1 00:00:13,200 --> 00:00:17,120 Speaker 1: Hello, and welcome to an all new episode of Saved 2 00:00:17,160 --> 00:00:22,720 Speaker 1: by the Belmore. It's me your host, Mr Stephen Belmore. Gosh, 3 00:00:22,760 --> 00:00:25,000 Speaker 1: I'm so happy to be here. And of course I'm 4 00:00:25,040 --> 00:00:28,800 Speaker 1: back with my gal pal, my best friend, my producer, 5 00:00:29,440 --> 00:00:34,879 Speaker 1: my cousin. That's friend. Hi, it's me Cindy. Well, I 6 00:00:34,920 --> 00:00:36,839 Speaker 1: was going to get to it, Cindy, so let's not. 7 00:00:37,640 --> 00:00:43,240 Speaker 1: Let's not jump guns here, okay, of course, sorry, Steve. Regardless, Cindy, 8 00:00:43,280 --> 00:00:46,680 Speaker 1: what is new with you? Well, as you know last week, 9 00:00:46,720 --> 00:00:49,839 Speaker 1: I finally returned to the dating scene. But remember my 10 00:00:49,920 --> 00:00:52,760 Speaker 1: date did have a klonopin. It is accidental drowning in 11 00:00:52,800 --> 00:00:57,560 Speaker 1: some New England clam chowder. Yeah it was. Wait, wasn't 12 00:00:57,560 --> 00:01:01,319 Speaker 1: New England. I thought it was a Manhattan chowder. No, no, no, no, no, 13 00:01:01,360 --> 00:01:03,560 Speaker 1: it was. It was definitely New England. And see, that's 14 00:01:03,720 --> 00:01:07,520 Speaker 1: that's why it's dangerous. It's hard to come back after 15 00:01:07,560 --> 00:01:12,040 Speaker 1: being submerged in such thick chowder. But he's out of 16 00:01:12,040 --> 00:01:15,440 Speaker 1: the woods, he's out of the coma, Cindy. That is 17 00:01:15,480 --> 00:01:18,360 Speaker 1: so great. You know, I love chowder, so I put 18 00:01:18,400 --> 00:01:21,200 Speaker 1: myself and my life on the line all of the time. 19 00:01:21,840 --> 00:01:24,200 Speaker 1: But I'm just I'm so excited for you. So does 20 00:01:24,240 --> 00:01:28,320 Speaker 1: this mean that you're going to keep dating? Well, actually, 21 00:01:28,440 --> 00:01:34,000 Speaker 1: unfortunately no, Yeah, he um woke up and almost instantly 22 00:01:34,200 --> 00:01:37,920 Speaker 1: told me he wasn't looking for anything serious. Oh yeah, 23 00:01:37,959 --> 00:01:41,800 Speaker 1: and he was married as well. Oh, Cindy, that's that's 24 00:01:41,840 --> 00:01:44,680 Speaker 1: a shame. Yeah, but for time, we really do need 25 00:01:44,720 --> 00:01:46,960 Speaker 1: to move on to stuff I didn't know, right, No, 26 00:01:47,319 --> 00:01:50,040 Speaker 1: that's right. I didn't think you'd actually have anything to 27 00:01:50,120 --> 00:01:52,760 Speaker 1: catch us up on, Um. But there's plenty of fish 28 00:01:52,760 --> 00:01:55,760 Speaker 1: in the see, you just got to cast a wider net. Okay, 29 00:01:55,840 --> 00:02:00,360 Speaker 1: so let's get started on me, all right. Absolutely, So, 30 00:02:00,400 --> 00:02:03,840 Speaker 1: as you know, production on Rent has come to a 31 00:02:03,840 --> 00:02:08,359 Speaker 1: halt because I refused to allow all of the students 32 00:02:08,360 --> 00:02:11,840 Speaker 1: to audition. And yes, that is solely based on the 33 00:02:11,840 --> 00:02:15,360 Speaker 1: fact that their parents have slighted me. If they've slighted me, 34 00:02:15,600 --> 00:02:18,200 Speaker 1: then they're not welcome. If they haven't, they can get 35 00:02:18,240 --> 00:02:20,440 Speaker 1: an audition. Well did that affect a lot of the 36 00:02:20,520 --> 00:02:25,400 Speaker 1: kids about fifty percent? Yeah, But still, I don't need 37 00:02:25,480 --> 00:02:29,480 Speaker 1: that toxic energy surrounding me when I'm trying to pull 38 00:02:29,639 --> 00:02:34,800 Speaker 1: literally pull performances out of these dry sponges their parents 39 00:02:34,840 --> 00:02:37,040 Speaker 1: called children. And I mean, you know how it is. 40 00:02:37,680 --> 00:02:41,080 Speaker 1: I okay, so that's on Halts. I'll let you know 41 00:02:41,160 --> 00:02:44,080 Speaker 1: what goes on with that. I'll let everybody know. They'll 42 00:02:44,080 --> 00:02:46,680 Speaker 1: probably be a go fund me. I'll drop the link 43 00:02:46,880 --> 00:02:49,679 Speaker 1: when it's out. Um. I do have some good news 44 00:02:49,760 --> 00:02:53,640 Speaker 1: and some bad news, Cindy. The good news is, after 45 00:02:53,800 --> 00:02:58,480 Speaker 1: four different failed change dot org petitions, I was able 46 00:02:58,639 --> 00:03:03,600 Speaker 1: to add stage make up to my syllabus. Wow, congratulation, 47 00:03:04,160 --> 00:03:06,840 Speaker 1: Thank you so much, Cindy. It was so great. But 48 00:03:06,880 --> 00:03:11,320 Speaker 1: the bad news is, after an unfortunate accident with Julius 49 00:03:11,360 --> 00:03:15,680 Speaker 1: Smith's eyeball and a pencil eyeliner, I've had to remove 50 00:03:15,720 --> 00:03:18,880 Speaker 1: it and re add History of Theater, which I teach 51 00:03:18,960 --> 00:03:21,560 Speaker 1: by showing a bootleg taping of the fan of the opera. 52 00:03:22,560 --> 00:03:25,720 Speaker 1: What happened with Julia's I I have no idea. I 53 00:03:25,760 --> 00:03:27,239 Speaker 1: picked it up, I rented it off, I put it 54 00:03:27,240 --> 00:03:28,760 Speaker 1: in a zip blog bag and stuck it in her 55 00:03:28,760 --> 00:03:31,240 Speaker 1: pocket when they were taking her out on the stretcher. 56 00:03:31,639 --> 00:03:34,520 Speaker 1: But I haven't had time to follow up. Her last 57 00:03:34,600 --> 00:03:38,320 Speaker 1: name is long to look up in the system. So, Steven, 58 00:03:38,400 --> 00:03:42,080 Speaker 1: that sounds very serious. I mean, the paperwork, did you 59 00:03:42,120 --> 00:03:45,480 Speaker 1: at least I didn't do any paperwork that's not I'm 60 00:03:45,480 --> 00:03:49,520 Speaker 1: a creative person. Her eye felt it popped out. Oh 61 00:03:49,560 --> 00:03:53,640 Speaker 1: my goodness. Well the thing was, I said, you're doing great, 62 00:03:53,680 --> 00:03:55,640 Speaker 1: and I gave her a little a little smack on 63 00:03:55,680 --> 00:03:59,080 Speaker 1: the back, okay, and then she was holding the eyeliner. 64 00:03:59,360 --> 00:04:02,560 Speaker 1: Oh so it was your fault. Well that was the 65 00:04:02,640 --> 00:04:05,440 Speaker 1: first and then someone else bumped into her front and 66 00:04:05,520 --> 00:04:07,000 Speaker 1: hit her hand, so it was kind of like a 67 00:04:07,040 --> 00:04:09,560 Speaker 1: double Dutch situation. You know, this reminds me I should 68 00:04:09,560 --> 00:04:13,880 Speaker 1: reach out to legal. Oh yeah, please reach out to 69 00:04:14,040 --> 00:04:16,920 Speaker 1: our on staff legal team to make sure that it's 70 00:04:16,960 --> 00:04:20,720 Speaker 1: okay that we we tell that story. But again, not 71 00:04:20,800 --> 00:04:23,200 Speaker 1: my fault. She should have known how to use a 72 00:04:23,240 --> 00:04:26,480 Speaker 1: gel eyeliner. I mean, she's fourteen years old. Grow up. 73 00:04:26,960 --> 00:04:31,800 Speaker 1: So anyway, now I'm stuck teaching the goddamn history of theater, Sandy, 74 00:04:31,839 --> 00:04:33,760 Speaker 1: it may as well be a politics class. I just 75 00:04:33,760 --> 00:04:36,000 Speaker 1: can't seem to care about it. But you know what 76 00:04:36,080 --> 00:04:40,839 Speaker 1: I do care about inspiring people, and that's why I 77 00:04:40,960 --> 00:04:44,679 Speaker 1: have come up with a new segment, stories of cutting 78 00:04:44,680 --> 00:04:52,359 Speaker 1: my teeth. As many of you know, sometimes artists, and 79 00:04:52,400 --> 00:04:55,200 Speaker 1: I use that term broadly, I have to take jobs 80 00:04:55,200 --> 00:04:59,800 Speaker 1: they otherwise would not to support themselves in pursuing their 81 00:05:00,360 --> 00:05:03,080 Speaker 1: whatever it may be. And this is the story of 82 00:05:03,120 --> 00:05:06,320 Speaker 1: the thirteen years I spent cutting my teeth after my 83 00:05:06,400 --> 00:05:11,160 Speaker 1: parents cut me off while auditioning for Broadway shows and 84 00:05:11,360 --> 00:05:16,440 Speaker 1: getting callbacks for Broadway shows. You remember the callback? Yes, yes, 85 00:05:16,480 --> 00:05:20,000 Speaker 1: the callback. There was the callback for the one plus 86 00:05:20,000 --> 00:05:24,919 Speaker 1: others and waiting tables at New York's most exclusive restaurants 87 00:05:24,920 --> 00:05:28,360 Speaker 1: in diners. It's a special segment because not only are 88 00:05:28,400 --> 00:05:32,359 Speaker 1: Cindy and I best friends, roommates, cousins, we worked together 89 00:05:32,480 --> 00:05:36,760 Speaker 1: in several different restaurants in New York City, the Big 90 00:05:36,800 --> 00:05:40,080 Speaker 1: Apple as locals call it, And that's where Cindy met 91 00:05:40,120 --> 00:05:45,239 Speaker 1: her husband, her ex husband, Yeah, who I actually hooked 92 00:05:45,279 --> 00:05:50,039 Speaker 1: up with first at a server holiday party, and anyway, 93 00:05:50,080 --> 00:05:52,479 Speaker 1: he wasn't gay. It was a confusing time for him, 94 00:05:52,560 --> 00:05:55,680 Speaker 1: but he did meet Cindy soon after, and then he 95 00:05:55,720 --> 00:05:58,640 Speaker 1: did leave Cindy not too soon after that and is 96 00:05:58,680 --> 00:06:01,680 Speaker 1: now dating an unnamed real wife of New York who 97 00:06:01,720 --> 00:06:05,920 Speaker 1: I do still hope to meet some day. Yeah, about that, 98 00:06:06,040 --> 00:06:10,200 Speaker 1: I'm not comfortable asking him to introduce you to at 99 00:06:10,240 --> 00:06:13,440 Speaker 1: least not yet. Well time heals all wounds, Cindy. Okay, 100 00:06:13,480 --> 00:06:17,360 Speaker 1: you'll get there. But now let's get into celebrities who 101 00:06:17,480 --> 00:06:24,520 Speaker 1: have wronged me. Okay, so you remember when Morgan Freeman 102 00:06:24,560 --> 00:06:27,800 Speaker 1: came in. Oh, yes, everyone loves Morgan Freeman. He's an 103 00:06:27,800 --> 00:06:33,080 Speaker 1: actor from Bruce Almighty. He's most well known, Godly got 104 00:06:33,440 --> 00:06:35,920 Speaker 1: so good. I thought he was so good. He ordered 105 00:06:35,920 --> 00:06:39,279 Speaker 1: a tomato soup. I brought it out to him and 106 00:06:39,400 --> 00:06:43,839 Speaker 1: he was a total diva. He was very upset. He 107 00:06:43,920 --> 00:06:48,680 Speaker 1: asked to speak to a manager. It just really confused 108 00:06:48,720 --> 00:06:52,159 Speaker 1: me how this iconic actor could be so upset over 109 00:06:52,240 --> 00:06:55,200 Speaker 1: a simple confusion. Well, actually I remember that day. Wasn't 110 00:06:55,279 --> 00:06:58,359 Speaker 1: the bowl of tomato soup? Didn't you bring up a 111 00:06:58,400 --> 00:07:02,920 Speaker 1: bowl of salsa instead? We were out of the tomato soup? Gotcha. 112 00:07:03,120 --> 00:07:04,760 Speaker 1: But but then there was a part where we started 113 00:07:04,760 --> 00:07:08,760 Speaker 1: screaming lines from shash Redemption at him, which I don't 114 00:07:08,760 --> 00:07:12,480 Speaker 1: think he liked. Well that's because he couldn't handle it. 115 00:07:12,680 --> 00:07:15,640 Speaker 1: God forbid, somebody's a better actor, you know. You know 116 00:07:15,680 --> 00:07:18,520 Speaker 1: I did not consider that it was upsetting, So needless 117 00:07:18,560 --> 00:07:20,640 Speaker 1: to say, I won't be starring in the shosh Anc 118 00:07:20,680 --> 00:07:28,360 Speaker 1: Redemption too. Uh that that was a joke since thank you? 119 00:07:28,880 --> 00:07:32,800 Speaker 1: Um remember Diane Keaton, Diane Keaton comes in. Everyone just 120 00:07:32,920 --> 00:07:36,440 Speaker 1: loves Diane Keaton because she can scream in every movie 121 00:07:36,520 --> 00:07:40,240 Speaker 1: she's in. I scream everywhere I go. I don't get 122 00:07:40,240 --> 00:07:43,440 Speaker 1: the big deal on that, and she's not even that great. 123 00:07:43,480 --> 00:07:45,400 Speaker 1: She wouldn't even let me try on her hat. Do 124 00:07:45,440 --> 00:07:48,480 Speaker 1: you remember that? I do remember that, but I remember 125 00:07:48,600 --> 00:07:52,840 Speaker 1: more specifically, more importantly, that that wasn't Diane Keaton. Actually, 126 00:07:53,440 --> 00:07:56,680 Speaker 1: well that makes it even worse because she's not even original. 127 00:07:56,880 --> 00:07:59,720 Speaker 1: There's another woman walking around just like her, exactly. And 128 00:07:59,760 --> 00:08:02,280 Speaker 1: if it was just a regular lady, then wouldn't she 129 00:08:02,320 --> 00:08:05,000 Speaker 1: be honored to let you wear her hat? You would think, 130 00:08:05,280 --> 00:08:08,720 Speaker 1: you would think Cindy. But speaking of women who don't 131 00:08:08,760 --> 00:08:12,160 Speaker 1: know when they're being honored, Sarah Michelle Geller, you remember her. 132 00:08:13,360 --> 00:08:15,760 Speaker 1: She kept saying she wasn't Sarah Michelle Geller. I knew 133 00:08:15,760 --> 00:08:19,000 Speaker 1: she was Sarah Michelle Geller. We got into an argument. 134 00:08:19,040 --> 00:08:21,760 Speaker 1: It was over a plot point in Buffy the Vampire Slayer, 135 00:08:21,880 --> 00:08:24,559 Speaker 1: which there's just a lot that goes on that didn't 136 00:08:24,560 --> 00:08:27,360 Speaker 1: make sense to me. God for a bid I questioned something, 137 00:08:27,640 --> 00:08:30,400 Speaker 1: Sorry that I'm not a sheep, but you know, you 138 00:08:30,440 --> 00:08:33,000 Speaker 1: actually did have a point in that argument, So I 139 00:08:33,679 --> 00:08:36,320 Speaker 1: stand by it. I stand by it, thank you. Uh. 140 00:08:36,360 --> 00:08:39,400 Speaker 1: And then finally, Danny de Vito, when this is actually 141 00:08:39,400 --> 00:08:42,439 Speaker 1: more of a Cindy story than mine, because we were 142 00:08:42,480 --> 00:08:45,160 Speaker 1: closing the restaurant and I was in the back. I 143 00:08:45,240 --> 00:08:48,040 Speaker 1: was head server. I was counting the money, uh, screaming 144 00:08:48,040 --> 00:08:53,840 Speaker 1: at all the other servers for drinking, you know, just 145 00:08:53,920 --> 00:08:57,079 Speaker 1: really doing what I loved at the time. And then 146 00:08:57,080 --> 00:08:59,480 Speaker 1: when I come out of the back, Cindy is in 147 00:08:59,559 --> 00:09:04,199 Speaker 1: the clothes restaurant, slow dancing with none other than than 148 00:09:04,520 --> 00:09:09,320 Speaker 1: Matilda's Danny de Vito. Yes, yes, yeah, he was picking 149 00:09:09,440 --> 00:09:12,720 Speaker 1: up his take out, and you know, one thing led 150 00:09:12,760 --> 00:09:17,040 Speaker 1: to another, and he gave me a phone number. I remember, 151 00:09:17,240 --> 00:09:20,880 Speaker 1: you were so excited. Yes, I was so pissed. It 152 00:09:20,960 --> 00:09:24,199 Speaker 1: did turn out. I called the next day. It turned 153 00:09:24,200 --> 00:09:27,679 Speaker 1: out that it was fake. It was a fake phone number, 154 00:09:27,760 --> 00:09:31,320 Speaker 1: so that was that makes sense. He's married, actually to 155 00:09:31,400 --> 00:09:35,000 Speaker 1: the mom in Matilda, the actual mom. I knew they 156 00:09:35,000 --> 00:09:40,000 Speaker 1: were married. Yeah, you know that's not what he told me. Um. Yeah, no, 157 00:09:40,080 --> 00:09:42,240 Speaker 1: I remember saying like he's married, and you were like, 158 00:09:42,640 --> 00:09:45,600 Speaker 1: who has time for that? You know, we all do 159 00:09:45,720 --> 00:09:48,960 Speaker 1: desperate things. I had sex with your husband, for God's sakes, 160 00:09:51,000 --> 00:09:52,920 Speaker 1: it was just a makeout. It was a makeout, and 161 00:09:52,960 --> 00:09:57,800 Speaker 1: it was before you were dating. Just the makeout though, right, Yeah, totally, 162 00:09:58,160 --> 00:10:01,720 Speaker 1: totally okay because sometimes you know, yeah, I never know 163 00:10:01,920 --> 00:10:07,600 Speaker 1: with you. Yeah my ex husband. Yeah yeah, he's nice, 164 00:10:07,640 --> 00:10:24,600 Speaker 1: good kisser. So Cindy, it's time to move on to 165 00:10:24,800 --> 00:10:30,040 Speaker 1: our very special guests, and I'm so excited to have him. 166 00:10:30,160 --> 00:10:35,040 Speaker 1: Very exciting. Not only is he a Broadway producer bumping 167 00:10:35,120 --> 00:10:38,560 Speaker 1: elbows with some of the hottest celebrities to ever grace 168 00:10:38,600 --> 00:10:42,560 Speaker 1: the red carpet, he's gay, and he's an uncle to 169 00:10:42,679 --> 00:10:46,679 Speaker 1: one of my absolute favorite students who became one of 170 00:10:46,720 --> 00:10:50,440 Speaker 1: my absolute favorite students um when I found out this information, 171 00:10:50,520 --> 00:10:54,400 Speaker 1: Jenna I think her name is Jennifer Jenna Vieve, It's 172 00:10:54,440 --> 00:10:58,240 Speaker 1: something like that. She she quickly became my favorite student. 173 00:10:58,280 --> 00:11:01,199 Speaker 1: When I was on Instagram, as I always do, perusing 174 00:11:01,240 --> 00:11:04,880 Speaker 1: the student's Instagram accounts and fake Instagram accounts which they 175 00:11:04,880 --> 00:11:08,199 Speaker 1: have now, and I saw her in a photo with 176 00:11:08,360 --> 00:11:11,280 Speaker 1: none other than the star of the Dear of Enhance 177 00:11:11,360 --> 00:11:17,200 Speaker 1: and Film, Ben platt Way, and I said, what holiday, Hubie, whatdy? 178 00:11:17,640 --> 00:11:20,600 Speaker 1: I was flabbergasted, and so I do some click click 179 00:11:20,600 --> 00:11:23,160 Speaker 1: click gang next thing I know. I realized her uncle. 180 00:11:23,320 --> 00:11:26,640 Speaker 1: He has a gay face. I could tell. And after 181 00:11:26,960 --> 00:11:31,000 Speaker 1: convincing her to introduce us via some good old fashioned 182 00:11:31,000 --> 00:11:35,320 Speaker 1: B and B blackmail and bribes, blackmail and bribes, please 183 00:11:35,360 --> 00:11:47,839 Speaker 1: welcome Broadway producer Matt Farley. Hi, Matt. Do we call 184 00:11:47,920 --> 00:11:50,520 Speaker 1: you Matt? Or do we call you? Um, Matthew? I 185 00:11:50,559 --> 00:11:54,520 Speaker 1: don't what's the stage name? I'm not really a performer, 186 00:11:54,559 --> 00:11:56,760 Speaker 1: you know, so I guess Matt's probably Matt's fine. Go 187 00:11:56,880 --> 00:12:02,000 Speaker 1: with Matt. Oh, let me clarifying. What does a producer do? 188 00:12:02,040 --> 00:12:04,920 Speaker 1: You know? Um? My role is a lot about allocating 189 00:12:05,000 --> 00:12:08,320 Speaker 1: funds to get the productions able to actually do their run. 190 00:12:08,440 --> 00:12:11,640 Speaker 1: So it's a lot of you know, contributing funds, myself, 191 00:12:11,679 --> 00:12:14,200 Speaker 1: finding other people to contribute funds so that, you know, 192 00:12:14,280 --> 00:12:17,040 Speaker 1: putting up a Broadway shows. It's so expensive, so it's 193 00:12:17,080 --> 00:12:20,280 Speaker 1: a lot of it's kind of the boring business side, 194 00:12:20,320 --> 00:12:24,320 Speaker 1: you will, of these really fun special pieces. No such 195 00:12:24,400 --> 00:12:27,040 Speaker 1: thing as a boring side. I've put on quite a 196 00:12:27,040 --> 00:12:30,760 Speaker 1: few shows myself. I have a one man show of 197 00:12:30,840 --> 00:12:33,920 Speaker 1: the Crucible where I play all of the roles. Um, 198 00:12:34,120 --> 00:12:36,760 Speaker 1: it's John Proctor is not involved. He was cut from 199 00:12:36,800 --> 00:12:39,800 Speaker 1: the script. Uh, so I get what you're saying, and 200 00:12:39,840 --> 00:12:42,640 Speaker 1: that leads me to my follow up question, how well 201 00:12:42,679 --> 00:12:46,280 Speaker 1: do you know Ben Platt? Oh? Um, you know, we 202 00:12:46,440 --> 00:12:51,600 Speaker 1: just uh that was it was Gentleman's birthday. Isn't she 203 00:12:51,720 --> 00:12:55,000 Speaker 1: the best? Isn't she just the best? So sweet? God? 204 00:12:55,080 --> 00:12:58,000 Speaker 1: I love her so much. Same and yeah, you know, 205 00:12:58,040 --> 00:13:01,160 Speaker 1: it was Gentleman's birthday last year. She was obsessed with 206 00:13:01,200 --> 00:13:03,400 Speaker 1: the show, and so I just I sent a few 207 00:13:03,440 --> 00:13:05,319 Speaker 1: emails to some people I've worked with on a few 208 00:13:05,320 --> 00:13:07,400 Speaker 1: shows in the past, just to see if they could 209 00:13:07,440 --> 00:13:09,920 Speaker 1: get her backstage after the show, just to say hi. 210 00:13:10,120 --> 00:13:12,079 Speaker 1: And so we both met Ben that night, and he 211 00:13:12,200 --> 00:13:15,680 Speaker 1: was super nice to gentle En. It was really lovely. Yeah, 212 00:13:15,720 --> 00:13:19,320 Speaker 1: oh my god. And did anything progress there with you 213 00:13:19,400 --> 00:13:24,280 Speaker 1: and Ben in terms of what friendship? You know how 214 00:13:24,360 --> 00:13:29,920 Speaker 1: gays are? Oh yeah, I guess so, you know, not really. 215 00:13:30,880 --> 00:13:32,760 Speaker 1: He you know, had just done a big show and 216 00:13:32,800 --> 00:13:34,319 Speaker 1: I was really grateful that he came out to meet 217 00:13:34,360 --> 00:13:36,200 Speaker 1: my niece. So I said thank you so much. And 218 00:13:36,240 --> 00:13:37,800 Speaker 1: then you know, I think he just went on his 219 00:13:37,840 --> 00:13:39,480 Speaker 1: way too. You know, they can't talk to him if 220 00:13:39,559 --> 00:13:42,840 Speaker 1: the rest of their voice, so you know, okay, well 221 00:13:42,920 --> 00:13:48,480 Speaker 1: we'll talk about that off the air, sorry to disappoint. Yeah, 222 00:13:48,600 --> 00:13:51,720 Speaker 1: me too. What did you think of Dear Evan Hanson 223 00:13:52,000 --> 00:13:56,080 Speaker 1: the movie, which is I believe based on the musical. 224 00:13:56,320 --> 00:14:01,600 Speaker 1: Isn't that right, Cindy. I believe it's a loose adaptation. Yeah, no, 225 00:14:01,760 --> 00:14:04,280 Speaker 1: it's pretty. Uh, it's pretty pound for pound the same story. 226 00:14:04,360 --> 00:14:07,080 Speaker 1: I saw it. I had a great time. Yeah it is. 227 00:14:07,160 --> 00:14:09,960 Speaker 1: It's pound for pound, I said that. Yeah. Well, see, 228 00:14:10,000 --> 00:14:15,560 Speaker 1: I thought Dear Evan Hanson was like a diary type novel. Yeah, 229 00:14:16,080 --> 00:14:18,560 Speaker 1: so this is all very interesting and brand new to me. 230 00:14:19,560 --> 00:14:22,200 Speaker 1: Cindy thought it was the sequel to Dear John, so 231 00:14:22,240 --> 00:14:26,520 Speaker 1: she was expecting something else. Yeah, yeah, that's so funny. No, 232 00:14:26,680 --> 00:14:30,120 Speaker 1: it's not. Nicholas Sparks is not involved at all. Actually, 233 00:14:31,360 --> 00:14:33,680 Speaker 1: it's an interesting story. You know. Some people think it's 234 00:14:33,680 --> 00:14:35,760 Speaker 1: a little problematic. But I had a great time. I 235 00:14:35,800 --> 00:14:39,440 Speaker 1: thought it was nice, you know. Okay, So follow up 236 00:14:39,560 --> 00:14:41,840 Speaker 1: question to that is, do you think I could play 237 00:14:41,880 --> 00:14:46,800 Speaker 1: the role of Dear Evan Hanson. Um, it's time to 238 00:14:46,920 --> 00:14:50,000 Speaker 1: stand on the huh, Cindy. Look at the lyrics before 239 00:14:50,000 --> 00:14:51,880 Speaker 1: I put them in the put them in the church 240 00:14:52,160 --> 00:14:57,480 Speaker 1: before in turn the key I used to the key 241 00:14:57,520 --> 00:15:00,920 Speaker 1: I used to slam on the brakes. I used to slam. 242 00:15:01,880 --> 00:15:05,640 Speaker 1: I used, I used to slim, used to slam on 243 00:15:05,760 --> 00:15:09,560 Speaker 1: the break. Sorry, we should have rehearsed. Um no, I 244 00:15:10,000 --> 00:15:15,000 Speaker 1: I rehearsed Cindy's you know, overcorrecting. Absolutely absolutely, yes, I 245 00:15:15,360 --> 00:15:17,320 Speaker 1: think we actually need to go up an octave on 246 00:15:17,400 --> 00:15:20,120 Speaker 1: that one. We will have an arrangement ready for the 247 00:15:20,200 --> 00:15:22,600 Speaker 1: next episode. Well, yeah, I mean there's you know, there's 248 00:15:22,640 --> 00:15:24,880 Speaker 1: sort of two different conversations. Is you know, are you 249 00:15:24,920 --> 00:15:26,600 Speaker 1: able to sing the part, which you know a lot 250 00:15:26,640 --> 00:15:28,080 Speaker 1: of people can do. It's I mean it's a it's 251 00:15:28,120 --> 00:15:30,400 Speaker 1: a hard it's a vocally challenging part, but also you know, 252 00:15:30,440 --> 00:15:33,800 Speaker 1: for some people, not for me. Yeah. And then there's 253 00:15:33,800 --> 00:15:36,120 Speaker 1: also like, are you someone who could play a fifteen 254 00:15:36,160 --> 00:15:39,720 Speaker 1: year old in a convincing way? Well, you tell me. 255 00:15:40,160 --> 00:15:43,360 Speaker 1: I mean I've been playing fifteen since I was ten, 256 00:15:43,640 --> 00:15:47,640 Speaker 1: you know, yeah, wow, that's awesome. Yeah, Like I said, 257 00:15:47,680 --> 00:15:50,280 Speaker 1: I really I really worked on mostly the fundraising side 258 00:15:50,280 --> 00:15:52,720 Speaker 1: of things. Who am I to give any casting advice? 259 00:15:52,760 --> 00:15:57,040 Speaker 1: You know totally? Yeah, Well yeah, we'll talk about it. 260 00:15:57,040 --> 00:16:00,240 Speaker 1: It's so modest. Um, so speaking, how much money do 261 00:16:00,280 --> 00:16:03,320 Speaker 1: you make? Excuse me, how much money do you make 262 00:16:03,360 --> 00:16:07,680 Speaker 1: in a year for our listeners. Uh huh, I mean 263 00:16:07,800 --> 00:16:11,040 Speaker 1: the money I raised for the productions that can range. 264 00:16:11,040 --> 00:16:12,760 Speaker 1: It kind of depends on the budget of the show 265 00:16:12,800 --> 00:16:16,040 Speaker 1: we're working. Well, I mean for like you personally, how 266 00:16:16,160 --> 00:16:18,720 Speaker 1: I think what Steve has asked is how much do 267 00:16:18,920 --> 00:16:24,520 Speaker 1: you take home annually before taxes net? Um? You know, 268 00:16:24,520 --> 00:16:28,040 Speaker 1: I'm not gonna lie. I'm a pretty fortunate guy. Nothing crazy, 269 00:16:28,080 --> 00:16:30,560 Speaker 1: but you know, I've been fortunate to make a living 270 00:16:30,600 --> 00:16:33,080 Speaker 1: doing this. And you know I have a nice little 271 00:16:33,120 --> 00:16:35,240 Speaker 1: house out on Long Island that I go to in 272 00:16:35,280 --> 00:16:41,720 Speaker 1: the summer. Five figures, six figures seven, seven figures. It's 273 00:16:41,720 --> 00:16:44,720 Speaker 1: one of those Yeah, yeah, you know we're all out 274 00:16:44,800 --> 00:16:49,640 Speaker 1: here trying. Oh he's rich, he's rich. Okay, did I 275 00:16:49,680 --> 00:16:52,680 Speaker 1: hear that you had a house on Long Island? Yes, 276 00:16:52,720 --> 00:16:55,720 Speaker 1: I live on Long Island. I've never been. I hear. 277 00:16:55,760 --> 00:17:00,720 Speaker 1: It's beautiful. Uh well, let's move on from numbers. Yeah. 278 00:17:01,000 --> 00:17:04,879 Speaker 1: Have you ever met at Dina Menzel? I've seen her live, 279 00:17:04,960 --> 00:17:07,440 Speaker 1: but we've never met. You know, she was in Wicked. 280 00:17:07,560 --> 00:17:09,520 Speaker 1: You know that she was in That was the show 281 00:17:09,560 --> 00:17:13,040 Speaker 1: I saw her and yes, I yes, it's a great show. 282 00:17:13,080 --> 00:17:15,040 Speaker 1: It's still on. You should go check it out. Well, 283 00:17:15,080 --> 00:17:20,359 Speaker 1: it's gonna be a movie and Ariana Grande is playing Glinda. 284 00:17:20,720 --> 00:17:22,480 Speaker 1: How do you feel about that? I know a lot 285 00:17:22,480 --> 00:17:26,679 Speaker 1: of people are upset. I mean I played Alphaba many times, 286 00:17:26,680 --> 00:17:29,560 Speaker 1: so many times. I was thrilled about Arianna because I 287 00:17:29,600 --> 00:17:32,040 Speaker 1: was like, I would love to play across her. Cynthia 288 00:17:32,160 --> 00:17:36,840 Speaker 1: Arriva is a good choice. Um, different styles, but yeah, yeah, 289 00:17:36,960 --> 00:17:40,239 Speaker 1: So how do you feel about miss Grande? You know, 290 00:17:40,520 --> 00:17:43,280 Speaker 1: I have seen her. I took gentlemen to see her 291 00:17:43,320 --> 00:17:45,879 Speaker 1: at the Barclay Center when she came, and she was 292 00:17:46,600 --> 00:17:49,400 Speaker 1: so her vote. I mean, her vocal skills are really unbelievable. 293 00:17:49,400 --> 00:17:51,800 Speaker 1: So I'm excited to see what she does with the role. Um, 294 00:17:51,840 --> 00:17:53,439 Speaker 1: there's such a variety of ways you can kind of 295 00:17:53,440 --> 00:17:55,320 Speaker 1: sing those parts. I think it'll be really exciting to 296 00:17:55,320 --> 00:17:56,800 Speaker 1: see how they do that in that movie. So I 297 00:17:56,840 --> 00:17:59,320 Speaker 1: think it's gonna be great. You know, I gotta say, 298 00:17:59,359 --> 00:18:01,200 Speaker 1: I'm kind of e is to hear you've played Alphabet 299 00:18:01,280 --> 00:18:04,280 Speaker 1: multiple times. That's really why quite a few times. Yes, 300 00:18:04,359 --> 00:18:09,320 Speaker 1: I've I've painted Nobe Moms the Wicked. We painted him 301 00:18:09,359 --> 00:18:12,439 Speaker 1: green head to toe. I do every year. You know, 302 00:18:12,480 --> 00:18:16,080 Speaker 1: it really only requires the face, hands and neck. But 303 00:18:17,200 --> 00:18:20,000 Speaker 1: Steve is just so committed. It's really clear you two 304 00:18:20,040 --> 00:18:22,680 Speaker 1: are very committed to the arts. It's um, well, Steve 305 00:18:22,720 --> 00:18:27,399 Speaker 1: really just inspires me. Yeah. Yeah, that's what I do best. 306 00:18:27,520 --> 00:18:30,320 Speaker 1: You know, there's people who inspire and there's people who 307 00:18:30,400 --> 00:18:36,960 Speaker 1: get inspired. So have you ever dated anybody famous? Not? Really? No? No, 308 00:18:37,240 --> 00:18:39,000 Speaker 1: you know, I know I work kind of close to 309 00:18:39,480 --> 00:18:41,560 Speaker 1: all these big exciting things, but you know, kind of 310 00:18:41,600 --> 00:18:44,040 Speaker 1: have a boring, normal personal life, just like anyone else 311 00:18:44,040 --> 00:18:48,199 Speaker 1: with a boring, normal job, you know, totally. Yeah. So 312 00:18:48,320 --> 00:18:53,879 Speaker 1: are you dating anybody not famous? Um? Yeah, yeah I have. 313 00:18:54,480 --> 00:18:58,679 Speaker 1: So you're dating? Yeah, I've been seeing someone. Is this 314 00:18:58,920 --> 00:19:03,200 Speaker 1: a creative question? Um? Is it serious? If you want 315 00:19:03,200 --> 00:19:06,359 Speaker 1: to answer that, that would be great. Is it serious? Uh? 316 00:19:06,400 --> 00:19:09,720 Speaker 1: You know he might listen to this, and I'm sure 317 00:19:09,800 --> 00:19:13,600 Speaker 1: he will. Everybody does. Uh huh. I would say, you know, 318 00:19:13,720 --> 00:19:16,480 Speaker 1: we're having fun. It's it's early, but I'm having a 319 00:19:16,520 --> 00:19:20,239 Speaker 1: great time. I love that he's being shy. Yeah. I 320 00:19:20,280 --> 00:19:23,919 Speaker 1: love that you're being shy, very uncomfortable. Well that's you know, 321 00:19:24,240 --> 00:19:28,960 Speaker 1: when you're out of your comfort zone, you're growing. Oh 322 00:19:29,119 --> 00:19:32,840 Speaker 1: so that's something to keep in mind. You know, if 323 00:19:32,880 --> 00:19:34,720 Speaker 1: you feel like I want to crawl up in a 324 00:19:34,800 --> 00:19:37,200 Speaker 1: ball and I want to die. That's when you're at 325 00:19:37,200 --> 00:19:41,480 Speaker 1: your best. And that's how I teach your little Genevieve 326 00:19:42,359 --> 00:19:45,520 Speaker 1: Jenna Jenna Lynn. Is it that's how that's the approach 327 00:19:45,840 --> 00:19:50,879 Speaker 1: you go with? Yes? Oh yes, listen, Matt. I'm sure 328 00:19:50,960 --> 00:19:56,800 Speaker 1: that we will meet over Martini's and who knows what soon. Um, so, 329 00:19:57,160 --> 00:20:02,320 Speaker 1: thank you so much, and I will snapchat you. Um sure, 330 00:20:02,440 --> 00:20:04,720 Speaker 1: I don't think I have that, but you you can 331 00:20:04,840 --> 00:20:09,720 Speaker 1: just email email me the snapchat user name and we'll yeah, well, 332 00:20:09,760 --> 00:20:12,600 Speaker 1: we'll make the connection. Okay. Cool, I'm gonna Cindy can 333 00:20:12,680 --> 00:20:15,040 Speaker 1: send you a guide on how to download the app 334 00:20:15,200 --> 00:20:17,520 Speaker 1: to your phone. Yeah. I'm definitely going to be making 335 00:20:17,560 --> 00:20:21,679 Speaker 1: some phone calls. So that's great, fantastic, okay, cool, okay, cool, 336 00:20:21,800 --> 00:20:33,120 Speaker 1: thanks so much, Thank you so much. Bye bye Matt, Bye, Wow, 337 00:20:33,440 --> 00:20:37,080 Speaker 1: CYNDI I think that went so well. I think there 338 00:20:37,200 --> 00:20:40,840 Speaker 1: was some spark there. I don't know. I'm feeling. I'm 339 00:20:40,880 --> 00:20:44,080 Speaker 1: I have goose bumps right now. I'm covered in goose bumps. 340 00:20:44,119 --> 00:20:47,400 Speaker 1: I'm tangling. I feel so alive. But you know what, 341 00:20:47,800 --> 00:20:51,600 Speaker 1: I'm happy I feel this way because it's time for 342 00:20:51,640 --> 00:20:57,119 Speaker 1: our final segment. My favorite Belmore's chore, which I just 343 00:20:57,280 --> 00:21:01,639 Speaker 1: love to do because I give pat with my guidance, 344 00:21:01,880 --> 00:21:06,720 Speaker 1: with my advice, you know. And it's not always easy 345 00:21:06,840 --> 00:21:13,119 Speaker 1: to completely make myself open and vulnerable person, but I 346 00:21:13,200 --> 00:21:16,159 Speaker 1: do my best and that's why I'm here. So, Cindy, 347 00:21:16,520 --> 00:21:21,000 Speaker 1: who are we helping here today? Well, today's question comes 348 00:21:21,000 --> 00:21:25,720 Speaker 1: from a listener who asks, dear Mr Belmore, You've always 349 00:21:25,760 --> 00:21:30,480 Speaker 1: talked so deeply about your illustrious musical career, but when 350 00:21:30,520 --> 00:21:34,160 Speaker 1: I search on Google for your name, nothing comes up. 351 00:21:34,800 --> 00:21:39,240 Speaker 1: Care to explain? Um? Well, and Cindy, remind me to 352 00:21:39,400 --> 00:21:42,320 Speaker 1: talk to you about the choosing of the questions I 353 00:21:42,359 --> 00:21:45,520 Speaker 1: could have. Want I picked a different question? Um well, 354 00:21:45,560 --> 00:21:48,000 Speaker 1: it's fine because it's an easy answer. I can go 355 00:21:48,080 --> 00:21:50,720 Speaker 1: back into the inbox. No, no, no, it's it's it's 356 00:21:50,760 --> 00:21:53,520 Speaker 1: an easy answer. That was the only one we got 357 00:21:53,560 --> 00:21:56,719 Speaker 1: this week. I think that's what happens, Cindy. It's an 358 00:21:56,760 --> 00:22:00,280 Speaker 1: easy answer. Of course. I used to go by my 359 00:22:00,560 --> 00:22:04,400 Speaker 1: stage name, which you can find out if you subscribe 360 00:22:04,560 --> 00:22:10,080 Speaker 1: to my Patreon, which is coming soon. So you will 361 00:22:10,119 --> 00:22:12,800 Speaker 1: subscribe to my patreon. It's a hundred dollars a month. 362 00:22:13,160 --> 00:22:17,080 Speaker 1: It's going to come with uh, three bonus episodes, my 363 00:22:17,240 --> 00:22:22,359 Speaker 1: head shots from over the years, a personalized autographed photo 364 00:22:22,440 --> 00:22:26,280 Speaker 1: of me that you can print out and hang. It's 365 00:22:26,400 --> 00:22:29,080 Speaker 1: totally worth it, and it will be here in time 366 00:22:29,160 --> 00:22:33,800 Speaker 1: for the next major gift giving holiday. Okay, so let's 367 00:22:33,880 --> 00:22:37,840 Speaker 1: move on to the next question, Cindy, because I feel 368 00:22:37,880 --> 00:22:40,760 Speaker 1: like that listener had a bit of a tone and 369 00:22:40,800 --> 00:22:44,480 Speaker 1: I can't say that I was thrilled about that. Uh sure, 370 00:22:44,600 --> 00:22:50,479 Speaker 1: um let me Uh, okay, you're checking the spam folder. 371 00:22:50,520 --> 00:22:55,000 Speaker 1: Here we go. There is one from someone named best. 372 00:22:56,640 --> 00:23:04,439 Speaker 1: No not, absolutely not. Go to a different question next. Okay, Um, Cindy, 373 00:23:04,440 --> 00:23:07,400 Speaker 1: this is why you're supposed to prepare beforehand. You said 374 00:23:07,440 --> 00:23:09,840 Speaker 1: you went through the folders and that you had a 375 00:23:09,880 --> 00:23:12,479 Speaker 1: good question. I got, you know, I thought that that 376 00:23:12,560 --> 00:23:16,160 Speaker 1: first one was was really good. Um oh my god. Okay, Okay, 377 00:23:16,160 --> 00:23:19,640 Speaker 1: here's what it says, dear Mr Belmore. I am a 378 00:23:19,680 --> 00:23:24,199 Speaker 1: current student of yours and was obviously surprised when I 379 00:23:24,280 --> 00:23:28,679 Speaker 1: heard you had a public access radio show. I was 380 00:23:28,720 --> 00:23:31,720 Speaker 1: even more surprised when I heard you talking about my 381 00:23:31,760 --> 00:23:35,879 Speaker 1: parents inevitable divorce. My parents have been happily married for 382 00:23:36,280 --> 00:23:39,680 Speaker 1: you know what, Cindy, I'm gonna call a self care here. 383 00:23:40,160 --> 00:23:42,600 Speaker 1: I'm going to choose not to listen to the rest 384 00:23:42,640 --> 00:23:46,720 Speaker 1: of this hater's question, and instead we'll remind all of 385 00:23:46,760 --> 00:23:51,200 Speaker 1: my listeners to remove any toxic energy from their lives 386 00:23:51,600 --> 00:23:55,439 Speaker 1: because life it's too short. I agree, But you know 387 00:23:55,520 --> 00:24:00,280 Speaker 1: that might be a great thing to handle off the air. Yeah, well, 388 00:24:00,440 --> 00:24:02,520 Speaker 1: speaking of things to handle off the air, I like 389 00:24:02,720 --> 00:24:06,960 Speaker 1: fall transparency with my listeners, and I think that you 390 00:24:07,000 --> 00:24:08,440 Speaker 1: and I are going to have to have a little 391 00:24:08,440 --> 00:24:14,760 Speaker 1: discussion because the job performance it's slacking. I feel like 392 00:24:14,800 --> 00:24:17,240 Speaker 1: ever since you had to pick up that night job 393 00:24:17,440 --> 00:24:20,239 Speaker 1: at Right Aid, you're just there's Right Aid. And then 394 00:24:20,280 --> 00:24:23,960 Speaker 1: I'm also working at Blazing Saddles on the weekends too. 395 00:24:24,000 --> 00:24:27,359 Speaker 1: It's just well, that's I told you working at a 396 00:24:27,400 --> 00:24:31,439 Speaker 1: cowboy themed gay bar in midtown of Manhattan wasn't going 397 00:24:31,520 --> 00:24:34,760 Speaker 1: to help your self esteem. Well, you know, I heard 398 00:24:34,840 --> 00:24:37,040 Speaker 1: from a lot of folks that the tips are really good, 399 00:24:37,080 --> 00:24:40,119 Speaker 1: but I'm just not quite seeing well, I think the 400 00:24:40,160 --> 00:24:44,879 Speaker 1: tips are good for gay men. Cindy, you know that 401 00:24:44,880 --> 00:24:48,800 Speaker 1: that checks out? That checks out? Does that make sense? God, 402 00:24:49,359 --> 00:24:52,520 Speaker 1: we'll talk about it later. We'll talk about it later. 403 00:24:52,640 --> 00:24:57,200 Speaker 1: But I told you anywhere but Blazing saddles, and I 404 00:24:57,240 --> 00:25:01,040 Speaker 1: thought you said nowhere but blazing sad. That was when 405 00:25:01,040 --> 00:25:03,320 Speaker 1: I was talking about where I wanted to go for dinner. 406 00:25:03,520 --> 00:25:06,679 Speaker 1: Regards listen on that note. That's all the time that 407 00:25:06,760 --> 00:25:09,880 Speaker 1: we have for today. Today is the final day of 408 00:25:09,920 --> 00:25:13,520 Speaker 1: my juice cleans, and I need a lone time every 409 00:25:13,560 --> 00:25:17,160 Speaker 1: thirty minutes or I will just absolutely lose my mind. 410 00:25:17,600 --> 00:25:20,720 Speaker 1: But we will be back next week with all new drama, 411 00:25:21,000 --> 00:25:26,680 Speaker 1: all new advice, and the same old are you kidding me? 412 00:25:27,760 --> 00:25:29,639 Speaker 1: Just do it? Do it? If you want to do it, 413 00:25:29,760 --> 00:25:32,440 Speaker 1: please sing it. I want to hear it. No you 414 00:25:32,440 --> 00:25:34,399 Speaker 1: you do it, and I'll do the dang. I'll do 415 00:25:34,440 --> 00:25:39,840 Speaker 1: the dang. Okay, you're not doing it. You gave me 416 00:25:39,880 --> 00:25:45,000 Speaker 1: a countdown. Okay, that's it. We're cut, Cut, Cut Dan