1 00:00:03,720 --> 00:00:06,680 Speaker 1: Hey, this is Annie and Samantha, and you're listening to 2 00:00:06,720 --> 00:00:09,240 Speaker 1: stuff I've never told you, a production of I Heart Radios. 3 00:00:09,280 --> 00:00:21,880 Speaker 1: How stuff First. Anna Sorkin, perhaps better known as Anna Delby, 4 00:00:22,680 --> 00:00:26,720 Speaker 1: has recently been back in the news. She was sentenced 5 00:00:26,720 --> 00:00:29,200 Speaker 1: in a New York court to four to twelve years 6 00:00:29,200 --> 00:00:33,760 Speaker 1: in prison on a handful of fraud charges. She rejected 7 00:00:33,800 --> 00:00:35,640 Speaker 1: a plea deal that could have gotten her out of 8 00:00:35,720 --> 00:00:38,640 Speaker 1: jail early if she voluntarily returned to Germany, would have 9 00:00:38,640 --> 00:00:42,680 Speaker 1: gotten her out of jail really um And in her remarks, 10 00:00:43,280 --> 00:00:46,360 Speaker 1: Anna Delvie said, I'd be lying to you and to 11 00:00:46,479 --> 00:00:49,239 Speaker 1: everyone else and to myself if I said I was 12 00:00:49,280 --> 00:00:53,760 Speaker 1: sorry for anything. And also I was power hungry. I'm 13 00:00:53,800 --> 00:00:58,160 Speaker 1: not a good person. Yeah, this is real Game of Thrones. 14 00:00:59,360 --> 00:01:05,840 Speaker 1: Whare Yeah? And I think last summer um past Co 15 00:01:06,040 --> 00:01:09,800 Speaker 1: it was Bridget She loves scammers. She loves a good 16 00:01:09,880 --> 00:01:13,520 Speaker 1: scam queen, and she was so excited to talk about 17 00:01:13,560 --> 00:01:15,600 Speaker 1: this and I was kind of about at a loop 18 00:01:15,640 --> 00:01:17,680 Speaker 1: and I enjoyed. I enjoyed learned about it. But that's 19 00:01:17,760 --> 00:01:21,880 Speaker 1: that's that's the thing, is why do we like scam queen. 20 00:01:22,080 --> 00:01:24,080 Speaker 1: At the same time, she also said I'm not sorry, 21 00:01:24,240 --> 00:01:27,039 Speaker 1: and I'd do it again. She did. I I'm not 22 00:01:27,040 --> 00:01:31,080 Speaker 1: gonna lie. That's just baller. I don't know what else 23 00:01:31,120 --> 00:01:34,240 Speaker 1: to say. I'm like, yeah, Okay, he owns it, she 24 00:01:34,360 --> 00:01:38,240 Speaker 1: runs with it. She don't do her she is she is. 25 00:01:39,280 --> 00:01:42,280 Speaker 1: So we thought we would rerun this, this classic episode 26 00:01:42,319 --> 00:01:49,840 Speaker 1: on Anna Telvi. We hope you enjoy. Hey, this is 27 00:01:49,880 --> 00:01:52,760 Speaker 1: Bridget and this is Annie, and you're listening to stuff 28 00:01:52,760 --> 00:02:06,840 Speaker 1: mom never told you. Now today, I'm pretty happy to 29 00:02:06,880 --> 00:02:09,600 Speaker 1: talk about this topic. Um. This is a topic that 30 00:02:10,120 --> 00:02:13,520 Speaker 1: kind of came on my radar on social media, specifically Twitter, 31 00:02:14,040 --> 00:02:16,320 Speaker 1: and I was kind of obsessed with it. And then 32 00:02:16,360 --> 00:02:18,360 Speaker 1: I was so pleased when a few people wrote in 33 00:02:18,440 --> 00:02:20,880 Speaker 1: asking for us to do an episode on it. And 34 00:02:20,880 --> 00:02:27,720 Speaker 1: that topic is scam Queen Anna Delvy. Yes, Bridget was very, 35 00:02:27,800 --> 00:02:31,600 Speaker 1: very very excited to talk about this um and I 36 00:02:31,600 --> 00:02:34,960 Speaker 1: I kind of have read a little bit about it, 37 00:02:35,000 --> 00:02:38,800 Speaker 1: and I'm excited because Bridget is excited, So I hope 38 00:02:38,800 --> 00:02:43,560 Speaker 1: that everyone is kind of excited to learn about this. Yeah, scammers, 39 00:02:43,639 --> 00:02:48,000 Speaker 1: famous scammers are like my fan fiction. Yeah, yeah, pretty much. 40 00:02:48,400 --> 00:02:51,720 Speaker 1: You know you should find fan fiction about famous scammers. 41 00:02:51,919 --> 00:02:53,440 Speaker 1: I would that would make me too happy. I would 42 00:02:53,440 --> 00:02:55,840 Speaker 1: die of happiness. It's a good way to go, though. 43 00:02:56,360 --> 00:02:58,800 Speaker 1: It is a good way reading about reading in depth 44 00:02:58,880 --> 00:03:01,760 Speaker 1: a like fan fiction about scammers, I would die with 45 00:03:01,800 --> 00:03:04,320 Speaker 1: a smile on my face. So one thing that people, 46 00:03:04,400 --> 00:03:06,320 Speaker 1: if you listen to this show, you probably already know 47 00:03:06,360 --> 00:03:10,040 Speaker 1: about me, which is that I have a love of 48 00:03:10,160 --> 00:03:13,600 Speaker 1: things that are kind of problematic. Um I like, you know, 49 00:03:13,639 --> 00:03:16,600 Speaker 1: we have that series specifically on problematic Phase that I 50 00:03:16,639 --> 00:03:20,280 Speaker 1: was excited to do because I love so many people 51 00:03:20,440 --> 00:03:24,960 Speaker 1: and things that are problematic. Um. I love Tanya Harding, 52 00:03:25,240 --> 00:03:28,639 Speaker 1: I love bad movies and bad TV. And one of 53 00:03:28,680 --> 00:03:32,040 Speaker 1: the things on that list of problematic, kind of messed 54 00:03:32,080 --> 00:03:34,000 Speaker 1: up things that I kind of can't get enough of 55 00:03:34,240 --> 00:03:39,000 Speaker 1: is scammers. You know, I've always been fascinated by people 56 00:03:39,040 --> 00:03:41,440 Speaker 1: who pretend to be something they're not. And you know, 57 00:03:41,480 --> 00:03:44,360 Speaker 1: I think one of the reasons why we kind of 58 00:03:44,840 --> 00:03:47,400 Speaker 1: myself personally but as a culture, why I think that 59 00:03:47,440 --> 00:03:51,200 Speaker 1: we're so interested in scammers, it's because, you know, you 60 00:03:51,320 --> 00:03:53,840 Speaker 1: make so many people that come off as confident, they 61 00:03:53,880 --> 00:03:55,760 Speaker 1: come off like they know exactly what they're doing, and 62 00:03:55,760 --> 00:03:58,080 Speaker 1: they you're very good at, you know, that authentic veneer 63 00:03:58,160 --> 00:04:00,800 Speaker 1: of who they are, and then you find out, Oh, 64 00:04:00,880 --> 00:04:04,560 Speaker 1: that's all an act. Actually, there's a scammer, Like they're 65 00:04:04,600 --> 00:04:07,000 Speaker 1: scamming me right now. And I think that there's something 66 00:04:07,080 --> 00:04:09,200 Speaker 1: in that. You know, part of me feels like we 67 00:04:09,280 --> 00:04:12,560 Speaker 1: all sort of feel like we're scamming on some level, 68 00:04:12,800 --> 00:04:15,480 Speaker 1: and that when you meet somebody who is has bold 69 00:04:15,520 --> 00:04:19,040 Speaker 1: face perfected that scam, it's almost sort of even though 70 00:04:19,080 --> 00:04:21,919 Speaker 1: they're doing something awful, at least for me, you almost 71 00:04:22,000 --> 00:04:24,880 Speaker 1: kind of have to respect it. Yeah, and you are 72 00:04:24,960 --> 00:04:28,320 Speaker 1: not the only one who feels that way, Bridget clearly, 73 00:04:28,360 --> 00:04:32,520 Speaker 1: because we have found some research into it. But um, 74 00:04:32,920 --> 00:04:35,440 Speaker 1: why why do you think as a culture we are 75 00:04:35,480 --> 00:04:39,640 Speaker 1: so into this? Well, it's funny. Over at The New Yorker, 76 00:04:40,040 --> 00:04:44,320 Speaker 1: writer Gia Tolentino has this great theory that they kind 77 00:04:44,320 --> 00:04:47,880 Speaker 1: of our fascination with scammers kind of comes in seasons, 78 00:04:47,880 --> 00:04:51,159 Speaker 1: and she calls it grifter season. She writes, Grifters season 79 00:04:51,240 --> 00:04:54,320 Speaker 1: comes a regularly, but it often comes in America, which 80 00:04:54,320 --> 00:04:57,560 Speaker 1: is built around mythologies of profit and reinvention and spectacular 81 00:04:57,600 --> 00:05:00,839 Speaker 1: ascent the shady, audacious figures, and it's center exists on 82 00:05:00,839 --> 00:05:04,240 Speaker 1: a spectrum from folk hero to disgrace. The season begins 83 00:05:04,240 --> 00:05:06,800 Speaker 1: when the public catches onto some series of scammers of 84 00:05:06,839 --> 00:05:09,760 Speaker 1: a particularly appealing sort, the kind that provoked both shod 85 00:05:09,760 --> 00:05:13,279 Speaker 1: In freuda and admiration. And I think that really kind 86 00:05:13,279 --> 00:05:18,440 Speaker 1: of nails my sort of love hate relationship with scammers, 87 00:05:18,440 --> 00:05:22,240 Speaker 1: because on the one hand, it's disgraceful somebody somebody scamming 88 00:05:22,279 --> 00:05:25,640 Speaker 1: somebody else out of money, you know, abusing their trust. 89 00:05:25,680 --> 00:05:29,200 Speaker 1: All of that is disgraceful, but it's difficult to sort 90 00:05:29,240 --> 00:05:34,720 Speaker 1: of not respect a certain level of boldness of scams. 91 00:05:34,720 --> 00:05:37,440 Speaker 1: Like there's this meme that was kind of popular, maybe 92 00:05:37,480 --> 00:05:40,719 Speaker 1: like a year or two ago, Joanne the Scammer. It's 93 00:05:40,760 --> 00:05:43,839 Speaker 1: an alter ego of a of a comedian where he's 94 00:05:43,880 --> 00:05:47,440 Speaker 1: pretending to be this scammer who was always running scams 95 00:05:47,440 --> 00:05:49,680 Speaker 1: on people and coming up with sort of little witticisms 96 00:05:49,720 --> 00:05:53,320 Speaker 1: about scams, things like, you know, scam today before today, 97 00:05:53,400 --> 00:05:55,640 Speaker 1: scams you. I think it's a couple of things. I 98 00:05:55,720 --> 00:06:00,520 Speaker 1: think it's a fascination with scamming in general. But I 99 00:06:00,520 --> 00:06:02,800 Speaker 1: also think when it's a woman, I do think there's 100 00:06:02,800 --> 00:06:05,200 Speaker 1: a little bit of an anti heroin thing happening where 101 00:06:05,560 --> 00:06:10,240 Speaker 1: we so often expect women to be, you know, good 102 00:06:10,279 --> 00:06:13,520 Speaker 1: and trustworthy, and when we think about scammers or criminals. 103 00:06:13,520 --> 00:06:15,599 Speaker 1: We think about men, but then when a woman is 104 00:06:15,600 --> 00:06:18,600 Speaker 1: doing the scamming, I think she almost there's almost this 105 00:06:18,680 --> 00:06:22,120 Speaker 1: inclination to lift her up as an anti hero. Yeah, yeah, 106 00:06:22,160 --> 00:06:24,039 Speaker 1: I can see that for sure, and I think that's 107 00:06:24,040 --> 00:06:27,440 Speaker 1: something we do see in our media and entertainment. And 108 00:06:28,040 --> 00:06:31,640 Speaker 1: another reason that in culturally we might have this this 109 00:06:31,720 --> 00:06:35,400 Speaker 1: kind of love and respect of scammers is that scammers 110 00:06:35,440 --> 00:06:39,400 Speaker 1: thrive in times of cultural unrest or unease. The writer 111 00:06:39,480 --> 00:06:42,640 Speaker 1: Bridget mentioned before Gia Tolentino. In her piece, he uses 112 00:06:42,680 --> 00:06:46,400 Speaker 1: a quote from Maria ConA Cova from her book The 113 00:06:46,440 --> 00:06:51,279 Speaker 1: Confidence Game. Cons thrive in times of transition, and the 114 00:06:51,400 --> 00:06:54,400 Speaker 1: term confidence man was coined in eighteen forty nine by 115 00:06:54,400 --> 00:06:57,279 Speaker 1: the New York Herald and pieces about a bumbling scammer 116 00:06:57,279 --> 00:06:59,960 Speaker 1: who would ask strangers in the street, have you come? 117 00:07:00,000 --> 00:07:01,880 Speaker 1: And it's in me to trust me with your watch 118 00:07:01,920 --> 00:07:06,599 Speaker 1: until tomorrow? No, I hope not. At that point in 119 00:07:06,640 --> 00:07:09,720 Speaker 1: American history, the gold Rush was producing a swarm of 120 00:07:09,760 --> 00:07:13,800 Speaker 1: swindlers in California, and free banking was enabling wildcat banks 121 00:07:13,800 --> 00:07:18,560 Speaker 1: and counterfeiters to circulate worthless bills. Scammers love nothing better. 122 00:07:18,720 --> 00:07:22,240 Speaker 1: ConA Covia notes than quote exporting the sense of unease 123 00:07:22,320 --> 00:07:24,480 Speaker 1: we feel when it appears that the world as we 124 00:07:24,560 --> 00:07:28,600 Speaker 1: know it is about to change, which it does make 125 00:07:28,640 --> 00:07:31,400 Speaker 1: complete sense that that's the time when you would want 126 00:07:31,480 --> 00:07:36,320 Speaker 1: to kind of play on people's in securities and unease. Yeah, 127 00:07:36,360 --> 00:07:38,440 Speaker 1: and we are for sure in the middle of a 128 00:07:38,480 --> 00:07:42,880 Speaker 1: moment of cultural and social and political unease. Goes on terray. 129 00:07:42,880 --> 00:07:45,640 Speaker 1: One gets the sense that these days at such unease 130 00:07:45,720 --> 00:07:48,920 Speaker 1: may become constant. The entire globe is getting hotter, market 131 00:07:48,920 --> 00:07:52,360 Speaker 1: pressures are accelerating, technology is advancing at a dizzying rate. 132 00:07:52,560 --> 00:07:54,960 Speaker 1: At some point between the Great Recession which began in 133 00:07:55,000 --> 00:07:58,800 Speaker 1: two thousand and eight and the terrible election, of scamming 134 00:07:58,880 --> 00:08:01,560 Speaker 1: seems to have become the dominent logic of American life. 135 00:08:01,760 --> 00:08:04,120 Speaker 1: The things that people have historically used to build non 136 00:08:04,160 --> 00:08:08,280 Speaker 1: scammy lives in this country, housing, higher education had deteriorated 137 00:08:08,320 --> 00:08:10,040 Speaker 1: to the point where they are likely to punish you 138 00:08:10,080 --> 00:08:13,600 Speaker 1: if you're not already wealthy. The bankers pushing reverse mortgages, 139 00:08:13,960 --> 00:08:17,080 Speaker 1: the recruiters at for profit colleges, and the many startup 140 00:08:17,080 --> 00:08:20,360 Speaker 1: founders hoping to take massive investor back losses until they 141 00:08:20,360 --> 00:08:23,160 Speaker 1: eradicate the rest of the market understand the world better 142 00:08:23,200 --> 00:08:25,120 Speaker 1: than we do. That's part of the reason they're so 143 00:08:25,240 --> 00:08:28,360 Speaker 1: riveting down to the last details. Scammers show us the 144 00:08:28,400 --> 00:08:32,240 Speaker 1: glitzie bullsh intrinsic to the stratospheric wealth in America. They 145 00:08:32,280 --> 00:08:33,880 Speaker 1: show us that the best way to make money in 146 00:08:33,880 --> 00:08:38,720 Speaker 1: this country is to treat everybody around you like a mark. Yeah. 147 00:08:38,920 --> 00:08:41,880 Speaker 1: I mean, when you think about it, it's hard not 148 00:08:41,920 --> 00:08:44,880 Speaker 1: to be fascinated by that, by that kind of social game, 149 00:08:45,320 --> 00:08:48,560 Speaker 1: treating everybody sort of yeah mark, And it kind of 150 00:08:48,600 --> 00:08:50,800 Speaker 1: reminds me of the Great Gatsby and haw he sort 151 00:08:50,800 --> 00:08:54,560 Speaker 1: of tricked his way up into that society. See. But 152 00:08:54,760 --> 00:08:56,880 Speaker 1: but even when I'm so glad he brought that story, 153 00:08:56,920 --> 00:09:00,240 Speaker 1: because that story is sort of about the sca am 154 00:09:00,400 --> 00:09:03,079 Speaker 1: inherent to this idea of the American dream, right, that 155 00:09:03,200 --> 00:09:07,559 Speaker 1: Gatsby has reinvented himself in kind of a scammy way, 156 00:09:07,800 --> 00:09:10,319 Speaker 1: you know, bootlegging and lying about his identity and all 157 00:09:10,320 --> 00:09:14,040 Speaker 1: of that, because and like and like, on its face, 158 00:09:14,240 --> 00:09:16,599 Speaker 1: it seems like the American dream that he bootstrapped his 159 00:09:16,640 --> 00:09:20,360 Speaker 1: way up into into success. But actually the American dream 160 00:09:20,400 --> 00:09:25,040 Speaker 1: is bullsh and so of course it's a scam exactly. Yeah. Um, 161 00:09:25,080 --> 00:09:30,239 Speaker 1: and there are plenty of quote good scammers of all genders. 162 00:09:30,400 --> 00:09:34,120 Speaker 1: Billy McFarland of Fire Festival Fame, the British Royal Family Expert. 163 00:09:34,160 --> 00:09:36,280 Speaker 1: It was actually just a guy from upstate New York. 164 00:09:36,480 --> 00:09:38,960 Speaker 1: But we want to focus on female scammers because there 165 00:09:39,080 --> 00:09:42,760 Speaker 1: is something special about them, like Bridget mentioned earlier, Yeah, 166 00:09:42,800 --> 00:09:45,680 Speaker 1: I also think part of it is that we love 167 00:09:45,880 --> 00:09:49,960 Speaker 1: in this country to root for a woman and then 168 00:09:50,000 --> 00:09:52,959 Speaker 1: we love when she falls, like we love to follow 169 00:09:53,520 --> 00:09:56,120 Speaker 1: the demise of a woman, like we like, we can't 170 00:09:56,160 --> 00:09:58,760 Speaker 1: get enough of a story of a powerful woman gone 171 00:09:58,800 --> 00:10:01,160 Speaker 1: wrong or well and who seemed like she had it 172 00:10:01,200 --> 00:10:03,880 Speaker 1: all and then really it turned out she was scamming everyone. 173 00:10:04,160 --> 00:10:06,200 Speaker 1: I do think that there's something about the vigor with 174 00:10:06,240 --> 00:10:09,640 Speaker 1: which that we enjoy these stories when it happens to 175 00:10:09,679 --> 00:10:14,320 Speaker 1: a woman. That's my that's just my opinion. I think 176 00:10:14,400 --> 00:10:18,400 Speaker 1: you seem like you're pretty well versed in this subject, Bridget. Yeah, 177 00:10:18,400 --> 00:10:20,720 Speaker 1: so I actually would love to do an entire series 178 00:10:20,800 --> 00:10:24,439 Speaker 1: of scammers. Scammers like Elizabeth Holmes. You may know her 179 00:10:24,520 --> 00:10:27,920 Speaker 1: as blood testing scammer. She had that entire company UM 180 00:10:27,960 --> 00:10:30,439 Speaker 1: that was supposed to be able to give blood tests, 181 00:10:30,720 --> 00:10:32,360 Speaker 1: you know, like you could go to a CVS and like, 182 00:10:32,400 --> 00:10:33,839 Speaker 1: prick your finger and it will be able to give 183 00:10:33,840 --> 00:10:35,920 Speaker 1: you all these tests in real time. But it was 184 00:10:35,920 --> 00:10:38,040 Speaker 1: actually just a scam, Like she'd gotten all this money 185 00:10:38,080 --> 00:10:41,480 Speaker 1: and it didn't work, and she probably knew it didn't work, 186 00:10:41,559 --> 00:10:43,600 Speaker 1: And a lot of people are like, well, she'd probably 187 00:10:43,600 --> 00:10:46,480 Speaker 1: be in jail, but she's not in jail. So really interesting, 188 00:10:46,640 --> 00:10:50,160 Speaker 1: fascinating scammer. Also like black turtleneck scammer. You never saw 189 00:10:50,160 --> 00:10:52,280 Speaker 1: a picture of her not wearing a black turtleneck, kind 190 00:10:52,280 --> 00:10:54,280 Speaker 1: of ruin that look for everybody, to be honest with you, 191 00:10:54,480 --> 00:10:57,680 Speaker 1: There is Vogue scammer Yvon Bannaghan, who was accused of 192 00:10:57,720 --> 00:11:02,200 Speaker 1: siphening away thousand and five hundred sixty four dollars while 193 00:11:02,280 --> 00:11:06,679 Speaker 1: she was Grace Cottington's assistant. So many good female scammers 194 00:11:06,720 --> 00:11:08,600 Speaker 1: out there, So if you know of one that you 195 00:11:08,600 --> 00:11:10,240 Speaker 1: would love for us to talk about, whether it's a 196 00:11:10,240 --> 00:11:14,040 Speaker 1: scammer of today or historical female scammer, please let us know. 197 00:11:14,360 --> 00:11:18,959 Speaker 1: But today we are talking about the undisputed scam Queen 198 00:11:19,080 --> 00:11:23,800 Speaker 1: of Summer one, miss Anna Delvey. Yes, I love scam 199 00:11:23,920 --> 00:11:28,000 Speaker 1: Queen of Summer. Yeah, I actually put out I mean 200 00:11:28,040 --> 00:11:30,559 Speaker 1: this is an unscientific pole. But I put out one 201 00:11:30,559 --> 00:11:33,480 Speaker 1: of those Twitter polls asking who you thought the scam 202 00:11:33,520 --> 00:11:36,880 Speaker 1: queen of Summer was. I made the running Anna delve 203 00:11:37,440 --> 00:11:42,280 Speaker 1: Elizabeth Holmes, Jill Stein or like right in candidate I 204 00:11:42,360 --> 00:11:44,880 Speaker 1: think Anna Delavie actually ends up coming in second. The 205 00:11:45,040 --> 00:11:49,080 Speaker 1: right in candidate one, Donald Trump, our president, came in 206 00:11:49,200 --> 00:11:55,560 Speaker 1: first as the summer scam queen. Wow, well, congrats to 207 00:11:55,920 --> 00:11:59,640 Speaker 1: no one we lose. I mean, it's another that's another 208 00:11:59,679 --> 00:12:03,520 Speaker 1: interest point about why I'm so fascinated with scams because 209 00:12:03,559 --> 00:12:08,360 Speaker 1: we associate scammers with a certain class. I believe, like 210 00:12:08,360 --> 00:12:10,080 Speaker 1: when you think of scammers, you think of somebody who 211 00:12:10,160 --> 00:12:14,400 Speaker 1: is not a wealthy person trying to become or pretend 212 00:12:14,480 --> 00:12:17,839 Speaker 1: to be wealthy. We have like rich scammers all over 213 00:12:17,880 --> 00:12:20,240 Speaker 1: the place. Like Scott Brummett, former head of the e 214 00:12:20,320 --> 00:12:24,040 Speaker 1: p A, was basically a scammer. But people people don't 215 00:12:24,080 --> 00:12:27,720 Speaker 1: label him a scammer because he's male and well connected 216 00:12:27,760 --> 00:12:30,880 Speaker 1: and rich and white. But homeboy was trying to use 217 00:12:30,920 --> 00:12:33,240 Speaker 1: his connections in the government to get his wife a 218 00:12:33,360 --> 00:12:35,719 Speaker 1: chick bil a franchise. Like that's a scam. That is 219 00:12:35,760 --> 00:12:39,040 Speaker 1: a scam. He is a scammer. Yeah, he also was 220 00:12:39,040 --> 00:12:41,520 Speaker 1: trying to buy old mattresses. I can't wrap my head 221 00:12:41,520 --> 00:12:45,680 Speaker 1: around that one. Nastly, there's so many like classic scams 222 00:12:45,679 --> 00:12:48,839 Speaker 1: that if we stripped away the veneer of he's a 223 00:12:48,920 --> 00:12:52,600 Speaker 1: high level White House Administration official, whatever, it would just 224 00:12:52,679 --> 00:12:56,520 Speaker 1: be any other scammer with like Farragon belt and like 225 00:12:56,600 --> 00:12:59,400 Speaker 1: knock off Chanel, Like it is such a budget scam. 226 00:12:59,640 --> 00:13:01,480 Speaker 1: The only reason we don't talk about it in that 227 00:13:01,520 --> 00:13:04,160 Speaker 1: way is because of his connections. Like if you if 228 00:13:04,160 --> 00:13:06,840 Speaker 1: you stripped all of those things away, which he actually 229 00:13:06,880 --> 00:13:09,200 Speaker 1: resigned so they have been stripped away, if you didn't 230 00:13:09,200 --> 00:13:10,960 Speaker 1: have that title, it would be it would be anybody 231 00:13:11,000 --> 00:13:13,840 Speaker 1: else like scamming their way into free stuff, like we 232 00:13:14,000 --> 00:13:16,280 Speaker 1: like all scammers do. Like he's not special just because 233 00:13:16,320 --> 00:13:21,600 Speaker 1: he's Scott Bruett. Yeah, Scott Pruett, You're not special. But 234 00:13:21,640 --> 00:13:24,640 Speaker 1: today we're not talking about just any scammer, right Ridget. 235 00:13:24,720 --> 00:13:28,079 Speaker 1: We're talking about Anna Delvie, one of your favorite scammers. 236 00:13:28,160 --> 00:13:30,160 Speaker 1: She's a good scammer. If there was like a scammer 237 00:13:30,800 --> 00:13:32,840 Speaker 1: trading cards, she'd be the one that I will be 238 00:13:32,880 --> 00:13:36,440 Speaker 1: really really stoked ticket. So let's get into who Anna 239 00:13:36,480 --> 00:13:39,240 Speaker 1: Deelvie is. For those of you don't know um and 240 00:13:39,440 --> 00:13:41,680 Speaker 1: why she is the scam Queen of Summer. After this 241 00:13:41,760 --> 00:13:56,600 Speaker 1: quick break and we're back. So Anna Deelvie, First of all, 242 00:13:56,760 --> 00:14:00,720 Speaker 1: she's my favorite scammer. I've read literally every piece of 243 00:14:00,760 --> 00:14:03,679 Speaker 1: content on the internet about her Horizon fall, including a 244 00:14:03,720 --> 00:14:05,959 Speaker 1: lot of common threads. I don't know it was her 245 00:14:06,080 --> 00:14:10,120 Speaker 1: or like her representative or whatever posted her mailing address 246 00:14:10,160 --> 00:14:12,160 Speaker 1: in prison on her Instagram, and I sent her a 247 00:14:12,200 --> 00:14:14,280 Speaker 1: smail mail letter asked her to come on the podcast. 248 00:14:14,640 --> 00:14:16,319 Speaker 1: I will update you if we're able to get a 249 00:14:16,320 --> 00:14:19,520 Speaker 1: phone interview with Anna delvi on this podcast. If someone 250 00:14:19,600 --> 00:14:21,080 Speaker 1: knows her tell her that we would love to have 251 00:14:21,120 --> 00:14:23,720 Speaker 1: her on. So shall we come? You know, hear her 252 00:14:23,800 --> 00:14:26,520 Speaker 1: story and how she got to where she is. I 253 00:14:26,560 --> 00:14:30,600 Speaker 1: he'll put it that way, which is prison? Which is prison? 254 00:14:30,920 --> 00:14:32,400 Speaker 1: I mean, I think we know how she got where 255 00:14:32,440 --> 00:14:36,040 Speaker 1: she is. But that's the thing. It's like, when you 256 00:14:36,080 --> 00:14:38,360 Speaker 1: read these articles, there was a really there are really 257 00:14:38,400 --> 00:14:41,080 Speaker 1: good pieces in both Vanity Fair and The Cut that 258 00:14:41,120 --> 00:14:44,360 Speaker 1: are super in depth about the con that she played 259 00:14:44,400 --> 00:14:49,720 Speaker 1: and sort of how she so successfully prayed on women 260 00:14:49,960 --> 00:14:54,280 Speaker 1: a certain sort of class aspiration of these women. It really, 261 00:14:54,320 --> 00:14:58,440 Speaker 1: it really is fascinating and masterful. So first, this Vanity 262 00:14:58,440 --> 00:15:01,280 Speaker 1: Fair photo editor named Rachel will hims she was actually 263 00:15:01,320 --> 00:15:03,880 Speaker 1: scammed by Delvi herself and it ended up costing her 264 00:15:03,920 --> 00:15:05,960 Speaker 1: thousands of dollars. So she wrote this piece about what 265 00:15:06,120 --> 00:15:09,640 Speaker 1: exactly happened in Vanity Fair. So basically, she meets Anna 266 00:15:09,720 --> 00:15:11,600 Speaker 1: in a hotel, and Anna says that she's a German 267 00:15:11,680 --> 00:15:14,680 Speaker 1: heiress who lives out of a hotel. Ana has these 268 00:15:14,920 --> 00:15:17,920 Speaker 1: grand plans to open what basically sounds like the Soho 269 00:15:17,960 --> 00:15:20,600 Speaker 1: House of Art, so it's going to be quote a 270 00:15:20,680 --> 00:15:24,600 Speaker 1: dynamic visual art center dedicated to contemporary art um and 271 00:15:24,680 --> 00:15:27,480 Speaker 1: she talks about how she wants to use family trust 272 00:15:27,520 --> 00:15:30,880 Speaker 1: money to afford this. She wants to get investors. She 273 00:15:31,000 --> 00:15:35,960 Speaker 1: sounds like someone who has grand and ambitious plans. But 274 00:15:36,000 --> 00:15:38,760 Speaker 1: here's the thing. This kind of plan that if someone 275 00:15:38,960 --> 00:15:41,080 Speaker 1: have you met somebody in a hotel, even if they 276 00:15:41,120 --> 00:15:43,400 Speaker 1: seemed rich and they told me they had this this idea, 277 00:15:43,880 --> 00:15:47,360 Speaker 1: the plan would still kind of sound preposterous. But that's 278 00:15:47,400 --> 00:15:49,400 Speaker 1: one of the tenants of her scam, which is the 279 00:15:49,440 --> 00:15:53,080 Speaker 1: same way that Tinkerbell only exists if you believe in her, 280 00:15:53,080 --> 00:15:55,480 Speaker 1: like if you don't believe in her, she dies, and 281 00:15:55,640 --> 00:15:59,680 Speaker 1: I had this way of making people believe these grand 282 00:15:59,760 --> 00:16:02,640 Speaker 1: plan hands and these grand schemes of hers, even though 283 00:16:02,680 --> 00:16:05,120 Speaker 1: they sounded preposterous and in the kind of way the 284 00:16:05,200 --> 00:16:08,040 Speaker 1: reason that they are kind of believable is because they 285 00:16:08,040 --> 00:16:11,640 Speaker 1: sound over the top. Rachel Rights. In my line of work, 286 00:16:11,800 --> 00:16:15,200 Speaker 1: I had often encountered ambitious, well off individuals. So though 287 00:16:15,200 --> 00:16:18,440 Speaker 1: her undertaking sounded grand in scale and promising in theory, 288 00:16:18,800 --> 00:16:23,000 Speaker 1: my sincere enthusiasm hardly outweighed a measure of skepticism. And again, yeah, 289 00:16:23,000 --> 00:16:26,080 Speaker 1: you can see how you know, someone meeting a rich 290 00:16:26,120 --> 00:16:28,080 Speaker 1: girl in a hotel who's like, I have this grand 291 00:16:28,160 --> 00:16:31,880 Speaker 1: idea to make this big, lavish club full of art 292 00:16:31,880 --> 00:16:34,120 Speaker 1: and rich people. If anybody else told you that you 293 00:16:34,120 --> 00:16:36,560 Speaker 1: would be you'd think, oh, sure of course you're going 294 00:16:36,600 --> 00:16:39,200 Speaker 1: to do that. Yeah, right. But because that sort of 295 00:16:39,240 --> 00:16:42,520 Speaker 1: part of her scam is, you know, having this sort 296 00:16:42,520 --> 00:16:45,280 Speaker 1: of las a fair attitude about money and you know, 297 00:16:45,520 --> 00:16:47,680 Speaker 1: having these grand plans that don't seem like they would 298 00:16:47,680 --> 00:16:50,400 Speaker 1: ever work. That's kind of how rich people are. And 299 00:16:50,440 --> 00:16:52,120 Speaker 1: if you want people to believe that you are rich, 300 00:16:52,520 --> 00:16:56,400 Speaker 1: having some big undertaking that seems really far fetched would 301 00:16:56,400 --> 00:16:58,680 Speaker 1: actually kind of solidify that in a kind of way, 302 00:16:58,760 --> 00:17:01,760 Speaker 1: you know, yeah, for sure. And I think just the 303 00:17:01,800 --> 00:17:06,280 Speaker 1: way she was so she would just buy really expensive 304 00:17:06,320 --> 00:17:10,720 Speaker 1: things at restaurants, she kind of did have this particular 305 00:17:10,840 --> 00:17:13,800 Speaker 1: circle of people. So if you're thinking, hmm, I don't 306 00:17:13,800 --> 00:17:15,680 Speaker 1: know about her, but then you meet other people and 307 00:17:15,720 --> 00:17:17,440 Speaker 1: they seem to be in the circle of Orbit and 308 00:17:17,440 --> 00:17:20,239 Speaker 1: they seem to have accepted her, then you kind of 309 00:17:20,280 --> 00:17:23,520 Speaker 1: start to accept, well, she must have passed this test. 310 00:17:23,560 --> 00:17:27,120 Speaker 1: If she traffics in this group of people, then even 311 00:17:27,200 --> 00:17:29,679 Speaker 1: if maybe she'll never succeed in this plan that I 312 00:17:29,720 --> 00:17:34,040 Speaker 1: think is probably unrealistic, she must still have the money. 313 00:17:34,160 --> 00:17:37,760 Speaker 1: She must still be in this class of people that 314 00:17:37,800 --> 00:17:41,000 Speaker 1: she is saying she is in, right, And I mean 315 00:17:41,119 --> 00:17:45,439 Speaker 1: I've I've actually had a few mild scammers in my 316 00:17:45,600 --> 00:17:49,160 Speaker 1: orbit and political work, because anybody who's doing political work 317 00:17:49,200 --> 00:17:51,879 Speaker 1: like you will, you will encounter some scammers for sure. 318 00:17:52,400 --> 00:17:56,199 Speaker 1: That's another thing that I think scammers really traffic in 319 00:17:56,840 --> 00:18:00,239 Speaker 1: is having other people to kind of vouch for them 320 00:18:00,320 --> 00:18:02,800 Speaker 1: or verify them. And I'm thinking of one scammer that 321 00:18:02,880 --> 00:18:05,040 Speaker 1: who kind of like this is something I knew personally, 322 00:18:05,040 --> 00:18:06,760 Speaker 1: so I don't want to like blow up their spot. 323 00:18:06,840 --> 00:18:09,000 Speaker 1: I mean, they there was an entire article about their scam. 324 00:18:09,520 --> 00:18:12,080 Speaker 1: But one of the things that was a hallmark of 325 00:18:12,119 --> 00:18:16,720 Speaker 1: how he scamed was getting other respected political people to 326 00:18:16,800 --> 00:18:18,520 Speaker 1: kind of vouch for him. And so once you're sort 327 00:18:18,520 --> 00:18:21,040 Speaker 1: of in and one person that you know is like 328 00:18:21,160 --> 00:18:24,960 Speaker 1: authentic and like legit like vouches for you, like you're 329 00:18:25,000 --> 00:18:26,439 Speaker 1: kind of in, it kind of like you kind of 330 00:18:26,440 --> 00:18:31,080 Speaker 1: like game handstamp. And it sounds like Anna trafficked in wealthy, 331 00:18:31,240 --> 00:18:34,080 Speaker 1: well connected people. So if you meet somebody who is 332 00:18:34,119 --> 00:18:35,840 Speaker 1: actually wealthy and well connected and they're like, oh and 333 00:18:35,960 --> 00:18:39,280 Speaker 1: as good people, that's kind of like a handstamp. Yeah. 334 00:18:39,720 --> 00:18:42,520 Speaker 1: I do find that if you the bigger the lie, 335 00:18:42,800 --> 00:18:45,200 Speaker 1: the more you might be like, well, no one would 336 00:18:45,200 --> 00:18:48,000 Speaker 1: tell something as ridiculous as that because it could be 337 00:18:48,040 --> 00:18:50,879 Speaker 1: easily checked. But if you, you have to do it 338 00:18:50,920 --> 00:18:54,040 Speaker 1: with confidence though, and kind of the way it sounds 339 00:18:54,040 --> 00:18:57,600 Speaker 1: like her personality was one that kind of made you 340 00:18:57,680 --> 00:19:02,560 Speaker 1: believe she was this type of person, the specific type 341 00:19:02,600 --> 00:19:06,919 Speaker 1: of person, and that her accepting you and inviting you 342 00:19:06,960 --> 00:19:11,280 Speaker 1: to things, it was kind of flattering and you sort 343 00:19:11,320 --> 00:19:15,199 Speaker 1: of wanted to be someone that Anna del Ve wanted 344 00:19:15,240 --> 00:19:18,960 Speaker 1: to have in her circle. Definitely that's so part of it. 345 00:19:19,000 --> 00:19:21,639 Speaker 1: When someone, I mean, two of the people who extensively 346 00:19:21,640 --> 00:19:24,359 Speaker 1: went on the record about being scammed by Delvy both 347 00:19:24,520 --> 00:19:27,120 Speaker 1: talk about sort of how she seemed that the kind 348 00:19:27,119 --> 00:19:28,840 Speaker 1: of person who didn't really let a lot of people 349 00:19:28,880 --> 00:19:31,920 Speaker 1: in and like kind of seemed a little bit isolated, 350 00:19:31,920 --> 00:19:35,439 Speaker 1: and that because she chose to, you know, want to 351 00:19:35,480 --> 00:19:37,720 Speaker 1: travel with them and want to be good friends with them, 352 00:19:37,760 --> 00:19:40,639 Speaker 1: it was almost sort of flattering. So basically, Rachel ends 353 00:19:40,720 --> 00:19:44,160 Speaker 1: up going on this lavish trip to a villa and Marrakesh, 354 00:19:44,520 --> 00:19:46,000 Speaker 1: and you might be thinking, like, oh, that sounds like 355 00:19:46,000 --> 00:19:47,159 Speaker 1: a lot of money, Like, I bet it was an 356 00:19:47,160 --> 00:19:49,880 Speaker 1: expensive trip. Whatever you were thinking, it was so much 357 00:19:49,880 --> 00:19:52,960 Speaker 1: more lavish than that. They traveled a full time butler 358 00:19:53,280 --> 00:19:55,280 Speaker 1: who Anna was supposed to pay for. So Anna it's 359 00:19:55,280 --> 00:19:57,200 Speaker 1: supposed to be picking up the tab on this whole trip. 360 00:19:57,560 --> 00:19:59,520 Speaker 1: Now here's where Rachel says that things took a turn. 361 00:19:59,680 --> 00:20:02,159 Speaker 1: So it ends up booking a seven thousand dollar a 362 00:20:02,280 --> 00:20:04,400 Speaker 1: night private riad, which if you haven't heard of that 363 00:20:04,560 --> 00:20:06,800 Speaker 1: I have not either. It's a Moroccan villa with an 364 00:20:06,800 --> 00:20:10,159 Speaker 1: interior courtyard, three bedrooms, and a pool. And Anna ends 365 00:20:10,240 --> 00:20:14,720 Speaker 1: up forwarding Rachel the confirmation email, but due to some 366 00:20:14,960 --> 00:20:18,160 Speaker 1: seemingly minor staff who the plane tickets have been put 367 00:20:18,200 --> 00:20:21,640 Speaker 1: on Rachel's American Express card, and Anna basically was like, Oh, 368 00:20:21,680 --> 00:20:25,440 Speaker 1: I'll pay you back. I'll pay you back, Rachel. I mean, 369 00:20:25,680 --> 00:20:27,439 Speaker 1: part of me thinks is thinking that girl, what are 370 00:20:27,480 --> 00:20:29,639 Speaker 1: you doing? Part of me kind of gets it, she says, 371 00:20:30,160 --> 00:20:31,840 Speaker 1: since I did this all the time for work, I 372 00:20:31,840 --> 00:20:35,160 Speaker 1: didn't give it a second thought, So you might be thinking, wow, 373 00:20:35,240 --> 00:20:37,920 Speaker 1: I would never agree to this. But if you think 374 00:20:37,960 --> 00:20:40,879 Speaker 1: your friend is rich, you probably like maybe you would, 375 00:20:40,920 --> 00:20:43,240 Speaker 1: Like I asked myself all the time, if I met 376 00:20:43,280 --> 00:20:46,960 Speaker 1: this mysterious rich woman who seemed to be rich, other 377 00:20:47,080 --> 00:20:49,280 Speaker 1: rich people knew her. She was throwing money around, she 378 00:20:49,320 --> 00:20:52,560 Speaker 1: wants to take me to Mary Cash. You know, I can't. 379 00:20:52,600 --> 00:20:53,920 Speaker 1: I don't know if I would do it or not. 380 00:20:54,040 --> 00:20:57,199 Speaker 1: But I can't say that. My bullsh detector will be 381 00:20:57,200 --> 00:21:00,480 Speaker 1: going off and then I wouldn't do it. What about you? Yeah? 382 00:21:00,640 --> 00:21:06,360 Speaker 1: I I feel like reading this article was very enlightening 383 00:21:06,400 --> 00:21:08,239 Speaker 1: to me because if you just sort of hear the 384 00:21:08,440 --> 00:21:12,800 Speaker 1: details without the sort of personal all of these personal 385 00:21:13,080 --> 00:21:16,920 Speaker 1: aspects of it, it does sound like, wow, why would 386 00:21:16,960 --> 00:21:19,639 Speaker 1: you ever agree to that? But at this point they 387 00:21:19,720 --> 00:21:22,960 Speaker 1: had been friends for a while, and also she wasn't 388 00:21:23,080 --> 00:21:25,760 Speaker 1: Rachel wasn't the only person going a personal trainer was 389 00:21:25,840 --> 00:21:29,080 Speaker 1: going as well. Yeah, if if it's your friend and 390 00:21:29,119 --> 00:21:30,560 Speaker 1: she says she's going to pay for it, you've seen 391 00:21:30,600 --> 00:21:33,520 Speaker 1: her put down a lot of money before, Um, it's 392 00:21:33,560 --> 00:21:35,960 Speaker 1: it's a trip that you probably are excited to go on. 393 00:21:36,400 --> 00:21:39,120 Speaker 1: I don't think you'd have any real reason if you've 394 00:21:39,160 --> 00:21:42,600 Speaker 1: seen all these other people vouch for her to suspect 395 00:21:42,640 --> 00:21:45,880 Speaker 1: otherwise I would be uncomfortable when it's like it would 396 00:21:45,880 --> 00:21:48,320 Speaker 1: have to be on my credit card. I think I 397 00:21:48,320 --> 00:21:50,920 Speaker 1: would be uncomfortable, But I don't think I would say anything, 398 00:21:52,000 --> 00:21:55,320 Speaker 1: because you do want the friendship to work. And uh, 399 00:21:56,160 --> 00:21:57,840 Speaker 1: I mean, I can just see it. I can see it. 400 00:21:57,880 --> 00:22:03,119 Speaker 1: I can totally understand going along with this personally. Another 401 00:22:03,200 --> 00:22:04,920 Speaker 1: aspect of it is sort of what I was talking 402 00:22:04,920 --> 00:22:08,560 Speaker 1: about before, that if you were trying to maintain that 403 00:22:08,600 --> 00:22:11,679 Speaker 1: you were a wealthy person, I do. I mean, this 404 00:22:11,720 --> 00:22:14,440 Speaker 1: is going to sound like a vast generalization. It does 405 00:22:14,560 --> 00:22:17,960 Speaker 1: make sense to me that someone who is massively, massively 406 00:22:18,000 --> 00:22:21,320 Speaker 1: wealthy would also be the kind of person who might 407 00:22:21,359 --> 00:22:24,560 Speaker 1: be a bit careless with what they perceived as small 408 00:22:24,640 --> 00:22:27,240 Speaker 1: amounts of money. I had a friend who was very, 409 00:22:27,359 --> 00:22:30,120 Speaker 1: very wealthy, and you know, she didn't work. She sort 410 00:22:30,160 --> 00:22:32,320 Speaker 1: of was able to sort of work here and there 411 00:22:32,359 --> 00:22:34,560 Speaker 1: in sort of creative field, and like was clearly being 412 00:22:34,600 --> 00:22:38,000 Speaker 1: supported by her parents. But she never paid for a cab, 413 00:22:38,320 --> 00:22:41,280 Speaker 1: She never paid for dinner. She would notoriously sort of 414 00:22:41,760 --> 00:22:44,399 Speaker 1: walk out on the tab. It would be like ten dollars. 415 00:22:45,320 --> 00:22:48,480 Speaker 1: But because she just had a different sense of money 416 00:22:48,520 --> 00:22:50,280 Speaker 1: than we did. And so for me, someone who is 417 00:22:50,320 --> 00:22:52,440 Speaker 1: not rich, you know, if somebody picks up a tab 418 00:22:52,560 --> 00:22:54,800 Speaker 1: for me, I make a mental note. You know, I 419 00:22:54,880 --> 00:22:56,800 Speaker 1: have to get them back. I have to pay them back. 420 00:22:57,320 --> 00:22:59,920 Speaker 1: This is thorty dollars whatever. But I got the sense 421 00:23:00,200 --> 00:23:02,760 Speaker 1: being around her that it's kind of hard to explain, 422 00:23:02,800 --> 00:23:05,840 Speaker 1: but because she was so rich, a certain kind of las, 423 00:23:06,000 --> 00:23:09,800 Speaker 1: a fair careless attitude about money just kind of probably 424 00:23:10,600 --> 00:23:12,639 Speaker 1: confirmed that she was rich. And a kind of way 425 00:23:12,680 --> 00:23:15,080 Speaker 1: does that make sense, It totally makes sense. I have 426 00:23:15,440 --> 00:23:19,359 Speaker 1: I had a friend like that as well, where there's 427 00:23:19,520 --> 00:23:21,400 Speaker 1: kind of some resentment and we had to talk about 428 00:23:21,440 --> 00:23:24,440 Speaker 1: it because I always ended up paying for things and 429 00:23:24,840 --> 00:23:28,760 Speaker 1: he had way more money, like way more money than 430 00:23:28,800 --> 00:23:31,919 Speaker 1: I did. And it just didn't seem to even occur 431 00:23:32,040 --> 00:23:34,919 Speaker 1: to him that it would be sort of a bigger 432 00:23:34,960 --> 00:23:37,680 Speaker 1: deal for me. And like, I'm totally I wasn't saying 433 00:23:37,680 --> 00:23:40,399 Speaker 1: he needed to pay for everything at all, but like equal, 434 00:23:40,880 --> 00:23:44,800 Speaker 1: let's share here, it just didn't seem to be as 435 00:23:44,800 --> 00:23:47,679 Speaker 1: big a factor to him. So I'm not I'm not 436 00:23:47,720 --> 00:23:49,760 Speaker 1: making this up. It does seem like it's a little 437 00:23:49,760 --> 00:23:52,640 Speaker 1: bit of a thing. Anecdotally, it does seem that way. Yes, 438 00:23:53,000 --> 00:23:54,800 Speaker 1: So here's where it all kind of starts to go 439 00:23:55,320 --> 00:23:58,560 Speaker 1: south for Anna and Rachel. Lulls traveling. So Anna's card 440 00:23:58,680 --> 00:24:02,000 Speaker 1: gets declined, and of course Rachel asks the thing that 441 00:24:02,119 --> 00:24:04,359 Speaker 1: everyone always asks when your card is declined, did you 442 00:24:04,359 --> 00:24:06,520 Speaker 1: tell your banks that you're traveling? And she's like, no, 443 00:24:06,600 --> 00:24:09,800 Speaker 1: I didn't. And so this again sort of just as like, oh, well, 444 00:24:10,000 --> 00:24:13,160 Speaker 1: she's traveling, it's probably some sort of bank issue. This 445 00:24:13,200 --> 00:24:15,240 Speaker 1: is embarrassing to admit, but the times that I've had 446 00:24:15,280 --> 00:24:18,560 Speaker 1: my credit card or my debit card declined, the cashier 447 00:24:18,600 --> 00:24:22,280 Speaker 1: always gives you that very gracious you know, maybe you 448 00:24:22,359 --> 00:24:24,080 Speaker 1: need to call the bank. It's probably a problem with 449 00:24:24,119 --> 00:24:25,800 Speaker 1: your card. You know. They don't ever want to come 450 00:24:25,800 --> 00:24:28,680 Speaker 1: out and said you have no money. That's always a 451 00:24:28,800 --> 00:24:33,320 Speaker 1: very gracious, very gracious. So basically what happened after that 452 00:24:33,480 --> 00:24:36,960 Speaker 1: is that the hotel kind of gets wind that there's 453 00:24:37,000 --> 00:24:41,240 Speaker 1: no credit card on file for this extremely extremely lavish 454 00:24:41,400 --> 00:24:43,719 Speaker 1: villa that they're staying in. Then I'm sure costs. I mean, 455 00:24:43,760 --> 00:24:45,479 Speaker 1: at this point, if it's seven thousand dollars a night, 456 00:24:45,520 --> 00:24:49,080 Speaker 1: I meant this point, it's probably so expensive. And once 457 00:24:49,119 --> 00:24:52,040 Speaker 1: the hotel gets wise, basically Rachel has to foot the 458 00:24:52,080 --> 00:24:55,280 Speaker 1: bill in order for them to leave. And again that 459 00:24:55,320 --> 00:24:57,480 Speaker 1: would be so I mean, I don't know what I 460 00:24:57,480 --> 00:24:59,119 Speaker 1: would do in that situation. If you're being held in 461 00:24:59,119 --> 00:25:01,560 Speaker 1: a foreign country and you don't really have a lot 462 00:25:01,560 --> 00:25:03,160 Speaker 1: of money, and you don't you're not able to leave 463 00:25:03,520 --> 00:25:06,520 Speaker 1: And listen, a Vanity Fair photo editor probably does not 464 00:25:06,600 --> 00:25:09,879 Speaker 1: make that much money. This is probably an intensely terrifying 465 00:25:09,920 --> 00:25:12,800 Speaker 1: thing for her. Oh yeah, And in the article she 466 00:25:12,840 --> 00:25:16,920 Speaker 1: talks about how hotel security was like in their room 467 00:25:17,359 --> 00:25:19,720 Speaker 1: all the time, kind of waiting for them, not letting 468 00:25:19,760 --> 00:25:22,800 Speaker 1: them go anywhere. The personal trainers that went with them, 469 00:25:22,920 --> 00:25:25,760 Speaker 1: she had already left because she had like the stomach issue, 470 00:25:26,359 --> 00:25:30,480 Speaker 1: so she Rachel was alone with Anna and Rachel by 471 00:25:30,480 --> 00:25:33,679 Speaker 1: this point was stressed out as well, and she wanted 472 00:25:33,720 --> 00:25:35,600 Speaker 1: to go ahead and leave, and they wouldn't let her 473 00:25:35,720 --> 00:25:41,960 Speaker 1: leave unless somebody paid, paid up, put a credit card down, 474 00:25:42,040 --> 00:25:43,600 Speaker 1: and Rachel was the one that had to do it. 475 00:25:43,640 --> 00:25:45,920 Speaker 1: And Anna was saying, you know, well, I can fix this. 476 00:25:46,440 --> 00:25:48,119 Speaker 1: I can't do it now. She was kind of being 477 00:25:48,480 --> 00:25:52,200 Speaker 1: she was very stressed about it and not being too 478 00:25:52,240 --> 00:25:54,879 Speaker 1: clear about how to solve the problem. She she was 479 00:25:54,920 --> 00:25:57,160 Speaker 1: sort of like, I'm not sure why this is happening. 480 00:25:57,200 --> 00:26:01,040 Speaker 1: I don't understand, and not offering any real solution. I mean, 481 00:26:01,320 --> 00:26:04,159 Speaker 1: you would hope that if you're super wealthy friend, you know, 482 00:26:04,600 --> 00:26:07,960 Speaker 1: was this was happening, that they would be like, oh, 483 00:26:08,040 --> 00:26:09,479 Speaker 1: let me call my dad, let me do this, let 484 00:26:09,480 --> 00:26:11,359 Speaker 1: me do that. But it doesn't surprise me. I mean, 485 00:26:11,400 --> 00:26:13,520 Speaker 1: I'm sure that Rachel was very frustrated, but it doesn't Again, 486 00:26:13,560 --> 00:26:16,200 Speaker 1: the way that she was acting does not surprise me 487 00:26:16,800 --> 00:26:19,960 Speaker 1: that it didn't immediately kick in that oh, this girl 488 00:26:20,080 --> 00:26:22,879 Speaker 1: is broke and she's she's scamming all of us. So 489 00:26:22,880 --> 00:26:25,320 Speaker 1: when they get back to America, Rachel's trying to get 490 00:26:25,320 --> 00:26:27,679 Speaker 1: her money back, and it really sounds like she started 491 00:26:27,720 --> 00:26:31,080 Speaker 1: to kind of unravel. She writes, stress consumed to my 492 00:26:31,119 --> 00:26:34,040 Speaker 1: sleep and fueled my days. My co workers saw me unravel. 493 00:26:34,240 --> 00:26:36,639 Speaker 1: I came to the office looking pale and undone. This 494 00:26:36,800 --> 00:26:38,640 Speaker 1: it sounds like this sort of that just take over 495 00:26:38,680 --> 00:26:41,359 Speaker 1: her life. This one trip and this one arrangement with 496 00:26:41,400 --> 00:26:43,920 Speaker 1: this one person that she happened to randomly meet in 497 00:26:43,920 --> 00:26:45,960 Speaker 1: the hotel sounds like it was starting to take over 498 00:26:46,000 --> 00:26:49,840 Speaker 1: her full life. Yeah, and wasn't it like seventy thousand 499 00:26:49,880 --> 00:26:54,640 Speaker 1: dollars on her credit card? So much money? I mean 500 00:26:55,040 --> 00:26:57,160 Speaker 1: in the article it's quoted as being more than her 501 00:26:57,560 --> 00:26:59,920 Speaker 1: her yearly salaries. This is a year's worth of work 502 00:27:00,040 --> 00:27:02,280 Speaker 1: that is gone because of this one person. That's an 503 00:27:02,320 --> 00:27:05,240 Speaker 1: amount of money. I can't imagine if you you thought 504 00:27:05,280 --> 00:27:07,439 Speaker 1: you a friend was going to foot it, and then 505 00:27:07,480 --> 00:27:09,080 Speaker 1: all of a sudden it's on you and you weren't 506 00:27:09,080 --> 00:27:11,520 Speaker 1: anticipating it and you probably don't have it. That level 507 00:27:11,560 --> 00:27:16,560 Speaker 1: of stress must have been unbearable. Yeah, that would that 508 00:27:16,560 --> 00:27:21,080 Speaker 1: would ruin my life. So basically, Rachel gets the police involved, 509 00:27:21,119 --> 00:27:24,439 Speaker 1: and only then is the sort of grandness of this 510 00:27:24,440 --> 00:27:27,600 Speaker 1: whole situation revealed to her. She was accused of falsifying 511 00:27:27,640 --> 00:27:30,879 Speaker 1: documents from international banks showing accounts abroad with a total 512 00:27:30,920 --> 00:27:34,440 Speaker 1: balance of approximately sixty million Euro that's about seventy million 513 00:27:34,440 --> 00:27:37,159 Speaker 1: American dollars, according to a press relation from the New 514 00:27:37,240 --> 00:27:40,560 Speaker 1: York County District Attorney's Office announcing the indictment. In late 515 00:27:41,640 --> 00:27:44,000 Speaker 1: she took those documents to the City National Bank and 516 00:27:44,040 --> 00:27:46,359 Speaker 1: an attempt to secure a twenty two million dollar loan 517 00:27:46,480 --> 00:27:49,800 Speaker 1: creation for her arts foundation and private club. When City 518 00:27:49,880 --> 00:27:53,160 Speaker 1: National Bank denied a loan, she showed the same documents 519 00:27:53,160 --> 00:27:56,600 Speaker 1: to Fortress Investment Group in Midtown, New York. Fortress agreed 520 00:27:56,640 --> 00:27:58,879 Speaker 1: to consider the loan if Anna provided a hundred thousand 521 00:27:58,880 --> 00:28:03,400 Speaker 1: dollars to cover legal and due diligence expenses. On January twelve, seventeen, 522 00:28:03,440 --> 00:28:05,800 Speaker 1: almost a month before, she returned to New York and 523 00:28:05,960 --> 00:28:08,800 Speaker 1: secured a hundred thousand dollar loan from City National Bank 524 00:28:09,040 --> 00:28:12,240 Speaker 1: by convincing the bank representative that her overdraft her account. 525 00:28:12,600 --> 00:28:15,280 Speaker 1: She allegedly promised the bank that she would wire funds 526 00:28:15,280 --> 00:28:17,959 Speaker 1: shortly to cover the overdraft, which is a very familiar 527 00:28:18,040 --> 00:28:21,800 Speaker 1: thing in her world. She gave the browed money to Fortress, 528 00:28:22,160 --> 00:28:26,520 Speaker 1: so basically she was moving around so many different large 529 00:28:26,960 --> 00:28:30,359 Speaker 1: quantities of money, like millions and millions of dollars and 530 00:28:30,400 --> 00:28:33,320 Speaker 1: sort of kind of, um, what's the expression, like robbing 531 00:28:33,359 --> 00:28:36,280 Speaker 1: Peter to pay Paul, Like getting money from getting a 532 00:28:36,680 --> 00:28:38,959 Speaker 1: loan secured from one bank and then using that loan 533 00:28:39,040 --> 00:28:41,520 Speaker 1: to get another loan from another bank, Like a massive 534 00:28:41,640 --> 00:28:43,920 Speaker 1: shell game where there was never really any money to 535 00:28:43,960 --> 00:28:48,080 Speaker 1: begin with. It kind of sounds like a pyramid scheme, 536 00:28:48,200 --> 00:28:52,480 Speaker 1: but with like people people in money, not at no 537 00:28:52,680 --> 00:28:56,840 Speaker 1: products at all, just just one person convincing people she 538 00:28:56,920 --> 00:28:59,960 Speaker 1: had money somewhere and she'd get it back to you exact, 539 00:29:00,000 --> 00:29:03,000 Speaker 1: actually exactly. And this quote that Rachel has from her 540 00:29:03,080 --> 00:29:06,400 Speaker 1: piece kind of you know, chronicling her nightmare with Anna, 541 00:29:06,760 --> 00:29:09,600 Speaker 1: really nails it. Anna represented the kind of life we 542 00:29:09,640 --> 00:29:12,080 Speaker 1: all wish we could have. It's too good to be true. 543 00:29:12,400 --> 00:29:15,480 Speaker 1: The reality of Anna's behind the scenes dealings, these figures 544 00:29:15,480 --> 00:29:18,040 Speaker 1: flying from one account to another, remains daizy to this 545 00:29:18,120 --> 00:29:21,280 Speaker 1: day that she was allegedly orchestrating such an elaborate scheme 546 00:29:21,440 --> 00:29:24,680 Speaker 1: while maintaining a believable surface cool building her debit cards 547 00:29:24,720 --> 00:29:27,800 Speaker 1: to pay for dinners, workouts, beauty products, and spot treatments. 548 00:29:27,840 --> 00:29:31,280 Speaker 1: She conjured a glittering, frictionless city. Whatever one wanted could 549 00:29:31,320 --> 00:29:33,560 Speaker 1: be bought wherever one wanted to go was a cab 550 00:29:33,640 --> 00:29:36,440 Speaker 1: or a plane right away. The audacity of her performance 551 00:29:36,480 --> 00:29:39,000 Speaker 1: sold itself until it collapsed under the weight of its 552 00:29:39,000 --> 00:29:41,520 Speaker 1: own ambition. It's part of why I believed her, to 553 00:29:41,560 --> 00:29:43,960 Speaker 1: continue to believe her. Who would think to make this 554 00:29:44,080 --> 00:29:46,200 Speaker 1: up such an elaborate tale and carry on with this 555 00:29:46,320 --> 00:29:48,920 Speaker 1: for so long? Who was she? How do you know 556 00:29:48,920 --> 00:29:53,480 Speaker 1: who anyone is? Really? And I think that line really 557 00:29:53,480 --> 00:29:57,000 Speaker 1: does a great job with encapsulating what makes someone like 558 00:29:57,040 --> 00:30:01,800 Speaker 1: Anna so so kind of mystify. You know, she really 559 00:30:02,080 --> 00:30:06,000 Speaker 1: represented this world where everything is possible. It's not surprising 560 00:30:06,000 --> 00:30:07,600 Speaker 1: to me this has all happened on the backdrop of 561 00:30:07,600 --> 00:30:09,640 Speaker 1: New York City, because when you live in New York, 562 00:30:09,640 --> 00:30:11,880 Speaker 1: as I did for a few years, it seems like 563 00:30:12,000 --> 00:30:14,360 Speaker 1: there are two cities. Right There's the one city where 564 00:30:14,840 --> 00:30:18,000 Speaker 1: you are toiling and you're always sweaty, and everything is 565 00:30:18,000 --> 00:30:20,800 Speaker 1: always a nightmare, and even something simple like wanting to 566 00:30:20,840 --> 00:30:23,520 Speaker 1: get groceries or going to the bank is a huge ordeal, 567 00:30:23,680 --> 00:30:27,920 Speaker 1: and everything is hard. And listen, I just when I 568 00:30:27,960 --> 00:30:31,040 Speaker 1: lived in New York, my my biggest memories were like 569 00:30:31,240 --> 00:30:34,080 Speaker 1: toil and how everything was. It was always something like 570 00:30:34,120 --> 00:30:37,240 Speaker 1: just to get groceries was the biggest pain in the world. 571 00:30:37,440 --> 00:30:40,080 Speaker 1: And I always felt like I was sort of battling 572 00:30:40,120 --> 00:30:45,080 Speaker 1: the city. And then you would see these rich, moneyed, wealthy, 573 00:30:45,320 --> 00:30:49,560 Speaker 1: well connected girls who seemingly lived in a different cities 574 00:30:49,600 --> 00:30:51,320 Speaker 1: like we lived. We lived in the same city, but 575 00:30:51,360 --> 00:30:53,680 Speaker 1: we lived in two different cities in a kind of way. 576 00:30:53,920 --> 00:30:58,280 Speaker 1: And I think Anna represented the possibility that you could 577 00:30:58,320 --> 00:31:00,640 Speaker 1: live in a world where do you think you want, 578 00:31:00,680 --> 00:31:03,280 Speaker 1: whether it's a massage or a private workout, or a 579 00:31:03,280 --> 00:31:06,640 Speaker 1: trip to Marrakesh or a personalized gown, whatever it is 580 00:31:06,680 --> 00:31:08,880 Speaker 1: that you want, you can have it. Like that is 581 00:31:08,920 --> 00:31:11,760 Speaker 1: so seductive, and of course, like who wouldn't want that? 582 00:31:12,080 --> 00:31:15,440 Speaker 1: I think it is this sort of modern day Great 583 00:31:15,480 --> 00:31:19,480 Speaker 1: gats the American dream, where you know, you can move 584 00:31:19,520 --> 00:31:22,000 Speaker 1: to New York with nothing and reinvent yourself to be this, 585 00:31:22,080 --> 00:31:25,240 Speaker 1: this German heiress for whom everything is possible, everything is 586 00:31:25,240 --> 00:31:29,560 Speaker 1: at your fingertips. Yes, And I do love that aspect 587 00:31:29,600 --> 00:31:33,920 Speaker 1: of the story that she was a German heiress. Um 588 00:31:33,960 --> 00:31:37,680 Speaker 1: and that quote, I think it's really well written in Um. 589 00:31:37,720 --> 00:31:41,080 Speaker 1: It does capture a lot of why you would you 590 00:31:41,080 --> 00:31:43,640 Speaker 1: would go along with this, why it was believable. I 591 00:31:43,640 --> 00:31:49,400 Speaker 1: mean to witness someone outwardly so confident if the money 592 00:31:49,440 --> 00:31:54,160 Speaker 1: isn't there, but they're displaying no outward side that there's 593 00:31:54,160 --> 00:31:58,640 Speaker 1: a problem. It's it's impressive in a way. It really is. 594 00:31:59,600 --> 00:32:02,680 Speaker 1: I I like someone who I have usually when I 595 00:32:02,720 --> 00:32:06,760 Speaker 1: have money, even if I'm always like expecting my credit 596 00:32:06,800 --> 00:32:08,720 Speaker 1: card to get turned down, like I always am like, 597 00:32:08,840 --> 00:32:13,400 Speaker 1: here's my credit card with a question mark. Used free 598 00:32:13,440 --> 00:32:15,400 Speaker 1: credit cards like gift cards, so you're like, there might 599 00:32:15,440 --> 00:32:20,040 Speaker 1: be something on this one, and I'm just like secretly 600 00:32:20,840 --> 00:32:23,640 Speaker 1: in turmoil that it's going to come back. They're gonna 601 00:32:23,640 --> 00:32:29,680 Speaker 1: be like, well, sorry, man, but this did not go through. Meanwhile, 602 00:32:29,880 --> 00:32:36,959 Speaker 1: she's got Annadelvia's no money, and it's just like confident again. 603 00:32:37,120 --> 00:32:39,880 Speaker 1: Like I know she's a bad person for scamming people 604 00:32:39,920 --> 00:32:42,000 Speaker 1: who didn't have a ton of money, but part of 605 00:32:42,040 --> 00:32:45,160 Speaker 1: me has to sort of admire that confidence where when 606 00:32:45,200 --> 00:32:47,360 Speaker 1: you walk up to a cashier and you give your 607 00:32:47,360 --> 00:32:49,440 Speaker 1: credit card to buy something lavish and your credit card 608 00:32:49,480 --> 00:32:51,720 Speaker 1: is declined. Instead of being like, oh, I don't have 609 00:32:51,720 --> 00:32:54,560 Speaker 1: any money, which all of us would do somehow making it, 610 00:32:54,680 --> 00:32:56,240 Speaker 1: you know, it's like let me talk to a manager. 611 00:32:56,280 --> 00:32:59,239 Speaker 1: It's like the person who has that kind of audacity 612 00:32:59,600 --> 00:33:02,160 Speaker 1: that it is so not me, and I am fascinated 613 00:33:02,200 --> 00:33:05,640 Speaker 1: by that person. She really took fake it until you 614 00:33:05,680 --> 00:33:11,440 Speaker 1: make it to its ultimate, its highest, highest point, the 615 00:33:11,480 --> 00:33:16,080 Speaker 1: most extreme. Yeah, exactly. So another sort of major player 616 00:33:16,160 --> 00:33:19,840 Speaker 1: in the whole Anna Delvi saga is Nef Naff really 617 00:33:19,880 --> 00:33:22,360 Speaker 1: has emerged that sort of the folk hero that we 618 00:33:22,400 --> 00:33:25,800 Speaker 1: all deserve in this story. H Nef is like me, 619 00:33:26,120 --> 00:33:28,720 Speaker 1: a black girl from Washington, d C. Shout out to 620 00:33:28,760 --> 00:33:31,640 Speaker 1: Netflix executives who are already turning Anna Delvie story into 621 00:33:31,680 --> 00:33:34,400 Speaker 1: a Netflix show. If you need someone to play Nef, 622 00:33:34,480 --> 00:33:36,280 Speaker 1: please call me, because this was the role I was 623 00:33:36,360 --> 00:33:39,320 Speaker 1: born to play. Um. Nef worked at the hotel where 624 00:33:39,320 --> 00:33:42,560 Speaker 1: Anna Delvie was living and really gives a different, a 625 00:33:42,600 --> 00:33:46,520 Speaker 1: different glimpse into these scams. So basically, Nef says that 626 00:33:46,840 --> 00:33:49,320 Speaker 1: Anna delvi one of the sort of layers of her 627 00:33:49,360 --> 00:33:51,880 Speaker 1: scam was that she would treat the people in the 628 00:33:51,920 --> 00:33:55,840 Speaker 1: hotel very very nicely, like basically become their friends. And 629 00:33:56,320 --> 00:33:57,760 Speaker 1: bear in mind, this is a hotel where she was 630 00:33:57,800 --> 00:34:00,160 Speaker 1: living and not paying the bill, so she was like 631 00:34:00,200 --> 00:34:04,200 Speaker 1: ragging up thousands of dollars, but by befriending the staff, 632 00:34:04,240 --> 00:34:06,160 Speaker 1: it kind of gives you a certain kind of power 633 00:34:06,640 --> 00:34:09,960 Speaker 1: to be able to do that. Yeah, they want you 634 00:34:10,480 --> 00:34:13,879 Speaker 1: since you're nice to them. They want to believe that 635 00:34:13,960 --> 00:34:17,080 Speaker 1: you are a next person and that their money is 636 00:34:17,160 --> 00:34:19,400 Speaker 1: They're like, they want to give you that benefit of 637 00:34:19,400 --> 00:34:23,080 Speaker 1: a doubt. Exactly. My favorite quote about Anna from Nef 638 00:34:23,120 --> 00:34:26,280 Speaker 1: she says, you know how Rihanna walks out with wine glasses? 639 00:34:26,480 --> 00:34:29,400 Speaker 1: That was Anna, and they let her by miss Selvie. 640 00:34:29,840 --> 00:34:32,000 Speaker 1: So if you don't know what that means, basically, Rihanna 641 00:34:32,520 --> 00:34:36,759 Speaker 1: is often photographed pretty much illegally, like leaving restaurants going 642 00:34:36,760 --> 00:34:39,040 Speaker 1: onto the street. Was a full glass of wine for 643 00:34:39,080 --> 00:34:41,160 Speaker 1: the restaurant where she was just dining. I think that's 644 00:34:41,160 --> 00:34:43,520 Speaker 1: against the law to like leave to like get a 645 00:34:43,560 --> 00:34:45,040 Speaker 1: drink at the bar at a restaurant and then like, 646 00:34:45,080 --> 00:34:47,520 Speaker 1: unless you're in New Orleans, to de stroll out onto 647 00:34:47,560 --> 00:34:50,080 Speaker 1: the street. But they let her, And that's what she's saying, 648 00:34:50,120 --> 00:34:53,880 Speaker 1: Like Anna Delvey had that kind of vibe where she 649 00:34:53,880 --> 00:34:55,920 Speaker 1: would do these things and people would just let her. 650 00:34:56,480 --> 00:35:00,719 Speaker 1: Right And um, nef noticed the same people who act 651 00:35:00,800 --> 00:35:05,560 Speaker 1: nonchalantly about money vibe as Rachel that is, it seems 652 00:35:05,560 --> 00:35:10,040 Speaker 1: to be one of the key things that sold her scam. 653 00:35:10,040 --> 00:35:12,479 Speaker 1: When you're super rich, you can be forgetful in this way, 654 00:35:12,560 --> 00:35:14,440 Speaker 1: which is maybe why no one thought much of the 655 00:35:14,480 --> 00:35:16,840 Speaker 1: instances in which Anna did things that seemed odd for 656 00:35:16,880 --> 00:35:19,319 Speaker 1: a wealthy person calling a friend to have her put 657 00:35:19,320 --> 00:35:21,279 Speaker 1: a taxi from the airport on her credit card, or 658 00:35:21,320 --> 00:35:24,040 Speaker 1: asking to sleep on someone's couch, or moving into someone's 659 00:35:24,040 --> 00:35:26,600 Speaker 1: apartment with the tacit agreement to pay rent and then 660 00:35:27,160 --> 00:35:29,680 Speaker 1: not doing it. Maybe she had so much money she 661 00:35:29,760 --> 00:35:32,920 Speaker 1: had just lost track of it. Yeah, that actually reminds 662 00:35:32,920 --> 00:35:35,600 Speaker 1: me my rich friend that I mentioned earlier. I helped 663 00:35:35,600 --> 00:35:37,439 Speaker 1: her move out of her place and I put her 664 00:35:37,880 --> 00:35:40,040 Speaker 1: you haul on my credit card because I was picking 665 00:35:40,080 --> 00:35:41,880 Speaker 1: up a you Hall to meet her, and she never 666 00:35:41,960 --> 00:35:44,400 Speaker 1: paid for it to became a big thing, and eventually 667 00:35:44,440 --> 00:35:45,759 Speaker 1: when I was like, I need my money for that 668 00:35:45,800 --> 00:35:48,040 Speaker 1: you haul, she had just forgotten that. It It just slipped 669 00:35:48,040 --> 00:35:50,000 Speaker 1: her mind. And that that Like, that's what I'm saying. 670 00:35:50,400 --> 00:35:52,800 Speaker 1: This is not it's for someone who is super wealthy. 671 00:35:53,200 --> 00:35:55,720 Speaker 1: This does not sound strange to me. It may seem strange, 672 00:35:55,760 --> 00:35:58,279 Speaker 1: but it would only maybe think like, oh, she's one 673 00:35:58,280 --> 00:36:01,800 Speaker 1: of those rich people who doesn't think about money like that. Yeah, 674 00:36:02,000 --> 00:36:05,480 Speaker 1: from what I read she kind of had this flighty 675 00:36:05,560 --> 00:36:11,000 Speaker 1: vibe being sort of forgetful, So I can see just 676 00:36:11,080 --> 00:36:13,040 Speaker 1: sort of writing it off as a part of her 677 00:36:13,080 --> 00:36:16,600 Speaker 1: personality as well totally. And it does kind of sound 678 00:36:16,640 --> 00:36:20,400 Speaker 1: like throwing money around and making it so that people 679 00:36:20,840 --> 00:36:23,200 Speaker 1: kind of owe you or feel obligated to not point 680 00:36:23,200 --> 00:36:26,560 Speaker 1: out the inconsistencies of your scam is kind of part 681 00:36:26,600 --> 00:36:29,560 Speaker 1: of her armor. Nef writes about how she once called 682 00:36:29,600 --> 00:36:31,880 Speaker 1: something out that she found a bit odd about Anna. 683 00:36:32,400 --> 00:36:36,160 Speaker 1: This rich person who actually legitimately was rich. Anna had 684 00:36:36,200 --> 00:36:39,640 Speaker 1: told Nef that this person's father they were thinking about 685 00:36:39,640 --> 00:36:43,400 Speaker 1: being investment partners. This person like had stock in this hotel. 686 00:36:43,840 --> 00:36:45,880 Speaker 1: And so when Nef mentioned this to the to the 687 00:36:46,000 --> 00:36:48,239 Speaker 1: rich guy, the rich guy was like, don't you think 688 00:36:48,280 --> 00:36:50,640 Speaker 1: that if my father had an investment partner staying at 689 00:36:50,640 --> 00:36:52,680 Speaker 1: a hotel where he kind of that he kind of owns, 690 00:36:52,960 --> 00:36:54,920 Speaker 1: that person will be staying in a suite, not like 691 00:36:54,960 --> 00:36:58,040 Speaker 1: a little deluxe room. When Nif asked Anna about this, 692 00:36:58,200 --> 00:37:00,640 Speaker 1: Anna said, do you ever just have someone do you 693 00:37:00,760 --> 00:37:02,680 Speaker 1: so many favors you kind of want to pay them 694 00:37:02,680 --> 00:37:05,319 Speaker 1: back in silence? And I mean, come on, that is 695 00:37:05,320 --> 00:37:07,440 Speaker 1: a great line, Like that is like something out of 696 00:37:07,480 --> 00:37:12,760 Speaker 1: a movie. It really is. It's Hollywood. Hollywood couldn't write 697 00:37:12,800 --> 00:37:15,919 Speaker 1: something better than that. It's so good. It's so good, 698 00:37:16,000 --> 00:37:19,839 Speaker 1: It's so good. Another great tidbit about Anna's story is 699 00:37:20,120 --> 00:37:23,200 Speaker 1: just what a bold face scammer she was. One of 700 00:37:23,200 --> 00:37:25,520 Speaker 1: my favorite points is that the personal trainer that you 701 00:37:25,560 --> 00:37:28,239 Speaker 1: mentioned earlier, when Anna was still stuck in Marrakesh and 702 00:37:28,280 --> 00:37:31,000 Speaker 1: she had been low key scamming this woman, Anna didn't 703 00:37:31,000 --> 00:37:32,720 Speaker 1: have a way to get back to the United States, 704 00:37:32,760 --> 00:37:35,399 Speaker 1: so she asked if this woman could put a plane 705 00:37:35,400 --> 00:37:37,520 Speaker 1: ticket on her credit card and then Anna would quote 706 00:37:37,520 --> 00:37:39,359 Speaker 1: pay her back later, but we all know how that goes. 707 00:37:39,840 --> 00:37:42,520 Speaker 1: And the woman said, sure, I guess I will, and 708 00:37:42,560 --> 00:37:45,920 Speaker 1: Anna asked, can you get me first class? Which, again, 709 00:37:46,080 --> 00:37:50,200 Speaker 1: it's such a impressive display that it's hard for me 710 00:37:50,239 --> 00:37:53,000 Speaker 1: to not sort of love it. I think she she 711 00:37:53,200 --> 00:37:58,120 Speaker 1: really tapped into that kind of how people behave when 712 00:37:58,160 --> 00:38:00,759 Speaker 1: you are used to that type of money, that if 713 00:38:00,760 --> 00:38:03,600 Speaker 1: you're used to first class and you think money is 714 00:38:03,640 --> 00:38:06,840 Speaker 1: no big deal and that's just something you sort of expect, 715 00:38:07,400 --> 00:38:10,839 Speaker 1: you would ask for first class. I think she's sort 716 00:38:10,880 --> 00:38:14,920 Speaker 1: of understood this class of people pretty well, and she 717 00:38:14,960 --> 00:38:17,160 Speaker 1: played the role very well. Yeah, like I think she 718 00:38:17,280 --> 00:38:20,799 Speaker 1: I think you're right that she knew the markers of 719 00:38:20,880 --> 00:38:23,600 Speaker 1: how to make these people who were not moneyed but 720 00:38:23,640 --> 00:38:26,840 Speaker 1: who were in her orbit believe the scam. Like, you know, 721 00:38:27,239 --> 00:38:29,640 Speaker 1: it's like how magicians they have like a flashy thing 722 00:38:30,160 --> 00:38:32,000 Speaker 1: and that they know that you're going to your eye 723 00:38:32,040 --> 00:38:34,200 Speaker 1: is going to be drawn to it, but that it's 724 00:38:34,239 --> 00:38:36,880 Speaker 1: actually you know, a mister act. You know, it's like 725 00:38:36,960 --> 00:38:40,920 Speaker 1: these little things that make you believe in the scam. Yeah. Absolutely, 726 00:38:41,320 --> 00:38:43,560 Speaker 1: So we have a little bit more to talk about, 727 00:38:43,760 --> 00:38:45,480 Speaker 1: but we're going to pause for one more quick break 728 00:38:45,600 --> 00:38:59,040 Speaker 1: for word from our sponsor, and we're back, Thank you, sponsor. 729 00:38:59,760 --> 00:39:02,400 Speaker 1: So NeXT's version of this story kind of begins to 730 00:39:02,480 --> 00:39:04,520 Speaker 1: unravel the same way they did for Rachiel, which is 731 00:39:04,520 --> 00:39:06,520 Speaker 1: having to pick up a big bill for a price 732 00:39:06,560 --> 00:39:08,840 Speaker 1: e meal. Um, it sounds like they went on to 733 00:39:08,960 --> 00:39:11,040 Speaker 1: this big meal. The waiter came back to the station 734 00:39:11,080 --> 00:39:13,719 Speaker 1: and began entering the credit card numbers. So basically it 735 00:39:13,719 --> 00:39:15,960 Speaker 1: sounds like Anna gave him a bunch of credit card 736 00:39:16,000 --> 00:39:18,359 Speaker 1: numbers and had the waiter put a bunch of them 737 00:39:18,400 --> 00:39:19,840 Speaker 1: in to see if they would work, and none of 738 00:39:19,840 --> 00:39:22,640 Speaker 1: them did. Next says, I started to sweat because I 739 00:39:22,719 --> 00:39:24,799 Speaker 1: knew the bill was mine. The amount of the bill 740 00:39:24,840 --> 00:39:27,080 Speaker 1: was about three dollars, which isn't a lot of money 741 00:39:27,160 --> 00:39:29,279 Speaker 1: compared to the other bills that Anna was racking up, 742 00:39:29,560 --> 00:39:31,160 Speaker 1: but it was a lot of money for somebody like 743 00:39:31,280 --> 00:39:33,480 Speaker 1: Nef who ended up having to cover the bill, and 744 00:39:33,520 --> 00:39:35,759 Speaker 1: she says that doing so made her feel sick, but 745 00:39:35,880 --> 00:39:37,960 Speaker 1: after all the money Anna it spent on her, she 746 00:39:38,040 --> 00:39:41,680 Speaker 1: understood that it was her turn. Oh yeah, yeah, I can. 747 00:39:42,400 --> 00:39:44,000 Speaker 1: I can see that to you, Like, you don't want 748 00:39:44,040 --> 00:39:48,359 Speaker 1: to argue about money, necessarily with someone who has been 749 00:39:48,960 --> 00:39:51,719 Speaker 1: at least a your understanding paying for the bill up 750 00:39:51,760 --> 00:39:56,120 Speaker 1: and to that point, exactly, exactly, um, and yeah, that's 751 00:39:56,160 --> 00:39:58,760 Speaker 1: really when things sort of took a turn. And really, 752 00:39:58,800 --> 00:40:01,239 Speaker 1: for Nef, what I think is really the hard part 753 00:40:01,320 --> 00:40:05,279 Speaker 1: here was this idea that this was so intersected with 754 00:40:05,400 --> 00:40:08,239 Speaker 1: NeXT's work because she was staying at the hotel where 755 00:40:08,360 --> 00:40:11,799 Speaker 1: networked and so at one point they realized Anna has 756 00:40:11,800 --> 00:40:14,279 Speaker 1: no credit card on file and she'd basically been living 757 00:40:14,320 --> 00:40:17,399 Speaker 1: in this hotel and the management of the hotel came 758 00:40:17,400 --> 00:40:19,480 Speaker 1: to have to help her sort it out, and they 759 00:40:19,480 --> 00:40:22,160 Speaker 1: were like, yeah, did you did you know this person 760 00:40:22,239 --> 00:40:24,520 Speaker 1: was staying here without a credit card like blah blah blah. 761 00:40:24,600 --> 00:40:27,960 Speaker 1: And in a classic scammer move, when this was brought 762 00:40:28,160 --> 00:40:33,080 Speaker 1: up to Anna by Nef, Anna compensated by buying bottles 763 00:40:33,160 --> 00:40:37,200 Speaker 1: of expensive champagne for the hotel staff, thinking that like, oh, 764 00:40:37,239 --> 00:40:39,440 Speaker 1: if I get them a pricey gift, maybe little smooth 765 00:40:39,480 --> 00:40:42,759 Speaker 1: things over. Anna didn't pay, and eventually they locked her 766 00:40:42,760 --> 00:40:46,520 Speaker 1: out of her room. Again with Scott Frewer, that happened 767 00:40:46,520 --> 00:40:53,520 Speaker 1: to him too. Yes, more similarities, more similarities. So in April, 768 00:40:53,680 --> 00:40:56,320 Speaker 1: Anna deposited a hundred and sixty thou dollars with a 769 00:40:56,400 --> 00:40:58,719 Speaker 1: bad checks into the same account and something I was 770 00:40:58,760 --> 00:41:01,800 Speaker 1: able to withdraw seven eight thousand dollars from that account 771 00:41:01,840 --> 00:41:04,200 Speaker 1: before they were returned, and that's how she managed to 772 00:41:04,200 --> 00:41:07,880 Speaker 1: pay off her hotel. So again, really like moving money around, 773 00:41:08,480 --> 00:41:10,799 Speaker 1: using one scam to pay off another person that she 774 00:41:10,840 --> 00:41:14,120 Speaker 1: had scammed. And again keep in mind, Neff and Anna 775 00:41:14,200 --> 00:41:17,240 Speaker 1: were really cozy. They were buddy buddy, and Neff worked 776 00:41:17,280 --> 00:41:19,080 Speaker 1: at this hotel, so of course it got her into 777 00:41:19,120 --> 00:41:21,200 Speaker 1: all kinds of hot water with her job. I'm sure. 778 00:41:21,400 --> 00:41:23,920 Speaker 1: Nef writes in the cut that at one point they 779 00:41:23,920 --> 00:41:25,839 Speaker 1: called her into the office and they said, nev did 780 00:41:25,840 --> 00:41:28,800 Speaker 1: you know about this? She says she started dying laughing, 781 00:41:29,000 --> 00:41:30,719 Speaker 1: and she says that he thought it was kind of 782 00:41:30,719 --> 00:41:33,080 Speaker 1: a boss move, So not what I really see eye 783 00:41:33,120 --> 00:41:35,359 Speaker 1: to eye here in a kind of way where even 784 00:41:35,360 --> 00:41:40,719 Speaker 1: though it's a massive scam, you kind of gotta respect it. Yeah, 785 00:41:40,880 --> 00:41:44,600 Speaker 1: it's pretty impressive, just the level of it, the scale, 786 00:41:44,640 --> 00:41:47,560 Speaker 1: and to have so many people sort of pulled into it. 787 00:41:48,000 --> 00:41:50,200 Speaker 1: There's a part of part of you that sort of 788 00:41:50,200 --> 00:41:53,480 Speaker 1: has to has to respect. I gotta give credit where 789 00:41:53,520 --> 00:41:56,719 Speaker 1: credit is due on this one. So later Anna deposited 790 00:41:56,719 --> 00:41:59,560 Speaker 1: too bad checks into an account she had at Signature Bank, 791 00:41:59,680 --> 00:42:02,279 Speaker 1: netting or eight thousand, two hundred dollars, and this is 792 00:42:02,280 --> 00:42:04,080 Speaker 1: how she ended up being able to take what she 793 00:42:04,160 --> 00:42:08,280 Speaker 1: called a planned trip to California, where she was arrested 794 00:42:08,320 --> 00:42:11,439 Speaker 1: outside of passages in Malibu and brought back to New York, 795 00:42:11,640 --> 00:42:14,120 Speaker 1: where she would faced six counts of grand larceny and 796 00:42:14,160 --> 00:42:17,720 Speaker 1: attempted grand larceny in addition to theft of services, according 797 00:42:17,719 --> 00:42:20,960 Speaker 1: to the indictment, and the cut got to the real 798 00:42:21,080 --> 00:42:24,560 Speaker 1: Anna behind the scam. Anna Sarkin, who was born in 799 00:42:24,640 --> 00:42:27,000 Speaker 1: Russia in nineteen ninety one and moved to Germany in 800 00:42:27,000 --> 00:42:29,399 Speaker 1: two thousand seven, when she was sixteen with her younger 801 00:42:29,440 --> 00:42:34,000 Speaker 1: brother and her parents. Anna attended high school in Aischfeiler, 802 00:42:34,160 --> 00:42:37,680 Speaker 1: a small working class town sixty kilometers outside of Colonia 803 00:42:37,800 --> 00:42:41,560 Speaker 1: near the Belgium and Dutch border. She's not actually an heiress. 804 00:42:42,160 --> 00:42:44,279 Speaker 1: Her dad worked as a chuck driver and later as 805 00:42:44,320 --> 00:42:47,680 Speaker 1: an executive at a transport company until it became insolvent 806 00:42:47,800 --> 00:42:50,840 Speaker 1: in two thousand thirteen, whereupon he opened a heating and 807 00:42:50,880 --> 00:42:55,160 Speaker 1: cooling business specializing in energy efficient devices. So even though 808 00:42:55,200 --> 00:42:58,040 Speaker 1: there was no truth to her being this rich German heiress, 809 00:42:58,120 --> 00:43:00,239 Speaker 1: I think a lot of Americans, myself and Clue did 810 00:43:00,440 --> 00:43:04,319 Speaker 1: probably know so little about Germany that if she said, oh, 811 00:43:04,320 --> 00:43:07,320 Speaker 1: I'm from this like small town in Germany, it was 812 00:43:07,440 --> 00:43:09,200 Speaker 1: even that even if you knew that town was not, 813 00:43:09,360 --> 00:43:11,560 Speaker 1: you know, fancy and wealthy, it sounds like a working 814 00:43:11,560 --> 00:43:14,560 Speaker 1: class town, you might buy into it a little bit like, oh, 815 00:43:14,560 --> 00:43:17,640 Speaker 1: she says she's from this town in Germany sounds fancy. Well, 816 00:43:17,680 --> 00:43:20,880 Speaker 1: it's kind of funny because I think it also plays 817 00:43:20,960 --> 00:43:24,440 Speaker 1: on the fear that we all have of looking stupid, 818 00:43:24,600 --> 00:43:28,879 Speaker 1: right or being embarrassed. You want to sound like, oh, sure, 819 00:43:28,920 --> 00:43:31,680 Speaker 1: I know where that is, Like you're educated and you're 820 00:43:31,719 --> 00:43:34,799 Speaker 1: aware of that world. You don't want to admit that 821 00:43:34,880 --> 00:43:39,759 Speaker 1: you don't know something. So it kind of plays on 822 00:43:39,840 --> 00:43:42,960 Speaker 1: just the human nature of trying to to fit in 823 00:43:43,080 --> 00:43:47,000 Speaker 1: and sound intelligent in front of people. Well, that actually 824 00:43:47,000 --> 00:43:49,880 Speaker 1: reminds me of another scammer couple that I love, the 825 00:43:49,960 --> 00:43:53,960 Speaker 1: couple that scammed their way into the Obama administration's state dinner. 826 00:43:54,120 --> 00:43:58,000 Speaker 1: So their last name was Salahi, and somebody wrote that 827 00:43:58,280 --> 00:44:00,239 Speaker 1: because this was a state dinner and you had of 828 00:44:00,280 --> 00:44:03,919 Speaker 1: like foreign diplomats and foreign important people, because their name 829 00:44:04,400 --> 00:44:07,200 Speaker 1: sounds a little bit like import, can important, it could 830 00:44:07,239 --> 00:44:10,400 Speaker 1: be the name of an important couple from abroad. That 831 00:44:10,400 --> 00:44:12,040 Speaker 1: that was one of the reasons they were able to 832 00:44:12,160 --> 00:44:15,840 Speaker 1: scam their way into this dinner so easily, because nobody 833 00:44:15,880 --> 00:44:18,319 Speaker 1: wants to look at the doorman who is giving this 834 00:44:18,600 --> 00:44:21,400 Speaker 1: important foreign couple a hard time, So maybe it's just 835 00:44:21,480 --> 00:44:23,319 Speaker 1: better to just let them in, even though they aren't 836 00:44:23,320 --> 00:44:26,040 Speaker 1: an important couple. But you know that that idea of 837 00:44:26,080 --> 00:44:29,600 Speaker 1: not wanting to a embarrass somebody who was important or 838 00:44:29,680 --> 00:44:32,360 Speaker 1: be be embarrassed because you didn't know who this important 839 00:44:32,360 --> 00:44:36,440 Speaker 1: person was definitely feeds into it. Sure, And like a 840 00:44:36,600 --> 00:44:40,640 Speaker 1: fear of being called out on your your ignorance on 841 00:44:40,760 --> 00:44:43,440 Speaker 1: something or causing like a kind of a scene. I 842 00:44:43,480 --> 00:44:46,960 Speaker 1: can completely understand wanting to avoid that and just going 843 00:44:46,960 --> 00:44:52,200 Speaker 1: along with it and then finding out that, uh, it 844 00:44:52,320 --> 00:44:55,759 Speaker 1: was all a big, a big lie. So another thing 845 00:44:55,800 --> 00:44:58,960 Speaker 1: I love about this whole an a situation is that 846 00:44:59,000 --> 00:45:02,279 Speaker 1: when the cut inner you her from prison, she still 847 00:45:02,320 --> 00:45:05,640 Speaker 1: sort of maintained that this these grand ideas opening this 848 00:45:05,760 --> 00:45:08,600 Speaker 1: fancy art club for rich people. She still maintains that 849 00:45:09,040 --> 00:45:11,319 Speaker 1: they were actual plans that she had. They weren't. There 850 00:45:11,360 --> 00:45:14,640 Speaker 1: wasn't a scam. She actually believed that she could move 851 00:45:14,719 --> 00:45:17,560 Speaker 1: enough money around and fund this thing and make all 852 00:45:17,560 --> 00:45:22,160 Speaker 1: the money back. Yeah, and uh, if it's true, it's 853 00:45:22,160 --> 00:45:25,120 Speaker 1: always a more believable story if there is a little 854 00:45:25,120 --> 00:45:27,160 Speaker 1: bit of truth to it, you know, if there's like 855 00:45:27,640 --> 00:45:30,720 Speaker 1: just a peppery ing of of true things in there. 856 00:45:31,200 --> 00:45:33,440 Speaker 1: That's the crux of any good scam is a little 857 00:45:33,480 --> 00:45:37,279 Speaker 1: bit of truth. Yes, exactly. So this line at the 858 00:45:37,320 --> 00:45:40,600 Speaker 1: cut I think crystallizes for me why this is such 859 00:45:40,640 --> 00:45:44,880 Speaker 1: a fascinating story. They're right about her her grand plans 860 00:45:44,920 --> 00:45:47,960 Speaker 1: to open this art club. They right. Maybe it could 861 00:45:47,960 --> 00:45:51,080 Speaker 1: have happened in this city where enormous amounts of invisible 862 00:45:51,080 --> 00:45:54,319 Speaker 1: money trade hands every day, where glass towers are built 863 00:45:54,360 --> 00:45:57,400 Speaker 1: on paperwork promises. Why not if Abby rose In, the 864 00:45:57,400 --> 00:45:59,880 Speaker 1: son of Holocaust survivors, could come to New York and 865 00:46:00,040 --> 00:46:03,400 Speaker 1: feel skyscrapers full of art, if the Kardashians could build 866 00:46:03,400 --> 00:46:05,920 Speaker 1: a billion dollar empire out of literally nothing, if a 867 00:46:05,920 --> 00:46:08,680 Speaker 1: movie star like Dakota Johnson could sculpt her ask so 868 00:46:08,719 --> 00:46:11,040 Speaker 1: that it could become the anchor of a major franchise, 869 00:46:11,080 --> 00:46:13,600 Speaker 1: why couldn't Anna Delvie. During the course of my reporting, 870 00:46:13,840 --> 00:46:17,280 Speaker 1: people kept asking why this girl. She wasn't super hot, 871 00:46:17,480 --> 00:46:20,680 Speaker 1: they pointed out, or super charming. She wasn't even very nice. 872 00:46:20,800 --> 00:46:23,479 Speaker 1: How did she manage to convince an enormous amount of cool, 873 00:46:23,600 --> 00:46:26,960 Speaker 1: successful people that she was something she clearly wasn't. Watching 874 00:46:26,960 --> 00:46:30,040 Speaker 1: the riker's guard shoved Fast Company into a Manila envelope, 875 00:46:30,280 --> 00:46:32,360 Speaker 1: I realized what Anna had in common with the people 876 00:46:32,360 --> 00:46:34,960 Speaker 1: that she'd been studying on the pages about magazine. She 877 00:46:35,040 --> 00:46:37,360 Speaker 1: saw something others didn't. Anna looked at the soul of 878 00:46:37,360 --> 00:46:39,600 Speaker 1: New York and recognize that if you distract people with 879 00:46:39,640 --> 00:46:42,880 Speaker 1: shiny objects, with large wads of cash, with the indica 880 00:46:42,960 --> 00:46:45,279 Speaker 1: of wealth, if you show them the money, they will 881 00:46:45,320 --> 00:46:48,359 Speaker 1: be virtually unable to see anything else. And the thing was, 882 00:46:48,840 --> 00:46:53,320 Speaker 1: it was so easy. I love that quote so much 883 00:46:53,600 --> 00:46:56,800 Speaker 1: because I think it's true. I mean, Anna Deelvie scammed 884 00:46:56,840 --> 00:46:59,000 Speaker 1: her friends, a lot of whom didn't really have that 885 00:46:59,080 --> 00:47:01,440 Speaker 1: much money to begin with. And side note, we actually 886 00:47:01,440 --> 00:47:04,799 Speaker 1: don't even know the depths of her scams. But when 887 00:47:04,800 --> 00:47:07,040 Speaker 1: you look at like it does kind of make you 888 00:47:07,080 --> 00:47:10,080 Speaker 1: think is in America kind of one big scam? And 889 00:47:10,160 --> 00:47:12,080 Speaker 1: in a kind of way, that is one of the 890 00:47:12,080 --> 00:47:14,840 Speaker 1: reasons why we're so fascinated by her story and stories 891 00:47:14,880 --> 00:47:17,560 Speaker 1: like hers, because we see people sort of scammed their 892 00:47:17,640 --> 00:47:20,719 Speaker 1: way into success all the time, and in a kind 893 00:47:20,719 --> 00:47:23,120 Speaker 1: of way, it just seems like what this country is 894 00:47:23,160 --> 00:47:26,759 Speaker 1: built on. Yeah, I love that quote too, and it's 895 00:47:26,840 --> 00:47:29,600 Speaker 1: sort of reminds me of um. Every time I go 896 00:47:29,680 --> 00:47:32,120 Speaker 1: to Las Vegas, I have a weird it's just a 897 00:47:32,160 --> 00:47:37,040 Speaker 1: weird feeling and being there that I can't look away from. This. 898 00:47:37,040 --> 00:47:44,840 Speaker 1: This is like humanity and its basis like pleasure, entertainment seeking. 899 00:47:46,040 --> 00:47:48,680 Speaker 1: It's really hard to describe, but I think that Anna 900 00:47:48,840 --> 00:47:51,640 Speaker 1: was able to tap into if you do have a 901 00:47:51,680 --> 00:47:55,320 Speaker 1: large amounts of cash or shiny things to distract people 902 00:47:55,400 --> 00:47:57,680 Speaker 1: that we are so hung up on this, and it's 903 00:47:57,680 --> 00:48:02,480 Speaker 1: sort of like reveals the superficial aspect of humanity that 904 00:48:03,360 --> 00:48:08,280 Speaker 1: is both fascinating and kind of upsetting. It's a really 905 00:48:08,320 --> 00:48:12,759 Speaker 1: interesting dichotomy. Definitely. I'm sure folks are so tired of 906 00:48:12,800 --> 00:48:15,400 Speaker 1: hearing me make this connection. But I do think there's 907 00:48:15,400 --> 00:48:17,560 Speaker 1: a little bit of a social media aspect to this, 908 00:48:17,680 --> 00:48:22,640 Speaker 1: because Anta Gelity's Instagram is still up and she has 909 00:48:22,920 --> 00:48:25,759 Speaker 1: the artifice of someone living the lifestyle of like a 910 00:48:26,600 --> 00:48:31,759 Speaker 1: of a mysterious, wealthy, traveling you know, rich girl. She 911 00:48:31,880 --> 00:48:34,279 Speaker 1: has that down so well. And I think it's what 912 00:48:34,280 --> 00:48:37,280 Speaker 1: you're saying. It's like, if you could have the trappings 913 00:48:37,320 --> 00:48:40,640 Speaker 1: of wealth and that sort of shiny artifice of wealth, 914 00:48:41,320 --> 00:48:45,040 Speaker 1: that really it can be so distracting that even though 915 00:48:45,080 --> 00:48:47,400 Speaker 1: you know it's not real, you kind of let yourself 916 00:48:47,400 --> 00:48:49,480 Speaker 1: believe it. And I think that's what Anna traffic in. 917 00:48:49,920 --> 00:48:52,920 Speaker 1: Even though we know, like there is no free lunch. 918 00:48:53,200 --> 00:48:57,000 Speaker 1: If someone befriends you and says they're going to whisk 919 00:48:57,080 --> 00:49:00,800 Speaker 1: you away to Morocco for free, as probably not true, 920 00:49:01,120 --> 00:49:03,239 Speaker 1: but it feels so good to believe that you could 921 00:49:03,239 --> 00:49:05,200 Speaker 1: live a life like that. I just This really just 922 00:49:05,239 --> 00:49:07,000 Speaker 1: reminds me of my times living in New York when 923 00:49:07,040 --> 00:49:09,439 Speaker 1: I would just look at these these these young women 924 00:49:09,480 --> 00:49:11,360 Speaker 1: who were the same age that I was, and I 925 00:49:11,400 --> 00:49:14,919 Speaker 1: would want their life so badly. I'll never forget this time. 926 00:49:15,080 --> 00:49:17,080 Speaker 1: I had to go to Kinkos to fill because I 927 00:49:17,120 --> 00:49:19,600 Speaker 1: was filling out this paperwork and it was this really 928 00:49:19,640 --> 00:49:23,160 Speaker 1: intense like involved having to get things copied and triplicate 929 00:49:23,280 --> 00:49:24,880 Speaker 1: and all of this, so I had to go to Kinkos. 930 00:49:25,600 --> 00:49:28,080 Speaker 1: Kinkos was a little bit far away through my apartment, 931 00:49:28,080 --> 00:49:30,680 Speaker 1: and the subway wasn't working, and so the only subway 932 00:49:30,719 --> 00:49:32,960 Speaker 1: that I could take to get there was was not working. 933 00:49:33,280 --> 00:49:34,920 Speaker 1: So I had to walk. And so I walked. It 934 00:49:34,960 --> 00:49:37,759 Speaker 1: was like a few miles and the hot, hot sun, 935 00:49:38,160 --> 00:49:41,480 Speaker 1: and when I got to Kinkos, it was closed, and 936 00:49:41,800 --> 00:49:46,799 Speaker 1: I was like overcome with this feeling of dread and 937 00:49:47,640 --> 00:49:51,560 Speaker 1: sort of turmoil. And I turned around to go back 938 00:49:51,600 --> 00:49:53,520 Speaker 1: to you know, walk back home because there was no 939 00:49:53,560 --> 00:49:55,319 Speaker 1: way other way to get home. I couldn't afford a cab, 940 00:49:55,600 --> 00:49:58,240 Speaker 1: the train was down. What was it? When I turned around, 941 00:49:58,280 --> 00:50:00,920 Speaker 1: I turned around too quickly and I I ran smack 942 00:50:01,000 --> 00:50:03,000 Speaker 1: dab into a road sign and it broke my glasses 943 00:50:04,520 --> 00:50:06,680 Speaker 1: and so so I sat down on this stoop in 944 00:50:06,719 --> 00:50:10,239 Speaker 1: Williamsburg and somebody opened the window of the stoop I 945 00:50:10,280 --> 00:50:12,040 Speaker 1: was sitting at, and I was like, can you leave? 946 00:50:12,200 --> 00:50:15,160 Speaker 1: Can you not sit on my stoop? And right in 947 00:50:15,280 --> 00:50:21,480 Speaker 1: that moment, this black car full of beautiful, thin young girls, 948 00:50:21,640 --> 00:50:24,160 Speaker 1: probably my same age, got out of this car, and 949 00:50:24,200 --> 00:50:27,239 Speaker 1: they were impeccably dressed. They were like hipster sheek, they 950 00:50:27,239 --> 00:50:31,600 Speaker 1: were laughing, were the epitome of Brooklyn care free. And 951 00:50:31,800 --> 00:50:35,359 Speaker 1: I remember thinking, we live in two different cities. At 952 00:50:35,360 --> 00:50:37,760 Speaker 1: that moment felt so I just felt I've never felt 953 00:50:37,920 --> 00:50:41,800 Speaker 1: dirtier or sweatier, or grosser or more sort of down 954 00:50:41,840 --> 00:50:44,759 Speaker 1: on my luck. I want to be clear, there are 955 00:50:44,760 --> 00:50:47,160 Speaker 1: people who are living much, much harder lives, and I 956 00:50:47,200 --> 00:50:49,560 Speaker 1: was living in Brooklyn, but in that moment I felt 957 00:50:49,680 --> 00:50:52,960 Speaker 1: very down. And seeing this, these glittering girls who just 958 00:50:53,000 --> 00:50:56,279 Speaker 1: seemed to float on air getting out of a town car, 959 00:50:56,400 --> 00:51:00,160 Speaker 1: like like a private town car, I just remember oneing 960 00:51:00,719 --> 00:51:04,160 Speaker 1: that so badly, so badly, wanting to know what that 961 00:51:04,239 --> 00:51:06,359 Speaker 1: life would be like to just wherever you wanted to go. 962 00:51:07,040 --> 00:51:09,480 Speaker 1: There's a it's just the town car away, you know what. 963 00:51:09,520 --> 00:51:11,600 Speaker 1: I'm sure these girls have problems. I was definitely projecting 964 00:51:11,640 --> 00:51:14,040 Speaker 1: my own stuff on them. But I see that in Anna, 965 00:51:14,160 --> 00:51:16,920 Speaker 1: where you know, a Vanity Fair photo editor who makes 966 00:51:16,920 --> 00:51:19,480 Speaker 1: sixty grand a year in one of the most expensive 967 00:51:19,520 --> 00:51:23,200 Speaker 1: cities in the world probably sees someone like Anna and 968 00:51:23,280 --> 00:51:29,120 Speaker 1: what they offer as so just intoxicating and the idea 969 00:51:29,120 --> 00:51:31,960 Speaker 1: that you could that you could be within grasp of it. 970 00:51:32,480 --> 00:51:34,680 Speaker 1: I don't blame anybody for getting caught up in her 971 00:51:34,719 --> 00:51:38,640 Speaker 1: in her whirlwind. No, I don't either. It's like a 972 00:51:38,680 --> 00:51:43,000 Speaker 1: tale of two cities. For these are modern times. It 973 00:51:43,120 --> 00:51:45,120 Speaker 1: is though. I know, I know people are thinking, like, 974 00:51:45,160 --> 00:51:46,640 Speaker 1: why did you do a whole episode on this, but 975 00:51:46,680 --> 00:51:50,839 Speaker 1: it is. It really demonstrates a lot of class aspiration 976 00:51:51,000 --> 00:51:55,200 Speaker 1: and sort of the perversion of class aspiration. I think, yeah, 977 00:51:55,360 --> 00:51:59,240 Speaker 1: I think you're completely correct. So that's been our first 978 00:51:59,280 --> 00:52:02,560 Speaker 1: and what will probably belivia a mini series on scammers. Oh, 979 00:52:02,640 --> 00:52:04,759 Speaker 1: you know, I could talk scammers all day. There was 980 00:52:04,800 --> 00:52:08,080 Speaker 1: one time I was I was watching this documentary on 981 00:52:08,200 --> 00:52:10,680 Speaker 1: Netflix and somebody came over to my house and I 982 00:52:10,760 --> 00:52:13,239 Speaker 1: was like, oh, I've been trying to watch this documentary 983 00:52:13,280 --> 00:52:17,120 Speaker 1: on on wine on Netflix for so long, and he 984 00:52:17,200 --> 00:52:20,279 Speaker 1: was like, documentary about wine on Netflix. That does not 985 00:52:20,400 --> 00:52:23,360 Speaker 1: sound like something that you'd be into. And I was like, oh, actually, 986 00:52:23,360 --> 00:52:26,279 Speaker 1: it's about this wine scammer who ended up scamming all 987 00:52:26,280 --> 00:52:29,680 Speaker 1: these fancy wine types and buying like counterfeit wine. And 988 00:52:29,680 --> 00:52:31,640 Speaker 1: he said, oh that sounds that sounds right. I was 989 00:52:31,640 --> 00:52:34,319 Speaker 1: figuring you would not be watching just a straight by 990 00:52:34,320 --> 00:52:37,200 Speaker 1: the books documentary about wine. Somebody would have to be 991 00:52:37,239 --> 00:52:43,319 Speaker 1: getting scammed for you to be interested. Well, if your 992 00:52:43,320 --> 00:52:47,680 Speaker 1: listeners have any suggestions for um for scammers that we 993 00:52:47,719 --> 00:52:51,480 Speaker 1: should talk about, please send them to us. And if 994 00:52:51,520 --> 00:52:54,520 Speaker 1: you're a scammer, if you're currently scamming, give us a call. 995 00:52:54,600 --> 00:52:59,440 Speaker 1: Well let's talk. Let's talk about your scams. Yes, Ridgid 996 00:52:59,520 --> 00:53:03,800 Speaker 1: Bridget love love more more than anything to your from you. Yeah. 997 00:53:03,840 --> 00:53:06,600 Speaker 1: And in the meantime, let's talk about some the list 998 00:53:06,680 --> 00:53:13,600 Speaker 1: No male Okay. Jacqueline wrote sports Fandom Slash This is 999 00:53:13,600 --> 00:53:16,920 Speaker 1: about our fan fiction episode. It exists. Our PF is 1000 00:53:16,960 --> 00:53:20,200 Speaker 1: not slowly limited to one direction. I myself these days 1001 00:53:20,200 --> 00:53:22,560 Speaker 1: tend to read and write football RPF. I think our 1002 00:53:22,600 --> 00:53:25,600 Speaker 1: demographics plants a little bit older than average. Most folks 1003 00:53:25,600 --> 00:53:27,400 Speaker 1: I know in it are in the mid twenties to 1004 00:53:27,440 --> 00:53:30,520 Speaker 1: mid thirties. I also know people who write a lot 1005 00:53:30,520 --> 00:53:32,640 Speaker 1: of hockey RPF, but I don't follow hockey enough to 1006 00:53:32,640 --> 00:53:35,720 Speaker 1: really know more than some of the main players and ships. 1007 00:53:36,080 --> 00:53:38,440 Speaker 1: In both cases, though, I think, in addition to exploring 1008 00:53:38,480 --> 00:53:42,480 Speaker 1: everything you mentioned about deeper relationships between folks we already 1009 00:53:42,480 --> 00:53:47,480 Speaker 1: see in Cannon, there's something kind of interesting about exploring masculinity, 1010 00:53:47,520 --> 00:53:50,919 Speaker 1: issues of homophobia, and very public life, particularly in exclusively 1011 00:53:51,000 --> 00:53:53,359 Speaker 1: male spaces. Maybe I like pretending to be a fly 1012 00:53:53,400 --> 00:53:55,319 Speaker 1: on the wall. I don't know, but that's definitely part 1013 00:53:55,360 --> 00:53:58,200 Speaker 1: of it. There's also a contingent who writes film slash, 1014 00:53:58,280 --> 00:54:02,000 Speaker 1: usually about the American women's national team. Women's football outside 1015 00:54:02,000 --> 00:54:04,319 Speaker 1: of US w n T tends to be pretty small 1016 00:54:04,360 --> 00:54:06,600 Speaker 1: fandom generally, so if you like me and follow Brazil 1017 00:54:06,800 --> 00:54:09,600 Speaker 1: w NT or Chelsea Ladies, you're just s o l. 1018 00:54:10,080 --> 00:54:12,560 Speaker 1: It's interesting because my academic research has put me in 1019 00:54:12,600 --> 00:54:15,799 Speaker 1: contact with several professional footballers, some of whom appear periodically 1020 00:54:15,800 --> 00:54:17,799 Speaker 1: and fick. The ones I know aren't that famous, but 1021 00:54:17,840 --> 00:54:19,560 Speaker 1: it's happened, and they definitely know. Some of the guys 1022 00:54:19,600 --> 00:54:22,960 Speaker 1: who regularly star logically be kind of weird. There's a 1023 00:54:22,960 --> 00:54:27,000 Speaker 1: really firm separation and compartmentalization, and the fandom between ships 1024 00:54:27,000 --> 00:54:30,960 Speaker 1: pick and real life characterization is thick. Is mostly drawn 1025 00:54:31,000 --> 00:54:33,799 Speaker 1: from interviews and social media personalities. But I don't think 1026 00:54:33,840 --> 00:54:37,360 Speaker 1: anyone thinks, oh boy, I don't know much about sports. 1027 00:54:37,840 --> 00:54:42,400 Speaker 1: These two sports folks are secretly in love or whatever 1028 00:54:42,560 --> 00:54:45,520 Speaker 1: present them with slash fan works in person, which I 1029 00:54:45,560 --> 00:54:47,520 Speaker 1: suppose does make it a bit different from some live 1030 00:54:47,560 --> 00:54:50,759 Speaker 1: action fandoms like Supernatural or Avengers. Maybe a year ago 1031 00:54:50,840 --> 00:54:52,840 Speaker 1: there was actually a bit of panic when an editor 1032 00:54:52,880 --> 00:54:55,480 Speaker 1: from dead Spin wanted to do an article on football 1033 00:54:55,560 --> 00:54:59,640 Speaker 1: RPF centered around New York City FC players. This led 1034 00:54:59,680 --> 00:55:02,040 Speaker 1: to me and some other folks I know changing the 1035 00:55:02,080 --> 00:55:05,560 Speaker 1: privacy settings on some postings on AOH three. Happily, I 1036 00:55:05,560 --> 00:55:08,160 Speaker 1: think the article was dropped. While I don't think many 1037 00:55:08,160 --> 00:55:11,080 Speaker 1: of us are ashamed of our writing hobby per se, 1038 00:55:11,200 --> 00:55:14,160 Speaker 1: sports fandom can get super toxic, and our little corner 1039 00:55:14,200 --> 00:55:17,440 Speaker 1: AO three and Tumbler tends to be pretty much troll free. 1040 00:55:17,760 --> 00:55:20,760 Speaker 1: The concern was that added attention from say, our slash 1041 00:55:20,760 --> 00:55:24,560 Speaker 1: shocker would lead to writers being harassed. I don't know 1042 00:55:24,600 --> 00:55:27,759 Speaker 1: if that concern was really logical, but hey, like the 1043 00:55:27,800 --> 00:55:30,520 Speaker 1: rest of fan fiction, football RPF is very much produced 1044 00:55:30,560 --> 00:55:33,719 Speaker 1: and consumed by women and non binary folks. The few 1045 00:55:33,760 --> 00:55:36,200 Speaker 1: cis gender men I know who exist around it, and 1046 00:55:36,239 --> 00:55:38,960 Speaker 1: I don't even think these two right are gay. And 1047 00:55:39,040 --> 00:55:40,799 Speaker 1: this was in the wake of gamer Gates, so I 1048 00:55:40,800 --> 00:55:44,120 Speaker 1: think everyone on the internet was still on high alert. Naturally, 1049 00:55:44,160 --> 00:55:46,439 Speaker 1: most of us have been put through the fake geek 1050 00:55:46,480 --> 00:55:49,840 Speaker 1: girl test at least once. We all have individual horror stories, 1051 00:55:49,880 --> 00:55:52,040 Speaker 1: but usually they go something along the lines of some 1052 00:55:52,120 --> 00:55:54,560 Speaker 1: dude at a pub thinking we're only there for a boyfriend, 1053 00:55:55,360 --> 00:55:57,200 Speaker 1: or if we are there alone, it's only because the 1054 00:55:57,239 --> 00:56:00,160 Speaker 1: players are cute. Ironically, the folks that produce fit in 1055 00:56:00,160 --> 00:56:02,720 Speaker 1: this fandom are some of the biggest tactics and history 1056 00:56:02,760 --> 00:56:05,400 Speaker 1: nerds I know. If some dude really wants to quiz 1057 00:56:05,440 --> 00:56:08,040 Speaker 1: them on who was in the typical Manchester United starting 1058 00:56:08,040 --> 00:56:11,840 Speaker 1: eleven in, I say go for it. Jokes on you, 1059 00:56:12,120 --> 00:56:14,640 Speaker 1: random public ads. I dragged my male friends to matches 1060 00:56:14,680 --> 00:56:17,280 Speaker 1: from my clubs and I can all go in Hazard's bubble, 1061 00:56:17,320 --> 00:56:21,040 Speaker 1: but while still knowing when he's offside and that drys 1062 00:56:21,120 --> 00:56:25,719 Speaker 1: Marten's is the superior Belgian striker. I totally butchered that name. 1063 00:56:25,880 --> 00:56:29,800 Speaker 1: Apologies at any rate, Female football fans are often victims 1064 00:56:29,800 --> 00:56:32,680 Speaker 1: of gate keeping, not unlike female fans and more traditionally 1065 00:56:32,719 --> 00:56:35,279 Speaker 1: geek spaces. But I wouldn't try it with the fan 1066 00:56:35,400 --> 00:56:38,560 Speaker 1: fake writers. They You know, there's anyway this has gotten 1067 00:56:38,600 --> 00:56:40,840 Speaker 1: long if you've made it through many things for your patients. 1068 00:56:40,880 --> 00:56:42,680 Speaker 1: I really enjoy the women in queer folks side of 1069 00:56:42,719 --> 00:56:45,400 Speaker 1: football fandom, and I always love sharing it with interested parties. 1070 00:56:45,680 --> 00:56:48,200 Speaker 1: It's been incredibly supportive and a wonderful way to meet 1071 00:56:48,239 --> 00:56:52,759 Speaker 1: folks from all over the world. Wow, that is fascinating. Yeah, 1072 00:56:52,760 --> 00:56:56,040 Speaker 1: I just I thought that was really interesting because I 1073 00:56:56,080 --> 00:56:59,399 Speaker 1: cannot only imagine, uh kind of the intersection of fan 1074 00:56:59,480 --> 00:57:03,160 Speaker 1: fiction and sports fandom can get pretty toxic, and I'm 1075 00:57:03,200 --> 00:57:05,279 Speaker 1: happy to hear that there are these pockets on the 1076 00:57:05,320 --> 00:57:09,200 Speaker 1: Internet that have gotten away from that, and it sounds 1077 00:57:09,280 --> 00:57:12,359 Speaker 1: fascinating to me. Yeah, of course people out there are 1078 00:57:12,360 --> 00:57:15,920 Speaker 1: writing fan fiction about athletes. This never occurred to me, 1079 00:57:15,960 --> 00:57:17,520 Speaker 1: but as soon as we read the email, I thought, well, 1080 00:57:17,520 --> 00:57:19,760 Speaker 1: of course people are doing, Matt, of course they are. 1081 00:57:20,120 --> 00:57:23,000 Speaker 1: I love it. Yeah, I do too, Um, and please 1082 00:57:23,080 --> 00:57:25,840 Speaker 1: keep sending in everyone who's sent in their fan fiction, 1083 00:57:26,640 --> 00:57:31,520 Speaker 1: thank you, and please keep them coming. Please do next 1084 00:57:31,640 --> 00:57:34,720 Speaker 1: letter Nicole wrote, I was so excited to listen to 1085 00:57:34,720 --> 00:57:37,200 Speaker 1: this two parter on fan fiction. Well, I read a 1086 00:57:37,200 --> 00:57:39,000 Speaker 1: little fan fiction as a team. I am now in 1087 00:57:39,040 --> 00:57:41,040 Speaker 1: my mid twenties and I've recently begun to write some 1088 00:57:41,080 --> 00:57:44,120 Speaker 1: fan fiction because I find it fun, relaxing, creative outlet, 1089 00:57:44,200 --> 00:57:46,640 Speaker 1: and good practice providing my own original fiction as well. 1090 00:57:47,200 --> 00:57:49,320 Speaker 1: You touched a little on how women can explore their 1091 00:57:49,320 --> 00:57:52,200 Speaker 1: sexuality through fan fiction, and I wanted to share my 1092 00:57:52,240 --> 00:57:54,840 Speaker 1: own experiences. Well, I have not read any fan fiction 1093 00:57:54,840 --> 00:57:57,880 Speaker 1: of a sexual content, identify as bisexual, and I recently 1094 00:57:57,920 --> 00:57:59,760 Speaker 1: married to a great guy I had been with the 1095 00:57:59,840 --> 00:58:02,160 Speaker 1: most my adult life. I have found that the more 1096 00:58:02,280 --> 00:58:04,680 Speaker 1: quote smutty fan fiction is a way to express and 1097 00:58:04,720 --> 00:58:08,080 Speaker 1: acknowledge the aspects of my sexuality that fall outside of 1098 00:58:08,120 --> 00:58:11,920 Speaker 1: my headtero monogamous relationship. Through the safe, independent medium of 1099 00:58:11,920 --> 00:58:14,840 Speaker 1: reading fanfic, I have also learned about many different kinks 1100 00:58:14,880 --> 00:58:16,480 Speaker 1: that I have discovered new ones I have brought in 1101 00:58:16,520 --> 00:58:18,880 Speaker 1: a conversation with my husband, and we both agree it 1102 00:58:18,880 --> 00:58:20,959 Speaker 1: has supported us and being more open and more sex 1103 00:58:21,000 --> 00:58:23,960 Speaker 1: positive than we were raised to be. Recently, a thirteen 1104 00:58:24,040 --> 00:58:26,360 Speaker 1: year old female friend of the family was caught reading 1105 00:58:26,360 --> 00:58:29,480 Speaker 1: some sexually explicit thick on her what Pad account, and 1106 00:58:29,520 --> 00:58:31,640 Speaker 1: I felt the reaction of her parents was a little shaming, 1107 00:58:32,280 --> 00:58:34,880 Speaker 1: including banning or from the account and sharing their concerns 1108 00:58:34,880 --> 00:58:37,560 Speaker 1: with others. There is certainly some smutty thick out there 1109 00:58:37,600 --> 00:58:40,560 Speaker 1: that is questionable, such as incest. Pis much of its 1110 00:58:40,600 --> 00:58:42,920 Speaker 1: more sexuality in a healthy way, and often in a 1111 00:58:42,960 --> 00:58:46,160 Speaker 1: way that acknowledges emotional aspects of sex as well. I 1112 00:58:46,200 --> 00:58:48,520 Speaker 1: think in this way, explicit fan thic might just be 1113 00:58:48,640 --> 00:58:52,160 Speaker 1: one more positive way to explore sexuality than most porn, 1114 00:58:52,280 --> 00:58:54,480 Speaker 1: which is certainly something that many parents would struggle that 1115 00:58:54,560 --> 00:58:56,320 Speaker 1: they had caught a son rather than a daughter looking 1116 00:58:56,320 --> 00:58:59,240 Speaker 1: at ps. Your comment at the end of part two 1117 00:58:59,280 --> 00:59:01,320 Speaker 1: about making lemon date out of lemons might have been 1118 00:59:01,320 --> 00:59:04,320 Speaker 1: funnier than you know. Lemon is a term for smoody 1119 00:59:04,320 --> 00:59:08,080 Speaker 1: scenes and fan fick who knew Nicole think I'd love 1120 00:59:08,120 --> 00:59:09,680 Speaker 1: to say that we knew that and that we were 1121 00:59:09,720 --> 00:59:11,960 Speaker 1: making a really clever joke. But I didn't know that Annie, 1122 00:59:11,960 --> 00:59:14,600 Speaker 1: did you? I did, but I didn't catch it when 1123 00:59:14,640 --> 00:59:17,600 Speaker 1: you when you made that comment, I did not put 1124 00:59:17,640 --> 00:59:22,920 Speaker 1: that together. But that is really funny. Um. I had 1125 00:59:22,920 --> 00:59:27,280 Speaker 1: a friend when we were probably thirteen, her parents caught 1126 00:59:27,320 --> 00:59:31,440 Speaker 1: her reading some dirty fan fiction and I mean dirty 1127 00:59:31,960 --> 00:59:36,240 Speaker 1: for thirteen year olds perhaps, um, and they banned her 1128 00:59:36,880 --> 00:59:41,000 Speaker 1: from her account, and I shared my printed fan fiction 1129 00:59:41,040 --> 00:59:44,680 Speaker 1: with her. I was a little little instigator trying to 1130 00:59:44,760 --> 00:59:48,080 Speaker 1: keep her with the hook up. I love it. I 1131 00:59:48,120 --> 00:59:52,439 Speaker 1: love it. You were like, well underground fan fiction Network, Yeah, 1132 00:59:52,480 --> 00:59:58,280 Speaker 1: I kind of was. Um. So I love all these 1133 00:59:58,680 --> 01:00:01,920 Speaker 1: these letters about pople who have found community and fan fiction. 1134 01:00:02,680 --> 01:00:07,640 Speaker 1: I'm really happy that that exists exists for us on 1135 01:00:07,680 --> 01:00:09,800 Speaker 1: the Internet. And it does sound like it can be 1136 01:00:09,920 --> 01:00:13,040 Speaker 1: a healthy sexual outlet, oh for sure, for sure. And 1137 01:00:13,080 --> 01:00:17,080 Speaker 1: even I just think that since I do feel we 1138 01:00:17,440 --> 01:00:22,160 Speaker 1: publicly don't really allow young women to express sexuality or 1139 01:00:22,200 --> 01:00:24,160 Speaker 1: talk about it, I think that it is a way 1140 01:00:24,640 --> 01:00:29,160 Speaker 1: to explore things and figure out things about yourself, um, safely. 1141 01:00:29,600 --> 01:00:32,560 Speaker 1: And there are definitely problematic things in fan fiction, and 1142 01:00:32,600 --> 01:00:35,160 Speaker 1: I'm not saying there aren't, but I think in general 1143 01:00:36,040 --> 01:00:40,560 Speaker 1: it is a positive thing that it is. It is 1144 01:00:40,600 --> 01:00:43,520 Speaker 1: out there and it is a way to talk about 1145 01:00:44,080 --> 01:00:47,960 Speaker 1: to explore these things about yourself. Definitely, um And honestly, 1146 01:00:47,960 --> 01:00:50,120 Speaker 1: it seems like the fan fiction episodes really struck a 1147 01:00:50,200 --> 01:00:52,160 Speaker 1: chord with folks I'm happy that folks are still writing 1148 01:00:52,160 --> 01:00:55,240 Speaker 1: in and like any said, please keep setting ourselves fan fictions. 1149 01:00:55,880 --> 01:00:59,720 Speaker 1: Yes we're still we were not joking about the fan 1150 01:00:59,800 --> 01:01:04,400 Speaker 1: fig action. With high production value, well higher production value, 1151 01:01:04,440 --> 01:01:07,320 Speaker 1: we'll see what we can do um like many series, 1152 01:01:07,400 --> 01:01:10,480 Speaker 1: so keep keep sending them in. We are working on that. 1153 01:01:10,640 --> 01:01:13,960 Speaker 1: You can email us at a mom stuff at how 1154 01:01:14,000 --> 01:01:16,360 Speaker 1: stuff works dot com, and you can also find us 1155 01:01:16,360 --> 01:01:19,320 Speaker 1: on social media. Can't you bridget you? Absolutely can. We 1156 01:01:19,360 --> 01:01:21,560 Speaker 1: are on Twitter at mom Stuff Podcast and we were 1157 01:01:21,600 --> 01:01:25,040 Speaker 1: on Instagram at Stuff Mom Never Told You. And thanks 1158 01:01:25,080 --> 01:01:28,960 Speaker 1: as always to Dylan Fagan and Kathleen Quillian for helping 1159 01:01:29,040 --> 01:01:32,560 Speaker 1: us make this show happen. Thanks as always, and thanks 1160 01:01:32,560 --> 01:01:34,680 Speaker 1: to you listeners. Please keep those letters coming