1 00:00:00,800 --> 00:00:01,560 Speaker 1: Taking a Walk. 2 00:00:01,639 --> 00:00:04,880 Speaker 2: I think writing music is very therapeutic, and playing music and. 3 00:00:04,720 --> 00:00:05,440 Speaker 3: Listening to music. 4 00:00:05,840 --> 00:00:07,880 Speaker 2: I really believe music is the most powerful thing that 5 00:00:07,960 --> 00:00:10,319 Speaker 2: we all have, you know, like when you go to 6 00:00:10,360 --> 00:00:12,160 Speaker 2: a concert or you throw it on and it's such 7 00:00:12,160 --> 00:00:15,040 Speaker 2: a connective experience with other people. It doesn't matter how 8 00:00:15,040 --> 00:00:17,760 Speaker 2: different you might be from somebody else, or what you're 9 00:00:17,800 --> 00:00:19,959 Speaker 2: going through in your life versus what they're going through. 10 00:00:20,120 --> 00:00:23,079 Speaker 2: Music is just such a connective experience. 11 00:00:23,280 --> 00:00:26,320 Speaker 1: This is the Taking a Walk Podcast with your host 12 00:00:26,400 --> 00:00:30,280 Speaker 1: Buzz Night. Buzz talks with everyone from new emerging artists 13 00:00:30,280 --> 00:00:33,400 Speaker 1: to Hall of famers. On this episode, Buzz talks with 14 00:00:33,479 --> 00:00:37,320 Speaker 1: a young country music singer and songwriter building his path 15 00:00:37,360 --> 00:00:41,800 Speaker 1: to success. His name is Ryan Montgomery and he's next 16 00:00:42,200 --> 00:00:43,280 Speaker 1: on Taking a Walk. 17 00:00:44,600 --> 00:00:47,760 Speaker 4: Ryan Montgomery, thanks for being on the Taking a Walk Podcast, 18 00:00:47,840 --> 00:00:52,479 Speaker 4: a virtual edition. We like going for walks with folks, 19 00:00:53,800 --> 00:00:57,240 Speaker 4: but if we can't do it in person, then in 20 00:00:57,280 --> 00:01:00,000 Speaker 4: the world of virtual we're game right. 21 00:01:00,600 --> 00:01:02,120 Speaker 3: Thanks for having me and happy to be here. 22 00:01:02,760 --> 00:01:07,120 Speaker 5: So take me back Lake Worth, Florida. 23 00:01:07,200 --> 00:01:11,200 Speaker 4: Growing up, could you have imagined that you would have 24 00:01:12,640 --> 00:01:13,480 Speaker 4: had this career? 25 00:01:14,319 --> 00:01:15,120 Speaker 3: I really couldn't have. 26 00:01:15,360 --> 00:01:19,920 Speaker 2: You know, music is the thing that I have loved 27 00:01:19,959 --> 00:01:21,360 Speaker 2: the most since I was a little kid. 28 00:01:21,520 --> 00:01:21,760 Speaker 1: You know. 29 00:01:23,200 --> 00:01:25,520 Speaker 2: I was that five year old little kid that my 30 00:01:25,640 --> 00:01:29,560 Speaker 2: parents would play the you know the YouTube, you know, 31 00:01:30,280 --> 00:01:32,920 Speaker 2: live concert movie and I would just like play air 32 00:01:32,959 --> 00:01:36,520 Speaker 2: guitar and sing. And I was so excited about music 33 00:01:36,560 --> 00:01:40,120 Speaker 2: ever since a little kid, and when I really got 34 00:01:40,280 --> 00:01:43,160 Speaker 2: started at eighteen, and I would bring my truck out 35 00:01:43,240 --> 00:01:46,160 Speaker 2: to our local ampitheter in West Palm and perform off 36 00:01:46,200 --> 00:01:49,440 Speaker 2: the back of it. My you know, goal was to 37 00:01:49,800 --> 00:01:54,080 Speaker 2: one day, you know, record something that was Nashville quality 38 00:01:54,240 --> 00:01:59,080 Speaker 2: music and you know, release it. And the fact that 39 00:01:59,360 --> 00:02:02,840 Speaker 2: we've got songs out now and you know, we get 40 00:02:02,880 --> 00:02:05,520 Speaker 2: to tour the country and do it at this level 41 00:02:05,600 --> 00:02:09,800 Speaker 2: has exceeded all of my expectations and I'm so grateful 42 00:02:09,800 --> 00:02:10,680 Speaker 2: every day, truly. 43 00:02:11,400 --> 00:02:14,400 Speaker 4: So do you remember that first experience though, when you 44 00:02:14,440 --> 00:02:16,840 Speaker 4: were performing in front of people? 45 00:02:17,680 --> 00:02:18,280 Speaker 3: Absolutely? 46 00:02:18,400 --> 00:02:18,600 Speaker 5: Yeah. 47 00:02:18,680 --> 00:02:22,120 Speaker 2: My first, My first performance that I had ever done 48 00:02:22,160 --> 00:02:24,600 Speaker 2: was twelve years old. It was a three hour gig 49 00:02:24,639 --> 00:02:28,600 Speaker 2: with a full band at this little bar down here, 50 00:02:28,639 --> 00:02:31,800 Speaker 2: and we played a bunch of rock songs and we 51 00:02:31,840 --> 00:02:35,880 Speaker 2: played some pop songs and a country song or two, 52 00:02:36,280 --> 00:02:40,760 Speaker 2: and man, it was I definitely got the bug for it. 53 00:02:40,880 --> 00:02:42,560 Speaker 2: That's for sure, And I don't know how we pulled 54 00:02:42,560 --> 00:02:43,720 Speaker 2: it off. To be honest with you. 55 00:02:44,919 --> 00:02:46,320 Speaker 5: Did you have stage fright at all? 56 00:02:47,000 --> 00:02:47,800 Speaker 3: I didn't. 57 00:02:47,919 --> 00:02:51,560 Speaker 2: I I was very nervous leading up, like weeks leading 58 00:02:51,639 --> 00:02:55,760 Speaker 2: up to it, so I would just rehearse like hours 59 00:02:55,800 --> 00:02:57,639 Speaker 2: and hours and hours a day. Like by the time 60 00:02:57,680 --> 00:03:00,880 Speaker 2: I got there, my fingers were like almost you know, 61 00:03:01,160 --> 00:03:03,560 Speaker 2: like the skin was coming off my fingers playing so 62 00:03:03,600 --> 00:03:06,400 Speaker 2: much guitar, you know, leading up to it. So I 63 00:03:06,440 --> 00:03:09,359 Speaker 2: wasn't super nervous at the concert, but week's leading. 64 00:03:09,160 --> 00:03:09,640 Speaker 5: Up I was. 65 00:03:09,800 --> 00:03:10,960 Speaker 3: I was pretty nervous. 66 00:03:11,560 --> 00:03:17,160 Speaker 4: And who were those real important sounds that shaped ultimately 67 00:03:17,280 --> 00:03:18,760 Speaker 4: your sound to this day? 68 00:03:19,560 --> 00:03:22,360 Speaker 3: Wow? So many. Growing up in Florida, I had that. 69 00:03:23,080 --> 00:03:25,640 Speaker 2: It was a real kind of blessing to be surrounded 70 00:03:25,680 --> 00:03:31,440 Speaker 2: by so much music, you know, And so from a 71 00:03:31,520 --> 00:03:34,600 Speaker 2: super young age on my grandpa's boat in the ocean, 72 00:03:34,880 --> 00:03:36,840 Speaker 2: I got to hear Bob Marley, you know, which is 73 00:03:36,880 --> 00:03:40,360 Speaker 2: just something that people wouldn't expect, maybe from someone who 74 00:03:40,360 --> 00:03:42,960 Speaker 2: does country music. But Bob Marley was a very early 75 00:03:43,000 --> 00:03:46,640 Speaker 2: influence of mine. My dad is a super rock guy, 76 00:03:46,880 --> 00:03:50,600 Speaker 2: big metal head, so Metallica was a real early influence. 77 00:03:51,240 --> 00:03:52,160 Speaker 3: Lincoln Park is. 78 00:03:52,200 --> 00:03:55,960 Speaker 2: I still say my favorite band of all time. Lil 79 00:03:56,000 --> 00:03:59,240 Speaker 2: Wayne was a huge influence on me. I had Lollipop 80 00:03:59,280 --> 00:04:01,880 Speaker 2: as my ring tone when I was like five years old, 81 00:04:01,920 --> 00:04:07,400 Speaker 2: I think, and then yeah, as I started to kind 82 00:04:07,440 --> 00:04:09,840 Speaker 2: of find my own stuff. Florida Georgia Lines a huge 83 00:04:09,840 --> 00:04:14,200 Speaker 2: influence on me. And Jason Alden and yeah, I have 84 00:04:14,320 --> 00:04:15,520 Speaker 2: so many different influences. 85 00:04:15,560 --> 00:04:16,880 Speaker 3: John Mayer. I love John Mayer. 86 00:04:17,120 --> 00:04:20,880 Speaker 2: So everything from hip hop to reggae to rock country 87 00:04:20,920 --> 00:04:23,520 Speaker 2: of course kind of make up my sound. 88 00:04:24,440 --> 00:04:27,640 Speaker 4: So what was your experience like when you first heard 89 00:04:28,480 --> 00:04:29,880 Speaker 4: one of your songs on the radio. 90 00:04:30,680 --> 00:04:31,359 Speaker 3: It was surreal. 91 00:04:31,640 --> 00:04:33,560 Speaker 2: The first time I got to hear it was our 92 00:04:33,640 --> 00:04:36,919 Speaker 2: local station down here played my first single, Drop a Tailgate, 93 00:04:36,960 --> 00:04:39,080 Speaker 2: and I knew it was coming on. That was the 94 00:04:39,120 --> 00:04:41,480 Speaker 2: first time I heard something on the radio, and it 95 00:04:41,600 --> 00:04:43,520 Speaker 2: was just surreal, you know, like you grew up listening 96 00:04:43,520 --> 00:04:47,040 Speaker 2: to the radio and then you hear a little you know, tag, 97 00:04:47,640 --> 00:04:51,000 Speaker 2: and they're like coming up. You know, Ryan Montgomery's new song, 98 00:04:51,080 --> 00:04:53,280 Speaker 2: Drop a Tailgate, and it comes on. You're like, whoa, 99 00:04:53,360 --> 00:04:55,200 Speaker 2: you know, it's pretty crazy. 100 00:04:55,720 --> 00:04:57,800 Speaker 5: Were you alone when you first heard it or were 101 00:04:57,800 --> 00:04:58,560 Speaker 5: you with folks? 102 00:04:58,600 --> 00:05:00,560 Speaker 3: I wasn't. I was with my family. Yeah, I was 103 00:05:00,600 --> 00:05:04,239 Speaker 3: with my family. Yeah, so it's a really cool moment. Yeah. 104 00:05:04,400 --> 00:05:06,240 Speaker 5: How many shrieks occurred? 105 00:05:07,160 --> 00:05:11,359 Speaker 3: Lots lots, Mom. Mom was real excited. My grandma was 106 00:05:11,400 --> 00:05:13,720 Speaker 3: even in the car. Grandma was real excited. 107 00:05:14,960 --> 00:05:17,360 Speaker 2: Yeah, my sister was video and everybody was, but he 108 00:05:17,440 --> 00:05:18,120 Speaker 2: was pretty pumped. 109 00:05:18,240 --> 00:05:20,680 Speaker 4: Is really cool and you must still to this day 110 00:05:21,120 --> 00:05:22,080 Speaker 4: get tickled by it. 111 00:05:22,760 --> 00:05:25,400 Speaker 3: I do, I really do. It's it's so special. You know. 112 00:05:25,480 --> 00:05:29,320 Speaker 2: Anytime what gets me is there's occasionally if I'm out 113 00:05:29,400 --> 00:05:31,960 Speaker 2: somewhere like this happened the other day at PDQ. I 114 00:05:32,040 --> 00:05:35,680 Speaker 2: was at PDQ and my song Tequila Limon Sunshine came 115 00:05:35,680 --> 00:05:37,520 Speaker 2: on like in the in the line, you know, and 116 00:05:37,560 --> 00:05:40,640 Speaker 2: You're just like, this is weird. You know, it's a 117 00:05:40,640 --> 00:05:41,560 Speaker 2: cool feeling. You know. 118 00:05:42,400 --> 00:05:44,559 Speaker 5: How do you deal with the rigors of the road, 119 00:05:46,960 --> 00:05:47,159 Speaker 5: you know. 120 00:05:47,520 --> 00:05:50,520 Speaker 2: I I love being on the road, I really do. 121 00:05:50,640 --> 00:05:52,680 Speaker 2: It's being in the studio and being on the road 122 00:05:52,680 --> 00:05:56,159 Speaker 2: are my two favorite things. And but I think, you know, 123 00:05:56,200 --> 00:05:59,000 Speaker 2: there's a lot of uh, there's a lot of stuff 124 00:05:59,000 --> 00:06:01,520 Speaker 2: you could fall into and it can become it can 125 00:06:01,560 --> 00:06:05,000 Speaker 2: become a lot and I think for me, just having 126 00:06:05,000 --> 00:06:08,039 Speaker 2: some time in the morning to kind of get myself, 127 00:06:08,440 --> 00:06:11,239 Speaker 2: you know, centered and my workouts are really valuable. 128 00:06:11,279 --> 00:06:13,479 Speaker 3: And also I have really great people around me. You know. 129 00:06:14,080 --> 00:06:17,040 Speaker 2: I think the combination of those things is for me 130 00:06:17,200 --> 00:06:20,359 Speaker 2: really really really helpful to kind of stay stay on 131 00:06:20,440 --> 00:06:23,880 Speaker 2: track and be doing the right things and working hard. 132 00:06:24,000 --> 00:06:24,200 Speaker 3: You know. 133 00:06:25,080 --> 00:06:28,799 Speaker 4: So there's people inside either your organization or your family 134 00:06:28,839 --> 00:06:31,760 Speaker 4: members absolutely are able to kind of go. 135 00:06:31,760 --> 00:06:35,360 Speaker 5: Hey, Ryan, dude, come on, you know what are you doing? 136 00:06:35,600 --> 00:06:41,920 Speaker 2: Absolutely absolutely always yeah. 137 00:06:40,400 --> 00:06:43,320 Speaker 5: And they only have your best interest at heart. 138 00:06:43,080 --> 00:06:46,800 Speaker 3: Right, Absolutely, very very blessed for that. 139 00:06:48,160 --> 00:06:52,600 Speaker 4: So Ryan, take us inside the studio, how you approach it, 140 00:06:52,920 --> 00:06:55,200 Speaker 4: the collaborative process, how it works. 141 00:06:55,240 --> 00:06:58,680 Speaker 5: Give us the inside scoop here. Yeah. 142 00:06:58,720 --> 00:07:02,680 Speaker 2: Absolutely, In Nashville, it's such a cool process. What we 143 00:07:02,720 --> 00:07:06,200 Speaker 2: actually do is we get in a studio with the 144 00:07:06,320 --> 00:07:10,480 Speaker 2: session players who are just so phenomenal. They play on 145 00:07:10,520 --> 00:07:14,640 Speaker 2: everybody stuff, you know, from Luke Brian, you know, Keith 146 00:07:14,720 --> 00:07:18,920 Speaker 2: Urban to everybody, and it's all the kind of the 147 00:07:18,960 --> 00:07:21,880 Speaker 2: same guys. There's maybe two three four different guys that 148 00:07:22,000 --> 00:07:26,480 Speaker 2: play different instruments like you know, drums and bass and guitar, keys, steel, 149 00:07:26,680 --> 00:07:30,120 Speaker 2: et cetera. And we we kind of have a group 150 00:07:30,120 --> 00:07:32,120 Speaker 2: of songs that we know we're going to record that day, 151 00:07:32,160 --> 00:07:34,680 Speaker 2: and we get in with the players and we literally 152 00:07:34,840 --> 00:07:38,320 Speaker 2: will record the songs live as a band, and it's 153 00:07:38,360 --> 00:07:41,280 Speaker 2: such a cool experience. It's very different to the way 154 00:07:41,360 --> 00:07:46,320 Speaker 2: that you know they record in la and different other places. 155 00:07:46,320 --> 00:07:51,160 Speaker 2: It's a we record together as a band, and then 156 00:07:51,600 --> 00:07:54,480 Speaker 2: after we get the song tracked is what it's called, 157 00:07:54,920 --> 00:07:58,360 Speaker 2: we'll go back in on multiple different sessions and we'll 158 00:07:58,360 --> 00:08:02,200 Speaker 2: do overdubs, so we'll do, uh, play more guitars, and 159 00:08:02,320 --> 00:08:06,080 Speaker 2: we'll play more acoustic instruments and you know, mandolin and 160 00:08:06,280 --> 00:08:10,360 Speaker 2: banjo and all these different overdub instruments. And then I'll 161 00:08:10,360 --> 00:08:12,160 Speaker 2: go in the studio for a few more days and 162 00:08:12,160 --> 00:08:14,880 Speaker 2: I'll sing vocals, and then we have a background vocalist 163 00:08:15,760 --> 00:08:18,440 Speaker 2: come in and do background vocals along with my backgrounds. 164 00:08:18,600 --> 00:08:21,440 Speaker 2: And then this song will get mixed and it'll get 165 00:08:21,480 --> 00:08:23,440 Speaker 2: mastered and then it'll get released. 166 00:08:23,560 --> 00:08:25,320 Speaker 3: So it's a big it's a. 167 00:08:25,240 --> 00:08:27,760 Speaker 2: Big process, but it's really fun the way we get 168 00:08:27,800 --> 00:08:30,720 Speaker 2: to do it in Nashville with the live the live tracking. 169 00:08:30,760 --> 00:08:32,600 Speaker 3: It's super cool in. 170 00:08:32,640 --> 00:08:36,080 Speaker 4: Nashville being a you know center, like you said, of 171 00:08:36,120 --> 00:08:39,920 Speaker 4: so many great studio players. Oh yeah, that are that 172 00:08:40,000 --> 00:08:45,480 Speaker 4: are unheralded. Let's harald those players and mentioned mention a 173 00:08:45,520 --> 00:08:46,480 Speaker 4: few of them by name. 174 00:08:46,800 --> 00:08:50,559 Speaker 2: Absolutely yeah, on this last group of songs that we did, 175 00:08:50,559 --> 00:08:53,800 Speaker 2: Whiskey and Smoke being the first single of I've worked 176 00:08:53,800 --> 00:08:56,400 Speaker 2: with so many amazing players, but we had on on 177 00:08:56,440 --> 00:09:00,480 Speaker 2: this session. We had Chris mckew on drums, who's nomenal. 178 00:09:01,000 --> 00:09:05,000 Speaker 2: We had Mark Hill on bass, who's absolutely unbelievable. We 179 00:09:05,080 --> 00:09:09,560 Speaker 2: had Tom Bukobak on electric guitars, who's an icon. We 180 00:09:09,600 --> 00:09:13,720 Speaker 2: had Chris Donegan also an electric guitar. We had let's 181 00:09:13,720 --> 00:09:16,480 Speaker 2: see who else we had. We had Charlie Jo Jon Keyes, 182 00:09:16,600 --> 00:09:21,079 Speaker 2: who's phenomenal. Of course, my producer, Brandon Hood is amazing. 183 00:09:22,240 --> 00:09:26,040 Speaker 2: I don't think I had missed anybody, But yeah, those 184 00:09:26,040 --> 00:09:27,800 Speaker 2: were some of the people that were on on the 185 00:09:27,800 --> 00:09:30,320 Speaker 2: session for those last songs. 186 00:09:31,000 --> 00:09:34,680 Speaker 5: I'm glad you highlighted them. That's pretty darn cool. 187 00:09:35,440 --> 00:09:40,400 Speaker 4: And what do you learn in a session that you 188 00:09:40,559 --> 00:09:42,719 Speaker 4: kind of take to the next session. What sort of 189 00:09:42,800 --> 00:09:47,040 Speaker 4: trial and error occurs from a session that benefits your 190 00:09:47,120 --> 00:09:48,040 Speaker 4: learning experience. 191 00:09:48,880 --> 00:09:51,960 Speaker 3: I think maybe two things. One, just how talented you 192 00:09:52,000 --> 00:09:52,800 Speaker 3: know those guys are. 193 00:09:52,800 --> 00:09:58,360 Speaker 2: It's it's unbelievable how good those guys are. I mean, 194 00:09:58,360 --> 00:10:02,920 Speaker 2: it's it's crazy. That's probably thing one. But thing too 195 00:10:03,040 --> 00:10:05,760 Speaker 2: is I just think it's all about when you're in 196 00:10:05,800 --> 00:10:09,000 Speaker 2: a tracking session or any kind of recording session, especially 197 00:10:09,000 --> 00:10:11,640 Speaker 2: tracking with the band, there's like that moment where you're 198 00:10:11,720 --> 00:10:14,240 Speaker 2: kind of you're kind of fishing around with stuff and 199 00:10:14,240 --> 00:10:16,120 Speaker 2: people are playing things and you guys are kind of 200 00:10:16,120 --> 00:10:18,559 Speaker 2: throwing ideas out and then you kind of find that 201 00:10:18,559 --> 00:10:21,319 Speaker 2: that spark and that magic. And I just think it's 202 00:10:21,360 --> 00:10:24,520 Speaker 2: important to not try to rush that process or move 203 00:10:24,520 --> 00:10:29,560 Speaker 2: on too quickly or you know, or overthink it and 204 00:10:29,600 --> 00:10:32,080 Speaker 2: just keep going. It's kind of you start to find 205 00:10:32,080 --> 00:10:35,040 Speaker 2: that sound or that that thing, and when you find it, 206 00:10:35,080 --> 00:10:36,679 Speaker 2: you can kind of take it and run with it. 207 00:10:36,720 --> 00:10:39,360 Speaker 2: And I think that's what really could create the magic 208 00:10:39,480 --> 00:10:41,319 Speaker 2: in a session like that. So I try to really 209 00:10:41,800 --> 00:10:45,720 Speaker 2: find that every session we go into and my producer 210 00:10:45,760 --> 00:10:47,439 Speaker 2: Brandon is so phenomenal at doing that. 211 00:10:48,000 --> 00:10:54,760 Speaker 4: So, yeah, you have this sense of independence about you. 212 00:10:56,360 --> 00:10:58,480 Speaker 4: Where did you get that sense of independence? 213 00:10:59,120 --> 00:10:59,360 Speaker 2: Oh? 214 00:10:59,360 --> 00:11:01,440 Speaker 3: Thank you? Man? 215 00:11:01,760 --> 00:11:02,160 Speaker 4: I don't know. 216 00:11:02,200 --> 00:11:06,360 Speaker 2: I'm coming from a good family, I really do, and 217 00:11:08,280 --> 00:11:12,000 Speaker 2: I think that's big and I don't know, man, I 218 00:11:12,000 --> 00:11:14,160 Speaker 2: feel like, you know, I'm a Christian personally, and I 219 00:11:14,240 --> 00:11:17,920 Speaker 2: just think that, you know, I feel like we all 220 00:11:18,000 --> 00:11:20,679 Speaker 2: kind of have, you know, the inner voice or a 221 00:11:22,880 --> 00:11:24,840 Speaker 2: way that you feel like you should do things. And 222 00:11:24,920 --> 00:11:27,160 Speaker 2: I think that, at least in my experience, the more 223 00:11:27,200 --> 00:11:29,720 Speaker 2: you listen to that a lot of times, the better 224 00:11:30,080 --> 00:11:31,360 Speaker 2: the better things go. 225 00:11:31,800 --> 00:11:32,040 Speaker 3: You know. 226 00:11:33,160 --> 00:11:38,319 Speaker 4: Do you have a position on what artificial intelligence means 227 00:11:38,400 --> 00:11:39,440 Speaker 4: to a musician? 228 00:11:40,200 --> 00:11:43,840 Speaker 3: I do, you know, I think, uh, I think it's cool. 229 00:11:43,880 --> 00:11:47,040 Speaker 2: I think AI is really cool, but I think, you know, 230 00:11:47,160 --> 00:11:50,160 Speaker 2: so many people are worried about it taking over music 231 00:11:50,240 --> 00:11:53,920 Speaker 2: and whatever. And we'll see how it ends up being used, 232 00:11:53,960 --> 00:11:56,400 Speaker 2: and I think there's very valuable ways for it to 233 00:11:56,440 --> 00:11:56,920 Speaker 2: be used. 234 00:11:56,960 --> 00:12:00,679 Speaker 3: But you know, I just don't think art is art. 235 00:12:00,840 --> 00:12:03,080 Speaker 2: What makes art art is the humanism in it, and 236 00:12:03,080 --> 00:12:05,480 Speaker 2: it's the imperfection in it, and it's the I think, 237 00:12:05,480 --> 00:12:09,559 Speaker 2: it's the authenticity, and it's the it's the. 238 00:12:08,600 --> 00:12:10,200 Speaker 3: The emotion that goes into it. 239 00:12:10,240 --> 00:12:12,120 Speaker 2: And I don't think I don't think AI is ever 240 00:12:12,160 --> 00:12:14,560 Speaker 2: gonna be able to do that side of it. That's 241 00:12:14,600 --> 00:12:17,360 Speaker 2: never gonna be able to compete with the humanism of art. 242 00:12:18,600 --> 00:12:22,560 Speaker 4: So you're on a desert island and you're able to 243 00:12:22,559 --> 00:12:23,560 Speaker 4: bring along. 244 00:12:24,920 --> 00:12:28,439 Speaker 5: Five of your favorite albums of all time? What do 245 00:12:28,520 --> 00:12:29,320 Speaker 5: you bring it along? 246 00:12:29,880 --> 00:12:33,840 Speaker 3: Oh my gosh, Oh that's so hard. I would probably 247 00:12:33,920 --> 00:12:37,160 Speaker 3: have to okay, ten, okay, ten man. 248 00:12:38,840 --> 00:12:43,240 Speaker 2: I would probably have to bring let's see ten, let's say, 249 00:12:44,400 --> 00:12:48,320 Speaker 2: probably Life on a Rock by Kenny Chesney. If I 250 00:12:48,360 --> 00:12:50,800 Speaker 2: was on an island, I would probably have to bring 251 00:12:50,960 --> 00:12:55,800 Speaker 2: Meteora and Hybrid Theory from Lincoln Park and probably minutes 252 00:12:55,800 --> 00:13:00,520 Speaker 2: to midnight. I would probably have to bring Course, Here's 253 00:13:00,520 --> 00:13:04,600 Speaker 2: to the Good Times from Florida, Georgia line. I would 254 00:13:04,600 --> 00:13:07,520 Speaker 2: probably also have to bring that anything goes Out from 255 00:13:07,559 --> 00:13:08,440 Speaker 2: Florida Georgia line? 256 00:13:08,559 --> 00:13:09,120 Speaker 3: Was that six? 257 00:13:11,679 --> 00:13:13,880 Speaker 5: You could bring along some of yours if you want. 258 00:13:15,960 --> 00:13:17,120 Speaker 3: Yeah, and then I would do that. 259 00:13:17,280 --> 00:13:19,520 Speaker 2: I would fill the rest maybe with with with my 260 00:13:19,840 --> 00:13:20,640 Speaker 2: with my catalog. 261 00:13:20,760 --> 00:13:21,520 Speaker 3: Maybe, I don't know. 262 00:13:22,080 --> 00:13:22,480 Speaker 5: I don't know. 263 00:13:22,559 --> 00:13:24,040 Speaker 3: That's not probably be a good little mix. 264 00:13:25,600 --> 00:13:28,920 Speaker 4: Well, you know, a desert island, and then everyone goes, well, 265 00:13:29,120 --> 00:13:30,400 Speaker 4: how do I play them? 266 00:13:30,800 --> 00:13:32,000 Speaker 5: There's no electricity? 267 00:13:33,440 --> 00:13:35,880 Speaker 3: Right to bring your guitar instead? 268 00:13:36,120 --> 00:13:39,920 Speaker 5: Yeah, exactly. We produce this other podcast. 269 00:13:40,040 --> 00:13:43,199 Speaker 4: It's called Music Saved Mean, and it's about the healing 270 00:13:43,320 --> 00:13:48,480 Speaker 4: powers of music. From the standpoint of musicians. Do you 271 00:13:48,600 --> 00:13:52,960 Speaker 4: believe that music is therapeutic and has healing power. 272 00:13:53,880 --> 00:13:57,040 Speaker 2: I mean, I think everybody has felt that, you know, 273 00:13:57,679 --> 00:13:59,760 Speaker 2: one time or another. I think writing music is very 274 00:13:59,800 --> 00:14:03,040 Speaker 2: their can play music and listening to music. I really 275 00:14:03,040 --> 00:14:05,280 Speaker 2: believe music is the most powerful thing that we all have, 276 00:14:05,520 --> 00:14:07,800 Speaker 2: you know, like when you go to a concert or 277 00:14:07,840 --> 00:14:10,240 Speaker 2: you throw it on and it's such a connective experience 278 00:14:10,240 --> 00:14:12,520 Speaker 2: with other people. It doesn't matter how different you might 279 00:14:12,559 --> 00:14:15,120 Speaker 2: be from somebody else, or what you're going through in 280 00:14:15,120 --> 00:14:17,640 Speaker 2: your life versus what they're going through. Music is just 281 00:14:17,679 --> 00:14:22,880 Speaker 2: such a connective experience. And yeah, I absolutely believe that. 282 00:14:23,680 --> 00:14:25,680 Speaker 2: And as you tour the country. 283 00:14:25,360 --> 00:14:29,040 Speaker 4: You know, we look, we have a country that's divided 284 00:14:29,120 --> 00:14:32,680 Speaker 4: all over the place. Do you observe how music is 285 00:14:33,240 --> 00:14:34,880 Speaker 4: that one unifying force? 286 00:14:35,320 --> 00:14:39,680 Speaker 3: Oh? God, yeah, yeah, it is, absolutely It is so special. 287 00:14:40,280 --> 00:14:44,800 Speaker 4: So in closing, who would you like to collaborate with? 288 00:14:45,840 --> 00:14:48,000 Speaker 4: If you could just dream that up that you have 289 00:14:48,200 --> 00:14:51,800 Speaker 4: not collaborated with, who would be on your your wishless 290 00:14:52,400 --> 00:14:52,800 Speaker 4: for that? 291 00:14:53,400 --> 00:14:58,480 Speaker 2: Oh my gosh, that would be well, Okay, my one 292 00:14:58,480 --> 00:15:01,560 Speaker 2: of my dream collaborations would probably have to beat Man. 293 00:15:01,560 --> 00:15:04,440 Speaker 2: There's so many, but one of them, and I've always 294 00:15:04,480 --> 00:15:06,480 Speaker 2: kind of thought this my song Windows Down that I 295 00:15:06,520 --> 00:15:12,080 Speaker 2: released I Have a pe verse two where I mentioned 296 00:15:12,120 --> 00:15:13,840 Speaker 2: George straight and I mentioned Lawayne, and I just always 297 00:15:13,840 --> 00:15:15,800 Speaker 2: thought it would be really cool to get both of 298 00:15:15,840 --> 00:15:18,320 Speaker 2: them on the song. I thought it'd be just be 299 00:15:18,440 --> 00:15:20,680 Speaker 2: so it would be a dream come true. So, George 300 00:15:20,720 --> 00:15:22,520 Speaker 2: and Wayne, if you're listening a lot, to do it. 301 00:15:22,920 --> 00:15:24,920 Speaker 5: That'd be a mind blow, wouldn't. 302 00:15:24,560 --> 00:15:27,400 Speaker 3: It'd be pretty cool. Yeah? Wow. 303 00:15:28,240 --> 00:15:31,600 Speaker 4: Well, Ryan Montgomery, I so enjoyed having you on the 304 00:15:31,640 --> 00:15:35,560 Speaker 4: Taking a Walk podcast too. I wish you continued success 305 00:15:36,160 --> 00:15:39,360 Speaker 4: and thanks for your great spirit and your passion. 306 00:15:39,400 --> 00:15:41,960 Speaker 3: Man oh man, thank you so much. I really appreciate 307 00:15:41,960 --> 00:15:42,800 Speaker 3: you having me on. 308 00:15:42,880 --> 00:15:43,600 Speaker 5: It was a blast. 309 00:15:43,760 --> 00:15:47,280 Speaker 1: Thank you. Thanks for listening to this episode of the 310 00:15:47,360 --> 00:15:51,000 Speaker 1: Taking a Walk Podcast. Share this and other episodes with 311 00:15:51,040 --> 00:15:54,480 Speaker 1: your friends and follow us so you never miss an episode. 312 00:15:54,960 --> 00:15:59,160 Speaker 1: Taking a Walk is available on the iHeartRadio app, Apple Podcasts, 313 00:15:59,360 --> 00:16:01,680 Speaker 1: and wherever you get your podcasts.