1 00:00:17,960 --> 00:00:20,040 Speaker 1: We are back with part two of our interview with 2 00:00:20,079 --> 00:00:23,040 Speaker 1: the one and only Dave Koolier. We are so thankful 3 00:00:23,079 --> 00:00:25,479 Speaker 1: to him for joining us and being so candid about 4 00:00:25,560 --> 00:00:30,360 Speaker 1: questions we've never known the answers to. Without further ado, 5 00:00:31,320 --> 00:00:33,519 Speaker 1: here is part two of Dave Kolier. 6 00:00:34,000 --> 00:00:36,839 Speaker 2: I would love to hear like how you I mean 7 00:00:36,880 --> 00:00:39,559 Speaker 2: talking about comedy and stuff, Like how you got into comedy. 8 00:00:39,760 --> 00:00:42,720 Speaker 2: I know, you know, my Finder was a big part 9 00:00:42,760 --> 00:00:46,640 Speaker 2: of that, like growing up in Michigan and stuff, and. 10 00:00:47,000 --> 00:00:52,120 Speaker 3: Mike Mike uh talked me into moving to la when 11 00:00:52,120 --> 00:00:56,760 Speaker 3: I was eighteen years old. I got into comedy just from, 12 00:00:57,120 --> 00:00:59,080 Speaker 3: you know, the way a lot of comedians do just 13 00:00:59,120 --> 00:01:04,480 Speaker 3: through pain, and it was a way to you know, 14 00:01:04,680 --> 00:01:06,760 Speaker 3: deal with pain that was happening in my life. I 15 00:01:06,760 --> 00:01:10,200 Speaker 3: grew up in a really strong Catholic family, in a 16 00:01:10,240 --> 00:01:14,760 Speaker 3: Catholic neighborhood, in a Catholic community, and I went to 17 00:01:14,840 --> 00:01:18,240 Speaker 3: Catholic school. I went to Catholic All boys High School, 18 00:01:18,840 --> 00:01:22,640 Speaker 3: and so you know, all that guilt that is associated 19 00:01:23,840 --> 00:01:28,200 Speaker 3: with that came crashing down on me when my parents 20 00:01:28,200 --> 00:01:30,440 Speaker 3: got divorced. I was nine years old. I was in 21 00:01:30,520 --> 00:01:35,479 Speaker 3: third grade, third grade, starting a new Catholic school, and 22 00:01:36,640 --> 00:01:39,760 Speaker 3: my way of dealing with the pain that was at home. 23 00:01:40,680 --> 00:01:43,800 Speaker 3: Because my parents were both lovely people, they just should 24 00:01:43,920 --> 00:01:50,080 Speaker 3: never have procreated together, you know, But I'm glad they did, 25 00:01:50,160 --> 00:01:56,440 Speaker 3: you know. But it was my coping mechanism of feeling 26 00:01:56,480 --> 00:01:59,360 Speaker 3: all this Catholic guilt on a daily basis was to 27 00:01:59,360 --> 00:02:03,480 Speaker 3: be the funny kid in the class. And so I 28 00:02:03,600 --> 00:02:06,919 Speaker 3: learned very early how to do voices with my brother. 29 00:02:07,040 --> 00:02:08,960 Speaker 3: My brother and I would lay in our bunk beds, 30 00:02:09,480 --> 00:02:12,600 Speaker 3: and my brother was the funniest person I ever know. 31 00:02:13,080 --> 00:02:18,440 Speaker 3: He was so dry, but so brilliant and witty, and 32 00:02:19,600 --> 00:02:22,800 Speaker 3: he was a savant. He could play classical piano just 33 00:02:22,880 --> 00:02:25,680 Speaker 3: off the top of his head. He was a sculptor. 34 00:02:25,720 --> 00:02:29,120 Speaker 3: He was a painter, but very very troubled, you know. 35 00:02:30,760 --> 00:02:33,600 Speaker 3: But he truly was a savant with a lot of 36 00:02:33,639 --> 00:02:37,680 Speaker 3: different things. And so my brother and I, my brother 37 00:02:37,760 --> 00:02:40,799 Speaker 3: taught me how to do impressions, and we would lay 38 00:02:40,800 --> 00:02:45,040 Speaker 3: in our bunk beds at night, and we would do 39 00:02:45,120 --> 00:02:48,520 Speaker 3: impressions of our neighbors and our family members and friends. 40 00:02:49,280 --> 00:02:51,360 Speaker 3: And my brother would do these impressions and make me 41 00:02:51,440 --> 00:02:55,640 Speaker 3: laugh so hard. My dad would run into our room 42 00:02:55,680 --> 00:02:57,880 Speaker 3: at like one in the morning and go if you do, 43 00:02:57,880 --> 00:03:00,840 Speaker 3: don't knock it off. I'm tired of hearing Hooper and 44 00:03:00,880 --> 00:03:04,440 Speaker 3: mister Rondo in here. And those were our neighbors across 45 00:03:04,440 --> 00:03:07,480 Speaker 3: the street. So my brother Danny and I we would 46 00:03:07,480 --> 00:03:09,960 Speaker 3: sit on the we would sit on the front porch, 47 00:03:10,520 --> 00:03:13,519 Speaker 3: and we called it it narrating the neighborhood. And so 48 00:03:14,120 --> 00:03:16,360 Speaker 3: we would just look across the street. You'd go, okay, 49 00:03:16,400 --> 00:03:19,400 Speaker 3: you take mister Maddox and I'll take mister Hooper, and 50 00:03:19,480 --> 00:03:22,959 Speaker 3: you take mister Rondo and mister Gat and we would. 51 00:03:22,760 --> 00:03:26,079 Speaker 4: Just I can't stand at these kids. They're lawnmower. I'm 52 00:03:26,200 --> 00:03:30,800 Speaker 4: just a dub old buffalo. And then you know, I 53 00:03:30,800 --> 00:03:33,600 Speaker 4: would my brother would do mister Hooper. 54 00:03:33,560 --> 00:03:38,080 Speaker 5: I can't stand my own stomach because he had a 55 00:03:38,160 --> 00:03:41,000 Speaker 5: huge stomach, and my brother would always do this bit. 56 00:03:41,440 --> 00:03:44,840 Speaker 5: I can't stand my own stomach. You know, my belly 57 00:03:44,920 --> 00:03:47,960 Speaker 5: button is like a jar. I could pour a dirt 58 00:03:48,000 --> 00:03:49,760 Speaker 5: in it and grow a plant. 59 00:03:50,240 --> 00:03:53,320 Speaker 3: And we would we would make each other laugh so hard, 60 00:03:53,320 --> 00:03:55,880 Speaker 3: but we would carry that into our bunk beds late 61 00:03:55,880 --> 00:04:01,640 Speaker 3: at night, right And and I I thought farts were 62 00:04:01,640 --> 00:04:05,960 Speaker 3: the funniest thing in the world. Still do because I had. 63 00:04:06,320 --> 00:04:11,040 Speaker 3: I had nine uncles growing up, and my joke was I. 64 00:04:10,080 --> 00:04:14,560 Speaker 2: I pulled and some sort of hereditary bowel disease. So 65 00:04:14,680 --> 00:04:18,560 Speaker 2: absolutely so needless to say, it runs in the family 66 00:04:18,640 --> 00:04:19,279 Speaker 2: quite literally. 67 00:04:20,000 --> 00:04:22,880 Speaker 3: So my joke is, I had nine uncles growing up. 68 00:04:22,920 --> 00:04:27,839 Speaker 3: I pulled more fingers than an orthopedic surgeon. So so 69 00:04:28,760 --> 00:04:31,520 Speaker 3: you know, I was a funny kid, and my my 70 00:04:31,839 --> 00:04:36,440 Speaker 3: aunts and uncles were all funny. My dad was really funny, 71 00:04:37,000 --> 00:04:41,479 Speaker 3: my mom was a great laugher, my sisters were terrifically funny, 72 00:04:42,160 --> 00:04:46,240 Speaker 3: and so comedy for me was just basically something that 73 00:04:46,320 --> 00:04:51,000 Speaker 3: brought intense joy laughter, and because I wasn't here in 74 00:04:51,040 --> 00:04:53,760 Speaker 3: those laughs when I got home, the laughter would stop 75 00:04:53,800 --> 00:04:56,240 Speaker 3: when I got home because it was very painful the 76 00:04:56,320 --> 00:05:01,400 Speaker 3: relationship between my mom and dad. And then I was 77 00:05:01,440 --> 00:05:05,440 Speaker 3: a jock. So being a jock, you've got a built 78 00:05:05,440 --> 00:05:06,159 Speaker 3: in audience. 79 00:05:06,240 --> 00:05:06,400 Speaker 5: You know. 80 00:05:06,400 --> 00:05:09,080 Speaker 3: I would play hockey and there's twenty kids sitting around, 81 00:05:09,080 --> 00:05:11,320 Speaker 3: and I would do impressions as the coaches. It was 82 00:05:11,400 --> 00:05:13,200 Speaker 3: just an extension of what I was doing at home 83 00:05:13,240 --> 00:05:16,039 Speaker 3: with my brother, but I brought it into locker room 84 00:05:17,400 --> 00:05:22,359 Speaker 3: when I got into high school. Let's back up, I 85 00:05:22,440 --> 00:05:24,839 Speaker 3: met Mark Sandrowski in third grade. 86 00:05:25,600 --> 00:05:25,880 Speaker 1: Wow. 87 00:05:25,920 --> 00:05:30,040 Speaker 2: And Mark Sandrawski. By the way, just as a side 88 00:05:30,120 --> 00:05:34,680 Speaker 2: note here, Mark Sandrowski was as far as he relates 89 00:05:34,720 --> 00:05:37,520 Speaker 2: to us, he is Dave's one of Dave's best friends. 90 00:05:37,520 --> 00:05:40,359 Speaker 2: But he was our second ad on full House for 91 00:05:40,360 --> 00:05:44,080 Speaker 2: a while, and then he went on to successfully direct 92 00:05:44,360 --> 00:05:47,440 Speaker 2: Big Bang Theory and win Emmy's and he's directed a 93 00:05:47,440 --> 00:05:50,279 Speaker 2: ton of shows and he's an incredible sitcom director and 94 00:05:50,320 --> 00:05:53,040 Speaker 2: he's a lovely human being. A side note anyway, back 95 00:05:53,080 --> 00:05:53,279 Speaker 2: to you. 96 00:05:54,080 --> 00:05:58,000 Speaker 3: So I knew Mark Mark and I Mark and I 97 00:05:58,040 --> 00:06:00,880 Speaker 3: met in third grade and I walked by his desk 98 00:06:00,960 --> 00:06:03,479 Speaker 3: to go get my paper from the teacher, and he 99 00:06:03,600 --> 00:06:06,760 Speaker 3: was drawing in his notebook and I was like, what 100 00:06:06,800 --> 00:06:09,160 Speaker 3: the heck is that kid doing? So I walked back 101 00:06:09,240 --> 00:06:11,440 Speaker 3: up my paper. I walk back and I go, what 102 00:06:11,480 --> 00:06:14,280 Speaker 3: are you drawing there? He goes, Oh, these are Martians. 103 00:06:15,080 --> 00:06:18,880 Speaker 3: And I'm like, I'm gonna like this kid. And so 104 00:06:18,960 --> 00:06:23,479 Speaker 3: we became best friends and we started writing comedy bits, 105 00:06:23,960 --> 00:06:28,159 Speaker 3: probably end of third grade, fourth grade, and we would 106 00:06:28,200 --> 00:06:31,480 Speaker 3: do little sketches at the hockey banquets, and you know, 107 00:06:31,520 --> 00:06:33,719 Speaker 3: he would always have me do voices and he would 108 00:06:33,720 --> 00:06:36,240 Speaker 3: be the straight man and I would do the funny 109 00:06:36,279 --> 00:06:37,000 Speaker 3: guy and. 110 00:06:38,440 --> 00:06:41,440 Speaker 2: So you know where we're cut it out came from. 111 00:06:41,520 --> 00:06:44,080 Speaker 3: Yeah, I stole it from him because his brother. He 112 00:06:44,160 --> 00:06:48,200 Speaker 3: and his brother Dwight were a comedy duo and they 113 00:06:48,279 --> 00:06:52,599 Speaker 3: used to open for me and they were called Ski 114 00:06:52,720 --> 00:06:57,240 Speaker 3: Squared Sandrowski, so it was Ski Squared and Mark would 115 00:06:57,240 --> 00:07:00,520 Speaker 3: do this Mark Suave character where he would button his 116 00:07:00,560 --> 00:07:02,720 Speaker 3: shirt all the time to a woman in the front, oh, 117 00:07:02,800 --> 00:07:05,440 Speaker 3: and go, I know what you're looking at. Now cut 118 00:07:05,560 --> 00:07:08,400 Speaker 3: it out? And I told him, I said, I'm going 119 00:07:08,480 --> 00:07:11,200 Speaker 3: to steal that, so I did. I started using it 120 00:07:11,360 --> 00:07:13,800 Speaker 3: on a show that I hosted on Nickelodeon called out 121 00:07:13,840 --> 00:07:17,320 Speaker 3: of Control, and it became kind of my catchphrase. I 122 00:07:17,360 --> 00:07:21,000 Speaker 3: remember doing cut it out at one of our run 123 00:07:21,040 --> 00:07:24,840 Speaker 3: throughs early on at full House, and I remember the 124 00:07:24,880 --> 00:07:28,160 Speaker 3: producers laughing and they were like, what was that weird 125 00:07:28,280 --> 00:07:30,680 Speaker 3: thing you did? I went, oh, cut it out. They go, 126 00:07:30,800 --> 00:07:33,720 Speaker 3: we're gonna we're going to write that in and they did. 127 00:07:34,680 --> 00:07:39,480 Speaker 3: You know, so so comedy for me. I had a 128 00:07:39,520 --> 00:07:43,800 Speaker 3: partner in crime early on with Mark, I knew another 129 00:07:44,040 --> 00:07:49,480 Speaker 3: funny kid, and then with stand up. I started doing 130 00:07:50,560 --> 00:07:53,440 Speaker 3: impressions in high school at Notre Dame, where Mark and 131 00:07:53,480 --> 00:07:56,560 Speaker 3: I went and I could do dead on impressions of 132 00:07:56,600 --> 00:08:01,560 Speaker 3: about six or seven teachers and our principal. And one 133 00:08:01,640 --> 00:08:05,960 Speaker 3: day we're in the we're in the cafeteria for lunch, 134 00:08:06,480 --> 00:08:09,920 Speaker 3: and I was doing this bit using our principal's voice, 135 00:08:10,640 --> 00:08:13,560 Speaker 3: and all of a sudden, everybody's eyes stopped and was 136 00:08:13,680 --> 00:08:15,480 Speaker 3: looking behind me, and I was like, uh oh, and 137 00:08:15,560 --> 00:08:18,280 Speaker 3: I turned around and it was the principle and they 138 00:08:18,320 --> 00:08:21,640 Speaker 3: talked like that, David, I'll see you down in my 139 00:08:21,880 --> 00:08:25,600 Speaker 3: office now. And his name was Conrade Veschan. So I 140 00:08:25,600 --> 00:08:27,720 Speaker 3: went down to his office and he said, you and 141 00:08:27,800 --> 00:08:32,760 Speaker 3: that Sandrowski fellow, you know those kids follow you. Why 142 00:08:32,760 --> 00:08:37,520 Speaker 3: don't you do the announcements? And I said really like 143 00:08:37,600 --> 00:08:40,840 Speaker 3: he goes, yeah, you do it, and I said as you, 144 00:08:40,920 --> 00:08:44,040 Speaker 3: and he goes, well, yeah, whatever you want. So Mark 145 00:08:44,080 --> 00:08:47,120 Speaker 3: and I started writing the announcements in the morning, and 146 00:08:47,240 --> 00:08:50,559 Speaker 3: I would go on as the principal of our school. 147 00:08:50,840 --> 00:08:53,240 Speaker 2: Oh my god, that's doing the announcements. 148 00:08:53,559 --> 00:08:56,280 Speaker 3: So that's kind of how kind of how I really 149 00:08:56,320 --> 00:08:59,400 Speaker 3: got hooked. And we were always listening to George Carlin 150 00:08:59,480 --> 00:09:05,000 Speaker 3: and Richard Prior albums and sketching stuff and creating funny characters, 151 00:09:05,040 --> 00:09:07,600 Speaker 3: and then we added another friend of our, Tom Keenan. 152 00:09:07,960 --> 00:09:12,120 Speaker 3: So everybody called us the Three Stooges, and we would 153 00:09:12,160 --> 00:09:17,599 Speaker 3: perform at October fests and you know, charities and banquets 154 00:09:17,679 --> 00:09:22,480 Speaker 3: and the Hockey Awards local you know, the banquet, we 155 00:09:22,520 --> 00:09:25,800 Speaker 3: would do a show, and so it was really nice. 156 00:09:25,800 --> 00:09:28,800 Speaker 3: By the time I got to high school, we had 157 00:09:28,840 --> 00:09:31,560 Speaker 3: a whole troop of nine guys and we would do 158 00:09:31,720 --> 00:09:35,640 Speaker 3: kind of Monty Python Saturday Night live sketches to raise 159 00:09:35,679 --> 00:09:40,800 Speaker 3: money for the school. And so that just led into 160 00:09:41,360 --> 00:09:44,560 Speaker 3: doing stand up here in Detroit when stand up was exploding. 161 00:09:46,120 --> 00:09:51,440 Speaker 3: My group was Robin Williams, Richard Pryor, Gary Shandling, Bob Saggat, 162 00:09:51,640 --> 00:09:57,480 Speaker 3: Jim Carrey, Howie Mandel, Drew Carey, Dennis Miller, Louis Anderson. 163 00:09:58,120 --> 00:10:02,720 Speaker 3: It was an extraordinary time to be stand up, Jerry Seinfeld, 164 00:10:03,640 --> 00:10:08,040 Speaker 3: Larry Miller, and it was such an amazing group that 165 00:10:08,160 --> 00:10:12,000 Speaker 3: you couldn't you couldn't follow Jerry Seinfeld and do your 166 00:10:12,040 --> 00:10:14,640 Speaker 3: b material. You had to go on at the comedy store. 167 00:10:15,320 --> 00:10:19,800 Speaker 3: And I'm following Shandling, I'm following sag and I'm following Seinfeld, 168 00:10:19,840 --> 00:10:23,000 Speaker 3: I'm following Robin Williams, and you know, None of us 169 00:10:23,000 --> 00:10:27,120 Speaker 3: were stars. We were just comics. You had to you 170 00:10:27,200 --> 00:10:29,240 Speaker 3: had to go up and really hit it out of 171 00:10:29,280 --> 00:10:32,040 Speaker 3: the park following those guys because they were hitting it 172 00:10:32,080 --> 00:10:35,760 Speaker 3: out of the park. So, you know, when I was 173 00:10:35,840 --> 00:10:38,800 Speaker 3: nineteen years old, it was really exciting, you know. And 174 00:10:38,840 --> 00:10:43,040 Speaker 3: then I was a stand up for a long time, 175 00:10:43,520 --> 00:10:46,680 Speaker 3: right through Full House, and then I quit. 176 00:10:47,480 --> 00:10:48,800 Speaker 2: What made you decide to quit? 177 00:10:49,160 --> 00:10:51,520 Speaker 3: I was burned out. I was doing I was doing 178 00:10:51,600 --> 00:10:54,760 Speaker 3: Full House. I was hosting America's Funniest People on ABC. 179 00:10:55,400 --> 00:10:58,840 Speaker 3: I was doing voices on The Muppet Babies on CBS, 180 00:10:58,880 --> 00:11:01,480 Speaker 3: and I was doing voices on the Real Ghostbusters cartoon. 181 00:11:02,240 --> 00:11:04,800 Speaker 3: And so I thought, you know, this isn't gonna last forever. 182 00:11:05,440 --> 00:11:07,560 Speaker 3: I'm going to tour. I'm gonna do stand up dates. 183 00:11:07,880 --> 00:11:12,800 Speaker 3: So there's a theater here in Michigan called Pine Knob 184 00:11:12,960 --> 00:11:16,320 Speaker 3: and it's like ten thousand seats. So Dennis Miller I 185 00:11:16,360 --> 00:11:20,320 Speaker 3: played there three times. I cohig headlined with Bob Louis 186 00:11:20,360 --> 00:11:23,199 Speaker 3: Anderson one time and with Dennis Miller. The third time 187 00:11:23,320 --> 00:11:26,800 Speaker 3: was with Dennis. Dennis. I opened the show and then 188 00:11:26,880 --> 00:11:32,920 Speaker 3: Dennis closed, And during my set in front of like 189 00:11:33,000 --> 00:11:37,240 Speaker 3: eight thousand people, I started talking to myself and having 190 00:11:37,240 --> 00:11:41,040 Speaker 3: this inner dialogue, and I was telling myself how I 191 00:11:41,080 --> 00:11:43,760 Speaker 3: wasn't into it, how I was just like going through 192 00:11:43,760 --> 00:11:47,720 Speaker 3: the motions, and like, I caught myself. And I don't 193 00:11:47,720 --> 00:11:50,120 Speaker 3: know how long I was taught, Probably it was probably 194 00:11:50,200 --> 00:11:54,200 Speaker 3: just milliseconds, but I caught myself having this inner dialogue 195 00:11:54,200 --> 00:11:57,640 Speaker 3: and I and I thought, ooh, you have just been 196 00:11:57,679 --> 00:12:02,720 Speaker 3: on autopilot. This is really awful, and it scared me. 197 00:12:02,800 --> 00:12:05,560 Speaker 3: And I walked off stage, and then Dennis and I 198 00:12:05,600 --> 00:12:08,600 Speaker 3: went out to dinner and I just told him. I said, 199 00:12:08,640 --> 00:12:12,720 Speaker 3: I can't do this anymore. And I called Brad Gray, 200 00:12:12,840 --> 00:12:16,360 Speaker 3: who was my manager, and I said, Brad, cancel the 201 00:12:16,360 --> 00:12:19,080 Speaker 3: rest of my dates. He goes, what are you talking about, Dave? 202 00:12:20,080 --> 00:12:23,240 Speaker 3: And I said, I'm burned out. He goes, you got 203 00:12:23,240 --> 00:12:25,400 Speaker 3: these theater dates. He goes, You're going to make a fortune. 204 00:12:25,480 --> 00:12:28,120 Speaker 3: I said, I can't do it anymore. I just scared 205 00:12:28,160 --> 00:12:31,360 Speaker 3: the crap out of myself on stage. So I took like, 206 00:12:32,320 --> 00:12:35,960 Speaker 3: I don't know, eight or nine years off and then 207 00:12:36,760 --> 00:12:41,800 Speaker 3: just wasn't interested in it. And you know, never say never, 208 00:12:41,880 --> 00:12:44,440 Speaker 3: but I don't think I'll do it again. You know, 209 00:12:44,679 --> 00:12:47,839 Speaker 3: I achieved everything in stand up. I wanted to do. 210 00:12:49,480 --> 00:12:52,400 Speaker 3: You know. I did an HBO special, I did the 211 00:12:52,400 --> 00:12:56,680 Speaker 3: Tonight Show when Johnny Carson was hosting. I was on Showtime, 212 00:12:57,040 --> 00:13:01,199 Speaker 3: I you know, toured, I you know, it was it 213 00:13:01,280 --> 00:13:04,800 Speaker 3: was awesome. It was really awesome. But to do it now, 214 00:13:06,280 --> 00:13:09,520 Speaker 3: stand up's hard. It's really hard. And if anybody tells 215 00:13:09,520 --> 00:13:12,760 Speaker 3: you it's not that they've never done it. It's really hard. 216 00:13:13,040 --> 00:13:15,600 Speaker 3: And I know what it takes to put an hour 217 00:13:15,679 --> 00:13:18,680 Speaker 3: and a half together, a killer hour and a half. 218 00:13:18,760 --> 00:13:21,400 Speaker 3: I did an Air Force tour a couple of years ago. 219 00:13:21,440 --> 00:13:24,320 Speaker 3: I did twenty four US Air Force bases and I 220 00:13:24,320 --> 00:13:28,000 Speaker 3: had to headline and it was so much work. And 221 00:13:29,280 --> 00:13:32,720 Speaker 3: you have to be on a stage every night to 222 00:13:32,800 --> 00:13:37,120 Speaker 3: get good. And I don't want to do that anymore. 223 00:13:37,840 --> 00:13:40,640 Speaker 3: It's a lot, a lot of work, you know. And Jody, 224 00:13:40,720 --> 00:13:44,120 Speaker 3: I know you're out doing stand up and you. 225 00:13:43,800 --> 00:13:48,679 Speaker 2: My finder actually gave me my first opportunity. He had 226 00:13:48,720 --> 00:13:50,840 Speaker 2: me open for him at the Ice House. It was 227 00:13:50,880 --> 00:13:53,959 Speaker 2: my first time getting up and doing original material and 228 00:13:54,040 --> 00:13:56,760 Speaker 2: he was and it was because he was like, I've 229 00:13:56,760 --> 00:13:58,600 Speaker 2: seen you. I know you can do this. I know 230 00:13:58,640 --> 00:14:00,480 Speaker 2: you can do this, and like I got off the 231 00:14:00,480 --> 00:14:01,840 Speaker 2: stage and he was like Bob and Dave would be 232 00:14:01,840 --> 00:14:04,360 Speaker 2: so proud of you, like and that meant the world. Yeah, 233 00:14:04,360 --> 00:14:06,080 Speaker 2: but yeah, it is. I mean I get like I 234 00:14:06,120 --> 00:14:08,760 Speaker 2: haven't put as much effort into it because it's it's 235 00:14:08,800 --> 00:14:11,199 Speaker 2: also like a young people's grind, you know what I mean. 236 00:14:11,240 --> 00:14:13,360 Speaker 2: All my friends that are stand ups, like they're out 237 00:14:13,400 --> 00:14:15,840 Speaker 2: every night at the club at comedy's door, I laugh, 238 00:14:16,160 --> 00:14:18,920 Speaker 2: going club club till two three in the morning. I'm like, 239 00:14:18,960 --> 00:14:20,720 Speaker 2: I got kids that got to get up and go 240 00:14:20,800 --> 00:14:22,560 Speaker 2: to school. And I get, you know, I can do 241 00:14:22,720 --> 00:14:25,000 Speaker 2: a couple shows here and there, but it is, it's 242 00:14:25,280 --> 00:14:28,520 Speaker 2: it is. It's a lifestyle. Being a comic, I see 243 00:14:28,640 --> 00:14:30,920 Speaker 2: is kind of and it's it's awesome and it's great, 244 00:14:30,960 --> 00:14:33,280 Speaker 2: and but it is it's a lot. 245 00:14:33,600 --> 00:14:36,120 Speaker 3: Yeah, and you're either all in. 246 00:14:36,440 --> 00:14:37,920 Speaker 2: Or you're not right right. 247 00:14:37,800 --> 00:14:41,360 Speaker 3: Because you know, audiences will tell you, oh, you're not 248 00:14:41,480 --> 00:14:46,640 Speaker 3: all in right just by their response. And I know 249 00:14:46,760 --> 00:14:49,680 Speaker 3: how much effort it takes to write and go out 250 00:14:49,880 --> 00:14:53,760 Speaker 3: just to get five minutes is hard, you know, to 251 00:14:53,880 --> 00:14:58,400 Speaker 3: get a five minutes set together that's rip roaring killer. 252 00:14:58,360 --> 00:14:59,920 Speaker 2: Yeah, takes you a month. 253 00:15:00,720 --> 00:15:03,800 Speaker 6: Yeah, at least a month for five minutes, you know, 254 00:15:04,040 --> 00:15:07,040 Speaker 6: so to put an hour together is going to take 255 00:15:07,040 --> 00:15:10,600 Speaker 6: you a year. Yeah, And that takes a lot of 256 00:15:10,640 --> 00:15:13,880 Speaker 6: work and commitment, and and you know, I have so 257 00:15:13,920 --> 00:15:16,320 Speaker 6: many other nice things in. 258 00:15:16,160 --> 00:15:19,440 Speaker 3: My life that I can devote that time too that 259 00:15:20,080 --> 00:15:22,160 Speaker 3: you know, I'm not a laugh junkie. I don't need 260 00:15:22,200 --> 00:15:23,440 Speaker 3: to hear the laughs. You know. 261 00:15:24,160 --> 00:15:27,880 Speaker 2: Did you ever have any other jobs like other Didn't 262 00:15:27,920 --> 00:15:29,600 Speaker 2: you tell me that one time you did, like some 263 00:15:29,600 --> 00:15:33,400 Speaker 2: sort of engineering or something right or some sort of Yeah. 264 00:15:33,440 --> 00:15:36,760 Speaker 2: Like I always love bragging about like you and Andrea 265 00:15:36,840 --> 00:15:40,160 Speaker 2: and Scott because like the people that played the stupidest 266 00:15:40,240 --> 00:15:43,000 Speaker 2: characters on our show were actually some of the most 267 00:15:43,040 --> 00:15:47,880 Speaker 2: intelligent people. And so I'm always like Dave's like really bright, 268 00:15:48,000 --> 00:15:49,480 Speaker 2: like don't let Joey fool you. 269 00:15:50,960 --> 00:15:55,520 Speaker 3: Yeah. I worked in a mechanical engineering firm here in Detroit. 270 00:15:56,800 --> 00:15:59,360 Speaker 3: I was a detailer where you had to draw everything 271 00:15:59,400 --> 00:16:02,080 Speaker 3: by hands. So I had a giant drawing board and 272 00:16:02,120 --> 00:16:07,800 Speaker 3: we would design cycloidal transfer units and so I would 273 00:16:07,840 --> 00:16:13,280 Speaker 3: take down substations from those huge assembly lines. What it is, 274 00:16:13,360 --> 00:16:16,840 Speaker 3: it's it moves parts down an assembly line, OK. And 275 00:16:17,480 --> 00:16:20,920 Speaker 3: we would design all of these different stations that would 276 00:16:21,280 --> 00:16:27,760 Speaker 3: you know, take a piece of steel, rotate it, drill it, 277 00:16:28,000 --> 00:16:30,880 Speaker 3: counterbore it, you know, switch it and move it on 278 00:16:30,960 --> 00:16:33,440 Speaker 3: to the next station. You know, of the all this 279 00:16:33,520 --> 00:16:36,040 Speaker 3: automation that was going to happen, So I would have 280 00:16:36,040 --> 00:16:39,600 Speaker 3: to break down certain sections of that and draw it 281 00:16:39,640 --> 00:16:42,760 Speaker 3: in detail, it all out, call out all the parts 282 00:16:42,800 --> 00:16:45,920 Speaker 3: and how you could machine it. So I did that 283 00:16:46,000 --> 00:16:51,480 Speaker 3: before I moved to LA And I have two sides 284 00:16:51,480 --> 00:16:53,440 Speaker 3: of my brain. I definitely have a creative side, but 285 00:16:53,480 --> 00:16:57,080 Speaker 3: I also love the technical stuff, like That's why I 286 00:16:57,120 --> 00:17:00,960 Speaker 3: love aviation. That's why I love flying. And as a 287 00:17:01,040 --> 00:17:04,240 Speaker 3: kid growing up, I could never I could never really 288 00:17:04,280 --> 00:17:07,520 Speaker 3: make sense of math or science until I became a pilot. 289 00:17:07,720 --> 00:17:10,760 Speaker 3: And then being a pilot is all math and science. 290 00:17:11,520 --> 00:17:16,119 Speaker 3: You know, it's meteorology, it's you know, it's physics, it's aerodynamics, 291 00:17:16,240 --> 00:17:20,119 Speaker 3: it's you know, and then there's communication, and then there's navigation, 292 00:17:20,600 --> 00:17:24,600 Speaker 3: and then there's you know, all the technical aspects of 293 00:17:24,760 --> 00:17:30,639 Speaker 3: just you know, fuel navigation. I love that stuff, but 294 00:17:30,680 --> 00:17:32,480 Speaker 3: it never made sense until I could put it all 295 00:17:32,520 --> 00:17:36,159 Speaker 3: together in a three D package, which is flying an airplane. 296 00:17:36,920 --> 00:17:40,800 Speaker 3: And so you know, I love that that stuff, which 297 00:17:40,840 --> 00:17:43,920 Speaker 3: is why I love directing television. You know, you get 298 00:17:44,000 --> 00:17:46,320 Speaker 3: to be so creative and you get to work with 299 00:17:46,400 --> 00:17:49,760 Speaker 3: cameras and technical aspects, and you know, you put that 300 00:17:49,840 --> 00:17:52,440 Speaker 3: together and you've got this wonderful, funny symphony. 301 00:17:53,000 --> 00:17:55,840 Speaker 2: I was going to ask, how did you like? How 302 00:17:56,000 --> 00:17:58,520 Speaker 2: was it directing the show? 303 00:17:58,760 --> 00:17:58,840 Speaker 1: Like? 304 00:17:58,920 --> 00:18:00,400 Speaker 2: How was it directing us? 305 00:18:01,640 --> 00:18:03,160 Speaker 3: It was a wonderful experience. 306 00:18:03,600 --> 00:18:04,640 Speaker 2: How was it directing Bob? 307 00:18:06,040 --> 00:18:06,240 Speaker 1: Oh? 308 00:18:06,320 --> 00:18:09,760 Speaker 3: Bob is such a pain in the ass. I mean, 309 00:18:09,800 --> 00:18:14,400 Speaker 3: he was just you know, it made sense why directors 310 00:18:14,400 --> 00:18:16,760 Speaker 3: would just shake their heads all those years, you know, 311 00:18:16,840 --> 00:18:20,200 Speaker 3: because I feel like, like, oh boy, he's not off book, 312 00:18:21,040 --> 00:18:26,399 Speaker 3: but he's out of his mind, off somewhere making people laugh. 313 00:18:26,440 --> 00:18:28,240 Speaker 3: And it's like, Bob, you don't even know your lines. 314 00:18:29,080 --> 00:18:31,679 Speaker 3: You should probably be taking that energy and putting it 315 00:18:31,680 --> 00:18:35,520 Speaker 3: into memorizing your life. But you know, he was. He 316 00:18:35,640 --> 00:18:39,040 Speaker 3: was a laugh junkie, you know, he for sure, you know, 317 00:18:39,080 --> 00:18:41,320 Speaker 3: if he had an audience there, he was going to 318 00:18:41,440 --> 00:18:44,240 Speaker 3: make sure that they were laughing at him. And you know, 319 00:18:44,280 --> 00:18:46,639 Speaker 3: a lot of times it was to his own detriment. 320 00:18:48,520 --> 00:18:51,000 Speaker 1: True. I always loved being directed by you. I've never 321 00:18:51,560 --> 00:18:53,840 Speaker 1: the one time I've seen you serious is when you're 322 00:18:54,040 --> 00:18:57,159 Speaker 1: flying or when you're directing. Other than that, you're just 323 00:18:57,440 --> 00:19:00,840 Speaker 1: making jokes all the time, but or farting, but. 324 00:19:00,400 --> 00:19:03,400 Speaker 2: Yeah, that's true. We joke. We're like, ooh, it's serious day. 325 00:19:03,440 --> 00:19:04,840 Speaker 1: It's serious day, serious day. 326 00:19:05,320 --> 00:19:07,359 Speaker 2: Yeah, I know, but did you have to be? 327 00:19:08,240 --> 00:19:08,600 Speaker 5: Yeah? 328 00:19:08,720 --> 00:19:11,399 Speaker 3: You know, I built this house that I'm sitting in here, 329 00:19:11,520 --> 00:19:14,120 Speaker 3: and it was it was a tough build. It took 330 00:19:14,160 --> 00:19:18,200 Speaker 3: me seventeen months. But I approached it like directing a show, 331 00:19:18,359 --> 00:19:23,359 Speaker 3: like the plans are your script. I just didn't realize 332 00:19:23,400 --> 00:19:25,639 Speaker 3: I was going to be working with so many actors. 333 00:19:27,840 --> 00:19:31,440 Speaker 3: Contractors are a whole world. But you know, I love 334 00:19:31,960 --> 00:19:34,720 Speaker 3: being able to work with all of these different personalities 335 00:19:34,880 --> 00:19:38,960 Speaker 3: doing different things, and then falling back on the script 336 00:19:39,040 --> 00:19:42,240 Speaker 3: the plans to make sure that everything was executed properly. 337 00:19:42,520 --> 00:19:45,760 Speaker 3: It was a real challenge, but I'm glad I did it. 338 00:19:48,040 --> 00:19:50,199 Speaker 2: You know, it was we We love the pictures of 339 00:19:50,240 --> 00:19:53,880 Speaker 2: you in your in your little tractor back hove thing 340 00:19:54,080 --> 00:19:57,360 Speaker 2: with your little hero let me go. Yeah, you've got tractor, 341 00:19:57,480 --> 00:20:00,320 Speaker 2: and I just always pictured Dave. I'm like, he's just 342 00:20:00,920 --> 00:20:05,159 Speaker 2: he's just plowing something on his property, digging a trench somewhere, 343 00:20:05,320 --> 00:20:08,360 Speaker 2: happy and just with the dogs. And that's it. 344 00:20:08,840 --> 00:20:09,119 Speaker 5: Yeah. 345 00:20:09,160 --> 00:20:13,440 Speaker 3: Today I'm going to be loading stone on our driveway 346 00:20:13,640 --> 00:20:16,000 Speaker 3: and we have these big walkways and I have to 347 00:20:16,000 --> 00:20:20,240 Speaker 3: put pea gravel in between those walkway pieces. 348 00:20:20,240 --> 00:20:23,440 Speaker 2: And you're going to drink a lot of water, that's right. 349 00:20:26,080 --> 00:20:29,320 Speaker 3: Yeah, so yeah, we'll be a director later today. 350 00:20:29,600 --> 00:20:33,000 Speaker 2: Oh well, enjoy I love that. Do we want to 351 00:20:33,000 --> 00:20:39,000 Speaker 2: play one of these? I mean, I mean, well. 352 00:20:38,920 --> 00:20:41,120 Speaker 1: I want to. I want to talk about full House. Rewind. 353 00:20:41,160 --> 00:20:44,239 Speaker 1: We can't let you go without talking about Congratulations. Your 354 00:20:44,280 --> 00:20:49,120 Speaker 1: podcast is back. It's very exciting. I love watching it. 355 00:20:49,119 --> 00:20:50,359 Speaker 2: It's true, really really fun. 356 00:20:50,640 --> 00:20:57,040 Speaker 1: A unique show that combines video, interviews, impressions, puppets. It's 357 00:20:57,040 --> 00:20:59,960 Speaker 1: like a variety show, and it's so cool to watch 358 00:21:00,080 --> 00:21:00,919 Speaker 1: you create. 359 00:21:01,000 --> 00:21:02,520 Speaker 3: You thanks. 360 00:21:02,920 --> 00:21:03,199 Speaker 5: You know. 361 00:21:03,480 --> 00:21:05,879 Speaker 3: I love being a host. You know, I kind of 362 00:21:05,920 --> 00:21:10,840 Speaker 3: started in show business being a host hosting a series 363 00:21:10,840 --> 00:21:14,520 Speaker 3: on Nickelodeon called out of Control. So I wanted to 364 00:21:15,240 --> 00:21:17,800 Speaker 3: I wanted to create something that, you know, I could 365 00:21:17,840 --> 00:21:21,000 Speaker 3: do my voices and have puppets, a little bit of 366 00:21:21,040 --> 00:21:25,000 Speaker 3: Pee Wee's Playhouse, but but kind of drag one foot 367 00:21:25,119 --> 00:21:27,440 Speaker 3: in the world of full House, you know, and do 368 00:21:27,480 --> 00:21:31,840 Speaker 3: just something different than a podcast, kind of do a 369 00:21:31,960 --> 00:21:37,040 Speaker 3: video podcast and create like a little show around full House. 370 00:21:37,119 --> 00:21:42,000 Speaker 3: So yeah, we we relaunched with Staymos as our guest. 371 00:21:42,440 --> 00:21:43,240 Speaker 2: Nice. 372 00:21:43,280 --> 00:21:45,439 Speaker 3: I'm so excited because you guys are going to come on. 373 00:21:45,920 --> 00:21:48,640 Speaker 2: Yes, can't wait, Yes, it would be really fun. Can't wait. 374 00:21:48,640 --> 00:21:50,880 Speaker 1: I can't wait to see the set. The set which 375 00:21:51,000 --> 00:21:54,040 Speaker 1: so cool. You got like the plaid, the plaid couch chair, 376 00:21:54,320 --> 00:21:55,720 Speaker 1: sitting chair. It's so cool. 377 00:21:56,040 --> 00:21:59,159 Speaker 3: It's so tiny, which is a metaphor for my life. 378 00:21:59,600 --> 00:22:04,520 Speaker 3: But it's just a tiny little set, you know. But 379 00:22:05,040 --> 00:22:08,240 Speaker 3: we're having fun and I get to write the episodes 380 00:22:08,320 --> 00:22:13,679 Speaker 3: and it's a real challenge, you know, trying to be 381 00:22:13,880 --> 00:22:18,359 Speaker 3: funny with these characters that you know, I'm borrowing mister 382 00:22:18,400 --> 00:22:24,480 Speaker 3: Woodchuck and comment. We have character Granny Tanner and always 383 00:22:24,520 --> 00:22:29,119 Speaker 3: see her ankles. So it's been really fun. It's been 384 00:22:29,160 --> 00:22:35,720 Speaker 3: a real challenge. You know. We're back, which good. I'm 385 00:22:35,720 --> 00:22:37,080 Speaker 3: going to be very busy again. 386 00:22:37,240 --> 00:22:41,360 Speaker 1: So what has surprised you most? Rewatching or I guess 387 00:22:41,440 --> 00:22:44,320 Speaker 1: watching for the rewatching, your watching it for the first time. 388 00:22:44,960 --> 00:22:50,359 Speaker 3: You guys were so good. You guys were so freaking good. 389 00:22:50,600 --> 00:22:54,000 Speaker 3: I mean, you were so funny. Just to have that 390 00:22:54,119 --> 00:22:57,600 Speaker 3: kind of timing. You you can't teach a kid to 391 00:22:57,680 --> 00:23:00,760 Speaker 3: have timing. You just either have that or you don't. 392 00:23:00,880 --> 00:23:03,280 Speaker 3: And I mean, you know, because I'm going back to 393 00:23:03,359 --> 00:23:07,199 Speaker 3: first season. I just watched the scene Jody with you 394 00:23:07,359 --> 00:23:11,840 Speaker 3: in Candice where you get as episode I think it's 395 00:23:11,880 --> 00:23:16,040 Speaker 3: thirteen called Sisterly Love where you get the commercial boat. 396 00:23:16,200 --> 00:23:17,919 Speaker 2: Yes we did, yeap oak boats. 397 00:23:18,040 --> 00:23:19,240 Speaker 1: Yeah ooatscial. 398 00:23:20,080 --> 00:23:22,719 Speaker 3: So I'm watching you too. And then you have that 399 00:23:22,800 --> 00:23:26,000 Speaker 3: heartfelt scene. First of all, you were so funny in it. 400 00:23:26,720 --> 00:23:30,720 Speaker 3: Secondly you have that heartfelt scene and I'm tearing up. 401 00:23:30,800 --> 00:23:32,159 Speaker 3: I'm like, it got me. 402 00:23:32,760 --> 00:23:33,400 Speaker 2: Yeah, Like I. 403 00:23:33,400 --> 00:23:36,320 Speaker 3: Wasn't expecting that all these years later. I was expecting 404 00:23:36,359 --> 00:23:39,240 Speaker 3: to be a little bit cynical about it, and you know, 405 00:23:39,520 --> 00:23:43,880 Speaker 3: but it pulled me in and I went this, I'm 406 00:23:43,960 --> 00:23:48,400 Speaker 3: seeing why it was so special to so many people. Yeah, 407 00:23:48,440 --> 00:23:51,520 Speaker 3: you know, to rewatch them because I never watched the show. 408 00:23:52,480 --> 00:23:55,119 Speaker 3: You know, I always thought I'll be hooked up to 409 00:23:55,320 --> 00:23:57,520 Speaker 3: machines having a full house marathon. 410 00:23:57,640 --> 00:23:58,760 Speaker 1: God, let me just. 411 00:23:58,720 --> 00:23:59,800 Speaker 2: See one last time. 412 00:24:00,320 --> 00:24:05,879 Speaker 3: That's right. Oh, look at that. He's dead. That actor 413 00:24:06,000 --> 00:24:06,560 Speaker 3: is dead. 414 00:24:06,920 --> 00:24:09,320 Speaker 5: That guest star is dead. 415 00:24:09,880 --> 00:24:11,760 Speaker 2: I mean we have had that a few times. We're like, 416 00:24:11,760 --> 00:24:13,440 Speaker 2: oh that's so and so is all they're dead. 417 00:24:13,680 --> 00:24:16,639 Speaker 3: Yeah, yeah, Little Richard's dead. 418 00:24:16,920 --> 00:24:21,520 Speaker 6: Oh yeah, comment has been dead for thirty. 419 00:24:20,960 --> 00:24:26,360 Speaker 2: Yeah, I know I did have that realization like, oh yeah, crazy. 420 00:24:27,240 --> 00:24:34,080 Speaker 3: But going back, Andrew to your point, you guys were remarkable. 421 00:24:34,760 --> 00:24:38,439 Speaker 3: You were just really and you can't fake that. You can't, 422 00:24:38,480 --> 00:24:41,560 Speaker 3: and you can't fake the chemistry that exists on the show. 423 00:24:41,920 --> 00:24:44,280 Speaker 3: You either have that or you don't. You can't, you 424 00:24:44,320 --> 00:24:45,680 Speaker 3: can't manufacture, and. 425 00:24:45,760 --> 00:24:47,720 Speaker 2: It was it for us. I mean, it's kind of 426 00:24:47,720 --> 00:24:50,439 Speaker 2: been fun to go back, like watching the old episodes 427 00:24:50,480 --> 00:24:55,680 Speaker 2: and really seeing this family kind of find that chemistry 428 00:24:55,760 --> 00:24:58,920 Speaker 2: and come together, Like you really do see the progression 429 00:24:59,080 --> 00:25:05,080 Speaker 2: of our relationships on screen. You see the the you know, 430 00:25:05,160 --> 00:25:07,840 Speaker 2: Ashley and Mary Kate start really warming up and being 431 00:25:07,960 --> 00:25:11,120 Speaker 2: much more like a part of it, and them growing up, 432 00:25:11,160 --> 00:25:15,119 Speaker 2: and you just start seeing the in between stuff of 433 00:25:15,200 --> 00:25:19,560 Speaker 2: affection and real camaraderie amongst us as a as a family. 434 00:25:19,640 --> 00:25:23,359 Speaker 2: And I love that the show really was you know, 435 00:25:23,400 --> 00:25:25,520 Speaker 2: it wasn't about this family that already existed. It was 436 00:25:25,560 --> 00:25:28,200 Speaker 2: about this family sort of coming together and figuring out 437 00:25:28,240 --> 00:25:31,719 Speaker 2: how did it come right? And I realize now, like 438 00:25:32,000 --> 00:25:35,919 Speaker 2: we really watched that, it was like watching these people 439 00:25:36,000 --> 00:25:38,639 Speaker 2: become the family that they turned into. 440 00:25:39,080 --> 00:25:42,520 Speaker 3: And it's also really interesting that we have different perspectives 441 00:25:43,080 --> 00:25:46,160 Speaker 3: because while we were out on that stage, you guys 442 00:25:46,160 --> 00:25:49,240 Speaker 3: were in a classroom, you know, being kids, you know, 443 00:25:50,080 --> 00:25:55,000 Speaker 3: and you know, there's kind of two two generations here 444 00:25:55,560 --> 00:25:57,960 Speaker 3: talking about the same show, which I think is really 445 00:25:58,000 --> 00:26:03,320 Speaker 3: interesting because you know, you guys are driving to Full 446 00:26:03,359 --> 00:26:10,359 Speaker 3: House with your mom's right, I'm driving with Bob or John, 447 00:26:10,960 --> 00:26:14,680 Speaker 3: you know, and we're going to Vegas after the show 448 00:26:14,920 --> 00:26:19,000 Speaker 3: on Friday night. You guys are going to a birthday party, right, 449 00:26:19,680 --> 00:26:22,480 Speaker 3: you know, with Mary, Kate and Ashley, you know. So 450 00:26:22,720 --> 00:26:25,240 Speaker 3: I think it's really interesting that we do have those 451 00:26:25,280 --> 00:26:29,800 Speaker 3: two different perspectives of what life was like as we 452 00:26:29,840 --> 00:26:32,840 Speaker 3: go back and venture and take a look at these episodes. 453 00:26:32,880 --> 00:26:35,560 Speaker 2: It's really interesting. Well, I always think about it, like 454 00:26:35,640 --> 00:26:38,439 Speaker 2: I don't really have a part of my life that 455 00:26:38,520 --> 00:26:41,679 Speaker 2: I remember prior to having Full House in it. I 456 00:26:41,760 --> 00:26:47,440 Speaker 2: don't have experiences that I really viscerally remember prior to 457 00:26:47,920 --> 00:26:51,359 Speaker 2: five years old, you know, so like this has always 458 00:26:51,440 --> 00:26:53,159 Speaker 2: been a part of my life, I don't, you know, 459 00:26:53,280 --> 00:26:55,639 Speaker 2: like you guys as adults have like the before and 460 00:26:55,680 --> 00:26:59,000 Speaker 2: the after. I like, I, you know, even I guess 461 00:26:59,000 --> 00:27:01,359 Speaker 2: really for you you were ten, like you know, at 462 00:27:02,640 --> 00:27:05,560 Speaker 2: same with Ashon Marcatte, like, there was never a before, 463 00:27:05,720 --> 00:27:08,639 Speaker 2: there was just right what it was, and and after, 464 00:27:08,880 --> 00:27:10,760 Speaker 2: you know, it's kind of crazy. 465 00:27:10,960 --> 00:27:13,240 Speaker 1: And there's a lot of questions that we don't know 466 00:27:13,280 --> 00:27:16,159 Speaker 1: the answers to, such as who came up with the 467 00:27:16,200 --> 00:27:20,200 Speaker 1: mannequin wearing the same shirt as Joey Gladstone in those 468 00:27:20,240 --> 00:27:23,920 Speaker 1: first the first half of the season, it was that you. 469 00:27:23,920 --> 00:27:28,280 Speaker 3: Were j It was me, yeah, because I just thought, 470 00:27:28,840 --> 00:27:30,800 Speaker 3: I just thought this is really weird. I wondered if 471 00:27:30,840 --> 00:27:34,560 Speaker 3: the audience will get it. And it was just dumb. 472 00:27:34,920 --> 00:27:38,320 Speaker 3: It was dumb. It drove the prop people insane. 473 00:27:38,800 --> 00:27:43,320 Speaker 2: I'm sure they were like absolutely, Roger Yep. 474 00:27:43,680 --> 00:27:47,920 Speaker 3: Yeah, our prop master. It drove them nuts. And then 475 00:27:47,960 --> 00:27:51,639 Speaker 3: I realized it's not really a you know, it's not 476 00:27:51,720 --> 00:27:53,879 Speaker 3: a catchy, cool thing. It's kind of dumb. 477 00:27:54,320 --> 00:27:58,320 Speaker 1: Oh. I loved it. I enjoyed it. We look every we. 478 00:27:58,320 --> 00:28:00,960 Speaker 2: Made, yeah, every episode, we've made quite the issue out 479 00:28:00,960 --> 00:28:04,560 Speaker 2: of it, and particularly the ones where the mannequin changed 480 00:28:04,760 --> 00:28:08,080 Speaker 2: during the episode, mostly because it led me to the 481 00:28:08,160 --> 00:28:11,720 Speaker 2: questions of who is doing the changing, and why does 482 00:28:11,800 --> 00:28:16,160 Speaker 2: Joey have these extra shirts for the mannequin? And do 483 00:28:16,200 --> 00:28:19,000 Speaker 2: you really have room for a mannequin in an alcove. 484 00:28:19,359 --> 00:28:23,439 Speaker 2: There's lots of things, but yeah, it begs right, And 485 00:28:23,480 --> 00:28:25,800 Speaker 2: if you're living in an alcove, you will have to 486 00:28:25,880 --> 00:28:28,240 Speaker 2: have not only your own stuff, but now the mannequin 487 00:28:28,320 --> 00:28:32,080 Speaker 2: stuff too. Like it just I had a lot of questions. 488 00:28:32,400 --> 00:28:36,120 Speaker 2: I had a hidden wardrobe shack somewhere right yest well 489 00:28:36,160 --> 00:28:39,080 Speaker 2: in that the little yellow bug which was Joey's car, 490 00:28:39,120 --> 00:28:42,280 Speaker 2: wasn't it that we like saw twice Yeah, with the 491 00:28:42,320 --> 00:28:45,080 Speaker 2: friend with the with the fronk, that was that was 492 00:28:45,120 --> 00:28:48,240 Speaker 2: your closet. No, I just yeah, the glove compartment was 493 00:28:48,240 --> 00:28:49,640 Speaker 2: where you kept all the mannequins close. 494 00:28:49,760 --> 00:28:54,360 Speaker 3: But I just watched the Bullet episode. Yes, yeah, you 495 00:28:54,400 --> 00:28:56,840 Speaker 3: know John, somehow the car goes. 496 00:28:56,720 --> 00:28:58,520 Speaker 2: In right, and he's fine. 497 00:28:59,400 --> 00:29:01,400 Speaker 1: Yeah, No one cares about cars. 498 00:29:01,440 --> 00:29:03,720 Speaker 2: We're like, what happen to the car? Oh you almost died? 499 00:29:03,800 --> 00:29:04,000 Speaker 1: Eh? 500 00:29:04,280 --> 00:29:08,560 Speaker 3: Yeah? So then I directed the episode where you recrash 501 00:29:08,920 --> 00:29:10,560 Speaker 3: Bullet right through. 502 00:29:11,680 --> 00:29:15,520 Speaker 1: Yeah, that's right. You've got all the difficult episodes. You 503 00:29:15,560 --> 00:29:18,760 Speaker 1: had the Nutcrackers, you had the car in the kitchen. 504 00:29:19,680 --> 00:29:25,760 Speaker 3: That show was named Nutcracker for a reason. Yeah, but yeah, 505 00:29:25,840 --> 00:29:30,240 Speaker 3: I had it. Seemed like all the special effects always landed. Yeah, 506 00:29:32,960 --> 00:29:35,920 Speaker 3: he goes, I'm sorry, Dave. I'm like what He's like, 507 00:29:36,040 --> 00:29:39,640 Speaker 3: You've got the this thing where we're doing all this 508 00:29:39,760 --> 00:29:40,880 Speaker 3: green screen. 509 00:29:41,120 --> 00:29:46,520 Speaker 2: Video, right. But I also feel like every week on 510 00:29:46,600 --> 00:29:51,320 Speaker 2: Fuller House was some new fresh hell of a stunt 511 00:29:51,520 --> 00:29:54,600 Speaker 2: or a costume or a thing. So it was much 512 00:29:54,640 --> 00:29:57,520 Speaker 2: more so than the like the original show. I'm like, ah, 513 00:29:57,880 --> 00:30:00,600 Speaker 2: and we had a song montage and every episode, but 514 00:30:00,760 --> 00:30:04,640 Speaker 2: we didn't have a full scale like you know, Hamilton 515 00:30:04,720 --> 00:30:06,720 Speaker 2: costumes or you know, things like that. 516 00:30:07,760 --> 00:30:12,000 Speaker 3: In that Nutcracker episode that was the first one I directed. Yeah, 517 00:30:12,280 --> 00:30:15,160 Speaker 3: and Andrew and you were so funny in that episode. 518 00:30:15,200 --> 00:30:19,080 Speaker 1: Oh yeah, one of my favorites, getting that dance, getting 519 00:30:19,080 --> 00:30:23,400 Speaker 1: the ballet on its feet, and Jeff is constantly changing 520 00:30:23,680 --> 00:30:26,160 Speaker 1: the choreography or how many times my character died in 521 00:30:26,200 --> 00:30:29,560 Speaker 1: the ballet, And I remember being so frustrated and I'm like, Dave, 522 00:30:29,680 --> 00:30:32,080 Speaker 1: tell Jeff to stop changing his mind. And you were 523 00:30:32,080 --> 00:30:34,640 Speaker 1: so good talking me down. You were just like, just 524 00:30:34,720 --> 00:30:37,160 Speaker 1: let write it out, write it out. Jeff will see it. 525 00:30:37,280 --> 00:30:39,959 Speaker 1: He'll see the problems in all of his ideas and 526 00:30:39,960 --> 00:30:42,680 Speaker 1: it will all come together. And it did. It all 527 00:30:42,720 --> 00:30:43,280 Speaker 1: came together. 528 00:30:45,080 --> 00:30:49,320 Speaker 3: I remember giving you a bit where you die and you. 529 00:30:49,320 --> 00:30:52,000 Speaker 1: Yes, the feet the feet keep. 530 00:30:53,320 --> 00:30:56,400 Speaker 3: That's how Curly would die in the Three Studies, always 531 00:30:56,480 --> 00:30:59,440 Speaker 3: kick his legs, you know. And I always thought that 532 00:30:59,520 --> 00:31:01,560 Speaker 3: was so funny. And I went, Andrea, let me show 533 00:31:01,560 --> 00:31:03,840 Speaker 3: you something. This is a Three Stooges move. 534 00:31:04,240 --> 00:31:06,680 Speaker 1: Yeah, you were so good at those little details makes 535 00:31:06,720 --> 00:31:08,800 Speaker 1: such a big difference. And you were so good at 536 00:31:08,840 --> 00:31:10,040 Speaker 1: the details of comedy. 537 00:31:10,120 --> 00:31:12,760 Speaker 3: It was so funny, it was It just made me 538 00:31:12,880 --> 00:31:15,040 Speaker 3: laugh seeing you do Curly from the. 539 00:31:15,000 --> 00:31:18,520 Speaker 2: Threes dressed as a giant. 540 00:31:18,280 --> 00:31:21,520 Speaker 1: Rats a giant just as a giant rat. 541 00:31:21,880 --> 00:31:22,120 Speaker 3: Right. 542 00:31:22,720 --> 00:31:26,320 Speaker 1: The other question we have that to put this debate 543 00:31:26,400 --> 00:31:31,440 Speaker 1: to rest. Is it Uncle Joey or is it just Joey? 544 00:31:32,480 --> 00:31:33,800 Speaker 2: Are you Joey? 545 00:31:34,000 --> 00:31:38,360 Speaker 3: It's just Joey. Here's how it became. Here's how it 546 00:31:38,360 --> 00:31:39,560 Speaker 3: became Uncle Joey. 547 00:31:39,680 --> 00:31:41,480 Speaker 1: Okay, tell us because. 548 00:31:41,400 --> 00:31:47,160 Speaker 3: In one of the early shows, I forget which one 549 00:31:47,160 --> 00:31:50,440 Speaker 3: of your characters said Uncle Jesse and Joey are coming, 550 00:31:51,560 --> 00:31:55,720 Speaker 3: and it it just stuck where we were kind of 551 00:31:55,720 --> 00:31:58,720 Speaker 3: the uncles, and we just we just got bonded, right, 552 00:31:59,160 --> 00:32:02,600 Speaker 3: And I think there is an episode where one of 553 00:32:02,640 --> 00:32:06,640 Speaker 3: you guys says Uncle Joey is coming or Uncle Joey 554 00:32:06,720 --> 00:32:11,280 Speaker 3: was here or something, but I think it's actually said 555 00:32:11,520 --> 00:32:12,680 Speaker 3: in one of the episodes. 556 00:32:12,760 --> 00:32:16,480 Speaker 1: It is. There's there's it's a scene where you're in 557 00:32:16,560 --> 00:32:20,600 Speaker 1: the shower with all of like this pink hair, like 558 00:32:20,680 --> 00:32:21,640 Speaker 1: the shower cap. 559 00:32:21,880 --> 00:32:24,800 Speaker 2: He's got the swimming cap and the goggles. He's given 560 00:32:24,840 --> 00:32:26,440 Speaker 2: the baby a bath or something. 561 00:32:26,280 --> 00:32:29,040 Speaker 1: And and Jesse hands you the baby and says, here, 562 00:32:29,120 --> 00:32:32,640 Speaker 1: go to uncle Joey. That's that's the only time I've 563 00:32:32,640 --> 00:32:33,320 Speaker 1: heard it. 564 00:32:33,400 --> 00:32:36,920 Speaker 2: So it was John. It was n John John John. 565 00:32:37,520 --> 00:32:38,120 Speaker 3: I'd lived that. 566 00:32:38,360 --> 00:32:42,240 Speaker 2: Yeah, right, yeah, guaranteed that wasn't in the script. 567 00:32:43,880 --> 00:32:47,640 Speaker 3: But everybody you know introduces me as uncle Joey, and 568 00:32:48,280 --> 00:32:51,280 Speaker 3: it's okay, you know, being America's uncle. It's nice. 569 00:32:51,400 --> 00:32:52,880 Speaker 1: You know, it's a term of endearment. 570 00:32:53,240 --> 00:32:56,200 Speaker 2: Exactly, yes, exactly, yes. I just always like to clarify 571 00:32:56,240 --> 00:32:58,200 Speaker 2: because people like uncle Joe. I'm like, well, technically it's 572 00:32:58,240 --> 00:33:01,080 Speaker 2: not Uncle Joe, it's Uncle Jesse and Joey. But I 573 00:33:01,480 --> 00:33:03,960 Speaker 2: get I will let it slide on a technound just. 574 00:33:04,120 --> 00:33:06,840 Speaker 3: I've just accepted it, and I don't fight it anymore. 575 00:33:06,880 --> 00:33:10,640 Speaker 3: I don't correct people. It's like Jeff Daniels lives here 576 00:33:10,680 --> 00:33:11,320 Speaker 3: in Michigan. 577 00:33:12,480 --> 00:33:14,880 Speaker 2: It's very coy have we ever seen you two in 578 00:33:14,920 --> 00:33:16,360 Speaker 2: the same room. 579 00:33:16,960 --> 00:33:21,520 Speaker 3: You haven't. But Jeff and I are good friends. And 580 00:33:22,320 --> 00:33:24,560 Speaker 3: you know, he says, if one more person comes up 581 00:33:24,560 --> 00:33:28,800 Speaker 3: and does that, stupid cut it. Whatever you do. I said, hey, 582 00:33:28,800 --> 00:33:30,760 Speaker 3: if one more person comes up to me and asked, 583 00:33:30,840 --> 00:33:36,040 Speaker 3: are you dom or domer? You know, but we you know, 584 00:33:36,160 --> 00:33:38,520 Speaker 3: we've talked about it, and he just said, he goes, 585 00:33:38,640 --> 00:33:42,920 Speaker 3: I don't fight it anymore. Right, I don't correct people. 586 00:33:43,040 --> 00:33:45,360 Speaker 3: I just say, sure, I'll sign it. 587 00:33:45,640 --> 00:33:48,320 Speaker 2: Does he sign it, Dave Coolier like your dad told 588 00:33:48,400 --> 00:33:48,600 Speaker 2: him to. 589 00:33:49,120 --> 00:33:50,600 Speaker 3: I don't know. I don't know. 590 00:33:51,680 --> 00:33:52,640 Speaker 2: Make sure you sign it. 591 00:33:53,000 --> 00:33:53,200 Speaker 5: Yeah. 592 00:33:53,280 --> 00:33:55,719 Speaker 3: I just people, Oh, Jeff, how's it going? And then 593 00:33:55,720 --> 00:33:59,760 Speaker 3: I'll sign it like Shirley Temple. There you go. 594 00:34:01,280 --> 00:34:02,600 Speaker 2: They're probably very confused. 595 00:34:02,840 --> 00:34:03,240 Speaker 3: Yeah. 596 00:34:03,360 --> 00:34:06,600 Speaker 2: Yeah, it's Shirley Temple's signature by Dave Coolier on a 597 00:34:06,600 --> 00:34:10,080 Speaker 2: photo of Jeff Daniels and the eBay resale on that 598 00:34:10,239 --> 00:34:11,080 Speaker 2: is astounding. 599 00:34:11,680 --> 00:34:12,840 Speaker 3: You want to talk about dum. 600 00:34:16,040 --> 00:34:18,160 Speaker 1: Well, Dave, we're so happy you got to join us. 601 00:34:18,239 --> 00:34:20,520 Speaker 1: Unless you have more to say, like we can we 602 00:34:20,560 --> 00:34:21,880 Speaker 1: could just keeping. 603 00:34:21,600 --> 00:34:23,120 Speaker 2: I just know we wanted to keep you. I know 604 00:34:23,200 --> 00:34:24,920 Speaker 2: we had you had to be off at a certain time, 605 00:34:24,960 --> 00:34:26,160 Speaker 2: so we don't want to keep. I mean, we'll keep 606 00:34:26,200 --> 00:34:28,520 Speaker 2: you as long as you know you'll let us. 607 00:34:29,160 --> 00:34:31,759 Speaker 3: I saw we've been unpacking stuff, and I saw the 608 00:34:31,800 --> 00:34:34,200 Speaker 3: script and one of you guys wrote Billy de Belle 609 00:34:34,480 --> 00:34:35,560 Speaker 3: inside my script. 610 00:34:37,520 --> 00:34:39,680 Speaker 2: It might have been it might have been Candace, might 611 00:34:39,719 --> 00:34:42,399 Speaker 2: have well might have been anyways. I know I used 612 00:34:42,400 --> 00:34:44,799 Speaker 2: to draw like I. I became the one that would 613 00:34:44,840 --> 00:34:47,880 Speaker 2: just draw in appropriate pictures on people's scripts during notes. 614 00:34:48,560 --> 00:34:50,160 Speaker 3: Oh, I wonder where you got that from? 615 00:34:50,920 --> 00:34:55,280 Speaker 1: Do you know I donated? No idea, I donated accidentally. 616 00:34:55,680 --> 00:34:57,799 Speaker 1: There was a charity that asked for a full house 617 00:34:57,800 --> 00:35:01,400 Speaker 1: script for a donation for an auction, so I donated it. 618 00:35:01,440 --> 00:35:04,000 Speaker 1: I think it was a school actually, like an elementary school. 619 00:35:04,200 --> 00:35:06,799 Speaker 1: And so the secretary called me after. 620 00:35:06,600 --> 00:35:08,640 Speaker 2: She goes like, there's a giant wiener. 621 00:35:08,719 --> 00:35:11,720 Speaker 1: Yeah, there's a giant wiener on the back of the script. 622 00:35:12,520 --> 00:35:15,799 Speaker 1: I was like, oh, sorry, I had to provide a 623 00:35:15,840 --> 00:35:17,880 Speaker 1: new script because I couldn't we couldn't auction that off 624 00:35:17,920 --> 00:35:20,120 Speaker 1: to the children, the needy children we had. 625 00:35:20,920 --> 00:35:25,239 Speaker 3: I mean, Bob would draw those on my script constantly 626 00:35:25,320 --> 00:35:26,040 Speaker 3: during notes. 627 00:35:26,719 --> 00:35:29,319 Speaker 2: Yeah, yep. And then I started doing it and I 628 00:35:29,360 --> 00:35:33,160 Speaker 2: would draw them on Candace and Andrew's script. During notes, 629 00:35:33,239 --> 00:35:36,600 Speaker 2: Jeff would be giving a very something or or Bob Boy, 630 00:35:36,600 --> 00:35:38,120 Speaker 2: it would be giving a note and I would just 631 00:35:38,160 --> 00:35:42,160 Speaker 2: be drawing, just a wiener on Cannas's script and like, 632 00:35:42,400 --> 00:35:44,239 Speaker 2: and she was just like, what are you stop? And 633 00:35:44,800 --> 00:35:47,640 Speaker 2: I like, I'm dead pan just doing it and she's 634 00:35:47,760 --> 00:35:49,200 Speaker 2: just dying, like what is happening? 635 00:35:49,360 --> 00:35:50,960 Speaker 1: It was great, you've taught us so well. 636 00:35:51,400 --> 00:35:57,440 Speaker 3: Bob was so nuts durring notes. It was so so unproductive. 637 00:35:58,840 --> 00:36:01,560 Speaker 3: It was just he would it was his moment where 638 00:36:01,560 --> 00:36:04,520 Speaker 3: he was he would just lose it for an hour. 639 00:36:05,640 --> 00:36:08,600 Speaker 2: Well, he'd been trying to keep it together so well 640 00:36:08,640 --> 00:36:10,600 Speaker 2: the rest of the day that finally he was just 641 00:36:10,880 --> 00:36:13,040 Speaker 2: and he was sitting down in one place so he 642 00:36:13,080 --> 00:36:15,920 Speaker 2: couldn't past and wander off and do it was just 643 00:36:16,000 --> 00:36:18,440 Speaker 2: it all came out and he would do his uh. 644 00:36:19,520 --> 00:36:21,640 Speaker 3: He would do his Raiders Lost. 645 00:36:21,440 --> 00:36:23,600 Speaker 1: Art, Oh Indiana. 646 00:36:23,680 --> 00:36:29,759 Speaker 3: Jones would slice himself open, carry carry right well all 647 00:36:29,800 --> 00:36:32,440 Speaker 3: his guts out, throw him over a tree, and then 648 00:36:32,480 --> 00:36:34,960 Speaker 3: swing by his own guts. And because he was swinging 649 00:36:34,960 --> 00:36:39,160 Speaker 3: from his guts, his his lungs would open and close 650 00:36:39,239 --> 00:36:40,000 Speaker 3: and that would. 651 00:36:41,280 --> 00:36:42,399 Speaker 1: Such a detailed bit. 652 00:36:43,280 --> 00:36:48,959 Speaker 2: It was such a detailed absurd, where and why did 653 00:36:49,000 --> 00:36:51,480 Speaker 2: this happen? And why is it still funny to us 654 00:36:51,760 --> 00:36:54,200 Speaker 2: to this day. I don't know because everyone else listening 655 00:36:54,280 --> 00:36:59,319 Speaker 2: is like, that's really gross, really horrifying, and we're really 656 00:36:59,360 --> 00:37:02,080 Speaker 2: sorry listener, but this is this is who we are 657 00:37:02,560 --> 00:37:08,600 Speaker 2: as real people. And but I miss. 658 00:37:08,440 --> 00:37:12,560 Speaker 3: Him daily because I'll be driving in my truck and 659 00:37:12,640 --> 00:37:15,799 Speaker 3: this time of year, around the holidays, Bob would call 660 00:37:15,880 --> 00:37:21,960 Speaker 3: me and sing a filthy Christmas song. I especially miss 661 00:37:22,040 --> 00:37:25,720 Speaker 3: him around the holidays, and it was always something false 662 00:37:25,760 --> 00:37:35,719 Speaker 3: out of you know, it was always the filthiest some 663 00:37:36,280 --> 00:37:39,160 Speaker 3: Christmas song where he would sing. He was like an 664 00:37:39,239 --> 00:37:44,279 Speaker 3: insane caroller. And I have so many bits that I 665 00:37:44,320 --> 00:37:47,839 Speaker 3: can only do with Bob, and I'll think of one 666 00:37:47,880 --> 00:37:50,759 Speaker 3: and I'll go, I can't call him and like let this. 667 00:37:53,440 --> 00:37:54,000 Speaker 5: Bob sag. 668 00:37:54,040 --> 00:37:57,680 Speaker 2: And I can't because if you did it to anyone else, 669 00:37:57,719 --> 00:38:02,560 Speaker 2: they'd just be like, are you okay? What's wrong with you? 670 00:38:03,600 --> 00:38:09,000 Speaker 2: I'm a concern? Oh man? What a wonderful walk down 671 00:38:09,040 --> 00:38:12,399 Speaker 2: memory lane. Yes, yeah, And I loved hearing just more 672 00:38:12,440 --> 00:38:16,440 Speaker 2: about you know you and growing up and what what 673 00:38:16,480 --> 00:38:16,960 Speaker 2: it was like. 674 00:38:17,080 --> 00:38:19,960 Speaker 1: And you know, i'd never heard the story about your 675 00:38:19,960 --> 00:38:22,040 Speaker 1: brother teaching you how to do impressions. 676 00:38:22,160 --> 00:38:25,560 Speaker 3: That's yeah, he was. He was so funny. My brother 677 00:38:25,719 --> 00:38:28,440 Speaker 3: was like he was the leader of all the kids 678 00:38:28,440 --> 00:38:31,640 Speaker 3: on our blocky. He was like the pied piper, right, 679 00:38:32,520 --> 00:38:36,000 Speaker 3: and he would do the most bizarre things, like my 680 00:38:36,200 --> 00:38:39,040 Speaker 3: brother dressed up like a dead kid and charged a 681 00:38:39,160 --> 00:38:44,280 Speaker 3: quarter to see a dead kid. Yeah, my brother, My brother. 682 00:38:45,480 --> 00:38:50,680 Speaker 3: My brother built a little like funeral parlor down our basement. 683 00:38:51,880 --> 00:38:54,839 Speaker 3: And I went down the basement and he had this 684 00:38:54,960 --> 00:38:58,799 Speaker 3: record going that was just church organ music. And I 685 00:38:58,880 --> 00:39:02,040 Speaker 3: walked down. There's there's light, and he's laying there with 686 00:39:02,120 --> 00:39:05,719 Speaker 3: a rosary with a suit on. And he waxed his 687 00:39:05,840 --> 00:39:09,319 Speaker 3: hair back and put a suit and tie on. And 688 00:39:09,400 --> 00:39:13,240 Speaker 3: I walked down and I go, Danny, what are you doing? 689 00:39:13,320 --> 00:39:16,120 Speaker 3: He goes, I'm going to charge kids a quarter to 690 00:39:16,239 --> 00:39:19,799 Speaker 3: see a dead body. How are you going to get 691 00:39:19,880 --> 00:39:22,120 Speaker 3: him down there? He goes, I'll give you ten cents 692 00:39:22,239 --> 00:39:26,920 Speaker 3: of every quarter if you go get the kids. Yes. 693 00:39:27,360 --> 00:39:29,560 Speaker 3: So my brother put a suit on and made a 694 00:39:29,600 --> 00:39:33,600 Speaker 3: casket down our basement with a little light shining on him. 695 00:39:34,200 --> 00:39:38,400 Speaker 3: And I remember he was probably only like maybe seven 696 00:39:38,480 --> 00:39:42,520 Speaker 3: years old, but it was it was brilliant. And so 697 00:39:42,960 --> 00:39:45,440 Speaker 3: I would go and round up kids in the neighborhood. 698 00:39:45,800 --> 00:39:49,640 Speaker 3: I go, my brother's dead and he's down our basement 699 00:39:50,280 --> 00:39:52,960 Speaker 3: see a dead body. And the kid's like, he's not. 700 00:39:53,360 --> 00:39:56,080 Speaker 3: I'm like, it's going to cost you a quarter. So 701 00:39:56,120 --> 00:39:58,600 Speaker 3: I would bring kids down and it was all scary 702 00:39:58,640 --> 00:40:02,120 Speaker 3: and spooky, and some kids would run out, you know, 703 00:40:02,200 --> 00:40:04,480 Speaker 3: because my brother did like make up. 704 00:40:04,360 --> 00:40:06,680 Speaker 2: And right right right, like he really went for it. 705 00:40:06,760 --> 00:40:08,240 Speaker 3: He like putting. 706 00:40:08,320 --> 00:40:10,040 Speaker 2: It was called but you were getting a lot for 707 00:40:10,080 --> 00:40:14,399 Speaker 2: that quarter. Yes, commitment, yes, production value, but. 708 00:40:15,160 --> 00:40:19,680 Speaker 3: We probably made fifteen barks. It was a lot of money. 709 00:40:20,880 --> 00:40:25,239 Speaker 2: It's also also is just a statement to the age 710 00:40:25,280 --> 00:40:27,400 Speaker 2: old thing, which is also proven by stand by me 711 00:40:27,480 --> 00:40:29,960 Speaker 2: that kids just want to see dead bodies and I 712 00:40:29,960 --> 00:40:33,399 Speaker 2: don't know why and they're weird, but here we are. 713 00:40:34,160 --> 00:40:36,680 Speaker 2: Kids will be like I will go on a three 714 00:40:36,760 --> 00:40:38,320 Speaker 2: day hike to go see a dead body. 715 00:40:38,840 --> 00:40:41,839 Speaker 3: My brother. My brother had the best one liners too, 716 00:40:42,520 --> 00:40:45,800 Speaker 3: Like my dad never went to the dentist his entire life. 717 00:40:46,000 --> 00:40:48,800 Speaker 3: So like every year we'd see a picture of my 718 00:40:48,920 --> 00:40:52,000 Speaker 3: dad and a family photo, we go, he's missing another tooth, 719 00:40:53,520 --> 00:40:56,320 Speaker 3: that one's gone, Like, let's like here's last year the 720 00:40:56,360 --> 00:41:00,680 Speaker 3: tooth was there, right, My dad. I don't know why 721 00:41:00,760 --> 00:41:03,440 Speaker 3: my dad was terrified of doctors and dentists, but he 722 00:41:03,480 --> 00:41:05,279 Speaker 3: never went to a dentist's entire life. 723 00:41:05,360 --> 00:41:05,600 Speaker 4: Right. 724 00:41:06,080 --> 00:41:12,280 Speaker 3: So, one year, my nephew, Taylor is born. He's a baby, 725 00:41:12,320 --> 00:41:16,799 Speaker 3: and my dad's holding him, and my dad sneezes, and 726 00:41:16,840 --> 00:41:20,360 Speaker 3: my brother said, you better check Taylor's forehead for teeth. 727 00:41:24,320 --> 00:41:28,320 Speaker 3: I remember my dad getting so mad, but he couldn't 728 00:41:28,360 --> 00:41:30,160 Speaker 3: mention anything about it because it was like the thing 729 00:41:30,200 --> 00:41:34,160 Speaker 3: you never talked about. But I remember me and my 730 00:41:34,280 --> 00:41:37,680 Speaker 3: sisters laughing. We couldn't. We had to walk out of 731 00:41:37,719 --> 00:41:41,759 Speaker 3: the room because it was so funny. But my dad 732 00:41:41,800 --> 00:41:44,200 Speaker 3: and my brother had a kind of a weird laurel 733 00:41:44,239 --> 00:41:48,839 Speaker 3: and hearty dynamic where they were always making jokes and 734 00:41:48,880 --> 00:41:52,439 Speaker 3: cutting each other down. But it was hysterical. So every 735 00:41:52,520 --> 00:41:54,719 Speaker 3: year at Thanksgiving, my dad would wait till there was 736 00:41:54,760 --> 00:41:57,920 Speaker 3: a quiet moment and he'd go, boy, this is really nice. 737 00:41:58,160 --> 00:42:00,839 Speaker 3: You know, I'm probably not going to be here next year, 738 00:42:01,040 --> 00:42:04,239 Speaker 3: but you know what, Thank goodness, you know I got 739 00:42:04,239 --> 00:42:06,960 Speaker 3: to spend this Thanksgiving with you guys and my brother 740 00:42:07,040 --> 00:42:10,960 Speaker 3: without missing a beat, says dad. Look when it finally happens, 741 00:42:11,000 --> 00:42:13,200 Speaker 3: can you just make sure it's on a Thursday, so 742 00:42:13,280 --> 00:42:19,160 Speaker 3: I can set you out with the garbage, you know. 743 00:42:19,320 --> 00:42:23,440 Speaker 2: But it was just, you know, very shark right right. 744 00:42:23,400 --> 00:42:27,600 Speaker 3: Funny, weird family, you know somebody. The time I met Bob, 745 00:42:27,719 --> 00:42:29,800 Speaker 3: I was like, oh, I got. 746 00:42:29,600 --> 00:42:31,240 Speaker 2: This right, Yeah exactly. 747 00:42:31,560 --> 00:42:31,840 Speaker 3: Yeah. 748 00:42:31,960 --> 00:42:34,040 Speaker 2: See I make jokes like that. My mom's like this, 749 00:42:34,320 --> 00:42:37,600 Speaker 2: what is something's wrong with you? Something is wrong with you? 750 00:42:37,680 --> 00:42:37,879 Speaker 4: Yeah. 751 00:42:37,920 --> 00:42:40,239 Speaker 3: My dad would always say, Dave, you got a screw loose. 752 00:42:41,120 --> 00:42:44,520 Speaker 2: Yeah, yeah's I'm wrong with you. But yeah my mom, 753 00:42:44,760 --> 00:42:47,000 Speaker 2: I didn't that. I wouldn't have joked like that. I 754 00:42:47,040 --> 00:42:51,840 Speaker 2: go now, but it's funny. Yeah, oh, thank you. So 755 00:42:52,000 --> 00:42:53,719 Speaker 2: this was such a great I could just talk to 756 00:42:53,719 --> 00:42:55,960 Speaker 2: you for hours sitting here in the rain. We already have, 757 00:42:57,000 --> 00:42:59,920 Speaker 2: I then, yes we have, but we love you and 758 00:43:00,239 --> 00:43:03,799 Speaker 2: we can't wait to do your show. Do you want 759 00:43:03,800 --> 00:43:05,239 Speaker 2: to tell people where they can find it. 760 00:43:06,120 --> 00:43:08,840 Speaker 3: You can find us on YouTube at full House, rewind 761 00:43:09,960 --> 00:43:11,760 Speaker 3: or wherever you get your podcasts. 762 00:43:12,239 --> 00:43:14,080 Speaker 2: It's every fantastic. 763 00:43:13,680 --> 00:43:16,520 Speaker 3: And I can't wait for you for you guys to 764 00:43:16,520 --> 00:43:18,239 Speaker 3: come do the show. I can't wait to just see 765 00:43:18,280 --> 00:43:22,000 Speaker 3: you guys because we have I know always it's. 766 00:43:21,960 --> 00:43:23,719 Speaker 2: Very hard you living all the way in Michigan. Now 767 00:43:23,840 --> 00:43:25,160 Speaker 2: because I used to see you a lot more. 768 00:43:25,160 --> 00:43:27,040 Speaker 3: Well, you have to come and see this place. It's 769 00:43:27,080 --> 00:43:28,120 Speaker 3: pretty extraordinary. 770 00:43:28,239 --> 00:43:31,000 Speaker 2: I will say that the giant bathroom house. I can't wait. 771 00:43:31,640 --> 00:43:32,840 Speaker 1: I'm coming just for the beidays. 772 00:43:34,160 --> 00:43:36,000 Speaker 3: Yes, many different. 773 00:43:35,800 --> 00:43:37,879 Speaker 2: One each day, I have to say at least a week. 774 00:43:38,320 --> 00:43:45,840 Speaker 3: Yes, Yes, you can use a new toilet here every day. 775 00:43:43,480 --> 00:43:48,560 Speaker 2: Yeah, I'm so glad. We ended on the same note 776 00:43:48,560 --> 00:43:50,560 Speaker 2: that we started, which was toilet. 777 00:43:51,200 --> 00:43:54,319 Speaker 3: Ye. Yes, welcome to this version of out house. Yes. 778 00:43:55,520 --> 00:43:56,919 Speaker 3: I love you guys so much. 779 00:43:57,120 --> 00:43:58,640 Speaker 1: I love you. 780 00:43:58,640 --> 00:43:59,840 Speaker 2: Go have fun in your tractor. 781 00:44:00,080 --> 00:44:04,040 Speaker 3: The tractors right outside, so yes, get that stuff done. 782 00:44:05,160 --> 00:44:07,680 Speaker 2: And tell tell Mel we said hello and we love her, 783 00:44:07,760 --> 00:44:10,839 Speaker 2: and send big hugs and we will see you soon 784 00:44:11,000 --> 00:44:11,520 Speaker 2: in person. 785 00:44:11,680 --> 00:44:12,480 Speaker 1: Okay, can't wait. 786 00:44:13,920 --> 00:44:21,239 Speaker 2: Bye bye. That interview went exactly as as I thought 787 00:44:21,239 --> 00:44:25,520 Speaker 2: it would, which was hilarious, but also I'm I don't 788 00:44:25,520 --> 00:44:26,120 Speaker 2: know what we did. 789 00:44:26,920 --> 00:44:28,200 Speaker 1: I can't tell you a thing we talked about. 790 00:44:28,480 --> 00:44:33,600 Speaker 2: I'm lost now. If you want to follow us on Instagram, 791 00:44:33,640 --> 00:44:36,279 Speaker 2: you can check us out at Howard Podcast. You can 792 00:44:36,320 --> 00:44:39,120 Speaker 2: also send us an email at Howard podcast at gmail 793 00:44:39,200 --> 00:44:42,520 Speaker 2: dot com. Make sure and like and subscribe to the podcast. 794 00:44:42,560 --> 00:44:46,000 Speaker 2: So we can keep bringing you more hilariously fun, ridiculous 795 00:44:46,120 --> 00:44:49,759 Speaker 2: full house recaps and mini sodes. Also send us your 796 00:44:49,800 --> 00:44:51,879 Speaker 2: questions for many sodes. We love to hear those two 797 00:44:52,400 --> 00:44:56,880 Speaker 2: uh and so remember, everybody, until next time. The house 798 00:44:57,000 --> 00:45:02,000 Speaker 2: is not I got overconfident, you're so overcome. The world 799 00:45:02,080 --> 00:45:03,959 Speaker 2: is small, but the house is full. 800 00:45:04,960 --> 00:45:06,640 Speaker 1: I knew you couldn't do too many in a row. 801 00:45:07,080 --> 00:45:08,480 Speaker 2: That's what. Yeah, that yet yeh 802 00:45:16,480 --> 00:45:16,880 Speaker 3: Mhm