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Speaker 1: And that's what you really missed with Jenna.

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Speaker 2: And Kevin and iHeartRadio podcast.

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Speaker 1: Welcome to and that's when you really miss podcast. This

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Speaker 1: is sectionals. That's not the title of the episode, but

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Speaker 1: this is sectionals. We are at season three, episode eight,

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Speaker 1: hold on to sixteen.

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Speaker 2: Hello Kevin, Hello Jenna. We have been anticipating this episode,

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Speaker 2: not necessarily because of the storylines, but I think selfishly

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Speaker 2: because we get some incredible performances this episode.

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Speaker 1: I'm Shook and I'm Shook.

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Speaker 2: Jenna basically has an entire songes. I can't wait to

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Speaker 2: talk about that because this really was sitting there with

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Speaker 2: my jaw on the floor and this was just a

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Speaker 2: really good one. There was a lot happening in terms

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Speaker 2: of storyline. I think with all the competition episodes, it's

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Speaker 2: a bit of a mess. You know, everything is intertwined

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Speaker 2: because looming over all of it is the competition.

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Speaker 1: But exactly let's get to sectionals.

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Speaker 2: We it feels almost like this is only episode eight

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Speaker 2: of the season, right, but it feels like it's a

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Speaker 2: halfway point in terms of we're sort of wrapping up

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Speaker 2: some storylines where it's like a clean finish, a clean

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Speaker 2: break and setting up a clean slate for whatever comes

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Speaker 2: after this correct, which feels nice.

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Speaker 1: Feel right?

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Speaker 2: Yeah?

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Speaker 1: I felt like last episode was the lead up, tie

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Speaker 1: up of all the elections to get to sectionals, and

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Speaker 1: now we're wrapping up sectionals to then get to regionals.

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Speaker 1: So okay, let's dive in. Let's dive in. Let's get

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Speaker 1: our our little news so we can get into these performances.

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Speaker 1: What was happening in the news.

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Speaker 2: We found Love is still number one. Twilight Saga Breaking

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Speaker 2: Down Part one is still number one.

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Speaker 1: Wow.

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Speaker 2: A bunch of us went to as we did every

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Speaker 2: single year, Trevor Projects Trevor Live Gala in La at

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Speaker 2: the Palladium. Amber, Chris, Darren, Diana, Me, Harry Damien, and

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Speaker 2: Jama and Jane all went. Darren performed, Amber performed, Harry,

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Speaker 2: Mark Damien and myself presented. It was a great, great,

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Speaker 2: great time. Those events were always so special. Also, if

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Speaker 2: you're looking to do something good, look up Trevor Project

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Speaker 2: and see if you can donate, where you can donate,

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Speaker 2: how to donate and get involved because they're an absolutely

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Speaker 2: incredible organization and vital to helping and saving so many

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Speaker 2: lives of LGBT family members. You know, they're They're a

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Speaker 2: great organization.

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Speaker 1: For many, many years.

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Speaker 2: So this episode directed by Brad Beeker because it's a

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Speaker 2: competition all these yes, this is now his thing. Ross

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Speaker 2: Maxwell wrote this episode. Well, he's on the script right right, right,

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Speaker 2: of course. Now now my neighbor and I see him

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Speaker 2: at Starbucks.

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Speaker 1: I saw him at the picket lines when he was

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Speaker 1: Glee day. That's right, Okay, the song is in this episode.

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Speaker 1: Let's talk about it. So we have red solo Cup

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Speaker 1: and will forever be ingrained in my memory. H survivor,

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Speaker 1: I will survive ABC control man in the mirror, and

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Speaker 1: we are young. I have chills just thinking about all

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Speaker 1: these numbers. I don't even know what I was thinking

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Speaker 1: going into this, like, oh, this is this is good, right,

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Speaker 1: this is good. No, this is excellent.

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Speaker 2: This is music excellence for Glee. Like a lot of these,

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Speaker 2: it's weird, when you know, I feel like a lot

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Speaker 2: of the time there's one, maybe two songs that are

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Speaker 2: really ingrained in us, that we remember or that we

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Speaker 2: know like made some sort of a impact impact. This

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Speaker 2: one has so.

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Speaker 1: Many Oh my god, oh my god.

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Speaker 2: And I'm a you know me, I'm a sucker for

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Speaker 2: a long stage performance. You know, I love the audition episodes,

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Speaker 2: and so the fact that we get five numbers on

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Speaker 2: that competition stage, Oh yeah, it's my dream. Give it

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Speaker 2: to me, give it, and we get another one in

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Speaker 2: the auditorium. So there are six performances in this episode

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Speaker 2: alone on a stage.

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Speaker 1: Wow. Okay, there's some fun facts for this episode, Kevin. Yes,

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Speaker 1: this is one of three episodes submitted for the twenty

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Speaker 1: twelve Emmys, the other two being Asian f and Yes.

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Speaker 1: No Emmy nominations that year. We're Outstanding Guest Actress for DOT,

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Speaker 1: Outstanding Maker Up for a Single Camera Series, the Outstanding

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Speaker 1: Cinematography for a Single Camera Series. Wow, Go Crue. And

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Speaker 1: this title refers to Sam's favorite lyric in John Millencopt's

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Speaker 1: song Jack and Diane, which she said to Quinn hold

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Speaker 1: on to sixteen as long as you can, which which

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Speaker 1: is in a very very good scene between Adina and Diana.

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Speaker 1: Ooh chilling. What else? What else? So fitting with this theme,

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Speaker 1: this episode's theme of aging maturity New Direction setlist for

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Speaker 1: sectionals chronologically covers a lifespan ABC's Childhood, Controls, Young Adulthood,

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Speaker 1: and Man in the Mirror's Adulthood.

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Speaker 2: Brought to you by the Jackson Family, Just Jackson five,

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Speaker 2: Janet Jackson to Michael Jackson.

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Speaker 1: Hello, and filming began on November tewod following completion of

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Speaker 1: the seventh episode the previous Day, which feels appropriate and

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Speaker 1: right finish on November twenty first. The episode was shot

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Speaker 1: in parallel with the ninth episode, Extraordinary Merry Christmas, which

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Speaker 1: brings back lots of memories, good and mad, which began

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Speaker 1: filming on November tenth. So this is when it started

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Speaker 1: to get pretty crazy. There's a lot of fun facts, Kevin,

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Speaker 1: tell me something there are.

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Speaker 2: This is the only competition set list to have more

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Speaker 2: than one song by the same group artists and musical

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Speaker 2: the Jacksons. However, it can be argued that it isn't

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Speaker 2: since Janet Jackson wasn't an original member of the group,

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Speaker 2: but was a later member. It's always in the same

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Speaker 2: family I account. This episode also contains the most songs

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Speaker 2: Quinn has sung in a single episode, four Oh She.

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Speaker 2: On iTunes for this episode, the summary included Harry as

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Speaker 2: the name of Mike's portrayer, Harry Shum Junior instead of Mike.

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Speaker 1: Well, that seems appropriate too.

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Speaker 2: The competition of this episode is the only one in

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Speaker 2: which Rachel doesn't participate during her high school career, which

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Speaker 2: was weird. That felt very strange, very strange. Yep, Rory

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Speaker 2: is the only new Direction member that doesn't sing in

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Speaker 2: this episode, and it's only yeah, he's good. This is

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Speaker 2: the second time that Rachel doesn't sing in the set

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Speaker 2: list since twenty ten sectionals. This is my favorite part.

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Speaker 2: Kurt tells Sebastian that he doesn't like him or his

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Speaker 2: CW hair pre grant becoming the flash on CW for

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Speaker 2: ten years basically, and the ninth of the episode aired,

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Speaker 2: many topics related to the show appeared as trending topics

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Speaker 2: on Twitter. At one point, Dante, the writer ar executive

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Speaker 2: producer tweeted six trending topics. Well, it was six trending

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Speaker 2: topics exclamation point question mark, indicating that six of the

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Speaker 2: nine available slots were filled by Glee related topics. Actually,

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Speaker 2: and then he corrected to eight because hashtag white chocolate

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Speaker 2: was also. As soon as Cord stepped on, he started

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Speaker 2: trending Oliver turon well as he and Sue does not

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Speaker 2: appear in this episode. Those are our fun facts. There's

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Speaker 2: a lot that was.

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Speaker 1: A lot, Yeah, Cord comes back. Cord comes back. But

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Speaker 1: let's before we talk about that, Let's give me what

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Speaker 1: is the what is this episode?

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Speaker 2: In an attempt to recruit a few more members, Finn

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Speaker 2: tracks down former teammates Sam Evans and convinces him to

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Speaker 2: come back to the Glee Club. Tina comes to the

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Speaker 2: defense of Mike and encourages him to pursue his dream,

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Speaker 2: while McKinley prepares to host the big sectionalst performance.

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Speaker 1: Wow wow wow Okay, okay. So, so Finn and Rachel

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Speaker 1: are going to travel to Kentucky, which random, but they

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Speaker 1: find Sam and they think he's performing, but he's working

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Speaker 1: at a short club to support him with him and

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Speaker 1: his family.

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Speaker 2: I'd see that.

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Speaker 1: Yeah, totally. He comes back to McKinley, and Sam is

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Speaker 1: convinced he's gonna win Mercedes back now that he's home

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Speaker 1: with the Glee Club, staying with Rachel and Finn. And

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Speaker 1: and now we got little quarteryback, Thank goodness, because we

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Speaker 1: needed it. We lost all of our Trouble Tones, you know,

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Speaker 1: our members to the Trouble Tones. We lost Rachel. So

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Speaker 1: Cord comes to the rescue. There's a lot of Quinn.

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Speaker 2: In this episode, and it's good Quinn.

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Speaker 1: Oh yeah, I like this.

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Speaker 2: Something is happening. Finally we're getting movement on this we

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Speaker 2: geting stagnant storyline.

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Speaker 1: Quinn is still off her rocker at the beginning of

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Speaker 1: this episode. She has decided she's going now that she

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Speaker 1: has leverage over Puck over Shelby, She's going to get

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Speaker 1: Shelby fired, which then Trouble Tones won't perform. We're gonna

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Speaker 1: win sectionals by default, which is not what we want.

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Speaker 1: But really she wants to you tell Figgins about Shelby

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Speaker 1: and Puff to get Beth back, and Rachel sees her, yeah,

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Speaker 1: and she Quentin reveals that she's going to tell tell

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Speaker 1: Figgins about this. She tells her plan, which I don't

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Speaker 1: know why she tells her the plan.

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Speaker 2: But she tells her that's what all villains do.

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Speaker 1: They reveal their deepest, darkest secrets, just in a cool moment. Okay,

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Speaker 1: Rachel's worried. Now, she's concerned because Rachel is a fierce competitor,

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Speaker 1: and so she decides that she's gonna she's gonna keep

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Speaker 1: an eye on Quit and so at sectionals. When we're

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Speaker 1: at Sectionals, Ran, are you know costumes were getting ready

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Speaker 1: to perform, Rachel sees her leave the auditorium and she

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Speaker 1: knows what she's about to go do. Rachel stops her

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Speaker 1: in the hallway for this wonderful scene and tells her

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Speaker 1: that she is going to She's like, I know what

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Speaker 1: you're gonna do. At least wait until the trouble to

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Speaker 1: him to performed and tell Shelby before you do it?

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Speaker 2: Doesn't this storyline obviously? I think it all all these

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Speaker 2: storylines fit within the title of it with the title

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Speaker 2: of the episode is trying to, I think imply, is

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Speaker 2: that all these people are having to make these adult

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Speaker 2: decisions dealing with things that are sort of above their

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Speaker 2: pay grade, if you will, where they're not dealing with

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Speaker 2: just high school issues. You're dealing with children and yes,

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Speaker 2: relationships and livelihoods. And in addition to samsul storyline and

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Speaker 2: Rachel's actually, even though she, like you know, generally operates

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Speaker 2: from a place of selfishness and narcissism, I think her

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Speaker 2: coming to several different versions of like what she wants

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Speaker 2: Quinn to do or not do, seems like a more

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Speaker 2: mature and fully formed person as you know, since she

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Speaker 2: wouldn't have done that last season, right, And so I

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Speaker 2: enjoyed seeing that because because she wasn't worrying about what

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Speaker 2: she was doing on stage, they had her do all

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Speaker 2: this stuff behind the scenes, so that that was really

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Speaker 2: fun and interesting.

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Speaker 1: No, totally. It was redeeming for Rachel to after doing

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Speaker 1: the ballot stuffing the ballots and then her kind of

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Speaker 1: turning back around and saying like, I've done this before

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Speaker 1: and it doesn't feel good.

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Speaker 2: Yeah, And it's also like, let's let's just have the

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Speaker 2: best team win, Like, let's level the playing field after

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Speaker 2: coming off this thing that I just tried to like, yeah,

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Speaker 2: fix an election.

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Speaker 1: Mm hmmm.

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Speaker 2: So she's trying to redeem herself.

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Speaker 1: Yes, So Quinn's going to tell Shelby what she's going

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Speaker 1: to do.

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Speaker 2: Thanks to the advice of Rachel. Again, it's like, if

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Speaker 2: you're going to do it, the adult thing to do

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Speaker 2: is let her know you're going to do.

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Speaker 1: It, is true. I was like, oh, she's right, because

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Speaker 1: Quinn says, I'm an adult and I can do what

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Speaker 1: I want. Right.

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Speaker 2: That's why this all kind of.

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Speaker 1: Comes to its full circle. So this really great scene

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Speaker 1: between the two of them. I really enjoyed watching this scene.

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Speaker 1: This was like poigning for the episode. But we don't

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Speaker 1: talk about this a lot ugly, right, Like how how

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Speaker 1: kids are so eager to grow up? Yeah, so quickly.

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Speaker 1: So I thought it was really poignant and really important

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Speaker 1: to point out. And she's like, enjoy your time on

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Speaker 1: this stage because you may never get it a can.

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Speaker 2: There was a lot of that too. Throughout this episode.

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Speaker 2: There are a lot of contemplation with Kurt and right

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Speaker 2: and talking about especially with Quinn, about her future and

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Speaker 2: if this is something that she's going to continue to

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Speaker 2: pursue or not. And it's nice that you can see

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Speaker 2: the characters having those conversations and how the Glee Club

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Speaker 2: means different things to each of us or each of

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Speaker 2: the characters. And it was coming off of an episode

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Speaker 2: before that was so sort of disjointed. Having a really

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Speaker 2: strong theme through every single storyline and plotline of this

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Speaker 2: episode was really nice.

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Speaker 1: Yeah, really solid. As I also appreciated, like Shelby Adina's

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Speaker 1: performance in this was like so calm and collected as

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Speaker 1: an adult in the way that a mature adult is

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Speaker 1: going to react a teacher, hopefully because the way you

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Speaker 1: hope somebody would react, right, Dang well, I'm just going

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Speaker 1: to go enjoy my last hour. I know what I

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Speaker 1: did is wrong, this is why I did it, and

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Speaker 1: just kind of like very calmly giving Quinn a little

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Speaker 1: bit of a lesson after Adena has already proven that

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Speaker 1: or Shelby has proven that she's learned her lesson. Yeah,

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Speaker 1: I just thought that scene was really well done.

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Speaker 2: Shelby is sort of the only adult character besides I

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Speaker 2: would say the trifecta is Shelby, Bert and Carol are

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Speaker 2: all like the only they're the only adult characters that

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Speaker 2: aren't doing crazy things. Obviously, she's hooking up with a

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Speaker 2: student that's crazy, but I guess in terms of like

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Speaker 2: her mannerisms and like how she's acting, how she's portraying that, Yeah,

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Speaker 2: they're very steady. They feel more real. Yeah, the rest

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Speaker 2: of us are all like clowns and doing crazy things

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Speaker 2: the entire time.

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Speaker 1: Yeah.

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Speaker 2: Wow, we'll continue to do so that's what.

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Speaker 1: Our job was. But this is Yeah, this is a

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Speaker 1: really great episode for Quinn. She finds herself kind of

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Speaker 1: back where she started and finding a little bit of

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Speaker 1: closure and really coming to terms with herself and you know,

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Speaker 1: redeeming herself by asking the Troupletones to come back to

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Speaker 1: the New Directions. Huge win for for Quinn and for

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Speaker 1: all of us, and so it's pretty great. And then

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Speaker 1: also bringing them back to come and seeing the auditorium.

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Speaker 2: There's so many storylines. I mean, Finn and Blaine have

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Speaker 2: it out here, they get into it, and at first

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Speaker 2: it was so jarring to me. It's like, what is

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Speaker 2: happening the bag, yeah, and all of like, but they

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Speaker 2: were so good together, and it was also like this

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Speaker 2: weird masculinity battle.

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Speaker 1: Yeah.

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Speaker 2: I don't know how to word this and not sound crazy,

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Speaker 2: but I feel like a lot of times when Blaine

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Speaker 2: is very different from Kurt, I think it's important to

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Speaker 2: portray obviously the range in which gay people exist. They

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Speaker 2: are not one thing, right, and having Blaine have like

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Speaker 2: sort of this weirdly, I don't like, I've never felt

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Speaker 2: violent in my life towards anyone, and he has this

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Speaker 2: like outburst towards Finn, and Finn being football player, captain

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Speaker 2: of the football team, he's the one who has sort

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Speaker 2: of the you know, I was jealous. I was, and

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Speaker 2: coming off of I don't know, maybe a couple weeks

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Speaker 2: of reflection after outing someone, but it was a really

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Speaker 2: nice I felt like juxtaposition between the two characters and

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Speaker 2: how those type archetypes are normally portrayed in TV shows,

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Speaker 2: and it was just a scene. But it's also been

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Speaker 2: like coming to a head for a while since the

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Speaker 2: season began, and so it was nice to be it

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Speaker 2: was another one of those plot points getting wrapped up

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Speaker 2: or like bursting that bubble, just like with Quinn storyline

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Speaker 2: and now with this Finn and Blaine thing that was

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Speaker 2: unsettled and then Finn's busy this episode, He's very busy.

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Speaker 2: Then Finn goes to when he goes to get Sam

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Speaker 2: with Rachel, I just have questions, how is a sixteen

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Speaker 2: seventeen year old working at a strip club?

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Speaker 1: Right? It's Kentucky kivin no offense.

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Speaker 2: I mean fair, but like that I don't know about

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Speaker 2: In the scene with the.

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Speaker 1: Parents, yeah, I'm so sweet.

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Speaker 2: Did you see that movie Finding never Land back in

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Speaker 2: the day.

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Speaker 1: Yes.

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Speaker 2: The thing I remember from that movie is the scene

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Speaker 2: where Johnny Depp's character talks to a young Freddie Hiymore

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Speaker 2: after they've experienced some trauma, and he's like, oh, just

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Speaker 2: like that, you're no longer a child, right, And that's

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Speaker 2: all I thought about in the scene where it's like

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Speaker 2: the parents, like we didn't want you to have to

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Speaker 2: do this and then Sam being like no, I'm just

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Speaker 2: so proud of us, Like what a beautiful minus the

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Speaker 2: homeless jokes. It was really beautiful series of moments in

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Speaker 2: that scene, and I.

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Speaker 1: Yes, and once again Sam having to grow up too fast, right,

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Speaker 1: having to become an adult too fast? Yeah, there was

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Speaker 1: a really it's a nice way to reintroduce Sam. Yeah,

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Speaker 1: it's nice way to.

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Speaker 2: Such a good guy. No do you so? Do you

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Speaker 2: remember filming Red Solo Cup?

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Speaker 1: Absolutely? I remember filming that. I was like, number one,

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Speaker 1: what is this song?

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Speaker 2: What is the song?

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Speaker 1: We did not know wrote this? None of us? None

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Speaker 1: of Us is a fun, catchy song. I think it

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Speaker 1: was stuck in my head for a while afterwards because

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Speaker 1: it's so ridiculous. It's a red Soila cup and there's

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Speaker 1: a song about it, but there's a song about it

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Speaker 1: for everybody. So yeah, I just remember working with like

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Speaker 1: having Quardy back, it was like so so nice. It's

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Speaker 1: like a real celebrations I have quarters.

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Speaker 2: It was. It was very real and it's such like

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Speaker 2: a fitting number for him. It felt like, oh yeah,

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Speaker 2: we're here, and.

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Speaker 1: Yeah it's also like a freeform rock out number to

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Speaker 1: shoot and we didn't know the songs, so we're like

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Speaker 1: winging it and trying to make it work. And you know,

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Speaker 1: it didn't have a ton of foo for all no

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Speaker 1: around it. So we're just like, let's just have a

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Speaker 1: fun time. We do.

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Speaker 2: There was enough choreo to do. There was five other

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Speaker 2: numbers coming that had a lot of choreos, so, I.

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Speaker 1: Mean, more choreo than we've ever seen No.

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Speaker 2: And this and we're we're young. It's just like, okay,

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Speaker 2: let's just have a nice.

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Speaker 1: Time, go for it. They're like I could see Zach

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Speaker 1: being like just move yeah, just move around.

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Speaker 2: And have a good time.

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Speaker 1: And and then we have the band members and we

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Speaker 1: are new directions Sam and the band members.

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Speaker 2: I missed when the band members like came in and

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Speaker 2: I looked up and I'm like, why is John Locke

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Speaker 2: with long hair here again? But I loved it, Like

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Speaker 2: there he was dancing with us on stage.

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Speaker 1: I can't, I can't even so funny.

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Speaker 2: So we talked about this before, but we were at

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Speaker 2: filming the prom episode when we found out Chord is

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Speaker 2: coming back, and then it like spread like wildfire across

356
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Speaker 2: the gymnasium floor. I don't remember that it wasn't prom

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Speaker 2: We were filming some number in the gymnasium and I mentioned, nope, no,

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Speaker 2: it was there was a stage. We literally have talked

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00:21:30,119 --> 00:21:35,000
Speaker 2: about it this season and I've already forgotten, but I

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Speaker 2: remember somebody like a rumor started to spread, just like

361
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Speaker 2: real high school and like wait, Chords.

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Speaker 1: Coming back the world. I don't know.

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Speaker 2: I feel like there was a stage set up at

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Speaker 2: the end, and I don't remember what it was. I

365
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Speaker 2: don't know, but we were so excited, and I remember

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Speaker 2: we didn't want a text chord because like, if this

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Speaker 2: isn't true, then you don't want to get hopes up

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Speaker 2: right right, And like the last we heard is like

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Speaker 2: does he even want to come back?

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Speaker 1: Right? We hadn't spoken to him, no, And.

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Speaker 2: So I think there was like a cooling period where

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Speaker 2: both sides got to take a minute to be like

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Speaker 2: we need each other. We were so excited, obviously, I mean,

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Speaker 2: white Chocolate is back, White Chocolate.

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Speaker 1: I was giggling with those names, and that just him

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Speaker 1: coming out. It was just it was very funny, very

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Speaker 1: very funny. And then this is where Windy City was born.

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Speaker 2: I think, yes, so.

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Speaker 1: Windy City is Cords, adorable body rolls, that he does

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Speaker 1: in white Chocolate. He does it in other numbers. He

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Speaker 1: does it, and we are fun, right, we are young,

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Speaker 1: he does it. We are fun. We are fun. He

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Speaker 1: also did it, I think in Man in the Mirror.

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Speaker 1: Maybe he does everywhere. So we call it the Windy City. Yeah,

385
00:22:52,920 --> 00:22:59,840
Speaker 1: of course, Zach Woly makes all the craziest names. And

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Speaker 1: another thing that's happening is Queen Tina is going to

387
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Speaker 1: Queen Teina is gonna get Mike's dad to get on board.

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Speaker 2: She really goes above and beyond and like it's definitely

389
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Speaker 2: some questionable tactics.

390
00:23:18,040 --> 00:23:19,879
Speaker 1: You're welcome, Mike, Yeah.

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Speaker 2: But ultimately what a beautiful thing.

392
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Speaker 1: Yeah. Yeah, So she's convinced, she is, she is willing,

393
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Speaker 1: she's willed his father to make it to sexual. So

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Speaker 1: she visits. She has a fight with Mike in the hallway,

395
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Speaker 1: which I remember shooting with Harry. We hadn't getten Seine

396
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Speaker 1: in a while, so I remember shooting this being mad

397
00:23:40,560 --> 00:23:44,439
Speaker 1: at him, and these were really fun. It was just

398
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Speaker 1: something else to do, like get I was like fast storyline,

399
00:23:48,440 --> 00:23:54,560
Speaker 1: like something to do, and it was very It resonated

400
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Speaker 1: with me because growing up so many kids were you know,

401
00:24:01,080 --> 00:24:03,480
Speaker 1: this is all we wanted was to be in theater,

402
00:24:03,760 --> 00:24:08,080
Speaker 1: to be on Broadway, all these things. And you know

403
00:24:08,160 --> 00:24:10,720
Speaker 1: a lot of very kids, like friends of mine, didn't

404
00:24:10,760 --> 00:24:12,960
Speaker 1: have their parents' support. And my parents didn't even really

405
00:24:12,960 --> 00:24:15,000
Speaker 1: want me to do this as living because it is

406
00:24:15,000 --> 00:24:17,800
Speaker 1: so hard. And when Mike's dad says like, do you

407
00:24:17,840 --> 00:24:19,399
Speaker 1: know how hard this is going to be for you?

408
00:24:19,960 --> 00:24:22,520
Speaker 1: I mean, my parents had said that to me at times,

409
00:24:22,560 --> 00:24:24,560
Speaker 1: like do you understand how much harder this is going

410
00:24:24,600 --> 00:24:27,159
Speaker 1: to be for you than other people? It's hard enough,

411
00:24:27,920 --> 00:24:31,080
Speaker 1: and you, just as a mother, you're like, I get

412
00:24:31,080 --> 00:24:34,160
Speaker 1: it now. I don't ever want my kid to struggle

413
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Speaker 1: or to starve or to you know, you just want

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00:24:36,800 --> 00:24:41,080
Speaker 1: them to to be comfortable, but not at the expense

415
00:24:41,119 --> 00:24:44,640
Speaker 1: of their happiness and their love for whatever. So anyway,

416
00:24:45,359 --> 00:24:48,360
Speaker 1: this was really very It came from my heart when

417
00:24:48,359 --> 00:24:49,919
Speaker 1: I was I was just able to like pull this

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Speaker 1: out because it felt very true.

419
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Speaker 2: It was and another one of those storylines of this

420
00:24:55,760 --> 00:25:01,040
Speaker 2: episode of indicative of the character's growth, your relationship to

421
00:25:01,080 --> 00:25:03,320
Speaker 2: one another, even how you're acting in the scene towards

422
00:25:03,320 --> 00:25:07,280
Speaker 2: one another, there's like a level of maturity that wasn't

423
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Speaker 2: there before. Also, I think it's because you do get

424
00:25:09,600 --> 00:25:13,720
Speaker 2: sort of a more meaningful storyline totally. Could you like,

425
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Speaker 2: how was that like when you're going into film that

426
00:25:16,680 --> 00:25:20,320
Speaker 2: type of scene. Are you immediately like, oh I get this,

427
00:25:20,520 --> 00:25:22,679
Speaker 2: I've been there, or is it one of those things

428
00:25:22,680 --> 00:25:25,399
Speaker 2: that you look back on you're like, oh, yeah, that

429
00:25:25,520 --> 00:25:27,640
Speaker 2: was actually rooted in a real place. But I wasn't

430
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Speaker 2: necessarily aware of it at the time.

431
00:25:28,960 --> 00:25:33,320
Speaker 1: No, I was fully aware of it at the time. Yeah,

432
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Speaker 1: I mean it was so helpful to have, totally. It's easy.

433
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Speaker 1: It's much easier when you have something to work off

434
00:25:40,440 --> 00:25:43,159
Speaker 1: of like that. Yeah. No, I definitely had that, and

435
00:25:43,240 --> 00:25:45,840
Speaker 1: it makes it harder because you care so deeply about

436
00:25:45,880 --> 00:25:48,399
Speaker 1: it and it feels so true and you try to

437
00:25:48,400 --> 00:25:50,960
Speaker 1: find the place of which teen is coming from versus Genma,

438
00:25:51,080 --> 00:25:54,520
Speaker 1: and you know that fine line also, but then you know.

439
00:25:54,440 --> 00:25:57,320
Speaker 2: Sometimes you're the same. Sometimes they overlaps.

440
00:25:57,640 --> 00:26:01,639
Speaker 1: Very true, very true. But yeah, I remember working with

441
00:26:03,720 --> 00:26:06,320
Speaker 1: bad on this and like just chatting with him about it.

442
00:26:06,400 --> 00:26:09,480
Speaker 1: He's so wonderful and so great about helping you get

443
00:26:09,520 --> 00:26:11,439
Speaker 1: to where you need to be and giving you the

444
00:26:11,520 --> 00:26:14,800
Speaker 1: space to do what you want to do, but also saying, yeah,

445
00:26:14,840 --> 00:26:16,840
Speaker 1: we got that, so let's try something else. That's always

446
00:26:16,840 --> 00:26:21,280
Speaker 1: a Bradbeaker, So you know a line and I, yeah,

447
00:26:21,320 --> 00:26:23,040
Speaker 1: I know. It was just very easy to pull from

448
00:26:23,080 --> 00:26:29,440
Speaker 1: because obviously I was blatantly aware of this, and and

449
00:26:28,840 --> 00:26:33,639
Speaker 1: and it worked out. You know, Mike's dad came and

450
00:26:33,720 --> 00:26:36,080
Speaker 1: he showed up. It made me emotional. It didn't make

451
00:26:36,080 --> 00:26:38,720
Speaker 1: me much when I watched it back in the day,

452
00:26:38,920 --> 00:26:42,800
Speaker 1: but this time I was like, Oh, that's really meaningful.

453
00:26:43,960 --> 00:26:47,120
Speaker 2: How was it filming? That's the Tina and Mike's dad

454
00:26:47,280 --> 00:26:51,960
Speaker 2: Mike Senior scene, because I love that because you're also

455
00:26:52,040 --> 00:26:56,480
Speaker 2: going in there again anytime Tina's with adults, like you

456
00:26:56,600 --> 00:26:58,840
Speaker 2: got Figgins in the palm of your hand, you do

457
00:26:58,960 --> 00:27:01,280
Speaker 2: what these parents are in the on your hand. The

458
00:27:01,320 --> 00:27:03,760
Speaker 2: only time Tina is sort of not like the queen

459
00:27:03,800 --> 00:27:07,879
Speaker 2: Bee is in the glee club. Like it's like we

460
00:27:08,000 --> 00:27:10,320
Speaker 2: have that like running joke about how Tina keeps getting

461
00:27:10,359 --> 00:27:15,320
Speaker 2: like ship on right outside of the glee club handles

462
00:27:15,320 --> 00:27:16,199
Speaker 2: her business.

463
00:27:16,400 --> 00:27:20,520
Speaker 1: That's true. She helps Rachel again, like.

464
00:27:20,640 --> 00:27:25,320
Speaker 2: She's the manager. She's everybody's secret manager. You not only

465
00:27:25,400 --> 00:27:28,840
Speaker 2: got Mike's dad to show up, you also submitted an

466
00:27:28,880 --> 00:27:33,760
Speaker 2: application on Mike's behalf. I was like, wow, really it's

467
00:27:33,840 --> 00:27:35,359
Speaker 2: very generous though. It is very genus.

468
00:27:35,359 --> 00:27:36,920
Speaker 1: It is it is I would do that. I would

469
00:27:36,960 --> 00:27:40,359
Speaker 1: do that. No, working with Kyng was really nice. I mean,

470
00:27:40,400 --> 00:27:43,000
Speaker 1: obviously we had he had been in prior previous episodes,

471
00:27:43,000 --> 00:27:46,080
Speaker 1: so always wasn't like brand new. But I was nervous

472
00:27:46,160 --> 00:27:51,560
Speaker 1: shooting that one because I was driving the scene with him.

473
00:27:51,720 --> 00:27:55,280
Speaker 1: But I also felt very supportive by him. Obviously, say

474
00:27:56,760 --> 00:28:05,000
Speaker 1: to hand Er, he was a beautiful job. But you

475
00:28:05,000 --> 00:28:07,399
Speaker 1: you know, and I want it. I watched this back

476
00:28:07,480 --> 00:28:09,280
Speaker 1: and I don't know if I don't remember if this

477
00:28:09,480 --> 00:28:13,119
Speaker 1: was a choice or if this was just Jenna doing

478
00:28:13,200 --> 00:28:18,639
Speaker 1: Jenna everything Tina did. I think maybe this was Brad

479
00:28:18,640 --> 00:28:23,080
Speaker 1: Beeker was so hopeful mm hmm. She wasn't angry, she

480
00:28:23,160 --> 00:28:27,159
Speaker 1: wasn't fighting. She just believed so hard in what she

481
00:28:27,320 --> 00:28:31,240
Speaker 1: was saying that she was so sure of herself. And

482
00:28:31,280 --> 00:28:33,760
Speaker 1: so when I went when I was watching that scene

483
00:28:33,880 --> 00:28:37,159
Speaker 1: last night, I was like, oh my god, Like, I

484
00:28:37,200 --> 00:28:38,840
Speaker 1: don't think I would have played it like that now,

485
00:28:40,280 --> 00:28:43,480
Speaker 1: but I like the way she we did it back

486
00:28:43,520 --> 00:28:49,800
Speaker 1: then because it's just it's truthful to the youth.

487
00:28:50,320 --> 00:28:52,640
Speaker 2: That's what I was gonna say. It's it's almost like

488
00:28:52,760 --> 00:28:56,240
Speaker 2: the naivety of youth coming out because like now you

489
00:28:56,320 --> 00:29:01,440
Speaker 2: know too much, you know how fragile everything is, and

490
00:29:01,480 --> 00:29:05,560
Speaker 2: like the blind optimism is like, well, I know it's.

491
00:29:05,720 --> 00:29:07,920
Speaker 1: A lot harder. Yeah, totally like.

492
00:29:07,920 --> 00:29:10,960
Speaker 2: To really make this happen. But yes, it does sound

493
00:29:11,000 --> 00:29:14,840
Speaker 2: like a Bradbeaker Jenna collaboration, doesn't it. She's so hopeful.

494
00:29:15,520 --> 00:29:19,600
Speaker 1: Yes, it's so true. Yes, and so coming in it

495
00:29:19,640 --> 00:29:21,800
Speaker 1: felt a little it felt a little naive to me

496
00:29:22,200 --> 00:29:24,240
Speaker 1: for Tina. You know, like if a kid like that

497
00:29:24,360 --> 00:29:28,400
Speaker 1: said something like that to me now I would have

498
00:29:28,760 --> 00:29:32,960
Speaker 1: an interesting reaction to it. So I don't know, maybe

499
00:29:33,080 --> 00:29:36,200
Speaker 1: it feels like it feels like a Brad thing that

500
00:29:36,280 --> 00:29:39,080
Speaker 1: I think maybe he had said, like, let's play this

501
00:29:39,080 --> 00:29:42,400
Speaker 1: this way. I think we tried it a few ways,

502
00:29:42,440 --> 00:29:44,720
Speaker 1: but I think we played it this way throughout the

503
00:29:44,760 --> 00:29:46,640
Speaker 1: whole thing, even with Mike. She does it or in

504
00:29:46,680 --> 00:29:48,880
Speaker 1: the earlier so she's not so mad, she's not.

505
00:29:48,960 --> 00:29:51,320
Speaker 2: It works so well too, And it's also refreshing because

506
00:29:51,360 --> 00:29:54,920
Speaker 2: I feel like a lot of this stuff you got

507
00:29:55,320 --> 00:29:59,640
Speaker 2: was Tina being like super emotional mm hmm and like

508
00:29:59,680 --> 00:30:01,640
Speaker 2: a but like intentionally, it wasn't like it was a

509
00:30:01,720 --> 00:30:03,920
Speaker 2: choice you made. It was written that way or on

510
00:30:03,960 --> 00:30:07,080
Speaker 2: the day you were pushed to do that, right, Yes,

511
00:30:07,240 --> 00:30:11,920
Speaker 2: and it's nice to see like other because obviously you're

512
00:30:11,960 --> 00:30:15,080
Speaker 2: extremely talented and good and have all these other layers

513
00:30:15,480 --> 00:30:17,560
Speaker 2: and levels to give. So it's nice when you see

514
00:30:17,560 --> 00:30:20,640
Speaker 2: that and dealing with an adult, dealing with a boyfriend,

515
00:30:20,680 --> 00:30:25,200
Speaker 2: dealing with a teacher, and see how Tina is a

516
00:30:25,200 --> 00:30:27,400
Speaker 2: little different each of those things. And yeah, it's so

517
00:30:27,480 --> 00:30:28,120
Speaker 2: fun to watch.

518
00:30:28,600 --> 00:30:31,360
Speaker 1: Thanks. It was fun to do. It's always fun to do.

519
00:30:31,400 --> 00:30:32,240
Speaker 2: You're so talented.

520
00:30:32,560 --> 00:30:36,000
Speaker 1: Oh my god, you're so nice. I was like, oh,

521
00:30:36,120 --> 00:30:39,120
Speaker 1: it's hard to watch yourself back and remember those times.

522
00:30:40,520 --> 00:30:41,800
Speaker 1: Just watch yourself back.

523
00:30:43,480 --> 00:30:45,840
Speaker 2: Yeah, but you should be proud of yourself that you

524
00:30:45,880 --> 00:30:47,160
Speaker 2: were really great in this episode.

525
00:30:47,400 --> 00:30:48,680
Speaker 1: Oh, thanks, appreciate it.

526
00:30:49,280 --> 00:30:53,440
Speaker 2: You were not only were you acting sound, you were singing.

527
00:30:56,240 --> 00:30:57,080
Speaker 1: This was fun.

528
00:31:06,280 --> 00:31:10,960
Speaker 2: Okay, just real quick. It's sectionals. Shoe Harriet to have

529
00:31:11,040 --> 00:31:14,400
Speaker 2: a set list ready and the street continues alive and

530
00:31:14,440 --> 00:31:17,280
Speaker 2: while Shoe has not prepared and leaving leaving it up

531
00:31:17,320 --> 00:31:20,360
Speaker 2: to everybody else to figure it out. I'm shocked, like,

532
00:31:20,880 --> 00:31:23,360
Speaker 2: why are you here, sir? What are you even doing?

533
00:31:23,800 --> 00:31:28,280
Speaker 1: It's like his the epitome of mister Shoe is when

534
00:31:28,320 --> 00:31:30,120
Speaker 1: he comes in at the end of Fun at the

535
00:31:30,160 --> 00:31:35,160
Speaker 1: fun number. Yeah, I'm here, We're like where a few bit. Yeah.

536
00:31:35,280 --> 00:31:38,840
Speaker 2: It's also the glee club members were fully on the

537
00:31:39,240 --> 00:31:44,440
Speaker 2: glee schedule because we learned things in like two hours

538
00:31:44,480 --> 00:31:46,440
Speaker 2: and then how to go film it immediately right, and

539
00:31:46,480 --> 00:31:48,840
Speaker 2: we were like fine, like that's just what we have

540
00:31:48,920 --> 00:31:50,200
Speaker 2: to do, and you can shoot around it and make

541
00:31:50,280 --> 00:31:53,560
Speaker 2: us look good. But high school students have a full

542
00:31:53,920 --> 00:31:57,480
Speaker 2: academic day, they have clubs after school, they have friends,

543
00:31:57,480 --> 00:31:59,360
Speaker 2: they have things to do, and you want them to

544
00:31:59,400 --> 00:32:00,240
Speaker 2: pull this out.

545
00:32:00,520 --> 00:32:02,840
Speaker 1: And also come up with that choreography for.

546
00:32:02,880 --> 00:32:06,120
Speaker 2: Three numbers and a night like come on, get out

547
00:32:06,120 --> 00:32:08,880
Speaker 2: of here. Like we were adults that were hired for

548
00:32:08,960 --> 00:32:13,239
Speaker 2: a professional job and we were barely managing it. And

549
00:32:13,280 --> 00:32:15,400
Speaker 2: that was with all the Melodiine in the world.

550
00:32:18,120 --> 00:32:22,160
Speaker 1: I'm dying, I'm dying. That's really funny. That's really funny. Yeah,

551
00:32:22,200 --> 00:32:24,560
Speaker 1: so we were again once again it's left up to

552
00:32:24,600 --> 00:32:28,440
Speaker 1: the kids, and yeah, we pull that out, We pull

553
00:32:28,520 --> 00:32:28,920
Speaker 1: that out.

554
00:32:30,120 --> 00:32:32,640
Speaker 2: I like the friendly banter between the Trouble Tones come

555
00:32:32,640 --> 00:32:37,480
Speaker 2: in right before the show and like we've decided Benjiez

556
00:32:37,560 --> 00:32:41,600
Speaker 2: is so good in this whole thing. Give her an inch,

557
00:32:42,840 --> 00:32:46,560
Speaker 2: but you know, everyone decided that if on the Troubletnes,

558
00:32:46,600 --> 00:32:49,840
Speaker 2: that if Troubletnes win, that anyone in the new directions

559
00:32:49,880 --> 00:32:53,000
Speaker 2: who wants to join for regionals can And it is

560
00:32:53,120 --> 00:32:58,040
Speaker 2: just so good the reactions. Everyone's pissed off. Ooh, Quinn

561
00:32:58,040 --> 00:33:03,760
Speaker 2: coming in hot, looking at Shelby. It's wonderful teen teen drama.

562
00:33:03,840 --> 00:33:07,640
Speaker 1: We also have to rewind back to for one second

563
00:33:08,200 --> 00:33:12,720
Speaker 1: to when Sam after read Solo cup and Santana comes

564
00:33:12,760 --> 00:33:18,400
Speaker 1: in and reads that letter from her a tiny little book. What.

565
00:33:22,360 --> 00:33:26,040
Speaker 2: I really loved it, and it's also I love because

566
00:33:26,080 --> 00:33:28,200
Speaker 2: we're just I was a little nervous because you're coming

567
00:33:28,200 --> 00:33:33,320
Speaker 2: off of this whole thing happening between Santana and Finn,

568
00:33:34,720 --> 00:33:39,479
Speaker 2: and like, are these jokes going to land? How are

569
00:33:39,480 --> 00:33:41,840
Speaker 2: they going to be received? And then Sam is just

570
00:33:41,920 --> 00:33:44,880
Speaker 2: smiling and it's it's really cute.

571
00:33:44,560 --> 00:33:48,240
Speaker 1: Okay, So yes, the Troubletones come in, there's some friendly banter,

572
00:33:49,080 --> 00:33:53,280
Speaker 1: and then we're at sectionals and Vanessa's Sugar's response to

573
00:33:53,360 --> 00:33:58,480
Speaker 1: Jiggles the clown. That one shot made me cackle.

574
00:33:58,840 --> 00:34:03,000
Speaker 2: Every time every time the camera catches her in this episode,

575
00:34:03,080 --> 00:34:07,800
Speaker 2: I was laughing. She's doing something every single time the camera.

576
00:34:09,080 --> 00:34:12,080
Speaker 2: Let's talk about these numbers, Jenna sectionals.

577
00:34:13,280 --> 00:34:15,520
Speaker 1: Okay, okay, wish where do you want to start?

578
00:34:15,560 --> 00:34:17,120
Speaker 2: What you want to start? Let's start from the beginning

579
00:34:17,280 --> 00:34:23,960
Speaker 2: it Yes, I mean Lindy Pears the voice coming in.

580
00:34:25,120 --> 00:34:29,840
Speaker 1: Just such a great number. Two, just a great number selection,

581
00:34:30,040 --> 00:34:32,319
Speaker 1: Like the song itself is so good, it's catchy. I

582
00:34:32,440 --> 00:34:34,840
Speaker 1: was dying laughing when Rachel and Kurt were singing along.

583
00:34:35,239 --> 00:34:40,960
Speaker 2: Yes, you know, I wish we honestly had more of

584
00:34:41,040 --> 00:34:44,439
Speaker 2: the banter between the three of them, the competitiveness, because

585
00:34:44,480 --> 00:34:46,600
Speaker 2: it is really fun, because it's all lighthearted. Because they're

586
00:34:46,640 --> 00:34:50,680
Speaker 2: all the same, they'll understand each other. Yes, the bloodshed, yes,

587
00:34:51,760 --> 00:34:53,960
Speaker 2: but great number. It felt like a vocal journal. The

588
00:34:54,040 --> 00:34:55,120
Speaker 2: number almost.

589
00:34:55,120 --> 00:35:00,560
Speaker 1: Totally had to write Yeah, well for yeah, I love

590
00:35:00,640 --> 00:35:04,160
Speaker 1: that song. So I was feeling it.

591
00:35:04,160 --> 00:35:05,200
Speaker 2: It was very very good.

592
00:35:05,960 --> 00:35:10,080
Speaker 1: Okay, So the trouble Tones here's the funny part. The

593
00:35:10,080 --> 00:35:13,440
Speaker 1: Trouble Tones come out to record there to do their number,

594
00:35:14,120 --> 00:35:20,880
Speaker 1: and their hair was curled to the gods and okay,

595
00:35:21,120 --> 00:35:25,360
Speaker 1: do you remember, Kevin, we're about to shoot this number. Okay.

596
00:35:26,440 --> 00:35:29,000
Speaker 1: They had bumpets in their hair, they had curly hair.

597
00:35:29,080 --> 00:35:34,400
Speaker 1: That's nothing. They came out and had the craziest curly

598
00:35:34,440 --> 00:35:39,160
Speaker 1: hair I have ever seen. It was the tiniest curly

599
00:35:39,200 --> 00:35:44,160
Speaker 1: iron and they were it was wild. Yes, thank you,

600
00:35:44,280 --> 00:35:48,560
Speaker 1: that's the word I was thinking for. And it was

601
00:35:48,640 --> 00:35:57,400
Speaker 1: vetoed and somebody up above said absolutely not, absolutely not.

602
00:35:58,600 --> 00:36:00,880
Speaker 1: It was the right call because it would taken away,

603
00:36:01,200 --> 00:36:06,439
Speaker 1: truly taken away from the Numberneyiano Corney Platt, and I said,

604
00:36:06,480 --> 00:36:10,440
Speaker 1: what is your hair? Who was one of the troubleton answers.

605
00:36:11,239 --> 00:36:13,359
Speaker 1: So we had to take a pause and they had

606
00:36:13,360 --> 00:36:15,760
Speaker 1: to go take every trouble tone back to that makeup

607
00:36:15,760 --> 00:36:20,520
Speaker 1: trailer and they had to redo their hair. Already running

608
00:36:20,560 --> 00:36:23,680
Speaker 1: behind and they're scrambling to try to see what else

609
00:36:23,719 --> 00:36:30,000
Speaker 1: we could do to shoot because we weren't ready, and

610
00:36:31,160 --> 00:36:34,480
Speaker 1: we had a break. We had a while. It took

611
00:36:34,560 --> 00:36:35,080
Speaker 1: like an hour.

612
00:36:35,560 --> 00:36:36,720
Speaker 2: There's a lot of trouble tones.

613
00:36:36,920 --> 00:36:40,399
Speaker 1: Oh yeah, and that's not an easy fix their hair

614
00:36:40,520 --> 00:36:44,960
Speaker 1: from Carl Yeah, exactly. But it was the right choice

615
00:36:45,200 --> 00:36:49,160
Speaker 1: because it would have taken away from that insane choreography,

616
00:36:49,280 --> 00:36:51,960
Speaker 1: which I law.

617
00:36:52,560 --> 00:36:56,560
Speaker 2: This number, Are you joking? I was watching it and

618
00:36:56,560 --> 00:36:59,040
Speaker 2: it was I was probably so annoying. Austin was sitting

619
00:36:59,040 --> 00:37:02,720
Speaker 2: there with him like god gott Huldre shoulder.

620
00:37:03,960 --> 00:37:05,839
Speaker 1: I wanted to do that number so badly.

621
00:37:05,880 --> 00:37:08,359
Speaker 2: Me too. You and I were learning it fully.

622
00:37:08,239 --> 00:37:10,960
Speaker 1: We were learning it. I remember like Hannah dancing and

623
00:37:11,000 --> 00:37:13,400
Speaker 1: we were going backwards. It was so good.

624
00:37:13,280 --> 00:37:15,279
Speaker 2: That it was so they have their arms out, they

625
00:37:15,280 --> 00:37:16,680
Speaker 2: got out front into the sides and they.

626
00:37:16,560 --> 00:37:19,560
Speaker 1: Slap each other and then the one over the head.

627
00:37:19,680 --> 00:37:23,600
Speaker 2: Yes, lady sang. There was so much lazy stripper. There

628
00:37:23,680 --> 00:37:27,320
Speaker 2: was a shot of Lindy's when they cut the Vanessa

629
00:37:27,400 --> 00:37:31,520
Speaker 2: and she's doing full lazy stripper phase and it is incredible.

630
00:37:32,000 --> 00:37:34,360
Speaker 1: Oh, it was so good. It is one of my

631
00:37:34,480 --> 00:37:35,880
Speaker 1: It's one of my favorite numbers.

632
00:37:36,120 --> 00:37:38,200
Speaker 2: It's also one of the best mashups the show has

633
00:37:38,280 --> 00:37:38,799
Speaker 2: ever done.

634
00:37:40,000 --> 00:37:42,879
Speaker 1: So good, they sounded so good, and I just love

635
00:37:42,920 --> 00:37:45,080
Speaker 1: Amber and I together because it's so happy.

636
00:37:45,520 --> 00:37:49,000
Speaker 2: I mean, we need I'm sure there already is one,

637
00:37:49,040 --> 00:37:54,799
Speaker 2: but like a Mercedes Santana playlist or like an album, yes,

638
00:37:54,880 --> 00:37:58,200
Speaker 2: we need a compilation of that because the hits after hits,

639
00:37:58,239 --> 00:38:00,840
Speaker 2: there's nothing they don't touch that doesn't turn to gold.

640
00:38:01,880 --> 00:38:05,400
Speaker 1: You know, is mine river d this one? The rumor

641
00:38:05,480 --> 00:38:05,879
Speaker 1: has it.

642
00:38:05,840 --> 00:38:09,880
Speaker 2: Are you like what hits on hits on hits.

643
00:38:09,400 --> 00:38:11,200
Speaker 1: And then they just follow the ground. I was like,

644
00:38:11,400 --> 00:38:11,960
Speaker 1: just take me.

645
00:38:12,600 --> 00:38:14,719
Speaker 2: Yeah, Like, oh god, it was so good.

646
00:38:15,239 --> 00:38:16,080
Speaker 1: It was so good.

647
00:38:16,120 --> 00:38:17,200
Speaker 2: I think I'm going to watch it again.

648
00:38:17,239 --> 00:38:19,680
Speaker 1: After this. Forgot who won, and I was like, oh,

649
00:38:19,680 --> 00:38:20,280
Speaker 1: it's the Trouble.

650
00:38:20,680 --> 00:38:22,799
Speaker 2: Oh yeah, obviously that's who we were voted for.

651
00:38:24,480 --> 00:38:25,400
Speaker 1: You forget us.

652
00:38:26,600 --> 00:38:29,160
Speaker 2: It's so funny. I didn't remember the thing about the

653
00:38:29,160 --> 00:38:32,440
Speaker 2: hair because I was watching it and goes, what's happening

654
00:38:32,440 --> 00:38:35,439
Speaker 2: with Heather's hair? Was like, I don't know. I'm not sure.

655
00:38:35,560 --> 00:38:38,360
Speaker 1: It was a rush a rush mix, it was a

656
00:38:38,400 --> 00:38:38,839
Speaker 1: band aid.

657
00:38:39,280 --> 00:38:41,600
Speaker 2: Those days were hard. There were a lot of people.

658
00:38:41,680 --> 00:38:43,799
Speaker 2: We were all there. You were shooting all that in

659
00:38:43,920 --> 00:38:46,000
Speaker 2: a day so or two.

660
00:38:46,040 --> 00:38:48,120
Speaker 1: You're rushing. At least we were in our home turf.

661
00:38:48,760 --> 00:38:49,400
Speaker 2: That's true.

662
00:38:49,800 --> 00:38:53,279
Speaker 1: We don't have to go anywhere else would And then

663
00:38:53,360 --> 00:38:57,280
Speaker 1: we get in new directions. ABC.

664
00:38:57,840 --> 00:39:01,200
Speaker 2: Jenna, Jenna, you're gonna say, and you're gonna take this compliment.

665
00:39:02,920 --> 00:39:09,239
Speaker 2: You looked incredible and you sounded even better. Wow, you

666
00:39:09,320 --> 00:39:14,640
Speaker 2: sounded so good. Oh thanks, I like you were just like,

667
00:39:14,680 --> 00:39:18,280
Speaker 2: this is my moment. I'm going to nail it. She's ready.

668
00:39:18,560 --> 00:39:21,080
Speaker 2: All those other girls are out of here. Give me

669
00:39:21,120 --> 00:39:25,520
Speaker 2: this song and you showed up. You're like, Oh, I'm

670
00:39:25,560 --> 00:39:27,200
Speaker 2: going to act my ass off this episode, and I'm

671
00:39:27,200 --> 00:39:30,440
Speaker 2: also going to sing it too, Like can you keep

672
00:39:30,520 --> 00:39:30,880
Speaker 2: up with me?

673
00:39:31,360 --> 00:39:32,080
Speaker 1: That's very nice.

674
00:39:33,280 --> 00:39:34,040
Speaker 2: I loved it.

675
00:39:35,400 --> 00:39:37,880
Speaker 1: ABC. Seems like such a weird number to me, Like

676
00:39:37,920 --> 00:39:40,080
Speaker 1: it's not a song that I would naturally wanted to

677
00:39:40,360 --> 00:39:42,759
Speaker 1: like listen to on the rags, do you know what

678
00:39:42,800 --> 00:39:46,239
Speaker 1: I mean? Yeah, So it felt a little lackluster to

679
00:39:46,280 --> 00:39:50,000
Speaker 1: me as a so like one of Tina's few solos.

680
00:39:51,280 --> 00:39:52,520
Speaker 1: But my nieces love.

681
00:39:52,360 --> 00:39:56,320
Speaker 2: It, and I think in context with how it's being used,

682
00:39:56,360 --> 00:39:59,440
Speaker 2: it's really great. I also there's something about, though, like

683
00:39:59,520 --> 00:40:02,560
Speaker 2: your voice, like your energy on that song, because I

684
00:40:02,600 --> 00:40:05,120
Speaker 2: think growing up with it and hearing like Baby Michael

685
00:40:05,200 --> 00:40:07,520
Speaker 2: sing it, it's like, well, no one can do that.

686
00:40:08,120 --> 00:40:14,080
Speaker 2: It's so singular, totally anybody else doing it. It's it

687
00:40:14,719 --> 00:40:17,279
Speaker 2: sounds so dumb, but it sounds like a new song

688
00:40:17,320 --> 00:40:20,760
Speaker 2: in a way, because you can't do it little Michael

689
00:40:20,840 --> 00:40:24,960
Speaker 2: was doing. Yeah, and your voice is extremely different than his,

690
00:40:25,160 --> 00:40:28,800
Speaker 2: and it still works so well on it. Oh, thanks,

691
00:40:29,239 --> 00:40:29,920
Speaker 2: I'm a fan.

692
00:40:30,600 --> 00:40:36,319
Speaker 1: Thank you. I'm glad. This was one of the This

693
00:40:36,360 --> 00:40:38,719
Speaker 1: is one of the first times I remember working with Alexanders.

694
00:40:39,760 --> 00:40:43,640
Speaker 1: Really Alex did this number with yes, yeah, and so

695
00:40:43,680 --> 00:40:45,759
Speaker 1: this is one of my first because I hadn't saying

696
00:40:45,760 --> 00:40:48,719
Speaker 1: a time of this season, So this is one of

697
00:40:48,719 --> 00:40:51,800
Speaker 1: my first.

698
00:40:50,800 --> 00:40:54,960
Speaker 2: You know what, not that I doubted you, but you're

699
00:40:55,040 --> 00:41:00,480
Speaker 2: right because I think he did just pop in season

700
00:41:00,520 --> 00:41:04,000
Speaker 2: three heavily yes, And we hadn't sung a bunch.

701
00:41:03,840 --> 00:41:06,719
Speaker 1: Yet, so we were like, who is this new guy?

702
00:41:07,000 --> 00:41:08,920
Speaker 2: And he and if you listen to our interview with

703
00:41:08,960 --> 00:41:17,520
Speaker 2: Adam Anders's brother, Alex was very particular and meticulous. Oh yes,

704
00:41:17,600 --> 00:41:22,560
Speaker 2: we would all make jokes about it, but could he

705
00:41:22,640 --> 00:41:25,440
Speaker 2: get a vocal out of you could? But he got

706
00:41:25,440 --> 00:41:27,799
Speaker 2: a vocal out of all of us. Of us yes,

707
00:41:27,960 --> 00:41:31,359
Speaker 2: And the demo singers like mind stopped out a couple

708
00:41:31,400 --> 00:41:35,839
Speaker 2: of times. I think they also got harder, at least

709
00:41:35,840 --> 00:41:38,600
Speaker 2: on my end, and then we were matching those and

710
00:41:38,640 --> 00:41:41,680
Speaker 2: so we were all being pushed vocally and then you

711
00:41:41,719 --> 00:41:44,239
Speaker 2: have a vocal producer who's gonna make sure you're going

712
00:41:44,320 --> 00:41:46,560
Speaker 2: to hit those notes how the demo singer did it.

713
00:41:47,760 --> 00:41:49,600
Speaker 2: And so I think all these vocals from here on

714
00:41:49,680 --> 00:41:54,839
Speaker 2: out are really like growing and like this was not

715
00:41:54,880 --> 00:41:57,279
Speaker 2: your normal style of music that you would normally ever sing.

716
00:41:57,680 --> 00:42:00,319
Speaker 1: No, it wasn't. It wasn't and it was high.

717
00:42:01,680 --> 00:42:04,200
Speaker 2: Yeah, but I don't think you realize how high your

718
00:42:04,239 --> 00:42:08,479
Speaker 2: voice is when I first heard you sing that first

719
00:42:08,520 --> 00:42:12,160
Speaker 2: rehearsal before the pilot, And what did you sing?

720
00:42:15,120 --> 00:42:15,839
Speaker 1: What did I sing?

721
00:42:15,960 --> 00:42:17,960
Speaker 2: Amber sing? Respect? Do you sang a Broadway song?

722
00:42:18,360 --> 00:42:19,200
Speaker 1: If I were a bell?

723
00:42:19,760 --> 00:42:22,279
Speaker 2: Maybe the silent? I don't know, No, I think maybe

724
00:42:22,280 --> 00:42:23,640
Speaker 2: if I were something like that.

725
00:42:23,960 --> 00:42:25,360
Speaker 1: Well, if I were a bell was supposed to be

726
00:42:25,400 --> 00:42:29,120
Speaker 1: my audition song on the show because Tina was supposed

727
00:42:29,160 --> 00:42:31,000
Speaker 1: to be geeky, so she was going to sing if.

728
00:42:30,920 --> 00:42:32,560
Speaker 2: I were Is that a high song?

729
00:42:33,080 --> 00:42:33,480
Speaker 1: It is?

730
00:42:33,960 --> 00:42:36,680
Speaker 2: And okay, that was probably it because I just remember,

731
00:42:36,760 --> 00:42:39,560
Speaker 2: like she is hitting those notes and it looks easy.

732
00:42:40,400 --> 00:42:42,440
Speaker 2: That's funny, and your voice is so strong.

733
00:42:43,280 --> 00:42:46,200
Speaker 1: Oh yeah, I have voice. But anyway, this is not

734
00:42:46,360 --> 00:42:50,600
Speaker 1: the genre of my my my usual genre.

735
00:42:50,680 --> 00:42:52,440
Speaker 2: Yeah, but I there's one thing Alexanders is going to do.

736
00:42:52,520 --> 00:42:54,759
Speaker 2: It's going to get you to sing whatever genre you

737
00:42:54,840 --> 00:42:55,319
Speaker 2: need to do.

738
00:42:56,120 --> 00:42:58,120
Speaker 1: It's so true. I can hear his voice in my

739
00:42:58,239 --> 00:43:02,879
Speaker 1: ears right now. Scoop not be like hey, they say,

740
00:43:03,040 --> 00:43:04,279
Speaker 1: and he'll be like he'll do.

741
00:43:04,239 --> 00:43:07,400
Speaker 2: It, and yeah, you would see for you was helpful though, like,

742
00:43:07,480 --> 00:43:10,200
Speaker 2: damn it, I didn't they do that, And the amount

743
00:43:10,239 --> 00:43:11,600
Speaker 2: of times I yelled at him like yeah, but you're

744
00:43:11,640 --> 00:43:15,720
Speaker 2: not in here, like just do that, Like I can't

745
00:43:15,760 --> 00:43:16,080
Speaker 2: do it.

746
00:43:16,560 --> 00:43:18,080
Speaker 1: He would get a both A lot of us though.

747
00:43:18,560 --> 00:43:20,399
Speaker 1: That was fun to record, though, I remember, and it's

748
00:43:20,440 --> 00:43:23,200
Speaker 1: so fast. It's just so fast. To imagine doing a

749
00:43:23,200 --> 00:43:27,800
Speaker 1: song like that right for you'd imagine it takes hours.

750
00:43:27,880 --> 00:43:31,680
Speaker 1: It probably took forty five minutes because there's no time

751
00:43:31,760 --> 00:43:34,360
Speaker 1: for anything else. It's just hurry up and then I'll go,

752
00:43:34,400 --> 00:43:37,959
Speaker 1: We'll fly that, just keep going. It was. It's really

753
00:43:37,960 --> 00:43:40,600
Speaker 1: fun though, a fun number, A fun, fun number to do.

754
00:43:41,960 --> 00:43:46,080
Speaker 1: Tina was it was Tina's time to shine. Then we

755
00:43:46,160 --> 00:43:48,760
Speaker 1: have control, which you had said in the last episode,

756
00:43:48,840 --> 00:43:52,080
Speaker 1: makes much more sense now that with Quinn's storyline, because

757
00:43:52,160 --> 00:43:57,520
Speaker 1: it was fully Diana giving us that first intro. Yeah,

758
00:43:58,239 --> 00:43:59,879
Speaker 1: well what a number, what.

759
00:43:59,880 --> 00:44:01,960
Speaker 2: A weird song, what a number?

760
00:44:02,440 --> 00:44:04,840
Speaker 1: I didn't I don't know why I would have. I

761
00:44:05,040 --> 00:44:06,360
Speaker 1: never would have thought they would.

762
00:44:06,120 --> 00:44:08,239
Speaker 2: Have put that one in there, out of the whole

763
00:44:08,320 --> 00:44:15,120
Speaker 2: Janet catalog, that one. I mean, I think it's solely

764
00:44:15,200 --> 00:44:18,480
Speaker 2: because of that. It's just to have Diana have Quinn

765
00:44:19,280 --> 00:44:24,120
Speaker 2: do that. Talking intro at Shelby, and I.

766
00:44:24,040 --> 00:44:28,799
Speaker 1: Think it's like fit the adult model that we're talking.

767
00:44:28,480 --> 00:44:32,239
Speaker 2: About, right exactly. But I mean Janet's got one of

768
00:44:32,320 --> 00:44:37,440
Speaker 2: the most stacked catalog catalags, YEP catalogs and music history

769
00:44:38,280 --> 00:44:38,680
Speaker 2: like that.

770
00:44:38,680 --> 00:44:42,120
Speaker 1: That's that's the one. That was the one. But then

771
00:44:42,160 --> 00:44:47,960
Speaker 1: we get to Me and a Mirror, which also awesome,

772
00:44:48,480 --> 00:44:49,640
Speaker 1: sound great.

773
00:44:49,920 --> 00:44:52,400
Speaker 2: I was losing my mind for usual because of course

774
00:44:53,680 --> 00:44:56,640
Speaker 2: the demo singer for that one for me nice, so.

775
00:44:56,520 --> 00:44:59,080
Speaker 1: Though also this is a this is a meaningful one.

776
00:45:00,120 --> 00:45:04,399
Speaker 2: Yeah, and Storm, who did the demo for me, has

777
00:45:04,480 --> 00:45:09,600
Speaker 2: like the craziest, coolest, raspiest sort of Michael voice, and

778
00:45:09,680 --> 00:45:12,680
Speaker 2: so then I was like, I can't do this, like

779
00:45:12,800 --> 00:45:15,000
Speaker 2: how I was supposed to match him, like he sounded so

780
00:45:15,160 --> 00:45:21,319
Speaker 2: cool without trying to imitate Michael, right, But it was

781
00:45:21,400 --> 00:45:24,360
Speaker 2: just it was a lot of fun, and I remember

782
00:45:24,520 --> 00:45:28,000
Speaker 2: feeling like I won a small prize because when I

783
00:45:28,360 --> 00:45:33,799
Speaker 2: do the that was not in the demo and I

784
00:45:33,840 --> 00:45:36,840
Speaker 2: always just do that anyway, Yes you do, And I

785
00:45:36,920 --> 00:45:38,880
Speaker 2: did it in the booth and Alex was like, I

786
00:45:38,920 --> 00:45:41,240
Speaker 2: think I was, so I was going to record a line.

787
00:45:41,840 --> 00:45:44,439
Speaker 2: I did that as like a warm up the track

788
00:45:44,480 --> 00:45:46,480
Speaker 2: was already recording and I was doing something after it,

789
00:45:46,520 --> 00:45:48,360
Speaker 2: and I just did it to like get in the mode,

790
00:45:48,440 --> 00:45:50,520
Speaker 2: get in the mood of it. And he's like, oh,

791
00:45:50,640 --> 00:45:54,479
Speaker 2: let's keep that. I was like, oh, like he kept

792
00:45:54,480 --> 00:45:57,919
Speaker 2: something that wasn't already like predetermined.

793
00:45:57,320 --> 00:46:00,239
Speaker 1: It storms it says it was yours.

794
00:46:00,400 --> 00:46:03,640
Speaker 2: I remember we were shooting this and Amber was in

795
00:46:03,640 --> 00:46:08,040
Speaker 2: the audience and she ye. She's like, Kevin, you sound good.

796
00:46:08,239 --> 00:46:11,280
Speaker 2: And I was like, oh, thank you. She's like your pocket.

797
00:46:11,800 --> 00:46:14,839
Speaker 2: This is the best pocket you've ever had. Yeah, And

798
00:46:14,920 --> 00:46:17,480
Speaker 2: I was like, oh my god, Like it means so

799
00:46:17,600 --> 00:46:21,000
Speaker 2: much coming from the voice herself, Amber Riley truth and

800
00:46:21,040 --> 00:46:23,800
Speaker 2: like talking about something like the pocket. I was like, oh,

801
00:46:23,840 --> 00:46:25,840
Speaker 2: that means a lot to me, especially on a Michael's

802
00:46:25,840 --> 00:46:28,840
Speaker 2: song like thank you so much. And she said that

803
00:46:28,880 --> 00:46:30,239
Speaker 2: early on, like I think she heard it for the

804
00:46:30,239 --> 00:46:32,120
Speaker 2: first time, like after the first take and she said it,

805
00:46:32,080 --> 00:46:35,239
Speaker 2: and I was I was just filled with joy the

806
00:46:35,239 --> 00:46:36,880
Speaker 2: rest of the time we were filming it. I'm like,

807
00:46:37,239 --> 00:46:38,399
Speaker 2: I did something right.

808
00:46:38,920 --> 00:46:41,520
Speaker 1: It gives you a vocal compliment. She doesn't do it

809
00:46:41,600 --> 00:46:43,920
Speaker 1: unless she no. She said to me the other day

810
00:46:44,000 --> 00:46:46,279
Speaker 1: during Stick Smiths when I was recording some stuff. She goes,

811
00:46:46,560 --> 00:46:48,600
Speaker 1: I wouldn't say it if I didn't mean yes.

812
00:46:49,600 --> 00:46:52,200
Speaker 2: We actually side note, we were talking about your voice

813
00:46:52,440 --> 00:46:57,399
Speaker 2: as you're recording, and your voice now has the range

814
00:46:57,400 --> 00:47:00,919
Speaker 2: it's always had, but you have like this really cool

815
00:47:01,280 --> 00:47:03,800
Speaker 2: rasp like smokiness to it.

816
00:47:03,800 --> 00:47:04,840
Speaker 1: It's called me tired.

817
00:47:05,280 --> 00:47:09,080
Speaker 2: Yeah, but it is. It's good. It's really good.

818
00:47:10,760 --> 00:47:10,960
Speaker 1: Yeah.

819
00:47:10,960 --> 00:47:12,960
Speaker 2: I need you to because you need to let the

820
00:47:13,000 --> 00:47:15,279
Speaker 2: people know that your voice has gotten better.

821
00:47:15,760 --> 00:47:16,480
Speaker 1: John's tired.

822
00:47:17,360 --> 00:47:18,560
Speaker 2: Yeah, whatever it is, it's working.

823
00:47:18,840 --> 00:47:23,600
Speaker 1: Oh. Thanks, that's very nice. I take it. I'll take

824
00:47:23,640 --> 00:47:24,360
Speaker 1: it from both of you.

825
00:47:25,160 --> 00:47:27,360
Speaker 2: But these three numbers, that was like the most intricate

826
00:47:27,440 --> 00:47:29,080
Speaker 2: choreo we've ever done.

827
00:47:29,280 --> 00:47:33,000
Speaker 1: I am shocked that we all got that. I was thinking, like,

828
00:47:33,560 --> 00:47:34,960
Speaker 1: how were we doing this?

829
00:47:35,320 --> 00:47:38,840
Speaker 2: But were we? Though? Because there were a couple of shots,

830
00:47:38,880 --> 00:47:41,640
Speaker 2: I'm like, well, Corey didn't get that. Corey was great

831
00:47:42,040 --> 00:47:44,880
Speaker 2: most of the time. But you put Harry front and

832
00:47:44,920 --> 00:47:50,080
Speaker 2: center and to pull focus on purpose. This is very smartly.

833
00:47:49,920 --> 00:47:53,279
Speaker 1: Exactly not only is he part of a big part

834
00:47:53,280 --> 00:47:56,200
Speaker 1: of his storyline is that, but also just put Harry

835
00:47:56,239 --> 00:47:58,319
Speaker 1: in front distract the rest of us.

836
00:47:58,480 --> 00:48:02,319
Speaker 2: General that the reaction when his dad comes in and

837
00:48:02,480 --> 00:48:06,880
Speaker 2: you look and you're just like you just give this

838
00:48:06,960 --> 00:48:11,800
Speaker 2: little like whoops, and you keep going and you recover

839
00:48:12,480 --> 00:48:14,400
Speaker 2: and he looks at you as like the example of

840
00:48:14,400 --> 00:48:16,040
Speaker 2: like okay, keep going, the show must go on. And

841
00:48:16,080 --> 00:48:18,400
Speaker 2: it was so sweet.

842
00:48:18,920 --> 00:48:22,440
Speaker 1: Yeah. I remember we doing slower mark and Brad Beakers

843
00:48:22,480 --> 00:48:23,799
Speaker 1: like what did it? I was like, what are you

844
00:48:23,880 --> 00:48:26,279
Speaker 1: talking about? We're doing slow mo in this number. But

845
00:48:27,680 --> 00:48:28,799
Speaker 1: Brad Beaker always knew when.

846
00:48:28,680 --> 00:48:29,680
Speaker 2: He was talking. He had a vision.

847
00:48:29,840 --> 00:48:32,600
Speaker 1: Do what you do? What he said? Those really cool shots,

848
00:48:32,600 --> 00:48:34,040
Speaker 1: You're like what is this? He's like, this is a

849
00:48:34,120 --> 00:48:38,800
Speaker 1: rocket camera, Like what is that? He's the best. He

850
00:48:38,880 --> 00:48:41,480
Speaker 1: always got everything done Brad Beaker. At some point, I

851
00:48:41,480 --> 00:48:43,640
Speaker 1: don't know if it was this one or later in time,

852
00:48:44,000 --> 00:48:46,040
Speaker 1: he would come out with one of those whiteboards that

853
00:48:46,160 --> 00:48:49,719
Speaker 1: was like you do projects on the trifold ones. Yeah,

854
00:48:49,719 --> 00:48:52,279
Speaker 1: and he'd get every list of every shot you need

855
00:48:52,320 --> 00:48:54,439
Speaker 1: and then he would mark it off with a marker.

856
00:48:54,520 --> 00:48:56,840
Speaker 1: When you got it, it'd be like trouble time to

857
00:48:56,920 --> 00:48:59,080
Speaker 1: be seeing this seeing that, and he would just market

858
00:48:59,600 --> 00:49:06,360
Speaker 1: it was. Rad Beaker also would wear a wig. He

859
00:49:06,480 --> 00:49:08,600
Speaker 1: would bring the wig out when it was like a

860
00:49:08,680 --> 00:49:12,520
Speaker 1: night shoot or something like this to remind us that

861
00:49:13,200 --> 00:49:17,080
Speaker 1: to keep laughing and he did that on American Horror

862
00:49:17,080 --> 00:49:20,960
Speaker 1: Story as well. The Wig lived on good.

863
00:49:21,239 --> 00:49:24,200
Speaker 2: Yes, I'm so glad, especially on some of those sets

864
00:49:24,200 --> 00:49:27,160
Speaker 2: where you just need the days are long, you need

865
00:49:27,160 --> 00:49:28,200
Speaker 2: a little levity.

866
00:49:28,600 --> 00:49:35,960
Speaker 1: Yes, exactly, exactly, so all to say I think it's

867
00:49:36,000 --> 00:49:40,200
Speaker 1: a three way tie because wow, wow, wow, I think

868
00:49:40,200 --> 00:49:43,560
Speaker 1: this is one of the best competitions of the series,

869
00:49:44,400 --> 00:49:47,040
Speaker 1: which our producer Sam had said and I was like,

870
00:49:47,160 --> 00:49:49,799
Speaker 1: you're crazy. And then I watched her last night and

871
00:49:49,880 --> 00:49:53,480
Speaker 1: I was like, wow, these really slap. They all slap.

872
00:49:55,400 --> 00:49:56,399
Speaker 2: I've never heard you say.

873
00:49:56,680 --> 00:50:01,080
Speaker 1: Well, it's because I shouldn't say it ever again. They

874
00:50:01,200 --> 00:50:03,719
Speaker 1: just left so hard. There's nothing, no other words for it.

875
00:50:07,719 --> 00:50:11,200
Speaker 1: I was really moved by all of them.

876
00:50:11,400 --> 00:50:14,160
Speaker 2: It was so good, like I just wanted to I'm

877
00:50:14,239 --> 00:50:18,840
Speaker 2: now upset that, like we didn't like the competition. Episodes

878
00:50:18,880 --> 00:50:21,400
Speaker 2: weren't just forty minutes of competition.

879
00:50:21,960 --> 00:50:25,160
Speaker 1: Why not? Well, I do do paradise by the dashboard light,

880
00:50:25,200 --> 00:50:31,240
Speaker 1: which is forty minutes on its own. At some point, Yes.

881
00:50:31,160 --> 00:50:34,160
Speaker 2: I took a sip as you said that, and I

882
00:50:34,200 --> 00:50:36,120
Speaker 2: almost just did a spit tap.

883
00:50:36,200 --> 00:50:37,279
Speaker 1: Well, didn't like it.

884
00:50:37,960 --> 00:50:39,000
Speaker 2: I blacked out that day.

885
00:50:40,440 --> 00:50:46,400
Speaker 1: I actually the dust for light is actually I watched

886
00:50:46,400 --> 00:50:47,000
Speaker 1: it the other day.

887
00:50:47,040 --> 00:50:52,320
Speaker 2: By the way, this podcast has absolutely ruined my YouTube algorithm.

888
00:50:52,760 --> 00:50:57,000
Speaker 2: I'm I'm so screwed. If anybody comes over and like

889
00:50:57,040 --> 00:50:59,200
Speaker 2: on my YouTube on the TV, it's.

890
00:50:59,160 --> 00:51:02,040
Speaker 1: Justly yeah, I'm gonna watch Paradise by the Dash for

891
00:51:02,200 --> 00:51:07,279
Speaker 1: Light after this. I think the game now for me

892
00:51:07,400 --> 00:51:11,640
Speaker 1: is which which dresses do we wear with which performance?

893
00:51:11,640 --> 00:51:13,600
Speaker 1: Because that's always how I remember them.

894
00:51:14,000 --> 00:51:16,720
Speaker 2: Well, what's tricky is for this one, it wasn't the

895
00:51:16,800 --> 00:51:19,719
Speaker 2: last time we were all white for a competition. We

896
00:51:19,880 --> 00:51:21,680
Speaker 2: do it again in a couple of seasons.

897
00:51:23,480 --> 00:51:26,360
Speaker 1: There's only so many colors you can wear in a competition,

898
00:51:26,640 --> 00:51:30,640
Speaker 1: right anyway, So then we then we get to, uh,

899
00:51:30,920 --> 00:51:31,520
Speaker 1: we are young.

900
00:51:33,840 --> 00:51:34,759
Speaker 2: I forgot about it.

901
00:51:35,120 --> 00:51:37,719
Speaker 1: I remember record doing this number. I didn't record on

902
00:51:37,719 --> 00:51:43,200
Speaker 1: this vocally, but I didn't really know this band or song.

903
00:51:43,120 --> 00:51:47,520
Speaker 2: Yet nobody did. So this is so Adam said it

904
00:51:47,560 --> 00:51:50,880
Speaker 2: in his interview that he fought Ryan on this version

905
00:51:50,920 --> 00:51:55,200
Speaker 2: of it, right, and I guess or something. Yeah, but

906
00:51:55,239 --> 00:51:58,759
Speaker 2: the song had just come out and it was one

907
00:51:58,800 --> 00:52:01,160
Speaker 2: of those things where it got used in a commercial

908
00:52:03,160 --> 00:52:08,879
Speaker 2: and around the same time, but nobody knew this song

909
00:52:09,120 --> 00:52:11,880
Speaker 2: and so like the history of this song is is

910
00:52:11,920 --> 00:52:13,960
Speaker 2: that the placement on Glee and then the placement in

911
00:52:14,000 --> 00:52:16,880
Speaker 2: the commercial blew the song up to be the biggest

912
00:52:16,920 --> 00:52:21,800
Speaker 2: song in the country. And we didn't do that often,

913
00:52:23,200 --> 00:52:25,600
Speaker 2: especially like we did that with songs that were already

914
00:52:25,680 --> 00:52:28,080
Speaker 2: previously big, like don't Stop Believing it was already a

915
00:52:28,080 --> 00:52:29,719
Speaker 2: gigantic song in its own right.

916
00:52:30,320 --> 00:52:33,560
Speaker 1: We were so discovering songs in any way.

917
00:52:33,640 --> 00:52:38,880
Speaker 2: Right, And so this song was sort of the first

918
00:52:39,480 --> 00:52:42,799
Speaker 2: and maybe the last time we ever really broke a

919
00:52:42,920 --> 00:52:45,480
Speaker 2: song like that. Not solely I'm not saying I'm not

920
00:52:45,520 --> 00:52:49,160
Speaker 2: claiming soul responsibility on behalf of Glee, but it was

921
00:52:49,640 --> 00:52:54,080
Speaker 2: this weird thing because then it did extremely well on iTunes.

922
00:52:54,800 --> 00:52:58,200
Speaker 2: And also it was such Adam was right, like the

923
00:52:58,760 --> 00:53:04,480
Speaker 2: arrangement was rate, how everybody was layered into it, like

924
00:53:04,560 --> 00:53:07,120
Speaker 2: how the parts were divvied up. It would just worked

925
00:53:07,120 --> 00:53:11,080
Speaker 2: really well. Everyone sounded so good and talk about having

926
00:53:11,120 --> 00:53:11,920
Speaker 2: no choreography.

927
00:53:13,080 --> 00:53:17,200
Speaker 1: Literally it felt very dog Days to me. Oh, the

928
00:53:17,280 --> 00:53:19,640
Speaker 1: way we were shot and the way we were kind

929
00:53:19,680 --> 00:53:21,799
Speaker 1: of like just having fun with it and then having

930
00:53:21,840 --> 00:53:24,360
Speaker 1: the trouble tons come in you get that emotional, you

931
00:53:24,400 --> 00:53:28,560
Speaker 1: know element, and then Santana and Rachel getting Santana. It's

932
00:53:28,640 --> 00:53:31,239
Speaker 1: like it was all just it all just came the

933
00:53:31,560 --> 00:53:32,440
Speaker 1: f together.

934
00:53:33,239 --> 00:53:36,200
Speaker 2: I really like these numbers, especially if you have an

935
00:53:36,239 --> 00:53:38,160
Speaker 2: episode that has a lot of choreo in it and

936
00:53:38,200 --> 00:53:43,279
Speaker 2: then you have all of these emotional slash celebratory just

937
00:53:43,320 --> 00:53:44,600
Speaker 2: like kids being kids.

938
00:53:45,040 --> 00:53:47,239
Speaker 1: You know. This one reminds me of also is a

939
00:53:47,360 --> 00:53:49,960
Speaker 1: number one Teagan in Sarah when we did Teake in Sarah,

940
00:53:50,200 --> 00:53:52,839
Speaker 1: and then also when we did This is the New Year. Yeah,

941
00:53:53,760 --> 00:53:55,840
Speaker 1: very similar.

942
00:53:55,640 --> 00:53:59,359
Speaker 2: Vibe, and they felt weird to shoot totally, but I

943
00:53:59,400 --> 00:54:03,280
Speaker 2: think they were so effective on on camera.

944
00:54:03,480 --> 00:54:05,680
Speaker 1: I could watch this episode over and over again. How

945
00:54:05,680 --> 00:54:07,360
Speaker 1: one are my favorites of the series.

946
00:54:07,480 --> 00:54:09,680
Speaker 2: How did this? How did all this music fit in

947
00:54:09,680 --> 00:54:13,680
Speaker 2: this episode? Because there also was so much story. I

948
00:54:13,680 --> 00:54:16,360
Speaker 2: am so confused. This is like that problem you know

949
00:54:16,400 --> 00:54:21,680
Speaker 2: when people say, like, explain to me how my car

950
00:54:22,800 --> 00:54:25,480
Speaker 2: can take up an entire lane, but also a double

951
00:54:25,520 --> 00:54:29,520
Speaker 2: decker bus fits within the same lane, and you're like,

952
00:54:29,600 --> 00:54:32,359
Speaker 2: I don't understand that math. I don't understand the math

953
00:54:32,400 --> 00:54:35,120
Speaker 2: of all this music fitting in because it felt like

954
00:54:35,160 --> 00:54:39,640
Speaker 2: it was those scenes were short. I guess they were.

955
00:54:40,360 --> 00:54:43,000
Speaker 2: Sam did get recruited very quickly and back into the

956
00:54:43,080 --> 00:54:44,960
Speaker 2: lead club within seconds exactly.

957
00:54:45,360 --> 00:54:48,879
Speaker 1: The scenes were short, but they were they were all

958
00:54:49,040 --> 00:54:49,759
Speaker 1: very effective.

959
00:54:50,320 --> 00:54:53,040
Speaker 2: Economic I guess is the word. The scenes were economic.

960
00:54:53,480 --> 00:55:03,560
Speaker 1: Totally. Yeah, these performances were so good, so so good.

961
00:55:04,400 --> 00:55:07,840
Speaker 1: That's the episode, folks, we got to do tarty takes.

962
00:55:08,040 --> 00:55:09,279
Speaker 2: Okay, let's do it.

963
00:55:09,360 --> 00:55:12,800
Speaker 1: Honestly after an episode of Cringe. Last episode of Cringe.

964
00:55:12,840 --> 00:55:14,600
Speaker 1: There's not so many which I appreciate.

965
00:55:16,000 --> 00:55:20,120
Speaker 2: I mean, there was the there were a couple of

966
00:55:20,120 --> 00:55:21,799
Speaker 2: references to like homelessness that I was.

967
00:55:21,800 --> 00:55:27,040
Speaker 1: Like, right, right, right, okay, we'll go with those. Yeah,

968
00:55:27,640 --> 00:55:29,640
Speaker 1: I can't think of any others. I'm sure there were

969
00:55:29,680 --> 00:55:35,120
Speaker 1: some best Oh god, Windy City, I mean.

970
00:55:37,000 --> 00:55:44,400
Speaker 2: Yeah, yeah, trouble Tones. It's specifically the the I have

971
00:55:44,440 --> 00:55:46,040
Speaker 2: to stand up to do it and show you Jenna.

972
00:55:46,440 --> 00:55:51,440
Speaker 1: This, this, this, this thing. Oh, I like this the

973
00:55:51,480 --> 00:55:55,640
Speaker 1: one where they do.

974
00:55:56,120 --> 00:56:05,000
Speaker 2: It's like what it feels like, it's like young white

975
00:56:05,000 --> 00:56:07,759
Speaker 2: girls seeing a drag queen for the first time, or

976
00:56:07,760 --> 00:56:11,600
Speaker 2: like I was just gonna It's cut to Vanessa Hudgens

977
00:56:11,600 --> 00:56:17,759
Speaker 2: saying I'm really into voguing right now. Best song I

978
00:56:17,760 --> 00:56:19,440
Speaker 2: think I will survive as well. I think we are

979
00:56:19,440 --> 00:56:20,360
Speaker 2: Young is great?

980
00:56:21,120 --> 00:56:24,479
Speaker 1: Oh, I like we're young but I think, yeah, I.

981
00:56:24,400 --> 00:56:27,040
Speaker 2: Think so too, just like that's what I'm listening to, That's.

982
00:56:26,880 --> 00:56:34,200
Speaker 1: What i'll yeah, yeah, yeah, totally prop theth Notebook.

983
00:56:35,520 --> 00:56:38,279
Speaker 2: I think the Notebook did a lot. I love, like,

984
00:56:38,360 --> 00:56:39,879
Speaker 2: why does Santanna have a notebook of joke?

985
00:56:39,960 --> 00:56:40,920
Speaker 1: She held it with you.

986
00:56:44,560 --> 00:56:49,400
Speaker 2: I love that Santana has a joke book because that

987
00:56:49,560 --> 00:56:53,280
Speaker 2: makes sense. She always has so much material.

988
00:56:53,640 --> 00:56:54,680
Speaker 1: We'll ever see it again.

989
00:56:55,040 --> 00:56:55,919
Speaker 2: That's the funny part.

990
00:56:57,520 --> 00:57:00,920
Speaker 1: Best line the speech.

991
00:57:01,160 --> 00:57:03,600
Speaker 2: Yeah, there are a lot of great one liners. But

992
00:57:04,080 --> 00:57:07,319
Speaker 2: I did love when Kurt was like I don't like

993
00:57:07,400 --> 00:57:13,680
Speaker 2: you in the Grant was like, oh great, I don't

994
00:57:13,719 --> 00:57:14,240
Speaker 2: like you either.

995
00:57:15,719 --> 00:57:19,160
Speaker 1: Grant's good. Go with those one liners. Yeah, fashion gets.

996
00:57:19,880 --> 00:57:22,920
Speaker 2: I will say Grant is the nicest, friendliest person, right,

997
00:57:22,960 --> 00:57:24,840
Speaker 2: and I've said it before, and like watching him in

998
00:57:24,880 --> 00:57:29,720
Speaker 2: these episodes where he's awful and like me is really disconcerting.

999
00:57:31,040 --> 00:57:33,560
Speaker 2: Oh well yeah it is. Obviously Grant is super sexy.

1000
00:57:34,040 --> 00:57:34,720
Speaker 2: Don't you tell me?

1001
00:57:37,880 --> 00:57:38,760
Speaker 1: Performance MVP.

1002
00:57:39,640 --> 00:57:45,479
Speaker 2: Oh god, Jenna, Jenna, I think it's your week.

1003
00:57:46,920 --> 00:57:49,680
Speaker 1: What I think?

1004
00:57:51,080 --> 00:57:53,640
Speaker 2: No, I think you're the m v P this week. Jenna.

1005
00:57:54,280 --> 00:57:57,720
Speaker 2: You were acting, you were dancing, you were singing, you

1006
00:57:57,720 --> 00:58:01,520
Speaker 2: were smiling, you were power you were standing in your power.

1007
00:58:04,120 --> 00:58:06,200
Speaker 2: I think it's you, Jenna. Whatever you want to say,

1008
00:58:06,640 --> 00:58:07,560
Speaker 2: that's what I want to say.

1009
00:58:07,800 --> 00:58:08,880
Speaker 1: Okay, I'll take it.

1010
00:58:08,920 --> 00:58:11,160
Speaker 2: Thank you, Jenna is Reday.

1011
00:58:12,480 --> 00:58:14,440
Speaker 1: I don't think Tina would ever get performance.

1012
00:58:14,760 --> 00:58:17,080
Speaker 2: You did it. You did, Queen Tina.

1013
00:58:17,240 --> 00:58:18,840
Speaker 1: There's maybe one episode that you get.

1014
00:58:20,480 --> 00:58:22,680
Speaker 2: This is it. This is one of them.

1015
00:58:23,040 --> 00:58:23,760
Speaker 1: I'll enjoy it.

1016
00:58:23,960 --> 00:58:35,960
Speaker 2: There's going to be more. Ship we found on TikTok.

1017
00:58:37,480 --> 00:58:41,840
Speaker 2: I don't know what this is. It is so weird.

1018
00:58:42,040 --> 00:58:49,040
Speaker 2: I had never seen it before. Abcz on TikTok posted

1019
00:58:49,080 --> 00:58:52,320
Speaker 2: this and it said shows you forgot about and it's

1020
00:58:52,320 --> 00:58:59,560
Speaker 2: called You're Skidding Me and it's a skit about Glee

1021
00:59:00,040 --> 00:59:04,760
Speaker 2: and there's people playing all of us. And I'm so

1022
00:59:04,960 --> 00:59:06,960
Speaker 2: confused by this.

1023
00:59:08,000 --> 00:59:12,160
Speaker 1: Okay, it seems like to me, they say the teacher's

1024
00:59:12,160 --> 00:59:13,600
Speaker 1: fifteen meets minutes.

1025
00:59:13,880 --> 00:59:16,800
Speaker 2: Yeah, we really go home and they break into song.

1026
00:59:17,120 --> 00:59:19,479
Speaker 1: Do they do that every week where the teacher is late?

1027
00:59:19,760 --> 00:59:21,640
Speaker 1: Everything here? And then they do another.

1028
00:59:21,360 --> 00:59:25,680
Speaker 2: Show and it must be like, what is this show?

1029
00:59:26,200 --> 00:59:29,560
Speaker 1: It feels like a skit on they do one every

1030
00:59:29,600 --> 00:59:32,480
Speaker 1: week and then there's different flat parodies.

1031
00:59:34,040 --> 00:59:35,360
Speaker 2: I mean, and it's very accurate.

1032
00:59:36,440 --> 00:59:42,520
Speaker 1: Wow, this is it is very accurate. Wow, all right,

1033
00:59:42,840 --> 00:59:45,840
Speaker 1: isn't it crazy? This is Just check it out and

1034
00:59:45,920 --> 00:59:46,680
Speaker 1: let us know what you guys do.

1035
00:59:46,920 --> 00:59:48,440
Speaker 2: I feel like I'm in the Twilight Zone.

1036
00:59:48,560 --> 00:59:51,560
Speaker 1: Kooky aby sees OUs.

1037
00:59:52,160 --> 00:59:58,000
Speaker 2: Yeah, I mean check it out. I love that there

1038
00:59:58,040 --> 01:00:01,040
Speaker 2: are like they must do incredible sketches.

1039
01:00:01,080 --> 01:00:02,640
Speaker 1: Now you need to go Australian show.

1040
01:00:02,960 --> 01:00:07,560
Speaker 2: Yeah, so I mean, how did we not know about this?

1041
01:00:07,680 --> 01:00:09,880
Speaker 1: Well? We love those Aussies, so yeah.

1042
01:00:09,720 --> 01:00:10,200
Speaker 2: We sure do.

1043
01:00:10,680 --> 01:00:11,200
Speaker 1: So nice?

1044
01:00:12,080 --> 01:00:17,760
Speaker 2: This is crazy wild. Wow, I feel like I'm going insane.

1045
01:00:18,000 --> 01:00:19,439
Speaker 1: Okay you are.

1046
01:00:20,880 --> 01:00:24,920
Speaker 2: I can't watch it anymore, you can't do it? Okay.

1047
01:00:25,000 --> 01:00:29,760
Speaker 2: Next week we have Extraordinary Merry Christmas, which has all

1048
01:00:29,760 --> 01:00:31,640
Speaker 2: I want for Christmas is you and it? So you know,

1049
01:00:32,080 --> 01:00:36,600
Speaker 2: oh Jenna has do they know it's Christmas? I'm ready.

1050
01:00:36,680 --> 01:00:37,840
Speaker 2: I'm ready to spill secrets.

1051
01:00:37,880 --> 01:00:41,520
Speaker 1: I have photos, I have memory. You're gonna spill more

1052
01:00:41,520 --> 01:00:43,800
Speaker 1: secrets than I because you have more memories of this

1053
01:00:43,840 --> 01:00:47,880
Speaker 1: than I do. But I gotta watch it because who knows? Okay,

1054
01:00:47,960 --> 01:00:50,440
Speaker 1: thanks for joining us for a whole on sixteen. Really

1055
01:00:50,520 --> 01:00:52,640
Speaker 1: enjoyed this episode. Hope you guys enjoyed it as much

1056
01:00:52,680 --> 01:00:53,000
Speaker 1: as we do.

1057
01:00:53,200 --> 01:00:56,200
Speaker 2: And that's what you really miss. Thanks for listening and

1058
01:00:56,320 --> 01:00:58,919
Speaker 2: follow us on Instagram at and that's what you really

1059
01:00:58,960 --> 01:01:01,080
Speaker 2: miss pod. Make sure to write us a review and

1060
01:01:01,240 --> 01:01:03,160
Speaker 2: leave us five stars. See you next time.