WEBVTT - Conversations About Ageism In Hip Hop

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<v Speaker 1>What's up? And welcome back to another episode of No

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<v Speaker 1>Sealer's Podcast with your hosts now fuck that with your

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<v Speaker 1>load glasses Malone. So gonna tell me about that bomb

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<v Speaker 1>you had it for LLL on tape so everybody can

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<v Speaker 1>hear it, including LF.

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<v Speaker 2>All right LLL, so L what about fifty three four

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<v Speaker 2>something like that?

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<v Speaker 1>Now pretty close?

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<v Speaker 3>So he wants to fifty six fifty seven? Cool? Cool? Cool.

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<v Speaker 2>He's been a millionaire about thirty years now, thirty five years.

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<v Speaker 1>Probably longer than that, longer than that. Y's probably been

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<v Speaker 1>a millionaire for about they're in there forty yeah, thirty

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<v Speaker 1>five years. That's probably way because he was getting money.

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<v Speaker 1>He's been getting money for forty years. But he probably

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<v Speaker 1>became a millionaire thirty five years. That's fair.

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<v Speaker 2>Yeah. So he's he wants to still lay down tracks

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<v Speaker 2>and shit. So what's he going to talk about? Like

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<v Speaker 2>how he doesn't like his new driving lawnmower, so we

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<v Speaker 2>had to hire landscapers. So what's the new single. I'll

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<v Speaker 2>let him source you out. Ma'm gonna say, source you out.

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<v Speaker 3>I don't actually think so, bro. I think it has

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<v Speaker 3>a valid point, man. I think that people should rap

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<v Speaker 3>as long as they want to.

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<v Speaker 1>Okay, listen, Steve, before we talk about this, before you

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<v Speaker 1>get on no ceilings. We don't do no political correct

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<v Speaker 1>shit over here.

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<v Speaker 3>It is I think people should rap as long as

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<v Speaker 3>they fucking want you.

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<v Speaker 1>I'm not talking about that I'm saying, but the way

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<v Speaker 1>your voice sounds, he sounded like Steven a fucking Smith,

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<v Speaker 1>because that's not what No Killings is.

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<v Speaker 3>I sound like a podcaster. I sound like.

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<v Speaker 1>This is not for podcasters. Me and Pete are literally

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<v Speaker 1>two motherfucking people from different corners of the earth having

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<v Speaker 1>a great conversation. So we don't have like that professional.

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<v Speaker 1>Lose that professional. Keep that shit for gangster rap chronicles.

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<v Speaker 1>You and eight y'all talk professional. This is the motherfucking barbershop.

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<v Speaker 3>Okay for sure, No eight damn sure, don't talk professional.

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<v Speaker 1>Like a professional. Eight No A be like he don't

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<v Speaker 1>want to talk shit about nobody. A be like super

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<v Speaker 1>like he's a consummant professional, all.

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<v Speaker 2>Heated argument on the blue line. That's what this is.

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<v Speaker 1>This is what this is. Right at the motherfucking Rosa

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<v Speaker 1>Parks Metro station, right at the coy.

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<v Speaker 3>M C. Eight has definitely missed it politically correct. He

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<v Speaker 3>don't want to offend nobody. He don't want to say

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<v Speaker 3>nothing bad about nobody, and you too, So that's I

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<v Speaker 3>don't got no problem with talking about a motherfucker.

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<v Speaker 1>Yeah, because you just came in here with that bullshit.

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<v Speaker 1>Ask Steven A Skip.

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<v Speaker 2>Has rubbed off on you like butter or like foundation

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<v Speaker 2>on my shirt?

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<v Speaker 3>No, no, no, no, I definitely will express whatever is on

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<v Speaker 3>my mind. I will.

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<v Speaker 1>So now tell us again what you were saying about rapping,

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<v Speaker 1>and now we're listening.

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<v Speaker 3>I think as long as the person wants to think,

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<v Speaker 3>as long as an individual wants to rap, he should rap.

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<v Speaker 3>If you don't want to wrap no more, don't wrap

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<v Speaker 3>no more. I don't think egg should ever have nothing

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<v Speaker 3>to do with it. As long as you got bars now,

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<v Speaker 3>I think if you start getting trash, you should put

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<v Speaker 3>that motherfucker mic down.

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<v Speaker 1>Like who got trash?

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<v Speaker 2>I said? Are you a gangster rapper drinking at Starbucks latte?

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<v Speaker 2>Is that what's happening over there?

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<v Speaker 3>No?

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<v Speaker 1>I don't even what's crazy is I've never drank coffee

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<v Speaker 1>in my life.

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<v Speaker 2>I couldn't. It was just I just had to. I

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<v Speaker 2>just had to.

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<v Speaker 1>No, no, no, what funny is?

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<v Speaker 3>Right?

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<v Speaker 1>Is I drink all of the black teas. So like,

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<v Speaker 1>so every day, every morning because I wake up or

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<v Speaker 1>like the first thing I try to do. Because I

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<v Speaker 1>started eating one time of day. Right, this makes seventy days.

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<v Speaker 1>Seventy one days. I've been eating once a day, you

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<v Speaker 1>know what I mean, between four thirty and eight thirty.

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<v Speaker 1>So I try to start, you know, before I eat,

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<v Speaker 1>I drink like a hot black tea with honey, you

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<v Speaker 1>know what I mean.

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<v Speaker 2>Too good for the white teas.

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<v Speaker 1>I don't know if they got white tea cause, but

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<v Speaker 1>that's a great point.

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<v Speaker 3>I just love how those ceilings ask you a question

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<v Speaker 3>on the show, then they go to talking about fucking

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<v Speaker 3>coffee and teas and shit out, yeah.

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<v Speaker 1>Because we don't got that kind of professional shit with

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<v Speaker 1>y'all sit up there in Arsenior Hall. This ain't Arsenio Hall,

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<v Speaker 1>my nigga. This is the motherfucking barbershop. So he was

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<v Speaker 1>asking me about my tea because he knows that would

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<v Speaker 1>be kind of soft for a nigga be drinking lattes.

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<v Speaker 1>And I'm restling of my man Pete that this is

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<v Speaker 1>a black tea. This is an earl gray black tea. Right,

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<v Speaker 1>So I drink chai. The English Royal Breakfast and the

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<v Speaker 1>Earl Gray black tea.

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<v Speaker 2>Gray, it sounds like an old R and B singer

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<v Speaker 2>from the seventies.

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<v Speaker 1>I like, it's sounds like you do buy some fire song.

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<v Speaker 3>Yeah, Earl Gray is actually a really good tea.

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<v Speaker 1>See, and I don't know because you've been to England

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<v Speaker 1>as It's funny because this conversation is dope because we

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<v Speaker 1>really get to say but you know, because you've been

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<v Speaker 1>over there and probably really got Earl Gray from the

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<v Speaker 1>nigga who made Earl Gray. That's like my dad yesterday

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<v Speaker 1>he was telling me he knew Bill from Bill's Taco

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<v Speaker 1>I was like, that's crazy because Bill's Taco to us

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<v Speaker 1>is just like this spot that said these tacos with

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<v Speaker 1>gravy and hamburger Patty's. But that nigga actually knew Bill.

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<v Speaker 3>There's something yeah.

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<v Speaker 1>So yeah, so before I eat, So I'm gonna eat

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<v Speaker 1>at four four thirty as soon as we finish this podcast,

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<v Speaker 1>i'mna eat. You know what I'm eating for today? And

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<v Speaker 1>then I end every night with a U in the middle.

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<v Speaker 1>I usually drink a bird Dock tea and then at

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<v Speaker 1>night I drank a peppermint tea.

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<v Speaker 3>Lovely.

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<v Speaker 1>So I've been drinking three t's a day, really just

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<v Speaker 1>to balance my stomach.

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<v Speaker 3>So you you asked me who has gotten trash in

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<v Speaker 3>the older years.

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<v Speaker 1>No, we didn't really want to answer to that.

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<v Speaker 3>Well, I can tell you the answer to it, but

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<v Speaker 3>that's just my opinion answer. I would ask the question,

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<v Speaker 3>answer the question. I'm not gonna say necessarily trash. But

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<v Speaker 3>I think once you start attaining a certain level of success,

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<v Speaker 3>you can't talk about the same shit you used to

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<v Speaker 3>talk about because you don't have them same inspirations. I

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<v Speaker 3>don't think Cubs as potent as he once was. You know,

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<v Speaker 3>cubanous man.

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<v Speaker 2>Is ducking this conversation almost like pleading the Fifth Ward Amendment.

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<v Speaker 1>Definitely, But but this is so Q specifically right, and

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<v Speaker 1>this is important even talking about somebody that's that's came

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<v Speaker 1>up and them seeing So this is what I think

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<v Speaker 1>happened with Ice Q. I think Ice cute. You know

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<v Speaker 1>what's crazy. I always say this. I don't think Snoop

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<v Speaker 1>gets enough credit for what he's done in hip hop

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<v Speaker 1>and me and you have had this argument still behind

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<v Speaker 1>closed doors a million Timeste. You kind of know where

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<v Speaker 1>I feel, and I've said this multiple times. I think

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<v Speaker 1>Snoop Dogg is the greatest hip hop artists. People thought

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<v Speaker 1>this because he was a crib or we some kind

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<v Speaker 1>of friendly. Like me and Snoop's relationship really just kind

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<v Speaker 1>of came into a place to where I feel like,

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<v Speaker 1>you know, he cares if I'm successful or not. I

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<v Speaker 1>really didn't think Snoop gave two fucks about me when

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<v Speaker 1>I came up, so it didn't matter that I was

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<v Speaker 1>a crip or he knew my older homies, none of that. Like,

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<v Speaker 1>he didn't really show any interest and to none of

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<v Speaker 1>us when we came up in two thousand and five, six, seven, eight,

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<v Speaker 1>You know what I'm saying. But I think when Snoop

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<v Speaker 1>stepped in the game, a lot of the ways we

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<v Speaker 1>looked at him scene right. He put a different pressure

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<v Speaker 1>on every artist to change how they mc and to

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<v Speaker 1>become better songwriters. Like Snoop is one of the first

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<v Speaker 1>artists right when he first came about that he was

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<v Speaker 1>like a complete songwriter. And don't get me wrong, obviously

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<v Speaker 1>DC is a huge you know, like training wheels for Snoop,

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<v Speaker 1>Like DC kept him in you know, the pockets and

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<v Speaker 1>explaining songwriting bars and all the completeness that makes a

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<v Speaker 1>really great rap record, a great rap record, But Snoop

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<v Speaker 1>innately was that outside of the fact he was skilled.

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<v Speaker 1>So I think when we remember hearing Cube from you know,

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<v Speaker 1>obviously eighty seven to ninety two, we heard this super

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<v Speaker 1>consonant EMC that was influenced by you know, EASYE and

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<v Speaker 1>writing for him and the things that he was saying

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<v Speaker 1>for Easy and then Chuck D. But I think when

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<v Speaker 1>Cube came about, Cube, I'm excuse me, when Snoop came

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<v Speaker 1>about it started putting pressure on on Cube to become

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<v Speaker 1>a much better songwriter, you know what I mean. And

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<v Speaker 1>I think, obviously, what year did the Predator come out?

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<v Speaker 3>The Predator? No, not bro you a little, That's that's Desertalian.

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<v Speaker 3>Let me see the Predator.

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<v Speaker 1>So the reason I'm saying that is because Snoop started

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<v Speaker 1>putting pressure on everything moving in hip hop to become

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<v Speaker 1>a better songwriter. Hell you start looking at the ship nah,

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<v Speaker 1>start doing like he you know, follow that with if

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<v Speaker 1>I Ruled the World, you know, I mean on the

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<v Speaker 1>next album. Because Snoop was so paramount as far as

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<v Speaker 1>the business went. When it came to retail, he was

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<v Speaker 1>on top because he was like this really smooth m

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<v Speaker 1>seed that gave you glimpses of special ed but like

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<v Speaker 1>still kind of sharp, funny, and he still had a

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<v Speaker 1>really good voice when he did his hooks. So I

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<v Speaker 1>think we watched QB develop a lot. We watched QB

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<v Speaker 1>be this really sharp MC right, and that's what we got.

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<v Speaker 1>This Snoop comes along and then he evolves into a

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<v Speaker 1>much better songwriter. So I think we're looking at a

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<v Speaker 1>style that's been through so many changes in the completeness

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<v Speaker 1>that you know, I think shit has just got to

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<v Speaker 1>a place where now is like I'm just writing songs.

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<v Speaker 3>Well. I don't know if if Snoop is necessarily like

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<v Speaker 3>if he put pressure on cue lyrically about everybody, but

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<v Speaker 3>Snoop is, for damn sure the biggest superstar ever in

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<v Speaker 3>the rap in hip hop period. I don't even know

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<v Speaker 3>if it's nobody close, you know, because the impact he had.

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<v Speaker 3>You think about it. How many years now he came

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<v Speaker 3>in maybe ninety one, ninety two, and he's still just

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<v Speaker 3>as relevant as you know, as ever. You know, he's

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<v Speaker 3>always he definitely always a step away from putting out

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<v Speaker 3>another monster record, Like you remember how he just transitioned.

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<v Speaker 3>He put out Sexual Seduction and sexual subduction record and

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<v Speaker 3>that fuck work. It was a dope as record.

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<v Speaker 1>So this is no Sillings gl in the house. My

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<v Speaker 1>nigga Peter Bosh as usual doing what we do. My

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<v Speaker 1>big brother Norman still jumping in. Back to the business.

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<v Speaker 1>I look at Snoop like McDonald's like, like, if gangster

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<v Speaker 1>rap is burgers and fries, right, ice tea would be

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<v Speaker 1>like Ice Tea would be like those diners you know

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<v Speaker 1>that you would drive up to in the forties and

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<v Speaker 1>the thirties that had burgers and fries, but they had

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<v Speaker 1>other shit on the menu, but they had burgers and

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<v Speaker 1>fries and they realized everything.

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<v Speaker 3>Huh with thick ass milk shakes.

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<v Speaker 1>Yeah, that's iced t. Ice T is the first person

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<v Speaker 1>to me that made people realize there was some value

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<v Speaker 1>in gangster rap. You know, I mean not talking about

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<v Speaker 1>shout out to school. He d shout out to everybody

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<v Speaker 1>before Ice. But I'm saying the guys to me who

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<v Speaker 1>didn't talk about m seeing, who didn't talk about what

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<v Speaker 1>their DJ was doing. It was like, no, this is

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<v Speaker 1>what's happening with me and my homies. There is no

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<v Speaker 1>DJ out here, There is no mc This is just

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<v Speaker 1>the life we live, which is the birth of six

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<v Speaker 1>in the morning. And I think iced T is the

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<v Speaker 1>first guy you know and hip hop that made you

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<v Speaker 1>see value in that reality rap, you know, gangster rap,

0:11:04.920 --> 0:11:07.480
<v Speaker 1>that life of you know, where you're not just a

0:11:07.559 --> 0:11:10.040
<v Speaker 1>victim of crime or crime is not happening around you,

0:11:10.120 --> 0:11:12.320
<v Speaker 1>but you are participanting. You like, I'm just gonna do

0:11:12.360 --> 0:11:16.079
<v Speaker 1>what it take to survive and get ahead. So he's

0:11:16.120 --> 0:11:18.719
<v Speaker 1>like those diners to me, that really realized there was

0:11:18.760 --> 0:11:21.360
<v Speaker 1>going to be business in burgers and fries, burgers and

0:11:21.400 --> 0:11:27.880
<v Speaker 1>fries being gangster rap, ice Cube is Whitecastle. He was like, Yo,

0:11:28.000 --> 0:11:32.520
<v Speaker 1>I'm not gonna even sell nothing else but burgers and fries.

0:11:33.480 --> 0:11:35.920
<v Speaker 1>You know, that's it. I'm not I don't need to

0:11:35.960 --> 0:11:38.880
<v Speaker 1>do nothing else but burgers and fries and ice Cube

0:11:39.679 --> 0:11:45.640
<v Speaker 1>to me, really, you know, as you know that guy

0:11:45.679 --> 0:11:50.200
<v Speaker 1>in gangster rap, he understood how valuable it would be

0:11:50.280 --> 0:11:54.560
<v Speaker 1>in the future. Snoop came along and really changed the

0:11:54.559 --> 0:11:57.760
<v Speaker 1>way we see burgers and fries completely, you know what

0:11:57.800 --> 0:12:01.080
<v Speaker 1>I'm saying. And the reason I called him McDonald's because

0:12:01.120 --> 0:12:04.240
<v Speaker 1>McDonald's built their whole empire off making burgers and fries

0:12:04.720 --> 0:12:07.360
<v Speaker 1>fast and disposable. You could just eat them outside that

0:12:07.520 --> 0:12:10.000
<v Speaker 1>come in ninety seconds, you could walk, eat it, throw

0:12:10.000 --> 0:12:13.080
<v Speaker 1>it away gone. That's Snoop. Snoop made that type of

0:12:13.160 --> 0:12:16.320
<v Speaker 1>gangster rap where it was like it was just un

0:12:17.760 --> 0:12:19.440
<v Speaker 1>like you needed it, you know what I mean. It

0:12:19.480 --> 0:12:24.559
<v Speaker 1>became almost like a social currency to listen to Snoop. Right,

0:12:25.360 --> 0:12:28.640
<v Speaker 1>But Snoop also was that same business that over the years. Man,

0:12:28.679 --> 0:12:31.319
<v Speaker 1>he's been able to sell you everything. You know, if

0:12:31.400 --> 0:12:35.120
<v Speaker 1>gospel you know, that's par phase, you know, pimp rap,

0:12:35.320 --> 0:12:37.760
<v Speaker 1>you know, chicken nuggets, you know what I mean. This

0:12:37.840 --> 0:12:41.040
<v Speaker 1>motherfucker could sell anything when it comes to music, like

0:12:41.160 --> 0:12:46.920
<v Speaker 1>McDonald's could sell anything when it comes to food. What

0:12:47.080 --> 0:12:48.000
<v Speaker 1>made you quit rapping?

0:12:48.040 --> 0:12:48.400
<v Speaker 3>Big bro?

0:12:48.520 --> 0:12:51.679
<v Speaker 1>Like you know what's funny, I've never asked you that. Like, right,

0:12:51.720 --> 0:12:54.920
<v Speaker 1>I remember you got the job at the publishing company, right,

0:12:56.160 --> 0:12:59.959
<v Speaker 1>so I remember that was paying you before that. I'm

0:13:00.000 --> 0:13:02.440
<v Speaker 1>remember you know obviously us going around the country, taking

0:13:02.440 --> 0:13:03.240
<v Speaker 1>me out of the country.

0:13:03.320 --> 0:13:05.800
<v Speaker 3>I never stopped rapping, No, yes you did.

0:13:06.280 --> 0:13:08.040
<v Speaker 1>I just don't never stop writing.

0:13:08.360 --> 0:13:11.920
<v Speaker 3>I never. But the thing was, Man, to be honest

0:13:11.960 --> 0:13:14.480
<v Speaker 3>with you, I think after do tell me the truth. No,

0:13:14.559 --> 0:13:16.600
<v Speaker 3>I'll be honest with you. I'll be to be honest

0:13:16.640 --> 0:13:19.800
<v Speaker 3>with you, I stopped rapping bro because I found other

0:13:19.840 --> 0:13:22.520
<v Speaker 3>ways to express my creativity that were more fulfilling than

0:13:22.559 --> 0:13:25.120
<v Speaker 3>me now where I'm at in life. You understand what

0:13:25.160 --> 0:13:26.280
<v Speaker 3>I mean, like I.

0:13:26.240 --> 0:13:27.000
<v Speaker 1>Mean back then?

0:13:27.840 --> 0:13:31.920
<v Speaker 3>Well, what made me stop rapping bro? Honestly as far

0:13:31.960 --> 0:13:34.520
<v Speaker 3>as releasing the albums? Because I never stopped writing, you know,

0:13:34.559 --> 0:13:37.240
<v Speaker 3>I never stopped. I just got to rapped this morning,

0:13:37.280 --> 0:13:39.360
<v Speaker 3>you know. Actually I always see my play sharp, you know.

0:13:39.360 --> 0:13:42.240
<v Speaker 3>I don't think it Soldier ever stopped. You know, are

0:13:42.280 --> 0:13:44.000
<v Speaker 3>sharp in his blade even though he ain't going toward

0:13:44.080 --> 0:13:45.440
<v Speaker 3>no more, he still stay ready. You know.

0:13:46.120 --> 0:13:48.680
<v Speaker 1>But when is the last time you recorded a song?

0:13:49.200 --> 0:13:54.120
<v Speaker 3>The last time I recorded a song? Shit, man, damn

0:13:54.440 --> 0:13:58.120
<v Speaker 3>two thousand, maybe twenty eleven.

0:14:00.120 --> 0:14:04.840
<v Speaker 1>That's crazy to think you haven't recorded the song since

0:14:04.840 --> 0:14:06.439
<v Speaker 1>two thoy level you nice nig.

0:14:07.080 --> 0:14:09.079
<v Speaker 3>But I've wrote a whole lot of raps though, dog,

0:14:09.160 --> 0:14:10.920
<v Speaker 3>with a lot of brilliant raps. And actually I'm thinking

0:14:10.920 --> 0:14:12.719
<v Speaker 3>about recording some raps because I want to dim on

0:14:12.760 --> 0:14:16.040
<v Speaker 3>the mouth for people now. I really want to demo

0:14:16.120 --> 0:14:18.320
<v Speaker 3>some stuff out of people. And I don't never think

0:14:18.360 --> 0:14:21.560
<v Speaker 3>you ever truly stopped rapping, man. You know, rapping becomes

0:14:21.600 --> 0:14:23.320
<v Speaker 3>like you eating every day dog.

0:14:23.560 --> 0:14:28.480
<v Speaker 1>No, not not writing, rapping, going in there cutting the record.

0:14:28.800 --> 0:14:31.160
<v Speaker 3>Well you talk about actually the active recording. I still

0:14:31.200 --> 0:14:32.080
<v Speaker 3>bust my rhymes.

0:14:32.120 --> 0:14:40.520
<v Speaker 1>I still look not shadow boxingar getting in there and recording. Right,

0:14:40.600 --> 0:14:43.560
<v Speaker 1>So did you ever feel like you was getting like, Oh,

0:14:43.600 --> 0:14:45.600
<v Speaker 1>I'm I'm getting too old to make this shit happen

0:14:45.680 --> 0:14:48.400
<v Speaker 1>the way I want to as far as professionally.

0:14:48.080 --> 0:14:50.280
<v Speaker 3>You know what, man, you gotta remember the era I

0:14:50.320 --> 0:14:53.120
<v Speaker 3>came in. It was different now like now we in

0:14:53.160 --> 0:14:55.600
<v Speaker 3>the fifty years of hip hop. Right, so you got

0:14:55.600 --> 0:14:57.680
<v Speaker 3>a whole bunch of old motherfuckers out there rapping it

0:14:57.800 --> 0:15:00.800
<v Speaker 3>sound nice too, sound good, look good, and every thing else. Right.

0:15:01.560 --> 0:15:05.800
<v Speaker 3>I think my thing was this, bro, I'm not gonna lie.

0:15:06.400 --> 0:15:10.200
<v Speaker 3>When you become older, especially back then, motherfuckers look at

0:15:10.200 --> 0:15:11.840
<v Speaker 3>you like he was crazy. If you're telling me you

0:15:11.880 --> 0:15:15.640
<v Speaker 3>wrap you feel what I'm saying, they look at you

0:15:15.680 --> 0:15:17.440
<v Speaker 3>like you like like like what the fuck? Like niggas

0:15:17.440 --> 0:15:19.040
<v Speaker 3>you ain't about to go get your ass a job,

0:15:19.080 --> 0:15:21.320
<v Speaker 3>but talk about you rep But they don't. They're not

0:15:21.440 --> 0:15:24.560
<v Speaker 3>necessarily especially if they're not familiar with your brand. Now,

0:15:24.760 --> 0:15:27.320
<v Speaker 3>to the people that knew me from my I was.

0:15:27.280 --> 0:15:30.320
<v Speaker 1>Gonna say this, you nigga, You the same age as

0:15:30.400 --> 0:15:33.800
<v Speaker 1>Dog you snoop age. That's your era of guys. You

0:15:33.840 --> 0:15:36.400
<v Speaker 1>were close to that, you know, you between cube and

0:15:36.400 --> 0:15:38.560
<v Speaker 1>corrupting them. Y'all all born around the same time.

0:15:38.800 --> 0:15:40.680
<v Speaker 3>See that's the thing. You though them niggas had monster

0:15:40.720 --> 0:15:42.840
<v Speaker 3>ass records. I never had a monster record.

0:15:42.880 --> 0:15:44.680
<v Speaker 1>So you felt like you hadn't accomplished.

0:15:45.400 --> 0:15:48.120
<v Speaker 3>Yeah, I hadn't accomplished what I wanted to so far

0:15:48.360 --> 0:15:51.320
<v Speaker 3>in the business, but I did kind of accomplish. I

0:15:51.360 --> 0:15:53.040
<v Speaker 3>got to see the world. Man, I got to buy

0:15:53.040 --> 0:15:53.360
<v Speaker 3>behind that.

0:15:53.640 --> 0:15:58.239
<v Speaker 1>Shipload of money. You know what I'm saying, Pep motherfuckers

0:15:58.280 --> 0:16:01.120
<v Speaker 1>because we be an other countries, because motherfuckers be rapping

0:16:01.120 --> 0:16:05.960
<v Speaker 1>this nigga shit. Bro, you used to be unbelievable, But

0:16:06.120 --> 0:16:10.000
<v Speaker 1>you just felt like that part. The way I feel

0:16:10.000 --> 0:16:12.120
<v Speaker 1>about it, the way I look at that age part,

0:16:12.240 --> 0:16:14.400
<v Speaker 1>you know what I mean, is I feel like I

0:16:14.440 --> 0:16:17.760
<v Speaker 1>always joke with Still or anybody else like I feel like,

0:16:17.760 --> 0:16:20.920
<v Speaker 1>as long as you have your thorns, you know, as

0:16:20.920 --> 0:16:23.480
<v Speaker 1>a roles, you find the problem is when you start

0:16:23.720 --> 0:16:26.200
<v Speaker 1>losing your thorns, Because to me, hip hop is very

0:16:26.280 --> 0:16:29.480
<v Speaker 1>much like the upside down, you know what I mean?

0:16:29.560 --> 0:16:33.760
<v Speaker 1>And stranger things. It's like this parallel universe of where

0:16:33.800 --> 0:16:37.440
<v Speaker 1>you're giving people hip hop, not rap, because rap is mainstream,

0:16:37.800 --> 0:16:40.320
<v Speaker 1>like Debbie Harry was rapping a seventy nine on a

0:16:40.320 --> 0:16:45.960
<v Speaker 1>Blondie recorder. But hip hop, you know, street urban culture

0:16:45.960 --> 0:16:50.560
<v Speaker 1>express through art really requires you know what I mean.

0:16:51.320 --> 0:16:56.479
<v Speaker 1>It's not youth that powers it, right, it's almost inexperience,

0:16:56.600 --> 0:16:58.680
<v Speaker 1>like when you're stuck in the hood and this is

0:16:58.720 --> 0:17:01.320
<v Speaker 1>your conversation, you know what I mean. So your lingo

0:17:01.480 --> 0:17:04.679
<v Speaker 1>is fitting of the small places you've been around, and

0:17:04.720 --> 0:17:06.880
<v Speaker 1>people hear it and they feel like it represents them

0:17:06.920 --> 0:17:10.680
<v Speaker 1>in another ghetto, or somebody hears it in Middle America

0:17:10.720 --> 0:17:14.360
<v Speaker 1>and be like, damn, this is like really with somebody's life. Like, so,

0:17:14.440 --> 0:17:18.679
<v Speaker 1>I don't think. I think the reason agism even came about,

0:17:18.800 --> 0:17:22.119
<v Speaker 1>cousin hip hop was because people grow up, get good jobs,

0:17:22.119 --> 0:17:26.560
<v Speaker 1>and they no longer live and express themselves through street

0:17:26.680 --> 0:17:27.680
<v Speaker 1>urban art measures.

0:17:27.760 --> 0:17:29.400
<v Speaker 3>And that's a big part of it. Bro, I lost

0:17:29.440 --> 0:17:33.000
<v Speaker 3>my thorns like you talk about lost your thorns, And really.

0:17:34.720 --> 0:17:36.960
<v Speaker 1>The funny part is you feel how you feel about

0:17:37.000 --> 0:17:41.840
<v Speaker 1>where how successful you wasn't in comparison to your classmates, right,

0:17:41.880 --> 0:17:45.960
<v Speaker 1>your peers but literally, you became successful. When I first

0:17:46.000 --> 0:17:48.800
<v Speaker 1>met you. You owned your own house, You already had

0:17:48.920 --> 0:17:53.199
<v Speaker 1>some cars, you already went through passports, You was making money.

0:17:54.280 --> 0:17:56.480
<v Speaker 1>This success is probably more.

0:17:57.840 --> 0:17:59.280
<v Speaker 3>The success is more.

0:18:00.760 --> 0:18:03.680
<v Speaker 1>Was it more detriment to your hip hop career than

0:18:03.720 --> 0:18:04.320
<v Speaker 1>your age?

0:18:05.400 --> 0:18:07.400
<v Speaker 3>You know what? Bro, I actually feel like I don't

0:18:07.440 --> 0:18:08.440
<v Speaker 3>think not.

0:18:08.400 --> 0:18:10.119
<v Speaker 1>To cut you off, but let me say this. I

0:18:10.160 --> 0:18:13.000
<v Speaker 1>don't because being your friend and being one hundred because

0:18:13.040 --> 0:18:16.399
<v Speaker 1>we in a barbershop, right, like we didn't have his

0:18:16.440 --> 0:18:21.359
<v Speaker 1>barber shop. I never thought you wasn't ever dope. Like

0:18:21.400 --> 0:18:24.720
<v Speaker 1>I never heard him was like, oh here he losing it,

0:18:24.880 --> 0:18:26.200
<v Speaker 1>not like your pen.

0:18:28.720 --> 0:18:31.479
<v Speaker 3>Well exactly, And like I said, I always kept my

0:18:31.480 --> 0:18:34.520
<v Speaker 3>blade sharp, right. And I think about it now and

0:18:34.560 --> 0:18:36.800
<v Speaker 3>I do have regrets because I think about it. I'm like, man,

0:18:36.840 --> 0:18:39.080
<v Speaker 3>I was making cheese and doing what I wanted to.

0:18:39.119 --> 0:18:40.960
<v Speaker 3>I said, I should have kept doing that shit, dog,

0:18:41.200 --> 0:18:43.359
<v Speaker 3>I should have kept doing it. But it was a

0:18:43.359 --> 0:18:45.439
<v Speaker 3>lot going on at that time. I was trying to

0:18:45.440 --> 0:18:47.000
<v Speaker 3>save my marriage.

0:18:47.200 --> 0:18:49.480
<v Speaker 1>Oh your son, your son was coming.

0:18:49.400 --> 0:18:51.679
<v Speaker 3>Up in Christmas doing his thing, you know. So I

0:18:51.720 --> 0:18:54.520
<v Speaker 3>started becoming more involved in my family, and I.

0:18:54.480 --> 0:18:58.879
<v Speaker 1>Think that's that's forgive me. That's what happens because in

0:18:58.960 --> 0:19:04.399
<v Speaker 1>hip hop, like representing the community as important, Now you

0:19:04.440 --> 0:19:06.879
<v Speaker 1>start to become a representation of your family. What do

0:19:06.960 --> 0:19:08.280
<v Speaker 1>you think I.

0:19:08.200 --> 0:19:10.080
<v Speaker 2>Think that that that You're right. I was gonna say

0:19:10.080 --> 0:19:13.400
<v Speaker 2>something similar to a little bit ago, but it's this

0:19:13.520 --> 0:19:19.000
<v Speaker 2>is you can extrapolate this to a broader reality of

0:19:19.040 --> 0:19:21.280
<v Speaker 2>the human experience in the arc of the life cycle

0:19:21.400 --> 0:19:27.959
<v Speaker 2>and any artistic expression that's rooted in either rebelliousness, counterculture, whatever,

0:19:28.119 --> 0:19:30.960
<v Speaker 2>like anything that's like that, as you're saying, it stems

0:19:30.960 --> 0:19:34.399
<v Speaker 2>from like I don't understand the system. I feel boxed

0:19:34.440 --> 0:19:36.359
<v Speaker 2>out from the system. I want to attack the system.

0:19:36.400 --> 0:19:38.240
<v Speaker 2>And then young people have a certain energy, you know,

0:19:38.320 --> 0:19:40.680
<v Speaker 2>like like but as you get older, obviously you get

0:19:40.720 --> 0:19:42.600
<v Speaker 2>better and better at the craft, but the energy is

0:19:42.760 --> 0:19:44.639
<v Speaker 2>like like Boosy might not be the greatest rap of

0:19:44.680 --> 0:19:47.240
<v Speaker 2>all time, but he conveys an energy, you know, especially

0:19:47.359 --> 0:19:49.560
<v Speaker 2>younger Boosy compared to other guys that might be better

0:19:50.200 --> 0:19:51.280
<v Speaker 2>even now.

0:19:51.440 --> 0:19:56.320
<v Speaker 1>It's it's a real energy about that country model there is.

0:19:56.359 --> 0:20:00.560
<v Speaker 2>It's it's hard to sustain that out of your twenties

0:20:00.560 --> 0:20:03.240
<v Speaker 2>into your thirties and forties. This is the reality, and

0:20:03.320 --> 0:20:07.000
<v Speaker 2>like what you see in like Metallica is the greatest

0:20:07.359 --> 0:20:11.560
<v Speaker 2>metal band of all time. There are like this, all

0:20:11.640 --> 0:20:16.280
<v Speaker 2>those old counterculture hippie bands or whatever. They No one

0:20:16.280 --> 0:20:19.400
<v Speaker 2>wants to hear the fifteenth album from Crosby, Stills and Nash.

0:20:19.440 --> 0:20:22.040
<v Speaker 2>That shit's retarded, you know what I mean. They're gonna

0:20:22.080 --> 0:20:24.560
<v Speaker 2>tour it, but the crowd's gonna sit there and endure

0:20:24.560 --> 0:20:25.639
<v Speaker 2>it until the songs.

0:20:25.400 --> 0:20:28.360
<v Speaker 1>They will come on the way for the cut.

0:20:28.800 --> 0:20:29.600
<v Speaker 2>Yeah, exactly.

0:20:29.880 --> 0:20:33.680
<v Speaker 3>So yeah, I think you make a point, valid point, Peter.

0:20:33.760 --> 0:20:37.360
<v Speaker 3>I think you get we live in a day now

0:20:37.480 --> 0:20:41.119
<v Speaker 3>right to where everybody can express their opinions freely. Like

0:20:41.160 --> 0:20:43.480
<v Speaker 3>they can hit a motherfucker up on Instagram directly now,

0:20:43.480 --> 0:20:45.600
<v Speaker 3>whether they see it or not, of whether that artists

0:20:45.640 --> 0:20:48.760
<v Speaker 3>acknowledges that person's common or not, it's a whole nother thing, right,

0:20:49.400 --> 0:20:51.880
<v Speaker 3>But they can reach out everybody in real time. And

0:20:51.920 --> 0:20:54.480
<v Speaker 3>I think the biggest thing whenever you do something that's

0:20:54.520 --> 0:20:57.160
<v Speaker 3>outside the norm of a regular profession in this country,

0:20:57.560 --> 0:21:00.320
<v Speaker 3>I think people feel like they have a right to invade.

0:21:00.160 --> 0:21:04.960
<v Speaker 2>Your privacy and like, imagine this, right, people getting a

0:21:04.960 --> 0:21:08.880
<v Speaker 2>little tired of like the Vixen female rappers when they've

0:21:08.920 --> 0:21:10.640
<v Speaker 2>been around a little longer when they got a couple

0:21:10.760 --> 0:21:13.040
<v Speaker 2>kids and they're a little older, because not yet.

0:21:13.359 --> 0:21:16.040
<v Speaker 3>Well, it's definitely for a female. It's way harder for

0:21:16.040 --> 0:21:19.240
<v Speaker 3>a female because if I decided today to start rapping again,

0:21:20.119 --> 0:21:21.639
<v Speaker 3>I don't know how it will be received, But I

0:21:21.680 --> 0:21:23.399
<v Speaker 3>think I would put out some dope ass shit. I

0:21:23.400 --> 0:21:26.439
<v Speaker 3>would put out something underniable that they couldn't deny. I

0:21:26.480 --> 0:21:29.920
<v Speaker 3>think I would have an easier time getting accepted versus

0:21:30.160 --> 0:21:33.960
<v Speaker 3>a female that's fifty three, got grand kids and shit

0:21:34.080 --> 0:21:36.679
<v Speaker 3>like that. I don't know who would take that serious, well.

0:21:36.520 --> 0:21:40.120
<v Speaker 2>Exactly unless I mean, at the same time, though, there's

0:21:40.160 --> 0:21:42.719
<v Speaker 2>not a lot of fifty year old active gang bangers

0:21:42.760 --> 0:21:44.520
<v Speaker 2>on the street corner that's really with it the way

0:21:44.520 --> 0:21:45.920
<v Speaker 2>that the nineteen year old's with it, you know what

0:21:45.960 --> 0:21:47.880
<v Speaker 2>I mean. Like, that's that's kind of a novelty.

0:21:48.600 --> 0:21:51.880
<v Speaker 3>Well, tray D makes tray D is the classic example

0:21:51.920 --> 0:21:54.440
<v Speaker 3>of a dude that wears his age very well.

0:21:54.840 --> 0:21:56.760
<v Speaker 2>He's I was going to say the exact opposite.

0:21:56.880 --> 0:21:59.600
<v Speaker 3>He wears age very well. He talks about he talks

0:21:59.600 --> 0:22:01.960
<v Speaker 3>from a where he should be. He talks how he

0:22:02.000 --> 0:22:03.639
<v Speaker 3>should be talking as a man in his age.

0:22:03.920 --> 0:22:05.080
<v Speaker 2>Okay, that's yeah, that's true.

0:22:05.080 --> 0:22:08.159
<v Speaker 3>That's it. Don't sounds juveniles. He's actually very vivid, you

0:22:08.200 --> 0:22:10.280
<v Speaker 3>know what I mean. He's telling you what it is, right.

0:22:10.760 --> 0:22:11.720
<v Speaker 2>Yeah.

0:22:11.760 --> 0:22:14.119
<v Speaker 3>The way he carry yourself, he don't carry yourself like

0:22:14.200 --> 0:22:15.879
<v Speaker 3>no clown. You don't never see him on the internet

0:22:15.960 --> 0:22:18.560
<v Speaker 3>doing no goofy shit versus some of his other peers.

0:22:18.840 --> 0:22:20.720
<v Speaker 3>I wouldn't even say that his peers. But we got

0:22:20.720 --> 0:22:23.879
<v Speaker 3>the generation of fifty somethings that like they're sixteen now.

0:22:25.240 --> 0:22:29.040
<v Speaker 2>On thousand percent, that's true. I mean, like I would

0:22:29.080 --> 0:22:31.320
<v Speaker 2>like to take out is cracking a little too much

0:22:31.359 --> 0:22:34.359
<v Speaker 2>on Sundays for the exciting brunch, you know.

0:22:34.400 --> 0:22:38.040
<v Speaker 3>And I would like to think that I evolved from

0:22:38.080 --> 0:22:40.680
<v Speaker 3>the time I was. I think what hip hop does

0:22:40.720 --> 0:22:43.520
<v Speaker 3>to people sometimes, especially people that keep rapping, is they

0:22:43.600 --> 0:22:45.280
<v Speaker 3>kind of stay stuck in his cycle. And I'm talking

0:22:45.280 --> 0:22:47.919
<v Speaker 3>about the more successful people, right, like the guy that

0:22:48.000 --> 0:22:50.480
<v Speaker 3>may have been on tour since he was seventeen years old,

0:22:51.600 --> 0:22:54.200
<v Speaker 3>and they know then they don't go experience life outside

0:22:54.240 --> 0:22:57.479
<v Speaker 3>of that rap shit, Right. It can definitely keep some

0:22:57.560 --> 0:23:00.760
<v Speaker 3>motherfucker stunning. It's like an immobilarity to that almost wouldn't

0:23:00.760 --> 0:23:01.359
<v Speaker 3>you agreed.

0:23:01.119 --> 0:23:01.320
<v Speaker 2>On g.

0:23:03.000 --> 0:23:04.960
<v Speaker 3>And I'm just about the guy like you gotta think

0:23:05.000 --> 0:23:08.480
<v Speaker 3>about it, Snoop. Snoop is actually one thing I play

0:23:08.480 --> 0:23:11.440
<v Speaker 3>off Snoop on is that he's been able to integrate

0:23:11.520 --> 0:23:14.280
<v Speaker 3>his personal life with him being dog and not losing nothing.

0:23:14.760 --> 0:23:18.200
<v Speaker 3>Like this motherfucker actually coach his kids playing football. He's

0:23:18.280 --> 0:23:21.000
<v Speaker 3>actually a regular motherfucker like that, actually goes back to

0:23:21.080 --> 0:23:23.720
<v Speaker 3>the city and does regular shit. Like Snoop is actually

0:23:24.040 --> 0:23:26.840
<v Speaker 3>the most regular fucking superstar him the Warrings, he is

0:23:26.840 --> 0:23:29.359
<v Speaker 3>the two most regular superstars I've ever met in my life.

0:23:29.480 --> 0:23:31.800
<v Speaker 1>So this is my thought on that, right, And this

0:23:31.840 --> 0:23:37.800
<v Speaker 1>is why I say that, right is being a representative

0:23:37.840 --> 0:23:41.880
<v Speaker 1>of street urban culture. Like that's the cornerstone in hip hop, Right,

0:23:41.920 --> 0:23:46.000
<v Speaker 1>that's the cornerstone representing it. The difference with Snoop and

0:23:46.040 --> 0:23:52.840
<v Speaker 1>most people, Snoop never stopped being a cryp never, you

0:23:52.880 --> 0:23:55.199
<v Speaker 1>know what I mean. And that's really kind of what

0:23:55.280 --> 0:23:58.399
<v Speaker 1>being a crip is all about. Like people ask me, oh, man, Glass,

0:23:58.400 --> 0:24:00.880
<v Speaker 1>you're forty now, you know, how could you be a crypt?

0:24:00.880 --> 0:24:03.479
<v Speaker 1>And I'm like, what do you like imagine telling the general?

0:24:03.520 --> 0:24:05.800
<v Speaker 1>How do you be a general at forty or fifty,

0:24:06.320 --> 0:24:08.440
<v Speaker 1>you know, or lieutenant or anybody else that.

0:24:08.920 --> 0:24:11.919
<v Speaker 2>Generals rotate over to raytheon, hang up the stripes, and

0:24:11.960 --> 0:24:16.320
<v Speaker 2>go cash in on the you know, on the big

0:24:16.359 --> 0:24:17.200
<v Speaker 2>contract money.

0:24:17.560 --> 0:24:21.119
<v Speaker 1>Yeah what they do when they sixty.

0:24:21.200 --> 0:24:23.199
<v Speaker 2>Yeah, but they don't turn general to their fifty.

0:24:23.960 --> 0:24:26.320
<v Speaker 1>Yeah that's the problem. Like, So, so what I'm saying

0:24:26.320 --> 0:24:30.520
<v Speaker 1>to you is you never well it's multiple things, right,

0:24:30.600 --> 0:24:33.080
<v Speaker 1>you never stop being who you are. Like if you're

0:24:33.080 --> 0:24:37.040
<v Speaker 1>a real cryp, it's who you are. It's not really yo,

0:24:37.280 --> 0:24:40.080
<v Speaker 1>it don't mean anything outside of you. You set your

0:24:40.080 --> 0:24:44.520
<v Speaker 1>own rules. Like, I think what happens to people is

0:24:44.600 --> 0:24:48.359
<v Speaker 1>economically they start to make money, or to me, the

0:24:48.359 --> 0:24:51.199
<v Speaker 1>most important things, they have kids, So they want the

0:24:51.240 --> 0:24:53.359
<v Speaker 1>world to be different. Even if they don't think the

0:24:53.359 --> 0:24:56.760
<v Speaker 1>world has gotten better, they need to convince themselves the

0:24:56.800 --> 0:24:59.560
<v Speaker 1>world has gotten better because they have children now, so

0:24:59.560 --> 0:25:01.520
<v Speaker 1>they want to put out a certain image out to

0:25:01.560 --> 0:25:05.119
<v Speaker 1>their children to hopefully raise a better version of themselves.

0:25:05.840 --> 0:25:07.720
<v Speaker 1>So I think, like people ask me all the time,

0:25:07.800 --> 0:25:10.600
<v Speaker 1>like me and still talking, I've heard still ask me

0:25:10.600 --> 0:25:12.879
<v Speaker 1>why haven't he think? Why haven't I lost my thorns?

0:25:13.000 --> 0:25:15.359
<v Speaker 1>Like I don't have children, so there's no reason to

0:25:15.560 --> 0:25:19.800
<v Speaker 1>force evolve a thought. I don't have to force evolution.

0:25:20.240 --> 0:25:24.960
<v Speaker 1>I can be as callous and honest as I want

0:25:25.040 --> 0:25:27.920
<v Speaker 1>to be. I can say whatever the fuck I want

0:25:27.960 --> 0:25:30.879
<v Speaker 1>because I'm not gonna embarrass anybody. The only person I

0:25:30.880 --> 0:25:34.280
<v Speaker 1>can embarrass at that point is Leonard Alfred Lampkin, a singer,

0:25:34.359 --> 0:25:36.639
<v Speaker 1>and he is not easily embarrassed. My dad is not

0:25:36.720 --> 0:25:40.680
<v Speaker 1>easily embarrassed. My mom is no longer, you know, around

0:25:40.840 --> 0:25:43.920
<v Speaker 1>me to embarrass her. My grandparents are no longer around

0:25:43.920 --> 0:25:46.359
<v Speaker 1>for me to embarrassed them by saying the truth, because

0:25:46.359 --> 0:25:50.000
<v Speaker 1>the truth can be a bit embarrassing. So even on

0:25:50.040 --> 0:25:52.320
<v Speaker 1>the eve right now, on the eve of cancel these nuts,

0:25:52.359 --> 0:25:55.159
<v Speaker 1>it's like, the attitude is there, there's no reason for

0:25:55.280 --> 0:25:58.760
<v Speaker 1>me to. I don't think Still ever lost how he felt.

0:25:59.040 --> 0:26:01.600
<v Speaker 1>I still think Ryan still, even in two thousand and ten,

0:26:01.720 --> 0:26:04.439
<v Speaker 1>felt how we felt the same about certain things. But

0:26:04.520 --> 0:26:06.879
<v Speaker 1>I think as he started looking at Chris, I really

0:26:06.880 --> 0:26:11.359
<v Speaker 1>feel like, honestly, Chris is what made him evolve out of,

0:26:12.080 --> 0:26:15.040
<v Speaker 1>you know, the concept of how we talk. Because at

0:26:15.040 --> 0:26:16.960
<v Speaker 1>that point, now you're looking at somebody you're trying to

0:26:16.960 --> 0:26:19.520
<v Speaker 1>bring into the world, and you're like, hold up, I

0:26:19.560 --> 0:26:21.800
<v Speaker 1>can't just be as raw as I used to be

0:26:21.880 --> 0:26:24.800
<v Speaker 1>because I need my son to grow up you know

0:26:24.880 --> 0:26:29.760
<v Speaker 1>with some sense, Wat's up with it? G l A

0:26:29.920 --> 0:26:33.199
<v Speaker 1>double dollar sign the shot, that's right, glasses Malone, And

0:26:33.240 --> 0:26:37.159
<v Speaker 1>on motherfucking September twenty second, I'm dropping my new album,

0:26:37.560 --> 0:26:40.479
<v Speaker 1>Cancel These Nuts. But for anybody that want to support

0:26:40.640 --> 0:26:44.560
<v Speaker 1>right now, hop online go to the cryptstore dot com.

0:26:44.680 --> 0:26:47.840
<v Speaker 1>That's right, the crypt Store th h E c R

0:26:47.960 --> 0:26:51.240
<v Speaker 1>I P S t O r E dot com and

0:26:51.280 --> 0:26:55.480
<v Speaker 1>buy a physical copy right now autograph from me, right now.

0:26:55.520 --> 0:26:57.199
<v Speaker 1>You can have it ahead of time before it's on

0:26:57.240 --> 0:26:59.840
<v Speaker 1>all streaming sites. So social support to the real was

0:27:00.040 --> 0:27:02.400
<v Speaker 1>I'm saying, jump on the cryptstore dot com and buy

0:27:02.440 --> 0:27:05.639
<v Speaker 1>my new album, Cancel These Nuts, buy it right now

0:27:05.760 --> 0:27:10.040
<v Speaker 1>before it drops online September twenty second. Yeah, the cryptstore

0:27:10.160 --> 0:27:12.080
<v Speaker 1>dot com.

0:27:14.200 --> 0:27:17.680
<v Speaker 2>Still let me ask you something, is there a parallel

0:27:17.680 --> 0:27:23.520
<v Speaker 2>between say, your arc of development intellectually whatever, et cetera,

0:27:23.600 --> 0:27:25.560
<v Speaker 2>just as you as the years are gone by, Like

0:27:25.920 --> 0:27:28.239
<v Speaker 2>now we look at say, all these seventy some year

0:27:28.280 --> 0:27:31.720
<v Speaker 2>old geriatric politicians. They were the hippie activists in nineteen

0:27:31.800 --> 0:27:35.240
<v Speaker 2>sixty seven. They're they're just old now. So they went

0:27:35.280 --> 0:27:39.040
<v Speaker 2>from being anti the system to now being the system

0:27:39.080 --> 0:27:42.680
<v Speaker 2>that's squeezing the grape dry. So how much of is

0:27:42.720 --> 0:27:44.879
<v Speaker 2>there a pivot for you between going from having an

0:27:45.000 --> 0:27:47.440
<v Speaker 2>energy that's like I don't understand the system to now

0:27:47.480 --> 0:27:49.720
<v Speaker 2>I can. I do understand the system, and I can

0:27:49.720 --> 0:27:50.879
<v Speaker 2>make the system work for me.

0:27:51.680 --> 0:27:55.480
<v Speaker 3>You know, you know what they're This is how I feel, Peter,

0:27:56.320 --> 0:27:58.080
<v Speaker 3>and this is where I'm at in life right now.

0:27:59.400 --> 0:28:03.160
<v Speaker 3>I really like I can do anything now, Like I'm

0:28:03.200 --> 0:28:07.320
<v Speaker 3>in my prime intellectually, you know, my prime intellectually. My

0:28:07.440 --> 0:28:09.920
<v Speaker 3>physical health is not bad. It's not optimal, you know,

0:28:09.960 --> 0:28:11.440
<v Speaker 3>it's not you know, I'm not twenty.

0:28:11.240 --> 0:28:14.240
<v Speaker 1>Two, you know, check engine, like come on and never

0:28:14.320 --> 0:28:15.400
<v Speaker 1>will Yeah, you just.

0:28:15.359 --> 0:28:18.399
<v Speaker 3>Never go off. But I'm a lot and I'm in

0:28:18.400 --> 0:28:20.639
<v Speaker 3>a lot better place than some of my peers, you know,

0:28:20.760 --> 0:28:22.800
<v Speaker 3>guys my age. Right, I go to the gym, my

0:28:22.880 --> 0:28:25.120
<v Speaker 3>left weights, I work out three or four times a week.

0:28:25.160 --> 0:28:27.760
<v Speaker 3>Now I've actually got my weight down, my high blood

0:28:27.800 --> 0:28:30.800
<v Speaker 3>pressures under control. So you definitely become more conscious on

0:28:30.840 --> 0:28:33.400
<v Speaker 3>the physical side of yourself, you know, in the physical

0:28:33.440 --> 0:28:36.719
<v Speaker 3>and mental you just become a lot more aware of things,

0:28:36.800 --> 0:28:39.440
<v Speaker 3>Like I honestly think you spend a portion in your

0:28:39.480 --> 0:28:41.000
<v Speaker 3>life as a man trying to figure out who the

0:28:41.040 --> 0:28:44.840
<v Speaker 3>fuck you are as a person, you know, because you

0:28:44.880 --> 0:28:46.560
<v Speaker 3>go through different changes. And that was one of the

0:28:46.600 --> 0:28:50.360
<v Speaker 3>things that I would have these really bad panic attacks,

0:28:50.400 --> 0:28:52.920
<v Speaker 3>not really necessarily panic attacks. But I've been with my

0:28:53.000 --> 0:28:56.640
<v Speaker 3>wife since I was nineteen years old, right, and so

0:28:57.040 --> 0:28:59.520
<v Speaker 3>I always saw this thing to where I just looked

0:28:59.520 --> 0:29:01.240
<v Speaker 3>at as one day and I said, we just kind

0:29:01.280 --> 0:29:03.720
<v Speaker 3>of just moving through life, and everything is evolved around

0:29:03.720 --> 0:29:06.400
<v Speaker 3>these kids. What happens when these kids leave, is me

0:29:06.440 --> 0:29:10.240
<v Speaker 3>and her still gonna be cool. So I started really,

0:29:10.280 --> 0:29:15.320
<v Speaker 3>I started really making a conscious effort to be her husband,

0:29:15.360 --> 0:29:17.720
<v Speaker 3>you feel what I mean, instead of just being somebody's daddy.

0:29:18.000 --> 0:29:19.840
<v Speaker 3>You know what I'm saying, I'm her husband. We just

0:29:19.920 --> 0:29:23.360
<v Speaker 3>we not roommates living together taking care of some kids.

0:29:23.400 --> 0:29:25.760
<v Speaker 3>We are actually a couple. This is why we got together,

0:29:25.840 --> 0:29:27.960
<v Speaker 3>you know what I mean. That's why I always encourage

0:29:28.000 --> 0:29:31.160
<v Speaker 3>people when they do get together, to stain from having

0:29:31.240 --> 0:29:33.840
<v Speaker 3>kids as long as they can and actually build up

0:29:33.880 --> 0:29:35.680
<v Speaker 3>that relationship with y'all, you know what I mean, because

0:29:35.680 --> 0:29:36.920
<v Speaker 3>that's what it's all about. At the end of the day,

0:29:36.960 --> 0:29:41.000
<v Speaker 3>ain't about them fucking kids like that, but they go

0:29:41.000 --> 0:29:42.360
<v Speaker 3>going with their life. You gotta think.

0:29:42.280 --> 0:29:45.960
<v Speaker 1>About it, and if you try to tell them about

0:29:45.960 --> 0:29:47.880
<v Speaker 1>they love, like they gonna tell your sorry ass to

0:29:47.920 --> 0:29:49.160
<v Speaker 1>mind your fucking business.

0:29:49.320 --> 0:29:51.240
<v Speaker 3>Hell yeah, but they gonna be all up in yours.

0:29:51.240 --> 0:29:53.240
<v Speaker 3>If you arguing with their mama, they gonna have fifty

0:29:53.240 --> 0:29:56.800
<v Speaker 3>different opinions on our conversation should be going right. But

0:29:57.200 --> 0:30:02.280
<v Speaker 3>I think, man, I definitely see what you're saying, Peter,

0:30:04.160 --> 0:30:06.880
<v Speaker 3>and I think you just definitely become just more conscious

0:30:06.880 --> 0:30:09.960
<v Speaker 3>of yourself and you realize you got limited time because

0:30:10.000 --> 0:30:12.960
<v Speaker 3>my thing is now, I'm not doing nothing small. I'm

0:30:12.960 --> 0:30:15.640
<v Speaker 3>not wasting no time with no small I'm not interested

0:30:15.680 --> 0:30:18.000
<v Speaker 3>in no job. I'm not interested in none of that shit.

0:30:18.040 --> 0:30:20.560
<v Speaker 3>I'm interested in going as hard as we possibly can

0:30:21.520 --> 0:30:23.400
<v Speaker 3>to build what we gonna build. Because once you get

0:30:23.440 --> 0:30:25.480
<v Speaker 3>on the other side of fifty, you start realizing what

0:30:25.560 --> 0:30:27.400
<v Speaker 3>shit I don't got. I don't feel like I got

0:30:27.440 --> 0:30:28.360
<v Speaker 3>infinite time.

0:30:28.160 --> 0:30:30.360
<v Speaker 1>No more there.

0:30:30.680 --> 0:30:32.400
<v Speaker 3>You know, not that I'm just amskin.

0:30:32.480 --> 0:30:34.120
<v Speaker 2>I didn't feel like that since I was twenty nine,

0:30:34.840 --> 0:30:35.040
<v Speaker 2>you know.

0:30:35.040 --> 0:30:37.240
<v Speaker 3>What I'm saying. But yeah, some people do get that

0:30:37.320 --> 0:30:39.680
<v Speaker 3>feeling early. It's like it's a bigger sense of urgency

0:30:39.720 --> 0:30:42.160
<v Speaker 3>for me now, Like I don't have time to bullshit,

0:30:42.200 --> 0:30:45.040
<v Speaker 3>I don't have time to bullshit with bullshit people. I'm

0:30:45.080 --> 0:30:46.560
<v Speaker 3>more in the place right now. And I used to

0:30:46.640 --> 0:30:48.680
<v Speaker 3>always think old people was mean when they be real

0:30:48.760 --> 0:30:50.760
<v Speaker 3>direct with people like no, I ain't interested in that shit.

0:30:51.320 --> 0:30:53.560
<v Speaker 3>They not being mean. They just at that place now

0:30:53.680 --> 0:30:58.720
<v Speaker 3>where them shit with nobody now because I used to

0:30:58.760 --> 0:31:00.880
<v Speaker 3>be the nice person, even if up to three years ago,

0:31:00.880 --> 0:31:03.360
<v Speaker 3>I used to be the nice motherfucker all the time.

0:31:04.280 --> 0:31:07.560
<v Speaker 3>Now it's like, man, I ain't got time for that shit. Well,

0:31:07.560 --> 0:31:09.240
<v Speaker 3>I don't want to do it, as simple as that,

0:31:09.280 --> 0:31:11.640
<v Speaker 3>Like I don't have time for it, and I you know,

0:31:11.720 --> 0:31:13.720
<v Speaker 3>I tell a motherfucker quickly. Well, man, you like I

0:31:13.760 --> 0:31:15.680
<v Speaker 3>called Nash you to do something? You calling me ask

0:31:15.800 --> 0:31:16.200
<v Speaker 3>me something.

0:31:17.560 --> 0:31:19.840
<v Speaker 1>What do you feel about NAS's like his sixth album

0:31:19.880 --> 0:31:20.560
<v Speaker 1>run with hit Boy.

0:31:21.400 --> 0:31:23.840
<v Speaker 3>I think that's incredible, man, I think that's dope. Man.

0:31:23.880 --> 0:31:29.280
<v Speaker 3>I think Nas is like the example of I think

0:31:29.400 --> 0:31:34.800
<v Speaker 3>Naves and Snoop is like the example of people that's aging, gracefully,

0:31:34.880 --> 0:31:37.640
<v Speaker 3>dog doing what they do. Because if you ever noticed,

0:31:37.720 --> 0:31:40.400
<v Speaker 3>Knives don't never vary from what he do, Like this

0:31:40.440 --> 0:31:42.360
<v Speaker 3>is a very inst for him hooking up with hit Boy.

0:31:42.400 --> 0:31:44.880
<v Speaker 3>You know, Nives is usually over some you know, Primo

0:31:45.040 --> 0:31:48.239
<v Speaker 3>beats over some what's my over over some Pete rock

0:31:48.320 --> 0:31:50.760
<v Speaker 3>shit like that, you know what I'm saying. But he's

0:31:50.840 --> 0:31:53.160
<v Speaker 3>ventured out hip pit boy in the experiment and they

0:31:53.280 --> 0:31:55.640
<v Speaker 3>having fun, and I think that's what hip hop should be. Dog.

0:31:56.480 --> 0:31:59.080
<v Speaker 3>I think that's what hip hop should be actually seeing

0:31:59.080 --> 0:32:00.000
<v Speaker 3>the shit knives doing.

0:32:00.160 --> 0:32:00.360
<v Speaker 2>Dog.

0:32:00.400 --> 0:32:03.480
<v Speaker 3>I've thought about releasing the album's Dog, not really necessarily

0:32:03.600 --> 0:32:05.560
<v Speaker 3>just based on me rapping on every song, but me

0:32:05.640 --> 0:32:08.040
<v Speaker 3>producing some of the shit. I may write some of

0:32:08.080 --> 0:32:09.680
<v Speaker 3>the shit, I may actually say some of the shit,

0:32:09.760 --> 0:32:12.520
<v Speaker 3>but just me, it's like painting a picture. Dog. Okay,

0:32:12.560 --> 0:32:14.320
<v Speaker 3>this is what I feel like putting out to the world. Now.

0:32:14.360 --> 0:32:15.960
<v Speaker 3>I don't give a fuck up this shit do five

0:32:16.040 --> 0:32:19.480
<v Speaker 3>hundred streams of five hundred million. I'm just putting it

0:32:19.480 --> 0:32:20.920
<v Speaker 3>out there. This is gonna be my gift to the

0:32:20.920 --> 0:32:23.680
<v Speaker 3>world because the one blessing I think that we got

0:32:23.680 --> 0:32:26.160
<v Speaker 3>as artists and the Creator's Dog is that we get

0:32:26.160 --> 0:32:29.120
<v Speaker 3>to leave our legacy on the wall. These are these

0:32:29.280 --> 0:32:32.560
<v Speaker 3>is our motherfucking hieroglyphics, so to speak. You know how

0:32:32.600 --> 0:32:34.600
<v Speaker 3>motherfucker could go back to the pyramids and see what

0:32:34.680 --> 0:32:37.960
<v Speaker 3>the motherfucker was thinking. However, many millions of years ago,

0:32:39.240 --> 0:32:41.320
<v Speaker 3>you are going to actually look back and see what

0:32:41.360 --> 0:32:44.479
<v Speaker 3>your thought process was. So I said, Man, do I

0:32:44.560 --> 0:32:47.320
<v Speaker 3>actually want a motherfucker when he see my hieroglyphic to

0:32:47.400 --> 0:32:50.720
<v Speaker 3>think that a fucking song called Bubba Pomps for some

0:32:50.760 --> 0:32:53.040
<v Speaker 3>bullshit like that was what was on my mind back then,

0:32:53.080 --> 0:32:54.880
<v Speaker 3>because I think I had way more depth than that.

0:32:54.920 --> 0:32:59.200
<v Speaker 3>I would like a motherfucker to know who I truly am.

0:32:58.000 --> 0:33:00.920
<v Speaker 1>Wrong with an Ass still, but I'm just seeing it

0:33:01.120 --> 0:33:01.840
<v Speaker 1>over about that.

0:33:02.320 --> 0:33:04.200
<v Speaker 3>But you feel what I'm saying, Like, like, I understand

0:33:04.240 --> 0:33:06.000
<v Speaker 3>what I'm saying, Bro, there's nothing wrong with that. I'm

0:33:06.040 --> 0:33:10.800
<v Speaker 3>a big fan of ASS, very big fan, but sound

0:33:10.840 --> 0:33:15.440
<v Speaker 3>like but the thing is this, though I love ASS,

0:33:15.720 --> 0:33:19.120
<v Speaker 3>I think us as creators, Bro, we're actually leaving our

0:33:19.160 --> 0:33:21.800
<v Speaker 3>hieroglyphics for people to see. We actually get to do that,

0:33:21.960 --> 0:33:25.320
<v Speaker 3>versus a person that's living their life like, Okay, they

0:33:25.360 --> 0:33:28.040
<v Speaker 3>go to college and they realize after they get that

0:33:28.120 --> 0:33:30.160
<v Speaker 3>degree that they just been robbed. Is that degree ain't

0:33:30.200 --> 0:33:32.880
<v Speaker 3>really shit unless you got a network to go along

0:33:32.920 --> 0:33:35.560
<v Speaker 3>with it, right, You know, there's plenty of motherfuckers to

0:33:35.600 --> 0:33:37.640
<v Speaker 3>graduate and wind up getting a job at Walmart and

0:33:37.640 --> 0:33:39.640
<v Speaker 3>going through the management trainee program and be there for

0:33:39.640 --> 0:33:42.640
<v Speaker 3>forty years of their life. Right, I think the person

0:33:42.720 --> 0:33:45.400
<v Speaker 3>that dares the dream is in a way better place

0:33:45.480 --> 0:33:49.040
<v Speaker 3>dog than that person, because that person's pretty much just

0:33:49.080 --> 0:33:51.000
<v Speaker 3>prepared itself to go lay in the casket. To me,

0:33:51.040 --> 0:33:53.520
<v Speaker 3>almost I've seen it all the time. But people, they

0:33:53.680 --> 0:33:56.480
<v Speaker 3>they graduate, they got this expectation of where it ain't

0:33:56.480 --> 0:33:58.640
<v Speaker 3>their expectation. They want to please everybody else, they ain't

0:33:58.640 --> 0:34:02.240
<v Speaker 3>really trying to please theyself. Instead of them following their dreams,

0:34:02.520 --> 0:34:04.920
<v Speaker 3>they go get this job and they wind up saying, Okay,

0:34:04.920 --> 0:34:06.640
<v Speaker 3>this is gonna be a temporary thing, but it winds

0:34:06.720 --> 0:34:09.480
<v Speaker 3>up being permanent because it gives them a false sense

0:34:09.480 --> 0:34:13.319
<v Speaker 3>of security that Okay, I have this job right now.

0:34:13.320 --> 0:34:15.960
<v Speaker 3>These people like me. I'm accepted by them until they

0:34:15.960 --> 0:34:17.680
<v Speaker 3>come and tell you ask one day that they letting

0:34:17.680 --> 0:34:19.960
<v Speaker 3>you go. And then you realize, well, damn we not

0:34:20.000 --> 0:34:24.400
<v Speaker 3>as school as I'm very dispensable. You feel what I'm saying.

0:34:24.760 --> 0:34:28.480
<v Speaker 2>Yeah, that's ninety five percent of the human experience is

0:34:29.200 --> 0:34:33.800
<v Speaker 2>defined by followers and people who are not risk takers.

0:34:34.320 --> 0:34:37.920
<v Speaker 2>Leaders and risk takers are only one in twenty at most,

0:34:37.960 --> 0:34:39.400
<v Speaker 2>probably one in one hundred.

0:34:39.840 --> 0:34:42.120
<v Speaker 1>Yeah, there's like one thousand.

0:34:42.520 --> 0:34:46.240
<v Speaker 3>Yeah, I think so, bro, because you know, I remember

0:34:46.280 --> 0:34:49.520
<v Speaker 3>my mom, my mom, and my wife is so much

0:34:49.840 --> 0:34:51.840
<v Speaker 3>like it's scary, and I think it's just women things.

0:34:51.840 --> 0:34:54.680
<v Speaker 3>Women just like security and safety, right, even if it

0:34:54.760 --> 0:34:58.839
<v Speaker 3>is faith. Right. I remember my mom telling me one

0:34:58.880 --> 0:35:01.600
<v Speaker 3>day when I was talking about coming in California, she

0:35:01.719 --> 0:35:04.840
<v Speaker 3>came home with an application all happy. She knew somebody

0:35:04.920 --> 0:35:08.760
<v Speaker 3>whose son was a district manager for Burger King. Betty's

0:35:08.760 --> 0:35:10.600
<v Speaker 3>son said he can get you in the management training

0:35:10.640 --> 0:35:13.600
<v Speaker 3>these program up there. They gonna send you the community

0:35:13.680 --> 0:35:15.440
<v Speaker 3>college and you go go do this and you And

0:35:15.760 --> 0:35:17.520
<v Speaker 3>I was looking at her, like, are you crazy? You

0:35:17.560 --> 0:35:19.200
<v Speaker 3>think I want to stay up here and ohio on

0:35:19.280 --> 0:35:21.799
<v Speaker 3>work at the fucking Burger King. Now, there's nothing wrong

0:35:21.840 --> 0:35:24.600
<v Speaker 3>with that. I got mine, I got. I'm like, you

0:35:24.640 --> 0:35:28.640
<v Speaker 3>don't you really lost lost because in my mind I'm

0:35:28.680 --> 0:35:30.960
<v Speaker 3>thinking about going out to state. My thing is, she

0:35:31.040 --> 0:35:32.920
<v Speaker 3>got to tell you. And I told Darley, shout out

0:35:32.960 --> 0:35:36.160
<v Speaker 3>to the homegirl, Darlene nortiz Man. She's a beautiful person. Man,

0:35:36.200 --> 0:35:37.680
<v Speaker 3>cool lady, real cool lady. Right.

0:35:38.360 --> 0:35:41.120
<v Speaker 1>I met Darlene Ice Tea first baby mama.

0:35:41.239 --> 0:35:43.600
<v Speaker 3>Yeah, Ice Tea's first baby mama, and we got the

0:35:43.719 --> 0:35:46.360
<v Speaker 3>talking and I said, Darlene, you know you're part of

0:35:46.400 --> 0:35:49.320
<v Speaker 3>the reasons I came to California. She said, how's that?

0:35:50.600 --> 0:35:54.000
<v Speaker 3>I said, my friend had the album cover.

0:35:55.200 --> 0:35:57.160
<v Speaker 1>Oh with her on the cover with her and the.

0:35:57.160 --> 0:35:58.719
<v Speaker 3>Cover in ice tea, and you.

0:35:58.760 --> 0:36:01.799
<v Speaker 1>Can all the women look like no, but I saw it.

0:36:01.719 --> 0:36:03.879
<v Speaker 3>Was just the whole image. It wouldn't just hurt. See,

0:36:03.920 --> 0:36:07.399
<v Speaker 3>it was like a lifestyle. Ice was something right. That

0:36:07.440 --> 0:36:11.319
<v Speaker 3>motherfucker was fresh as a motherfucker. Dog it's home over there,

0:36:11.320 --> 0:36:13.600
<v Speaker 3>had the money in the strap and shit, and he

0:36:13.680 --> 0:36:15.040
<v Speaker 3>had bat ass broad.

0:36:16.600 --> 0:36:19.399
<v Speaker 1>He came out here and got you at Darlee. That's

0:36:19.440 --> 0:36:19.960
<v Speaker 1>what I said.

0:36:20.120 --> 0:36:23.040
<v Speaker 3>One song I had, I said on the one song

0:36:23.080 --> 0:36:24.880
<v Speaker 3>I wrote, I forget what it was. I said, I

0:36:24.880 --> 0:36:26.680
<v Speaker 3>want a gun. I said, I want a chain with

0:36:26.760 --> 0:36:30.359
<v Speaker 3>a gun and the bad bits like iceed tea. That's

0:36:30.360 --> 0:36:32.960
<v Speaker 3>what I wanted, dog. I wanted that lifestyle. It was

0:36:33.040 --> 0:36:34.919
<v Speaker 3>just so much bigger than life. And then I looked

0:36:34.920 --> 0:36:36.799
<v Speaker 3>around when I saw the album cover. I'm like this

0:36:36.880 --> 0:36:39.200
<v Speaker 3>nigga out here in palm trees with this bad woman

0:36:39.320 --> 0:36:43.560
<v Speaker 3>dog got money, and I look at these motherfucking brick ass,

0:36:43.719 --> 0:36:46.400
<v Speaker 3>gray ass guys on me. I'm like, I'm out this motherfucker.

0:36:46.920 --> 0:36:50.600
<v Speaker 1>What's crazy is I think Ice Tea, Snoop Dogg, and

0:36:50.680 --> 0:36:55.879
<v Speaker 1>Too Short are who they are. And I think everybody

0:36:55.920 --> 0:36:59.760
<v Speaker 1>that gets in the hip hop they want their personality

0:36:59.840 --> 0:37:05.120
<v Speaker 1>to be as accepted. But the problem is Snoop, Iced

0:37:05.160 --> 0:37:10.480
<v Speaker 1>Tea and Too Short are the They're like the mascots,

0:37:10.520 --> 0:37:15.000
<v Speaker 1>like the exact representation of street urban culture. Like right now,

0:37:15.360 --> 0:37:20.319
<v Speaker 1>when you watch SVU cuz it's a ice tea, ice

0:37:20.400 --> 0:37:22.120
<v Speaker 1>t is sixty five years old at this point, that

0:37:22.200 --> 0:37:26.200
<v Speaker 1>nigga is still iceed Tea and that's the problem. Like,

0:37:26.200 --> 0:37:29.600
<v Speaker 1>like as somebody who have conversations with og cuz that

0:37:29.680 --> 0:37:32.480
<v Speaker 1>nigga is for real ized Tea. Snoop is really Snoop,

0:37:33.040 --> 0:37:34.759
<v Speaker 1>Like right now when I talk to you're like, yeah,

0:37:34.760 --> 0:37:37.879
<v Speaker 1>what up, cuz blah blah, Like he that's who he is.

0:37:38.080 --> 0:37:43.480
<v Speaker 1>And really it's how it ages. Like, you know, some

0:37:43.480 --> 0:37:46.320
<v Speaker 1>people ask like do you think, like how are you

0:37:46.360 --> 0:37:48.000
<v Speaker 1>still a gang bang? And I'm like, well, if you

0:37:48.120 --> 0:37:50.759
<v Speaker 1>think gang banging is stupid, you would never understand it.

0:37:51.160 --> 0:37:53.360
<v Speaker 1>So if you like, oh, you know, how do you

0:37:53.400 --> 0:37:56.280
<v Speaker 1>represent your community still? How do you represent your friends

0:37:56.280 --> 0:37:56.720
<v Speaker 1>and family?

0:37:56.800 --> 0:37:57.080
<v Speaker 3>Still?

0:37:57.160 --> 0:38:00.319
<v Speaker 1>Like it's all a part of the same thing to me, like, really.

0:38:00.320 --> 0:38:02.399
<v Speaker 2>He's the only guy who's changed. Naw, He's the only

0:38:02.440 --> 0:38:05.360
<v Speaker 2>person now on the film side that's Curtis fifty cent Jackson.

0:38:05.680 --> 0:38:07.000
<v Speaker 2>Everybody else is the same.

0:38:07.120 --> 0:38:11.640
<v Speaker 1>Because Fifth really Fifth ohill never be able to watch

0:38:11.840 --> 0:38:14.719
<v Speaker 1>that shit all for him. He's just gonna be that

0:38:14.760 --> 0:38:17.200
<v Speaker 1>type of nigga for the rest of his life. He's

0:38:17.239 --> 0:38:20.080
<v Speaker 1>almost like them niggas, is them with a pride, that

0:38:20.160 --> 0:38:24.400
<v Speaker 1>nigga shit Fifth fifty that's stained on him, Like I

0:38:24.440 --> 0:38:26.640
<v Speaker 1>believe genuinely in my heart he wants to evolving to

0:38:26.719 --> 0:38:30.560
<v Speaker 1>somebody else, but like he is that nigga, like he

0:38:30.760 --> 0:38:34.080
<v Speaker 1>is with that bullshit all the time to the day

0:38:34.120 --> 0:38:38.239
<v Speaker 1>he dies. So I look at other other people that's

0:38:38.239 --> 0:38:39.840
<v Speaker 1>in hip hop, like the guys that I grew up.

0:38:40.080 --> 0:38:42.720
<v Speaker 1>Scarface is another guy. Scar Face always been a preacher.

0:38:44.040 --> 0:38:46.160
<v Speaker 1>It was always going to work for him. Scarface put

0:38:46.160 --> 0:38:47.920
<v Speaker 1>out autum right now is gonna work out for him

0:38:47.920 --> 0:38:50.880
<v Speaker 1>because Scarface was a preacher the first day, you know

0:38:50.920 --> 0:38:54.600
<v Speaker 1>what I mean. It's just the guys to me, like,

0:38:54.680 --> 0:38:56.400
<v Speaker 1>I don't think you would, like I think there's some

0:38:56.440 --> 0:38:58.840
<v Speaker 1>people committed to that roles like Rick Gross. Rick Gross

0:38:58.880 --> 0:39:01.759
<v Speaker 1>wasn't a you know, twenty year old drug dealer, but

0:39:01.880 --> 0:39:06.319
<v Speaker 1>I think Ric Ross is committed to the role of

0:39:06.360 --> 0:39:08.400
<v Speaker 1>being a street urban drug dealer from Miami.

0:39:08.719 --> 0:39:13.640
<v Speaker 2>So with him, that's a major component to the longevity conversation. Anyway,

0:39:13.680 --> 0:39:19.000
<v Speaker 2>when you're writing, like you know, you compare like music

0:39:19.040 --> 0:39:22.360
<v Speaker 2>to film. You know, there aren't a lot of movie

0:39:22.400 --> 0:39:27.759
<v Speaker 2>writers that write themselves into the script and play themselves

0:39:28.080 --> 0:39:30.960
<v Speaker 2>in the movie as themselves, you know what I mean.

0:39:32.000 --> 0:39:36.000
<v Speaker 2>So they're not like image integrated vertically, whereas like a

0:39:36.080 --> 0:39:38.439
<v Speaker 2>rap you might a lot of these guys they're they've

0:39:38.520 --> 0:39:42.560
<v Speaker 2>written a character for a TV series that comes out

0:39:42.560 --> 0:39:45.120
<v Speaker 2>in albums instead of seasons, so to speak, and they're

0:39:45.120 --> 0:39:47.239
<v Speaker 2>just gonna keep making another season in another season of

0:39:47.280 --> 0:39:48.640
<v Speaker 2>the season because they don't give a fuck because they're

0:39:48.719 --> 0:39:52.920
<v Speaker 2>Joe Blow and you know, a little such and such

0:39:52.960 --> 0:39:55.920
<v Speaker 2>as their name on on wax and who cares, you know.

0:39:55.960 --> 0:39:59.319
<v Speaker 2>But the guys who are more like I'm saying what

0:39:59.440 --> 0:40:01.279
<v Speaker 2>I feel, this is a reputation of me and the

0:40:01.360 --> 0:40:04.360
<v Speaker 2>no no, no, that's I think a whole different party

0:40:04.440 --> 0:40:12.440
<v Speaker 2>because now their genuine, authentic evolution through time and life

0:40:13.480 --> 0:40:17.480
<v Speaker 2>becomes party to the representation of the music and opposed

0:40:17.520 --> 0:40:21.040
<v Speaker 2>to just like Rick could make fictitious Rick albums for

0:40:21.120 --> 0:40:22.879
<v Speaker 2>now the next thirty years, it's gonna be the same

0:40:22.960 --> 0:40:26.160
<v Speaker 2>fucking thing. It don't even matter you care. Yeah, he

0:40:26.200 --> 0:40:30.439
<v Speaker 2>can rap about cars and kilos until he's ninety five,

0:40:30.600 --> 0:40:33.600
<v Speaker 2>because Rick Ross in that case doesn't exist.

0:40:34.520 --> 0:40:39.200
<v Speaker 1>Sure, it's just a character for a television show for it. Yeah,

0:40:39.239 --> 0:40:44.879
<v Speaker 1>that's true, that's true. I don't know. I don't what's

0:40:44.920 --> 0:40:47.600
<v Speaker 1>crazy is my problem? The way I feel at my

0:40:47.680 --> 0:40:53.799
<v Speaker 1>age now, being forty right, is like the song is

0:40:53.920 --> 0:40:57.560
<v Speaker 1>no longer as much of a platform as it once was,

0:40:58.760 --> 0:41:00.440
<v Speaker 1>you know what I mean? Like it's limit it, like

0:41:00.520 --> 0:41:01.240
<v Speaker 1>I'm limited.

0:41:01.760 --> 0:41:02.200
<v Speaker 3>Yeah.

0:41:02.600 --> 0:41:05.719
<v Speaker 2>I hear that with one of my favorite rappers as

0:41:05.760 --> 0:41:10.640
<v Speaker 2>he got a little older, bun By, Like the content

0:41:10.680 --> 0:41:12.480
<v Speaker 2>that he's trying to put out either A you don't

0:41:12.520 --> 0:41:14.799
<v Speaker 2>understand it or B you don't understand how to put

0:41:14.840 --> 0:41:19.359
<v Speaker 2>into the song because the time confines and word limitations

0:41:19.400 --> 0:41:21.960
<v Speaker 2>of the song and what you're trying to say.

0:41:22.680 --> 0:41:25.359
<v Speaker 1>They don't mix how much wisdom bun b would try

0:41:25.360 --> 0:41:27.440
<v Speaker 1>to stuff in a fucking song, How much wisdom he

0:41:27.520 --> 0:41:31.080
<v Speaker 1>has at this point, it's almost like that's but I

0:41:31.080 --> 0:41:35.680
<v Speaker 1>think it's a mad medium. It's medium face be like, yeah,

0:41:35.680 --> 0:41:37.880
<v Speaker 1>it's just hard, and I didn't and I'm like, what

0:41:37.920 --> 0:41:39.799
<v Speaker 1>you mean is who are you scarfaced? But it's like

0:41:40.880 --> 0:41:43.400
<v Speaker 1>his ideas can no longer. It's hard for him to

0:41:43.440 --> 0:41:47.560
<v Speaker 1>express his ideas in three minutes in twenty seconds. It's

0:41:47.560 --> 0:41:48.960
<v Speaker 1>hard for me to do it, you know what I mean.

0:41:48.960 --> 0:41:50.520
<v Speaker 1>And don't get me wrong, like I think ice T

0:41:50.719 --> 0:41:52.880
<v Speaker 1>is putting out an album right now at sixty five

0:41:53.400 --> 0:41:55.960
<v Speaker 1>with some new gangster rap stories because ice T is

0:41:56.000 --> 0:42:00.960
<v Speaker 1>that kind of character. But the advice I would I

0:42:00.960 --> 0:42:04.719
<v Speaker 1>would really give to all of all of my predecessors,

0:42:04.760 --> 0:42:07.640
<v Speaker 1>the guys that I grew up listening to and enjoying

0:42:07.680 --> 0:42:12.520
<v Speaker 1>my whole life is ll says something really important in

0:42:12.560 --> 0:42:15.160
<v Speaker 1>that statement where he said hip hop is not a sport.

0:42:15.280 --> 0:42:18.400
<v Speaker 1>It's not a sport. It's not really a competition, as

0:42:18.440 --> 0:42:20.560
<v Speaker 1>much as it feels like it is, it's not. It's

0:42:20.640 --> 0:42:22.960
<v Speaker 1>really art's artistry, you know what I mean? And you

0:42:23.400 --> 0:42:26.080
<v Speaker 1>putting whatever you putting on them, like still refer to

0:42:26.120 --> 0:42:31.320
<v Speaker 1>the pyramid walls. So you whoever's listening to this podcast,

0:42:31.360 --> 0:42:35.200
<v Speaker 1>is dog listening, if dre listening, if quick listening, you

0:42:35.239 --> 0:42:39.480
<v Speaker 1>are not restricted to play by rules. You are the architect,

0:42:39.600 --> 0:42:42.680
<v Speaker 1>so you can make right. Now, DJ Quick can come

0:42:42.719 --> 0:42:45.080
<v Speaker 1>out ice ta cond come out with an eight minute song.

0:42:45.280 --> 0:42:48.840
<v Speaker 1>If it's interesting and he does what he does, I

0:42:48.960 --> 0:42:51.640
<v Speaker 1>probably listen to all eight minutes. Now would it assimilate

0:42:51.719 --> 0:42:55.120
<v Speaker 1>into mainstream? Is gonna be different?

0:42:55.640 --> 0:42:58.600
<v Speaker 2>That's an interesting observation. And you talk about the confidence

0:42:58.640 --> 0:43:01.080
<v Speaker 2>of time and messaging. There's been a pivot in media

0:43:01.200 --> 0:43:04.399
<v Speaker 2>from these short you know, the thirty minute news show

0:43:04.440 --> 0:43:07.360
<v Speaker 2>that's gonna have four guests on, They're gonna be for

0:43:07.880 --> 0:43:12.200
<v Speaker 2>two minute interview segments. The guest feels misrepresented, no information

0:43:12.280 --> 0:43:15.239
<v Speaker 2>is conveyed, it's a bunch of horseshit or rogan in

0:43:15.320 --> 0:43:17.120
<v Speaker 2>the podcast where we're gonna have this guy come on

0:43:17.160 --> 0:43:19.919
<v Speaker 2>and let him tell it from beginning to end on

0:43:20.000 --> 0:43:23.400
<v Speaker 2>his terms. In totality, I think older rappers need to

0:43:23.400 --> 0:43:25.560
<v Speaker 2>not do songs and albums. They need to do like

0:43:25.680 --> 0:43:28.640
<v Speaker 2>the podcast. I'm gonna come out with one song, it's

0:43:28.680 --> 0:43:34.120
<v Speaker 2>fifty five minutes, enjoy and I'm gonna say the whole thing.

0:43:35.640 --> 0:43:38.080
<v Speaker 1>Well, sure you can do that too, but I'm saying

0:43:40.960 --> 0:43:43.640
<v Speaker 1>so since I've announced that I was putting out an album, right,

0:43:44.760 --> 0:43:46.680
<v Speaker 1>I was like, yeah, I'm gonna sell some physical copies

0:43:46.719 --> 0:43:48.680
<v Speaker 1>and some albums, Like, I'm gonna sell some physical copies,

0:43:48.680 --> 0:43:50.879
<v Speaker 1>but I'm gonna make it a novelty thing because I'm

0:43:50.920 --> 0:43:53.480
<v Speaker 1>in LA and I'm like society so far ahead. Nobody

0:43:53.520 --> 0:43:58.920
<v Speaker 1>has CD players wrong as shit wrong, Like I just

0:43:58.960 --> 0:44:03.040
<v Speaker 1>had to reorder on over four hundred plus copies of

0:44:03.080 --> 0:44:08.560
<v Speaker 1>physical albums autograph right. And it's because at this point

0:44:08.640 --> 0:44:11.640
<v Speaker 1>in my life, I don't have to play by rules.

0:44:12.040 --> 0:44:14.799
<v Speaker 2>I got the best idea for the crypt Store, tell me,

0:44:15.719 --> 0:44:18.520
<v Speaker 2>because I don't have a CD player. Sure, but I

0:44:18.600 --> 0:44:22.080
<v Speaker 2>used to mail CD players, Yeah, back and back and forth.

0:44:23.280 --> 0:44:26.920
<v Speaker 2>The crypt Store should come out with a custom CD

0:44:27.040 --> 0:44:29.600
<v Speaker 2>player with the stash spot built in.

0:44:33.160 --> 0:44:36.200
<v Speaker 1>You hear this, crazy one of the fucker I used

0:44:36.239 --> 0:44:38.840
<v Speaker 1>to pack work and electronics and mail them, Bro, that

0:44:38.880 --> 0:44:44.600
<v Speaker 1>would be fucking great work on man. But the point

0:44:44.640 --> 0:44:48.040
<v Speaker 1>I'm making is I just think that again, all of

0:44:48.080 --> 0:44:50.680
<v Speaker 1>the people I grew up listening to like be agit,

0:44:50.760 --> 0:44:53.880
<v Speaker 1>you don't have to play by rules, Like That's the

0:44:53.920 --> 0:44:57.120
<v Speaker 1>one thing I caught right when I started working on this.

0:44:57.520 --> 0:45:01.280
<v Speaker 1>There is no rules there. There's rules if you're younger.

0:45:02.200 --> 0:45:04.880
<v Speaker 1>When you get older, like Steve said, there is no rules.

0:45:04.920 --> 0:45:07.000
<v Speaker 1>People have to take it from you how you dish it?

0:45:07.200 --> 0:45:10.239
<v Speaker 1>He right, like older people be acting like dis but

0:45:10.280 --> 0:45:12.319
<v Speaker 1>you take it because you're like, man, the motherfuckersn't live

0:45:12.320 --> 0:45:14.399
<v Speaker 1>their life, you know what I mean, and you look

0:45:14.440 --> 0:45:15.200
<v Speaker 1>at it differently.

0:45:15.280 --> 0:45:17.800
<v Speaker 3>So I think.

0:45:18.960 --> 0:45:22.239
<v Speaker 1>How you really beat agism is you don't play by

0:45:22.239 --> 0:45:25.799
<v Speaker 1>the rules that younger people play by. I think if

0:45:25.800 --> 0:45:28.560
<v Speaker 1>you try to play in the confined, you know, and

0:45:28.600 --> 0:45:32.520
<v Speaker 1>the constraints of where today's hip hop is, that's when

0:45:32.560 --> 0:45:34.879
<v Speaker 1>you start to realize you old, you know what I mean.

0:45:34.880 --> 0:45:36.920
<v Speaker 1>You're like, oh, I can't do what this John he's doing,

0:45:37.280 --> 0:45:39.240
<v Speaker 1>But you don't have to do that in the first place.

0:45:39.680 --> 0:45:43.719
<v Speaker 1>There is benefits in today's time of how hip hop

0:45:43.760 --> 0:45:47.480
<v Speaker 1>has evolved into this space. You could take, like I

0:45:47.600 --> 0:45:50.319
<v Speaker 1>take pieces of it, little parts of it. I'm like,

0:45:50.320 --> 0:45:50.920
<v Speaker 1>oh I like that.

0:45:51.000 --> 0:45:51.440
<v Speaker 3>I like that.

0:45:51.520 --> 0:45:53.960
<v Speaker 1>But then I do what I want to do and

0:45:54.000 --> 0:45:57.600
<v Speaker 1>it entertains everybody at that point because I don't have

0:45:57.680 --> 0:45:59.160
<v Speaker 1>to play by the rules.

0:46:00.120 --> 0:46:04.719
<v Speaker 2>Pop now is it's a multi generational, you know, experience,

0:46:04.880 --> 0:46:08.040
<v Speaker 2>not only on the product production side, from the artist side.

0:46:08.080 --> 0:46:13.640
<v Speaker 2>It's now a multi generational consumer experience. Sure, so you know,

0:46:14.120 --> 0:46:19.359
<v Speaker 2>the forty three year old lifelong hip hop fan has

0:46:19.400 --> 0:46:22.000
<v Speaker 2>a different appetite than the nineteen year old hip hop

0:46:22.040 --> 0:46:25.160
<v Speaker 2>fan does. So you see, so the marketplace is now

0:46:25.280 --> 0:46:27.120
<v Speaker 2>very different on the consumption side as well.

0:46:28.160 --> 0:46:31.279
<v Speaker 1>I just think, I think, even to go further with

0:46:31.360 --> 0:46:34.400
<v Speaker 1>that point, I think people just want dope shit. They

0:46:34.400 --> 0:46:36.799
<v Speaker 1>don't give a fuck long as it's creative. I think

0:46:36.840 --> 0:46:39.560
<v Speaker 1>you can write a rap movie where everybody rapping and

0:46:39.640 --> 0:46:42.560
<v Speaker 1>everybody and watch it. I literally can make an album,

0:46:42.880 --> 0:46:45.680
<v Speaker 1>make a mini series, put it on my YouTube, and

0:46:45.760 --> 0:46:49.800
<v Speaker 1>drop it weekly. Like so a lot of my fears

0:46:49.840 --> 0:46:52.840
<v Speaker 1>is the music is my constraint, right because it's like

0:46:54.080 --> 0:46:59.680
<v Speaker 1>the time words. But really, like like Ll said in

0:46:59.760 --> 0:47:04.200
<v Speaker 1>that interview, like he's like, like, it's more based off

0:47:04.239 --> 0:47:06.719
<v Speaker 1>my own insecurities. Even when I listen to Still, it's

0:47:06.719 --> 0:47:10.640
<v Speaker 1>based off of his insecurities versus going out and just

0:47:10.680 --> 0:47:13.560
<v Speaker 1>being amazingly dope, like we could be standing on top

0:47:13.560 --> 0:47:14.120
<v Speaker 1>of our head.

0:47:14.719 --> 0:47:18.800
<v Speaker 2>Do me a favor, Just get any beat and loopid

0:47:19.000 --> 0:47:22.239
<v Speaker 2>for twenty four minutes and once a week, like a

0:47:22.360 --> 0:47:25.279
<v Speaker 2>sitcom would be twenty four minutes long on television in

0:47:25.280 --> 0:47:30.680
<v Speaker 2>the nineties. Just do a no hooks cast twenty four minute.

0:47:33.640 --> 0:47:36.160
<v Speaker 3>Man with the intention span people got today. Man, I

0:47:36.160 --> 0:47:36.680
<v Speaker 3>don't even know.

0:47:36.760 --> 0:47:39.759
<v Speaker 1>I'm not you know what. That's what I'm not conceding,

0:47:39.920 --> 0:47:44.239
<v Speaker 1>that mentality of atensive span. That is literally what has

0:47:44.560 --> 0:47:47.160
<v Speaker 1>fucked up a lot of art. Believing what people's intensive

0:47:47.200 --> 0:47:50.719
<v Speaker 1>spent are. People will pay attention to dope shit. That

0:47:50.760 --> 0:47:52.920
<v Speaker 1>won't be the fuck if that shit is two hours

0:47:52.920 --> 0:47:56.560
<v Speaker 1>of dope shit. It don't matter if it's two seconds

0:47:56.560 --> 0:47:59.520
<v Speaker 1>of dope shit or two hours of dope shit. You

0:48:00.640 --> 0:48:03.440
<v Speaker 1>don't believe that's a little bit, Well no, because I'm

0:48:03.440 --> 0:48:05.760
<v Speaker 1>gonna tell you why I don't. I've put out songs.

0:48:05.840 --> 0:48:08.160
<v Speaker 1>Kanye should have never made that bit just four minutes,

0:48:08.200 --> 0:48:08.720
<v Speaker 1>five minutes.

0:48:09.360 --> 0:48:13.839
<v Speaker 2>Rogan got a Brazilion that that ship is eternal. That's

0:48:13.960 --> 0:48:17.160
<v Speaker 2>half a day of television content, for Christ's sake, for CNN.

0:48:17.600 --> 0:48:22.960
<v Speaker 1>It's eternal, not like I think if you if your own,

0:48:23.080 --> 0:48:26.000
<v Speaker 1>if your mind state is I want to market it

0:48:26.040 --> 0:48:29.640
<v Speaker 1>to the kids that I think are hip. He probably

0:48:29.719 --> 0:48:34.080
<v Speaker 1>never marketed to just hip kids, right, that's we that

0:48:34.239 --> 0:48:37.480
<v Speaker 1>was just our lives. It was always marketed to Peter

0:48:37.640 --> 0:48:41.440
<v Speaker 1>in Middle America. It was always marketed to them. That

0:48:41.560 --> 0:48:44.040
<v Speaker 1>was the goal to get it to where Middle America

0:48:44.239 --> 0:48:47.279
<v Speaker 1>was they're the biggest consumers of hip hop as far

0:48:47.320 --> 0:48:48.279
<v Speaker 1>as the music.

0:48:48.760 --> 0:48:53.080
<v Speaker 2>And now I think songs people you know, markets learned.

0:48:54.120 --> 0:48:56.360
<v Speaker 2>So the songs that make the most money are like

0:48:56.440 --> 0:48:58.640
<v Speaker 2>the party songs that dance, the songs that are about

0:48:58.640 --> 0:49:00.200
<v Speaker 2>to be behind it mor than was being said over

0:49:00.239 --> 0:49:01.320
<v Speaker 2>the beat.

0:49:01.360 --> 0:49:03.719
<v Speaker 1>And to add to that, just songs that help you

0:49:03.800 --> 0:49:06.279
<v Speaker 1>escape your regular reality of driving home and being that

0:49:06.360 --> 0:49:06.879
<v Speaker 1>fucking work.

0:49:07.280 --> 0:49:08.640
<v Speaker 2>But like when you go to the even you go

0:49:08.680 --> 0:49:10.880
<v Speaker 2>to the club, the DJ is only you're playing a

0:49:10.880 --> 0:49:12.480
<v Speaker 2>fraction of the song and run into the next. I

0:49:12.480 --> 0:49:14.719
<v Speaker 2>mean dance hall started that in the Island back in

0:49:14.760 --> 0:49:17.320
<v Speaker 2>the day. I mean now it's where songs are getting

0:49:17.320 --> 0:49:20.520
<v Speaker 2>shorter mixes of the shorter songs are getting shorter. People

0:49:20.719 --> 0:49:23.799
<v Speaker 2>just but that's a different experience. If you came out,

0:49:23.840 --> 0:49:25.879
<v Speaker 2>like remember the thing you were talking about where one

0:49:25.880 --> 0:49:31.000
<v Speaker 2>of the rappers dads you you in County. Yeah, yeah,

0:49:32.000 --> 0:49:37.640
<v Speaker 2>if you did a twenty four minute flow that was

0:49:37.880 --> 0:49:41.480
<v Speaker 2>cool about and just called it County and just did

0:49:41.880 --> 0:49:45.160
<v Speaker 2>twenty four minutes of gang module as a story with

0:49:45.400 --> 0:49:46.680
<v Speaker 2>Ryme over a beat.

0:49:46.960 --> 0:49:48.880
<v Speaker 1>R Kelly already proved is with you in the closet.

0:49:49.360 --> 0:49:51.520
<v Speaker 2>Yeah, that would be awesome. If you read the next

0:49:51.520 --> 0:49:54.120
<v Speaker 2>one called The Corner and did twenty four minutes of

0:49:54.200 --> 0:49:57.800
<v Speaker 2>just cooking and selling out the hole in the front door,

0:49:59.360 --> 0:50:02.560
<v Speaker 2>that was y like vividly and you just got to

0:50:02.600 --> 0:50:05.319
<v Speaker 2>be dope heavy. Yeah, you can just tell the whole

0:50:05.320 --> 0:50:07.279
<v Speaker 2>fucking story. I don't have to like touch and go

0:50:07.400 --> 0:50:10.840
<v Speaker 2>and tell. To tell the whole story like a like

0:50:10.880 --> 0:50:15.160
<v Speaker 2>a History Channel documentary overbeat for twenty minutes straight, that

0:50:15.160 --> 0:50:16.240
<v Speaker 2>would be very interesting.

0:50:16.480 --> 0:50:19.000
<v Speaker 1>Yeah, just do one that people will fuck with it.

0:50:19.400 --> 0:50:22.320
<v Speaker 1>I don't know. I don't conceive that attention span shit still,

0:50:22.560 --> 0:50:25.759
<v Speaker 1>I don't fuck with that at all. I believe there's

0:50:25.760 --> 0:50:28.239
<v Speaker 1>an audience of people who want their content in less

0:50:28.239 --> 0:50:31.040
<v Speaker 1>than a minute, and I believe that that audience of

0:50:31.080 --> 0:50:33.640
<v Speaker 1>people will even look at shit that's longer if it's

0:50:33.680 --> 0:50:38.200
<v Speaker 1>fantastic and it has social currency, you know, it comes

0:50:38.239 --> 0:50:43.000
<v Speaker 1>with social currency for viewing it. I think pro must die.

0:50:43.160 --> 0:50:45.640
<v Speaker 1>Like when tuproba much DIBs coming out, everybody was trying

0:50:45.640 --> 0:50:47.640
<v Speaker 1>to tell me how kids wouldn't care, and I'm like,

0:50:48.200 --> 0:50:51.080
<v Speaker 1>it don't matter who is breathing air. It don't matter

0:50:51.120 --> 0:50:55.279
<v Speaker 1>Tupac passed away twenty plus years ago. If shit is good,

0:50:55.480 --> 0:50:59.800
<v Speaker 1>I don't give fuck how old you are you JFK.

0:51:02.000 --> 0:51:04.160
<v Speaker 3>I agree with you one hundred percent. She and one

0:51:04.200 --> 0:51:06.720
<v Speaker 3>thing we need to stop doing is stop fucking catering

0:51:06.800 --> 0:51:07.640
<v Speaker 3>the fucking kids.

0:51:09.360 --> 0:51:15.200
<v Speaker 1>Niggas got McDonald's taste. My little niece. I was telling

0:51:15.239 --> 0:51:19.160
<v Speaker 1>my dad this. We was talking yesterday and we were

0:51:19.200 --> 0:51:20.920
<v Speaker 1>talking and we was talking about how the food has

0:51:21.000 --> 0:51:23.719
<v Speaker 1>changed over times again, back to that Bill's taco conversation.

0:51:24.239 --> 0:51:27.760
<v Speaker 1>He was like, man, it's crazy because you know McDonald's.

0:51:27.800 --> 0:51:30.520
<v Speaker 1>He was saying, McDonald's is surviving, and I said, McDonald's

0:51:30.520 --> 0:51:35.000
<v Speaker 1>survive off children, like when you under when you under ten.

0:51:35.440 --> 0:51:39.160
<v Speaker 1>There's a social currency that comes with getting McDonald's, in

0:51:39.320 --> 0:51:42.640
<v Speaker 1>passing McDonald's, and wanting McDonald's. As soon as a child's

0:51:42.680 --> 0:51:45.560
<v Speaker 1>taste buds grow in. For the most part, most children

0:51:46.320 --> 0:51:48.719
<v Speaker 1>in and out, especially here in southern California, in and

0:51:48.760 --> 0:51:51.480
<v Speaker 1>out becomes a vibe exchange. My niece is like that.

0:51:51.719 --> 0:51:53.840
<v Speaker 1>She used to want happy meals. Now that ship turned

0:51:53.840 --> 0:51:57.360
<v Speaker 1>into a double DOUBLET.

0:51:57.880 --> 0:52:00.920
<v Speaker 3>That ship in and Out is probably the op rated

0:52:00.920 --> 0:52:01.799
<v Speaker 3>restaurant out here.

0:52:02.880 --> 0:52:04.799
<v Speaker 1>I don't think it's a r but I understand why

0:52:04.840 --> 0:52:06.480
<v Speaker 1>you would say that. I used to say that.

0:52:06.680 --> 0:52:08.160
<v Speaker 3>Don't get me wrong. I think it's cool.

0:52:08.360 --> 0:52:11.760
<v Speaker 1>I used to say that too. But if you compare

0:52:11.840 --> 0:52:13.960
<v Speaker 1>In and Out to McDonald's, in and out is like

0:52:14.239 --> 0:52:14.719
<v Speaker 1>the ship.

0:52:15.560 --> 0:52:18.719
<v Speaker 2>I think the thing is in and Out because.

0:52:18.800 --> 0:52:22.480
<v Speaker 3>Because McDonald's got better fries, though.

0:52:22.040 --> 0:52:25.600
<v Speaker 1>McDonald's got better everything, except it's none of it's better

0:52:25.640 --> 0:52:28.080
<v Speaker 1>because you go feel like shit later at the eating

0:52:29.200 --> 0:52:31.799
<v Speaker 1>In and Out is like a mass produced burger, like

0:52:31.840 --> 0:52:34.120
<v Speaker 1>In and Out, Bird King and Carl Junior and all

0:52:34.160 --> 0:52:37.239
<v Speaker 1>that shit, except it's just better than those places. Like

0:52:37.320 --> 0:52:39.799
<v Speaker 1>In and Out is not better than five guys, but

0:52:40.040 --> 0:52:42.480
<v Speaker 1>five guys is probably gonna cost you twenty dollars for

0:52:42.520 --> 0:52:45.520
<v Speaker 1>a meal. You gotta walk in, you gotta kind of

0:52:45.560 --> 0:52:48.080
<v Speaker 1>sit down. There are two different experiences.

0:52:47.520 --> 0:52:50.440
<v Speaker 3>But five guys and it's fired though.

0:52:50.480 --> 0:52:53.120
<v Speaker 1>But in and Out compared to it, it's it's it's

0:52:53.239 --> 0:52:56.239
<v Speaker 1>it's uh, it's it's. It's comparisons, right is.

0:52:56.440 --> 0:52:59.000
<v Speaker 2>It's comparisons are drive through change. I think that.

0:52:59.320 --> 0:52:59.840
<v Speaker 1>I agree.

0:53:00.200 --> 0:53:02.160
<v Speaker 2>I'm not in a big hurry go eat it in

0:53:02.200 --> 0:53:03.799
<v Speaker 2>and out, but I'm not a big hurry to go

0:53:03.800 --> 0:53:04.960
<v Speaker 2>eat it in the drafting burger.

0:53:05.040 --> 0:53:05.239
<v Speaker 1>Chance.

0:53:05.560 --> 0:53:09.200
<v Speaker 3>Well, I tell you this, Wendy's definitely is underrated. Wendy's

0:53:09.200 --> 0:53:10.880
<v Speaker 3>and Burger King got some pretty good burgers.

0:53:11.320 --> 0:53:13.000
<v Speaker 1>Wendy's is my favorite burger.

0:53:13.880 --> 0:53:15.320
<v Speaker 2>I love the spiced chicken sandwich.

0:53:15.480 --> 0:53:18.200
<v Speaker 1>But other than that, I like, I'll get a double.

0:53:18.280 --> 0:53:21.759
<v Speaker 1>I'll get a Dave's double, no onions extra mao. They

0:53:21.800 --> 0:53:24.000
<v Speaker 1>got a little package of chili sauce. It's like a hot,

0:53:24.000 --> 0:53:26.840
<v Speaker 1>spicy sauce. I put it on that motherfucker too. That

0:53:26.880 --> 0:53:28.120
<v Speaker 1>motherfucker be hidden.

0:53:30.120 --> 0:53:34.320
<v Speaker 3>And lemonade taste nice andgether that ship is sweet and tangy, purpose.

0:53:34.200 --> 0:53:39.200
<v Speaker 1>True true, In and I got a lot of hacks though,

0:53:39.200 --> 0:53:41.279
<v Speaker 1>because In and Out got the Flying Dutchman with the

0:53:41.320 --> 0:53:44.680
<v Speaker 1>onion ring top and bottom. In and I got chopped Chili's.

0:53:44.680 --> 0:53:46.920
<v Speaker 1>Go get your double double, said, I want chopped chilis.

0:53:47.120 --> 0:53:48.520
<v Speaker 3>What's the name of the one with the onion rings

0:53:48.520 --> 0:53:51.919
<v Speaker 3>on the flying Dutchman. I'm gonna get that next time.

0:53:51.640 --> 0:53:54.080
<v Speaker 2>It sounds like a bizarre sexual position.

0:53:54.560 --> 0:53:55.000
<v Speaker 3>It does.

0:53:55.320 --> 0:53:56.880
<v Speaker 1>But tell them you want that, you want to you

0:53:56.920 --> 0:53:59.080
<v Speaker 1>want the onion rings top and bottom, and they give

0:53:59.120 --> 0:54:02.680
<v Speaker 1>you a burger with grilled onions topping bottom, Like that's

0:54:02.719 --> 0:54:05.399
<v Speaker 1>your bun that should be hidden. But In and Out

0:54:05.440 --> 0:54:07.000
<v Speaker 1>got a lot of good hacks. In and Out. I

0:54:07.040 --> 0:54:09.440
<v Speaker 1>get it, like i've for years that In and Out

0:54:09.480 --> 0:54:12.640
<v Speaker 1>is overrated. But it's only overrated the way people rat it,

0:54:13.080 --> 0:54:16.680
<v Speaker 1>but in comparison to its counterparts at that time, because

0:54:16.760 --> 0:54:20.120
<v Speaker 1>they really you know what I mean, it is, well,

0:54:20.200 --> 0:54:23.320
<v Speaker 1>McDonald's actually tastes good. That's the problem. It's just not doesn't.

0:54:23.800 --> 0:54:26.200
<v Speaker 2>They don't taste good. The ice cream, the sweet tea,

0:54:26.200 --> 0:54:27.359
<v Speaker 2>and the fries is all that they got.

0:54:28.239 --> 0:54:30.759
<v Speaker 3>It's just bad. You're bad.

0:54:30.960 --> 0:54:33.799
<v Speaker 2>They're bad, are they They're bad? They're bad bad.

0:54:33.880 --> 0:54:36.200
<v Speaker 1>You know what, Maybe I'm just conditioned on McDonald's.

0:54:36.320 --> 0:54:38.520
<v Speaker 2>I hadn't tried. I hadn't had chicken nuggets in a

0:54:38.520 --> 0:54:39.759
<v Speaker 2>few years ago. I had them for the first time

0:54:39.800 --> 0:54:42.480
<v Speaker 2>fifteen years. I had one. I say, for as chief

0:54:42.520 --> 0:54:43.719
<v Speaker 2>as it is, I'm gonna throw it out and go.

0:54:43.840 --> 0:54:45.840
<v Speaker 1>You know what, it don't really taste like chicken.

0:54:47.040 --> 0:54:50.280
<v Speaker 2>That's very true. That's that's uncomfortably true.

0:54:50.400 --> 0:54:52.520
<v Speaker 1>Yeah, and I think that's the problem.

0:54:52.560 --> 0:54:55.200
<v Speaker 2>So but you know my Wendy's hack though, real quick,

0:54:56.520 --> 0:54:58.160
<v Speaker 2>I get the same thing. What is every time I

0:54:58.160 --> 0:55:00.279
<v Speaker 2>get the spicy chicken sandwich with no male and you

0:55:00.280 --> 0:55:02.600
<v Speaker 2>got to ask for the salad ranch because that stupid

0:55:02.600 --> 0:55:05.400
<v Speaker 2>packet ranch is shit. But the cold chilled fresh salad

0:55:05.440 --> 0:55:09.000
<v Speaker 2>ranch and the that's it, dip the spiced chicken in

0:55:09.040 --> 0:55:10.240
<v Speaker 2>the salad ranch, You're winning.

0:55:10.480 --> 0:55:14.120
<v Speaker 1>Okay, you need to add this chili sauce on your

0:55:14.160 --> 0:55:16.239
<v Speaker 1>will ask for that. That shit gonna fuck your life.

0:55:16.280 --> 0:55:18.680
<v Speaker 1>I will ask for that. I bring a kick to it.

0:55:19.000 --> 0:55:21.640
<v Speaker 3>I'm gonna tell you. One thing I think I always

0:55:21.680 --> 0:55:23.920
<v Speaker 3>wanted to do was this. I always wanted to open

0:55:24.000 --> 0:55:26.440
<v Speaker 3>up a burger stand. I think I would serve the

0:55:26.480 --> 0:55:29.560
<v Speaker 3>best hamburgers around. I would serve definitely. I would never.

0:55:29.600 --> 0:55:32.400
<v Speaker 3>I wouldn't serve anything but lemonade burgers and fries.

0:55:32.600 --> 0:55:34.239
<v Speaker 1>You remember Mikes and Bellflower.

0:55:34.680 --> 0:55:36.880
<v Speaker 3>Yeah, I STU love big mics that used to be

0:55:37.000 --> 0:55:40.319
<v Speaker 3>like that. Yeah, but that's how my ship would be right,

0:55:40.440 --> 0:55:43.319
<v Speaker 3>and my French fries would be hand cut. I would

0:55:43.320 --> 0:55:45.680
<v Speaker 3>have potatoes back there, would actually cut my potatoes.

0:55:46.000 --> 0:55:47.160
<v Speaker 1>Your food gonna take forever.

0:55:48.080 --> 0:55:50.560
<v Speaker 3>Hey, it don't matter. If you want some bullshit burger,

0:55:50.560 --> 0:55:52.239
<v Speaker 3>go and wait the line of McDonald's. You want some

0:55:52.280 --> 0:55:53.840
<v Speaker 3>good shit, come sit with me. I ain't gonna be

0:55:53.840 --> 0:55:55.120
<v Speaker 3>no more than fifteen twenty minutes.

0:55:55.320 --> 0:55:57.719
<v Speaker 2>It'd be so funny if if you ran the name

0:55:57.800 --> 0:55:59.600
<v Speaker 2>and called it steel stainless Burger.

0:56:01.000 --> 0:56:03.799
<v Speaker 3>That'd be cool. That'd be some cool shit. That's we're

0:56:03.800 --> 0:56:05.160
<v Speaker 3>gonna do with the burger pitt. I'm gonna be out

0:56:05.160 --> 0:56:06.200
<v Speaker 3>there really cooking hamburgers.

0:56:07.280 --> 0:56:10.239
<v Speaker 1>Watch up with it this show, Look Glasses Malone. My

0:56:10.360 --> 0:56:13.640
<v Speaker 1>new album Cancer These Nuts is available September twenty second,

0:56:13.680 --> 0:56:15.960
<v Speaker 1>But to any supporter who wants to hear the album

0:56:16.040 --> 0:56:18.799
<v Speaker 1>right now, I just partner with an amazing new platform,

0:56:18.960 --> 0:56:21.560
<v Speaker 1>even dot Bizz. The link is in my bio. You

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<v Speaker 1>can listen to the album right now and pay what

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<v Speaker 1>you want. What's more player than that live Q and

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<v Speaker 1>A's listening parties vinyls Hell. You might even gain access

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<v Speaker 1>to the release party where we perform the album with

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<v Speaker 1>a live band. Shout out to the Furnace Band. So

0:56:34.200 --> 0:56:36.120
<v Speaker 1>if you want to hear the album right now, go

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<v Speaker 1>sign up with even aka even dot biz right now.

0:56:40.880 --> 0:56:48.120
<v Speaker 1>Yeuh good? Looking out for tuning into the Note Sellers podcast.

0:56:48.400 --> 0:56:51.200
<v Speaker 1>Please do us a favorite, subscribe, rate, comment, and share.

0:56:51.600 --> 0:56:54.040
<v Speaker 1>This episode was recorded right here on the West coast

0:56:54.040 --> 0:56:57.239
<v Speaker 1>of the USA and produced by my homeboys A King

0:56:57.320 --> 0:57:00.360
<v Speaker 1>for the Black Effect Podcast Network and now Hard Radio.

0:57:00.880 --> 0:57:07.200
<v Speaker 1>Yeah h