1 00:00:00,400 --> 00:00:03,680 Speaker 1: Hello the Internet, and welcome to Season three, fifteen, Episode 2 00:00:03,680 --> 00:00:08,440 Speaker 1: five of Dir Dalysi Guys production of iHeartRadio. 3 00:00:08,840 --> 00:00:10,840 Speaker 2: This is a podcast where we take a deep dive. 4 00:00:10,680 --> 00:00:15,120 Speaker 1: Into America's share consciousness. And it is Friday, December first, 5 00:00:15,280 --> 00:00:22,920 Speaker 1: twenty twenty three. We made a finally finally we're herere 6 00:00:23,040 --> 00:00:29,280 Speaker 1: Man December December, Man from my December to remember. 7 00:00:29,720 --> 00:00:32,640 Speaker 2: Guess what? Oh, shout out Lexus. It's National bartender Day. 8 00:00:32,680 --> 00:00:35,080 Speaker 2: It's National Eater Red Apple Day. Oh Jack, you're doing 9 00:00:35,080 --> 00:00:39,160 Speaker 2: that full for Friday. Shout out faux fur World, Aids Day, 10 00:00:39,440 --> 00:00:44,480 Speaker 2: Rosa Parks Day, also National Pie Day and Antarctica Day. 11 00:00:44,680 --> 00:00:47,360 Speaker 1: And by vocals, Henry Kissinger is fucking dead. I know 12 00:00:47,400 --> 00:00:50,360 Speaker 1: it's the second day, Yeah, but you know happy Henry 13 00:00:50,440 --> 00:00:52,040 Speaker 1: Kissinger is fucking dead day. 14 00:00:52,040 --> 00:00:54,680 Speaker 2: D Day, Dead day plus one, D Day plus one. 15 00:00:54,800 --> 00:00:57,760 Speaker 1: Yeah day plus one. And with your spirit. Well, my 16 00:00:57,840 --> 00:01:03,040 Speaker 1: name is Jack O'Brien, aka what is this? I saw 17 00:01:03,040 --> 00:01:05,280 Speaker 1: a dark spot on your front side. It wasn't p 18 00:01:05,560 --> 00:01:08,600 Speaker 1: looking scared on all the rides. It wasn't pe claimed 19 00:01:08,600 --> 00:01:11,319 Speaker 1: you went down the water slide. It wasn't Pee blamed 20 00:01:11,319 --> 00:01:13,880 Speaker 1: it on your nephew, made him cry. It wasn't p 21 00:01:14,440 --> 00:01:20,680 Speaker 1: That is Curtisy of Zach Vanus on Twitter. Twitter. That's 22 00:01:20,840 --> 00:01:24,680 Speaker 1: Zach vans No. 23 00:01:26,120 --> 00:01:27,240 Speaker 3: Formerly known as. 24 00:01:27,160 --> 00:01:30,560 Speaker 1: In this House is we believe it is called Twitter, 25 00:01:30,800 --> 00:01:33,440 Speaker 1: and I'm thrilled to be joined as always by my 26 00:01:33,600 --> 00:01:35,720 Speaker 1: co host mister Miles. 27 00:01:35,760 --> 00:01:41,480 Speaker 2: Grind ball looks like aod dude scrolled. 28 00:01:42,840 --> 00:01:44,680 Speaker 1: Ball looks like ad dude. 29 00:01:44,440 --> 00:01:47,720 Speaker 2: Scrolled Okay, shout out to me. Just speaking about again. 30 00:01:47,920 --> 00:01:50,600 Speaker 2: I just blows my mind that this dude looked at 31 00:01:50,600 --> 00:01:52,640 Speaker 2: a dinosaur bone. It was like, that's a guy's ball sack. 32 00:01:52,760 --> 00:01:54,240 Speaker 2: That's a giants throw them form. 33 00:01:54,560 --> 00:01:56,600 Speaker 1: That's a giant scrolled them. 34 00:01:56,760 --> 00:01:59,560 Speaker 3: Bone looks like a dude sack scrow. 35 00:01:59,400 --> 00:02:00,559 Speaker 1: Dude screw broke. 36 00:02:00,760 --> 00:02:06,400 Speaker 2: Yeah, yeah, anyway, what is there some confusion about that? 37 00:02:06,880 --> 00:02:08,560 Speaker 1: I don't know what it's. 38 00:02:08,480 --> 00:02:12,040 Speaker 3: Grotastic, No, no, no, nothing. Now I have to see this. 39 00:02:12,600 --> 00:02:14,400 Speaker 2: Yeah, it's not even a thing. It's just like this. 40 00:02:15,240 --> 00:02:17,000 Speaker 1: You know how a bone, the end of a bone 41 00:02:17,080 --> 00:02:19,240 Speaker 1: has like two little ball knobby. 42 00:02:18,880 --> 00:02:20,919 Speaker 2: Things, like a like a ball ball. 43 00:02:21,040 --> 00:02:25,160 Speaker 1: And when before people knew what dinosaurs were, they found 44 00:02:25,240 --> 00:02:29,359 Speaker 1: one of those that was giant and a. 45 00:02:29,600 --> 00:02:32,799 Speaker 3: Oh look a giantically. 46 00:02:32,280 --> 00:02:38,040 Speaker 1: Yeah, an English English doctor looked at that and said 47 00:02:38,080 --> 00:02:41,200 Speaker 1: that is a giant's scrot them. That's my best guess 48 00:02:42,240 --> 00:02:47,200 Speaker 1: over here. And that was like that was where we 49 00:02:47,200 --> 00:02:50,519 Speaker 1: were at, like shockingly recently, that's where we were at. 50 00:02:50,880 --> 00:02:51,080 Speaker 1: You know. 51 00:02:51,160 --> 00:02:53,200 Speaker 2: There was like some like woman who had been also 52 00:02:53,280 --> 00:02:56,760 Speaker 2: studying anatomy who probably couldn't speak up because of horrible patriot. 53 00:02:56,800 --> 00:02:59,760 Speaker 2: He's like, that's not a fucking exact man. 54 00:03:00,080 --> 00:03:01,840 Speaker 3: She was like, yes, doctor, we'll have it again. 55 00:03:02,600 --> 00:03:03,600 Speaker 1: Yeah, brilliant doctor. 56 00:03:03,680 --> 00:03:06,600 Speaker 3: Yes, what's the other side of the scrotum? Like, it's 57 00:03:06,600 --> 00:03:10,640 Speaker 3: just huge, giant is this is He's just they're just hanging, 58 00:03:10,680 --> 00:03:13,800 Speaker 3: They're dragging on the grounds a bone. 59 00:03:13,560 --> 00:03:17,560 Speaker 1: The end of it. It's such a misunderstanding of like 60 00:03:17,840 --> 00:03:21,840 Speaker 1: how bones work, like scrot are what a scrot. 61 00:03:22,000 --> 00:03:24,400 Speaker 3: I mean, imagine if you had like a hard scrotum 62 00:03:24,520 --> 00:03:26,160 Speaker 3: like that like he did. 63 00:03:26,680 --> 00:03:29,919 Speaker 1: Maybe he was telling himself, Yeah, that's like. 64 00:03:31,360 --> 00:03:36,040 Speaker 2: He's like, what do you mean here, knock on my scrotum? 65 00:03:36,160 --> 00:03:41,960 Speaker 1: Yeah? Yeah, anyway, Miles, who's that voice we keep hearing? 66 00:03:42,120 --> 00:03:45,200 Speaker 1: We're thrilled to be joined in our third seat by 67 00:03:45,200 --> 00:03:48,800 Speaker 1: a brilliant comedian, writer, journalist, activists you know from places 68 00:03:48,800 --> 00:03:51,560 Speaker 1: like Al Jazeera, MSNBC, The Young Turks and from the 69 00:03:51,560 --> 00:03:55,880 Speaker 1: podcast The Situation Room. It's Francesca Fe. 70 00:03:57,760 --> 00:04:01,240 Speaker 3: Not your girlfriend, but your best friend, and here for 71 00:04:01,560 --> 00:04:04,560 Speaker 3: friends giving. I fucked up my friends, but not your girlfriend, 72 00:04:04,880 --> 00:04:05,960 Speaker 3: your best friend. 73 00:04:07,360 --> 00:04:11,360 Speaker 2: Friends giving. Having us here on friends amazing. 74 00:04:11,960 --> 00:04:15,960 Speaker 3: Yeah, it's been way too long. I'm I'm a little upset. 75 00:04:17,160 --> 00:04:18,320 Speaker 3: I've been on the show. 76 00:04:18,520 --> 00:04:20,640 Speaker 1: And are you mad at us a little bit? 77 00:04:23,120 --> 00:04:24,000 Speaker 3: When you're here, your. 78 00:04:23,839 --> 00:04:29,600 Speaker 1: Family your family like any Bad Company or Olive Garden. 79 00:04:29,839 --> 00:04:32,800 Speaker 1: When you're here, you're really we're we like to think 80 00:04:32,839 --> 00:04:37,240 Speaker 1: of ourselves as a family. That's because we are going 81 00:04:37,279 --> 00:04:39,480 Speaker 1: to predate on. 82 00:04:39,440 --> 00:04:43,800 Speaker 2: You unlimited breadsticks and hot takes, and we call it 83 00:04:43,960 --> 00:04:49,080 Speaker 2: uh Geistiano. M I don't you remember Hospitaliano. That was 84 00:04:49,080 --> 00:04:49,839 Speaker 2: like their whole thing. 85 00:04:49,760 --> 00:04:53,200 Speaker 3: At Olive Garden that I have not been to an 86 00:04:53,200 --> 00:04:55,279 Speaker 3: Olive Garden. I've never been to a red lobster and 87 00:04:56,320 --> 00:04:57,960 Speaker 3: maybe only been to a sizzler once. 88 00:04:58,800 --> 00:05:02,440 Speaker 1: Okay, I like that. You know, people say they have 89 00:05:02,520 --> 00:05:05,920 Speaker 1: photographic memories, but it's usually they have photographic memory memories 90 00:05:05,960 --> 00:05:11,320 Speaker 1: for certain things, you know, like chess prodigies. They can 91 00:05:11,640 --> 00:05:15,800 Speaker 1: memorize like just a quick snapshot of the board and 92 00:05:15,839 --> 00:05:18,760 Speaker 1: they will remember exactly where all the pieces were if 93 00:05:18,800 --> 00:05:22,000 Speaker 1: they are in positions that they can technically be in 94 00:05:22,000 --> 00:05:24,080 Speaker 1: in a game, like it just like makes sense to them. 95 00:05:24,480 --> 00:05:29,920 Speaker 1: And the equivalent of that for Miles is olive garden marketing, 96 00:05:30,000 --> 00:05:32,000 Speaker 1: lingo any nineties marketing. 97 00:05:32,120 --> 00:05:35,800 Speaker 2: It's fucking it'salia my own birth. 98 00:05:37,520 --> 00:05:40,000 Speaker 1: Remember that. I don't remember hospital. 99 00:05:41,800 --> 00:05:45,160 Speaker 2: That shit was fucking dope, bro, Like. 100 00:05:45,200 --> 00:05:47,719 Speaker 3: This is like a lapse of when you didn't have 101 00:05:47,760 --> 00:05:50,720 Speaker 3: a babysitter for like a certain time. Yeah, it was 102 00:05:50,760 --> 00:05:52,400 Speaker 3: like that's how much television you were watching. 103 00:05:52,520 --> 00:05:54,599 Speaker 2: Oh my god, dude, do you want to talk about 104 00:05:54,680 --> 00:05:58,440 Speaker 2: raised by TV? That's fucking me. 105 00:06:00,440 --> 00:06:03,520 Speaker 3: That means let me grape you some cheese and you 106 00:06:03,720 --> 00:06:06,920 Speaker 3: gotta taste this, and we can't do it enough for you. 107 00:06:07,040 --> 00:06:09,839 Speaker 2: Enjoy Hospitaliano If the other one. 108 00:06:09,839 --> 00:06:12,479 Speaker 1: Was from nineteen ninety eight. This is. 109 00:06:14,040 --> 00:06:15,760 Speaker 3: Anti Italian discrimination. 110 00:06:17,760 --> 00:06:18,640 Speaker 2: It is violence. 111 00:06:19,720 --> 00:06:22,479 Speaker 3: My name is anti Italian discrimination as well, so I 112 00:06:22,560 --> 00:06:24,360 Speaker 3: know it takes one of no one. It's sort of 113 00:06:24,680 --> 00:06:25,880 Speaker 3: comically Italian. 114 00:06:26,600 --> 00:06:28,919 Speaker 1: I like that they're trying to claim that, like grading 115 00:06:29,000 --> 00:06:33,080 Speaker 1: fresh parmesan cheese on your food is like level yeah, 116 00:06:33,200 --> 00:06:38,720 Speaker 1: next level hospitality. It's like, isn't that all Italian restaurants? 117 00:06:38,880 --> 00:06:42,320 Speaker 1: But I guess that's not Hospitalian. 118 00:06:42,400 --> 00:06:46,520 Speaker 3: Hospitalianto is leaving you the bowl all right, that's true Hospitalian. 119 00:06:46,720 --> 00:06:48,279 Speaker 3: I mean I don't actually know. I feel like in 120 00:06:48,279 --> 00:06:51,279 Speaker 3: Italy they're like, no, you don't get a one shred more. 121 00:06:51,760 --> 00:06:53,880 Speaker 3: This says all the cheese it needs and that is it? 122 00:06:54,080 --> 00:06:56,159 Speaker 3: Like that's you know what I mean? Like my dad 123 00:06:56,200 --> 00:06:58,680 Speaker 3: would never like if you like over cheese, He's like, 124 00:06:58,760 --> 00:07:02,400 Speaker 3: what's that for? If you don't keep correctly, my dad 125 00:07:02,440 --> 00:07:04,599 Speaker 3: would be mad. But like for me, she's in my 126 00:07:04,760 --> 00:07:07,840 Speaker 3: mouth exactly. Real Hospitaliano is just like leave it them, 127 00:07:07,880 --> 00:07:09,480 Speaker 3: leave it on the table, do. 128 00:07:09,480 --> 00:07:11,880 Speaker 2: It yourself, like hook yourself up, you know what I mean? 129 00:07:11,960 --> 00:07:16,320 Speaker 1: Yeah, yeah, that real Hospitaliano is they will do it 130 00:07:16,360 --> 00:07:19,680 Speaker 1: directly into your mouth after each bite. I think that. Yeah. 131 00:07:19,840 --> 00:07:23,520 Speaker 3: Hospitalian is just like standing over you and making sure 132 00:07:23,560 --> 00:07:26,280 Speaker 3: you're eating the food correctly and like you're not on 133 00:07:27,000 --> 00:07:29,320 Speaker 3: You got to not undo the lasagna but eat it 134 00:07:29,360 --> 00:07:31,480 Speaker 3: as a straight down bite with you know what I mean. 135 00:07:31,520 --> 00:07:32,080 Speaker 3: It's like you. 136 00:07:32,000 --> 00:07:34,320 Speaker 2: Can't spoon, use this spoon exactly. 137 00:07:34,680 --> 00:07:37,680 Speaker 3: Let make sure to like lap up all the sauce. Beeta. 138 00:07:37,760 --> 00:07:39,360 Speaker 3: It's called scart pet you know what that is. You 139 00:07:39,400 --> 00:07:41,880 Speaker 3: know what you say, bread and you go with sauce. 140 00:07:41,760 --> 00:07:43,680 Speaker 2: Scarpetta, that's scarpetta. 141 00:07:44,040 --> 00:07:44,240 Speaker 1: Yeah. 142 00:07:44,320 --> 00:07:47,200 Speaker 3: Do you also know Italian has three words for farts, 143 00:07:47,200 --> 00:07:48,040 Speaker 3: three different words. 144 00:07:48,360 --> 00:07:50,640 Speaker 2: Oh, I mean, you're shaming me right now because I 145 00:07:50,640 --> 00:07:53,160 Speaker 2: should know this. But she's there's three words for farts. 146 00:07:53,360 --> 00:07:59,480 Speaker 3: Yeah, there's loafia, Scartofia, and vendre Kia lofia. What do 147 00:07:59,520 --> 00:08:00,640 Speaker 3: you think you'll is? 148 00:08:01,080 --> 00:08:03,040 Speaker 1: That sounds like a lovely sod one? 149 00:08:03,320 --> 00:08:09,520 Speaker 3: Right, so it's a silent but deadly Okay, okay, beautiful music. 150 00:08:10,320 --> 00:08:12,680 Speaker 2: We have to do this whenever we're doing an Italian. 151 00:08:12,280 --> 00:08:16,720 Speaker 3: Culture, Like Scartopia is actually arguably like the nicer one, 152 00:08:16,720 --> 00:08:19,000 Speaker 3: but it's a sound, no smell, and. 153 00:08:19,240 --> 00:08:20,840 Speaker 1: Oh yeah I love that. 154 00:08:21,400 --> 00:08:23,360 Speaker 3: Yeah. I was like, oh it's cute, like a little too, 155 00:08:23,560 --> 00:08:23,800 Speaker 3: you know. 156 00:08:26,160 --> 00:08:26,360 Speaker 2: Yeah. 157 00:08:26,480 --> 00:08:29,800 Speaker 3: And then Vendragia is the real deal. That's like the sound, 158 00:08:29,840 --> 00:08:31,880 Speaker 3: the smell, fire and the fury. 159 00:08:32,240 --> 00:08:32,520 Speaker 2: Wow. 160 00:08:33,559 --> 00:08:42,520 Speaker 1: Yeah it sounds bad too, they three yeah. 161 00:08:42,640 --> 00:08:42,840 Speaker 3: Yeah. 162 00:08:42,920 --> 00:08:49,719 Speaker 1: Yeah. Anyway, Francesca, we're going to get to know you 163 00:08:49,720 --> 00:08:51,280 Speaker 1: a little bit better in a moment. First, we're going 164 00:08:51,360 --> 00:08:53,000 Speaker 1: to tell our listeners a couple of the things we're 165 00:08:53,040 --> 00:08:57,920 Speaker 1: talking about. We're going to talk about You're like, how 166 00:08:57,960 --> 00:09:01,720 Speaker 1: it would be great if you could Jack off your ears. No, 167 00:09:01,920 --> 00:09:04,080 Speaker 1: we're not gonna talk. That's what we were talking about before 168 00:09:04,120 --> 00:09:07,480 Speaker 1: we started recording, was how like if you can clear 169 00:09:07,520 --> 00:09:09,719 Speaker 1: the air wax up by jacking off your ears and 170 00:09:09,760 --> 00:09:12,240 Speaker 1: having the ear wax just shoot out of your ears, 171 00:09:12,640 --> 00:09:16,080 Speaker 1: that would roll felt good. There's not a ton more 172 00:09:16,240 --> 00:09:18,560 Speaker 1: on that, so we won't go too much more into it, 173 00:09:18,640 --> 00:09:20,400 Speaker 1: but I think it is just a true thing that 174 00:09:20,440 --> 00:09:21,880 Speaker 1: Francesca said before. 175 00:09:22,600 --> 00:09:25,680 Speaker 2: Zy gang, what is the most efficient way to clear 176 00:09:25,800 --> 00:09:27,520 Speaker 2: a wax out of your ears? Because you were talking 177 00:09:27,559 --> 00:09:29,760 Speaker 2: about is it candling? You go to the doctor like, 178 00:09:29,800 --> 00:09:31,800 Speaker 2: don't use Q tips. I'm like, what the fuck I 179 00:09:31,800 --> 00:09:33,360 Speaker 2: don't have like I mean, my mom has one of 180 00:09:33,360 --> 00:09:38,560 Speaker 2: those bamboo picks that like like for like Asian bamboo picks. Yeah, 181 00:09:38,600 --> 00:09:41,560 Speaker 2: but see I don't have the Asian ear wax I got, 182 00:09:41,600 --> 00:09:44,160 Speaker 2: like I got, I got American ear wax. You know. 183 00:09:45,720 --> 00:09:53,640 Speaker 1: American ear wax don't Yeah, I got that thick goopy 184 00:09:53,679 --> 00:09:55,440 Speaker 1: goop and uh. 185 00:09:54,880 --> 00:09:57,800 Speaker 3: You got we have special ear wax you guys, maybe 186 00:09:57,840 --> 00:10:02,200 Speaker 3: even more so, which is podcaster. Yeah you know you 187 00:10:02,280 --> 00:10:04,679 Speaker 3: got the earbuds air pods. 188 00:10:04,920 --> 00:10:07,720 Speaker 2: Yeah, they're just steaming your ear canals. So anyway, I 189 00:10:07,800 --> 00:10:09,360 Speaker 2: know there's got to be someone who has like the 190 00:10:09,440 --> 00:10:12,600 Speaker 2: hack zigg Please reach out to either Jack Francisca or 191 00:10:12,640 --> 00:10:14,840 Speaker 2: I let us see what is the best way that 192 00:10:14,920 --> 00:10:15,920 Speaker 2: isn't Q tip based. 193 00:10:16,080 --> 00:10:18,800 Speaker 1: Okah. I feel like though all those that's one of 194 00:10:18,840 --> 00:10:23,080 Speaker 1: the things that I get, like banner ads for you know, 195 00:10:23,360 --> 00:10:27,200 Speaker 1: like once you like gone been on the internet for 196 00:10:27,240 --> 00:10:30,480 Speaker 1: a while and they start being like this is the 197 00:10:30,600 --> 00:10:32,920 Speaker 1: type of belly fat that you want to avoid, and 198 00:10:33,240 --> 00:10:37,319 Speaker 1: it's like one one page view before they start telling 199 00:10:37,320 --> 00:10:40,760 Speaker 1: you that you want a free iPod. You know, it's like, wait, 200 00:10:41,160 --> 00:10:42,840 Speaker 1: what is this from two thousand and three? 201 00:10:43,280 --> 00:10:43,480 Speaker 4: Yo? 202 00:10:43,960 --> 00:10:46,360 Speaker 2: They got one that's like a fucking camera that you 203 00:10:46,520 --> 00:10:48,439 Speaker 2: use along side. Yo, this is too much for I 204 00:10:48,440 --> 00:10:49,640 Speaker 2: don't need a fucking camera, man. 205 00:10:49,800 --> 00:10:53,520 Speaker 1: We actually have that. Oh you have that? Yeah? I 206 00:10:53,840 --> 00:10:56,600 Speaker 1: don't fuck with it because it hurts really bad. But 207 00:10:56,640 --> 00:11:00,920 Speaker 1: my my wife loves doing this to our young'ins, doing 208 00:11:00,960 --> 00:11:02,280 Speaker 1: the little camera thing. 209 00:11:02,440 --> 00:11:02,959 Speaker 3: In the ear. 210 00:11:03,600 --> 00:11:06,640 Speaker 1: In the ear, there's like a little camera and like 211 00:11:06,679 --> 00:11:09,160 Speaker 1: connected to a little pick and you go in there 212 00:11:09,400 --> 00:11:13,559 Speaker 1: and scrape it away. And my kids don't mind it 213 00:11:13,600 --> 00:11:14,480 Speaker 1: as much as I do. 214 00:11:15,640 --> 00:11:18,120 Speaker 3: My daughter really likes the feeling of the booker suck 215 00:11:18,200 --> 00:11:20,080 Speaker 3: but she only thinks. She just thinks it's funny. But 216 00:11:20,120 --> 00:11:22,920 Speaker 3: if it actually really goes to you gets anything a lot. 217 00:11:22,960 --> 00:11:24,959 Speaker 3: She's like, ah, but she like likes it, like he 218 00:11:25,240 --> 00:11:27,880 Speaker 3: take off and it's funny to her until. 219 00:11:27,600 --> 00:11:30,480 Speaker 2: Like she's feeling it, like from behind her eyebrow, bullshit out. 220 00:11:30,640 --> 00:11:32,400 Speaker 3: No she ever feels that, she'll freak out. 221 00:11:32,480 --> 00:11:38,560 Speaker 1: Yeah yeah, yeah, it just starts twitching a little bit. No, 222 00:11:38,679 --> 00:11:44,680 Speaker 1: we're gonna talk about Elon fucking oh right, yeah yeah yeah, Miles, 223 00:11:45,320 --> 00:11:48,360 Speaker 1: tell that to earth Oh my god, tell it to 224 00:11:48,440 --> 00:11:55,880 Speaker 1: earth bro. Yeah, we might talk about the first Lifetime 225 00:11:55,960 --> 00:12:03,040 Speaker 1: Christmas Movie with fucking hell yeah, hell yeah, all that 226 00:12:03,520 --> 00:12:06,560 Speaker 1: plenty more the first Francesca. We do like to ask 227 00:12:06,600 --> 00:12:09,720 Speaker 1: our guests, what is something from your search history? 228 00:12:10,240 --> 00:12:13,319 Speaker 3: Okay, so I know I don't what you guys want. 229 00:12:13,520 --> 00:12:17,160 Speaker 3: You want the embarrassing stuff, you want that real ship. 230 00:12:17,240 --> 00:12:20,560 Speaker 3: You don't want something like, you know, a new sleepsack. 231 00:12:20,600 --> 00:12:21,880 Speaker 3: I was looking up for my daughter. 232 00:12:22,000 --> 00:12:23,560 Speaker 2: What's up? 233 00:12:25,280 --> 00:12:29,240 Speaker 3: No, this is like a gurumu or something. 234 00:12:30,880 --> 00:12:31,720 Speaker 1: That baby is. 235 00:12:31,760 --> 00:12:37,839 Speaker 3: So it turns off like it's actually baby baby name though. 236 00:12:41,880 --> 00:12:45,440 Speaker 2: Organic the organic, yeah, the organic of cour that looks 237 00:12:45,440 --> 00:12:47,040 Speaker 2: like a potato sack with straps on it. 238 00:12:47,040 --> 00:12:51,640 Speaker 3: Like, I don't know, sure, No, I did look up 239 00:12:52,720 --> 00:12:59,480 Speaker 3: Matt Rife chin surgery, Yeah, jaw surgery, because. 240 00:12:59,320 --> 00:13:01,920 Speaker 1: You're looking for that for your Matt right, You're like, 241 00:13:02,559 --> 00:13:03,199 Speaker 1: how do I get it? 242 00:13:03,320 --> 00:13:05,040 Speaker 3: So I don't know how much you guys have covered 243 00:13:05,080 --> 00:13:06,320 Speaker 3: Matt Rife's right. 244 00:13:07,800 --> 00:13:08,199 Speaker 1: At all. 245 00:13:08,400 --> 00:13:11,040 Speaker 3: Okay, so I mean I'm looking. I just want to 246 00:13:11,080 --> 00:13:13,600 Speaker 3: state I am not mad at him. I haven't watched 247 00:13:13,640 --> 00:13:16,560 Speaker 3: any of his clips at all. I truly cannot stand 248 00:13:16,600 --> 00:13:18,960 Speaker 3: his face. He's just not someone I would listen to generally, 249 00:13:19,679 --> 00:13:22,680 Speaker 3: but he has worked hard on that face. Apparently he's 250 00:13:22,720 --> 00:13:25,360 Speaker 3: admitted from what again, this is one of my like 251 00:13:26,080 --> 00:13:27,960 Speaker 3: can I take a break from the news deep dives? 252 00:13:28,360 --> 00:13:30,480 Speaker 3: He is admitted to getting botox, and you look at 253 00:13:30,520 --> 00:13:32,160 Speaker 3: him and you're like, yeah, that's there's a lot. That's 254 00:13:32,160 --> 00:13:35,120 Speaker 3: a lot of George Santos energy there, Like you see it, 255 00:13:35,120 --> 00:13:40,359 Speaker 3: it's like too smooth. But then apparently his plastic surgeon 256 00:13:41,559 --> 00:13:44,600 Speaker 3: went on TikTok and and posted something like oh that 257 00:13:44,679 --> 00:13:47,640 Speaker 3: feeling when you've created the most perfect chin And then 258 00:13:47,880 --> 00:13:50,880 Speaker 3: the person gets canceled because Matt Rife opens his special 259 00:13:50,920 --> 00:13:54,760 Speaker 3: with like a domestic violence joke, like some dubbed he's 260 00:13:54,840 --> 00:13:58,040 Speaker 3: fairly bottom of the barrel. Yeah, it's very old timy. 261 00:13:58,080 --> 00:13:59,760 Speaker 3: It's very bottom of the barrel. It's very blue. It's 262 00:13:59,760 --> 00:14:02,960 Speaker 3: it's just like not I mean, you know, he rose 263 00:14:03,000 --> 00:14:05,760 Speaker 3: to fame off of TikTok and crowds, work clips, and 264 00:14:05,800 --> 00:14:08,840 Speaker 3: it's like again and being hot exactly and so and 265 00:14:08,880 --> 00:14:12,160 Speaker 3: part of that is this chin surgery. And he replied 266 00:14:12,160 --> 00:14:15,640 Speaker 3: to this person, this surgeon, and was saying, like, you know, 267 00:14:16,160 --> 00:14:19,400 Speaker 3: spreading lies will get you in like a lot of 268 00:14:19,400 --> 00:14:21,640 Speaker 3: trouble or you could be sued or some some kind 269 00:14:21,680 --> 00:14:24,000 Speaker 3: of reaction, which sort of tipped off to a lot 270 00:14:24,000 --> 00:14:27,040 Speaker 3: of folks online that seems like it might be true, 271 00:14:27,240 --> 00:14:30,000 Speaker 3: but he's not willing to admit it. And it's funny 272 00:14:30,000 --> 00:14:32,280 Speaker 3: because one of his opening jokes I did watch this 273 00:14:32,480 --> 00:14:35,880 Speaker 3: was also something like like I have a jawline that 274 00:14:35,920 --> 00:14:38,680 Speaker 3: looks like it could like, you know, cut through whatever, 275 00:14:39,400 --> 00:14:42,080 Speaker 3: something like's just like cut through a board or whatever, 276 00:14:42,360 --> 00:14:45,880 Speaker 3: and and everyone likes, yeah, it's really really tough. 277 00:14:46,160 --> 00:14:50,720 Speaker 1: Top here's a joke about how hot and like conventionally handsome. 278 00:14:50,720 --> 00:14:51,800 Speaker 1: I well, right, and he. 279 00:14:51,880 --> 00:14:55,160 Speaker 3: Kind of which is fine to do if you like. Truthfully, 280 00:14:55,160 --> 00:14:56,800 Speaker 3: I've heard comics get on stage and be like, you know, 281 00:14:56,880 --> 00:14:58,920 Speaker 3: I look like a guy who you know, you're always 282 00:14:58,960 --> 00:15:00,840 Speaker 3: like if you're you know, I look like a guy 283 00:15:00,840 --> 00:15:02,280 Speaker 3: who's going to ask you, you know, do you know 284 00:15:02,320 --> 00:15:04,240 Speaker 3: who my father is? And that's another way to sort 285 00:15:04,240 --> 00:15:06,680 Speaker 3: of say I look very white bread and you know, blah. 286 00:15:06,920 --> 00:15:09,160 Speaker 3: But and so I think he leans into it. But 287 00:15:09,200 --> 00:15:11,160 Speaker 3: it is funny that a guess he had plastic surgery 288 00:15:11,160 --> 00:15:13,840 Speaker 3: and used to be super insecure about his chin before, 289 00:15:14,840 --> 00:15:20,160 Speaker 3: and some monstrosity I mean, arguably beings insanely undeniably hot, 290 00:15:20,480 --> 00:15:24,480 Speaker 3: gave him, like his jawline gave him an edge. That's 291 00:15:24,480 --> 00:15:26,200 Speaker 3: where I wanted to go with that. He gave him 292 00:15:26,200 --> 00:15:26,680 Speaker 3: that edge. 293 00:15:26,840 --> 00:15:30,000 Speaker 1: You think, this just like cut through glass with this 294 00:15:30,080 --> 00:15:36,440 Speaker 1: ship exactly. This jaw looks criminal. You think, Miles, Miles, Miles, 295 00:15:36,480 --> 00:15:40,520 Speaker 1: come on, this is what y'all want? That's this motherfucker 296 00:15:40,520 --> 00:15:42,680 Speaker 1: looked like, I don't want that. This looked like he 297 00:15:42,880 --> 00:15:45,640 Speaker 1: looks like he was drawn by like one of those 298 00:15:46,000 --> 00:15:48,760 Speaker 1: nineties Superman comic artists. 299 00:15:48,840 --> 00:15:51,720 Speaker 3: Like it's no, it just looks like an AI recreation. 300 00:15:52,680 --> 00:15:55,280 Speaker 2: You remember anyway, You remember in the Mask, the bad 301 00:15:55,320 --> 00:15:57,360 Speaker 2: guy Dorian when he gets the mask. 302 00:15:57,160 --> 00:15:58,200 Speaker 1: And puts it on hot. 303 00:15:58,520 --> 00:16:01,680 Speaker 2: He looks like if you put on the mask and 304 00:16:01,800 --> 00:16:04,080 Speaker 2: turn his like big old head into some weird cinder 305 00:16:04,120 --> 00:16:05,360 Speaker 2: block shit I don't know about, and. 306 00:16:05,280 --> 00:16:08,880 Speaker 1: That's what people want. That's what people want. It's okay, cool, 307 00:16:08,920 --> 00:16:09,360 Speaker 1: I mean whatever. 308 00:16:09,440 --> 00:16:11,520 Speaker 3: Yeah, look, yeah, I was looking that up. That that 309 00:16:11,680 --> 00:16:12,920 Speaker 3: is my search history we have. 310 00:16:13,160 --> 00:16:15,840 Speaker 2: Yeah, that's such a wild back and forth with the surgeons, 311 00:16:15,880 --> 00:16:17,640 Speaker 2: like talking shit and he's like, hey, buddy, Like, why 312 00:16:17,680 --> 00:16:21,760 Speaker 2: don't you fucking hey man? That could get you in 313 00:16:21,800 --> 00:16:25,640 Speaker 2: trouble saying the truth feut loud in this day and age. 314 00:16:25,960 --> 00:16:29,080 Speaker 3: But I also like, isn't that not the move? Isn't 315 00:16:29,080 --> 00:16:31,000 Speaker 3: the move to just be like, yeah, I had surgery 316 00:16:31,040 --> 00:16:32,960 Speaker 3: and don't I look great? And then my other thought 317 00:16:33,040 --> 00:16:36,840 Speaker 3: was like I've had so I had my wisdom teeth removed. 318 00:16:36,840 --> 00:16:38,680 Speaker 3: This is a long story when I didn't really need 319 00:16:38,720 --> 00:16:41,320 Speaker 3: them removed, and so I had some like jaw rupture 320 00:16:41,360 --> 00:16:44,240 Speaker 3: and jaw stuff. If when you get jaw surgery, they 321 00:16:44,280 --> 00:16:47,680 Speaker 3: have to break your jaw and realign it, do you 322 00:16:47,720 --> 00:16:51,600 Speaker 3: know how risky that is for the rest of your body? Like, 323 00:16:51,680 --> 00:16:54,920 Speaker 3: since I haven't had my like WISDM teeth removal, that 324 00:16:54,960 --> 00:16:57,600 Speaker 3: I didn't actually need it. Fucked up my entire shit. 325 00:16:57,640 --> 00:17:00,440 Speaker 3: I had like repetitive strain injury. I can't, I couldn't. 326 00:17:00,480 --> 00:17:03,600 Speaker 3: I still can't use a regular mouse, like all my 327 00:17:03,840 --> 00:17:06,440 Speaker 3: nerve endings and ship in my arms and my forms. 328 00:17:06,600 --> 00:17:10,000 Speaker 3: It really your jaw is so crucial to how your 329 00:17:10,040 --> 00:17:13,200 Speaker 3: whole spine and your body are actually working and connected. 330 00:17:13,560 --> 00:17:16,359 Speaker 3: And if you break that, it's just like, that is 331 00:17:16,480 --> 00:17:20,159 Speaker 3: really fucking serious anyway, just a of all the surgeries 332 00:17:20,200 --> 00:17:21,880 Speaker 3: to get it's incredibly serious. 333 00:17:22,240 --> 00:17:26,000 Speaker 1: Yeah, so he's willing to suffer his art. 334 00:17:26,160 --> 00:17:27,200 Speaker 3: Pay for a physical air. 335 00:17:27,440 --> 00:17:31,520 Speaker 1: His art is having a fucking sick jab. I haven't 336 00:17:31,560 --> 00:17:33,760 Speaker 1: watched him, so yeah, I shouldn't touch it either. But 337 00:17:34,040 --> 00:17:37,200 Speaker 1: it's just everything I hear about him is very very 338 00:17:37,200 --> 00:17:40,520 Speaker 1: funny to me, and like his joke. Yeah, like everything 339 00:17:40,520 --> 00:17:43,200 Speaker 1: I hear about him is like why this guy. 340 00:17:43,160 --> 00:17:46,600 Speaker 3: Had once said, Matt Rife looks like Phil and Lil's 341 00:17:46,600 --> 00:17:48,200 Speaker 3: mom from Rugrats, And now I can't. 342 00:17:50,200 --> 00:17:55,200 Speaker 1: That's a shot. Oh No, what's something you think is overrated? 343 00:17:55,720 --> 00:17:56,440 Speaker 3: Overrated? 344 00:17:56,600 --> 00:17:56,719 Speaker 1: Oh? 345 00:17:56,920 --> 00:18:04,120 Speaker 3: Okay, I'm not trying to do I guess maybe it's 346 00:18:04,119 --> 00:18:07,919 Speaker 3: perfectly rated. Okay, But here's I think Champagne is overrated. 347 00:18:08,640 --> 00:18:10,679 Speaker 3: Maybe I've said this before on the show, but it 348 00:18:10,760 --> 00:18:14,960 Speaker 3: is too sweet, always gets you too drunk, always, and 349 00:18:16,160 --> 00:18:20,040 Speaker 3: it's just it's too expensive, I guess, and it's stupidly 350 00:18:20,080 --> 00:18:24,160 Speaker 3: seen as like a status symbol. I think champagne is gross. Yeah, 351 00:18:24,320 --> 00:18:29,000 Speaker 3: I prefer a brute it Abruzzo. What's the sparkling red? 352 00:18:29,760 --> 00:18:30,879 Speaker 3: Is another Italian moment. 353 00:18:31,080 --> 00:18:34,160 Speaker 1: I always wondered if there was a sparkling red. 354 00:18:34,920 --> 00:18:36,840 Speaker 2: No, there is, there is, and you can have it 355 00:18:36,960 --> 00:18:40,880 Speaker 2: chilled too. And I used to get man the region of. 356 00:18:40,800 --> 00:18:45,159 Speaker 3: Italian Lambrusco, Abruzzo, Lambrusco excuse me, I'm sorry, Lambrusco is 357 00:18:45,440 --> 00:18:50,399 Speaker 3: fuck yeah, Lambrusco greater than I'm just not add into champagne. 358 00:18:50,680 --> 00:18:52,520 Speaker 2: No, it is interesting too, how it is like the 359 00:18:52,640 --> 00:18:56,600 Speaker 2: default drink for being like and we here we are 360 00:18:56,640 --> 00:18:59,800 Speaker 2: get the champagne, like we still have this the momentum 361 00:18:59,840 --> 00:19:03,000 Speaker 2: of like cracking open barrels of champagne from like centuries ago. 362 00:19:03,040 --> 00:19:04,720 Speaker 3: That is like if you ever gotten drunk on champagne, 363 00:19:04,720 --> 00:19:06,240 Speaker 3: it's the most like. 364 00:19:06,520 --> 00:19:10,200 Speaker 1: The whole time. It's like it gives you acid reflux immediately. 365 00:19:10,480 --> 00:19:12,760 Speaker 3: Yeah, and if it's not like that's why the whole 366 00:19:12,760 --> 00:19:16,520 Speaker 3: bottomless mimosa thing. Oh all no, and I've had like 367 00:19:16,560 --> 00:19:19,600 Speaker 3: I've wintered. One of my Valentine's Day with my ex 368 00:19:19,960 --> 00:19:22,320 Speaker 3: went to like a bottomless champagne vounce. I was like, Oh, 369 00:19:22,320 --> 00:19:24,200 Speaker 3: this will be cute found on an event brighte never 370 00:19:24,280 --> 00:19:27,440 Speaker 3: do that. I ended the night puke, having puked in 371 00:19:27,520 --> 00:19:29,879 Speaker 3: a doorway of a bank, and then crying in the 372 00:19:29,920 --> 00:19:33,840 Speaker 3: shower about how I ruined, Like, oh, it was so 373 00:19:34,359 --> 00:19:38,960 Speaker 3: perfect and so champagne, and champagne doesn't It'll like you're 374 00:19:39,000 --> 00:19:41,680 Speaker 3: just the steep climb to being drunk and then it'll 375 00:19:41,760 --> 00:19:42,720 Speaker 3: drop you super quick. 376 00:19:42,920 --> 00:19:45,639 Speaker 2: No one has a good champagne drunk story, Like, no 377 00:19:45,640 --> 00:19:47,800 Speaker 2: one's ever like I love champagne because every time I drink, 378 00:19:47,840 --> 00:19:50,520 Speaker 2: but everyone's like, man, I fuck, I fucked up again. 379 00:19:50,560 --> 00:19:53,240 Speaker 2: I went to fucking bottomless mimosa brunch, the hip hop, 380 00:19:53,320 --> 00:19:56,880 Speaker 2: the trap brunch again. We drank nine bottles of y cleft, 381 00:19:56,880 --> 00:19:59,879 Speaker 2: the fucking cheap ass sparking wine, and I'm fucking sick 382 00:20:00,359 --> 00:20:01,920 Speaker 2: in fucking Koreatown again. 383 00:20:02,280 --> 00:20:04,680 Speaker 3: Like I imagine champagne is good if it's and I don't, 384 00:20:04,720 --> 00:20:07,439 Speaker 3: I guess maybe what is it done? Perry or like 385 00:20:07,880 --> 00:20:10,800 Speaker 3: mum or what's the other, Like, I guess if it's 386 00:20:10,920 --> 00:20:14,720 Speaker 3: top top, top top sons. Yes, if it's top tier. 387 00:20:14,880 --> 00:20:17,200 Speaker 3: And that's why I guess if you spend you know, 388 00:20:17,480 --> 00:20:20,120 Speaker 3: thousands of dollars on a really incredible bottle, I don't 389 00:20:20,160 --> 00:20:24,000 Speaker 3: know what then I think maybe it's good, but the 390 00:20:24,000 --> 00:20:24,600 Speaker 3: time it's bad. 391 00:20:24,920 --> 00:20:28,439 Speaker 1: Combined with berry for some reason, strawberries with champagne, Like, 392 00:20:28,520 --> 00:20:31,119 Speaker 1: those two compliment each other better, and like it doesn't 393 00:20:31,160 --> 00:20:33,280 Speaker 1: didn't make sense to me that they would compliment each 394 00:20:33,280 --> 00:20:37,320 Speaker 1: other as well as they do, but they Yeah, I 395 00:20:37,680 --> 00:20:42,119 Speaker 1: get most of my folly ideas from Bruno Mars songs. 396 00:20:41,359 --> 00:20:46,479 Speaker 1: That that is what I like this one, like, bro, 397 00:20:46,560 --> 00:20:54,680 Speaker 1: the song's about me. Have you tried it? Though? Like 398 00:20:54,680 --> 00:20:57,640 Speaker 1: like makes champagne taste way better for some reason. Anyways, 399 00:20:57,720 --> 00:20:59,400 Speaker 1: what's something you think is underrated? 400 00:21:00,080 --> 00:21:03,840 Speaker 3: Closing the door on your cat at night so they 401 00:21:03,840 --> 00:21:09,960 Speaker 3: cannot sleep with you, not sleeping with your cat mmmmm hmm, 402 00:21:10,040 --> 00:21:12,399 Speaker 3: all right, because the cat doesn't understand that there's no 403 00:21:12,480 --> 00:21:14,240 Speaker 3: ins and outs. You're either in or you're out, you know, 404 00:21:14,359 --> 00:21:15,760 Speaker 3: so they want to go in, they want to go out, 405 00:21:15,800 --> 00:21:17,520 Speaker 3: They want to me. I'm bringing the toy they want 406 00:21:17,520 --> 00:21:19,800 Speaker 3: to like. And then I get so like every time 407 00:21:19,840 --> 00:21:22,720 Speaker 3: I go pee, you're like worried you're gonna wake the 408 00:21:22,800 --> 00:21:25,160 Speaker 3: cat because then and then you gotta slip back into 409 00:21:25,160 --> 00:21:28,440 Speaker 3: the same exact like contorted position you were in when 410 00:21:28,520 --> 00:21:31,800 Speaker 3: you know, and then yeah, and I'm just like, you 411 00:21:31,800 --> 00:21:34,520 Speaker 3: know what, you're out, You're out of here. No sleeping 412 00:21:34,560 --> 00:21:36,520 Speaker 3: with me, and the other thing I'll say instead of 413 00:21:36,520 --> 00:21:45,120 Speaker 3: co sleeping is also overrated. Co sleeping with your partner overrated. Yeah, 414 00:21:45,160 --> 00:21:49,520 Speaker 3: I currently on an experiment, full disclosure. We're sleeping in 415 00:21:49,560 --> 00:21:55,000 Speaker 3: separate beds, in separate rooms, and it is wonderful. It 416 00:21:55,080 --> 00:21:57,760 Speaker 3: is so good. If you look, a lot of people 417 00:21:57,800 --> 00:22:01,840 Speaker 3: have similar sleep schedules, similar sleep routines. They all, you know, 418 00:22:01,880 --> 00:22:04,159 Speaker 3: everyone where like reads their little book and then they 419 00:22:04,240 --> 00:22:05,919 Speaker 3: go to sleep and then good night. Some people are 420 00:22:05,920 --> 00:22:07,920 Speaker 3: like holding hands. Some people cut off. 421 00:22:10,440 --> 00:22:12,840 Speaker 1: If I only go to sleep holding each other's hands 422 00:22:12,840 --> 00:22:15,760 Speaker 1: with just big, serene smiles, looks like. 423 00:22:15,680 --> 00:22:18,280 Speaker 2: You're about to like you're about to die on the Titanic. 424 00:22:18,080 --> 00:22:23,040 Speaker 1: Exactly every night, every night, couple. 425 00:22:22,800 --> 00:22:26,280 Speaker 2: From reading that book to your kids. 426 00:22:26,320 --> 00:22:27,919 Speaker 3: But it's like, you know, I have to get up 427 00:22:27,960 --> 00:22:29,800 Speaker 3: at the ass crack of dawn when the baby wakes 428 00:22:29,880 --> 00:22:32,439 Speaker 3: up and that's my job. That's the thing, you know, 429 00:22:32,600 --> 00:22:35,040 Speaker 3: my my shift, I guess, and I can wake up 430 00:22:35,080 --> 00:22:36,880 Speaker 3: early but not if not right. 431 00:22:37,160 --> 00:22:39,720 Speaker 1: That is your job. Okay, yeah, that's your job. Yeah, 432 00:22:39,800 --> 00:22:40,480 Speaker 1: that's your job. 433 00:22:42,200 --> 00:22:44,600 Speaker 3: But matt leeb and I yeah, And it's been good. 434 00:22:44,640 --> 00:22:47,800 Speaker 3: We've been sleeping in separate beds and it's nice. I 435 00:22:47,920 --> 00:22:49,240 Speaker 3: get sleep well. 436 00:22:49,520 --> 00:22:53,160 Speaker 2: Yo, Her Majesty has the cat. The cat would try 437 00:22:53,160 --> 00:22:54,600 Speaker 2: and sleep with me, and I'm like, you get the 438 00:22:54,880 --> 00:22:56,879 Speaker 2: I'm sorry, I'm trying to sleep and I know you 439 00:22:57,080 --> 00:22:59,760 Speaker 2: fucking asked you want to take up all this fucking space. No, 440 00:23:00,200 --> 00:23:03,600 Speaker 2: because I'm also very like, I'm very like empathetic in 441 00:23:03,640 --> 00:23:05,960 Speaker 2: that sense. I'm like, oh, ship, they sleep and I 442 00:23:06,000 --> 00:23:08,680 Speaker 2: don't want to find and then I don't sleep well. 443 00:23:09,080 --> 00:23:11,840 Speaker 2: So it's been an eternal argument between me and Her 444 00:23:11,840 --> 00:23:14,679 Speaker 2: Majesty where she's I'm like, yo, get that cat out 445 00:23:14,720 --> 00:23:16,159 Speaker 2: the bed or I'll do something like you walk the 446 00:23:16,240 --> 00:23:17,640 Speaker 2: cat up, And I'm like, what the is the cat 447 00:23:17,640 --> 00:23:23,320 Speaker 2: in the Like it's fucking three in the morning to 448 00:23:23,320 --> 00:23:24,439 Speaker 2: go to the bathroom, Like what do you want me 449 00:23:24,480 --> 00:23:26,720 Speaker 2: to do? Fucking I can't do a whole fucking you know. 450 00:23:26,760 --> 00:23:28,480 Speaker 1: You won't even open both your eyes at the same 451 00:23:28,520 --> 00:23:31,400 Speaker 1: time when you go to the bathroom. I don't know ument. 452 00:23:31,480 --> 00:23:32,159 Speaker 1: I don't know about me. 453 00:23:32,400 --> 00:23:35,000 Speaker 2: I like, i have to say full max sleepy when 454 00:23:35,040 --> 00:23:36,520 Speaker 2: I'm going to the bathroom middle of the night. 455 00:23:36,800 --> 00:23:38,520 Speaker 3: How do you do that? Because I I have to 456 00:23:38,560 --> 00:23:41,879 Speaker 3: cross baby's room. And so I'm like, and you can't 457 00:23:41,920 --> 00:23:46,439 Speaker 3: be creepy quiet and stay asleep, because there's there's something 458 00:23:46,600 --> 00:23:49,040 Speaker 3: very wakeful about trying to not make noise. 459 00:23:49,359 --> 00:23:49,800 Speaker 1: I got that. 460 00:23:49,960 --> 00:23:51,639 Speaker 2: I got that sound machine and blast and like it's 461 00:23:51,680 --> 00:23:54,800 Speaker 2: fucking summer jam in there. Oh me, So there's no way. 462 00:23:54,960 --> 00:23:57,520 Speaker 2: Like if the little if the guy's child heard my ship, 463 00:23:57,600 --> 00:24:00,000 Speaker 2: then they call the Pentagon because we have a human 464 00:24:00,040 --> 00:24:01,040 Speaker 2: weapon on our hands. 465 00:24:03,320 --> 00:24:05,760 Speaker 3: Same same, But you know, in my head, I'm like, 466 00:24:06,000 --> 00:24:06,800 Speaker 3: they heard the creek. 467 00:24:07,000 --> 00:24:08,280 Speaker 1: Oh I do? That was like fuck? 468 00:24:09,280 --> 00:24:12,480 Speaker 2: They never wake up? But yeah, uh new Pairs ship. 469 00:24:12,600 --> 00:24:15,000 Speaker 2: We love it, we folks, we love it. 470 00:24:15,320 --> 00:24:18,879 Speaker 1: The cats are like nocturnal, right, or at least part nocturnal, 471 00:24:19,280 --> 00:24:22,760 Speaker 1: so they they just yeah they sounds. 472 00:24:22,440 --> 00:24:27,359 Speaker 2: Like eighteen hours a day though, Yeah they sleep. It's 473 00:24:27,400 --> 00:24:27,960 Speaker 2: like you get this. 474 00:24:28,240 --> 00:24:30,200 Speaker 3: If you don't sleep right now, you have another chance. 475 00:24:30,400 --> 00:24:33,720 Speaker 3: Every whole day is your chance. Yeah, me, no have chance, 476 00:24:33,880 --> 00:24:36,360 Speaker 3: Like I need a sleeper and I feel bad. She's 477 00:24:36,400 --> 00:24:41,720 Speaker 3: outside of the door, what you know, And then she's loud. Yeah, 478 00:24:41,840 --> 00:24:44,280 Speaker 3: oh yeah, ear plugs, white noise. We've got everything. If 479 00:24:44,320 --> 00:24:46,160 Speaker 3: if any intruder came into our house, we would. 480 00:24:47,240 --> 00:24:47,440 Speaker 1: Yeah. 481 00:24:48,560 --> 00:24:50,359 Speaker 2: They're like, they're like trying to wake you up to 482 00:24:50,400 --> 00:24:53,000 Speaker 2: know your values. Hey, hey, what the fuck is this ship? 483 00:24:53,440 --> 00:24:57,119 Speaker 3: She should have gun to my head? Yeah, white noise. 484 00:24:57,359 --> 00:25:00,359 Speaker 1: Yeah, just wake up. The house is gone. You're just 485 00:25:00,400 --> 00:25:03,439 Speaker 1: in a bed and a field. Yeah, just down to 486 00:25:03,480 --> 00:25:07,960 Speaker 1: the studs somehow. All right, let's take a quick break 487 00:25:08,200 --> 00:25:11,000 Speaker 1: and we'll be right back and talk about Elon Musk. 488 00:25:11,600 --> 00:25:27,520 Speaker 1: Fuck it, and we're back. And there was a New 489 00:25:27,600 --> 00:25:31,760 Speaker 1: York Times event of some sort and Elon Musk showed 490 00:25:31,840 --> 00:25:40,480 Speaker 1: up dressed like launch Pad mcquack. He shout to JM 491 00:25:40,640 --> 00:25:45,760 Speaker 1: that was his observation writer jams so funny and also 492 00:25:45,880 --> 00:25:49,320 Speaker 1: looking like he's just fresh off a new facelift of 493 00:25:49,320 --> 00:25:49,840 Speaker 1: some sort. 494 00:25:50,359 --> 00:25:52,800 Speaker 2: Something going on. People on Twitter are saying he looked 495 00:25:52,800 --> 00:25:55,560 Speaker 2: like meanute, like Vincent Donofrio when he was Edgar and 496 00:25:55,600 --> 00:25:56,080 Speaker 2: Men in Black. 497 00:25:56,119 --> 00:25:58,719 Speaker 1: He does look like someone he he looks like somebody 498 00:25:58,760 --> 00:25:59,880 Speaker 1: is wearing an Elon musk. 499 00:26:00,320 --> 00:26:02,159 Speaker 2: He's like, yo, shift the face part a little bit 500 00:26:02,200 --> 00:26:08,960 Speaker 2: on the phone around Yeah, but like, yeah, we have 501 00:26:09,000 --> 00:26:14,080 Speaker 2: to apologize and walked her. Yeah, sorry, we didn't have 502 00:26:14,160 --> 00:26:16,919 Speaker 2: to mention this fuck wad again. But he put in 503 00:26:16,920 --> 00:26:19,879 Speaker 2: the performance of a life. He's somehow besting himself with 504 00:26:19,960 --> 00:26:25,040 Speaker 2: the outrageous, outlandish behavior and fully jettisoning himself from planet Earth. 505 00:26:25,359 --> 00:26:28,640 Speaker 2: So at this like New York Times, book Dealer, whatever event. Shit, 506 00:26:28,760 --> 00:26:30,920 Speaker 2: I don't even know what I was feeling when I 507 00:26:30,960 --> 00:26:34,840 Speaker 2: watched it was like sad, weird, uncomfortable, omni cringe, I 508 00:26:34,840 --> 00:26:37,359 Speaker 2: guess what to call it. When the topic of his 509 00:26:37,440 --> 00:26:40,800 Speaker 2: recent love of anti Semitic conspiracy theories came up, because 510 00:26:40,840 --> 00:26:42,920 Speaker 2: you know, for those that probably are probably no look, 511 00:26:42,960 --> 00:26:44,919 Speaker 2: on November fifteenth, he basically announced that he was like 512 00:26:44,920 --> 00:26:47,639 Speaker 2: a card carrying anti Semite and like doubled down on it, 513 00:26:47,680 --> 00:26:50,720 Speaker 2: and that replies like clarifying it, and that lent to 514 00:26:50,800 --> 00:26:54,200 Speaker 2: obviously the Advertiser exodus, and it's been the biggest thing 515 00:26:54,240 --> 00:26:56,439 Speaker 2: hanging over the site ever since. And when he was 516 00:26:56,520 --> 00:26:58,560 Speaker 2: asked about it, he was like, you know, it's probably 517 00:26:58,560 --> 00:27:01,440 Speaker 2: the dumbest post I think I've ever made. But then 518 00:27:01,720 --> 00:27:03,360 Speaker 2: it's like, okay, well you know you went, you took 519 00:27:03,359 --> 00:27:05,480 Speaker 2: that trip to Israel. You know that maybe that looked 520 00:27:05,480 --> 00:27:08,640 Speaker 2: that looked like a you know, flascid apology tour. This 521 00:27:08,680 --> 00:27:11,840 Speaker 2: is when he absolutely took off. So here is him. 522 00:27:11,920 --> 00:27:14,560 Speaker 2: This is the question that's being asked, is in reference 523 00:27:14,560 --> 00:27:15,760 Speaker 2: to you know. 524 00:27:15,800 --> 00:27:17,480 Speaker 1: What was that Israel tour? 525 00:27:17,520 --> 00:27:19,440 Speaker 2: And are you what's going on with the anti Semitism? 526 00:27:19,440 --> 00:27:20,000 Speaker 2: What's going on? 527 00:27:20,400 --> 00:27:23,120 Speaker 1: And his answer isn't like offensive so much as it's 528 00:27:23,200 --> 00:27:28,240 Speaker 1: like just he seems like he's losing his grip on reality. 529 00:27:28,359 --> 00:27:31,040 Speaker 2: Right, Yeah, well, like just keep that in mind that 530 00:27:31,160 --> 00:27:33,879 Speaker 2: throughout all this he's sniffling weird and looking at the 531 00:27:33,920 --> 00:27:36,760 Speaker 2: audience like it's for c's or something. But anyway, here 532 00:27:36,800 --> 00:27:39,520 Speaker 2: he is talking about what was really going on with 533 00:27:39,920 --> 00:27:40,520 Speaker 2: me right now. 534 00:27:41,000 --> 00:27:43,239 Speaker 5: But there's a public perception that that was part of 535 00:27:43,280 --> 00:27:46,760 Speaker 5: a apology tour, if you will, that this had been 536 00:27:46,800 --> 00:27:49,720 Speaker 5: said online, there was all of the criticism, There was 537 00:27:49,800 --> 00:27:51,960 Speaker 5: advertiser believing we talked about about it. 538 00:27:52,119 --> 00:27:55,320 Speaker 4: They stopped you hope, don't advertise. 539 00:27:56,200 --> 00:27:57,240 Speaker 5: You don't want them to advertise? 540 00:27:57,280 --> 00:27:58,560 Speaker 1: No, what do you mean? 541 00:27:59,040 --> 00:27:59,280 Speaker 3: No? 542 00:28:01,320 --> 00:28:04,840 Speaker 4: If somebody blackmail me with advertising, black Maley with money, 543 00:28:05,520 --> 00:28:06,800 Speaker 4: go fund yourself. 544 00:28:09,560 --> 00:28:10,480 Speaker 2: The whole audience like. 545 00:28:12,840 --> 00:28:19,080 Speaker 1: Yourself a little laugh. Okay, I hope it is Bob. 546 00:28:20,440 --> 00:28:23,400 Speaker 2: Talking straight to Bob Iger because Disney fucking pulled ads. 547 00:28:23,480 --> 00:28:25,000 Speaker 2: He's like, what's up, Bob Biker. 548 00:28:25,119 --> 00:28:28,560 Speaker 1: Well let me ask you. Then he's doing this weird 549 00:28:30,280 --> 00:28:34,040 Speaker 1: don't advertise head audience, dude. 550 00:28:34,040 --> 00:28:36,560 Speaker 2: The audience is even like, yo, what is this? This 551 00:28:36,760 --> 00:28:39,280 Speaker 2: like people are doing the uncomfortable laughter, like oh. 552 00:28:40,720 --> 00:28:44,560 Speaker 3: Right now, like if Kermit the Frog, like you know, 553 00:28:44,640 --> 00:28:48,240 Speaker 3: like peeled off his green skin and revealed like do 554 00:28:48,280 --> 00:28:52,480 Speaker 3: you know what I mean? Like faces sitting and he's 555 00:28:52,880 --> 00:28:56,240 Speaker 3: no Elon. Elon's very Kermit right now. He's just kind 556 00:28:56,240 --> 00:28:59,680 Speaker 3: of like and he's turning his head very like gou bye. 557 00:29:01,240 --> 00:29:01,600 Speaker 1: I don't know. 558 00:29:01,720 --> 00:29:06,480 Speaker 3: He's got a weird Remember how Kirme's little cousin was 559 00:29:06,520 --> 00:29:08,560 Speaker 3: like pink and you're like, why are you pink? It's weird, 560 00:29:11,240 --> 00:29:14,520 Speaker 3: one of the most pink. He's very rad anyway, whatever, 561 00:29:14,560 --> 00:29:17,640 Speaker 3: it doesn't matter. It's more than just how stupid he looks. 562 00:29:17,920 --> 00:29:19,200 Speaker 1: Right. I love that though too. 563 00:29:19,240 --> 00:29:21,920 Speaker 2: The fucking the interview is trying to be like right, 564 00:29:21,960 --> 00:29:23,760 Speaker 2: and I get that you can just say that. 565 00:29:23,840 --> 00:29:28,120 Speaker 1: But in reality, you need money to run aside. 566 00:29:28,160 --> 00:29:30,480 Speaker 5: If part of the underlying model, at least today, and 567 00:29:30,520 --> 00:29:32,560 Speaker 5: maybe it needs to shift, maybe the answers it needs 568 00:29:32,600 --> 00:29:37,000 Speaker 5: to shift away from advertising. If you believe that this 569 00:29:37,160 --> 00:29:39,120 Speaker 5: is the one part of your business where you will 570 00:29:39,160 --> 00:29:40,360 Speaker 5: be beholden to those. 571 00:29:40,160 --> 00:29:44,680 Speaker 2: Who have this view, what do you do? 572 00:29:46,480 --> 00:29:46,720 Speaker 3: Why? 573 00:29:49,680 --> 00:29:50,280 Speaker 5: I understand that. 574 00:29:50,280 --> 00:29:56,480 Speaker 1: But there's a reality to just right. Yes, I love that. 575 00:29:56,560 --> 00:29:59,120 Speaker 1: He's like, right, asshole, there's a reality, right. 576 00:30:02,720 --> 00:30:05,360 Speaker 3: I thinks this is cool. I'm just like, oh, the 577 00:30:05,720 --> 00:30:06,680 Speaker 3: twelve year old. 578 00:30:08,240 --> 00:30:11,960 Speaker 1: Uh, you know mentioned that there's a reality, right, yeah, 579 00:30:12,040 --> 00:30:12,520 Speaker 1: And I love. 580 00:30:12,440 --> 00:30:14,560 Speaker 2: How it even has to be like like, bro, like 581 00:30:14,600 --> 00:30:16,840 Speaker 2: you got what he's gonna bring up Linda Yakarino, who's 582 00:30:16,880 --> 00:30:19,800 Speaker 2: in the audience, who's in charge of doing I mean. 583 00:30:20,000 --> 00:30:22,600 Speaker 5: Jacharino is right here and she's got to sell advertise. 584 00:30:22,360 --> 00:30:27,880 Speaker 4: Absolutely so absolutely no, tell actually what what this advertising 585 00:30:27,880 --> 00:30:30,040 Speaker 4: boycott is is going to do. 586 00:30:30,080 --> 00:30:34,720 Speaker 1: It's it's going to kill the company. H And then 587 00:30:35,480 --> 00:30:36,760 Speaker 1: I had turned and. 588 00:30:36,800 --> 00:30:40,720 Speaker 4: The whole world well, no that those advertisers killed the company. 589 00:30:40,760 --> 00:30:42,680 Speaker 1: Every will document it in great detail. 590 00:30:43,560 --> 00:30:45,960 Speaker 5: But there are these advertises I imagine are going to say. 591 00:30:46,200 --> 00:30:48,600 Speaker 5: They're gonna say we didn't kill the company. Yeah, they're 592 00:30:48,600 --> 00:30:49,240 Speaker 5: gonna say. 593 00:30:49,280 --> 00:30:52,160 Speaker 1: To tell to Earth. But they're gonna say, why. 594 00:30:52,120 --> 00:30:54,520 Speaker 5: Say youl On that you killed the company because you 595 00:30:54,640 --> 00:30:58,680 Speaker 5: said these things and that they were inappropriate things and 596 00:30:58,760 --> 00:31:00,600 Speaker 5: that they didn't feel comfortable on the platform. 597 00:31:00,680 --> 00:31:03,120 Speaker 4: Right, that's what I say. And let's see how Earth 598 00:31:03,160 --> 00:31:03,960 Speaker 4: responds to that. 599 00:31:05,880 --> 00:31:11,400 Speaker 1: Tell it to Earth, yo, Francesca, tell it Earth, Bam, 600 00:31:11,800 --> 00:31:12,440 Speaker 1: this is it. 601 00:31:12,640 --> 00:31:16,240 Speaker 3: I mean it is like again when when billionaires are Karen's, 602 00:31:17,080 --> 00:31:20,640 Speaker 3: it's not just the manager. It's like, tell it to Earth, right, 603 00:31:21,080 --> 00:31:23,920 Speaker 3: I want all of Earth to know. And like he's 604 00:31:23,960 --> 00:31:28,120 Speaker 3: still not on Mars. You're not on Mars. We can't 605 00:31:28,120 --> 00:31:29,520 Speaker 3: wait for you to get there. 606 00:31:29,640 --> 00:31:34,680 Speaker 2: Go right, we can't wait for that interplanetary disaster to 607 00:31:34,840 --> 00:31:37,040 Speaker 2: unfold live for all of us to watch. 608 00:31:37,160 --> 00:31:40,959 Speaker 1: But like it's when he says, like when he goes 609 00:31:41,240 --> 00:31:45,080 Speaker 1: they're going to kill the company and we're documenting in 610 00:31:45,240 --> 00:31:48,880 Speaker 1: great detail, is like that's that's when you're like, oh, 611 00:31:49,160 --> 00:31:53,160 Speaker 1: this is like he's having a mental health crisis, like that. 612 00:31:53,240 --> 00:31:56,960 Speaker 1: This does not make like the fact that the interviewer 613 00:31:57,040 --> 00:32:01,080 Speaker 1: is like there keeps having to be like but reality exists, 614 00:32:01,160 --> 00:32:02,960 Speaker 1: doesn't it's Earth? 615 00:32:04,080 --> 00:32:07,160 Speaker 3: But that's it's I know he's making not only his 616 00:32:07,200 --> 00:32:11,520 Speaker 3: midlife crisis but also his mental illness all of our 617 00:32:11,560 --> 00:32:16,080 Speaker 3: business and it's awful and he's truly spiraling and there's 618 00:32:16,120 --> 00:32:19,520 Speaker 3: nobody who can has ever been able to like pull 619 00:32:19,560 --> 00:32:19,960 Speaker 3: him back. 620 00:32:20,320 --> 00:32:20,520 Speaker 1: Yeah. 621 00:32:20,640 --> 00:32:24,320 Speaker 3: And it's also like, just try to act like, you 622 00:32:24,360 --> 00:32:27,480 Speaker 3: know what, like a businessman, act, you know, someone even 623 00:32:27,560 --> 00:32:31,280 Speaker 3: someone who's smart. Just try to act smart a little bit, 624 00:32:31,760 --> 00:32:34,520 Speaker 3: you know. And he can't do that because I think, again, 625 00:32:34,800 --> 00:32:37,880 Speaker 3: it's not important to him. He doesn't actually have any 626 00:32:37,920 --> 00:32:41,440 Speaker 3: admiration or respect for anyone who does make money or 627 00:32:41,440 --> 00:32:44,560 Speaker 3: anyone who is actually a smart investor or businessman. He 628 00:32:44,680 --> 00:32:48,120 Speaker 3: wants to be cool and he wants to be a Nazi. 629 00:32:48,200 --> 00:32:53,400 Speaker 3: He wants to be a cool Nazi. And that's it. Yeah, Yeah, 630 00:32:53,680 --> 00:32:55,640 Speaker 3: I agree with you, though, I mean, he's a child, 631 00:32:56,000 --> 00:32:59,479 Speaker 3: he's ever he's I mean, I also think like wealth 632 00:32:59,760 --> 00:33:02,120 Speaker 3: and and racism. I hate when people say that their 633 00:33:02,160 --> 00:33:06,760 Speaker 3: mental illnesses, but they certainly aren't. I think they can be. Yeah, 634 00:33:07,480 --> 00:33:11,240 Speaker 3: but I'm just like it's I just want this. He's 635 00:33:11,240 --> 00:33:13,120 Speaker 3: gonna fucking run for office at some point, you know 636 00:33:13,160 --> 00:33:15,800 Speaker 3: what I mean. Like that's where I feel like the 637 00:33:15,840 --> 00:33:17,479 Speaker 3: Elon Musk story is headed. 638 00:33:18,120 --> 00:33:20,040 Speaker 1: But well, I don't know, guys. 639 00:33:20,080 --> 00:33:21,280 Speaker 3: You guys have talked about everything. 640 00:33:21,320 --> 00:33:24,280 Speaker 2: The Senate, it's not going to be the White House. 641 00:33:24,480 --> 00:33:27,800 Speaker 1: But why But I mean he's already like the most 642 00:33:27,840 --> 00:33:30,560 Speaker 1: power you know, one of the most powerful people in 643 00:33:30,600 --> 00:33:33,360 Speaker 1: the history of the planet. Like, why would he need 644 00:33:33,360 --> 00:33:34,400 Speaker 1: to run for office? 645 00:33:34,840 --> 00:33:34,959 Speaker 4: No? 646 00:33:35,560 --> 00:33:38,600 Speaker 1: He I guess he but it's like from a personal perspective, 647 00:33:38,640 --> 00:33:41,840 Speaker 1: it feels like maybe he needs I think that's too risky. 648 00:33:41,960 --> 00:33:44,840 Speaker 2: That would that's too risky because that would actually require 649 00:33:44,880 --> 00:33:47,680 Speaker 2: getting votes, and like that's measurable. Like I don't think 650 00:33:47,680 --> 00:33:50,920 Speaker 2: he could handle taking that out, so cannot speak publicly. 651 00:33:51,000 --> 00:33:54,040 Speaker 3: Like I'm sorry, and I know he's narrow divergent, but 652 00:33:54,360 --> 00:33:56,840 Speaker 3: I know the community does not claim him, but he 653 00:33:56,880 --> 00:33:59,080 Speaker 3: cannot speak in public. He's terrible. 654 00:33:59,520 --> 00:33:59,680 Speaker 1: Yeah. 655 00:34:00,240 --> 00:34:02,400 Speaker 3: Later in the interview, do you see them You watch 656 00:34:02,480 --> 00:34:06,960 Speaker 3: the part where he doesn't remember the dude's name called him. 657 00:34:06,560 --> 00:34:09,480 Speaker 2: Jonathan, right, and he's like, that's your friend. 658 00:34:09,840 --> 00:34:14,240 Speaker 3: I thought he's like it's Andrew, but I yeah. 659 00:34:16,200 --> 00:34:19,040 Speaker 2: But anyway, go on, sir. But then right after that, 660 00:34:19,760 --> 00:34:23,000 Speaker 2: he then talks about how he has this other really 661 00:34:23,400 --> 00:34:28,800 Speaker 2: fantastic take about unions and what like what the problem 662 00:34:28,880 --> 00:34:31,600 Speaker 2: with unions are. It's Again, this is someone who is 663 00:34:31,600 --> 00:34:34,439 Speaker 2: not just saying whatever the fuck they want to out loud. 664 00:34:34,719 --> 00:34:37,680 Speaker 4: I disagree with the idea of unions, but perhaps for 665 00:34:37,680 --> 00:34:39,879 Speaker 4: a reason that is different than people may expect, which 666 00:34:39,920 --> 00:34:42,200 Speaker 4: is I just don't like anything which creates kind of 667 00:34:42,239 --> 00:34:45,960 Speaker 4: a lords and peasants sort of thing, and unions, sir, 668 00:34:46,239 --> 00:34:50,839 Speaker 4: naturally try to create negativity in a company and create 669 00:34:50,840 --> 00:34:55,680 Speaker 4: a sort of lords and peasants class situation. There are 670 00:34:55,680 --> 00:34:59,120 Speaker 4: many people at Tesla who have gone from working on 671 00:34:59,160 --> 00:35:01,640 Speaker 4: the line to being and senior management. There is no 672 00:35:02,360 --> 00:35:04,359 Speaker 4: lords and peasants. Everyone eats the same table. 673 00:35:04,400 --> 00:35:07,160 Speaker 2: Yeah, everyone needs the same table unless you're a person 674 00:35:07,160 --> 00:35:09,160 Speaker 2: of color, and then there's a whole other section for 675 00:35:09,239 --> 00:35:10,560 Speaker 2: you to go to called the jungle. 676 00:35:10,880 --> 00:35:14,799 Speaker 1: Uh from me because I don't like seeing you. 677 00:35:15,239 --> 00:35:17,879 Speaker 2: It's not lords and peasants. It's more like an overseer 678 00:35:18,040 --> 00:35:19,520 Speaker 2: slave relationship that I like. 679 00:35:19,960 --> 00:35:23,160 Speaker 3: Yeah, but this is it's so fun when you see 680 00:35:23,200 --> 00:35:26,040 Speaker 3: like a you know, so called free thinking billionaire just 681 00:35:26,040 --> 00:35:29,000 Speaker 3: sort of parrot the exact same you know, corporate line 682 00:35:29,080 --> 00:35:32,680 Speaker 3: that CEOs have parroted for the time immemoriam of like, 683 00:35:32,800 --> 00:35:34,840 Speaker 3: you know, that would make it feel like there's you know, 684 00:35:35,040 --> 00:35:38,600 Speaker 3: friction between us person and I completely underpay and will 685 00:35:38,640 --> 00:35:41,319 Speaker 3: fire if they at all try to former union. It's like, 686 00:35:41,760 --> 00:35:43,880 Speaker 3: you know, it would seem as if there's a power 687 00:35:43,960 --> 00:35:47,840 Speaker 3: imbalance there fucking is a power imbalance. It's like instead 688 00:35:47,840 --> 00:35:49,759 Speaker 3: of being like, no, I like to think of us 689 00:35:49,760 --> 00:35:50,799 Speaker 3: as a family, you know. 690 00:35:52,080 --> 00:35:54,440 Speaker 1: Tell me about that thing that I like to ignore 691 00:35:54,719 --> 00:35:57,920 Speaker 1: the power imbalance and ten isn't there and pretend that 692 00:35:58,000 --> 00:36:00,360 Speaker 1: we're all a family and have a horse. 693 00:36:00,800 --> 00:36:06,040 Speaker 3: Yeah, I mean, I'm very excited right that the UAW 694 00:36:06,120 --> 00:36:08,560 Speaker 3: has announced that they are going to be unionizing non 695 00:36:08,640 --> 00:36:13,640 Speaker 3: union workshops, I mean factories, auto auto factories across the country, 696 00:36:13,640 --> 00:36:16,120 Speaker 3: and Tesla is absolutely included in that. And I know 697 00:36:16,440 --> 00:36:20,439 Speaker 3: actually that workers are trying to unionize and they are 698 00:36:20,560 --> 00:36:23,759 Speaker 3: also and this maybe sounds a little weird, but they're 699 00:36:23,880 --> 00:36:26,640 Speaker 3: they're embarrassed that they because they like the company they 700 00:36:26,640 --> 00:36:28,880 Speaker 3: work for. They believe in Tesla, you know, they like 701 00:36:29,520 --> 00:36:32,359 Speaker 3: the ev world and they think it is cutting edge, 702 00:36:32,400 --> 00:36:35,960 Speaker 3: and they are engineers and they're and whatnot and whatever 703 00:36:36,000 --> 00:36:39,160 Speaker 3: else it involves. And they fucking want him gone. They 704 00:36:39,200 --> 00:36:43,520 Speaker 3: truly want him gone. Yeah, And so I mean, I 705 00:36:43,640 --> 00:36:46,560 Speaker 3: just can't get over like I think truly. I know 706 00:36:46,640 --> 00:36:49,360 Speaker 3: you guys have talked about this, perhaps, but the stunt 707 00:36:49,400 --> 00:36:51,960 Speaker 3: to go to Israel, which the Onion had one of 708 00:36:51,960 --> 00:36:54,400 Speaker 3: the best headlines, which was, you know, he is so 709 00:36:54,480 --> 00:36:57,200 Speaker 3: thankful to return to an apartheid state kisses the ground 710 00:36:58,800 --> 00:37:01,799 Speaker 3: alas this is the ground of a neo apartheid state. 711 00:37:02,400 --> 00:37:05,960 Speaker 3: Beyond that, I think it's incredibly cynical. And it's cynical 712 00:37:06,000 --> 00:37:09,080 Speaker 3: because this is someone who called the Anti Defamation League 713 00:37:09,320 --> 00:37:12,880 Speaker 3: promoting racism against white people. Then he said he would 714 00:37:13,200 --> 00:37:17,320 Speaker 3: remove pro Palestine keywords and got heralded by the ADL, 715 00:37:17,920 --> 00:37:21,040 Speaker 3: And you're like, the ADL is not an honest arbiter here. 716 00:37:21,440 --> 00:37:26,000 Speaker 3: They don't have ending anti semitism in their interests. And 717 00:37:26,040 --> 00:37:29,120 Speaker 3: the fact that Israel welcomed the likes of Elon Musk's 718 00:37:29,320 --> 00:37:32,400 Speaker 3: Musk All Show also excuse me, I could speak, also 719 00:37:32,400 --> 00:37:35,760 Speaker 3: should tell us that they are also not honest actors 720 00:37:35,760 --> 00:37:38,880 Speaker 3: when it comes to truly stopping anti semitism in Israel 721 00:37:38,920 --> 00:37:42,280 Speaker 3: and around the world. Like if you're gonna welcome Elon Musk, 722 00:37:42,480 --> 00:37:45,680 Speaker 3: fuck that right, you don't need that ally right. 723 00:37:45,760 --> 00:37:47,720 Speaker 2: And then also to say like, well, I can excuse 724 00:37:47,760 --> 00:37:50,480 Speaker 2: his anti semitism because and this one narrow way. It's 725 00:37:50,560 --> 00:37:54,040 Speaker 2: overlapping with something I believe, So yeah, we love it. 726 00:37:54,239 --> 00:37:56,000 Speaker 2: And then he was working just you know that outfit. 727 00:37:56,040 --> 00:37:59,520 Speaker 2: He was wearing an IDF dog tag too. That was 728 00:37:59,560 --> 00:38:02,800 Speaker 2: like saying that was about like releasing all of the hostages. 729 00:38:02,840 --> 00:38:06,280 Speaker 2: So it's like, so everything was so like empty gesture, 730 00:38:06,400 --> 00:38:10,239 Speaker 2: optic shit. That's it's embarrassing for fucking everyone. And yeah, 731 00:38:10,520 --> 00:38:13,640 Speaker 2: that that interview. I don't know what the state of 732 00:38:13,680 --> 00:38:16,040 Speaker 2: the company is right now, but my god, that did 733 00:38:16,080 --> 00:38:17,120 Speaker 2: not help fucking anything. 734 00:38:17,760 --> 00:38:21,799 Speaker 3: No, I mean, yeah, that's the thing is we're still 735 00:38:21,880 --> 00:38:24,359 Speaker 3: there though, Like I'm still there. I know a lot 736 00:38:24,360 --> 00:38:27,080 Speaker 3: of women, people of color, trans people, queer people, they've 737 00:38:27,080 --> 00:38:31,600 Speaker 3: all left, but like, I don't know, I guess I'm 738 00:38:31,640 --> 00:38:33,560 Speaker 3: still like I just don't know what. Like, I guess 739 00:38:33,560 --> 00:38:35,960 Speaker 3: we're all kind of waiting for maybe him, like just 740 00:38:36,000 --> 00:38:39,879 Speaker 3: like this big him to get tired of his toy, you. 741 00:38:39,800 --> 00:38:44,160 Speaker 2: Know, right right, I like just waited out like it happen. 742 00:38:44,440 --> 00:38:46,839 Speaker 2: It's like who knows. I mean, but I mean we're 743 00:38:46,880 --> 00:38:47,720 Speaker 2: close to something. 744 00:38:48,560 --> 00:38:51,320 Speaker 1: They're gonna kill the company. They're gonna kill the company. 745 00:38:51,680 --> 00:38:53,440 Speaker 1: The wait and we're gonna document it. 746 00:38:54,239 --> 00:38:56,720 Speaker 2: That's like some shit like when like our substance, like 747 00:38:56,880 --> 00:38:59,680 Speaker 2: a Karen has a meltdown where they've clearly fucked up 748 00:38:59,680 --> 00:39:01,399 Speaker 2: in a pub big place. But then they get their 749 00:39:01,440 --> 00:39:02,120 Speaker 2: camera out to. 750 00:39:03,719 --> 00:39:07,880 Speaker 1: Take video. Guess what now they're gonna know about. She's like, no, motherfucker, 751 00:39:07,960 --> 00:39:10,120 Speaker 1: it's you. What there talking about? 752 00:39:10,320 --> 00:39:13,719 Speaker 2: Okay? Tell him what I did reacting to your ship. 753 00:39:14,000 --> 00:39:16,040 Speaker 2: This is not a fucking move, Like, what the fuck 754 00:39:16,040 --> 00:39:16,920 Speaker 2: are you talking about? 755 00:39:17,560 --> 00:39:18,319 Speaker 1: Tell that to Earth? 756 00:39:18,880 --> 00:39:21,200 Speaker 2: Tell that to Earth? Okay, Yeah, all right, Will Smith, 757 00:39:21,239 --> 00:39:21,879 Speaker 2: Welcome to Earth. 758 00:39:23,320 --> 00:39:28,200 Speaker 1: That's did he? I mean, that felt like that was him, 759 00:39:28,400 --> 00:39:30,560 Speaker 1: his brain trying to improvise in that moment. 760 00:39:31,080 --> 00:39:34,279 Speaker 2: Yeah, but that was that was Yeah, tell to Earth. 761 00:39:34,920 --> 00:39:36,960 Speaker 1: All right, let's take a quick break and we'll be 762 00:39:37,080 --> 00:39:54,160 Speaker 1: right back. And we're back. We're back and Lifetime Hallmark 763 00:39:55,000 --> 00:39:58,839 Speaker 1: Christmas Movie Universe. Has there ever been crossover? Have they 764 00:39:58,880 --> 00:40:01,400 Speaker 1: ever like suggested that maybe these all take place in 765 00:40:01,440 --> 00:40:07,120 Speaker 1: the same weird universe where people reproduce the meaningful looks 766 00:40:07,400 --> 00:40:08,440 Speaker 1: that I wish there. 767 00:40:08,440 --> 00:40:11,480 Speaker 2: Was, because that would be the most fucked up writing 768 00:40:11,680 --> 00:40:13,560 Speaker 2: I think I could have ever imagined trying to weave 769 00:40:13,600 --> 00:40:14,200 Speaker 2: it all together. 770 00:40:14,320 --> 00:40:19,520 Speaker 3: But just when they're like plaids on their shirts, like 771 00:40:19,800 --> 00:40:21,759 Speaker 3: match up. That's when like the baby is made. 772 00:40:22,080 --> 00:40:25,480 Speaker 1: Yeah right right, yeah, that's how cuddlefish reproduces. Like they 773 00:40:25,560 --> 00:40:29,120 Speaker 1: like start having patterns that like match one another as 774 00:40:29,160 --> 00:40:34,960 Speaker 1: they're mating with each other. So like, yeah, and then 775 00:40:35,680 --> 00:40:37,879 Speaker 1: is that fish fact from cracked or a fish fact 776 00:40:37,880 --> 00:40:43,000 Speaker 1: from being a parent being a parent? Okay always Yeah, 777 00:40:43,000 --> 00:40:45,120 Speaker 1: it was before we started recording, I was talking about 778 00:40:45,120 --> 00:40:50,480 Speaker 1: the efficient of horse of the most efficient hunters, and 779 00:40:50,719 --> 00:40:55,200 Speaker 1: that is these are both. Yeah. 780 00:40:55,239 --> 00:40:57,319 Speaker 3: So then when you talk about cuddlefish mating, do you 781 00:40:57,320 --> 00:40:59,160 Speaker 3: have to talk about what mating means? 782 00:40:59,520 --> 00:41:02,440 Speaker 1: Uh, have the kind of stuff. Yeah, we're just like 783 00:41:03,000 --> 00:41:06,720 Speaker 1: oh yeah, yeah, just like that's how they have babies 784 00:41:06,760 --> 00:41:11,480 Speaker 1: make more Yeah, exactly. Okay, when one cuddle. 785 00:41:11,320 --> 00:41:14,280 Speaker 3: You don't talk about the cuddlefish is mind clit. 786 00:41:14,760 --> 00:41:19,600 Speaker 2: Yeah, check out the sack on this cuddlefish. 787 00:41:20,840 --> 00:41:23,359 Speaker 3: They just learned there there. There's like apparently some new 788 00:41:23,400 --> 00:41:28,520 Speaker 3: research about dolphins clits. Dolphins have massive clits, massive clits. Yeah. 789 00:41:28,840 --> 00:41:32,880 Speaker 2: Yeah, there was something recently about I think it was 790 00:41:32,920 --> 00:41:37,799 Speaker 2: a snake glitterists that like literally male researchers could not 791 00:41:37,960 --> 00:41:41,560 Speaker 2: find and it took female researchers like yo, man, the 792 00:41:41,640 --> 00:41:46,480 Speaker 2: clit right here, bro, They're like, we know not what 793 00:41:46,640 --> 00:41:48,280 Speaker 2: we're under the tail. 794 00:41:49,040 --> 00:41:50,640 Speaker 1: We thought the little rattler thing. 795 00:41:51,160 --> 00:41:52,000 Speaker 2: Oh my god. 796 00:41:52,160 --> 00:41:56,080 Speaker 1: Anyway, uh so, there is a new Lifetime Christmas movie 797 00:41:56,160 --> 00:42:00,799 Speaker 1: that is breaking new ground. Country singer and former One 798 00:42:00,800 --> 00:42:05,400 Speaker 1: Tree Hill actress Janet Kramer is starring in an upcoming 799 00:42:05,440 --> 00:42:10,000 Speaker 1: Lifetime Christmas movie called A Cowboy Christmas Romance about a 800 00:42:10,040 --> 00:42:13,280 Speaker 1: real estate agent who I think real estate agents should 801 00:42:13,320 --> 00:42:17,640 Speaker 1: be the protagonists of more films. Guys, they're cool there. 802 00:42:18,920 --> 00:42:20,439 Speaker 1: I just feel like real estate agents are. 803 00:42:20,320 --> 00:42:22,160 Speaker 3: Always well, she's gonna give up her job by the 804 00:42:22,239 --> 00:42:24,040 Speaker 3: end of this film, obviously, of course for. 805 00:42:24,040 --> 00:42:25,839 Speaker 1: A simpler thing, believe it. 806 00:42:26,160 --> 00:42:28,440 Speaker 2: I hate that every Like, as someone who watches a 807 00:42:28,440 --> 00:42:31,800 Speaker 2: lot of these ships, it always starts off with lady 808 00:42:31,920 --> 00:42:35,319 Speaker 2: or guy from the city goes to small every fucking. 809 00:42:35,200 --> 00:42:36,960 Speaker 3: Is it guy, though? Is it ever a guy who 810 00:42:36,960 --> 00:42:38,759 Speaker 3: decides that all he wants to do is just like 811 00:42:38,880 --> 00:42:40,839 Speaker 3: not chase money and just sort of settle down. 812 00:42:40,920 --> 00:42:43,120 Speaker 2: There is an occasional one, yeah, where like fast paced 813 00:42:43,200 --> 00:42:46,280 Speaker 2: living dude comes in and he's like a fucking hotshot 814 00:42:46,320 --> 00:42:49,000 Speaker 2: like earth fucker who's going to destroy a town and 815 00:42:49,040 --> 00:42:51,120 Speaker 2: then realizes at the end he likes Christmas lights. It 816 00:42:51,160 --> 00:42:52,960 Speaker 2: turns out and I don't like venture capital. 817 00:42:54,920 --> 00:42:56,160 Speaker 3: We see the Snowman. 818 00:42:56,640 --> 00:42:57,440 Speaker 1: Yeah exactly. 819 00:42:57,520 --> 00:43:00,200 Speaker 2: It's like always the same, but I'm always back. Well, 820 00:43:00,200 --> 00:43:03,040 Speaker 2: how's this one different? Oh it's a pretend nodding hill 821 00:43:03,120 --> 00:43:03,960 Speaker 2: rip off, it's all. 822 00:43:04,040 --> 00:43:06,280 Speaker 3: I mean, that's that's sort of like the the mystique 823 00:43:06,280 --> 00:43:10,280 Speaker 3: in Magic of Christmas is. Yeah, like it worked for Scrooge, 824 00:43:10,719 --> 00:43:13,440 Speaker 3: It's gonna work for everybody. It's basically just Christmas Carol 825 00:43:13,840 --> 00:43:16,520 Speaker 3: over and over and over again. There's something about the magic, 826 00:43:16,600 --> 00:43:18,120 Speaker 3: the lights and the cinnamon. 827 00:43:18,360 --> 00:43:19,719 Speaker 2: Yeah, and then. 828 00:43:20,040 --> 00:43:22,200 Speaker 3: Suddenly I don't want to be Henry kiss It never 829 00:43:22,239 --> 00:43:26,319 Speaker 3: worked on Henry Kissingder. In fact, they really tried him 830 00:43:26,400 --> 00:43:28,839 Speaker 3: up like a Christmas tree man. Yeah, they turned him 831 00:43:28,840 --> 00:43:30,760 Speaker 3: into a pumpkin spice latte. 832 00:43:31,280 --> 00:43:34,640 Speaker 1: Ghosts visiting him every night throughout the seventh Oh yeah 833 00:43:34,719 --> 00:43:35,000 Speaker 1: he was. 834 00:43:35,280 --> 00:43:40,520 Speaker 2: Yeah, he's like yo' yes, broke out of my mind. 835 00:43:41,440 --> 00:43:45,799 Speaker 1: He hugged the old Jacob Marley and then as he 836 00:43:45,880 --> 00:43:48,239 Speaker 1: was walking away, Jacob Marley realized he had planted a 837 00:43:48,280 --> 00:43:54,560 Speaker 1: grenade in his on his chain. But yeah, So this 838 00:43:54,600 --> 00:43:56,759 Speaker 1: one's about a real estate agent who returns to her 839 00:43:56,800 --> 00:44:03,160 Speaker 1: hometown in Arizona. There is a to reclaim land belonging 840 00:44:03,200 --> 00:44:07,520 Speaker 1: to a rancher. But get this, the two of them 841 00:44:08,080 --> 00:44:09,480 Speaker 1: form a connection. 842 00:44:10,000 --> 00:44:14,120 Speaker 2: Oh yeah, she reclaims land. It's kind of loaded. 843 00:44:14,520 --> 00:44:17,080 Speaker 3: Yeah yeah, he's going to get the deed to her ranch. 844 00:44:17,520 --> 00:44:22,440 Speaker 1: That's right. Now. Normally that is the only sexual content 845 00:44:22,440 --> 00:44:26,919 Speaker 1: we would get would be implication basically, yeah, oh yeah. 846 00:44:27,000 --> 00:44:29,520 Speaker 2: Usually these films like their sexual climaxes at the very 847 00:44:29,640 --> 00:44:31,480 Speaker 2: end were like they are together and they kiss, and 848 00:44:31,520 --> 00:44:32,160 Speaker 2: it's like the end. 849 00:44:32,760 --> 00:44:36,600 Speaker 3: Yes, not so, which is not good because sex can 850 00:44:36,680 --> 00:44:38,560 Speaker 3: really make or break, you know, whether yeah. 851 00:44:38,520 --> 00:44:40,560 Speaker 2: Exactly, where's the follow up? And they're like, yo, there's 852 00:44:40,600 --> 00:44:41,840 Speaker 2: such a mismatch sexually. 853 00:44:42,560 --> 00:44:44,120 Speaker 1: Motherfucker really bad. 854 00:44:44,360 --> 00:44:46,680 Speaker 2: He was looking at looking me dead in my eyes 855 00:44:46,719 --> 00:44:48,120 Speaker 2: when he's going down on me, and I was like, 856 00:44:48,160 --> 00:44:49,160 Speaker 2: well please. 857 00:44:51,000 --> 00:44:57,960 Speaker 1: Kept winking, yeah, doing his eyebrows like this, his eyebrows 858 00:44:58,000 --> 00:45:03,720 Speaker 1: while going down on me. You should know this movie. 859 00:45:04,680 --> 00:45:08,120 Speaker 2: He called me mom in bed, and not in like 860 00:45:08,160 --> 00:45:16,000 Speaker 2: a sexy Spanish way, not like like mommy mom. Mom. 861 00:45:16,320 --> 00:45:17,520 Speaker 1: Kept his socks on. 862 00:45:18,920 --> 00:45:21,799 Speaker 3: He left his socks on, you know, he actually left 863 00:45:21,840 --> 00:45:25,279 Speaker 3: his cowboy boots on. He was in bed, standing on 864 00:45:25,360 --> 00:45:26,040 Speaker 3: my bed. 865 00:45:26,200 --> 00:45:33,560 Speaker 1: Covered the Yeah. But anyways, so she has announced guys, 866 00:45:33,800 --> 00:45:37,520 Speaker 1: there there's gonna be fucking in this one. There's going 867 00:45:37,560 --> 00:45:41,960 Speaker 1: to be a sex scene. Typically, sex along with swearing, drugs, 868 00:45:41,960 --> 00:45:44,959 Speaker 1: and fun in general do not exist in these ultra 869 00:45:45,040 --> 00:45:50,560 Speaker 1: conservative holiday movies. Also, magic like Santa Claus doesn't really exist, right. 870 00:45:50,480 --> 00:45:52,480 Speaker 3: I mean Jesus watching in the corner, Like, as long 871 00:45:52,480 --> 00:45:53,520 Speaker 3: as Jesus is there. 872 00:45:53,360 --> 00:45:55,880 Speaker 1: Watching, I think baby Jesus. 873 00:45:56,960 --> 00:45:59,440 Speaker 3: Jesus is like, but watching. 874 00:45:59,480 --> 00:46:02,680 Speaker 2: On the Allmark wouldn't fuck with like a magic even 875 00:46:02,719 --> 00:46:05,319 Speaker 2: advent calendar, like you know what I mean, Like if 876 00:46:05,320 --> 00:46:08,680 Speaker 2: the calendar have powers that would normally be bestowed upon Christ, 877 00:46:08,680 --> 00:46:10,279 Speaker 2: our savior, we don't want that here. 878 00:46:10,560 --> 00:46:13,240 Speaker 3: But isn't that I mean, I guess is the magic 879 00:46:13,400 --> 00:46:16,640 Speaker 3: is the intrinsic nature of Christmas? The magic of Christmas? 880 00:46:17,200 --> 00:46:18,160 Speaker 3: Is it Jesus? 881 00:46:18,200 --> 00:46:18,279 Speaker 4: Like? 882 00:46:18,400 --> 00:46:20,960 Speaker 3: Is that what everyone's sort of implying, Like Home Alone too, 883 00:46:21,560 --> 00:46:24,279 Speaker 3: Like was the sort of like the jingle jangle and 884 00:46:24,320 --> 00:46:26,400 Speaker 3: the special stuff was that Christmas? Or is that just 885 00:46:26,440 --> 00:46:28,800 Speaker 3: homeless people who actually save your ass every. 886 00:46:28,560 --> 00:46:32,239 Speaker 1: Single I think there's I think there's like a secular 887 00:46:32,360 --> 00:46:37,160 Speaker 1: Christmas magic that is. That's what I thought best expressed 888 00:46:37,200 --> 00:46:40,719 Speaker 1: in Ghostbusters too, where it's just like goodwill, you know, 889 00:46:40,840 --> 00:46:43,080 Speaker 1: And I guess elf has a similar thing where it's 890 00:46:43,120 --> 00:46:46,760 Speaker 1: just like happiness and joy of like groups of people, 891 00:46:47,160 --> 00:46:50,120 Speaker 1: and like the way it's expressed and culminates as by 892 00:46:50,239 --> 00:46:51,480 Speaker 1: like people singing together. 893 00:46:51,680 --> 00:46:53,560 Speaker 3: Right, and you've explained happiness. 894 00:46:53,840 --> 00:46:59,719 Speaker 1: Yeah, And this is I don't understand humans, but as 895 00:46:59,760 --> 00:47:04,879 Speaker 1: best I can tell via Ghostbusters too. And this is how. 896 00:47:05,200 --> 00:47:08,840 Speaker 3: Sparkley Sparkly is not really Jesus, but it kind of myles. 897 00:47:08,880 --> 00:47:10,839 Speaker 3: Would you say it is in Lifetime in Hallmark movies 898 00:47:10,840 --> 00:47:11,799 Speaker 3: because I haven't no. 899 00:47:11,800 --> 00:47:14,920 Speaker 2: You know, Jesus shit in there. You are ones that 900 00:47:14,960 --> 00:47:17,719 Speaker 2: they're they do. But like, for the most part, I 901 00:47:17,760 --> 00:47:21,480 Speaker 2: honestly think the biggest like the purpose of all these 902 00:47:21,520 --> 00:47:25,640 Speaker 2: films is like there's like a psychological like downshifting that 903 00:47:25,760 --> 00:47:28,720 Speaker 2: happens at like around this time of year. People like okay, 904 00:47:28,800 --> 00:47:30,680 Speaker 2: like we're going it's Christmas or it's the end of 905 00:47:30,680 --> 00:47:32,440 Speaker 2: the year, and like I just need to look at 906 00:47:32,480 --> 00:47:35,120 Speaker 2: something that reinforces the fact that it's the end of 907 00:47:35,160 --> 00:47:38,920 Speaker 2: the year and it's still challenging narratively, and it's like 908 00:47:39,000 --> 00:47:40,680 Speaker 2: I can look away and still know what the fuck 909 00:47:40,760 --> 00:47:42,920 Speaker 2: happens or know exactly how this shit is gonna play out, 910 00:47:42,960 --> 00:47:45,440 Speaker 2: it's not. It's fully predictable. So even as a viewer, 911 00:47:45,480 --> 00:47:48,040 Speaker 2: I feel fully in control of what I'm watching because 912 00:47:48,120 --> 00:47:50,880 Speaker 2: the fucking the Holidays are already whacky and shit. I 913 00:47:50,880 --> 00:47:53,200 Speaker 2: think like that has a huge imp Like that's one 914 00:47:53,239 --> 00:47:55,200 Speaker 2: of the big reasons why these movies are so big. 915 00:47:55,239 --> 00:47:58,759 Speaker 2: It's like they're just so fucking easy to watch, Like 916 00:47:58,880 --> 00:47:59,840 Speaker 2: that's it, that's it. 917 00:48:00,040 --> 00:48:00,680 Speaker 3: In offensive. 918 00:48:01,080 --> 00:48:04,520 Speaker 1: Yeah. Yeah, but she said it's the first Lifetime Christmas 919 00:48:04,600 --> 00:48:07,160 Speaker 1: movie that has a sex scene on an episode of 920 00:48:07,200 --> 00:48:08,839 Speaker 1: her podcast wind Down. 921 00:48:09,719 --> 00:48:10,680 Speaker 3: Is it doggy style? 922 00:48:10,880 --> 00:48:15,160 Speaker 1: Like yeah, he just takes me from behind on like 923 00:48:15,320 --> 00:48:17,840 Speaker 1: in a coat room. Is she pregnant? 924 00:48:17,960 --> 00:48:21,160 Speaker 2: She's saying, She said. When I read it, I was like, well, 925 00:48:21,200 --> 00:48:22,920 Speaker 2: this is going to be interesting. I'm like, how are 926 00:48:22,960 --> 00:48:24,720 Speaker 2: we gonna do this with the baby belly? 927 00:48:25,600 --> 00:48:27,200 Speaker 1: Oh yeah, pregnant? 928 00:48:27,239 --> 00:48:31,799 Speaker 2: Okays my eggs okay? So what oh ship? So he 929 00:48:31,840 --> 00:48:33,280 Speaker 2: had that ship on the kitchen counter. 930 00:48:34,080 --> 00:48:39,160 Speaker 1: Yeah, it wasn't wow on the kitchen counter and they 931 00:48:39,200 --> 00:48:41,200 Speaker 1: like do this thing the movie thing where they like 932 00:48:41,280 --> 00:48:43,480 Speaker 1: clear off the stuff on the counter, like. 933 00:48:46,360 --> 00:48:48,240 Speaker 3: Oh, and they have counter sex. 934 00:48:48,680 --> 00:48:48,879 Speaker 1: Oh. 935 00:48:48,920 --> 00:48:55,520 Speaker 3: So she definitely didn't come. I guess like him and 936 00:48:55,600 --> 00:48:56,719 Speaker 3: a half minutes. 937 00:48:56,480 --> 00:48:59,960 Speaker 2: If that, Yeah, he was like, oh god, thank you, 938 00:49:01,360 --> 00:49:02,320 Speaker 2: there's my ranch. 939 00:49:03,560 --> 00:49:09,800 Speaker 1: It's just uncut, uncut seconds. 940 00:49:09,200 --> 00:49:10,720 Speaker 3: He's seventy. 941 00:49:10,880 --> 00:49:14,120 Speaker 1: I meant to do that. You came because people might 942 00:49:14,200 --> 00:49:15,960 Speaker 1: come back, So are you coming? 943 00:49:16,000 --> 00:49:17,319 Speaker 2: I might be able to get a few more in 944 00:49:17,440 --> 00:49:19,280 Speaker 2: before it's useless. 945 00:49:22,120 --> 00:49:26,319 Speaker 3: Oh yeah, I would have thought that the first sex 946 00:49:26,320 --> 00:49:28,880 Speaker 3: scene in a Lifetime film would have been, you know, 947 00:49:29,120 --> 00:49:32,319 Speaker 3: soft focus in a bed, beautiful sheets on now. 948 00:49:32,600 --> 00:49:37,799 Speaker 1: Yeah, I don't all over where people eat. 949 00:49:38,000 --> 00:49:41,440 Speaker 2: Yeah, yeah, I know you're asking me. You're like when 950 00:49:41,480 --> 00:49:44,040 Speaker 2: you first brought this up, like if this is affecting 951 00:49:44,080 --> 00:49:47,400 Speaker 2: like my perception or how I look at these movies. 952 00:49:47,480 --> 00:49:50,480 Speaker 1: Yeah, because you famously like, dude, you're not joking. You've 953 00:49:50,480 --> 00:49:51,480 Speaker 1: watched a lot. 954 00:49:51,520 --> 00:49:53,719 Speaker 2: I watched a lot and I've said it before. I've 955 00:49:53,719 --> 00:49:55,719 Speaker 2: tried to I've tried to sell scripts of this ship 956 00:49:55,719 --> 00:49:58,520 Speaker 2: because I'm likes so easy bro, And yeah, you were, 957 00:49:59,239 --> 00:50:01,320 Speaker 2: you were a thinker on this. Y'all want to fucking 958 00:50:01,719 --> 00:50:04,680 Speaker 2: hack use chat GPT and it'll give you a whole 959 00:50:04,719 --> 00:50:06,600 Speaker 2: motherfucking holiday movie idea. You just got to give you 960 00:50:06,600 --> 00:50:08,960 Speaker 2: a dialogue. I'm telling you half the time, Like, give 961 00:50:09,000 --> 00:50:11,319 Speaker 2: me a three X structure based on notting Hill but 962 00:50:11,440 --> 00:50:14,799 Speaker 2: holiday themed, involving a police officer who realizes that he's 963 00:50:14,840 --> 00:50:17,360 Speaker 2: anti capitalist and is in love with his partner. But 964 00:50:17,520 --> 00:50:21,560 Speaker 2: like that sounds I know it's good, it's always but yo, 965 00:50:21,760 --> 00:50:23,320 Speaker 2: because look we have some Ai tols. 966 00:50:23,320 --> 00:50:25,480 Speaker 1: He's gonna get killed though there's gonna be some corruption 967 00:50:25,560 --> 00:50:28,080 Speaker 1: at the plee that that's actually. 968 00:50:33,320 --> 00:50:36,000 Speaker 2: But these I'm like, I don't for the same reason. 969 00:50:36,080 --> 00:50:39,440 Speaker 2: I just want wallpaper. I don't need fine art, you know, 970 00:50:39,520 --> 00:50:40,960 Speaker 2: I don't need and by fine I mean I don't 971 00:50:40,960 --> 00:50:43,080 Speaker 2: need like sex scenes or none of that. Like, just 972 00:50:43,120 --> 00:50:45,440 Speaker 2: show me the person who moved from the city or 973 00:50:45,640 --> 00:50:48,080 Speaker 2: was living too fast and need to slow ship up 974 00:50:48,080 --> 00:50:49,640 Speaker 2: and realizes what blah blah blah. 975 00:50:49,719 --> 00:50:49,960 Speaker 1: That's it. 976 00:50:50,080 --> 00:50:52,759 Speaker 3: I get offended by this is I mean, this is 977 00:50:52,800 --> 00:50:59,640 Speaker 3: me just being so allergic to I'm so judged. I'm 978 00:50:59,640 --> 00:51:02,480 Speaker 3: a something that like if I see that, or I 979 00:51:02,520 --> 00:51:05,319 Speaker 3: hear a line that sounds too corny or or like 980 00:51:05,440 --> 00:51:09,040 Speaker 3: horribly written or so predictable, I will like convulse and 981 00:51:09,040 --> 00:51:11,320 Speaker 3: turn it off. Like I will if a show that 982 00:51:11,400 --> 00:51:13,040 Speaker 3: everyone's like no, no, no, this is a really good show 983 00:51:13,239 --> 00:51:16,120 Speaker 3: has a bad line or a bad actor. Immediately like 984 00:51:16,120 --> 00:51:18,319 Speaker 3: I'm just like I'm out, I'm taken out of it 985 00:51:18,680 --> 00:51:21,759 Speaker 3: and I can't. So it's it's so opposite. But like, 986 00:51:21,840 --> 00:51:23,080 Speaker 3: I don't know what do I have. I don't have 987 00:51:23,120 --> 00:51:25,560 Speaker 3: anything on necessarily, but I do like like Great British 988 00:51:25,560 --> 00:51:28,840 Speaker 3: Baking Show that's sort of my speed. Yeah, yeah, yeah maybe, 989 00:51:28,880 --> 00:51:30,759 Speaker 3: but I'm like, even. 990 00:51:31,160 --> 00:51:33,160 Speaker 2: See, I look at it like almost like how I 991 00:51:33,200 --> 00:51:34,759 Speaker 2: watch Fox News like. 992 00:51:37,560 --> 00:51:38,360 Speaker 1: And I want it on. 993 00:51:38,600 --> 00:51:40,600 Speaker 2: It doesn't make me angry so much. I'm like, yeah, 994 00:51:40,760 --> 00:51:41,600 Speaker 2: they really make this. 995 00:51:41,640 --> 00:51:44,399 Speaker 1: Like a sosiological experiment. 996 00:51:44,000 --> 00:51:45,880 Speaker 3: But it's a little bit like like like when I 997 00:51:45,880 --> 00:51:48,279 Speaker 3: would like watch The Little Mermaid and then rewind and 998 00:51:48,280 --> 00:51:51,600 Speaker 3: watch it again immediately after. I think it does something 999 00:51:51,640 --> 00:51:54,680 Speaker 3: to your psyche where it like the conditioning that like 1000 00:51:55,120 --> 00:52:03,120 Speaker 3: heteronormative weirdo you should meet your love at a hoe down, 1001 00:52:01,440 --> 00:52:05,439 Speaker 3: Like that's that's doing something to you. 1002 00:52:05,960 --> 00:52:10,040 Speaker 1: I do agree with that, but yeah, I do think 1003 00:52:10,080 --> 00:52:13,120 Speaker 1: that a relationship, a marriage actually isn't right in the 1004 00:52:13,160 --> 00:52:14,319 Speaker 1: eyes of God unless. 1005 00:52:14,000 --> 00:52:16,440 Speaker 2: You are you serious. It doesn't make me even know 1006 00:52:16,520 --> 00:52:19,520 Speaker 2: I have the wildest missionary style sex after watching one 1007 00:52:19,520 --> 00:52:24,160 Speaker 2: of those. It was crazy on a haystack, you know, 1008 00:52:24,200 --> 00:52:28,800 Speaker 2: next to a fucking manger. Okay, fucking Nativity scene is 1009 00:52:28,880 --> 00:52:33,520 Speaker 2: ship so freaky live Nativity scene, but we go all 1010 00:52:33,600 --> 00:52:34,400 Speaker 2: the way through the. 1011 00:52:34,760 --> 00:52:37,680 Speaker 1: Yeah, the three Wise men are freaky, y'all. 1012 00:52:37,760 --> 00:52:41,879 Speaker 2: Was looking at your business, but like this does feel 1013 00:52:41,920 --> 00:52:43,759 Speaker 2: like to your point, Francisca, like what we were talking 1014 00:52:43,760 --> 00:52:46,319 Speaker 2: about with like the TikTok dating advice, Like you can 1015 00:52:46,360 --> 00:52:49,880 Speaker 2: get so ground down by like whether it's capitalism or 1016 00:52:50,000 --> 00:52:52,640 Speaker 2: dating apps or things like that, that sometimes there is 1017 00:52:52,680 --> 00:52:55,640 Speaker 2: just like this weird thing of like look how simple 1018 00:52:55,760 --> 00:52:58,239 Speaker 2: this dumb shi it is. And in that way there 1019 00:52:58,320 --> 00:53:01,120 Speaker 2: is like comfort even though you might really aspire to that, 1020 00:53:01,200 --> 00:53:04,000 Speaker 2: but there's something about like wow, this life. Wow in 1021 00:53:04,040 --> 00:53:08,120 Speaker 2: this world housing crisis doesn't exist, you know, like wars 1022 00:53:08,160 --> 00:53:10,719 Speaker 2: of imperial wars, like all this shit is. 1023 00:53:10,800 --> 00:53:14,000 Speaker 1: Gone, so like some of the Dark Ship because we 1024 00:53:14,000 --> 00:53:16,320 Speaker 1: we watched one of the one of the oh actually 1025 00:53:16,360 --> 00:53:17,920 Speaker 1: I guess it wasn't a holiday movie, but it was 1026 00:53:17,960 --> 00:53:22,600 Speaker 1: a Netflix movie that was like in the Hallmark kind 1027 00:53:22,680 --> 00:53:30,040 Speaker 1: of genre and the josh what was that guy's name, Joshua, Yeah, 1028 00:53:30,120 --> 00:53:33,120 Speaker 1: Dumel was the love interest. It was like that one 1029 00:53:33,120 --> 00:53:36,520 Speaker 1: of the number one trending movies on Netflix, like during 1030 00:53:36,560 --> 00:53:40,560 Speaker 1: the pandemic and josh Tumel's character was like a fucking 1031 00:53:41,760 --> 00:53:47,520 Speaker 1: like Trump QAnon person. Oh god, just like coded that way. 1032 00:53:47,680 --> 00:53:50,719 Speaker 1: He was giving, like he was like, oh I'll tell 1033 00:53:50,719 --> 00:53:54,160 Speaker 1: you what. No, no, no, no, no, no. He was 1034 00:53:54,360 --> 00:53:57,440 Speaker 1: he was the one he got. Yeah. Basically like she 1035 00:53:58,320 --> 00:54:00,680 Speaker 1: came to him from the city where she had like 1036 00:54:01,120 --> 00:54:03,520 Speaker 1: you know, things hadn't worked out for her and then 1037 00:54:03,560 --> 00:54:06,000 Speaker 1: she you know, came around to his way. 1038 00:54:06,120 --> 00:54:08,439 Speaker 3: Think you did we Okay, But what I will say 1039 00:54:08,480 --> 00:54:10,920 Speaker 3: is maybe if I watched these movies, I would like 1040 00:54:11,239 --> 00:54:14,720 Speaker 3: I wouldn't stop because last year I did watch Last 1041 00:54:14,800 --> 00:54:19,359 Speaker 3: Christmas with Amelia Clark. I think it was maybe two 1042 00:54:19,400 --> 00:54:23,440 Speaker 3: years ago, and I Ristmas like three years ago. That 1043 00:54:23,480 --> 00:54:28,520 Speaker 3: shit sucked so much, Like I mean, Michelle, yeah, I 1044 00:54:28,560 --> 00:54:29,759 Speaker 3: was in it. I was like, Okay, that was a 1045 00:54:29,800 --> 00:54:33,760 Speaker 3: weird choice. But then like Amelia Clark and this dude, 1046 00:54:33,840 --> 00:54:36,600 Speaker 3: who's this dude, Henry Golding. 1047 00:54:36,719 --> 00:54:44,120 Speaker 6: Yeah, he's awful, Like he's he skips at one point 1048 00:54:44,200 --> 00:54:46,319 Speaker 6: in the movie in the beginning, like and she's like, 1049 00:54:46,600 --> 00:54:47,480 Speaker 6: why are you skipping? 1050 00:54:48,040 --> 00:54:51,280 Speaker 3: Because I'm happy and You're just like it was bad, 1051 00:54:51,360 --> 00:54:53,879 Speaker 3: and so I'm like, but I was really excited because 1052 00:54:53,920 --> 00:54:56,279 Speaker 3: I did kind of want to watch like you know, 1053 00:54:56,560 --> 00:54:59,320 Speaker 3: cute Christmas meet cute stuff. 1054 00:54:59,719 --> 00:55:00,520 Speaker 1: Right right right? 1055 00:55:01,000 --> 00:55:02,799 Speaker 2: Yeah, Oh that's right, because doesn't she work like with 1056 00:55:02,880 --> 00:55:06,000 Speaker 2: unhoused people or something, and like there's like a they 1057 00:55:06,040 --> 00:55:08,800 Speaker 2: have like it it culminates like with like a pageant scene. 1058 00:55:08,840 --> 00:55:10,000 Speaker 2: I feel like at the shelter. 1059 00:55:10,440 --> 00:55:11,640 Speaker 3: I don't think I finished it. 1060 00:55:11,880 --> 00:55:13,600 Speaker 2: Oh should I? You know, I'm not the last saw 1061 00:55:13,600 --> 00:55:15,279 Speaker 2: this shit in the fucking theater when it came out. 1062 00:55:15,880 --> 00:55:19,560 Speaker 2: You did, Yeah, this is what I I don't know 1063 00:55:19,640 --> 00:55:22,759 Speaker 2: what the fact that was a dead Heart of COVID. 1064 00:55:22,840 --> 00:55:27,440 Speaker 3: Yes it was. Yeah, anyway, I need more lifetime filmandemic. 1065 00:55:27,640 --> 00:55:29,160 Speaker 2: No, no, it was. It was right at the end 1066 00:55:29,200 --> 00:55:31,560 Speaker 2: of twenty nineteen. I remember because it was like, honestly, 1067 00:55:31,600 --> 00:55:33,080 Speaker 2: I think it was one of the last films I 1068 00:55:33,120 --> 00:55:34,000 Speaker 2: had seen for like. 1069 00:55:34,040 --> 00:55:36,120 Speaker 3: Oh, you saw it in the theater. Meanwhile, this is 1070 00:55:36,160 --> 00:55:39,360 Speaker 3: how much up on? I'm like, I just saw it 1071 00:55:39,440 --> 00:55:40,040 Speaker 3: last year? 1072 00:55:40,880 --> 00:55:41,759 Speaker 2: Yeah, ago. 1073 00:55:42,600 --> 00:55:45,400 Speaker 1: I mean there's some repertory theaters that are staging the 1074 00:55:45,600 --> 00:55:49,040 Speaker 1: screenings of it. That movie, so it cost thirty million 1075 00:55:49,080 --> 00:55:52,080 Speaker 1: dollars to make and it made one hundred and twenty 1076 00:55:52,120 --> 00:55:54,640 Speaker 1: three million dollars, So you're not the only person who 1077 00:55:54,640 --> 00:55:55,440 Speaker 1: saw it in theaters. 1078 00:55:55,480 --> 00:55:58,359 Speaker 2: Mouth it's I'm telling you, there's something like I get 1079 00:55:58,400 --> 00:56:01,160 Speaker 2: some people they do it for It's like visual value, 1080 00:56:01,400 --> 00:56:03,399 Speaker 2: you know what I mean. Yeah, that's why they fuck 1081 00:56:03,480 --> 00:56:05,640 Speaker 2: with it. I'm like half into it for that, the 1082 00:56:05,680 --> 00:56:08,440 Speaker 2: other half. It just feels like these movies are made 1083 00:56:08,480 --> 00:56:12,000 Speaker 2: with zero taste or quality in mind, and then like 1084 00:56:12,040 --> 00:56:14,960 Speaker 2: it's wild to watch it, Like these people know better 1085 00:56:15,080 --> 00:56:17,879 Speaker 2: than this, but this is what we get. And it's 1086 00:56:17,880 --> 00:56:20,040 Speaker 2: just so weird to see how the standards shift so 1087 00:56:20,239 --> 00:56:25,319 Speaker 2: dramatically for a holiday film. But if that's also interesting, Yeah, man, 1088 00:56:25,400 --> 00:56:27,480 Speaker 2: I think then they kind of they get naughty in that, 1089 00:56:27,520 --> 00:56:27,920 Speaker 2: don't they. 1090 00:56:28,719 --> 00:56:36,400 Speaker 1: Well I didn't finish. He's a ghost right, Oh? Sorry shit, Oh. 1091 00:56:36,239 --> 00:56:38,759 Speaker 3: He's a ghost. Oh I love that. I mean I 1092 00:56:38,760 --> 00:56:40,560 Speaker 3: don't love that, but thank god because it makes it 1093 00:56:40,600 --> 00:56:43,600 Speaker 3: makes his like insufferable character. Actually. See, that's the thing. 1094 00:56:43,680 --> 00:56:45,640 Speaker 3: I'm impatient. That's why you go to films instead of 1095 00:56:45,640 --> 00:56:48,680 Speaker 3: stream them, because you can't leave, although I have left theaters. 1096 00:56:48,920 --> 00:56:52,879 Speaker 1: Yeah, he's he's actually somebody who donated his heart hard 1097 00:56:52,920 --> 00:56:58,000 Speaker 1: to her. Yeah, and so she's the manifestation of like 1098 00:56:58,080 --> 00:57:02,440 Speaker 1: some weird like physical there's like some weird like materialist 1099 00:57:02,719 --> 00:57:06,000 Speaker 1: like physical you could you could like build an entire 1100 00:57:06,160 --> 00:57:09,000 Speaker 1: religion off of the back of like the mythology of 1101 00:57:09,080 --> 00:57:10,200 Speaker 1: Last Christmas. 1102 00:57:10,320 --> 00:57:12,080 Speaker 2: It feels like but like in. 1103 00:57:12,040 --> 00:57:15,799 Speaker 1: The a Heart, you are part them and therefore their 1104 00:57:15,880 --> 00:57:20,840 Speaker 1: reality manifests itself into your physical reality, and then you 1105 00:57:20,880 --> 00:57:24,760 Speaker 1: can fuck them and then that's a true Christmas spirit. 1106 00:57:25,840 --> 00:57:29,520 Speaker 3: Yeah, like your donor always is like they get one fuck, 1107 00:57:29,840 --> 00:57:30,560 Speaker 3: you know, yeah. 1108 00:57:31,000 --> 00:57:38,600 Speaker 1: Right, yeah, yeah, all right, holy ghost. 1109 00:57:39,960 --> 00:57:42,800 Speaker 3: Oh that's good. I you know, what if they had 1110 00:57:42,800 --> 00:57:45,840 Speaker 3: done a little bit more like a little more foreshadowing, 1111 00:57:46,000 --> 00:57:48,320 Speaker 3: But in thirty minutes, I was like, this is bad, 1112 00:57:48,520 --> 00:57:49,400 Speaker 3: this is bad. 1113 00:57:49,600 --> 00:57:52,240 Speaker 2: No, trust me. When that ship the reveal happened, I 1114 00:57:52,240 --> 00:57:54,520 Speaker 2: remember looking at her magic was like, Yo, the fuck 1115 00:57:54,760 --> 00:57:58,800 Speaker 2: was that? I almost choked out the person next to me, 1116 00:57:59,320 --> 00:58:02,800 Speaker 2: Like somebody's got to take answer. 1117 00:58:03,000 --> 00:58:05,200 Speaker 1: So he's got to go to sleep right now, somebody's 1118 00:58:05,200 --> 00:58:09,760 Speaker 1: going night over this terrible plot twist. Yeah, it does end. 1119 00:58:09,840 --> 00:58:13,760 Speaker 1: I'm just this is all based on the Wikipedia plat summary, 1120 00:58:13,800 --> 00:58:18,280 Speaker 1: But it does end with organizing of a show utilizing 1121 00:58:18,320 --> 00:58:23,160 Speaker 1: the talents of the people at the shelter exactly, and 1122 00:58:23,840 --> 00:58:27,160 Speaker 1: Kate delicately performs a solo of the Wham song Last 1123 00:58:27,200 --> 00:58:32,480 Speaker 1: Christmas intertwined with flashbacks of her time with the dead 1124 00:58:32,520 --> 00:58:36,440 Speaker 1: person's ghost who she fucked while their heart was beating 1125 00:58:36,480 --> 00:58:42,440 Speaker 1: in her chest. That's wild, so weird, so weird. I 1126 00:58:42,480 --> 00:58:43,160 Speaker 1: love it though. 1127 00:58:44,400 --> 00:58:46,640 Speaker 2: Oh that's right because she tries to have sex with 1128 00:58:46,720 --> 00:58:48,600 Speaker 2: him and he says no, and they just kiss and 1129 00:58:48,640 --> 00:58:50,000 Speaker 2: then he literally ghosts. 1130 00:58:50,280 --> 00:58:55,760 Speaker 1: Right. Wow, amazing champions, Francesca. What a pleasure having you 1131 00:58:55,800 --> 00:58:56,640 Speaker 1: as always on? 1132 00:58:56,880 --> 00:58:57,280 Speaker 3: My God? 1133 00:58:57,760 --> 00:59:01,040 Speaker 1: Where can people find you? Follow you all that good stuff? 1134 00:59:01,320 --> 00:59:03,120 Speaker 3: You know? When you can find me? You can find 1135 00:59:03,160 --> 00:59:04,920 Speaker 3: me with Miles Gray. 1136 00:59:05,240 --> 00:59:07,240 Speaker 1: Oh tell them. 1137 00:59:06,880 --> 00:59:10,040 Speaker 3: At SF Sketch Fest on January twenty eighth. That is 1138 00:59:10,080 --> 00:59:13,200 Speaker 3: a Sunday at seven pm at the Gateway Theater. You 1139 00:59:13,240 --> 00:59:17,200 Speaker 3: can get your tickets sfsketch Fest dot com twenty twenty four. 1140 00:59:17,280 --> 00:59:19,000 Speaker 3: We'll put a link hopefully you guys can put a 1141 00:59:19,040 --> 00:59:19,520 Speaker 3: link on that. 1142 00:59:19,720 --> 00:59:20,440 Speaker 1: Who else is on that? 1143 00:59:20,840 --> 00:59:23,680 Speaker 3: It is a live edition of my podcast Habituation Room. 1144 00:59:23,720 --> 00:59:27,200 Speaker 3: We've got Miles Gray, comedian Nato Green, and Emma Vigland 1145 00:59:27,280 --> 00:59:31,000 Speaker 3: of The Majority Report. Just such a banging lineup. I'm 1146 00:59:31,080 --> 00:59:34,400 Speaker 3: very excited. So please come get tickets. If you're in 1147 00:59:34,480 --> 00:59:36,720 Speaker 3: the bay, smoke with me. It's a chance to you know, 1148 00:59:36,760 --> 00:59:40,000 Speaker 3: Stock miles irl. So he's excited about it. 1149 00:59:40,360 --> 00:59:42,280 Speaker 1: If you're not in the bay, that's worth flying in 1150 00:59:42,360 --> 00:59:43,040 Speaker 1: for if you have. 1151 00:59:43,920 --> 00:59:47,400 Speaker 2: Oh yeah yo January twenty eighth, Yo, wild Side Store. 1152 00:59:47,400 --> 00:59:49,240 Speaker 2: And I have to tell you, Francesco, my brother in 1153 00:59:49,320 --> 00:59:52,680 Speaker 2: law knows NATO for like years really, yeah, for like 1154 00:59:52,760 --> 00:59:54,000 Speaker 2: over twenty five years. 1155 00:59:54,040 --> 00:59:54,840 Speaker 3: Are they friends? 1156 00:59:55,040 --> 00:59:58,520 Speaker 2: Yeah? They are friends, like one enemies you know, because 1157 00:59:58,560 --> 01:00:00,200 Speaker 2: he was like, yo, nay, He's like yo. I came 1158 01:00:00,280 --> 01:00:02,560 Speaker 2: up with him in the bay like twenty five years ago, 1159 01:00:02,680 --> 01:00:04,960 Speaker 2: and I was like, and yeah, they're friends. That's great. 1160 01:00:05,000 --> 01:00:05,880 Speaker 3: Well you better be at the show. 1161 01:00:05,920 --> 01:00:07,880 Speaker 2: God damn you will. No, he's he's okay, Look that's 1162 01:00:07,880 --> 01:00:08,400 Speaker 2: my plus two. 1163 01:00:09,320 --> 01:00:13,960 Speaker 1: All right. Amazing. Is there a work of media that 1164 01:00:14,000 --> 01:00:14,960 Speaker 1: you've been enjoying? 1165 01:00:15,400 --> 01:00:20,160 Speaker 3: I did like the IMEU, which everyone should follow, which 1166 01:00:20,200 --> 01:00:22,480 Speaker 3: has been reporting and doing great. Is it just a 1167 01:00:22,480 --> 01:00:25,880 Speaker 3: great resource for Israel? Palestine information? Has Israel's twenty twenty 1168 01:00:25,880 --> 01:00:30,520 Speaker 3: three wrapped? Fifteen thousand, four hundred plus Palestinians killed, sixty 1169 01:00:30,520 --> 01:00:34,320 Speaker 3: three hundred Palestinians children killed, one point seven million Palainians displaced, 1170 01:00:34,480 --> 01:00:40,200 Speaker 3: seven thousand plus Palacinians arrested. Yay, And I'm enjoying it. 1171 01:00:40,560 --> 01:00:42,760 Speaker 2: Rap and enjoy wrap that up with a bow. 1172 01:00:43,080 --> 01:00:47,080 Speaker 1: Yeah, Miles, where can people find you? What is the 1173 01:00:47,120 --> 01:00:49,320 Speaker 1: work of media you've been enjoying. 1174 01:00:49,080 --> 01:00:51,680 Speaker 2: At Miles of Gray wherever they got the at symbol. 1175 01:00:51,720 --> 01:00:54,400 Speaker 2: You can find Jack and on on our basketball podcast 1176 01:00:54,560 --> 01:00:58,840 Speaker 2: Miles and Jack Got Mad boosted a great episode with 1177 01:00:58,920 --> 01:01:02,360 Speaker 2: Sarah Todd who it's about the Utah Jazz my favorite 1178 01:01:02,560 --> 01:01:05,480 Speaker 2: Tad Jazz Report. Yeah, yeah, yeah, Sarah Todd is always fantastic. 1179 01:01:06,240 --> 01:01:07,880 Speaker 2: You can also find me on four twenty d Fiance 1180 01:01:07,960 --> 01:01:10,280 Speaker 2: with Sophia Alexander where I'm talking about ninety day fiance. 1181 01:01:10,800 --> 01:01:12,680 Speaker 2: And also just want to shout out again my friend 1182 01:01:12,760 --> 01:01:15,480 Speaker 2: Kim Cooper's one Woman show Trauma Response. If you're in LA, 1183 01:01:15,600 --> 01:01:17,840 Speaker 2: please check it out December fifth. I'll have a link 1184 01:01:17,880 --> 01:01:20,919 Speaker 2: in the footnotes. Please US cop tickets check that out. 1185 01:01:21,120 --> 01:01:24,400 Speaker 2: It's about being a transracial Korean adoptee to a white 1186 01:01:24,440 --> 01:01:27,640 Speaker 2: family in Iowa and all of the fun identity crises 1187 01:01:27,680 --> 01:01:30,080 Speaker 2: that come along with shit like that. And a tweet 1188 01:01:30,080 --> 01:01:34,400 Speaker 2: I like is from John Penneman at Historia Graphos tweeted 1189 01:01:34,760 --> 01:01:37,920 Speaker 2: a picture of a student emailing him he's a professor, 1190 01:01:38,520 --> 01:01:41,120 Speaker 2: and this was said, I will never recover from the 1191 01:01:41,200 --> 01:01:44,880 Speaker 2: student email, Good afternoon, Professor Pennyman, Hope you had a 1192 01:01:44,920 --> 01:01:47,240 Speaker 2: great break. I was wondering if it would be acceptable 1193 01:01:47,280 --> 01:01:50,240 Speaker 2: to use sources from the late nineteen hundreds for our 1194 01:01:50,280 --> 01:01:54,080 Speaker 2: final paper. I found an interesting paper from nineteen ninety four. 1195 01:01:54,440 --> 01:01:57,600 Speaker 2: Is there a cutoff date of publication? See you tomorrow? 1196 01:01:59,000 --> 01:02:02,240 Speaker 1: See it tomorrow, old ass motherfucker, if you're not dead 1197 01:02:02,280 --> 01:02:07,160 Speaker 1: of old age, nineteen hundreds, fuck y'all the late nineteen hundreds, 1198 01:02:07,160 --> 01:02:08,800 Speaker 1: Like I'm a fuck I'm driving a Model teen. 1199 01:02:08,880 --> 01:02:12,000 Speaker 3: Shit, this is Marjorie Taylor Green mistake as well. Like 1200 01:02:12,080 --> 01:02:16,160 Speaker 3: I actually think there are people who think the nineteen hundreds, 1201 01:02:16,760 --> 01:02:22,880 Speaker 3: Like are they wrong? Like why would you the nineteen hundreds. 1202 01:02:22,960 --> 01:02:25,800 Speaker 3: Isn't it the end of the nineteen hundreds technically nineteen. 1203 01:02:25,520 --> 01:02:28,160 Speaker 2: Ninety Yeah, yeah, yeah, it's just so funny, correct, It's 1204 01:02:28,240 --> 01:02:30,200 Speaker 2: just a funny way in nineteen hundred. 1205 01:02:30,240 --> 01:02:33,560 Speaker 1: So well, they will increasingly, they will be in the 1206 01:02:33,600 --> 01:02:36,200 Speaker 1: same way that we were, Like, yeah, late eighteen hundreds, 1207 01:02:36,960 --> 01:02:39,200 Speaker 1: what is that from the nineteen hundreds? Yeah? 1208 01:02:39,240 --> 01:02:41,200 Speaker 3: Could you consider yourself being born at the end of 1209 01:02:41,240 --> 01:02:42,480 Speaker 3: the nineteenour hundred. 1210 01:02:42,160 --> 01:02:46,760 Speaker 1: Of late nineteen hundreds, he's so fucking in the nineteen hundreds. 1211 01:02:47,440 --> 01:02:50,440 Speaker 1: My shit isn't even that all that late. I got 1212 01:02:50,520 --> 01:02:53,200 Speaker 1: a lot. I'm not gonna lie. 1213 01:02:53,080 --> 01:02:56,800 Speaker 2: Yeah ninety four like yo, ninety I got it here 1214 01:02:57,200 --> 01:03:01,560 Speaker 2: like that. Shit's prehistoric so funny predates the written word. 1215 01:03:02,960 --> 01:03:04,760 Speaker 3: With three when nine eleven happened. 1216 01:03:04,760 --> 01:03:08,640 Speaker 1: Fuck you. You can find me on Twitter at Jack 1217 01:03:08,880 --> 01:03:14,520 Speaker 1: Underscore O'Brien uh tweet I've been enjoying shirts that go 1218 01:03:14,640 --> 01:03:18,040 Speaker 1: hard tweeted a T shirt that says Henry Kissinger died 1219 01:03:18,080 --> 01:03:21,720 Speaker 1: on Spotify wrapped Day November twenty ninth, twenty twenty three, 1220 01:03:22,240 --> 01:03:25,000 Speaker 1: and that would just be a cool, cool thing to 1221 01:03:25,040 --> 01:03:30,040 Speaker 1: have written on your chest. Also, Floor Baba tweeted, social 1222 01:03:30,080 --> 01:03:32,880 Speaker 1: media is like, hey man, let's hang out at the news. 1223 01:03:33,320 --> 01:03:37,080 Speaker 1: I don't know how else to say. You can find 1224 01:03:37,640 --> 01:03:40,000 Speaker 1: us on Twitter at daily Zeikeeist. We're at d daily 1225 01:03:40,080 --> 01:03:42,800 Speaker 1: Zeitgeist on Instagram. We have a Facebook fan page and 1226 01:03:42,840 --> 01:03:45,160 Speaker 1: a website Daily zeikeist dot com, where we post our 1227 01:03:45,200 --> 01:03:48,000 Speaker 1: episodes and our footnote where we link off to the 1228 01:03:48,000 --> 01:03:50,840 Speaker 1: information that we talked about in today's episode, as well 1229 01:03:50,840 --> 01:03:54,160 Speaker 1: as a song that we think you might enjoy. Miles, 1230 01:03:54,200 --> 01:03:56,040 Speaker 1: what's the song we think people might enjoy? 1231 01:03:56,800 --> 01:03:59,480 Speaker 3: What is your what's in your wrapped? I'm I need. 1232 01:04:00,920 --> 01:04:02,320 Speaker 2: I haven't even opened my wrap yet. 1233 01:04:02,440 --> 01:04:04,040 Speaker 1: Actually I haven't even Yeah. 1234 01:04:03,960 --> 01:04:06,120 Speaker 2: That's remind good. Thank you for rying me. 1235 01:04:06,200 --> 01:04:09,440 Speaker 1: Also shout out all the fucking Apple Ye do they 1236 01:04:09,480 --> 01:04:09,760 Speaker 1: do that? 1237 01:04:09,880 --> 01:04:11,200 Speaker 2: Oh yeah, they do have their own version. 1238 01:04:11,240 --> 01:04:12,360 Speaker 1: Huh. Yeah. I don't know. 1239 01:04:14,360 --> 01:04:16,760 Speaker 2: It's gonna be all kinds of stuff because we use 1240 01:04:16,800 --> 01:04:18,640 Speaker 2: our Spotify to play all kinds of ships of the house. 1241 01:04:18,880 --> 01:04:22,000 Speaker 2: But let's see a track that I like. It's getting chilly, 1242 01:04:22,120 --> 01:04:24,480 Speaker 2: you know, the errors crisp. I would like to go 1243 01:04:24,680 --> 01:04:27,440 Speaker 2: on bike rides right now when the errors crisp uh. 1244 01:04:27,480 --> 01:04:29,880 Speaker 2: And this is a track just a little electronic, like 1245 01:04:29,960 --> 01:04:33,280 Speaker 2: not too hardcore electronic music, like something light with a 1246 01:04:33,320 --> 01:04:35,760 Speaker 2: good beat and feels like it goes with the crisp weather. 1247 01:04:35,960 --> 01:04:38,840 Speaker 2: That's this track. It's called good Lies by over Mono 1248 01:04:39,000 --> 01:04:41,280 Speaker 2: O v E R M O n Oh. Check this 1249 01:04:41,320 --> 01:04:43,160 Speaker 2: one out. Go on a bike ride, take a brisk 1250 01:04:43,200 --> 01:04:45,959 Speaker 2: walk whatever, breathing some oxygen from the outside, and listen 1251 01:04:46,000 --> 01:04:48,680 Speaker 2: to this and you will feel marginally better. I don't know, 1252 01:04:49,080 --> 01:04:50,800 Speaker 2: but hey teach their own, but check this out. 1253 01:04:50,960 --> 01:04:53,440 Speaker 1: Damn. I was trying to do the Apple one, like 1254 01:04:53,720 --> 01:04:59,439 Speaker 1: fucked my computer. Yeah yeah, yeah, all right, We will 1255 01:04:59,440 --> 01:05:01,920 Speaker 1: link off to the in the footnotes. The Daily Zeitgeis 1256 01:05:01,960 --> 01:05:04,160 Speaker 1: is a production of by Heeartradio. For more podcasts from 1257 01:05:04,160 --> 01:05:06,360 Speaker 1: My Heart Radio, visit the iHeartRadio app, Apple podcast, or 1258 01:05:06,360 --> 01:05:08,400 Speaker 1: wherever you listen to your favorite shows. That is gonna 1259 01:05:08,400 --> 01:05:11,800 Speaker 1: do it for us this week. We are back on 1260 01:05:11,960 --> 01:05:14,360 Speaker 1: Monday with a whole last episode telling you what was 1261 01:05:14,360 --> 01:05:17,520 Speaker 1: trending over the weekend, and we will talk to y'all 1262 01:05:17,560 --> 01:05:19,080 Speaker 1: then bye bye.