WEBVTT - More Than an Actor: Marcus Callender on Writing, Producing & Being a True Creative | Part 2

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<v Speaker 1>I'm a homegirl that knows a little bit about everything

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<v Speaker 1>and everybody.

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<v Speaker 2>You don't know if you don't lie about that.

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<v Speaker 1>Right, All right, y'all, we're gonna get back into part two.

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<v Speaker 3>I'm Laura the Rosa.

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<v Speaker 1>This is the Latest with Laura Rosa, which is your

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<v Speaker 1>daily dig on all things pop culture, entertainment, news, and

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<v Speaker 1>all of the conversations that shake the room. We've been

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<v Speaker 1>having a conversation with creator, storyteller, actor, director and writer

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<v Speaker 1>Marcus Callender. He played Oliver Power Grant or you may

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<v Speaker 1>remember him if you've watched Ghost Power Book two. He

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<v Speaker 1>played real Ray. Y'all, remember we lost Raina, Baby Raina

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<v Speaker 1>because of ray Y. Now tap in as we get

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<v Speaker 1>into the final part of our conversation about how he.

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<v Speaker 3>Stuck it out good, bad, ugly.

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<v Speaker 1>They say the power actors don't get more jobs, but

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<v Speaker 1>he stuck it out and now he is bringing Spades

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<v Speaker 1>to play to life on stage here in New York,

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<v Speaker 1>and you guys get an exclusive listen of what the

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<v Speaker 1>inspiration was. So talk to us about why Spades, Like,

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<v Speaker 1>I know you said you walked into a place one

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<v Speaker 1>time in LA and people were playing space check. I

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<v Speaker 1>gotta get back to it, but originally like why write

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<v Speaker 1>a play about space? Like why is that? This is

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<v Speaker 1>like your passion project? And also tell us about us,

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<v Speaker 1>you know, briefly, what what is the story? What is

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<v Speaker 1>the log line of the play?

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<v Speaker 4>Okay, before I tell you that, here's another thing too

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<v Speaker 4>for people to know. When I was putting that reading

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<v Speaker 4>together last year, my agent drop.

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<v Speaker 2>That, also, how does it? So?

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<v Speaker 3>What happened when you say they robbed you?

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<v Speaker 2>Like? How?

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<v Speaker 1>Because I'll be watching my money like I mean, but

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<v Speaker 1>I'm also I mean, I'm not a regular series on

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<v Speaker 1>a network show or a streaming platform show, so my

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<v Speaker 1>checks maybe not like yours, but I be no, I'm

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<v Speaker 1>in all of it, Like, yo, what's up?

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<v Speaker 4>So while I'm while I was getting ready to put

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<v Speaker 4>this reading together, I woke up from a nap and

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<v Speaker 4>my agent calls me. I'm thinking I booked something, because

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<v Speaker 4>that's the only time they call you. She's like, yeah,

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<v Speaker 4>you know, Unfortunately, we're gonna have to let you go

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<v Speaker 4>because due to the writers strike, a lot of things

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<v Speaker 4>were cut Agired.

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<v Speaker 2>Agents are being fired there.

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<v Speaker 4>You know, the rosters are getting smaller, and I was

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<v Speaker 4>with a big agency, so I knew it was going

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<v Speaker 4>to happen.

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<v Speaker 2>I was like, if I don't book something.

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<v Speaker 4>They probably gonna drop me, which is really fucked up

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<v Speaker 4>because I just did three seasons of a show where.

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<v Speaker 2>Y'all getting that money.

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<v Speaker 4>Yeah, y'all so quick to drive me, you know, because

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<v Speaker 4>I'm not working off of a writer strike.

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<v Speaker 2>That's crazy.

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<v Speaker 4>But at the same time, I didn't even I didn't

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<v Speaker 4>even react crazy. I didn't ask questions. I just said, okay, cool,

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<v Speaker 4>because I knew it was all a part of the plan,

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<v Speaker 4>all a part of Guy's plan. Because I knew that

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<v Speaker 4>that had to be cleared away in order for me

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<v Speaker 4>to really dive in because now I don't have an agent.

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<v Speaker 4>Now I don't have any reps, so I'm not auditioning

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<v Speaker 4>for anything. So I have no choice but to focus.

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<v Speaker 3>On this, right.

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<v Speaker 4>So it was it was a blessing in disguise, you

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<v Speaker 4>know what I mean. But it was also my first

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<v Speaker 4>time not having reps.

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<v Speaker 3>Well, you said they robbed you?

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<v Speaker 2>What, like what the no?

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<v Speaker 3>No?

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<v Speaker 1>No? No?

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<v Speaker 2>The drop?

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<v Speaker 3>Oh dropped You said they rob no no? What did

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<v Speaker 3>they take? Like, we're with them? Okay, they dropped you?

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<v Speaker 1>Okay, I mean yes, but I also feel like too,

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<v Speaker 1>and this is just like twenty twenty five, Lauren speaking,

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<v Speaker 1>I feel like unless your agent is like moving mountains

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<v Speaker 1>for you, you can kind of low key figured the

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<v Speaker 1>shit out with a good manager, G lawyer honestly just

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<v Speaker 1>good lawyer, a manager if they really whit you with you.

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<v Speaker 1>But I don't think you need like that's where I'm

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<v Speaker 1>at right now too, us like talent that is.

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<v Speaker 3>Learning to build a team.

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<v Speaker 1>I'm like, I don't need all these people, all these

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<v Speaker 1>noises and all these decisions and blah blah blahlah like splits. No,

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<v Speaker 1>Like I just need one to two good people. That's like, yo,

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<v Speaker 1>we out where we gotta be, what we gotta do.

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<v Speaker 1>Like so it was a blessing in disguise, and I

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<v Speaker 1>think the world and the industry changed. Where agent, you know,

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<v Speaker 1>for you as a playwriter and creator and also talent

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<v Speaker 1>would be amazing. We want to speak that into existence,

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<v Speaker 1>but you could do.

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<v Speaker 4>It without exactly but because I think what it not,

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<v Speaker 4>I think I know what it allowed me to do

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<v Speaker 4>was like really tap into all of these talents that

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<v Speaker 4>I have because I don't consider myself just an actor.

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<v Speaker 4>When people ask me what I do, I tell I'm

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<v Speaker 4>a storyteller. Whether that's acting, directing.

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<v Speaker 2>And writing, you know. So it allowed me to like

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<v Speaker 2>really dive into that and really own.

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<v Speaker 4>It, you know what I mean, Because for a long

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<v Speaker 4>time it was like yeah, right, but you know, but

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<v Speaker 4>now I'm owning it, you know what I'm saying. No,

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<v Speaker 4>I'm a playwright, I'm a writer, I'm a director, I'm

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<v Speaker 4>a producer, and I'm an actor. I do all of

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<v Speaker 4>these things and I think I do it pretty well.

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<v Speaker 4>So it's like a multi a multi hyphen it as

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<v Speaker 4>they call it.

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<v Speaker 2>So it gave me.

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<v Speaker 4>All this time to dive in, and I fucking I

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<v Speaker 4>committed to it, you know what I mean. I put

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<v Speaker 4>all my money into it because I know, you know,

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<v Speaker 4>for me, I'm like sitting on this story because it's

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<v Speaker 4>bigger than the play. So let's get into that.

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<v Speaker 2>Yes, So what inspired me to write this play.

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<v Speaker 4>I was learning how to play Space at the time

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<v Speaker 4>with some friends and what I thought was interesting was

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<v Speaker 4>I was like, Yo, I feel like watching the game

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<v Speaker 4>is more interesting than the game because.

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<v Speaker 2>It's just so much drama. It's all this other shit.

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<v Speaker 2>I said, Yo, this would be a dope.

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<v Speaker 1>Play in anybody house and anybody you know what's crazy?

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<v Speaker 1>I was before I left TMZ. We were piloting a

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<v Speaker 1>podcast for me, and now Nick Cannon has me playing spades.

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<v Speaker 1>But I said to them, I'm like, we should do it,

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<v Speaker 1>like let's just sit down and play space with people. Yeah,

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<v Speaker 1>I mean, of course they didn't really understand it. And

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<v Speaker 1>my co host shout out to Tawanna. She's still there

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<v Speaker 1>at TMZ. She don't know how to play spades. I

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<v Speaker 1>don't think she got to beat because she's never been

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<v Speaker 1>at the spades table. But so when I the name

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<v Speaker 1>of your play grabbed me. But also when I saw

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<v Speaker 1>Nick Cannon doing we playing spades to sit down in conversation,

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<v Speaker 1>I'm like, this is like Genians for any black person

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<v Speaker 1>to live off of or thrive off off, because it

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<v Speaker 1>is entertaining just watching and hearing.

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<v Speaker 4>The game exactly. So I'm like, Yo, this will make

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<v Speaker 4>a dope play. And I knew that, you know, I

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<v Speaker 4>was at the time. I was starting to dab in

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<v Speaker 4>writing and stuff like that. So I was like, yo,

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<v Speaker 4>let me start writing this. And as I said, it

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<v Speaker 4>just kind of poured out of me. The characters, because

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<v Speaker 4>all of the characters in the player are based off

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<v Speaker 4>of people that I know.

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<v Speaker 1>So let's talk about the story, So give us the

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<v Speaker 1>It's very simple.

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<v Speaker 4>Yes, it's about a group of friends that get together

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<v Speaker 4>on a Friday night in Harlem to play some spades.

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<v Speaker 4>But on this particular Friday, things go a little left,

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<v Speaker 4>as they typically go in a space game. You got

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<v Speaker 4>the liquor flowing, you got the we going, Things kind

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<v Speaker 4>of go a little left. The main character, we got

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<v Speaker 4>Gil Who's house. They're at Corey and Andre. These are

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<v Speaker 4>the core. This is the core friend group. But then

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<v Speaker 4>Gil invites a new friend to come play who can't play,

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<v Speaker 4>and she kind of stirs the pot a little bit.

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<v Speaker 3>The girl is the girl.

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<v Speaker 1>Okay, So the first time I came to see the

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<v Speaker 1>play in Dumbo House, I thought that she was Gael

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<v Speaker 1>Bean it was Gil.

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<v Speaker 3>Oh, so it was Gail. Gil was okay, all right?

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<v Speaker 1>Because then when I came in Harlem, I'm like, wait,

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<v Speaker 1>that wasn't Gail.

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<v Speaker 3>Am I tripping? But because they look they resemble each other.

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<v Speaker 1>Actually, okay, so thanks for answering that for me, because

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<v Speaker 1>I thought I was tripping. I'm like, yo, I had

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<v Speaker 1>just interviewed Gail for BT Talks, and I'm like, I

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<v Speaker 1>know Gail.

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<v Speaker 3>I've been watching her. And then I come and I'm like.

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<v Speaker 2>You tribab Me interviewed her while she was in rehearsal I.

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<v Speaker 1>Did, which was so crazy. Yeah, which was so crazy

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<v Speaker 1>because I didn't I didn't know.

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<v Speaker 3>I came to the.

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<v Speaker 1>Play because Taylor shout out to Taylor made it, who

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<v Speaker 1>is our one of the producers here on the podcast

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<v Speaker 1>for the latest with Long the Roads, which is how

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<v Speaker 1>we met. She just was like, Yo, my friend has

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<v Speaker 1>this play? Come with me? And then and I told

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<v Speaker 1>her yes because I love plays. And then I didn't

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<v Speaker 1>make it to that. She was like still just go,

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<v Speaker 1>like just pull up and I was like, okay, cool.

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<v Speaker 1>So I came and when I got there and I

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<v Speaker 1>saw Gail, I was like, oh shoot. But then when

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<v Speaker 1>I came to the second time, I'm like, did I

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<v Speaker 1>not seek.

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<v Speaker 2>No. Yeah, Gail is doing a play right now in LA.

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<v Speaker 4>But I had her for that reading, which was which

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<v Speaker 4>was great because she came in last minute.

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<v Speaker 2>She came in last minute out.

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<v Speaker 3>She was reading from the script.

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<v Speaker 4>Yeah, okay, so that was another stage reading. And that's

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<v Speaker 4>another thing too. I'm realizing through this process, like there's

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<v Speaker 4>a lot of like theater things that some people don't

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<v Speaker 4>know about, especially in our communities particularly, And you know,

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<v Speaker 4>that's kind of a part of why I'm doing what

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<v Speaker 4>I'm doing, because I feel like theater is becoming a

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<v Speaker 4>lost art form in our community particularly. I feel like

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<v Speaker 4>everybody wants to be on TV, everybody wants you know,

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<v Speaker 4>the social media stuff. But it's like, yo, let's take

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<v Speaker 4>it back to the stage. Let's take it back to

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<v Speaker 4>the purest form, you know what I mean. Like, for me,

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<v Speaker 4>all my favorite actors coming up a theater act.

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<v Speaker 1>And I think people too don't understand that, like stage

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<v Speaker 1>live anything, theater plays, that's where you get instinct from.

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<v Speaker 4>That's where you get your instant That's where you learn

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<v Speaker 4>how to act on stage. But not only is it

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<v Speaker 4>getting lost in our community, but I think a part

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<v Speaker 4>of that has to do with the material that's being produced.

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<v Speaker 2>You know what I mean.

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<v Speaker 4>I feel like not enough of us are being inspired

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<v Speaker 4>to say, like, hey, I'm gonna write a play.

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<v Speaker 2>You know.

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<v Speaker 4>Everyone's like, yeah, you know, I wrote this movie, I

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<v Speaker 4>wrote the screenplay, but very rarely are you here, No,

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<v Speaker 4>I wrote this play, you know what I'm saying.

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<v Speaker 2>And to me, you know, I'm gonna be real.

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<v Speaker 4>I feel like a lot of plays right now I'm

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<v Speaker 4>going to the theater. Everything fucking sucks. I'm like falling asleep, you.

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<v Speaker 2>Know what i mean.

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<v Speaker 4>I'm sitting here for two hours and what you know

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<v Speaker 4>what I mean? I want to I want to have

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<v Speaker 4>an experience, you know what I mean. That's the whole

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<v Speaker 4>point of theater. That was what made it different going

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<v Speaker 4>to go see a play as supposed to going to

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<v Speaker 4>see a movie, because you knew you were gonna get.

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<v Speaker 3>An experience in experience, remember when people.

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<v Speaker 4>Were excited to see the actor spit on stage, like yo,

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<v Speaker 4>Like I could see the actors spit and like yo,

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<v Speaker 4>they they really in it, you know what I'm saying.

0:10:07.520 --> 0:10:09.079
<v Speaker 4>So for me, I was like, yo, I want to

0:10:09.120 --> 0:10:12.440
<v Speaker 4>I want to bring that essence back. So that's a

0:10:12.480 --> 0:10:14.160
<v Speaker 4>part of what I'm doing with the play. I mean,

0:10:14.480 --> 0:10:17.160
<v Speaker 4>you were there, like the audience is right there, you

0:10:17.160 --> 0:10:17.640
<v Speaker 4>know what I mean?

0:10:17.880 --> 0:10:20.079
<v Speaker 1>Because our actors played to the audience too, like when

0:10:20.120 --> 0:10:22.960
<v Speaker 1>they're toast when they chairs which, to be honest with you,

0:10:23.080 --> 0:10:25.680
<v Speaker 1>if you are at a family get together and space

0:10:25.800 --> 0:10:28.280
<v Speaker 1>is going down and they get a little crazy, everybody

0:10:28.360 --> 0:10:30.440
<v Speaker 1>joining in, everybody they talking about the renigga and they

0:10:30.520 --> 0:10:32.240
<v Speaker 1>talking about that. You know what I'm saying, so it

0:10:32.520 --> 0:10:36.280
<v Speaker 1>felt like that like family get together environment, which was.

0:10:36.280 --> 0:10:44.720
<v Speaker 3>Great question for you.

0:10:44.840 --> 0:10:47.600
<v Speaker 1>So you say every character in the play reminds you

0:10:47.720 --> 0:10:50.440
<v Speaker 1>of someone or based off of someone that you know.

0:10:50.559 --> 0:10:50.679
<v Speaker 2>Right.

0:10:51.120 --> 0:10:55.120
<v Speaker 1>I thought it was interesting because Spain is very synonymous almost.

0:10:55.160 --> 0:10:56.319
<v Speaker 3>I mean, I don't know if white people the white

0:10:56.320 --> 0:10:57.679
<v Speaker 3>people play Spades. Sophie.

0:10:58.080 --> 0:10:59.679
<v Speaker 2>I've met one white person.

0:11:00.320 --> 0:11:09.320
<v Speaker 1>Okay, you know what space is, Okay, I've never I

0:11:09.400 --> 0:11:11.440
<v Speaker 1>just thought about this right now and forming this question.

0:11:11.520 --> 0:11:13.880
<v Speaker 3>I've never even heard the white person even talk about space.

0:11:15.960 --> 0:11:20.319
<v Speaker 3>Never heard of space in your life? Okay.

0:11:20.360 --> 0:11:30.319
<v Speaker 1>She just left at Landa Okay, Okay, yes, so it's

0:11:30.320 --> 0:11:32.920
<v Speaker 1>oh girl, dang, we gotta bring Sophie to the play.

0:11:33.440 --> 0:11:35.240
<v Speaker 3>It would freak her out. Okay.

0:11:35.360 --> 0:11:39.160
<v Speaker 1>So okay, So Spades is it's it's a black thing.

0:11:39.679 --> 0:11:42.200
<v Speaker 1>The lead character Guild that you talked about is a

0:11:42.240 --> 0:11:45.240
<v Speaker 1>gay man in the play. I thought that that was

0:11:46.160 --> 0:11:48.680
<v Speaker 1>as a creator and a person that writes. I was like,

0:11:48.800 --> 0:11:50.040
<v Speaker 1>I don't know, because I didn't make it to the

0:11:50.120 --> 0:11:51.280
<v Speaker 1>end of the play. I was like, I don't know

0:11:51.280 --> 0:11:53.520
<v Speaker 1>if he did this on purpose, but that instantly drew

0:11:53.559 --> 0:11:57.439
<v Speaker 1>me in because I was wondering what role or what

0:11:57.480 --> 0:11:59.760
<v Speaker 1>conversations do you want people to leave the play having

0:11:59.800 --> 0:12:04.000
<v Speaker 1>becau because our community sometimes shies away from anybody in

0:12:04.240 --> 0:12:08.040
<v Speaker 1>any type of community that sexuality wise, they don't accept.

0:12:08.360 --> 0:12:10.560
<v Speaker 1>So a gay male as the lead of the play,

0:12:10.880 --> 0:12:14.000
<v Speaker 1>he's very openly gay the first not to get the

0:12:14.000 --> 0:12:16.760
<v Speaker 1>story away, but he's dibbling and dabbling into you know,

0:12:16.840 --> 0:12:20.440
<v Speaker 1>the DL conversation right off writ off the rint and

0:12:20.480 --> 0:12:27.040
<v Speaker 1>I'm okay, I didn't get to that part.

0:12:27.240 --> 0:12:29.160
<v Speaker 2>Oh yea yea yea yeah, yeah, yeah, yah yaha.

0:12:28.920 --> 0:12:31.120
<v Speaker 3>Oh okay. So but see even with that, I did

0:12:31.200 --> 0:12:31.720
<v Speaker 3>see that part.

0:12:32.160 --> 0:12:34.480
<v Speaker 1>I didn't think that because so in the play basically,

0:12:34.559 --> 0:12:37.240
<v Speaker 1>for those who didn't hear the off came off camera

0:12:37.320 --> 0:12:39.600
<v Speaker 1>voice in the play, there's a point where he's talking

0:12:39.640 --> 0:12:40.959
<v Speaker 1>about his homegirl's mom.

0:12:41.640 --> 0:12:43.760
<v Speaker 3>But my gay guy friends will compliment you.

0:12:43.880 --> 0:12:44.360
<v Speaker 2>Up and down.

0:12:44.440 --> 0:12:46.719
<v Speaker 1>They don't want you though, but they the gay men

0:12:46.880 --> 0:12:51.199
<v Speaker 1>are you know they're not. There's so much personality and

0:12:51.320 --> 0:12:54.240
<v Speaker 1>characteristic there that those compliments. In the way he was

0:12:54.240 --> 0:12:56.280
<v Speaker 1>talking about her mother, I just thought it was her

0:12:56.360 --> 0:12:58.360
<v Speaker 1>homeboy just complimenting her mom because she's fine.

0:12:58.440 --> 0:13:01.199
<v Speaker 4>I mean, the nuance of that character is that like,

0:13:01.440 --> 0:13:04.120
<v Speaker 4>yes he is gay, but like he doesn't consider himself

0:13:04.200 --> 0:13:07.000
<v Speaker 4>that to him, he just likes what he likes, you

0:13:07.040 --> 0:13:07.520
<v Speaker 4>know what I mean.

0:13:07.840 --> 0:13:09.480
<v Speaker 2>It just happens to be men all the time.

0:13:09.640 --> 0:13:11.679
<v Speaker 4>Yeah, but he just likes what he likes. So for him,

0:13:11.720 --> 0:13:14.120
<v Speaker 4>it's like I could pull whoever the fuck I want

0:13:14.160 --> 0:13:14.960
<v Speaker 4>to pull, right, you know.

0:13:15.000 --> 0:13:15.480
<v Speaker 2>What I'm saying.

0:13:15.880 --> 0:13:19.560
<v Speaker 4>So that's what also gives his character that that nuance

0:13:19.760 --> 0:13:22.880
<v Speaker 4>and you know, that kind of special energy, and it

0:13:23.040 --> 0:13:25.920
<v Speaker 4>makes his character more specific and not so general, you

0:13:26.120 --> 0:13:26.559
<v Speaker 4>know what I mean.

0:13:27.120 --> 0:13:31.520
<v Speaker 3>Because Yeah, and he's a very strong likes person like you.

0:13:33.720 --> 0:13:36.480
<v Speaker 1>He resonates very well, like you feel like you know him,

0:13:36.559 --> 0:13:39.559
<v Speaker 1>you have a friend like him as a straight man.

0:13:39.840 --> 0:13:43.120
<v Speaker 1>Writing for his part though, because that was another thing too,

0:13:43.200 --> 0:13:46.520
<v Speaker 1>I'm sitting there and I'm like, you know this, I'm like,

0:13:46.880 --> 0:13:49.920
<v Speaker 1>hold on, wait, I didn't know your sexual preference at

0:13:49.920 --> 0:13:52.480
<v Speaker 1>the time, and talking to you right now, I still

0:13:52.520 --> 0:13:56.160
<v Speaker 1>don't know fully all of your sexual per Okay.

0:13:56.400 --> 0:13:57.280
<v Speaker 3>Thanks for clearing that up.

0:13:57.679 --> 0:13:59.959
<v Speaker 1>But yeah, now I'm sitting here and I'm thinking, I'm like,

0:14:00.559 --> 0:14:03.760
<v Speaker 1>as a writer, nailing that character the way that you

0:14:03.840 --> 0:14:05.679
<v Speaker 1>did as far as like what you wrote for him

0:14:06.320 --> 0:14:09.080
<v Speaker 1>was so on point as well too, and that.

0:14:09.240 --> 0:14:11.679
<v Speaker 4>Character is based off of one of my best friends

0:14:11.800 --> 0:14:15.160
<v Speaker 4>to this day. So you know, this is somebody I

0:14:15.480 --> 0:14:18.439
<v Speaker 4>hung out with. So the characters in the player about

0:14:18.440 --> 0:14:21.440
<v Speaker 4>twenty three years old, rush out of college, you know,

0:14:21.760 --> 0:14:24.560
<v Speaker 4>trying to figure it out. So during that time in

0:14:24.680 --> 0:14:26.920
<v Speaker 4>my life, you know, him and I will hang out

0:14:27.240 --> 0:14:30.760
<v Speaker 4>pretty much every day Aaron Harlem. The play where the

0:14:30.880 --> 0:14:33.600
<v Speaker 4>play takes place is five blocks from the theater gotch,

0:14:33.920 --> 0:14:35.440
<v Speaker 4>so we would.

0:14:35.720 --> 0:14:39.080
<v Speaker 2>Hang out all the time and just you know, all

0:14:39.200 --> 0:14:40.440
<v Speaker 2>kinds of shit that went down.

0:14:40.560 --> 0:14:43.440
<v Speaker 4>And he's just an interesting person. He actually lives in

0:14:43.600 --> 0:14:47.960
<v Speaker 4>London now, so but yeah, he's just this interesting person

0:14:48.040 --> 0:14:50.160
<v Speaker 4>to me, like Gay or I. He was just interesting

0:14:50.560 --> 0:14:54.120
<v Speaker 4>and I just and his philosophies were interesting. So, you know,

0:14:54.520 --> 0:14:56.760
<v Speaker 4>to write, I was able to write that character because

0:14:56.760 --> 0:14:58.880
<v Speaker 4>I've just spent so much time with him, and I

0:14:59.000 --> 0:14:59.400
<v Speaker 4>was able to.

0:14:59.640 --> 0:15:02.040
<v Speaker 3>Find why was it important for you to make him

0:15:02.200 --> 0:15:06.160
<v Speaker 3>the main Like he is the glue to the whole spade.

0:15:06.280 --> 0:15:08.400
<v Speaker 2>I consider that like the ring master, like when you

0:15:08.480 --> 0:15:10.920
<v Speaker 2>got a circus. Yeah, I consider him the ring master.

0:15:11.240 --> 0:15:13.240
<v Speaker 4>Because I just think I think I think he's just

0:15:13.480 --> 0:15:15.760
<v Speaker 4>I think he's interesting, you know what I'm saying. I

0:15:15.880 --> 0:15:20.880
<v Speaker 4>think he and I feel like you know, he may

0:15:21.000 --> 0:15:23.960
<v Speaker 4>make some people uncomfortable, which I like, but that's what

0:15:24.080 --> 0:15:25.280
<v Speaker 4>we want when we go to the theater.

0:15:25.440 --> 0:15:26.600
<v Speaker 2>We want to feel something.

0:15:26.680 --> 0:15:29.200
<v Speaker 3>But that's why I thought it was genius. That's literally

0:15:29.280 --> 0:15:29.840
<v Speaker 3>why I'm like.

0:15:31.800 --> 0:15:34.480
<v Speaker 4>When people see the first the first thing that happens

0:15:34.520 --> 0:15:36.080
<v Speaker 4>in the play throws people.

0:15:35.880 --> 0:15:40.320
<v Speaker 3>Off, like, yes, he is very much okay, living his

0:15:40.520 --> 0:15:41.160
<v Speaker 3>best life.

0:15:41.240 --> 0:15:43.440
<v Speaker 1>You know what I'm saying, He is and and but

0:15:43.800 --> 0:15:45.840
<v Speaker 1>and but That's what I'm saying by because the first

0:15:45.880 --> 0:15:48.640
<v Speaker 1>I swear, the first thing I thought of is like, ooh,

0:15:48.760 --> 0:15:50.360
<v Speaker 1>the auntie is gonna have a field day with this

0:15:50.440 --> 0:15:52.320
<v Speaker 1>one when they come, because they love to play spades.

0:15:52.520 --> 0:15:56.080
<v Speaker 1>But certain conversations you just not having with your aunties

0:15:56.080 --> 0:15:59.360
<v Speaker 1>and uncles if you are black male. Honestly, not even

0:15:59.400 --> 0:16:02.720
<v Speaker 1>just a male. I have female cousins who are also

0:16:02.960 --> 0:16:05.280
<v Speaker 1>gay that have had a hard time to explain any

0:16:05.280 --> 0:16:06.480
<v Speaker 1>things to our family exactly.

0:16:06.480 --> 0:16:07.080
<v Speaker 3>You know what I'm saying.

0:16:07.320 --> 0:16:10.440
<v Speaker 4>And I think the beautiful thing about his character is

0:16:10.520 --> 0:16:13.960
<v Speaker 4>that I honestly feel like it for people to come

0:16:14.040 --> 0:16:16.800
<v Speaker 4>see it who aren't used to like maybe hanging out

0:16:16.840 --> 0:16:19.200
<v Speaker 4>with people in that crowd or whatever, I think it

0:16:19.600 --> 0:16:22.640
<v Speaker 4>kind of gives them a different perspective that could be

0:16:22.880 --> 0:16:23.720
<v Speaker 4>or what that could look like.

0:16:23.920 --> 0:16:27.120
<v Speaker 2>Because his character's hilarious. He's fucking hilarious, you know.

0:16:27.120 --> 0:16:27.480
<v Speaker 1>What I mean.

0:16:28.000 --> 0:16:31.000
<v Speaker 4>So to have that and then to have the character Corey,

0:16:31.200 --> 0:16:33.360
<v Speaker 4>who you know, is a best friend of his. They

0:16:33.400 --> 0:16:36.320
<v Speaker 4>grew up in DC together, so they have that rapport,

0:16:36.640 --> 0:16:38.280
<v Speaker 4>and you got Andre, Andre is.

0:16:38.640 --> 0:16:42.640
<v Speaker 3>You know, is God blessing. Andre is one of the

0:16:42.760 --> 0:16:43.800
<v Speaker 3>characters in the play, y'all.

0:16:43.840 --> 0:16:46.280
<v Speaker 1>I was sitting there and I'm like, I'm so glad

0:16:46.400 --> 0:16:49.400
<v Speaker 1>that I met people like Andre when I was sixteen

0:16:49.600 --> 0:16:51.960
<v Speaker 1>and not at thirty three, because he is just out here,

0:16:52.120 --> 0:16:53.720
<v Speaker 1>just doing whatever comes his way.

0:16:54.080 --> 0:16:55.600
<v Speaker 2>So Andre is based off of me.

0:16:56.000 --> 0:16:58.960
<v Speaker 3>Oh god, lord, you got yourself together there.

0:16:59.360 --> 0:17:01.480
<v Speaker 4>Yeah, this is my younger days. Okay, this is me

0:17:01.640 --> 0:17:04.159
<v Speaker 4>or my younger days. But yeah, the character is based

0:17:04.200 --> 0:17:08.119
<v Speaker 4>off of me, you know, yeah, the characters based off

0:17:08.160 --> 0:17:10.080
<v Speaker 4>of me. The character Corey is based off of an

0:17:10.520 --> 0:17:13.960
<v Speaker 4>X of mine, a couple of exes of mine, kind.

0:17:13.840 --> 0:17:14.280
<v Speaker 2>Of in one.

0:17:15.200 --> 0:17:17.800
<v Speaker 4>The character net for Titty, who's the friend that comes

0:17:17.840 --> 0:17:20.600
<v Speaker 4>in and stirs the possion, is based off of somebody who.

0:17:20.520 --> 0:17:21.200
<v Speaker 2>I used to date.

0:17:21.800 --> 0:17:22.520
<v Speaker 3>Is the situation.

0:17:23.160 --> 0:17:24.639
<v Speaker 1>I can't I don't even know how to ask this?

0:17:25.359 --> 0:17:29.000
<v Speaker 1>How are the situations based off of real situations too?

0:17:29.400 --> 0:17:34.720
<v Speaker 2>Yes? I really in the play? Yeah, virginity thing, we

0:17:34.840 --> 0:17:36.520
<v Speaker 2>can take that out. You take that out. I don't

0:17:36.520 --> 0:17:37.360
<v Speaker 2>want to give away.

0:17:37.119 --> 0:17:39.040
<v Speaker 3>To I can't get we can't. Y'all gotta go see

0:17:39.080 --> 0:17:39.400
<v Speaker 3>the play.

0:17:39.480 --> 0:17:41.800
<v Speaker 1>So, knowing that this is all based off of like

0:17:42.000 --> 0:17:44.480
<v Speaker 1>real life things, I mean, it felt real, but it

0:17:45.240 --> 0:17:48.480
<v Speaker 1>adds to it. Have any of these people seen the play,

0:17:48.600 --> 0:17:50.280
<v Speaker 1>like the people that you've based it off of. Have

0:17:50.400 --> 0:17:54.359
<v Speaker 1>they seen the play? And reactions? Especially the ex girlfriends?

0:17:55.119 --> 0:17:57.680
<v Speaker 2>My ex girlfriend has not seen the play?

0:17:57.960 --> 0:17:59.719
<v Speaker 3>Is this the ex girlfriend that's also on TV right now?

0:17:59.840 --> 0:17:59.879
<v Speaker 2>No?

0:18:00.200 --> 0:18:03.040
<v Speaker 4>Okay, no, but I'm sure she'd be triggered by it

0:18:03.119 --> 0:18:07.000
<v Speaker 4>if she saw it too. But no, they have not

0:18:07.480 --> 0:18:09.399
<v Speaker 4>seen the play. Nor do I think they want to

0:18:09.440 --> 0:18:11.320
<v Speaker 4>see the play. I mean the X that is based

0:18:11.359 --> 0:18:14.320
<v Speaker 4>off of She still still does not.

0:18:14.400 --> 0:18:15.439
<v Speaker 2>Fuck with me to this day.

0:18:15.600 --> 0:18:18.600
<v Speaker 4>Wow, So you know, I don't think she's gonna see

0:18:18.640 --> 0:18:20.280
<v Speaker 4>the player, at least not this production.

0:18:20.680 --> 0:18:21.760
<v Speaker 2>Maybe another production.

0:18:22.280 --> 0:18:24.679
<v Speaker 1>The show your exison isn't Belair because Belair is only

0:18:24.720 --> 0:18:26.720
<v Speaker 1>a season four. I've been trying to figure this out.

0:18:29.280 --> 0:18:31.119
<v Speaker 1>I'm gonna keep thinking, why you talking. I had to

0:18:31.119 --> 0:18:33.040
<v Speaker 1>look that up, like, how do I Seasons a bel Air?

0:18:33.280 --> 0:18:34.320
<v Speaker 2>Sure you probably watch it.

0:18:35.000 --> 0:18:38.960
<v Speaker 4>You seem like you might watch it, so yeah, yeah,

0:18:39.000 --> 0:18:41.320
<v Speaker 4>Andrews based off of myself. NEFFERTITTI is based off of

0:18:41.400 --> 0:18:43.879
<v Speaker 4>someone I met in La. That's another thing too, And

0:18:44.040 --> 0:18:46.200
<v Speaker 4>that's another that's a part of like the journey in

0:18:46.320 --> 0:18:49.160
<v Speaker 4>writing it. When I first wrote neffer Titty, I didn't

0:18:49.160 --> 0:18:51.159
<v Speaker 4>spend that much time in La, so I wasn't as

0:18:51.320 --> 0:18:54.680
<v Speaker 4>familiar with La culture and people like that. So when

0:18:54.720 --> 0:18:56.920
<v Speaker 4>I was living in La, I was able to develop

0:18:57.000 --> 0:18:58.439
<v Speaker 4>that character more, you know.

0:18:58.440 --> 0:19:00.680
<v Speaker 2>What I mean. I remember meeting somebody out in La

0:19:00.760 --> 0:19:02.520
<v Speaker 2>and I was like as soon as I saw her,

0:19:02.560 --> 0:19:04.680
<v Speaker 2>I was like, that's.

0:19:06.359 --> 0:19:11.360
<v Speaker 4>That's right there, so you know that kind of date

0:19:11.400 --> 0:19:14.960
<v Speaker 4>and her kind of added some details and stuff like that.

0:19:16.720 --> 0:19:23.080
<v Speaker 3>And why is the drink of choice? Do you can? I? Yeah, Hennessy,

0:19:23.560 --> 0:19:24.880
<v Speaker 3>it's too it's Hennessy and his tailor.

0:19:26.000 --> 0:19:26.200
<v Speaker 2>Yeah.

0:19:26.359 --> 0:19:29.120
<v Speaker 1>Because we didn't have a run with cosmigos in the community.

0:19:29.760 --> 0:19:32.119
<v Speaker 1>Patron had us in the cold sorak. But maybe you

0:19:32.160 --> 0:19:33.840
<v Speaker 1>can't do with boys you're not allowed to beat them

0:19:33.920 --> 0:19:39.040
<v Speaker 1>no more? Like is there a creative answer to that? Question,

0:19:39.160 --> 0:19:40.879
<v Speaker 1>or did you just pick those because that's what niggas

0:19:40.880 --> 0:19:41.119
<v Speaker 1>be doing.

0:19:41.240 --> 0:19:43.560
<v Speaker 2>I feel like Hennessy is such a staple in the

0:19:43.600 --> 0:19:44.320
<v Speaker 2>black community.

0:19:44.400 --> 0:19:46.800
<v Speaker 4>Yeah, when you pull that handy out, you know what

0:19:46.960 --> 0:19:49.000
<v Speaker 4>time it is? Yeah, I'm saying, like, you know what

0:19:49.200 --> 0:19:52.120
<v Speaker 4>time it is? And then tailorport. I feel like there's

0:19:52.119 --> 0:19:53.560
<v Speaker 4>another staple in our community.

0:19:53.760 --> 0:19:56.800
<v Speaker 1>It's having a run right now with really yeah. Oh

0:19:56.920 --> 0:19:58.840
<v Speaker 1>all summer they've been doing teleports.

0:20:00.320 --> 0:20:00.399
<v Speaker 3>Yo.

0:20:02.040 --> 0:20:04.640
<v Speaker 4>But it's you know, it's known to be this cheap,

0:20:04.720 --> 0:20:08.200
<v Speaker 4>delicious wine. It tastes like juice, but that shit'll fuck

0:20:08.320 --> 0:20:11.200
<v Speaker 4>you up, you know what I'm saying. So, and I

0:20:11.280 --> 0:20:14.520
<v Speaker 4>think it also plays I use that because it plays

0:20:14.560 --> 0:20:17.480
<v Speaker 4>to like her age. She's young, you don't know any

0:20:18.440 --> 0:20:21.560
<v Speaker 4>refined wines or anything like that, but she's boozy enough

0:20:21.640 --> 0:20:23.399
<v Speaker 4>to be like, I don't drink any okay, you know

0:20:23.440 --> 0:20:24.400
<v Speaker 4>what I'm saying, Like, it's.

0:20:24.320 --> 0:20:25.320
<v Speaker 3>A certain type of girl.

0:20:26.000 --> 0:20:28.480
<v Speaker 1>So in the play, without giving it away, in the

0:20:28.520 --> 0:20:30.679
<v Speaker 1>Spades game, you know, you have your drinks going, your

0:20:30.720 --> 0:20:33.920
<v Speaker 1>food going, and those were the drinks of choice.

0:20:33.640 --> 0:20:37.040
<v Speaker 3>Which they leaned a lot on as tools in the play.

0:20:37.160 --> 0:20:39.760
<v Speaker 1>So I was wondering, like, is that a creative thing

0:20:39.920 --> 0:20:41.840
<v Speaker 1>or just because that's what we've been doing, so you know,

0:20:42.000 --> 0:20:42.440
<v Speaker 1>thinks for that.

0:20:42.760 --> 0:20:46.080
<v Speaker 4>In earlier versions it was Moscato because that's I feel

0:20:46.080 --> 0:20:47.280
<v Speaker 4>like Moscato's another.

0:20:47.119 --> 0:20:51.080
<v Speaker 2>Like the chink, Yeah yeah, you know wine.

0:20:51.520 --> 0:20:53.520
<v Speaker 4>But I was like, let me do the tailorport because

0:20:54.960 --> 0:20:57.399
<v Speaker 4>I've had tail report and I know that thing that

0:20:57.520 --> 0:20:58.520
<v Speaker 4>should fuck you up.

0:20:58.880 --> 0:21:01.600
<v Speaker 3>Well, people go ahead. No good when people come and

0:21:01.720 --> 0:21:02.760
<v Speaker 3>see the play.

0:21:04.400 --> 0:21:06.760
<v Speaker 1>When it's done and it's over, and they walk away

0:21:06.800 --> 0:21:08.880
<v Speaker 1>and in their cars and they lick because they didn't

0:21:08.880 --> 0:21:10.720
<v Speaker 1>had a good time there, right, y'all a good time?

0:21:11.440 --> 0:21:13.399
<v Speaker 3>What conversation do you want them to have?

0:21:15.200 --> 0:21:18.040
<v Speaker 4>I mean one, I want them, you know, I want

0:21:18.520 --> 0:21:21.320
<v Speaker 4>the experience of being there and seeing the show. I

0:21:21.400 --> 0:21:24.240
<v Speaker 4>want that to kind of resonate with them because to me,

0:21:24.359 --> 0:21:26.760
<v Speaker 4>I feel like I'm bringing back what theater used to

0:21:26.880 --> 0:21:27.280
<v Speaker 4>feel like.

0:21:27.760 --> 0:21:29.000
<v Speaker 2>They used to feel like going to.

0:21:29.040 --> 0:21:30.840
<v Speaker 4>The theater, you know what I mean, you got an

0:21:30.880 --> 0:21:33.960
<v Speaker 4>experience and like I remember back in the day, like

0:21:34.040 --> 0:21:37.760
<v Speaker 4>going to like something underground or like off Broadway was

0:21:37.840 --> 0:21:40.959
<v Speaker 4>like that's where the real work and the magic was happening.

0:21:41.400 --> 0:21:43.439
<v Speaker 4>So for me, it's like I'm bringing people up to Hallow,

0:21:43.720 --> 0:21:44.960
<v Speaker 4>you know what I mean? Yo, We're not even on

0:21:45.080 --> 0:21:46.960
<v Speaker 4>Broadway with it. We up on one hundred and twenty

0:21:47.000 --> 0:21:48.080
<v Speaker 4>fifth right in the heart of it.

0:21:48.600 --> 0:21:49.920
<v Speaker 2>And it's not like a tradition.

0:21:50.080 --> 0:21:53.119
<v Speaker 4>It's not a theater technically, it's just this really dope space,

0:21:53.280 --> 0:21:56.840
<v Speaker 4>the spot that we use and create and created this

0:21:56.920 --> 0:21:58.560
<v Speaker 4>story out of, you know what I'm saying. So like

0:21:58.720 --> 0:22:01.800
<v Speaker 4>people come in and like the play's happening here. Yes

0:22:01.880 --> 0:22:05.200
<v Speaker 4>it is, you know what I'm saying. So to me,

0:22:05.359 --> 0:22:07.800
<v Speaker 4>it's like I want them to leave with that experience.

0:22:08.720 --> 0:22:11.040
<v Speaker 4>I hope that, you know, they could relate to somebody

0:22:11.080 --> 0:22:12.680
<v Speaker 4>in this play. I feel like there's at least one

0:22:12.760 --> 0:22:14.480
<v Speaker 4>character in this play you can relate.

0:22:14.240 --> 0:22:15.440
<v Speaker 2>To, you know what I'm saying.

0:22:15.720 --> 0:22:18.880
<v Speaker 4>And yeah, and I hope it inspires people to want

0:22:18.920 --> 0:22:21.760
<v Speaker 4>to write their own plays. I want people to be inspired,

0:22:22.080 --> 0:22:23.760
<v Speaker 4>you know what I'm saying. I want people to realize.

0:22:23.840 --> 0:22:28.040
<v Speaker 4>And I also want people black people specifically to understand, like, Yo,

0:22:28.119 --> 0:22:30.680
<v Speaker 4>we don't have to wait on them to make stuff.

0:22:30.960 --> 0:22:32.639
<v Speaker 2>We can make the shit ourselves.

0:22:32.320 --> 0:22:34.239
<v Speaker 3>Based off of things we literally just do all day

0:22:34.280 --> 0:22:35.760
<v Speaker 3>long in real life anyway.

0:22:35.600 --> 0:22:37.760
<v Speaker 4>Exactly, you know what I mean, Like shout out to

0:22:37.880 --> 0:22:40.720
<v Speaker 4>my team and like everybody that's working with me on this,

0:22:40.920 --> 0:22:42.960
<v Speaker 4>Like these are all people I love, all people that

0:22:43.600 --> 0:22:45.640
<v Speaker 4>you know, Like I couldn't do this without.

0:22:45.359 --> 0:22:48.359
<v Speaker 2>Them, you know what I'm saying. And it takes a village.

0:22:48.640 --> 0:22:50.440
<v Speaker 2>As they say, teamwork makes the dream work.

0:22:58.240 --> 0:23:00.960
<v Speaker 3>And then talk about you know, just you're talking about

0:23:00.960 --> 0:23:01.600
<v Speaker 3>taking a village.

0:23:02.320 --> 0:23:04.119
<v Speaker 1>So we did all of the kind of like the

0:23:04.200 --> 0:23:07.680
<v Speaker 1>context of your backstory, how has everything that you've been through,

0:23:07.800 --> 0:23:10.960
<v Speaker 1>the people that you've met come into this moment of

0:23:11.560 --> 0:23:13.960
<v Speaker 1>spades right now, because like I said, I walked in

0:23:14.000 --> 0:23:15.840
<v Speaker 1>the first one and I'm like, that's gal Bean, Like

0:23:15.920 --> 0:23:17.600
<v Speaker 1>you know what I'm saying, And that's a big name

0:23:17.800 --> 0:23:19.680
<v Speaker 1>to have attached to a slag. You're a big name

0:23:19.720 --> 0:23:22.040
<v Speaker 1>as well, but you know it was I mean face

0:23:22.119 --> 0:23:24.920
<v Speaker 1>recognition you instantly, like you know, and that helps to

0:23:25.400 --> 0:23:28.680
<v Speaker 1>put your project in certain conversations because she has fans.

0:23:28.520 --> 0:23:31.280
<v Speaker 4>Exactly, I mean shout out to Gail, thank you. I

0:23:31.359 --> 0:23:33.879
<v Speaker 4>mean the story about how that she wasn't who I

0:23:34.000 --> 0:23:37.360
<v Speaker 4>had originally for that reading, the girl I had originally

0:23:37.440 --> 0:23:39.120
<v Speaker 4>had to pull out, and she kind of pulled.

0:23:38.920 --> 0:23:40.560
<v Speaker 2>Out last minute, So I was at it. I was

0:23:40.640 --> 0:23:42.560
<v Speaker 2>in a pit goal, but.

0:23:42.960 --> 0:23:45.760
<v Speaker 4>You know, I hit up a friend of mine in

0:23:45.840 --> 0:23:49.160
<v Speaker 4>the industry who has worked with Gail. I said, look,

0:23:50.200 --> 0:23:52.080
<v Speaker 4>I think Gail would be good for this role. I

0:23:52.200 --> 0:23:54.280
<v Speaker 4>think she lives in New York from what I see

0:23:54.320 --> 0:23:58.480
<v Speaker 4>on Instagram. You mind reaching out to her and you

0:23:58.520 --> 0:24:01.040
<v Speaker 4>know what I'm saying, And she reached out. I mean

0:24:01.119 --> 0:24:04.399
<v Speaker 4>the person I called to reach out to her. She

0:24:05.480 --> 0:24:08.119
<v Speaker 4>makes things happens because people have a lot of respect

0:24:08.160 --> 0:24:10.479
<v Speaker 4>for her as to why. So I knew hitting her

0:24:10.640 --> 0:24:14.680
<v Speaker 4>up to hit up Gail was just gonna expedite Tasha Smith.

0:24:15.800 --> 0:24:18.160
<v Speaker 2>Tasha need to come see the play. I met Tasha

0:24:18.200 --> 0:24:19.840
<v Speaker 2>a few months ago. She needed to come see the play.

0:24:19.880 --> 0:24:20.320
<v Speaker 2>She would love it.

0:24:20.359 --> 0:24:22.440
<v Speaker 1>Tasha Smith was, which is so random because like we

0:24:22.480 --> 0:24:24.080
<v Speaker 1>didn't even really know each other like that. It was

0:24:24.160 --> 0:24:26.080
<v Speaker 1>just like, you know, you meet good people in passing.

0:24:26.359 --> 0:24:28.879
<v Speaker 1>When I was trying to figure out leaving LA, I

0:24:29.160 --> 0:24:31.760
<v Speaker 1>randomly called her. She couldn't She didn't answer, but she

0:24:31.880 --> 0:24:34.080
<v Speaker 1>texted me and was like, Hey, everything okay. And I

0:24:34.160 --> 0:24:36.080
<v Speaker 1>texted her and said, I'm about to quit my job

0:24:36.200 --> 0:24:37.960
<v Speaker 1>and move from LA. I just wanted to get some

0:24:38.080 --> 0:24:40.720
<v Speaker 1>advice from somebody that's actually working and doing all the

0:24:40.840 --> 0:24:43.040
<v Speaker 1>things I want to do. And she sent me a

0:24:43.119 --> 0:24:45.040
<v Speaker 1>voice no, and that voice note had me crying And

0:24:45.040 --> 0:24:46.520
<v Speaker 1>the next day I quit my job and moved her.

0:24:47.119 --> 0:24:49.480
<v Speaker 2>You see, but you took the leak. Yeah, but the league.

0:24:49.520 --> 0:24:52.480
<v Speaker 1>But I'm saying she's the person that, like I mentioned

0:24:52.560 --> 0:24:55.760
<v Speaker 1>that because I know that like Gail did Harlem, and

0:24:55.960 --> 0:24:58.240
<v Speaker 1>you know Tasha Smith is working on well was working

0:24:58.280 --> 0:24:59.320
<v Speaker 1>with Harlem and all the things.

0:24:59.359 --> 0:25:01.320
<v Speaker 3>But you talk about getting her.

0:25:01.280 --> 0:25:03.359
<v Speaker 1>To that play like, she's the type that will come

0:25:03.400 --> 0:25:05.480
<v Speaker 1>out to that play, talk about that play like, and

0:25:05.640 --> 0:25:07.680
<v Speaker 1>that's one of the things that I love about what

0:25:07.760 --> 0:25:09.479
<v Speaker 1>you're doing and the reason why I'm like, all right,

0:25:10.040 --> 0:25:12.040
<v Speaker 1>I might can only come for like thirty forty minutes,

0:25:12.040 --> 0:25:13.480
<v Speaker 1>but I'm gonna come it. Text me an hour to

0:25:13.520 --> 0:25:14.960
<v Speaker 1>get there, but I'm gonna come because I want to

0:25:14.960 --> 0:25:18.880
<v Speaker 1>support it. Is because I understand that if what we're

0:25:18.920 --> 0:25:21.600
<v Speaker 1>doing right now, that's how people find out about it,

0:25:21.680 --> 0:25:24.240
<v Speaker 1>that's how your play gets to wherever theaters you want

0:25:24.280 --> 0:25:26.680
<v Speaker 1>it to go. Just the eyes gets the financial support

0:25:27.040 --> 0:25:30.639
<v Speaker 1>all it does take community and had your resources. But

0:25:30.760 --> 0:25:32.680
<v Speaker 1>we gotta be like the Tasha Smith's of the world,

0:25:32.720 --> 0:25:35.080
<v Speaker 1>who we will pick up the phone and call, will

0:25:35.119 --> 0:25:37.720
<v Speaker 1>come out. We'll talk about it like that's like so

0:25:37.960 --> 0:25:41.480
<v Speaker 1>big for me, and I think what you do, y'all

0:25:41.680 --> 0:25:44.040
<v Speaker 1>need it because theater is it's not the thing that

0:25:44.080 --> 0:25:45.920
<v Speaker 1>people like run and yell about exactly.

0:25:46.040 --> 0:25:48.440
<v Speaker 4>I mean because also too, it's like, as I said,

0:25:48.480 --> 0:25:51.600
<v Speaker 4>I think it's another example of like people are more

0:25:51.680 --> 0:25:54.240
<v Speaker 4>concerned with the glitz and the glam. You know, folks

0:25:54.320 --> 0:25:56.240
<v Speaker 4>want to be on Broadway and all this other shit.

0:25:56.359 --> 0:26:00.240
<v Speaker 4>That's cool, but what's the work that's being produced. I'm

0:26:00.240 --> 0:26:02.760
<v Speaker 4>sitting in these plays and I'm like, Yo, this is whack.

0:26:03.160 --> 0:26:05.120
<v Speaker 4>On top of that, I'm tired of seeing the same

0:26:05.200 --> 0:26:06.200
<v Speaker 4>actors all the time.

0:26:06.920 --> 0:26:09.359
<v Speaker 2>Why can't we get new faces? You know what I'm saying.

0:26:09.400 --> 0:26:11.600
<v Speaker 2>There's other people who are just as hungry, who are

0:26:11.680 --> 0:26:14.720
<v Speaker 2>just as talented, if not more. They just need the opportunity,

0:26:15.000 --> 0:26:16.760
<v Speaker 2>you know what I'm saying. That was something I did.

0:26:17.280 --> 0:26:20.000
<v Speaker 4>That was something I was very conscious about in casting this.

0:26:20.160 --> 0:26:22.920
<v Speaker 4>I wanted brand new faces. I don't want to see

0:26:23.000 --> 0:26:26.560
<v Speaker 4>the same all the time. These are all people I

0:26:26.720 --> 0:26:30.280
<v Speaker 4>know because I'm in the industry with them. I'm tired

0:26:30.320 --> 0:26:32.880
<v Speaker 4>of seeing, y'all. I want new faces to help bring

0:26:32.960 --> 0:26:34.680
<v Speaker 4>this story to life, you know what I'm saying.

0:26:34.720 --> 0:26:37.760
<v Speaker 2>Because instead of people coming and be like, oh that's

0:26:37.800 --> 0:26:39.480
<v Speaker 2>so and so. I want people. Oh that's guilt.

0:26:39.720 --> 0:26:41.280
<v Speaker 4>Oh that's core, you know what I mean, Like I

0:26:41.359 --> 0:26:43.480
<v Speaker 4>want because to me, I feel like that helps the

0:26:43.640 --> 0:26:46.560
<v Speaker 4>character resonate even more, you know what I'm saying.

0:26:46.960 --> 0:26:49.119
<v Speaker 2>So you know, for me, it's just kind of like

0:26:49.600 --> 0:26:52.919
<v Speaker 2>we just need, like we need to shake things up

0:26:52.960 --> 0:26:56.359
<v Speaker 2>a bit right now because it's too stale. It's too stale.

0:26:56.440 --> 0:27:00.520
<v Speaker 4>Everybody just wants the accolade. But what's the product? What's

0:27:00.560 --> 0:27:03.600
<v Speaker 4>the story that you're telling? What's the experience that we're getting,

0:27:04.119 --> 0:27:07.000
<v Speaker 4>you know what I mean? Besides, hey, I was there,

0:27:07.040 --> 0:27:09.200
<v Speaker 4>and so and so from so and so was in it,

0:27:09.240 --> 0:27:10.439
<v Speaker 4>and I took a picture with them.

0:27:10.600 --> 0:27:12.840
<v Speaker 2>But what's the story. What was the play about? I

0:27:12.880 --> 0:27:14.439
<v Speaker 2>don't remember. I fell asleep, you know what.

0:27:14.440 --> 0:27:16.480
<v Speaker 4>I'm saying, Like I want to if I'm coming to

0:27:16.520 --> 0:27:18.800
<v Speaker 4>the theater, I will tell you a story like move me,

0:27:19.080 --> 0:27:23.760
<v Speaker 4>you know what I mean. Something So I'm I want

0:27:23.800 --> 0:27:26.280
<v Speaker 4>to bring that back. And I want to travel with this,

0:27:26.520 --> 0:27:28.400
<v Speaker 4>like New York is not the one and the only stop.

0:27:28.440 --> 0:27:30.359
<v Speaker 4>I want to take this all over the country.

0:27:30.400 --> 0:27:33.359
<v Speaker 3>I know, Atlanta, Sophie said, Atlanta.

0:27:33.080 --> 0:27:34.600
<v Speaker 2>Oh, I know they're gonna eat it up Atlanta.

0:27:34.720 --> 0:27:39.520
<v Speaker 3>Look, Sophie told us, Oh, oh, they're gonna eat it up.

0:27:42.280 --> 0:27:44.560
<v Speaker 3>Oh no, Sophie, we know I had some.

0:27:44.680 --> 0:27:47.719
<v Speaker 2>People auditioned from Atlanta, send audition tapes from Atlanta.

0:27:47.760 --> 0:27:49.280
<v Speaker 1>I mean, but that's a black mecca. So that's like

0:27:49.320 --> 0:27:53.960
<v Speaker 1>a duve, you know what I'm saying. Atlanta, DC, Chocolate City,

0:27:54.880 --> 0:27:56.160
<v Speaker 1>Chicago would do well.

0:27:56.359 --> 0:27:57.560
<v Speaker 2>Icago eat it up to that.

0:27:57.720 --> 0:27:59.840
<v Speaker 3>I went to Chicago recently and I was like, this

0:28:00.200 --> 0:28:02.000
<v Speaker 3>is Atlanta, Like it's so black.

0:28:02.720 --> 0:28:04.560
<v Speaker 1>I was in the Soho House in Chicago and it

0:28:04.680 --> 0:28:09.560
<v Speaker 1>was black people, and like I was, I was because

0:28:09.560 --> 0:28:12.040
<v Speaker 1>you hear the complete like not that you don't hear

0:28:12.080 --> 0:28:13.800
<v Speaker 1>that black people are in Chicago, but you only hear

0:28:13.800 --> 0:28:16.119
<v Speaker 1>about the bad things happening with black people when it

0:28:16.160 --> 0:28:18.399
<v Speaker 1>comes to Chicago, at least on a media level for

0:28:18.560 --> 0:28:20.560
<v Speaker 1>me and what I do. So when I went there

0:28:20.640 --> 0:28:22.560
<v Speaker 1>and I'm seeing all these black people in the Soho

0:28:22.640 --> 0:28:25.719
<v Speaker 1>House and you know, it's just vibes and people are

0:28:25.800 --> 0:28:28.640
<v Speaker 1>happy and you know they're I was just like, yes,

0:28:28.800 --> 0:28:30.760
<v Speaker 1>like it felt like I was in Atlanta. It felt

0:28:30.800 --> 0:28:33.240
<v Speaker 1>like I was in Atlanta where you walk outside and

0:28:33.400 --> 0:28:35.320
<v Speaker 1>like black is royalty.

0:28:35.600 --> 0:28:41.120
<v Speaker 2>I'll tell you what my dream city is Oh, yes,

0:28:43.080 --> 0:28:45.240
<v Speaker 2>New Orleans is my favorite city in the world. Yes,

0:28:45.720 --> 0:28:47.760
<v Speaker 2>I would love New Orleans.

0:28:48.720 --> 0:28:51.760
<v Speaker 4>I think it'll happen because you know, New Orleans doesn't

0:28:51.760 --> 0:28:54.160
<v Speaker 4>have a theater scene like that, which is which is.

0:28:54.160 --> 0:28:54.640
<v Speaker 3>Crazy to me.

0:28:55.840 --> 0:28:59.080
<v Speaker 1>Yeah, all of their like the band like front line

0:28:59.080 --> 0:29:02.400
<v Speaker 1>stuff that they do is music and the costuming.

0:29:02.040 --> 0:29:04.320
<v Speaker 4>And you know what it is, It's because New Orleans

0:29:04.400 --> 0:29:08.000
<v Speaker 4>is a theatric is a theatrical experience in itself, just

0:29:08.080 --> 0:29:11.400
<v Speaker 4>being in the city, the food. So New Orleans is

0:29:11.480 --> 0:29:14.000
<v Speaker 4>my dream city because you know, as I said, like

0:29:14.080 --> 0:29:15.680
<v Speaker 4>they don't have a theater scene out there, and I

0:29:15.800 --> 0:29:19.240
<v Speaker 4>think this place specifically they would, oh they would eat

0:29:19.280 --> 0:29:22.640
<v Speaker 4>it up. On top of that, what you know, what

0:29:22.760 --> 0:29:24.760
<v Speaker 4>we want to do is like every city we go to,

0:29:24.880 --> 0:29:27.240
<v Speaker 4>we want to like cater to like that city, you

0:29:27.280 --> 0:29:29.120
<v Speaker 4>know what I mean. So like you know how we

0:29:29.240 --> 0:29:31.960
<v Speaker 4>have the Sunday brunches here, Yeah, you know, we'll do

0:29:32.080 --> 0:29:33.960
<v Speaker 4>that in New Orleans and say, like we'll have you know,

0:29:34.040 --> 0:29:36.120
<v Speaker 4>we'll bring in a band, you know, because they're big

0:29:36.240 --> 0:29:38.440
<v Speaker 4>on that second line and all that type of stuff.

0:29:38.680 --> 0:29:42.320
<v Speaker 2>And imagine the food in New Orleans. Imagine the food

0:29:42.840 --> 0:29:44.680
<v Speaker 2>in New Orleans. You know what I'm saying.

0:29:44.960 --> 0:29:47.600
<v Speaker 3>So what do you need to make that happen? Like money?

0:29:48.760 --> 0:29:49.680
<v Speaker 3>Exactly simple?

0:29:49.720 --> 0:29:52.360
<v Speaker 1>As well, how can the people, you know, our community

0:29:52.440 --> 0:29:53.880
<v Speaker 1>here at the Ladies with one of the rosa it

0:29:53.920 --> 0:29:56.200
<v Speaker 1>is called the Low Riders. On the audio side, we

0:29:56.360 --> 0:29:59.320
<v Speaker 1>have five million people. That was like a few months ago,

0:29:59.360 --> 0:30:02.280
<v Speaker 1>so we probably will well over that. The visual side,

0:30:02.560 --> 0:30:05.560
<v Speaker 1>we're here, this is new our home in our studio.

0:30:06.040 --> 0:30:10.200
<v Speaker 1>So to all the people listening, anyone watching, how what.

0:30:10.240 --> 0:30:10.880
<v Speaker 2>Do you mean?

0:30:11.000 --> 0:30:13.200
<v Speaker 4>For one, if you're in New York, if you if

0:30:13.240 --> 0:30:15.320
<v Speaker 4>you if you are in New York City, come see

0:30:15.360 --> 0:30:18.040
<v Speaker 4>the play. Just first and foremost, just come see the play,

0:30:18.160 --> 0:30:21.400
<v Speaker 4>come experience it, so that at least you know what

0:30:21.640 --> 0:30:24.800
<v Speaker 4>you're putting your dollars into and you know now and

0:30:24.880 --> 0:30:27.320
<v Speaker 4>then you can relate to what we're talking about. We have,

0:30:27.720 --> 0:30:29.760
<v Speaker 4>you know, we have a donation link if people want

0:30:29.760 --> 0:30:33.480
<v Speaker 4>to donate. But I think first and foremost, I just

0:30:33.520 --> 0:30:36.000
<v Speaker 4>want people to come see it. Come see it, come

0:30:36.160 --> 0:30:38.680
<v Speaker 4>experience it, you know what I mean, Because I think

0:30:38.760 --> 0:30:41.320
<v Speaker 4>that will help with moving people to want to do it.

0:30:41.600 --> 0:30:43.640
<v Speaker 4>Because then also to I get it, the economy is

0:30:43.760 --> 0:30:46.840
<v Speaker 4>real fed up, right, it's up, But we need joy too,

0:30:46.880 --> 0:30:49.959
<v Speaker 4>that we need the great do you need you? That's

0:30:49.960 --> 0:30:52.960
<v Speaker 4>why Sunday brunches are my favorite days because it's just pure.

0:30:54.200 --> 0:30:55.800
<v Speaker 2>Family, you know what I mean. You come in.

0:30:56.000 --> 0:30:59.040
<v Speaker 4>We have a different DJ every week. His on has

0:30:59.200 --> 0:31:01.560
<v Speaker 4>been our food. Ok to her, she's been killing it

0:31:01.680 --> 0:31:02.280
<v Speaker 4>with the food.

0:31:02.560 --> 0:31:03.400
<v Speaker 2>People do they eat?

0:31:03.520 --> 0:31:05.640
<v Speaker 3>They eat in the space that we were in. Yeah,

0:31:05.720 --> 0:31:07.240
<v Speaker 3>and what there's on tables.

0:31:08.360 --> 0:31:10.120
<v Speaker 2>On the second floor. We got table set up and

0:31:10.200 --> 0:31:11.640
<v Speaker 2>everything you eat.

0:31:12.000 --> 0:31:15.440
<v Speaker 4>It's a it's a four to twenty friendly space, so

0:31:15.520 --> 0:31:17.720
<v Speaker 4>you know, you get your smoke on too, you know

0:31:17.760 --> 0:31:20.360
<v Speaker 4>what I'm saying. We have drinks, you know what I mean.

0:31:20.480 --> 0:31:22.640
<v Speaker 4>Everything is everything that you need to have a good time.

0:31:22.680 --> 0:31:25.560
<v Speaker 4>It's provided for you. Shout out to our whost Sarah. Sarah,

0:31:25.680 --> 0:31:28.000
<v Speaker 4>you know, kind of keeps the vibs going. She's really

0:31:28.080 --> 0:31:30.040
<v Speaker 4>dope and it's just a good time. And then you

0:31:30.080 --> 0:31:32.000
<v Speaker 4>get us to watch a play after, you know what

0:31:32.040 --> 0:31:33.520
<v Speaker 4>I mean. And then after the play, if you want

0:31:33.520 --> 0:31:35.200
<v Speaker 4>to chill and play space some more, you can do

0:31:35.320 --> 0:31:36.600
<v Speaker 4>that too, you know what I mean.

0:31:36.680 --> 0:31:39.080
<v Speaker 2>It's just a good time where you could just come

0:31:39.160 --> 0:31:39.880
<v Speaker 2>and commune and.

0:31:40.040 --> 0:31:42.360
<v Speaker 4>Just you know, it's it could be a nice little

0:31:42.440 --> 0:31:45.120
<v Speaker 4>date night, little situation or a nice little yo.

0:31:45.240 --> 0:31:48.320
<v Speaker 2>Come find you, you know, come find a little you know.

0:31:48.400 --> 0:31:50.320
<v Speaker 1>They need a website, they need a website, they need

0:31:50.360 --> 0:31:52.600
<v Speaker 1>an Instagram. So how can they come to Where do

0:31:52.680 --> 0:31:54.080
<v Speaker 1>they get the tickets to come see the play?

0:31:54.920 --> 0:31:57.560
<v Speaker 2>Go to our Instagram at space to play.

0:31:58.280 --> 0:32:01.400
<v Speaker 3>All common spelling, huh, all regular spellings.

0:32:03.400 --> 0:32:06.840
<v Speaker 4>It is. Our ticket link is in the bio and

0:32:06.920 --> 0:32:08.920
<v Speaker 4>they can find it there. And yeah, you know, we're

0:32:08.960 --> 0:32:11.400
<v Speaker 4>still building. We're still building. We we are in the

0:32:12.800 --> 0:32:15.400
<v Speaker 4>beginning stages. But this is gonna grow. You know what

0:32:15.480 --> 0:32:18.320
<v Speaker 4>I'm saying, I think because also to another beautiful thing

0:32:18.440 --> 0:32:21.400
<v Speaker 4>is that this is literally the only thing of its kind.

0:32:21.920 --> 0:32:24.360
<v Speaker 2>There's no other play that revolves around the game.

0:32:25.880 --> 0:32:26.480
<v Speaker 3>I love this for you.

0:32:26.520 --> 0:32:28.440
<v Speaker 1>I'm trying to look up your ticket link so you

0:32:28.480 --> 0:32:31.000
<v Speaker 1>can share it because on the audio side, you got

0:32:31.040 --> 0:32:35.040
<v Speaker 1>people that might not be Instagram savvy, okay, so I

0:32:35.120 --> 0:32:36.280
<v Speaker 1>want to make sure that can get to you.

0:32:36.480 --> 0:32:40.000
<v Speaker 4>We're selling our tickets through posh. It's an app for

0:32:40.200 --> 0:32:42.240
<v Speaker 4>like events and stuff like that. So if you have

0:32:42.360 --> 0:32:45.280
<v Speaker 4>the app Posh, you can find us their space to play.

0:32:46.000 --> 0:32:46.520
<v Speaker 2>Same way.

0:32:48.800 --> 0:32:52.680
<v Speaker 1>Nothing else got you, got you, and we'll in the

0:32:53.400 --> 0:32:56.560
<v Speaker 1>so for everybody. Uh, you know, listening, watching whatever. We'll

0:32:56.640 --> 0:32:59.160
<v Speaker 1>have the link visually if you're watching, but if you're listening,

0:32:59.760 --> 0:33:01.200
<v Speaker 1>we'll make sure that we put the link.

0:33:01.320 --> 0:33:04.160
<v Speaker 3>I'll have it on my like Instagram, and then we'll

0:33:04.240 --> 0:33:06.080
<v Speaker 3>also try and make sure that we put it in

0:33:06.160 --> 0:33:06.560
<v Speaker 3>a description.

0:33:06.720 --> 0:33:08.560
<v Speaker 1>I don't know if it's clickable there from that though,

0:33:08.880 --> 0:33:10.200
<v Speaker 1>but if it is, I don't mind doing that for

0:33:10.280 --> 0:33:12.240
<v Speaker 1>you either, so that people can be able to But

0:33:12.280 --> 0:33:13.840
<v Speaker 1>if you're listening, just I'm gonna do this just in

0:33:13.960 --> 0:33:17.200
<v Speaker 1>case we can't link it if you're listening, Spade to

0:33:17.240 --> 0:33:20.800
<v Speaker 1>play on Instagram all common spelling, but you guys follow

0:33:20.840 --> 0:33:23.240
<v Speaker 1>me on Instagram as well. I'm Laura le Rosa everywhere,

0:33:23.320 --> 0:33:26.360
<v Speaker 1>and y'all know I'll be posting this and tagging and

0:33:26.520 --> 0:33:28.480
<v Speaker 1>all the things so that you guys can find this play.

0:33:29.000 --> 0:33:31.320
<v Speaker 1>Definitely go out and see it. Definitely bring a friend.

0:33:31.400 --> 0:33:34.080
<v Speaker 1>Definitely tell a friend. I've enjoyed the conversation.

0:33:34.440 --> 0:33:34.640
<v Speaker 4>I know.

0:33:34.880 --> 0:33:37.400
<v Speaker 1>One of my favorite things to do, as you know,

0:33:37.720 --> 0:33:42.320
<v Speaker 1>a podcaster, because we're podcasters now, y'all, it's have conversations

0:33:42.360 --> 0:33:43.840
<v Speaker 1>that I enjoy, and like I've been able to do

0:33:43.960 --> 0:33:44.480
<v Speaker 1>that through this show.

0:33:44.520 --> 0:33:45.440
<v Speaker 3>I've been blessed to be able to do that.

0:33:45.480 --> 0:33:47.760
<v Speaker 1>And I thoroughly enjoyed this conversation and hearing your journey,

0:33:48.160 --> 0:33:49.400
<v Speaker 1>and I'm proud that you kept going.

0:33:49.880 --> 0:33:50.080
<v Speaker 2>Yeah.

0:33:50.240 --> 0:33:51.040
<v Speaker 3>Are you happy now?

0:33:51.360 --> 0:33:51.560
<v Speaker 2>Yeah?

0:33:51.560 --> 0:33:54.360
<v Speaker 4>I mean yeah, I mean it's look, but there's been

0:33:54.400 --> 0:33:56.000
<v Speaker 4>a lot of moments where it was like, Yo, what

0:33:56.120 --> 0:33:56.640
<v Speaker 4>am I doing?

0:33:57.280 --> 0:33:59.800
<v Speaker 2>What am I doing? You know? God? Like what you

0:33:59.840 --> 0:34:00.719
<v Speaker 2>do to me right now?

0:34:01.200 --> 0:34:04.040
<v Speaker 4>But you know, it's just that it's that resilience to

0:34:04.240 --> 0:34:06.560
<v Speaker 4>like keep going no matter what, cause you know you're

0:34:06.560 --> 0:34:08.000
<v Speaker 4>gonna be faced with obstacles.

0:34:08.080 --> 0:34:11.360
<v Speaker 2>That's life. But that's the test. Yes, can you make it?

0:34:11.880 --> 0:34:13.319
<v Speaker 2>You know what I mean? Like, are you gonna let

0:34:13.520 --> 0:34:15.880
<v Speaker 2>so and so stop you from making it happen? You

0:34:15.960 --> 0:34:16.399
<v Speaker 2>know what I mean?

0:34:16.520 --> 0:34:19.719
<v Speaker 4>And every time I persevered, it's come through for me,

0:34:19.920 --> 0:34:22.399
<v Speaker 4>you know what I'm saying. So I already know big

0:34:22.480 --> 0:34:24.200
<v Speaker 4>things are gonna happen from this. I don't know what,

0:34:24.840 --> 0:34:27.080
<v Speaker 4>but I just know this is this is something that

0:34:27.680 --> 0:34:29.600
<v Speaker 4>I was put here to do, you know what I mean.

0:34:30.040 --> 0:34:32.759
<v Speaker 4>And that's another thing too, that in that journey I

0:34:32.880 --> 0:34:34.440
<v Speaker 4>told you about, I find it.

0:34:34.520 --> 0:34:37.239
<v Speaker 2>Allowed me to discover my purpose. You know what I'm saying.

0:34:37.280 --> 0:34:40.520
<v Speaker 4>Okay, I'm not just Marcus the actor anymore. Telling people

0:34:40.560 --> 0:34:43.200
<v Speaker 4>I'm an actor is so boring to me because it's like,

0:34:43.239 --> 0:34:45.640
<v Speaker 4>I do way more than that. Yeah, acting is my

0:34:45.920 --> 0:34:48.239
<v Speaker 4>you know, my first love and all of that, and

0:34:48.600 --> 0:34:50.680
<v Speaker 4>I could do that, it ain't going nowhere.

0:34:51.120 --> 0:34:53.239
<v Speaker 2>But I also do these other things and I have

0:34:53.320 --> 0:34:55.680
<v Speaker 2>a lot to offer. But sometimes you have to.

0:34:55.719 --> 0:34:59.239
<v Speaker 4>Put yourself out on front street in order for people

0:34:59.280 --> 0:35:01.719
<v Speaker 4>to realize that, as opposed to waiting for someone to

0:35:01.800 --> 0:35:03.960
<v Speaker 4>tell you that, because these folks ain't gonna tell you that,

0:35:04.280 --> 0:35:06.839
<v Speaker 4>they're just worried about Hey, can you audition for this thing?

0:35:07.000 --> 0:35:10.200
<v Speaker 4>You know we want to ten percent? You know what

0:35:10.239 --> 0:35:13.920
<v Speaker 4>I mean exactly yourself. You gotta bet on yourself. If

0:35:13.960 --> 0:35:16.399
<v Speaker 4>you know that you have more to offer to the world,

0:35:16.480 --> 0:35:18.839
<v Speaker 4>you have to bet on yourself because no one's gonna

0:35:18.840 --> 0:35:19.480
<v Speaker 4>want it more than you.

0:35:19.760 --> 0:35:21.040
<v Speaker 3>Yes, I agree.

0:35:21.080 --> 0:35:24.480
<v Speaker 1>Well, look, low riders, I tell you guys, every single episode,

0:35:24.600 --> 0:35:27.839
<v Speaker 1>y'all could be anywhere with anybody having these conversations and listen,

0:35:28.719 --> 0:35:30.719
<v Speaker 1>y'all choose to be here every single episode. So I

0:35:30.880 --> 0:35:34.440
<v Speaker 1>am extremely excited that you guys got to experience what

0:35:34.680 --> 0:35:37.040
<v Speaker 1>I've been able to experience in seeing space to play

0:35:37.520 --> 0:35:39.840
<v Speaker 1>and hearing from the creator Marcus calendar.

0:35:40.000 --> 0:35:40.560
<v Speaker 2>Oh so too.

0:35:41.880 --> 0:35:44.040
<v Speaker 4>I'm an ambassador of this company called you a full

0:35:44.160 --> 0:35:48.640
<v Speaker 4>rolls its rolling paper company. And what makes their product

0:35:49.280 --> 0:35:52.760
<v Speaker 4>unique as well is that the rolling paper kids.

0:35:52.600 --> 0:35:57.000
<v Speaker 2>Come with a builting grinder. Come on, now, I think

0:35:57.040 --> 0:35:57.560
<v Speaker 2>it's in here.

0:35:58.600 --> 0:36:02.120
<v Speaker 3>I don't know nothing about much, but he's very excited

0:36:02.120 --> 0:36:02.440
<v Speaker 3>about it.

0:36:02.560 --> 0:36:05.719
<v Speaker 2>So so this is so, this is the paper right here.

0:36:06.800 --> 0:36:09.880
<v Speaker 2>You know, you got your you got your papers, you

0:36:09.960 --> 0:36:13.239
<v Speaker 2>got your filters. But then on the inside, let me

0:36:13.280 --> 0:36:15.680
<v Speaker 2>see the ground. It's like there's a little mini grinder

0:36:15.840 --> 0:36:17.960
<v Speaker 2>right there. So on the go you can take your

0:36:17.960 --> 0:36:18.480
<v Speaker 2>we oh.

0:36:18.440 --> 0:36:20.400
<v Speaker 3>You still gotta do it, like yeah, okay, but like

0:36:20.520 --> 0:36:22.040
<v Speaker 3>let's get under your nails though.

0:36:22.360 --> 0:36:24.280
<v Speaker 2>But but look, it's better than nothing.

0:36:25.560 --> 0:36:27.920
<v Speaker 3>Oh it's a greater Okay, because I know grinders, you

0:36:28.040 --> 0:36:29.000
<v Speaker 3>normally like twist them.

0:36:29.160 --> 0:36:31.160
<v Speaker 2>Sometimes you'll be out You're like, damn my god.

0:36:31.360 --> 0:36:32.959
<v Speaker 3>Yeah you know what I'm saying. What's your carry?

0:36:33.000 --> 0:36:35.280
<v Speaker 2>And it comes with that, and then we have a grinder.

0:36:35.360 --> 0:36:38.359
<v Speaker 2>We do have a ground one. Okay, that's pretty special too,

0:36:38.640 --> 0:36:42.520
<v Speaker 2>got you. It's shaped like a U of fo got you. Okay,

0:36:42.880 --> 0:36:43.760
<v Speaker 2>this is our grinder.

0:36:44.880 --> 0:36:45.320
<v Speaker 3>I love that.

0:36:46.600 --> 0:36:48.759
<v Speaker 4>Got it like a little U fold shaped to it

0:36:50.160 --> 0:36:52.560
<v Speaker 4>so for all my marijuana kind of seers out there

0:36:53.400 --> 0:36:54.440
<v Speaker 4>looking at the UFO role.

0:36:54.480 --> 0:36:56.120
<v Speaker 1>You can copy your product and then you can come

0:36:56.160 --> 0:36:58.080
<v Speaker 1>and watch your play because it's for twenty friendly and

0:36:58.120 --> 0:36:59.000
<v Speaker 1>you can use the product with it.

0:36:59.080 --> 0:37:01.120
<v Speaker 2>We got we got product goal lord at the show.

0:37:01.280 --> 0:37:04.279
<v Speaker 1>Yes, well, y'all, make sure y'all pull up check out

0:37:04.360 --> 0:37:08.000
<v Speaker 1>Space to play. Created directed by Marcus Calendar. Thank you

0:37:08.080 --> 0:37:10.800
<v Speaker 1>so much for joining us. This has been an amazing conversation.

0:37:10.880 --> 0:37:13.800
<v Speaker 1>And congratulations and when you are winning all of the

0:37:13.880 --> 0:37:17.000
<v Speaker 1>awards and all the things. Okay, don't forget us over here.

0:37:17.040 --> 0:37:17.799
<v Speaker 2>I ain't gonna forget.

0:37:17.840 --> 0:37:20.640
<v Speaker 3>They gonna call y'all back for another interview. Don't forget sure.

0:37:20.760 --> 0:37:22.400
<v Speaker 1>I know I'm a little all over the place, but

0:37:22.560 --> 0:37:24.759
<v Speaker 1>we knew, but we hear. It's the latest with Lorna

0:37:24.880 --> 0:37:27.840
<v Speaker 1>Rosa the Podcast. I'll see you guys in our next episode.

0:37:28.200 --> 0:37:29.120
<v Speaker 3>Thank y'all for joining me.

0:37:29.280 --> 0:37:32.759
<v Speaker 1>This has been a live conversation with act your storyteller

0:37:32.880 --> 0:37:34.960
<v Speaker 1>creative Marcus Calendar.

0:37:35.239 --> 0:37:37.640
<v Speaker 3>I'm Lorna Rosa. This is the latest with Laura Rosa.

0:37:37.920 --> 0:37:38.480
<v Speaker 3>Signing out