Speaker 1: It's nine O gen one oengine with Jenny Garth and
Speaker 1: Tory spelling. Hello everybody, We are back with another nine
Speaker 1: O two on OMG recap episode Yeah on baby, you've
Speaker 1: waited for us. We appreciate it. But we are here
Speaker 1: now and we have so much to talk about.
Speaker 2: We really do.
Speaker 1: This is episode season five, Episode five, rave On, aired
Speaker 1: October fifth, nineteen ninety four.
Speaker 3: Synopsis. Kelly's suspicions about Valerie turn out to be true.
Speaker 3: Steve Launch is a club to try to save the
Speaker 3: peach prit. Dylan developed sticky fingers. Donna sets her eyes
Speaker 3: on Rayproo. If he's here, one ta his mama couldn't
Speaker 3: afford too. David is feeling a little jelly, and Jesse
Speaker 3: is feeling a little frisky.
Speaker 1: Directed by David Semel, written by Larry Mullin.
Speaker 2: You got can I just right off of that, I've
Speaker 2: never smoked pot in my life. I have never smoke
Speaker 2: pot in my life, So you can take this. They
Speaker 2: are acting like she is a crackhead, do you know
Speaker 2: what I mean? Like they are the pot.
Speaker 3: She was smoking pot.
Speaker 1: It was not a thing that people did anywhere legally.
Speaker 2: Oh, it's so true. It was a different time, but
Speaker 2: like it is.
Speaker 3: Nine on two one ol, so we're getting like juicier
Speaker 3: but still like, oh keep it's safe, like it's pot.
Speaker 1: Kelly says basic Brandon. Valeries a pothead.
Speaker 2: It rereaked, It rereaked.
Speaker 1: She's so concerned about it. And I was thinking she's
Speaker 1: like she's been exposed to a lot of drugs because
Speaker 1: of her upbringing with her mom and all the addictions
Speaker 1: she's around by, you know, like I didn't think it
Speaker 1: felt right for Kelly to be the one that had
Speaker 1: a real problem with it.
Speaker 2: Well, my flag on the play was, look, I don't,
Speaker 2: like I said, I've never smoked pot in my life.
Speaker 2: Valerie's pot problem seems to be really stirring everyone up.
Speaker 2: Yet Dylan is a falling down, drunk, drunk mess mess
Speaker 2: and valeriees just okay, like oh let's make out, And
Speaker 2: I'm like, are you what is happening? If I was what?
Speaker 1: Plus I've happened to smell the smoke from a Marriorji
Speaker 1: Wanna cigarette, one of them funny cigarettes before, and uh,
Speaker 1: you can smell it a mile away totally. It smells
Speaker 1: like a ch smell. She's smoking it in her window
Speaker 1: and thinking it's not like on her breath, like, of
Speaker 1: course people are gonna smell that.
Speaker 2: She's like, I would never smoke it in the house,
Speaker 2: mind you, she's like in the window. I did laugh
Speaker 2: at the incense though, it's so you, Jenny, the incense.
Speaker 1: That little pot, a little Genie pot of incense. Insert
Speaker 1: But I don't know.
Speaker 3: I'm sorry you guys. Did she the pot whatever?
Speaker 2: What?
Speaker 3: Sorry, I don't know, but you could tell I don't
Speaker 3: smoke pot on the windowsill. Did she put it out there?
Speaker 1: Yes, she snubbed it out. She snubved it out on
Speaker 1: the side of the wall shouse.
Speaker 3: I'm sorry, she say, my mom's incense. She's I'm a boomer.
Speaker 3: Wait what boomer?
Speaker 1: She called herself a boomer, which is what we call
Speaker 1: ourselves because we don't know how to have the computer.
Speaker 2: We're not boomers, we're jen x.
Speaker 3: What is a boomer?
Speaker 2: A boomer is the generation before us, the baby boomers, boomers,
Speaker 2: That's what I assumed. She meant.
Speaker 3: Oh, I love that movie with Diane Keaton Baby Food amazing.
Speaker 2: I've never seen that.
Speaker 3: Love it. You would love it so good?
Speaker 1: I love I know you have to see that one.
Speaker 3: You would love it.
Speaker 2: He's right, that's a baby. That's because she's having a baby.
Speaker 2: She's not a boomer, yes, but it's still a random
Speaker 2: ref Like I don't get it, but I don't know.
Speaker 2: So anyway, the pot thing, she's just so bad.
Speaker 1: You know, let's just keep talking about Valerie and Dylan
Speaker 1: for a second or that that whole side of the storyline.
Speaker 1: I just I feel like when I see them together
Speaker 1: upsets me because they're not right for each other. They're
Speaker 1: not good for each other, and he's really going down
Speaker 1: a bad, bad road and she's helping him, and it
Speaker 1: bothers me so much. Like I don't even want to
Speaker 1: watch it.
Speaker 3: But they're so hot together.
Speaker 1: God, you think they have their You guys like their
Speaker 1: I like their makeups scene, Sorry you do? Yeah?
Speaker 2: Like I sort of like her with Steve better something
Speaker 2: I know, unpopular.
Speaker 1: You like Steve the most, You want him to be better,
Speaker 1: and he wants to be with her. Clearly he said,
Speaker 1: uh something about I don't get with this girl.
Speaker 2: That was so gross. That was so gross.
Speaker 3: Fool references in this one were next level funny. I
Speaker 3: thought they were funny, you know me, I like that
Speaker 3: the kids are older now, Yeah.
Speaker 2: Toy I agree with you completely. They were funny. We'll
Speaker 2: go they were funny. They were they were clever and funny,
Speaker 2: but it was like, oh, what show am I watching?
Speaker 2: There were a lot of like adult innuendos. Yes, and
Speaker 2: like I said, they weren't as cheesy as some of
Speaker 2: the Valerie Dylan stuff. They were a little bit more.
Speaker 3: It's getting to be the more the real humor of
Speaker 3: the cast in real life and getting comfortable and just
Speaker 3: throwing in zingers.
Speaker 2: Yes, that's so interesting you say that, because that that
Speaker 2: kind of is landing on me, because when you guys
Speaker 2: tell me stories of how y'all were, that is sort
Speaker 2: of more incorporated. That's great, great, Yeah, a great sort
Speaker 2: of note. I think you're right, And this did feel
Speaker 2: some of the lines, especially with the boys, felt like
Speaker 2: how they probably were talking to each other her in
Speaker 2: real life.
Speaker 1: Right, definitely, Yeah.
Speaker 2: But yeah, I do not like Dylan and Valerie. It's
Speaker 2: he's too mean. He's so mean mean, she's everybody.
Speaker 1: He's mean to everybody. I don't know how he gets
Speaker 1: away with that, Like he's mean to Steve.
Speaker 2: He's so mean, And I guess we're supposed to be
Speaker 2: interpret as he's a mean drunk, like I guess, so
Speaker 2: why would you come over here without calling? And then
Speaker 2: she just is like so sexual about it.
Speaker 3: But she rolls with it. She's clever.
Speaker 1: It's like, yeah, she's a crafty character, very crafty and
Speaker 1: kind of cunning.
Speaker 2: Honey, Yeah, that's a good word. But to me, if
Speaker 2: she's such a strong woman who owns her everything, right,
Speaker 2: she owns her power, she owns her sexuality, I would
Speaker 2: never put up with a guy talking to me like that,
Speaker 2: do you know what I'm saying.
Speaker 1: That's a good point. But she's just trying to get
Speaker 1: something out of him, like she has a motive. Yeah,
Speaker 1: so she's not gonna think stop her, And.
Speaker 2: She is smart. She's the only one who's figured out
Speaker 2: he doesn't have money. She's like, he doesn't behave like
Speaker 2: someone with money. He behaves like somebody who needs money.
Speaker 2: And she's the only one who's figuring out what's going
Speaker 2: on with him. But yet she still like triples down
Speaker 2: and like wants to be with this guy who treats
Speaker 2: her like dog poopoo.
Speaker 1: Because he's good in the sack.
Speaker 3: But she's aware of it. It's it's different and she's
Speaker 3: doing it. It's not desperate it's not. It's it's a
Speaker 3: clever I feel like she knows what she's getting. She
Speaker 3: doesn't want more than that, and so she's like, I'm
Speaker 3: fine with this. This is the way it is. I
Speaker 3: can accept this challenge. Let's do it, and we'll challenge.
Speaker 3: I think she is like they're.
Speaker 1: On the same like devious path, you know, so you
Speaker 1: like to hang out. People liked it when they're you know,
Speaker 1: being bad. They like to hang out with other people
Speaker 1: that are being bad.
Speaker 2: Yeah. I thought there was an interesting sort of situation
Speaker 2: with Kelly and Donna in this episode in that Donna,
Speaker 2: to me, is usually the one who's always right right
Speaker 2: like she is, she always kind of gets it, She's
Speaker 2: got people figured out. She's usually right, and in this case,
Speaker 2: Kelly actually is right about Valerie, but people sort of
Speaker 2: think she's being mean. Like Donna's like I like her,
Speaker 2: you know, seeing the best in her. Yeah.
Speaker 1: I think Kelly's usually the one that's like kind of
Speaker 1: like what Donna said, like you always think the worst
Speaker 1: of people. She doesn't think the worst of people. She
Speaker 1: just questions people's motives. I think more than maybe she
Speaker 1: should or maybe than other characters. But Kelly is right
Speaker 1: about her, but Donna's usually right about like other things.
Speaker 1: But I think Kelly has a good sense of people's
Speaker 1: true nature, Like she feels like I feel like she
Speaker 1: knows what she's dealing with.
Speaker 3: And I feel like when Donna starts to hang out
Speaker 3: with her more, she doesn't really know her yet. That's
Speaker 3: when Donna usually can see what's going on, and she hasn't.
Speaker 3: That's true, you've seen her more.
Speaker 2: And I don't use the most overly used psychological phrase gaslighting,
Speaker 2: but like that was some aggressive gas lighting their valerie.
Speaker 2: When she's fully making out with Dylan, Kelly fully sees it.
Speaker 2: And then they come out of the peach pit and
Speaker 2: she literally trying to some kind.
Speaker 1: Of about Yeah, like that didn't happen.
Speaker 2: No, he like made a move on me, And I
Speaker 2: mean I had no choice. What, Yeah, you could have not?
Speaker 1: Yeah?
Speaker 2: What in the actual what? Like there were so many
Speaker 2: things in this episode where I'm just like, oh my god,
Speaker 2: I don't.
Speaker 1: Remember in real life when we were filming this, I
Speaker 1: do not remember Dylan ever owning the peach pit. H
Speaker 1: oh really for me, it doesn't track at all.
Speaker 2: It was from when the brother wanted to sell it,
Speaker 2: when Nat had his heart attack. Yeah, yeah, and Dylan
Speaker 2: came in.
Speaker 1: Yeah, but like I don't I don't remember that ever happening.
Speaker 2: Oh really?
Speaker 1: And what I don't remember a rave in the peach
Speaker 1: pit either, Like what was that like? And what were
Speaker 1: those drinks that months was serving? Yea, who thought of that?
Speaker 1: Was that? Non alcoholic?
Speaker 2: And then there was like a tray of shots that
Speaker 2: got crashed into and everyone's stepping in the glass, which
Speaker 2: made me so uncomfortable. I was like, oh my god,
Speaker 2: they're just stepping in all that gloss.
Speaker 1: It honestly was the lamest rave I've ever seen.
Speaker 2: My thing is just the peach pit with the old
Speaker 2: records on the wall and the juke box. Like when
Speaker 2: you kind of look at it, you're like, how campy
Speaker 2: just weirdo is this place?
Speaker 1: Yeah? I can't imagine a rave being there.
Speaker 2: How about the earthquake references? You guys, multiple earthquake references?
Speaker 2: So when what is the date of this episode before?
Speaker 2: And when was the quake? I know, we're right it.
Speaker 3: Had before ninety four? Ninety four was quake?
Speaker 1: Right?
Speaker 2: And then this episode airs, so yeah, like they really
Speaker 2: were working in the references because because Ray Pruitt is
Speaker 2: doing retrofitting Ray prew It, Enter Ray prew It.
Speaker 1: Ah, he's kind of Studley. I'm so hilarious, And Donna says,
Speaker 1: can you just take your shirt off?
Speaker 2: Scry What did you think watching those scenes?
Speaker 3: It was so funny watching it because I guess at
Speaker 3: the time, you know, we were all so in that world.
Speaker 3: I wasn't thinking about it, but like going back and
Speaker 3: looking at it as a fan, I was like, oh
Speaker 3: my god, he was like huge at that time because of.
Speaker 1: What he was on the show before or two or not.
Speaker 1: Is that why he was known?
Speaker 2: I thought this got him known.
Speaker 3: You guys know he became famous in a movie with
Speaker 3: John Travolta where he's saying in it, sorry, no way.
Speaker 2: Oh wait, let me look it up. Okay, keep going
Speaker 2: and I'll get you the name something.
Speaker 3: He was faf. He got famous for that movie. And
Speaker 3: then my dad nabbed him up for The Heights. That's right, yep,
Speaker 3: And then that was a fox. When that didn't out
Speaker 3: shout was huge out he was became major. Then he
Speaker 3: was Withdrew Barrymore, that was a deal. He was on
Speaker 3: the cover of Max. He was he was huge, and
Speaker 3: then The Heights so.
Speaker 2: Was the Heights before this or after this.
Speaker 3: He was on The Heights before this. When it got
Speaker 3: canceled after one season, my dad said, this guy's major,
Speaker 3: Like I want to use him again. So he actually,
Speaker 3: if I got this right, wrote the song how do
Speaker 3: You Talk to an Angel? And yeah, that's right, and
Speaker 3: then he transitioned it into nine o two one ol.
Speaker 2: So okay, and I don't want to say the wrong thing, Tori,
Speaker 2: so you tell me. So this guy does shout and
Speaker 2: he's like blown up that he does on The Heights.
Speaker 2: Then he has this huge song. Then he comes on
Speaker 2: nine oh two on oh and they write this whack
Speaker 2: character and it kind of wrecked his career.
Speaker 3: That's right.
Speaker 2: Oh my god, that's sort of a bummer.
Speaker 3: You really how it went sort of like that's a
Speaker 3: huge bummer. Wait.
Speaker 2: Yeah, so The Heights was in nineteen ninety two, it
Speaker 2: got can't tory, way to go? You had this exactly right.
Speaker 2: So then he comes on nine oh two one oh
Speaker 2: in ninety four to ninety six. Yeah, and then yeah,
Speaker 2: like you guys, I don't want to be back like nothing.
Speaker 2: So he he was on to Serve and Protect two episodes,
Speaker 2: The Mumbo Jumbo Dead Last and bh nine oh two
Speaker 2: one oh, Like this is kind of an interesting sort
Speaker 2: of like if we were doing nine oh two one
Speaker 2: oh university like study. This guy had a great career
Speaker 2: and then he plays this character that's abusive. I don't
Speaker 2: want to spoiler alert, but like, come on, everybody's seen
Speaker 2: this and it kind of ruined his career when we.
Speaker 3: Didn't kind of going out. If you talk to him
Speaker 3: about that, he was able to kind of go down
Speaker 3: that line of being self deprecating and kind of acknowledging that.
Speaker 2: I mean, my goodness, Like, I actually want to talk
Speaker 2: about this for a sec because it's like I needed
Speaker 2: to strike to end so we can have him on.
Speaker 2: Maybe he'd come on anyway if he's not really working.
Speaker 2: Actually he is.
Speaker 3: He full works, he has a career, he's an EMT.
Speaker 2: He's I'm saying, he's not in sad. If he's not
Speaker 2: in sad, he can come on with us now, Lorraine.
Speaker 2: Let's ask him and see if he come on now,
Speaker 2: because he's not he wouldn't be like, there's no issue.
Speaker 2: He's not in the union.
Speaker 3: So I'll tell you exactly how it went.
Speaker 2: That's actually good, crazy.
Speaker 3: Huge music career obviously outside of being an actor as well.
Speaker 3: Obviously they didn't do it on purpose. They loved him
Speaker 3: and they wanted to redeem him. Ultimately, he was supposed
Speaker 3: to stay on.
Speaker 2: Oh my god, and the fans just would not do it.
Speaker 3: Fans went, so, I mean, I'll let man, it's his
Speaker 3: story to share. But well but we can't, I mean,
Speaker 3: because it's public. But yeah, aggressive. They would come up
Speaker 3: to him in the streets and like you push Darnie
Speaker 3: down the stairs, they would I think someone hit him.
Speaker 2: Oh, oh my god. So here's my question for you two.
Speaker 2: I think obviously because nine oh two one zero is
Speaker 2: now at its biggest, We're in season five, so I
Speaker 2: would argue we'd have to pull the exact ratings, but like,
Speaker 2: it's still at its height, right. This was huge because
Speaker 2: it was so huge and because of the fandom was
Speaker 2: so massive, and we all were blurring. Think about it.
Speaker 2: People call you guys, Kelly and Donna all the time.
Speaker 2: It's all blurred. And that's why this poor Jamie Walters
Speaker 2: gets sort of dragged because of Ray Pruitt. He's not
Speaker 2: Ray Pruitt. He didn't do that as a character, but
Speaker 2: people just blur it so much.
Speaker 3: Such a good call that's exactly it.
Speaker 2: Oh my god, I sort of want to say bless him,
Speaker 2: like that sucks.
Speaker 3: But if that happened now, people would be like, that's
Speaker 3: a character that you played a TV show, in a movie.
Speaker 3: You're very different. You could go on social media and
Speaker 3: be like this is me. I'm totally I'm a great human.
Speaker 3: I would never do something like this. But at the time,
Speaker 3: that was it.
Speaker 2: Right right, and it was so huge.
Speaker 3: Weren't able to have a real personal voice, Like now
Speaker 3: you could be like this is me, right, but you
Speaker 3: couldn't then, Like.
Speaker 2: Did everyone think you were a virgin forever? Same kind
Speaker 2: of thing.
Speaker 3: I know, that's so weird. No one ever asked that.
Speaker 1: It's kind of personal.
Speaker 2: Well, you're one now, you're still one now.
Speaker 1: People always thought that I was a boyfriend stealer, like
Speaker 1: you know, I took Dylan from Brenda.
Speaker 2: Which Jenny Jenny was so yeah, but.
Speaker 1: That they were mad at me, Jenny, because Kelly took
Speaker 1: Brenda's boyfriend.
Speaker 2: I'm glad Torri gave the timeline because I had it
Speaker 2: in my mind totally reversed that he was nine o
Speaker 2: two one oh came first, and that he blew up
Speaker 2: from nine o two one oh and went on to
Speaker 2: do the Heights and had the song to really learn
Speaker 2: that it was the opposite cover.
Speaker 3: Of Interview magazine with Drew barrymore too like he was
Speaker 3: he was, Yeah, he was on the cover. Sorry, I'm sorry.
Speaker 3: Was there a Rolling Stone shoot with before he was
Speaker 3: on the show with Jamie Walters, Luke Perry, Jason Priestley
Speaker 3: and one other guy that was hot and huge in
Speaker 3: the nineties before nine oh two one oh wearing white
Speaker 3: T shirts because Jamie.
Speaker 2: Here's my question for you guys, knowing the behind the
Speaker 2: scenes that they wanted him to redeem himself and you know,
Speaker 2: stay on the show. But how does a character redeem
Speaker 2: themselves from being like punching and throwing Donna down the
Speaker 2: stairs like that seems hard to come back from. Yeah,
Speaker 2: speaking of being ahead of its time, I sort of
Speaker 2: get that the fans were like, f this guy, How
Speaker 2: would they have ever loved him? Again?
Speaker 1: No, you can't hit Sweet Donna. You can't you can't
Speaker 1: push Sweet Donna down the stairs.
Speaker 2: That's just not no character, especially on Nino two one oh,
Speaker 2: is going to be able to redeem themselves from that.
Speaker 3: I mean, except you would you would think, though, mean
Speaker 3: because he's an original cast me. I were like, David
Speaker 3: cheated on Donna the Virgin, like she loved him and
Speaker 3: did everything in he was redeemable. Yeah, but I don't.
Speaker 2: Buy that either.
Speaker 1: That's the other thing I was gonna talk about with
Speaker 1: this episode was like, I find it really amazing but
Speaker 1: unrealistic that Donna is gonna be totally cool with Claire
Speaker 1: and David in her apartment.
Speaker 2: Jenny have agree, I said.
Speaker 3: Guess though, I said, like I would not like it
Speaker 3: would not be okay, like right, but.
Speaker 1: In ye specifically in that I think it was like
Speaker 1: the editing of Bay or something, when you're like joking
Speaker 1: about it. Yeah, Like I was like.
Speaker 2: I don't buy that, dude, me either. That does not
Speaker 2: track because I was in a sorority and I remember
Speaker 2: girls in the living room basically like having major problems
Speaker 2: because one girl was dating somebody that one girl in
Speaker 2: the sorority dated two years earlier, and you're just like
Speaker 2: what and they would claim there was a lot of claiming,
Speaker 2: Oh I claimed him? Huh So yeah, that did not
Speaker 2: track for me. I was like, she would be so
Speaker 2: hurt by her roommate kissing the like it's not a
Speaker 2: boy she one time dated. It's like the love of
Speaker 2: her life all of high school?
Speaker 1: What and they're still pining for each other, Like you
Speaker 1: see him looking at you with the other guys, and
Speaker 1: you notice him with other girls. But yeah, because it's
Speaker 1: Claire your friend, I mean, you try to be okay.
Speaker 1: I don't know. I mean maybe that kind of Donna's
Speaker 1: so so sweet that maybe that what she would have
Speaker 1: wanted to be, like, look, you're my friend and I
Speaker 1: want you to be happy or whatever.
Speaker 3: But I don't know, I just didn't. You're right, it doesn't. No,
Speaker 3: it doesn't. Track and Griffin on Griffin Stone.
Speaker 1: I feel it's gonna happen with Griffin. Are you gonna
Speaker 1: dump him for rape Root?
Speaker 3: Well, it's so weird to see this because at the
Speaker 3: time I had told you, guys, in real life, Casper
Speaker 3: and I liked him, Yeah, I mean it wasn't like
Speaker 3: fullible and dating, like we liked each other but then
Speaker 3: had something. But then enter Jamie Walters.
Speaker 1: So hot, like.
Speaker 3: I had those real feelings in real life, like, oh
Speaker 3: my god, who which one of these guys?
Speaker 1: Yeah, So basically Donna in this episode has three guys.
Speaker 1: It was showing like cross the paths right now, I.
Speaker 2: Wish we could have thrown DeShawn back in there and
Speaker 2: had four. You know, it's so funny, Toy. The nineteen
Speaker 2: ninety for me was way more into Ray Pruitt. The
Speaker 2: twenty twenty three me is way more into Griffin. I'm like,
Speaker 2: what is going on? Why is she even into Ray
Speaker 2: Pruitt versus agreed, but me back then, back then, I
Speaker 2: was a Jamie Walters.
Speaker 3: Fan like Donna Tory totally would be Ray over.
Speaker 1: But I thought he was a construction worker, you guys.
Speaker 1: And then he's playing the guitar.
Speaker 2: He is a construction worker that is a musician.
Speaker 3: On the drop.
Speaker 2: During a break, Jenny, he brings his guitar. Speaking of though,
Speaker 2: I thought what Claire and Donna were doing was really not.
Speaker 3: Cool, not cool. I thought you meant like the editing
Speaker 3: the first part. Sorry, sorry, not what they were doing.
Speaker 1: I did not like it either, that they were tricking
Speaker 1: the guys.
Speaker 2: It was yucky.
Speaker 3: And I'm not gonna lie when when Ray Pruitt said,
Speaker 3: is that some kind of rich bitch thing? It was
Speaker 3: so triggering for me, as Tory spelling from being thinking
Speaker 3: I'm just a rich bitch like and I was like,
Speaker 3: is that why they wrote that? Because I had those
Speaker 3: like fears back then, like every you know, I'm nice,
Speaker 3: Like Donna was so Tory in this episode.
Speaker 2: I actually was just about to say that it was
Speaker 2: really interesting that you guys said, you know that we
Speaker 2: talked about how like it is, particularly in this episode.
Speaker 2: There's a lot of those script things that felt very
Speaker 2: true to the real life people. I agree that was
Speaker 2: when I was watching that that was Tory because and
Speaker 2: then coming around and doing the right thing is Tory
Speaker 2: slash Donna like going, I don't want to use that clip?
Speaker 2: You know it was? It was.
Speaker 3: I liked it, like go along with him, didn't feel guilty.
Speaker 2: Yeah, yeah, the himbo bimbo thing. Come on. But this
Speaker 2: episode was jam packed because we have not talked about
Speaker 2: the moment that sort of made me cringe, super cringe.
Speaker 2: They were really pouring it on thick with Jesse and
Speaker 2: Andrea being so giggly googly in love, and I just
Speaker 2: had a pit in my stomach, going.
Speaker 1: Yeah that hurt. When when saw Jesse at work. But
Speaker 1: he's trying to get them too, tell you.
Speaker 2: I'm like, he just needs says tips. He's got to
Speaker 2: do it.
Speaker 1: He's working it. But oh god, I felt so bad
Speaker 1: for her, though.
Speaker 2: I did too about Cindy with her couple good eggs
Speaker 2: or whatever.
Speaker 3: She Oh my god, that was uncomfortable. And then I
Speaker 3: was like, wait, I thought you were older. Oh my gosh, yeah,
Speaker 3: how old.
Speaker 1: She's my She is in her forties at least in
Speaker 1: the in.
Speaker 2: This well, the kids are twenty. She didn't have them
Speaker 2: at twenty. She's forty five. At least she's gonna be
Speaker 2: having those hot flashes like me, come on, you can still.
Speaker 1: Have a few good eggs at forty five.
Speaker 2: I don't know. Actually google it naturally.
Speaker 3: I mean, we didn't expect him. But at forty four, I.
Speaker 2: Think it just keeps dropping because I googled odds of
Speaker 2: getting pregnant at forty nine and it's like two percent.
Speaker 3: Oh yeah. I had an obgyn come up and be like,
Speaker 3: I said, all my kids were natural, like we just
Speaker 3: didn't play in Nick came, and Nick came and she
Speaker 3: said it was like a less than a five percent
Speaker 3: chance that I was with him naturally at forty four. Wild. Yeah,
Speaker 3: So Cindy or Cindy, I don't know, they should have
Speaker 3: another baby though, Oh Jen, I meant to tell you this.
Speaker 3: I feel like Valerie on the show. Sorry Kelly, she's
Speaker 3: taking all of Kelly's men. But this is crossing into
Speaker 3: Jenny now because she makes the moves on Jim Walsh.
Speaker 1: He was flirting with my man.
Speaker 3: Yeah, that's why I wanted to bring that up, because
Speaker 3: not then, but the Jenny now Yeah, looks back and
Speaker 3: finds Jim Walsh ai an hfd. Yeah, so I thought
Speaker 3: it made me laugh out loud watching Oh my god,
Speaker 3: that's the final straw I'm going to go back in
Speaker 3: time and pick this girl's ass.
Speaker 1: So she's moving in on my Jim. Oh my god, hilarious.
Speaker 1: Well what do you guys read this episode?
Speaker 2: Wait, we're done?
Speaker 3: No so much.
Speaker 2: I think I need a little bit more. I need
Speaker 2: a little bit more.
Speaker 1: You want to talk about my bad haircut? How about that?
Speaker 2: Talk about how the hair is getting shorter and shorter?
Speaker 1: Why do I have a flippy doo?
Speaker 3: Like I'm not like it's almost like a mullet. But
Speaker 3: you know what, it looks good. Sometimes sometimes that is
Speaker 3: not an eat haircut. Your face is so beautiful. It's
Speaker 3: like it's like it's like like an in like your
Speaker 3: face and it's just this.
Speaker 1: Is my haircut from back then. Hold on, it's like
Speaker 1: a bad shag. It's like a goat. Honestly, it looks
Speaker 1: like a goat or a weed whacker.
Speaker 3: We I think it's bad.
Speaker 2: This one. They gets shorter, I think, yeah.
Speaker 1: Oh god, I think the shorter is gonna look better
Speaker 1: than this is like a two tone, like a bi
Speaker 1: level mullet.
Speaker 2: Let's talk about the combat boots on everybody though.
Speaker 3: Oh in the Mary Jeans, Mary Jeans are this is
Speaker 3: when they first started enter Mary Jans and now they're
Speaker 3: in right now, Oh.
Speaker 2: Yeah, you're Mary Jans. But did you see so you
Speaker 2: were wearing the Mary Jans with the white sox and
Speaker 2: the baby gull dress with the clip clip clips. Jenny's
Speaker 2: wearing denim shorts, respect but with combat boots, like real
Speaker 2: tough boots for the wet T shirt.
Speaker 1: So good.
Speaker 3: Jeans shorts good.
Speaker 1: You know.
Speaker 2: Also, that's right Valeries wearing. She's sort of wearing a
Speaker 2: low cut black top with the jeans and then the
Speaker 2: combat boots. Again. I mean, it was really the Doc
Speaker 2: Martin's kind of. I guess they were Doc Martin sort of.
Speaker 2: This was the Doc Martin era, right. How do you
Speaker 2: feel about the fashion.
Speaker 1: Good, Yeah, good about the fashion mid nineties is way
Speaker 1: better than early nineties. Let's say that.
Speaker 2: Okay before we go, I know we have to write
Speaker 2: that episode. We do start to get a little bit
Speaker 2: of like Kelly's got the gift for Erica and you
Speaker 2: bring up Suzanne and Kevin. We're getting a sprinkle back
Speaker 2: in that. I'm hoping soon we're going to know he
Speaker 2: has no money and that he's going to get clean.
Speaker 2: I'm like pretty sick of you know, the thing that
Speaker 2: people don't know. It's like, can can we just have
Speaker 2: the truth come out?
Speaker 3: The dreams of Dylan McKay coming soon?
Speaker 1: Oh gosh, you're right. I think they are in this season.
Speaker 3: He knows.
Speaker 1: Those are the weirdest episodes ever.
Speaker 3: I got to make out with Luke the dream sequence.
Speaker 1: Sorry speak wait wait wait, speaking of making out, you
Speaker 1: had a kiss in the scene, and I definitely saw tongue.
Speaker 1: Oh when when Yes, I saw it, I saw that tongue. Yes,
Speaker 1: they have a big kiss. Ysp mm hm fair yeah, fair,
Speaker 1: that's all she's got to say.
Speaker 2: Yes, My worst fashion moment for me was Dylan's torn shirt.
Speaker 2: The sleeveless Oh.
Speaker 1: Yeah, he loved a sleeveless shirt though, you know, I
Speaker 1: remember seeing him in shirts with the with the sleeves
Speaker 1: gone cut off.
Speaker 2: That's it.
Speaker 1: I would give this episode hmmm, what do you think?
Speaker 1: A seven?
Speaker 2: Oh God, I don't know.
Speaker 1: I'm just kind of I didn't like the rave. I
Speaker 1: didn't like the nine.
Speaker 2: Obviously it's a nine.
Speaker 1: Giving it a ten, thank you Toys ten because of
Speaker 1: Ray Perley. Probably you like him.
Speaker 3: No, I'm sorry. The Kelly and Dylan and Valerie thing,
Speaker 3: Kelly and Valerie is like seeing them go head ahead.
Speaker 3: I'm like there for it. Sorry, it's like girl drama
Speaker 3: boy drama. Oh my gosh. The whole thing was drama
Speaker 3: rama and I loved it.
Speaker 1: Yeah, Kelly's definitely mad dog about a lot.
Speaker 2: I liked how jam packed it was too. I didn't
Speaker 2: have a moment of like a wasted scene really like,
Speaker 2: it was just packed full of storylines. Yep, season five
Speaker 2: is thriving.
Speaker 1: People. I like this season. People like it.
Speaker 3: I love it so much.
Speaker 1: Well, we will be back next week with yet another episode.
Speaker 1: We will be covering, uh, season five, but so six homecoming?
Speaker 2: Maybe Bren is coming home.
Speaker 3: You guys from London.
Speaker 1: Yeah, it's called homecoming. I don't want to stay this
Speaker 1: homecoming dance? Do they do that in college?
Speaker 2: She's never coming home, Jenny, that doesn't have never comes.
Speaker 1: They always come home.
Speaker 2: She came for pH nine O two one oh. She
Speaker 2: didn't come home till then she came. They always come home, homecoming.
Speaker 3: Wait, Amy, just tease it a little like, what does
Speaker 3: that need coming?
Speaker 2: Yeah? I actually can't remember why it's called that. I
Speaker 2: wish I could. I actually don't remember why it's called that.
Speaker 2: I just know we're getting We're going to get a
Speaker 2: lot more of the h We're getting a lot more
Speaker 2: good stuff. I'll say that I get more. I don't
Speaker 2: want to give too much away.
Speaker 3: Yeah, you can patch next pumpkin patch. I remember.
Speaker 2: But I know exactly what you're talking about. I know
Speaker 2: exactly what you're talking about. There's a lot of Ray.
Speaker 2: There's a love triangle. There's a lot of drama.
Speaker 1: Okay, wait, there's a love triangle with Ray and Donna, and.
Speaker 2: Yeah, she's gonna you guys, don't make me give you,
Speaker 2: don't make me give things away.
Speaker 3: Okay, Okay, my real and real life would happened. It was,
Speaker 3: Oh my god, wait for it. We'll wait for it
Speaker 3: next week.
Speaker 1: You. Guys love you,