1 00:00:00,080 --> 00:00:17,239 Speaker 1: Disgraceland is a production of Double Elvis. This is a 2 00:00:17,280 --> 00:00:21,120 Speaker 1: story about a rock and roll animal, about the rock 3 00:00:21,120 --> 00:00:25,680 Speaker 1: and roll animal. It's about debauchery, so debaucherous that listing 4 00:00:25,680 --> 00:00:27,080 Speaker 1: all of it out here at the beginning of this 5 00:00:27,120 --> 00:00:31,320 Speaker 1: episode won't do the insanity of it all justice. It's 6 00:00:31,320 --> 00:00:34,520 Speaker 1: about a rock star. We take for granted he's always 7 00:00:34,600 --> 00:00:38,360 Speaker 1: been there on our radios, on our televisions, looking like 8 00:00:38,400 --> 00:00:42,760 Speaker 1: they contrived his technicolor punk rock MTV image in central casting. 9 00:00:42,840 --> 00:00:47,360 Speaker 1: But the truth is that look, that attitude, and that 10 00:00:47,479 --> 00:00:51,400 Speaker 1: rock stars songs were as authentic as it gets, and 11 00:00:51,440 --> 00:00:56,800 Speaker 1: his behavior, his transgressions, prove it. High speed car chases, 12 00:00:57,120 --> 00:01:02,360 Speaker 1: destroyed hotel rooms, John Belushi, overdue dead, next door arrests, 13 00:01:02,720 --> 00:01:07,760 Speaker 1: accusations of sexual deviancy, military extradition, under for sedation because 14 00:01:07,760 --> 00:01:11,679 Speaker 1: he was just that fucking unhinged. This is a story 15 00:01:12,080 --> 00:01:17,760 Speaker 1: about Billy Idl, a man who made great music. Unlike 16 00:01:17,800 --> 00:01:19,360 Speaker 1: that music I played for you at the top of 17 00:01:19,360 --> 00:01:23,200 Speaker 1: the show. That wasn't great music. That was a preset 18 00:01:23,240 --> 00:01:26,520 Speaker 1: loop from my melotron called I can't believe a fucking 19 00:01:26,600 --> 00:01:31,400 Speaker 1: hot that chicken. That video is MK two. I played 20 00:01:31,440 --> 00:01:34,000 Speaker 1: you that loop because I can't afford the rights to 21 00:01:34,600 --> 00:01:37,360 Speaker 1: how Am I Supposed to Live Without You? By Michael Bolton? 22 00:01:38,440 --> 00:01:40,920 Speaker 1: And why would I play you that specific slice of 23 00:01:41,440 --> 00:01:45,440 Speaker 1: No Talent Ass Clown Cheese? Could I afford it? Because 24 00:01:45,520 --> 00:01:49,640 Speaker 1: that was the number one song in America on February sixth, 25 00:01:49,800 --> 00:01:53,040 Speaker 1: nineteen ninety And that was the day that Billy Idol, 26 00:01:53,080 --> 00:01:55,160 Speaker 1: after returning from what would go down as one of 27 00:01:55,200 --> 00:01:58,000 Speaker 1: the most out of control rock star vacations of all time, 28 00:01:58,760 --> 00:02:01,760 Speaker 1: ran a stop sign and crashed as Harley Davidson, nearly 29 00:02:01,920 --> 00:02:07,240 Speaker 1: dying in the process. On this episode, a motorcycle crash 30 00:02:07,680 --> 00:02:11,880 Speaker 1: speedballs a Banghok bender to beat the band No Talent 31 00:02:12,040 --> 00:02:17,440 Speaker 1: Ass Clown Cheese, and Billy Idle, I'm Jake Brennan and 32 00:02:17,600 --> 00:02:18,639 Speaker 1: this is. 33 00:02:18,639 --> 00:02:32,840 Speaker 2: Disgraceland and. 34 00:02:51,080 --> 00:02:54,840 Speaker 1: Alone and confused. Billy Idol awoke in a hotel room 35 00:02:54,919 --> 00:02:58,560 Speaker 1: bed and the rising sun outside shone through the Florida 36 00:02:58,600 --> 00:03:04,840 Speaker 1: ceiling windows, violently piercing his eyes. His head was pounding, 37 00:03:05,639 --> 00:03:08,600 Speaker 1: and the phone started to ring, and there was that 38 00:03:08,680 --> 00:03:12,160 Speaker 1: voice again, a voice he thought he was just imagining, 39 00:03:12,840 --> 00:03:16,240 Speaker 1: but now was convinced was somewhere in the room, a 40 00:03:16,320 --> 00:03:21,200 Speaker 1: voice that was saying, out go the light Billy shot 41 00:03:21,280 --> 00:03:24,280 Speaker 1: up to a sitting position so fast that his brain 42 00:03:24,400 --> 00:03:27,680 Speaker 1: or what was left of it, sloshed around in his skull. 43 00:03:28,520 --> 00:03:30,880 Speaker 1: He felt like he was going to vomit. He looked 44 00:03:30,880 --> 00:03:35,560 Speaker 1: around the room. What a mess. Liquor bottles, pill bottles, 45 00:03:36,120 --> 00:03:40,360 Speaker 1: empty vials that once contained one illicit white powder or another. 46 00:03:41,120 --> 00:03:44,400 Speaker 1: Articles of clothing were strewn about. Furniture was turned upside down, 47 00:03:44,440 --> 00:03:49,360 Speaker 1: glass was broken, and blood was shed. Wait was that 48 00:03:49,400 --> 00:03:54,200 Speaker 1: really blood? The phone finally stopped ringing, and Billy looked 49 00:03:54,240 --> 00:03:58,520 Speaker 1: around for whoever was talking, but saw no one. Where 50 00:03:58,520 --> 00:04:01,000 Speaker 1: the hell was he and where the hell was. 51 00:04:00,880 --> 00:04:03,400 Speaker 2: Harry Jesus Christ? 52 00:04:03,480 --> 00:04:07,600 Speaker 1: He needed some a dope, something, anything. Again he heard 53 00:04:07,640 --> 00:04:10,160 Speaker 1: the voice, and again it sounded like it was coming 54 00:04:10,160 --> 00:04:12,920 Speaker 1: from inside the room, and this time it was saying 55 00:04:12,960 --> 00:04:20,159 Speaker 1: something different, and this time it said boom boom. Suddenly 56 00:04:20,400 --> 00:04:22,400 Speaker 1: there was a pounding on his door and he heard 57 00:04:22,480 --> 00:04:24,920 Speaker 1: voices on the other side speaking a language he could 58 00:04:24,920 --> 00:04:28,640 Speaker 1: not understand. He began to really panic. Now it wasn't 59 00:04:28,720 --> 00:04:31,560 Speaker 1: unusual for Billy Idle to overdo it, to partake in 60 00:04:31,600 --> 00:04:35,560 Speaker 1: some wild concoction of alcohol, heroin, cocaine, and or pills 61 00:04:35,600 --> 00:04:38,240 Speaker 1: that eventually knocked him out, only to wake him up 62 00:04:38,240 --> 00:04:41,680 Speaker 1: with some big breasted bombshell at his side. But this 63 00:04:41,839 --> 00:04:45,679 Speaker 1: was different. Everything was foggy and nothing was making sense. 64 00:04:46,680 --> 00:04:49,560 Speaker 1: Put the knocking on the door intensified, and Billy sprung 65 00:04:49,600 --> 00:04:52,359 Speaker 1: to his feet and felt his knees wabble. He struggled 66 00:04:52,400 --> 00:04:55,120 Speaker 1: to stay upright, and as he tried to catch his balance, 67 00:04:55,520 --> 00:04:58,560 Speaker 1: his hotel room door was kicked down and into the 68 00:04:58,640 --> 00:05:02,440 Speaker 1: room flooded men in mill military gear. First split second, 69 00:05:02,960 --> 00:05:06,359 Speaker 1: Billy had a moment of clarity. This was the Thai Army. 70 00:05:06,360 --> 00:05:11,240 Speaker 2: He was looking at. Shit was he in Bangkok? 71 00:05:11,880 --> 00:05:14,360 Speaker 1: And the army men began to surround him like dogcatchers 72 00:05:14,400 --> 00:05:17,240 Speaker 1: cornering a mangy old mutt, and they grabbed his arms 73 00:05:17,240 --> 00:05:20,080 Speaker 1: and legs and wrestled him onto a hospital gurney. Billy 74 00:05:20,120 --> 00:05:22,680 Speaker 1: knew he'd really fucked up this time. If only he 75 00:05:22,720 --> 00:05:25,040 Speaker 1: could remember just how he'd wound up in this situation 76 00:05:25,120 --> 00:05:28,480 Speaker 1: in the first place. He racked his adult brain, but 77 00:05:28,520 --> 00:05:31,240 Speaker 1: before he could find any answers, he was being stuck 78 00:05:31,279 --> 00:05:34,080 Speaker 1: with a long needle and delivered a very powerful sedative 79 00:05:34,520 --> 00:05:36,880 Speaker 1: which sent his mind back not to the beginning of 80 00:05:36,880 --> 00:05:41,000 Speaker 1: this three week bender, but to eight years earlier, all 81 00:05:41,040 --> 00:05:44,600 Speaker 1: the way to nineteen eighty one. 82 00:05:47,320 --> 00:05:48,239 Speaker 2: Eight years earlier. 83 00:05:48,600 --> 00:05:51,480 Speaker 1: It was nineteen eighty one and Ronald Reagan was not dead, 84 00:05:51,520 --> 00:05:55,359 Speaker 1: but punk Rock was. The fortieth President of the United 85 00:05:55,360 --> 00:05:57,720 Speaker 1: States had been shot and wounded in Washington, d c. 86 00:05:58,520 --> 00:06:01,200 Speaker 1: Just days after twenty five years Billy Idol moved from 87 00:06:01,279 --> 00:06:05,000 Speaker 1: London to New York City. Years earlier, when Billy was 88 00:06:05,040 --> 00:06:07,640 Speaker 1: just a little boy and still going by his given name, 89 00:06:07,839 --> 00:06:11,520 Speaker 1: William Broad, Billy's family relocated from their native England to 90 00:06:11,560 --> 00:06:14,640 Speaker 1: Long Island for his father's work, even though they only 91 00:06:14,680 --> 00:06:17,080 Speaker 1: lived there for four years before returning to the UK. 92 00:06:17,880 --> 00:06:21,680 Speaker 1: In some ways, this felt like a homecoming, but things 93 00:06:21,680 --> 00:06:25,600 Speaker 1: were different now. New York, like London, had been forever 94 00:06:25,680 --> 00:06:31,000 Speaker 1: changed by punk Rock. Punk had been Billy's salvation once too, 95 00:06:31,200 --> 00:06:34,720 Speaker 1: the thing that drove his teenage rebellion, that inspired him 96 00:06:34,720 --> 00:06:37,880 Speaker 1: to cut school, even to stop talking to his father 97 00:06:37,960 --> 00:06:42,160 Speaker 1: for two years, and Billy remained Punk's avatar, really his 98 00:06:42,720 --> 00:06:47,240 Speaker 1: gene Vincent ducks ass Hairdoo died shockingly blonde, his leather 99 00:06:47,360 --> 00:06:51,800 Speaker 1: fingerless gloves, his curled upper lip, his fists clenched in 100 00:06:51,880 --> 00:06:56,400 Speaker 1: youthful defiance. As the lead singer of the excellent London 101 00:06:56,440 --> 00:07:00,359 Speaker 1: punk band Generation X. Billy Idol breathed the same as 102 00:07:00,400 --> 00:07:03,479 Speaker 1: the Clash, the Ramones and the sex Pistols, But even 103 00:07:03,520 --> 00:07:06,960 Speaker 1: Johnny Rotten had left all that behind, now fronting Public 104 00:07:07,000 --> 00:07:11,240 Speaker 1: Image Limited as John Leiden. In New York City in 105 00:07:11,360 --> 00:07:17,240 Speaker 1: nineteen eighty one, the survivors were everywhere, Patti Smith, David Johansson, 106 00:07:17,560 --> 00:07:21,600 Speaker 1: Debbie Harry, and now Billy Idel looking at a new 107 00:07:21,640 --> 00:07:24,480 Speaker 1: world that very much resembled the one that he knew 108 00:07:24,560 --> 00:07:28,960 Speaker 1: so well. The grime, the dirt, the disgusting bathrooms that 109 00:07:29,080 --> 00:07:32,400 Speaker 1: smelled like last night's puke, The walls decorated by some 110 00:07:32,440 --> 00:07:36,080 Speaker 1: spray paint, Picasso, stretches of wet pavement that wreaked of 111 00:07:36,120 --> 00:07:39,600 Speaker 1: garbage and piss. The little slots and tenement doors through 112 00:07:39,640 --> 00:07:41,920 Speaker 1: which the man, once you were done waiting for him, 113 00:07:41,960 --> 00:07:45,400 Speaker 1: of course, handed you your fix. The fury may have 114 00:07:45,440 --> 00:07:49,120 Speaker 1: been old news, but the filth remained. Billy Idol was 115 00:07:49,160 --> 00:07:51,720 Speaker 1: subsisting on a not so steady diet of heroin and 116 00:07:51,800 --> 00:07:55,640 Speaker 1: late night pizza slices, living like an animal, because that's 117 00:07:55,680 --> 00:07:59,560 Speaker 1: what he was, a rock and roll animal, obsessed with 118 00:07:59,600 --> 00:08:02,320 Speaker 1: what punk music really and truly was. When he got 119 00:08:02,360 --> 00:08:05,920 Speaker 1: down to it, which was just rock and roll, simple 120 00:08:06,000 --> 00:08:11,440 Speaker 1: music that made you feel great, Simple music made by young, 121 00:08:11,920 --> 00:08:16,960 Speaker 1: ordinary people about their young, ordinary lives. Add to that 122 00:08:17,360 --> 00:08:21,520 Speaker 1: the pulsing sounds of Alan Vega and Suicide, the orgasmic 123 00:08:21,600 --> 00:08:24,760 Speaker 1: moans of Donna Summer, all of it visceral, All of 124 00:08:24,760 --> 00:08:27,680 Speaker 1: it is vibrant as punk once was, as essential as 125 00:08:27,720 --> 00:08:30,440 Speaker 1: Oldies but good He's like Tommy James and the Chondell's 126 00:08:30,520 --> 00:08:35,400 Speaker 1: is money money. The music throbbed in his head as 127 00:08:35,400 --> 00:08:39,000 Speaker 1: he descended into the heart of darkness, the Lower East Side, 128 00:08:39,480 --> 00:08:42,080 Speaker 1: and some dude he just met with a thirty eight 129 00:08:42,160 --> 00:08:46,000 Speaker 1: stuck in his waistband as his guide, his protection, because 130 00:08:46,040 --> 00:08:48,400 Speaker 1: scoring dope in New York City in the early eighties 131 00:08:48,760 --> 00:08:53,400 Speaker 1: was no fucking joke. With the help of his armed companion, 132 00:08:53,840 --> 00:08:57,320 Speaker 1: Billy Idol procured that weak smack and snorted it as 133 00:08:57,440 --> 00:09:01,200 Speaker 1: was his preference, and the euphoria hit, helping him forget 134 00:09:01,200 --> 00:09:05,360 Speaker 1: about his girlfriend. Perry Lister, a smoke show redhead, was 135 00:09:05,400 --> 00:09:08,360 Speaker 1: back in the UK and also easing the guilt he 136 00:09:08,360 --> 00:09:11,360 Speaker 1: felt about getting high with and fucking other women in 137 00:09:11,400 --> 00:09:16,079 Speaker 1: her absence. And then those timeless oldies but Goodies melodies 138 00:09:16,120 --> 00:09:20,079 Speaker 1: flooding into his brain again. Billy sought out another junkie, 139 00:09:20,240 --> 00:09:22,360 Speaker 1: a fellow lover of old rock and roll and punk 140 00:09:22,440 --> 00:09:26,680 Speaker 1: rock alike Lou Reid, and suggested to collaborate on some 141 00:09:26,840 --> 00:09:29,800 Speaker 1: songs for Billy's debut solo album, which he was about 142 00:09:29,840 --> 00:09:33,440 Speaker 1: to begin recording. Lou was into it, but he didn't 143 00:09:33,480 --> 00:09:36,480 Speaker 1: come cheat. He told Billy that he charged not by 144 00:09:36,480 --> 00:09:39,439 Speaker 1: the hour, but by every half hour. It was an 145 00:09:39,440 --> 00:09:42,880 Speaker 1: insanely high rate, higher than that low grade a street 146 00:09:42,960 --> 00:09:46,920 Speaker 1: junk made you feel so fuck that and fuck Lou 147 00:09:46,960 --> 00:09:51,360 Speaker 1: Reid too true. Billy was used to a songwriting partner, 148 00:09:51,400 --> 00:09:53,560 Speaker 1: which was how he came up with the material for 149 00:09:53,640 --> 00:09:57,600 Speaker 1: Generation X, including their hit Dancing with Myself, which was 150 00:09:57,640 --> 00:10:01,200 Speaker 1: technically recorded by his old band General Accident, only later 151 00:10:01,280 --> 00:10:04,120 Speaker 1: re released under his own name Billy idol In, which 152 00:10:04,200 --> 00:10:07,640 Speaker 1: also featured cameos from members of The Clash and the Pistols. 153 00:10:07,679 --> 00:10:12,880 Speaker 1: But I Digress. Billy was a solo artist now with 154 00:10:13,040 --> 00:10:16,520 Speaker 1: a new path to forge, which meant some things he'd 155 00:10:16,559 --> 00:10:20,920 Speaker 1: have to go alone, like writing songs and so long 156 00:10:20,960 --> 00:10:22,880 Speaker 1: before he became one of the biggest rock and roll 157 00:10:22,920 --> 00:10:26,040 Speaker 1: stars in the world, years before he woke up in 158 00:10:26,040 --> 00:10:29,320 Speaker 1: the luxury hotel room in Bangkok, with no knowledge of 159 00:10:29,320 --> 00:10:31,400 Speaker 1: how he got there or what he'd done. Over the 160 00:10:31,400 --> 00:10:34,400 Speaker 1: course of three very long and debaucherous weeks, with the 161 00:10:34,440 --> 00:10:37,960 Speaker 1: local military literally knocking down his door, sedating him like 162 00:10:38,000 --> 00:10:40,840 Speaker 1: his heroes and the Ramones once sang about, and strapping 163 00:10:40,920 --> 00:10:44,000 Speaker 1: him to a gurney, Billy Idol left his new home 164 00:10:44,040 --> 00:10:47,440 Speaker 1: of New York City without lou Reed, without his girl Perry, 165 00:10:47,679 --> 00:10:50,920 Speaker 1: without much butter record contract, and he took off for 166 00:10:50,960 --> 00:10:54,920 Speaker 1: the warmer climbs of Los Angeles, California, where the sun 167 00:10:55,080 --> 00:10:58,040 Speaker 1: was shining, and the birds were singing, and the women 168 00:10:58,080 --> 00:11:03,040 Speaker 1: were willing, and the drugs were plentiful. In short, it 169 00:11:03,080 --> 00:11:31,000 Speaker 1: was a nice day to start again. Billy Idol had 170 00:11:31,000 --> 00:11:34,800 Speaker 1: a debut album to record. Chrysalis, the British record label 171 00:11:34,800 --> 00:11:38,160 Speaker 1: which had previously signed Billy's band Generation X, had it 172 00:11:38,200 --> 00:11:41,760 Speaker 1: all planned out. Time was booked in early nineteen eighty 173 00:11:41,760 --> 00:11:44,920 Speaker 1: two at Westlake Studios in Los Angeles, where Billy could 174 00:11:44,960 --> 00:11:48,320 Speaker 1: first hammer out some demos for his signature epiphone, Casino 175 00:11:48,360 --> 00:11:51,920 Speaker 1: hollowbody electric guitar and a drum machine before presenting them 176 00:11:51,960 --> 00:11:55,520 Speaker 1: to the band, which was being led by the pyrotechnic 177 00:11:55,559 --> 00:11:59,120 Speaker 1: guitarist Steve Stevens, who also possessed some of the biggest 178 00:11:59,160 --> 00:12:01,600 Speaker 1: hair in the game, for what that's worth. But Billy 179 00:12:01,679 --> 00:12:04,160 Speaker 1: still needed a few new songs for the record, and 180 00:12:04,480 --> 00:12:06,840 Speaker 1: he still had doubts about his being able to write 181 00:12:06,840 --> 00:12:09,280 Speaker 1: them on his own. But that was a problem for 182 00:12:09,360 --> 00:12:12,880 Speaker 1: future Billy Idle to figure out because all that the writing, 183 00:12:13,080 --> 00:12:18,160 Speaker 1: the recording, it was happening tomorrow, the day after Billy arrived. 184 00:12:17,880 --> 00:12:18,760 Speaker 2: In Los Angeles. 185 00:12:19,480 --> 00:12:21,520 Speaker 1: He was just trying to make sure that today, his 186 00:12:21,600 --> 00:12:25,160 Speaker 1: first day in town, wouldn't be his last, and it 187 00:12:25,360 --> 00:12:29,880 Speaker 1: wasn't looking good. Billy braced himself as the car he 188 00:12:29,960 --> 00:12:33,480 Speaker 1: was riding and rocketed through a busy intersection Wincy as 189 00:12:33,480 --> 00:12:36,080 Speaker 1: it barely missed getting tee bone by a car coming 190 00:12:36,080 --> 00:12:38,920 Speaker 1: from the cross street. He turned to give an incredulous 191 00:12:39,000 --> 00:12:42,400 Speaker 1: look at his driver, a washing machine salesman high as 192 00:12:42,559 --> 00:12:45,960 Speaker 1: shit on too many berg Dans. The guy's cheeks were 193 00:12:45,960 --> 00:12:49,000 Speaker 1: still puffy and swollen from that morning's wisdom teeth extraction, 194 00:12:49,480 --> 00:12:52,880 Speaker 1: and his eyes were clearly communicating that yes, the drugs 195 00:12:52,880 --> 00:12:55,720 Speaker 1: had taken hold, and no, he was not stopping for 196 00:12:55,760 --> 00:12:58,040 Speaker 1: the police cruisers that were hot in pursuit with their 197 00:12:58,120 --> 00:13:02,240 Speaker 1: sirens screaming at full blast. Billy looked back at his 198 00:13:02,280 --> 00:13:05,559 Speaker 1: friend Ga sitting in the backseat, and then at the 199 00:13:05,679 --> 00:13:08,920 Speaker 1: LAPD squad cars gaining on them now with every second 200 00:13:09,720 --> 00:13:11,880 Speaker 1: perkad him Man cut the wheel hard and to the 201 00:13:11,920 --> 00:13:15,440 Speaker 1: tune of screeching tires, motored the very fast moving vehicle 202 00:13:15,520 --> 00:13:18,440 Speaker 1: down an alley again, taking another corner at the end 203 00:13:18,480 --> 00:13:20,960 Speaker 1: of Seid Alley, where he suddenly had a slam on 204 00:13:21,000 --> 00:13:24,760 Speaker 1: the brakes to avoid crashing into someone's fence. The cops 205 00:13:24,840 --> 00:13:27,520 Speaker 1: were blocking them in now and the bright lights of 206 00:13:27,559 --> 00:13:31,320 Speaker 1: their cruisers cutting through the darkness. Then came the piercing 207 00:13:31,440 --> 00:13:35,920 Speaker 1: squeal of a bullhorn. Hands on the fucking dashboard where 208 00:13:35,920 --> 00:13:39,040 Speaker 1: we can see them. Why was Billy Idol in a 209 00:13:39,080 --> 00:13:43,000 Speaker 1: car driven by a washing machine salesman, high on prescription opioids, 210 00:13:43,360 --> 00:13:46,640 Speaker 1: actively out running the police on this his first day 211 00:13:46,640 --> 00:13:50,400 Speaker 1: in La Why are you even asking? You'll find no 212 00:13:50,480 --> 00:13:53,600 Speaker 1: real clarity to this sort of question in the lawless 213 00:13:53,679 --> 00:13:56,360 Speaker 1: nineteen eighties For a rocker such as Billy Idol, a 214 00:13:56,520 --> 00:13:59,720 Speaker 1: junkie such as Billy Idol, life was one big blur 215 00:13:59,800 --> 00:14:04,120 Speaker 1: of scores, fixes, verses, and choruses. And not always in 216 00:14:04,120 --> 00:14:08,200 Speaker 1: that order. Furthermore, the only true clarity one had to 217 00:14:08,240 --> 00:14:12,040 Speaker 1: possess was in the recording studio or on stage, where 218 00:14:12,040 --> 00:14:16,679 Speaker 1: the real work was to be done. So after Billy 219 00:14:16,720 --> 00:14:19,520 Speaker 1: smoothed things out with the lapd, and after the cops 220 00:14:19,560 --> 00:14:21,520 Speaker 1: were satisfied that no one in the car had a 221 00:14:21,520 --> 00:14:24,480 Speaker 1: criminal record, after perkadam Man agreed to pay a small 222 00:14:24,480 --> 00:14:27,480 Speaker 1: fine for the damage done, and after Billy's friend Ga 223 00:14:27,600 --> 00:14:30,240 Speaker 1: promised he would take the wheel, they were free to go, 224 00:14:30,760 --> 00:14:34,320 Speaker 1: which for Billy meant going to Westlake Studios the very 225 00:14:34,360 --> 00:14:38,280 Speaker 1: next day. With the zepophone casino in his hands and 226 00:14:38,360 --> 00:14:41,000 Speaker 1: the clock on the wall ticking away, he found his 227 00:14:41,040 --> 00:14:44,440 Speaker 1: favorite key of b the same key he'd written Generation 228 00:14:44,760 --> 00:14:48,920 Speaker 1: x's Ready Steady Go in his favorite time signature for 229 00:14:49,120 --> 00:14:52,160 Speaker 1: four in a compelling story from which to write a song, 230 00:14:52,920 --> 00:14:55,120 Speaker 1: and that story was not what had just happened to 231 00:14:55,200 --> 00:14:58,120 Speaker 1: him the day prior, but instead one inspired by his 232 00:14:58,160 --> 00:15:01,640 Speaker 1: own sister, who had recently he got married while pregnant. 233 00:15:02,400 --> 00:15:05,280 Speaker 1: The lyrics came to him quickly, as did a twist 234 00:15:05,320 --> 00:15:07,880 Speaker 1: in which he pivoted away from his own life and 235 00:15:07,960 --> 00:15:11,560 Speaker 1: had the song's narrator hint at some sort of incestuous relationship. 236 00:15:12,320 --> 00:15:17,080 Speaker 1: It was weird, dark, incredibly compelling. In just twenty minutes, 237 00:15:17,280 --> 00:15:20,000 Speaker 1: Billy Idol had written the minor key goth punk pop 238 00:15:20,080 --> 00:15:24,160 Speaker 1: smash White Wedding. In the fall of nineteen eighty two, 239 00:15:24,560 --> 00:15:28,760 Speaker 1: White Wedding, with its unmistakable hopscotching pick slide intro by 240 00:15:28,760 --> 00:15:32,280 Speaker 1: Steve Stevens. That song was released as the second single 241 00:15:32,320 --> 00:15:35,520 Speaker 1: from Billy's debut solo album. It didn't make him a 242 00:15:35,560 --> 00:15:38,120 Speaker 1: star overnight, but thanks to all the play it received 243 00:15:38,160 --> 00:15:41,360 Speaker 1: in urban dance clubs, as well as the heavy rotation 244 00:15:41,480 --> 00:15:44,720 Speaker 1: on the then new MTV, which had a finite library 245 00:15:44,760 --> 00:15:48,040 Speaker 1: of videos to choose from the time, White Wedding lifted 246 00:15:48,040 --> 00:15:51,200 Speaker 1: Billy Idol up a bit, which, most importantly for Billy 247 00:15:51,200 --> 00:15:53,400 Speaker 1: at the moment, meant that his inner circle of rock 248 00:15:53,440 --> 00:15:56,400 Speaker 1: and roll friends got bigger, as did his drug budget 249 00:15:56,680 --> 00:15:58,880 Speaker 1: and the caliber of place in which he did those 250 00:15:58,960 --> 00:16:03,120 Speaker 1: drugs with those friends. I'm talking places like the Chateau 251 00:16:03,160 --> 00:16:07,040 Speaker 1: MArmand on Sunset Boulevard in Hollywood, and that's where Billy 252 00:16:07,120 --> 00:16:09,600 Speaker 1: and Steve decamped when they were kicked out of the 253 00:16:09,640 --> 00:16:12,600 Speaker 1: Sunset Marquis, up the street a bit and around the corner, 254 00:16:13,480 --> 00:16:16,240 Speaker 1: armed with a stash at tequila and heroin. Billy did 255 00:16:16,240 --> 00:16:18,400 Speaker 1: his best to get kicked out of his Chateau Bungalow 256 00:16:18,440 --> 00:16:21,840 Speaker 1: as well, and he probably would have, that is, if 257 00:16:21,840 --> 00:16:24,520 Speaker 1: the cops weren't busy with John Belushi's corpse after the 258 00:16:24,560 --> 00:16:28,520 Speaker 1: famous comedian, former Saturday Matt Live cast member and fellow 259 00:16:28,520 --> 00:16:30,920 Speaker 1: hard party or just so happened to overdose in his 260 00:16:31,000 --> 00:16:34,880 Speaker 1: own bungalow. A few doors down from Billy Les Devon 261 00:16:35,360 --> 00:16:38,440 Speaker 1: were the hangout sessions with Rock Royalty like the Rolling Stones, 262 00:16:38,520 --> 00:16:41,520 Speaker 1: with whom Billy found himself sharing a bottle at Ronnie 263 00:16:41,520 --> 00:16:44,840 Speaker 1: Wood's birthday party. Ronnie passed the bourbon to Keith, and 264 00:16:44,880 --> 00:16:47,120 Speaker 1: then Keith to Mick, and then Micked to Billy, upon 265 00:16:47,200 --> 00:16:49,480 Speaker 1: which Billy took a look at the bottles label, which 266 00:16:49,520 --> 00:16:52,200 Speaker 1: featured a picture of a Confederate soldier riding a horse 267 00:16:52,280 --> 00:16:54,880 Speaker 1: next to the bourbon's name, and the name of that 268 00:16:54,920 --> 00:16:59,680 Speaker 1: bourbon was a Rebel Yell. The name stuck with him, 269 00:17:00,080 --> 00:17:02,720 Speaker 1: and just like the blast of creative inspiration he channeled 270 00:17:02,720 --> 00:17:05,600 Speaker 1: to write White Wedding, he did the same with his 271 00:17:05,680 --> 00:17:08,240 Speaker 1: next big hit, which would also be the title of 272 00:17:08,280 --> 00:17:11,560 Speaker 1: his next album. Upon its release in November of nineteen 273 00:17:11,600 --> 00:17:15,560 Speaker 1: eighty three, Billy Idol's second solo record, Rebel Yell Again, 274 00:17:15,600 --> 00:17:18,560 Speaker 1: with the help of MTV, solidified the one time punk 275 00:17:18,640 --> 00:17:22,400 Speaker 1: rocker as one of the most recognizable faces and voices 276 00:17:22,440 --> 00:17:25,199 Speaker 1: of contemporary rock and roll in the same way that 277 00:17:25,280 --> 00:17:28,560 Speaker 1: Madonna or Michael Jackson represented the pop side of the tracks. 278 00:17:30,240 --> 00:17:33,120 Speaker 1: Billy set out on a massive tour, and he fucked 279 00:17:33,160 --> 00:17:36,520 Speaker 1: and drugged his way across North America and then back again, 280 00:17:36,600 --> 00:17:39,840 Speaker 1: an embarrassment of women in heroin and cocaine and booze. 281 00:17:39,880 --> 00:17:42,760 Speaker 1: It was all so much. Billy would play, he'd party, 282 00:17:42,800 --> 00:17:45,040 Speaker 1: he'd pass out, he'd wake up, he'd be strung out, 283 00:17:45,080 --> 00:17:47,400 Speaker 1: he'd get pissed, he'd fly into a rage, break shit, 284 00:17:47,600 --> 00:17:51,360 Speaker 1: and then repeat the whole process all over again pretty regularly. 285 00:17:52,640 --> 00:17:54,440 Speaker 1: He woke up in two Sounds with a sheriff pointing 286 00:17:54,440 --> 00:17:56,879 Speaker 1: a loaded gun in his face. He woke up in London, 287 00:17:56,960 --> 00:18:00,439 Speaker 1: his unconscious junkie body being miraculously revived in a freezing 288 00:18:00,440 --> 00:18:03,440 Speaker 1: cold ice bath. He woke up with a bloody nose, 289 00:18:03,480 --> 00:18:06,679 Speaker 1: with a throat on fire, naked, the curtains drawn, porn 290 00:18:06,720 --> 00:18:09,600 Speaker 1: flickering on the TV set, his broken, free base Pipe 291 00:18:09,640 --> 00:18:10,399 Speaker 1: held together. 292 00:18:10,200 --> 00:18:12,040 Speaker 2: With Gaffer Tape in. 293 00:18:12,000 --> 00:18:15,200 Speaker 1: Rochester, New York. He was accused of sexual deviancy by 294 00:18:15,200 --> 00:18:17,159 Speaker 1: a woman who claimed he kicked her out of his 295 00:18:17,240 --> 00:18:20,520 Speaker 1: hotel room for not fucking another woman in front of him. 296 00:18:20,920 --> 00:18:23,840 Speaker 1: His long suffering girlfriend, Perry Lister, the one who first 297 00:18:23,840 --> 00:18:26,800 Speaker 1: stayed behind in England when Billy made the move abroad. 298 00:18:27,200 --> 00:18:30,840 Speaker 1: She definitely had some idea about Billy Idol's sexual deviancy 299 00:18:30,920 --> 00:18:33,240 Speaker 1: even after the charges were dropped, but as long as 300 00:18:33,240 --> 00:18:36,359 Speaker 1: that idea wasn't flaunted in her face while she was around, 301 00:18:36,800 --> 00:18:39,000 Speaker 1: which was becoming more frequent as the years went on. 302 00:18:39,440 --> 00:18:41,520 Speaker 1: That whatever Billy did, it was all good with her. 303 00:18:42,240 --> 00:18:46,320 Speaker 1: And that was until Billy got sloppy. First, there was 304 00:18:46,320 --> 00:18:49,200 Speaker 1: the undercover staying in Washington Square in New York, which 305 00:18:49,280 --> 00:18:52,960 Speaker 1: landed Billy in a female friend in police custody. NYPD 306 00:18:53,200 --> 00:18:56,280 Speaker 1: only needed one crackheaded cuff, so the friend took the 307 00:18:56,280 --> 00:18:59,400 Speaker 1: fall and then immediately gave a press conference at which 308 00:18:59,400 --> 00:19:04,600 Speaker 1: he introduced yourself as Billy's girlfriend. Perry wasn't going to 309 00:19:04,680 --> 00:19:07,280 Speaker 1: take any of that, and Perry responded by giving her 310 00:19:07,400 --> 00:19:10,000 Speaker 1: own press conference to make sure the world knew that 311 00:19:10,080 --> 00:19:13,280 Speaker 1: she and not the coke smoking Harlotte on Billy's arm 312 00:19:13,359 --> 00:19:16,400 Speaker 1: on that faithful day in Washington Square Park. She wanted 313 00:19:16,440 --> 00:19:19,639 Speaker 1: the world to know that she Perry was Billy's one 314 00:19:19,720 --> 00:19:23,280 Speaker 1: and only girlfriend, and Perry further proved it by moving 315 00:19:23,320 --> 00:19:27,600 Speaker 1: with Billy to Los Angeles to the Hollywood Hills, where 316 00:19:27,720 --> 00:19:30,760 Speaker 1: after Billy Idol's live version of the Tommy James classic 317 00:19:30,960 --> 00:19:33,520 Speaker 1: Money Money went to number one on the Billboard Hot 318 00:19:33,520 --> 00:19:35,840 Speaker 1: one hundred and after Billy used the money from that 319 00:19:35,920 --> 00:19:39,040 Speaker 1: huge hit by himself a Harley Davidson Wye Glad motorcycle 320 00:19:39,080 --> 00:19:41,800 Speaker 1: and then joined a local motorcycle club called Rude Dude, 321 00:19:42,240 --> 00:19:44,919 Speaker 1: and after the couple welcomed the Sun in the summer 322 00:19:44,960 --> 00:19:48,480 Speaker 1: of nineteen eighty eight, Perry's suspicions of the depths of 323 00:19:48,520 --> 00:19:52,560 Speaker 1: Billy's sexual deviancy were confirmed when she heard him talking 324 00:19:52,600 --> 00:19:56,320 Speaker 1: to his side piece, I shit you not over the 325 00:19:56,440 --> 00:20:02,640 Speaker 1: baby monitor. Later in nineteen eighty nine. This memory, this 326 00:20:02,920 --> 00:20:06,160 Speaker 1: colossal fuck up by Billy Idol and how his girlfriend 327 00:20:06,280 --> 00:20:09,679 Speaker 1: Perry responded to it by moving out and taking the 328 00:20:09,720 --> 00:20:12,960 Speaker 1: baby with her. All of it was flooding Billy Idol's 329 00:20:13,000 --> 00:20:15,080 Speaker 1: head like an old rock and roll melody as he 330 00:20:15,160 --> 00:20:20,040 Speaker 1: began to regain consciousness inside of a Bangkok airport. The 331 00:20:20,119 --> 00:20:23,880 Speaker 1: Thai soldiers who'd busted into his hotel room forcibly removed 332 00:20:23,960 --> 00:20:27,360 Speaker 1: him and sedated him, and had dumped him here with 333 00:20:27,400 --> 00:20:30,399 Speaker 1: a one way ticket on the first plane leaving so 334 00:20:30,440 --> 00:20:33,480 Speaker 1: that they could get him the hell out of their country. 335 00:20:33,800 --> 00:20:38,520 Speaker 1: This pain, this emotional pain now that was occupying Billy's head, 336 00:20:39,160 --> 00:20:41,399 Speaker 1: was the reason Billy came to this country in the 337 00:20:41,440 --> 00:20:45,679 Speaker 1: first place, to cast out this grief by snorting and 338 00:20:45,760 --> 00:20:49,600 Speaker 1: smoking and fucking the pain away. But the pain was 339 00:20:49,640 --> 00:20:54,520 Speaker 1: back now, and so was his memory. And now Billy 340 00:20:54,520 --> 00:21:02,399 Speaker 1: Idol could remember everything. We'll be right back after this. 341 00:21:02,600 --> 00:21:03,960 Speaker 2: We're We're. We're. 342 00:21:11,920 --> 00:21:14,320 Speaker 1: Three weeks earlier, Billy Idol and the leader of his 343 00:21:14,520 --> 00:21:18,439 Speaker 1: Rude Dude motorcycle gang, his friend Harry Johnson. No, that 344 00:21:18,560 --> 00:21:21,040 Speaker 1: is not a joke. That's actually his name. Look it up. 345 00:21:21,359 --> 00:21:24,359 Speaker 1: Billy and Harry flew from Los Angeles to Bangkok in 346 00:21:24,400 --> 00:21:27,840 Speaker 1: search of escape. In the short time between when Perry 347 00:21:27,880 --> 00:21:30,359 Speaker 1: left him and when he left. On this trip, Billy 348 00:21:30,359 --> 00:21:34,280 Speaker 1: had managed to father another child, a daughter with another woman, 349 00:21:34,880 --> 00:21:37,200 Speaker 1: But his failure to hang out of Perry it still 350 00:21:37,280 --> 00:21:40,280 Speaker 1: hung over him like a dark cloud and so drowning 351 00:21:40,280 --> 00:21:43,520 Speaker 1: his sorrows and untold amounts of hedonism halfway across the 352 00:21:43,560 --> 00:21:46,640 Speaker 1: world sounded like just what the good doctor feel good 353 00:21:46,640 --> 00:21:49,800 Speaker 1: that is ordered. Billy was also in need of a 354 00:21:49,840 --> 00:21:53,560 Speaker 1: break from recording his fourth solo album, Charmed Life. He 355 00:21:53,720 --> 00:21:56,600 Speaker 1: wasn't sure if that title was wishful thinking or whether 356 00:21:56,680 --> 00:21:59,160 Speaker 1: it was the truth. But seeing as though he could 357 00:21:59,160 --> 00:22:00,840 Speaker 1: pick up stakes at the drop of a hat and 358 00:22:00,840 --> 00:22:04,240 Speaker 1: fly eight thousand miles to Thailand for a boondoggle, he 359 00:22:04,359 --> 00:22:07,960 Speaker 1: was doing all right all things considered. The making of 360 00:22:08,040 --> 00:22:12,000 Speaker 1: Charmed Life was, even by Billy Idols standards, a degenerate 361 00:22:12,040 --> 00:22:16,480 Speaker 1: affair in which recording sessions were regularly punctuated by doses 362 00:22:16,520 --> 00:22:20,800 Speaker 1: of ecstasy in GHB, lines of cocaine, and scores of 363 00:22:20,880 --> 00:22:24,200 Speaker 1: naked women, at whose arrival Billy and the crew would 364 00:22:24,240 --> 00:22:28,040 Speaker 1: just strip down to their biker boots and scarves. So 365 00:22:28,080 --> 00:22:30,240 Speaker 1: I guess. In a rare show of abstinence, Billy and 366 00:22:30,280 --> 00:22:32,440 Speaker 1: Harry agreed that once they got the Bangkok it would 367 00:22:32,440 --> 00:22:36,720 Speaker 1: be alcohol only. Furthermore, they planned to spend as much 368 00:22:36,760 --> 00:22:39,600 Speaker 1: time in the brothels as they could handle, and they did. 369 00:22:40,320 --> 00:22:44,640 Speaker 1: The women were beautiful and the sex was mind bending. 370 00:22:45,280 --> 00:22:47,520 Speaker 1: They had to drag themselves away to retire to their 371 00:22:47,520 --> 00:22:50,160 Speaker 1: presidential suite on the top floor of the Oriental Hotel 372 00:22:50,720 --> 00:22:54,360 Speaker 1: with incredible views that competed with Bangkok's sex workers when 373 00:22:54,359 --> 00:22:58,040 Speaker 1: it came to taking Billy's breath away. But this self 374 00:22:58,080 --> 00:23:02,480 Speaker 1: imposed alcohol only ruled got old real quick. All that 375 00:23:02,600 --> 00:23:05,320 Speaker 1: drinking just made them pass out earlier, and they wanted 376 00:23:05,359 --> 00:23:07,760 Speaker 1: to go all night, so they hailed the cab and 377 00:23:07,800 --> 00:23:09,720 Speaker 1: asked the driver if he could score them some blow. 378 00:23:10,520 --> 00:23:12,640 Speaker 1: He was more than happy to oblige, but he did 379 00:23:12,640 --> 00:23:16,520 Speaker 1: them one better. He procured for Billy and Harry not cocaine, 380 00:23:16,520 --> 00:23:21,000 Speaker 1: but China white heroin. This defeated the whole purpose in 381 00:23:21,040 --> 00:23:22,760 Speaker 1: a way, which was to get some drugs that would 382 00:23:22,800 --> 00:23:25,360 Speaker 1: keep them awake and alert. But once a junkie has 383 00:23:25,359 --> 00:23:27,480 Speaker 1: that little vial in his hands, there's no way he's 384 00:23:27,520 --> 00:23:30,360 Speaker 1: giving it back. And a little of this stuff went 385 00:23:30,400 --> 00:23:34,400 Speaker 1: a long way. Within minutes, the two friends were stratospherically 386 00:23:34,520 --> 00:23:37,720 Speaker 1: high and when I say hi, Billy wrote in his memoir, 387 00:23:38,480 --> 00:23:42,440 Speaker 1: I mean zombie high. And pretty soon the hotel staff 388 00:23:42,800 --> 00:23:46,760 Speaker 1: was asking questions, why are these two American gentlemen buying 389 00:23:46,800 --> 00:23:50,560 Speaker 1: so many chocolate bars from their mini bar. Why. Well, 390 00:23:50,640 --> 00:23:53,280 Speaker 1: because they couldn't find any tinfoil at the local stores 391 00:23:53,280 --> 00:23:57,440 Speaker 1: to cook their heroin in. Another question, why are there 392 00:23:57,520 --> 00:24:00,199 Speaker 1: so many scantily clad women from the brothels running through 393 00:24:00,200 --> 00:24:02,800 Speaker 1: the lobby and hallways of our respectable establishment at all 394 00:24:02,880 --> 00:24:06,360 Speaker 1: hours of the night. Well, obviously because those two American 395 00:24:06,400 --> 00:24:09,080 Speaker 1: gentlemen are screwing their brains out six ways to Sunday. 396 00:24:09,640 --> 00:24:12,119 Speaker 1: And oh, excuse me, sirs, would you mind moving to 397 00:24:12,160 --> 00:24:14,600 Speaker 1: a different room so that a very special guess, the 398 00:24:14,640 --> 00:24:18,800 Speaker 1: President of Cambodia can use the presidential suite. It is, 399 00:24:18,880 --> 00:24:22,960 Speaker 1: after all, called presidential for a reason. Well, the answer 400 00:24:23,000 --> 00:24:27,040 Speaker 1: to that question was fuck No, fuck the President of Cambodia, 401 00:24:27,080 --> 00:24:29,680 Speaker 1: and fuck this really good heroin which Billy and Harry 402 00:24:29,680 --> 00:24:32,919 Speaker 1: had finally run out of. They replaced the smack with 403 00:24:32,960 --> 00:24:36,240 Speaker 1: bottles of cocaine and such purchased at a nearby pharmacy 404 00:24:36,359 --> 00:24:38,760 Speaker 1: so that their withdrawal from the China White wouldn't be 405 00:24:38,800 --> 00:24:41,560 Speaker 1: too much of a bitch to conquer, and they chased 406 00:24:41,600 --> 00:24:45,480 Speaker 1: the pills with more liquor, and once again, Billy Idle 407 00:24:45,880 --> 00:24:54,119 Speaker 1: collapsed and everything went black. He woke up on the 408 00:24:54,160 --> 00:24:57,159 Speaker 1: floor the hotel's elevator, half of his body inside the 409 00:24:57,160 --> 00:25:00,280 Speaker 1: elevator car and half of it in the hallway. The 410 00:25:00,320 --> 00:25:03,280 Speaker 1: elevator doors were trying to close, but they kept hitting 411 00:25:03,320 --> 00:25:06,880 Speaker 1: his motionless body and then reopening. Billy, come on, man, 412 00:25:06,920 --> 00:25:10,080 Speaker 1: get up. Harry was standing there trying to rouse him, 413 00:25:10,440 --> 00:25:12,600 Speaker 1: and Billy opened his eyes to see multiple pairs of 414 00:25:12,600 --> 00:25:15,119 Speaker 1: feet navigating their way around what appeared to be is 415 00:25:15,359 --> 00:25:18,800 Speaker 1: pretty corpse. It was a family, and Billy looked up 416 00:25:18,800 --> 00:25:22,080 Speaker 1: at the father and thought, wait, is that Mel Gibson 417 00:25:22,200 --> 00:25:25,600 Speaker 1: was ushering his children past the very fucked up Billy 418 00:25:25,680 --> 00:25:29,480 Speaker 1: idol and towards another elevator bank, all while giving Billy 419 00:25:29,480 --> 00:25:33,880 Speaker 1: a look that was part sympathy and part pity. Clearly 420 00:25:33,920 --> 00:25:36,240 Speaker 1: this was a sign that it was time for a change, 421 00:25:36,600 --> 00:25:38,359 Speaker 1: and I don't mean as in time to go home. 422 00:25:38,960 --> 00:25:41,560 Speaker 1: Billy and Harry checked out of the Oriental and made 423 00:25:41,560 --> 00:25:44,320 Speaker 1: their way to the seaside resort town of Patiah, Thailand, 424 00:25:44,640 --> 00:25:46,960 Speaker 1: some ninety miles away, where they moved into the Royal 425 00:25:46,960 --> 00:25:52,280 Speaker 1: Cliff Hotel. There they took more pills tranquilizers this time, 426 00:25:52,680 --> 00:25:56,439 Speaker 1: and the result was more of the same. Billy passed 427 00:25:56,480 --> 00:25:59,720 Speaker 1: out and Billy woke up hours later in the middle 428 00:25:59,760 --> 00:26:02,879 Speaker 1: of then to find Harry gone and two new sex 429 00:26:02,880 --> 00:26:06,000 Speaker 1: workers by his side, and Billy pulled that old Chateau 430 00:26:06,080 --> 00:26:08,960 Speaker 1: Marman bulshit again. He picked up the hotel room's table 431 00:26:09,320 --> 00:26:12,320 Speaker 1: and launched it through a sliding glass door, and that 432 00:26:12,359 --> 00:26:15,199 Speaker 1: little outburst cost him twenty thousand dollars to ensure that 433 00:26:15,240 --> 00:26:18,680 Speaker 1: the hotel management didn't call the cops. This on top 434 00:26:18,720 --> 00:26:20,760 Speaker 1: of the twenty five grand that he'd already paid for 435 00:26:20,760 --> 00:26:24,639 Speaker 1: a jet ski he'd rented and crashed while high as fuck. 436 00:26:24,720 --> 00:26:27,679 Speaker 1: And so once again it was time to move on 437 00:26:28,920 --> 00:26:32,320 Speaker 1: back to the Oriental Hotel in Bangkok, and it was 438 00:26:32,359 --> 00:26:35,200 Speaker 1: there where all the transgressions of the last three weeks 439 00:26:35,240 --> 00:26:37,960 Speaker 1: were beginning to pile up and inflict real damage on 440 00:26:38,040 --> 00:26:41,760 Speaker 1: Billy's body and mind. And that mind of his was 441 00:26:41,880 --> 00:26:47,000 Speaker 1: cramped with smells, tastes, and sounds, the music of ecstasy 442 00:26:47,040 --> 00:26:51,480 Speaker 1: and indulgence, some cut up tapestry of orgasmic shrieks and 443 00:26:51,640 --> 00:26:56,320 Speaker 1: butane lighters and crumpled up chocolate barfoil and jet ski motors. 444 00:26:56,320 --> 00:26:58,680 Speaker 1: And that Vietnamese woman Harry had picked up and was 445 00:26:58,760 --> 00:27:01,600 Speaker 1: dragging around the one only knew two phrases in English 446 00:27:01,720 --> 00:27:06,520 Speaker 1: outgo the light and boom boom, And now on top 447 00:27:06,600 --> 00:27:10,280 Speaker 1: of it all, the phone was ringing, America was calling, 448 00:27:10,680 --> 00:27:14,320 Speaker 1: his record label was pissed. He of the rebel yell 449 00:27:14,720 --> 00:27:17,800 Speaker 1: was rebelling a little too much, and the only way 450 00:27:17,800 --> 00:27:20,960 Speaker 1: to curb such rebellion, to get the rebel back on track, 451 00:27:21,160 --> 00:27:23,520 Speaker 1: to get him back to yelling in the recording studio 452 00:27:23,560 --> 00:27:27,000 Speaker 1: and on stage, back on schedule, was to tap the 453 00:27:27,040 --> 00:27:31,840 Speaker 1: big guns, literally as in Thailand's very capable and very 454 00:27:31,880 --> 00:27:37,040 Speaker 1: efficient military who quickly overpowered Billy Idel and despite urban legend, 455 00:27:37,240 --> 00:27:40,320 Speaker 1: did not shoot him with some huge tranquilizer gun, but 456 00:27:40,440 --> 00:27:43,879 Speaker 1: instead injected him with a sedative and then drove him 457 00:27:43,920 --> 00:27:46,639 Speaker 1: to the airport where he woke up puking his brains out, 458 00:27:46,720 --> 00:27:48,920 Speaker 1: and put him on a plane back to Los Angeles, 459 00:27:48,960 --> 00:27:51,399 Speaker 1: where he returned to the recording studio to put the 460 00:27:51,440 --> 00:27:55,080 Speaker 1: finishing touches on his Charmed Life album while continuing to 461 00:27:55,160 --> 00:27:59,159 Speaker 1: do more drugs, not just cocaine and heroin, but now 462 00:27:59,480 --> 00:28:03,679 Speaker 1: extas in g HB as well, all while more naked 463 00:28:03,720 --> 00:28:06,879 Speaker 1: women paraded into the studio's control room to get Billy 464 00:28:07,000 --> 00:28:09,520 Speaker 1: off again and again, right there on the floor on 465 00:28:09,600 --> 00:28:12,199 Speaker 1: the couch on the chair as a rough mix of 466 00:28:12,240 --> 00:28:15,200 Speaker 1: Billy's cover of the doors l A woman thundered to 467 00:28:15,320 --> 00:28:24,160 Speaker 1: the studio speakers, the music, the sex, the drugs, the friends, strangers, vacation, work, home, away. 468 00:28:24,520 --> 00:28:28,159 Speaker 1: There was no differentiating one thing from the next. It 469 00:28:28,320 --> 00:28:34,399 Speaker 1: was all decadent, all depraved, all encompassing and never ending. 470 00:28:59,000 --> 00:29:04,360 Speaker 1: February sixth, nineteen ninety, Los Angeles. The morning sun reflected 471 00:29:04,440 --> 00:29:07,320 Speaker 1: off the black and chrome of the Harley Davidson Wyeglide 472 00:29:07,480 --> 00:29:10,760 Speaker 1: as Billy Idol, his belly lined with boos and pills, 473 00:29:11,200 --> 00:29:13,640 Speaker 1: steered his bike away from his house in the Hollywood 474 00:29:13,720 --> 00:29:17,480 Speaker 1: Hills down a steep canyon road toward what was certainly 475 00:29:17,600 --> 00:29:21,520 Speaker 1: main drag gridlock on sunset below. The wind whipped through 476 00:29:21,520 --> 00:29:24,280 Speaker 1: his spiky, bleached blonde hair, just the way he liked. 477 00:29:24,760 --> 00:29:27,960 Speaker 1: No helmet, no safety net. Not back in London in 478 00:29:28,040 --> 00:29:31,000 Speaker 1: nineteen seventy seven, not in the Lower East Side in 479 00:29:31,080 --> 00:29:34,080 Speaker 1: nineteen eighty one, and not in Bangkok the year prior, 480 00:29:34,680 --> 00:29:37,360 Speaker 1: certainly not now. On the streets of his second adopted 481 00:29:37,360 --> 00:29:43,000 Speaker 1: American home. Clutch throttle, the white Glide lurched forward, giving 482 00:29:43,000 --> 00:29:46,080 Speaker 1: Billy that thrill in the process, the same thrill that 483 00:29:46,360 --> 00:29:50,760 Speaker 1: sex drugs and rock and roll gave to him pure euphoria. 484 00:29:51,280 --> 00:29:54,680 Speaker 1: But this euphoria, like all the others, had a tendency 485 00:29:54,720 --> 00:29:58,479 Speaker 1: to be too much, too distracting. The Harley kept up 486 00:29:58,480 --> 00:30:01,920 Speaker 1: its fast cliff, gaining sp even, and Billy was oblivious 487 00:30:02,120 --> 00:30:04,760 Speaker 1: to the world and to his troubles and to the 488 00:30:04,800 --> 00:30:12,960 Speaker 1: stop sign he'd just blown through. The UK press broke 489 00:30:13,000 --> 00:30:16,400 Speaker 1: the news that Billy Idol was dead, but unlike the 490 00:30:16,440 --> 00:30:19,440 Speaker 1: rumor that he was subdued with a tranquilizer gun in Bangkok, 491 00:30:19,760 --> 00:30:22,320 Speaker 1: the rumor about Billy Idol's death took only hours to 492 00:30:22,360 --> 00:30:25,680 Speaker 1: debunk because although he was not wearing a helmet and 493 00:30:25,840 --> 00:30:29,640 Speaker 1: was also admittedly intoxicated and thus very easily could have died, 494 00:30:30,200 --> 00:30:32,880 Speaker 1: Billy Idol was in fact very much alive, and the 495 00:30:32,960 --> 00:30:38,000 Speaker 1: truth was much earlier than fiction. Billy had indeed been 496 00:30:38,080 --> 00:30:40,840 Speaker 1: hit by a car, and upon impact he was thrown 497 00:30:40,880 --> 00:30:43,320 Speaker 1: from his bike and his right leg took a beating. 498 00:30:44,120 --> 00:30:47,080 Speaker 1: Pieces of bone had shattered inside his shin, leaving a 499 00:30:47,120 --> 00:30:49,480 Speaker 1: gaping hole in his flesh the size of a baseball. 500 00:30:50,120 --> 00:30:53,680 Speaker 1: His forearm was broken, as were as clavical in some ribs, 501 00:30:54,120 --> 00:30:56,640 Speaker 1: but it was his leg that was the real issue, 502 00:30:56,920 --> 00:31:00,120 Speaker 1: he nearly lost it. It took seven surgeries over the 503 00:31:00,160 --> 00:31:02,760 Speaker 1: next month to put him on the men. A brand 504 00:31:02,760 --> 00:31:04,880 Speaker 1: new walking cane now helped him get around. 505 00:31:05,560 --> 00:31:06,160 Speaker 2: And this is why. 506 00:31:06,200 --> 00:31:09,200 Speaker 1: If you remember nineteen ninety the music video for his 507 00:31:09,280 --> 00:31:11,400 Speaker 1: number two Billboard Hot one hundred single at the time, 508 00:31:11,440 --> 00:31:13,120 Speaker 1: Cradle of Love, you know, the one with that check 509 00:31:13,120 --> 00:31:15,880 Speaker 1: who strips down and seduces an uptype businessman in his apartment. 510 00:31:16,360 --> 00:31:20,160 Speaker 1: That video features Billy only in occasional shots and only 511 00:31:20,240 --> 00:31:22,960 Speaker 1: from the waist up, working his ass off to sell 512 00:31:23,000 --> 00:31:25,640 Speaker 1: the song. In the video, even though he was no 513 00:31:25,680 --> 00:31:28,320 Speaker 1: longer on hospital morphine into Della's pain and keep him high, 514 00:31:28,360 --> 00:31:31,520 Speaker 1: but once again relying on the copious other recreational drugs 515 00:31:31,520 --> 00:31:35,760 Speaker 1: he continued to take on the regular Hold up, I 516 00:31:35,800 --> 00:31:38,120 Speaker 1: know what you're thinking. You're thinking, Wait a minute, Jake. 517 00:31:38,320 --> 00:31:40,360 Speaker 1: Shouldn't this be the part of the story where our 518 00:31:40,440 --> 00:31:43,440 Speaker 1: hero Billy Idol has a near death experience after years 519 00:31:43,440 --> 00:31:47,080 Speaker 1: of destructive behavior, which immediately serves as this monumental wake 520 00:31:47,120 --> 00:31:50,800 Speaker 1: up call to get clean and sober. Well, You're not wrong. 521 00:31:51,560 --> 00:31:53,880 Speaker 1: Read any recent interview with Billy Idol and he'll point 522 00:31:53,960 --> 00:31:56,160 Speaker 1: to this very incident as the moment when he realized 523 00:31:56,200 --> 00:31:58,840 Speaker 1: he had to do something about his reckless, devilmakecare behavior 524 00:31:58,880 --> 00:32:00,479 Speaker 1: if you wanted to be around on which as two 525 00:32:00,560 --> 00:32:04,840 Speaker 1: small children grow up. The thing is, it didn't happen overnight. 526 00:32:06,480 --> 00:32:09,920 Speaker 1: Asking Billy Idol to immediately stop being Billy Idol is 527 00:32:09,960 --> 00:32:12,920 Speaker 1: like asking mister Rogers to stop wearing that red cardigan. 528 00:32:12,960 --> 00:32:15,800 Speaker 1: Billy is the manifestation of what we talk about when 529 00:32:15,800 --> 00:32:19,000 Speaker 1: we talk about the rock and roll animal today in 530 00:32:19,040 --> 00:32:22,560 Speaker 1: twenty twenty five, he may seem like an overblown caricature 531 00:32:22,600 --> 00:32:25,360 Speaker 1: of this ideal, but that's only because hot topic became 532 00:32:25,400 --> 00:32:27,720 Speaker 1: a thing and anyone with a few bucks could suddenly 533 00:32:27,760 --> 00:32:30,560 Speaker 1: buy a bunch of quote unquote edgy punk swag and 534 00:32:30,760 --> 00:32:33,720 Speaker 1: pretend they were a fraction of the badass that Billy 535 00:32:33,720 --> 00:32:38,480 Speaker 1: Idol is. Billy Idol is and was authentic to his core, 536 00:32:39,080 --> 00:32:42,600 Speaker 1: and so in nineteen ninety learning how to alter the 537 00:32:42,640 --> 00:32:45,600 Speaker 1: way that an authentic rock and roll animal lived while 538 00:32:45,640 --> 00:32:49,640 Speaker 1: also maintaining that authentic image was gonna take a minute, 539 00:32:50,400 --> 00:32:53,240 Speaker 1: But for the moment, he remained a version of the 540 00:32:53,320 --> 00:32:57,880 Speaker 1: animal he'd always been. In nineteen ninety two, that animal 541 00:32:57,920 --> 00:33:01,640 Speaker 1: went feral when Billy Idol pleaded no contest for punching 542 00:33:01,680 --> 00:33:03,480 Speaker 1: a woman in the face while in the back of 543 00:33:03,520 --> 00:33:06,920 Speaker 1: a car. It was fined two thousand dollars for the offense. 544 00:33:07,960 --> 00:33:11,440 Speaker 1: A less deplorable and more mischievous example of the continuing 545 00:33:11,520 --> 00:33:14,640 Speaker 1: rock and roll animalism came on the final show of 546 00:33:14,680 --> 00:33:17,840 Speaker 1: the US leg of the Charmed Life tour in Seattle 547 00:33:18,080 --> 00:33:22,320 Speaker 1: on Halloween Night nineteen ninety. As the opening band, The 548 00:33:22,400 --> 00:33:26,360 Speaker 1: Incredible Faith Note More played their alternative rock hit Epic, 549 00:33:26,800 --> 00:33:29,480 Speaker 1: They were pelted with six hundred dead fish by the 550 00:33:29,600 --> 00:33:34,800 Speaker 1: road crew upon Billy's instruction, and then during Billy's headlining set, 551 00:33:35,160 --> 00:33:38,800 Speaker 1: five men naked from the waist down there, swinging dis 552 00:33:38,960 --> 00:33:42,640 Speaker 1: just swinging away, danced a conga line across the stage 553 00:33:42,680 --> 00:33:45,520 Speaker 1: as Billy sang his nineteen eighty six song to Be 554 00:33:45,560 --> 00:33:49,320 Speaker 1: a Lover. That little stunt summoned Seattle pde who showed 555 00:33:49,360 --> 00:33:51,800 Speaker 1: up to the Seattle Coliseum ready to make some arrests 556 00:33:51,880 --> 00:33:55,280 Speaker 1: for a decent exposure and perhaps even put this curled 557 00:33:55,320 --> 00:33:58,200 Speaker 1: lip rebel in his place once and for all. But 558 00:33:58,280 --> 00:34:00,840 Speaker 1: by the time they arrived, the idol and his crew 559 00:34:00,920 --> 00:34:03,920 Speaker 1: had already hit the road. And besides, since those five 560 00:34:04,040 --> 00:34:06,680 Speaker 1: mostly naked dudes have been wearing paper bags over their heads. 561 00:34:06,920 --> 00:34:09,200 Speaker 1: No one can say for sure just who had gone 562 00:34:09,239 --> 00:34:13,680 Speaker 1: streaking on stage. For the Seattle Police Department, that was that, 563 00:34:14,320 --> 00:34:16,839 Speaker 1: But for Billy Idl it was the start of a 564 00:34:16,880 --> 00:34:23,160 Speaker 1: new era, a new day to start again. I'm Jake 565 00:34:23,200 --> 00:34:39,680 Speaker 1: Brennan and this is Disgraceland, all right, thanks for hanging 566 00:34:39,680 --> 00:34:41,320 Speaker 1: out with me and Billy Idol in this episode. I 567 00:34:41,360 --> 00:34:44,080 Speaker 1: hope you guys dug it. Apple podcast listeners, make sure 568 00:34:44,120 --> 00:34:46,719 Speaker 1: you have automatic downloads turned on so you don't miss 569 00:34:46,719 --> 00:34:49,799 Speaker 1: any episodes. All right. This week's question of the week 570 00:34:50,040 --> 00:34:52,879 Speaker 1: is who is the most debaucherous rock star you've heard 571 00:34:52,880 --> 00:34:56,440 Speaker 1: about here in Disgraceland and why Is it Billy Idol 572 00:34:56,560 --> 00:34:59,520 Speaker 1: or is it someone else? Six one seven, nine oh six. 573 00:35:00,080 --> 00:35:02,600 Speaker 1: Let me know via voicemail or text at disgrace lampod 574 00:35:02,760 --> 00:35:05,719 Speaker 1: let me know via Instagram, Facebook, or x and you'll 575 00:35:05,760 --> 00:35:07,920 Speaker 1: be able to hear your answers on the afterparty bonus 576 00:35:07,960 --> 00:35:10,520 Speaker 1: episode coming up right after this one. If you want 577 00:35:10,600 --> 00:35:13,560 Speaker 1: more stories from me like this one, but about actors 578 00:35:13,560 --> 00:35:17,319 Speaker 1: and actresses and not about physicians, then check out hollywood Land, 579 00:35:17,600 --> 00:35:21,160 Speaker 1: our Hollywood and crime spinoff podcast search and follow hollywood 580 00:35:21,200 --> 00:35:24,319 Speaker 1: Land wherever you get your podcasts. 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