WEBVTT - FROM THE VAULT: Bikinis: Everything You Didn't Know

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<v Speaker 1>Too Much Information is a production of iHeartRadio.

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<v Speaker 2>Hello everyone, and welcome to Too Much Information, the show

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<v Speaker 2>that brings you the secret histories, little known fascinating facts

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<v Speaker 2>and figures behind your favorite TV, movies, music, and more.

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<v Speaker 2>And I think today, for only the second time, maybe

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<v Speaker 2>after the Sonic episode, we are looking at a non

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<v Speaker 2>movie music TV piece of pop culture, although it might

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<v Speaker 2>have virtually any entry in those mediums, cannon beat for

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<v Speaker 2>the sheer scope of its influence.

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<v Speaker 3>That's right, folks, In honor of the official.

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<v Speaker 2>Start of summer, we are talking about bikinis.

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<v Speaker 3>Jordan. I feel like this point of.

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<v Speaker 2>Those show is usually where we talk about our personal

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<v Speaker 2>history with bikinis, and unless there's something I really don't

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<v Speaker 2>know about you, we might be ad a little bit

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<v Speaker 2>out of our depth here. I'm trying to keep this

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<v Speaker 2>as little like leering and creepy as possible. I'm really

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<v Speaker 2>cognitive off is like the old guy at the Nude

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<v Speaker 2>beach here. So I will say though that the kind

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<v Speaker 2>of fifties sixties like beach blanket bingo era of pop

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<v Speaker 2>culture bikini influence is probably up your alley.

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<v Speaker 3>Right.

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<v Speaker 1>Oh yeah, no, I really appreciate you adding a dose

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<v Speaker 1>of kitchen into this episode. I'm really excited to get

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<v Speaker 1>to the California myth and I'll keep my.

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<v Speaker 3>Mic love references to a minimum, but.

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<v Speaker 1>There will be Yeah, a lot, a lot of beach

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<v Speaker 1>boys talking this episode that I'm excited about. But yeah,

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<v Speaker 1>I mean, you're right. This is the part of the

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<v Speaker 1>show where we talk about our personal experience with a

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<v Speaker 1>given topic. But in this case, you're right. Our experience

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<v Speaker 1>is fairly limited, and mine's fairly limited outside of Frankie

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<v Speaker 1>in Anette movies. But yeah, now that it's after Memorial Day,

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<v Speaker 1>it's the unofficial start of summer, I thought this could

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<v Speaker 1>be definitely a fun tangent to go down.

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<v Speaker 3>Yeah.

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<v Speaker 2>So you know, I'm not particularly well versed in the

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<v Speaker 2>history of fashion or anything, but I do remember having

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<v Speaker 2>that Raquel Welch in One Million Year's BC poster burned

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<v Speaker 2>into my skull like the hot Metal talisman gets burned

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<v Speaker 2>into the Nazis hand in the first Dadiana Jones first

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<v Speaker 2>time I.

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<v Speaker 1>Saw a classic, Yeah, wait, where did you see this?

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<v Speaker 2>I feel like Spencer's Gifts in the Capital City, in

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<v Speaker 2>the Capital City Mall in camp Hill, Pa. Baby, So

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<v Speaker 2>much of my formative experience was done like timidly venturing

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<v Speaker 2>into the hot topic and Spencer's gifts, and just like

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<v Speaker 2>surreptitiously taking notes on the stuff that I saw there

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<v Speaker 2>that I thought was transgressive.

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<v Speaker 1>I mean, and this is interesting because that so many

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<v Speaker 1>of the things that I learned about as a kid

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<v Speaker 1>were from like Old Time Life, nineteen fifties, nineteen sixties

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<v Speaker 1>coffee table books, which is why I saw a poster

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<v Speaker 1>for the first time too. I think this says a

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<v Speaker 1>lot about.

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<v Speaker 2>Each of us so folks, from the weird influence of

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<v Speaker 2>the atomic bomb on this particular style of swimwear, to

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<v Speaker 2>how backyard pool culture fueled the boom, to what Emily

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<v Speaker 2>Post said about the bikini.

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<v Speaker 3>Here's everything you didn't know about bikinis.

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<v Speaker 1>Wow.

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<v Speaker 2>Starting off, the bikini is not actually the first two

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<v Speaker 2>piece swimwear and design. Yes, while the Romans did a

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<v Speaker 2>great many things in the buff, including swim there are

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<v Speaker 2>murals that show Roman women wearing wood is basically a

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<v Speaker 2>bikini like a rap style bandou bra and briefs. But

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<v Speaker 2>they also have great, many artistic depictions of everybody being

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<v Speaker 2>naked in bathhouses. Nudity was much less prohibited when you

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<v Speaker 2>were playing around in the water for centuries because swimming

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<v Speaker 2>was limited to people who lived there.

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<v Speaker 3>You were not.

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<v Speaker 1>That's a really interesting point. I hadn't thought about. What

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<v Speaker 1>did They have a lot of pools in major cities

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<v Speaker 1>though too. But I guess if you're just in some

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<v Speaker 1>kind of agricultural community, Yeah, yeah.

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<v Speaker 2>You're not taking the oxen and cart and family down

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<v Speaker 2>to the beach for a day because half of you would.

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<v Speaker 1>Die down the shore.

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<v Speaker 2>Yeah, there's no down the shore in Rome. But yeah,

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<v Speaker 2>it's interesting that this prudishness around swimming is not part

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<v Speaker 2>of ancient society because they have all of this rich

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<v Speaker 2>mythology of like water related gods and nymphs and so

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<v Speaker 2>on and so forth. So like you don't really see

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<v Speaker 2>this prudishness around public bathing start to take root basically

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<v Speaker 2>until the Middle Ages.

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<v Speaker 3>Yeah, it's really interesting.

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<v Speaker 1>I mean, there are paintings in mosaics dating back to

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<v Speaker 1>five thousand, six hundred BC in the ancient settlement of

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<v Speaker 1>Ittalia Hook I'll just pretend that's the right way to

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<v Speaker 1>say that it's in present day Turkey, and it shows

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<v Speaker 1>their goddesses wearing two piece swimming style outfits and they're

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<v Speaker 1>surviving Minoan paintings from sixteen hundred BC that show similar

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<v Speaker 1>swimsuits that look like something out of a Frankie in

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<v Speaker 1>a net movie.

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<v Speaker 3>Basically, it's really strange how that style.

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<v Speaker 1>It's something that you see in paintings and mosaics that

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<v Speaker 1>are thousands of years old. And there's also an ancient

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<v Speaker 1>Sicilian villa from roughly two hundred and fifty a d so,

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<v Speaker 1>you know, almost two thousand years ago, which features a

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<v Speaker 1>mosaic of women playing sports wearing what we're called subligar

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<v Speaker 1>and strophium, which acted as bottom and top coverings respectively.

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<v Speaker 2>So yes, this has quite the history, but it was

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<v Speaker 2>the medieval period that really made a change here, probably

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<v Speaker 2>due to the fact that this is the classic era

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<v Speaker 2>of hand drawn maps with weird beasts on them that

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<v Speaker 2>just said, here be monsters. So like, you know, if

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<v Speaker 2>that's your mass media, you're probably a little bit scared

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<v Speaker 2>off of deep water.

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<v Speaker 1>It was also I think i'll result of the Black

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<v Speaker 1>Plague too, that was bathing and swimming were thoughts to

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<v Speaker 1>spread disease. So this was definitely a dark age not

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<v Speaker 1>only for knowledge but for swimming attire because it wasn't

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<v Speaker 1>really needed because people weren't swimming that much the real

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<v Speaker 1>tragedy of the Dark Ages.

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<v Speaker 2>Yeah, and this starts to change in the seventeen hundreds

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<v Speaker 2>when it becomes considered healthy and beneficial to just kind

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<v Speaker 2>of sort of submerge yourself in the oceans or hot springs.

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<v Speaker 2>They didn't really have like a concept of swimming as

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<v Speaker 2>like a dedicated healthy athletic activity. They were just like

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<v Speaker 2>just go in it, sort of yeah, be in it,

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<v Speaker 2>it'll be good for you.

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<v Speaker 1>Yeah, there's the baths in Saratoga, there's the baths in Bath, England,

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<v Speaker 1>the Minna. There are a lot of these these kind

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<v Speaker 1>of health spas cropping up all over the world.

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<v Speaker 3>Like yeah, yeah, you said you just sort of.

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<v Speaker 1>Like taking what was the expression, taking the waters? Taking

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<v Speaker 1>the waters?

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<v Speaker 2>Yes, yes, And in fact it would take one of

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<v Speaker 2>our nation's horniest founding fathers, Benson and Franklin, huge proponent

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<v Speaker 2>of swimming and at one point contemplated setting up a

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<v Speaker 2>school for it in London.

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<v Speaker 1>I'm guessing because as you said, he was a randy

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<v Speaker 1>old man who was rumored to have died of syphilis.

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<v Speaker 2>But you know, the swimwear around this time, if you

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<v Speaker 2>can even call it, that was just it's some of

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<v Speaker 2>these photos are ridiculous. Makes me lament not for the

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<v Speaker 2>first time that there isn't an audio or a visual

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<v Speaker 2>component to this podcast, because these are hilarious. It's just

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<v Speaker 2>like these huge shifts like moo moos, but they're made from.

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<v Speaker 1>Like woola material I could imagine.

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<v Speaker 2>Yeah, And they would weigh the hem downs to keep

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<v Speaker 2>them from floating up.

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<v Speaker 1>Oh yeah, I mean they would stick actual like lead

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<v Speaker 1>weights and sow them into the bottom. And as you mentioned,

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<v Speaker 1>these swimming garments were heavy. I mean they weighed over

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<v Speaker 1>twenty pounds and as a result, up until like the

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<v Speaker 1>twentieth century, women traditionally swam and I say that in

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<v Speaker 1>quotes by holding onto a rope attached to a buoy,

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<v Speaker 1>because with their swim outfits were so heavy that they

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<v Speaker 1>would just sink like a stone.

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<v Speaker 2>There's this other thing called swimming machines that I thought

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<v Speaker 2>were really interesting, which are these like they look like sheds,

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<v Speaker 2>like suburban gardening sheds that you would keep the mower

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<v Speaker 2>or the wheelbarro room. They're on wheels and they just

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<v Speaker 2>roll them into the ocean and women go into them

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<v Speaker 2>and kind of cavort around inside of them. Then they

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<v Speaker 2>get wheeled back out of the ocean.

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<v Speaker 3>Those were old.

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<v Speaker 1>Those were invented by quankers in like the seventeen fifties,

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<v Speaker 1>and they had this hole that you would jump through

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<v Speaker 1>into the ocean. And they called this hole a modesty tunnel, which.

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<v Speaker 3>Oh, modesty tunnel.

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<v Speaker 2>That takes me back to my weekend in Acapulco, Hell,

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<v Speaker 2>the eighteen hundred. It's big century for swimmers. You see

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<v Speaker 2>railroads in the eighteen twenties, I believe, and other advances

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<v Speaker 2>in personal transportation mean that people can now go down

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<v Speaker 2>the shore or to the lake or what have you.

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<v Speaker 2>It's just people are more mobile on a bit your scale.

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<v Speaker 2>And then this is where you start to see the

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<v Speaker 2>bloomer suits, which are the big puffy skirts over the

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<v Speaker 2>big puffy pants. Again, just so much, so much fabric.

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<v Speaker 1>How did people not drown in these?

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<v Speaker 3>I know? It's really wild.

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<v Speaker 2>Swimming in a parachute, yes, the parachute pants even it's

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<v Speaker 2>like the EMC hammer pans. There were laws passed at

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<v Speaker 2>the turn of the century that required all women in

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<v Speaker 2>bathing suits to wear stockings, which was kind of a

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<v Speaker 2>double blind because women were also not allowed to wear pants.

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<v Speaker 2>But then around the turn of the nineteenth century, swimming

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<v Speaker 2>becomes both an intercollegiate and Olympic sport, which kind of

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<v Speaker 2>drives up its popularity, and a decade or so after that,

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<v Speaker 2>there's this really interesting figure. She's an Australian swimmer named

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<v Speaker 2>Annette Kellerman, and she created and successfully markets her own

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<v Speaker 2>swimsuit that's based on kind of the what I would

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<v Speaker 2>describe as the old timey wrestler like this Andre the

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<v Speaker 2>giant singlet sort of thing that men were wearing, just

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<v Speaker 2>like a tank top merged with shorts. I guess is

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<v Speaker 2>that technically also a row I don't know.

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<v Speaker 1>The version I saw had full sleeves that went down

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<v Speaker 1>your wrists and leggings that went down to her feet.

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<v Speaker 1>But because it was form fitting, she was arrested for

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<v Speaker 1>wearing it on a Massachusetts beach in nineteen oh seven

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<v Speaker 1>and charged with indecent exposure, despite the fact that she

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<v Speaker 1>wasn't exposed outside of her hands and head, and this

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<v Speaker 1>became a fairly high profile legal case at the time,

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<v Speaker 1>which she ultimately won, setting the precedent for women's swimwear

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<v Speaker 1>that actually lent itself to swimming and not just like

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<v Speaker 1>trying not to sing.

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<v Speaker 3>Swimming bags. Yeah. Yeah, Net Kellerman is such a fascinating person.

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<v Speaker 2>Yeah, she wore leg brace as a child when she

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<v Speaker 2>was growing up in Australia, and she took up swimming

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<v Speaker 2>to strengthen them. Became one of the first women to

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<v Speaker 2>train swim the English Channel at the age of just nineteen,

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<v Speaker 2>and she wrote a book about swimming. She helped popularize

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<v Speaker 2>synchronized swimming as a sport. And she was even the

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<v Speaker 2>first woman to appear nude in a Hollywood film, which

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<v Speaker 2>is nineteen Sixteen's a Daughter of the Gods. She's got

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<v Speaker 2>kind of the venus on the shell situation.

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<v Speaker 1>This movie was reportedly the first million dollar film ever produced.

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<v Speaker 1>But like so many early films, no copies are known

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<v Speaker 1>to exist and it's now considered lost. Isn't there like

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<v Speaker 1>a huge amount of those films that are lost. Oh yeah,

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<v Speaker 1>I mean a lot of it was between the film

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<v Speaker 1>just degrading and just fires and stuff just straight up

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<v Speaker 1>not being kept because people didn't really have much of

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<v Speaker 1>an eye towards saving things for posterity at this time. Yeah,

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<v Speaker 1>there's a lot of his all Wikipedia entry un lost

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<v Speaker 1>films of you know, historical significance, and that's a big one.

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<v Speaker 3>Yeh. Bummer.

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<v Speaker 2>But despite Net's efforts, women were still subject to weird

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<v Speaker 2>laws around bathing suits. There are photos out there of

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<v Speaker 2>actual swimsuit police going around on the beach with like

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<v Speaker 2>a whistle and a badge and a ruler measuring the

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<v Speaker 2>length of these women's suits to make sure that they

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<v Speaker 2>were in order.

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<v Speaker 1>But women were not the only ones subject to draconian,

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<v Speaker 1>puritanical laws about swimwear. In most states, it was illegal

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<v Speaker 1>for men to be topless until nineteen thirty seven, and

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<v Speaker 1>lawmakers in Atlantic City hell out even longer, saying that

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<v Speaker 1>they didn't want And this is a quote, gorillas on

0:11:06.240 --> 0:11:06.920
<v Speaker 1>our beaches.

0:11:07.360 --> 0:11:10.480
<v Speaker 2>That's got to be racist. I assume that's a deeply

0:11:10.600 --> 0:11:11.560
<v Speaker 2>racist sentiment.

0:11:11.840 --> 0:11:13.439
<v Speaker 1>It's offensive on multiple levels.

0:11:13.720 --> 0:11:17.800
<v Speaker 2>Yeah, as with most things, we have Smut to thank

0:11:17.960 --> 0:11:22.080
<v Speaker 2>for knocking down boundaries. Burlesque, which is I believe, one

0:11:22.080 --> 0:11:24.839
<v Speaker 2>of like two native art forms that are actually native

0:11:24.880 --> 0:11:26.079
<v Speaker 2>to the to the Americas.

0:11:26.120 --> 0:11:28.840
<v Speaker 3>It's like jazz and the blues and burlesque.

0:11:29.160 --> 0:11:31.920
<v Speaker 1>Really, I would have assumed that was like French Vaudeville.

0:11:31.960 --> 0:11:34.240
<v Speaker 1>I could see being Oh, I guess that's musical, because yeah,

0:11:34.280 --> 0:11:34.920
<v Speaker 1>Vaudeville has.

0:11:34.800 --> 0:11:37.960
<v Speaker 2>Its roots of music hall. Burlesque I believe is a

0:11:38.000 --> 0:11:40.760
<v Speaker 2>holy American invention, Jamie, can we get a fact check

0:11:40.800 --> 0:11:41.000
<v Speaker 2>on that?

0:11:41.800 --> 0:11:48.240
<v Speaker 1>Number one, of course, jazz and burlesque. I mean, I'm

0:11:48.240 --> 0:11:50.679
<v Speaker 1>happy to assume that those are the two only American

0:11:50.800 --> 0:11:55.440
<v Speaker 1>art forms exactly like you know, fast food. Yeah, it

0:11:55.520 --> 0:11:56.600
<v Speaker 1>makes it's all scans.

0:11:57.120 --> 0:12:01.560
<v Speaker 2>Yeah, so burlesque, obviously they're in to some degree of nudity,

0:12:01.600 --> 0:12:05.120
<v Speaker 2>but vaudeville performers too, like you know, Harry Houdini around

0:12:05.160 --> 0:12:08.160
<v Speaker 2>this time was pretty frequently seen shirtless because he was

0:12:08.360 --> 0:12:11.000
<v Speaker 2>submerged in water and heavy chains and all that. And

0:12:11.000 --> 0:12:13.160
<v Speaker 2>then there's a nineteen twenty nine film Man with a

0:12:13.160 --> 0:12:15.960
<v Speaker 2>movie camera that showed women topless and in two piece

0:12:16.000 --> 0:12:18.000
<v Speaker 2>bathing suits that would expose their mid drifts.

0:12:19.360 --> 0:12:22.040
<v Speaker 1>This isn't strictly about bikinis. But there's this great story

0:12:22.080 --> 0:12:25.800
<v Speaker 1>about the New York mayor Fiorello LaGuardia, from whom you know,

0:12:25.920 --> 0:12:28.800
<v Speaker 1>LaGuardia Airport takes its name, and there's a musical about him,

0:12:29.000 --> 0:12:31.920
<v Speaker 1>very famous New York mayor. He supposedly, I mean, this

0:12:31.960 --> 0:12:34.559
<v Speaker 1>is kind of apocryphal, jump started the development of the

0:12:34.600 --> 0:12:38.160
<v Speaker 1>thong in nineteen thirty nine because the city was hosting

0:12:38.160 --> 0:12:40.320
<v Speaker 1>the World's Fair at the time, and he wanted New

0:12:40.400 --> 0:12:43.880
<v Speaker 1>York's dancers and striptease artists to be slightly more clothed.

0:12:44.160 --> 0:12:46.600
<v Speaker 1>And the result of this sort of mayorial edict was

0:12:46.600 --> 0:12:49.479
<v Speaker 1>to develop the thong good for LaGuardia.

0:12:50.360 --> 0:12:52.320
<v Speaker 2>So moving into the nineteen thirties, there are a couple

0:12:52.320 --> 0:12:55.120
<v Speaker 2>of things that happened. There are advances in fabric technology.

0:12:55.240 --> 0:12:58.040
<v Speaker 2>We've got DuPont to think for that. I believe who

0:12:58.120 --> 0:13:00.560
<v Speaker 2>invented nylon palm.

0:13:01.800 --> 0:13:03.080
<v Speaker 1>That might have been dal, that might have been Dow.

0:13:03.160 --> 0:13:09.080
<v Speaker 2>Actually, the two sides of American culture nudity and horrific violence.

0:13:11.440 --> 0:13:14.560
<v Speaker 2>So you basically stop making bathing suits out of like

0:13:14.679 --> 0:13:17.760
<v Speaker 2>heavy flannel and cotton and then all this other stuff,

0:13:18.200 --> 0:13:22.360
<v Speaker 2>and two men stop covering up their chests while they're

0:13:22.360 --> 0:13:26.319
<v Speaker 2>swimming or competing in sports, which helps us normalize increasing

0:13:26.480 --> 0:13:30.079
<v Speaker 2>levels of nudity on the national stage. It's interesting because

0:13:30.280 --> 0:13:32.200
<v Speaker 2>the other big development that happens around this time, and

0:13:32.240 --> 0:13:34.520
<v Speaker 2>I see Coco Chanell's name attached to this, is making

0:13:34.600 --> 0:13:37.680
<v Speaker 2>tans fashionable. You know, previously, the reason that you have

0:13:37.679 --> 0:13:40.520
<v Speaker 2>all of these alabaster women and portrayals of antiquity was

0:13:40.559 --> 0:13:43.320
<v Speaker 2>because if you had tanem and you were outside laboring

0:13:43.520 --> 0:13:45.040
<v Speaker 2>like a disgusting peasant.

0:13:45.120 --> 0:13:47.559
<v Speaker 3>And therefore if you were pure.

0:13:47.280 --> 0:13:50.360
<v Speaker 2>White as the driven snow, it meant you were inside

0:13:50.400 --> 0:13:53.400
<v Speaker 2>at all times, and therefore of a higher financial cast.

0:13:53.400 --> 0:13:55.560
<v Speaker 2>And that's even why people would powder their face and

0:13:55.559 --> 0:13:57.440
<v Speaker 2>powder their wigs, trying to look as pale and as

0:13:57.559 --> 0:14:00.439
<v Speaker 2>untouched by the sun as possible. But that starts to change.

0:14:01.280 --> 0:14:04.000
<v Speaker 2>And so one of the ways in which you showed

0:14:04.040 --> 0:14:06.680
<v Speaker 2>that you had money now was by traveling and by

0:14:06.920 --> 0:14:09.760
<v Speaker 2>going on holiday. And this is where we get the

0:14:09.800 --> 0:14:13.839
<v Speaker 2>backless swimsuit, because the backless swimsuit exposed an even greater

0:14:13.960 --> 0:14:17.920
<v Speaker 2>swath of your you know, tanned, tanned skin, and so

0:14:18.080 --> 0:14:21.800
<v Speaker 2>that's one of the first shots across the bow of

0:14:21.880 --> 0:14:27.360
<v Speaker 2>increased swimsuit skimpiness. And so in nineteen thirty two you

0:14:27.360 --> 0:14:31.080
<v Speaker 2>have a French designer named Madeleine Vione who designed evening

0:14:31.120 --> 0:14:33.760
<v Speaker 2>gown with an exposed mid drift. And obviously we owe

0:14:33.760 --> 0:14:35.640
<v Speaker 2>a huge debt to Busby Berkeley.

0:14:35.360 --> 0:14:36.120
<v Speaker 3>And those films.

0:14:36.720 --> 0:14:39.479
<v Speaker 2>The nineteen thirty two One Foot Light Parade showed bikinis,

0:14:39.840 --> 0:14:43.120
<v Speaker 2>as did Dorothy Lemore's The Hurricane in nineteen thirty seven.

0:14:43.320 --> 0:14:45.640
<v Speaker 2>But this is all pre Hayze code so Jordan talked

0:14:45.640 --> 0:14:47.880
<v Speaker 2>to us a little bit about the Haze Code, and

0:14:48.000 --> 0:14:49.160
<v Speaker 2>the Hayes Code was put.

0:14:48.960 --> 0:14:51.720
<v Speaker 1>In place, I believe in the late or mid thirties

0:14:51.800 --> 0:14:54.160
<v Speaker 1>to the mid fifties, and it was kind of like

0:14:54.240 --> 0:14:56.960
<v Speaker 1>the Ten Commandments of filmmaking, like things that you were

0:14:57.000 --> 0:15:00.840
<v Speaker 1>not allowed to show, and they were very strict and

0:15:01.040 --> 0:15:03.680
<v Speaker 1>usually pretty ridiculous. I mean, I don't think this is

0:15:04.040 --> 0:15:05.760
<v Speaker 1>strictly tied to the Hayes Code, but the kind of

0:15:05.800 --> 0:15:08.400
<v Speaker 1>thing where like on I Love Lucy, where Ricky and

0:15:08.480 --> 0:15:12.560
<v Speaker 1>Lucy were shown in separate beds and they weren't allowed

0:15:12.560 --> 0:15:15.560
<v Speaker 1>to say like pregnant and had to say expecting and

0:15:15.920 --> 0:15:19.440
<v Speaker 1>things like that. Things were very puritanical, rigid code of

0:15:19.480 --> 0:15:21.440
<v Speaker 1>what you could and could not show in a film.

0:15:21.720 --> 0:15:24.160
<v Speaker 1>But prior to this Hayes Code, movies from the twenties

0:15:24.160 --> 0:15:26.440
<v Speaker 1>and thirties are actually in a lot of cases it's

0:15:26.480 --> 0:15:29.560
<v Speaker 1>surprisingly very liberal in terms of their you know, what

0:15:29.600 --> 0:15:32.040
<v Speaker 1>they showed in terms of sex and fashion and language.

0:15:32.040 --> 0:15:32.960
<v Speaker 3>It's really interesting.

0:15:34.000 --> 0:15:38.000
<v Speaker 1>The actress Dolores del Rio holds the title the first

0:15:38.080 --> 0:15:40.760
<v Speaker 1>major star to wear a two piece swimsuit on screen,

0:15:41.040 --> 0:15:43.880
<v Speaker 1>in the nineteen thirty three film Flying Down to Rio.

0:15:44.920 --> 0:15:47.560
<v Speaker 2>Chorus girls also chorus girls at the time are obviously

0:15:47.760 --> 0:15:51.280
<v Speaker 2>sort of exempt from this rule their fashionedd bikini style outfits.

0:15:51.680 --> 0:15:53.800
<v Speaker 2>But the whole thing is like navels, right, like you

0:15:53.800 --> 0:15:56.040
<v Speaker 2>have to cover navels. That's the Barbara Eden thing.

0:15:56.680 --> 0:15:58.160
<v Speaker 1>Yeah, that was the thing I guess, as you said,

0:15:58.240 --> 0:16:00.680
<v Speaker 1>into the sixties with Barbariden and Idri of Genie. I

0:16:00.680 --> 0:16:04.600
<v Speaker 1>think Share was like the first. I think she might

0:16:04.640 --> 0:16:08.600
<v Speaker 1>have been the first person on network TV to do that.

0:16:08.880 --> 0:16:11.600
<v Speaker 3>I kind of love her. God bless her. She's broken

0:16:11.600 --> 0:16:14.440
<v Speaker 3>down so many barriers Share she really truly has.

0:16:15.240 --> 0:16:18.200
<v Speaker 2>So there's an American designer named Claire mccardal who brings

0:16:18.200 --> 0:16:20.760
<v Speaker 2>out a side cut bathing suit in nineteen thirty five.

0:16:21.000 --> 0:16:22.600
<v Speaker 2>You know, we're getting the back list, we're getting the

0:16:22.640 --> 0:16:25.000
<v Speaker 2>sides cut out, so we're edging closer towards the bikini.

0:16:25.040 --> 0:16:27.920
<v Speaker 2>And that's in nineteen thirty five. As I said, and Jordan,

0:16:28.040 --> 0:16:29.960
<v Speaker 2>you have an interesting fact here.

0:16:30.560 --> 0:16:33.240
<v Speaker 1>Yeah, this is just something really pretty hilarious that I

0:16:33.280 --> 0:16:36.040
<v Speaker 1>came across a few months before the bikini was unveiled.

0:16:36.080 --> 0:16:37.720
<v Speaker 3>In nineteen forty six, there was.

0:16:37.680 --> 0:16:42.080
<v Speaker 1>Something called the Midnight Booie and this was advertised in

0:16:42.240 --> 0:16:46.520
<v Speaker 1>like Life magazine and Vogue, And it was manufactured by

0:16:46.560 --> 0:16:48.640
<v Speaker 1>the Duchess Royal Company. And it was a two piece

0:16:48.720 --> 0:16:52.280
<v Speaker 1>suit with a cork buckle attached across the bottom and

0:16:52.320 --> 0:16:55.280
<v Speaker 1>if the wearer wanted to remove it while swimming, they

0:16:55.280 --> 0:16:58.040
<v Speaker 1>could tie the top to the buckle and allow both

0:16:58.080 --> 0:17:02.440
<v Speaker 1>parts to float while you splashed around swimming in the buff.

0:17:02.960 --> 0:17:05.800
<v Speaker 1>And it was advertised in a December nineteen forty five

0:17:05.880 --> 0:17:08.120
<v Speaker 1>issue of Vogue. And the fact that it was advertising

0:17:08.200 --> 0:17:10.119
<v Speaker 1>Life magazine is pretty crazy to me because that's such

0:17:10.119 --> 0:17:13.800
<v Speaker 1>a mainstream publication. But the ad featured this priceless copy.

0:17:13.840 --> 0:17:16.000
<v Speaker 1>There's google it, you can see it. The name of

0:17:16.040 --> 0:17:19.480
<v Speaker 1>the suit. Of course, the Midnight booy suggests the nocturnal

0:17:19.520 --> 0:17:25.159
<v Speaker 1>conditions under which nude swimming is most agreeable. So that

0:17:25.280 --> 0:17:28.439
<v Speaker 1>I mean, yes, I'm filling a need in a market

0:17:28.480 --> 0:17:30.440
<v Speaker 1>there with some impressive.

0:17:30.400 --> 0:17:31.960
<v Speaker 3>I want to hear the radio ads for it where

0:17:32.000 --> 0:17:38.160
<v Speaker 3>they're like the Midnight Booie.

0:17:40.240 --> 0:17:44.920
<v Speaker 2>For all your nudebathing needs.

0:17:45.920 --> 0:17:53.320
<v Speaker 1>How often has this happened to you? Oh boy, We're

0:17:53.359 --> 0:17:55.360
<v Speaker 1>going to take a quick break, but we'll be right

0:17:55.440 --> 0:17:57.680
<v Speaker 1>back with more too much information In just.

0:17:57.600 --> 0:18:11.520
<v Speaker 2>A moment, Jordan wrote this header. I have to get

0:18:11.520 --> 0:18:13.720
<v Speaker 2>shout it out for him. The atomic bomb entered. The

0:18:13.760 --> 0:18:19.760
<v Speaker 2>atomic bomb and the Frenchman one of Asop's less popular fables.

0:18:21.160 --> 0:18:23.600
<v Speaker 2>So the important thing about all of these bikini precursors

0:18:23.640 --> 0:18:26.119
<v Speaker 2>and all of these different, you know, burlesque outfits and

0:18:26.200 --> 0:18:28.679
<v Speaker 2>all this stuff, is that they were usually pretty high cut.

0:18:28.960 --> 0:18:32.159
<v Speaker 2>They concealed the belly button. More of the butt is

0:18:32.200 --> 0:18:35.440
<v Speaker 2>actually concealed by them. We're not edging into g string territory.

0:18:35.800 --> 0:18:39.840
<v Speaker 2>But World War II curbs the production of fabrics across

0:18:39.880 --> 0:18:43.680
<v Speaker 2>the board, and because it was needed, among other things,

0:18:43.760 --> 0:18:46.240
<v Speaker 2>to make uniforms for the sick millions of men and

0:18:46.280 --> 0:18:49.640
<v Speaker 2>women who were serving sixteen million. And in nineteen forty two,

0:18:49.720 --> 0:18:53.760
<v Speaker 2>the United States War Production Board issues Regulation L eighty five,

0:18:54.080 --> 0:18:56.880
<v Speaker 2>which cuts the use of natural fibers and clothing and

0:18:56.920 --> 0:18:59.920
<v Speaker 2>mandates a ten percent reduction in the amount of fat

0:19:00.400 --> 0:19:03.479
<v Speaker 2>in women's beach where So the government literally comes in

0:19:03.560 --> 0:19:06.160
<v Speaker 2>and says, your bathing suits have to be skinny, Johnny,

0:19:06.359 --> 0:19:08.760
<v Speaker 2>make the bathing suit skimpia. It's gonna help us win

0:19:08.800 --> 0:19:11.080
<v Speaker 2>the wall twenty three Scando. Then, of course, we dropped

0:19:11.080 --> 0:19:17.160
<v Speaker 2>the atomic bomb a humanitarian moment, not a humanitarian moment,

0:19:17.560 --> 0:19:21.200
<v Speaker 2>a low point in humanity, I should say, Jordan, take

0:19:21.240 --> 0:19:22.120
<v Speaker 2>us into the Frenchman.

0:19:22.400 --> 0:19:24.400
<v Speaker 1>Yes, this brings us to my favorite part of this episode,

0:19:24.400 --> 0:19:26.440
<v Speaker 1>which is the arms race, really the only kind of

0:19:26.520 --> 0:19:29.159
<v Speaker 1>arms race I can get behind, between two Frenchmen to

0:19:29.200 --> 0:19:33.200
<v Speaker 1>create the smallest, most scandalous swimsuit the world has ever known.

0:19:33.520 --> 0:19:37.320
<v Speaker 1>A very noble pursuit, especially coming after I'll just talk

0:19:37.320 --> 0:19:40.800
<v Speaker 1>about the atom bomb. There was a Frenchman named Jacques

0:19:40.920 --> 0:19:45.000
<v Speaker 1>Heim who was apparently an active member of the French

0:19:45.040 --> 0:19:47.879
<v Speaker 1>resistance during World War Two, and he created a two

0:19:47.960 --> 0:19:50.959
<v Speaker 1>piece design that he called the Atom but it failed

0:19:50.960 --> 0:19:53.240
<v Speaker 1>to catch on. But the atom is a great name

0:19:53.280 --> 0:19:55.600
<v Speaker 1>for a small swimsuit because at the time that was

0:19:55.640 --> 0:19:58.920
<v Speaker 1>the smallest unit of matter then known to exist. Tiny suit,

0:19:59.200 --> 0:20:02.439
<v Speaker 1>tiny particle. Very clever. I just want to savor that

0:20:02.480 --> 0:20:05.919
<v Speaker 1>before we start talking about bombing tropical island Paradise Is

0:20:05.960 --> 0:20:09.520
<v Speaker 1>into glassy craters. I just think I think that's cute, Adam.

0:20:10.000 --> 0:20:12.200
<v Speaker 1>I think it's a much more clever name than the bikini.

0:20:13.119 --> 0:20:14.920
<v Speaker 1>Oh shots fire.

0:20:14.760 --> 0:20:18.960
<v Speaker 2>So your team Heim, Yeah, technically he's the originator, so yeah.

0:20:18.840 --> 0:20:21.119
<v Speaker 1>But I mean both these guys really knew the promo

0:20:21.240 --> 0:20:25.919
<v Speaker 1>game and this guy, Jacquesheim, he hired a skywriter to

0:20:26.080 --> 0:20:29.760
<v Speaker 1>write the World's Smallest bathing suit is now available above

0:20:29.800 --> 0:20:33.040
<v Speaker 1>a very popular Mediterranean resort. So this guy was not

0:20:33.080 --> 0:20:35.359
<v Speaker 1>messing around. Well, should we talk about the design.

0:20:35.480 --> 0:20:37.159
<v Speaker 2>It's I think it probably kind of looked like the

0:20:37.160 --> 0:20:39.320
<v Speaker 2>one Rachel McAdams is wearing. The notebook had like a

0:20:40.119 --> 0:20:42.600
<v Speaker 2>rough old top, but the bottom of it was still

0:20:42.640 --> 0:20:45.119
<v Speaker 2>high cut covered. The nabel covered most of the butt.

0:20:45.440 --> 0:20:48.119
<v Speaker 2>Still too risque for women though, does not catch on.

0:20:48.760 --> 0:20:51.760
<v Speaker 1>Yes, and this guy, Jacques Heim, he was upstaged a

0:20:51.800 --> 0:20:53.560
<v Speaker 1>short time later. I think it was within the same

0:20:53.640 --> 0:20:57.200
<v Speaker 1>year by another Frenchman, Louis Rayard, and he's the man

0:20:57.200 --> 0:20:59.360
<v Speaker 1>that we now credit as the inventor of the bikini.

0:20:59.440 --> 0:21:02.879
<v Speaker 1>And Riyard was an automotive engineer who helped run his

0:21:02.960 --> 0:21:07.040
<v Speaker 1>mother's lingerie shop, which I think sounds a little awkward.

0:21:06.680 --> 0:21:07.199
<v Speaker 3>But moving on.

0:21:09.000 --> 0:21:11.399
<v Speaker 2>They're French, they have more enlightened attitudes about this kind

0:21:11.400 --> 0:21:12.119
<v Speaker 2>of stuff than we do.

0:21:12.280 --> 0:21:13.520
<v Speaker 3>That's true.

0:21:13.600 --> 0:21:15.959
<v Speaker 1>I just think it's interesting to note the ties between

0:21:16.000 --> 0:21:20.000
<v Speaker 1>engineers and those who make women's under garments. Howard Hughes,

0:21:20.119 --> 0:21:21.760
<v Speaker 1>the legendary.

0:21:22.840 --> 0:21:26.840
<v Speaker 2>Eccentric billionaire and saying legendary guy with jars of urin.

0:21:27.160 --> 0:21:29.919
<v Speaker 1>Yeah. He got his start in engineering. I mean, as

0:21:29.920 --> 0:21:32.720
<v Speaker 1>everyone who saw The Aviator knows, he designed planes. But

0:21:32.760 --> 0:21:34.879
<v Speaker 1>by the thirties and forties he had moved into producing

0:21:35.000 --> 0:21:37.880
<v Speaker 1>films and he was unhappy with the footage that he

0:21:37.920 --> 0:21:40.160
<v Speaker 1>was seeing from a movie he was making with Jane

0:21:40.240 --> 0:21:43.880
<v Speaker 1>Russell called The Outlaw in nineteen forty five nineteen forty six,

0:21:44.280 --> 0:21:48.040
<v Speaker 1>and he was specifically unhappy with her i'll say, appearance.

0:21:48.440 --> 0:21:51.960
<v Speaker 1>So he put on his engineering hat and he designed

0:21:52.040 --> 0:21:56.119
<v Speaker 1>a cantilevered bral for his start aware and apparently he

0:21:56.160 --> 0:21:58.439
<v Speaker 1>was better at designing planes than he was designing underwear,

0:21:58.480 --> 0:22:03.360
<v Speaker 1>because Jane Russell described his entraption as quote uncomfortable and ridiculous.

0:22:03.640 --> 0:22:06.480
<v Speaker 1>Believe me, this man could design planes, but a mister

0:22:06.560 --> 0:22:09.920
<v Speaker 1>playtext he wasn't, which is an incredible SoundBite from her.

0:22:10.280 --> 0:22:14.960
<v Speaker 1>But forty spurn Yes. Anyway, back to the swimsuit arms race,

0:22:15.400 --> 0:22:18.800
<v Speaker 1>Rayard was inspired when he noticed sunbathers on the Saint

0:22:18.800 --> 0:22:22.520
<v Speaker 1>Tropez Beach roll up the edges of their swimsuits to achieve, you.

0:22:22.480 --> 0:22:24.280
<v Speaker 3>Know, a more full tan.

0:22:24.680 --> 0:22:27.760
<v Speaker 2>Yeah, and so he basically won up at Tim by

0:22:27.800 --> 0:22:31.639
<v Speaker 2>making the design even skimpier basically created it was a

0:22:31.680 --> 0:22:34.520
<v Speaker 2>string bikini. He connected all of the essential pieces of

0:22:34.560 --> 0:22:38.720
<v Speaker 2>fabric with string and christened his creation the Bikini after

0:22:38.760 --> 0:22:42.320
<v Speaker 2>the Bikini Atoll, where the atomic bomb testing had taken

0:22:42.359 --> 0:22:44.200
<v Speaker 2>place just days earlier.

0:22:44.400 --> 0:22:47.200
<v Speaker 1>Yeah, the term bombshell was already in the popular lexicon,

0:22:47.359 --> 0:22:50.600
<v Speaker 1>so Riyard hoped that his creation would shock people in

0:22:50.640 --> 0:22:54.280
<v Speaker 1>the same way that the a bomb did, which I mean,

0:22:54.359 --> 0:22:56.800
<v Speaker 1>I'm really curious to see what a marketing expert would

0:22:56.800 --> 0:23:00.919
<v Speaker 1>say about linking the atomic bomb and an item of

0:23:01.440 --> 0:23:02.560
<v Speaker 1>vacation apparel.

0:23:02.760 --> 0:23:04.000
<v Speaker 3>But uh, I mean, but.

0:23:04.040 --> 0:23:07.480
<v Speaker 1>Go with god, sex and death the two things.

0:23:07.720 --> 0:23:10.120
<v Speaker 3>Yeah, you know what American Yeah.

0:23:10.880 --> 0:23:15.160
<v Speaker 2>Debuting on July fifth, nineteen forty six, Rayard's design used

0:23:15.200 --> 0:23:18.679
<v Speaker 2>only thirty inches of fabric and exposed not just the

0:23:18.760 --> 0:23:21.000
<v Speaker 2>navel but much of the dairy air with the g

0:23:21.160 --> 0:23:24.280
<v Speaker 2>string style design, and consequently, he could not find a

0:23:24.359 --> 0:23:27.680
<v Speaker 2>model daring enough to wear it in public for the

0:23:27.720 --> 0:23:30.879
<v Speaker 2>big reveal, so he used a nineteen year old exotic dancer,

0:23:31.280 --> 0:23:33.879
<v Speaker 2>Michelle Bernardini as the very first model.

0:23:34.640 --> 0:23:35.080
<v Speaker 3>I love this.

0:23:35.160 --> 0:23:39.239
<v Speaker 1>She supposedly received fifty thousand letters after modeling it at

0:23:39.240 --> 0:23:42.399
<v Speaker 1>a Parisian pool, and she's still alive. She turned ninety

0:23:42.400 --> 0:23:45.760
<v Speaker 1>four in December and lives in Australia, and she restaged

0:23:45.800 --> 0:23:49.320
<v Speaker 1>the famous bikini premiere photo forty years after the original

0:23:49.400 --> 0:23:51.960
<v Speaker 1>in nineteen eighty six, when she was fifty eight years old.

0:23:52.040 --> 0:23:55.879
<v Speaker 2>Hell Yes, Rayard if nothing else, had an instinct for flair.

0:23:56.240 --> 0:23:59.560
<v Speaker 2>He patterned one of the versions Bernardini would wear in newsprint,

0:24:00.080 --> 0:24:02.399
<v Speaker 2>just sort of already winking at the rush of press

0:24:02.440 --> 0:24:06.960
<v Speaker 2>coverage thing was going to get and I love how

0:24:07.119 --> 0:24:09.800
<v Speaker 2>horrible these people are to each other. He marketed his

0:24:09.920 --> 0:24:13.080
<v Speaker 2>version as smaller than the world's smallest bathing suit in

0:24:13.160 --> 0:24:15.800
<v Speaker 2>kind of a direct shot across the bow to his competitor,

0:24:16.280 --> 0:24:18.520
<v Speaker 2>and declared that for a design to be considered an

0:24:18.560 --> 0:24:22.399
<v Speaker 2>authentic bikini, it must be so small and had to

0:24:22.480 --> 0:24:24.640
<v Speaker 2>use so little fabric that it could be pulled through

0:24:24.640 --> 0:24:27.880
<v Speaker 2>a wedding ring, which is an indelible bit of Pte

0:24:27.880 --> 0:24:30.160
<v Speaker 2>Barnam esque humbug.

0:24:30.280 --> 0:24:33.200
<v Speaker 1>You know that's quite a metaphor not just any ring,

0:24:33.320 --> 0:24:34.120
<v Speaker 1>a wedding ring.

0:24:34.480 --> 0:24:36.080
<v Speaker 3>Yeah.

0:24:36.480 --> 0:24:39.159
<v Speaker 1>Bernardini was seen holding up a match box in the

0:24:39.160 --> 0:24:41.840
<v Speaker 1>first photos of her in the suit to indicate that

0:24:41.880 --> 0:24:44.199
<v Speaker 1>the bikini was so small that it could fit inside

0:24:44.200 --> 0:24:47.240
<v Speaker 1>of a matchbox. And as you said, discover Yard really

0:24:47.280 --> 0:24:50.080
<v Speaker 1>had a gift for showmanship, and as a promo gimmick,

0:24:50.480 --> 0:24:53.520
<v Speaker 1>he commissioned the car body specialist to turn his car

0:24:53.680 --> 0:24:56.679
<v Speaker 1>into a road yacht. They turned the whole body of

0:24:56.680 --> 0:25:00.760
<v Speaker 1>the car into this mock luxury cabin cruiser with a

0:24:59.840 --> 0:25:05.520
<v Speaker 1>ca portholes, an anchor, a signal mass and other nautical regalia. Unfortunately,

0:25:05.520 --> 0:25:07.879
<v Speaker 1>it wasn't, you know, an amphibious vehicle, so it couldn't

0:25:07.880 --> 0:25:10.479
<v Speaker 1>go in water. But the car went on advertising parades

0:25:10.480 --> 0:25:13.880
<v Speaker 1>with a crew of bikini clad women, which caused a splash.

0:25:13.920 --> 0:25:15.560
<v Speaker 1>As it were, I mean, this is basically like the

0:25:15.960 --> 0:25:19.320
<v Speaker 1>what was that the Budweiser at like the Swedish bikini

0:25:19.359 --> 0:25:19.960
<v Speaker 1>team or something.

0:25:20.000 --> 0:25:24.520
<v Speaker 2>It was like that like fifty years early. Yes, needless

0:25:24.560 --> 0:25:27.960
<v Speaker 2>to say, it caused a stir. The International Herald Tribune

0:25:28.040 --> 0:25:34.639
<v Speaker 2>ran nine separate articles on the unveiling event alone. Spain, Italy, Australia, Portugal,

0:25:34.720 --> 0:25:36.919
<v Speaker 2>France all banned it for a time, and they were

0:25:37.000 --> 0:25:41.600
<v Speaker 2>prohibited in German public swimming pools until the nineteen seventies.

0:25:42.080 --> 0:25:45.320
<v Speaker 1>Wow, I love how offended Germany was by this. There

0:25:45.320 --> 0:25:48.080
<v Speaker 1>was a women's magazine in Germany called the modern girl,

0:25:48.160 --> 0:25:51.160
<v Speaker 1>and they wrote it is unthinkable that a decent girl

0:25:51.200 --> 0:25:52.720
<v Speaker 1>with tact would ever wear.

0:25:52.640 --> 0:25:53.160
<v Speaker 3>Such a thing.

0:25:53.400 --> 0:25:56.680
<v Speaker 2>And then in nineteen fifty, American swimsuit mogul Fred Cole,

0:25:56.880 --> 0:25:59.720
<v Speaker 2>the owner of mass market swimmer firm Coal of California,

0:26:00.080 --> 0:26:03.600
<v Speaker 2>told Time that he had little but scorn for France's

0:26:03.600 --> 0:26:06.960
<v Speaker 2>famed bikinis. I imagine that doing the Orson Wells Voice.

0:26:07.080 --> 0:26:11.280
<v Speaker 2>I have little bit scorn for these so cold French bikinis.

0:26:12.960 --> 0:26:14.200
<v Speaker 2>Cold California.

0:26:14.600 --> 0:26:15.800
<v Speaker 3>It's work in progress.

0:26:16.160 --> 0:26:20.240
<v Speaker 2>Coal of California also famous for being Catherine Colson, the

0:26:20.320 --> 0:26:25.080
<v Speaker 2>log lady from Twin Peaks. Her aunt, Margaret Feligi, is

0:26:25.119 --> 0:26:29.280
<v Speaker 2>a longtime designer for Coal of California. So eraser Head

0:26:29.359 --> 0:26:32.919
<v Speaker 2>was partially funded by profits from Coal of California. So

0:26:33.040 --> 0:26:35.520
<v Speaker 2>if you want to draw this connection, there's a connection

0:26:35.640 --> 0:26:40.160
<v Speaker 2>between the popularity of bikinis and eraser Head. So that's

0:26:40.200 --> 0:26:44.640
<v Speaker 2>pretty America, you know, David lynch Man, that's America, all right.

0:26:44.800 --> 0:26:47.440
<v Speaker 2>Keep going with these bikini quotes that we can maybe

0:26:47.480 --> 0:26:49.159
<v Speaker 2>read in Orson Wells Voice.

0:26:49.720 --> 0:26:52.520
<v Speaker 1>Yeah, I mean, my favorite pearl clutching quote about bikinis

0:26:52.560 --> 0:26:56.240
<v Speaker 1>is from the actress and swimmer esther Williams, who compiented

0:26:56.280 --> 0:27:01.480
<v Speaker 1>that this is beautiful. A bikini is a thoughtless act period.

0:27:02.359 --> 0:27:05.960
<v Speaker 1>It's just incredible. And the really insane thing to me

0:27:06.040 --> 0:27:07.520
<v Speaker 1>is that there are still places in the world where

0:27:07.560 --> 0:27:10.560
<v Speaker 1>bikinis are banned. There is a city in Croatia where

0:27:10.560 --> 0:27:13.159
<v Speaker 1>you can be fined for walking the streets in a swimsuit,

0:27:13.480 --> 0:27:16.199
<v Speaker 1>in the Maldives where most public beaches are restricted to

0:27:16.240 --> 0:27:18.960
<v Speaker 1>one pieces, and there's a city in the UAE where

0:27:18.960 --> 0:27:22.480
<v Speaker 1>swimwear is banned entirely. And this is even true in

0:27:22.520 --> 0:27:26.080
<v Speaker 1>places in the good old US of A. In nineteen ninety,

0:27:26.160 --> 0:27:31.200
<v Speaker 1>the state of Florida banned thong bikinis from its state beaches,

0:27:31.560 --> 0:27:34.720
<v Speaker 1>and in January two thousand and five, the city of Melbourne, Florida,

0:27:34.720 --> 0:27:37.440
<v Speaker 1>followed suit. If you're caught wearing a thong in Melbourne,

0:27:37.520 --> 0:27:40.919
<v Speaker 1>you will owe five hundred dollars in fines and possibly

0:27:41.080 --> 0:27:44.840
<v Speaker 1>sixty days in prison, though I wonder how strictly this

0:27:44.920 --> 0:27:47.360
<v Speaker 1>rule is enforced on the On the flip side, there's

0:27:47.359 --> 0:27:50.680
<v Speaker 1>a beach in Egypt called La Femme which prohibits men

0:27:50.760 --> 0:27:56.159
<v Speaker 1>and cameras, so Muslim women can sunbathe without Oh yeah,

0:27:56.240 --> 0:27:58.359
<v Speaker 1>I think it was actually very recent that was. I

0:27:58.359 --> 0:28:01.800
<v Speaker 1>think it's actually a private beach that was opened I

0:28:01.880 --> 0:28:04.600
<v Speaker 1>want to sell me definitely in the two thousands, possibly

0:28:04.720 --> 0:28:05.600
<v Speaker 1>hold twenty tens.

0:28:05.720 --> 0:28:05.960
<v Speaker 3>Yeah.

0:28:06.280 --> 0:28:09.520
<v Speaker 2>Umm, and the Catholic Church really had it in for

0:28:09.560 --> 0:28:12.639
<v Speaker 2>bikinis at one point. The Vatican newspaper and this is

0:28:12.680 --> 0:28:15.680
<v Speaker 2>coming from a book called Bikini Story by an author

0:28:15.720 --> 0:28:18.240
<v Speaker 2>named Patrick alac So. I'm taking him at his word

0:28:18.240 --> 0:28:20.600
<v Speaker 2>for this, but this sounds made up. There is a

0:28:20.640 --> 0:28:24.240
<v Speaker 2>newspaper in the Vatican, the osservatori Romano, who wrote that

0:28:24.280 --> 0:28:27.560
<v Speaker 2>the four horsemen of the Apocalypse were alive and well

0:28:27.680 --> 0:28:29.840
<v Speaker 2>and had taken the form of the bikini.

0:28:30.280 --> 0:28:31.840
<v Speaker 1>I mean, yeah, that papal thing. It reminds me that

0:28:31.920 --> 0:28:34.639
<v Speaker 1>Lady Bruce quote, if your body's dirty, the fault.

0:28:34.400 --> 0:28:35.720
<v Speaker 3>Lies with the manufacturer.

0:28:36.240 --> 0:28:38.719
<v Speaker 1>So it's funny to me that the Vatican has its

0:28:38.800 --> 0:28:40.880
<v Speaker 1>problem with the human form.

0:28:41.040 --> 0:28:43.920
<v Speaker 2>Yeah, not like anything else was happening in the priesthood

0:28:43.960 --> 0:28:45.400
<v Speaker 2>throughout the twentieth century.

0:28:45.880 --> 0:28:46.080
<v Speaker 1>Umm.

0:28:46.960 --> 0:28:48.760
<v Speaker 2>And apparently at one point I was not able. This

0:28:48.800 --> 0:28:50.960
<v Speaker 2>is also from Alex book. I just wanted to put

0:28:50.960 --> 0:28:52.800
<v Speaker 2>this in here. It's hilarious. I wasn't able to find

0:28:52.800 --> 0:28:57.480
<v Speaker 2>out which communist group, but Apparently some communist group decried

0:28:57.800 --> 0:29:04.640
<v Speaker 2>bikinis as capitally decadence, and so a world turned its

0:29:04.680 --> 0:29:09.840
<v Speaker 2>horny eyes to America and the topic of this heading.

0:29:10.120 --> 0:29:11.840
<v Speaker 2>The heading that I used for this in the outlined

0:29:12.000 --> 0:29:19.920
<v Speaker 2>was pools rush in where angels fear to tread. But

0:29:20.040 --> 0:29:22.800
<v Speaker 2>because America is a terrible place soaked in the blood

0:29:22.840 --> 0:29:25.560
<v Speaker 2>of the innocent, it's impossible to discuss the rise of

0:29:25.600 --> 0:29:27.320
<v Speaker 2>the bikini without the rise of.

0:29:27.280 --> 0:29:28.360
<v Speaker 3>The private pool.

0:29:29.000 --> 0:29:32.560
<v Speaker 2>So white America's spending power and wealth was at its

0:29:32.560 --> 0:29:35.280
<v Speaker 2>concentrated peak following World War Two, because you have veterans

0:29:35.320 --> 0:29:37.920
<v Speaker 2>coming home on the GI Bill, able to enroll in college,

0:29:38.240 --> 0:29:41.480
<v Speaker 2>pick up higher paying jobs. And labor unions are at

0:29:41.480 --> 0:29:45.200
<v Speaker 2>their historical strongest in America, the strongest there to be.

0:29:45.200 --> 0:29:46.800
<v Speaker 2>This is the era of HOFA. This is the air

0:29:46.880 --> 0:29:50.320
<v Speaker 2>before you know what. Thirty years later Reagan comes in

0:29:50.360 --> 0:29:53.960
<v Speaker 2>and busts up the Air Controllers Union. Anyway, labor unions

0:29:54.000 --> 0:29:56.440
<v Speaker 2>are at their strongest peak. So money is good. There

0:29:56.440 --> 0:30:01.240
<v Speaker 2>are lots of jobs to go around because the industrial economy,

0:30:01.480 --> 0:30:04.640
<v Speaker 2>with cars all that good stuff, there's more money floating

0:30:04.680 --> 0:30:08.480
<v Speaker 2>around in the same people that have always had money, but.

0:30:08.840 --> 0:30:11.440
<v Speaker 1>All the infrastructure is put in place to basically make

0:30:11.440 --> 0:30:14.080
<v Speaker 1>the war effort happen with building planes and you know,

0:30:14.200 --> 0:30:16.720
<v Speaker 1>munitions and stuff. It's basically turn on a dime and

0:30:16.720 --> 0:30:19.479
<v Speaker 1>turn into making consumer goods cars like you mentioned, and

0:30:20.120 --> 0:30:21.520
<v Speaker 1>appliances and things like that.

0:30:22.160 --> 0:30:24.200
<v Speaker 2>And it's important to note that public pools had actually

0:30:24.240 --> 0:30:26.960
<v Speaker 2>been a big part of American urban culture until now,

0:30:27.360 --> 0:30:29.400
<v Speaker 2>and they weren't I don't want to say they weren't

0:30:29.440 --> 0:30:32.520
<v Speaker 2>even but they were actually desegregated until nineteen twenty.

0:30:32.600 --> 0:30:33.440
<v Speaker 3>Especially in the North.

0:30:34.120 --> 0:30:36.600
<v Speaker 2>You saw these big public pools where black people and

0:30:36.640 --> 0:30:40.400
<v Speaker 2>white people were swimming together. But around nineteen twenty you

0:30:40.400 --> 0:30:44.320
<v Speaker 2>start having all these morality scares and so they become segregated.

0:30:44.320 --> 0:30:46.560
<v Speaker 2>And that's what you see all these really heartrending pictures

0:30:46.600 --> 0:30:49.239
<v Speaker 2>of the you know, the Jim Crow era, of all

0:30:49.280 --> 0:30:51.160
<v Speaker 2>these white kids playing in pools and all these little

0:30:51.160 --> 0:30:54.600
<v Speaker 2>black kids up against the fence looking in brown versus

0:30:54.640 --> 0:30:59.040
<v Speaker 2>the Board of Education heavy air quotes officially end segregation

0:30:59.120 --> 0:31:02.600
<v Speaker 2>in schools and fifty four and pools are not exempt

0:31:02.640 --> 0:31:04.960
<v Speaker 2>from the struggles that are around that. Three years later,

0:31:05.000 --> 0:31:08.880
<v Speaker 2>in Marshall, Texas, there's an NAACP backed lawsuit where a

0:31:08.880 --> 0:31:10.920
<v Speaker 2>man was suing to try and integrate a brand new

0:31:10.920 --> 0:31:14.440
<v Speaker 2>swimming pool, and the judge admirably ruled in his favor,

0:31:14.720 --> 0:31:18.720
<v Speaker 2>at which point the citizens of Marshall voted seventeen hundred

0:31:18.720 --> 0:31:21.560
<v Speaker 2>and fifty eight to eighty nine to have the city

0:31:21.760 --> 0:31:27.240
<v Speaker 2>sell off the entirety of their recreational facilities rather than

0:31:27.400 --> 0:31:30.560
<v Speaker 2>integrate them. Let's burn it to the ground. Though they

0:31:30.600 --> 0:31:32.360
<v Speaker 2>didn't burn it to the ground. It went into private hands,

0:31:32.360 --> 0:31:36.280
<v Speaker 2>but they literally said let's sell everything rather than integrate it.

0:31:36.480 --> 0:31:38.760
<v Speaker 2>So the pool went to a local Lions club, which

0:31:38.800 --> 0:31:41.760
<v Speaker 2>subsequently and predictably opened it up as a white's only

0:31:41.840 --> 0:31:42.760
<v Speaker 2>private facility.

0:31:43.120 --> 0:31:45.480
<v Speaker 3>This country is garbage.

0:31:45.080 --> 0:31:47.280
<v Speaker 2>So by the mid fifties, what you get is a

0:31:47.320 --> 0:31:51.360
<v Speaker 2>lot of newly cash flush and mobile because cars mobile,

0:31:51.400 --> 0:31:55.360
<v Speaker 2>white families fleeing from urban centers. The Federal Aid Highway

0:31:55.360 --> 0:31:58.200
<v Speaker 2>Act of nineteen fifty six low cost mortgages to the

0:31:58.200 --> 0:32:02.520
<v Speaker 2>GI bill, and redlining, the racist practice of redlining, whereby

0:32:02.800 --> 0:32:06.680
<v Speaker 2>you know, certain areas were circled in red on federally

0:32:06.760 --> 0:32:11.560
<v Speaker 2>and internationally distributed maps that meant it was more desirable

0:32:11.600 --> 0:32:15.200
<v Speaker 2>to loan to people here and basically ensured that black

0:32:15.240 --> 0:32:17.920
<v Speaker 2>people couldn't get loans for homes. So that's how you

0:32:17.920 --> 0:32:21.280
<v Speaker 2>get the suburbs. People are fleeing urban centers. They're terrified

0:32:21.280 --> 0:32:23.880
<v Speaker 2>of segregation, they're spreading out. There's all this new housing

0:32:23.960 --> 0:32:27.240
<v Speaker 2>being built up. And then we get the rise of

0:32:27.240 --> 0:32:31.000
<v Speaker 2>the backyard pool culture. Think of your swinging cocktail parties,

0:32:31.040 --> 0:32:34.320
<v Speaker 2>you know, your John cheever on, we of the suburbs type,

0:32:34.760 --> 0:32:37.800
<v Speaker 2>mixing a picture of Martini's and beating your kids with

0:32:37.840 --> 0:32:40.640
<v Speaker 2>a belt and putting on some bing Crosby and.

0:32:40.720 --> 0:32:43.240
<v Speaker 3>Beating your kid with a barbecue di spatch, Like.

0:32:43.240 --> 0:32:45.960
<v Speaker 2>Yeah, yeah, if you beat your kid with a saca

0:32:46.080 --> 0:32:49.520
<v Speaker 2>sweet Valencia oranges, it won't make a bruise. I think

0:32:49.560 --> 0:32:53.200
<v Speaker 2>that's a family guy joke. So I don't know how

0:32:53.280 --> 0:32:57.120
<v Speaker 2>much of a joke it actually was, but yeah, yeah,

0:32:57.160 --> 0:32:59.640
<v Speaker 2>So this is all you have to keep this in

0:32:59.680 --> 0:33:04.040
<v Speaker 2>mind that there's the better technology, better construction, and cheaper materials.

0:33:04.080 --> 0:33:06.520
<v Speaker 2>So from nineteen fifty to two thousand, the number of

0:33:06.560 --> 0:33:09.200
<v Speaker 2>private pools in the US goes from twenty five hundred

0:33:09.400 --> 0:33:11.120
<v Speaker 2>to more than four million.

0:33:11.440 --> 0:33:11.760
<v Speaker 3>Wow.

0:33:11.840 --> 0:33:14.680
<v Speaker 2>This historian named Jeff Wiltsee writ in a two thousand

0:33:14.680 --> 0:33:17.640
<v Speaker 2>and seven book called Contested Waters, A Social History of

0:33:17.680 --> 0:33:20.320
<v Speaker 2>swimming Pools in America. All of this is to say

0:33:20.320 --> 0:33:22.120
<v Speaker 2>that you no longer have to bear your body at

0:33:22.160 --> 0:33:24.480
<v Speaker 2>a beach, lake or pond. Now you can do it

0:33:24.480 --> 0:33:29.520
<v Speaker 2>in your own backyard. And then the boob tube and

0:33:29.560 --> 0:33:31.840
<v Speaker 2>the boob screen and the boob page and the.

0:33:31.760 --> 0:33:32.760
<v Speaker 3>Boob radio hedge.

0:33:35.120 --> 0:33:37.800
<v Speaker 2>The French continue their campaign of horninas on the big

0:33:37.840 --> 0:33:40.840
<v Speaker 2>screen in the nineteen fifties. One of the big ground

0:33:40.920 --> 0:33:43.240
<v Speaker 2>zeros of the bikini on screen is in nineteen fifty

0:33:43.240 --> 0:33:46.200
<v Speaker 2>two when a seventeen year old Brigitte Bordeaux stars in

0:33:46.240 --> 0:33:50.000
<v Speaker 2>the French film Manina the Girl in the Bikini. Little

0:33:50.040 --> 0:33:52.200
<v Speaker 2>on the nose there, folks, but that's fine. And then

0:33:52.240 --> 0:33:54.600
<v Speaker 2>there's famous pictures of her apperion it Can the following

0:33:54.640 --> 0:33:57.560
<v Speaker 2>year in a Flora bikini, and then in nineteen fifty

0:33:57.600 --> 0:34:00.840
<v Speaker 2>six she appears in bikini again in the film and

0:34:00.920 --> 0:34:02.600
<v Speaker 2>God Created Women Woman.

0:34:02.800 --> 0:34:03.080
<v Speaker 3>Yeah.

0:34:03.240 --> 0:34:05.240
<v Speaker 1>This really went a long way into giving the bikini

0:34:05.320 --> 0:34:08.080
<v Speaker 1>sort of an air of sophistication and class and not

0:34:08.239 --> 0:34:10.920
<v Speaker 1>something that you know, burlesque.

0:34:11.160 --> 0:34:13.239
<v Speaker 3>Yeah exactly, yeah, yeah.

0:34:13.239 --> 0:34:15.680
<v Speaker 2>And then you start seeing the class of Hollywood pin

0:34:15.800 --> 0:34:19.520
<v Speaker 2>ups like a Gardner, Rita Hayworth, Lana Turner, Elizabeth Taylor,

0:34:19.600 --> 0:34:23.400
<v Speaker 2>Marilyn Monroe, Betty Grable. You start seeing them in bikinis

0:34:23.480 --> 0:34:24.800
<v Speaker 2>in promo shots.

0:34:25.200 --> 0:34:29.240
<v Speaker 1>And in the early sixties Emily Post the matron of manners.

0:34:29.360 --> 0:34:30.799
<v Speaker 3>Who what I mean?

0:34:31.040 --> 0:34:33.560
<v Speaker 1>Did she write books or have of a newspaper column.

0:34:33.600 --> 0:34:35.480
<v Speaker 1>I can't remember which, but I mean she was famously

0:34:35.560 --> 0:34:37.640
<v Speaker 1>like she was the person you looked to when you

0:34:37.680 --> 0:34:40.360
<v Speaker 1>wanted to know, like you know, how to set a

0:34:40.440 --> 0:34:43.440
<v Speaker 1>table properly, and how to you know all these really

0:34:44.160 --> 0:34:45.959
<v Speaker 1>specific rules.

0:34:45.600 --> 0:34:48.000
<v Speaker 3>Of social decorum. She was like the queen of that.

0:34:48.520 --> 0:34:51.040
<v Speaker 3>I hate this era of American Oh my god, the

0:34:51.080 --> 0:34:53.600
<v Speaker 3>good thing it's it's awful. I mean, it's horrifying.

0:34:54.760 --> 0:34:59.120
<v Speaker 1>She declared the bikini for perfect figures only and only

0:34:59.160 --> 0:35:02.279
<v Speaker 1>for the very but.

0:35:02.239 --> 0:35:04.319
<v Speaker 2>The rise of the Bikini was truly a full court

0:35:04.400 --> 0:35:09.000
<v Speaker 2>cross medium press. By nineteen sixty, Brian Hyland hits the charts,

0:35:09.080 --> 0:35:11.640
<v Speaker 2>hits number one with a bullet with one of my

0:35:11.760 --> 0:35:14.720
<v Speaker 2>least favorite songs of all time, a song I truly

0:35:14.800 --> 0:35:19.399
<v Speaker 2>detest with every single vibrating atom of my being. The

0:35:19.440 --> 0:35:23.040
<v Speaker 2>itsy bitsy teeny weeny yellow polka dot Bikini hits number

0:35:23.040 --> 0:35:26.040
<v Speaker 2>one on Billboard, although not the first version. A Swedish

0:35:26.080 --> 0:35:29.600
<v Speaker 2>artist named Lil Bobs Sure cut the first version in

0:35:29.680 --> 0:35:32.279
<v Speaker 2>nineteen fifty six. Jordan, what do you have to say

0:35:32.320 --> 0:35:35.120
<v Speaker 2>about this song? I have nothing but terrible things to

0:35:35.160 --> 0:35:37.279
<v Speaker 2>say about the song. I can't believe that hit number one.

0:35:37.400 --> 0:35:39.840
<v Speaker 2>I mean, this isn't like the real novelty song era.

0:35:40.520 --> 0:35:45.040
<v Speaker 1>Yeah, this was Hello Mother, Hello Fodder Camp Grenada came

0:35:45.080 --> 0:35:45.799
<v Speaker 1>out around now.

0:35:45.840 --> 0:35:49.200
<v Speaker 3>I feel like, yeah, this is a low.

0:35:49.000 --> 0:35:53.920
<v Speaker 1>Ebb before the Beatles came and rescued us all from

0:35:53.960 --> 0:35:55.080
<v Speaker 1>novelty numbers. Ah.

0:35:55.160 --> 0:35:59.640
<v Speaker 2>There it is nineteen sixty two, Big year for the bikini.

0:36:00.040 --> 0:36:02.960
<v Speaker 2>Playboy first features a bikini on its cover in nineteen

0:36:03.000 --> 0:36:07.400
<v Speaker 2>sixty two, and also to the big screen. Ursula Andres

0:36:07.600 --> 0:36:10.319
<v Speaker 2>strolls out of the ocean and into immortality when she

0:36:10.360 --> 0:36:13.280
<v Speaker 2>appears as the first bond Girl honey Rider in nineteen

0:36:13.360 --> 0:36:16.640
<v Speaker 2>sixty Two's Doctor No in that white bikini. It's a

0:36:16.640 --> 0:36:19.600
<v Speaker 2>belted white bikini. She's got the skin diver's knife on it.

0:36:19.640 --> 0:36:23.360
<v Speaker 2>Subsequently becomes known as the Doctor No bikini. And Andres

0:36:23.640 --> 0:36:26.160
<v Speaker 2>she has better feelings about this than Raquel Welch. I'll say,

0:36:26.719 --> 0:36:28.799
<v Speaker 2>and just said that she owed her career to that

0:36:28.800 --> 0:36:31.960
<v Speaker 2>white bikini. And she remarked this bikini has made me

0:36:32.000 --> 0:36:34.640
<v Speaker 2>into a success. As a result of starring in Doctor

0:36:34.680 --> 0:36:36.640
<v Speaker 2>No as the first bond girl, I was given the

0:36:36.640 --> 0:36:38.880
<v Speaker 2>freedom to take my pick of future roles and to

0:36:38.920 --> 0:36:43.240
<v Speaker 2>become financially independent, which bravo. It's sold for a ritzy

0:36:43.440 --> 0:36:46.280
<v Speaker 2>sixty thousand dollars at a Christie's auction in two thousand

0:36:46.280 --> 0:36:49.719
<v Speaker 2>and one. Also in nineteen sixty two, we have Sue

0:36:49.800 --> 0:36:52.239
<v Speaker 2>lyons we're in a bikini in Lolita, but we are

0:36:52.280 --> 0:36:54.720
<v Speaker 2>not going to go there. The other thing that's important

0:36:54.760 --> 0:36:57.120
<v Speaker 2>to keep in mind in this time in American culture

0:36:57.280 --> 0:37:00.400
<v Speaker 2>is that the big development in mid century American life

0:37:00.440 --> 0:37:05.239
<v Speaker 2>is the rise of the teen Before industrialization and sort

0:37:05.280 --> 0:37:08.880
<v Speaker 2>of concentrated urban living and jobs and factories and all this,

0:37:09.040 --> 0:37:12.000
<v Speaker 2>the concept of being a teenager was not It did

0:37:12.040 --> 0:37:14.120
<v Speaker 2>not really exist. As soon as you were old enough

0:37:14.120 --> 0:37:15.839
<v Speaker 2>to help work on the farm or help work out

0:37:15.880 --> 0:37:18.280
<v Speaker 2>the business, that's what you did, and then you got married,

0:37:18.520 --> 0:37:21.319
<v Speaker 2>begat more laborers, and then you died from brucellosis at

0:37:21.360 --> 0:37:23.960
<v Speaker 2>the age of forty, as God intended. So there's no

0:37:24.040 --> 0:37:26.920
<v Speaker 2>there was no this notion of this transitory phase where

0:37:26.960 --> 0:37:29.040
<v Speaker 2>you're not quite a kid, but you're not quite an adult.

0:37:29.120 --> 0:37:32.280
<v Speaker 2>Not really as much of a thing, but changing societal mores,

0:37:32.320 --> 0:37:35.720
<v Speaker 2>including you know, educational laws that keep kids in school longer,

0:37:35.960 --> 0:37:38.640
<v Speaker 2>increased cash trickling down to them. You know, parents are

0:37:38.640 --> 0:37:41.279
<v Speaker 2>cash flush, so kids get an allowance, so they get

0:37:41.280 --> 0:37:44.640
<v Speaker 2>spending power, which of course is political power in the country.

0:37:44.640 --> 0:37:46.040
<v Speaker 3>So there are all of a sudden the market force.

0:37:46.200 --> 0:37:50.279
<v Speaker 2>So not only teenagers are a sudden distinct demographic, but

0:37:50.400 --> 0:37:53.160
<v Speaker 2>now there's money to be made in catering to them.

0:37:53.320 --> 0:37:55.440
<v Speaker 2>And I know this is a bit more of a

0:37:55.480 --> 0:37:58.160
<v Speaker 2>point of expertise for you than it is me. So Jordan,

0:37:58.280 --> 0:37:59.560
<v Speaker 2>take it away that there.

0:37:59.480 --> 0:38:03.040
<v Speaker 1>Are artists that were traditionally seen as for young people

0:38:03.120 --> 0:38:05.880
<v Speaker 1>dating back. I mean, I'm sure to you know, the

0:38:05.920 --> 0:38:07.920
<v Speaker 1>beginning of time, but I mean you got your your

0:38:07.920 --> 0:38:11.120
<v Speaker 1>Frank Sinatra's and the Bobby Soxxers, and the fortieses a

0:38:11.440 --> 0:38:15.239
<v Speaker 1>big band artists like Tommy Dorsey and Glenn Miller and

0:38:15.280 --> 0:38:17.720
<v Speaker 1>Benny Goodman, all those kinds of people. But here, really

0:38:17.719 --> 0:38:19.680
<v Speaker 1>in the late fifties and early sixties, you have the

0:38:19.760 --> 0:38:22.000
<v Speaker 1>rise of sort of the teen idols. You have shows

0:38:22.040 --> 0:38:28.200
<v Speaker 1>like American Bandstand and this whole rush of teen movies. Specifically,

0:38:28.239 --> 0:38:29.560
<v Speaker 1>we mentioned this at the top of the episode, the

0:38:29.560 --> 0:38:34.560
<v Speaker 1>sort of the whole beach Party phenomenon, starring specifically Frankie Avalon,

0:38:34.719 --> 0:38:36.759
<v Speaker 1>who was a singer at the time. He had a

0:38:36.800 --> 0:38:39.160
<v Speaker 1>big hit in I think nineteen sixty or sixty one

0:38:39.200 --> 0:38:42.000
<v Speaker 1>with Venus and a net Funicello and a net Funicelle.

0:38:42.040 --> 0:38:42.960
<v Speaker 3>Is really interesting.

0:38:42.680 --> 0:38:46.040
<v Speaker 1>Because she was she was in Disney's Mickey Mouse Club,

0:38:46.360 --> 0:38:49.440
<v Speaker 1>and so she was a kid that all the kids

0:38:49.440 --> 0:38:51.880
<v Speaker 1>of the fifties grew up with, and so she was

0:38:51.880 --> 0:38:53.640
<v Speaker 1>somebody who I'm trying to think of who our equivalent

0:38:53.680 --> 0:38:56.120
<v Speaker 1>would be now, I mean somebody that, like you knew

0:38:56.320 --> 0:38:58.799
<v Speaker 1>as like a child star that then kind of grew

0:38:58.880 --> 0:39:00.360
<v Speaker 1>up so she had a real be.

0:39:00.360 --> 0:39:03.440
<v Speaker 3>Like Hannah Montana, Right, Yeah, that's good. That's a good example.

0:39:03.480 --> 0:39:06.280
<v Speaker 1>I mean, somebody that really like had a really special

0:39:06.320 --> 0:39:09.319
<v Speaker 1>place in the heart of the baby boomer kids at

0:39:09.360 --> 0:39:11.240
<v Speaker 1>this time because they all kind of grew up together.

0:39:11.560 --> 0:39:13.719
<v Speaker 1>So if Frankie Avalon and at Fudaicello are kind of

0:39:13.760 --> 0:39:16.359
<v Speaker 1>the king and queen of these Beach Party movies, they

0:39:16.560 --> 0:39:19.879
<v Speaker 1>star in the vast majority of them. The studio that's

0:39:19.920 --> 0:39:22.360
<v Speaker 1>mainly responsible for making the kind of the official canon

0:39:22.400 --> 0:39:25.600
<v Speaker 1>one is called American International pictures and there's seven of them,

0:39:25.880 --> 0:39:28.200
<v Speaker 1>but there's all sorts of like off market ones as well,

0:39:28.480 --> 0:39:30.880
<v Speaker 1>and they all have hilarious names like you know, doctor

0:39:30.920 --> 0:39:33.560
<v Speaker 1>Goldfoot and the Bikini Machine and how to Stuff a

0:39:33.560 --> 0:39:35.840
<v Speaker 1>Wild Bikini. I think they almost all have bikini in

0:39:35.880 --> 0:39:36.200
<v Speaker 1>the name.

0:39:36.560 --> 0:39:37.239
<v Speaker 3>And yeah, and this is.

0:39:37.239 --> 0:39:39.200
<v Speaker 1>The part of the episode where Shuhorn in a whole

0:39:39.200 --> 0:39:43.160
<v Speaker 1>bit about the southern California myth popularized in the early

0:39:43.200 --> 0:39:46.000
<v Speaker 1>sixties by not only these beach party movies, but then

0:39:46.000 --> 0:39:47.879
<v Speaker 1>you get the songs to the Beach Boys and Jan

0:39:48.000 --> 0:39:51.200
<v Speaker 1>and Dean, where if you were a kid in the

0:39:51.200 --> 0:39:54.560
<v Speaker 1>Midwest and you were existing on a diet of like,

0:39:54.719 --> 0:39:56.600
<v Speaker 1>you know, whatever was being fed to you as sort

0:39:56.600 --> 0:39:59.520
<v Speaker 1>of stuff for teens movies and music, you would have

0:39:59.600 --> 0:40:02.239
<v Speaker 1>this concent of California being a place where all the

0:40:02.280 --> 0:40:05.279
<v Speaker 1>guys were basically walking surfboards and all the women were

0:40:05.600 --> 0:40:08.400
<v Speaker 1>blondes and bikinis and everybody was eating burgers and cherry

0:40:08.440 --> 0:40:10.960
<v Speaker 1>cokes and drove around in convertibles and surfed all day

0:40:11.320 --> 0:40:15.600
<v Speaker 1>and essentially it's the popular face of teenage consumerism. To

0:40:15.640 --> 0:40:17.680
<v Speaker 1>get it back to the you know, the point of

0:40:17.680 --> 0:40:20.360
<v Speaker 1>this episode of Bikinis, there was a movie.

0:40:21.200 --> 0:40:22.480
<v Speaker 3>It wasn't one of the sort of the.

0:40:22.480 --> 0:40:24.719
<v Speaker 1>Main beach party movies, but there was one called for

0:40:24.800 --> 0:40:28.040
<v Speaker 1>those who think young and not. Sort of the ethos

0:40:28.040 --> 0:40:30.080
<v Speaker 1>of all these movies. They say that probably more than.

0:40:29.960 --> 0:40:32.840
<v Speaker 3>Any singular pop cultural phenomenon.

0:40:32.520 --> 0:40:35.440
<v Speaker 1>These beach party movies probably made the bikini more acceptable

0:40:35.480 --> 0:40:38.440
<v Speaker 1>to the mainstream. If the Hollywood starlets took it out

0:40:38.480 --> 0:40:41.480
<v Speaker 1>of the realm of the burlesque, these beach party movies

0:40:41.520 --> 0:40:44.160
<v Speaker 1>made it something that acceptable for kids, and it wasn't

0:40:44.200 --> 0:40:48.600
<v Speaker 1>something that felt very adult and very like inappropriate. Suddenly

0:40:48.600 --> 0:40:50.840
<v Speaker 1>it was something that felt a lot more fun, although

0:40:50.920 --> 0:40:53.600
<v Speaker 1>Disney didn't think so. I guess Disney had very strict

0:40:53.680 --> 0:40:57.120
<v Speaker 1>rules about what because of net Funacello again was signed

0:40:57.160 --> 0:40:59.479
<v Speaker 1>to Disney for her time in The Mickey Mouse Club.

0:41:00.000 --> 0:41:01.480
<v Speaker 3>She had very specific.

0:41:01.120 --> 0:41:03.040
<v Speaker 2>Rules about what kind of bikini she was allowed to wear,

0:41:03.080 --> 0:41:06.040
<v Speaker 2>because Old Walt held her to her morals clause in

0:41:06.080 --> 0:41:07.160
<v Speaker 2>her Disney contract.

0:41:07.560 --> 0:41:10.080
<v Speaker 3>But yeah, and it's fine.

0:41:10.120 --> 0:41:11.799
<v Speaker 2>I mean, you get the whole notion too, Like in

0:41:11.840 --> 0:41:13.960
<v Speaker 2>this whole area and era, you know, the Beatles are

0:41:13.960 --> 0:41:17.600
<v Speaker 2>coming over and sort of pushing the envelope where they

0:41:17.640 --> 0:41:20.520
<v Speaker 2>can with the hair, and you know it is the

0:41:20.560 --> 0:41:24.279
<v Speaker 2>whole period that every hagiographic concept of the of the

0:41:24.360 --> 0:41:27.279
<v Speaker 2>sixties will drill into your head, which is.

0:41:27.200 --> 0:41:32.279
<v Speaker 3>That societal mores were changing, but you know they were.

0:41:35.160 --> 0:41:38.560
<v Speaker 2>And that brings us to the most iconic bikini of

0:41:38.600 --> 0:41:41.040
<v Speaker 2>the nineteen sixties. Some people might argue with me, those

0:41:41.040 --> 0:41:45.720
<v Speaker 2>people are wrong. Were quel In Welch that deer skin

0:41:45.960 --> 0:41:49.680
<v Speaker 2>bikini from one million years BC and the poster of

0:41:49.719 --> 0:41:52.400
<v Speaker 2>her It's one of the most defining images of the

0:41:52.480 --> 0:41:55.040
<v Speaker 2>nineteen sixties. No less an authority than The New York

0:41:55.040 --> 0:41:59.160
<v Speaker 2>Times described Welch in the film as a marvelous, breathing

0:41:59.280 --> 0:42:02.759
<v Speaker 2>monument to womankind. I could not find out who wrote that.

0:42:02.880 --> 0:42:08.680
<v Speaker 2>I don't think it was Pauline Kale. That costume was

0:42:08.719 --> 0:42:11.400
<v Speaker 2>not so much sewn as it was sculpted.

0:42:11.480 --> 0:42:11.640
<v Speaker 3>Well.

0:42:11.719 --> 0:42:14.040
<v Speaker 2>She said that the costumer for the film, Carl Toms,

0:42:14.160 --> 0:42:17.240
<v Speaker 2>just draped her in deer skin and sort of cut

0:42:17.280 --> 0:42:21.279
<v Speaker 2>around with scissors. I probably shouldn't be leering at this

0:42:21.320 --> 0:42:23.040
<v Speaker 2>too too much, because she had. She did say in

0:42:23.080 --> 0:42:26.440
<v Speaker 2>twenty twelve that she never wanted to wear it, and

0:42:26.560 --> 0:42:29.600
<v Speaker 2>so much to the point where she turned down half

0:42:29.640 --> 0:42:32.120
<v Speaker 2>a mill to be in another one of these movies

0:42:33.239 --> 0:42:36.759
<v Speaker 2>and classic Hollywood. They didn't let her keep it. They

0:42:36.840 --> 0:42:41.320
<v Speaker 2>just realtered it, presumably again with scissors, to be reused

0:42:41.360 --> 0:42:43.360
<v Speaker 2>in a movie two years later called Eve.

0:42:43.960 --> 0:42:45.960
<v Speaker 1>That makes me really sad for a bunch of reasons.

0:42:46.000 --> 0:42:48.359
<v Speaker 1>One that she really hated doing it, and that makes

0:42:48.400 --> 0:42:50.960
<v Speaker 1>me sad, And I'm also really sad that they tampered

0:42:51.000 --> 0:42:54.040
<v Speaker 1>with this iconic bit of movie history. I feel like

0:42:54.080 --> 0:42:57.319
<v Speaker 1>every episode we do the Harrison Ford Indiana Jones it

0:42:57.360 --> 0:43:00.160
<v Speaker 1>belongs to a museum. But I mean, for real, though,

0:43:01.080 --> 0:43:03.600
<v Speaker 1>My favorite little tangent about one million years BC and

0:43:03.640 --> 0:43:05.920
<v Speaker 1>the whole sort of press scrum around it, was that

0:43:05.960 --> 0:43:08.719
<v Speaker 1>one of the promo photos featured Verkel Welch in the

0:43:08.719 --> 0:43:09.760
<v Speaker 1>fur outfit.

0:43:09.680 --> 0:43:10.720
<v Speaker 3>On a crucifix.

0:43:11.160 --> 0:43:12.440
<v Speaker 1>Have you ever seen this picture?

0:43:12.760 --> 0:43:14.680
<v Speaker 3>That is wild? Yeah.

0:43:14.719 --> 0:43:18.200
<v Speaker 1>They should not have done that, No, I mean predicably.

0:43:18.320 --> 0:43:21.520
<v Speaker 1>This photo was not released at the time. It was

0:43:21.560 --> 0:43:24.960
<v Speaker 1>actually hidden for thirty years, and it was taken by

0:43:24.960 --> 0:43:30.200
<v Speaker 1>the legendary photographer Terry O'Neil, who explained this unorthodox tableau.

0:43:30.320 --> 0:43:33.680
<v Speaker 1>He said, I wanted to symbolize the dilemma facing Welsh

0:43:33.840 --> 0:43:37.080
<v Speaker 1>as the female sex symbol of the decade, crucified for

0:43:37.120 --> 0:43:40.080
<v Speaker 1>her sexuality by the movie industry and the wider public

0:43:40.280 --> 0:43:43.040
<v Speaker 1>who did not take her seriously as an actress. And

0:43:43.120 --> 0:43:46.760
<v Speaker 1>something I think also interesting, the photo is apparently framed

0:43:46.800 --> 0:43:47.080
<v Speaker 1>in a.

0:43:47.040 --> 0:43:49.319
<v Speaker 3>Spot of honor at Chloe Kardashian's house.

0:43:51.719 --> 0:43:53.560
<v Speaker 2>And having said all that, we'll be right back with

0:43:53.640 --> 0:44:08.120
<v Speaker 2>more too much information right after this. Other famous bikinis

0:44:08.239 --> 0:44:11.719
<v Speaker 2>on screen Gloria Hendry in Live and Let Die in

0:44:11.800 --> 0:44:14.759
<v Speaker 2>nineteen seventy three. She gets an honorable mention because even

0:44:14.800 --> 0:44:16.520
<v Speaker 2>if the design of the bikini in the film wasn't

0:44:16.560 --> 0:44:19.640
<v Speaker 2>especially notable, she was the first black bond girl. Also

0:44:19.680 --> 0:44:22.520
<v Speaker 2>from that same year, Pam Greer in Coffee. She's wearing

0:44:22.520 --> 0:44:25.200
<v Speaker 2>a white bikini poolside, and that pretty much. She had

0:44:25.239 --> 0:44:29.000
<v Speaker 2>been in a bunch of lower tier exploitation films prior

0:44:29.040 --> 0:44:33.600
<v Speaker 2>to that, but Coffee is really what launches her into

0:44:33.600 --> 0:44:38.239
<v Speaker 2>the zeitgeist, along with Foxy Brown. Yeah, pamgrea rules, I

0:44:38.360 --> 0:44:41.600
<v Speaker 2>didn't know this. Jacqueline Smith caused some controversy because one

0:44:41.640 --> 0:44:44.000
<v Speaker 2>of the nineteen seventy six promotional photos that went out

0:44:44.000 --> 0:44:47.800
<v Speaker 2>for Charlie's Angels her other fair Faucet.

0:44:47.400 --> 0:44:49.240
<v Speaker 3>And the other one.

0:44:52.040 --> 0:44:55.080
<v Speaker 2>Thousand and aven well whatever the other one, they were

0:44:55.120 --> 0:44:57.720
<v Speaker 2>fully clothed and Jacqueline Smith is wearing a white bikini

0:44:57.800 --> 0:45:00.279
<v Speaker 2>standing next to them. But that thunder God stole and

0:45:00.440 --> 0:45:04.600
<v Speaker 2>right quick, because Farah Faust jumps into her red one

0:45:04.640 --> 0:45:08.640
<v Speaker 2>piece to promote the show, and probably the second best

0:45:08.640 --> 0:45:12.160
<v Speaker 2>selling poster in the history of cheesecake posters is launched.

0:45:12.680 --> 0:45:14.040
<v Speaker 3>Well what we got next?

0:45:14.080 --> 0:45:15.959
<v Speaker 2>We got oh Phoebe Kate's coming Out of the Pool

0:45:16.000 --> 0:45:19.400
<v Speaker 2>in nineteen eighty twos Fast Times at Ridgemont High the

0:45:19.480 --> 0:45:23.280
<v Speaker 2>car's song moving in stereo obviously an all time moment

0:45:23.320 --> 0:45:24.719
<v Speaker 2>for the film.

0:45:25.640 --> 0:45:27.359
<v Speaker 3>Kate's this is kind of complicated.

0:45:27.680 --> 0:45:30.360
<v Speaker 2>She has good memories of making this film, but she

0:45:30.480 --> 0:45:33.879
<v Speaker 2>had done a film just before this called Paradise, which

0:45:33.920 --> 0:45:37.719
<v Speaker 2>had also nudity in it, from her at just seventeen,

0:45:38.239 --> 0:45:40.160
<v Speaker 2>and she did not feel very good about doing that

0:45:40.200 --> 0:45:41.799
<v Speaker 2>film because I guess it was like a darker, more

0:45:41.880 --> 0:45:44.680
<v Speaker 2>drama thing. So this one felt like more lighthearted into comparison.

0:45:44.719 --> 0:45:47.640
<v Speaker 2>But you know, she did end up retiring in the nineties,

0:45:47.760 --> 0:45:51.799
<v Speaker 2>and so I feel it feels gross, is all I'll say.

0:45:51.920 --> 0:45:52.560
<v Speaker 2>Full stop.

0:45:52.880 --> 0:45:55.400
<v Speaker 1>She comes to a very quite an interesting show of

0:45:55.480 --> 0:45:58.000
<v Speaker 1>his family. I think her dad created the sixty four

0:45:58.040 --> 0:45:59.279
<v Speaker 1>thousand dollars question.

0:46:01.960 --> 0:46:05.000
<v Speaker 2>One year after Fast Times, we get Carrie Fisher in

0:46:05.080 --> 0:46:08.760
<v Speaker 2>the what has passed into the lexicon as slave layout,

0:46:08.760 --> 0:46:10.840
<v Speaker 2>which is a little unfortunate in return of the Jedi,

0:46:11.040 --> 0:46:14.960
<v Speaker 2>the metal bikini and the maroon skirt situation designed by

0:46:15.040 --> 0:46:19.360
<v Speaker 2>Aggie Gerrard Rogers, who has done a ton of stuff,

0:46:19.840 --> 0:46:23.200
<v Speaker 2>American graffiti, The Conversation One flew Over, The Cuckoo's Nest, Cocoon,

0:46:23.320 --> 0:46:26.640
<v Speaker 2>Pee's Big Venture, the Color Purple, the Witches of Eastwick, Beetlejuice,

0:46:26.640 --> 0:46:31.280
<v Speaker 2>the Fugitive, Mister Holland's opis the rain Maker, the holy Man?

0:46:32.000 --> 0:46:35.520
<v Speaker 1>Why did you end with the holy Man's ay Murphy movie?

0:46:35.560 --> 0:46:37.399
<v Speaker 2>It is, yeah, I think I put that in as

0:46:37.560 --> 0:46:40.000
<v Speaker 2>a punchline after all of this other iconic stuff that

0:46:40.080 --> 0:46:40.840
<v Speaker 2>they've done.

0:46:41.560 --> 0:46:43.600
<v Speaker 3>So they were working at Island.

0:46:43.680 --> 0:46:46.200
<v Speaker 2>Was where that that gout design which is course Industrial

0:46:46.239 --> 0:46:50.279
<v Speaker 2>Light Magic, George Lucas's SFX company. This was done from

0:46:50.280 --> 0:46:53.560
<v Speaker 2>sketches by Nilo Rodis Jammero Yamero.

0:46:55.000 --> 0:46:55.920
<v Speaker 3>Fisher had to wear.

0:46:55.800 --> 0:46:58.960
<v Speaker 2>An actual bronze one of the thing for still shots,

0:46:59.320 --> 0:47:01.360
<v Speaker 2>but there were other versions of it made and plastic

0:47:01.400 --> 0:47:04.920
<v Speaker 2>and rubber for when she has to move with her

0:47:05.040 --> 0:47:08.440
<v Speaker 2>characteristic rapier wit. She said of the bikini. If you

0:47:08.520 --> 0:47:12.799
<v Speaker 2>stood behind me, you could see straight to Florida. You'll

0:47:12.840 --> 0:47:17.000
<v Speaker 2>have to ask Boba Fette about that. And then she

0:47:17.120 --> 0:47:20.840
<v Speaker 2>also called it what supermodels will eventually wear in the

0:47:20.920 --> 0:47:22.120
<v Speaker 2>seventh level of hell.

0:47:24.960 --> 0:47:27.880
<v Speaker 1>I don't like this. I remember seeing that as a

0:47:27.960 --> 0:47:30.880
<v Speaker 1>kid and thinking that it just felt wrong that she

0:47:31.080 --> 0:47:33.959
<v Speaker 1>was forced just the Kirr character, was forced to wear

0:47:34.000 --> 0:47:37.400
<v Speaker 1>that by this big creepy blob. And now as an

0:47:37.440 --> 0:47:39.680
<v Speaker 1>older person, I mean, I don't know enough about Star

0:47:39.680 --> 0:47:42.120
<v Speaker 1>Wars to speak to this with any level of expertise,

0:47:42.160 --> 0:47:45.279
<v Speaker 1>but it sounds like George Lucas was kind of a

0:47:45.320 --> 0:47:46.960
<v Speaker 1>creep when it came to Kerrie Fisher.

0:47:47.200 --> 0:47:48.160
<v Speaker 3>Yeah, I know, sure.

0:47:48.880 --> 0:47:53.200
<v Speaker 1>She roasted him at his AFI tribute and she mentioned

0:47:53.320 --> 0:47:56.080
<v Speaker 1>sort of stuff like you just said about this unpleasant

0:47:56.120 --> 0:47:59.000
<v Speaker 1>experience wearing this thing, and it seemed like there was

0:47:59.040 --> 0:48:01.200
<v Speaker 1>like everyone laughed, but it seemed like there was genuine

0:48:01.239 --> 0:48:03.920
<v Speaker 1>anger there. And she's often told the story about how

0:48:04.200 --> 0:48:05.640
<v Speaker 1>when she showed up on the set for the first

0:48:05.640 --> 0:48:08.239
<v Speaker 1>time in her Princess Leiah outfit, like the white wrap thing,

0:48:08.840 --> 0:48:10.239
<v Speaker 1>and he took one look at her and said, you're

0:48:10.239 --> 0:48:10.840
<v Speaker 1>wearing underwear.

0:48:10.840 --> 0:48:12.520
<v Speaker 3>You're gonna have to take that off, and she said

0:48:12.800 --> 0:48:13.919
<v Speaker 3>why and.

0:48:13.920 --> 0:48:17.080
<v Speaker 1>George said with the most conviction that she said made

0:48:17.120 --> 0:48:19.440
<v Speaker 1>her laugh because there's no underwear in space.

0:48:20.480 --> 0:48:22.480
<v Speaker 3>It's just an insane thing to say.

0:48:23.600 --> 0:48:25.960
<v Speaker 1>And they also had that cameo in Hooked Together where

0:48:26.000 --> 0:48:28.200
<v Speaker 1>they played that couple kissing on the bridge who get

0:48:28.239 --> 0:48:30.200
<v Speaker 1>sprinkled with fairy ghost and then float away.

0:48:30.400 --> 0:48:32.400
<v Speaker 3>So I'm really confused about that relationship.

0:48:32.400 --> 0:48:36.399
<v Speaker 1>If it was like playful or if it was there

0:48:36.440 --> 0:48:38.400
<v Speaker 1>was a creepy edge to it, I don't know.

0:48:38.440 --> 0:48:41.560
<v Speaker 2>So I I you know, I did looked at way

0:48:41.600 --> 0:48:44.400
<v Speaker 2>too many listicals that were like the most iconic swimsuits

0:48:44.400 --> 0:48:45.800
<v Speaker 2>in film and television, and.

0:48:45.719 --> 0:48:48.319
<v Speaker 3>I probably wrote some of those for VH. Yeah, oh same.

0:48:48.880 --> 0:48:50.839
<v Speaker 2>I feel like the rest of the eighties is kind

0:48:50.880 --> 0:48:53.879
<v Speaker 2>of overlooked, but you know, the big ones that always

0:48:53.920 --> 0:48:56.239
<v Speaker 2>pop up again is the high cut one piece that

0:48:56.360 --> 0:49:01.239
<v Speaker 2>Pamela Anderson primarily but also Carmen Electra on Bay. And

0:49:01.280 --> 0:49:03.759
<v Speaker 2>then once we get into the nineties, I don't like

0:49:03.840 --> 0:49:07.000
<v Speaker 2>getting into this hole, like this actress past the age

0:49:07.000 --> 0:49:11.000
<v Speaker 2>of thirty looks amazing in a bikini, but Angela Bassett's

0:49:11.000 --> 0:49:13.320
<v Speaker 2>pink bikini and how Stella got her groove back in

0:49:13.400 --> 0:49:15.359
<v Speaker 2>nineteen ninety eight is one of the ones that's most

0:49:15.360 --> 0:49:18.920
<v Speaker 2>frequently mentioned in that That movie, I guess is something

0:49:18.960 --> 0:49:21.960
<v Speaker 2>of a groundbreaking one for it's like that and the

0:49:22.000 --> 0:49:24.480
<v Speaker 2>graduate for advancing the cougar narrative.

0:49:25.600 --> 0:49:27.520
<v Speaker 3>I guess, Oh.

0:49:27.719 --> 0:49:29.280
<v Speaker 1>I just forgetting American Pie.

0:49:29.320 --> 0:49:34.440
<v Speaker 2>But okay, oh yeah, duh, American Pie was what two

0:49:34.480 --> 0:49:38.680
<v Speaker 2>years later ninety nine? Okay, And I just like the

0:49:38.680 --> 0:49:41.840
<v Speaker 2>one that Tara Reid wears in Big Lebowski as Bunny Glebowski.

0:49:42.000 --> 0:49:45.359
<v Speaker 2>The Green One. Halle Berry deserves.

0:49:45.080 --> 0:49:45.839
<v Speaker 3>An honorable mention.

0:49:46.000 --> 0:49:49.320
<v Speaker 2>Yeah, for wearing an updated version of the ursula andres bikini,

0:49:49.400 --> 0:49:51.919
<v Speaker 2>this time in an orange which is probably the only

0:49:51.960 --> 0:49:54.760
<v Speaker 2>thing anyone remembers from Die Another Day in two thousand

0:49:54.760 --> 0:49:58.160
<v Speaker 2>and two. I have stopped caring about this segment the

0:49:58.200 --> 0:50:01.560
<v Speaker 2>cast of spring Breakers. I don't know, it's interesting because

0:50:01.600 --> 0:50:04.600
<v Speaker 2>there's a longer conversation to be had for a different podcast.

0:50:04.680 --> 0:50:06.879
<v Speaker 2>But I kind of assume like the notion of like

0:50:07.000 --> 0:50:09.880
<v Speaker 2>an iconic piece of swimmer in media kind of starts

0:50:09.920 --> 0:50:12.719
<v Speaker 2>to fall off with social media, you know.

0:50:13.200 --> 0:50:14.680
<v Speaker 1>Or the Internet, I don't know where.

0:50:14.840 --> 0:50:15.959
<v Speaker 3>Yeah, yeah, it's true.

0:50:16.040 --> 0:50:18.560
<v Speaker 2>You stop having to like people stop talking about like oh,

0:50:18.600 --> 0:50:20.640
<v Speaker 2>you gotta see like we're Cole Wilch in this movie.

0:50:20.640 --> 0:50:22.160
<v Speaker 2>Once it was just like I can just open my

0:50:22.160 --> 0:50:25.600
<v Speaker 2>phone and be flooded with every conceivable perversion that it

0:50:25.680 --> 0:50:28.879
<v Speaker 2>could I could ever dream for. But there's one last

0:50:28.880 --> 0:50:34.000
<v Speaker 2>bit of swimwear ef Eemera in the Monoculture. And now

0:50:34.000 --> 0:50:36.080
<v Speaker 2>we're getting into a segment that I like to call

0:50:36.160 --> 0:50:38.319
<v Speaker 2>what we talk about when we talk about Thong song.

0:50:39.600 --> 0:50:43.239
<v Speaker 2>You can't get to Thong song without going through that thing.

0:50:43.360 --> 0:50:46.759
<v Speaker 2>Itsy bitsy song to the first big novelty hit with

0:50:46.840 --> 0:50:51.160
<v Speaker 2>bikini in the title, probably the biggest Beach Boys California.

0:50:50.640 --> 0:50:53.440
<v Speaker 3>Girls one, Yeah, Yeah, Yeah.

0:50:53.520 --> 0:50:55.000
<v Speaker 2>I just want to bring up the Cramps, who have

0:50:55.040 --> 0:50:57.920
<v Speaker 2>a song called Bikini Girls with Machine Guns because Cramp's

0:50:57.960 --> 0:51:01.000
<v Speaker 2>rule bikini Kill is also coming up through the nineties.

0:51:01.960 --> 0:51:04.480
<v Speaker 2>Their name was inspired by a nineteen sixty seven B

0:51:04.600 --> 0:51:07.640
<v Speaker 2>movie called The Million Eyes of Sumuru.

0:51:07.680 --> 0:51:09.880
<v Speaker 3>Starring Frankie Avalon. Baby.

0:51:09.880 --> 0:51:12.759
<v Speaker 2>It all comes full circle, But I would argue that

0:51:12.800 --> 0:51:16.200
<v Speaker 2>the high water mark pun fully intended for the Bikini's

0:51:16.239 --> 0:51:21.440
<v Speaker 2>impact on music is Cisco's Deathless Jam Thong Song. There

0:51:21.520 --> 0:51:24.239
<v Speaker 2>is no definite article on there, despite what millions of

0:51:24.239 --> 0:51:27.560
<v Speaker 2>people have Mandala effected themselves into thinking it is just

0:51:27.840 --> 0:51:31.400
<v Speaker 2>thong song. Full stop, there's nova damn it one of

0:51:31.400 --> 0:51:34.479
<v Speaker 2>the all time songs of the summer, despite the fact

0:51:34.480 --> 0:51:37.440
<v Speaker 2>that it came out in February of two thousand, right

0:51:37.480 --> 0:51:40.880
<v Speaker 2>in time for spring break. Yeah, yeah, that's true. So

0:51:41.760 --> 0:51:44.440
<v Speaker 2>a little quick bits about that song. Songwriters Desmond Child

0:51:44.520 --> 0:51:48.799
<v Speaker 2>and an ex member of Minudo Draco Rosa. They got

0:51:48.800 --> 0:51:52.680
<v Speaker 2>a songwriting credit because of the interpolation of living Leavita Loco.

0:51:52.760 --> 0:51:56.080
<v Speaker 2>So just when Cisco says she's living Avida Loka, they

0:51:56.400 --> 0:51:58.960
<v Speaker 2>get a cut of the thong song now, which is

0:51:59.440 --> 0:52:02.920
<v Speaker 2>that's work smart, not hard baby. So in the original

0:52:02.920 --> 0:52:05.600
<v Speaker 2>beat that was sent to Cisco, the strings were sampled

0:52:05.600 --> 0:52:09.640
<v Speaker 2>from West Montgomery's cover of eleanor Rigby. Wes Montgoverery and

0:52:09.640 --> 0:52:11.920
<v Speaker 2>one of the greatest jazz guitars of all time, famously

0:52:12.440 --> 0:52:15.080
<v Speaker 2>super crossed over by doing a bunch of Beatles covers,

0:52:16.640 --> 0:52:18.080
<v Speaker 2>which I think is some of them were very good

0:52:18.080 --> 0:52:20.560
<v Speaker 2>if they're not like truly straight ahead jazz.

0:52:20.600 --> 0:52:21.760
<v Speaker 3>But yeah, the strings from.

0:52:21.640 --> 0:52:24.279
<v Speaker 2>His version of eleanor Rigby were in the original beat

0:52:24.320 --> 0:52:27.080
<v Speaker 2>of this song, and Cisco says that he knew that

0:52:27.080 --> 0:52:29.840
<v Speaker 2>that would be a problem, So he tweaked the string arrangement,

0:52:29.880 --> 0:52:32.680
<v Speaker 2>and he claims in an oral history done for def

0:52:32.760 --> 0:52:35.200
<v Speaker 2>Jam that he pulled in some of the string musicians

0:52:35.239 --> 0:52:37.640
<v Speaker 2>who were also currently playing on the soundtrack for Star

0:52:37.680 --> 0:52:38.920
<v Speaker 2>Wars The Phantom.

0:52:38.480 --> 0:52:42.040
<v Speaker 1>Menace Unified Theory of nineteen ninety nine.

0:52:42.320 --> 0:52:46.040
<v Speaker 3>Yeah, exactly. So at some point they went from like.

0:52:45.600 --> 0:52:52.560
<v Speaker 2>Ho d that song slaps the duel of the fates, uh,

0:52:52.840 --> 0:52:54.919
<v Speaker 2>and then they went and did the strings on thong song.

0:52:56.640 --> 0:53:01.080
<v Speaker 2>Strings for that. That's pretty incredible. Yeah, I assumes good

0:53:01.080 --> 0:53:04.719
<v Speaker 2>for Cisco. In that oral history, he gives one of

0:53:04.760 --> 0:53:07.680
<v Speaker 2>my favorite quotes of all time about the first time

0:53:07.680 --> 0:53:10.880
<v Speaker 2>that he saw a thong, which is the incident that

0:53:11.560 --> 0:53:15.960
<v Speaker 2>inspired the song Thong Song. He says, and I quote,

0:53:16.760 --> 0:53:19.120
<v Speaker 2>do you ever see that movie The Ten Commendments. It's

0:53:19.160 --> 0:53:22.120
<v Speaker 2>an old school movie. Charlton Heston. At first, when he

0:53:22.160 --> 0:53:24.560
<v Speaker 2>was in Egypt, his hair was dark. Then he went

0:53:24.680 --> 0:53:27.120
<v Speaker 2>up in the mountains and saw God, and when he

0:53:27.200 --> 0:53:30.200
<v Speaker 2>came back down his hair was silver. That's literally what

0:53:30.280 --> 0:53:34.920
<v Speaker 2>happened to me. He also claims that the reason that

0:53:34.960 --> 0:53:37.440
<v Speaker 2>the video has so many of women in it upside

0:53:37.440 --> 0:53:40.000
<v Speaker 2>down was because the FCC was like, you can't show

0:53:40.040 --> 0:53:42.960
<v Speaker 2>thongs in a music video, and Cisco says, quote, I

0:53:43.120 --> 0:53:45.680
<v Speaker 2>was like, what if you shot the girls upside down,

0:53:46.160 --> 0:53:49.760
<v Speaker 2>then technically it's not a thong, which I don't get,

0:53:49.800 --> 0:53:52.320
<v Speaker 2>but sure, and they says that's why on the beach

0:53:52.560 --> 0:53:55.040
<v Speaker 2>we shoot at that angle and we got away with it.

0:53:55.200 --> 0:53:56.560
<v Speaker 3>And once we got away with.

0:53:56.480 --> 0:53:59.200
<v Speaker 2>That, it's like we opened the floodgates for how much

0:53:59.239 --> 0:54:00.840
<v Speaker 2>booty you could sh show in a video.

0:54:01.320 --> 0:54:03.920
<v Speaker 3>This specs the question. Is Cisco smart?

0:54:03.960 --> 0:54:06.399
<v Speaker 2>Actually he's not wrong, but he's also not right because

0:54:06.440 --> 0:54:09.719
<v Speaker 2>there were like two Live Crew videos Baby Got Back,

0:54:10.320 --> 0:54:11.080
<v Speaker 2>Baby Got Basket.

0:54:11.080 --> 0:54:14.799
<v Speaker 3>We'll talk about it soon on the show Rex and Effects.

0:54:14.800 --> 0:54:17.600
<v Speaker 2>Shaker is another big one from that sort of tillation

0:54:17.840 --> 0:54:19.239
<v Speaker 2>early nineties era, but.

0:54:20.360 --> 0:54:22.480
<v Speaker 1>No I interviewed Uncle Luke from two Live Crew of

0:54:22.800 --> 0:54:24.920
<v Speaker 1>h one. We did a picture me.

0:54:28.200 --> 0:54:28.920
<v Speaker 3>Oh, I love that.

0:54:29.280 --> 0:54:30.480
<v Speaker 1>It's a video of that somewhere.

0:54:30.520 --> 0:54:32.400
<v Speaker 3>It was on video. That's incredible.

0:54:33.280 --> 0:54:36.280
<v Speaker 2>Lastly, my other favorite Cisco bit is that he contacted

0:54:36.360 --> 0:54:38.920
<v Speaker 2>Victoria's secret because he was like, Hey, you know, I've

0:54:38.920 --> 0:54:41.000
<v Speaker 2>got this number one song in the country about thongs.

0:54:41.080 --> 0:54:43.680
<v Speaker 2>Let's take a meeting, and they did, but apparently they

0:54:43.760 --> 0:54:45.879
<v Speaker 2>kind of nicely laughed him off because by the time

0:54:45.880 --> 0:54:48.200
<v Speaker 2>he got in contact with them, thong sales had already

0:54:48.239 --> 0:54:49.440
<v Speaker 2>gone up eighty percent.

0:54:50.719 --> 0:54:52.040
<v Speaker 1>Hey, you've done our.

0:54:51.960 --> 0:54:57.239
<v Speaker 2>Work for Yeah, exactly, exactly. Well speak, Yeah, we're winding down.

0:54:57.280 --> 0:54:58.160
<v Speaker 2>We're winding down.

0:54:58.760 --> 0:54:59.319
<v Speaker 1>I don't know.

0:54:59.360 --> 0:55:03.920
<v Speaker 3>Are there miss bikinis in the monoculture? Tweet at us

0:55:04.000 --> 0:55:05.720
<v Speaker 3>at because of the monoculture.

0:55:09.280 --> 0:55:12.200
<v Speaker 1>Well, speaking of bikinis and money, before we wrap up,

0:55:12.200 --> 0:55:15.280
<v Speaker 1>I'd like to discuss the most expensive bikini in the world.

0:55:15.680 --> 0:55:18.080
<v Speaker 1>And it was created by jeweler Susan Rosen for a

0:55:18.120 --> 0:55:21.200
<v Speaker 1>Sports Illustrated shoot with model Molly Sims. And the piece

0:55:21.280 --> 0:55:23.759
<v Speaker 1>is made from over one hundred and fifty carrots of

0:55:23.840 --> 0:55:27.800
<v Speaker 1>flawless diamonds set in platinum. Now, Heigel price is right time.

0:55:28.000 --> 0:55:31.279
<v Speaker 1>Would you care to guess without going over what is

0:55:31.320 --> 0:55:34.359
<v Speaker 1>this bikini valued at one.

0:55:34.320 --> 0:55:37.279
<v Speaker 3>Hundred and fifty carrots of diamonds set in platinum. But

0:55:37.400 --> 0:55:39.280
<v Speaker 3>it's not that big because it's a bikini.

0:55:39.640 --> 0:55:42.759
<v Speaker 2>Yeah, it's actually very very small. Yeah, three hundred and

0:55:42.760 --> 0:55:43.880
<v Speaker 2>fifty thousand dollars.

0:55:44.120 --> 0:55:48.840
<v Speaker 1>Oh, way way more. It's obscene.

0:55:49.120 --> 0:55:56.520
<v Speaker 4>No, it's two mil up up, up, up up. You're kidding, Nope, nope, no,

0:55:56.840 --> 0:56:04.160
<v Speaker 4>just go ahead then thirty million. Holy yeah, oh my god. Yeah,

0:56:04.200 --> 0:56:06.960
<v Speaker 4>well this country is so that then they bailed out

0:56:07.000 --> 0:56:11.560
<v Speaker 4>the banks like the last Jesus Christ, this country is diseased.

0:56:11.920 --> 0:56:14.240
<v Speaker 3>Yes, thirty million dollars.

0:56:14.360 --> 0:56:18.919
<v Speaker 1>Thirty million dollars. Yeah, a single magazine cover. I don't

0:56:18.920 --> 0:56:19.919
<v Speaker 1>know if it was even a cover.

0:56:20.000 --> 0:56:20.400
<v Speaker 3>I don't know.

0:56:20.480 --> 0:56:25.200
<v Speaker 1>I don't understand what function it served. But but google

0:56:25.200 --> 0:56:28.160
<v Speaker 1>it it's it's uh, oh my god. Yeah, I don't

0:56:28.160 --> 0:56:34.160
<v Speaker 1>I don't really understand why it exists. Holy well, but

0:56:34.440 --> 0:56:36.319
<v Speaker 1>uh what but you know, how yeah?

0:56:36.320 --> 0:56:38.239
<v Speaker 3>What? How else does the bikini evolved?

0:56:38.960 --> 0:56:41.480
<v Speaker 1>Yes, this brings us to a segmentatic to call the

0:56:41.520 --> 0:56:47.040
<v Speaker 1>bikini in the twenty first century. Please my take my

0:56:47.200 --> 0:56:52.000
<v Speaker 1>m y U class. I'm an adjunct professor the bikini

0:56:52.080 --> 0:56:55.279
<v Speaker 1>in the twenty first century. Now, this thirty million dollar

0:56:55.320 --> 0:56:58.640
<v Speaker 1>bikini can do many things, but it cannot charge your phone.

0:56:59.080 --> 0:57:02.360
<v Speaker 1>But thankfully there's a Brooklyland based designer named Andrew Schneider,

0:57:02.600 --> 0:57:05.040
<v Speaker 1>and he took care of this problem. In twenty eleven,

0:57:05.160 --> 0:57:08.240
<v Speaker 1>he unveiled the solar bikini, which is a bikini made

0:57:08.320 --> 0:57:11.520
<v Speaker 1>of solar panels with a socket in the bottom to

0:57:11.680 --> 0:57:14.880
<v Speaker 1>charge your devices while you tan a USB socket and

0:57:14.960 --> 0:57:18.080
<v Speaker 1>it went into very limited production, but according to Schneider,

0:57:18.120 --> 0:57:21.680
<v Speaker 1>each solar paneled swimsuit took up to eighty hours to make,

0:57:22.200 --> 0:57:24.440
<v Speaker 1>and as a result, it can be quite pricey, ranging

0:57:24.440 --> 0:57:28.520
<v Speaker 1>can cost from five hundred dollars to fifteen hundred dollars

0:57:28.560 --> 0:57:32.760
<v Speaker 1>and up In said, yes, but I personally feel good

0:57:32.760 --> 0:57:35.960
<v Speaker 1>that fascinating new advances and bikini technology are being made

0:57:36.440 --> 0:57:39.480
<v Speaker 1>well into the new millennium.

0:57:38.880 --> 0:57:40.680
<v Speaker 2>And I think that brings us up to now. I mean,

0:57:40.680 --> 0:57:42.920
<v Speaker 2>what else is there to say about the good old bikini.

0:57:43.240 --> 0:57:46.280
<v Speaker 2>The world's first bikini museum is currently under construction in

0:57:46.360 --> 0:57:47.840
<v Speaker 2>bad Rappaow in Germany.

0:57:48.280 --> 0:57:51.320
<v Speaker 1>Why there the place that banned bikinis, I know, seventies.

0:57:51.400 --> 0:57:57.800
<v Speaker 2>Wow, they're making atonement. But by some figures cited last

0:57:57.880 --> 0:58:00.640
<v Speaker 2>year in Women's Wear Daily, the global swim market was

0:58:00.680 --> 0:58:04.640
<v Speaker 2>worth more than sixteen billion in twenty twenty. That's oil

0:58:04.680 --> 0:58:08.360
<v Speaker 2>industry numbers, baby, and some estimates put its growth to

0:58:08.400 --> 0:58:11.480
<v Speaker 2>anywhere from twenty one to twenty nine billion by twenty

0:58:11.480 --> 0:58:13.880
<v Speaker 2>twenty five, which makes sense because wow, we're all gonna

0:58:13.880 --> 0:58:19.479
<v Speaker 2>be cooked alive by then. Less monetarily, there's at least

0:58:19.520 --> 0:58:23.160
<v Speaker 2>one historian. Her name is Beth Dincuff Charleston, who's worked

0:58:23.200 --> 0:58:25.840
<v Speaker 2>at the Costume Institute at the Metropolitan Museum of Art

0:58:25.880 --> 0:58:28.160
<v Speaker 2>and Parsons School of Design, found a quote from her

0:58:28.160 --> 0:58:31.000
<v Speaker 2>from two thousand and seven saying the bikini represents a

0:58:31.040 --> 0:58:36.720
<v Speaker 2>social leap involving body consciousness, moral concerns, and sexual attitudes,

0:58:37.120 --> 0:58:40.720
<v Speaker 2>which all told not a bad pool quote for something

0:58:40.800 --> 0:58:43.840
<v Speaker 2>named after the atomic bomb test. Well, Jordan, it's time

0:58:43.880 --> 0:58:49.400
<v Speaker 2>for me to take this. Itsy bitsy teeny weeny little episode,

0:58:49.560 --> 0:58:55.840
<v Speaker 2>little little episode aikini and beach party blanket bingo my

0:58:55.920 --> 0:59:01.880
<v Speaker 2>way out of here. Jordan has this tradition of just

0:59:01.960 --> 0:59:04.800
<v Speaker 2>letting me punch myself out at air trying to find

0:59:04.840 --> 0:59:09.360
<v Speaker 2>a kicker for these episodes. What we need to do

0:59:09.440 --> 0:59:12.600
<v Speaker 2>is just fade in one of those like shitty like

0:59:12.640 --> 0:59:14.480
<v Speaker 2>beach blanket bingo style songs.

0:59:14.640 --> 0:59:15.840
<v Speaker 3>Yeah, what do you got weekend?

0:59:15.880 --> 0:59:18.760
<v Speaker 1>The Party peer by Captain Geech and the Shrimp Shack Shooters.

0:59:19.760 --> 0:59:22.000
<v Speaker 1>What's from that thing you do? Oh?

0:59:22.080 --> 0:59:24.240
<v Speaker 2>Okay, okay, okay, No, I want you to do your

0:59:24.320 --> 0:59:34.720
<v Speaker 2>DJ voice and introduce this. Well, go ahead, yeah, I'd

0:59:34.760 --> 0:59:37.080
<v Speaker 2>give us the Dick Duvet voice as.

0:59:36.800 --> 0:59:38.880
<v Speaker 1>All right, folks, with a ride out tonight, We're taking

0:59:38.880 --> 0:59:41.360
<v Speaker 1>here the weekend and party peer with Captain Geeche and

0:59:41.400 --> 0:59:44.040
<v Speaker 1>the Shrimp Shack Shooters. Keep it cool, folks, have a

0:59:44.080 --> 0:59:46.960
<v Speaker 1>great weekend, folks.

0:59:47.000 --> 0:59:49.320
<v Speaker 3>Thank you for listening. This has been too much information.

0:59:49.640 --> 0:59:50.600
<v Speaker 3>I'm Alex Heigel.

0:59:50.680 --> 0:59:53.840
<v Speaker 2>That was DJ Dick Duvet and we'll see you next time.

1:00:04.400 --> 1:00:08.560
<v Speaker 1>Too Much Information was a production of iHeartRadio. The show's executive.

1:00:08.120 --> 1:00:10.360
<v Speaker 3>Producers are Noel Brown and Jordan Runtalk.

1:00:10.520 --> 1:00:12.480
<v Speaker 1>The supervising producer is Mike Johns.

1:00:12.640 --> 1:00:13.240
<v Speaker 3>The show was.

1:00:13.240 --> 1:00:16.959
<v Speaker 2>Researched, written and hosted by Jordan Runtalk and Alex Heigel.

1:00:16.880 --> 1:00:20.040
<v Speaker 1>With original music by Seth Applebaum and the Ghost Funk Orchestra.

1:00:20.520 --> 1:00:22.560
<v Speaker 1>If you like what you heard, please subscribe and leave

1:00:22.600 --> 1:00:25.600
<v Speaker 1>us a review. For more podcasts on iHeartRadio, visit the

1:00:25.600 --> 1:00:28.920
<v Speaker 1>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:00:28.920 --> 1:00:29.640
<v Speaker 1>favorite shows.