WEBVTT - Ep 43: Shirley Manson

0:00:00.720 --> 0:00:23.599
<v Speaker 1>Loud and quiet presents Midnight Chats, no bullshit.

0:00:24.040 --> 0:00:26.120
<v Speaker 2>Those were the first two words that came to mind

0:00:26.160 --> 0:00:29.440
<v Speaker 2>when I was thinking about tonight's guest on Midnight Chats.

0:00:30.200 --> 0:00:32.560
<v Speaker 2>That's how I describe her, and I mean that as

0:00:32.720 --> 0:00:37.919
<v Speaker 2>the highest possible compliment someone who says exactly how she feels.

0:00:38.520 --> 0:00:41.720
<v Speaker 2>Last week, I met up with Shirley Manson just the

0:00:41.800 --> 0:00:44.760
<v Speaker 2>night before the Garbage Front woman had been presented with

0:00:44.880 --> 0:00:48.839
<v Speaker 2>the Icon Award at this year's V five Enemy Awards,

0:00:49.360 --> 0:00:52.800
<v Speaker 2>and that's exactly what she is. An icon and she's

0:00:52.840 --> 0:00:57.000
<v Speaker 2>been doing her iconic thing for three decades now. On

0:00:57.120 --> 0:01:00.000
<v Speaker 2>stage at the ceremony in London, Jenny Beth from Savage

0:01:00.240 --> 0:01:03.480
<v Speaker 2>gave her the statue, and to be honest, I couldn't

0:01:03.480 --> 0:01:05.840
<v Speaker 2>put it any better than she did. On the evening

0:01:06.480 --> 0:01:09.679
<v Speaker 2>Chilly Manson, she said, is a woman with grace and

0:01:09.760 --> 0:01:13.160
<v Speaker 2>strength through every stage of her life and career who

0:01:13.240 --> 0:01:15.920
<v Speaker 2>taught me that I know that I can do and

0:01:16.000 --> 0:01:20.000
<v Speaker 2>be whoever I want. The next day, before she stepped

0:01:20.040 --> 0:01:22.160
<v Speaker 2>on a plane to travel back to her home in

0:01:22.319 --> 0:01:26.800
<v Speaker 2>Los Angeles, we recorded this conversation and we got into

0:01:26.800 --> 0:01:30.120
<v Speaker 2>a lot more than any other midnight Chat I can

0:01:30.200 --> 0:01:33.520
<v Speaker 2>remember Apart from the awards night, we spoke about her

0:01:33.720 --> 0:01:37.640
<v Speaker 2>recollections of meeting Marquis Smith from The Fall, who recently

0:01:37.640 --> 0:01:40.040
<v Speaker 2>passed away. She does a great impression of him, by

0:01:40.080 --> 0:01:44.080
<v Speaker 2>the way, the lack of opportunities for and the coverage

0:01:44.120 --> 0:01:48.120
<v Speaker 2>of women in music, particularly older women in music, the

0:01:48.160 --> 0:01:52.680
<v Speaker 2>Me Too campaign and the current global conversation around gender inequality,

0:01:52.960 --> 0:01:55.000
<v Speaker 2>and just how much more that has to be done

0:01:55.040 --> 0:01:58.600
<v Speaker 2>on that front. Being a British citizen living in Donald

0:01:58.640 --> 0:02:01.720
<v Speaker 2>Trump's America as well, and a lot of other stuff too.

0:02:02.680 --> 0:02:05.240
<v Speaker 2>I should also say this is a special one for me.

0:02:05.560 --> 0:02:10.080
<v Speaker 2>This year, twenty eighteen, Garbage will celebrate the twentieth anniversary

0:02:10.480 --> 0:02:13.480
<v Speaker 2>of their album Version two point zero, and that's got

0:02:13.520 --> 0:02:16.040
<v Speaker 2>great memories for me. I didn't mention this when I

0:02:16.040 --> 0:02:19.120
<v Speaker 2>met up with Shirley, but my first ever gig was

0:02:19.160 --> 0:02:23.280
<v Speaker 2>Garbage at Wembley Arena when they were touring that album.

0:02:23.520 --> 0:02:25.680
<v Speaker 2>I went with my big brother and his mate. My

0:02:26.080 --> 0:02:28.680
<v Speaker 2>parents dropped us off and waited around the corner in

0:02:28.720 --> 0:02:33.600
<v Speaker 2>the local TGI Fridays, and I remember the gig being amazing,

0:02:34.720 --> 0:02:39.320
<v Speaker 2>exceptionally loud, and I've been to a lot of shows since,

0:02:39.720 --> 0:02:43.760
<v Speaker 2>but I'll definitely never forget that one. So a real

0:02:43.840 --> 0:02:46.600
<v Speaker 2>hero of mine on this episode of the podcast, an

0:02:46.680 --> 0:02:51.520
<v Speaker 2>artist who's passionate, fearless and inspiring. This is Shirley Manson

0:02:51.720 --> 0:03:12.040
<v Speaker 2>on Midnight Chaps. Shirley Manson, Welcome to Midnight Chats.

0:03:12.120 --> 0:03:12.880
<v Speaker 3>Thank you very much.

0:03:13.600 --> 0:03:17.000
<v Speaker 2>Fresh from winning an Icon award at this year's Enemy Awards.

0:03:17.000 --> 0:03:20.440
<v Speaker 2>That was last night. How congratulations, thank you. How is

0:03:20.440 --> 0:03:20.880
<v Speaker 2>your evening?

0:03:21.200 --> 0:03:22.760
<v Speaker 3>We had fun. It was fun.

0:03:23.040 --> 0:03:23.960
<v Speaker 2>You know, it was.

0:03:25.760 --> 0:03:29.400
<v Speaker 3>Surreal and sweet, and you know it was cool to

0:03:29.480 --> 0:03:32.520
<v Speaker 3>be in a room full of musicians that I admire

0:03:32.639 --> 0:03:36.200
<v Speaker 3>and to be part of that community's a privilege, I think. So, yeah,

0:03:36.240 --> 0:03:36.960
<v Speaker 3>it was great.

0:03:37.200 --> 0:03:39.320
<v Speaker 2>Was it an opportunity to meet any old friends or

0:03:39.400 --> 0:03:42.520
<v Speaker 2>meet any or make any new acquaintances? What did the

0:03:42.680 --> 0:03:43.920
<v Speaker 2>evening entail? Yeah?

0:03:43.960 --> 0:03:47.880
<v Speaker 3>I mean we bumped into some old pals, some old enemies,

0:03:49.200 --> 0:03:52.920
<v Speaker 3>met some new fabulous people. But yeah, it was great.

0:03:53.680 --> 0:03:57.080
<v Speaker 2>Jenny Bethram Savages presented you with your award. I thought

0:03:57.120 --> 0:03:58.520
<v Speaker 2>her words were fantastic.

0:03:58.640 --> 0:03:59.600
<v Speaker 3>Yeah, you and me both.

0:04:00.280 --> 0:04:02.200
<v Speaker 2>It's one of those things, isn't it. What's the feeling

0:04:02.200 --> 0:04:03.840
<v Speaker 2>like when you're sat at the table, you're about to

0:04:03.880 --> 0:04:06.800
<v Speaker 2>pick up an award and somebody who no doubt you're

0:04:06.840 --> 0:04:11.280
<v Speaker 2>a fan of and you admire says something incredibly heart

0:04:11.320 --> 0:04:14.240
<v Speaker 2>felt about you personally, and you were just were you

0:04:14.320 --> 0:04:17.240
<v Speaker 2>kind of like, you know, we're like, oh, stop being

0:04:17.279 --> 0:04:19.360
<v Speaker 2>so nice. What was going through your mind just before

0:04:19.360 --> 0:04:20.440
<v Speaker 2>you walked up together the award?

0:04:20.480 --> 0:04:22.120
<v Speaker 3>I don't know. I mean, I love Jenny Beth. I've

0:04:22.160 --> 0:04:24.599
<v Speaker 3>had the pleasure of being on her podcast before, so

0:04:24.640 --> 0:04:27.000
<v Speaker 3>we've spoken, although we had never actually met her in

0:04:27.040 --> 0:04:30.240
<v Speaker 3>the flesh, but I love her band Savages, and I

0:04:30.279 --> 0:04:33.120
<v Speaker 3>think she's extraordinary and so yet to hear her speak

0:04:33.200 --> 0:04:38.080
<v Speaker 3>like that was moving. I was really moved by it,

0:04:38.160 --> 0:04:40.120
<v Speaker 3>you know, because I could tell it was sincere and

0:04:40.160 --> 0:04:43.600
<v Speaker 3>I think that's what was so lovely about it for

0:04:43.720 --> 0:04:46.080
<v Speaker 3>me and my family, And you know, my brother in

0:04:46.160 --> 0:04:48.960
<v Speaker 3>law was crying, and I was really sweet, and I'm

0:04:49.080 --> 0:04:50.640
<v Speaker 3>very grateful to her. I thought it was a really

0:04:50.680 --> 0:04:53.760
<v Speaker 3>generous introduction she gave me. She didn't need to do that,

0:04:53.880 --> 0:04:54.400
<v Speaker 3>you know, for.

0:04:54.440 --> 0:04:57.560
<v Speaker 2>People that haven't seen it yet. Jenny Beth spoke very

0:04:57.760 --> 0:05:01.200
<v Speaker 2>eloquently about the influence that you've had on her and

0:05:01.200 --> 0:05:03.200
<v Speaker 2>said that you know, you have given the confidence to

0:05:03.240 --> 0:05:07.080
<v Speaker 2>be somebody who really didn't give a fuck about just

0:05:07.120 --> 0:05:09.000
<v Speaker 2>following around path and doing what she wanted to do.

0:05:09.520 --> 0:05:11.320
<v Speaker 2>Is that something that really means a lot to you

0:05:11.360 --> 0:05:12.320
<v Speaker 2>to hear somebody else.

0:05:12.240 --> 0:05:14.120
<v Speaker 3>Like that, Well, I wouldn't say it means a lot

0:05:14.160 --> 0:05:16.280
<v Speaker 3>to me per se, because obviously my career has been

0:05:16.279 --> 0:05:18.320
<v Speaker 3>about me and my pursuit. I mean, it's not like

0:05:18.360 --> 0:05:21.320
<v Speaker 3>I've gone out my way to sort of influence anyone

0:05:21.480 --> 0:05:24.799
<v Speaker 3>or try and wield influence over anyone. I've just tried

0:05:24.800 --> 0:05:28.360
<v Speaker 3>to be might be as close to my authentic self

0:05:28.400 --> 0:05:33.080
<v Speaker 3>as I can possibly be and have a clear conscience

0:05:33.120 --> 0:05:35.960
<v Speaker 3>and a clean career, you know. But obviously, when you

0:05:36.000 --> 0:05:40.039
<v Speaker 3>are an artist in the public eye, you inadvertently influence people.

0:05:40.080 --> 0:05:42.800
<v Speaker 3>That's just part of the job. It goes with the territory.

0:05:43.000 --> 0:05:47.240
<v Speaker 3>When people that you admire, whose careers you have followed,

0:05:47.279 --> 0:05:51.839
<v Speaker 3>and whose work you love, then it does mean something

0:05:51.960 --> 0:05:57.160
<v Speaker 3>more significant, I guess, And it's exciting and again it's

0:05:57.200 --> 0:05:59.359
<v Speaker 3>part of that real privilege of being a part of

0:05:59.360 --> 0:06:02.400
<v Speaker 3>the musical caner, you know, where we're all influencing one another.

0:06:02.480 --> 0:06:04.200
<v Speaker 3>And yeah, very special.

0:06:04.480 --> 0:06:06.400
<v Speaker 2>You obviously gave an acceptance speech when you picked up

0:06:06.440 --> 0:06:09.000
<v Speaker 2>the award. Had you planned well ahead what you're going

0:06:09.040 --> 0:06:10.600
<v Speaker 2>to say? Did you did that kind of come off

0:06:10.640 --> 0:06:12.280
<v Speaker 2>to things that you wanted to say.

0:06:12.560 --> 0:06:14.960
<v Speaker 3>I'm ashamed to say I had to wing it because

0:06:14.960 --> 0:06:16.960
<v Speaker 3>it just felt silly to sit down and write a

0:06:17.000 --> 0:06:18.239
<v Speaker 3>speech for the Enemy awards.

0:06:18.360 --> 0:06:19.039
<v Speaker 2>That's good style.

0:06:19.360 --> 0:06:22.760
<v Speaker 3>Yeah, I just I tried to sort of sit down

0:06:22.839 --> 0:06:25.920
<v Speaker 3>and think of something I wanted to say, and anytime

0:06:26.120 --> 0:06:29.440
<v Speaker 3>it just seemed too heavy handed and or not heavy

0:06:29.480 --> 0:06:31.440
<v Speaker 3>handed enough, you know. So I just gave up in

0:06:31.480 --> 0:06:33.159
<v Speaker 3>the end and just thought I'll wing it, much the

0:06:33.200 --> 0:06:39.160
<v Speaker 3>concern of my husband. But you know, I spoke from

0:06:39.160 --> 0:06:41.520
<v Speaker 3>the heart, and I think I did an okay job.

0:06:41.839 --> 0:06:43.279
<v Speaker 2>How does it feel to be given an award that

0:06:43.440 --> 0:06:45.080
<v Speaker 2>sort of labels you as an icon?

0:06:45.360 --> 0:06:48.880
<v Speaker 3>Well, it's ridiculous and wonderful at the same time, you know.

0:06:48.960 --> 0:06:50.960
<v Speaker 3>I mean, I'd be a liar if I said it

0:06:51.320 --> 0:06:54.000
<v Speaker 3>wasn't thrilling, you know, especially coming from the enemy, which

0:06:54.040 --> 0:06:57.080
<v Speaker 3>I spoke about last night. Broke Garbage in the UK

0:06:57.240 --> 0:07:00.000
<v Speaker 3>or certainly helped to played a big role in our career.

0:07:01.080 --> 0:07:04.400
<v Speaker 3>Was essentially my music bible from the age of fourteen onwards.

0:07:04.480 --> 0:07:06.480
<v Speaker 3>And I learned a lot about music in the pages

0:07:06.480 --> 0:07:11.760
<v Speaker 3>of the broadsheet and Emmy, and you know, I fell

0:07:11.800 --> 0:07:14.040
<v Speaker 3>in love with a lot of the journalists that we

0:07:14.040 --> 0:07:17.640
<v Speaker 3>had the pleasure of working with, and I felt legitimized.

0:07:17.680 --> 0:07:19.600
<v Speaker 3>I guess it feels like, oh, I am actually a

0:07:19.720 --> 0:07:22.160
<v Speaker 3>legitimate musician, and that feels cool.

0:07:22.480 --> 0:07:25.880
<v Speaker 2>Also in the evening there was Brick Smith start had

0:07:25.880 --> 0:07:28.640
<v Speaker 2>some very eloquent words to say about Marky Smith. What

0:07:28.640 --> 0:07:30.880
<v Speaker 2>did you think of that moment? Was Marky Smith or

0:07:30.960 --> 0:07:31.560
<v Speaker 2>somebody you were.

0:07:31.440 --> 0:07:34.520
<v Speaker 3>Fo Yeah, I was a big Fall fan and had

0:07:34.520 --> 0:07:37.400
<v Speaker 3>the pleasure of meeting him. Actually he came in, came

0:07:37.440 --> 0:07:39.560
<v Speaker 3>and attended one of our shows in Brixton Academy of

0:07:39.600 --> 0:07:44.000
<v Speaker 3>all places, ironically, and we were all very excited to

0:07:44.040 --> 0:07:48.720
<v Speaker 3>meet him. And upon being introduced to him, we said,

0:07:49.640 --> 0:07:55.000
<v Speaker 3>watching a show tonight was like watching pain dry. All

0:07:55.040 --> 0:07:57.360
<v Speaker 3>of our faces kind of fell, you know. But it

0:07:57.400 --> 0:08:00.480
<v Speaker 3>was such a beautiful, classic Marky Smith comment.

0:08:00.520 --> 0:08:00.920
<v Speaker 2>You know that.

0:08:01.440 --> 0:08:03.960
<v Speaker 3>I think we were all understanding of the fact that

0:08:04.000 --> 0:08:06.960
<v Speaker 3>we just got we just got a moment right there.

0:08:07.080 --> 0:08:09.240
<v Speaker 3>And I was very sad to see to read of

0:08:09.240 --> 0:08:12.880
<v Speaker 3>his passing. And actually met Bricks last night, and she

0:08:13.040 --> 0:08:14.720
<v Speaker 3>had a big effect on me too when I was

0:08:14.720 --> 0:08:17.400
<v Speaker 3>growing up, and you know, her and Kim Gordon were

0:08:17.480 --> 0:08:21.200
<v Speaker 3>like two of the baddest, meanest, coolest girls in rock

0:08:21.240 --> 0:08:22.680
<v Speaker 3>and roll as far as I was concerned.

0:08:22.680 --> 0:08:24.360
<v Speaker 2>A couple of years ago, at the Enemy Awards and

0:08:24.400 --> 0:08:27.000
<v Speaker 2>the Godlike Genius Award went to Blondie. I was there

0:08:27.040 --> 0:08:30.880
<v Speaker 2>that night, Debbie Harry. You've tolded Blondie quite recently, in fact,

0:08:31.280 --> 0:08:32.040
<v Speaker 2>what was she like?

0:08:32.240 --> 0:08:35.280
<v Speaker 3>I mean, my love of Debra Harry is is well documented,

0:08:35.360 --> 0:08:39.920
<v Speaker 3>not just because of her contribution to music and being

0:08:40.440 --> 0:08:44.840
<v Speaker 3>someone I've looked up to for what almost seems to

0:08:44.880 --> 0:08:46.800
<v Speaker 3>amount to the whole of my life at this point,

0:08:46.880 --> 0:08:51.600
<v Speaker 3>but to tour with her was extraordinary. You know, to

0:08:51.880 --> 0:08:54.080
<v Speaker 3>see a woman of seventy one years old still have

0:08:54.200 --> 0:09:02.160
<v Speaker 3>vigor and purpose and be creative and curious is inspiring.

0:09:02.200 --> 0:09:05.640
<v Speaker 3>You know, I'm fifty one myself, and I am often

0:09:05.720 --> 0:09:08.640
<v Speaker 3>the oldest woman in the room, and it can often

0:09:08.720 --> 0:09:13.679
<v Speaker 3>be a little dispiriting because there's not many of us

0:09:13.720 --> 0:09:17.840
<v Speaker 3>at this level at that age, and so you're always

0:09:17.840 --> 0:09:20.400
<v Speaker 3>the odd one out, the weirdo in the corner. And

0:09:20.679 --> 0:09:25.040
<v Speaker 3>to then go on tour with Debbie, I was forced

0:09:25.080 --> 0:09:28.800
<v Speaker 3>to sort of change my mind about a lot of

0:09:28.800 --> 0:09:31.240
<v Speaker 3>my own sort of assumptions about who I am and

0:09:31.600 --> 0:09:33.760
<v Speaker 3>what my age means. And so on and so forth, and

0:09:33.840 --> 0:09:37.280
<v Speaker 3>I'm very grateful to her. She's creates this incredible beacon

0:09:37.400 --> 0:09:40.440
<v Speaker 3>not just for music women and music, but for all

0:09:40.520 --> 0:09:43.000
<v Speaker 3>women all over the world. She's standing up saying you

0:09:43.040 --> 0:09:46.280
<v Speaker 3>can still have agency at seventy one. That's a powerful message,

0:09:46.520 --> 0:09:49.280
<v Speaker 3>and it's not a message we really have received up

0:09:49.360 --> 0:09:52.400
<v Speaker 3>until this point. You know. It's still very very rare

0:09:52.520 --> 0:09:55.240
<v Speaker 3>for women over fifty to ever be covered by any

0:09:55.440 --> 0:09:59.959
<v Speaker 3>news media outlet, you know. And so she's really create

0:10:00.080 --> 0:10:03.840
<v Speaker 3>a template as we speak, you know, for and showing

0:10:03.920 --> 0:10:07.199
<v Speaker 3>us the possibilities. And I'm very grateful to her for that,

0:10:07.240 --> 0:10:08.800
<v Speaker 3>you know. And I have a lot of love in

0:10:08.800 --> 0:10:11.920
<v Speaker 3>my heart for her, because she's not just incredible, she's

0:10:12.040 --> 0:10:17.800
<v Speaker 3>really kind and generous and she makes room for everybody

0:10:17.520 --> 0:10:21.040
<v Speaker 3>in her you know, orbit and not many stars do

0:10:21.120 --> 0:10:22.079
<v Speaker 3>that at that level.

0:10:22.320 --> 0:10:24.600
<v Speaker 2>If you thought about how long you like to continue

0:10:24.600 --> 0:10:27.400
<v Speaker 2>making music, and did that make you think, hey, yeah,

0:10:27.440 --> 0:10:29.959
<v Speaker 2>I could definitely be still touring with Garbage when I'm

0:10:29.960 --> 0:10:31.240
<v Speaker 2>in my seventies.

0:10:31.520 --> 0:10:33.880
<v Speaker 3>Well yes, and no, you know, I mean that's what

0:10:33.920 --> 0:10:37.920
<v Speaker 3>I was saying. It changes your perspective when you I mean,

0:10:37.960 --> 0:10:39.920
<v Speaker 3>I've said this so much this week, but you can

0:10:40.040 --> 0:10:42.880
<v Speaker 3>become what you see. If you don't see any representation

0:10:42.960 --> 0:10:46.680
<v Speaker 3>of yourself out there, I think you feel a little disengaged.

0:10:46.840 --> 0:10:48.800
<v Speaker 3>But when you see someone like her, of course that

0:10:48.920 --> 0:10:51.440
<v Speaker 3>changes your perspective. It's like, oh, I can do this,

0:10:52.320 --> 0:10:53.600
<v Speaker 3>and if I want to, I will.

0:10:53.880 --> 0:10:57.640
<v Speaker 2>Representation has been obviously a big topic, certainly around award

0:10:57.679 --> 0:11:00.520
<v Speaker 2>ceremonies in the arts this year, this the last couple

0:11:00.520 --> 0:11:03.440
<v Speaker 2>of years, but particularly kind of hot topic at the

0:11:03.440 --> 0:11:05.960
<v Speaker 2>moment given what's just happened with the Grammys and the

0:11:06.000 --> 0:11:09.559
<v Speaker 2>head of the Grammys in his comments, was it important

0:11:09.600 --> 0:11:11.680
<v Speaker 2>to when you're offered an award like the Icon Award

0:11:11.679 --> 0:11:13.559
<v Speaker 2>of the Enemy Awards to accept it? Was that part

0:11:13.559 --> 0:11:15.800
<v Speaker 2>of your reasoning for wanting to get Yeah, definitely, I'll

0:11:15.840 --> 0:11:17.480
<v Speaker 2>be there. I'll accept that award.

0:11:18.080 --> 0:11:20.480
<v Speaker 3>Yeah, Because I mean, you look back at history, not

0:11:20.640 --> 0:11:23.720
<v Speaker 3>just in music, but in all aspects of our culture.

0:11:23.760 --> 0:11:27.319
<v Speaker 3>Women have had a hard time being remembered that they

0:11:27.320 --> 0:11:30.000
<v Speaker 3>don't play a large role in the narrative at all.

0:11:30.280 --> 0:11:34.120
<v Speaker 3>It's almost as low they didn't exist. You know. I

0:11:34.160 --> 0:11:36.640
<v Speaker 3>believe that that has to change, and I feel like

0:11:36.760 --> 0:11:43.280
<v Speaker 3>by accepting certain awards or accolades, you are forcing the

0:11:43.400 --> 0:11:46.880
<v Speaker 3>narrative to cover women, and I believe in that strongly,

0:11:46.920 --> 0:11:49.679
<v Speaker 3>you know, because I feel it inspires other women they

0:11:49.720 --> 0:11:53.440
<v Speaker 3>see the possibilities for them, and so yeah, I believe

0:11:53.520 --> 0:11:58.920
<v Speaker 3>that women, when given the opportunity, should accept any accolades

0:11:58.960 --> 0:12:01.640
<v Speaker 3>coming their way. But it's all individual choice. But that's

0:12:01.640 --> 0:12:02.280
<v Speaker 3>what I believe in.

0:12:02.440 --> 0:12:05.760
<v Speaker 2>We yet to see I think a really powerful speech

0:12:06.040 --> 0:12:09.200
<v Speaker 2>or kind of comment from a man using that platform

0:12:09.280 --> 0:12:12.160
<v Speaker 2>to kind of to sport for example, the me Too movement,

0:12:12.679 --> 0:12:14.440
<v Speaker 2>or certainly that I've seen perhaps it has happened, but

0:12:15.880 --> 0:12:18.439
<v Speaker 2>that's something that important. That's something that's important that needs

0:12:18.480 --> 0:12:19.120
<v Speaker 2>to happen, isn't it.

0:12:19.520 --> 0:12:23.199
<v Speaker 3>Yeah. I mean, again, there's a lot of disagreement amongst

0:12:23.200 --> 0:12:27.160
<v Speaker 3>women about this, but I personally believe that this is

0:12:27.280 --> 0:12:32.000
<v Speaker 3>not actually a female topic. This is a male topic

0:12:32.240 --> 0:12:35.000
<v Speaker 3>that women are choosing to speak out on, but the

0:12:35.040 --> 0:12:38.960
<v Speaker 3>midden is male. Like I mean, there's just no doubt

0:12:39.000 --> 0:12:43.520
<v Speaker 3>about it. You look at the statistics, you hear women

0:12:43.840 --> 0:12:49.040
<v Speaker 3>testify this is a male issue, and how do we

0:12:49.120 --> 0:12:51.600
<v Speaker 3>tackle that, And the fact that most males are not

0:12:52.040 --> 0:12:59.439
<v Speaker 3>actually engaging in any sympathetic, empathetic, sensitive, thoughtful fashion surprises

0:12:59.480 --> 0:13:02.880
<v Speaker 3>me and disappoints me. It's almost as though men think, well,

0:13:02.880 --> 0:13:05.719
<v Speaker 3>this is just an entirely female topic. I'm staying out

0:13:05.720 --> 0:13:08.839
<v Speaker 3>of it, and this is not my problem. We'll actually

0:13:08.920 --> 0:13:13.719
<v Speaker 3>know this really is some male problem. And it's one

0:13:13.760 --> 0:13:16.559
<v Speaker 3>in three women are suffering at the hands of male

0:13:16.800 --> 0:13:23.320
<v Speaker 3>aggression one in seven men. That's a crazy statistic. And

0:13:23.480 --> 0:13:25.720
<v Speaker 3>what are we going to do about it? As not

0:13:25.760 --> 0:13:29.720
<v Speaker 3>just a nation, as a globe. But this is a bizarre, systemic,

0:13:29.880 --> 0:13:34.800
<v Speaker 3>institutionalized horror story, and it amazes me that men are

0:13:34.840 --> 0:13:35.880
<v Speaker 3>just choosing to look away.

0:13:36.080 --> 0:13:39.160
<v Speaker 2>There's been had plenty of courage the comments from the

0:13:39.200 --> 0:13:42.240
<v Speaker 2>head of the Grammys following this year's awards, or rather

0:13:42.400 --> 0:13:44.800
<v Speaker 2>just before this year's awards, and the controversy around that

0:13:45.040 --> 0:13:47.200
<v Speaker 2>the brit Awards have this year have decided to give

0:13:47.200 --> 0:13:50.320
<v Speaker 2>out the white Rose to like everybody that's coming along

0:13:50.480 --> 0:13:52.880
<v Speaker 2>to this year's awards to show support for the me

0:13:52.960 --> 0:13:54.880
<v Speaker 2>too movement. There's been a lot of debate the last

0:13:54.960 --> 0:13:56.800
<v Speaker 2>kind of like twenty four hours ince they announced that

0:13:56.880 --> 0:13:59.319
<v Speaker 2>because every man that sat on a table that the

0:13:59.320 --> 0:14:00.959
<v Speaker 2>brit Awards is it's going to get given one of

0:14:01.000 --> 0:14:04.440
<v Speaker 2>these things. And it feels like possibly it should be

0:14:04.480 --> 0:14:06.200
<v Speaker 2>if they want to show support. They should actually be

0:14:07.120 --> 0:14:10.360
<v Speaker 2>getting off the backside and doing that by their own volition,

0:14:10.440 --> 0:14:12.439
<v Speaker 2>not because somebody's just handed their one. What do you

0:14:12.480 --> 0:14:13.040
<v Speaker 2>think about that?

0:14:13.240 --> 0:14:15.640
<v Speaker 3>I mean, I would tend to agree that it seems

0:14:15.720 --> 0:14:19.080
<v Speaker 3>a little pointless. Anyone can shove a white rose on

0:14:19.120 --> 0:14:21.440
<v Speaker 3>their jacket. It doesn't speak to who they are, what

0:14:21.480 --> 0:14:23.880
<v Speaker 3>they are, what they believe in, how they conduct themselves,

0:14:23.920 --> 0:14:25.160
<v Speaker 3>in their you know, in their lives. I mean, I

0:14:25.200 --> 0:14:26.960
<v Speaker 3>think we all saw that with the Golden Globes. There's

0:14:27.000 --> 0:14:30.880
<v Speaker 3>a bunch of men, men wearing Times up pins, and

0:14:30.920 --> 0:14:34.400
<v Speaker 3>then literally twenty four hours later were were revealed as

0:14:36.400 --> 0:14:40.400
<v Speaker 3>you know, predators or men who are not treating women

0:14:40.440 --> 0:14:43.880
<v Speaker 3>particularly well. So I guess, yeah, I want to see

0:14:43.920 --> 0:14:46.840
<v Speaker 3>action now at this point, I think I think we

0:14:47.320 --> 0:14:50.520
<v Speaker 3>have all the evidence we need now. It requires action,

0:14:51.240 --> 0:14:55.160
<v Speaker 3>but the actions, unfortunately are complicated and complex, and I

0:14:55.160 --> 0:14:58.200
<v Speaker 3>don't know where we begin. I mean, it really requires

0:14:58.240 --> 0:15:02.320
<v Speaker 3>a very serious analo by governments all over the world

0:15:03.080 --> 0:15:06.520
<v Speaker 3>with regards to how do we re educate young boys

0:15:06.760 --> 0:15:09.320
<v Speaker 3>and young women, How do we re educate our children

0:15:09.640 --> 0:15:13.680
<v Speaker 3>so that this stops will never stop it entirely because

0:15:13.680 --> 0:15:17.960
<v Speaker 3>there a sexual predators out there in the world, and

0:15:18.000 --> 0:15:20.600
<v Speaker 3>I don't think any form of education will ever necessarily

0:15:20.680 --> 0:15:24.720
<v Speaker 3>change that, but we can definitely minimize and the sort

0:15:24.760 --> 0:15:31.920
<v Speaker 3>of bizarre casual touching and assaulting of women. It's funny

0:15:31.960 --> 0:15:33.400
<v Speaker 3>because I was thinking the other day, you know, as

0:15:33.560 --> 0:15:37.840
<v Speaker 3>human beings, we are powerful, and we're taught children are powerless,

0:15:38.120 --> 0:15:44.040
<v Speaker 3>and we respect that sort of equation, generally speaking adults.

0:15:44.800 --> 0:15:49.200
<v Speaker 3>And obviously there's always horrifying abnormalities to any story, but

0:15:49.280 --> 0:15:54.160
<v Speaker 3>in general, adults respect the powerlessness of children, and they

0:15:54.160 --> 0:15:59.000
<v Speaker 3>attend to that and they protect children. And men are

0:15:59.560 --> 0:16:04.520
<v Speaker 3>general physically stronger than women, and they have to be

0:16:04.760 --> 0:16:10.280
<v Speaker 3>educated to respect that dynamic, that equation. And at this point,

0:16:10.320 --> 0:16:13.520
<v Speaker 3>I don't think any effort has been put into teaching

0:16:13.600 --> 0:16:18.640
<v Speaker 3>men how to control themselves, how to accept a refusal. Yeah,

0:16:18.640 --> 0:16:20.840
<v Speaker 3>it's complicated, man, I don't have any of the answers.

0:16:20.880 --> 0:16:22.040
<v Speaker 3>I just want it to stop.

0:16:22.400 --> 0:16:25.520
<v Speaker 2>Yeah, I agree. I think there's there's a lot to

0:16:25.560 --> 0:16:27.600
<v Speaker 2>be done when it comes to education, and you immediately

0:16:27.600 --> 0:16:30.920
<v Speaker 2>think of what can be done in order to make

0:16:30.960 --> 0:16:33.640
<v Speaker 2>that stop from the generation that's about to begin. But

0:16:33.680 --> 0:16:37.720
<v Speaker 2>I think there's also a responsibility on the generation absolutely

0:16:37.840 --> 0:16:41.360
<v Speaker 2>right now, all levels, I think there's the action that

0:16:41.440 --> 0:16:42.320
<v Speaker 2>can be taken.

0:16:42.400 --> 0:16:45.480
<v Speaker 3>Of course, but whether it will be it is open

0:16:45.520 --> 0:16:48.360
<v Speaker 3>to to be, you know. I mean that it's just

0:16:48.400 --> 0:16:52.920
<v Speaker 3>such a big problem too with regards to how governments

0:16:54.120 --> 0:17:01.280
<v Speaker 3>currently view our societies. You know, and money becomes king,

0:17:01.600 --> 0:17:05.920
<v Speaker 3>people become nothing, and when people are nothing, they don't

0:17:05.920 --> 0:17:10.320
<v Speaker 3>put them any money into education, and we just sort

0:17:10.320 --> 0:17:16.200
<v Speaker 3>of fall into this endless pit of you know, economics

0:17:16.359 --> 0:17:23.760
<v Speaker 3>and poverty and excess, and it's just it's and to me,

0:17:23.920 --> 0:17:26.360
<v Speaker 3>I think if I was, if I was a president

0:17:27.480 --> 0:17:31.560
<v Speaker 3>of a government, I would want to encourage more and

0:17:31.600 --> 0:17:36.560
<v Speaker 3>more money being put into education. Education is so key

0:17:36.680 --> 0:17:40.360
<v Speaker 3>and yet money, you know, everybody only cares about money

0:17:40.400 --> 0:17:42.080
<v Speaker 3>and profit and of course you can't you can't have

0:17:42.160 --> 0:17:45.480
<v Speaker 3>profit in education. Education isn't about profit and it never

0:17:45.520 --> 0:17:49.280
<v Speaker 3>will be. And so I mean, I look at the

0:17:49.320 --> 0:17:51.679
<v Speaker 3>American government. They put less and less money into education

0:17:51.760 --> 0:17:54.840
<v Speaker 3>every day. It's astounding, you know. Half they're like one

0:17:54.880 --> 0:17:57.400
<v Speaker 3>of the most powerful nations, richest nations in the world,

0:17:57.480 --> 0:18:01.280
<v Speaker 3>and they're and their their educations system is falling behind

0:18:02.040 --> 0:18:05.880
<v Speaker 3>some less well developed countries. You know, it's just bizarre.

0:18:06.040 --> 0:18:11.639
<v Speaker 3>And ultimately, if you have an uneducated populace. Your whole

0:18:11.680 --> 0:18:14.160
<v Speaker 3>world is going to go down the toilet really fast.

0:18:14.760 --> 0:18:20.080
<v Speaker 2>Certainly doesn't feel very forward thinking. Also, how is it

0:18:20.160 --> 0:18:24.080
<v Speaker 2>felt your resident in the US. There's obviously been unarguably

0:18:24.160 --> 0:18:26.560
<v Speaker 2>a lot of regressive stuff going on in the US

0:18:27.119 --> 0:18:28.840
<v Speaker 2>given the current president.

0:18:30.560 --> 0:18:32.280
<v Speaker 3>Incredibly nameless.

0:18:32.480 --> 0:18:35.120
<v Speaker 2>Yeah, we actually said the last podcast than the last

0:18:35.119 --> 0:18:37.240
<v Speaker 2>episode of the podcast, we spoke to Casey Spooner from

0:18:37.240 --> 0:18:41.240
<v Speaker 2>Fisher Spooner who refused to say his name because he

0:18:41.359 --> 0:18:42.399
<v Speaker 2>didn't want to empower him.

0:18:42.520 --> 0:18:43.360
<v Speaker 3>That's how I feel too.

0:18:43.720 --> 0:18:46.080
<v Speaker 2>How does it feel to be a British resident in America?

0:18:46.160 --> 0:18:48.639
<v Speaker 3>Well, I deeply love America and I feel like it's

0:18:48.680 --> 0:18:52.399
<v Speaker 3>a very misunderstood country. Funnily enough, it's where my whole

0:18:52.440 --> 0:18:55.600
<v Speaker 3>career took off. Really where every opportunity I've had in

0:18:55.600 --> 0:18:58.520
<v Speaker 3>my life has been offered to me as an immigrant

0:18:58.640 --> 0:19:02.600
<v Speaker 3>ironically in America, and I believe strongly in it. But

0:19:02.920 --> 0:19:06.439
<v Speaker 3>I am heartbroken to see what's going on currently, you know,

0:19:08.200 --> 0:19:11.040
<v Speaker 3>and we talk about it every day in every way.

0:19:11.440 --> 0:19:15.760
<v Speaker 3>I mean, it's changed our daily existence. You know. I

0:19:15.800 --> 0:19:19.879
<v Speaker 3>didn't imagine I never imagined that having a leader that

0:19:20.000 --> 0:19:22.760
<v Speaker 3>is like the creature we have and currently in power

0:19:23.040 --> 0:19:25.840
<v Speaker 3>would affect my daily existence in the way in the

0:19:25.880 --> 0:19:29.560
<v Speaker 3>way he has. But yeah, every day and every way,

0:19:29.640 --> 0:19:34.360
<v Speaker 3>I'm agitated, I'm angry, I'm upset, I feel fearful when

0:19:34.400 --> 0:19:37.920
<v Speaker 3>you hear some of the rhetoric regarding like the LGBTQ

0:19:38.080 --> 0:19:42.000
<v Speaker 3>community for a random example, of which we have so

0:19:42.160 --> 0:19:47.720
<v Speaker 3>many friends who we love and admire and and we

0:19:47.760 --> 0:19:51.439
<v Speaker 3>feel our communities on their threat and our fans. You know,

0:19:51.560 --> 0:19:53.719
<v Speaker 3>so many of our fans are from that community. And

0:19:53.760 --> 0:19:57.399
<v Speaker 3>to hear the rhetoric coming out of Mike pence mouth

0:19:57.560 --> 0:20:01.640
<v Speaker 3>or is so shocked to me and that people are

0:20:01.640 --> 0:20:03.960
<v Speaker 3>not out in the street going nuts at the white

0:20:04.160 --> 0:20:06.200
<v Speaker 3>gates of the White House kind of shocks me too.

0:20:06.640 --> 0:20:08.680
<v Speaker 3>It's like, what's it going to take before the American

0:20:08.680 --> 0:20:14.560
<v Speaker 3>people will rise up? You know, it baffles me because

0:20:14.600 --> 0:20:15.640
<v Speaker 3>it's hate speak.

0:20:15.760 --> 0:20:18.520
<v Speaker 2>In terms of your day to day then, like, oh.

0:20:18.359 --> 0:20:20.560
<v Speaker 3>Can we not just talk about something cheap and cheerful and.

0:20:21.960 --> 0:20:27.360
<v Speaker 2>Really dark? Tell me a bit? Can you just tell

0:20:27.359 --> 0:20:29.639
<v Speaker 2>me a little bit about girls school in the in

0:20:29.680 --> 0:20:32.040
<v Speaker 2>the movement what that is, and like how you've been

0:20:32.040 --> 0:20:33.399
<v Speaker 2>involved with what they've been doing that.

0:20:33.640 --> 0:20:37.800
<v Speaker 3>Well, there are a phenomenal initiative out of Los Angeles

0:20:37.840 --> 0:20:42.400
<v Speaker 3>run by an amazing musician called Annibalbrook who's best known

0:20:42.480 --> 0:20:48.159
<v Speaker 3>for working with Airborne Toxic Event and she came up

0:20:48.200 --> 0:20:52.600
<v Speaker 3>with this initiative which is to encourage women of all ages,

0:20:52.680 --> 0:20:56.600
<v Speaker 3>all ethnicities, all socioeconomic backgrounds to get involved in music

0:20:56.640 --> 0:20:59.080
<v Speaker 3>at whatever level and area they want to get involved in,

0:20:59.119 --> 0:21:04.600
<v Speaker 3>whether that's you know, lighting, monitor engineering, production, so and

0:21:04.600 --> 0:21:08.840
<v Speaker 3>so forth. Performing. And I was invited to be on

0:21:08.960 --> 0:21:13.040
<v Speaker 3>her keynotes speaker two years ago, and then she contacted

0:21:13.080 --> 0:21:15.479
<v Speaker 3>me again this year, and I'd had such an amazing

0:21:15.480 --> 0:21:18.360
<v Speaker 3>experience them the first year I was involved that I

0:21:18.440 --> 0:21:21.680
<v Speaker 3>jumped at the chance and she suggested I do this

0:21:21.880 --> 0:21:25.960
<v Speaker 3>incredible performance with an all female choir, a string quartet,

0:21:25.960 --> 0:21:31.359
<v Speaker 3>a harpist, all female band. And it was extraordinary. It

0:21:31.359 --> 0:21:35.119
<v Speaker 3>was an extraordinary, wonderful, magical event, and I was very

0:21:35.160 --> 0:21:39.640
<v Speaker 3>proud to be involved in the wonderful, amazing goddess that

0:21:39.640 --> 0:21:41.679
<v Speaker 3>Fiona Apple came and joined me on stage and we

0:21:41.760 --> 0:21:45.359
<v Speaker 3>sang a cover of Leslie Gores You Don't Own Me

0:21:45.720 --> 0:21:48.440
<v Speaker 3>and Fiona was wearing a Neil Port now t shirt

0:21:48.520 --> 0:21:52.200
<v Speaker 3>which she'd handmade. Yeah, and it was delightful and to

0:21:53.520 --> 0:21:59.479
<v Speaker 3>just be part of that protest in such beautiful, poetic terms,

0:21:59.560 --> 0:22:01.800
<v Speaker 3>just really extraordinary.

0:22:02.359 --> 0:22:04.120
<v Speaker 2>That sounds like a very positive thing to be happening.

0:22:04.240 --> 0:22:06.960
<v Speaker 2>Or their plans to move it into different cities. That

0:22:07.000 --> 0:22:09.000
<v Speaker 2>line that you just mentioned sounds like a really inspiring

0:22:09.000 --> 0:22:11.359
<v Speaker 2>group of musicians to bring together, take it on tour

0:22:11.520 --> 0:22:12.200
<v Speaker 2>or something like that.

0:22:12.280 --> 0:22:14.400
<v Speaker 3>Well, I know, Anna Bilbrook is an ambitious woman. I'm

0:22:14.440 --> 0:22:17.000
<v Speaker 3>sure she's got plans, She's yet to share them with me.

0:22:17.160 --> 0:22:19.240
<v Speaker 3>But you know, I'm also involved with the Girls Rock

0:22:19.320 --> 0:22:23.240
<v Speaker 3>movement here in London and in Glasgow, in Miami, and

0:22:23.320 --> 0:22:26.440
<v Speaker 3>you know, there's there's a worldwide initiative that the Girl's

0:22:26.560 --> 0:22:30.400
<v Speaker 3>Rock Campaign has got the same ideas, but they try

0:22:30.440 --> 0:22:33.199
<v Speaker 3>and promote women and encourage them to get involved. You know,

0:22:33.240 --> 0:22:38.080
<v Speaker 3>the statistics surrounding female musicians is shockingly low. Yeah, I'm

0:22:38.080 --> 0:22:40.960
<v Speaker 3>excited about that. I feel like at least it feels

0:22:41.040 --> 0:22:46.080
<v Speaker 3>like sort of you know, action in some ways. And yeah,

0:22:46.119 --> 0:22:47.720
<v Speaker 3>so it was a joy. It's a joy to be

0:22:47.760 --> 0:22:48.480
<v Speaker 3>involved in all that.

0:22:48.440 --> 0:22:51.800
<v Speaker 2>Stuff you mentioned last night during your speech about festival lineups,

0:22:52.000 --> 0:22:54.199
<v Speaker 2>the fact that it's not acceptable that there is not

0:22:54.320 --> 0:22:56.800
<v Speaker 2>more women on festival lineups, that people aren't more booking

0:22:56.840 --> 0:23:01.040
<v Speaker 2>more female artists. For example, this year a festivals taking

0:23:01.040 --> 0:23:03.320
<v Speaker 2>place around Europe. There's one in Sweden that I know

0:23:03.359 --> 0:23:05.040
<v Speaker 2>of that it's like an old female festival, So the

0:23:05.040 --> 0:23:08.040
<v Speaker 2>line it will be female and the people gown there

0:23:08.040 --> 0:23:10.040
<v Speaker 2>will be female. What do you think about things like that?

0:23:10.040 --> 0:23:12.720
<v Speaker 3>Well, you know, I used to not believe in positive

0:23:12.800 --> 0:23:17.359
<v Speaker 3>discrimination at all. I was very against any form of

0:23:17.680 --> 0:23:21.840
<v Speaker 3>what I considered to be like a ghetto, and I

0:23:21.880 --> 0:23:25.280
<v Speaker 3>felt very strongly that women had to compete with men.

0:23:26.000 --> 0:23:28.000
<v Speaker 3>But then I came to realize, as I've gotten older,

0:23:28.040 --> 0:23:30.679
<v Speaker 3>women aren't being given the opportunity to compete. So if

0:23:30.680 --> 0:23:34.360
<v Speaker 3>they're not being allowed to compete, then sure setting up

0:23:34.880 --> 0:23:39.560
<v Speaker 3>all female centric festivals or lineups or opportunities, I'm all

0:23:39.600 --> 0:23:43.040
<v Speaker 3>for it. At the same time, I feel very strongly

0:23:44.080 --> 0:23:46.480
<v Speaker 3>that there has to be a no tolerance policy, i e.

0:23:46.640 --> 0:23:50.360
<v Speaker 3>The punters shouldn't be going to festivals if they don't

0:23:50.400 --> 0:23:52.960
<v Speaker 3>see themselves represented there. You know, it's like, if you're

0:23:52.960 --> 0:23:57.320
<v Speaker 3>not seeing yourself being represented, don't go. Don't give them

0:23:57.359 --> 0:24:00.680
<v Speaker 3>your dollars, don't give them their pounds, cut it, because

0:24:00.720 --> 0:24:03.240
<v Speaker 3>until you do that, they're just going to keep going

0:24:03.280 --> 0:24:08.480
<v Speaker 3>along in They're easy, breezy patriarchal ways and nothing's ever

0:24:08.520 --> 0:24:13.160
<v Speaker 3>going to change, you know. So yeah, I'm sort of torn.

0:24:13.240 --> 0:24:15.399
<v Speaker 3>But as I've gotten older, as I've said, I'm for

0:24:15.600 --> 0:24:18.920
<v Speaker 3>positive discrimination. It's the only way we can force their hand.

0:24:19.240 --> 0:24:23.160
<v Speaker 2>I went to MIA's Meltdown Festival last year. It was fantastic.

0:24:23.200 --> 0:24:26.280
<v Speaker 2>It was full of incredible female artists, including Maya herself.

0:24:26.640 --> 0:24:29.760
<v Speaker 2>You're involved with the Sun Dance Festival this year, and

0:24:29.800 --> 0:24:32.800
<v Speaker 2>you've seen the MII documentary. Are you a fan of hers?

0:24:32.840 --> 0:24:33.440
<v Speaker 3>A huge fan?

0:24:33.520 --> 0:24:35.480
<v Speaker 2>And what did you make of the documentary?

0:24:35.640 --> 0:24:38.080
<v Speaker 3>I love the documentary. I mean I usually if I'm

0:24:38.119 --> 0:24:40.280
<v Speaker 3>a fan of an artist and then I go and

0:24:40.400 --> 0:24:43.920
<v Speaker 3>see a documentary, I can often be a little disappointed

0:24:44.040 --> 0:24:48.120
<v Speaker 3>or bummed out. I loved her more than I did before,

0:24:48.359 --> 0:24:50.199
<v Speaker 3>which I do think is a good sign. I just

0:24:50.240 --> 0:24:54.359
<v Speaker 3>thought she was I think she's spectacular. It was so

0:24:54.440 --> 0:24:59.320
<v Speaker 3>many fronts. Phenomenal filmmaker, by the way, like really, she's

0:24:59.440 --> 0:25:04.120
<v Speaker 3>the incredible video maker, like crazy good, and also has

0:25:04.320 --> 0:25:10.480
<v Speaker 3>her own authentic, genuinely original voice in music and that's rare.

0:25:10.680 --> 0:25:15.600
<v Speaker 3>And then she's got this delightful, sparkling personality, has something

0:25:15.640 --> 0:25:19.880
<v Speaker 3>to say, She's passionate, and she seems like a good person,

0:25:20.280 --> 0:25:21.920
<v Speaker 3>you know, so like she's trying to put something good

0:25:21.960 --> 0:25:25.399
<v Speaker 3>out there as opposed to something negative. And No, I

0:25:25.400 --> 0:25:27.480
<v Speaker 3>couldn't love her more. I find her very inspired.

0:25:28.440 --> 0:25:31.399
<v Speaker 2>Is that amongst the best documentaries that have focused on

0:25:31.440 --> 0:25:32.879
<v Speaker 2>an artists that you ever seen? Any think?

0:25:33.440 --> 0:25:35.120
<v Speaker 3>No, I wouldn't go that far. I mean I think

0:25:35.960 --> 0:25:38.840
<v Speaker 3>I always want more, you know. I mean Dig to

0:25:38.880 --> 0:25:41.520
<v Speaker 3>Me is like maybe the best music documentary of all time.

0:25:41.600 --> 0:25:42.200
<v Speaker 2>But there.

0:25:42.400 --> 0:25:45.560
<v Speaker 3>I also thought the Metallica Gods and Monsters was a

0:25:45.600 --> 0:25:48.760
<v Speaker 3>piece of genius. I mean, there's so many great documentaries,

0:25:48.800 --> 0:25:51.320
<v Speaker 3>and then it depends what you're looking for. Yeah, but

0:25:51.320 --> 0:25:52.800
<v Speaker 3>I think they did a good job in that they

0:25:52.880 --> 0:25:57.280
<v Speaker 3>portrayed her in a very positive light. I would have

0:25:57.320 --> 0:26:00.360
<v Speaker 3>preferred more music, you know, focus, but you know that's

0:26:00.400 --> 0:26:02.000
<v Speaker 3>just me being fussy as usual.

0:26:02.520 --> 0:26:06.560
<v Speaker 2>Would you ever do the Shany Manson documentary or the

0:26:06.560 --> 0:26:10.399
<v Speaker 2>Garbage documentary film, or write a book or any of

0:26:10.440 --> 0:26:11.240
<v Speaker 2>those type of things?

0:26:12.560 --> 0:26:14.399
<v Speaker 3>I don't know. I always say never, say never, you know,

0:26:14.640 --> 0:26:16.399
<v Speaker 3>like you just never know. I never thought in a

0:26:16.440 --> 0:26:18.720
<v Speaker 3>million years we'd ever put out a coffee table book,

0:26:18.760 --> 0:26:22.159
<v Speaker 3>and we did, and it was, you know, very satisfying.

0:26:22.200 --> 0:26:24.320
<v Speaker 3>I have to say when the whole thing was said

0:26:24.359 --> 0:26:27.760
<v Speaker 3>and done. So yeah, I never say no. I just

0:26:27.760 --> 0:26:30.399
<v Speaker 3>think you should always keep your options open. But am

0:26:30.480 --> 0:26:33.560
<v Speaker 3>I working on a fucking documentary on myself right now?

0:26:33.600 --> 0:26:33.679
<v Speaker 2>No?

0:26:33.720 --> 0:26:36.680
<v Speaker 3>I'm not. And do I have any plans to anytime soon? No?

0:26:36.800 --> 0:26:37.399
<v Speaker 3>Absolutely not.

0:26:38.080 --> 0:26:42.160
<v Speaker 2>Okay, I for one would like to say it, you're

0:26:42.200 --> 0:26:45.240
<v Speaker 2>celebrating twenty years of Version two point oh uniperformed that

0:26:45.240 --> 0:26:47.400
<v Speaker 2>album minutes entirely. Yeah, basically is a plan.

0:26:47.680 --> 0:26:49.960
<v Speaker 3>That is the plan, and we're pretty excited about it.

0:26:50.000 --> 0:26:53.080
<v Speaker 3>We had such a great time on the First Records

0:26:53.080 --> 0:26:57.280
<v Speaker 3>Anniversary twentieth anniversary. We didn't realize how much joy we'd

0:26:57.320 --> 0:26:59.520
<v Speaker 3>get out of it. Some of the songs we hadn't

0:26:59.520 --> 0:27:01.879
<v Speaker 3>ever and listened to since we put them out in

0:27:01.960 --> 0:27:06.760
<v Speaker 3>ninety five, you know. So it was kind of exploratory

0:27:07.800 --> 0:27:10.719
<v Speaker 3>exercise and we loved it, and the fans loved it.

0:27:10.800 --> 0:27:14.040
<v Speaker 3>We had such a blast, and so yeah, I think

0:27:14.040 --> 0:27:16.959
<v Speaker 3>we're all pretty excited about taking Version two Poundsho out

0:27:17.040 --> 0:27:19.840
<v Speaker 3>on the road. It's not a very long tour. We're

0:27:19.880 --> 0:27:22.760
<v Speaker 3>just doing maybe eight weeks in total, which for us

0:27:22.800 --> 0:27:26.560
<v Speaker 3>is really short. This year is mostly about writing. That's

0:27:26.600 --> 0:27:29.119
<v Speaker 3>what we're supposed to be doing, but we keep getting

0:27:29.119 --> 0:27:31.840
<v Speaker 3>distracted with a whole loads of other nonsense, as you

0:27:31.840 --> 0:27:34.639
<v Speaker 3>always do as a band. But that's the plan is

0:27:34.680 --> 0:27:36.959
<v Speaker 3>we're going to be working all year on writing and

0:27:37.000 --> 0:27:38.840
<v Speaker 3>recording so that we have a new record to go

0:27:38.840 --> 0:27:41.080
<v Speaker 3>out next year. But you know, the best laid plans

0:27:41.080 --> 0:27:42.359
<v Speaker 3>of mice and men, as they.

0:27:42.240 --> 0:27:45.120
<v Speaker 2>Say, what kind of things still really peaque your interest

0:27:45.280 --> 0:27:47.160
<v Speaker 2>in terms of the music that you want to create,

0:27:47.200 --> 0:27:49.000
<v Speaker 2>the projects you want to be involved in. What kind

0:27:49.040 --> 0:27:50.760
<v Speaker 2>of thing still really gets you excited? Because it sounds

0:27:50.800 --> 0:27:52.440
<v Speaker 2>like you've still got a lot of fire to like give.

0:27:52.600 --> 0:27:56.560
<v Speaker 3>Well, I'm a Viking, so I will always have fire. Yeah,

0:27:56.560 --> 0:27:58.680
<v Speaker 3>I will always have fire to my bow, I think,

0:27:59.240 --> 0:28:02.560
<v Speaker 3>or to my long shit. But I am getting more

0:28:02.600 --> 0:28:06.240
<v Speaker 3>and more serious about collaborating with other artists. I find

0:28:06.280 --> 0:28:08.719
<v Speaker 3>it really inspiring. I didn't have the confidence to do

0:28:08.720 --> 0:28:11.240
<v Speaker 3>it when I was younger, and now that I'm older,

0:28:11.480 --> 0:28:14.479
<v Speaker 3>I'm a bit more comfortable with going in and writing

0:28:14.480 --> 0:28:18.600
<v Speaker 3>in front of people I don't know, and also negotiating

0:28:18.680 --> 0:28:23.200
<v Speaker 3>space in a collaborative setting. So I am excited about

0:28:23.280 --> 0:28:25.720
<v Speaker 3>that kind of thing. I just don't want to keep

0:28:25.760 --> 0:28:29.200
<v Speaker 3>repeating the same old, same, Oh you know, I really

0:28:29.200 --> 0:28:32.280
<v Speaker 3>am getting more and more interested in sonics and how

0:28:32.320 --> 0:28:35.120
<v Speaker 3>to do stuff that you haven't ever done before. It's uncomfortable,

0:28:35.119 --> 0:28:38.640
<v Speaker 3>but that to me is exciting. And then I bore

0:28:38.760 --> 0:28:41.400
<v Speaker 3>my band religiously at the moment about what I call

0:28:41.480 --> 0:28:42.080
<v Speaker 3>high stakes.

0:28:42.160 --> 0:28:42.360
<v Speaker 2>I E.

0:28:43.080 --> 0:28:46.400
<v Speaker 3>Look, we're not young, We've never been young, but we're

0:28:46.440 --> 0:28:49.640
<v Speaker 3>even less young. Now what is it that we need

0:28:49.680 --> 0:28:52.000
<v Speaker 3>to say? And what is it we want to say

0:28:52.080 --> 0:28:54.720
<v Speaker 3>if we died, you know, in a year, what have

0:28:54.760 --> 0:28:55.720
<v Speaker 3>we left on the plate?

0:28:55.840 --> 0:28:56.040
<v Speaker 1>You know?

0:28:56.280 --> 0:29:01.560
<v Speaker 3>So that's to me exciting because I like having restrictions.

0:29:01.680 --> 0:29:04.320
<v Speaker 3>I feel like you can be really creative when you

0:29:04.360 --> 0:29:07.840
<v Speaker 3>have really narrow confines in a funny way. And I

0:29:07.880 --> 0:29:11.080
<v Speaker 3>feel like that, to me is something I want to explore.

0:29:11.160 --> 0:29:13.520
<v Speaker 3>My high stakes whatever that may be, whatever it is

0:29:13.560 --> 0:29:17.640
<v Speaker 3>from my band, I find that an interesting challenge to

0:29:17.680 --> 0:29:19.800
<v Speaker 3>how to talk about the things nobody really wants to

0:29:19.800 --> 0:29:22.640
<v Speaker 3>talk about. Nobody wants to talk about age, nobody wants

0:29:22.640 --> 0:29:27.440
<v Speaker 3>to talk about death, Nobody wants to talk about these

0:29:27.520 --> 0:29:30.560
<v Speaker 3>kind of topics. And that, of course is like a

0:29:30.600 --> 0:29:31.720
<v Speaker 3>red rag to a bull to me.

0:29:31.760 --> 0:29:34.560
<v Speaker 2>Okay, well, I look forward with religion here and what

0:29:34.640 --> 0:29:35.560
<v Speaker 2>comes next.

0:29:50.440 --> 0:29:53.960
<v Speaker 1>Midnight chat is Allowed and Quiet podcast production by Emma

0:29:54.040 --> 0:29:57.720
<v Speaker 1>Snoop Music. Here to Say of gold Panda. Search Midnight

0:29:57.800 --> 0:30:02.040
<v Speaker 1>Chats on iTunes for more episodes and subscribe. For more information,

0:30:02.240 --> 0:30:07.720
<v Speaker 1>visit loudan Quiet dot com