WEBVTT - Saved By The Belmore Presents: CUTTING YOUR TEETH (Episode 3)

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<v Speaker 1>Hello, and welcome to an all new episode of Saved

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<v Speaker 1>by the Belmore. It's me your host, Mr Stephen Belmore. Gosh,

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<v Speaker 1>I'm so happy to be here. And of course I'm

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<v Speaker 1>back with my gal pal, my best friend, my producer,

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<v Speaker 1>my cousin. That's friend. Hi, it's me Cindy. Well, I

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<v Speaker 1>was going to get to it, Cindy, so let's not.

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<v Speaker 1>Let's not jump guns here, okay, of course, sorry, Steve. Regardless, Cindy,

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<v Speaker 1>what is new with you? Well, as you know last week,

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<v Speaker 1>I finally returned to the dating scene. But remember my

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<v Speaker 1>date did have a klonopin. It is accidental drowning in

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<v Speaker 1>some New England clam chowder. Yeah it was. Wait, wasn't

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<v Speaker 1>New England. I thought it was a Manhattan chowder. No, no, no, no, no,

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<v Speaker 1>it was. It was definitely New England. And see, that's

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<v Speaker 1>that's why it's dangerous. It's hard to come back after

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<v Speaker 1>being submerged in such thick chowder. But he's out of

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<v Speaker 1>the woods, he's out of the coma, Cindy. That is

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<v Speaker 1>so great. You know, I love chowder, so I put

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<v Speaker 1>myself and my life on the line all of the time.

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<v Speaker 1>But I'm just I'm so excited for you. So does

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<v Speaker 1>this mean that you're going to keep dating? Well, actually,

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<v Speaker 1>unfortunately no, Yeah, he um woke up and almost instantly

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<v Speaker 1>told me he wasn't looking for anything serious. Oh yeah,

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<v Speaker 1>and he was married as well. Oh, Cindy, that's that's

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<v Speaker 1>a shame. Yeah, but for time, we really do need

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<v Speaker 1>to move on to stuff I didn't know, right, No,

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<v Speaker 1>that's right. I didn't think you'd actually have anything to

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<v Speaker 1>catch us up on, Um. But there's plenty of fish

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<v Speaker 1>in the see, you just got to cast a wider net. Okay,

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<v Speaker 1>so let's get started on me, all right. Absolutely, So,

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<v Speaker 1>as you know, production on Rent has come to a

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<v Speaker 1>halt because I refused to allow all of the students

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<v Speaker 1>to audition. And yes, that is solely based on the

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<v Speaker 1>fact that their parents have slighted me. If they've slighted me,

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<v Speaker 1>then they're not welcome. If they haven't, they can get

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<v Speaker 1>an audition. Well did that affect a lot of the

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<v Speaker 1>kids about fifty percent? Yeah, But still, I don't need

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<v Speaker 1>that toxic energy surrounding me when I'm trying to pull

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<v Speaker 1>literally pull performances out of these dry sponges their parents

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<v Speaker 1>called children. And I mean, you know how it is.

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<v Speaker 1>I okay, so that's on Halts. I'll let you know

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<v Speaker 1>what goes on with that. I'll let everybody know. They'll

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<v Speaker 1>probably be a go fund me. I'll drop the link

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<v Speaker 1>when it's out. Um. I do have some good news

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<v Speaker 1>and some bad news, Cindy. The good news is, after

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<v Speaker 1>four different failed change dot org petitions, I was able

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<v Speaker 1>to add stage make up to my syllabus. Wow, congratulation,

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<v Speaker 1>Thank you so much, Cindy. It was so great. But

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<v Speaker 1>the bad news is, after an unfortunate accident with Julius

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<v Speaker 1>Smith's eyeball and a pencil eyeliner, I've had to remove

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<v Speaker 1>it and re add History of Theater, which I teach

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<v Speaker 1>by showing a bootleg taping of the fan of the opera.

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<v Speaker 1>What happened with Julia's I I have no idea. I

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<v Speaker 1>picked it up, I rented it off, I put it

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<v Speaker 1>in a zip blog bag and stuck it in her

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<v Speaker 1>pocket when they were taking her out on the stretcher.

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<v Speaker 1>But I haven't had time to follow up. Her last

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<v Speaker 1>name is long to look up in the system. So, Steven,

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<v Speaker 1>that sounds very serious. I mean, the paperwork, did you

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<v Speaker 1>at least I didn't do any paperwork that's not I'm

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<v Speaker 1>a creative person. Her eye felt it popped out. Oh

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<v Speaker 1>my goodness. Well the thing was, I said, you're doing great,

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<v Speaker 1>and I gave her a little a little smack on

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<v Speaker 1>the back, okay, and then she was holding the eyeliner.

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<v Speaker 1>Oh so it was your fault. Well that was the

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<v Speaker 1>first and then someone else bumped into her front and

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<v Speaker 1>hit her hand, so it was kind of like a

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<v Speaker 1>double Dutch situation. You know, this reminds me I should

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<v Speaker 1>reach out to legal. Oh yeah, please reach out to

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<v Speaker 1>our on staff legal team to make sure that it's

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<v Speaker 1>okay that we we tell that story. But again, not

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<v Speaker 1>my fault. She should have known how to use a

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<v Speaker 1>gel eyeliner. I mean, she's fourteen years old. Grow up.

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<v Speaker 1>So anyway, now I'm stuck teaching the goddamn history of theater, Sandy,

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<v Speaker 1>it may as well be a politics class. I just

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<v Speaker 1>can't seem to care about it. But you know what

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<v Speaker 1>I do care about inspiring people, and that's why I

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<v Speaker 1>have come up with a new segment, stories of cutting

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<v Speaker 1>my teeth. As many of you know, sometimes artists, and

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<v Speaker 1>I use that term broadly, I have to take jobs

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<v Speaker 1>they otherwise would not to support themselves in pursuing their

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<v Speaker 1>whatever it may be. And this is the story of

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<v Speaker 1>the thirteen years I spent cutting my teeth after my

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<v Speaker 1>parents cut me off while auditioning for Broadway shows and

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<v Speaker 1>getting callbacks for Broadway shows. You remember the callback? Yes, yes,

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<v Speaker 1>the callback. There was the callback for the one plus

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<v Speaker 1>others and waiting tables at New York's most exclusive restaurants

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<v Speaker 1>in diners. It's a special segment because not only are

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<v Speaker 1>Cindy and I best friends, roommates, cousins, we worked together

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<v Speaker 1>in several different restaurants in New York City, the Big

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<v Speaker 1>Apple as locals call it, And that's where Cindy met

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<v Speaker 1>her husband, her ex husband, Yeah, who I actually hooked

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<v Speaker 1>up with first at a server holiday party, and anyway,

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<v Speaker 1>he wasn't gay. It was a confusing time for him,

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<v Speaker 1>but he did meet Cindy soon after, and then he

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<v Speaker 1>did leave Cindy not too soon after that and is

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<v Speaker 1>now dating an unnamed real wife of New York who

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<v Speaker 1>I do still hope to meet some day. Yeah, about that,

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<v Speaker 1>I'm not comfortable asking him to introduce you to at

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<v Speaker 1>least not yet. Well time heals all wounds, Cindy. Okay,

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<v Speaker 1>you'll get there. But now let's get into celebrities who

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<v Speaker 1>have wronged me. Okay, so you remember when Morgan Freeman

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<v Speaker 1>came in. Oh, yes, everyone loves Morgan Freeman. He's an

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<v Speaker 1>actor from Bruce Almighty. He's most well known, Godly got

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<v Speaker 1>so good. I thought he was so good. He ordered

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<v Speaker 1>a tomato soup. I brought it out to him and

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<v Speaker 1>he was a total diva. He was very upset. He

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<v Speaker 1>asked to speak to a manager. It just really confused

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<v Speaker 1>me how this iconic actor could be so upset over

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<v Speaker 1>a simple confusion. Well, actually I remember that day. Wasn't

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<v Speaker 1>the bowl of tomato soup? Didn't you bring up a

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<v Speaker 1>bowl of salsa instead? We were out of the tomato soup? Gotcha.

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<v Speaker 1>But but then there was a part where we started

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<v Speaker 1>screaming lines from shash Redemption at him, which I don't

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<v Speaker 1>think he liked. Well that's because he couldn't handle it.

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<v Speaker 1>God forbid, somebody's a better actor, you know. You know

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<v Speaker 1>I did not consider that it was upsetting, So needless

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<v Speaker 1>to say, I won't be starring in the shosh Anc

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<v Speaker 1>Redemption too. Uh that that was a joke since thank you?

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<v Speaker 1>Um remember Diane Keaton, Diane Keaton comes in. Everyone just

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<v Speaker 1>loves Diane Keaton because she can scream in every movie

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<v Speaker 1>she's in. I scream everywhere I go. I don't get

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<v Speaker 1>the big deal on that, and she's not even that great.

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<v Speaker 1>She wouldn't even let me try on her hat. Do

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<v Speaker 1>you remember that? I do remember that, but I remember

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<v Speaker 1>more specifically, more importantly, that that wasn't Diane Keaton. Actually,

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<v Speaker 1>well that makes it even worse because she's not even original.

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<v Speaker 1>There's another woman walking around just like her, exactly. And

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<v Speaker 1>if it was just a regular lady, then wouldn't she

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<v Speaker 1>be honored to let you wear her hat? You would think,

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<v Speaker 1>you would think Cindy. But speaking of women who don't

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<v Speaker 1>know when they're being honored, Sarah Michelle Geller, you remember her.

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<v Speaker 1>She kept saying she wasn't Sarah Michelle Geller. I knew

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<v Speaker 1>she was Sarah Michelle Geller. We got into an argument.

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<v Speaker 1>It was over a plot point in Buffy the Vampire Slayer,

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<v Speaker 1>which there's just a lot that goes on that didn't

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<v Speaker 1>make sense to me. God for a bid I questioned something,

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<v Speaker 1>Sorry that I'm not a sheep, but you know, you

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<v Speaker 1>actually did have a point in that argument, So I

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<v Speaker 1>stand by it. I stand by it, thank you. Uh.

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<v Speaker 1>And then finally, Danny de Vito, when this is actually

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<v Speaker 1>more of a Cindy story than mine, because we were

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<v Speaker 1>closing the restaurant and I was in the back. I

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<v Speaker 1>was head server. I was counting the money, uh, screaming

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<v Speaker 1>at all the other servers for drinking, you know, just

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<v Speaker 1>really doing what I loved at the time. And then

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<v Speaker 1>when I come out of the back, Cindy is in

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<v Speaker 1>the clothes restaurant, slow dancing with none other than than

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<v Speaker 1>Matilda's Danny de Vito. Yes, yes, yeah, he was picking

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<v Speaker 1>up his take out, and you know, one thing led

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<v Speaker 1>to another, and he gave me a phone number. I remember,

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<v Speaker 1>you were so excited. Yes, I was so pissed. It

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<v Speaker 1>did turn out. I called the next day. It turned

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<v Speaker 1>out that it was fake. It was a fake phone number,

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<v Speaker 1>so that was that makes sense. He's married, actually to

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<v Speaker 1>the mom in Matilda, the actual mom. I knew they

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<v Speaker 1>were married. Yeah, you know that's not what he told me. Um. Yeah, no,

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<v Speaker 1>I remember saying like he's married, and you were like,

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<v Speaker 1>who has time for that? You know, we all do

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<v Speaker 1>desperate things. I had sex with your husband, for God's sakes,

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<v Speaker 1>it was just a makeout. It was a makeout, and

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<v Speaker 1>it was before you were dating. Just the makeout though, right, Yeah, totally,

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<v Speaker 1>totally okay because sometimes you know, yeah, I never know

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<v Speaker 1>with you. Yeah my ex husband. Yeah yeah, he's nice,

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<v Speaker 1>good kisser. So Cindy, it's time to move on to

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<v Speaker 1>our very special guests, and I'm so excited to have him.

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<v Speaker 1>Very exciting. Not only is he a Broadway producer bumping

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<v Speaker 1>elbows with some of the hottest celebrities to ever grace

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<v Speaker 1>the red carpet, he's gay, and he's an uncle to

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<v Speaker 1>one of my absolute favorite students who became one of

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<v Speaker 1>my absolute favorite students um when I found out this information,

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<v Speaker 1>Jenna I think her name is Jennifer Jenna Vieve, It's

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<v Speaker 1>something like that. She she quickly became my favorite student.

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<v Speaker 1>When I was on Instagram, as I always do, perusing

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<v Speaker 1>the student's Instagram accounts and fake Instagram accounts which they

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<v Speaker 1>have now, and I saw her in a photo with

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<v Speaker 1>none other than the star of the Dear of Enhance

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<v Speaker 1>and Film, Ben platt Way, and I said, what holiday, Hubie, whatdy?

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<v Speaker 1>I was flabbergasted, and so I do some click click

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<v Speaker 1>click gang next thing I know. I realized her uncle.

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<v Speaker 1>He has a gay face. I could tell. And after

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<v Speaker 1>convincing her to introduce us via some good old fashioned

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<v Speaker 1>B and B blackmail and bribes, blackmail and bribes, please

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<v Speaker 1>welcome Broadway producer Matt Farley. Hi, Matt. Do we call

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<v Speaker 1>you Matt? Or do we call you? Um, Matthew? I

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<v Speaker 1>don't what's the stage name? I'm not really a performer,

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<v Speaker 1>you know, so I guess Matt's probably Matt's fine. Go

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<v Speaker 1>with Matt. Oh, let me clarifying. What does a producer do?

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<v Speaker 1>You know? Um? My role is a lot about allocating

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<v Speaker 1>funds to get the productions able to actually do their run.

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<v Speaker 1>So it's a lot of you know, contributing funds, myself,

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<v Speaker 1>finding other people to contribute funds so that, you know,

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<v Speaker 1>putting up a Broadway shows. It's so expensive, so it's

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<v Speaker 1>a lot of it's kind of the boring business side,

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<v Speaker 1>you will, of these really fun special pieces. No such

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<v Speaker 1>thing as a boring side. I've put on quite a

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<v Speaker 1>few shows myself. I have a one man show of

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<v Speaker 1>the Crucible where I play all of the roles. Um,

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<v Speaker 1>it's John Proctor is not involved. He was cut from

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<v Speaker 1>the script. Uh, so I get what you're saying, and

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<v Speaker 1>that leads me to my follow up question, how well

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<v Speaker 1>do you know Ben Platt? Oh? Um, you know, we

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<v Speaker 1>just uh that was it was Gentleman's birthday. Isn't she

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<v Speaker 1>the best? Isn't she just the best? So sweet? God?

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<v Speaker 1>I love her so much. Same and yeah, you know,

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<v Speaker 1>it was Gentleman's birthday last year. She was obsessed with

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<v Speaker 1>the show, and so I just I sent a few

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<v Speaker 1>emails to some people I've worked with on a few

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<v Speaker 1>shows in the past, just to see if they could

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<v Speaker 1>get her backstage after the show, just to say hi.

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<v Speaker 1>And so we both met Ben that night, and he

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<v Speaker 1>was super nice to gentle En. It was really lovely. Yeah,

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<v Speaker 1>oh my god. And did anything progress there with you

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<v Speaker 1>and Ben in terms of what friendship? You know how

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<v Speaker 1>gays are? Oh yeah, I guess so, you know, not really.

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<v Speaker 1>He you know, had just done a big show and

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<v Speaker 1>I was really grateful that he came out to meet

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<v Speaker 1>my niece. So I said thank you so much. And

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<v Speaker 1>then you know, I think he just went on his

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<v Speaker 1>way too. You know, they can't talk to him if

0:13:39.559 --> 0:13:42.840
<v Speaker 1>the rest of their voice, so you know, okay, well

0:13:42.920 --> 0:13:48.480
<v Speaker 1>we'll talk about that off the air, sorry to disappoint. Yeah,

0:13:48.600 --> 0:13:51.720
<v Speaker 1>me too. What did you think of Dear Evan Hanson

0:13:52.000 --> 0:13:56.080
<v Speaker 1>the movie, which is I believe based on the musical.

0:13:56.320 --> 0:14:01.600
<v Speaker 1>Isn't that right, Cindy. I believe it's a loose adaptation. Yeah, no,

0:14:01.760 --> 0:14:04.280
<v Speaker 1>it's pretty. Uh, it's pretty pound for pound the same story.

0:14:04.360 --> 0:14:07.080
<v Speaker 1>I saw it. I had a great time. Yeah it is.

0:14:07.160 --> 0:14:09.960
<v Speaker 1>It's pound for pound, I said that. Yeah. Well, see,

0:14:10.000 --> 0:14:15.560
<v Speaker 1>I thought Dear Evan Hanson was like a diary type novel. Yeah,

0:14:16.080 --> 0:14:18.560
<v Speaker 1>so this is all very interesting and brand new to me.

0:14:19.560 --> 0:14:22.200
<v Speaker 1>Cindy thought it was the sequel to Dear John, so

0:14:22.240 --> 0:14:26.520
<v Speaker 1>she was expecting something else. Yeah, yeah, that's so funny. No,

0:14:26.680 --> 0:14:30.120
<v Speaker 1>it's not. Nicholas Sparks is not involved at all. Actually,

0:14:31.360 --> 0:14:33.680
<v Speaker 1>it's an interesting story. You know. Some people think it's

0:14:33.680 --> 0:14:35.760
<v Speaker 1>a little problematic. But I had a great time. I

0:14:35.800 --> 0:14:39.440
<v Speaker 1>thought it was nice, you know. Okay, So follow up

0:14:39.560 --> 0:14:41.840
<v Speaker 1>question to that is, do you think I could play

0:14:41.880 --> 0:14:46.800
<v Speaker 1>the role of Dear Evan Hanson. Um, it's time to

0:14:46.920 --> 0:14:50.000
<v Speaker 1>stand on the huh, Cindy. Look at the lyrics before

0:14:50.000 --> 0:14:51.880
<v Speaker 1>I put them in the put them in the church

0:14:52.160 --> 0:14:57.480
<v Speaker 1>before in turn the key I used to the key

0:14:57.520 --> 0:15:00.920
<v Speaker 1>I used to slam on the brakes. I used to slam.

0:15:01.880 --> 0:15:05.640
<v Speaker 1>I used, I used to slim, used to slam on

0:15:05.760 --> 0:15:09.560
<v Speaker 1>the break. Sorry, we should have rehearsed. Um no, I

0:15:10.000 --> 0:15:15.000
<v Speaker 1>I rehearsed Cindy's you know, overcorrecting. Absolutely absolutely, yes, I

0:15:15.360 --> 0:15:17.320
<v Speaker 1>think we actually need to go up an octave on

0:15:17.400 --> 0:15:20.120
<v Speaker 1>that one. We will have an arrangement ready for the

0:15:20.200 --> 0:15:22.600
<v Speaker 1>next episode. Well, yeah, I mean there's you know, there's

0:15:22.640 --> 0:15:24.880
<v Speaker 1>sort of two different conversations. Is you know, are you

0:15:24.920 --> 0:15:26.600
<v Speaker 1>able to sing the part, which you know a lot

0:15:26.640 --> 0:15:28.080
<v Speaker 1>of people can do. It's I mean it's a it's

0:15:28.120 --> 0:15:30.400
<v Speaker 1>a hard it's a vocally challenging part, but also you know,

0:15:30.440 --> 0:15:33.800
<v Speaker 1>for some people, not for me. Yeah. And then there's

0:15:33.800 --> 0:15:36.120
<v Speaker 1>also like, are you someone who could play a fifteen

0:15:36.160 --> 0:15:39.720
<v Speaker 1>year old in a convincing way? Well, you tell me.

0:15:40.160 --> 0:15:43.360
<v Speaker 1>I mean I've been playing fifteen since I was ten,

0:15:43.640 --> 0:15:47.640
<v Speaker 1>you know, yeah, wow, that's awesome. Yeah, Like I said,

0:15:47.680 --> 0:15:50.280
<v Speaker 1>I really I really worked on mostly the fundraising side

0:15:50.280 --> 0:15:52.720
<v Speaker 1>of things. Who am I to give any casting advice?

0:15:52.760 --> 0:15:57.040
<v Speaker 1>You know totally? Yeah, Well yeah, we'll talk about it.

0:15:57.040 --> 0:16:00.240
<v Speaker 1>It's so modest. Um, so speaking, how much money do

0:16:00.280 --> 0:16:03.320
<v Speaker 1>you make? Excuse me, how much money do you make

0:16:03.360 --> 0:16:07.680
<v Speaker 1>in a year for our listeners. Uh huh, I mean

0:16:07.800 --> 0:16:11.040
<v Speaker 1>the money I raised for the productions that can range.

0:16:11.040 --> 0:16:12.760
<v Speaker 1>It kind of depends on the budget of the show

0:16:12.800 --> 0:16:16.040
<v Speaker 1>we're working. Well, I mean for like you personally, how

0:16:16.160 --> 0:16:18.720
<v Speaker 1>I think what Steve has asked is how much do

0:16:18.920 --> 0:16:24.520
<v Speaker 1>you take home annually before taxes net? Um? You know,

0:16:24.520 --> 0:16:28.040
<v Speaker 1>I'm not gonna lie. I'm a pretty fortunate guy. Nothing crazy,

0:16:28.080 --> 0:16:30.560
<v Speaker 1>but you know, I've been fortunate to make a living

0:16:30.600 --> 0:16:33.080
<v Speaker 1>doing this. And you know I have a nice little

0:16:33.120 --> 0:16:35.240
<v Speaker 1>house out on Long Island that I go to in

0:16:35.280 --> 0:16:41.720
<v Speaker 1>the summer. Five figures, six figures seven, seven figures. It's

0:16:41.720 --> 0:16:44.720
<v Speaker 1>one of those Yeah, yeah, you know we're all out

0:16:44.800 --> 0:16:49.640
<v Speaker 1>here trying. Oh he's rich, he's rich. Okay, did I

0:16:49.680 --> 0:16:52.680
<v Speaker 1>hear that you had a house on Long Island? Yes,

0:16:52.720 --> 0:16:55.720
<v Speaker 1>I live on Long Island. I've never been. I hear.

0:16:55.760 --> 0:17:00.720
<v Speaker 1>It's beautiful. Uh well, let's move on from numbers. Yeah.

0:17:01.000 --> 0:17:04.879
<v Speaker 1>Have you ever met at Dina Menzel? I've seen her live,

0:17:04.960 --> 0:17:07.440
<v Speaker 1>but we've never met. You know, she was in Wicked.

0:17:07.560 --> 0:17:09.520
<v Speaker 1>You know that she was in That was the show

0:17:09.560 --> 0:17:13.040
<v Speaker 1>I saw her and yes, I yes, it's a great show.

0:17:13.080 --> 0:17:15.040
<v Speaker 1>It's still on. You should go check it out. Well,

0:17:15.080 --> 0:17:20.359
<v Speaker 1>it's gonna be a movie and Ariana Grande is playing Glinda.

0:17:20.720 --> 0:17:22.480
<v Speaker 1>How do you feel about that? I know a lot

0:17:22.480 --> 0:17:26.679
<v Speaker 1>of people are upset. I mean I played Alphaba many times,

0:17:26.680 --> 0:17:29.560
<v Speaker 1>so many times. I was thrilled about Arianna because I

0:17:29.600 --> 0:17:32.040
<v Speaker 1>was like, I would love to play across her. Cynthia

0:17:32.160 --> 0:17:36.840
<v Speaker 1>Arriva is a good choice. Um, different styles, but yeah, yeah,

0:17:36.960 --> 0:17:40.239
<v Speaker 1>So how do you feel about miss Grande? You know,

0:17:40.520 --> 0:17:43.280
<v Speaker 1>I have seen her. I took gentlemen to see her

0:17:43.320 --> 0:17:45.879
<v Speaker 1>at the Barclay Center when she came, and she was

0:17:46.600 --> 0:17:49.400
<v Speaker 1>so her vote. I mean, her vocal skills are really unbelievable.

0:17:49.400 --> 0:17:51.800
<v Speaker 1>So I'm excited to see what she does with the role. Um,

0:17:51.840 --> 0:17:53.439
<v Speaker 1>there's such a variety of ways you can kind of

0:17:53.440 --> 0:17:55.320
<v Speaker 1>sing those parts. I think it'll be really exciting to

0:17:55.320 --> 0:17:56.800
<v Speaker 1>see how they do that in that movie. So I

0:17:56.840 --> 0:17:59.320
<v Speaker 1>think it's gonna be great. You know, I gotta say,

0:17:59.359 --> 0:18:01.200
<v Speaker 1>I'm kind of e is to hear you've played Alphabet

0:18:01.280 --> 0:18:04.280
<v Speaker 1>multiple times. That's really why quite a few times. Yes,

0:18:04.359 --> 0:18:09.320
<v Speaker 1>I've I've painted Nobe Moms the Wicked. We painted him

0:18:09.359 --> 0:18:12.439
<v Speaker 1>green head to toe. I do every year. You know,

0:18:12.480 --> 0:18:16.080
<v Speaker 1>it really only requires the face, hands and neck. But

0:18:17.200 --> 0:18:20.000
<v Speaker 1>Steve is just so committed. It's really clear you two

0:18:20.040 --> 0:18:22.680
<v Speaker 1>are very committed to the arts. It's um, well, Steve

0:18:22.720 --> 0:18:27.399
<v Speaker 1>really just inspires me. Yeah. Yeah, that's what I do best.

0:18:27.520 --> 0:18:30.320
<v Speaker 1>You know, there's people who inspire and there's people who

0:18:30.400 --> 0:18:36.960
<v Speaker 1>get inspired. So have you ever dated anybody famous? Not? Really? No? No,

0:18:37.240 --> 0:18:39.000
<v Speaker 1>you know, I know I work kind of close to

0:18:39.480 --> 0:18:41.560
<v Speaker 1>all these big exciting things, but you know, kind of

0:18:41.600 --> 0:18:44.040
<v Speaker 1>have a boring, normal personal life, just like anyone else

0:18:44.040 --> 0:18:48.199
<v Speaker 1>with a boring, normal job, you know, totally. Yeah. So

0:18:48.320 --> 0:18:53.879
<v Speaker 1>are you dating anybody not famous? Um? Yeah, yeah I have.

0:18:54.480 --> 0:18:58.679
<v Speaker 1>So you're dating? Yeah, I've been seeing someone. Is this

0:18:58.920 --> 0:19:03.200
<v Speaker 1>a creative question? Um? Is it serious? If you want

0:19:03.200 --> 0:19:06.359
<v Speaker 1>to answer that, that would be great. Is it serious? Uh?

0:19:06.400 --> 0:19:09.720
<v Speaker 1>You know he might listen to this, and I'm sure

0:19:09.800 --> 0:19:13.600
<v Speaker 1>he will. Everybody does. Uh huh. I would say, you know,

0:19:13.720 --> 0:19:16.480
<v Speaker 1>we're having fun. It's it's early, but I'm having a

0:19:16.520 --> 0:19:20.239
<v Speaker 1>great time. I love that he's being shy. Yeah. I

0:19:20.280 --> 0:19:23.919
<v Speaker 1>love that you're being shy, very uncomfortable. Well that's you know,

0:19:24.240 --> 0:19:28.960
<v Speaker 1>when you're out of your comfort zone, you're growing. Oh

0:19:29.119 --> 0:19:32.840
<v Speaker 1>so that's something to keep in mind. You know, if

0:19:32.880 --> 0:19:34.720
<v Speaker 1>you feel like I want to crawl up in a

0:19:34.800 --> 0:19:37.200
<v Speaker 1>ball and I want to die. That's when you're at

0:19:37.200 --> 0:19:41.480
<v Speaker 1>your best. And that's how I teach your little Genevieve

0:19:42.359 --> 0:19:45.520
<v Speaker 1>Jenna Jenna Lynn. Is it that's how that's the approach

0:19:45.840 --> 0:19:50.879
<v Speaker 1>you go with? Yes? Oh yes, listen, Matt. I'm sure

0:19:50.960 --> 0:19:56.800
<v Speaker 1>that we will meet over Martini's and who knows what soon. Um, so,

0:19:57.160 --> 0:20:02.320
<v Speaker 1>thank you so much, and I will snapchat you. Um sure,

0:20:02.440 --> 0:20:04.720
<v Speaker 1>I don't think I have that, but you you can

0:20:04.840 --> 0:20:09.720
<v Speaker 1>just email email me the snapchat user name and we'll yeah, well,

0:20:09.760 --> 0:20:12.600
<v Speaker 1>we'll make the connection. Okay. Cool, I'm gonna Cindy can

0:20:12.680 --> 0:20:15.040
<v Speaker 1>send you a guide on how to download the app

0:20:15.200 --> 0:20:17.520
<v Speaker 1>to your phone. Yeah. I'm definitely going to be making

0:20:17.560 --> 0:20:21.679
<v Speaker 1>some phone calls. So that's great, fantastic, okay, cool, okay, cool,

0:20:21.800 --> 0:20:33.120
<v Speaker 1>thanks so much, Thank you so much. Bye bye Matt, Bye, Wow,

0:20:33.440 --> 0:20:37.080
<v Speaker 1>CYNDI I think that went so well. I think there

0:20:37.200 --> 0:20:40.840
<v Speaker 1>was some spark there. I don't know. I'm feeling. I'm

0:20:40.880 --> 0:20:44.080
<v Speaker 1>I have goose bumps right now. I'm covered in goose bumps.

0:20:44.119 --> 0:20:47.400
<v Speaker 1>I'm tangling. I feel so alive. But you know what,

0:20:47.800 --> 0:20:51.600
<v Speaker 1>I'm happy I feel this way because it's time for

0:20:51.640 --> 0:20:57.119
<v Speaker 1>our final segment. My favorite Belmore's chore, which I just

0:20:57.280 --> 0:21:01.639
<v Speaker 1>love to do because I give pat with my guidance,

0:21:01.880 --> 0:21:06.720
<v Speaker 1>with my advice, you know. And it's not always easy

0:21:06.840 --> 0:21:13.119
<v Speaker 1>to completely make myself open and vulnerable person, but I

0:21:13.200 --> 0:21:16.159
<v Speaker 1>do my best and that's why I'm here. So, Cindy,

0:21:16.520 --> 0:21:21.000
<v Speaker 1>who are we helping here today? Well, today's question comes

0:21:21.000 --> 0:21:25.720
<v Speaker 1>from a listener who asks, dear Mr Belmore, You've always

0:21:25.760 --> 0:21:30.480
<v Speaker 1>talked so deeply about your illustrious musical career, but when

0:21:30.520 --> 0:21:34.160
<v Speaker 1>I search on Google for your name, nothing comes up.

0:21:34.800 --> 0:21:39.240
<v Speaker 1>Care to explain? Um? Well, and Cindy, remind me to

0:21:39.400 --> 0:21:42.320
<v Speaker 1>talk to you about the choosing of the questions I

0:21:42.359 --> 0:21:45.520
<v Speaker 1>could have. Want I picked a different question? Um well,

0:21:45.560 --> 0:21:48.000
<v Speaker 1>it's fine because it's an easy answer. I can go

0:21:48.080 --> 0:21:50.720
<v Speaker 1>back into the inbox. No, no, no, it's it's it's

0:21:50.760 --> 0:21:53.520
<v Speaker 1>an easy answer. That was the only one we got

0:21:53.560 --> 0:21:56.719
<v Speaker 1>this week. I think that's what happens, Cindy. It's an

0:21:56.760 --> 0:22:00.280
<v Speaker 1>easy answer. Of course. I used to go by my

0:22:00.560 --> 0:22:04.400
<v Speaker 1>stage name, which you can find out if you subscribe

0:22:04.560 --> 0:22:10.080
<v Speaker 1>to my Patreon, which is coming soon. So you will

0:22:10.119 --> 0:22:12.800
<v Speaker 1>subscribe to my patreon. It's a hundred dollars a month.

0:22:13.160 --> 0:22:17.080
<v Speaker 1>It's going to come with uh, three bonus episodes, my

0:22:17.240 --> 0:22:22.359
<v Speaker 1>head shots from over the years, a personalized autographed photo

0:22:22.440 --> 0:22:26.280
<v Speaker 1>of me that you can print out and hang. It's

0:22:26.400 --> 0:22:29.080
<v Speaker 1>totally worth it, and it will be here in time

0:22:29.160 --> 0:22:33.800
<v Speaker 1>for the next major gift giving holiday. Okay, so let's

0:22:33.880 --> 0:22:37.840
<v Speaker 1>move on to the next question, Cindy, because I feel

0:22:37.880 --> 0:22:40.760
<v Speaker 1>like that listener had a bit of a tone and

0:22:40.800 --> 0:22:44.480
<v Speaker 1>I can't say that I was thrilled about that. Uh sure,

0:22:44.600 --> 0:22:50.479
<v Speaker 1>um let me Uh, okay, you're checking the spam folder.

0:22:50.520 --> 0:22:55.000
<v Speaker 1>Here we go. There is one from someone named best.

0:22:56.640 --> 0:23:04.439
<v Speaker 1>No not, absolutely not. Go to a different question next. Okay, Um, Cindy,

0:23:04.440 --> 0:23:07.400
<v Speaker 1>this is why you're supposed to prepare beforehand. You said

0:23:07.440 --> 0:23:09.840
<v Speaker 1>you went through the folders and that you had a

0:23:09.880 --> 0:23:12.479
<v Speaker 1>good question. I got, you know, I thought that that

0:23:12.560 --> 0:23:16.160
<v Speaker 1>first one was was really good. Um oh my god. Okay, Okay,

0:23:16.160 --> 0:23:19.640
<v Speaker 1>here's what it says, dear Mr Belmore. I am a

0:23:19.680 --> 0:23:24.199
<v Speaker 1>current student of yours and was obviously surprised when I

0:23:24.280 --> 0:23:28.679
<v Speaker 1>heard you had a public access radio show. I was

0:23:28.720 --> 0:23:31.720
<v Speaker 1>even more surprised when I heard you talking about my

0:23:31.760 --> 0:23:35.879
<v Speaker 1>parents inevitable divorce. My parents have been happily married for

0:23:36.280 --> 0:23:39.680
<v Speaker 1>you know what, Cindy, I'm gonna call a self care here.

0:23:40.160 --> 0:23:42.600
<v Speaker 1>I'm going to choose not to listen to the rest

0:23:42.640 --> 0:23:46.720
<v Speaker 1>of this hater's question, and instead we'll remind all of

0:23:46.760 --> 0:23:51.200
<v Speaker 1>my listeners to remove any toxic energy from their lives

0:23:51.600 --> 0:23:55.439
<v Speaker 1>because life it's too short. I agree, But you know

0:23:55.520 --> 0:24:00.280
<v Speaker 1>that might be a great thing to handle off the air. Yeah, well,

0:24:00.440 --> 0:24:02.520
<v Speaker 1>speaking of things to handle off the air, I like

0:24:02.720 --> 0:24:06.960
<v Speaker 1>fall transparency with my listeners, and I think that you

0:24:07.000 --> 0:24:08.440
<v Speaker 1>and I are going to have to have a little

0:24:08.440 --> 0:24:14.760
<v Speaker 1>discussion because the job performance it's slacking. I feel like

0:24:14.800 --> 0:24:17.240
<v Speaker 1>ever since you had to pick up that night job

0:24:17.440 --> 0:24:20.239
<v Speaker 1>at Right Aid, you're just there's Right Aid. And then

0:24:20.280 --> 0:24:23.960
<v Speaker 1>I'm also working at Blazing Saddles on the weekends too.

0:24:24.000 --> 0:24:27.359
<v Speaker 1>It's just well, that's I told you working at a

0:24:27.400 --> 0:24:31.439
<v Speaker 1>cowboy themed gay bar in midtown of Manhattan wasn't going

0:24:31.520 --> 0:24:34.760
<v Speaker 1>to help your self esteem. Well, you know, I heard

0:24:34.840 --> 0:24:37.040
<v Speaker 1>from a lot of folks that the tips are really good,

0:24:37.080 --> 0:24:40.119
<v Speaker 1>but I'm just not quite seeing well, I think the

0:24:40.160 --> 0:24:44.879
<v Speaker 1>tips are good for gay men. Cindy, you know that

0:24:44.880 --> 0:24:48.800
<v Speaker 1>that checks out? That checks out? Does that make sense? God,

0:24:49.359 --> 0:24:52.520
<v Speaker 1>we'll talk about it later. We'll talk about it later.

0:24:52.640 --> 0:24:57.200
<v Speaker 1>But I told you anywhere but Blazing saddles, and I

0:24:57.240 --> 0:25:01.040
<v Speaker 1>thought you said nowhere but blazing sad. That was when

0:25:01.040 --> 0:25:03.320
<v Speaker 1>I was talking about where I wanted to go for dinner.

0:25:03.520 --> 0:25:06.679
<v Speaker 1>Regards listen on that note. That's all the time that

0:25:06.760 --> 0:25:09.880
<v Speaker 1>we have for today. Today is the final day of

0:25:09.920 --> 0:25:13.520
<v Speaker 1>my juice cleans, and I need a lone time every

0:25:13.560 --> 0:25:17.160
<v Speaker 1>thirty minutes or I will just absolutely lose my mind.

0:25:17.600 --> 0:25:20.720
<v Speaker 1>But we will be back next week with all new drama,

0:25:21.000 --> 0:25:26.680
<v Speaker 1>all new advice, and the same old are you kidding me?

0:25:27.760 --> 0:25:29.639
<v Speaker 1>Just do it? Do it? If you want to do it,

0:25:29.760 --> 0:25:32.440
<v Speaker 1>please sing it. I want to hear it. No you

0:25:32.440 --> 0:25:34.399
<v Speaker 1>you do it, and I'll do the dang. I'll do

0:25:34.440 --> 0:25:39.840
<v Speaker 1>the dang. Okay, you're not doing it. You gave me

0:25:39.880 --> 0:25:45.000
<v Speaker 1>a countdown. Okay, that's it. We're cut, Cut, Cut Dan