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Speaker 1: Welcomed Aaron Manky's Cabinet of Curiosities, a production of I

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Speaker 1: Heart Radio and Grim and Mild. Our world is full

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Speaker 1: of the unexplainable, and if history is an open book,

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Speaker 1: all of these amazing tales right there on display, just

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Speaker 1: waiting for us to explore. Welcome to the Cabinet of Curiosities.

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Speaker 1: In the fall of the effects of the Roaring Twenties

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Speaker 1: literally came crashing down. Americans had left their farms in

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Speaker 1: rural towns for the promises of wealth and excess only

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Speaker 1: found in big cities. Unfortunately, the stock market, which had

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Speaker 1: been on a meteoric rise, finally fell from the sky

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Speaker 1: and took with it the fortunes of countless investors. This

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Speaker 1: kicked off a period of time known as the Great Oppression,

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Speaker 1: which lasted from nineteen twenty nine until nineteen thirty nine,

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Speaker 1: and during those ten years people lost their jobs, their homes,

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Speaker 1: and even their lives. But one man refused to let

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Speaker 1: the depression get him down. Instead, he channeled his sadness,

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Speaker 1: his anger, and the last of his money into some

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Speaker 1: prime swamp front property in New Jersey. His name was

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Speaker 1: George Dyer, and he believed that he had been led

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Speaker 1: to New Jersey by an angel. This same angel allegedly

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Speaker 1: gave him a vision of what he would build on

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Speaker 1: the four acres of land that he purchased for four dollars,

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Speaker 1: and so George walked for ten days and one twelve

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Speaker 1: miles to the South Jersey town of Vinland. Once he arrived,

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Speaker 1: he got to work building himself a house with whatever

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Speaker 1: he could find around him. The walls were crafted from

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Speaker 1: random rocks and pieces of cement, while he used old

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Speaker 1: car chassis to make floorboards. Fenders were bent into gables,

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Speaker 1: and he repurposed old bed frames as doors. He even

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Speaker 1: made the paint from scratch by grinding up red bricks

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Speaker 1: into motor oil. Any object, vehicle part, or piece of

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Speaker 1: debris was fair game for inclusion in the home. Wagon

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Speaker 1: wheels formed the base of towers he built around its perimeter,

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Speaker 1: and he carved up a massive cypress log for his

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Speaker 1: dining table. The chairs were made from smaller stumps. Around

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Speaker 1: the exterior of the property, George had dug out ponds

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Speaker 1: and cultivated gardens to keep himself going. He relied on

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Speaker 1: the natural New Jersey fauna for sustenance. There were plenty

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Speaker 1: of rabbits and fish to eat, as well as squirrels

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Speaker 1: and even the occasional frog. By the time he finished

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Speaker 1: in nineteen thirty two, he was ready to unveil his

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Speaker 1: Depression Palace to the world. George Dyer had built it

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Speaker 1: to show visitors that they didn't have to let the

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Speaker 1: current economy keep them down. He believed that and I quote,

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Speaker 1: education by thought can lift all the depressed peoples out

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Speaker 1: of any depression, calamity, or catastrophe. George Daner welcomed people

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Speaker 1: into the palace for twenty five cents apiece and gave

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Speaker 1: them grand tours of the various rooms he had structed.

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Speaker 1: For example, he had guests crawled through an area named

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Speaker 1: the Jersey Devil's Den before visiting a room he called

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Speaker 1: the Knockout Room. This room was home to a single chair,

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Speaker 1: above which George Danner had hung a large boulder. He

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Speaker 1: encouraged anyone who wanted to forget their troubles to sit

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Speaker 1: in the chair and let the boulder take away those worries.

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Speaker 1: No one, as far as we can tell, ever sat

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Speaker 1: in that chair. George was quite a character and a

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Speaker 1: brilliant marketer. Robert Ripley of Ripley's believe it or Not.

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Speaker 1: Fame published a cartoon about the Depression Palace, and George

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Speaker 1: appeared on the nineteen fifties human interest television program You

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Speaker 1: Asked For It. A documentary film titled The Fantastic Palace

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Speaker 1: was also made by Universal Pictures and followed the intrepid

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Speaker 1: homeowner around the house on one of his tours. The

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Speaker 1: Depression Palace's popularity came to a head in nineteen fifty seven, though,

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Speaker 1: when George Daner inserted himself into a very serious criminal investigation.

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Speaker 1: An infant named Peter Weinberg had been kidnapped in New

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Speaker 1: York State. The police and the FBI searched for weeks

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Speaker 1: and were eventually led to the Depression Palace by Danner himself.

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Speaker 1: He claimed that he had been contacted by the kidnappers,

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Speaker 1: who had allegedly stowed the child in one of the

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Speaker 1: dungeons in his home. The authorities arrived and George was

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Speaker 1: forced to admit that the whole thing had been a charade.

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Speaker 1: He'd done it for the attention and to draw more

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Speaker 1: tourists to the house. As punishment for providing false information

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Speaker 1: to federal officials, he was sentenced to one year in prison.

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Speaker 1: The house was left abandoned, and tourists kept coming, but

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Speaker 1: not for guided tours. They picked the place clean and

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Speaker 1: stole all sorts of random objects from the property. They

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Speaker 1: even burned down part of the house. Danner was released

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Speaker 1: one year later at the ripe old age of one hundred.

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Speaker 1: He was an old, broke and broken man with almost

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Speaker 1: nothing to his name. His home was in a serious

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Speaker 1: state of disrepair, which he was too old and destitute

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Speaker 1: to fix up himself. He died on October nineteen sixty four,

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Speaker 1: at the age of one and four. The city eventually

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Speaker 1: tore the rest of the structure down in nineteen sixty nine,

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Speaker 1: but it wouldn't be gone forever. In two thousand one,

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Speaker 1: a nonprofit organization took up the cause to restore the

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Speaker 1: eccentric home back to its former glory. Over the next

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Speaker 1: sixteen years, with help from numerous grants and donations, the

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Speaker 1: Palace of Depression was mostly rebuilt, and a small museum

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Speaker 1: was at a next door. This strange and unconventional home

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Speaker 1: continues to persist through depressions, recessions, abandonment, and new ownership,

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Speaker 1: truly living up to the reason it was built in

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Speaker 1: the first place. The show people everywhere that no matter

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Speaker 1: how things get, home can be anywhere you make it,

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Speaker 1: even apparently if that home is made out of old

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Speaker 1: card parts and bed frames. One of the oldest sports

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Speaker 1: in history also happens to be one of the most violent.

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Speaker 1: The concept of fighting another person has existed since the

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Speaker 1: dawn of humanity, but fighting someone for sports can be

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Speaker 1: charted all the way back to the third millennium BC,

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Speaker 1: possibly even earlier. We simply don't know because of the

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Speaker 1: lack of written record from before that point. And while

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Speaker 1: boxing has taken on many forms over the years, the

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Speaker 1: sport we recognized today seems to find its early roots

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Speaker 1: in England during the sixteenth century. Back then, it was

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Speaker 1: called bare knuckle boxing or prize fighting. This was an

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Speaker 1: era before weight classes were established, before they even had

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Speaker 1: referees to call a match. As time passed, though, boxing

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Speaker 1: as a sport was often outlawed and considered no different

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Speaker 1: than any other illegal activity, but it sure was popular,

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Speaker 1: so much so that Thomas Edison and his staff filmed

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Speaker 1: a fights in his New Jersey film studio in the

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Speaker 1: eighteen nineties. You see, Edison wanted to test his new

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Speaker 1: kinscope by showing short films that he had made at

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Speaker 1: the studio. This boxing movie would be one of them.

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Speaker 1: In the film, two fighters named Sullivan and Corbetts went

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Speaker 1: head to head their hands clad in boxing gloves, as

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Speaker 1: their manager watched from outside the ring. The manager was

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Speaker 1: a circus owner by the name of Professor Wilton, and

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Speaker 1: his traveling show was quite a spectacle. Forty performers entertained

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Speaker 1: audiences with daring feats of danger, such as jumping through

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Speaker 1: flaming hoops and putting up fires. Walton's circus made appearances

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Speaker 1: at countless vaudeville theaters all over the US at the

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Speaker 1: turn of the century. The man himself was quite an

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Speaker 1: established trainer up to that point, which made sense. Most

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Speaker 1: of his family was in the training business as well.

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Speaker 1: Sullivan and Corbett had trained for two years before they

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Speaker 1: made the Edison film. The movie was directed by William

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Speaker 1: Kennedy Dixon, one of Edison's employees and the man responsible

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Speaker 1: for bringing both the kinetograph camera and the kinetoscope to life.

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Speaker 1: He also came up with the idea for using thirty

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Speaker 1: five millimeter perforated film in both advices, but the accountants

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Speaker 1: at Edison Studios weren't convinced that people wanted to see

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Speaker 1: a boxing match on film. After all, they'd witnessed such

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Speaker 1: exciting sequences as a handshake in which a man and

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Speaker 1: a woman shook hands for four seconds, as well as

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Speaker 1: fred OTTs sneeze five second tour to force, where one

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Speaker 1: man experienced the earth shattering relief of unclogged nostrils on camera.

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Speaker 1: Dixon and his cameraman, William Hays, believe the boxing match

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Speaker 1: would not only be exciting but also profitable. With kinetoscopes

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Speaker 1: starting to appear in most major cities, people were going

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Speaker 1: to line up and pay whatever it took to see

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Speaker 1: the fight of the century, and so the filmmakers pointed

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Speaker 1: the camera straight at the boxing ring they had set

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Speaker 1: up in their West Orange studio. The fighters were brought in,

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Speaker 1: gloved and ready for action as Professor Welton took a

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Speaker 1: seat behind them. Watching the film today, it's hard not

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Speaker 1: to sneak a glance at Welton, who can't seem to

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Speaker 1: take his eyes off of Corbett and Sullivan as they

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Speaker 1: rained down punches on each other for a whopping twenty seconds.

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Speaker 1: That's right, Their new movie tripled the length of their

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Speaker 1: previous endeavors. It was a glimpse into the future of cinema,

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Speaker 1: as stories would require more time and more film to

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Speaker 1: say everything they needed to say and what didn't you

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Speaker 1: know it? The boxing picture was a hit and not

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Speaker 1: only demonstrated the capabilities of Edison's technologies, but also the

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Speaker 1: skill with which Professor Welton trained his fighters. After all,

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Speaker 1: it wasn't easy tying such boxing gloves on their little paws.

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Speaker 1: Oh I'm sorry, I forgot to mention Professor Welton was

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Speaker 1: in charge of a traveling cat circus. His fantastic feelines

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Speaker 1: could do all sorts of tricks like ride bicycles and

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Speaker 1: walk across tight ropes. In fact, the cats were so

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Speaker 1: well trained it only took Dixon in Heists one take

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Speaker 1: to get the footage they needed of the fighting fee lines.

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Speaker 1: You may not be able to teach an old dog

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Speaker 1: new tricks, but Professor Welton proved that you can at

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Speaker 1: least teach a couple of cats two box. I hope

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Speaker 1: you've enjoyed today's guided tour of the Cabinet of Curiosities.

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Speaker 1: Subscribe for free on Apple Podcasts, or learn more about

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Speaker 1: the show by visiting Curiosities podcast dot com. The show

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Speaker 1: was created by me Aaron Manky, in partnership with how

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Speaker 1: Stuff Works, I make another award winning show called Lore,

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Speaker 1: which is a podcast, book series, and television show and

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Speaker 1: you can learn all about it over at the world

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Speaker 1: of Lore dot com. And until next time, stay curious.