 00:47:28,280
Speaker 4: still to me a piece that amount of output hosting

1030
00:47:28,440 --> 00:47:31,120
Speaker 4: SNL three three or four times since then, Like he's

1031
00:47:31,239 --> 00:47:32,800
Speaker 4: nods to me in that regard. You could just go

1032
00:47:32,920 --> 00:47:34,319
Speaker 4: retire and you'd be the goat Bert. No one would

1033
00:47:34,320 --> 00:47:34,719
Speaker 4: ever say.

1034
00:47:34,640 --> 00:47:36,319
Speaker 1: Other onebody requestion me, like nobody.

1035
00:47:36,880 --> 00:47:39,920
Speaker 4: I love that they're showing how this this how legends

1036
00:47:39,960 --> 00:47:42,360
Speaker 4: can age and still give us stuff and not be

1037
00:47:42,480 --> 00:47:46,520
Speaker 4: the disappearing act that most legends, rightfully so are. Yeah,

1038
00:47:46,520 --> 00:47:47,759
Speaker 4: I want to retire. I don't want to think Eddie

1039
00:47:47,800 --> 00:47:50,719
Speaker 4: Murphy not. I don't want to do anything. And I

1040
00:47:50,840 --> 00:47:53,520
Speaker 4: get that you're a legend forevers. But so that's why

1041
00:47:53,560 --> 00:47:55,840
Speaker 4: I'm like, thank you Chappelle, that you're still so active

1042
00:47:55,920 --> 00:47:59,200
Speaker 4: at this age. Already in goat status, So I think

1043
00:47:59,280 --> 00:48:01,719
Speaker 4: that's something to be said as well for both Nas

1044
00:48:01,760 --> 00:48:04,399
Speaker 4: and Dave Chappelle. But yeah, I can't say enough about

1045
00:48:04,560 --> 00:48:05,000
Speaker 4: this special.

1046
00:48:06,400 --> 00:48:08,200
Speaker 1: It's Baby. Did what you think about it? Did you

1047
00:48:08,239 --> 00:48:08,480
Speaker 1: see it?

1048
00:48:08,600 --> 00:48:09,440
Speaker 3: I haven't seen it yet.

1049
00:48:09,520 --> 00:48:12,440
Speaker 1: Now all right, thank you for that. I'm gonna just

1050
00:48:12,480 --> 00:48:13,880
Speaker 1: check it with you every now that can be. They

1051
00:48:13,880 --> 00:48:16,959
Speaker 1: weren't playing that code. It wasn't planning set for Gola Baby.

1052
00:48:18,400 --> 00:48:19,720
Speaker 3: But actually I think it's funny.

1053
00:48:20,680 --> 00:48:23,160
Speaker 5: I was when I was just scrolling on uh my

1054
00:48:23,280 --> 00:48:26,359
Speaker 5: computer looking for more stuff on this special Don't call

1055
00:48:26,440 --> 00:48:28,640
Speaker 5: Me White Girl. Mona said that she would like to

1056
00:48:28,760 --> 00:48:31,240
Speaker 5: do one of those, a stand up comedy special.

1057
00:48:31,440 --> 00:48:33,000
Speaker 3: Do you think that she could do that?

1058
00:48:33,320 --> 00:48:37,800
Speaker 4: I think Mona's hilarious stand up stuff. I mean, I

1059
00:48:37,880 --> 00:48:41,680
Speaker 4: would say it for anyone. Stand up is much more

1060
00:48:41,719 --> 00:48:44,359
Speaker 4: difficult than it looks. But Mona, I mean, Mona has

1061
00:48:44,440 --> 00:48:47,440
Speaker 4: amazing live shows. Like I think that's something Mona could do.

1062
00:48:47,960 --> 00:48:50,640
Speaker 4: I think it would take practice like anything else, But yeah,

1063
00:48:50,960 --> 00:48:53,640
Speaker 4: Mona is great live performer. She's great on the microphone,

1064
00:48:53,680 --> 00:48:56,960
Speaker 4: She's funny, she has a great perspective. Yeah, I think

1065
00:48:57,800 --> 00:49:01,440
Speaker 4: I think again, it would just take time, Like like

1066
00:49:01,520 --> 00:49:04,120
Speaker 4: I appreciate that. You know, TI is putting out a

1067
00:49:04,120 --> 00:49:06,480
Speaker 4: comedy special, but he got booed at the Barclays a

1068
00:49:06,520 --> 00:49:08,719
Speaker 4: few years ago because like, this isn't that easy. I

1069
00:49:08,760 --> 00:49:12,880
Speaker 4: don't care how amazing of a writer, performer, articulate the

1070
00:49:12,960 --> 00:49:15,560
Speaker 4: TI is. This is a different monster. Standing there with

1071
00:49:15,680 --> 00:49:17,680
Speaker 4: just a microphone and entertaining people is one of the

1072
00:49:17,760 --> 00:49:20,759
Speaker 4: toughest things in the world. Yeah, that's not something harder

1073
00:49:20,800 --> 00:49:23,840
Speaker 4: than this right here, Like when you have to have

1074
00:49:23,960 --> 00:49:26,279
Speaker 4: a perspective, be funny with just a microphone at a

1075
00:49:26,320 --> 00:49:28,200
Speaker 4: bunch of people standing you with standing in front of

1076
00:49:28,239 --> 00:49:29,200
Speaker 4: you with a two drink minimum.

1077
00:49:29,680 --> 00:49:33,239
Speaker 1: Yeah, it's tough, I mean. But then you know, also too,

1078
00:49:33,320 --> 00:49:34,920
Speaker 1: where people got to realize about a lot of this.

1079
00:49:35,680 --> 00:49:39,560
Speaker 1: We talked about Ti having his comedy special coming out,

1080
00:49:40,000 --> 00:49:44,480
Speaker 1: he probably had real comedians writing with him and helping him,

1081
00:49:44,520 --> 00:49:46,760
Speaker 1: you know, kind of deliver that. Now. TI is a performer,

1082
00:49:47,480 --> 00:49:49,960
Speaker 1: he's a writer. You know, he's a rapper, he's an artist.

1083
00:49:50,040 --> 00:49:53,280
Speaker 1: So he the stage and the microphone is not foreign

1084
00:49:54,000 --> 00:49:58,640
Speaker 1: to TI. Now what he's doing with comedy is you know,

1085
00:49:58,760 --> 00:50:01,800
Speaker 1: obviously a different thing because you have to keep the

1086
00:50:02,080 --> 00:50:04,719
Speaker 1: audience compelled. It's not music playing behind you. There's not

1087
00:50:05,280 --> 00:50:06,880
Speaker 1: you know, things like that to kind of fill in

1088
00:50:06,960 --> 00:50:10,319
Speaker 1: those empty pockets. So I mean, I'm interested to see

1089
00:50:10,320 --> 00:50:13,040
Speaker 1: what I does with this comedy. But you know, you

1090
00:50:13,120 --> 00:50:16,640
Speaker 1: got to know too that he has real comedians helping him.

1091
00:50:17,480 --> 00:50:19,439
Speaker 1: I don't think he's writing all of his material, BIS,

1092
00:50:19,480 --> 00:50:21,440
Speaker 1: I would be very impressed if he is. I mean,

1093
00:50:21,480 --> 00:50:22,080
Speaker 1: where do you stand?

1094
00:50:22,280 --> 00:50:27,160
Speaker 4: I guess stand up is, like music is so collaborative,

1095
00:50:27,200 --> 00:50:29,080
Speaker 4: but we also we always also say, like when it

1096
00:50:29,120 --> 00:50:31,719
Speaker 4: comes to just straight up wraps, we want the person

1097
00:50:31,760 --> 00:50:36,640
Speaker 4: that's rapping to be behind the pen collaborating on anything.

1098
00:50:36,680 --> 00:50:39,160
Speaker 1: It's always been different in that space though, I mean,

1099
00:50:39,400 --> 00:50:42,560
Speaker 1: like the great writers, the great great comedians.

1100
00:50:42,640 --> 00:50:45,359
Speaker 4: I mean, I know Richard Brian, Paul Mooney had had

1101
00:50:45,480 --> 00:50:50,160
Speaker 4: some type of situation. I know there's always been uh,

1102
00:50:50,960 --> 00:50:54,240
Speaker 4: what's the way the oldest Wayne brother, Keenan, didn't Keenan

1103
00:50:54,480 --> 00:50:56,799
Speaker 4: write something with with Eddie before raw or something he's

1104
00:50:56,800 --> 00:50:58,759
Speaker 4: in the credits. I want to say, I know that's

1105
00:50:58,800 --> 00:51:03,520
Speaker 4: been there, but that's it's been not like confirmed that

1106
00:51:03,560 --> 00:51:05,080
Speaker 4: they were writing for the stand up. I know some

1107
00:51:05,160 --> 00:51:08,239
Speaker 4: people said, oh, hen wrote that sketch that went before it.

1108
00:51:08,360 --> 00:51:11,720
Speaker 4: It wasn't like he was writing for Eddie. That's always

1109
00:51:11,760 --> 00:51:13,600
Speaker 4: been a thing with stand up comedy like that has

1110
00:51:13,640 --> 00:51:16,520
Speaker 4: to be your perspective the same way you look at

1111
00:51:16,760 --> 00:51:21,040
Speaker 4: perspective can be sketch sketch comedy, uh, screenwriting moves all that,

1112
00:51:21,120 --> 00:51:23,440
Speaker 4: of course is a collaborative process. But I feel like

1113
00:51:24,280 --> 00:51:26,319
Speaker 4: the real stand up comedians look at it the same

1114
00:51:26,320 --> 00:51:30,239
Speaker 4: way the real rappers do. Like this, this can't be

1115
00:51:30,440 --> 00:51:32,280
Speaker 4: a collaborative thing. If we want to do a sketch together,

1116
00:51:32,880 --> 00:51:35,280
Speaker 4: that's fine. We want to write a movie together, let's collaborate.

1117
00:51:35,360 --> 00:51:38,360
Speaker 4: But your stand up should be coming from your perspective

1118
00:51:38,560 --> 00:51:39,439
Speaker 4: and your thoughts.

1119
00:51:39,480 --> 00:51:43,040
Speaker 1: Yeah, but keV, keV. keV has the Red cup Boys, right,

1120
00:51:43,200 --> 00:51:45,960
Speaker 1: is that the plastic boys Slashic A lot of them

1121
00:51:46,000 --> 00:51:48,800
Speaker 1: collab and kind of like the perspective as a comedian

1122
00:51:48,840 --> 00:51:51,920
Speaker 1: can be yours. But if I have funny friends that

1123
00:51:52,040 --> 00:51:54,839
Speaker 1: are comedians as well, they will then help me kind

1124
00:51:54,880 --> 00:51:56,880
Speaker 1: of like here, runch up some stuff. Again.

1125
00:51:56,920 --> 00:51:59,640
Speaker 4: I'm not saying, you know, keV is any less of

1126
00:51:59,680 --> 00:52:01,920
Speaker 4: a stand end up because he has some of his

1127
00:52:02,000 --> 00:52:03,680
Speaker 4: friends help him out with I'm not saying any of that,

1128
00:52:03,840 --> 00:52:07,480
Speaker 4: but typically it's been that way in stand up comedy.

1129
00:52:07,480 --> 00:52:08,440
Speaker 1: The way it has been with.

1130
00:52:08,680 --> 00:52:10,960
Speaker 4: Real EMC's real hip hop type of thing. I feel

1131
00:52:10,960 --> 00:52:12,719
Speaker 4: like those two things have married each other. Where you

1132
00:52:12,760 --> 00:52:14,720
Speaker 4: can collaborate on a song or hook, you can collaborate

1133
00:52:14,760 --> 00:52:16,600
Speaker 4: on a sketch on a movie, but nah, this has

1134
00:52:16,680 --> 00:52:19,040
Speaker 4: to be This has to be you. The verse has

1135
00:52:19,080 --> 00:52:20,440
Speaker 4: to be you. The stand up has to be you.

1136
00:52:20,760 --> 00:52:22,160
Speaker 1: Yeah, I mean, but I don't know.

1137
00:52:22,640 --> 00:52:25,759
Speaker 4: I'm sure comedians could teach TI like certain tricks. They're like, oh,

1138
00:52:25,840 --> 00:52:27,239
Speaker 4: that's a good idea, here's a better way to go

1139
00:52:27,239 --> 00:52:29,160
Speaker 4: about it. I wouldn't be mad at that's just mentorship

1140
00:52:29,239 --> 00:52:31,440
Speaker 4: and everything, which I'm sure every stand up has had.

1141
00:52:31,520 --> 00:52:32,440
Speaker 1: But I don't.

1142
00:52:32,880 --> 00:52:34,239
Speaker 3: I don't want to put writers on him if he

1143
00:52:34,280 --> 00:52:34,840
Speaker 3: hasn't said that.

1144
00:52:35,880 --> 00:52:36,160
Speaker 1: Listen.

1145
00:52:37,080 --> 00:52:38,719
Speaker 4: If it's what t I wants to do with his life,

1146
00:52:38,760 --> 00:52:41,040
Speaker 4: more power too, I think. And no, I'm serious, Like

1147
00:52:41,120 --> 00:52:41,640
Speaker 4: I no, I'm not.

1148
00:52:41,719 --> 00:52:44,279
Speaker 3: I'm smiling because I'm smiling for something else. To continue your.

1149
00:52:44,200 --> 00:52:48,120
Speaker 4: Thought, Yeah, I think it's when people clown people for

1150
00:52:48,239 --> 00:52:51,160
Speaker 4: going into other lanes, Like what's wrong with trying shit?

1151
00:52:51,640 --> 00:52:53,040
Speaker 1: Isn't that the point of like being here? Oh?

1152
00:52:53,400 --> 00:52:54,880
Speaker 4: If this is something to I was passionate, I'm like,

1153
00:52:54,920 --> 00:52:55,920
Speaker 4: you know what I want to go try to shit.

1154
00:52:55,960 --> 00:52:56,560
Speaker 1: I give him props.

1155
00:52:56,640 --> 00:52:59,040
Speaker 4: It's just so funny. I get props to Jake Paul

1156
00:52:59,080 --> 00:53:01,360
Speaker 4: for getting in a ring with a monster. Yeah, I

1157
00:53:01,440 --> 00:53:02,040
Speaker 4: think you tried it.

1158
00:53:02,200 --> 00:53:06,400
Speaker 5: It's so funny because Ti seems like such a serious person,

1159
00:53:07,040 --> 00:53:09,480
Speaker 5: so to see him switch. I mean, granted, like I've

1160
00:53:10,040 --> 00:53:12,080
Speaker 5: kept up with him his personal life and things like

1161
00:53:12,160 --> 00:53:14,600
Speaker 5: that because of his show. He had a very good

1162
00:53:14,640 --> 00:53:18,120
Speaker 5: reality TV show with his family, but he just seems

1163
00:53:18,320 --> 00:53:21,279
Speaker 5: to be such a serious person. So to switch and

1164
00:53:21,360 --> 00:53:24,279
Speaker 5: do like stand up comedy is like, it's just such

1165
00:53:24,320 --> 00:53:26,319
Speaker 5: a totally different lane. So I can understand why people

1166
00:53:26,320 --> 00:53:28,000
Speaker 5: wouldn't take him serious, but he just got to prove

1167
00:53:28,040 --> 00:53:28,399
Speaker 5: him wrong.

1168
00:53:29,920 --> 00:53:30,120
Speaker 1: Yeah.

1169
00:53:30,440 --> 00:53:33,239
Speaker 4: That's just tough though, because if I go to the

1170
00:53:33,280 --> 00:53:37,160
Speaker 4: comedy club, I'd be like, that's Ti. Yeah, even if

1171
00:53:37,200 --> 00:53:39,600
Speaker 4: he's saying something funny and like it's doing a great bit,

1172
00:53:40,200 --> 00:53:42,360
Speaker 4: I'm not going to get past that's Ti.

1173
00:53:44,440 --> 00:53:46,400
Speaker 1: Ma. That's the hardest part for T. I think through

1174
00:53:46,440 --> 00:53:50,239
Speaker 1: this whole thing's people being able to differentiate between Ti

1175
00:53:50,840 --> 00:53:54,880
Speaker 1: the rapper, the artist, and Ti the comedian, because no

1176
00:53:55,000 --> 00:53:57,880
Speaker 1: matter what, I'm looking at TI on stage. Yeah. So

1177
00:53:58,239 --> 00:54:01,480
Speaker 1: it's like if I go but he did great with acting.

1178
00:54:01,680 --> 00:54:05,120
Speaker 4: I never felt anytime he's acted that like, oh that's

1179
00:54:05,239 --> 00:54:07,719
Speaker 4: t I, which with some actors, I felt that way.

1180
00:54:07,680 --> 00:54:09,600
Speaker 1: Like I'm not watching this character, I'm watching you, Like

1181
00:54:09,640 --> 00:54:10,880
Speaker 1: you know how hard it would be to go to

1182
00:54:10,960 --> 00:54:13,080
Speaker 1: a show and geez come out and start telling jokes.

1183
00:54:16,520 --> 00:54:18,279
Speaker 1: T I is funny, but it's like jezus, if you

1184
00:54:18,360 --> 00:54:20,800
Speaker 1: don't turn that that that team one on one on

1185
00:54:20,960 --> 00:54:23,719
Speaker 1: and and get to these but fuck this comedy ship,

1186
00:54:23,880 --> 00:54:27,800
Speaker 1: Like it's hard for those guys to transition into something.

1187
00:54:27,840 --> 00:54:29,799
Speaker 1: It's fucked up. But that's it's a real thing. It's

1188
00:54:29,800 --> 00:54:32,759
Speaker 1: hard to get people to love you for something whole,

1189
00:54:32,840 --> 00:54:35,200
Speaker 1: the opposite of what they already love you for. They

1190
00:54:35,280 --> 00:54:37,680
Speaker 1: love you for rapping and certain bars and you know

1191
00:54:37,800 --> 00:54:40,000
Speaker 1: that street ship, and then you come out here in

1192
00:54:40,040 --> 00:54:45,040
Speaker 1: the Barclays on stage in Brooklyn cracking jokes and nobody

1193
00:54:45,120 --> 00:54:47,479
Speaker 1: wanted to hear that ship man that it's tough.

1194
00:54:47,760 --> 00:54:51,040
Speaker 4: I'm sure t I does respect though, because he is

1195
00:54:51,080 --> 00:54:53,080
Speaker 4: such a great rapper and knows what it takes to

1196
00:54:53,239 --> 00:54:56,720
Speaker 4: do that. As far as Pockets, Caden says words blood

1197
00:54:57,239 --> 00:54:58,320
Speaker 4: sculpting a verse.

1198
00:54:58,960 --> 00:54:59,960
Speaker 1: That's the same with stand up.

1199
00:55:00,560 --> 00:55:02,759
Speaker 4: As far as Pockets as far as timing, as far

1200
00:55:02,800 --> 00:55:05,479
Speaker 4: as how we just watch Chappelle, how everything ties back together.

1201
00:55:05,480 --> 00:55:06,239
Speaker 1: There's an art to it.

1202
00:55:06,560 --> 00:55:08,800
Speaker 4: So I'm sure he understands that because he's a rapper.

1203
00:55:09,040 --> 00:55:10,319
Speaker 4: I just don't know if that's gonna show up.

1204
00:55:10,960 --> 00:55:14,600
Speaker 1: It's different, man, it's different with stand up. You don't

1205
00:55:14,640 --> 00:55:17,840
Speaker 1: have that music. You don't have that energy, you know

1206
00:55:17,880 --> 00:55:20,920
Speaker 1: what I'm saying of the music behind you to support

1207
00:55:20,960 --> 00:55:23,360
Speaker 1: what you're saying. Stand up, you know, you write a

1208
00:55:23,480 --> 00:55:25,440
Speaker 1: bar and you get to the punchline and you like,

1209
00:55:25,560 --> 00:55:27,480
Speaker 1: that's hard when you say it with a beat. You

1210
00:55:27,640 --> 00:55:29,320
Speaker 1: get to stand up and you got a joke and

1211
00:55:29,360 --> 00:55:30,879
Speaker 1: you laying it out and you get to the punch

1212
00:55:31,440 --> 00:55:34,120
Speaker 1: and it don't punch like you thought. Bro, you got

1213
00:55:34,160 --> 00:55:37,000
Speaker 1: a long night see because you can say a whack.

1214
00:55:37,080 --> 00:55:38,959
Speaker 1: You can have a whack bar in your verse, Rory.

1215
00:55:39,400 --> 00:55:41,040
Speaker 1: But when the hook come in, the hook is money

1216
00:55:41,320 --> 00:55:44,920
Speaker 1: and the beat is hard. It's all good. Everybody's still dancing,

1217
00:55:44,960 --> 00:55:46,440
Speaker 1: and you know what I'm saying, the energy is still up.

1218
00:55:46,760 --> 00:55:49,320
Speaker 1: As a comedian, you say some shit and that punchline

1219
00:55:49,360 --> 00:55:52,520
Speaker 1: don't hit like you thought. In the dressing room, you

1220
00:55:52,640 --> 00:55:55,359
Speaker 1: still got fifteen twenty thousand people sitting out there looking

1221
00:55:55,400 --> 00:55:58,279
Speaker 1: at you. The eight two Hennessy's in. They're like, all right,

1222
00:55:58,320 --> 00:55:59,839
Speaker 1: te y'all go ahead, and then you don't know, turn

1223
00:56:00,080 --> 00:56:01,520
Speaker 1: years ago and Nigga get back to what you do,

1224
00:56:01,960 --> 00:56:04,799
Speaker 1: shut up and dribble. It turned into that quick Yeah,

1225
00:56:04,880 --> 00:56:06,640
Speaker 1: you know what I'm saying. But I'm excited to see

1226
00:56:07,080 --> 00:56:08,960
Speaker 1: you know, t I kind of get into this and

1227
00:56:09,320 --> 00:56:11,200
Speaker 1: now he got his first special. I think it's dope

1228
00:56:11,239 --> 00:56:13,200
Speaker 1: that he's even at a point where he could do

1229
00:56:13,360 --> 00:56:13,960
Speaker 1: his first comedy.

1230
00:56:14,000 --> 00:56:15,840
Speaker 4: That would be a funny bit though, what you actually

1231
00:56:15,880 --> 00:56:19,279
Speaker 4: just said, Like anytime TI starts to bomb, the DJ

1232
00:56:19,440 --> 00:56:20,680
Speaker 4: just puts on one of his records for.

1233
00:56:20,719 --> 00:56:24,000
Speaker 1: The it's the crowd back as I was saying, like

1234
00:56:24,080 --> 00:56:27,719
Speaker 1: I was saying before, Yeah, because that's what they love

1235
00:56:27,800 --> 00:56:30,360
Speaker 1: you for, That's what they know you for. That's what

1236
00:56:30,440 --> 00:56:34,000
Speaker 1: you've built your platform on music, you know. And again,

1237
00:56:34,160 --> 00:56:36,759
Speaker 1: and we love trying things. We love to see people

1238
00:56:36,840 --> 00:56:40,240
Speaker 1: trying different things and being passionate about doing other things.

1239
00:56:40,680 --> 00:56:41,920
Speaker 1: You know what I'm saying. But you know, when you're

1240
00:56:41,920 --> 00:56:45,400
Speaker 1: talking about stand up comedy, stand up comedy to me

1241
00:56:45,560 --> 00:56:47,840
Speaker 1: is kind of like boxing. You can't just play around

1242
00:56:47,880 --> 00:56:49,440
Speaker 1: with that. No, I agree, you got to go through

1243
00:56:49,480 --> 00:56:51,799
Speaker 1: the ringer, like you you just started doing comedy. Win.

1244
00:56:53,520 --> 00:56:55,839
Speaker 1: We've been going to the comedy club since we were

1245
00:56:55,920 --> 00:57:00,680
Speaker 1: seventeen eighteen, going on stage, bombing, getting booed, all of that.

1246
00:57:01,200 --> 00:57:03,440
Speaker 1: And now with like a Dave Chappelle where he's at

1247
00:57:03,480 --> 00:57:05,320
Speaker 1: in his career, that didn't just happen over night for

1248
00:57:05,400 --> 00:57:05,960
Speaker 1: Dave Chappelle.

1249
00:57:06,320 --> 00:57:08,640
Speaker 4: Well, that's the funny thing about stand up. If you

1250
00:57:08,719 --> 00:57:10,640
Speaker 4: look at all the grapes, it's not like music where

1251
00:57:10,680 --> 00:57:12,799
Speaker 4: typically the person who's in their twenties, they're younger when.

1252
00:57:12,719 --> 00:57:13,080
Speaker 1: They make it.

1253
00:57:13,200 --> 00:57:16,960
Speaker 4: Yeahs of our favorite legendary comedians made it post thirty

1254
00:57:16,960 --> 00:57:19,640
Speaker 4: five years old, right, Some made it a forty right shit.

1255
00:57:19,720 --> 00:57:22,520
Speaker 4: keV Hart seriously funny, was like, I don't know a

1256
00:57:22,640 --> 00:57:25,600
Speaker 4: third or force, but he had been working for fifteen years,

1257
00:57:25,840 --> 00:57:26,720
Speaker 4: but he was thirty five.

1258
00:57:26,640 --> 00:57:28,560
Speaker 1: When that came up. Yeah, it's not it's not easy.

1259
00:57:28,640 --> 00:57:30,600
Speaker 4: But Bill Burrman and he was old, Like they grinded

1260
00:57:30,680 --> 00:57:32,360
Speaker 4: for twenty years before and then they made it when

1261
00:57:32,360 --> 00:57:35,000
Speaker 4: they got older. That's because it takes that long to

1262
00:57:35,080 --> 00:57:36,760
Speaker 4: get that good at that type of shit. Luisy k

1263
00:57:36,960 --> 00:57:38,040
Speaker 4: was oldest shit when he made it.

1264
00:57:38,160 --> 00:57:40,600
Speaker 1: Yeah, comedy is something is funny, but it ain't funny

1265
00:57:40,680 --> 00:57:44,000
Speaker 1: if you ain't funny. It's funny, but you ain't funny.

1266
00:57:44,000 --> 00:57:45,720
Speaker 5: If you ain't fun you could also be a funny.

1267
00:57:45,720 --> 00:57:47,640
Speaker 5: You could be the most hilarious person on earth. And

1268
00:57:48,720 --> 00:57:51,280
Speaker 5: that doesn't matter with stand up. Yeah, stand up is

1269
00:57:51,320 --> 00:57:52,800
Speaker 5: the art. You could be funny. So I think we're

1270
00:57:52,840 --> 00:57:55,200
Speaker 5: all very funny, and I also think we will all

1271
00:57:55,400 --> 00:57:56,280
Speaker 5: suck at stand up.

1272
00:57:56,480 --> 00:57:57,920
Speaker 4: I had a friend who was like all of us

1273
00:57:57,960 --> 00:57:59,960
Speaker 4: would it would take up years and years and years

1274
00:58:00,440 --> 00:58:00,640
Speaker 4: at it.

1275
00:58:00,720 --> 00:58:03,320
Speaker 1: I had a friend who was like super funny on

1276
00:58:03,400 --> 00:58:05,040
Speaker 1: the block, you know, you know that one friend with

1277
00:58:05,160 --> 00:58:07,160
Speaker 1: like this nigga, And we all told me, yo, bro,

1278
00:58:07,240 --> 00:58:10,440
Speaker 1: you need to get in the comedy. He was like, like, yo, bro,

1279
00:58:10,640 --> 00:58:13,200
Speaker 1: like you every time we out somewhere, you got the

1280
00:58:13,360 --> 00:58:15,240
Speaker 1: you got the mic. You the funniest dude in the room.

1281
00:58:15,320 --> 00:58:18,360
Speaker 1: Like you need to do something with that. Man ain't

1282
00:58:18,360 --> 00:58:20,680
Speaker 1: gonna lie he did. Uh was it bb QS man?

1283
00:58:20,720 --> 00:58:22,760
Speaker 1: When bb q's and the Bronx do comedy night, Yeah,

1284
00:58:22,760 --> 00:58:25,560
Speaker 1: of course, nigga, we all went out to support the homie.

1285
00:58:25,800 --> 00:58:28,680
Speaker 1: It's a different world, man. He went up there. Niggas

1286
00:58:28,720 --> 00:58:30,080
Speaker 1: that ain't never know Hi was in the crowd. Never

1287
00:58:30,160 --> 00:58:32,200
Speaker 1: seen this nigga before they got it there, niggas start

1288
00:58:32,200 --> 00:58:35,400
Speaker 1: getting into his bit. I said, yeah, maybe he not

1289
00:58:35,440 --> 00:58:38,360
Speaker 1: as funny as I thought he was. Man, you start

1290
00:58:38,440 --> 00:58:41,240
Speaker 1: drowning just looking the crowd like y'all on a date. Yeah,

1291
00:58:41,280 --> 00:58:44,200
Speaker 1: that shit got that ship got your birthday, dad. All

1292
00:58:44,240 --> 00:58:46,439
Speaker 1: you heard was like niggas like collecting plates and ship

1293
00:58:46,520 --> 00:58:49,600
Speaker 1: in the back. I said, it's time to go ahead

1294
00:58:49,600 --> 00:58:52,479
Speaker 1: to get don't never do that again.

1295
00:58:52,520 --> 00:58:54,360
Speaker 4: I was watching Pete Davis an interview and he was

1296
00:58:54,360 --> 00:58:56,600
Speaker 4: talking about when he started at a bowling alley and

1297
00:58:56,640 --> 00:58:58,640
Speaker 4: Statn Island. He was like, it sucked because every time

1298
00:58:58,680 --> 00:59:01,640
Speaker 4: you bomb, you would just hear like bowling pins. It

1299
00:59:01,880 --> 00:59:04,840
Speaker 4: just be dead quiet, laugh you just hear people bowling

1300
00:59:04,880 --> 00:59:09,200
Speaker 4: behind you like tough. I mean that's part of the

1301
00:59:09,240 --> 00:59:12,360
Speaker 4: game though, which is crazy too, because like usually you

1302
00:59:12,480 --> 00:59:15,600
Speaker 4: can realize when your music career is not gonna make

1303
00:59:15,640 --> 00:59:17,240
Speaker 4: it if you're trying to be a certain type of

1304
00:59:17,640 --> 00:59:21,600
Speaker 4: star when it age hits like not everyone's Victoria monet

1305
00:59:21,680 --> 00:59:23,920
Speaker 4: where you can write and then hit your start them

1306
00:59:23,920 --> 00:59:27,440
Speaker 4: a little bit later in your career. Sometimes not sometimes

1307
00:59:27,520 --> 00:59:29,080
Speaker 4: mostly when you pass twenty eight, it might be a

1308
00:59:29,160 --> 00:59:32,240
Speaker 4: dub for you stand up, you're gonna have that hope,

1309
00:59:32,320 --> 00:59:35,439
Speaker 4: Like now all my favorites made have forty, it'll happen

1310
00:59:35,480 --> 00:59:35,640
Speaker 4: for me.

1311
00:59:35,720 --> 00:59:38,120
Speaker 1: Then you hit forty and you ain't making it's tough.

1312
00:59:38,200 --> 00:59:41,560
Speaker 1: Now you forty tough? No, that's it's just a risky career.

1313
00:59:41,920 --> 00:59:44,880
Speaker 1: Not everyone's t I. That can just play the King album.

1314
00:59:44,640 --> 00:59:48,720
Speaker 4: After what's the name of TI special chie, We'll say

1315
00:59:48,760 --> 00:59:51,000
Speaker 4: t I's is taking a risk though. First of all,

1316
00:59:51,000 --> 00:59:54,840
Speaker 4: you're coming out in all leather. That's Eddie, you setting

1317
00:59:54,840 --> 00:59:55,360
Speaker 4: yourself up.

1318
00:59:55,400 --> 00:59:57,040
Speaker 1: You can't do it. You do, yeah, you can't, and

1319
00:59:57,160 --> 00:59:58,800
Speaker 1: it's the Red and Black Lives. You got to know

1320
01:00:00,160 --> 01:00:01,320
Speaker 1: that my how is hitting.

1321
01:00:01,440 --> 01:00:03,400
Speaker 4: When you throw the leather on, it's like laying down

1322
01:00:03,440 --> 01:00:05,240
Speaker 4: on your album cover, like you gotta know this is

1323
01:00:05,600 --> 01:00:08,000
Speaker 4: undeniably going to be fucking amazing.

1324
01:00:08,080 --> 01:00:10,120
Speaker 1: You can't coming out with the leather. You can't mess

1325
01:00:10,160 --> 01:00:12,000
Speaker 1: with the powers of the comedians with the grace man.

1326
01:00:12,040 --> 01:00:13,280
Speaker 1: You can't wait a red leather.

1327
01:00:13,280 --> 01:00:15,280
Speaker 4: And I know stand up comedians that did ten years

1328
01:00:15,280 --> 01:00:18,120
Speaker 4: before they ever dropped a special. A special. It's hard

1329
01:00:18,240 --> 01:00:20,280
Speaker 4: to do. Let alone, just stand up. You coming out

1330
01:00:20,320 --> 01:00:22,680
Speaker 4: the gate with a special like at least like at

1331
01:00:22,800 --> 01:00:26,240
Speaker 4: least hit a funny bone or a fucking improv, and.

1332
01:00:26,320 --> 01:00:28,480
Speaker 1: Not on the special. He doing this, he dropping in

1333
01:00:28,600 --> 01:00:33,000
Speaker 1: New Year's Eve, I mean Christmas Christmas Eve, Ma t

1334
01:00:33,240 --> 01:00:36,040
Speaker 1: I'm rooting for you, I'm ruled for you. But that's tough.

1335
01:00:36,120 --> 01:00:38,280
Speaker 4: I went to bed knowing there was a surprise Chappelle

1336
01:00:38,280 --> 01:00:40,240
Speaker 4: special and said, I'll get around to it. You think

1337
01:00:40,280 --> 01:00:42,680
Speaker 4: I'm stopping what I'm doing on Christmas Eve to go

1338
01:00:42,840 --> 01:00:45,360
Speaker 4: see g I'm.

1339
01:00:44,320 --> 01:00:45,680
Speaker 1: Gonna end up watching it. I'm not. I'm not here

1340
01:00:45,720 --> 01:00:48,360
Speaker 1: to hate you to watch it. But Christmas Eve, Yeah,

1341
01:00:48,400 --> 01:00:50,160
Speaker 1: I don't know about Christmas. I might not watch it

1342
01:00:50,280 --> 01:00:51,160
Speaker 1: until after the New Year.

1343
01:00:51,280 --> 01:00:54,360
Speaker 4: Everyone's gonna be home. But like that's what when the

1344
01:00:54,440 --> 01:00:56,040
Speaker 4: family shows up, Like yo, y'all want to throw on

1345
01:00:56,080 --> 01:00:58,760
Speaker 4: the I don't know if I'm listening to a new

1346
01:00:58,800 --> 01:01:03,080
Speaker 4: TI album on Christmas Eve. If I'm doing anything Christas, I'm.

1347
01:01:02,920 --> 01:01:04,960
Speaker 1: Gonna check it out. Though, we're gonna support Ti man

1348
01:01:05,040 --> 01:01:09,960
Speaker 1: Cheapen in therapy. Christmas Eve. Yeah, we have to see

1349
01:01:10,720 --> 01:01:12,200
Speaker 1: he got the read, he got the red leather on.

1350
01:01:12,320 --> 01:01:14,440
Speaker 1: So it's like, all right, you you waking you, you

1351
01:01:14,560 --> 01:01:17,360
Speaker 1: fucking with them? The comic them comic powers you know

1352
01:01:17,440 --> 01:01:20,400
Speaker 1: the red that's like the Batman suit. So all right,

1353
01:01:20,400 --> 01:01:21,440
Speaker 1: we gotta see what t I do.

1354
01:01:21,840 --> 01:01:26,280
Speaker 4: Yeah, before we get off of music and entertainment, did

1355
01:01:26,360 --> 01:01:29,080
Speaker 4: you guys listen to what's their name? Xanna Monee xan

1356
01:01:29,280 --> 01:01:32,360
Speaker 4: x Monee, the AI artist. You know, she was catching

1357
01:01:32,440 --> 01:01:36,200
Speaker 4: some heat from j D while a kay Lonnie. So

1358
01:01:36,320 --> 01:01:39,800
Speaker 4: she got in the booth laid down a very heartfelt

1359
01:01:40,600 --> 01:01:42,200
Speaker 4: this record of how she got it out the mud.

1360
01:01:43,360 --> 01:01:45,400
Speaker 4: This ship felt like you know when they're doing the

1361
01:01:45,440 --> 01:01:48,960
Speaker 4: American idol like auditions and then they like cut to

1362
01:01:49,080 --> 01:01:51,560
Speaker 4: their life story and like, you know, their mother has

1363
01:01:51,680 --> 01:01:56,120
Speaker 4: terminical cancer, their dad lost two legs in Vietnam. You know,

1364
01:01:56,200 --> 01:01:59,040
Speaker 4: they live under a bridge. This is how this AI

1365
01:01:59,200 --> 01:02:04,080
Speaker 4: artist was sounding like the world has literally just been

1366
01:02:04,800 --> 01:02:08,360
Speaker 4: on her shoulders with all this hate. Like she was

1367
01:02:08,440 --> 01:02:12,680
Speaker 4: talking from like Michael Jackson's perspective as far as being

1368
01:02:12,760 --> 01:02:13,240
Speaker 4: the enemy.

1369
01:02:14,520 --> 01:02:16,920
Speaker 1: M is this something we have to talk about?

1370
01:02:18,840 --> 01:02:20,600
Speaker 4: No, mam, we don't have to talk about this. I

1371
01:02:20,640 --> 01:02:22,840
Speaker 4: mean it is fuck this AI shit for sure. I

1372
01:02:23,080 --> 01:02:28,160
Speaker 4: just laughed that the AI Artists started her discs off

1373
01:02:28,240 --> 01:02:30,200
Speaker 4: with you went to the media first, so that's what

1374
01:02:30,360 --> 01:02:31,080
Speaker 4: was going to hard drive.

1375
01:02:31,760 --> 01:02:34,520
Speaker 1: You're not a person you talk like a heartbroke.

1376
01:02:34,680 --> 01:02:37,240
Speaker 4: I cannot believe you went to me like Kaylannie and

1377
01:02:37,440 --> 01:02:41,040
Speaker 4: fucking party next door, Like that's how she was talking.

1378
01:02:41,080 --> 01:02:44,080
Speaker 1: How could you go to the media for you don't exist? Yeah,

1379
01:02:44,120 --> 01:02:45,959
Speaker 1: but you said that somebody wrote it though, right, somebody

1380
01:02:46,000 --> 01:02:47,120
Speaker 1: actually wrote these lyrics, I.

1381
01:02:47,200 --> 01:02:49,600
Speaker 4: Guess, which is still like because of AI voice. But

1382
01:02:50,400 --> 01:02:53,320
Speaker 4: either way, I'm.

1383
01:02:53,200 --> 01:02:55,360
Speaker 1: Just never like this AI shit is stupid than me,

1384
01:02:55,440 --> 01:02:57,320
Speaker 1: Like AI artists like I don't even know how to.

1385
01:02:57,360 --> 01:02:59,760
Speaker 4: Even say, beginning with you don't have a real name.

1386
01:03:00,120 --> 01:03:01,680
Speaker 1: Yeah, but that I mean.

1387
01:03:02,200 --> 01:03:04,200
Speaker 5: One of my friends hit me because I've told her about,

1388
01:03:04,240 --> 01:03:06,040
Speaker 5: you know, the dangers of AI and things like that,

1389
01:03:06,160 --> 01:03:07,440
Speaker 5: and she listens to this podcast.

1390
01:03:07,760 --> 01:03:09,080
Speaker 3: But she was like, yo, I'm not gonna lie.

1391
01:03:09,080 --> 01:03:11,080
Speaker 5: I came across an R and B album my TikTok,

1392
01:03:11,120 --> 01:03:12,640
Speaker 5: and I went in, like, well, R and B song

1393
01:03:12,680 --> 01:03:14,040
Speaker 5: on TikTok, she said, I went and listened to the

1394
01:03:14,080 --> 01:03:16,120
Speaker 5: rest of the album. She was like, the maristat Shit

1395
01:03:16,200 --> 01:03:17,880
Speaker 5: is one of the best albums I've ever heard. And

1396
01:03:17,960 --> 01:03:19,400
Speaker 5: then I come to find out that it's AI.

1397
01:03:19,640 --> 01:03:21,760
Speaker 4: Then I'm not gonna like it. The moment I find

1398
01:03:21,760 --> 01:03:24,080
Speaker 4: out it's A I'm not gonna like it differ, I'm

1399
01:03:24,080 --> 01:03:24,480
Speaker 4: gonna heat it.

1400
01:03:24,560 --> 01:03:26,840
Speaker 5: I agree, But how do you not know is AI

1401
01:03:27,040 --> 01:03:29,160
Speaker 5: the rest of the world because a lot of these

1402
01:03:29,200 --> 01:03:32,360
Speaker 5: AI artists don't sound like AI artists.

1403
01:03:33,120 --> 01:03:35,680
Speaker 4: They don't and a lot of real artists. I just

1404
01:03:35,760 --> 01:03:38,040
Speaker 4: want myselves up so much that it's hard to tell

1405
01:03:38,120 --> 01:03:38,400
Speaker 4: what's what.

1406
01:03:38,720 --> 01:03:40,040
Speaker 1: About to say, I just feel like I can tell

1407
01:03:40,040 --> 01:03:42,000
Speaker 1: at this point, Like when I'm listening to music, I

1408
01:03:42,160 --> 01:03:45,080
Speaker 1: know a real artist versus some computer generated shit that

1409
01:03:45,080 --> 01:03:45,600
Speaker 1: I'm listening to.

1410
01:03:46,080 --> 01:03:51,560
Speaker 4: Nobody tells you how many random little charges hit you

1411
01:03:51,680 --> 01:03:54,440
Speaker 4: every week. One minute you're grabbing coffee, next thing you know,

1412
01:03:54,680 --> 01:03:57,680
Speaker 4: it's a delivery fee, a parking ticket, and somehow you

1413
01:03:57,800 --> 01:03:58,680
Speaker 4: bought a plant that you.

1414
01:03:58,680 --> 01:04:01,200
Speaker 1: Don't even like exactly. Life doesn't come with the budget

1415
01:04:01,240 --> 01:04:04,160
Speaker 1: app built in, but the Clarina card kind of feels

1416
01:04:04,200 --> 01:04:04,680
Speaker 1: like you should have.

1417
01:04:05,200 --> 01:04:08,240
Speaker 4: It's basically your debit card upgraded. You use your own money,

1418
01:04:08,360 --> 01:04:10,720
Speaker 4: no credit, no weird fees, and you get to choose

1419
01:04:10,760 --> 01:04:13,880
Speaker 4: how you pay all upfront or you plan it out

1420
01:04:14,160 --> 01:04:15,560
Speaker 4: in the Klarna app.

1421
01:04:16,040 --> 01:04:18,760
Speaker 1: Yeah, so you're still being responsible, just smarter. It works

1422
01:04:18,760 --> 01:04:22,160
Speaker 1: anywhere visas accepted, and there's zero credit impact when you apply.

1423
01:04:22,200 --> 01:04:26,000
Speaker 4: Smarter spending, less stress. That's grown man budgeting right there.

1424
01:04:26,280 --> 01:04:28,919
Speaker 1: Sign up for the Clarina Card by downloading the Klarna app,

1425
01:04:29,080 --> 01:04:32,080
Speaker 1: or learn more at klarna dot com. Forward slash us

1426
01:04:32,200 --> 01:04:35,680
Speaker 1: for Slash Clarna Dash Card, Colarna Card paylated plans issued

1427
01:04:35,720 --> 01:04:38,000
Speaker 1: by web Bank. Deposits in your balance account are held

1428
01:04:38,040 --> 01:04:42,480
Speaker 1: at web Bank Member FDIC. Anywhere VISA is accepted, certain

1429
01:04:42,520 --> 01:04:46,040
Speaker 1: merchant product, good and service restrictions apply. Some merchants do

1430
01:04:46,200 --> 01:04:49,200
Speaker 1: not accept virtual cards. Physical card only included with a

1431
01:04:49,280 --> 01:04:52,880
Speaker 1: paid Klarna membership plan. Certain merchant product, good and service

1432
01:04:52,920 --> 01:05:02,960
Speaker 1: restrictions apply. What happens when the who's gonna be the

1433
01:05:03,000 --> 01:05:06,720
Speaker 1: first A artists to denounce the streets? Like which a

1434
01:05:07,160 --> 01:05:09,400
Speaker 1: AI artist is gonna put the flag down and get

1435
01:05:09,440 --> 01:05:13,400
Speaker 1: out the gang? Who's who's gonna denounce the crips? The

1436
01:05:13,480 --> 01:05:16,040
Speaker 1: A are the AI artists in the streets, though coming

1437
01:05:16,080 --> 01:05:17,960
Speaker 1: from the streets, I don't know.

1438
01:05:18,120 --> 01:05:20,360
Speaker 4: They're committing AI like sins type murdered.

1439
01:05:21,920 --> 01:05:23,360
Speaker 1: On Fortnite? How do you feel about that?

1440
01:05:23,400 --> 01:05:23,600
Speaker 4: Though?

1441
01:05:24,040 --> 01:05:27,000
Speaker 1: Fuck the streets? One savage but yeah, yeah, give gift

1442
01:05:27,040 --> 01:05:30,040
Speaker 1: full context twenty one savage head. He did a uh

1443
01:05:31,000 --> 01:05:35,280
Speaker 1: he had posted some tweets, Yes, calling for everybody specifically

1444
01:05:35,360 --> 01:05:37,800
Speaker 1: in Atlanta that was beefing that wasn't really friends and

1445
01:05:38,280 --> 01:05:41,840
Speaker 1: fell out, calling for everybody to make amends, to get

1446
01:05:41,920 --> 01:05:45,200
Speaker 1: back together, you know, bury the hatchet, you know, all

1447
01:05:45,240 --> 01:05:47,200
Speaker 1: of that type of thing, you know, the brotherly love,

1448
01:05:47,280 --> 01:05:50,600
Speaker 1: the things that we were champion were champion people, you know,

1449
01:05:50,760 --> 01:05:54,080
Speaker 1: putting their differences aside and coming together for the better

1450
01:05:54,160 --> 01:05:58,560
Speaker 1: good of the culture, I guess. But in some of

1451
01:05:58,600 --> 01:06:01,000
Speaker 1: his tweets, it was the message was fuck the streets.

1452
01:06:01,280 --> 01:06:02,800
Speaker 4: We'll see some of them another do of the streets.

1453
01:06:02,880 --> 01:06:06,080
Speaker 4: More so like offset Quavo, you guys should just you know,

1454
01:06:06,600 --> 01:06:09,240
Speaker 4: be friends again. But then you got into the gunna

1455
01:06:09,600 --> 01:06:13,919
Speaker 4: thug thing, got into the the p thing people QC yep.

1456
01:06:14,240 --> 01:06:17,040
Speaker 4: That did feel like, yes, gold posts should be moved

1457
01:06:17,280 --> 01:06:19,400
Speaker 4: and we should say fuck the streets. That is how

1458
01:06:19,520 --> 01:06:22,960
Speaker 4: it came across. So he never actually said fuck the streets.

1459
01:06:22,960 --> 01:06:25,080
Speaker 4: I feel like he said. I feel like, oh, it

1460
01:06:25,160 --> 01:06:27,560
Speaker 4: eventually got there. Yeah, like it got to that right, Yeah,

1461
01:06:27,680 --> 01:06:28,280
Speaker 4: like fuck the street.

1462
01:06:28,360 --> 01:06:30,960
Speaker 1: So now you know, I understand what twenty one was

1463
01:06:31,000 --> 01:06:33,640
Speaker 1: doing as far as like, you know what people from

1464
01:06:33,720 --> 01:06:36,240
Speaker 1: the city that were actually friends and brothers at one

1465
01:06:36,280 --> 01:06:41,520
Speaker 1: point to bury their differences and and you know, come

1466
01:06:41,600 --> 01:06:45,960
Speaker 1: back together and things like that. But I just think

1467
01:06:46,080 --> 01:06:50,160
Speaker 1: the the praise the wording was wrong, right If the

1468
01:06:50,200 --> 01:06:53,400
Speaker 1: wording fucked the streets, you can't say fuck the streets

1469
01:06:53,440 --> 01:06:57,840
Speaker 1: because the streets are what gave you and awards you

1470
01:06:57,880 --> 01:06:58,440
Speaker 1: everything you have.

1471
01:06:58,560 --> 01:07:01,760
Speaker 4: Right now and again, and I'm asking as a civilian,

1472
01:07:02,400 --> 01:07:04,480
Speaker 4: is someone allowed to even dictate the rules that have

1473
01:07:04,560 --> 01:07:06,160
Speaker 4: been set there well before they were even born.

1474
01:07:06,440 --> 01:07:06,480
Speaker 1: No?

1475
01:07:07,360 --> 01:07:09,240
Speaker 4: No, No, I didn't know somebody could change the rules.

1476
01:07:09,360 --> 01:07:10,240
Speaker 1: No, you can't.

1477
01:07:10,320 --> 01:07:12,520
Speaker 4: You can't, you can't. You can't say fuck the streets.

1478
01:07:13,040 --> 01:07:16,520
Speaker 4: And here's a lot of people say shit, I'll even

1479
01:07:17,400 --> 01:07:19,480
Speaker 4: put a name on it. Trey av was one of

1480
01:07:19,480 --> 01:07:21,920
Speaker 4: those people that said, all the streets ship, and then

1481
01:07:22,400 --> 01:07:23,080
Speaker 4: it's it's.

1482
01:07:23,000 --> 01:07:24,080
Speaker 1: Fun the streets. When you get caught.

1483
01:07:24,240 --> 01:07:25,800
Speaker 4: When the streets don't work out for you anymore, now

1484
01:07:25,800 --> 01:07:28,360
Speaker 4: it's fuck the streets. It was all this this this

1485
01:07:28,520 --> 01:07:30,520
Speaker 4: talk before, but once you get caught, now it's fuck

1486
01:07:30,560 --> 01:07:32,960
Speaker 4: the streets. If you never got caught, it's still be

1487
01:07:33,320 --> 01:07:36,000
Speaker 4: the same ship, right right. For some lot a lot

1488
01:07:36,040 --> 01:07:39,520
Speaker 4: of people that that that do cooperate, you cooperated because

1489
01:07:39,520 --> 01:07:40,840
Speaker 4: you got caught, and they want to go to jail,

1490
01:07:40,880 --> 01:07:42,240
Speaker 4: and now you're saying it's like, nah, I don't like

1491
01:07:42,320 --> 01:07:45,920
Speaker 4: that lifestyles, it's detri michel to this community. Yeah, while

1492
01:07:45,960 --> 01:07:47,800
Speaker 4: you're right, you'd still be doing it if you didn't

1493
01:07:47,800 --> 01:07:49,960
Speaker 4: get caught. Don't act like this moral high ground that

1494
01:07:50,120 --> 01:07:52,400
Speaker 4: now you have. You're above this and it's wrong. No,

1495
01:07:52,480 --> 01:07:55,440
Speaker 4: it's wrong because you got caught. Yeah, that's all it is.

1496
01:07:55,680 --> 01:07:57,880
Speaker 1: Well, that's what I was. I'm not saying. That's what

1497
01:07:57,960 --> 01:07:59,920
Speaker 1: twenty one is saying in this No. No, what I've

1498
01:08:00,080 --> 01:08:00,560
Speaker 1: seen a lot of.

1499
01:08:00,560 --> 01:08:03,720
Speaker 4: People start saying fuck the streets after they got caught

1500
01:08:04,400 --> 01:08:05,560
Speaker 4: convinces very convenience.

1501
01:08:05,560 --> 01:08:07,760
Speaker 1: I'm very convenient. People want to change their lives. Yes,

1502
01:08:07,800 --> 01:08:09,680
Speaker 1: some people, some people really do believe.

1503
01:08:09,560 --> 01:08:11,560
Speaker 4: Hey, this is really ruining our community, and they would

1504
01:08:11,560 --> 01:08:14,480
Speaker 4: have a a pretty good case about how it can.

1505
01:08:14,880 --> 01:08:18,080
Speaker 1: But you don't really care. You just got caught. Yeah

1506
01:08:18,120 --> 01:08:20,200
Speaker 1: you can't. You can't screw fuck the streets and still

1507
01:08:20,240 --> 01:08:22,400
Speaker 1: be in the streets. It was gonna be fuck the street, y'all.

1508
01:08:22,439 --> 01:08:24,000
Speaker 1: Niggas can't hang out the strip clubs no more.

1509
01:08:24,280 --> 01:08:25,000
Speaker 3: That's not true.

1510
01:08:25,120 --> 01:08:26,400
Speaker 1: That's not true. That's not again.

1511
01:08:26,400 --> 01:08:28,479
Speaker 4: I don't know. I'm not speaking as someone that knows

1512
01:08:28,520 --> 01:08:29,240
Speaker 4: anything about.

1513
01:08:29,080 --> 01:08:32,439
Speaker 1: Strip club is the streets? What y'all think the strip

1514
01:08:32,479 --> 01:08:36,000
Speaker 1: clubs the fucking library at Columbia. No, that's the streets.

1515
01:08:36,000 --> 01:08:37,920
Speaker 4: You know what goes on in the street people at

1516
01:08:37,960 --> 01:08:40,800
Speaker 4: the strip club this street people. There's also civilians like

1517
01:08:40,840 --> 01:08:43,320
Speaker 4: me and Demeris that go the time home, and we

1518
01:08:43,439 --> 01:08:44,160
Speaker 4: go more often than.

1519
01:08:44,120 --> 01:08:46,439
Speaker 1: The regular people like that. Y'all are not saying fuck

1520
01:08:46,479 --> 01:08:46,920
Speaker 1: the streets.

1521
01:08:47,680 --> 01:08:48,599
Speaker 4: I'm not in the streets.

1522
01:08:49,560 --> 01:08:52,360
Speaker 1: Are you saying fuck the streets? No, I'm not in

1523
01:08:52,400 --> 01:08:54,360
Speaker 1: the streets. Have you ever said fuck the streets? No,

1524
01:08:54,720 --> 01:08:56,840
Speaker 1: So you can go to the strip club if you're

1525
01:08:56,840 --> 01:09:00,800
Speaker 1: gonna stay fuck the streets. Club doing that? You can't

1526
01:09:00,880 --> 01:09:03,439
Speaker 1: do that, Not if you're screaming fuck the streets. The

1527
01:09:03,520 --> 01:09:05,080
Speaker 1: strip clubs is part of the streets. I don't know

1528
01:09:05,080 --> 01:09:05,840
Speaker 1: if y'all know that or not.

1529
01:09:06,160 --> 01:09:08,840
Speaker 5: No, I think there's street people in street people like

1530
01:09:08,920 --> 01:09:12,479
Speaker 5: the strip clubs with this control that you.

1531
01:09:12,479 --> 01:09:14,320
Speaker 1: Said the stripling got nothing to do with the streets.

1532
01:09:14,760 --> 01:09:16,519
Speaker 3: Know what I'm saying is the strip club.

1533
01:09:16,400 --> 01:09:19,120
Speaker 1: Is not street walking. For the streets, the strip clubs

1534
01:09:19,120 --> 01:09:21,160
Speaker 1: wouldn't be a thing. Who do you think of spending

1535
01:09:21,200 --> 01:09:22,120
Speaker 1: money in the strip clubs?

1536
01:09:22,160 --> 01:09:24,559
Speaker 4: You've been saying about a lot of If you say

1537
01:09:24,600 --> 01:09:25,720
Speaker 4: fuck the streets, can you buy weed?

1538
01:09:26,120 --> 01:09:29,639
Speaker 5: That's also not No, there's plenty of strip there's plenty

1539
01:09:29,680 --> 01:09:31,599
Speaker 5: of strip clubs that are street nigga wouldn't even walk

1540
01:09:31,640 --> 01:09:33,040
Speaker 5: into people have strip.

1541
01:09:32,880 --> 01:09:37,320
Speaker 1: Club, gentlemen's club. You gotta tuck your shirt and when

1542
01:09:37,320 --> 01:09:39,320
Speaker 1: you go in those places. That's different.

1543
01:09:39,439 --> 01:09:41,960
Speaker 4: That's about hustlers on the West side had no you

1544
01:09:42,040 --> 01:09:44,280
Speaker 4: can go to there's control by the streets on an

1545
01:09:44,360 --> 01:09:46,160
Speaker 4: Italian side allegedly, so like.

1546
01:09:46,320 --> 01:09:48,840
Speaker 1: That's still yeah, but they're not screaming for the streets though.

1547
01:09:49,600 --> 01:09:52,880
Speaker 4: Until they get a YouTube show after they rat that's different.

1548
01:09:53,439 --> 01:09:56,920
Speaker 1: You cannot scream fuck the streets and still be hanging

1549
01:09:57,000 --> 01:09:59,679
Speaker 1: out in the streets. You cannot do it. You can't

1550
01:09:59,680 --> 01:10:02,960
Speaker 1: be happen about the streets that agree. You can't. You

1551
01:10:03,080 --> 01:10:05,400
Speaker 1: can't be hanging out on your old on the old streets,

1552
01:10:05,439 --> 01:10:07,799
Speaker 1: on the block. You can't go and give out turkeys

1553
01:10:07,840 --> 01:10:08,360
Speaker 1: once a year.

1554
01:10:08,640 --> 01:10:10,439
Speaker 3: Oh that's corny. No, that's that's something.

1555
01:10:10,439 --> 01:10:12,200
Speaker 1: It is corny to give out turkeys once year. I

1556
01:10:12,280 --> 01:10:13,639
Speaker 1: agree with you, that's very corny.

1557
01:10:13,840 --> 01:10:16,679
Speaker 5: No, I don't know, let me clarify what I'm saying.

1558
01:10:17,200 --> 01:10:19,600
Speaker 5: You can still give back to your community and go

1559
01:10:19,760 --> 01:10:21,599
Speaker 5: and visit your community when.

1560
01:10:21,479 --> 01:10:22,920
Speaker 1: You know what, fuck the street.

1561
01:10:23,000 --> 01:10:25,080
Speaker 5: You know what these people are saying. When it's saying.

1562
01:10:25,080 --> 01:10:27,439
Speaker 5: When they're saying fuck the streets, you know what they're saying.

1563
01:10:27,640 --> 01:10:30,200
Speaker 1: So it's not fuck the streets, it's fuck the street codes,

1564
01:10:30,280 --> 01:10:33,240
Speaker 1: fuck the street ideologies. When you say fuck the streets,

1565
01:10:34,280 --> 01:10:37,280
Speaker 1: that's saying fuck those blocks, fuck those avenues, fuck those

1566
01:10:37,400 --> 01:10:39,800
Speaker 1: corners where y'all getting money, Fuck all of that. Fuck

1567
01:10:39,840 --> 01:10:42,040
Speaker 1: the people that are still out there doing what they're doing.

1568
01:10:42,080 --> 01:10:44,160
Speaker 1: All right, So then you can't come here no more

1569
01:10:44,280 --> 01:10:46,680
Speaker 1: because you know what they still out there doing. So

1570
01:10:46,840 --> 01:10:49,120
Speaker 1: you can't come here and try to mingle in, pick

1571
01:10:49,160 --> 01:10:50,840
Speaker 1: and choose when you want to be in the streets

1572
01:10:51,160 --> 01:10:54,240
Speaker 1: because all that giving back shit, that's just for public image.

1573
01:10:54,439 --> 01:10:56,240
Speaker 1: So you can't want to get your public image and

1574
01:10:56,280 --> 01:10:58,320
Speaker 1: make it seem like you're giving back to the streets

1575
01:10:58,439 --> 01:10:59,479
Speaker 1: when it's fucked the streets.

1576
01:10:59,640 --> 01:11:00,360
Speaker 3: How is that just?

1577
01:11:00,720 --> 01:11:04,559
Speaker 5: I'm sure some people do public image, but some people

1578
01:11:04,600 --> 01:11:06,160
Speaker 5: actually give where.

1579
01:11:05,960 --> 01:11:07,720
Speaker 1: The ship the public image? Why are we sitting there

1580
01:11:07,720 --> 01:11:11,519
Speaker 1: acting like it's not But let's not act like frozen

1581
01:11:11,560 --> 01:11:13,000
Speaker 1: turkeysh the niggas that ain't got no where to go

1582
01:11:13,120 --> 01:11:17,200
Speaker 1: cook it. What are we talking about here? That's it

1583
01:11:17,280 --> 01:11:19,760
Speaker 1: is for a look, that's a tax right off. That

1584
01:11:19,800 --> 01:11:21,800
Speaker 1: shit is a look. We're not gonna sit there and

1585
01:11:21,800 --> 01:11:24,360
Speaker 1: play these games. And that's my point. You can't play

1586
01:11:24,439 --> 01:11:27,120
Speaker 1: both sides of this. It can't be fucked the streets.

1587
01:11:27,760 --> 01:11:29,280
Speaker 1: But then I hope the streets. I want the streets

1588
01:11:29,320 --> 01:11:31,439
Speaker 1: to still fuck with me. I want to go back

1589
01:11:31,479 --> 01:11:33,759
Speaker 1: and get back to the hood because I want the hood.

1590
01:11:33,560 --> 01:11:35,519
Speaker 4: To say, yeah, I can't throw the games, turkeys and

1591
01:11:35,600 --> 01:11:38,400
Speaker 4: all that. So you're saying people can people can retire

1592
01:11:38,479 --> 01:11:42,040
Speaker 4: from the streets. I e, let's uh use some of

1593
01:11:42,120 --> 01:11:44,040
Speaker 4: our favorite rappers. Let's go with the J and and

1594
01:11:44,120 --> 01:11:46,920
Speaker 4: notas both people rap about the streets but have clearly

1595
01:11:47,000 --> 01:11:49,840
Speaker 4: retired from that, like they're not in the street. So

1596
01:11:50,000 --> 01:11:52,400
Speaker 4: you're saying Jay would never say fuck the streets. He

1597
01:11:52,439 --> 01:11:56,679
Speaker 4: did say streets is done because of what Uh y'all killed?

1598
01:11:56,960 --> 01:11:57,320
Speaker 3: Who is it?

1599
01:11:57,560 --> 01:11:59,160
Speaker 1: And now zippermann streets is done?

1600
01:11:59,720 --> 01:12:01,680
Speaker 4: Yeah killed x X That's what it was. And let

1601
01:12:01,800 --> 01:12:02,880
Speaker 4: Zimmerman live streets.

1602
01:12:03,040 --> 01:12:04,560
Speaker 1: He's not saying fuck the streets, but I know he

1603
01:12:04,640 --> 01:12:07,160
Speaker 1: ain't saying for nas ain't saying fuck the streets. No,

1604
01:12:07,360 --> 01:12:09,800
Speaker 1: he's not. They jill niggas just ain't doing what they

1605
01:12:09,960 --> 01:12:11,160
Speaker 1: was doing in the streets before.

1606
01:12:11,320 --> 01:12:12,840
Speaker 4: I know, I just wanted to be clear with your

1607
01:12:12,880 --> 01:12:13,599
Speaker 4: point for our listen.

1608
01:12:13,920 --> 01:12:16,240
Speaker 1: No, I'm being very clear. There's plenty of people that

1609
01:12:16,280 --> 01:12:18,400
Speaker 1: aren't the streets that rape. But yeah, but you can't.

1610
01:12:18,479 --> 01:12:20,360
Speaker 1: You can't say fuck the streets and still try to

1611
01:12:20,400 --> 01:12:23,840
Speaker 1: benefit off of street culture. You can't. That can't happen.

1612
01:12:24,439 --> 01:12:26,479
Speaker 1: It can't be fucked the streets because, Yo, your man

1613
01:12:26,600 --> 01:12:28,479
Speaker 1: was a rat. We knew he was a rat, and

1614
01:12:28,560 --> 01:12:30,679
Speaker 1: we still fucked with him. And then now y'all caught

1615
01:12:30,680 --> 01:12:32,920
Speaker 1: another case and y'all fell out and y'all not friends

1616
01:12:32,960 --> 01:12:36,599
Speaker 1: no more. Y'll fuck the streets. What that ain't how

1617
01:12:36,640 --> 01:12:39,320
Speaker 1: that go? That? Don't go like that. If it's fucked

1618
01:12:39,360 --> 01:12:41,519
Speaker 1: the streets, all right, cool, it's fuck the streets now.

1619
01:12:41,560 --> 01:12:43,720
Speaker 1: I think what I think what they meant to say was, Yo,

1620
01:12:43,840 --> 01:12:48,280
Speaker 1: we gotta move past those ideologies. We got to move

1621
01:12:48,320 --> 01:12:51,080
Speaker 1: past that energy. We got to move past like you know,

1622
01:12:51,439 --> 01:12:52,160
Speaker 1: that type of shit.

1623
01:12:52,320 --> 01:12:52,439
Speaker 5: Now.

1624
01:12:52,640 --> 01:12:54,519
Speaker 1: I agree with that at a certain point you should

1625
01:12:54,520 --> 01:12:57,160
Speaker 1: be trying to elevate and get past that lifestyle. That's

1626
01:12:57,200 --> 01:12:59,559
Speaker 1: what this is. About It's about elevating and getting better

1627
01:12:59,720 --> 01:13:02,080
Speaker 1: and coming to better person. But when you say fuck

1628
01:13:02,120 --> 01:13:04,639
Speaker 1: the streets, you gotta remember the streets gave you everything

1629
01:13:04,680 --> 01:13:07,600
Speaker 1: that you have. Okay, but do you think or did

1630
01:13:07,720 --> 01:13:08,960
Speaker 1: not give him what he had?

1631
01:13:09,920 --> 01:13:12,439
Speaker 5: He did not you can make it out of the streets,

1632
01:13:12,720 --> 01:13:16,000
Speaker 5: which is something that's truth to the streets don't give

1633
01:13:16,080 --> 01:13:19,040
Speaker 5: you anything. He didn't get his career from the streets.

1634
01:13:19,120 --> 01:13:21,960
Speaker 5: He created his career because he's a creative person. He

1635
01:13:22,080 --> 01:13:24,639
Speaker 5: might have drawn inspiration from his life that he had.

1636
01:13:24,840 --> 01:13:26,240
Speaker 5: But we're not about to sit up here and act

1637
01:13:26,320 --> 01:13:28,759
Speaker 5: like the streets is like the winning cold to becoming

1638
01:13:28,920 --> 01:13:32,320
Speaker 5: a fucking some successful or having money and having a family.

1639
01:13:32,520 --> 01:13:33,040
Speaker 1: That's some shit.

1640
01:13:33,080 --> 01:13:36,160
Speaker 3: You gotta fight through rappers, Yes, that's something you have to.

1641
01:13:36,160 --> 01:13:39,240
Speaker 1: You have to fight in the streets before they fuck

1642
01:13:39,280 --> 01:13:41,560
Speaker 1: with you anywhere. Yes, you ain't gonna find none of

1643
01:13:41,600 --> 01:13:44,360
Speaker 1: these niggas that's gonna just got successful overnight and the

1644
01:13:44,400 --> 01:13:46,960
Speaker 1: streets didn't fuck with them, and the streets didn't support them.

1645
01:13:47,160 --> 01:13:48,720
Speaker 1: You go to all of their shows. Who's still in

1646
01:13:48,760 --> 01:13:49,160
Speaker 1: the building.

1647
01:13:49,280 --> 01:13:52,680
Speaker 5: Okay, So you're misunderstanding what I'm saying, So let me clarify. Yes,

1648
01:13:52,920 --> 01:13:56,160
Speaker 5: obviously the streets have to fuck with you. But the

1649
01:13:56,320 --> 01:13:58,719
Speaker 5: streets did not give him anything.

1650
01:13:59,280 --> 01:14:02,639
Speaker 1: Crazy as hell, you sound, and you sound in saying

1651
01:14:02,680 --> 01:14:04,960
Speaker 1: so you sound and saying you cannot say the streets

1652
01:14:04,960 --> 01:14:06,880
Speaker 1: didn't give these rappers nothing. What are you talking about?

1653
01:14:06,880 --> 01:14:07,439
Speaker 3: What are you saying?

1654
01:14:07,560 --> 01:14:13,000
Speaker 1: Give they are? They gave the love, they gave them support,

1655
01:14:13,240 --> 01:14:14,960
Speaker 1: They pulled up, and they told the rest of the

1656
01:14:15,000 --> 01:14:16,280
Speaker 1: world these is them niggas.

1657
01:14:16,320 --> 01:14:20,040
Speaker 5: But Nigga is saying fuck the streets, you're taking it

1658
01:14:20,120 --> 01:14:22,200
Speaker 5: as if he's saying fuck the people in the streets

1659
01:14:22,400 --> 01:14:24,840
Speaker 5: and not fuck you literally know that he's talking about,

1660
01:14:25,040 --> 01:14:28,040
Speaker 5: fuck these colds, fuck this bullshit, fuck all this this

1661
01:14:28,120 --> 01:14:30,080
Speaker 5: ship that niggas beyond No.

1662
01:14:30,360 --> 01:14:32,040
Speaker 1: I said, you can't say fun the streets and still

1663
01:14:32,040 --> 01:14:33,840
Speaker 1: try to benefit and eat off of the streets.

1664
01:14:34,920 --> 01:14:37,880
Speaker 5: Like he's saying the streets in the streets. He's not saying,

1665
01:14:38,160 --> 01:14:40,479
Speaker 5: I'm not the streets. I'm not saying he's saying, fuck

1666
01:14:40,520 --> 01:14:42,000
Speaker 5: the people in the streets. So when you're saying the

1667
01:14:42,080 --> 01:14:45,160
Speaker 5: streets gave him everything that he gave, the streets supported him.

1668
01:14:45,360 --> 01:14:49,599
Speaker 5: The people from the streets supported him. That's that's this difference.

1669
01:14:49,760 --> 01:14:51,560
Speaker 5: It's a completely different thing. Where you can't have the

1670
01:14:51,600 --> 01:14:54,960
Speaker 5: streets without the people. Baby, will the avenue still be there? Yes,

1671
01:14:55,920 --> 01:14:57,920
Speaker 5: if there's nobody lives on that street, the street will

1672
01:14:57,920 --> 01:15:00,639
Speaker 5: still be there. The people are with making the streets.

1673
01:15:01,160 --> 01:15:03,840
Speaker 5: The energy, the culture is what make it the streets.

1674
01:15:03,920 --> 01:15:06,080
Speaker 3: No, but the streets that he's talking about. The people

1675
01:15:06,200 --> 01:15:09,160
Speaker 3: is not what makes it. The streets. Shit that has

1676
01:15:09,240 --> 01:15:10,519
Speaker 3: been happening to us for years.

1677
01:15:10,560 --> 01:15:13,639
Speaker 5: And I hate to go super woke, but the type

1678
01:15:13,640 --> 01:15:17,360
Speaker 5: of shit that we've been fighting through, and the type

1679
01:15:17,400 --> 01:15:19,280
Speaker 5: of shit that we've been fighting through is the reason why.

1680
01:15:19,360 --> 01:15:22,040
Speaker 1: Streets and ghettos exist. Are you seeing?

1681
01:15:22,120 --> 01:15:24,080
Speaker 5: Are you understanding where I'm coming from the reason that

1682
01:15:24,160 --> 01:15:27,000
Speaker 5: we're in these predicaments and there's so much poverty and

1683
01:15:27,040 --> 01:15:29,240
Speaker 5: there's so much violence is shit that has been happening

1684
01:15:29,320 --> 01:15:31,759
Speaker 5: for years. So when niggas are saying fuck the streets,

1685
01:15:31,840 --> 01:15:34,360
Speaker 5: it's talking about the results of that. Black people in

1686
01:15:34,439 --> 01:15:37,200
Speaker 5: our culture is not the streets. Black people in our

1687
01:15:37,240 --> 01:15:40,640
Speaker 5: culture we'll persevere through anything but the streets and the

1688
01:15:40,720 --> 01:15:43,000
Speaker 5: things that come from the streets because of what we've

1689
01:15:43,040 --> 01:15:46,320
Speaker 5: been put in between redlining, all slavery, all types of shit.

1690
01:15:46,680 --> 01:15:49,040
Speaker 1: That's the that's what comes in as simple as this.

1691
01:15:49,320 --> 01:15:53,599
Speaker 1: Fuck the streets mean, fuck that mindset, fuck that fuck

1692
01:15:53,680 --> 01:15:56,360
Speaker 1: that mindset that we've been taught from so young. So

1693
01:15:56,439 --> 01:15:59,200
Speaker 1: if you can just grow past that mindset. So that's

1694
01:15:59,240 --> 01:16:01,040
Speaker 1: what I'm saying. I understand what he's saying. I just

1695
01:16:01,120 --> 01:16:04,120
Speaker 1: think the wording was wrong. I just think the wording

1696
01:16:04,240 --> 01:16:06,640
Speaker 1: was wrong. That's all because I get it. Yeah, like

1697
01:16:06,760 --> 01:16:09,240
Speaker 1: that mindset, I tell you all the time, Rory like

1698
01:16:09,920 --> 01:16:11,880
Speaker 1: growing up, like I go up in the middle of

1699
01:16:11,920 --> 01:16:14,560
Speaker 1: the hood. Niggas that lived in my building, some of

1700
01:16:14,600 --> 01:16:17,120
Speaker 1: the niggas doing triple life, never coming home. Some of

1701
01:16:17,160 --> 01:16:21,000
Speaker 1: these niggas as CEOs of companies. Great, we all from

1702
01:16:21,040 --> 01:16:23,679
Speaker 1: the same block, same area. We all had the same

1703
01:16:23,800 --> 01:16:27,120
Speaker 1: obstacles we had to you know, jump over and get around.

1704
01:16:27,200 --> 01:16:29,479
Speaker 1: We all had the same dangers that we faced just

1705
01:16:29,560 --> 01:16:31,679
Speaker 1: getting up and going to school and coming home from school,

1706
01:16:32,200 --> 01:16:34,920
Speaker 1: going to the store. So we understand it, but it

1707
01:16:35,000 --> 01:16:37,080
Speaker 1: starts in the home. What's the mindset? What are you

1708
01:16:37,160 --> 01:16:40,080
Speaker 1: being taught? What are you being fed? Do you have discernment?

1709
01:16:40,400 --> 01:16:42,519
Speaker 1: Are you a leader? Are you a follower? Are you

1710
01:16:42,600 --> 01:16:44,519
Speaker 1: gonna follow your crew down this wrong path when you

1711
01:16:44,560 --> 01:16:46,839
Speaker 1: know they're gonna do dumb shit? When in your household.

1712
01:16:46,920 --> 01:16:49,479
Speaker 1: You know you're being taught that that's wrong. So you

1713
01:16:49,600 --> 01:16:52,160
Speaker 1: got it. It's yes, we're from the streets, were from that.

1714
01:16:52,280 --> 01:16:53,960
Speaker 1: We know what it's about. But now do I choose

1715
01:16:54,040 --> 01:16:55,960
Speaker 1: to be a part of that? Do I choose to

1716
01:16:56,160 --> 01:17:01,000
Speaker 1: adapt that ideology and that street mentality. That's the difference.

1717
01:17:01,040 --> 01:17:04,160
Speaker 1: So when it's fucked the streets, it's no, fuck that mentality,

1718
01:17:04,680 --> 01:17:07,240
Speaker 1: Fuck that street mentality. You know what I'm saying, Like,

1719
01:17:07,280 --> 01:17:09,800
Speaker 1: because I get it, I understand what you're saying. Fuck

1720
01:17:09,880 --> 01:17:12,200
Speaker 1: that street mentality. If you going to get into the

1721
01:17:12,240 --> 01:17:14,599
Speaker 1: streets and me doing street ship and then, like you said,

1722
01:17:14,640 --> 01:17:17,360
Speaker 1: you get caught, you can't screen fuck the streets at

1723
01:17:17,360 --> 01:17:21,880
Speaker 1: that point, nought doing anything. No no, no, no, no,

1724
01:17:21,960 --> 01:17:24,680
Speaker 1: no no, he's saying, he said again, twenty one is

1725
01:17:24,720 --> 01:17:28,800
Speaker 1: receiving flag. But it's more so like uh so what

1726
01:17:28,920 --> 01:17:31,679
Speaker 1: he said he was he said, y'all niggas fixed that ship.

1727
01:17:31,920 --> 01:17:34,320
Speaker 1: Y'all love each other. Nigga, y'all you knew Gunner wasn't

1728
01:17:34,360 --> 01:17:37,040
Speaker 1: no gangster when he told the first time, and we

1729
01:17:37,120 --> 01:17:39,080
Speaker 1: swept it under the rug for you. You know, he

1730
01:17:39,200 --> 01:17:41,799
Speaker 1: wasn't trying to leave you to hang. Nigga. Fuck the streets.

1731
01:17:42,080 --> 01:17:44,880
Speaker 1: We ain't get shipped, but trauma from that shit. So

1732
01:17:45,000 --> 01:17:47,200
Speaker 1: I get it the streets. You don't lost friends to

1733
01:17:47,280 --> 01:17:49,880
Speaker 1: the streets. Uh, you don't lost family members to the streets.

1734
01:17:49,920 --> 01:17:51,760
Speaker 1: You don't lost you know, all kinds of things. But

1735
01:17:52,080 --> 01:17:56,120
Speaker 1: at the same time, streets supported you. You know what

1736
01:17:56,120 --> 01:17:58,439
Speaker 1: I'm saying. Streets told the world was you was hot,

1737
01:17:58,560 --> 01:18:01,080
Speaker 1: he was dope when and when nobody else knew who

1738
01:18:01,120 --> 01:18:04,640
Speaker 1: you were. Streets brought your mixtape, Streets showed up to

1739
01:18:04,680 --> 01:18:07,559
Speaker 1: your first show at the local club, at the local

1740
01:18:07,600 --> 01:18:10,720
Speaker 1: strip club. Like, the streets supported you. The streets gave

1741
01:18:10,760 --> 01:18:13,320
Speaker 1: you that beginning. The streets gave you that story. The

1742
01:18:13,360 --> 01:18:17,519
Speaker 1: streets gave you that, you know, the aura. But now

1743
01:18:17,600 --> 01:18:21,280
Speaker 1: that we're all successful and we have money and things

1744
01:18:21,360 --> 01:18:23,400
Speaker 1: like that, we need to come out of that mentality

1745
01:18:23,800 --> 01:18:26,680
Speaker 1: and do something else. And I think that's the message, Like,

1746
01:18:26,720 --> 01:18:29,479
Speaker 1: we can't stay in that mentality. We can't stay in

1747
01:18:29,960 --> 01:18:33,400
Speaker 1: quote unquote survival mode because we're not trying to survive

1748
01:18:33,479 --> 01:18:36,960
Speaker 1: no mode. We've all been able to create a better

1749
01:18:37,040 --> 01:18:39,200
Speaker 1: life for ourselves. We all live in nice homes, we

1750
01:18:39,360 --> 01:18:43,519
Speaker 1: drive nice cars, we travel the world. So yeah, let's

1751
01:18:43,560 --> 01:18:45,760
Speaker 1: get away from that mentality, Let's move out of that.

1752
01:18:46,080 --> 01:18:49,400
Speaker 1: Fuck that mentality that we've been taught. Let's elevate, let's grow.

1753
01:18:49,680 --> 01:18:51,479
Speaker 1: But at the same time, you gotta be careful with

1754
01:18:51,520 --> 01:18:54,320
Speaker 1: saying fuck the streets, because again you're gonna get people

1755
01:18:54,360 --> 01:18:57,320
Speaker 1: that are still there that's still of that, that's gonna

1756
01:18:57,360 --> 01:18:59,200
Speaker 1: look at you like, yo, what you mean Because had

1757
01:18:59,240 --> 01:19:03,080
Speaker 1: it not been for that, your whole persona is not

1758
01:19:03,240 --> 01:19:04,200
Speaker 1: even the thing no more.

1759
01:19:04,360 --> 01:19:06,800
Speaker 4: And I think where some people got offended by it

1760
01:19:07,040 --> 01:19:10,560
Speaker 4: is because, to Maul's point, you got everything from the

1761
01:19:10,600 --> 01:19:13,080
Speaker 4: street streets put you on. You can't now move the

1762
01:19:13,120 --> 01:19:16,120
Speaker 4: goal post and change the rules when it's convenient to you,

1763
01:19:16,240 --> 01:19:18,000
Speaker 4: because that's offensive to the people that are in the

1764
01:19:18,000 --> 01:19:21,479
Speaker 4: streets living by those rules, right like, they're still there

1765
01:19:21,560 --> 01:19:24,360
Speaker 4: living by those rules, and now you're saying we're allowed

1766
01:19:24,400 --> 01:19:26,600
Speaker 4: to move the goal post to get ahead. But to me,

1767
01:19:26,840 --> 01:19:29,960
Speaker 4: I see both sides of that, because to his tweet

1768
01:19:30,000 --> 01:19:35,080
Speaker 4: to Pete, Pete did more for Atlanta than any politician

1769
01:19:35,400 --> 01:19:38,439
Speaker 4: anyone could fucking do. P is a legend in that

1770
01:19:38,560 --> 01:19:42,200
Speaker 4: city and has made multi, multi multi millionaires out of

1771
01:19:42,320 --> 01:19:45,479
Speaker 4: so many fucking people. Is there some street shit in

1772
01:19:45,600 --> 01:19:47,400
Speaker 4: there that I don't know? About some Atlanta politics that

1773
01:19:47,439 --> 01:19:50,240
Speaker 4: I wouldn't even comment on. Sure, So I think some

1774
01:19:50,280 --> 01:19:52,519
Speaker 4: people are like, wait, now we can move the goal posts.

1775
01:19:52,840 --> 01:19:54,760
Speaker 4: I didn't know we were allowed to do that, right,

1776
01:19:55,439 --> 01:19:57,560
Speaker 4: So and again this is me outside looking at it

1777
01:19:57,560 --> 01:20:00,280
Speaker 4: from the tweets and seeing people's reaction to it, is like, nah,

1778
01:20:00,600 --> 01:20:03,840
Speaker 4: y'all are right, we should not have to go by

1779
01:20:03,880 --> 01:20:06,959
Speaker 4: that cold because it's better for everyone as a community

1780
01:20:08,000 --> 01:20:08,839
Speaker 4: and our families.

1781
01:20:09,120 --> 01:20:12,679
Speaker 1: But it's like, not now now we're doing that. You can't.

1782
01:20:12,960 --> 01:20:15,960
Speaker 4: But you people sitting down there are probably from from

1783
01:20:16,160 --> 01:20:19,080
Speaker 4: a lot of their circles that are doing football numbers

1784
01:20:19,120 --> 01:20:21,560
Speaker 4: that are going like, wait, we was a lot we

1785
01:20:21,640 --> 01:20:25,280
Speaker 4: can say fuck the streets now, not only no, but

1786
01:20:25,439 --> 01:20:25,640
Speaker 4: just is.

1787
01:20:25,680 --> 01:20:29,240
Speaker 5: The thing you always because but that's what you always

1788
01:20:29,280 --> 01:20:31,160
Speaker 5: but this is the thing you always could.

1789
01:20:31,600 --> 01:20:33,639
Speaker 1: But it takes a lot of people, and it takes

1790
01:20:33,680 --> 01:20:34,680
Speaker 1: a lot of strength.

1791
01:20:34,400 --> 01:20:36,400
Speaker 5: And it takes a lot of support from people that

1792
01:20:36,560 --> 01:20:38,439
Speaker 5: you that you have in your corner to be able

1793
01:20:38,479 --> 01:20:39,799
Speaker 5: to say fuck the streets.

1794
01:20:40,000 --> 01:20:42,439
Speaker 3: So yeah, I'm champion this ship because at the end.

1795
01:20:42,320 --> 01:20:45,000
Speaker 5: Of the day, I think it's nice for these people

1796
01:20:45,080 --> 01:20:47,599
Speaker 5: that these kids that are coming up and making their

1797
01:20:47,640 --> 01:20:49,800
Speaker 5: decisions whether they're going to go left or whether they're

1798
01:20:49,800 --> 01:20:51,719
Speaker 5: going to go right to look and see their favorite

1799
01:20:51,760 --> 01:20:54,080
Speaker 5: rappers who have been upholding this street ship for so long,

1800
01:20:54,160 --> 01:20:56,760
Speaker 5: to say, Yo, this ship actually did nothing but fuck

1801
01:20:56,840 --> 01:20:58,920
Speaker 5: us up. If I could have did it differently, out

1802
01:20:58,960 --> 01:21:00,080
Speaker 5: from you, But.

1803
01:21:00,040 --> 01:21:01,840
Speaker 1: Do you know what I liking this to, babyd I

1804
01:21:01,960 --> 01:21:04,800
Speaker 1: liking this to black lives matter. Let me land it.

1805
01:21:05,760 --> 01:21:08,000
Speaker 1: When they were saying black lives matter, right, I said,

1806
01:21:08,040 --> 01:21:11,599
Speaker 1: I agree? No, I said, I said, hold on, I said,

1807
01:21:11,840 --> 01:21:14,240
Speaker 1: I said, I said, I agree, black lives do matter, right,

1808
01:21:14,439 --> 01:21:17,080
Speaker 1: But I also move like black lives matter. I don't

1809
01:21:17,120 --> 01:21:19,479
Speaker 1: disrespect people that look like me. I don't hurt people

1810
01:21:19,520 --> 01:21:22,439
Speaker 1: that look like me. I don't bring harm and things

1811
01:21:22,479 --> 01:21:25,320
Speaker 1: like that the people that look like me, right the

1812
01:21:25,479 --> 01:21:29,200
Speaker 1: slogan yes, so fuck the streets cool? Growing up in

1813
01:21:29,240 --> 01:21:31,640
Speaker 1: the streets, guess what. I went to private school. I

1814
01:21:31,760 --> 01:21:34,719
Speaker 1: wore uniform every day. I got joked on on my block.

1815
01:21:35,439 --> 01:21:37,639
Speaker 1: My niggas was on the corner doing what they was doing.

1816
01:21:38,000 --> 01:21:40,679
Speaker 1: You know, I'm outside with a certain time some slack

1817
01:21:40,720 --> 01:21:42,960
Speaker 1: song getting laughed at. But that's because I didn't want

1818
01:21:43,000 --> 01:21:45,320
Speaker 1: to be a part of that. My family wasn't having it.

1819
01:21:45,400 --> 01:21:47,479
Speaker 1: My moms wasn't having that, Nigga, You're not about to

1820
01:21:47,520 --> 01:21:49,479
Speaker 1: be here in the streets doing what you want to do,

1821
01:21:49,600 --> 01:21:52,360
Speaker 1: making those you're not doing that. I didn't scream fuck

1822
01:21:52,439 --> 01:21:55,839
Speaker 1: the streets, though, I just moved like, fuck the streets.

1823
01:21:55,880 --> 01:21:58,200
Speaker 1: I'm not a part of it. I'm not doing that now.

1824
01:21:58,360 --> 01:22:02,320
Speaker 1: To to what twenty one I want to saying, his

1825
01:22:02,439 --> 01:22:06,120
Speaker 1: tweet is a little crazy because he's saying, you knew

1826
01:22:06,240 --> 01:22:09,720
Speaker 1: Gunna wasn't no gangster, and we knew that he did

1827
01:22:09,800 --> 01:22:12,320
Speaker 1: bad the first time, and we forgave when we looked

1828
01:22:12,360 --> 01:22:14,960
Speaker 1: past it. So my thing is like, okay, so then

1829
01:22:15,000 --> 01:22:17,920
Speaker 1: why y'all lied to us? Then why y'all lied to

1830
01:22:17,960 --> 01:22:19,720
Speaker 1: the streets? It made it seem like he didn't do

1831
01:22:19,880 --> 01:22:22,120
Speaker 1: bad and he didn't do that if y'all all knew

1832
01:22:22,160 --> 01:22:25,200
Speaker 1: that and still try to portray it like it was.

1833
01:22:25,280 --> 01:22:27,000
Speaker 1: You know, it was gang gang and it was holding

1834
01:22:27,080 --> 01:22:28,800
Speaker 1: it down and we the realist and all that. But

1835
01:22:28,920 --> 01:22:31,960
Speaker 1: then you're saying, we knew he wasn't no gangster, So

1836
01:22:32,080 --> 01:22:35,840
Speaker 1: then why why portray that to eat off of that,

1837
01:22:36,920 --> 01:22:38,560
Speaker 1: to eat off of that aura, to eat off of

1838
01:22:38,640 --> 01:22:41,280
Speaker 1: that street energy. If you knew he wasn't of that

1839
01:22:41,960 --> 01:22:44,840
Speaker 1: and now that y'all are not speaking because it's public now,

1840
01:22:45,160 --> 01:22:47,320
Speaker 1: we don't see. We seen Gunna do bad and turn

1841
01:22:47,439 --> 01:22:50,040
Speaker 1: on ganggang in them. We saw it. You can't it's

1842
01:22:50,080 --> 01:22:52,800
Speaker 1: no hot no more. We actually saw it. So now

1843
01:22:52,840 --> 01:22:56,200
Speaker 1: that y'all not friends, it's yo, fuck the streets. It's like, yeah,

1844
01:22:56,240 --> 01:22:59,479
Speaker 1: but you can't do it like that, Gunna. I'm not

1845
01:22:59,560 --> 01:23:01,840
Speaker 1: mad at this nigga running five k's in Central Park.

1846
01:23:02,120 --> 01:23:04,880
Speaker 1: This nigga don't win completely. Gun I ain't even say

1847
01:23:04,920 --> 01:23:07,240
Speaker 1: fuck the streets. He just started moving like fuck the street.

1848
01:23:07,280 --> 01:23:10,479
Speaker 1: He started. I'm getting healthy. I'm drinking green juices every morning.

1849
01:23:10,840 --> 01:23:13,360
Speaker 1: You know what I'm saying. I'm getting facials, I'm doing

1850
01:23:13,439 --> 01:23:15,439
Speaker 1: all of the things that say I'm not a part

1851
01:23:15,520 --> 01:23:18,599
Speaker 1: of that anymore. But I'm But he still hasn't. He's

1852
01:23:18,600 --> 01:23:21,280
Speaker 1: still not gonna say fuck the streets because again, the

1853
01:23:21,320 --> 01:23:24,479
Speaker 1: streets gave him his start, It gave him his already

1854
01:23:24,600 --> 01:23:29,360
Speaker 1: gave him his his his beginning. That's his origin the streets. Now,

1855
01:23:29,760 --> 01:23:31,840
Speaker 1: if you said, I don't choose that lifestyle no more,

1856
01:23:31,840 --> 01:23:33,240
Speaker 1: I don't want to be a part of that. I

1857
01:23:33,240 --> 01:23:34,120
Speaker 1: don't want that energy.

1858
01:23:34,240 --> 01:23:36,800
Speaker 4: I listen, I salute that I champion different versions of

1859
01:23:36,840 --> 01:23:39,439
Speaker 4: fuck the streets, you need different version, and J said,

1860
01:23:39,479 --> 01:23:40,160
Speaker 4: fuck the streets.

1861
01:23:40,200 --> 01:23:41,960
Speaker 1: We want to go be businessmen. Did want to go

1862
01:23:42,120 --> 01:23:44,960
Speaker 1: be businessmen, but they ain't never said, yo, fuck the streets.

1863
01:23:45,880 --> 01:23:48,479
Speaker 1: Streets is done. Streets is a myth, This, that, and

1864
01:23:48,560 --> 01:23:50,960
Speaker 1: the third. Because you go through things, you realize, wait,

1865
01:23:51,040 --> 01:23:53,439
Speaker 1: I'm the only nigga holding it down. I'm the only

1866
01:23:53,520 --> 01:23:55,639
Speaker 1: one that's abottom by the rules y'all told me from

1867
01:23:56,000 --> 01:23:58,000
Speaker 1: a little kid was in place. I can't do this,

1868
01:23:58,320 --> 01:24:00,080
Speaker 1: don't tell on your friends, don't do the thing. And

1869
01:24:00,160 --> 01:24:02,120
Speaker 1: then you become old and you go through these situations

1870
01:24:02,200 --> 01:24:05,960
Speaker 1: and you realize, shit, almost everybody telling them on, everybody's

1871
01:24:06,280 --> 01:24:07,880
Speaker 1: is not going by these rules. So why am I

1872
01:24:07,960 --> 01:24:12,240
Speaker 1: going bodies? What's I think is what the twenty one

1873
01:24:12,360 --> 01:24:15,519
Speaker 1: was really saying, Like the rules is that's bullshit. No

1874
01:24:15,640 --> 01:24:16,840
Speaker 1: niggas don't even a bub bout.

1875
01:24:16,680 --> 01:24:18,720
Speaker 4: That everybody lives by that anymore. Type of Yeah, that's

1876
01:24:18,760 --> 01:24:19,479
Speaker 4: what I really think.

1877
01:24:19,520 --> 01:24:21,280
Speaker 1: Twenty one was saying, like, Yo, you know niggas don't

1878
01:24:21,439 --> 01:24:25,639
Speaker 1: because we look past it. We knew he wasn't no gangs.

1879
01:24:25,720 --> 01:24:28,040
Speaker 1: We already went he was living by We already wasn't

1880
01:24:28,120 --> 01:24:31,280
Speaker 1: living by that, And that's my point. It's like, okay,

1881
01:24:31,479 --> 01:24:33,600
Speaker 1: but saying y'all was doing it because you know lamar No,

1882
01:24:33,880 --> 01:24:36,640
Speaker 1: I know niggas that's staying on that street. Shit. I

1883
01:24:36,760 --> 01:24:38,880
Speaker 1: know niggas that really is in the streets for real,

1884
01:24:38,920 --> 01:24:41,360
Speaker 1: and they are bidden by all codes. We ain't telling shit.

1885
01:24:41,439 --> 01:24:43,200
Speaker 1: We'll all take twenty five of life before we tell

1886
01:24:43,240 --> 01:24:46,200
Speaker 1: on each other. I know the people that's really doing that.

1887
01:24:46,920 --> 01:24:49,160
Speaker 1: They not saying fuck the streets, because they really in

1888
01:24:49,280 --> 01:24:51,920
Speaker 1: the streets. They really doing that. When you're doing this

1889
01:24:52,080 --> 01:24:54,320
Speaker 1: double different thing. When you just want the aura and

1890
01:24:54,439 --> 01:24:56,240
Speaker 1: you want the dope boys, shit on the kid and

1891
01:24:56,280 --> 01:24:58,400
Speaker 1: all that, the whips, jewelry and the girls and all

1892
01:24:58,479 --> 01:25:01,559
Speaker 1: that the streets. When you want all of that, it's cool.

1893
01:25:02,120 --> 01:25:03,560
Speaker 1: But when it's time to go sit down and do

1894
01:25:03,640 --> 01:25:07,400
Speaker 1: fifteen and you don't want to do that, it's fucked

1895
01:25:07,400 --> 01:25:09,479
Speaker 1: the street. That's where the lines get blurred.

1896
01:25:09,520 --> 01:25:11,640
Speaker 4: I think to Demerius, because I agree with everything you

1897
01:25:11,680 --> 01:25:15,880
Speaker 4: said to Demarus's point off twenty one savages tweak two

1898
01:25:15,920 --> 01:25:18,320
Speaker 4: p look at the benefit when we did look the

1899
01:25:18,400 --> 01:25:24,200
Speaker 4: other way. In the overall long term, if you're looking

1900
01:25:24,200 --> 01:25:26,440
Speaker 4: at the bigger circle, and perspective.

1901
01:25:26,479 --> 01:25:26,599
Speaker 1: Here.

1902
01:25:26,720 --> 01:25:29,519
Speaker 4: What Demarus is saying is like, yeah, look, those rules

1903
01:25:29,560 --> 01:25:32,640
Speaker 4: have gotten everyone fucked up. Look what happens when you

1904
01:25:32,760 --> 01:25:35,960
Speaker 4: do say fuck that code? You do turn the other way.

1905
01:25:36,240 --> 01:25:40,479
Speaker 4: Now you have ten multi millionaires that are supporting their families. Yeah,

1906
01:25:41,520 --> 01:25:43,720
Speaker 4: based off some rules that no one else is even

1907
01:25:44,760 --> 01:25:47,160
Speaker 4: playing by, right, no one's playing by it. So yeah,

1908
01:25:47,200 --> 01:25:49,599
Speaker 4: we should turn our back because then we also get Gonna,

1909
01:25:49,640 --> 01:25:51,840
Speaker 4: who I'm sure has supported hundreds and hundreds of people

1910
01:25:52,040 --> 01:25:56,080
Speaker 4: in Atlanta financially. Yeah, gay people jobs. So I see,

1911
01:25:56,120 --> 01:25:58,840
Speaker 4: I really see what Demarus is saying. And twenty one

1912
01:25:58,920 --> 01:26:01,479
Speaker 4: did go on to say, I'm supposed to say save

1913
01:26:01,560 --> 01:26:01,960
Speaker 4: the streets.

1914
01:26:02,000 --> 01:26:03,040
Speaker 1: We have to save the streets.

1915
01:26:03,439 --> 01:26:05,840
Speaker 4: We got to get all the bullshit, all the crazy, uh,

1916
01:26:06,760 --> 01:26:09,200
Speaker 4: kill the shit out out there and put love in

1917
01:26:09,280 --> 01:26:10,080
Speaker 4: the hustle, back.

1918
01:26:09,960 --> 01:26:12,559
Speaker 1: In the shit. I mean said, I fuck with twenty one.

1919
01:26:12,600 --> 01:26:14,760
Speaker 1: That's cool, but we also know that's a result of

1920
01:26:15,240 --> 01:26:18,960
Speaker 1: backlash from saying fuck the streets. Right, But I understand that.

1921
01:26:19,000 --> 01:26:20,559
Speaker 1: When I first heard him say that, I'm like, Okay,

1922
01:26:20,560 --> 01:26:22,080
Speaker 1: I know what he mean. He's gonna get killed for

1923
01:26:22,080 --> 01:26:23,000
Speaker 1: saying fuck the streets.

1924
01:26:23,200 --> 01:26:25,400
Speaker 5: Yeah, I know what he meant, though, it's so crazy

1925
01:26:25,439 --> 01:26:27,599
Speaker 5: the shit black people kill each other for saying, like look.

1926
01:26:27,560 --> 01:26:28,400
Speaker 1: Look at you, look at you.

1927
01:26:28,600 --> 01:26:30,559
Speaker 5: Then at the end of the day, it does need

1928
01:26:30,680 --> 01:26:32,840
Speaker 5: to be fucked the streets because y'all not getting shipped

1929
01:26:32,840 --> 01:26:34,320
Speaker 5: out of it, you know what I'm saying, Like he said,

1930
01:26:34,360 --> 01:26:35,960
Speaker 5: put the love in the hustle in year, because sometimes

1931
01:26:35,960 --> 01:26:37,320
Speaker 5: you got to hustle to get where you got to go.

1932
01:26:37,360 --> 01:26:39,240
Speaker 3: And there's violence that comes with it and things like that.

1933
01:26:39,520 --> 01:26:41,599
Speaker 5: But all this gang gang gang, gang, gang gang shit,

1934
01:26:41,680 --> 01:26:43,479
Speaker 5: being loyal to each other but killing people that look

1935
01:26:43,560 --> 01:26:45,240
Speaker 5: like you, all that shit, it does need to end it.

1936
01:26:45,240 --> 01:26:47,200
Speaker 3: I don't give a fuck how long it's been going on.

1937
01:26:47,560 --> 01:26:50,560
Speaker 1: Babyd But here's the craziest part about it. There's so

1938
01:26:50,640 --> 01:26:53,000
Speaker 1: many people that don't be ever a part of the

1939
01:26:53,000 --> 01:26:56,400
Speaker 1: shit that are very successful from the same neighborhoods. Yes,

1940
01:26:56,680 --> 01:26:58,800
Speaker 1: so all of this shit is like, I get it.

1941
01:26:59,560 --> 01:27:03,040
Speaker 1: Save the streets, right, cool. I'm for that. Save the streets,

1942
01:27:03,040 --> 01:27:04,600
Speaker 1: Save the kids. It's in the street, the families that

1943
01:27:04,600 --> 01:27:06,960
Speaker 1: are struggling. We need to support each other out with

1944
01:27:07,080 --> 01:27:09,800
Speaker 1: all of that. But from the beginning of the time,

1945
01:27:09,840 --> 01:27:11,600
Speaker 1: when it was streets and there was street coach and

1946
01:27:11,640 --> 01:27:15,479
Speaker 1: all that there was people in them same neighborhoods that

1947
01:27:15,640 --> 01:27:18,320
Speaker 1: didn't have nothing to do with that. That was getting up,

1948
01:27:18,320 --> 01:27:20,920
Speaker 1: going to school, getting up, going to work every morning,

1949
01:27:21,040 --> 01:27:22,960
Speaker 1: getting up, trying to you know, whatever they had to

1950
01:27:23,000 --> 01:27:26,680
Speaker 1: do to God without getting involved in hustling, and you

1951
01:27:26,760 --> 01:27:28,519
Speaker 1: know all of that shit. They didn't They didn't do

1952
01:27:28,560 --> 01:27:28,880
Speaker 1: none of that.

1953
01:27:29,000 --> 01:27:29,880
Speaker 3: Yeah, but some people got it.

1954
01:27:29,960 --> 01:27:32,720
Speaker 5: First of all, we know why. First, going back to

1955
01:27:32,800 --> 01:27:35,479
Speaker 5: why the streets even exist. Some people got to do

1956
01:27:35,560 --> 01:27:37,000
Speaker 5: what they got to do to provide for their families.

1957
01:27:37,000 --> 01:27:38,000
Speaker 5: Some niggas is going homeless.

1958
01:27:38,120 --> 01:27:39,560
Speaker 1: Everybody got to do what they got to do with

1959
01:27:39,600 --> 01:27:40,080
Speaker 1: sur podcast.

1960
01:27:40,320 --> 01:27:43,679
Speaker 5: So some people don't have parents in the home making

1961
01:27:43,720 --> 01:27:45,720
Speaker 5: sure they eat, making sure they go to sleep, sure

1962
01:27:45,720 --> 01:27:46,320
Speaker 5: they go to school.

1963
01:27:46,400 --> 01:27:48,439
Speaker 3: For people got to do what the fuck they gotta do.

1964
01:27:48,880 --> 01:27:51,640
Speaker 3: Shitch is fine, right, that is what it is.

1965
01:27:51,840 --> 01:27:54,840
Speaker 5: But with rap, it's become a thing where they're glorifying

1966
01:27:55,439 --> 01:27:58,280
Speaker 5: that life. This is not glorifying trying to get yourself

1967
01:27:58,320 --> 01:27:59,560
Speaker 5: out of poverty should not be.

1968
01:28:00,439 --> 01:28:02,240
Speaker 1: Now you're going into a whole nother part of the

1969
01:28:02,320 --> 01:28:07,320
Speaker 1: conversation and discussion right now, that's a whole different that's

1970
01:28:07,320 --> 01:28:09,479
Speaker 1: a whole different tear were talking about when we start

1971
01:28:09,560 --> 01:28:14,680
Speaker 1: talking about hip hop culture and what it glorifies and

1972
01:28:14,800 --> 01:28:16,720
Speaker 1: what it what it, what it you know, what it

1973
01:28:17,280 --> 01:28:20,440
Speaker 1: magnifies and things like that, that's a whole nother discussion

1974
01:28:21,240 --> 01:28:23,000
Speaker 1: because if we're gonna say fuck the streets, it's like

1975
01:28:24,000 --> 01:28:28,800
Speaker 1: I now, hip hop culture is of the streets. Hip

1976
01:28:28,840 --> 01:28:31,120
Speaker 1: hop is up the streets. It started in the park,

1977
01:28:32,640 --> 01:28:35,360
Speaker 1: two turntables in the speaker. Yeah, but that but it

1978
01:28:35,439 --> 01:28:36,680
Speaker 1: was the voice of it. It was the voice of

1979
01:28:36,680 --> 01:28:37,880
Speaker 1: the people in the ghetto.

1980
01:28:38,080 --> 01:28:41,360
Speaker 5: About party and it originally started about partying and dancing.

1981
01:28:41,439 --> 01:28:43,360
Speaker 3: It was not about violence and guns and drugs.

1982
01:28:43,400 --> 01:28:45,240
Speaker 1: It was no, it was it was always violence in

1983
01:28:45,240 --> 01:28:46,720
Speaker 1: it because we in the ghetto, we and that's what

1984
01:28:47,160 --> 01:28:51,000
Speaker 1: violence was always a part of society. But we didn't

1985
01:28:51,080 --> 01:28:54,000
Speaker 1: glorify that. And also, who do you think was funding

1986
01:28:54,040 --> 01:28:56,040
Speaker 1: on that? Oh yeah, that's what I said. It's a

1987
01:28:56,080 --> 01:28:58,320
Speaker 1: whole how much time we got peeted because a whole

1988
01:28:58,400 --> 01:29:02,920
Speaker 1: nother it's a whole nother time, fun whole universal music group.

1989
01:29:02,920 --> 01:29:04,559
Speaker 1: I'll tell you that. So I love it. But at

1990
01:29:04,560 --> 01:29:08,080
Speaker 1: the same time, if it's listened, if it's fucked the streets,

1991
01:29:09,680 --> 01:29:12,960
Speaker 1: niggas O six nine an apology, Oh, six nine made

1992
01:29:13,000 --> 01:29:17,680
Speaker 1: comment niggas, Oh, Charleston White, a lot of apologies, if

1993
01:29:17,760 --> 01:29:20,639
Speaker 1: we here, if we here, if we at, fuck the streets,

1994
01:29:20,640 --> 01:29:22,519
Speaker 1: because this is all Chaust and White and talking about

1995
01:29:23,960 --> 01:29:25,559
Speaker 1: when he got on there, it was like, fuck Nipsey

1996
01:29:25,600 --> 01:29:27,840
Speaker 1: and all that. Niggas like, oh he bugging He like yeah,

1997
01:29:27,840 --> 01:29:29,559
Speaker 1: But what's the difference when you niggas are saying we're

1998
01:29:29,560 --> 01:29:32,280
Speaker 1: smoking on that Tuca Pac right in front of his mother,

1999
01:29:32,960 --> 01:29:35,200
Speaker 1: you just killed your son, and y'all saying yeah, we're smoking.

2000
01:29:35,680 --> 01:29:38,800
Speaker 1: What's the difference if I say, fuck Nipsey and y'all

2001
01:29:38,840 --> 01:29:42,360
Speaker 1: over here screaming, Yo, we're smoking that Tuca Pac. It

2002
01:29:42,400 --> 01:29:44,639
Speaker 1: ain't no black. And if it's gonna be fucked the streets,

2003
01:29:45,000 --> 01:29:47,760
Speaker 1: if it's gonna be saved the streets, they let it

2004
01:29:47,840 --> 01:29:50,360
Speaker 1: be saved the streets. But we can't Dib and Dad

2005
01:29:50,800 --> 01:29:53,000
Speaker 1: when it's time for album time and we back in

2006
01:29:53,040 --> 01:29:56,160
Speaker 1: the hood and we're back looking for the support of

2007
01:29:56,240 --> 01:29:59,479
Speaker 1: the people. If it's fucked the streets. We can't be

2008
01:29:59,560 --> 01:30:02,519
Speaker 1: on our eye as in these songs talking about you know,

2009
01:30:03,040 --> 01:30:05,240
Speaker 1: seventeen to five and this, that and the third, and

2010
01:30:05,560 --> 01:30:09,639
Speaker 1: we can't if it's fucked the streets, don't glorify none

2011
01:30:09,680 --> 01:30:12,560
Speaker 1: of the streets shit. Don't use that street shit to

2012
01:30:12,680 --> 01:30:15,639
Speaker 1: get your already off. Don't do none of that. If

2013
01:30:15,680 --> 01:30:17,519
Speaker 1: it's gonna be fuck the streets, you niggas better starts

2014
01:30:17,520 --> 01:30:20,920
Speaker 1: sounding like Will Smith. Your niggas better be in your

2015
01:30:21,040 --> 01:30:25,240
Speaker 1: rap sounding like Chance the rapper. That's all I'm saying,

2016
01:30:25,840 --> 01:30:28,599
Speaker 1: because there's a lot of successful people out here that's

2017
01:30:28,880 --> 01:30:31,479
Speaker 1: not rapping the street shit, that's not doing that. You

2018
01:30:31,520 --> 01:30:33,040
Speaker 1: know what I'm saying. They got some success, made a

2019
01:30:33,080 --> 01:30:41,040
Speaker 1: lot of money. Jacob J Cole, I mean street rapper.

2020
01:30:41,120 --> 01:30:43,680
Speaker 1: We can name it. We can name a few very successful.

2021
01:30:43,720 --> 01:30:45,519
Speaker 1: I don't know if all of y'all are as talented

2022
01:30:45,600 --> 01:30:48,639
Speaker 1: to do that, But I'm just saying, if it's gonna

2023
01:30:48,640 --> 01:30:50,800
Speaker 1: be fuck the streets and save the streets, which I

2024
01:30:50,960 --> 01:30:53,760
Speaker 1: agree with, save the streets, I'm down with it. I'm

2025
01:30:53,800 --> 01:30:57,400
Speaker 1: with that. But at the same time, when it's time

2026
01:30:57,479 --> 01:30:59,760
Speaker 1: to sell us something and it's time to do that,

2027
01:31:00,479 --> 01:31:02,360
Speaker 1: I don't want to see none of y'all that was

2028
01:31:02,439 --> 01:31:05,679
Speaker 1: saying that jumping back on the block and taking kissing

2029
01:31:05,760 --> 01:31:08,519
Speaker 1: babies and turkeys and Canda. No, I don't want to

2030
01:31:08,520 --> 01:31:10,320
Speaker 1: see none of that because all of that is for

2031
01:31:10,360 --> 01:31:12,160
Speaker 1: public shit. Don't bring if you're gonna give our turk,

2032
01:31:12,200 --> 01:31:15,400
Speaker 1: don't bring no cameras. If you're gonna give back and

2033
01:31:15,439 --> 01:31:17,439
Speaker 1: build the community, don't bring no cameras. Just do it,

2034
01:31:17,479 --> 01:31:19,200
Speaker 1: because there's a lot of people that give back to

2035
01:31:19,280 --> 01:31:21,040
Speaker 1: the hood and the communities and you will never hear

2036
01:31:21,080 --> 01:31:24,040
Speaker 1: about it. Thanks. So let's not do it for show.

2037
01:31:24,120 --> 01:31:26,000
Speaker 1: If we're gonna do it, let's just do it. That's

2038
01:31:26,040 --> 01:31:27,800
Speaker 1: all I'm saying. So I'm with save the streets. I

2039
01:31:28,400 --> 01:31:30,920
Speaker 1: echo that twenty months. Let's save the streets. Let's let's

2040
01:31:30,920 --> 01:31:33,679
Speaker 1: teach these kids another way. Let's stop putting this bullshit

2041
01:31:33,800 --> 01:31:35,479
Speaker 1: rhetoric in their head and making them feel like this

2042
01:31:35,640 --> 01:31:37,559
Speaker 1: is what you gotta do to be successful, because there's

2043
01:31:37,600 --> 01:31:40,120
Speaker 1: so many other ways. Let's start teaching these who the

2044
01:31:40,160 --> 01:31:43,160
Speaker 1: next one what's in the video? Teach one of these

2045
01:31:43,200 --> 01:31:44,840
Speaker 1: little niggas how to make the next what is it?

2046
01:31:44,960 --> 01:31:47,640
Speaker 1: Peach the next the next the video box. Teach one

2047
01:31:47,680 --> 01:31:49,920
Speaker 1: of these little niggas how to do that. Let's make

2048
01:31:50,000 --> 01:31:54,040
Speaker 1: that cool. Let's let's teach the next next little kid

2049
01:31:54,120 --> 01:31:57,160
Speaker 1: in the projects how to make the next teslah. Let's

2050
01:31:57,240 --> 01:31:59,360
Speaker 1: make that cool. I mean that's what Nipsey was actually

2051
01:31:59,360 --> 01:32:01,360
Speaker 1: trying to do. So I'm with that, you know what

2052
01:32:01,360 --> 01:32:04,280
Speaker 1: I'm saying, But fuck the streets. Save the streets. Cool,

2053
01:32:04,640 --> 01:32:07,559
Speaker 1: but you can't use the streets when it's convenient. Yeah

2054
01:32:07,720 --> 01:32:10,160
Speaker 1: all that's my point. Sorry, baby, that I mean because

2055
01:32:10,160 --> 01:32:11,800
Speaker 1: I know you got a headache and you hung over.

2056
01:32:11,800 --> 01:32:13,560
Speaker 1: I mean to even get your blood pressure now, it

2057
01:32:13,640 --> 01:32:15,920
Speaker 1: woke her up. Yeah, but that's what she needed, blood

2058
01:32:15,920 --> 01:32:19,360
Speaker 1: pressure and water. Her blood pressure is what I'm saying.

2059
01:32:19,360 --> 01:32:21,479
Speaker 1: I don't want her blood pressure to ride. Sorry about that, baby.

2060
01:32:21,680 --> 01:32:24,920
Speaker 4: That would be the tequila in Champagne's Yeah, yeah, yeah, yeah, yeah.

2061
01:32:26,000 --> 01:32:28,000
Speaker 4: All right, well this will be a perfect point to

2062
01:32:28,080 --> 01:32:30,240
Speaker 4: maybe put a better help ad or something. We need

2063
01:32:30,360 --> 01:32:33,120
Speaker 4: to check on the greatest quarterback of all times, mental health,

2064
01:32:33,320 --> 01:32:37,040
Speaker 4: Drake May No not he's bowling though. Patriots look really

2065
01:32:37,080 --> 01:32:41,519
Speaker 4: fucking Patriots look great. Now we have to check on

2066
01:32:41,880 --> 01:32:44,240
Speaker 4: on the goat man. We were looking at him for

2067
01:32:44,360 --> 01:32:47,559
Speaker 4: for seven rings. But what happens to our strong friend?

2068
01:32:47,960 --> 01:32:50,840
Speaker 4: He checked on us strong? Yeah, we gotta we gotta

2069
01:32:50,880 --> 01:32:51,920
Speaker 4: make sure that the goat.

2070
01:32:51,840 --> 01:32:55,680
Speaker 1: Is doing okay. Yeah. Giselle, the lovely Giselle.

2071
01:32:55,400 --> 01:32:59,280
Speaker 4: Who's Tom Brady's ex wife got married this week, which

2072
01:32:59,560 --> 01:33:03,839
Speaker 4: Tom Brady posted on his ig story a half selfie

2073
01:33:03,960 --> 01:33:06,519
Speaker 4: just showing the chin and a hoodie saying forever Young

2074
01:33:07,120 --> 01:33:10,800
Speaker 4: and all the songs he could have picked Forever Young

2075
01:33:10,920 --> 01:33:11,479
Speaker 4: as a song.

2076
01:33:12,200 --> 01:33:13,960
Speaker 1: I do I think that. I think that was a

2077
01:33:14,040 --> 01:33:14,799
Speaker 1: video he posted.

2078
01:33:15,080 --> 01:33:16,919
Speaker 4: Okay, so it's a screenshot.

2079
01:33:17,000 --> 01:33:17,320
Speaker 1: Sorry, y.

2080
01:33:17,520 --> 01:33:20,320
Speaker 4: Yeah, But the the song he chose for some reason

2081
01:33:20,400 --> 01:33:24,920
Speaker 4: for that hoodie was the Logic suicide helpline song.

2082
01:33:25,680 --> 01:33:28,719
Speaker 1: That's what Tommy listening to on his free time. Shout

2083
01:33:28,760 --> 01:33:31,479
Speaker 1: out the logic listen. I know his streams went up

2084
01:33:31,479 --> 01:33:35,680
Speaker 1: this week, his stream spiked.

2085
01:33:36,040 --> 01:33:37,400
Speaker 4: And then you gotta think that song is all Like,

2086
01:33:37,439 --> 01:33:39,160
Speaker 4: did the number change? Numbers change all the time.

2087
01:33:41,960 --> 01:33:43,200
Speaker 1: Is it still a service? What's the number I'm a

2088
01:33:43,280 --> 01:33:44,680
Speaker 1: call right now? See if we're still a service? Oh

2089
01:33:44,720 --> 01:33:53,040
Speaker 1: my god, I just want to see what? Yeah?

2090
01:33:53,080 --> 01:33:55,680
Speaker 4: But all right, but if this hotline is used the

2091
01:33:55,720 --> 01:33:57,320
Speaker 4: same way like nine to one one is, if you

2092
01:33:57,439 --> 01:33:59,080
Speaker 4: call the answer and you hang up and they have

2093
01:33:59,200 --> 01:34:01,599
Speaker 4: your location, like is social worker about to come here?

2094
01:34:03,680 --> 01:34:05,280
Speaker 4: You didn't memorize it from the logic hook.

2095
01:34:06,040 --> 01:34:09,000
Speaker 1: You've reached the nine eight eight suiciding.

2096
01:34:09,120 --> 01:34:11,360
Speaker 4: Doing service shouts logic and tom Brady and anyone that

2097
01:34:11,479 --> 01:34:13,559
Speaker 4: is dealing with that, please please call if.

2098
01:34:13,479 --> 01:34:16,320
Speaker 1: You were a veteran or service member or calling at

2099
01:34:16,320 --> 01:34:17,759
Speaker 1: that one, Prince one.

2100
01:34:17,960 --> 01:34:20,000
Speaker 4: Don't don't press it back, please. I was just saying,

2101
01:34:20,040 --> 01:34:21,479
Speaker 4: what you know, this is why I better help one

2102
01:34:21,520 --> 01:34:23,200
Speaker 4: have you. I was just I was just saying what

2103
01:34:23,280 --> 01:34:24,160
Speaker 4: the options were, Like.

2104
01:34:24,200 --> 01:34:26,680
Speaker 3: That's all good, And you also just could just call

2105
01:34:26,680 --> 01:34:28,760
Speaker 3: it nine eight eight now like that, Well that's it.

2106
01:34:29,400 --> 01:34:31,680
Speaker 1: Yeah. I'm say say, if I'm trying to if I'm

2107
01:34:31,960 --> 01:34:34,759
Speaker 1: thinking about coming suicide, and I'm like, I'm not sure

2108
01:34:35,520 --> 01:34:37,360
Speaker 1: that number would be kind of hard. Yeah, trying to

2109
01:34:37,360 --> 01:34:37,840
Speaker 1: figure out.

2110
01:34:37,720 --> 01:34:40,280
Speaker 4: The numbers with the letters about thirteen reason, Yeah, I'm

2111
01:34:40,320 --> 01:34:43,000
Speaker 4: not fig the letters to the numbers. I'm not doing

2112
01:34:43,400 --> 01:34:49,240
Speaker 4: any day, let alone a suicidal day. But with that said, man,

2113
01:34:49,280 --> 01:34:53,320
Speaker 4: we think, is that just a coincidence Tom? You know,

2114
01:34:53,439 --> 01:34:55,840
Speaker 4: holidays can get rough for people. Maybe Tom was just

2115
01:34:56,520 --> 01:34:59,240
Speaker 4: putting that out there for for his fans, like, yo,

2116
01:34:59,240 --> 01:35:00,840
Speaker 4: if you feel in this way, holidays can be tough

2117
01:35:00,880 --> 01:35:01,200
Speaker 4: for people.

2118
01:35:02,360 --> 01:35:04,479
Speaker 1: It just so happened to be the same day his

2119
01:35:04,600 --> 01:35:09,040
Speaker 1: ex wife What a quinky ding Forever Young on the Hoodie,

2120
01:35:09,120 --> 01:35:12,880
Speaker 1: you know logic Suicide Prevention song playing or is he.

2121
01:35:13,200 --> 01:35:15,680
Speaker 4: Trying to show like I'm forevery like y' also doing

2122
01:35:15,760 --> 01:35:18,080
Speaker 4: that like that marriage shit.

2123
01:35:17,960 --> 01:35:21,320
Speaker 1: I'm about to stand, don't. It's like Tom is calling

2124
01:35:21,360 --> 01:35:23,120
Speaker 1: out for help better. I think Tom is happy.

2125
01:35:23,439 --> 01:35:25,920
Speaker 5: I don't think Tom is happy at all? Why else

2126
01:35:25,960 --> 01:35:28,639
Speaker 5: would you put that song? Why would you put that song?

2127
01:35:28,840 --> 01:35:32,679
Speaker 1: Cracking jokes? Just being funny? That's a that's a wild

2128
01:35:32,760 --> 01:35:35,240
Speaker 1: joke as Tom Brady just being funny. I mean, I

2129
01:35:35,240 --> 01:35:37,200
Speaker 1: don't know Tom personally, but listen, he seems like he

2130
01:35:37,280 --> 01:35:39,680
Speaker 1: has a cool personality, you know what I mean? He

2131
01:35:39,920 --> 01:35:42,000
Speaker 1: might be just having fun with it. Like I know

2132
01:35:42,080 --> 01:35:44,519
Speaker 1: everybody thinks that I'm, you know, so upset today because

2133
01:35:44,560 --> 01:35:47,320
Speaker 1: my ex wife got married again and my world must

2134
01:35:47,360 --> 01:35:50,960
Speaker 1: be upside down. Oh, I'm thinking about committing suicide. What

2135
01:35:51,040 --> 01:35:53,400
Speaker 1: am I gonna do? I'm gonna kill myself? Like, and

2136
01:35:53,680 --> 01:35:55,080
Speaker 1: I could see Tom just leaning into that.

2137
01:35:55,160 --> 01:35:57,240
Speaker 4: I also don't feel like Tom cares that much because

2138
01:35:57,840 --> 01:36:00,280
Speaker 4: he instead of saving his marriage, he literally went to

2139
01:36:00,320 --> 01:36:03,120
Speaker 4: the Tampa Bay Bucks to go eight and nine, Like.

2140
01:36:03,840 --> 01:36:06,320
Speaker 1: If y'all think he was to retire and he went

2141
01:36:06,360 --> 01:36:07,080
Speaker 1: back just to go eat.

2142
01:36:07,200 --> 01:36:10,080
Speaker 3: Enough y'all think Tom Brady don't miss his family? No, no, no,

2143
01:36:10,120 --> 01:36:10,280
Speaker 3: no no.

2144
01:36:11,840 --> 01:36:15,599
Speaker 1: His kids all all the time. Not his kids, his family.

2145
01:36:16,200 --> 01:36:18,599
Speaker 1: They don't miss He probably don't miss being married to Giselle.

2146
01:36:18,680 --> 01:36:21,960
Speaker 1: They're probably still cool. Him and Gizelle like it happens

2147
01:36:22,040 --> 01:36:24,280
Speaker 1: that way. We're not married no more. We have a family,

2148
01:36:24,360 --> 01:36:26,800
Speaker 1: have kids. Our kids will probably you know, they they don't.

2149
01:36:26,800 --> 01:36:28,400
Speaker 1: Don't think they have little kids. They probably kids are

2150
01:36:28,400 --> 01:36:30,479
Speaker 1: probably at least all in high school. Maybe at least

2151
01:36:31,760 --> 01:36:34,240
Speaker 1: they're not babies. Yeah, Like I don't. I think Thomas

2152
01:36:34,479 --> 01:36:37,200
Speaker 1: this is his second, his second win. He's retired now,

2153
01:36:37,280 --> 01:36:40,160
Speaker 1: he's doing sideline work for Foxes. At Fox he's a

2154
01:36:40,200 --> 01:36:42,240
Speaker 1: part of They gave him a crazy bag to do that.

2155
01:36:43,439 --> 01:36:45,360
Speaker 1: I don't think Tom Brady is I think I think

2156
01:36:45,479 --> 01:36:47,840
Speaker 1: they're I think Giselle is happy. I think Tom is happy.

2157
01:36:48,680 --> 01:36:51,560
Speaker 1: The family is taking care of everybody's good. This is

2158
01:36:51,720 --> 01:36:54,200
Speaker 1: just for people like us who want to sit back

2159
01:36:54,240 --> 01:36:58,280
Speaker 1: and speculate and just think that Tom Brady is emotionally

2160
01:36:58,360 --> 01:37:00,880
Speaker 1: distraught that his ex wife. Now, man, I don't think

2161
01:37:00,960 --> 01:37:01,439
Speaker 1: you do this.

2162
01:37:02,080 --> 01:37:04,680
Speaker 5: When you're cool with your ex wife, because all this

2163
01:37:04,920 --> 01:37:08,400
Speaker 5: did was draw attention to you when it's not about you.

2164
01:37:08,640 --> 01:37:10,639
Speaker 1: It's gonna always her getting married again.

2165
01:37:10,760 --> 01:37:13,000
Speaker 4: Draw he could post taking a ship and like everyone's

2166
01:37:13,000 --> 01:37:14,160
Speaker 4: still gonna pay attention again, the.

2167
01:37:14,200 --> 01:37:17,439
Speaker 1: Fact that she got married again is going to bring attention. Joselle.

2168
01:37:17,439 --> 01:37:19,000
Speaker 4: We're not talking about like just some random chick.

2169
01:37:19,080 --> 01:37:23,280
Speaker 5: Okay, okay, yes, but this is would we have been

2170
01:37:23,320 --> 01:37:25,560
Speaker 5: talking about Giselle getting married if he didn't post it?

2171
01:37:25,840 --> 01:37:28,599
Speaker 4: Or is this the classic uh sucker ship when guys

2172
01:37:28,600 --> 01:37:31,720
Speaker 4: say I'll kill myself if you leave me. Is he

2173
01:37:31,840 --> 01:37:35,080
Speaker 4: trying to get that line off because she loved her

2174
01:37:35,120 --> 01:37:37,160
Speaker 4: if she's just married again. Nah, but you went to

2175
01:37:37,400 --> 01:37:39,360
Speaker 4: there's still hope if you don't go to the altar. Yeah,

2176
01:37:40,080 --> 01:37:41,800
Speaker 4: sh Now it's legally like if you.

2177
01:37:41,840 --> 01:37:43,559
Speaker 1: Know, like I know, it's more hope. After she lead

2178
01:37:43,600 --> 01:37:46,599
Speaker 1: an altar, she got what she wants and she can

2179
01:37:46,640 --> 01:37:48,000
Speaker 1: still come and get you know what I mean. She

2180
01:37:48,080 --> 01:37:49,560
Speaker 1: still want to come see me on the weekend. She

2181
01:37:49,600 --> 01:37:53,040
Speaker 1: can still come see me, please, Tom, that's Tom Brady,

2182
01:37:53,560 --> 01:37:54,759
Speaker 1: ain't see that's what you'll.

2183
01:37:56,120 --> 01:38:00,360
Speaker 3: Hold I may May. We're not doing that, Bro, We're

2184
01:38:00,400 --> 01:38:00,880
Speaker 3: not doing that.

2185
01:38:01,000 --> 01:38:04,439
Speaker 1: Giselle ain't just some bit alright, any woman that would

2186
01:38:04,840 --> 01:38:06,760
Speaker 1: I love? I love When the marriage she thinks she's

2187
01:38:06,760 --> 01:38:08,400
Speaker 1: saying something I love what you do this. Do you

2188
01:38:08,479 --> 01:38:10,920
Speaker 1: think it's easier for Giselle to find another Tom Brady

2189
01:38:11,120 --> 01:38:16,240
Speaker 1: or for Tom Brady to find another Gazelle? Is foggy?

2190
01:38:16,439 --> 01:38:18,080
Speaker 3: You think that he's the most six like.

2191
01:38:18,280 --> 01:38:21,840
Speaker 1: Do you think it's easier for Giselle to find another.

2192
01:38:21,640 --> 01:38:24,479
Speaker 5: Tom Brady super Do you think that is supermodel? This

2193
01:38:24,600 --> 01:38:26,600
Speaker 5: is Justell a supermodel. You don't think Tom Brady can

2194
01:38:26,800 --> 01:38:27,840
Speaker 5: get another supermodel today?

2195
01:38:28,000 --> 01:38:29,519
Speaker 3: He could have went and got another football player.

2196
01:38:30,040 --> 01:38:33,640
Speaker 1: Ain't another Tom Brady? What are you talking about? Who

2197
01:38:33,840 --> 01:38:37,200
Speaker 1: is the other Tom Brady? There's one top gun Brady.

2198
01:38:38,320 --> 01:38:39,439
Speaker 1: What did that mean? Okay?

2199
01:38:40,040 --> 01:38:42,240
Speaker 5: And this is y'all thing because the things y'all admire

2200
01:38:42,280 --> 01:38:45,080
Speaker 5: about men that she admired about the nigga when she

2201
01:38:45,120 --> 01:38:49,800
Speaker 5: got married to the same thing she admired. And you

2202
01:38:49,880 --> 01:38:53,519
Speaker 5: can still be a shitty husband. I'm not saying you

2203
01:38:53,600 --> 01:38:56,479
Speaker 5: can't be a shitty husband. It's only somebody he's here.

2204
01:38:56,640 --> 01:38:59,200
Speaker 5: For Tom Brady to find another supermodel wife?

2205
01:39:00,160 --> 01:39:03,759
Speaker 1: Or is it easy for Giselle to find another most winning,

2206
01:39:03,920 --> 01:39:05,840
Speaker 1: fucking NFL player, greatest quarterback?

2207
01:39:06,000 --> 01:39:07,599
Speaker 4: I think if you go to ten Super Bowls, you're

2208
01:39:07,600 --> 01:39:08,960
Speaker 4: allowed to be a shitty husband per year.

2209
01:39:09,000 --> 01:39:09,880
Speaker 1: What does that do for her?

2210
01:39:09,960 --> 01:39:12,160
Speaker 3: What does that do for her? Other than the money?

2211
01:39:12,240 --> 01:39:12,720
Speaker 3: What does that do?

2212
01:39:13,000 --> 01:39:15,439
Speaker 5: Okay, you're the greatest quarterback or whatever the fuck he.

2213
01:39:15,479 --> 01:39:17,200
Speaker 1: Is of all time? What does that do for her?

2214
01:39:18,040 --> 01:39:19,120
Speaker 3: Some money? What does it do?

2215
01:39:19,720 --> 01:39:21,000
Speaker 1: I mean, I don't know. I don't know what their

2216
01:39:21,040 --> 01:39:22,000
Speaker 1: relationship was, like, I don't know.

2217
01:39:22,000 --> 01:39:25,160
Speaker 3: What doesn't him being amazing at his job outside of

2218
01:39:25,200 --> 01:39:26,000
Speaker 3: the money, and.

2219
01:39:26,040 --> 01:39:26,720
Speaker 1: That's already there.

2220
01:39:26,760 --> 01:39:29,640
Speaker 4: About these people is their professions. She's a supermodel, is

2221
01:39:29,680 --> 01:39:31,840
Speaker 4: one of the greatest models wife?

2222
01:39:32,360 --> 01:39:32,840
Speaker 3: That's fine.

2223
01:39:32,880 --> 01:39:35,080
Speaker 1: That's also possible too, So that's what I'm saying. But

2224
01:39:35,120 --> 01:39:37,360
Speaker 1: I'm saying it is easy to find another time? No, no, no, no,

2225
01:39:37,439 --> 01:39:38,880
Speaker 1: no no. Is that have to do it? Is it

2226
01:39:39,040 --> 01:39:42,759
Speaker 1: easier to find another supermodel of a wife or another

2227
01:39:42,840 --> 01:39:44,920
Speaker 1: one of the greatest court one of the greatest football

2228
01:39:44,920 --> 01:39:45,599
Speaker 1: players of all time?

2229
01:39:45,640 --> 01:39:47,960
Speaker 5: Which is easier to a Supermodels aren't created equal. All

2230
01:39:48,000 --> 01:39:50,559
Speaker 5: supermodels aren't just respectfully.

2231
01:39:50,080 --> 01:39:52,040
Speaker 1: And all for all quarterbacks ain't time.

2232
01:39:53,080 --> 01:39:56,679
Speaker 3: But their jobs have nothing to do ship with shiit.

2233
01:39:57,040 --> 01:39:59,040
Speaker 1: Okay, you want to know why the lawyers were sitting

2234
01:39:59,040 --> 01:40:01,800
Speaker 1: at that that divorced tape, It was so long. Their

2235
01:40:01,920 --> 01:40:04,200
Speaker 1: lives have a lot to do with it. Their income

2236
01:40:04,280 --> 01:40:06,080
Speaker 1: has a lot to do with Let's put it to chance.

2237
01:40:06,240 --> 01:40:08,960
Speaker 4: As a draft are you do you have a higher

2238
01:40:09,080 --> 01:40:12,759
Speaker 4: chance of drafting Tom Brady a Tom Brady or drafting

2239
01:40:12,800 --> 01:40:14,479
Speaker 4: a Gazelle Giselle.

2240
01:40:15,360 --> 01:40:16,880
Speaker 1: I live in Manhattan. I grew up in New York.

2241
01:40:16,920 --> 01:40:18,880
Speaker 1: It's beautiful women right now. If I go out to

2242
01:40:18,960 --> 01:40:21,360
Speaker 1: if I hold a grand street right now and stand

2243
01:40:21,400 --> 01:40:23,320
Speaker 1: on the corner for ten minutes, I'm gonna see four

2244
01:40:23,400 --> 01:40:25,920
Speaker 1: women that look better than Jaseel. Guess what I won't

2245
01:40:25,920 --> 01:40:29,240
Speaker 1: see walk past me a nigga that could go to

2246
01:40:29,280 --> 01:40:30,400
Speaker 1: football like Tom Brady.

2247
01:40:30,720 --> 01:40:32,840
Speaker 2: I can go to every NFL stadium right now, and

2248
01:40:32,920 --> 01:40:36,240
Speaker 2: I can find all combine where they've collected the best

2249
01:40:36,560 --> 01:40:39,760
Speaker 2: fucking football players in the nation, and won't find a

2250
01:40:39,840 --> 01:40:44,200
Speaker 2: nigga like Tom Brady where they collected where scout professional

2251
01:40:44,320 --> 01:40:45,840
Speaker 2: scouts have scoured the.

2252
01:40:45,920 --> 01:40:48,920
Speaker 1: Lands of America and looked for the next great one,

2253
01:40:49,240 --> 01:40:50,880
Speaker 1: and none of them will look like Tom Brady.

2254
01:40:51,000 --> 01:40:54,280
Speaker 4: Okay, let me get some pushback. She is like the

2255
01:40:54,400 --> 01:40:58,720
Speaker 4: Tom Brady of her profession. It's funny you have to

2256
01:40:58,760 --> 01:41:00,760
Speaker 4: say that Tom Brady for he profess, which just gives

2257
01:41:00,840 --> 01:41:04,800
Speaker 4: more credit to Tom Brady. When Tom Brady was uh,

2258
01:41:05,400 --> 01:41:07,479
Speaker 4: you know, beating the rams the first time they weren't.

2259
01:41:07,520 --> 01:41:09,840
Speaker 4: Like he's kind of like the Giselle of that stuff.

2260
01:41:11,120 --> 01:41:11,840
Speaker 4: That's all I'm saying.

2261
01:41:11,880 --> 01:41:13,240
Speaker 1: The baby did is like I get it, you know

2262
01:41:13,240 --> 01:41:15,080
Speaker 1: what I'm saying, But just like that as a goat

2263
01:41:15,120 --> 01:41:16,839
Speaker 1: in her, just like Tom. That's one of the craziest

2264
01:41:16,840 --> 01:41:18,559
Speaker 1: couples of all. So for sure, just like Tom Brady

2265
01:41:18,560 --> 01:41:20,400
Speaker 1: could have been a terrible jay Z Beyonce like that

2266
01:41:20,920 --> 01:41:22,960
Speaker 1: could have been a terrible wife. I don't know why

2267
01:41:23,000 --> 01:41:25,240
Speaker 1: they split, Like, I have no idea. I think it

2268
01:41:25,320 --> 01:41:27,759
Speaker 1: says a lot that you know, she married the trainer

2269
01:41:27,840 --> 01:41:32,240
Speaker 1: that Tom. Hi, if we want to go to personality

2270
01:41:32,320 --> 01:41:34,880
Speaker 1: trade and having a puff and Tom, there we go.

2271
01:41:35,080 --> 01:41:36,960
Speaker 1: I mean we just you know, it is what it is.

2272
01:41:38,920 --> 01:41:41,840
Speaker 4: If if your ex wife was getting married and everything

2273
01:41:41,920 --> 01:41:43,600
Speaker 4: was cool whatever, of course your kids are going to

2274
01:41:43,640 --> 01:41:46,519
Speaker 4: be there, but you're not going. Would you be texting

2275
01:41:46,560 --> 01:41:48,599
Speaker 4: in your your kids group chat like what the spread

2276
01:41:48,640 --> 01:41:50,479
Speaker 4: look like? Would you be I'd be trolling the whole time.

2277
01:41:50,960 --> 01:41:54,439
Speaker 4: If what if my ex wife was getting married? Everything cool?

2278
01:41:54,520 --> 01:41:57,600
Speaker 4: Like everything cool, but of course your kids are going

2279
01:41:57,680 --> 01:42:00,360
Speaker 4: to go to their mother's wedding. You're not on I'm

2280
01:42:00,400 --> 01:42:02,640
Speaker 4: texting that group chat all day like, no, send me,

2281
01:42:02,800 --> 01:42:04,280
Speaker 4: let me see, let me see what color scheme.

2282
01:42:04,479 --> 01:42:06,160
Speaker 1: Not. You can't, you can't. You can't be that day.

2283
01:42:07,600 --> 01:42:09,840
Speaker 4: Like not in a serious like everything's cool, you're happy

2284
01:42:09,840 --> 01:42:10,120
Speaker 4: for your.

2285
01:42:10,160 --> 01:42:13,519
Speaker 1: X ye like i'd be like, but that's like when

2286
01:42:13,560 --> 01:42:15,280
Speaker 1: somebody says something in the group chat, you know they're

2287
01:42:15,280 --> 01:42:17,519
Speaker 1: serious and they ending with lols. They nigga, you ain't laughing.

2288
01:42:18,040 --> 01:42:19,920
Speaker 1: They don't. Don't text your kids all day like yo,

2289
01:42:20,000 --> 01:42:23,080
Speaker 1: what is looking like why they're at their mom's new wedding, Like, no,

2290
01:42:23,240 --> 01:42:23,720
Speaker 1: you can't do that.

2291
01:42:23,960 --> 01:42:25,920
Speaker 4: Crab cakes, Me and your mom had stick.

2292
01:42:26,000 --> 01:42:27,920
Speaker 1: Yeah, no, you can't do that. You can't do that.

2293
01:42:28,040 --> 01:42:30,760
Speaker 4: That's that's like only a chicken and fish should have seen.

2294
01:42:30,840 --> 01:42:32,360
Speaker 4: You should have seen me in your mom's winning should

2295
01:42:32,360 --> 01:42:35,040
Speaker 4: have seen our spread. Took him three days to clean

2296
01:42:35,120 --> 01:42:40,240
Speaker 4: that table. Yeah yeah, all right, Rory.

2297
01:42:40,320 --> 01:42:42,040
Speaker 1: Now before we get out of here, I am gonna

2298
01:42:42,080 --> 01:42:45,320
Speaker 1: say this, and this is just because it's Christmas times,

2299
01:42:45,400 --> 01:42:49,400
Speaker 1: Christmas week, Holidays, happy, happy holidays. Excuse merry Christmas, happy holidays.

2300
01:42:49,479 --> 01:42:52,400
Speaker 1: No just just happy HOLI no Mary christ send anyone.

2301
01:42:52,439 --> 01:42:54,840
Speaker 1: Don't want to fit anyone, Okay, Happy Holidays. I do

2302
01:42:55,120 --> 01:42:58,879
Speaker 1: feel like, though, Rory, we may be getting a surprise

2303
01:42:59,080 --> 01:43:03,479
Speaker 1: album this week from a major artist. I don't know who.

2304
01:43:03,800 --> 01:43:06,280
Speaker 4: Did they just celebrate the last day of Honuakah recently,

2305
01:43:06,680 --> 01:43:09,360
Speaker 4: don't know who, but also have a father from Memphis

2306
01:43:09,400 --> 01:43:10,599
Speaker 4: that doesn't don't know who.

2307
01:43:10,760 --> 01:43:14,000
Speaker 1: I don't know who. I'm just saying I think for Christmas,

2308
01:43:14,920 --> 01:43:16,960
Speaker 1: we're all gonna wake up with a new TI Special

2309
01:43:19,280 --> 01:43:22,920
Speaker 1: and we know that. Yeah, that's the trailer drop, So

2310
01:43:23,040 --> 01:43:25,560
Speaker 1: I think we're gonna get that, and we may be

2311
01:43:25,720 --> 01:43:29,360
Speaker 1: getting an album from somebody that we've all been waiting

2312
01:43:29,400 --> 01:43:34,160
Speaker 1: to hear from. No names attached to it. Okay, they're

2313
01:43:34,160 --> 01:43:35,439
Speaker 1: also going to be the host of the Hot Night

2314
01:43:37,240 --> 01:43:41,200
Speaker 1: Maybe that may be part of the Bundle Sickness Bundle

2315
01:43:41,240 --> 01:43:46,560
Speaker 1: of All Time that maybe album and now for the

2316
01:43:46,640 --> 01:43:49,799
Speaker 1: Morning Show it out ninety seven. But either way, Happy holidays.

2317
01:43:49,840 --> 01:43:52,200
Speaker 1: We hope you all have fun. Be safe. It's ending

2318
01:43:52,280 --> 01:43:55,719
Speaker 1: is sponsored by Boost. Yes, the ending is sponsored by Boost.

2319
01:43:56,040 --> 01:43:58,599
Speaker 1: We hope that you all have a great time. We'll

2320
01:43:58,640 --> 01:44:02,960
Speaker 1: talk to y'all soon. Be safe, be blessed. I'm that nigga,

2321
01:44:03,439 --> 01:44:05,719
Speaker 1: he's just ginger baby that's hungover.

2322
01:44:06,479 --> 01:44:07,920
Speaker 5: No worryan now