WEBVTT - Is Taylor Swift bigger than Michael Jackson?

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<v Speaker 1>Yeah, I'm manny I noh, and welcome to No such Thing,

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<v Speaker 1>the show where we set all our dumb arguments and

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<v Speaker 1>yours by actually doing the research. This week we find

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<v Speaker 1>out how popular Boring Barbie actually is.

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<v Speaker 2>There's no no such thing, no such thing such, thank such,

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<v Speaker 2>thank touch, thank.

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<v Speaker 3>So.

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<v Speaker 1>We're talking about Taylor Swift mainly. How did she capture

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<v Speaker 1>our collective attention so completely her new album It's sold

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<v Speaker 1>two point seven million copies in one day.

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<v Speaker 4>Oh my god.

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<v Speaker 1>This is something we've talked about a while because you

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<v Speaker 1>see big albums like this come out not only from her,

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<v Speaker 1>about anyone else, and it'll be like, this song just

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<v Speaker 1>broke this amazing record.

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<v Speaker 5>This is the most popular song ever of all time.

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<v Speaker 5>And it never really makes sense.

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<v Speaker 1>It's always like something like, yeah, a lot of people

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<v Speaker 1>listen to the Weekend Blinding Lights to me is not

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<v Speaker 1>the most popular song.

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<v Speaker 5>Ever, right, even though it is.

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<v Speaker 1>Even though people listen to Yeah, people listen to him.

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<v Speaker 1>I don't think it's like, no one listens to that guy.

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<v Speaker 1>And we're curious, in the grand scheme of things, how

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<v Speaker 1>popular is a Taylor Swift compared to someone from the past,

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<v Speaker 1>like the Beatles or Michael Jackson. But before we get

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<v Speaker 1>into that, Okay, what everyone wants to know is what

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<v Speaker 1>do we think about Taylor Swift US three mid thirties

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<v Speaker 1>guys think so, you know, we'll get to that right

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<v Speaker 1>in the interest, so people don't even need to listen

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<v Speaker 1>to the rest of this.

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<v Speaker 5>So what are your experiences with her?

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<v Speaker 6>Well, let me start by saying, I genuinely have not

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<v Speaker 6>listened to much of her music, like I do. Remember

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<v Speaker 6>when I was in high school. You know, I'm on

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<v Speaker 6>the bleachers. What's as a song you Belong with Me?

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<v Speaker 6>You Belong with Me? And I thought that was really

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<v Speaker 6>catchy at the time. Fast forward, however, many years, like

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<v Speaker 6>I really haven't listened to much of it. I did

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<v Speaker 6>listen to this one, and my initial reaction was that,

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<v Speaker 6>you know, a lot of it sounded really well produced.

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<v Speaker 6>It's kind of pleasant to listen to in that way.

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<v Speaker 6>I am not unique in my reaction to like the lyrics.

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<v Speaker 6>I'll say, like, some of those were kind of like,

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<v Speaker 6>kind of mind bogglingly bad, but not so much worse

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<v Speaker 6>than like your average top forty pop fair.

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<v Speaker 4>I'm not as swifty by any stretching.

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<v Speaker 7>Imagine it's okay if you are, but I think I'm

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<v Speaker 7>out right now. Amongst the three of us, I'm definitely

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<v Speaker 7>the most in tune with.

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<v Speaker 5>You've at least heard. Yeah, you keep up on mainstream

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<v Speaker 5>popular music.

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<v Speaker 7>Yeah yeah, I usually give all the new albums at

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<v Speaker 7>least one listen through. You know, I dated a Swifty

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<v Speaker 7>for a while, so like it was at a certain

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<v Speaker 7>point my Apple Music would try to wreck you know,

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<v Speaker 7>you know, auto play tailor car Yeah, and.

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<v Speaker 4>I had to tell it to stop doing that.

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<v Speaker 5>Swifty as in by Osmosis.

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<v Speaker 4>Yeah.

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<v Speaker 7>But my thoughts on this album, Okay, when we talk

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<v Speaker 7>about Taylor Swift, I'm a reputation fan.

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<v Speaker 1>Okay, I listened to that one. That was I think

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<v Speaker 1>the last album I listened to before this one.

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<v Speaker 4>My favorite Endgame the Future in Edge, Big d Bars.

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<v Speaker 7>The linkup was crazy incredible, So you know, I hope

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<v Speaker 7>we get back to their.

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<v Speaker 6>This album compared to reputation.

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<v Speaker 7>Not no, no, no no, this doesn't hold up to

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<v Speaker 7>reputation for me. Okay, Yeah, people are talking a lot

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<v Speaker 7>about the lyrics. I don't have much room to talk.

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<v Speaker 7>Some of my favorite artists have the most cringey lyrics.

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<v Speaker 6>I think she gets a little bit picked on I

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<v Speaker 6>think because of the identity she's built around being a

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<v Speaker 6>song That's what I.

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<v Speaker 5>Was going to say.

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<v Speaker 1>I think the fandom hurts her in this case because

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<v Speaker 1>they they try to make sure she's built up to

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<v Speaker 1>be so highly esteemed as a songwriter and a lyricist

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<v Speaker 1>and all this, so that way when anything is not great,

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<v Speaker 1>like we wouldn't be this critical of Sabrina Carpenter or someone, yeah,

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<v Speaker 1>just because we don't think of her that way, because

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<v Speaker 1>people don't put her on that pedestal.

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<v Speaker 5>Yeah, I'm not upset at me, espresso, Do I know

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<v Speaker 5>what the fuck that means? That's fun, I mean whatever,

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<v Speaker 5>But yes.

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<v Speaker 7>I do feel like too, Taylor's doing this thing where

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<v Speaker 7>she's like talking about the Internet on this album, right,

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<v Speaker 7>and I feel like once you get a certain level

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<v Speaker 7>of a rich you're just like out of touch with

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<v Speaker 7>the Internet in a way. But I do feel like

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<v Speaker 7>there is a sort of like she's singing about stuff

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<v Speaker 7>that feels like it's like.

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<v Speaker 4>Not ten years old, close to it, you know.

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<v Speaker 5>Yeah, well like yeah girl Battle Boston.

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<v Speaker 4>Yeah, so yeah.

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<v Speaker 1>I listened to the album and then I was surprised

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<v Speaker 1>by the reaction being so negative.

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<v Speaker 5>It seems just because it to my ears.

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<v Speaker 1>And this is the thing where it's like, if you're

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<v Speaker 1>really in this world, you're going to notice the differences

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<v Speaker 1>versus like I pop into some pop albums, not tailors

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<v Speaker 1>fifth albums. So it's like, to me, this doesn't sound

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<v Speaker 1>so dramatically different. But if I was like ahead, yeah,

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<v Speaker 1>I'd be able to be like, Okay, this is a

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<v Speaker 1>clear you know, clearly worse than before or clearly different

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<v Speaker 1>in this way. To me, it's not so dramatically different

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<v Speaker 1>than even like the really old stuff, yeah, sonically or lyrically. Yeah,

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<v Speaker 1>So you're saying that the songwriting is is bad, but Whires,

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<v Speaker 1>everyone's surprised. It's always kind of like this. I'm not

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<v Speaker 1>even saying it's bad even, but it sounds not so

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<v Speaker 1>dramatically different.

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<v Speaker 5>Yeah, it sounds about because I.

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<v Speaker 1>Listened to the album a few times now and it

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<v Speaker 1>kind of grew on me certain parts, certain songs. I

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<v Speaker 1>was like, Okay, there's actually at least a really good

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<v Speaker 1>piece here.

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<v Speaker 6>Yeah. A lot of people were posting albums that other

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<v Speaker 6>female artists did at age thirty five versus a show girl. Yeah,

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<v Speaker 6>and it was like Beyonce Lemonade and the Joni Mitchell

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<v Speaker 6>album I can't remember. Yeah, there's like so many examples

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<v Speaker 6>of like kind of more mature, iconic mature music.

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<v Speaker 5>Yeah. Yeah, that was listening to Life of a show Girl.

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<v Speaker 1>There was parts where it was like, this sounds like

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<v Speaker 1>music for babies, And I mean that kind of respectfully.

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<v Speaker 5>You got a private Tom, It's fun.

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<v Speaker 1>I actually think I like the album more than you guys,

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<v Speaker 1>But some of some music, when I'm listening to the lyrics,

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<v Speaker 1>I'm like, this just sounds like something for a little

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<v Speaker 1>kid to dance singing to.

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<v Speaker 5>The sounds of it are just like, so.

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<v Speaker 4>Let's pop please in general, And to.

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<v Speaker 6>Be fair, it's like probably kind of the goal, like, yeah,

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<v Speaker 6>it's a lot of.

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<v Speaker 5>A bad thing. Yes, it's not very Uh there's not

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<v Speaker 5>much of an edge to it. Yeah, no, you know,

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<v Speaker 5>by design.

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<v Speaker 6>Yeah. I think I see the harsh reaction in two

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<v Speaker 6>different ways. One is there's got to be some kind

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<v Speaker 6>of a fatigue. I think that's kind of what you

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<v Speaker 6>were talking about, where like the album doesn't really sound

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<v Speaker 6>that much different than the previous ones, and yet there's

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<v Speaker 6>a backlash.

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<v Speaker 5>There's probably a little fatigue there.

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<v Speaker 7>She kind of has to drink problem where she Na

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<v Speaker 7>always has to be making music always needs to be

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<v Speaker 7>in spotlight. I was like, it'd be interesting if she

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<v Speaker 7>just like dropped two songs, yeah, and not an album,

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<v Speaker 7>But she doesn't really do that.

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<v Speaker 1>So let's move on to kind of our question that

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<v Speaker 1>we're tackling. Do you guys think she is bigger than

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<v Speaker 1>Michael Jackson?

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<v Speaker 6>What I would say is that Taylor Swift might be

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<v Speaker 6>more famous in that more people know who she is today,

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<v Speaker 6>but Michael Jackson. But Michael Jackson is a bigger.

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<v Speaker 5>Completed No, No, I think it's flipped.

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<v Speaker 1>I think I think she might well have technically sold

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<v Speaker 1>more records, yes, but I think Michael Jackson is way

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<v Speaker 1>more famous, especially if we're not talking about just America

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<v Speaker 1>like worldwide.

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<v Speaker 5>You know what I mean, I forgot about you know

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<v Speaker 5>who Michael Jackson is. You know it's and like there's

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<v Speaker 5>symbols of him that you could show, like.

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<v Speaker 4>Kids are wearing Michael Jackson.

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<v Speaker 1>Taylor Swift by face, a lot of people would recognize her,

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<v Speaker 1>but there's not like there's not like the red jacket,

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<v Speaker 1>like yeah, there's nothing like that, you.

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<v Speaker 4>Know, of what do you what do you think though?

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<v Speaker 4>Who do you think is more? You think Taylor Swift

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<v Speaker 4>is well.

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<v Speaker 6>I would only say that in the sense that there

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<v Speaker 6>might be a chance that more people know who she is,

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<v Speaker 6>like today today, Michael Jackson's been dead for fifteen years

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<v Speaker 6>at least, and so I don't even I'm not saying

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<v Speaker 6>that more people know who she is. I'm just saying

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<v Speaker 6>I could see a world where now in terms of

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<v Speaker 6>like bigger, more, I don't.

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<v Speaker 5>Know the hedge. It's like impossible to guess.

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<v Speaker 4>So you don't, you don't, you don't feel strongly. I

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<v Speaker 4>mean you think it could be a toss up.

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<v Speaker 6>If it depends on age, I guess if you're thirty,

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<v Speaker 6>in up Michael Jackson.

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<v Speaker 7>But the question is just more general, like in the world,

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<v Speaker 7>who's right now?

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<v Speaker 6>If you serve the internationally, Michael Jackson is a bigger,

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<v Speaker 6>more known person.

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<v Speaker 1>And who do you think has sold more albums? However

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<v Speaker 1>you want to quantify that, like who sold more music?

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<v Speaker 6>It's not fair, but Taylor Swift. It's not fair to

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<v Speaker 6>Michael Jackson had to get on a you have to

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<v Speaker 6>get on a bus to go buy his ship like today.

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<v Speaker 5>But that's what you think.

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<v Speaker 4>I think it's crazy to even.

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<v Speaker 7>Suggest that Taylor Swift is bigger than Michael Jackson. Yeah,

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<v Speaker 7>I think Michael Jackson is, you know, besides Jesus, you know,

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<v Speaker 7>like the most popular person of all time, you know,

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<v Speaker 7>and it's beyond the music, right, It's like it's.

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<v Speaker 5>A thing Jesus phenomenon. Yeah, it's just.

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<v Speaker 7>Like everyone knows who Michael Jackson is in in terms

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<v Speaker 7>of reach, right, Michael Jackson he was, you know, famous

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<v Speaker 7>when he was like five. He was in the industry

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<v Speaker 7>for a while. People who were very young knew who

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<v Speaker 7>Michael jacksons. We are very old know who Michael Jackson is.

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<v Speaker 7>People can name Michael Jackson songs. Taylor Swift feels a

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<v Speaker 7>bit like, sure, maybe there's name recognition, but I think

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<v Speaker 7>people know less about Taylor Swift outside of like she's

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<v Speaker 7>dating Travis Kelsey, Like people don't My mom isn't. No,

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<v Speaker 7>she couldn't name a Taylor Swift song. She couldn't sing

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<v Speaker 7>a Taylor Swift song. A lot of people who know

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<v Speaker 7>Taylor Swift is could not name anything about her music.

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<v Speaker 7>If you know who Michael Jackson is, you could probably

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<v Speaker 7>name one Michael Jackson song.

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<v Speaker 4>Yeah.

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<v Speaker 7>To be fair to Taylor Swift, I don't think any

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<v Speaker 7>artists ever will reach that's level.

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<v Speaker 4>Fault of stardom.

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<v Speaker 7>I think we're past that, We've passed the sort of

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<v Speaker 7>like everyone is listening to the same thing. Yeah, everything

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<v Speaker 7>is so much more fragmented nowadays that the closest we

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<v Speaker 7>have to like everybody's watching or listening to this thing,

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<v Speaker 7>Like what super Bowl halftime show?

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<v Speaker 4>Yeah, yep, it's like the one moment we have a yeah.

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<v Speaker 5>And even that feels like decreasing.

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<v Speaker 1>But yeah, where I come in on the kind of

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<v Speaker 1>impact sort of thing, It's like Michael Jackson is popular

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<v Speaker 1>across races, across ages, like you were saying, like across

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<v Speaker 1>the world, like like my parents listen to Michael Jackson,

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<v Speaker 1>your parents Like it's.

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<v Speaker 5>Versus like Taylor Swift.

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<v Speaker 1>It's like, you know, I have a very simple picture

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<v Speaker 1>of who in my mind is the Tailor Shift listener.

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<v Speaker 5>Obviously it's broader than that. Clearly based on the numbers,

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<v Speaker 5>it has to be. Yeah, But like a lot of

0:10:35.840 --> 0:10:36.559
<v Speaker 5>people would not.

0:10:36.480 --> 0:10:38.280
<v Speaker 1>Be able to name the Tailor Shift songs in the

0:10:38.280 --> 0:10:41.120
<v Speaker 1>way that many people of all types would be able

0:10:41.160 --> 0:10:43.600
<v Speaker 1>to name Michael Jackson songs and talk about him, like

0:10:43.600 --> 0:10:45.000
<v Speaker 1>you were saying, I am.

0:10:44.920 --> 0:10:49.600
<v Speaker 6>Curious about like young people today, we can probably no

0:10:49.679 --> 0:10:52.640
<v Speaker 6>longer call ourselves young people, but people who are like

0:10:53.040 --> 0:10:57.400
<v Speaker 6>kids to teens, what their relationship to Michael Jackson?

0:10:57.520 --> 0:11:00.280
<v Speaker 7>Yeah, my brother, well maybe because you know, up, my

0:11:00.280 --> 0:11:01.680
<v Speaker 7>brother knows who Michael Jackson is though.

0:11:02.000 --> 0:11:04.920
<v Speaker 5>Yeah, and like you seventeen seventeen.

0:11:05.040 --> 0:11:08.600
<v Speaker 7>Yeah, like I'm seeing videos of like, you know, three

0:11:08.679 --> 0:11:10.280
<v Speaker 7>year old canting to Michael Jackson.

0:11:10.480 --> 0:11:13.160
<v Speaker 1>Yeah, yeah, because you could picture if you know, we

0:11:13.200 --> 0:11:15.160
<v Speaker 1>had kids, Yes, they might hear Michael Jackson.

0:11:15.240 --> 0:11:17.679
<v Speaker 5>Ye, because of us, and then they know who. That's

0:11:17.720 --> 0:11:18.200
<v Speaker 5>all it takes.

0:11:18.480 --> 0:11:21.080
<v Speaker 7>Take Michael Jackson out of the equation, just like thriller. Right,

0:11:21.120 --> 0:11:23.920
<v Speaker 7>It's like every Halloween thriller is going to be played everywhere.

0:11:23.960 --> 0:11:26.560
<v Speaker 7>And even if you don't know that's a Michael Jackson thing,

0:11:26.840 --> 0:11:29.640
<v Speaker 7>it's like, well you know that song, you know that video.

0:11:30.120 --> 0:11:31.599
<v Speaker 7>Someone brought this up to me too when I was

0:11:31.640 --> 0:11:33.720
<v Speaker 7>talking to him about this conversation about like, do you

0:11:33.760 --> 0:11:37.600
<v Speaker 7>think a woman could ever be as popular as any

0:11:37.920 --> 0:11:40.800
<v Speaker 7>famous man in terms of musicians, And I was like,

0:11:41.080 --> 0:11:47.000
<v Speaker 7>actually no, because I think because women listen to female musicians,

0:11:47.000 --> 0:11:51.000
<v Speaker 7>and I think a lot of men will not listen. Yeah, women,

0:11:51.320 --> 0:11:53.720
<v Speaker 7>by a lot of well, straight men will not listening

0:11:53.720 --> 0:11:57.560
<v Speaker 7>to women musicians or you know, just because it's like

0:11:57.840 --> 0:11:58.600
<v Speaker 7>that's a girl thing.

0:11:58.840 --> 0:12:01.320
<v Speaker 1>Yeah, I think that's true because even like the most

0:12:01.360 --> 0:12:04.120
<v Speaker 1>praised like Beyonce album or whatever, Like whoever is the

0:12:04.120 --> 0:12:07.880
<v Speaker 1>most acceptable female star for men to listen to? I

0:12:07.920 --> 0:12:10.320
<v Speaker 1>don't think it would be Beyonce, but maybe yeah, you

0:12:10.360 --> 0:12:11.079
<v Speaker 1>just don't see.

0:12:10.920 --> 0:12:13.200
<v Speaker 5>It reaching that height. Yeah at all.

0:12:13.800 --> 0:12:15.480
<v Speaker 1>So we're gonna take a break and when we come back,

0:12:15.520 --> 0:12:17.679
<v Speaker 1>we'll talk to someone who wrote a book crunching the

0:12:17.760 --> 0:12:20.080
<v Speaker 1>numbers when it comes to music data, and so hopefully

0:12:20.120 --> 0:12:22.800
<v Speaker 1>you can answer some of these questions. But first let's

0:12:22.800 --> 0:12:24.880
<v Speaker 1>hear from a few devoted Swifties about what the singer

0:12:24.920 --> 0:12:36.920
<v Speaker 1>means to them.

0:12:36.960 --> 0:12:39.480
<v Speaker 3>So, I think Taylor Swift is so important to me

0:12:39.559 --> 0:12:42.360
<v Speaker 3>and so special to me because of the way she's

0:12:42.400 --> 0:12:46.240
<v Speaker 3>able to paint all the emotions of the world into song.

0:12:46.600 --> 0:12:52.680
<v Speaker 3>You can feel the life just flowing through every single note, rhythm, melody.

0:12:52.760 --> 0:12:53.559
<v Speaker 3>It's infectious.

0:12:58.040 --> 0:13:00.240
<v Speaker 8>I always said, you wrote the soundtrack to my life,

0:13:00.320 --> 0:13:02.520
<v Speaker 8>just because I fell in love for music in like

0:13:02.679 --> 0:13:04.960
<v Speaker 8>two thousand and six and it was like sixth grade.

0:13:05.000 --> 0:13:06.760
<v Speaker 8>I think around them, and even if I haven't been

0:13:06.760 --> 0:13:08.720
<v Speaker 8>through the things she's singing about, like she was singing

0:13:08.720 --> 0:13:11.040
<v Speaker 8>about breakups, and I had never had a relationship that

0:13:11.040 --> 0:13:13.520
<v Speaker 8>I'm like, oh my god, Like she gets my feelings

0:13:15.960 --> 0:13:16.240
<v Speaker 8>for me.

0:13:16.360 --> 0:13:20.520
<v Speaker 9>What makes Taylor so special is her unhindered feminine voice,

0:13:20.559 --> 0:13:23.240
<v Speaker 9>the fact that she as a woman, can express her

0:13:23.440 --> 0:13:30.280
<v Speaker 9>feelings as a woman without having to be confined to.

0:13:30.520 --> 0:13:31.599
<v Speaker 4>As much patriarchy.

0:13:31.600 --> 0:13:33.920
<v Speaker 9>She still is complied to patriarchy, but the shackles of

0:13:33.960 --> 0:13:36.440
<v Speaker 9>patriarchy are lighter than they have ever been.

0:13:38.240 --> 0:13:40.760
<v Speaker 3>I kind of say she's created a better church, one

0:13:40.840 --> 0:13:44.520
<v Speaker 3>where there tends to be a higher bar in terms

0:13:44.559 --> 0:13:47.520
<v Speaker 3>of we don't want misogynists here, we don't want homophobic

0:13:47.559 --> 0:13:51.719
<v Speaker 3>people here. We love people who want to express themselves,

0:13:51.720 --> 0:13:54.160
<v Speaker 3>whether that's painting their nails or dressing up to go

0:13:54.200 --> 0:13:55.160
<v Speaker 3>to concerts.

0:13:56.640 --> 0:13:58.719
<v Speaker 8>I mean, I think people will also sometimes reduce her

0:13:58.880 --> 0:14:01.440
<v Speaker 8>relatability to just like, oh, she's a basic white girl,

0:14:01.480 --> 0:14:03.000
<v Speaker 8>so all the basic white girls see them at her.

0:14:03.000 --> 0:14:06.440
<v Speaker 8>And I'm like, that's like a crazyly misogynistic things to

0:14:06.440 --> 0:14:09.040
<v Speaker 8>say that, like, oh, all these women are just so basic,

0:14:09.160 --> 0:14:11.560
<v Speaker 8>and that's like that's who supports her, and that's why

0:14:11.600 --> 0:14:13.640
<v Speaker 8>she's so famous. It's like, no, she has a lots

0:14:13.640 --> 0:14:15.160
<v Speaker 8>of reasons for it. But she also has like massive

0:14:15.160 --> 0:14:18.520
<v Speaker 8>fan bases in Asia South America, like so many countries

0:14:18.559 --> 0:14:21.200
<v Speaker 8>and so like, she has managed to find a way

0:14:21.200 --> 0:14:30.760
<v Speaker 8>to just kind of like tap into being relatable to everyone.

0:14:34.840 --> 0:14:35.640
<v Speaker 5>So we are back.

0:14:36.000 --> 0:14:38.760
<v Speaker 1>We're trying to figure out how Taylor Swift's success compares

0:14:38.800 --> 0:14:42.240
<v Speaker 1>to past superstars and guess some answers were joined by

0:14:42.320 --> 0:14:45.040
<v Speaker 1>Chris Stalareva. Chris Mind introducing herself.

0:14:45.320 --> 0:14:48.040
<v Speaker 10>Yeah, sure, my name is Chris Stallareva. I feel like

0:14:48.080 --> 0:14:50.360
<v Speaker 10>I should say that again. I work in the music business.

0:14:50.400 --> 0:14:53.440
<v Speaker 10>I work for a music streaming company called audio Mac,

0:14:53.920 --> 0:14:57.520
<v Speaker 10>which is more like the SoundCloud universe. People could upload directly,

0:14:57.560 --> 0:15:00.600
<v Speaker 10>and we're very popular in Africa and the Caribbean and

0:15:00.640 --> 0:15:02.880
<v Speaker 10>I do the data analytics work there. But outside of

0:15:02.920 --> 0:15:05.320
<v Speaker 10>my job, I do a lot of writing about music

0:15:05.360 --> 0:15:07.840
<v Speaker 10>and data. I have a relatively popular newsletter and I

0:15:07.880 --> 0:15:10.600
<v Speaker 10>have a book coming out called Uncharted Territory, which is

0:15:10.640 --> 0:15:13.840
<v Speaker 10>a data driven history of popular music. So I'm very

0:15:13.920 --> 0:15:15.640
<v Speaker 10>much in the music data sphere.

0:15:15.720 --> 0:15:19.080
<v Speaker 5>So I guess let's kind of get straight into it.

0:15:19.160 --> 0:15:20.520
<v Speaker 5>How popular is Tailor Swift?

0:15:20.920 --> 0:15:23.600
<v Speaker 1>And first let's focus maybe on simply like music sales,

0:15:23.600 --> 0:15:25.560
<v Speaker 1>and if you want to bring in like concert tickets,

0:15:25.560 --> 0:15:27.840
<v Speaker 1>but like kind of pure numbers based.

0:15:28.120 --> 0:15:31.360
<v Speaker 10>Yeah, what did you say, I mean, everyone's intuition here

0:15:31.400 --> 0:15:35.840
<v Speaker 10>is correct. Taylor Swift is very, very popular by the RIAA,

0:15:36.040 --> 0:15:39.640
<v Speaker 10>which is the organization in the US that certifies sales,

0:15:39.760 --> 0:15:42.360
<v Speaker 10>so they hand out like the gold and platinum records.

0:15:43.000 --> 0:15:46.560
<v Speaker 10>According to them, presently, Taylor Swift is the second best

0:15:46.560 --> 0:15:49.280
<v Speaker 10>selling artist of all time behind Drake. When I looked

0:15:49.280 --> 0:15:51.440
<v Speaker 10>at this a couple of years ago, number one was

0:15:51.440 --> 0:15:54.480
<v Speaker 10>still the Beatles, which is, you know, decades upon decades

0:15:54.520 --> 0:15:59.080
<v Speaker 10>of album sales. So Taylor Swift is very popular right now,

0:15:59.440 --> 0:16:03.800
<v Speaker 10>and I can't imagine a world, especially as Drake's star

0:16:03.920 --> 0:16:06.920
<v Speaker 10>has fallen, where she does not overtake him at some

0:16:07.040 --> 0:16:09.960
<v Speaker 10>point in terms of sales. It's worth pointing out, though,

0:16:10.000 --> 0:16:13.200
<v Speaker 10>that it's sort of an apples to oranges comparison.

0:16:13.320 --> 0:16:15.640
<v Speaker 1>Yeah, so yeah, can you explain kind of how it's

0:16:15.720 --> 0:16:17.440
<v Speaker 1>changed or how we measure these things.

0:16:17.920 --> 0:16:21.800
<v Speaker 10>Yeah, so Billboard, who does the charts, the RIAA, they're

0:16:21.840 --> 0:16:25.280
<v Speaker 10>trying to figure out what the most popular records are,

0:16:25.720 --> 0:16:28.960
<v Speaker 10>which is on the surface seems very easy. But this

0:16:29.080 --> 0:16:30.920
<v Speaker 10>day and age, we can consume music in tons of

0:16:30.960 --> 0:16:33.840
<v Speaker 10>different ways. Back in the day, it was really just sales.

0:16:33.960 --> 0:16:36.440
<v Speaker 10>You went out, you purchase a record, that counts as

0:16:36.480 --> 0:16:38.720
<v Speaker 10>a sale. But even back then, there were some oddities

0:16:38.760 --> 0:16:41.080
<v Speaker 10>where if you put out a double album, so an

0:16:41.120 --> 0:16:44.480
<v Speaker 10>album with two discs, you know, the Wall by Pink

0:16:44.480 --> 0:16:47.600
<v Speaker 10>Floyd or the White Album by the Beatles, one purchase

0:16:47.640 --> 0:16:48.960
<v Speaker 10>of that counted as two sales.

0:16:49.040 --> 0:16:50.560
<v Speaker 5>Oh okay, I didn't know that.

0:16:50.640 --> 0:16:52.920
<v Speaker 10>So there was always there's always be fye. Yeah, there's

0:16:52.920 --> 0:16:56.640
<v Speaker 10>always been weird chart behavior and weird things that artists

0:16:56.640 --> 0:16:59.480
<v Speaker 10>could do to try to run themselves up the charts

0:16:59.480 --> 0:17:02.240
<v Speaker 10>outside of just outright fraud, which was also you know,

0:17:02.520 --> 0:17:07.200
<v Speaker 10>that's a music industry classic. But it's more complicated now

0:17:07.240 --> 0:17:10.440
<v Speaker 10>because you still physical purchases which count the same. I

0:17:10.840 --> 0:17:12.960
<v Speaker 10>buy a piece of vinyl by By a CD that

0:17:13.040 --> 0:17:16.560
<v Speaker 10>counts as a sale. But there's also digital downloads and

0:17:16.840 --> 0:17:20.239
<v Speaker 10>there is also streams. So all of these bodies that

0:17:20.280 --> 0:17:22.880
<v Speaker 10>try to calculate popularity, the two biggest in the US

0:17:22.920 --> 0:17:29.399
<v Speaker 10>being the RIAA and Billboard, they equate digital downloads streams

0:17:29.440 --> 0:17:33.959
<v Speaker 10>in sales in some formula, So the RIA says one

0:17:34.040 --> 0:17:37.399
<v Speaker 10>hundred and fifty streams of a track equals one sale.

0:17:38.359 --> 0:17:43.040
<v Speaker 10>Fifteen hundred streams of songs on an album equals one

0:17:43.080 --> 0:17:49.040
<v Speaker 10>album sale. Now this seems arbitrary, and to a degree

0:17:49.080 --> 0:17:51.320
<v Speaker 10>it is. I mean, someone just has to decide if

0:17:51.359 --> 0:17:52.960
<v Speaker 10>you play a track one hundred and fifty times, that's

0:17:52.960 --> 0:17:54.919
<v Speaker 10>a sale. But I think even if you come up

0:17:54.960 --> 0:17:57.520
<v Speaker 10>with some logic like, oh, the revenue from one hundred

0:17:57.520 --> 0:17:59.880
<v Speaker 10>and fifty tracks is about equal to what someone would

0:17:59.880 --> 0:18:02.760
<v Speaker 10>say been purchasing it. Okay, there's you could you could

0:18:03.400 --> 0:18:06.760
<v Speaker 10>get to some logical explanation. But in the same sense,

0:18:06.880 --> 0:18:08.960
<v Speaker 10>streaming is much more passive. It's like, I'm going to

0:18:09.040 --> 0:18:11.480
<v Speaker 10>listen to every Drake record at least once, even if

0:18:11.640 --> 0:18:13.480
<v Speaker 10>I would never go out and purchase.

0:18:13.119 --> 0:18:15.720
<v Speaker 5>A Drake, and it costs you basically nothing, just my time.

0:18:15.960 --> 0:18:19.040
<v Speaker 10>Yeah, my time is my only expense. And if you

0:18:19.119 --> 0:18:21.680
<v Speaker 10>go back and look at like the ria's all time

0:18:22.040 --> 0:18:25.000
<v Speaker 10>best selling artist two years ago, it was mostly still

0:18:25.040 --> 0:18:30.080
<v Speaker 10>old timers, you know, the Beatles, Pink, Floyd, ACDC, Michael

0:18:30.119 --> 0:18:33.159
<v Speaker 10>Jackson's of the World. If you look at it today,

0:18:33.280 --> 0:18:35.200
<v Speaker 10>it's you still have a lot of those older acts,

0:18:35.200 --> 0:18:37.840
<v Speaker 10>but the top of the list is really dominated by

0:18:38.160 --> 0:18:40.880
<v Speaker 10>more recent acts who still do very well on streaming.

0:18:40.920 --> 0:18:43.800
<v Speaker 10>So I think streaming inflates these numbers to some degree

0:18:44.840 --> 0:18:46.800
<v Speaker 10>just by the way the math works, but also because

0:18:46.800 --> 0:18:48.359
<v Speaker 10>it's just it's more passive.

0:18:48.000 --> 0:18:50.760
<v Speaker 1>And thinking about it, like, Okay, if you buy a

0:18:50.800 --> 0:18:54.160
<v Speaker 1>CD or an album, how many times do you listen

0:18:54.200 --> 0:18:54.439
<v Speaker 1>to that?

0:18:54.560 --> 0:18:56.280
<v Speaker 5>Like, say you went out in about the fifty cent album?

0:18:56.440 --> 0:18:59.600
<v Speaker 1>Sure, how many times do you think, yeah, yeah, take

0:18:59.640 --> 0:19:00.200
<v Speaker 1>us back there.

0:19:00.280 --> 0:19:02.159
<v Speaker 5>How many times do you think you listen to that album?

0:19:02.520 --> 0:19:05.439
<v Speaker 6>I mean over the I mean it takes years, I

0:19:05.480 --> 0:19:06.959
<v Speaker 6>think to Like, that's a lot of to that, man,

0:19:07.000 --> 0:19:07.919
<v Speaker 6>I mean it's a lot of listeners.

0:19:08.000 --> 0:19:11.320
<v Speaker 1>I'm almost arguing they should be lowering that number. Yeah,

0:19:11.320 --> 0:19:13.320
<v Speaker 1>I agree, And you're kind of thinking about it the

0:19:13.320 --> 0:19:13.760
<v Speaker 1>same way.

0:19:14.040 --> 0:19:16.640
<v Speaker 6>Help me understand this. Is it accurate to say that

0:19:17.160 --> 0:19:21.480
<v Speaker 6>fifteen hundred different people listening to the same song once

0:19:22.119 --> 0:19:27.159
<v Speaker 6>is equal to one person buying the physical album.

0:19:26.840 --> 0:19:30.240
<v Speaker 10>By the chart math, Yes, and it's not just The

0:19:30.280 --> 0:19:32.000
<v Speaker 10>other oddity is you don't have to listen to the

0:19:32.160 --> 0:19:35.679
<v Speaker 10>entire album if there's one really popular song. Oh and

0:19:35.720 --> 0:19:38.040
<v Speaker 10>it's the same with digital downloads. They say ten track

0:19:38.119 --> 0:19:40.760
<v Speaker 10>sales is equal to an album sale, but if you

0:19:40.760 --> 0:19:44.160
<v Speaker 10>have ten people purchase whatever the single is, that counts

0:19:44.200 --> 0:19:44.800
<v Speaker 10>as an album.

0:19:44.920 --> 0:19:49.920
<v Speaker 1>Sale, and then because there's playlists two like the Spotify playlist.

0:19:50.000 --> 0:19:52.480
<v Speaker 6>Yeah, it's getting extreamed when you didn't even seek it out.

0:19:52.560 --> 0:19:54.920
<v Speaker 10>People always say music listening is much more passive today,

0:19:54.960 --> 0:19:57.359
<v Speaker 10>and I agree to in some sense that it is,

0:19:57.400 --> 0:19:58.840
<v Speaker 10>but it's not like back in the day. Like back

0:19:58.840 --> 0:20:00.760
<v Speaker 10>in the day passive. This thing which you would turn

0:20:00.800 --> 0:20:03.359
<v Speaker 10>on the radio or whatever CD I have in my

0:20:03.440 --> 0:20:04.840
<v Speaker 10>car is what's getting played.

0:20:05.040 --> 0:20:07.320
<v Speaker 6>Earlier, we were talking about another example I'd love to

0:20:07.359 --> 0:20:10.560
<v Speaker 6>hear your thoughts on, which is this the weekend song

0:20:10.720 --> 0:20:16.920
<v Speaker 6>Blinding Lights, the most popular song, apparently the most popular

0:20:16.960 --> 0:20:21.160
<v Speaker 6>song in history. Now, I like that song, but why

0:20:21.240 --> 0:20:23.800
<v Speaker 6>is there such a discrepancy between that stat and how

0:20:24.359 --> 0:20:26.000
<v Speaker 6>like normal people feel about that song.

0:20:26.080 --> 0:20:29.200
<v Speaker 10>Yeah, I've also think about this a lot. The other

0:20:29.240 --> 0:20:31.800
<v Speaker 10>one is I don't know if it's number one or

0:20:31.800 --> 0:20:34.440
<v Speaker 10>it's now up. There is a bar song Tipsy by

0:20:34.440 --> 0:20:38.960
<v Speaker 10>Shaozi Oh yeah, which is very popular. But they're those

0:20:39.000 --> 0:20:42.480
<v Speaker 10>songs are They're very popular, they're well liked, But I

0:20:42.520 --> 0:20:45.399
<v Speaker 10>think it's really a streaming phenomenon. We're streaming inflate stuff.

0:20:45.560 --> 0:20:49.040
<v Speaker 10>Whereas before Blinding Lights took over as Billboard's most popular

0:20:49.119 --> 0:20:55.560
<v Speaker 10>song of all time. Previously it was the Twist, and

0:20:55.600 --> 0:20:58.440
<v Speaker 10>I'm like, the Twist is clearly like a cultural touchstone.

0:20:58.960 --> 0:21:01.600
<v Speaker 10>Even if you're are young, you've probably heard the Twist

0:21:01.600 --> 0:21:04.560
<v Speaker 10>at least once or something like the macarena is like,

0:21:05.440 --> 0:21:08.879
<v Speaker 10>whereas Blinding Lights doesn't feel like that to me. And

0:21:08.920 --> 0:21:11.080
<v Speaker 10>I think part of that is there's like a cultural fracturing.

0:21:11.600 --> 0:21:14.920
<v Speaker 10>But I think additionally it's just that we count things differently,

0:21:15.680 --> 0:21:18.280
<v Speaker 10>Whereas before we were counting sales, and now we're counting

0:21:18.359 --> 0:21:21.200
<v Speaker 10>consumption or listening. Like the equivalent would be how many

0:21:21.240 --> 0:21:24.200
<v Speaker 10>times did you actually spin your copy of Hey Jude.

0:21:23.920 --> 0:21:24.600
<v Speaker 5>By the Beatles?

0:21:24.680 --> 0:21:24.760
<v Speaker 8>Ye?

0:21:25.600 --> 0:21:27.440
<v Speaker 10>I don't know, Yeah, I've done it a lot.

0:21:28.520 --> 0:21:30.960
<v Speaker 6>Why can't they just call it the most streamed song

0:21:31.000 --> 0:21:33.120
<v Speaker 6>of all time? It makes me think of like when

0:21:33.280 --> 0:21:36.440
<v Speaker 6>Watched the Throne came out, for example, and I had

0:21:36.480 --> 0:21:40.080
<v Speaker 6>to get in my car drive to best buy Wait

0:21:40.119 --> 0:21:43.960
<v Speaker 6>in the Line and then buy the album. That to me,

0:21:44.320 --> 0:21:47.920
<v Speaker 6>it doesn't seem fair that that is valued the same

0:21:47.920 --> 0:21:52.040
<v Speaker 6>as someone accidentally listening to a song today fift times

0:21:52.400 --> 0:21:55.240
<v Speaker 6>or fifteen hundred different people you know accidentally listening to

0:21:55.280 --> 0:21:56.680
<v Speaker 6>that song on a playlist or something.

0:21:57.040 --> 0:22:00.679
<v Speaker 10>This is the magic of Taylor Swift is that she

0:22:00.920 --> 0:22:03.840
<v Speaker 10>can get people. They still go to Target and buy

0:22:04.000 --> 0:22:05.000
<v Speaker 10>eight different versions.

0:22:05.000 --> 0:22:06.960
<v Speaker 1>Can So can you elaborate on that, Like how big

0:22:06.960 --> 0:22:08.119
<v Speaker 1>of a factor do you think that is?

0:22:08.320 --> 0:22:11.440
<v Speaker 10>I think that's huge. So they just announced that this

0:22:11.520 --> 0:22:13.600
<v Speaker 10>new album is gonna set the record for the most

0:22:13.880 --> 0:22:16.879
<v Speaker 10>physical sales in a single an opening week for an album.

0:22:16.880 --> 0:22:19.879
<v Speaker 10>It's going to best Adell's album twenty five. Now a

0:22:19.960 --> 0:22:23.280
<v Speaker 10>Dell's album twenty five. There's like no bonus track editions,

0:22:23.359 --> 0:22:26.040
<v Speaker 10>It's just the album. So you've got to assume most

0:22:26.040 --> 0:22:29.480
<v Speaker 10>people who purchase that are just a single person buying

0:22:29.480 --> 0:22:32.639
<v Speaker 10>the album. Where I think there's been like thirty different

0:22:32.720 --> 0:22:35.800
<v Speaker 10>versions of this Taylor Swift album created, and like each

0:22:35.840 --> 0:22:37.560
<v Speaker 10>one has a different bonus track.

0:22:37.400 --> 0:22:38.000
<v Speaker 5>Of this album.

0:22:38.119 --> 0:22:40.480
<v Speaker 10>Yes, and there are different people who will go out

0:22:40.520 --> 0:22:43.399
<v Speaker 10>and buy every single copy. So I wish there was

0:22:43.400 --> 0:22:46.440
<v Speaker 10>a stat like how many unique people purchased the record

0:22:47.320 --> 0:22:49.840
<v Speaker 10>because I mean, she has a super rabid fan base.

0:22:49.920 --> 0:22:53.199
<v Speaker 10>I mean, you know you're talking concert tickets before the

0:22:53.280 --> 0:22:56.160
<v Speaker 10>Eras tour is the most lucrative tour of all time.

0:22:56.640 --> 0:23:01.720
<v Speaker 10>Even with all this weird chart math, still very very popular.

0:23:01.880 --> 0:23:04.520
<v Speaker 10>I mean, there's no there's no two ways about that.

0:23:04.520 --> 0:23:06.240
<v Speaker 7>That's what makes it weird to me though, that she's

0:23:06.280 --> 0:23:08.800
<v Speaker 7>doing the bonus stuff. It's just like, you don't need

0:23:08.840 --> 0:23:11.720
<v Speaker 7>to do that, like you're Taylor Swift. You know this

0:23:11.880 --> 0:23:16.200
<v Speaker 7>is like btier artists like maneuvers, And it was weird

0:23:16.240 --> 0:23:19.119
<v Speaker 7>because you know, not to be this guy. But she

0:23:19.160 --> 0:23:21.480
<v Speaker 7>did say before this album came out, I'm not doing

0:23:21.520 --> 0:23:24.919
<v Speaker 7>the bonus track thing. You're getting just whatever the twelve

0:23:24.920 --> 0:23:27.240
<v Speaker 7>songs I'm putting out, or the twelve songs that are

0:23:27.320 --> 0:23:29.840
<v Speaker 7>going to be on the album, you can say, Okay,

0:23:29.880 --> 0:23:32.080
<v Speaker 7>they're not new songs, they're acoustic.

0:23:31.720 --> 0:23:32.600
<v Speaker 4>Versions or whatever.

0:23:32.800 --> 0:23:35.359
<v Speaker 7>So maybe that's her workaround, yeah, but she made it

0:23:35.400 --> 0:23:36.960
<v Speaker 7>seem like she wasn't because she got a lot of

0:23:37.160 --> 0:23:40.400
<v Speaker 7>blowback for the last album for doing all these different iterations,

0:23:40.440 --> 0:23:42.120
<v Speaker 7>Like you're saying, Okay, I got to buy the album

0:23:42.320 --> 0:23:45.439
<v Speaker 7>six times to just get the six different bonus tracks. Yeah,

0:23:45.440 --> 0:23:47.840
<v Speaker 7>because each album only has one bonus track.

0:23:48.320 --> 0:23:51.399
<v Speaker 6>It's crazy, and all the different versions are not like

0:23:51.520 --> 0:23:54.040
<v Speaker 6>on streaming right, like not to go half to actually

0:23:54.040 --> 0:23:54.399
<v Speaker 6>buy it.

0:23:54.760 --> 0:23:58.000
<v Speaker 10>So everyone's always trying to game the system because if

0:23:58.040 --> 0:24:01.080
<v Speaker 10>you popularity begets popularity, you have a number one record,

0:24:01.080 --> 0:24:02.840
<v Speaker 10>you know, it's something to hang your hat on. More

0:24:02.880 --> 0:24:04.920
<v Speaker 10>people are gonna listen even if you're not a Taylor

0:24:04.920 --> 0:24:06.879
<v Speaker 10>Swift fan. And I tell you that it's the most

0:24:07.280 --> 0:24:11.720
<v Speaker 10>purchased album and the first week ever. Yeah, interest, Yeah,

0:24:11.720 --> 0:24:13.480
<v Speaker 10>you might go check it out. It's like, how the

0:24:13.520 --> 0:24:16.840
<v Speaker 10>greatest marketing for Thriller ever is just it's the greatest

0:24:16.840 --> 0:24:18.080
<v Speaker 10>selling album of all time.

0:24:18.480 --> 0:24:28.120
<v Speaker 4>Yeah.

0:24:28.520 --> 0:24:30.360
<v Speaker 1>So the main kind of question we're here is kind

0:24:30.359 --> 0:24:32.800
<v Speaker 1>of comparing Taylor to especially Michael Jackson, but also like

0:24:32.800 --> 0:24:35.440
<v Speaker 1>the Beatles and yeah, you know, so how how would

0:24:35.520 --> 0:24:37.840
<v Speaker 1>you say her stats compared to like, you know, peak

0:24:37.880 --> 0:24:39.720
<v Speaker 1>Beatlemania and then Michael Jackson.

0:24:40.160 --> 0:24:42.840
<v Speaker 10>First of all, it's like, obviously it's an unanswerable question

0:24:43.200 --> 0:24:47.439
<v Speaker 10>because it is like Apple's to oranges comparison. But I

0:24:47.480 --> 0:24:50.399
<v Speaker 10>pulled some stuff that I think can inform the debate

0:24:50.440 --> 0:24:53.280
<v Speaker 10>a little. I feel like the only artists of the

0:24:53.320 --> 0:24:56.399
<v Speaker 10>twentieth century or the twenty first century you could really

0:24:56.480 --> 0:24:59.920
<v Speaker 10>compare Taylor Swift's popularity too, And I'm going back far

0:25:00.480 --> 0:25:05.080
<v Speaker 10>are bing Crosby, Frank Sinatra, Elvis, the Beatles, Michael Jackson,

0:25:05.160 --> 0:25:09.600
<v Speaker 10>and maybe Madonna. But I think those older artists, like

0:25:09.600 --> 0:25:12.640
<v Speaker 10>the Frank Sinatras of the World very popular, but there

0:25:12.720 --> 0:25:16.920
<v Speaker 10>wasn't the media ecosystem that we have now. I think

0:25:16.960 --> 0:25:19.840
<v Speaker 10>the Beatles are the first example of an our artist

0:25:20.200 --> 0:25:22.440
<v Speaker 10>be me Elvis two that you can truly compare because

0:25:22.440 --> 0:25:26.920
<v Speaker 10>television was finally a thing. There was a very centralized

0:25:26.960 --> 0:25:30.280
<v Speaker 10>media ecosystem you could interact with, not just the music

0:25:30.320 --> 0:25:32.600
<v Speaker 10>the artists were putting out, but what they looked like

0:25:32.640 --> 0:25:34.800
<v Speaker 10>they were going to be on television. How long do

0:25:34.840 --> 0:25:36.919
<v Speaker 10>you think Beatlemania will last?

0:25:37.680 --> 0:25:39.200
<v Speaker 2>As long as you all keep coming?

0:25:40.560 --> 0:25:44.000
<v Speaker 10>And Michael Jackson obviously takes that to a completely different level.

0:25:44.400 --> 0:25:46.119
<v Speaker 10>And they also the Beatles are only together for like

0:25:46.160 --> 0:25:50.280
<v Speaker 10>ten years, but when they were around, stadium touring was

0:25:50.280 --> 0:25:52.280
<v Speaker 10>not a thing. Like they were the first artist to

0:25:52.320 --> 0:25:56.560
<v Speaker 10>play an outdoor stadium, which was the former Say Stadium

0:25:56.640 --> 0:26:01.240
<v Speaker 10>in Queens. So again it makes all comparisons hard, but

0:26:01.320 --> 0:26:03.680
<v Speaker 10>I think with Michael Jackson and Taylor Swift you can

0:26:03.840 --> 0:26:07.560
<v Speaker 10>sort of get an apples to apples comparison. And one

0:26:07.560 --> 0:26:11.200
<v Speaker 10>way I was looking at this was comparing his to

0:26:11.440 --> 0:26:14.560
<v Speaker 10>his last completed tour to the Aras tour. And I'll

0:26:14.560 --> 0:26:17.200
<v Speaker 10>give you a couple stats here that I think are interesting.

0:26:18.119 --> 0:26:20.639
<v Speaker 10>The arastour sold ten million tickets across one hundred and

0:26:20.680 --> 0:26:23.840
<v Speaker 10>forty nine shows, which is about sixty eight thousand per show,

0:26:24.200 --> 0:26:27.639
<v Speaker 10>was in twenty five countries, but eighty five percent of

0:26:27.640 --> 0:26:29.800
<v Speaker 10>the tour dates were either in the US, UK or Canada.

0:26:30.680 --> 0:26:34.320
<v Speaker 10>Michael Jackson's last completed world tour was his History World

0:26:34.359 --> 0:26:37.240
<v Speaker 10>Tour in ninety six to ninety seven, sold four and

0:26:37.240 --> 0:26:39.520
<v Speaker 10>a half million tickets across eighty two shows, which is

0:26:39.560 --> 0:26:42.200
<v Speaker 10>an average of fifty five thousand per show, which is less,

0:26:42.960 --> 0:26:46.280
<v Speaker 10>but only six dates, or seven percent of those dates

0:26:46.320 --> 0:26:49.280
<v Speaker 10>were in the US, UK and Canada. In fact, only

0:26:49.320 --> 0:26:50.760
<v Speaker 10>two shows are in the US and they were both

0:26:50.800 --> 0:26:54.080
<v Speaker 10>in Hawaii, which I thought was crazy. None were in Canada.

0:26:54.440 --> 0:26:56.840
<v Speaker 10>And he hits like a ton of countries that Taylor

0:26:56.880 --> 0:27:01.520
<v Speaker 10>Swift doesn't, like Malaysia, Thailand, Tunisia, Roni or Russia. It's

0:27:01.520 --> 0:27:04.080
<v Speaker 10>not to say that Taylor Shift couldn't play any of

0:27:04.080 --> 0:27:07.399
<v Speaker 10>those places, but it As I was looking into this,

0:27:07.400 --> 0:27:11.080
<v Speaker 10>it just struck me how global Michael Jackson's fame was.

0:27:11.880 --> 0:27:14.680
<v Speaker 10>And there were some stats about when Taylor Swift took

0:27:14.680 --> 0:27:18.120
<v Speaker 10>the Aris tour to Europe, like twenty percent of tickets

0:27:18.119 --> 0:27:20.640
<v Speaker 10>in the Paris show were purchased by Americans. We're gonna

0:27:20.640 --> 0:27:25.199
<v Speaker 10>fly out now, people who love done that. So I

0:27:25.240 --> 0:27:28.840
<v Speaker 10>think Michael Jackson's fame is it's hard to quantify how

0:27:28.920 --> 0:27:32.280
<v Speaker 10>large it was. Another crazy fact, he was planning this

0:27:32.280 --> 0:27:36.080
<v Speaker 10>this is It tour and he died and it was

0:27:36.080 --> 0:27:38.159
<v Speaker 10>supposed to be ten nights at the two Arena in

0:27:38.200 --> 0:27:41.360
<v Speaker 10>the UK, which holds twenty thousand people. Because of demand,

0:27:41.400 --> 0:27:46.119
<v Speaker 10>they had to add forty more dates just for that arena. Yeah,

0:27:46.119 --> 0:27:48.600
<v Speaker 10>so it was gonna be fifty nights at one arena

0:27:48.600 --> 0:27:49.119
<v Speaker 10>in London.

0:27:49.920 --> 0:27:51.880
<v Speaker 7>Well that was the whole thing because they were saying

0:27:51.920 --> 0:27:54.600
<v Speaker 7>that he wasn't in the condition to play that many shows,

0:27:54.680 --> 0:27:56.920
<v Speaker 7>and they were like, but the money looks really good

0:27:56.960 --> 0:27:58.280
<v Speaker 7>if we keep adding dates.

0:27:58.600 --> 0:28:02.280
<v Speaker 5>Forty is crazy total total of fifty.

0:28:02.320 --> 0:28:04.280
<v Speaker 4>This is it. I mean, this is really it.

0:28:04.359 --> 0:28:08.680
<v Speaker 5>This is the final curtain call. I'll see you in July.

0:28:11.680 --> 0:28:12.240
<v Speaker 2>I love you.

0:28:13.800 --> 0:28:17.679
<v Speaker 6>That nineties History World tour. Easy to imagine that if

0:28:17.680 --> 0:28:21.240
<v Speaker 6>he added six to ten shows in the US like

0:28:21.560 --> 0:28:26.080
<v Speaker 6>New York, LA, Chicago, that it would probably eclipse or

0:28:26.119 --> 0:28:29.000
<v Speaker 6>at least match this the arastour.

0:28:29.440 --> 0:28:31.600
<v Speaker 10>You yeah, you would, you would think.

0:28:32.240 --> 0:28:32.320
<v Speaker 8>So.

0:28:32.560 --> 0:28:35.360
<v Speaker 10>I think Michael Jackson's global theme. I think I don't

0:28:35.359 --> 0:28:37.359
<v Speaker 10>want to say Taylor Swift is a US phenomenon because

0:28:37.560 --> 0:28:39.560
<v Speaker 10>she's not. I mean she could. She's one of the

0:28:39.560 --> 0:28:42.680
<v Speaker 10>most famous people on Earth. I have I've had this

0:28:42.720 --> 0:28:45.480
<v Speaker 10>debate often with people, but who the most recognizable person

0:28:45.480 --> 0:28:48.200
<v Speaker 10>on Earth is outside of politicians and like the pope,

0:28:48.840 --> 0:28:51.000
<v Speaker 10>And I feel like she's she's got to be up there.

0:28:52.240 --> 0:28:54.680
<v Speaker 10>But I think we're obviously all in the US. I

0:28:54.720 --> 0:28:58.120
<v Speaker 10>think our fame is really magnified in the Western world,

0:28:58.200 --> 0:29:01.200
<v Speaker 10>whereas Michael Jackson was super famous in the US and

0:29:01.400 --> 0:29:04.720
<v Speaker 10>was constantly you know, in the tabloids for bad reasons,

0:29:04.760 --> 0:29:09.120
<v Speaker 10>but his fame really went across borders in a way

0:29:09.160 --> 0:29:11.400
<v Speaker 10>that I don't think we really see with other artists.

0:29:11.960 --> 0:29:14.080
<v Speaker 10>So I think Michael Jackson is the only the only

0:29:14.120 --> 0:29:19.320
<v Speaker 10>comparison point here. But otherwise, I mean, it's unprecedented.

0:29:18.760 --> 0:29:23.320
<v Speaker 6>When it comes to stream sales, album sales. I have

0:29:23.400 --> 0:29:26.280
<v Speaker 6>kind of a like a bond Rip question to ask,

0:29:26.640 --> 0:29:29.080
<v Speaker 6>which is like, when you comparison an artist today to

0:29:29.240 --> 0:29:32.480
<v Speaker 6>someone in the eighties or seventies or sixties in the

0:29:32.600 --> 0:29:35.720
<v Speaker 6>US alone, Let's say there's like, isn't it the case

0:29:35.760 --> 0:29:37.920
<v Speaker 6>that there's like substantially more people.

0:29:38.160 --> 0:29:41.720
<v Speaker 5>Yes, today, I actually did have the same thought.

0:29:41.800 --> 0:29:43.960
<v Speaker 10>No, that I also was thinking about that. That is

0:29:44.000 --> 0:29:48.080
<v Speaker 10>one hundred percent true. The population is much larger, Yeah, which.

0:29:47.920 --> 0:29:49.480
<v Speaker 4>Is like, that's funny.

0:29:50.040 --> 0:29:53.600
<v Speaker 10>I don't think people consider those very basic demographic questions

0:29:53.600 --> 0:29:55.720
<v Speaker 10>when you think about stuff like this in terms of

0:29:55.840 --> 0:29:58.680
<v Speaker 10>I guess, gross number of people. It's possible that even

0:29:58.720 --> 0:30:01.760
<v Speaker 10>if Taylor Swift has less goal will reach, she's reaching

0:30:01.800 --> 0:30:02.480
<v Speaker 10>more fans.

0:30:03.040 --> 0:30:07.720
<v Speaker 5>Yeah, I mentioned earlier. Yeah, interesting your piece that she wrote.

0:30:07.800 --> 0:30:11.240
<v Speaker 1>I think in twenty twenty three you talked about kind

0:30:11.280 --> 0:30:14.960
<v Speaker 1>of her arc as an artist, in her longevity and

0:30:15.040 --> 0:30:18.360
<v Speaker 1>kind of what's unusual about it, like kind of peaking later.

0:30:18.840 --> 0:30:22.120
<v Speaker 10>Pick your favorite artist. It's almost one hundred percent certain

0:30:22.240 --> 0:30:26.360
<v Speaker 10>that their most important works were released before they were thirty.

0:30:26.680 --> 0:30:29.000
<v Speaker 10>Popular music is a young person's game. It doesn't mean

0:30:29.040 --> 0:30:31.080
<v Speaker 10>older people don't put out great stuff, but in terms

0:30:31.080 --> 0:30:34.360
<v Speaker 10>of like the pop culture universe, it's it's a young

0:30:34.400 --> 0:30:37.920
<v Speaker 10>person's game. And Taylor Stiff was obviously famous, very very young,

0:30:38.720 --> 0:30:42.240
<v Speaker 10>but she her popularity I think is cresting. I mean,

0:30:42.240 --> 0:30:44.520
<v Speaker 10>I can't imagine getting bigger than this, but who knows.

0:30:44.960 --> 0:30:48.880
<v Speaker 10>When she's in her mid thirties, which is rare. I mean,

0:30:48.920 --> 0:30:54.320
<v Speaker 10>there are other superstars who maintain their popularity over time,

0:30:54.520 --> 0:30:57.440
<v Speaker 10>like Elton John's a good example. He was super famous

0:30:57.440 --> 0:30:59.760
<v Speaker 10>in the seventies, sort of fell off a bit in

0:30:59.760 --> 0:31:01.960
<v Speaker 10>the eighties, and then in the nineties he became like

0:31:01.960 --> 0:31:04.640
<v Speaker 10>a legacy act. But I think the thing that's special

0:31:04.680 --> 0:31:08.440
<v Speaker 10>about Taylor Swift. Are different about Taylor Swift is she

0:31:09.280 --> 0:31:13.960
<v Speaker 10>has made her legacy material and like her new material

0:31:14.040 --> 0:31:16.960
<v Speaker 10>sort of exists on the same plane where she still

0:31:16.960 --> 0:31:20.000
<v Speaker 10>feels culturally vital for the new things that she's doing,

0:31:20.560 --> 0:31:23.959
<v Speaker 10>while the old stuff also feels really vital. Actually, if

0:31:24.000 --> 0:31:25.920
<v Speaker 10>you'll let me read this quote. This is from a

0:31:25.960 --> 0:31:29.280
<v Speaker 10>critic named Stephen Hyde, and he's a great music writer

0:31:29.400 --> 0:31:31.360
<v Speaker 10>for up Rocks and someone it was like an ask

0:31:31.440 --> 0:31:34.080
<v Speaker 10>good the music critic column, and they said, will Taylorstoft's

0:31:34.080 --> 0:31:37.680
<v Speaker 10>popularity ever fade? And his observation here, I think really

0:31:37.720 --> 0:31:43.880
<v Speaker 10>points out why her fame is so unique. This is

0:31:43.920 --> 0:31:46.360
<v Speaker 10>the part of Taylor Swift's career that is unprecedented. She

0:31:46.440 --> 0:31:49.080
<v Speaker 10>has rather brilliantly convinced the public that her past and

0:31:49.160 --> 0:31:52.840
<v Speaker 10>present coexists right now. She's dismantled the former New work

0:31:52.920 --> 0:31:55.200
<v Speaker 10>versus old work binary for artist and replaced it with

0:31:55.280 --> 0:31:58.680
<v Speaker 10>the eras paradigm, where her songs are parceled into different

0:31:58.720 --> 0:32:01.920
<v Speaker 10>concurrent channels that are equal accessible. It's the same logic

0:32:01.960 --> 0:32:04.320
<v Speaker 10>that streaming platforms have taught us, where all music history

0:32:04.360 --> 0:32:06.800
<v Speaker 10>exists in the same bucket, and Taylor Swift has figured

0:32:06.800 --> 0:32:09.719
<v Speaker 10>out how to reprogram the public's internal algorithm better than

0:32:09.760 --> 0:32:13.360
<v Speaker 10>any of her competitors, so that her historical theme doesn't

0:32:13.400 --> 0:32:16.240
<v Speaker 10>count against her contemporary fame. She gets to be a

0:32:16.320 --> 0:32:19.960
<v Speaker 10>legacy act and irrelevant pop act simultaneously, which is why

0:32:20.000 --> 0:32:24.760
<v Speaker 10>I don't expect her fame to fade anytime soon. We

0:32:24.800 --> 0:32:26.560
<v Speaker 10>saw this with the re release of her record.

0:32:26.400 --> 0:32:28.160
<v Speaker 7>Yeah yeah, I was just thinking, we haven't even talked

0:32:28.200 --> 0:32:31.880
<v Speaker 7>about which, in some ways I think really helped her popularity,

0:32:32.520 --> 0:32:35.480
<v Speaker 7>right because it felt like we kind of hit peak Taylor,

0:32:35.760 --> 0:32:38.480
<v Speaker 7>and then the re release has happened and it's like, okay, no,

0:32:38.640 --> 0:32:40.080
<v Speaker 7>we're still going up.

0:32:40.520 --> 0:32:44.320
<v Speaker 10>That's some people have pointed out that they think had

0:32:44.400 --> 0:32:50.200
<v Speaker 10>COVID not happened, Taylor Swift would not have become as

0:32:50.280 --> 0:32:52.920
<v Speaker 10>big as she did. Obviously, she was already big, but

0:32:53.000 --> 0:32:55.320
<v Speaker 10>her popularity has sort of reached like a peak. And

0:32:55.360 --> 0:32:58.440
<v Speaker 10>then during COVID no one could go to concerts. She

0:32:58.520 --> 0:33:02.600
<v Speaker 10>puts out these two tomit acclaimed records, Folklore and Evermore

0:33:03.480 --> 0:33:06.120
<v Speaker 10>that you know, reprove to people like she's a very

0:33:06.160 --> 0:33:09.320
<v Speaker 10>seriously talented songwriter. And then you come out of COVID

0:33:10.440 --> 0:33:13.000
<v Speaker 10>and there was a huge demand for live events. She's

0:33:13.040 --> 0:33:16.280
<v Speaker 10>gonna put on this career spanning tour, and I think

0:33:16.320 --> 0:33:19.400
<v Speaker 10>that's a pretty good theory that she sort of benefited

0:33:19.440 --> 0:33:20.960
<v Speaker 10>from all that pent up demand.

0:33:22.160 --> 0:33:25.440
<v Speaker 1>That quote sounds true even with kind of all the

0:33:25.440 --> 0:33:28.680
<v Speaker 1>criticism of the new album's getting where people seem a

0:33:28.720 --> 0:33:31.320
<v Speaker 1>lot of people seem disappointed with it, but like, I

0:33:31.360 --> 0:33:33.360
<v Speaker 1>still don't really see the stuff of like oh I

0:33:33.400 --> 0:33:36.160
<v Speaker 1>wish it sounded like Fearless or whatever, like whatever the

0:33:36.360 --> 0:33:39.680
<v Speaker 1>early YEA classic stuff is, Like I don't see the

0:33:39.720 --> 0:33:41.880
<v Speaker 1>same way with the Like we did an episode on

0:33:41.960 --> 0:33:45.600
<v Speaker 1>Kanye recently and like that very early on he was

0:33:45.600 --> 0:33:49.080
<v Speaker 1>getting like I want college drop out of like basically

0:33:49.080 --> 0:33:51.640
<v Speaker 1>by album three he was getting that, and like that's

0:33:51.680 --> 0:33:54.200
<v Speaker 1>more common than not. Is like people always want the

0:33:54.320 --> 0:33:57.200
<v Speaker 1>classic early thing and like, yeah, I've never really seen

0:33:57.240 --> 0:33:59.480
<v Speaker 1>that with her, even as she shifted from country to

0:33:59.520 --> 0:34:02.239
<v Speaker 1>pop and now to like whatever this new wave of

0:34:02.720 --> 0:34:05.600
<v Speaker 1>her pop is like it's not as much this like rabid,

0:34:05.680 --> 0:34:09.080
<v Speaker 1>like she fell off, you know, even if they are

0:34:09.080 --> 0:34:10.800
<v Speaker 1>disappointed with this album, it's.

0:34:10.680 --> 0:34:12.399
<v Speaker 10>Like you don't you don't understand what she's doing.

0:34:12.440 --> 0:34:14.200
<v Speaker 1>Yeah, and it seems like, well, maybe next one she'll

0:34:14.239 --> 0:34:16.799
<v Speaker 1>be back, you know, or whatever. You know. And then

0:34:16.880 --> 0:34:19.960
<v Speaker 1>also in that sub sect post, you compared her to

0:34:20.760 --> 0:34:23.440
<v Speaker 1>Michael Bolton as far as like the timeline.

0:34:23.000 --> 0:34:25.800
<v Speaker 5>Can you can you kind of run that back quickly?

0:34:26.160 --> 0:34:29.200
<v Speaker 10>Yeah, So I was looking for a couple people in

0:34:29.280 --> 0:34:33.239
<v Speaker 10>this this piece about you know who who can we

0:34:33.280 --> 0:34:35.920
<v Speaker 10>compare Taylor Swift The arc of Taylor Swift's career. Two

0:34:36.640 --> 0:34:40.160
<v Speaker 10>Michael Bolton. If you were old enough, you'll recognize him

0:34:40.200 --> 0:34:42.320
<v Speaker 10>from like commercials in the nineties where they were selling

0:34:42.360 --> 0:34:45.040
<v Speaker 10>love song CDs and it was always how am I

0:34:45.080 --> 0:34:55.200
<v Speaker 10>supposed to Live without you? He's singing these big ballads.

0:34:55.760 --> 0:34:58.480
<v Speaker 10>But Michael Bolton's career started in the late seventies as

0:34:58.520 --> 0:35:00.840
<v Speaker 10>more of like a rock singer, and then he rebranded

0:35:00.920 --> 0:35:04.000
<v Speaker 10>himself and he reached the crest of his popularity like

0:35:04.080 --> 0:35:07.040
<v Speaker 10>fifteen years later in the nineties. Michael Botlan is in

0:35:07.080 --> 0:35:11.319
<v Speaker 10>No way close to as popular as Taylor Swift even

0:35:11.360 --> 0:35:13.759
<v Speaker 10>at his peak. Yeah, but like I what I was

0:35:13.760 --> 0:35:15.480
<v Speaker 10>trying to get it was the arc of his career,

0:35:15.640 --> 0:35:19.880
<v Speaker 10>like peaking later than your average person. Barbara Streisan's.

0:35:19.960 --> 0:35:22.120
<v Speaker 5>Yeah, that was the other main one. You comped her.

0:35:22.000 --> 0:35:25.080
<v Speaker 10>Two because and again this is just career arc where

0:35:25.120 --> 0:35:29.279
<v Speaker 10>barbar streisand's very popular from early in her career. You know,

0:35:29.320 --> 0:35:34.359
<v Speaker 10>she's like nineteen or twenty on Broadway putting out platinum records.

0:35:34.760 --> 0:35:36.680
<v Speaker 10>But I think her best selling record of all times

0:35:36.680 --> 0:35:38.759
<v Speaker 10>she didn't put out until nineteen eighty, which was I

0:35:38.840 --> 0:35:41.440
<v Speaker 10>think called Guilty. It was a collaboration with Barry Gibb

0:35:41.440 --> 0:35:44.920
<v Speaker 10>from the Beg's. So that's like, you know, twenty years

0:35:44.920 --> 0:35:48.120
<v Speaker 10>after your debut, you're releasing your most popular record. That's

0:35:48.160 --> 0:35:53.280
<v Speaker 10>not common, and that's something Taylor Swift is doing currently.

0:35:54.360 --> 0:35:57.120
<v Speaker 10>Most Like I said, most people, their most popular record

0:35:57.680 --> 0:35:59.920
<v Speaker 10>is usually one of their first couple records, and you

0:36:00.040 --> 0:36:04.279
<v Speaker 10>usually they're younger than thirty when it happens, not to

0:36:04.360 --> 0:36:07.520
<v Speaker 10>make all us thirty year olds, damn.

0:36:08.360 --> 0:36:12.080
<v Speaker 6>So it's possible that her most popular song ever isn't

0:36:12.160 --> 0:36:13.000
<v Speaker 6>out yet.

0:36:13.719 --> 0:36:17.200
<v Speaker 10>Taylor Swift, It's possible. I think over the long term,

0:36:17.239 --> 0:36:18.840
<v Speaker 10>it's highly unlikely.

0:36:18.640 --> 0:36:20.239
<v Speaker 5>Because she's competing for herself now.

0:36:20.320 --> 0:36:23.960
<v Speaker 10>Yeah, even if her fans are rabid for new music. Like,

0:36:24.000 --> 0:36:26.520
<v Speaker 10>if you're a very passive listener to Taylor Swift, the

0:36:26.560 --> 0:36:29.360
<v Speaker 10>songs you probably know are like blank Space, Shake it Off,

0:36:29.400 --> 0:36:30.239
<v Speaker 10>you Belong with Me.

0:36:31.280 --> 0:36:33.160
<v Speaker 5>That's the best one sounds to me, like like.

0:36:35.000 --> 0:36:36.800
<v Speaker 1>On like the White People list of just like you

0:36:37.239 --> 0:36:39.880
<v Speaker 1>just know all the lyrics to this, like my Osmosis,

0:36:40.000 --> 0:36:41.600
<v Speaker 1>like the Killers Born and.

0:36:41.719 --> 0:36:46.600
<v Speaker 11>Yeah, like I just know this, Yeah, Like those are

0:36:46.600 --> 0:36:48.320
<v Speaker 11>two where are just like yeah, I just know everywhere

0:36:48.320 --> 0:36:55.560
<v Speaker 11>to this. Yeah, we all fall on the in the

0:36:55.719 --> 0:36:58.239
<v Speaker 11>group of people who think that, like it's kind of

0:36:58.280 --> 0:37:02.520
<v Speaker 11>impossible to compare really, uh, Taylor Swift and Michael Jackson

0:37:02.520 --> 0:37:03.520
<v Speaker 11>in terms of fame.

0:37:03.920 --> 0:37:07.280
<v Speaker 4>But if you have, I think Michael Jackson's bigger.

0:37:07.680 --> 0:37:10.520
<v Speaker 6>Well, you were with the kind of you were describing

0:37:10.560 --> 0:37:13.960
<v Speaker 6>how it's like kind of apples and oranges based on

0:37:14.000 --> 0:37:15.640
<v Speaker 6>the different environments of today, and.

0:37:16.440 --> 0:37:19.279
<v Speaker 10>And uh, yeah, if if you had, if I had

0:37:19.400 --> 0:37:22.279
<v Speaker 10>gun your head into my head, Yeah, I'm still I'm

0:37:22.320 --> 0:37:26.080
<v Speaker 10>still gonna go with Michael Jackson in this for the

0:37:26.160 --> 0:37:28.600
<v Speaker 10>reasons we talked about it earlier, but I mean, Taylor

0:37:28.600 --> 0:37:32.760
<v Speaker 10>Swift's up there. It's like you're talking about unimaginable amounts

0:37:32.800 --> 0:37:33.080
<v Speaker 10>of fame.

0:37:33.200 --> 0:37:35.760
<v Speaker 4>Yeah, and I will say this to Taylor's credit.

0:37:35.800 --> 0:37:38.440
<v Speaker 7>I think the the odds are stacked against her in

0:37:38.440 --> 0:37:41.640
<v Speaker 7>a lot of ways because of the you know, how

0:37:41.880 --> 0:37:45.840
<v Speaker 7>culture is so fractured nowadays. Yeah, like I think, you know,

0:37:46.080 --> 0:37:48.719
<v Speaker 7>maybe if you know she was growing up in at

0:37:48.760 --> 0:37:51.040
<v Speaker 7>the same time period as Michael Jackson, maybe she would

0:37:51.080 --> 0:37:51.520
<v Speaker 7>be bigger.

0:37:51.560 --> 0:37:53.960
<v Speaker 5>All right, well, thanks, Chris, if you want to plug

0:37:53.960 --> 0:37:54.799
<v Speaker 5>your book one more time.

0:37:54.880 --> 0:37:58.439
<v Speaker 10>Oh yeah, well, Uncharted territory with numbers tell us about

0:37:58.440 --> 0:38:01.799
<v Speaker 10>the biggest hits, songs and ourselves. It's about how I

0:38:01.880 --> 0:38:04.120
<v Speaker 10>listened to every number one hit in history, and I

0:38:04.120 --> 0:38:08.000
<v Speaker 10>wrote a data driven history of popular music using that

0:38:08.800 --> 0:38:15.600
<v Speaker 10>crazy listening journey.

0:38:19.600 --> 0:38:20.760
<v Speaker 5>All right, so we are back.

0:38:21.320 --> 0:38:24.520
<v Speaker 1>So Chris just helpefully explained, you know, kind of how

0:38:24.600 --> 0:38:28.480
<v Speaker 1>music is even measured these days. And I think, you know,

0:38:28.600 --> 0:38:31.520
<v Speaker 1>as best as we could expect, answered our question as

0:38:31.560 --> 0:38:34.880
<v Speaker 1>far as how Taylor compares to Michael Jackson and others.

0:38:35.560 --> 0:38:38.200
<v Speaker 5>What do you guys think? Are you satisfied? I think so.

0:38:38.320 --> 0:38:40.000
<v Speaker 6>I mean we I think all three of us kind

0:38:40.040 --> 0:38:43.240
<v Speaker 6>of agreed that Michael Jackson is a bigger, more famous person.

0:38:43.360 --> 0:38:45.520
<v Speaker 6>I definitely had a little bit of like, well, I

0:38:45.520 --> 0:38:48.600
<v Speaker 6>wouldn't be surprised to learn something new here. When he

0:38:48.680 --> 0:38:53.399
<v Speaker 6>was talking about how Michael Jackson's tour like demographics were

0:38:53.440 --> 0:38:55.320
<v Speaker 6>just so much more diverse than that.

0:38:55.760 --> 0:38:57.600
<v Speaker 1>That was a big thing to me that that confirmed

0:38:57.680 --> 0:38:59.600
<v Speaker 1>kind of what my intuition was was just like the

0:38:59.640 --> 0:39:03.120
<v Speaker 1>internetal effects. Yeah, when he's playing out the tour dates

0:39:03.120 --> 0:39:05.480
<v Speaker 1>and it's like he's barely even coming, he's not even

0:39:05.520 --> 0:39:07.200
<v Speaker 1>playing in the continental United.

0:39:07.040 --> 0:39:09.920
<v Speaker 5>States, doesn't need to Like that's a different level.

0:39:10.040 --> 0:39:12.719
<v Speaker 1>And like, obviously, yeah, anytime he could, he could just

0:39:12.760 --> 0:39:15.160
<v Speaker 1>be like I'm going to play Madison Square Garden for

0:39:15.320 --> 0:39:17.440
<v Speaker 1>three years, you know what I mean, Like.

0:39:17.400 --> 0:39:19.320
<v Speaker 5>He could have done that at any point.

0:39:19.440 --> 0:39:21.920
<v Speaker 7>Something that came to mind for me that you remember,

0:39:21.920 --> 0:39:23.520
<v Speaker 7>there used to be a debate and I think this

0:39:23.680 --> 0:39:26.560
<v Speaker 7>is pretty much settled now. At one point, and I

0:39:26.600 --> 0:39:28.400
<v Speaker 7>would say I was on the other side of this

0:39:28.480 --> 0:39:30.920
<v Speaker 7>debate at the time, was like who is bigger, Beyonce

0:39:31.160 --> 0:39:33.799
<v Speaker 7>or Taylor Swift. I think it's to say now that

0:39:33.880 --> 0:39:37.080
<v Speaker 7>Taylor Swift is bigger. I think some of that is

0:39:37.120 --> 0:39:41.200
<v Speaker 7>like Beyonce, I think intentionally like, yeah, it's making music

0:39:41.480 --> 0:39:45.000
<v Speaker 7>and has decided artistically to like move in a direction

0:39:45.080 --> 0:39:46.359
<v Speaker 7>that isn't as broad.

0:39:46.239 --> 0:39:47.720
<v Speaker 5>Not focused on just getting the pop.

0:39:47.719 --> 0:39:48.719
<v Speaker 4>And that's contributed to it.

0:39:48.760 --> 0:39:50.920
<v Speaker 7>But at one point I would fight you on like

0:39:51.280 --> 0:39:54.719
<v Speaker 7>obviously Beyonce is, even if her music doesn't sell as much,

0:39:54.880 --> 0:39:57.160
<v Speaker 7>is more famous.

0:39:56.840 --> 0:39:59.359
<v Speaker 5>Yea, and more of a cultural figure. Yes, at that Yeah,

0:39:59.360 --> 0:40:03.520
<v Speaker 5>I think probably before I say, pre aerostour.

0:40:03.000 --> 0:40:04.600
<v Speaker 1>Yeah, I was gonna yeah, I was gonna say basically

0:40:04.800 --> 0:40:07.000
<v Speaker 1>up to maybe the maybe you could go a little

0:40:07.040 --> 0:40:10.080
<v Speaker 1>earlier than but like, yeah, once we passed like the

0:40:10.160 --> 0:40:13.160
<v Speaker 1>nineteen eighty nine era, like the once we entered the

0:40:13.200 --> 0:40:16.200
<v Speaker 1>true pop star thing, that's when it's like, okay, now

0:40:16.200 --> 0:40:17.400
<v Speaker 1>it's like a contest.

0:40:17.440 --> 0:40:19.920
<v Speaker 6>I remember my take from that debate being kind of

0:40:19.920 --> 0:40:23.000
<v Speaker 6>the inverse of this one, where I thought Taylor Swift

0:40:23.040 --> 0:40:25.160
<v Speaker 6>was probably more popular but that there was no contest

0:40:25.200 --> 0:40:28.520
<v Speaker 6>in terms of cultural influence or like impact.

0:40:28.640 --> 0:40:31.759
<v Speaker 1>Yeah, well it's it's basically the single Lady's Video is

0:40:31.760 --> 0:40:34.640
<v Speaker 1>so much more iconic than anything that Taylor Swift which

0:40:34.719 --> 0:40:35.280
<v Speaker 1>is put.

0:40:35.080 --> 0:40:38.279
<v Speaker 5>Out, which of what connye Was point was, I mean,

0:40:38.320 --> 0:40:38.680
<v Speaker 5>it's like.

0:40:39.280 --> 0:40:42.080
<v Speaker 1>Disagree with his methods, but he was He's right, like,

0:40:42.640 --> 0:40:44.920
<v Speaker 1>you can see one frame of that blur out the

0:40:44.920 --> 0:40:47.040
<v Speaker 1>faces and you know what it is. I don't think

0:40:47.080 --> 0:40:50.000
<v Speaker 1>any tailorshift video really has that, even though I could

0:40:50.040 --> 0:40:51.560
<v Speaker 1>kind of describe some of them, but.

0:40:52.080 --> 0:40:56.520
<v Speaker 7>Well, has any video impact of single Ladies and single Lady.

0:40:57.160 --> 0:40:59.520
<v Speaker 5>Top five Swift songs?

0:40:59.640 --> 0:41:02.040
<v Speaker 6>I don't, which would genuinely I don't know if I

0:41:02.040 --> 0:41:04.080
<v Speaker 6>can name five of them. That's why I'm like such

0:41:04.120 --> 0:41:06.239
<v Speaker 6>a bad right now, Okay, you got you Belong to Me,

0:41:06.280 --> 0:41:10.080
<v Speaker 6>which is a banger from my high school days. Is

0:41:10.200 --> 0:41:14.000
<v Speaker 6>reputation a song or just an album.

0:41:14.040 --> 0:41:18.800
<v Speaker 7>Counter It's called Endgame, but the song is it's funny

0:41:18.800 --> 0:41:21.880
<v Speaker 7>because a reputation, but it's called Dames.

0:41:22.200 --> 0:41:27.799
<v Speaker 6>Okay, okay, and what about does this album count?

0:41:27.840 --> 0:41:28.120
<v Speaker 5>Probably?

0:41:28.160 --> 0:41:30.319
<v Speaker 6>Okay, this sounds all right, then I could probably do it. Uh,

0:41:31.440 --> 0:41:36.160
<v Speaker 6>We're actually romantic, which is the Charlie XCX disc Redwood,

0:41:36.160 --> 0:41:37.839
<v Speaker 6>which is about Travis Kelsey's deck.

0:41:37.920 --> 0:41:46.040
<v Speaker 5>It's not damn, man, just damn. I can't even folklore evermore.

0:41:48.280 --> 0:41:50.279
<v Speaker 4>All right, we're gonna go out one song from Life

0:41:50.280 --> 0:41:51.759
<v Speaker 4>of a Showgirl. What song are we gonna play?

0:41:52.960 --> 0:41:54.440
<v Speaker 5>I like open Light?

0:41:54.880 --> 0:41:56.719
<v Speaker 4>Okay? Or yeah?

0:41:56.800 --> 0:41:57.400
<v Speaker 5>I think that's the one.

0:41:57.440 --> 0:41:59.799
<v Speaker 4>I like, Let's do Let's do twenty seconds ol.

0:42:12.560 --> 0:42:15.799
<v Speaker 2>Hell's Hell's, Hell's, Hell's Hells.

0:42:16.360 --> 0:42:18.799
<v Speaker 1>No such Thing as a production of Kaleidoscope Content. Our

0:42:18.840 --> 0:42:22.440
<v Speaker 1>executive producers are Kid Osborne and Mangeshkidur. The show is

0:42:22.480 --> 0:42:25.239
<v Speaker 1>created by Manny Fidel, Noah Friedman, and Devin Joseph. Theme

0:42:25.280 --> 0:42:28.160
<v Speaker 1>and credits song by Manny Fidel. Mixing is by Steve Bone.

0:42:28.320 --> 0:42:30.560
<v Speaker 1>Our guest this week is Chris Dalaiva. Find the link

0:42:30.600 --> 0:42:32.439
<v Speaker 1>to his newsletter and his upcoming book in the show

0:42:32.480 --> 0:42:35.520
<v Speaker 1>notes below. Thank you, Chris, and special thanks to Irene

0:42:35.600 --> 0:42:38.520
<v Speaker 1>Kim and her swifty friends. Visit No Such Thing dot

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<v Speaker 1>show to subscribe to our newsletter for more about this episode,

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<v Speaker 1>and if you have feedback for us or a question,

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<v Speaker 1>our email is Manny Noah Devin at gmail dot com.

0:42:46.600 --> 0:42:48.200
<v Speaker 1>You can also leave us a voicemail by calling the

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<v Speaker 5>Wherever you're listening to this, it really helps a lot.

0:42:55.160 --> 0:42:57.000
<v Speaker 5>We'll be back next week with a new episode. Thanks

0:42:57.040 --> 0:42:57.480
<v Speaker 5>for listening.

0:42:57.600 --> 0:43:02.200
<v Speaker 2>Hells Hell's not such a thing.