WEBVTT - Star Wars: Empire Strikes Back

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<v Speaker 1>On the Bechdelcast, the questions asked if movies have women

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<v Speaker 1>and them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism. It's the patriarchy, zeph and

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<v Speaker 1>best start changing it with the Bechdel Cast.

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<v Speaker 2>Jamie, I am your father. Oh join me, we can

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<v Speaker 2>rule this podcast as father and son.

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<v Speaker 1>I like that.

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<v Speaker 2>You didn't chant you, you only added the word podcast.

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<v Speaker 2>And then I'm like, no, I would sooner free fall

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<v Speaker 2>into space. Then rule this podcast with you. You sick? Oh fascist? Wow? Yeah,

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<v Speaker 2>I know it's my birthday though, I know. Sorry, happy birthday,

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<v Speaker 2>but you did, Yeavy and you you brought it on yourself.

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<v Speaker 2>We can't. We can't excuse fascism just because it's your birthday. Caitlin,

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<v Speaker 2>Happy birthday, thank you. It's true. This is my birthday

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<v Speaker 2>episode Big Year. Holy shit. Yeah, I'm forty bitch. I

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<v Speaker 2>love it.

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<v Speaker 3>I love it, and you've well tell tell the listeners

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<v Speaker 3>at home how you've been celebrating.

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<v Speaker 2>It's kind of been. I like that for you. You

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<v Speaker 2>are so good at having a birthday and it becomes

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<v Speaker 2>birthday season, not birthday the day. Yeah, it's a whole

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<v Speaker 2>this time around, it's a whole year. I started in April.

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<v Speaker 2>My birthday is in a few days from the release

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<v Speaker 2>of this episode, but I started back in April by

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<v Speaker 2>going to London to see Paddington the musical. That was

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<v Speaker 2>my big birthday treat to myself, and it did not disappoint.

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<v Speaker 2>It was so good. I'm so happy for you.

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<v Speaker 3>That is like, Yeah, the second it happened, I was like,

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<v Speaker 3>I know that Caitlin is going to find their way there.

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<v Speaker 2>It really is just a matter of when. Yeah, but

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<v Speaker 2>you made quick work of it, Thank you, thank you. Yes,

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<v Speaker 2>I was very efficient. But yeah. And one of the

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<v Speaker 2>other ways I'm celebrating is by making us talk about

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<v Speaker 2>Empire strikes Back.

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<v Speaker 3>Which I am actually I mean, wow, life comes at

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<v Speaker 3>you fast because I'm so happy to do it, and

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<v Speaker 3>I can't imagine myself saying that when this podcast started. No,

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<v Speaker 3>I mean, this is just like a big nostalgia year,

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<v Speaker 3>especially us wise, because it's our ten year. We're still

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<v Speaker 3>figuring out how to celebrate.

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<v Speaker 2>You know. But I think so much about how I remember,

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<v Speaker 2>like your thirtieth birthday show at Nerd Melt yeah, and

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<v Speaker 2>how that was a time where it was around the

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<v Speaker 2>time that the Star Wars sequels were starting to come out,

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<v Speaker 2>and I just couldn't have cared less. But time continued

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<v Speaker 2>to march on, and then I realized I was wrong

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<v Speaker 2>as hell. These movies are fun, They're good, They're fun

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<v Speaker 2>and flawed. And guess what, I'm not better than a

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<v Speaker 2>damn person in the world, unlike I thought when this

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<v Speaker 2>twenty two or whatever. So I'm so excited. Yeah, I

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<v Speaker 2>mean should we? I guess If this is your first

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<v Speaker 2>Bechdel Cast episode, welcome. It's a fun one and we'll

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<v Speaker 2>tell you what the show is really quick. This is

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<v Speaker 2>our podcast where we take a look at your favorite.

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<v Speaker 3>Movies and in this case, Caitlin's favorite movies, using an

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<v Speaker 3>intersectional feminist lens, using the Bechdel test as the jumping

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<v Speaker 3>off point for a discussion.

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<v Speaker 2>But Caitlin, yes, what is that? What is that? Not

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<v Speaker 2>to quiz you on your birthday? Yeah, while making me

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<v Speaker 2>do labor. It is a media metric created by our

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<v Speaker 2>dear friend of the podcast, Alison Bechdel. Quick version is

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<v Speaker 2>and our version is it? Do two characters of a

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<v Speaker 2>marginalized gender have names? Do they speak to each other?

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<v Speaker 2>And is there conversation about something other than a man?

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<v Speaker 2>And I think you'll find the reason that we're kind

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<v Speaker 2>of glazing over the specifics of the test in the

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<v Speaker 2>case of this movie is because well, it doesn't pass.

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<v Speaker 2>Even does it doesn't help plow even a little bit

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<v Speaker 2>to this movie.

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<v Speaker 3>So you know, like there are certain episodes where we

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<v Speaker 3>get really specific about like, well, it could mean this.

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<v Speaker 2>It could mean this.

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<v Speaker 3>But there are certain movies where you're like, well it

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<v Speaker 3>either it's episodes where it happens a lot or never

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<v Speaker 3>even runs the risk of happening, and this is the latter.

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<v Speaker 3>We don't really need to get into the.

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<v Speaker 2>Nitty gritty today, No we don't, but we do need

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<v Speaker 2>to get into the nitty gritty of our relationship with

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<v Speaker 2>Star Wars and Jamie, you were already talking a little

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<v Speaker 2>bit about yours, but tell us what's your relationship with

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<v Speaker 2>this movie specifically and then the larger universe.

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<v Speaker 3>Yeah, it's been it's been a journey. We actually we

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<v Speaker 3>talked about this a fair amount in our Prequels tour,

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<v Speaker 3>which happened early last fall in the Midwest, where my

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<v Speaker 3>relationship with Star Wars began with the prequel. I just

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<v Speaker 3>was not a sci fi kid at all. I was

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<v Speaker 3>not sci fi or fantasy. I know, we were very

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<v Speaker 3>different sci fi fantasy action. We're just not my vibe.

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<v Speaker 3>I was like, performatively to criticize myself at eleven years old,

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<v Speaker 3>performatively against a lot of it, because I don't know.

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<v Speaker 3>I had this mentality that like magic was cheating, So

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<v Speaker 3>that's why I don't know. But Star Wars, obviously, I

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<v Speaker 3>remember I didn't see the first prequel in theaters. I

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<v Speaker 3>did see the second one at a drive in, and

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<v Speaker 3>remember it being the first movie.

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<v Speaker 2>I was like, Wow, that was boring, and you were

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<v Speaker 2>not wrong. I was not wrong, and you can listen

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<v Speaker 2>to our Prequels episode for more on that. And then

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<v Speaker 2>the third one I performatively loved because they like kind

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<v Speaker 2>of turned Darth Vader into like a sexy, hot topic character,

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<v Speaker 2>which I was into so all over the place. But

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<v Speaker 2>I never really watched or engaged with the original trilogy

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<v Speaker 2>when I was a kid, so I wouldn't have seen

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<v Speaker 2>The Empire Strikes Back at least until I lived in

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<v Speaker 2>LA I would guess, not for the first time until

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<v Speaker 2>like the last five years.

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<v Speaker 3>Probably I just never I mean, and then it definitely

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<v Speaker 3>rewatched it last summer when I was doing like pretty

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<v Speaker 3>heavy prep on the prequel and the original trilogy for

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<v Speaker 3>our for our tour, so I can now confidently say

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<v Speaker 3>all this, YadA, YadA, YadA. I can now confidently say

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<v Speaker 3>that Empire Strikes Back is indeed my favorite of the

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<v Speaker 3>first trilogy.

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<v Speaker 2>It's a lot of people's favorite.

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<v Speaker 3>I would see, Yeah, it doesn't seem to be a

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<v Speaker 3>controversial opinion, but it like it just it hits, it hits,

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<v Speaker 3>and it I mean, while it makes a lot of

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<v Speaker 3>the mistakes that movies of its era also make, there's

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<v Speaker 3>a lot of tokenism, there's a lot of like there's well,

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<v Speaker 3>we'll talk about it, but I think that in terms

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<v Speaker 3>of mistakes that Star Wars often makes, it tends to

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<v Speaker 3>avoid a few that I associate with this franchise in

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<v Speaker 3>a way that I appreciate. And the performances are so fun.

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<v Speaker 3>It's a great story. I love Lawrence Casten. I enjoyed

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<v Speaker 3>learning about Lee Brackett, who I didn't really know anything about.

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<v Speaker 3>Same and yeah, I don't know, I just this is

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<v Speaker 3>my favorite one of the trilogy.

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<v Speaker 2>Although I think that because I know your favorite is

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<v Speaker 2>Return of the Jedi, that while that's.

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<v Speaker 3>Not one that I love, I do love the Ewoks

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<v Speaker 3>and if the Ewoks were in Empire strikes Back, it

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<v Speaker 3>would be a perfect movie.

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<v Speaker 2>I agree, yes, thank you. I know that I cite

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<v Speaker 2>Ewoks as the reason that I love Return of the

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<v Speaker 2>Jedi the most, and that's not entirely true. There are

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<v Speaker 2>other things I like about it. And also, and I

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<v Speaker 2>might have brought this up before, either on this podcast

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<v Speaker 2>or I've guested on other Star Wars things in the past,

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<v Speaker 2>but the version of Return of the Jedi that I

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<v Speaker 2>watched growing up was an edited for TV version of

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<v Speaker 2>the movie that we taped from TV onto a blank VHS,

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<v Speaker 2>which like just trims a lot of the I think

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<v Speaker 2>unnecessary bits from that movie makes it a lot tighter,

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<v Speaker 2>and that version is my favorite movie. When I watched

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<v Speaker 2>the theatrical cut of Return of the Jedi, there's weird

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<v Speaker 2>stuff that wasn't in the edited down version that I saw,

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<v Speaker 2>and I was like, what the hell is this? I yeah,

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<v Speaker 2>I get why people think it's kind of not the best,

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<v Speaker 2>But was there anything else about your your relationship with

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<v Speaker 2>Star Wars Before I start to wax poetic about it, No,

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<v Speaker 2>I just my favorite. I love Babbu Frick. I didn't

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<v Speaker 2>see The Last Jedi when it came out in theaters.

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<v Speaker 3>I might have seen episode seven, but we definitely saw episode.

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<v Speaker 2>Nine together and we were freaking it up. That's my

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<v Speaker 2>full history. Incredible for my Star Wars fandom. I mean,

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<v Speaker 2>you have history, I've got history. This is a fandom

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<v Speaker 2>that I do not talk about as much as some

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<v Speaker 2>of my other fandoms, such as Paddington or Titanic, for example.

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<v Speaker 2>But I am a long time Star Wars head, especially

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<v Speaker 2>this original trilogy. I am not a completionist when it

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<v Speaker 2>comes to all the Star Wars content out there. There

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<v Speaker 2>are a bunch of series that I haven't watched, and

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<v Speaker 2>I mean, at some point it's just like it kiss

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<v Speaker 2>to be too much. Yeah, so there are many fans

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<v Speaker 2>who know a lot more like Star Wars lore than me.

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<v Speaker 2>But I've seen this original trilogy dozens of times, probably

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<v Speaker 2>starting around like age nine or ten. This specific movie

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<v Speaker 2>I've watched many many times. I love the World. I

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<v Speaker 2>also love and Or. I have an and Or tattoo.

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<v Speaker 2>I also love Baboo frick Ough now we're talking. I'm

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<v Speaker 2>back excited to see him in the Mandalorian movie that's

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<v Speaker 2>about to come out. I can't wait.

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<v Speaker 3>We were just talking about because we were just talking

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<v Speaker 3>about Kerry Fisher on a recent episode of Daly's Eeitgeist Icons.

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<v Speaker 3>Yeah I haven't seen him. Sec Oh I remember you

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<v Speaker 3>texting me saying that the Babu frick Gians were in

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<v Speaker 3>Mandalorian season three.

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<v Speaker 2>Right, that wasn't me because I did not watch the

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<v Speaker 2>show that far.

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<v Speaker 3>Oh okay, someone must have told me either way. But yeah,

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<v Speaker 3>he's he's back, baby, He's on the poster and everything.

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<v Speaker 2>I can't wait. Oh yeah, I'm very excited. So yeah,

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<v Speaker 2>like because that movie's coming out, it felt also like

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<v Speaker 2>a good time to talk about this movie, specifically because

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<v Speaker 2>the lore of the mandolori Orians, like Bobaffett is like

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<v Speaker 2>one of those people. The first Star Wars movie that

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<v Speaker 2>he appears in is this one. I think, Like, I

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<v Speaker 2>know he's not in a note of hope, but there's

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<v Speaker 2>like also random like there's a Christmas special that everyone

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<v Speaker 2>forgets about. But anyway, like I mean, people talk about

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<v Speaker 2>the Christmas Special. This isn't isn't isn't Boba Fett like

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<v Speaker 2>a meaningful part of that. I barely remember it. I

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<v Speaker 2>just remember you meet Chewbacca's whole family and they look

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<v Speaker 2>so fucking freaky. But honestly is worth a watch. We

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<v Speaker 2>should watch it some Christmas together, should cover it, We

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<v Speaker 2>should cover it, Yes, yes, but yeah, I love Empire

0:11:46.960 --> 0:11:51.800
<v Speaker 2>strikes Back, and yet Return of the Jedi is still

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<v Speaker 2>my favorite, and I will probably insist that we cover

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<v Speaker 2>that for another birthday episode of mine, maybe even next year.

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<v Speaker 2>We'll see Oh my god, wow. Okay, but uh yeah.

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<v Speaker 2>Shall we take a quick break and then come back

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<v Speaker 2>for the recap. Let's do it and we're back. Okay.

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<v Speaker 2>So first, I'll start with a very brief recap of

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<v Speaker 2>episode four, just in case anyone needs a refresher. The

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<v Speaker 2>evil Galactic Empire has built this huge planet destroying Death

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<v Speaker 2>Star space station thing. We meet Princess Leah. She's a

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<v Speaker 2>member of the Rebel Alliance that are rebelling against the Empire.

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<v Speaker 2>She puts blueprints for the Death Star into R two

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<v Speaker 2>D two and then he and C three po escape

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<v Speaker 2>to the planet of Tattooine, where they end up in

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<v Speaker 2>the possession of Luke Skywalker, who links up with a

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<v Speaker 2>Jedi knight named Obi Wan Kenobi. Together, they find a

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<v Speaker 2>hologram message from Princess Leah about these Death Star plans,

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<v Speaker 2>so they set off to deliver R two D two

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<v Speaker 2>and the plans to the secret base of the Rebel Alliance.

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<v Speaker 2>They do so in the Millennium Falcon, a ship piloted

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<v Speaker 2>by space smugglers Han Solo and Chewbacca. You've seen it

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<v Speaker 2>at the Lego store. Yes, it's a you know, a

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<v Speaker 2>little known ship called the Millennium Falcon. And then as

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<v Speaker 2>they're flying around in this ship, they get pulled into

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<v Speaker 2>the tractor beam of the Death Star, where they find

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<v Speaker 2>and rescue Princess Leia, who had been captured by Darth Vader,

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<v Speaker 2>the big bad Boy. Yeah, and if you don't know

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<v Speaker 2>who Darth Vader is, we can't help you. Sorry, we

0:13:52.200 --> 0:13:56.199
<v Speaker 2>cannot help you. Yes, yeah, he and Obi Wan Kanobi

0:13:56.480 --> 0:14:01.400
<v Speaker 2>have a lightsaber battle. Obi Wan is killed, the others

0:14:01.720 --> 0:14:05.120
<v Speaker 2>escape in the Millennium Falcon again and they make it

0:14:05.200 --> 0:14:08.240
<v Speaker 2>to the rebel base where the Death Star plans are analyzed.

0:14:08.600 --> 0:14:12.600
<v Speaker 2>They discover a weakness and after this big space battle,

0:14:13.200 --> 0:14:18.640
<v Speaker 2>Luke Skywalker blows up the Death Star. The end and Now,

0:14:18.880 --> 0:14:22.960
<v Speaker 2>and that leads us right into episode five. Empire strikes

0:14:23.040 --> 0:14:27.240
<v Speaker 2>back with a very satisfying little time jump that I appreciated. Yes,

0:14:27.320 --> 0:14:30.200
<v Speaker 2>we skip over some stuff and we're caught up to

0:14:30.280 --> 0:14:34.080
<v Speaker 2>speed in the famous Star Wars opening scroll. Of course,

0:14:34.520 --> 0:14:39.080
<v Speaker 2>I believe it's been a couple of years since the

0:14:39.240 --> 0:14:42.920
<v Speaker 2>first I was seeing three years after the destruction of

0:14:42.960 --> 0:14:45.520
<v Speaker 2>the Death Star, is what I was saying, which actually

0:14:46.000 --> 0:14:49.080
<v Speaker 2>I didn't remember in preparing for this, and actually did

0:14:49.200 --> 0:14:51.960
<v Speaker 2>kind of help address some of the story questions I had,

0:14:52.040 --> 0:14:55.440
<v Speaker 2>where you're just like, well, it's been three years, you know,

0:14:55.480 --> 0:14:57.400
<v Speaker 2>there's a lot of shit that's gone on. It's been

0:14:57.600 --> 0:15:01.680
<v Speaker 2>eighty four years minus eighty one years. At this point,

0:15:01.760 --> 0:15:04.840
<v Speaker 2>it's like, you know, Lea and Han, it's like it's

0:15:04.880 --> 0:15:08.200
<v Speaker 2>like a work crush, you know, like it's not love

0:15:08.280 --> 0:15:11.840
<v Speaker 2>it for a sight. They've been they've been colleagues, yes,

0:15:12.320 --> 0:15:15.440
<v Speaker 2>for years, right, And we don't know exactly how much

0:15:15.560 --> 0:15:18.840
<v Speaker 2>time they've spent together in those three years. Yes, I

0:15:18.960 --> 0:15:20.760
<v Speaker 2>was not totally clear on that. But we learn in

0:15:20.840 --> 0:15:25.600
<v Speaker 2>the opening scroll that Imperial troops are hunting members of

0:15:25.720 --> 0:15:30.840
<v Speaker 2>the Rebel Alliance across the galaxy. A group of Rebel fighters,

0:15:31.160 --> 0:15:35.600
<v Speaker 2>including our friends Luke Skywalker, Princess Leah, Han, Solo, Tobacca

0:15:35.800 --> 0:15:39.080
<v Speaker 2>C three, PO R two D two, and others, have

0:15:39.280 --> 0:15:45.280
<v Speaker 2>established a secret base on the ice planet of Hath. Meanwhile,

0:15:45.400 --> 0:15:49.600
<v Speaker 2>Darth Vader is obsessed with finding Luke Skywalker and has

0:15:49.760 --> 0:15:54.600
<v Speaker 2>sent out like probes to look for him. Question Mark, like,

0:15:55.240 --> 0:15:58.080
<v Speaker 2>we I have to believe we're not meant to truly know.

0:16:00.920 --> 0:16:04.680
<v Speaker 3>I did, Like I remember when I rewatched it last summer,

0:16:04.800 --> 0:16:07.600
<v Speaker 3>being like, ooh, this is a fun little fashion moment

0:16:08.240 --> 0:16:11.080
<v Speaker 3>in the Empire strikes back that because it starts on Hath,

0:16:11.800 --> 0:16:14.560
<v Speaker 3>like everyone kind of has this like little ellll Bean.

0:16:14.880 --> 0:16:18.960
<v Speaker 2>Thing going on where they're wearing parkas, and there's at

0:16:19.040 --> 0:16:21.880
<v Speaker 2>least for Han and Luke, there's a big like I

0:16:22.000 --> 0:16:24.040
<v Speaker 2>took my hood off and here I am and I'm

0:16:24.120 --> 0:16:27.680
<v Speaker 2>still sexy and awesome moment that is so like we

0:16:27.840 --> 0:16:30.560
<v Speaker 2>come to this place. I really I enjoyed it. I

0:16:30.720 --> 0:16:34.640
<v Speaker 2>enjoyed the the de robing. Sure, sure, yeah, I meant

0:16:34.680 --> 0:16:37.680
<v Speaker 2>to do this earlier during my like history and relationship

0:16:37.880 --> 0:16:41.000
<v Speaker 2>with Star Wars. But I have a little show and

0:16:41.080 --> 0:16:43.800
<v Speaker 2>tell moment if you'll indulge me. Oh please, I have

0:16:43.920 --> 0:16:47.360
<v Speaker 2>a bunch of Star Wars memorabilia that I've collected over

0:16:47.400 --> 0:16:51.040
<v Speaker 2>the years. Huh and so first, great for a podcast

0:16:51.120 --> 0:16:53.640
<v Speaker 2>that we've refused to pivot to video. A Yes, this

0:16:53.760 --> 0:16:57.680
<v Speaker 2>is an audio medium. However, I will describe these things

0:16:57.720 --> 0:17:00.320
<v Speaker 2>and then people will really, you're a writer, Wow, thank you.

0:17:00.480 --> 0:17:05.359
<v Speaker 2>We're going to conjure an image. My tools are words. Okay,

0:17:05.480 --> 0:17:12.280
<v Speaker 2>So this thing is a canister of haf chocolate, Hoth cocoa. Wow, yeah,

0:17:12.280 --> 0:17:16.880
<v Speaker 2>ok yeah, Hoth coco. I also have a Boba fet

0:17:17.960 --> 0:17:21.399
<v Speaker 2>This is a coin bank. What is it about?

0:17:21.640 --> 0:17:24.880
<v Speaker 3>What is it about boba fet that is so appealing

0:17:25.080 --> 0:17:28.159
<v Speaker 3>to people? I like, I've never quite understood it because

0:17:28.600 --> 0:17:32.399
<v Speaker 3>I was so surprised on the rewatch of being like, oh,

0:17:32.520 --> 0:17:34.720
<v Speaker 3>this is the movie, we meet Boba fetted and.

0:17:34.840 --> 0:17:38.440
<v Speaker 2>He's so like random to me. I just like, I'm like,

0:17:38.680 --> 0:17:41.359
<v Speaker 2>I don't understand why people have but people have like

0:17:41.400 --> 0:17:44.880
<v Speaker 2>an absolutely, like fervent connection to this character. I never

0:17:44.960 --> 0:17:48.119
<v Speaker 2>really understood it either. He does appear on screen a

0:17:48.200 --> 0:17:51.040
<v Speaker 2>little bit more in Return of the Jedi, but cumulatively

0:17:51.680 --> 0:17:56.520
<v Speaker 2>his moments on screen and Empire are maybe one minute

0:17:56.720 --> 0:18:00.119
<v Speaker 2>of screen timely there. They don't even call him my

0:18:00.240 --> 0:18:03.080
<v Speaker 2>name either. Darth Vader just keeps calling him bounty hunter.

0:18:03.240 --> 0:18:05.199
<v Speaker 2>He's a guy doing cool stuff. But there's a lot

0:18:05.240 --> 0:18:07.600
<v Speaker 2>of guys doing cool stuff in Star Wars, and I

0:18:07.640 --> 0:18:10.960
<v Speaker 2>don't think the prequels really help retcon that, honestly, because you're.

0:18:10.880 --> 0:18:13.720
<v Speaker 3>Like, oh, Boba fet has a difficult relationship with his father.

0:18:14.080 --> 0:18:16.040
<v Speaker 3>What's fucking new in this franchise?

0:18:17.480 --> 0:18:22.159
<v Speaker 2>So true? God? Yes, Okay, a few more items, and

0:18:22.760 --> 0:18:25.159
<v Speaker 2>some of them are very specific to this movie. This

0:18:25.320 --> 0:18:28.320
<v Speaker 2>is a little book called I Just as Soon Kiss

0:18:28.320 --> 0:18:32.480
<v Speaker 2>a Wookie and other Star Wars quotes. This is a

0:18:32.560 --> 0:18:38.640
<v Speaker 2>book called the Star Wars Cookbook Wookie Cookies, Wookie Cookies. Yes,

0:18:39.000 --> 0:18:42.359
<v Speaker 2>I mean, I guess it was just sitting there precisely.

0:18:43.160 --> 0:18:46.359
<v Speaker 2>This is a book called how to Speak Wookie. And

0:18:46.440 --> 0:18:48.480
<v Speaker 2>then there's buttons on it. I wonder if the batteries

0:18:48.520 --> 0:18:51.720
<v Speaker 2>are still alive. No, they sure aren't. I'd pressed a

0:18:51.800 --> 0:18:55.399
<v Speaker 2>button and nothing happened. Okay. Last thing I'll share is

0:18:57.000 --> 0:19:00.560
<v Speaker 2>we simply can't forget my Ladies of Star Wars Deck

0:19:00.600 --> 0:19:05.879
<v Speaker 2>of Cards. Yes, yes, I honestly do sometimes because my

0:19:06.320 --> 0:19:10.119
<v Speaker 2>my recall on the original trilogy. Unfortunately, my recall is

0:19:10.240 --> 0:19:14.560
<v Speaker 2>best on the prequels because and again you should go

0:19:14.600 --> 0:19:16.760
<v Speaker 2>back and listen to our Prequels episode because I'm very

0:19:16.800 --> 0:19:18.760
<v Speaker 2>proud we did a lot of work to prep for that.

0:19:19.040 --> 0:19:21.399
<v Speaker 2>We sure did. But this one. This one, for me

0:19:21.400 --> 0:19:24.000
<v Speaker 2>at least, is gonna be a little looser because I

0:19:24.119 --> 0:19:28.080
<v Speaker 2>did not have weeks to prepare and or tickets on

0:19:28.160 --> 0:19:31.480
<v Speaker 2>the line. Yeah, but I kind of forgot if this

0:19:31.720 --> 0:19:34.760
<v Speaker 2>was the the one with Java or not. It is

0:19:34.840 --> 0:19:36.760
<v Speaker 2>not the one with Java, and I think that that

0:19:36.920 --> 0:19:39.560
<v Speaker 2>works to its advantage quite a bit, I would say so.

0:19:40.119 --> 0:19:44.000
<v Speaker 2>Although I love the sequence at Jaba's palace, so I.

0:19:44.640 --> 0:19:48.399
<v Speaker 3>I, okay, this is like, well, this is related but

0:19:48.920 --> 0:19:51.960
<v Speaker 3>not related to Empire Strikes Back. But I was so

0:19:52.760 --> 0:19:54.520
<v Speaker 3>shocked because I'm so out of the loop with this

0:19:54.640 --> 0:19:56.560
<v Speaker 3>franchise that I know that, like fans.

0:19:56.880 --> 0:20:01.480
<v Speaker 2>Knew about Jeremy Allen Jaba for probably months and years,

0:20:02.000 --> 0:20:05.040
<v Speaker 2>but I was so when I was watching the trailer

0:20:05.160 --> 0:20:07.560
<v Speaker 2>for the Mandalorian and Grogu and they were like Jeremy

0:20:07.640 --> 0:20:10.440
<v Speaker 2>Allen White, and I was like, where I must have

0:20:10.520 --> 0:20:12.600
<v Speaker 2>missed me? I don't know about this of what do

0:20:12.680 --> 0:20:16.480
<v Speaker 2>you speak? Look up Jeremy Allen White Star Wars. He's

0:20:16.520 --> 0:20:20.560
<v Speaker 2>playing like Jaba's son nephew. Ever, forget where it is.

0:20:20.800 --> 0:20:24.480
<v Speaker 2>He's Jeremy Allen Jaba. You're like, what, Well, if you

0:20:24.600 --> 0:20:27.880
<v Speaker 2>recall I made a big deal about Jaba's small son

0:20:28.040 --> 0:20:32.920
<v Speaker 2>who appears in Is that Jeremy Allan Jaba. I was

0:20:33.160 --> 0:20:35.960
<v Speaker 2>so let me see. I also was like, I guess

0:20:36.000 --> 0:20:39.280
<v Speaker 2>I don't understand what point in his career Jeremy Allen

0:20:39.359 --> 0:20:42.680
<v Speaker 2>why does that? This is a confusing career marker where

0:20:42.720 --> 0:20:44.920
<v Speaker 2>you're like, you can be in Star Wars, We're not

0:20:45.000 --> 0:20:48.320
<v Speaker 2>gonna look at you like, yeah, well, it's like when

0:20:49.119 --> 0:20:53.240
<v Speaker 2>Daniel Craig plays a Stormtrooper who's on screen for like

0:20:53.680 --> 0:20:56.960
<v Speaker 2>three seconds in one of the sequels. Yeah, but you

0:20:57.000 --> 0:20:59.879
<v Speaker 2>wouldn't know if it was him because he's in a Stormtrooper.

0:21:00.640 --> 0:21:02.920
<v Speaker 2>But he was already very famous by that point. But

0:21:03.080 --> 0:21:07.320
<v Speaker 2>Jeremy Allan Jaba is like second built. He's like a

0:21:07.600 --> 0:21:11.359
<v Speaker 2>big part of Yeah, he plays Roda the hut Rada,

0:21:11.440 --> 0:21:13.520
<v Speaker 2>the hut I'm not sure how to pronounce it, but yeah,

0:21:13.560 --> 0:21:18.359
<v Speaker 2>he's calling him Jeremy Allen Jaba. That I just was.

0:21:18.480 --> 0:21:20.399
<v Speaker 2>I don't know why that was so shocking to me.

0:21:20.480 --> 0:21:23.800
<v Speaker 2>I just don't think of him as Jeremy Allen Jaba.

0:21:24.840 --> 0:21:30.119
<v Speaker 2>I mean, he contains multitudes, I guess. So anyway, anyways,

0:21:30.880 --> 0:21:33.200
<v Speaker 2>can't wait for Baba Frick, I will be seeing Jeremy

0:21:33.200 --> 0:21:37.480
<v Speaker 2>Allen Jaba in theaters. Same do you want to go together?

0:21:37.840 --> 0:21:42.119
<v Speaker 2>Oh my gosh, if you'll have me, I will. Okay, Okay,

0:21:42.440 --> 0:21:46.160
<v Speaker 2>let's do this, do it? Okay? Back to fire strikes back,

0:21:47.040 --> 0:21:51.879
<v Speaker 2>we cut too. Hof the ice planet, Luke is riding

0:21:51.960 --> 0:21:58.560
<v Speaker 2>around on his ton Ton creature when the Abominable Snowman

0:21:59.160 --> 0:22:02.600
<v Speaker 2>attacks and captures him. This is so iconic where you're

0:22:02.680 --> 0:22:04.680
<v Speaker 2>just like, I didn't know that he could get to

0:22:04.800 --> 0:22:08.280
<v Speaker 2>wherever this is. It is like right up there with

0:22:08.440 --> 0:22:11.399
<v Speaker 2>monsters incorporated, with places you don't expect to see. The

0:22:11.440 --> 0:22:16.520
<v Speaker 2>Abominable Snowman appear. No, he's around. Yeah, he gets around.

0:22:17.119 --> 0:22:19.920
<v Speaker 2>He gets around, including a long time ago in a

0:22:19.960 --> 0:22:26.720
<v Speaker 2>galaxy far far away, and so he captures Luke Skywalker. Meanwhile,

0:22:26.920 --> 0:22:30.200
<v Speaker 2>on the rebel base, Han Solo is getting ready to

0:22:30.359 --> 0:22:33.520
<v Speaker 2>leave to pay off his debt to Jaba the Hut,

0:22:33.880 --> 0:22:39.639
<v Speaker 2>father of Jeremy Allen Jaba. Princess Leah gets when the

0:22:39.960 --> 0:22:44.480
<v Speaker 2>Han Solo is planning to leave, and she wants him

0:22:44.560 --> 0:22:48.119
<v Speaker 2>to stay because he's a valuable asset to the rebellion

0:22:48.720 --> 0:22:52.640
<v Speaker 2>and also maybe because she likes him. Question Mark, We'll

0:22:52.800 --> 0:22:57.240
<v Speaker 2>talk about it. We'll talk about it. But whatever feelings

0:22:57.280 --> 0:23:00.600
<v Speaker 2>they have for each other, they are unw willing to

0:23:01.320 --> 0:23:04.080
<v Speaker 2>admit it to each other, and also it's mostly Han

0:23:04.160 --> 0:23:09.000
<v Speaker 2>solo being a complete dick. Yeah. Hahn realizes that Luke

0:23:09.200 --> 0:23:12.720
<v Speaker 2>is missing, so he goes out looking for him. Cut

0:23:12.800 --> 0:23:17.160
<v Speaker 2>to Luke in an ice cave, the Abominable Snowman's ice cave,

0:23:18.080 --> 0:23:20.840
<v Speaker 2>where he uses his Jedi powers that he's been working

0:23:20.960 --> 0:23:26.240
<v Speaker 2>on to summon his lightsaber and kill the Abominable Snowman.

0:23:26.520 --> 0:23:30.640
<v Speaker 2>But the Abottable Snowman made an incredible recovery at least

0:23:30.680 --> 0:23:34.160
<v Speaker 2>by two thousand and one. In Monsters Inc. To meet

0:23:34.280 --> 0:23:38.520
<v Speaker 2>Mike Wazaski. Yeah, yeah, yes, yes, yes, of course, Luke

0:23:38.640 --> 0:23:42.920
<v Speaker 2>escapes into the blizzard. He's freezing to death. He starts

0:23:43.320 --> 0:23:48.400
<v Speaker 2>Jedi hallucinating and sees a vision of Obi Wan Kenobi,

0:23:48.560 --> 0:23:51.040
<v Speaker 2>who tells him to go to the Dagabus system and

0:23:51.160 --> 0:23:56.000
<v Speaker 2>find Master Yoda so that Luke can complete his Jedi training.

0:23:56.280 --> 0:23:59.280
<v Speaker 2>It's part of there ison that Jedi shit is so

0:24:00.200 --> 0:24:03.200
<v Speaker 2>fun and has to be so useful as a writer,

0:24:03.400 --> 0:24:06.600
<v Speaker 2>because it is just having a plot hallucination, a plot

0:24:06.680 --> 0:24:11.600
<v Speaker 2>based hallucination. Whenever it's convenient, Obi Wan Kenobi's ghost like

0:24:11.800 --> 0:24:14.840
<v Speaker 2>force ghost will just show up and either deliver some

0:24:15.000 --> 0:24:18.480
<v Speaker 2>exposition or move the plot forward, and you.

0:24:18.600 --> 0:24:21.520
<v Speaker 3>Really don't need It's not that you don't need to,

0:24:21.600 --> 0:24:24.560
<v Speaker 3>it's that you're not allowed to ask questions because the

0:24:24.760 --> 0:24:27.680
<v Speaker 3>very concept of faith is on the line. It's a

0:24:27.880 --> 0:24:29.879
<v Speaker 3>very high stakes plot device they have.

0:24:30.000 --> 0:24:33.800
<v Speaker 2>There, yeah, yeah, and good for them. Yeah. So then

0:24:34.080 --> 0:24:37.960
<v Speaker 2>Han Solo finds and rescues Luke. They return to the base,

0:24:38.560 --> 0:24:43.199
<v Speaker 2>where Han continues to be a dick. So Leah kisses

0:24:43.320 --> 0:24:47.880
<v Speaker 2>Luke to perhaps make Han Solo jealous, which is one

0:24:47.960 --> 0:24:54.200
<v Speaker 2>of cinema's most flaccid kisses. Also fully we don't know

0:24:54.320 --> 0:24:59.040
<v Speaker 2>in this movie, but fully ancestual. Also yeah, she kisses

0:24:59.359 --> 0:25:02.399
<v Speaker 2>her brother, but she doesn't know that they're brother and

0:25:02.480 --> 0:25:05.040
<v Speaker 2>sister yet, so it's actually kind of cool and fun

0:25:05.080 --> 0:25:10.440
<v Speaker 2>and flirty, I remember, right. Okay, So one of Darth

0:25:10.520 --> 0:25:15.879
<v Speaker 2>Vader's probe droids shows up on the planet Hof, meaning

0:25:15.960 --> 0:25:19.480
<v Speaker 2>the Empire knows that the rebel base is there, so

0:25:19.800 --> 0:25:24.359
<v Speaker 2>the rebels start evacuating, but the Empire launches an attack.

0:25:24.680 --> 0:25:27.920
<v Speaker 2>There's a big fight scene with Luke and the other

0:25:28.119 --> 0:25:34.360
<v Speaker 2>rebel pilots battling the Empire and they're at ats, which

0:25:34.520 --> 0:25:37.160
<v Speaker 2>is also not they are not named in this movie.

0:25:37.160 --> 0:25:39.000
<v Speaker 2>I don't know how anyone figured out what they're called,

0:25:39.480 --> 0:25:43.560
<v Speaker 2>but they're those like giant four legged things. I okay,

0:25:43.960 --> 0:25:46.520
<v Speaker 2>this is the way that I think about it, unfortunately,

0:25:47.320 --> 0:25:52.760
<v Speaker 2>but because I have two mini pets. But okay, they're

0:25:52.840 --> 0:25:56.440
<v Speaker 2>called what I think it's pronounced at ats or maybe

0:25:56.480 --> 0:25:59.760
<v Speaker 2>they're called atat's, but it stands for like all to

0:26:00.080 --> 0:26:02.120
<v Speaker 2>rain something something.

0:26:02.800 --> 0:26:05.960
<v Speaker 3>So to me, they look like and always have looked

0:26:06.160 --> 0:26:11.480
<v Speaker 3>like if my cocker spaniel, Sunny, fans will know if

0:26:11.520 --> 0:26:14.520
<v Speaker 3>he got this, if he got the surgery that Petropascala

0:26:14.560 --> 0:26:16.959
<v Speaker 3>gets in materialists.

0:26:17.880 --> 0:26:21.080
<v Speaker 2>That's what to extend his legs. I was like, that's

0:26:21.119 --> 0:26:23.120
<v Speaker 2>what it would look like if Sonny got the surgery,

0:26:23.320 --> 0:26:26.520
<v Speaker 2>you would look like there's I think they're so funny.

0:26:27.280 --> 0:26:30.040
<v Speaker 2>I don't see them refer to comedically enough. They're too big.

0:26:30.320 --> 0:26:36.080
<v Speaker 2>They're just too big. They're they're so legsy, tall and skinny,

0:26:36.200 --> 0:26:39.200
<v Speaker 2>and you're just like the design flaws are abound, truly

0:26:39.359 --> 0:26:42.080
<v Speaker 2>to the like, it's so easy for the rebel pilots

0:26:42.200 --> 0:26:46.639
<v Speaker 2>to destroy them. They're they're called all terrain Armored Transports.

0:26:47.000 --> 0:26:49.680
<v Speaker 2>I've got notes. But also like it's so funny.

0:26:49.720 --> 0:26:52.600
<v Speaker 3>I mean I'm sure that this happens in actual terrifying

0:26:53.359 --> 0:26:56.320
<v Speaker 3>you know, military industrial complex machines where you're just where

0:26:56.359 --> 0:27:00.480
<v Speaker 3>it's just so unbelievably monstrously efficient.

0:27:01.240 --> 0:27:03.920
<v Speaker 2>I mean, one of my favorite things to watch is

0:27:04.040 --> 0:27:08.960
<v Speaker 2>videos of like AI robots that there's like a presentation

0:27:09.080 --> 0:27:12.840
<v Speaker 2>of them. Someone's like unveiling this super high tech AI

0:27:13.080 --> 0:27:16.119
<v Speaker 2>robot or whatever kind of robot thing, and then it

0:27:16.280 --> 0:27:20.119
<v Speaker 2>immediately trips and falls and like breaks apart. Yes, it

0:27:20.280 --> 0:27:23.160
<v Speaker 2>is so. It hits so hard seeing a Boston Robotics thing.

0:27:23.359 --> 0:27:27.520
<v Speaker 2>Eat shit, it feels so good to see. It's awesome.

0:27:27.640 --> 0:27:30.800
<v Speaker 2>My favorite one is it like goes well, I didn't

0:27:30.800 --> 0:27:33.080
<v Speaker 2>even if it goes viral. I also feel old saying

0:27:33.200 --> 0:27:33.879
<v Speaker 2>goes viral.

0:27:33.960 --> 0:27:36.119
<v Speaker 3>Now, I don't know if people say that anymore, but

0:27:36.240 --> 0:27:38.760
<v Speaker 3>there's that one of I think it's a Tesla robot

0:27:39.480 --> 0:27:41.840
<v Speaker 3>trying to like serve a drink and then it.

0:27:42.000 --> 0:27:48.440
<v Speaker 2>Just like passes out. It's it's it's real fun. Yeah, yeah,

0:27:48.480 --> 0:27:53.160
<v Speaker 2>I love those videos. Yeah, okay, fuck them, fuck fuck them. Yeah.

0:27:53.200 --> 0:27:56.280
<v Speaker 2>The problem with Star Wars is while it is cool conceptually,

0:27:56.840 --> 0:28:01.080
<v Speaker 2>uh you know, robots aren't gonna like help or anything. Yeah,

0:28:01.119 --> 0:28:04.520
<v Speaker 2>but well it's always the Empire that uses them. That's true.

0:28:04.680 --> 0:28:08.960
<v Speaker 2>I mean, well droids, I guess robots. Droids are actually robots,

0:28:09.200 --> 0:28:13.639
<v Speaker 2>and yeah they are. Look, it's complicated, it's complicated, it

0:28:13.840 --> 0:28:19.080
<v Speaker 2>is it is. Yeah. But anyway, this battle is happening,

0:28:19.680 --> 0:28:23.199
<v Speaker 2>the Rebellion is losing, and then Darth Vader shows up

0:28:23.640 --> 0:28:27.320
<v Speaker 2>at the rebel base just as Han Leia, Chewy and

0:28:27.520 --> 0:28:32.840
<v Speaker 2>c Threepo managed to escape in the Millennium Falcon. But

0:28:33.200 --> 0:28:37.080
<v Speaker 2>Star destroyers and other Imperial ships are chasing and shooting

0:28:37.119 --> 0:28:40.960
<v Speaker 2>at the Millennium Falcon, which is damaged and can't get

0:28:41.000 --> 0:28:45.160
<v Speaker 2>to light speed, so they end up in this asteroid

0:28:45.400 --> 0:28:49.520
<v Speaker 2>field that they have to maneuver through. They enter a

0:28:49.760 --> 0:28:54.560
<v Speaker 2>cavern on one of the bigger asteroids to hide while

0:28:55.080 --> 0:28:59.640
<v Speaker 2>Han and Chewey repair the ship. But wait, there's something

0:29:00.320 --> 0:29:04.880
<v Speaker 2>weird about this asteroid or this cave, but they don't

0:29:04.960 --> 0:29:10.240
<v Speaker 2>know what's going on yet. Meanwhile, Luke and R two

0:29:10.320 --> 0:29:13.400
<v Speaker 2>D two head to the Dago bus system. They kind

0:29:13.400 --> 0:29:18.560
<v Speaker 2>of crash land into this like spooky bog and they're

0:29:18.600 --> 0:29:21.640
<v Speaker 2>trying to figure out where they are where This Yoda

0:29:21.840 --> 0:29:24.640
<v Speaker 2>character is some I was I was gonna say, kind

0:29:24.680 --> 0:29:28.720
<v Speaker 2>of a bit of a swamp like a like a

0:29:29.120 --> 0:29:32.400
<v Speaker 2>like kind of somewhere where like a like Shrek lives

0:29:32.640 --> 0:29:39.280
<v Speaker 2>kind of like somebody can start playing it anytime, kind

0:29:39.320 --> 0:29:41.960
<v Speaker 2>of that wow, that kind of vibe. And you know

0:29:42.320 --> 0:29:49.320
<v Speaker 2>this is a swamp where a green outcast lives. That

0:29:49.680 --> 0:29:52.320
<v Speaker 2>I And it's interesting and there's someone should write their

0:29:52.360 --> 0:29:55.680
<v Speaker 2>thesis paper on why green house casts, you know, sort

0:29:55.720 --> 0:29:59.560
<v Speaker 2>of trend towards these settings. I have Okay, I have

0:29:59.640 --> 0:30:03.200
<v Speaker 2>a letter box list that I've been working on. Okay,

0:30:03.360 --> 0:30:08.080
<v Speaker 2>it's called something like movies where a character who is

0:30:08.280 --> 0:30:15.080
<v Speaker 2>green has been cast out by society and lives alone somewhere. Grinch,

0:30:15.360 --> 0:30:20.160
<v Speaker 2>Oh my god, Grinch, Shrek, Wicked, Wicked.

0:30:20.440 --> 0:30:25.400
<v Speaker 3>Wow, for that's that's official. Yeah, and Yoda that wow.

0:30:26.520 --> 0:30:31.160
<v Speaker 3>What's going on? What's going on here? And in a way,

0:30:32.040 --> 0:30:34.960
<v Speaker 3>because there's like the little I've.

0:30:34.840 --> 0:30:38.680
<v Speaker 2>Been well whatever it's Minion season, Kitla and I well,

0:30:39.080 --> 0:30:42.600
<v Speaker 2>you don't have to tell me twice. Hello, we're gonna

0:30:42.760 --> 0:30:47.680
<v Speaker 2>I cannot wait for the new Minions movie. But that's

0:30:47.760 --> 0:30:51.320
<v Speaker 2>a separate like little yellow cartoon characters are another whole

0:30:51.400 --> 0:30:54.280
<v Speaker 2>thing too, Because you've got SpongeBob, you've got Minions, you've

0:30:54.320 --> 0:30:56.920
<v Speaker 2>got like the list goes on and on. You're just like,

0:30:57.160 --> 0:31:01.560
<v Speaker 2>what is it? What does it mean? Someone give me answers?

0:31:02.040 --> 0:31:05.920
<v Speaker 2>Let's continue to explore this, shall we? Yes? But anyway,

0:31:06.080 --> 0:31:10.080
<v Speaker 2>Yoda is Shrek, but they don't know that yet. Luke

0:31:10.200 --> 0:31:13.280
<v Speaker 2>and are two D two and come upon Unlike Shrek Yoda.

0:31:13.440 --> 0:31:17.320
<v Speaker 2>To be fair, Yoda is like open to others being

0:31:17.360 --> 0:31:20.400
<v Speaker 2>at his swamp, but it really depends. He's kind of

0:31:20.520 --> 0:31:26.120
<v Speaker 2>like if Shrek and Donkey were one character. Yes, yeah, wow,

0:31:26.560 --> 0:31:30.480
<v Speaker 2>huge for Yoda. What a compliment? Yeah, right right, because

0:31:31.120 --> 0:31:36.400
<v Speaker 2>like Donkey, Yoda is annoying. He's really annoying and always

0:31:36.600 --> 0:31:41.320
<v Speaker 2>like but also you know, wants company so badly. It's true.

0:31:42.360 --> 0:31:44.720
<v Speaker 2>So Luke is looking for Yoda, but he doesn't know

0:31:44.880 --> 0:31:48.160
<v Speaker 2>what Yoda looks like or who he is, and he

0:31:48.280 --> 0:31:53.400
<v Speaker 2>comes upon this weird green, little muppety guy. Boy is it?

0:31:53.440 --> 0:31:58.800
<v Speaker 2>I'm up? And it's literally Frank miss Piggy. Yes, yes,

0:32:00.320 --> 0:32:03.960
<v Speaker 2>and he's super annoying. So Luke is like, what the fuck, dude,

0:32:04.560 --> 0:32:08.120
<v Speaker 2>leave me alone. I'm trying to find Yoda, and this

0:32:08.240 --> 0:32:13.360
<v Speaker 2>little guy is like, I am Yoda and you are

0:32:13.480 --> 0:32:17.920
<v Speaker 2>too impatient, too angry, and too old to be a Jedi.

0:32:18.200 --> 0:32:23.280
<v Speaker 2>You crusty bitch. So here's maybe a controversial thought. Yeah,

0:32:23.360 --> 0:32:26.920
<v Speaker 2>and it comes with many layers and does tie into

0:32:27.360 --> 0:32:33.320
<v Speaker 2>our previous prequels research Yoda, Like, what a wild swing

0:32:33.840 --> 0:32:41.120
<v Speaker 2>the character Yoda is conceptually versus how hugely like society

0:32:41.320 --> 0:32:45.680
<v Speaker 2>embraced Yoda as a character. I think with this in mind,

0:32:46.600 --> 0:32:50.280
<v Speaker 2>things make a little bit more sense into like the

0:32:50.480 --> 0:32:54.480
<v Speaker 2>jar Jar of it all. Now I look at how

0:32:54.880 --> 0:32:59.040
<v Speaker 2>weird and annoying Yoda is, an empire strikes back and

0:32:59.440 --> 0:33:03.720
<v Speaker 2>sort of understand why George Lucas, who is like not

0:33:04.040 --> 0:33:08.520
<v Speaker 2>known for really thinking things, thinking how things might be

0:33:08.640 --> 0:33:12.800
<v Speaker 2>perceived through sure might have thought that jar Jar was

0:33:12.880 --> 0:33:15.960
<v Speaker 2>really going to work. We talk about in the prequel

0:33:16.680 --> 0:33:19.560
<v Speaker 2>all of the reasons that that may not be the case,

0:33:21.240 --> 0:33:24.520
<v Speaker 2>but there's precedent for it. Yeah. I feel like people

0:33:24.760 --> 0:33:29.960
<v Speaker 2>talk about jar Jar like an annoying character coming out

0:33:29.960 --> 0:33:33.400
<v Speaker 2>of nowhere in Star Wars is a completely out of

0:33:33.480 --> 0:33:35.640
<v Speaker 2>nowhere thing, but it's like there is precedent and there's

0:33:35.680 --> 0:33:42.320
<v Speaker 2>precedent of it working. Yeah, but yeah, shrug, who knows. Anyway,

0:33:42.760 --> 0:33:47.760
<v Speaker 2>Yoda is reluctant to teach Luke, but Luke is like, no,

0:33:48.440 --> 0:33:53.080
<v Speaker 2>teach me, please teach me, Daddy, teach me daddy. Luke

0:33:53.160 --> 0:33:55.560
<v Speaker 2>always wants a daddy. That's kind of his whole He's

0:33:55.600 --> 0:33:57.920
<v Speaker 2>obsessed with having a daddy. I mean, to be fair,

0:33:58.440 --> 0:34:07.600
<v Speaker 2>they keep dying true, So he thinks back on the

0:34:07.720 --> 0:34:11.120
<v Speaker 2>Millennium Falcon, they're working on the ship. They're still trying

0:34:11.160 --> 0:34:14.680
<v Speaker 2>to repair it. Han Solo continues to be an ass,

0:34:15.800 --> 0:34:20.279
<v Speaker 2>but Lea quote unquote likes it, and they kiss on

0:34:20.400 --> 0:34:23.640
<v Speaker 2>the lips and again we'll talk about it. But then

0:34:23.680 --> 0:34:28.320
<v Speaker 2>they go outside because some creatures are lurking around and

0:34:28.440 --> 0:34:32.319
<v Speaker 2>there's again something really weird about this cave, except it's

0:34:32.400 --> 0:34:37.600
<v Speaker 2>not a cave. It's a giant space worm that they

0:34:38.120 --> 0:34:42.680
<v Speaker 2>have to fly out of slash narrowly escape from. Fun.

0:34:43.239 --> 0:34:46.880
<v Speaker 2>It's fun. This is a great part. Yeah, I love worm.

0:34:49.040 --> 0:34:52.960
<v Speaker 2>So then we see Darth Vader having a little chat

0:34:53.080 --> 0:34:57.239
<v Speaker 2>with the Emperor about Luke Skywalker, how the Force is

0:34:57.320 --> 0:35:00.239
<v Speaker 2>strong with him, and how if they can turn him

0:35:00.280 --> 0:35:03.800
<v Speaker 2>to the dark side he could become a powerful ally

0:35:04.719 --> 0:35:08.640
<v Speaker 2>and Darth Vader says he will join us or die.

0:35:09.000 --> 0:35:10.840
<v Speaker 2>And I think one of the things that the Empire

0:35:10.880 --> 0:35:15.200
<v Speaker 2>strikes Back has going for it is like, not too

0:35:15.520 --> 0:35:17.800
<v Speaker 2>heavy on the Emperor. You really have to have a

0:35:17.960 --> 0:35:21.160
<v Speaker 2>careful balance of Emperor in your Star Wars movie. I

0:35:21.400 --> 0:35:27.320
<v Speaker 2>feel too much Emperor is annoying and or boring. A

0:35:27.520 --> 0:35:29.800
<v Speaker 2>little bit of Empire is fun. I agree, And I

0:35:29.840 --> 0:35:32.160
<v Speaker 2>think there is too much of the Emperor in Return

0:35:32.239 --> 0:35:35.200
<v Speaker 2>of the Jedi and also in the prequels and sequels,

0:35:35.560 --> 0:35:39.320
<v Speaker 2>except except in that amazing fight with Samuel L. Jackson.

0:35:39.520 --> 0:35:42.839
<v Speaker 2>That's the right amount. Oh my gosh. Yes, there's fun

0:35:42.920 --> 0:35:45.200
<v Speaker 2>Emperor and there's not fun Emperor. I like that he's

0:35:45.239 --> 0:35:47.960
<v Speaker 2>there for a scene and then we just move on.

0:35:48.280 --> 0:35:52.239
<v Speaker 2>We move on. Yeah, Okay. So we're talking about the

0:35:52.400 --> 0:35:55.040
<v Speaker 2>dark Side and they're trying to get Luke to come

0:35:55.160 --> 0:35:58.759
<v Speaker 2>over to it. Back on Digoba, Yoda has agreed to

0:35:58.800 --> 0:36:03.040
<v Speaker 2>start training Luke, and so they're doing that. Luke asks

0:36:03.160 --> 0:36:06.240
<v Speaker 2>about the dark Side. Then he goes into this cave

0:36:06.440 --> 0:36:11.320
<v Speaker 2>where he faces his fears that he will be tempted

0:36:11.520 --> 0:36:15.640
<v Speaker 2>by the dark Side and become someone like Darth Vader.

0:36:15.800 --> 0:36:18.920
<v Speaker 2>So now we have this like looming thing over Luke,

0:36:19.120 --> 0:36:23.000
<v Speaker 2>and it's also freshman year philosophy seminar. What's going on

0:36:23.200 --> 0:36:29.640
<v Speaker 2>in this cave. It's like, it's it's good shit, it's fun. Yeah, Meanwhile,

0:36:29.920 --> 0:36:34.719
<v Speaker 2>Darth Vader hires a bunch of bounty hunters, including Boba Fett,

0:36:35.200 --> 0:36:39.520
<v Speaker 2>to find the Millennium Falcon, and apparently a lot of

0:36:39.560 --> 0:36:43.719
<v Speaker 2>people were like, hubba, hubba, who's that? And I'm just like,

0:36:44.200 --> 0:36:48.279
<v Speaker 2>he looks like a fucking any anyone else in Star Wars.

0:36:48.320 --> 0:36:50.759
<v Speaker 2>I don't get it. There is certain like sci fi

0:36:50.920 --> 0:36:53.799
<v Speaker 2>fan braid that I just like, I need it really

0:36:54.239 --> 0:36:57.200
<v Speaker 2>spoon fed to be because I don't understand. I don't

0:36:57.200 --> 0:37:00.360
<v Speaker 2>necessarily get this one either. I understand that he's like cool,

0:37:00.560 --> 0:37:05.360
<v Speaker 2>I guess, and his costume's cool, But why people glombed

0:37:05.440 --> 0:37:08.359
<v Speaker 2>onto him so much? I don't know. I don't quite

0:37:08.560 --> 0:37:12.960
<v Speaker 2>know if you did, or know why sound off. I'm

0:37:13.080 --> 0:37:18.160
<v Speaker 2>genuinely curious why this character of all characters for sure. Okay,

0:37:18.239 --> 0:37:21.520
<v Speaker 2>So Luke keeps working on his Jedi training, which is

0:37:21.640 --> 0:37:26.040
<v Speaker 2>mostly just like floating rocks around. He does try to

0:37:26.960 --> 0:37:31.520
<v Speaker 2>Jedi lift his ship out of the swamp. Luke literally

0:37:31.640 --> 0:37:34.400
<v Speaker 2>kind of like has a little grad school side quest

0:37:36.560 --> 0:37:40.080
<v Speaker 2>like yeah, he's like he's doing a workshop. Yeah, like

0:37:40.239 --> 0:37:42.800
<v Speaker 2>many like many grad school courses. You're like, so, what

0:37:43.080 --> 0:37:45.919
<v Speaker 2>is the function of this? I'm sure it'll become clear.

0:37:45.960 --> 0:37:50.520
<v Speaker 2>Eventually and it does, Yes, it does anyway. Luke he

0:37:50.920 --> 0:37:53.719
<v Speaker 2>he can't lift something as heavy as a spaceship out

0:37:53.719 --> 0:37:56.680
<v Speaker 2>of a swamp, but Yoda does it with relative ease,

0:37:57.000 --> 0:38:00.239
<v Speaker 2>and Luke is like, oh shit, I'm a free in

0:38:00.520 --> 0:38:03.319
<v Speaker 2>eighty eight. I still have so much to learn, mupp

0:38:03.360 --> 0:38:09.880
<v Speaker 2>It's awesome. Yeah, and then Luke, with his force powers,

0:38:10.239 --> 0:38:13.680
<v Speaker 2>sees a vision of the future which is Han and

0:38:13.840 --> 0:38:17.000
<v Speaker 2>Leah in danger. Yeah. So Luke wants to go help them,

0:38:17.560 --> 0:38:22.520
<v Speaker 2>but Yoda and obi Wan's force ghost try to discourage him,

0:38:22.840 --> 0:38:26.279
<v Speaker 2>saying it's a trap and he needs to finish his

0:38:26.400 --> 0:38:28.879
<v Speaker 2>training and he's being tempted by the dark side. Blah

0:38:28.920 --> 0:38:33.719
<v Speaker 2>blah blah. They're like, don't quit grad school and he's like,

0:38:33.840 --> 0:38:37.120
<v Speaker 2>don't worry, I'm just gonna take a sabbatical. Yeah. He's like,

0:38:37.320 --> 0:38:40.760
<v Speaker 2>it's just one session. I'll be back. I'll finish my degree.

0:38:40.800 --> 0:38:46.120
<v Speaker 2>I swear, I swear. So Luke leaves and obi Wan

0:38:46.200 --> 0:38:48.960
<v Speaker 2>says to Yoda he's like, ugh, that boy is our

0:38:49.080 --> 0:38:54.680
<v Speaker 2>last hope. And then Yoda is like, no, there's another

0:38:55.600 --> 0:39:00.600
<v Speaker 2>and we're like, oh my gosh, who is it. Meanwhile,

0:39:01.360 --> 0:39:06.840
<v Speaker 2>Leah and Han and Chewy and C three po arrive

0:39:07.160 --> 0:39:12.239
<v Speaker 2>in Cloud City, where we meet Landol Kelrisian. He is

0:39:12.320 --> 0:39:17.240
<v Speaker 2>an old pal of Hans and also a scoundrel like Han,

0:39:17.960 --> 0:39:20.520
<v Speaker 2>so not someone they can really trust, and there's definitely

0:39:20.560 --> 0:39:24.280
<v Speaker 2>something suspicious going on. It turns out that Lando sold

0:39:24.320 --> 0:39:28.839
<v Speaker 2>them out to Darth Vader, so our friends are imprisoned

0:39:29.000 --> 0:39:33.760
<v Speaker 2>and tortured. C three Po is torn to pieces, Hans

0:39:33.880 --> 0:39:38.080
<v Speaker 2>Solo is frozen in carbonite and turned over to Boba Fett,

0:39:38.239 --> 0:39:40.840
<v Speaker 2>and this is where we have the famous scene of

0:39:41.080 --> 0:39:44.360
<v Speaker 2>Leah saying I love you and Hans says I know,

0:39:46.360 --> 0:39:50.480
<v Speaker 2>and we're rolling our eyes and they're all right. A

0:39:51.200 --> 0:39:54.640
<v Speaker 2>lot of people were irreparably harmed by that line of dialogue,

0:39:54.880 --> 0:39:58.560
<v Speaker 2>including me as a child, So I'm not above that

0:39:58.840 --> 0:40:01.280
<v Speaker 2>the line that no, but no, it's not being above,

0:40:01.480 --> 0:40:04.840
<v Speaker 2>it's just it's it's the line that inspired a million

0:40:05.320 --> 0:40:11.920
<v Speaker 2>emotionally volatile relationships. Yes, sad but true. Yeah. And then

0:40:12.080 --> 0:40:14.960
<v Speaker 2>Luke shows up to Cloud City and there's a big

0:40:15.040 --> 0:40:20.280
<v Speaker 2>confrontation between him and Darth Vader. They're lightsaber battling. Vader

0:40:20.520 --> 0:40:24.120
<v Speaker 2>is like, join me on the dark side. It's really

0:40:24.440 --> 0:40:30.680
<v Speaker 2>cool over here. Meanwhile, Lando double crosses Darth Vader to

0:40:30.920 --> 0:40:36.080
<v Speaker 2>then help his friends. After all, so Lando lea Chewy

0:40:36.239 --> 0:40:39.280
<v Speaker 2>c three po they're running around. They're trying to save Han,

0:40:40.040 --> 0:40:42.480
<v Speaker 2>but they're too late, and then they have to make

0:40:42.480 --> 0:40:45.560
<v Speaker 2>an escape from Cloud City because it's being taken over

0:40:45.760 --> 0:40:50.520
<v Speaker 2>by stormtroopers and everything. We cut back to the lightsaber battle.

0:40:51.200 --> 0:40:55.920
<v Speaker 2>Darth Vader chops off Luke's hand and then reveals to Luke,

0:40:56.760 --> 0:41:01.080
<v Speaker 2>I am your father, and we're like narratives a movie

0:41:01.120 --> 0:41:04.640
<v Speaker 2>about fathers and sons. Yeah, and then it becomes nine

0:41:04.760 --> 0:41:09.480
<v Speaker 2>movies about fathers and sons, try as it may to

0:41:09.760 --> 0:41:13.640
<v Speaker 2>occasionally become other things. That is where we keep going.

0:41:13.640 --> 0:41:17.960
<v Speaker 2>It is ultimately because a movie about fathers and sons. Ultimately,

0:41:18.080 --> 0:41:21.239
<v Speaker 2>I mean, the sequels, right, are ultimately kind of more

0:41:21.239 --> 0:41:24.880
<v Speaker 2>about Adam Driver and Hans Solo than they are about

0:41:25.320 --> 0:41:28.960
<v Speaker 2>Ray and the people. They can't decide if they're hurt, Like,

0:41:29.120 --> 0:41:31.600
<v Speaker 2>they can't decide who Ray's parents are, so it's not

0:41:31.880 --> 0:41:36.440
<v Speaker 2>about her and her parents. They're like the Emperor whatever

0:41:37.080 --> 0:41:39.879
<v Speaker 2>I mean. And I'm not the first and only person

0:41:39.960 --> 0:41:43.920
<v Speaker 2>to make this observation, but the sequel trilogy really suffers

0:41:44.120 --> 0:41:50.680
<v Speaker 2>from two men having a narrative dick measuring contest with

0:41:50.800 --> 0:41:54.480
<v Speaker 2>each other because it's Ryan Johnson and JJ Abrams being like, no,

0:41:54.680 --> 0:41:58.160
<v Speaker 2>it's my thing. No, it's my thing, which is like,

0:41:58.640 --> 0:42:01.920
<v Speaker 2>you know, annoying and ridiculou. But it's also like you

0:42:01.960 --> 0:42:04.440
<v Speaker 2>would think that there would be a system in place

0:42:04.480 --> 0:42:07.239
<v Speaker 2>that would like decide who was going to do what

0:42:07.480 --> 0:42:10.880
<v Speaker 2>in advance. It is still so shocking to me. And

0:42:11.320 --> 0:42:15.040
<v Speaker 2>I don't care about the continuity of Star Wars, so

0:42:15.080 --> 0:42:16.960
<v Speaker 2>I'm not like super worried about it, but it is

0:42:17.000 --> 0:42:19.279
<v Speaker 2>shocking to me every time I hear how those things

0:42:19.320 --> 0:42:21.759
<v Speaker 2>played out, where it was like, see, your plan was

0:42:21.800 --> 0:42:24.920
<v Speaker 2>to spend like a billion dollars of these movies and

0:42:25.000 --> 0:42:28.359
<v Speaker 2>you didn't want to decide in advance who was going

0:42:28.480 --> 0:42:31.160
<v Speaker 2>to do what and when and if they agreed with

0:42:31.320 --> 0:42:36.279
<v Speaker 2>each other about a single thing like that is kind

0:42:36.320 --> 0:42:41.560
<v Speaker 2>of like it's almost awesome, how how like ridiculous it is.

0:42:42.160 --> 0:42:45.279
<v Speaker 2>I guess it's you could see it as encouraging the

0:42:46.440 --> 0:42:49.719
<v Speaker 2>huge corporation of Disney, who they let Ryan Johnson do

0:42:49.880 --> 0:42:54.800
<v Speaker 2>his thing. But right, they're giving creative control to the filmmakers,

0:42:55.160 --> 0:42:58.520
<v Speaker 2>but at what cost? Right, But then they can't decide

0:42:58.560 --> 0:43:00.600
<v Speaker 2>if they like regret doing that or not. I don't know.

0:43:01.520 --> 0:43:06.560
<v Speaker 2>There's been so much discussion over the sequels, but what.

0:43:06.920 --> 0:43:10.640
<v Speaker 3>Does seem interesting to me after just like rewatching this

0:43:11.160 --> 0:43:14.719
<v Speaker 3>and watching watching the prequels and you know, not having

0:43:14.800 --> 0:43:16.600
<v Speaker 3>quite as firm a grip on the sequels, But it's

0:43:16.640 --> 0:43:20.360
<v Speaker 3>like it is sort of different versions of the same

0:43:21.440 --> 0:43:24.480
<v Speaker 3>cultural biases that become an issue every single time with

0:43:24.600 --> 0:43:28.200
<v Speaker 3>this franchise. They never true, they're always promising they're about

0:43:28.280 --> 0:43:31.600
<v Speaker 3>to course correct, and they just kind of it seems

0:43:31.640 --> 0:43:36.200
<v Speaker 3>like outside of like ancillary series like and or, but

0:43:36.400 --> 0:43:39.640
<v Speaker 3>out of like non feature entries to the franchise, they

0:43:39.719 --> 0:43:41.080
<v Speaker 3>never really quite managed to do it.

0:43:41.840 --> 0:43:42.680
<v Speaker 2>Yeah, definitely.

0:43:44.160 --> 0:43:44.400
<v Speaker 1>So I.

0:43:47.200 --> 0:43:51.160
<v Speaker 2>Okay, So Darth Vader has just told Luke that he

0:43:51.360 --> 0:43:54.799
<v Speaker 2>is Luke's father, and Luke is like, oh my god,

0:43:55.080 --> 0:43:59.879
<v Speaker 2>what Kenobi told me that you murdered my father?

0:44:00.040 --> 0:44:00.239
<v Speaker 1>There?

0:44:01.040 --> 0:44:05.759
<v Speaker 2>That bitch is a liar. Yep, it's funny. In Return

0:44:05.800 --> 0:44:09.320
<v Speaker 2>of the Jedi, Obi Wan's Force ghost appears again and

0:44:09.760 --> 0:44:13.280
<v Speaker 2>Luke confronts him about lying to him, and Obi Wan's

0:44:14.360 --> 0:44:17.759
<v Speaker 2>Obi Wan's explanation is like, well, if you just like

0:44:18.000 --> 0:44:21.440
<v Speaker 2>really interpret it very weirdly, actually what I told you

0:44:21.600 --> 0:44:25.080
<v Speaker 2>was true, so it was just shut up I'm just

0:44:25.200 --> 0:44:31.920
<v Speaker 2>saying stuff whatever. Yeah, Okay, So Vader wants Luke to

0:44:32.239 --> 0:44:35.080
<v Speaker 2>join him so that they can rule the galaxy as

0:44:35.160 --> 0:44:39.800
<v Speaker 2>father and son, and Luke is like pass and he

0:44:40.200 --> 0:44:45.040
<v Speaker 2>like drops into the abyss and ends up like dangling

0:44:45.400 --> 0:44:51.000
<v Speaker 2>from an antenna or something in Cloud City and he's like, uh,

0:44:51.440 --> 0:44:57.120
<v Speaker 2>somebody help me, lay up. Help and Leah, who is

0:44:57.280 --> 0:45:02.320
<v Speaker 2>flying away with the others and Millennium Falcon, here's Luke's

0:45:02.440 --> 0:45:06.480
<v Speaker 2>call because maybe the Force is strong with her also.

0:45:08.239 --> 0:45:11.480
<v Speaker 2>So they turn around and rescue Luke and they're trying

0:45:11.520 --> 0:45:14.439
<v Speaker 2>to get away, but the Falcon's hyper drive is still

0:45:14.520 --> 0:45:17.120
<v Speaker 2>fucked up, so they can't get to light speed, and

0:45:17.320 --> 0:45:22.200
<v Speaker 2>Luke is having a Force conversation with Vader about joining

0:45:22.280 --> 0:45:25.400
<v Speaker 2>the dark Side. He's literally having a job interview on

0:45:25.719 --> 0:45:31.279
<v Speaker 2>like over the Zoom Force Zoom. Yeah exactly. Then R

0:45:31.320 --> 0:45:35.280
<v Speaker 2>two D two fixes the hyper drive and they escape

0:45:35.640 --> 0:45:38.680
<v Speaker 2>and then make arrangements to go rescue Han Solo from

0:45:38.920 --> 0:45:42.520
<v Speaker 2>Job of the Hut on Tatooine, which will happen in

0:45:42.760 --> 0:45:49.680
<v Speaker 2>the next movie. And that's the movie. So let's take

0:45:49.680 --> 0:46:03.200
<v Speaker 2>a quick break and we'll be right back. Yeah, and

0:46:03.320 --> 0:46:10.680
<v Speaker 2>we're back. Well, Caitlin, I mean birthday privileges. Where would

0:46:10.719 --> 0:46:13.759
<v Speaker 2>you like to begin this discussion? Oh my gosh, well,

0:46:13.920 --> 0:46:17.560
<v Speaker 2>I feel like it makes sense to start, as we

0:46:17.719 --> 0:46:22.920
<v Speaker 2>often do, with some context. I did some research on

0:46:24.239 --> 0:46:28.759
<v Speaker 2>Lee Bracket, and if you're wondering, huh, who's that? Well,

0:46:28.960 --> 0:46:30.560
<v Speaker 2>I didn't know. Let us tell you.

0:46:31.000 --> 0:46:33.400
<v Speaker 3>I didn't know before researching for this episode. It was

0:46:33.440 --> 0:46:38.960
<v Speaker 3>a delightful little journey because Luke, sorry, George Lucas is

0:46:39.360 --> 0:46:41.080
<v Speaker 3>simply so sonomyous.

0:46:41.080 --> 0:46:43.919
<v Speaker 2>My god, wait, is that why his name is Luke?

0:46:45.440 --> 0:46:45.640
<v Speaker 1>Yeah?

0:46:45.680 --> 0:46:48.480
<v Speaker 2>I just did, like a Freudian slip. It's like if

0:46:48.520 --> 0:46:54.040
<v Speaker 2>I named my protagonist Loft, You're like, you know, Loft

0:46:54.680 --> 0:47:03.200
<v Speaker 2>my last name. It's like CBS Luke Skywalker. Well, I

0:47:03.320 --> 0:47:06.759
<v Speaker 2>never connected those dots, but maybe wow, are we the

0:47:06.880 --> 0:47:10.160
<v Speaker 2>first we? With Star Wars? I never believe anyone's the

0:47:10.200 --> 0:47:12.600
<v Speaker 2>first person to make an observation, but what if we were?

0:47:13.400 --> 0:47:16.480
<v Speaker 2>Who knows? Yeah, Anyway, what I was trying to say

0:47:16.760 --> 0:47:21.280
<v Speaker 2>is that George Lucas is so synonymous with Star Wars

0:47:21.400 --> 0:47:24.239
<v Speaker 2>and its conception that people tend to forget who else

0:47:24.560 --> 0:47:27.359
<v Speaker 2>was involved in the making of these movies. So, of course,

0:47:27.440 --> 0:47:30.839
<v Speaker 2>the first movie, episode four was written and directed by

0:47:31.000 --> 0:47:35.560
<v Speaker 2>George Lucas. But Empire Strikes Back was directed by Irvin

0:47:35.640 --> 0:47:39.880
<v Speaker 2>Kirshner and the screenplay was written by Lawrence Casten and

0:47:40.840 --> 0:47:48.560
<v Speaker 2>drum roll, please a woman. Lee Bracket is her name,

0:47:48.760 --> 0:47:52.400
<v Speaker 2>which would that ever happen again? No?

0:47:52.600 --> 0:47:52.640
<v Speaker 1>You?

0:47:52.920 --> 0:47:54.640
<v Speaker 2>I don't think so? Wow?

0:47:55.800 --> 0:48:01.439
<v Speaker 3>Really good guys, great job guys. And Lee Brackett has

0:48:01.719 --> 0:48:05.920
<v Speaker 3>a kind of fascinating life story. Do you, I mean,

0:48:06.000 --> 0:48:08.640
<v Speaker 3>do you want to take it away? Because she passes

0:48:08.760 --> 0:48:10.359
<v Speaker 3>unfortunately before the movie comes out.

0:48:10.840 --> 0:48:13.400
<v Speaker 2>Yeah. Yeah, so here's the research I did. If you

0:48:13.520 --> 0:48:18.840
<v Speaker 2>have anything extra, please chime in. But Lee Brackett was

0:48:19.400 --> 0:48:24.360
<v Speaker 2>one of the most prominent woman writers during the Golden

0:48:24.560 --> 0:48:28.560
<v Speaker 2>Age of sci fi, so like the forties and fifties,

0:48:28.719 --> 0:48:32.840
<v Speaker 2>I think primarily she was known as the Queen of

0:48:33.400 --> 0:48:38.040
<v Speaker 2>space opera. She wrote a bunch of sci fi novels

0:48:38.400 --> 0:48:42.440
<v Speaker 2>and short stories throughout her career. She also has numerous

0:48:42.560 --> 0:48:47.600
<v Speaker 2>screenwriting credits, including The Big Sleep, The Long Goodbye, and

0:48:48.280 --> 0:48:55.360
<v Speaker 2>Wild Right like crossing genres too totally, and she worked

0:48:55.440 --> 0:49:00.520
<v Speaker 2>on an early draft of Empire Strikes Back. So what

0:49:00.840 --> 0:49:04.319
<v Speaker 2>happened here is that Lucas.

0:49:04.360 --> 0:49:07.120
<v Speaker 3>George Lucas reached out to her right, Yeah, yes, he

0:49:07.239 --> 0:49:09.680
<v Speaker 3>approached her because it was like, George Lucas was a

0:49:09.760 --> 0:49:11.520
<v Speaker 3>big enough sci fi fan that I'm sure that he

0:49:11.640 --> 0:49:12.240
<v Speaker 3>was aware.

0:49:12.040 --> 0:49:15.919
<v Speaker 2>Of her totally. Yeah, And what I read was something

0:49:16.000 --> 0:49:20.320
<v Speaker 2>to the effect of he he didn't like love building

0:49:20.400 --> 0:49:25.080
<v Speaker 2>out the world of Star Wars and like figuring out

0:49:25.160 --> 0:49:27.279
<v Speaker 2>all the lore. So he's like, let me find a

0:49:27.360 --> 0:49:30.480
<v Speaker 2>sci fi writer who's been doing this for decades who

0:49:30.680 --> 0:49:34.080
<v Speaker 2>loves and bring her in. Yeah. Yeah, So he approaches

0:49:34.440 --> 0:49:40.600
<v Speaker 2>Lee Bracket and in late nineteen seventy seven they come

0:49:40.680 --> 0:49:44.720
<v Speaker 2>together and basically like put the pieces of this story

0:49:44.760 --> 0:49:49.200
<v Speaker 2>together for the sequel to Star Wars. George Lucas had

0:49:49.239 --> 0:49:53.640
<v Speaker 2>some core ideas in mind, but he wanted Lee Brackett

0:49:53.680 --> 0:49:57.280
<v Speaker 2>to kind of form them together into a cohesive story.

0:49:58.200 --> 0:50:03.320
<v Speaker 2>So she went off. She wrote a draft and turned

0:50:03.320 --> 0:50:07.120
<v Speaker 2>it into George Lucas. However, she was sick with cancer

0:50:07.920 --> 0:50:11.879
<v Speaker 2>and by the time he like kind of came back

0:50:11.960 --> 0:50:17.600
<v Speaker 2>to her with notes on her draft, she was hospitalized

0:50:17.840 --> 0:50:21.480
<v Speaker 2>and she died a few weeks later, very young, tissues

0:50:21.520 --> 0:50:23.759
<v Speaker 2>in her sixties. Yeah.

0:50:23.960 --> 0:50:26.560
<v Speaker 3>Yeah, this was I mean speaking of just like how

0:50:27.560 --> 0:50:30.680
<v Speaker 3>especially when you get past a certain point in history.

0:50:30.960 --> 0:50:35.279
<v Speaker 3>But this is nineteen eighty It's pretty ridiculous how infrequently

0:50:36.200 --> 0:50:40.560
<v Speaker 3>women writers are acknowledged or remembered, because I mean, and

0:50:40.680 --> 0:50:44.520
<v Speaker 3>this is not a dig at Lawrence Kasten, whose work

0:50:44.640 --> 0:50:48.200
<v Speaker 3>I really love, but like everyone knows who Lawrence Casten is.

0:50:49.080 --> 0:50:51.960
<v Speaker 2>And part of this is that apparently there's this kind

0:50:51.960 --> 0:50:57.319
<v Speaker 2>of phenomenon where people generally acted like nothing from Lee

0:50:57.440 --> 0:51:02.560
<v Speaker 2>Bracket's draft appeared in the fire film, and so people

0:51:02.920 --> 0:51:05.839
<v Speaker 2>just kind of weren't really talking about her and her

0:51:05.880 --> 0:51:10.480
<v Speaker 2>contributions to the story, which is especially that makes me

0:51:10.600 --> 0:51:16.240
<v Speaker 2>frustrated on the George Lucas side of things, particularly because

0:51:16.239 --> 0:51:20.560
<v Speaker 2>they know she's like not around to advocate for herself. Yeah, totally.

0:51:20.880 --> 0:51:22.920
<v Speaker 2>So it is just like kind of a full erasure

0:51:23.440 --> 0:51:27.320
<v Speaker 2>for sure. And for many years her draft of the

0:51:27.360 --> 0:51:30.720
<v Speaker 2>screenplay was available to read, but it was only available

0:51:30.800 --> 0:51:35.520
<v Speaker 2>to read at a library in New Mexico and only there, Okay,

0:51:35.800 --> 0:51:38.879
<v Speaker 2>so it was hard to get your hands on, yeah,

0:51:39.040 --> 0:51:42.920
<v Speaker 2>until twenty sixteen when it was published, and so I

0:51:42.920 --> 0:51:46.000
<v Speaker 2>would be interested in reading it. I have not read

0:51:46.120 --> 0:51:48.560
<v Speaker 2>that draft of the script, but for those who have

0:51:48.840 --> 0:51:53.239
<v Speaker 2>read it, the consensus seems to be that many of

0:51:53.280 --> 0:51:57.160
<v Speaker 2>the basic story beats between Lee Bracket's draft and the

0:51:57.280 --> 0:52:01.239
<v Speaker 2>final film are more or less the same. There are

0:52:01.320 --> 0:52:05.520
<v Speaker 2>a few differences, such as the love triangle between Luke, Leah,

0:52:05.560 --> 0:52:09.600
<v Speaker 2>and Hahn is far more prominent in her draft. In

0:52:09.680 --> 0:52:13.480
<v Speaker 2>her draft, Luke has a secret sister named Nellith.

0:52:14.239 --> 0:52:14.399
<v Speaker 4>Oh.

0:52:14.480 --> 0:52:18.640
<v Speaker 2>I remember learning this in my Women of Star Wars

0:52:19.000 --> 0:52:22.719
<v Speaker 2>research last year. Nelleth the character who would never be

0:52:23.320 --> 0:52:27.160
<v Speaker 2>nice and try right. Oh, you wanted to write another

0:52:27.280 --> 0:52:30.319
<v Speaker 2>woman in the movie. Well, too bad. Well you're gonna

0:52:30.320 --> 0:52:34.120
<v Speaker 2>have to wait another twenty years. And don't worry, we're

0:52:34.120 --> 0:52:37.360
<v Speaker 2>gonna write her out immediately. Yeah, we won't give her parents.

0:52:37.400 --> 0:52:42.960
<v Speaker 2>We'll never figure out who her parents are. Another difference

0:52:43.200 --> 0:52:47.440
<v Speaker 2>was in Lee Brackett's draft, Luke's father and Darth Vader

0:52:47.520 --> 0:52:50.600
<v Speaker 2>are separate characters, and then there's some other kind of

0:52:50.640 --> 0:52:54.920
<v Speaker 2>minor differences here and there. I mean, yeah, that's a

0:52:55.360 --> 0:52:58.080
<v Speaker 2>to be fair, no no offense to our friend Lee.

0:52:58.880 --> 0:53:01.920
<v Speaker 2>That's a pretty big chain. If that's a Lawrence Casten idea,

0:53:02.200 --> 0:53:07.680
<v Speaker 2>that's Darth Vader being the father kind of crucial fair, yes,

0:53:07.800 --> 0:53:09.600
<v Speaker 2>for sure. Yeah, But I think people were sort of

0:53:09.719 --> 0:53:15.080
<v Speaker 2>acting like her entire draft was scrapped, right, and they

0:53:15.200 --> 0:53:18.480
<v Speaker 2>basically started from scratch. But like Lawrence Casten was building

0:53:18.600 --> 0:53:23.480
<v Speaker 2>on her work precisely, and so and I'm paraphrasing a

0:53:23.560 --> 0:53:29.239
<v Speaker 2>piece from the Den of Geek website, But in her

0:53:29.360 --> 0:53:34.080
<v Speaker 2>draft there is a battle on hof, the flying through

0:53:34.120 --> 0:53:38.479
<v Speaker 2>the asteroid field sequence is there, as is the city

0:53:38.560 --> 0:53:45.040
<v Speaker 2>in the clouds, various unexpected betrayals, the climactic duel between

0:53:45.600 --> 0:53:48.600
<v Speaker 2>Luke and Darth Vader. So like so much of her

0:53:48.760 --> 0:53:51.640
<v Speaker 2>that's massive. Yeah, so was she?

0:53:51.840 --> 0:53:56.920
<v Speaker 3>I mean, and I did not watch the credits when

0:53:57.000 --> 0:54:00.480
<v Speaker 3>I was doing my rewatch is she credited I name

0:54:00.560 --> 0:54:03.000
<v Speaker 3>in the original movie or is it just Laurence.

0:54:02.680 --> 0:54:05.560
<v Speaker 2>Cast In she is credited? She is. Okay, that's good

0:54:05.719 --> 0:54:10.160
<v Speaker 2>because I think that there's like, in general, a like

0:54:10.520 --> 0:54:15.080
<v Speaker 2>still to this day, cultural misunderstanding of like how writing

0:54:15.239 --> 0:54:19.520
<v Speaker 2>for TV and film works where it's well, I feel

0:54:19.520 --> 0:54:23.560
<v Speaker 2>like there's a cultural misunderstanding because it is unclear in

0:54:23.600 --> 0:54:25.719
<v Speaker 2>many cases, and you've talked about this on the show before,

0:54:25.760 --> 0:54:28.960
<v Speaker 2>where like your name will be on an episode that

0:54:29.080 --> 0:54:32.640
<v Speaker 2>you didn't actually write that version of the script, or

0:54:32.800 --> 0:54:34.920
<v Speaker 2>you did write the script, and then you are not

0:54:35.080 --> 0:54:37.160
<v Speaker 2>credited because xyz reason.

0:54:37.280 --> 0:54:40.280
<v Speaker 3>So there's like all these it's like the crediting system

0:54:40.480 --> 0:54:43.640
<v Speaker 3>is very weird because the crediting to some extent, is

0:54:43.719 --> 0:54:46.080
<v Speaker 3>just done to justify how money.

0:54:45.960 --> 0:54:47.960
<v Speaker 2>Is distributed between writers.

0:54:47.600 --> 0:54:51.120
<v Speaker 3>Which is very confusing as well, Like the WGA crediting

0:54:51.200 --> 0:54:54.440
<v Speaker 3>conventions are really confusing. But like even all that aside,

0:54:54.480 --> 0:54:57.279
<v Speaker 3>like like you're saying, the fact that one writer is

0:54:57.400 --> 0:55:01.880
<v Speaker 3>credited disproportionately kind of under cuts the whole point of

0:55:02.080 --> 0:55:05.239
<v Speaker 3>like how it works, which is like that they're even

0:55:05.280 --> 0:55:08.359
<v Speaker 3>if they're not working together at the exact same time,

0:55:08.520 --> 0:55:14.879
<v Speaker 3>which they weren't, they're still collaborating, and that it ends

0:55:14.960 --> 0:55:20.160
<v Speaker 3>up being kind of this genderless dick measuring contest that

0:55:20.360 --> 0:55:24.320
<v Speaker 3>mysteriously writers who are not CIS men tend.

0:55:24.239 --> 0:55:29.560
<v Speaker 2>To lose almost always, as evidenced by what we both said,

0:55:29.600 --> 0:55:32.560
<v Speaker 2>which is that we were not aware that a woman

0:55:32.680 --> 0:55:36.160
<v Speaker 2>named Lee Brackett wrote a draft of this movie. I've

0:55:36.200 --> 0:55:39.080
<v Speaker 2>been watching this movie for over three decades. Oh was

0:55:39.120 --> 0:55:40.719
<v Speaker 2>this your first time hearing it for? I didn't know

0:55:40.719 --> 0:55:44.480
<v Speaker 2>if it was Yeah, Like I wow, Yeah, that's ridiculous.

0:55:44.480 --> 0:55:48.600
<v Speaker 2>I mean that, and that it took until twenty sixteen

0:55:48.920 --> 0:55:52.759
<v Speaker 2>for you know, that to become even knowledge that we

0:55:52.920 --> 0:55:55.680
<v Speaker 2>could have, because it's like truly without and this is

0:55:55.719 --> 0:55:58.920
<v Speaker 2>like where fan communities are can be amazing. It's like

0:55:59.320 --> 0:56:03.520
<v Speaker 2>without people willing to go to the library in New Mexico,

0:56:04.560 --> 0:56:09.920
<v Speaker 2>it's like her contributions could have been downplayed for decades

0:56:10.000 --> 0:56:14.280
<v Speaker 2>to come. Yeah. Yeah, So her contributions to the film

0:56:14.520 --> 0:56:20.440
<v Speaker 2>are undeniable, but her work is often completely overlooked because

0:56:21.400 --> 0:56:25.399
<v Speaker 2>people are just like, yeah, George Lucas and Lawrence Kasden, duh.

0:56:25.800 --> 0:56:28.360
<v Speaker 2>And it is at that point I think, particularly on

0:56:29.160 --> 0:56:34.520
<v Speaker 2>George Lucas, to emphasize her contributions, and I think that

0:56:34.640 --> 0:56:38.440
<v Speaker 2>that failure to do so is something that we're allowed

0:56:38.480 --> 0:56:42.080
<v Speaker 2>to be pissed off at. Sure. Yeah, so shout out

0:56:42.239 --> 0:56:48.279
<v Speaker 2>to Lee Brackett rip our friend Lee Brackett. Yes, So

0:56:49.560 --> 0:56:54.120
<v Speaker 2>with that in mind, let's talk about the movie. Although

0:56:54.719 --> 0:56:57.120
<v Speaker 2>there's a little bit more of I think behind the

0:56:57.200 --> 0:57:02.799
<v Speaker 2>scenes stuff regarding Leah slash Carrie Fisher that will kind

0:57:02.840 --> 0:57:07.759
<v Speaker 2>of dovetail into perhaps a discussion about Princess Leiah.

0:57:08.120 --> 0:57:10.960
<v Speaker 3>Yes, maybe I should have said that during my Star Wars.

0:57:11.239 --> 0:57:16.080
<v Speaker 3>My biggest connection to Star Wars is I love Carrie Fisher, Yes, more.

0:57:16.000 --> 0:57:20.040
<v Speaker 2>So than anything else. Yeah. No, she was so awesome,

0:57:20.320 --> 0:57:24.640
<v Speaker 2>gifted writer rip to her as well, just amazing. God,

0:57:24.800 --> 0:57:26.880
<v Speaker 2>I want to live in a world where Carrie Fisher

0:57:27.000 --> 0:57:32.000
<v Speaker 2>was allowed a crack at any Star Wars script. I know,

0:57:32.280 --> 0:57:35.280
<v Speaker 2>like a proper crack at it, right, because listeners may

0:57:35.360 --> 0:57:38.280
<v Speaker 2>or may not know that Carrie Fisher was a highly

0:57:38.360 --> 0:57:41.280
<v Speaker 2>sought after script doctor for a while and she would

0:57:41.280 --> 0:57:44.960
<v Speaker 2>be hired to fix or polish or punch up scripts.

0:57:45.440 --> 0:57:49.240
<v Speaker 2>But that was after she was in the original Star

0:57:49.320 --> 0:57:55.080
<v Speaker 2>Wars trilogy, right, Okay, So Carrie Fisher like was pretty

0:57:55.200 --> 0:57:58.840
<v Speaker 2>open about like saying that she was having a hard

0:57:58.920 --> 0:58:03.800
<v Speaker 2>time connecting to her character Leah. Yeah, she found her

0:58:03.880 --> 0:58:09.800
<v Speaker 2>to be pretty one dimensional. She joked that basically the

0:58:09.840 --> 0:58:11.880
<v Speaker 2>only thing she knew about Leya was that she likes

0:58:11.960 --> 0:58:17.120
<v Speaker 2>to wear white clothes. You're like, hey, so that's actually

0:58:17.400 --> 0:58:20.000
<v Speaker 2>not a caaracs.

0:58:20.680 --> 0:58:20.720
<v Speaker 1>That.

0:58:22.320 --> 0:58:27.280
<v Speaker 2>And we know from the diaries that Carrie Fisher kept

0:58:27.600 --> 0:58:31.000
<v Speaker 2>at the time of filming these movies that she was

0:58:31.280 --> 0:58:35.840
<v Speaker 2>envious of Harrison Ford because he was allowed to rewrite

0:58:35.960 --> 0:58:38.400
<v Speaker 2>dialogue for Han solo.

0:58:38.840 --> 0:58:41.800
<v Speaker 3>Often on the fly, so that he would never have

0:58:41.960 --> 0:58:46.240
<v Speaker 3>to actually learn how to act. And that's my I'm

0:58:46.280 --> 0:58:47.440
<v Speaker 3>not a Harrison Ford fan.

0:58:47.560 --> 0:58:50.560
<v Speaker 2>I think he's obviously like undeniably he's got riz all

0:58:50.640 --> 0:58:54.240
<v Speaker 2>that stuff. But it's like, well, yeah, because he can't

0:58:54.360 --> 0:58:57.160
<v Speaker 2>do anything else, so of course he's gonna need the dialogue.

0:58:57.360 --> 0:59:01.800
<v Speaker 2>She doesn't have range. No, that is many movie stars don't.

0:59:02.000 --> 0:59:05.960
<v Speaker 2>But yeah, yeah. So a prime example of this is

0:59:06.080 --> 0:59:09.200
<v Speaker 2>during the scene where Leah says I love you and

0:59:09.520 --> 0:59:15.240
<v Speaker 2>Harrison Ford improvised the I know response. So he was

0:59:15.360 --> 0:59:18.280
<v Speaker 2>doing that from time to time on set, just kind

0:59:18.320 --> 0:59:21.720
<v Speaker 2>of rewriting his lines and doing whatever he felt like. However,

0:59:21.960 --> 0:59:26.440
<v Speaker 2>director Irvin Kirshner would not allow Carrie Fisher to do

0:59:26.920 --> 0:59:32.360
<v Speaker 2>something similar. But what she did do was just kind

0:59:32.400 --> 0:59:35.400
<v Speaker 2>of make a bunch of notes for herself for the

0:59:35.520 --> 0:59:39.360
<v Speaker 2>laya character in an attempt to kind of provide some

0:59:39.760 --> 0:59:46.760
<v Speaker 2>extra characterization in context that this script doesn't script. This

0:59:46.960 --> 0:59:51.880
<v Speaker 2>was discovered when her copy of Empire Strikes Back was

0:59:51.960 --> 0:59:56.120
<v Speaker 2>like put up for auctions. So I believe after her death, yes,

0:59:56.200 --> 0:59:58.600
<v Speaker 2>I saw this as well, and a lot of her

0:59:59.640 --> 1:00:04.080
<v Speaker 2>note for herself was something along the lines of man

1:00:04.160 --> 1:00:09.200
<v Speaker 2>are so disappointing, and so that is something that it is.

1:00:09.280 --> 1:00:13.680
<v Speaker 3>So I don't know, it's so cool watching actors. It's

1:00:13.920 --> 1:00:15.880
<v Speaker 3>just like every time you see and this isn't I mean,

1:00:16.000 --> 1:00:19.320
<v Speaker 3>this movie is a great movie. But every time you

1:00:19.400 --> 1:00:22.200
<v Speaker 3>see an amazing performance in a movie that you're like,

1:00:22.840 --> 1:00:24.640
<v Speaker 3>how the hell did you manage to do a great

1:00:24.680 --> 1:00:28.800
<v Speaker 3>performance in this like otherwise kind of boring movie, it's

1:00:28.880 --> 1:00:31.680
<v Speaker 3>because of stuff like that. It's so cool that, like

1:00:32.320 --> 1:00:32.840
<v Speaker 3>she had.

1:00:32.760 --> 1:00:35.760
<v Speaker 2>To create a character where a character didn't exist because

1:00:35.800 --> 1:00:40.080
<v Speaker 2>she cared. Yeah, it's awesome, dude, I love it. I

1:00:40.320 --> 1:00:44.560
<v Speaker 2>know if only any of the actors did that in

1:00:44.760 --> 1:00:48.920
<v Speaker 2>the prequel trilogy. Well, let's not blame the actors in

1:00:49.000 --> 1:00:54.640
<v Speaker 2>the prequel trilogy. We know who who the problem was. Yes, yes,

1:00:54.760 --> 1:00:59.760
<v Speaker 2>but like I think Iwan McGregor in the prequel trilogy,

1:00:59.880 --> 1:01:02.800
<v Speaker 2>it's a great example of someone giving a like an

1:01:02.840 --> 1:01:07.000
<v Speaker 2>amazing performance in like pretty boring movies. I agree. Yeah,

1:01:07.120 --> 1:01:10.360
<v Speaker 2>I was thinking of Samuel L. Jackson, who is one

1:01:10.400 --> 1:01:13.760
<v Speaker 2>of the most prolific actors of our time, and he

1:01:13.880 --> 1:01:20.720
<v Speaker 2>gives the flattest, dullest performance imaginable. But I'm not blaming

1:01:20.800 --> 1:01:25.000
<v Speaker 2>that on him because iconic director George Lucas sucks directing

1:01:25.800 --> 1:01:29.280
<v Speaker 2>and doesn't like people were actors or apparently you just

1:01:29.360 --> 1:01:34.600
<v Speaker 2>told me writing so so. So you're an editor, man,

1:01:35.280 --> 1:01:37.800
<v Speaker 2>He's an editor, he's a special effects guy, he's a

1:01:38.160 --> 1:01:42.840
<v Speaker 2>he's a special effects whiz. Yeah, and that's why he

1:01:42.960 --> 1:01:46.280
<v Speaker 2>made the Star Wars movies. Yeah, which is all good,

1:01:46.320 --> 1:01:47.360
<v Speaker 2>but it is futty to learn.

1:01:47.440 --> 1:01:47.480
<v Speaker 4>Like.

1:01:47.560 --> 1:01:49.880
<v Speaker 2>Oh, and he also hated writing.

1:01:50.000 --> 1:01:55.360
<v Speaker 3>I was like, okay, we hated actors and writing, directing, directing.

1:01:56.000 --> 1:02:04.160
<v Speaker 2>Cool. Yeah. Anyway, So Carrie Fisher, through her performance, helps

1:02:04.360 --> 1:02:08.400
<v Speaker 2>to give Princess Leah more characterization than she otherwise had.

1:02:09.440 --> 1:02:13.200
<v Speaker 2>And I think it's a huge reason why I always

1:02:13.240 --> 1:02:16.040
<v Speaker 2>connected to the Princess Leah character. I always admired her.

1:02:16.160 --> 1:02:18.320
<v Speaker 2>I think it's one of the reasons I like this

1:02:18.520 --> 1:02:21.400
<v Speaker 2>trilogy so much. She's doing so much with so little.

1:02:21.520 --> 1:02:27.440
<v Speaker 2>She's amazing. Yes, however, she still is the only woman

1:02:27.600 --> 1:02:32.840
<v Speaker 2>in the galaxy. Yeah, it's I mean, and I have

1:02:33.000 --> 1:02:35.360
<v Speaker 2>to be willing to criticize my faves too. It's kind

1:02:35.400 --> 1:02:40.360
<v Speaker 2>of like Minions vibes. It's it's every setting in the

1:02:40.400 --> 1:02:47.160
<v Speaker 2>original Star Wars trilogy has minions rules, has full on

1:02:47.320 --> 1:02:51.480
<v Speaker 2>smurf rules. Yes, yeah, there's only one woman and we're

1:02:51.600 --> 1:02:56.120
<v Speaker 2>not allowed to ask where the others went. It's still

1:02:56.200 --> 1:02:59.840
<v Speaker 2>just her. But I mean in that there's well, it's

1:03:00.240 --> 1:03:02.720
<v Speaker 2>it's interesting because I'm curious what you think. I think

1:03:02.800 --> 1:03:06.040
<v Speaker 2>that Leah. I also feel this way about Episode four,

1:03:06.080 --> 1:03:09.040
<v Speaker 2>but I think more so about this movie. She is

1:03:09.800 --> 1:03:13.000
<v Speaker 2>a very active character. She is a character with a

1:03:13.080 --> 1:03:16.600
<v Speaker 2>lot of power and a lot of agency, and while

1:03:16.720 --> 1:03:19.520
<v Speaker 2>she is not always the person making the most active

1:03:19.560 --> 1:03:23.360
<v Speaker 2>decision in from scene to scene, she is always a

1:03:23.480 --> 1:03:27.040
<v Speaker 2>part of the action. It's something I really appreciate about her.

1:03:27.960 --> 1:03:33.320
<v Speaker 2>I think that sometimes, especially kind of older Star Wars fans.

1:03:33.080 --> 1:03:37.600
<v Speaker 3>Will use that very true fact as a way to

1:03:39.000 --> 1:03:44.920
<v Speaker 3>dismiss some of the more stereotypical aspects of Leah. To

1:03:45.080 --> 1:03:47.360
<v Speaker 3>be like, I mean, I encountered this today and I

1:03:47.520 --> 1:03:49.760
<v Speaker 3>was like, okay, where they're like it doesn't matter if

1:03:49.800 --> 1:03:53.720
<v Speaker 3>she's the only woman, because she well did in that scene.

1:03:53.840 --> 1:03:57.200
<v Speaker 2>You know, like you're just like, okay, we've got to

1:03:57.240 --> 1:03:59.360
<v Speaker 2>be able to hold a couple things at once here.

1:03:59.600 --> 1:04:04.000
<v Speaker 2>Because I love that she welded. We celebrate that she welded.

1:04:04.080 --> 1:04:05.920
<v Speaker 2>What was she doing we don't know, and no one

1:04:05.960 --> 1:04:09.880
<v Speaker 2>could tell us, but like, yeah, she's always actively involved.

1:04:10.040 --> 1:04:12.760
<v Speaker 2>But to be fair, when like Han and Cheweye are

1:04:13.240 --> 1:04:16.800
<v Speaker 2>welding this ship, I also don't have any fucking clue

1:04:16.840 --> 1:04:18.760
<v Speaker 2>what they're doing. Well, that's that's what I mean.

1:04:18.800 --> 1:04:21.440
<v Speaker 3>It's like she's doing she's doing space sides. I just

1:04:21.520 --> 1:04:25.600
<v Speaker 3>think it's funny that, like the sort of tokenism around

1:04:25.920 --> 1:04:29.320
<v Speaker 3>gender that exists in this trilogy. I think for big fans,

1:04:29.360 --> 1:04:32.680
<v Speaker 3>they're sometimes like, you can't say it's not feminist, she welded.

1:04:32.800 --> 1:04:35.360
<v Speaker 3>I was like, yeah, but has she met another woman before?

1:04:35.480 --> 1:04:38.760
<v Speaker 2>Has she made the questions like she's a part of

1:04:38.840 --> 1:04:45.280
<v Speaker 2>a love triangle, because really sloppy romantic interests, the sloppiest

1:04:45.360 --> 1:04:51.840
<v Speaker 2>love triangle's ever written. Yeah, but yeah, Like I rewatched

1:04:52.040 --> 1:04:55.200
<v Speaker 2>episode four as well, just to see if there were

1:04:55.280 --> 1:05:01.040
<v Speaker 2>any significant differences between how she's framed in the first

1:05:01.120 --> 1:05:05.200
<v Speaker 2>movie versus this sequel, and I think the main difference

1:05:05.360 --> 1:05:10.960
<v Speaker 2>is that in episode four she I wouldn't even say

1:05:11.040 --> 1:05:14.800
<v Speaker 2>primarily but she is like the princess who has to

1:05:14.880 --> 1:05:18.640
<v Speaker 2>be rescued. Yeah, and they kind of drop the more

1:05:18.960 --> 1:05:22.280
<v Speaker 2>princessy elements of her in this I thought, I don't know,

1:05:22.760 --> 1:05:26.320
<v Speaker 2>I agree, No, I totally agree. And even though even

1:05:26.360 --> 1:05:29.320
<v Speaker 2>though she has to be rescued, I would almost argue

1:05:29.440 --> 1:05:33.960
<v Speaker 2>that in that movie, she isn't necessarily damseled the way

1:05:34.320 --> 1:05:40.440
<v Speaker 2>other damsels in distress will be treated, because she's taken

1:05:40.560 --> 1:05:44.800
<v Speaker 2>as a political prisoner rather than like a woman love

1:05:44.920 --> 1:05:48.480
<v Speaker 2>interest being captured to raise the stakes for the male protagonist.

1:05:49.040 --> 1:05:52.960
<v Speaker 2>And she's taken as a political prisoner because she's suspected

1:05:53.080 --> 1:05:56.600
<v Speaker 2>of rebel activity, which she was doing because she was

1:05:56.680 --> 1:05:58.760
<v Speaker 2>putting the plans to the deathk Star into R two

1:05:58.800 --> 1:06:03.400
<v Speaker 2>D two. Well, unlike most other women who become damsels

1:06:03.680 --> 1:06:07.520
<v Speaker 2>in a movie, she was actually doing something to impact

1:06:07.720 --> 1:06:10.320
<v Speaker 2>the direction of the plot. And then as soon as

1:06:10.360 --> 1:06:14.479
<v Speaker 2>she's released from captivity, she jumps right back into the action,

1:06:14.800 --> 1:06:17.800
<v Speaker 2>which also we tend not to see in a typical

1:06:17.960 --> 1:06:21.960
<v Speaker 2>damsel situation. So I think from the jump she has

1:06:22.080 --> 1:06:25.720
<v Speaker 2>been written as a character who is a very significant

1:06:25.800 --> 1:06:30.840
<v Speaker 2>part of the narrative, the action, the beats that move

1:06:30.920 --> 1:06:31.880
<v Speaker 2>this story forward.

1:06:32.280 --> 1:06:38.160
<v Speaker 3>And it's also that she's always been a like revolutionary general,

1:06:38.480 --> 1:06:42.160
<v Speaker 3>which also remains to be true. I mean, I think

1:06:42.280 --> 1:06:46.200
<v Speaker 3>throughout the rest of her time in the series, like

1:06:46.320 --> 1:06:47.560
<v Speaker 3>in the sequels as well.

1:06:47.840 --> 1:06:51.160
<v Speaker 2>Yeah, and so you know, we could talk about the

1:06:51.840 --> 1:06:55.520
<v Speaker 2>girl Boss optics of becoming a military general, sure, but

1:06:56.000 --> 1:06:58.600
<v Speaker 2>you know, I think for a military for the resistance,

1:06:58.720 --> 1:07:02.400
<v Speaker 2>for the revolution, Yeah exactly. Yeah, So I just I

1:07:02.440 --> 1:07:06.240
<v Speaker 2>don't know, I appreciated that you know, two things are

1:07:06.240 --> 1:07:08.600
<v Speaker 2>true here, and I think also to build on because

1:07:08.600 --> 1:07:11.000
<v Speaker 2>we covered episode four, we should recover it because we

1:07:11.280 --> 1:07:13.720
<v Speaker 2>covered it. One of the I remember I was late

1:07:14.160 --> 1:07:16.240
<v Speaker 2>because I was working at Playboy, and it was ten

1:07:16.320 --> 1:07:18.240
<v Speaker 2>years ago when we first did that episode. It's our

1:07:18.280 --> 1:07:22.800
<v Speaker 2>first episode that appears in our feed. Yeah, so for now,

1:07:23.400 --> 1:07:27.760
<v Speaker 2>for now, but yeah, I mean it's I feel like she,

1:07:28.040 --> 1:07:30.440
<v Speaker 2>you know, I love that she's a revolutionary. I love

1:07:30.560 --> 1:07:32.400
<v Speaker 2>that she you know.

1:07:32.840 --> 1:07:34.960
<v Speaker 3>I think maybe ten years ago it was like, well,

1:07:35.080 --> 1:07:38.080
<v Speaker 3>we don't want any love stories, and now I think,

1:07:38.160 --> 1:07:39.520
<v Speaker 3>you know, the show has grown to be like, no,

1:07:39.640 --> 1:07:42.480
<v Speaker 3>it's not that, it's that it really depends on what

1:07:42.600 --> 1:07:43.480
<v Speaker 3>the love story is.

1:07:43.640 --> 1:07:48.160
<v Speaker 2>And like, m hm, so let's talk about that. Yes,

1:07:48.280 --> 1:07:53.520
<v Speaker 2>let's talk about it. Okay. So Han is in love

1:07:53.760 --> 1:07:58.760
<v Speaker 2>with Leah, but he cannot be vulnerable enough to directly

1:07:58.840 --> 1:08:04.640
<v Speaker 2>communicate to her. Yeah, presumably because he's afraid of rejection.

1:08:05.000 --> 1:08:09.560
<v Speaker 2>So in episode four, Han has a conversation with Luke

1:08:09.720 --> 1:08:14.400
<v Speaker 2>about how like, oh, would a princess ever get with

1:08:14.520 --> 1:08:18.680
<v Speaker 2>a scrappy guy like me? So he's afraid of a

1:08:18.840 --> 1:08:25.560
<v Speaker 2>class based rejections. But instead of you know, being vulnerable

1:08:25.720 --> 1:08:32.440
<v Speaker 2>and communicative about his feelings, he nags her, he projects

1:08:32.600 --> 1:08:35.519
<v Speaker 2>onto her. There are all these scenes toward the beginning

1:08:35.640 --> 1:08:39.040
<v Speaker 2>where he's like, you want me to stay because of

1:08:39.160 --> 1:08:43.920
<v Speaker 2>the way you feel about me. Yeah, he's handsome and awesome.

1:08:44.640 --> 1:08:48.560
<v Speaker 3>It's the BISHEMI test vibe of just like he and

1:08:48.920 --> 1:08:50.760
<v Speaker 3>and what's interesting. And I don't think we could have

1:08:50.880 --> 1:08:53.120
<v Speaker 3>talked about this when we talked about A New Hope,

1:08:53.200 --> 1:08:54.479
<v Speaker 3>because I don't think it was out yet.

1:08:55.640 --> 1:08:58.000
<v Speaker 2>We now know. We just talked about this on Zeitgeist

1:08:58.000 --> 1:09:03.120
<v Speaker 2>the other day that Carrie Fisher and Harrison Ford had

1:09:03.680 --> 1:09:07.400
<v Speaker 2>an affair with a significant age gap. She was a

1:09:08.120 --> 1:09:10.120
<v Speaker 2>teenager and he was in his early thirties on the

1:09:10.160 --> 1:09:14.040
<v Speaker 2>set of A New Hope. Not this movie, but that again,

1:09:14.240 --> 1:09:19.160
<v Speaker 2>just like speaking to how aggressively Han Solo mirrored who

1:09:19.240 --> 1:09:22.439
<v Speaker 2>Harrison Ford was a lot of the issues Leah is

1:09:22.479 --> 1:09:27.400
<v Speaker 2>having with Han in this movie are issues that Carrie

1:09:27.479 --> 1:09:31.000
<v Speaker 2>Fisher was having in like trying to have this relationship

1:09:31.240 --> 1:09:33.920
<v Speaker 2>with Harrison Ford, of.

1:09:34.160 --> 1:09:40.720
<v Speaker 4>Like being emotionally inaccessible, of being dismissive, of you know,

1:09:40.840 --> 1:09:43.240
<v Speaker 4>doing all these things that I think men are socialized

1:09:44.160 --> 1:09:48.960
<v Speaker 4>to be permitted to do and women are socialized to tolerate.

1:09:50.000 --> 1:09:53.679
<v Speaker 2>For sure, So we have Han Solo not treating Lea

1:09:53.760 --> 1:09:57.599
<v Speaker 2>well because of his insecurities of being rejected by someone

1:09:57.680 --> 1:10:02.439
<v Speaker 2>he loves. Now with life, it's telegraphed to us that

1:10:02.760 --> 1:10:06.599
<v Speaker 2>she has feelings for him as well, but also doesn't

1:10:06.640 --> 1:10:10.519
<v Speaker 2>want to admit it, perhaps also for a class based reason,

1:10:10.680 --> 1:10:13.920
<v Speaker 2>like a social status thing where she might think he's

1:10:14.240 --> 1:10:18.200
<v Speaker 2>beneath her or something, or maybe because he's kind of

1:10:18.240 --> 1:10:19.599
<v Speaker 2>a being a dick.

1:10:20.120 --> 1:10:23.439
<v Speaker 3>It's like when you're really attracted to someone who is

1:10:23.479 --> 1:10:27.280
<v Speaker 3>an asshole, and you're like, maybe best to just keep

1:10:27.600 --> 1:10:30.479
<v Speaker 3>this as a crush.

1:10:31.720 --> 1:10:36.400
<v Speaker 2>Yes, And to Leigh's credit, she is always pushing back

1:10:36.439 --> 1:10:40.240
<v Speaker 2>against him when he's being a dick. She's calling him delusional.

1:10:40.439 --> 1:10:43.479
<v Speaker 2>She calls him a stuck up, half witted, scruffy looking

1:10:43.560 --> 1:10:48.040
<v Speaker 2>nerf Herder, an iconic line, but she it is very like,

1:10:49.000 --> 1:10:52.040
<v Speaker 2>we're never meant to fully believe that. And I think

1:10:52.120 --> 1:10:54.880
<v Speaker 2>that the reason we're not supposed to fully believe that

1:10:55.680 --> 1:10:59.240
<v Speaker 2>is because of how you're socially conditioned long before you're

1:10:59.280 --> 1:11:02.320
<v Speaker 2>sitting in the theater, right. And yes, so it's like

1:11:02.360 --> 1:11:03.840
<v Speaker 2>one of those tricky things where I think there was

1:11:03.920 --> 1:11:07.600
<v Speaker 2>like an era of media criticism where it would be

1:11:07.720 --> 1:11:10.120
<v Speaker 2>like Star Wars did this, and it's like, well, no,

1:11:10.280 --> 1:11:12.800
<v Speaker 2>star Wars didn't do this, but star Wars reflected this

1:11:13.160 --> 1:11:17.600
<v Speaker 2>to a very young audience. Yeah. Star Wars didn't invent this,

1:11:18.360 --> 1:11:21.559
<v Speaker 2>but it did perpetuate it. Yeah, and in a way

1:11:21.640 --> 1:11:24.960
<v Speaker 2>that like, I mean, you only need to visit a

1:11:25.040 --> 1:11:29.760
<v Speaker 2>forum or two to understand that some people really took

1:11:29.880 --> 1:11:35.080
<v Speaker 2>this mentality quite seriously. Yes, yeah, okay, So then there's

1:11:35.200 --> 1:11:39.400
<v Speaker 2>the kiss scene. Yeah, this is when Leah is welding,

1:11:40.160 --> 1:11:45.160
<v Speaker 2>aka doing the most feminist thing ever women be welding.

1:11:45.200 --> 1:11:48.080
<v Speaker 2>Oh my god, it is. Do you remember when I

1:11:48.120 --> 1:11:49.080
<v Speaker 2>think we talked about.

1:11:48.920 --> 1:11:51.760
<v Speaker 3>This forever ago what Julia Roberts movie is it where

1:11:51.800 --> 1:11:55.400
<v Speaker 3>we were like, oh, the the rom com trope, where

1:11:55.520 --> 1:11:58.479
<v Speaker 3>like we know that she's she's going to get the

1:11:58.520 --> 1:11:59.120
<v Speaker 3>guy the end.

1:11:59.080 --> 1:12:01.479
<v Speaker 2>If she like fixes car at some point. Oh yeah,

1:12:02.120 --> 1:12:05.400
<v Speaker 2>it's like the mechanic trope to be like, I'm I'm

1:12:05.479 --> 1:12:09.120
<v Speaker 2>a girl that's more doing more traditionally masculine things. Therefore

1:12:09.479 --> 1:12:13.600
<v Speaker 2>I'm not like other girls. I'm cool. I'm Yes, it

1:12:13.720 --> 1:12:16.680
<v Speaker 2>happens in a lot of movies. Actually, I don't think

1:12:16.720 --> 1:12:20.360
<v Speaker 2>this is when Leah is welding. She's just doing some

1:12:20.560 --> 1:12:24.599
<v Speaker 2>other repair work on the Millennium falcon anyway, not important. Yeah,

1:12:24.640 --> 1:12:28.040
<v Speaker 2>she's fully evolved at every step of the action. Yes, yes,

1:12:28.360 --> 1:12:31.679
<v Speaker 2>Han comes in as she's like doing this repair work.

1:12:32.439 --> 1:12:36.519
<v Speaker 2>He starts immediately invading her personal space, trying to either

1:12:36.680 --> 1:12:40.799
<v Speaker 2>like take over what she's doing or help. She shoves

1:12:40.880 --> 1:12:44.280
<v Speaker 2>him off. He starts condescending to her, calling her a

1:12:44.400 --> 1:12:48.120
<v Speaker 2>nickname that she doesn't like. He's touching her hands. Intimately,

1:12:48.560 --> 1:12:51.800
<v Speaker 2>she's telling him to stop that, he keeps inching his

1:12:52.000 --> 1:12:55.639
<v Speaker 2>face closer and closer to hers. He has also backed

1:12:55.680 --> 1:12:59.200
<v Speaker 2>her into a corner so she cannot, like get away.

1:12:59.560 --> 1:13:03.280
<v Speaker 3>It is the most Harrison Ford romantic scenario. I mean truly,

1:13:03.360 --> 1:13:05.880
<v Speaker 3>it is the most Harrison Ford romantic scenario that exists.

1:13:05.920 --> 1:13:09.920
<v Speaker 3>But like just in terms of being textbook, Murky consent

1:13:10.560 --> 1:13:14.360
<v Speaker 3>the whole premise and relies on it being Harrison Ford

1:13:14.400 --> 1:13:14.880
<v Speaker 3>in a movie.

1:13:15.479 --> 1:13:20.920
<v Speaker 2>Yes, exactly, Like, yeah, he's charismatic and rugged, so obviously

1:13:20.960 --> 1:13:26.040
<v Speaker 2>anyone's gonna want to kiss him, is the idea. So

1:13:26.400 --> 1:13:29.400
<v Speaker 2>he's he's close to her. They exchange a few more

1:13:29.439 --> 1:13:34.160
<v Speaker 2>words and then he interrupts her with a kiss. Their

1:13:34.240 --> 1:13:37.080
<v Speaker 2>kiss is interrupted when C three po comes in and

1:13:37.240 --> 1:13:40.639
<v Speaker 2>then as Han is talking to him, Lea sneaks away.

1:13:41.600 --> 1:13:44.400
<v Speaker 2>As far as the kiss itself, it's also murky because

1:13:44.439 --> 1:13:47.000
<v Speaker 2>it's like, Okay, I wouldn't classify it as a surprise

1:13:47.120 --> 1:13:50.400
<v Speaker 2>kiss because she also goes in for the kiss, but

1:13:50.520 --> 1:13:54.479
<v Speaker 2>only because she is written in such a way that

1:13:55.720 --> 1:14:02.280
<v Speaker 2>she's like relenting to him basically, and the scene feels

1:14:02.600 --> 1:14:06.679
<v Speaker 2>quite coercive. Yes, he has treated her badly up until

1:14:07.160 --> 1:14:10.519
<v Speaker 2>this point and continues to like nag her after this.

1:14:10.800 --> 1:14:14.320
<v Speaker 3>And also I think that it is like a tricky

1:14:14.439 --> 1:14:16.880
<v Speaker 3>like even if we are to believe that the character

1:14:17.240 --> 1:14:19.599
<v Speaker 3>like that, you know, I do think that like obviously

1:14:19.720 --> 1:14:23.200
<v Speaker 3>Carrie Fisher is like giving a performance where it's like, oh,

1:14:23.280 --> 1:14:27.439
<v Speaker 3>she's attracted to Han, but to be clear, which I mean,

1:14:27.479 --> 1:14:30.080
<v Speaker 3>we we know we're fully appreciated the choir here, but

1:14:30.520 --> 1:14:33.599
<v Speaker 3>that like, being attracted to someone does not entitle them

1:14:33.640 --> 1:14:36.600
<v Speaker 3>to do anything to you physically, yes, of course. So

1:14:37.240 --> 1:14:40.839
<v Speaker 3>like again, it's just like it's a lot of murky

1:14:41.040 --> 1:14:43.880
<v Speaker 3>logic that this movie is, like, assuming we're all on

1:14:44.040 --> 1:14:44.400
<v Speaker 3>board with.

1:14:45.040 --> 1:14:49.000
<v Speaker 2>Totally, because you can read it as either like he

1:14:49.320 --> 1:14:53.559
<v Speaker 2>wears her down until which is like also doesn't feel

1:14:53.640 --> 1:14:57.200
<v Speaker 2>like quite it either like there's just this like I

1:14:57.280 --> 1:14:59.639
<v Speaker 2>don't know how to describe exactly what's going on, because

1:14:59.640 --> 1:15:03.559
<v Speaker 2>it's because it could be like, actually she secretly likes

1:15:03.640 --> 1:15:08.639
<v Speaker 2>it when he mistreats her and nags her in many scenes. Yeah,

1:15:08.840 --> 1:15:11.880
<v Speaker 2>we don't know exactly what it is, but it's not good,

1:15:12.479 --> 1:15:14.320
<v Speaker 2>and it's a lot of like again, it's like it's

1:15:14.360 --> 1:15:18.200
<v Speaker 2>a lot of tropes that like it's that this is

1:15:18.360 --> 1:15:20.719
<v Speaker 2>just one of the most famous examples of It reminds

1:15:20.760 --> 1:15:24.000
<v Speaker 2>me of our conversation around like when we redid our

1:15:24.080 --> 1:15:28.280
<v Speaker 2>Twilight episode not too long ago, of the idea of

1:15:28.520 --> 1:15:34.560
<v Speaker 2>like fantasy fulfillment and yeah, but how murky a conversation

1:15:35.200 --> 1:15:39.000
<v Speaker 2>that becomes like where if like you if this scene.

1:15:38.800 --> 1:15:41.160
<v Speaker 3>Affected you in a way that like you're like, oh,

1:15:41.240 --> 1:15:45.040
<v Speaker 3>that's such a hot scene like that that's not an

1:15:45.040 --> 1:15:48.320
<v Speaker 3>irrational reaction based on how people are socialized, you know.

1:15:48.920 --> 1:15:53.640
<v Speaker 2>It's just because like I mean, it's complicated by the

1:15:53.720 --> 1:15:57.519
<v Speaker 2>fact that there is this like there is a trope

1:15:57.640 --> 1:16:02.280
<v Speaker 2>that like, well, women want to be ravaged by a

1:16:02.800 --> 1:16:09.959
<v Speaker 2>masculine either man or beast. That's a pervasive trope throughout literature.

1:16:10.080 --> 1:16:13.960
<v Speaker 2>But then some women do kind of.

1:16:14.040 --> 1:16:17.000
<v Speaker 3>Want that, right, Well, yeah, it's right, it's just like

1:16:17.080 --> 1:16:21.160
<v Speaker 3>presenting it that like whatever, Like not everyone wants that,

1:16:21.439 --> 1:16:26.599
<v Speaker 3>and some people do want that, but this story beat

1:16:26.840 --> 1:16:27.559
<v Speaker 3>tends to prove.

1:16:27.600 --> 1:16:30.680
<v Speaker 2>I mean it's like kind of just like Fopio on

1:16:30.880 --> 1:16:33.840
<v Speaker 2>the cover of a paperback novel. Thing they're doing here.

1:16:34.439 --> 1:16:37.559
<v Speaker 2>I mean that's literally what the like the movie poster

1:16:37.720 --> 1:16:40.840
<v Speaker 2>looks like with the two of them. For sure, he's

1:16:40.920 --> 1:16:44.559
<v Speaker 2>like kind of looming above her. She's like, if I'm

1:16:44.600 --> 1:16:46.680
<v Speaker 2>remembering it correctly, like she's got her head kind of

1:16:46.760 --> 1:16:50.479
<v Speaker 2>thrown back. Yeah, I mean, it evokes a lot of

1:16:51.360 --> 1:16:55.479
<v Speaker 2>romance novel stuff, and so it's hard to know what

1:16:55.560 --> 1:16:58.519
<v Speaker 2>to do with because I think that for me, it's

1:16:58.640 --> 1:17:03.439
<v Speaker 2>like it's mainly how young, like the general audience for

1:17:03.560 --> 1:17:06.080
<v Speaker 2>these movies were. Yeah, in a way that I think

1:17:06.240 --> 1:17:08.559
<v Speaker 2>we've seen in the way that the fandom has sort

1:17:08.600 --> 1:17:11.640
<v Speaker 2>of played out over the decades that there are some

1:17:11.880 --> 1:17:18.200
<v Speaker 2>positive takeaways right where it's like Leah is a very powerful,

1:17:18.760 --> 1:17:21.360
<v Speaker 2>outspoken woman who is always a member of the action,

1:17:22.280 --> 1:17:26.160
<v Speaker 2>who is still subject to these romantic troops exactly. Yeah. Yeah,

1:17:26.160 --> 1:17:28.920
<v Speaker 2>and like, let me know what you think about this,

1:17:29.240 --> 1:17:35.880
<v Speaker 2>But in various scenes when we're seeing her making strategic

1:17:36.040 --> 1:17:40.439
<v Speaker 2>decisions about what the Rebel Alliance should do. She's giving

1:17:40.680 --> 1:17:45.280
<v Speaker 2>orders to people parentheses men because it's just a bunch

1:17:45.320 --> 1:17:50.479
<v Speaker 2>of men. They respect her authority, they don't question her choices.

1:17:51.120 --> 1:17:54.160
<v Speaker 2>So it almost seems like even though there is a

1:17:54.360 --> 1:17:57.479
<v Speaker 2>dearth of women in the galaxy, or at least in

1:17:57.600 --> 1:18:01.679
<v Speaker 2>the Rebel Alliance and the Empire, there doesn't really seem

1:18:01.760 --> 1:18:06.479
<v Speaker 2>to be like systemic space sexism against her.

1:18:06.760 --> 1:18:10.639
<v Speaker 3>No, which feels very much like borrowed from like Star Trek,

1:18:11.479 --> 1:18:14.800
<v Speaker 3>where you know, we are also to believe that there

1:18:15.040 --> 1:18:21.880
<v Speaker 3>isn't space racism, right, but also that doesn't stop Star

1:18:22.040 --> 1:18:26.320
<v Speaker 3>Wars from being subject to all of the race associated

1:18:26.360 --> 1:18:26.920
<v Speaker 3>tropes that.

1:18:27.600 --> 1:18:31.200
<v Speaker 2>Existed in the US in nineteen eighty so, and we'll

1:18:31.240 --> 1:18:35.320
<v Speaker 2>talk about landolcar Parisian I'm sure though, But yeah, there

1:18:35.360 --> 1:18:40.760
<v Speaker 2>aren't these like systemic, like these systems of oppression and bias. Really,

1:18:40.840 --> 1:18:44.360
<v Speaker 2>it's just like individual men being shitty to lay us,

1:18:44.400 --> 1:18:48.840
<v Speaker 2>such as Han Solos. Well, that's what makes it kind

1:18:48.880 --> 1:18:54.320
<v Speaker 2>of like again like this bizarro cultural artifact where you know,

1:18:54.439 --> 1:18:57.599
<v Speaker 2>we're being told we're in a world where women can

1:18:57.880 --> 1:19:02.640
<v Speaker 2>easily be you know, unquestionably in power and powerful, but

1:19:02.840 --> 1:19:06.240
<v Speaker 2>how can we hold that being true with Leah still

1:19:06.280 --> 1:19:09.760
<v Speaker 2>being treated like a woman might have been treated in

1:19:09.920 --> 1:19:15.040
<v Speaker 2>nineteen eighty in the US. Like, you know, it's just again,

1:19:15.560 --> 1:19:19.040
<v Speaker 2>It's like it's not a problem specific to this movie

1:19:19.160 --> 1:19:21.720
<v Speaker 2>or franchise, but you know, you certainly do feel the

1:19:21.840 --> 1:19:27.800
<v Speaker 2>reverberations of this kiss and this relationship dynamic the I

1:19:27.880 --> 1:19:30.800
<v Speaker 2>love you I know, which is like, you know, I

1:19:30.920 --> 1:19:34.280
<v Speaker 2>got to hand it to whichever writer wrote it. It's

1:19:34.320 --> 1:19:37.479
<v Speaker 2>a snappy fucking or I guess Harrison Ford, Harrison Ford

1:19:37.760 --> 1:19:41.760
<v Speaker 2>impacted on set. It's a snappy line of dialogue and

1:19:41.920 --> 1:19:46.080
<v Speaker 2>it like tells you who this character is. But yeah,

1:19:46.200 --> 1:19:49.519
<v Speaker 2>I don't know. I mean it. It is obviously like a.

1:19:49.680 --> 1:19:55.120
<v Speaker 3>Very particular melodramatic dynamic that in a movie that I

1:19:55.200 --> 1:19:58.560
<v Speaker 3>think is pushing back on gender archetypes with Lea in

1:19:59.200 --> 1:20:05.479
<v Speaker 3>some ways, it really doesn't romantically or with this love

1:20:05.560 --> 1:20:10.559
<v Speaker 3>triangle that becomes increasingly incoherent as they're changing their mind

1:20:10.680 --> 1:20:12.920
<v Speaker 3>between movies, which I guess is what Star Wars has

1:20:12.920 --> 1:20:13.400
<v Speaker 3>always done.

1:20:14.200 --> 1:20:20.800
<v Speaker 2>Yeah, it really represents a relationship model that so many

1:20:21.000 --> 1:20:25.400
<v Speaker 2>men thought they should follow, so many women thought they

1:20:25.520 --> 1:20:30.519
<v Speaker 2>had to follow. Like for what a burgeoning romance was

1:20:30.560 --> 1:20:33.680
<v Speaker 2>supposed to look like and again I fell for it.

1:20:34.920 --> 1:20:39.280
<v Speaker 3>It does feel like well wherever, we won't need to

1:20:39.320 --> 1:20:41.280
<v Speaker 3>get into it too much today. But how you know,

1:20:41.439 --> 1:20:44.400
<v Speaker 3>every feminist movement comes with a period of backlash, some

1:20:44.520 --> 1:20:46.160
<v Speaker 3>of which is over, some of which is like a

1:20:46.200 --> 1:20:49.960
<v Speaker 3>little more subtle. And I think that like at every

1:20:50.120 --> 1:20:55.920
<v Speaker 3>step of feminist representation in media, because Lea is too

1:20:56.000 --> 1:21:00.799
<v Speaker 3>many an iconic feminist character. That for many of these characters,

1:21:00.880 --> 1:21:04.560
<v Speaker 3>especially in like bigger projects, it's like they can have

1:21:04.920 --> 1:21:09.439
<v Speaker 3>power to a point or in certain arenas, but in

1:21:09.640 --> 1:21:13.360
<v Speaker 3>other arenas they have to remain submissive and okay with

1:21:13.600 --> 1:21:16.040
<v Speaker 3>blah blah blah blahlah. But then that you know, that

1:21:16.280 --> 1:21:20.440
<v Speaker 3>is a little bit in conflict with the fantasy fulfillment.

1:21:20.640 --> 1:21:24.080
<v Speaker 3>Like it's just it's it's we're not Luke, We're not

1:21:24.200 --> 1:21:27.760
<v Speaker 3>at Jedi grad school, but like, but it is.

1:21:27.960 --> 1:21:30.200
<v Speaker 2>It is really interesting because I think that we're having

1:21:30.200 --> 1:21:32.719
<v Speaker 2>a very different conversation about this now than we would

1:21:32.760 --> 1:21:36.599
<v Speaker 2>have when this show started. It's true, it's true, well,

1:21:37.240 --> 1:21:40.759
<v Speaker 2>growth growth, we love to see it. Well, happy birthday

1:21:40.880 --> 1:21:46.240
<v Speaker 2>to me. And speaking of age, you already mentioned this,

1:21:46.520 --> 1:21:51.439
<v Speaker 2>but the Harrison Ford and Carrie Fisher age gap because

1:21:51.439 --> 1:21:54.400
<v Speaker 2>I believe she was was at nineteen and he was

1:21:54.520 --> 1:21:57.000
<v Speaker 2>in his early Yes, she was an adult, but she

1:21:57.280 --> 1:22:00.640
<v Speaker 2>was still quite young. Yeah, not so not legal but

1:22:01.200 --> 1:22:07.040
<v Speaker 2>not good and so yeah, he is pretty significantly older

1:22:07.400 --> 1:22:12.559
<v Speaker 2>than her well and married also oh right, oh my god, yeah,

1:22:12.640 --> 1:22:15.200
<v Speaker 2>I forgot about that for the sake of the relationship

1:22:15.240 --> 1:22:18.680
<v Speaker 2>in this movie. It's a classic case of you know,

1:22:19.160 --> 1:22:22.479
<v Speaker 2>a Hollywood age difference where the woman is far younger

1:22:22.640 --> 1:22:29.680
<v Speaker 2>because society hates older women. And once again, happy fortieth Birthday.

1:22:31.240 --> 1:22:35.320
<v Speaker 3>Which like which luckily Carrie Fisher had no shortage of

1:22:35.439 --> 1:22:38.720
<v Speaker 3>things to say about when she was younger and when

1:22:38.760 --> 1:22:42.400
<v Speaker 3>she was older. Yeah, but yeah, I mean it is

1:22:42.560 --> 1:22:46.200
<v Speaker 3>it is like so unquestioningly like to the point where,

1:22:46.320 --> 1:22:48.160
<v Speaker 3>like I had to, I had to have it pointed

1:22:48.160 --> 1:22:50.280
<v Speaker 3>out to me when I was first watching Star Wars,

1:22:50.320 --> 1:22:52.880
<v Speaker 3>where You're like, yeah, he's visibly so much older than her,

1:22:52.920 --> 1:22:54.559
<v Speaker 3>and I was like, yeah, I guess I'm just used

1:22:54.600 --> 1:22:58.000
<v Speaker 3>to seeing that, right, But yes, don't. Do you have

1:22:58.040 --> 1:22:59.720
<v Speaker 3>any other thoughts on Ley and this?

1:22:59.800 --> 1:23:01.519
<v Speaker 2>I mean, the other thoughts I have on her are

1:23:01.680 --> 1:23:07.040
<v Speaker 2>are generally quite complimentary, Like I just I love this

1:23:07.240 --> 1:23:11.120
<v Speaker 2>is my favorite movie for her just a few things,

1:23:11.200 --> 1:23:15.080
<v Speaker 2>such as in this movie she's never damseled, but she

1:23:15.400 --> 1:23:20.719
<v Speaker 2>is instrumental in saving Luke at the end, which normally

1:23:20.800 --> 1:23:26.880
<v Speaker 2>we don't see. That her costuming does not sexualize her,

1:23:27.240 --> 1:23:29.799
<v Speaker 2>which or objectify her. I mean, that's a different conversation

1:23:30.040 --> 1:23:33.600
<v Speaker 2>in Return of the Jedi, But in this movie, I

1:23:33.760 --> 1:23:39.160
<v Speaker 2>was also thinking about Padme. Yeah, I've spent a lot

1:23:39.160 --> 1:23:42.400
<v Speaker 2>of time thinking about we both have and how you

1:23:42.520 --> 1:23:45.640
<v Speaker 2>know not It's again, I'm not saying this to be

1:23:45.840 --> 1:23:49.400
<v Speaker 2>like super complimentary, but it was. It is interesting to

1:23:49.720 --> 1:23:54.360
<v Speaker 2>observe how the state of the Western feminist movement is

1:23:54.439 --> 1:23:57.880
<v Speaker 2>reflected throughout whatever over like basically half a century through

1:23:57.920 --> 1:24:01.600
<v Speaker 2>these movies, because somehow in two thousand we're in a

1:24:01.680 --> 1:24:04.080
<v Speaker 2>worse position than we were in nineteen eighty, which was

1:24:04.120 --> 1:24:08.160
<v Speaker 2>also just culturally true. Where you know, between the second

1:24:08.240 --> 1:24:12.040
<v Speaker 2>and third movies, in this and the original trilogy and

1:24:12.120 --> 1:24:16.920
<v Speaker 2>the sequel the Original Trilogy, we decide that while and

1:24:17.160 --> 1:24:20.040
<v Speaker 2>Return of the Jedi, we have the whole jab a thing,

1:24:20.880 --> 1:24:23.760
<v Speaker 2>but we decide that Leah is more powerful than we

1:24:23.840 --> 1:24:27.360
<v Speaker 2>could have possibly conceived of. She is a Jedi and

1:24:27.439 --> 1:24:30.440
<v Speaker 2>she has access to the Force. Whereas in the prequels.

1:24:30.960 --> 1:24:35.280
<v Speaker 2>Padme gets an unbelievable character downgrade.

1:24:34.840 --> 1:24:38.920
<v Speaker 3>Between movies two and three. She is more a part

1:24:38.960 --> 1:24:41.240
<v Speaker 3>of the action than she'll ever be in part two,

1:24:41.280 --> 1:24:43.360
<v Speaker 3>which isn't saying that much, and then in part three

1:24:43.479 --> 1:24:45.519
<v Speaker 3>she's just weeping in a room the whole time.

1:24:46.280 --> 1:24:50.360
<v Speaker 2>She's pregnant. She's gonna be dead soon. Yeah, it's just

1:24:50.560 --> 1:24:53.519
<v Speaker 2>like it's it's she's she's really left in the trenches.

1:24:53.640 --> 1:24:55.160
<v Speaker 2>So it is. Yeah.

1:24:55.400 --> 1:25:00.200
<v Speaker 3>I do appreciate that Leah is being set up a

1:25:00.400 --> 1:25:03.160
<v Speaker 3>rocky third movie, but a movie in which she will

1:25:03.439 --> 1:25:07.439
<v Speaker 3>continue to be I don't know. I haven't I didn't

1:25:07.479 --> 1:25:09.120
<v Speaker 3>watch Return of the Jedi before this, and I know

1:25:09.240 --> 1:25:11.599
<v Speaker 3>she has sidelined for a significant part of the third movie,

1:25:11.680 --> 1:25:14.240
<v Speaker 3>so maybe it's just tradition, right.

1:25:14.360 --> 1:25:17.000
<v Speaker 2>I also didn't rewatch it for this, so it's not

1:25:17.240 --> 1:25:20.160
<v Speaker 2>super fresh in my mind. But again, we'll just cover

1:25:20.320 --> 1:25:28.240
<v Speaker 2>it my next birthday. But uh, yeah, I love Leah,

1:25:28.680 --> 1:25:31.640
<v Speaker 2>And even though I understand why, at least during the

1:25:31.720 --> 1:25:36.000
<v Speaker 2>filming of this movie, Carrie Fisher was kind of lukewarm

1:25:36.200 --> 1:25:41.040
<v Speaker 2>on her get it luke warm. I wonder if I've

1:25:41.040 --> 1:25:47.160
<v Speaker 2>made that joke before. I feel certain you have. I

1:25:47.320 --> 1:25:52.639
<v Speaker 2>understand why she's a beloved character, and yes, I love

1:25:52.760 --> 1:25:55.120
<v Speaker 2>her and that so much of that has to do

1:25:55.360 --> 1:25:59.280
<v Speaker 2>with Carrie Fisher. Yes, I also love Leah, and I

1:25:59.360 --> 1:26:01.840
<v Speaker 2>think this is of the three movies kind of like

1:26:02.000 --> 1:26:06.240
<v Speaker 2>the best showcase of what's great about her character. Shall

1:26:06.280 --> 1:26:10.960
<v Speaker 2>we talk about Lando Calarusian? Let's talk about our friend Lando.

1:26:11.800 --> 1:26:14.080
<v Speaker 2>I don't have a whole awful lot to say, but

1:26:15.000 --> 1:26:20.240
<v Speaker 2>similar to how Leah is the only woman in the galaxy,

1:26:21.400 --> 1:26:25.720
<v Speaker 2>Lando is the only black person in the galaxy, at

1:26:25.800 --> 1:26:28.600
<v Speaker 2>least with lines of dialogue that we yeah, which is

1:26:29.000 --> 1:26:31.920
<v Speaker 2>and again this is another like I think Star Wars

1:26:32.080 --> 1:26:35.200
<v Speaker 2>fan cope with all due respect if there's members of

1:26:35.240 --> 1:26:39.040
<v Speaker 2>the community listening that people were like, well, James Earl

1:26:39.120 --> 1:26:43.760
<v Speaker 2>Jones is a black actor. You're like, uh, well come on, yeah,

1:26:43.800 --> 1:26:45.960
<v Speaker 2>but we never don't see him, and when you do

1:26:46.040 --> 1:26:48.000
<v Speaker 2>see him, he's a white guy. He's a white guy,

1:26:48.120 --> 1:26:50.519
<v Speaker 2>and he's canonically hating christiansen So that.

1:26:50.640 --> 1:26:54.040
<v Speaker 3>Actually does not defly like, well, well, James Earl Jones,

1:26:54.520 --> 1:26:57.439
<v Speaker 3>you know, is the most iconic cast member arguably in

1:26:57.479 --> 1:27:01.439
<v Speaker 3>the entire franchise. Like, we can't be making that sort

1:27:01.479 --> 1:27:05.840
<v Speaker 3>of argument, right, I have a little bit to say

1:27:05.880 --> 1:27:09.360
<v Speaker 3>about Lando, who is like Billy T.

1:27:09.479 --> 1:27:14.080
<v Speaker 2>Williams is just like, oh so amazing. Yeah, I was

1:27:14.160 --> 1:27:18.960
<v Speaker 2>looking for a little background in how he is characteristic,

1:27:19.040 --> 1:27:21.920
<v Speaker 2>and there was a fair amount written about Lando as

1:27:21.920 --> 1:27:25.960
<v Speaker 2>a character when Solo came out. And then I think

1:27:26.040 --> 1:27:29.000
<v Speaker 2>that conversation promptly stopped because no one saw that movie.

1:27:30.400 --> 1:27:32.960
<v Speaker 2>But that's speak for yourself. I saw it in theaters

1:27:33.040 --> 1:27:37.599
<v Speaker 2>twice for some reason. There were dozens of you there.

1:27:38.240 --> 1:27:43.160
<v Speaker 3>But Donald Glover plays a young Lando Calrisian in that

1:27:43.320 --> 1:27:46.200
<v Speaker 3>prequel movie. And so anyways, there was like a brief

1:27:46.240 --> 1:27:49.880
<v Speaker 3>period of time in twenty eighteen where black culture writers

1:27:49.920 --> 1:27:53.400
<v Speaker 3>were reflecting on the legacy of Lando. So this is

1:27:53.479 --> 1:27:57.639
<v Speaker 3>pulling from a Slash Film article from twenty eighteen by

1:27:57.840 --> 1:28:03.040
<v Speaker 3>Monique Jones Pimpin and the Black Exploitation Roots of Lando Calrissian,

1:28:03.680 --> 1:28:08.240
<v Speaker 3>in which she kind of traces she mentions something that

1:28:08.280 --> 1:28:11.679
<v Speaker 3>George Lucas is always He's like, Star Wars isn't racist,

1:28:11.760 --> 1:28:13.479
<v Speaker 3>And I'm like, Okay, if you have to say it,

1:28:14.280 --> 1:28:19.760
<v Speaker 3>maybe you need because Star Wars famously I mean, and again,

1:28:19.920 --> 1:28:22.720
<v Speaker 3>like if we're thinking about Star Wars in a longer timeline,

1:28:23.240 --> 1:28:27.439
<v Speaker 3>this is something that the franchise makes steps towards but

1:28:27.840 --> 1:28:31.519
<v Speaker 3>never actually meaningfully improves on because you think about how

1:28:31.920 --> 1:28:35.559
<v Speaker 3>John Boyego was rightfully speaking out during this sequel trilogy

1:28:35.600 --> 1:28:39.880
<v Speaker 3>about how severely scaled back his character was and how

1:28:40.040 --> 1:28:43.799
<v Speaker 3>he was a race from promotional materials in certain countries

1:28:43.840 --> 1:28:45.800
<v Speaker 3>that were extremely racist against black people.

1:28:46.360 --> 1:28:49.160
<v Speaker 2>So same thing with the Jar Jar Binks of it

1:28:49.280 --> 1:28:51.560
<v Speaker 2>all and all of the racist Trump's president ar like

1:28:51.640 --> 1:28:53.439
<v Speaker 2>it just well. I was also going to say the

1:28:53.560 --> 1:28:57.560
<v Speaker 2>Rose character played by Kelly Marie Tran, she was the

1:28:57.760 --> 1:29:01.719
<v Speaker 2>recipient of so much racist vitrey, Yeah when her character

1:29:01.880 --> 1:29:03.240
<v Speaker 2>was introduced, and then she.

1:29:03.360 --> 1:29:08.599
<v Speaker 3>Was completely sidelined in Rise of Skywalker. This is historically,

1:29:08.600 --> 1:29:11.640
<v Speaker 3>I mean, this happens in movies quite a bit with

1:29:11.840 --> 1:29:15.160
<v Speaker 3>actors of color that are initially cast in large roles.

1:29:15.960 --> 1:29:20.719
<v Speaker 3>This is certainly the case consistently in Maine Star Wars

1:29:20.800 --> 1:29:25.040
<v Speaker 3>franchises without fail. I mean the fact that Samuel L.

1:29:25.120 --> 1:29:28.439
<v Speaker 3>Jackson turned in a mid performance through like something's going

1:29:28.479 --> 1:29:28.920
<v Speaker 3>on here.

1:29:29.520 --> 1:29:30.479
<v Speaker 2>Something's not right.

1:29:30.880 --> 1:29:34.719
<v Speaker 3>But with Lando, who is the first significant black character

1:29:34.880 --> 1:29:39.120
<v Speaker 3>in the Star Wars franchise ever. Yeah, Monique Jones talks

1:29:39.120 --> 1:29:44.400
<v Speaker 3>about the cultural ideas around blackness that are being pulled

1:29:44.439 --> 1:29:48.559
<v Speaker 3>from to create this character. So something I wasn't sure

1:29:48.560 --> 1:29:52.759
<v Speaker 3>about but is true, is that Lando Caversian was always

1:29:53.160 --> 1:29:57.840
<v Speaker 3>envisioned as a black character, and was also always.

1:29:57.600 --> 1:29:59.000
<v Speaker 2>Envisioned as Billy d Williams.

1:29:59.000 --> 1:30:03.880
<v Speaker 3>Specifically, I guess George Lucas was a fan, so like

1:30:04.040 --> 1:30:06.759
<v Speaker 3>in his original notes, he was like Blue Dye Williams,

1:30:07.360 --> 1:30:11.479
<v Speaker 3>So this part was kind of written for him. But

1:30:11.600 --> 1:30:15.240
<v Speaker 3>it's pulling on a series of tropes and specifically the

1:30:15.320 --> 1:30:20.400
<v Speaker 3>blaxploitation movies of the seventies. So quote Lando further defines

1:30:20.439 --> 1:30:23.360
<v Speaker 3>the mainstream image of blackness as being one synonymous with

1:30:23.520 --> 1:30:27.200
<v Speaker 3>coolness and slickness, but with that image comes negative associations

1:30:27.240 --> 1:30:31.439
<v Speaker 3>of blackness being shifty, dangerous, and untrustworthy. It's unclear if

1:30:31.520 --> 1:30:36.120
<v Speaker 3>Lucas was directly inspired by blaxploitation, but Blaxploitation's pervasiveness certainly

1:30:36.200 --> 1:30:39.800
<v Speaker 3>informs Lando's character, from the cape to his roguish personality.

1:30:40.160 --> 1:30:42.360
<v Speaker 3>There's a reason that many fans refer to Lando as

1:30:42.400 --> 1:30:45.479
<v Speaker 3>a pimp in space. In just looks alone, Lando fits

1:30:45.520 --> 1:30:49.000
<v Speaker 3>in with the sweet Sweetbacks, Dolomites, and superflies who preceded him.

1:30:49.479 --> 1:30:51.759
<v Speaker 3>The iconography of the pimp is one of the lasting

1:30:51.840 --> 1:30:56.360
<v Speaker 3>controversial effects of blaxploitation popularity. The image is emblazoned in

1:30:56.439 --> 1:30:59.120
<v Speaker 3>our minds. A charismatic black man with perm straight hair,

1:30:59.240 --> 1:31:02.360
<v Speaker 3>a flashy hat, and equally flashy clothes. Auf fur or

1:31:02.400 --> 1:31:04.799
<v Speaker 3>cape of some kind was always in the mix. Lando

1:31:04.880 --> 1:31:08.040
<v Speaker 3>iiO has relaxed hair, a saunter an expensive looking blue

1:31:08.080 --> 1:31:10.840
<v Speaker 3>cape lined with luxurious gold fabric, complete with a gold

1:31:10.960 --> 1:31:15.560
<v Speaker 3>neck chain. Looking at Lando from a blaxploitation perspective, the

1:31:15.640 --> 1:31:19.320
<v Speaker 3>character continues in the tradition of updating the trickster persona

1:31:19.560 --> 1:31:22.320
<v Speaker 3>via the pimp. Even though Lando is in a galaxy

1:31:22.400 --> 1:31:25.800
<v Speaker 3>in which racism doesn't exist, his costuming and his cape

1:31:25.800 --> 1:31:28.320
<v Speaker 3>in particular calls back to the movie Pimps of the

1:31:28.439 --> 1:31:31.479
<v Speaker 3>recent past of the time, showing the audience he has

1:31:31.560 --> 1:31:34.479
<v Speaker 3>the mystique that the other white characters can't quite replicate

1:31:34.640 --> 1:31:38.280
<v Speaker 3>or understand. His clothes exemplify his ability to work outside

1:31:38.320 --> 1:31:40.360
<v Speaker 3>the system that is still despite it being at a

1:31:40.439 --> 1:31:44.000
<v Speaker 3>galaxy far far away, set and run by white people.

1:31:44.720 --> 1:31:46.760
<v Speaker 3>In this way as well, Lando's character harkens back to

1:31:46.840 --> 1:31:50.719
<v Speaker 3>black exploitation. His individual acts of resistance, such as tricking

1:31:50.760 --> 1:31:52.560
<v Speaker 3>Han and working with Darth Vader with the goal of

1:31:52.600 --> 1:31:56.640
<v Speaker 3>securing Cloud City's protection are quote conceived in confusion and

1:31:56.760 --> 1:31:59.400
<v Speaker 3>executed in panic. He doesn't stop to think how his

1:31:59.479 --> 1:32:02.160
<v Speaker 3>double crossing would have come back to cross him. All

1:32:02.240 --> 1:32:04.519
<v Speaker 3>he knows are the ways of the swindler. Despite his

1:32:04.680 --> 1:32:07.479
<v Speaker 3>role as a government leader, his trickster ways are tied

1:32:07.520 --> 1:32:09.840
<v Speaker 3>to his blackness. And whether or not Lucas realized this,

1:32:10.240 --> 1:32:13.360
<v Speaker 3>he still gave his critics ammunition against him despite his

1:32:13.479 --> 1:32:18.120
<v Speaker 3>inclusion of a black character. So it's a very interesting piece.

1:32:18.640 --> 1:32:23.479
<v Speaker 3>She also later goes on to review how Lando's character

1:32:23.880 --> 1:32:28.559
<v Speaker 3>is addressed in solo, which isn't relevant here. But we haven't,

1:32:28.960 --> 1:32:31.400
<v Speaker 3>you know, really talked about the black exploitation genre in

1:32:31.560 --> 1:32:35.360
<v Speaker 3>any deep way here, and I wanted to just acknowledge.

1:32:34.880 --> 1:32:35.559
<v Speaker 2>That that was a.

1:32:37.320 --> 1:32:40.920
<v Speaker 3>Very very thoroughly discussed and people are of so many

1:32:41.000 --> 1:32:44.880
<v Speaker 3>minds about it genre that was, you know, sort of

1:32:44.960 --> 1:32:47.800
<v Speaker 3>at its height in the seventies, and that you can

1:32:47.880 --> 1:32:53.080
<v Speaker 3>see its influence on Lando Calrisian. But what every analysis

1:32:53.760 --> 1:32:57.960
<v Speaker 3>of Lando, like it always ends, including this piece, ends

1:32:58.000 --> 1:33:02.160
<v Speaker 3>with that said. I love Calrisian and he's really cool,

1:33:02.560 --> 1:33:03.240
<v Speaker 3>and Billy D.

1:33:03.400 --> 1:33:07.720
<v Speaker 2>Williams is awesome, and Lando Rocks, and I think that

1:33:07.840 --> 1:33:10.559
<v Speaker 2>both of these things are true that like, you know, yeah,

1:33:10.760 --> 1:33:14.120
<v Speaker 2>and what is also true is and this is part

1:33:14.200 --> 1:33:21.240
<v Speaker 2>of the you know, like smooth talker, like blaxploitation inspired

1:33:21.840 --> 1:33:25.519
<v Speaker 2>characterization of him. You might call him a smooth talker,

1:33:25.840 --> 1:33:29.200
<v Speaker 2>or you might say that he's being a creep toward

1:33:29.600 --> 1:33:32.600
<v Speaker 2>Leah because he's always being like, I mean, look what

1:33:32.760 --> 1:33:35.040
<v Speaker 2>we have here, And I think in that way he's

1:33:35.120 --> 1:33:37.599
<v Speaker 2>being a creep in the same way Hans a creep.

1:33:37.800 --> 1:33:41.080
<v Speaker 2>This is true, Like, yes, they're just both creepee guys

1:33:41.120 --> 1:33:45.439
<v Speaker 2>who found each other, like many creepy. And that said,

1:33:45.920 --> 1:33:50.680
<v Speaker 2>I do love Landell Kelrisian. So yeah, it's complicated. I

1:33:50.800 --> 1:33:53.320
<v Speaker 2>really think everyone loves I mean, I don't know. I

1:33:53.720 --> 1:33:57.559
<v Speaker 2>was not in my admittedly kind of like not deep research,

1:33:57.800 --> 1:34:00.559
<v Speaker 2>but I was not able to find any Lando calrisy

1:34:00.640 --> 1:34:06.000
<v Speaker 2>and haters. I don't which is all Billy dev I mean,

1:34:06.120 --> 1:34:08.760
<v Speaker 2>like Billy D. Williams is so awesome. Yeah for sure.

1:34:09.000 --> 1:34:13.200
<v Speaker 3>So anyways, yeah, I do think that there Even though

1:34:13.240 --> 1:34:17.799
<v Speaker 3>George Lucas has resisted any racial analysis of this character,

1:34:17.960 --> 1:34:20.920
<v Speaker 3>obviously it is there. It has been discussed quite a bit.

1:34:21.160 --> 1:34:26.240
<v Speaker 3>And again there's like the classic Star Wars tokenism to

1:34:26.800 --> 1:34:31.080
<v Speaker 3>this character that also exists for Lea, where in the

1:34:31.280 --> 1:34:37.080
<v Speaker 3>entire galaxy there is one black person and one woman,

1:34:37.840 --> 1:34:43.719
<v Speaker 3>and she of course is white. And for many classic films,

1:34:43.800 --> 1:34:45.960
<v Speaker 3>this was the way the world worked.

1:34:46.640 --> 1:34:50.600
<v Speaker 2>I do appreciate with with Lando, it's like it's impossible

1:34:50.680 --> 1:34:52.920
<v Speaker 2>to I think, impossible to dislike him by the end

1:34:52.960 --> 1:34:55.439
<v Speaker 2>of the movie. And I do appreciate that we are

1:34:55.600 --> 1:34:59.680
<v Speaker 2>given context for why he's doing what he's doing. He's

1:34:59.760 --> 1:35:04.240
<v Speaker 2>not double crossing Han and Lea because that's just who

1:35:04.280 --> 1:35:08.120
<v Speaker 2>he is out of like SPIKEE or Malice. Yeah, it's

1:35:08.160 --> 1:35:13.960
<v Speaker 2>a survival based decision, does it. There are many implications

1:35:14.000 --> 1:35:15.760
<v Speaker 2>that come with that. But I did appreciate that, like

1:35:16.120 --> 1:35:19.080
<v Speaker 2>you are given a clear reason not just why he

1:35:19.200 --> 1:35:22.680
<v Speaker 2>does it, but but why he is later forgiven right

1:35:22.800 --> 1:35:27.200
<v Speaker 2>because the first chance he gets he double crosses Darth

1:35:27.280 --> 1:35:30.160
<v Speaker 2>Vader and tries to help his friends so and then

1:35:30.560 --> 1:35:34.479
<v Speaker 2>appears again in Return of the Jedi as one of

1:35:34.560 --> 1:35:38.120
<v Speaker 2>the crew. I mean well, speaking to that, speaking to

1:35:38.439 --> 1:35:42.320
<v Speaker 2>like a choice of survival, something that we didn't talk about,

1:35:42.400 --> 1:35:45.000
<v Speaker 2>I don't think on our first Star Wars like our

1:35:45.040 --> 1:35:47.720
<v Speaker 2>New Hope episode, but the fact that this is like, now,

1:35:47.760 --> 1:35:52.519
<v Speaker 2>if I was there, I no idea. Yeah. I also

1:35:52.600 --> 1:35:54.960
<v Speaker 2>think that might have been one of the episodes where

1:35:54.960 --> 1:35:57.760
<v Speaker 2>you kind of didn't watch the movie. Yeah, I didn't

1:35:57.800 --> 1:36:00.360
<v Speaker 2>think podcasting was going to be a job. I just

1:36:00.400 --> 1:36:03.679
<v Speaker 2>thought we were so we were chilling, having fun. Yeah,

1:36:05.280 --> 1:36:11.160
<v Speaker 2>But the anti imperial nature of this whole franchise, I

1:36:11.240 --> 1:36:15.120
<v Speaker 2>think it's best handled in and or it's very very simplified.

1:36:15.160 --> 1:36:17.519
<v Speaker 2>I think in the original trilogy, where it's just sort

1:36:17.560 --> 1:36:22.360
<v Speaker 2>of like Empire, bad Rebel, Alliance, good guys. Well, and

1:36:22.479 --> 1:36:25.920
<v Speaker 2>it's like the first trilogy is really clearly pulling on

1:36:27.200 --> 1:36:29.519
<v Speaker 2>World War two stuff. I mean it's like that, sure,

1:36:29.760 --> 1:36:31.960
<v Speaker 2>you know in a way that I feel like, I

1:36:32.000 --> 1:36:34.200
<v Speaker 2>don't know. I'm not trying to hand it to George

1:36:34.280 --> 1:36:37.000
<v Speaker 2>Lucas with the subtlety of his storytelling, but some of

1:36:37.160 --> 1:36:39.439
<v Speaker 2>like the visuals are so overt that it feels like

1:36:39.479 --> 1:36:42.160
<v Speaker 2>you don't that they're like sort of electing you to

1:36:42.280 --> 1:36:44.160
<v Speaker 2>fill in the blanks on your own based on your

1:36:44.200 --> 1:36:46.799
<v Speaker 2>knowledge of what would have then been like pretty recent history.

1:36:46.880 --> 1:36:49.160
<v Speaker 2>But oh yeah, yeah, if you look at like side

1:36:49.200 --> 1:36:53.760
<v Speaker 2>by side footage from this original trilogy and footage from

1:36:53.920 --> 1:36:59.599
<v Speaker 2>Nazi World War two. Yeah, battles like the parallels are visible.

1:37:00.360 --> 1:37:02.639
<v Speaker 2>But this is why I like and Or so much

1:37:02.960 --> 1:37:07.120
<v Speaker 2>because it examines in a far more nuanced way what

1:37:07.320 --> 1:37:10.280
<v Speaker 2>a fascist empire looks like and what it does, what

1:37:10.479 --> 1:37:15.560
<v Speaker 2>a revolution against that looks like, how a resistance movement ignites,

1:37:15.840 --> 1:37:19.200
<v Speaker 2>and the complicated figures who are participating in it along

1:37:19.320 --> 1:37:23.880
<v Speaker 2>the way. Yeah, so everyone should watch and Or. But

1:37:24.200 --> 1:37:26.040
<v Speaker 2>but then it's like to do that, watch it illegally

1:37:26.120 --> 1:37:29.080
<v Speaker 2>because Disney Plus is well that that's the thing is now,

1:37:29.200 --> 1:37:31.080
<v Speaker 2>like you have to make well, you don't have to. Also,

1:37:31.160 --> 1:37:33.439
<v Speaker 2>you don't have to you don't have to make anti

1:37:33.560 --> 1:37:36.880
<v Speaker 2>fascist content for the fascist but like you know, there

1:37:36.880 --> 1:37:40.080
<v Speaker 2>are there are many, uh like for for a certain budget,

1:37:40.400 --> 1:37:43.040
<v Speaker 2>people are forced to put themselves or to forced to

1:37:43.160 --> 1:37:46.240
<v Speaker 2>choose to be in that position. Yeah, it's a whole

1:37:46.360 --> 1:37:50.560
<v Speaker 2>thing anyways, and Or's good. And the last thing I

1:37:50.720 --> 1:37:53.439
<v Speaker 2>wanted to touch on was just a little bit about

1:37:54.600 --> 1:38:01.479
<v Speaker 2>the Jedi. Are we talking religion because like iology, Okay,

1:38:02.160 --> 1:38:05.080
<v Speaker 2>and we talked a bit about this in our Prequels

1:38:05.160 --> 1:38:09.920
<v Speaker 2>episode as well, but I wanted to talk a little

1:38:09.960 --> 1:38:13.200
<v Speaker 2>bit more about the kind of like philosophy and ideology

1:38:13.400 --> 1:38:17.280
<v Speaker 2>of the Jedi. There is a video essay from Pop

1:38:17.320 --> 1:38:20.559
<v Speaker 2>Culture Detective Agency which we might have cited this specific

1:38:20.720 --> 1:38:25.840
<v Speaker 2>essay before, but it's about how even though the Jedi

1:38:26.280 --> 1:38:30.880
<v Speaker 2>in these movies are portrayed as these like wise heroic

1:38:31.360 --> 1:38:36.599
<v Speaker 2>protectors of the galaxy, they actually represent a rather toxic

1:38:36.800 --> 1:38:41.600
<v Speaker 2>version of masculinity because a huge part of their ethos

1:38:42.720 --> 1:38:49.080
<v Speaker 2>is suppressing your feelings emotional vulnerability equals weakness, and because

1:38:49.280 --> 1:38:53.640
<v Speaker 2>most Jedi Knights are men, especially in the first two trilogies,

1:38:54.280 --> 1:38:59.160
<v Speaker 2>we can see the parallels between Jedi ideology and patriarchal

1:38:59.280 --> 1:39:06.559
<v Speaker 2>conditioning in our galaxy, in our world. Yeah, it gets

1:39:06.680 --> 1:39:11.200
<v Speaker 2>more into the Jedi lore, I guess in the prequel

1:39:11.320 --> 1:39:16.000
<v Speaker 2>trilogy because the reason Anakin is seduced by the Dark

1:39:16.080 --> 1:39:20.320
<v Speaker 2>Side is because he makes the mistake of having feelings

1:39:20.640 --> 1:39:24.519
<v Speaker 2>and of having deep connections with women, both his mother

1:39:24.800 --> 1:39:29.360
<v Speaker 2>and his beloved Padme right, and that's what inevitably leads

1:39:29.640 --> 1:39:33.120
<v Speaker 2>him to the dark Side, which you could read as

1:39:33.640 --> 1:39:38.680
<v Speaker 2>commentary on like, look what horrible things happen when men

1:39:38.960 --> 1:39:43.799
<v Speaker 2>are discouraged from freely feeling their emotions, But the prequels

1:39:43.880 --> 1:39:45.559
<v Speaker 2>do not frame it that way.

1:39:45.720 --> 1:39:49.880
<v Speaker 3>Really, No, the prequels the prequels kind of, I think

1:39:49.960 --> 1:39:52.760
<v Speaker 3>if we're operating in and I think that that is

1:39:52.840 --> 1:39:55.479
<v Speaker 3>actually a good reason people don't like because there's some

1:39:55.640 --> 1:39:57.880
<v Speaker 3>reasons people don't like the Prequels that are annoying and

1:39:58.080 --> 1:40:00.759
<v Speaker 3>some that are valid, which is that like this whole

1:40:01.760 --> 1:40:05.439
<v Speaker 3>spiritual encouragement to connect with one's emotions, to have a

1:40:05.479 --> 1:40:09.240
<v Speaker 3>clear perspective of the world, and to meditate and all

1:40:09.320 --> 1:40:15.240
<v Speaker 3>these things that are demonstrably good is retconned to be

1:40:15.439 --> 1:40:19.479
<v Speaker 3>this like weirdo. It's just like over explaining and kind

1:40:19.520 --> 1:40:21.720
<v Speaker 3>of undercuts what makes it so interesting in the first

1:40:21.760 --> 1:40:25.960
<v Speaker 3>place and what makes it possible for viewers to kind

1:40:25.960 --> 1:40:29.080
<v Speaker 3>of take on for themselves in a positive way.

1:40:29.479 --> 1:40:33.439
<v Speaker 2>Right Because going back to the specific movie we're discussing today,

1:40:33.680 --> 1:40:37.000
<v Speaker 2>I think that one of the things that distinguishes Luke

1:40:37.080 --> 1:40:43.320
<v Speaker 2>Skywalker from his father Anakin slash Darth Vader is that

1:40:43.520 --> 1:40:47.600
<v Speaker 2>Luke kind of rejects this part of Jedi ideology. And

1:40:47.680 --> 1:40:52.200
<v Speaker 2>we see this in a scene where Luke sees that

1:40:52.400 --> 1:40:55.759
<v Speaker 2>like future vision of Han and Leah being in danger,

1:40:55.920 --> 1:40:58.960
<v Speaker 2>possibly about to die, and he wants to go save them.

1:41:00.120 --> 1:41:04.640
<v Speaker 2>Yoda and Obi Wan's Ghost, which are his Jedi trainers,

1:41:04.800 --> 1:41:09.439
<v Speaker 2>are like, no, who cares about your friends? You have

1:41:09.600 --> 1:41:13.519
<v Speaker 2>to stay here and finish your Jedi training, and Luke

1:41:13.680 --> 1:41:15.960
<v Speaker 2>is like, yeah, I'm not gonna do that. I'm not

1:41:16.000 --> 1:41:19.080
<v Speaker 2>going to sacrifice my loved ones, which, to be fair,

1:41:19.360 --> 1:41:22.040
<v Speaker 2>I guess knowing the events of the prequels helps that

1:41:22.600 --> 1:41:25.400
<v Speaker 2>moment hit a little harder, where you realize that like

1:41:26.160 --> 1:41:29.360
<v Speaker 2>Yoda and Obi Wan are kind of like beating the

1:41:29.439 --> 1:41:35.960
<v Speaker 2>same drum until Luke proves them otherwise. Sure, yeah, I guess,

1:41:36.280 --> 1:41:39.840
<v Speaker 2>but it's it's all over the place. It's all over

1:41:39.920 --> 1:41:40.240
<v Speaker 2>the place.

1:41:40.320 --> 1:41:43.280
<v Speaker 3>I do like that, and that like multiple things end

1:41:43.400 --> 1:41:46.920
<v Speaker 3>up being true, where like Luke does is right to

1:41:47.080 --> 1:41:50.519
<v Speaker 3>go and rescue his friends. And also it was a trap,

1:41:51.280 --> 1:41:52.799
<v Speaker 3>like they weren't totally wrong.

1:41:52.760 --> 1:41:57.040
<v Speaker 2>They were wrong. But Luke is like, well, since I

1:41:57.160 --> 1:42:01.720
<v Speaker 2>know it's a trap, I can maybe work around that.

1:42:03.680 --> 1:42:07.519
<v Speaker 2>Leah still has to tell him it's true. But isn't

1:42:07.600 --> 1:42:11.760
<v Speaker 2>that isn't not the way? I mean, She's always the

1:42:11.920 --> 1:42:15.679
<v Speaker 2>most discerning character in the room. She's always the voice

1:42:15.720 --> 1:42:20.040
<v Speaker 2>of reason she is, and the franchise eventually recognizes that.

1:42:20.960 --> 1:42:23.360
<v Speaker 2>It just takes it takes a while. Yeah, but I

1:42:23.400 --> 1:42:25.519
<v Speaker 2>guess what I'm saying is. One of the things I

1:42:25.640 --> 1:42:29.960
<v Speaker 2>like about this movie is that at least Luke is

1:42:30.479 --> 1:42:38.080
<v Speaker 2>permitted to be more emotionally vulnerable. He's more expressive with

1:42:38.200 --> 1:42:43.439
<v Speaker 2>his emotions, certainly than Han solo is. He cares deeply

1:42:43.520 --> 1:42:46.640
<v Speaker 2>about his friends, and he's not afraid to show it.

1:42:47.120 --> 1:42:49.559
<v Speaker 2>I love you need more men like that. I love

1:42:49.680 --> 1:42:54.120
<v Speaker 2>Luke so much. I feel like we really often not

1:42:54.280 --> 1:42:58.920
<v Speaker 2>that Luke Skyworker is an overlooked character. Obviously he isn't,

1:42:59.680 --> 1:43:02.680
<v Speaker 2>but that in favor of Han in terms of like

1:43:03.200 --> 1:43:06.400
<v Speaker 2>what makes a character interesting and attractive, I do think

1:43:06.439 --> 1:43:09.200
<v Speaker 2>he is kind of overlooked. Sometimes no totally.

1:43:08.960 --> 1:43:14.240
<v Speaker 3>Because his qualities are objectively I guess and whatever. I'm

1:43:14.360 --> 1:43:19.320
<v Speaker 3>speaking for myself here, but like more attractive than what

1:43:19.920 --> 1:43:22.120
<v Speaker 3>Han is doing. But the movie is very didactic in

1:43:22.200 --> 1:43:26.000
<v Speaker 3>telling you who deserves romantic attention and what behaviors should

1:43:26.040 --> 1:43:28.720
<v Speaker 3>be quote unquote rewarded. And that's a whole other thing

1:43:29.080 --> 1:43:32.519
<v Speaker 3>with romantic attention and what shouldn't be And like Luke,

1:43:32.600 --> 1:43:35.920
<v Speaker 3>while we clearly we love Luke, he is you know,

1:43:36.080 --> 1:43:40.360
<v Speaker 3>he is our protagonist. He is notably the recipient of

1:43:40.520 --> 1:43:42.639
<v Speaker 3>less romantic attention than Han.

1:43:43.200 --> 1:43:46.920
<v Speaker 2>Yeah, Leiah only kisses him to make Han jealous, and then.

1:43:46.920 --> 1:43:50.840
<v Speaker 3>They make that weird and gross in retrospect and like

1:43:51.120 --> 1:43:53.680
<v Speaker 3>their sister and brother. Actually, and I'm not saying that

1:43:53.840 --> 1:43:56.200
<v Speaker 3>like Luke should have a romantic interest, Like, That's not

1:43:56.240 --> 1:43:58.400
<v Speaker 3>what I'm saying at all. I just think it's pointed

1:43:58.960 --> 1:44:04.960
<v Speaker 3>who you know has the because in this world and

1:44:05.080 --> 1:44:08.759
<v Speaker 3>in this time and still often now, the romantic interest

1:44:09.040 --> 1:44:13.880
<v Speaker 3>of a CIS woman is treated as a plot reward,

1:44:14.720 --> 1:44:18.559
<v Speaker 3>and Hana is clearly the recipient of that plot reward

1:44:18.640 --> 1:44:19.799
<v Speaker 3>in this franchise.

1:44:20.160 --> 1:44:23.200
<v Speaker 2>Totally. Yeah, I have come all the way around on this.

1:44:23.560 --> 1:44:28.680
<v Speaker 2>Where as a kid, as a teenager, into my twenties,

1:44:28.800 --> 1:44:34.160
<v Speaker 2>maybe even into my early thirties, I was like Luke

1:44:34.200 --> 1:44:41.200
<v Speaker 2>Skywalker whiny and annoying, Hans Solo cool and hot and rugged,

1:44:41.640 --> 1:44:46.599
<v Speaker 2>And now I'm like Han Solo a dick who needs

1:44:46.640 --> 1:44:53.080
<v Speaker 2>to go to therapy, Luke Skywalker soft, gentle kind, sweetie

1:44:53.120 --> 1:44:57.880
<v Speaker 2>and sweet. And again, I look, if you're someone in

1:44:57.960 --> 1:45:03.880
<v Speaker 2>the business of dating straight men, you'll encounter your fair

1:45:04.000 --> 1:45:07.560
<v Speaker 2>share like no, no shade. If you're still like I like,

1:45:08.000 --> 1:45:11.960
<v Speaker 2>unfortunately Hannegging is hot to me, Like you, you live

1:45:12.040 --> 1:45:15.599
<v Speaker 2>in the society and it's your right. I'm just saying

1:45:15.760 --> 1:45:21.040
<v Speaker 2>that Luke is mister Sweety and and I recognize that.

1:45:21.200 --> 1:45:24.000
<v Speaker 2>And also it seems like Mark Hamill was mister Sweety,

1:45:24.280 --> 1:45:27.400
<v Speaker 2>and it is possibly mister Sweety to this day. Do

1:45:27.520 --> 1:45:30.160
<v Speaker 2>you remember when we went to that event at a

1:45:30.320 --> 1:45:34.280
<v Speaker 2>now defunct comedy space, UCB Sunset and he was there?

1:45:35.160 --> 1:45:40.080
<v Speaker 2>No where were we. It was something that Liz Winsteed

1:45:40.240 --> 1:45:43.280
<v Speaker 2>was doing. Oh, it was a comedy show. I think

1:45:43.320 --> 1:45:47.479
<v Speaker 2>it was a fundraiser that was promoting access to abortion.

1:45:48.400 --> 1:45:50.200
<v Speaker 2>I do remember going to that. I don't remember that

1:45:50.320 --> 1:45:53.519
<v Speaker 2>Mark Hamill was there. Mark Hamill was there, I think,

1:45:53.680 --> 1:45:58.160
<v Speaker 2>like doing random illustrations or something. He's like, I mean,

1:45:58.320 --> 1:46:01.240
<v Speaker 2>from what I know, and I'm not a Mark, but

1:46:01.320 --> 1:46:04.679
<v Speaker 2>it seems like, you know, I'm sure they're a little

1:46:04.800 --> 1:46:07.240
<v Speaker 2>lib but like it seems like he's he's like a

1:46:07.400 --> 1:46:12.000
<v Speaker 2>genuinely like sweet and thoughtful person. I think so. And no,

1:46:12.160 --> 1:46:14.760
<v Speaker 2>he was, he was there. I'm wondering if I can

1:46:14.840 --> 1:46:17.800
<v Speaker 2>like dig up pictures from this event, but yeah, he

1:46:17.920 --> 1:46:20.160
<v Speaker 2>was there, and I was like freaking out. I was like,

1:46:20.200 --> 1:46:23.120
<v Speaker 2>oh my god, that's Luke Skywalker. This is incredible. And

1:46:23.240 --> 1:46:25.519
<v Speaker 2>you were sitting next to me being like I feel nothing.

1:46:27.120 --> 1:46:29.519
<v Speaker 2>I guess that's why I don't remember, because I felt nothing.

1:46:29.600 --> 1:46:32.639
<v Speaker 2>It was just another day for me. Yeah, yeah, fair,

1:46:33.040 --> 1:46:35.960
<v Speaker 2>but but no, Yeah, he's mister sweetie. He seems like

1:46:36.040 --> 1:46:38.960
<v Speaker 2>a sweetie. And yeah, I don't know.

1:46:39.040 --> 1:46:43.000
<v Speaker 3>I mean, I think that's everything I had for this.

1:46:43.120 --> 1:46:45.280
<v Speaker 3>I mean, it's tricky because when you're talking about one

1:46:45.320 --> 1:46:47.320
<v Speaker 3>Star Wars movie, you're kind of talking about all of them.

1:46:47.439 --> 1:46:50.640
<v Speaker 3>So I'm sure that there's things we missed. Listeners. If

1:46:50.680 --> 1:46:53.080
<v Speaker 3>there is anything in particular that you feel we should

1:46:53.120 --> 1:46:58.120
<v Speaker 3>have discussed and didn't, please let us know. But yeah,

1:46:58.240 --> 1:47:01.920
<v Speaker 3>I mean, there's so much to love about this movie.

1:47:02.080 --> 1:47:05.320
<v Speaker 2>I understand why it's a lot of people's favorites. I

1:47:05.360 --> 1:47:07.160
<v Speaker 2>will point out that this is the and I'm not

1:47:07.680 --> 1:47:10.559
<v Speaker 2>totally sure why this is, but this is the only

1:47:11.000 --> 1:47:13.800
<v Speaker 2>Star Wars movie of the original trilogy that was not,

1:47:14.360 --> 1:47:19.360
<v Speaker 2>I believe, edited by a woman, Marsha Griffin, who would

1:47:19.360 --> 1:47:22.479
<v Speaker 2>have been Marshall Lucas at the time, who I remember

1:47:22.640 --> 1:47:26.240
<v Speaker 2>because of her iconic quote about how she, long after

1:47:26.320 --> 1:47:28.800
<v Speaker 2>her divorce, saw Star Wars Episode one and went to

1:47:28.880 --> 1:47:31.360
<v Speaker 2>her car and cried after and was like, what happened

1:47:31.360 --> 1:47:34.040
<v Speaker 2>to my ex husband? What a flop? Why did he

1:47:34.120 --> 1:47:37.760
<v Speaker 2>make such a bad movie, but she did. She did

1:47:37.960 --> 1:47:41.360
<v Speaker 2>edit episode four and six, so I'm not sure why

1:47:41.439 --> 1:47:44.719
<v Speaker 2>she didn't edit this one, but she needed a break maybe,

1:47:44.960 --> 1:47:47.439
<v Speaker 2>I mean, we just we haven't talked about the original

1:47:47.479 --> 1:47:50.360
<v Speaker 2>trilogy in so long that I just wanted to shout

1:47:50.400 --> 1:47:52.120
<v Speaker 2>her out. She also, I mean, she was like very

1:47:52.200 --> 1:47:55.519
<v Speaker 2>much in this group where she also edited American Graffiti

1:47:55.560 --> 1:47:59.120
<v Speaker 2>and but a bunch of Scorsese movies, Taxi Driver, New York,

1:47:59.160 --> 1:48:02.960
<v Speaker 2>New York. Alice doesn't live here anymore, Like she's a legend,

1:48:03.160 --> 1:48:08.080
<v Speaker 2>a legend anything else you want to talk about. No,

1:48:08.200 --> 1:48:10.479
<v Speaker 2>I can't wait to see Babu Frick. Oh my gosh,

1:48:10.560 --> 1:48:14.639
<v Speaker 2>we're gonna see And look, I'm not above thinking Grogu

1:48:14.960 --> 1:48:15.639
<v Speaker 2>is cute.

1:48:16.200 --> 1:48:19.040
<v Speaker 3>I look, there's sometimes I look at my cat Casper,

1:48:19.080 --> 1:48:22.720
<v Speaker 3>and I'm like, hmmmm, Grogu vibes, and I see it.

1:48:23.120 --> 1:48:28.160
<v Speaker 2>Look, we're uh. Sometimes you just have to remember we're

1:48:28.200 --> 1:48:30.320
<v Speaker 2>living at difficult times and you have to be cringe

1:48:30.360 --> 1:48:31.960
<v Speaker 2>every once in a while, and it's a sign of

1:48:32.320 --> 1:48:37.960
<v Speaker 2>you know, uh whatever, it's a sign of happy birthday. Caitlin,

1:48:38.200 --> 1:48:42.360
<v Speaker 2>does this say past the absolutely not. No, I didn't close.

1:48:42.439 --> 1:48:46.400
<v Speaker 2>There's not another woman there is I did see with

1:48:46.600 --> 1:48:49.800
<v Speaker 2>mine own eyes. Oh no, not us starting to do

1:48:50.000 --> 1:48:53.840
<v Speaker 2>the like I saw a woman. You're talking about it,

1:48:53.960 --> 1:48:56.599
<v Speaker 2>like how they talk about like the munchkins that are

1:48:56.640 --> 1:48:59.400
<v Speaker 2>allegedly dead in the background of Wizard of Ows. That's

1:48:59.439 --> 1:49:02.320
<v Speaker 2>how you're you're like, oh, wait, we actually correct it.

1:49:02.360 --> 1:49:04.920
<v Speaker 2>We actually updated it to four K. And it was

1:49:04.960 --> 1:49:09.639
<v Speaker 2>a tree. It wasn't anything. It wasn't a woman at all.

1:49:09.880 --> 1:49:14.559
<v Speaker 2>Even so U huh, there's a woman. She's on hof okay,

1:49:14.800 --> 1:49:17.360
<v Speaker 2>at the rebel base. She I think is in front

1:49:17.360 --> 1:49:20.040
<v Speaker 2>of a computer. She maybe has a headset on that's

1:49:20.120 --> 1:49:23.600
<v Speaker 2>so valid. So she's doing something that's so valid, but

1:49:23.760 --> 1:49:26.519
<v Speaker 2>Leah doesn't talk to her. In twenty seventeen, they would

1:49:26.520 --> 1:49:30.479
<v Speaker 2>have made a four part mini series about her. But

1:49:30.600 --> 1:49:33.080
<v Speaker 2>now there's no more TV and misogyny's back, and they

1:49:33.160 --> 1:49:36.680
<v Speaker 2>probably wouldn't anyway. So yeah, that's a note on the

1:49:36.720 --> 1:49:40.439
<v Speaker 2>Bechdel test. But what about our nipple scale, where we

1:49:40.720 --> 1:49:43.800
<v Speaker 2>rate the movie on a scale of zero to five

1:49:43.920 --> 1:49:53.200
<v Speaker 2>nipples examining the movie through an intersectional feminist lens hm hmm. Indeed, well, again,

1:49:53.400 --> 1:49:59.799
<v Speaker 2>we've talked about how Lea is an iconic and admirable

1:49:59.840 --> 1:50:04.920
<v Speaker 2>ca character. She is not immune to gendered tropes of

1:50:04.960 --> 1:50:09.919
<v Speaker 2>the time, but she also defies a lot of gendered

1:50:10.160 --> 1:50:13.479
<v Speaker 2>tropes of the time in that she's allowed to actually

1:50:13.600 --> 1:50:19.040
<v Speaker 2>participate in the story and the action. And that's that's

1:50:19.120 --> 1:50:24.400
<v Speaker 2>not insignificant. The bar is in hell, but that there

1:50:24.520 --> 1:50:27.240
<v Speaker 2>is that. But I do love Leah and I love

1:50:27.320 --> 1:50:30.920
<v Speaker 2>Krrie Fisher. I don't know. I guess maybe like a

1:50:31.000 --> 1:50:34.960
<v Speaker 2>nipple and a half. Yeah, maybe two. I was gonna

1:50:34.960 --> 1:50:40.200
<v Speaker 2>give it too. Based on the existence and delayed celebration

1:50:40.360 --> 1:50:45.080
<v Speaker 2>of Lee Bracket fair where while Star Wars is very flawed,

1:50:45.240 --> 1:50:47.880
<v Speaker 2>I think you're hard pressed to find many movies of

1:50:47.960 --> 1:50:51.400
<v Speaker 2>its era where there are women in roles that prominent,

1:50:51.479 --> 1:50:56.040
<v Speaker 2>including in the editing booth, et cetera. Again, it's peanuts,

1:50:56.080 --> 1:50:59.519
<v Speaker 2>but it was rare at the time. And I'll I'll

1:50:59.680 --> 1:51:05.080
<v Speaker 2>say two nipples for that. Same one goes to Carrie Fisher,

1:51:05.320 --> 1:51:07.759
<v Speaker 2>one goes to Lee Bracket. I'm gonna do the exact

1:51:07.760 --> 1:51:13.719
<v Speaker 2>same secret. Third nipple goes to Babu Frick Baboo Frick. Guys,

1:51:14.320 --> 1:51:17.200
<v Speaker 2>we're gonna, we're gonna all start cheering at the theater

1:51:17.400 --> 1:51:22.320
<v Speaker 2>when he comes out, right right, I will, We're gonna

1:51:22.400 --> 1:51:25.240
<v Speaker 2>get him that side thing that they were supposed to do.

1:51:25.320 --> 1:51:29.519
<v Speaker 2>Do you remember how the voice of Babou Frick said

1:51:29.560 --> 1:51:33.080
<v Speaker 2>that she wanted there to be a serious about him,

1:51:33.120 --> 1:51:37.680
<v Speaker 2>about his romantic exploits of the past. I did not

1:51:37.880 --> 1:51:40.560
<v Speaker 2>know that, but but I need it. I really, I

1:51:40.680 --> 1:51:43.880
<v Speaker 2>really carry a torch for that, for that anecdote where

1:51:43.920 --> 1:51:46.720
<v Speaker 2>she was like, if she's like, there's a story here this,

1:51:47.520 --> 1:51:52.559
<v Speaker 2>this little guy has lived, Babu Frick Fricks, it's right there.

1:51:52.840 --> 1:51:56.240
<v Speaker 3>It's right there, and we're available for work when the

1:51:57.000 --> 1:52:02.400
<v Speaker 3>series gets greenlit. Keivin Happy birthday, Thank you so much,

1:52:02.600 --> 1:52:06.439
<v Speaker 3>thank you for bringing one of the best Star Wars

1:52:06.520 --> 1:52:07.000
<v Speaker 3>movies ever.

1:52:07.960 --> 1:52:12.200
<v Speaker 2>Happy to do it, and I don't know if I

1:52:12.280 --> 1:52:16.519
<v Speaker 2>will commit to covering Return of the Jedi next year

1:52:16.600 --> 1:52:20.200
<v Speaker 2>for my birthday, but it's a strong possibility, but love it.

1:52:20.400 --> 1:52:24.080
<v Speaker 2>Thank you for covering this with me today.

1:52:24.360 --> 1:52:27.160
<v Speaker 3>Of course, and thank you listeners as always. Sorry, my

1:52:27.200 --> 1:52:29.320
<v Speaker 3>computer's going to die in like two minutes, so I'm

1:52:29.680 --> 1:52:33.439
<v Speaker 3>racing to the finish. You can find us as always

1:52:33.560 --> 1:52:35.680
<v Speaker 3>if you enjoyed this episode, but just the two of us,

1:52:36.120 --> 1:52:40.040
<v Speaker 3>there's hundreds more over on our Patreon aka Matreon. We're

1:52:40.120 --> 1:52:43.519
<v Speaker 3>for five dollars a month. You can access not just

1:52:43.720 --> 1:52:46.800
<v Speaker 3>two new episodes a month on a topic often of

1:52:47.000 --> 1:52:50.000
<v Speaker 3>our listener's choice, you can also get access to about

1:52:50.040 --> 1:52:54.360
<v Speaker 3>two hundred back episodes, and it is the best way

1:52:54.400 --> 1:52:57.080
<v Speaker 3>to directly support the show. And you also get access

1:52:57.240 --> 1:53:00.760
<v Speaker 3>to like tour information before we announce it to the

1:53:00.840 --> 1:53:03.560
<v Speaker 3>general public, which will become relevant later this year for

1:53:03.640 --> 1:53:06.800
<v Speaker 3>our ten year anniversary tour, and access to a really

1:53:06.840 --> 1:53:11.560
<v Speaker 3>fun community that we're very thrilled to be a part of.

1:53:11.880 --> 1:53:16.160
<v Speaker 3>So yeah, check us out there and on Instagram for updates,

1:53:17.000 --> 1:53:18.800
<v Speaker 3>and uh, that's kind of it.

1:53:19.360 --> 1:53:22.760
<v Speaker 2>That's kind of it. Shall we get in our millennium

1:53:22.920 --> 1:53:26.880
<v Speaker 2>falcon and press the hyper drive button and go to

1:53:27.120 --> 1:53:31.040
<v Speaker 2>light speed whatever the hell that means. Let's do it, Okay,

1:53:32.080 --> 1:53:38.800
<v Speaker 2>Bye bye. The Bechdel Cast is a production of iHeartMedia,

1:53:39.160 --> 1:53:43.160
<v Speaker 2>hosted and produced by Me, Jamie Loftus and Me Caitlyn Durrante.

1:53:43.520 --> 1:53:47.320
<v Speaker 2>The podcast is also produced by Sophie Lichtermann and edited

1:53:47.360 --> 1:53:50.800
<v Speaker 2>by Caitlyn Durrante. Ever heard of them? That's me and

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<v Speaker 2>fact are designed by Jamie Loftus. Ever heard of her?

1:53:57.720 --> 1:54:00.720
<v Speaker 2>Oh My God and our Themes. Song by the way,

1:54:00.880 --> 1:54:04.720
<v Speaker 2>was composed by Mike Kaplan with vocals by Katherine Voskrasinski.

1:54:05.160 --> 1:54:09.640
<v Speaker 2>Iconic and especial thanks to the one and only Aristotle Acevedo.

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<v Speaker 2>For more information about the podcast, please visit Linktree Slash

1:54:13.960 --> 1:54:14.760
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