WEBVTT - Teen Beach Movie

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<v Speaker 1>Sabrina, where are you? You look like you're in the

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<v Speaker 1>witness witness relocation. Hold up today's newspaper, so I know

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<v Speaker 1>you're doing okay? Where are you?

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<v Speaker 2>I'm in to Loom, Mexico today.

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<v Speaker 1>Nice.

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<v Speaker 2>I'm in from a vaca that my husband and I

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<v Speaker 2>are so excited to get out and Jess, we're going

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<v Speaker 2>to go do lots of sight scene.

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<v Speaker 3>We're super stoked about that. We were here five years.

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<v Speaker 2>Ago, came here for a wedding, had lots of plans,

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<v Speaker 2>wedding took over for our friend, didn't make the sight

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<v Speaker 2>scene that we wanted to. This trip, we're doing it.

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<v Speaker 1>So is it just it's just an adult trip? Did

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<v Speaker 1>you you drop the kiddos with the with the baby Sea?

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<v Speaker 2>I know, so, of course it's a balance of anxiety

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<v Speaker 2>and letting go. I don't know, I've still Monroe's almost.

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<v Speaker 3>Four and I still just haven't really conquered it yet.

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<v Speaker 2>But it's really really good for me as an individual,

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<v Speaker 2>and of course you know that's my husband.

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<v Speaker 1>You apparently the best way medically to achieve that balance

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<v Speaker 1>not having kids.

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<v Speaker 2>Yes, I know, I would say they gave me a

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<v Speaker 2>welcome drink that I was excited for savoring till I

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<v Speaker 2>got in the room to just sip on and it

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<v Speaker 2>turns out it's it's like water ice and triple sex.

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<v Speaker 1>Okay, well, you have to.

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<v Speaker 2>Call down to that front desk and Melvin, I don't

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<v Speaker 2>feel very welcome.

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<v Speaker 1>Demand more tequila, Demand more tequila. Well, seeing as you're

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<v Speaker 1>at a beach front resort, I think it fits in

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<v Speaker 1>kind of perfectly, I know, with what we're doing today.

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<v Speaker 1>First of all, let's just say welcome to Magical Rewind,

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<v Speaker 1>the show that makes you want to grab your friends,

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<v Speaker 1>your pjs and your popcorn and go back to a

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<v Speaker 1>time when all the houses are smart, the waves tsunamis

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<v Speaker 1>and the high school's musical.

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<v Speaker 2>I'm Wilford L And I'm Sabrina, and the beaches are sunny,

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<v Speaker 2>so com damn wow.

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<v Speaker 1>Are you ready, Freddy? Are you ready? Steady?

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<v Speaker 2>Am ready ready ready?

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<v Speaker 1>Okay, good, because it is officially time to hang ten

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<v Speaker 1>groovy daddy. Oh, because this week we're diving into twenty

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<v Speaker 1>thirteen's teen Beach movie. This next sentence might be my

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<v Speaker 1>favorite sentence I've ever read a time traveling surf movie

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<v Speaker 1>with an obvious title. I think that's the best. I

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<v Speaker 1>don't know why they didn't just go with Joni Tsunami,

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<v Speaker 1>which could have been a kind of a fun way

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<v Speaker 1>to do it. It would be hard to different. Well,

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<v Speaker 1>it is. It's very different. I I was just about

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<v Speaker 1>to say a terrible joke and I'm not going to. Wow.

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<v Speaker 1>They never broken a song during Johnny Tsunami, so it

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<v Speaker 1>was easy.

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<v Speaker 2>To age it would be.

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<v Speaker 1>It would be hard to ignore the fact that this

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<v Speaker 1>movie is coming off of the immense ridiculous success of

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<v Speaker 1>High School Musical for the Disney Channel. So there is

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<v Speaker 1>a bit of reverse engineering here, with a very large

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<v Speaker 1>focus on musical numbers, dance routines, and just crazy good

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<v Speaker 1>looking actors. So much so that the original title of

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<v Speaker 1>this piece was teen Beach Musical. Okay, so that's what

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<v Speaker 1>they were doing. This one is available to stream now

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<v Speaker 1>on Disney Plus. So go and watch it and get

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<v Speaker 1>cued in and everything we're gonna talk about, or or

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<v Speaker 1>don't I say, flip a coin and just stick.

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<v Speaker 2>Whatever it spray tans, y'all, Oh, are those good for you?

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<v Speaker 1>Aren't those the bat No, it's the it's the those

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<v Speaker 1>are the it's the tanning beds that are bad for you?

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<v Speaker 2>Right? Are fine? Those are those are fine?

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<v Speaker 1>Okay, I prefer just the sun. There's a bunch of

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<v Speaker 1>very mild reviews from critics on this coming of age tale.

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<v Speaker 1>Entertainment Weekly gave it a C grade, loving two of

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<v Speaker 1>the songs of the movie, but quote the rest was

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<v Speaker 1>dull as sand. Variety bashed the casting and said though

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<v Speaker 1>it plays like a brightly colored beach blanket, it is

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<v Speaker 1>rough around its sandy edges. But even with this in mind,

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<v Speaker 1>the United States premiere received a whopping eight point four

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<v Speaker 1>million viewers in its first airing and a total of

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<v Speaker 1>thirteen point five million after just seven days on DVR,

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<v Speaker 1>making it the second highest rated movie in cable history people,

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<v Speaker 1>behind only High School Musical two. This time it's personal.

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<v Speaker 1>I don't know if that's actually the name of High

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<v Speaker 1>School Musical too. I haven't seen them yet. I'm sure

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<v Speaker 1>I'm wrong. Not it's not. That might have been Jaws four. No,

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<v Speaker 1>that's the Revenge. This was a massive, massive success for

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<v Speaker 1>Disney Channel and one big reason for the highly watched premiere.

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<v Speaker 1>The Disney Channel worked with some band called One Direction.

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<v Speaker 1>If I'm reading that right, I'm not who. I'm not

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<v Speaker 1>sure who they are to film promotional videos for the

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<v Speaker 1>movie to tie into their new hit Best Song Ever,

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<v Speaker 1>which also has an incredibly obvious title and is an

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<v Speaker 1>out and out lie. It's no comfortably numb. Let's be honest, listen.

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<v Speaker 1>I don't mean to blow your mind here, but the

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<v Speaker 1>movie was filmed in Puerto Rico. This was not Utah,

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<v Speaker 1>this was not Vancouver. Could not fake the beaches that

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<v Speaker 1>they needed in either Utah or Vancouver. So it is

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<v Speaker 1>a new destination for the dcom world, and obviously they

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<v Speaker 1>just needed a ton of new beaches. The budget was

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<v Speaker 1>amazingly high for a Disney Channel movie. It was eight

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<v Speaker 1>million dollars, and they certainly made a count because this

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<v Speaker 1>was the only this is okay a thing we've talked about,

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<v Speaker 1>especially in your generation, like your era of dcom. They

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<v Speaker 1>were doing one a month to show how differently it

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<v Speaker 1>is now. This was the only dcom released in all

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<v Speaker 1>of twenty thirteen.

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<v Speaker 2>Yeah that at that point, I feel, just from the

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<v Speaker 2>just being in it, it was okay. Instead of just

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<v Speaker 2>spreading out this big budget to a bunch of movies,

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<v Speaker 2>it started being a little bit more specific. You know again, Internet,

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<v Speaker 2>you know, all different kinds of apps, all that stuff

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<v Speaker 2>was starting to like come about. So they started implementing

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<v Speaker 2>the budget specifically towards better movies.

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<v Speaker 1>Yeah, big big quit like big huge descendancy, kind of

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<v Speaker 1>like tent pole flagship kind of movie things instead of

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<v Speaker 1>just pumping them out.

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<v Speaker 2>When I think back, it's like so sad to think

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<v Speaker 2>because again, at that time, when it was every month,

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<v Speaker 2>I remember being excited every you know, sus Friday or

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<v Speaker 2>whatever that was every month. Then it started to just

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<v Speaker 2>get a little bit more, you know, it started to

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<v Speaker 2>spread out, and I remember hearing from the fans that

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<v Speaker 2>they weren't super excited, but let me tell you, they

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<v Speaker 2>got behind every movie that came out.

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<v Speaker 1>That's the thing. So they became an eventto themselves. Yes,

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<v Speaker 1>And also we were at twenty thirteen, we were getting away,

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<v Speaker 1>really starting to step away from the monoculture thing. So

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<v Speaker 1>it was there was so much content starting to come out,

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<v Speaker 1>so many people watching on different things, that the audience

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<v Speaker 1>was changing. It just wasn't running home from school to

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<v Speaker 1>watch some cool stuff anymore.

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<v Speaker 2>Just totally well. And not only that, but these movies

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<v Speaker 2>were becoming French, so you're talking merch, you're talking h

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<v Speaker 2>tours of some sort or at least big performances of

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<v Speaker 2>some things that like the fans could actually go and experience,

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<v Speaker 2>which I think makes it better for them to be

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<v Speaker 2>able to have these types of opportunities versus just Steph

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<v Speaker 2>Friday night at their own house or friends.

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<v Speaker 1>Ye. Right, but they they were still pumping out xenons

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<v Speaker 1>back in the day.

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<v Speaker 2>I mean, oh gosh, the Cheetah Girls came with the tour.

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<v Speaker 2>We came with the tour.

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<v Speaker 1>We kind of started.

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<v Speaker 2>Yeah, but it was that was That's what I'm saying.

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<v Speaker 2>This was like right in the mecha of all of that,

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<v Speaker 2>and it just it was just a shift. And I

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<v Speaker 2>think there was good things that were awesome because the

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<v Speaker 2>fans could actually come and see us lies, but awesome

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<v Speaker 2>opportunities for the kids to actually and the fans actually

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<v Speaker 2>be able to be in front watching these performances that

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<v Speaker 2>they see on stage.

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<v Speaker 3>However, yes, it did mean that it wasn't happy.

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<v Speaker 1>I mean, as often that's true.

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<v Speaker 2>It's like a sword, right, like how do you win

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<v Speaker 2>each way?

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<v Speaker 1>So obviously, I mean I seem to know the answer

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<v Speaker 1>to this question because I'm guessing I'm the only person

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<v Speaker 1>on the planet that I had never heard of this movie.

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<v Speaker 1>So you had heard of this before we did this right.

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<v Speaker 2>All right, I'm gonna have to really.

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<v Speaker 1>Oh, I'm sorry, so excited for what's about to happen.

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<v Speaker 1>I don't know what it is, and I'm so apry.

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<v Speaker 2>I went into this movie already bummed because when you

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<v Speaker 2>talked about Team Beach, I was like, oh, yeah, totally

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<v Speaker 2>got it. Love it. Can't wait for my Jonas brothers

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<v Speaker 2>to hit the stage. Super stoked. Oh, come to find out,

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<v Speaker 2>I'm the entire wrong movie.

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<v Speaker 1>I was camp Rock.

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<v Speaker 2>I was caamp Rock that we have not done it,

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<v Speaker 2>we are obviously going to do So I went into

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<v Speaker 2>this movie already disappointed, like so, I will tell you

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<v Speaker 2>what how my first thoughts of it later because I

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<v Speaker 2>know we're getting very quickly to that. But I actually

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<v Speaker 2>really in my head thought I had seen this movie,

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<v Speaker 2>but you no. And I just think it's because this

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<v Speaker 2>was during the time of Cheetah that I remember hearing

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<v Speaker 2>about it. I know I've met some of the cast,

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<v Speaker 2>I know we've been at Disney stuff together, and I

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<v Speaker 2>guess I just convinced myself that I had seen this movie.

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<v Speaker 2>Let me tell you, within the first scene, I was.

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<v Speaker 3>Like, nope, nope, never seen before.

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<v Speaker 2>And again I told you, I went into it a

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<v Speaker 2>little bit disappointed because I thought I was gonna see

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<v Speaker 2>my trope brows.

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<v Speaker 1>Is there is there any part of you that still

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<v Speaker 1>thinks this is camp Rock?

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<v Speaker 2>No? No, not at all. No, No, I'm saying like

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<v Speaker 2>I instantly went to like storyline. No, it's totally different.

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<v Speaker 2>This is this. I can't wait to hear what you

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<v Speaker 2>have to say about it, because I got lots to say.

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<v Speaker 1>I let's do it, okay, let's do it all right.

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<v Speaker 1>So obviously I had no idea what this was. But

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<v Speaker 1>before we claim ownership of Big Mama's Bar and Grill,

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<v Speaker 1>let's get into the synopsis. Here, two young surfers are

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<v Speaker 1>swept away by a huge wave, finding themselves acting out

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<v Speaker 1>a real life version of the nineteen sixties film Wait

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<v Speaker 1>for It Wet Side Story, which I'm sorry, no matter

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<v Speaker 1>how many times I heard it just remind me of

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<v Speaker 1>shaving Ryan's privates. It just sounded like a bad porn movie,

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<v Speaker 1>That's all it sounded like to me, So Wet Side Story.

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<v Speaker 1>When their presence derails the movie's intended plot, they must

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<v Speaker 1>set things right in order to return home. Is that

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<v Speaker 1>should I have gone with Harry Twater? Which one would

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<v Speaker 1>have been better.

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<v Speaker 2>Oh my gosh, I just need you to stop these

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<v Speaker 2>an I know it is wet side story.

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<v Speaker 1>This is what they come up with for a Disney movie?

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<v Speaker 1>Are you kidding me?

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<v Speaker 2>That's all I was thinking about when it was on

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<v Speaker 2>the poster though, in the background, when they come in

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<v Speaker 2>after this cute little date we'll get in. I'm sure

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<v Speaker 2>you can talk about the cute little date. They come

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<v Speaker 2>into the search shop and there it is, just on

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<v Speaker 2>the backside.

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<v Speaker 1>I yeah, you think it's a mistake. It's like that

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<v Speaker 1>can't be right. It does? It does? Yep. Okay, it's

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<v Speaker 1>wet side story. Yep. Okay, we'll get back to that.

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<v Speaker 1>I think another easy way to explain this movie to

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<v Speaker 1>anybody who doesn't know anything about it is its beach

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<v Speaker 1>blanket bingo meets pleasant film, which is kind of kind

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<v Speaker 1>of what this is. So here we go the part

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<v Speaker 1>you've been waiting for. Early thoughts. What did you think

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<v Speaker 1>of the film?

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<v Speaker 2>I'm embarrassed. I'm embarrassed, all right, well, not embarrassed, I'm

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<v Speaker 2>nervous because I'm predicting your thoughts.

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<v Speaker 1>I loved it, Okay, okay, there's something wrong with that.

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<v Speaker 2>The once state, one state, we're gonna go into the

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<v Speaker 2>synopsis once they get in to where the world that

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<v Speaker 2>we're gonna live in for the next you know, sixteen minutes.

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<v Speaker 2>I wish no, well, it takes like a little takes it.

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<v Speaker 1>I see what you're saying.

0:12:19.480 --> 0:12:21.600
<v Speaker 2>Yeah, yeah, like that that I was in.

0:12:22.160 --> 0:12:22.480
<v Speaker 1>I was in.

0:12:22.840 --> 0:12:25.880
<v Speaker 2>I was in, I was committed. I loved it. And

0:12:25.920 --> 0:12:30.760
<v Speaker 2>the whole time, you're right here in my head hating

0:12:30.840 --> 0:12:34.280
<v Speaker 2>every not every certain moments as like, oh am I

0:12:34.320 --> 0:12:38.280
<v Speaker 2>subritacy will hate this. Here we are and song and

0:12:38.360 --> 0:12:42.320
<v Speaker 2>dance again for no freaking rip. I will hate it,

0:12:42.360 --> 0:12:43.080
<v Speaker 2>and I'm for it.

0:12:44.320 --> 0:12:50.040
<v Speaker 1>So I watched the movie. Okay, I do not like musicals.

0:12:50.360 --> 0:12:52.920
<v Speaker 1>I do not like when people break into song for

0:12:52.960 --> 0:12:55.440
<v Speaker 1>no reason whatsoever. I find it to be incredibly stupid.

0:12:55.480 --> 0:12:57.800
<v Speaker 1>I always am like, seriously, did you get together and

0:12:57.800 --> 0:13:04.000
<v Speaker 1>rehearse before you got here. I didn't hate this movie, Okay,

0:13:04.240 --> 0:13:07.400
<v Speaker 1>I didn't, And I will say this, I liked it

0:13:07.480 --> 0:13:14.440
<v Speaker 1>better the second time I watched it because of what there. Okay,

0:13:14.679 --> 0:13:17.360
<v Speaker 1>it could have been executed better parts of it, but

0:13:17.640 --> 0:13:21.240
<v Speaker 1>the joke of why are they all breaking in the

0:13:21.320 --> 0:13:24.040
<v Speaker 1>song all the time? This is all created, They're all

0:13:24.080 --> 0:13:26.559
<v Speaker 1>supposed to be beautiful, and it works for me. It

0:13:26.600 --> 0:13:30.200
<v Speaker 1>works for me because it's it's making fun of itself,

0:13:30.559 --> 0:13:34.400
<v Speaker 1>and so because of that, I I like, like, I'm

0:13:34.559 --> 0:13:37.080
<v Speaker 1>I'm glad I watched this before high because if i'm

0:13:37.080 --> 0:13:39.160
<v Speaker 1>I understand high school musical, which I don't really know

0:13:39.160 --> 0:13:42.000
<v Speaker 1>anything about, it's this minus the irony.

0:13:42.520 --> 0:13:45.839
<v Speaker 2>There is no joke about high school correct you understand that, now,

0:13:45.960 --> 0:13:49.240
<v Speaker 2>mister will exactly no joke about high school musical, don't

0:13:49.280 --> 0:13:49.680
<v Speaker 2>you dare?

0:13:50.000 --> 0:13:52.800
<v Speaker 1>That's what I'm saying. That's what I'm saying. I remember

0:13:52.840 --> 0:13:55.400
<v Speaker 1>my brink backlash, so no, but what I'm saying is

0:13:55.520 --> 0:13:57.400
<v Speaker 1>high school musical they just break in the song and

0:13:57.400 --> 0:13:59.720
<v Speaker 1>it's to be expected, whereas t each movie they're breaking

0:13:59.720 --> 0:14:01.920
<v Speaker 1>into song and they joke about the fact there's even

0:14:01.920 --> 0:14:03.960
<v Speaker 1>a song, about the fact that they're breaking in a song.

0:14:04.360 --> 0:14:08.000
<v Speaker 1>So because of that I liked. I mean again, it

0:14:08.120 --> 0:14:10.320
<v Speaker 1>was am I gonna go and be like call my

0:14:10.360 --> 0:14:11.840
<v Speaker 1>friends and be like, dude, you gotta watch TV.

0:14:12.080 --> 0:14:15.600
<v Speaker 2>No, but I'm not telling any of my friends to

0:14:15.679 --> 0:14:18.280
<v Speaker 2>watch these movies. I'm watching these for me.

0:14:18.640 --> 0:14:22.840
<v Speaker 1>Oh but I've seen I've told friends to go watch

0:14:22.920 --> 0:14:26.080
<v Speaker 1>like Color of Friendship are going to the mat? Like

0:14:26.120 --> 0:14:29.880
<v Speaker 1>these are yes this one. Though again, not a huge

0:14:29.880 --> 0:14:33.760
<v Speaker 1>fan of of musicals except for some there's a couple

0:14:33.800 --> 0:14:36.840
<v Speaker 1>that I really like. But there's like music in movies

0:14:36.840 --> 0:14:40.120
<v Speaker 1>as the post musicals. But again because the actors are

0:14:40.160 --> 0:14:44.080
<v Speaker 1>being so over the top, so crazy, and it's all

0:14:44.120 --> 0:14:47.240
<v Speaker 1>about the irony of it being a musical. I thought

0:14:47.280 --> 0:14:47.760
<v Speaker 1>it was fun.

0:14:48.280 --> 0:14:51.960
<v Speaker 2>I was. It made it so much easier to watch

0:14:52.320 --> 0:14:56.080
<v Speaker 2>because the time, the moments where you want to be like, okay,

0:14:56.120 --> 0:14:59.120
<v Speaker 2>it's like not a big deal because it's a part

0:14:59.200 --> 0:15:03.600
<v Speaker 2>of the whole, the entire circle that they are in,

0:15:03.640 --> 0:15:06.720
<v Speaker 2>this little bubble that they live in for so long.

0:15:06.840 --> 0:15:10.960
<v Speaker 2>And I thought it was done so well, we'll get to.

0:15:11.040 --> 0:15:14.880
<v Speaker 1>Oh yeah, big big budget. I mean yeah, they spent

0:15:14.960 --> 0:15:16.320
<v Speaker 1>so Mney. You can tell. You can tell.

0:15:16.320 --> 0:15:19.480
<v Speaker 2>You still a little slip ups that I was saying,

0:15:19.520 --> 0:15:20.840
<v Speaker 2>maybe we could have figured.

0:15:20.520 --> 0:15:23.160
<v Speaker 1>Out how to do that. But she could have been

0:15:23.200 --> 0:15:25.000
<v Speaker 1>a better girlfriend too, I gotta be honest. But we'll

0:15:25.000 --> 0:15:28.080
<v Speaker 1>get into all this. You know, us.

0:15:27.880 --> 0:15:31.280
<v Speaker 2>Women were trying to figure out the balance between being

0:15:31.440 --> 0:15:35.920
<v Speaker 2>strong and still able to love and not letting somebody

0:15:35.920 --> 0:15:38.080
<v Speaker 2>else make our choices. All that kind of stuff.

0:15:38.120 --> 0:15:40.480
<v Speaker 1>All that stuff fine, but you don't break up with

0:15:40.520 --> 0:15:42.520
<v Speaker 1>the guy in the last Day without anyway. We'll get

0:15:42.560 --> 0:15:45.800
<v Speaker 1>it any Okay, So this movie is a real who's

0:15:45.840 --> 0:15:49.440
<v Speaker 1>who of of incredible young Disney actors. It stars Ross Lynch,

0:15:49.440 --> 0:15:52.000
<v Speaker 1>who plays Brady who's the modern day surfrat, and x

0:15:52.200 --> 0:15:55.960
<v Speaker 1>Well becomes ex boyfriend unbeknownst to him of Mac who

0:15:56.040 --> 0:15:57.880
<v Speaker 1>when he goes to save her in the ocean nice

0:15:57.880 --> 0:16:00.880
<v Speaker 1>guy She's going to drown also gets transported to the sixties.

0:16:01.120 --> 0:16:04.080
<v Speaker 1>Ross is an actor and singer, best known as Austin

0:16:04.200 --> 0:16:06.920
<v Speaker 1>from the show Austin and Alley and Harvey Kinkel on

0:16:07.040 --> 0:16:09.720
<v Speaker 1>Chilling Adventures of Sabrina. But this was his first ever movie.

0:16:09.760 --> 0:16:12.160
<v Speaker 1>I think he's also a musician. He was in a

0:16:12.200 --> 0:16:14.800
<v Speaker 1>band and he was a really family yeah, part of

0:16:14.800 --> 0:16:18.280
<v Speaker 1>the Disney Machine. Maya Mitchell is Mac, the lead character.

0:16:18.520 --> 0:16:20.920
<v Speaker 1>She's a surfer forced into an East Coast prep school

0:16:20.920 --> 0:16:24.360
<v Speaker 1>from Hawaii again very Johnny Tsunami, then sent into a

0:16:24.400 --> 0:16:27.320
<v Speaker 1>surfing movie when she tries to catch one last big

0:16:27.360 --> 0:16:30.440
<v Speaker 1>big wave. Then sent into a surfing movie when she

0:16:30.480 --> 0:16:32.720
<v Speaker 1>tries to catch one last big wave. Maya is also

0:16:32.800 --> 0:16:36.520
<v Speaker 1>known as Calli on The Fosters and Good Trouble. John

0:16:36.560 --> 0:16:40.320
<v Speaker 1>De Luca plays Butchie, the head tough biker guy. John

0:16:40.320 --> 0:16:42.960
<v Speaker 1>has been seen on General Hospital, Ugly Betty, and Wizards

0:16:42.960 --> 0:16:45.360
<v Speaker 1>of Waverley Place. Again, Disney likes to It's one thing

0:16:45.360 --> 0:16:47.600
<v Speaker 1>about when you're working for Disney, they really like to

0:16:47.600 --> 0:16:49.640
<v Speaker 1>do put you in a bunch of stuff. Chrissy Fit

0:16:49.760 --> 0:16:53.440
<v Speaker 1>plays Chi Chi, a very grease inspired biker girl. Chrissy

0:16:53.560 --> 0:16:56.920
<v Speaker 1>is best known as Flow in pitch Perfect two and three.

0:16:57.000 --> 0:16:58.280
<v Speaker 1>I'm not even going to talk to you about pitch

0:16:58.320 --> 0:17:00.920
<v Speaker 1>Perfect other than the third one. They're the two of

0:17:00.960 --> 0:17:03.920
<v Speaker 1>the best movies ever made. That's just end of discussion

0:17:03.960 --> 0:17:07.160
<v Speaker 1>movies that makes sense for anyone. So yeah, pitch Perfect

0:17:07.160 --> 0:17:09.399
<v Speaker 1>two and three obviously makes perfect sense that she's in

0:17:09.520 --> 0:17:12.280
<v Speaker 1>teen Beach movie. She's great and pitch Perfect. By the way,

0:17:12.359 --> 0:17:16.520
<v Speaker 1>the first one is up there with the Godfather. Jordan

0:17:16.600 --> 0:17:19.920
<v Speaker 1>Fisher plays Seacat, one of the surfer Bros. And he's

0:17:19.960 --> 0:17:22.240
<v Speaker 1>been in a just ton of Disney shows from I

0:17:22.400 --> 0:17:25.080
<v Speaker 1>Carly to Thunderman's To Live and Maddie and has since

0:17:25.119 --> 0:17:27.119
<v Speaker 1>focus on singing and voice work, heard mostly in the

0:17:27.119 --> 0:17:30.440
<v Speaker 1>movie Turning Red as Robert, a member of Fourth Town.

0:17:31.280 --> 0:17:35.160
<v Speaker 1>And Yeah. One more actor worth noting is Barry Bostwick,

0:17:35.200 --> 0:17:38.399
<v Speaker 1>who plays Big Papa. Barry is a musical legend, and

0:17:38.440 --> 0:17:40.960
<v Speaker 1>he was Brad Major's in the cult classic Rocky Horror

0:17:41.000 --> 0:17:42.760
<v Speaker 1>Picture Show, and they're doing kind of a nice nod

0:17:42.800 --> 0:17:46.159
<v Speaker 1>to the old school musicals. There's a musical that I

0:17:46.160 --> 0:17:48.120
<v Speaker 1>love and watch all the time, Rocky Horror Picture Show,

0:17:48.359 --> 0:17:50.959
<v Speaker 1>which again is a great nod to the singing and

0:17:51.040 --> 0:17:54.280
<v Speaker 1>dancing scene in this movie. It runs ninety five minutes,

0:17:54.320 --> 0:17:56.000
<v Speaker 1>which if we were to ask the bulls Eye directly,

0:17:56.000 --> 0:17:58.560
<v Speaker 1>would say that's five minutes too long, and is directed

0:17:58.560 --> 0:18:01.520
<v Speaker 1>by there were so close. We're so close. Someday we're

0:18:01.560 --> 0:18:03.359
<v Speaker 1>going to be like, it's ninety minutes, It's perfect, and

0:18:03.359 --> 0:18:05.120
<v Speaker 1>no one sings. This movie is the best.

0:18:05.440 --> 0:18:05.760
<v Speaker 2>Uh.

0:18:05.840 --> 0:18:09.399
<v Speaker 1>It's directed by Jeffrey Hornaday. Jeffrey is a choreographer turned

0:18:09.400 --> 0:18:11.119
<v Speaker 1>director at which we've seen a few times already in

0:18:11.200 --> 0:18:14.479
<v Speaker 1>d COM's, most notably with Your Friend Kenny Ortega. His

0:18:14.600 --> 0:18:20.760
<v Speaker 1>resume for choreography is just nuts. He did nineteen eighty

0:18:20.800 --> 0:18:24.080
<v Speaker 1>three's Flash Dance Awesome movie, one of the first movies

0:18:24.080 --> 0:18:25.720
<v Speaker 1>I went to in the theater that my parents had

0:18:25.800 --> 0:18:27.679
<v Speaker 1>their hands over my eyes the entire time because I

0:18:27.680 --> 0:18:29.119
<v Speaker 1>was probably too young to be in the theater, but

0:18:29.160 --> 0:18:32.560
<v Speaker 1>they had two older kids. Streets of Fire, which is

0:18:32.600 --> 0:18:36.320
<v Speaker 1>one of the best ever movies. Diane Lane changed my

0:18:36.359 --> 0:18:38.119
<v Speaker 1>whole life as a kid. Don't even get Me started

0:18:38.440 --> 0:18:39.960
<v Speaker 1>a chorus line Captain.

0:18:39.680 --> 0:18:44.680
<v Speaker 2>Whee pause bas bas a chorus line which Ross Lynch

0:18:44.680 --> 0:18:49.360
<v Speaker 2>and I later do together at Hollywood Bowl just a few.

0:18:49.160 --> 0:18:52.000
<v Speaker 1>Wait you did you did Courus light who Corus?

0:18:52.080 --> 0:18:54.760
<v Speaker 2>Right next to each other? I played Val and we

0:18:54.760 --> 0:18:56.879
<v Speaker 2>were right next to each other. That's where That's how

0:18:56.920 --> 0:19:00.480
<v Speaker 2>I know Ross. So I was loving I I can

0:19:00.520 --> 0:19:01.560
<v Speaker 2>do that, I can do That?

0:19:02.040 --> 0:19:02.760
<v Speaker 1>Was that his whole thing?

0:19:02.840 --> 0:19:07.639
<v Speaker 2>Oh? Okay, now, but they it was we were. It

0:19:07.720 --> 0:19:09.919
<v Speaker 2>was so awesome to see that in the notes because

0:19:10.640 --> 0:19:12.399
<v Speaker 2>that felt a little bit full circle.

0:19:12.480 --> 0:19:14.000
<v Speaker 1>Yeah, bringing it home. That's cool.

0:19:14.040 --> 0:19:18.399
<v Speaker 2>Michael choreograph, he you know, he was a part of that,

0:19:18.560 --> 0:19:21.800
<v Speaker 2>which his now you know, person he worked with.

0:19:22.040 --> 0:19:25.280
<v Speaker 1>Brings him back, which is cool. Captain EO Hugh Michael

0:19:25.320 --> 0:19:29.680
<v Speaker 1>Jackson thing at Disneyland, Dick Tracy and Carlito's Way which

0:19:29.720 --> 0:19:31.560
<v Speaker 1>I didn't even think there was dancing and Carlito's Way.

0:19:31.560 --> 0:19:34.560
<v Speaker 1>I have to watch it again. Worth mentioning. Jeffrey actually

0:19:34.640 --> 0:19:38.080
<v Speaker 1>dated actress Leslie and Warren and some singer in the

0:19:38.160 --> 0:19:41.040
<v Speaker 1>nineties who just went by Madonna. I know, she apparently

0:19:41.040 --> 0:19:45.359
<v Speaker 1>didn't go anywhere. It was written by Vince Marcello, Mark

0:19:45.440 --> 0:19:48.400
<v Speaker 1>Landry and Robert Horn. Horne was a playwright turned screenwriter

0:19:48.440 --> 0:19:51.280
<v Speaker 1>who first received acclaim for his Tony Award winning musical

0:19:51.359 --> 0:19:54.920
<v Speaker 1>adaptation of Tutsie, and then worked heavily with Disney, most

0:19:54.920 --> 0:19:57.480
<v Speaker 1>notably on their theatrical movie Hercules, as well as d

0:19:57.600 --> 0:20:01.560
<v Speaker 1>COM's like the Sweet Life movie The Sharpay's Fact Beeless Adventure. Also,

0:20:01.600 --> 0:20:04.040
<v Speaker 1>if you didn't catch the card at the beginning this movie,

0:20:04.320 --> 0:20:06.720
<v Speaker 1>We're bringing it all back to these musicals was dedicated

0:20:06.840 --> 0:20:10.080
<v Speaker 1>to actress in Net Funicello, the most beloved beach movie

0:20:10.080 --> 0:20:12.719
<v Speaker 1>star of the sixties who passed away in twenty thirteen.

0:20:13.280 --> 0:20:15.080
<v Speaker 1>So much of this movie was inspired by her and

0:20:15.080 --> 0:20:16.800
<v Speaker 1>the movie she started. And if you don't know who

0:20:16.800 --> 0:20:19.920
<v Speaker 1>a Net Funicello is, please go google her, go look

0:20:19.960 --> 0:20:22.439
<v Speaker 1>at everything she did. The only reason movies like this

0:20:22.560 --> 0:20:25.000
<v Speaker 1>exist is because of people like a Net Funicello. And

0:20:25.119 --> 0:20:27.439
<v Speaker 1>let's never forget the work they did. Because she was

0:20:27.720 --> 0:20:31.280
<v Speaker 1>an original mousketeer and absolutely incredible.

0:20:31.520 --> 0:20:37.320
<v Speaker 2>I mean, and for years and years just owned the screens. Yeah,

0:20:37.840 --> 0:20:39.119
<v Speaker 2>so many talk.

0:20:39.000 --> 0:20:41.360
<v Speaker 1>About one of the original teen pop stars. I mean she.

0:20:41.560 --> 0:20:45.719
<v Speaker 2>Exactly she was it. It was it, and I felt

0:20:45.720 --> 0:20:48.560
<v Speaker 2>like I saw her throughout this entire movie, right, I

0:20:48.640 --> 0:20:49.160
<v Speaker 2>loved it.

0:20:49.240 --> 0:20:52.000
<v Speaker 1>So then you knew who she was before this movie,

0:20:52.200 --> 0:20:52.920
<v Speaker 1>Oh for sure.

0:20:53.359 --> 0:20:56.520
<v Speaker 2>I mean she would have been so proud of watching

0:20:56.560 --> 0:21:02.040
<v Speaker 2>this movie and bringing that bringing that vibe as us

0:21:02.240 --> 0:21:05.520
<v Speaker 2>you know people nowadays would say, but that that love

0:21:05.560 --> 0:21:08.240
<v Speaker 2>of dancing, that fun, the beach everything.

0:21:08.560 --> 0:21:10.000
<v Speaker 3>She would have been so proud.

0:21:10.200 --> 0:21:13.600
<v Speaker 1>I think so too. It really did capture that sixties nostalgia.

0:21:13.760 --> 0:21:18.600
<v Speaker 1>It modernized it again, didn't didn't hate this movie. Also,

0:21:18.720 --> 0:21:22.440
<v Speaker 1>this movie does have a sequel, twenty fifteen's it's a

0:21:22.480 --> 0:21:26.199
<v Speaker 1>great title too, teen Beach two, which I assume we

0:21:26.240 --> 0:21:29.400
<v Speaker 1>will get to at some point. Maybe that's maybe that's

0:21:29.440 --> 0:21:31.320
<v Speaker 1>teen Beach too. This time it's personal. Maybe it could

0:21:31.320 --> 0:21:32.200
<v Speaker 1>be that one.

0:21:33.000 --> 0:21:34.720
<v Speaker 2>At some point it's going to be personal.

0:21:43.080 --> 0:21:47.960
<v Speaker 1>Okay, So now we're going with Sabrina is a professional

0:21:47.960 --> 0:21:50.080
<v Speaker 1>at this and way better than I could ever notice

0:21:50.119 --> 0:21:52.639
<v Speaker 1>any of this kind of stuff. The dancing in this movie,

0:21:53.520 --> 0:21:56.399
<v Speaker 1>was this good dancing? Was this bad dancing? Was this

0:21:56.480 --> 0:21:57.320
<v Speaker 1>mediocre dancing?

0:21:57.680 --> 0:22:04.359
<v Speaker 2>This was blown away. Amazing performances from the choreographer to

0:22:04.440 --> 0:22:10.200
<v Speaker 2>the videographer that did the up gazing shots, the visuals.

0:22:10.520 --> 0:22:14.480
<v Speaker 2>So when you look at routines, of course it's how

0:22:14.520 --> 0:22:17.919
<v Speaker 2>you see the movement. They what the hardest thing is

0:22:17.960 --> 0:22:20.119
<v Speaker 2>to do is add a prop and make the prop

0:22:20.200 --> 0:22:28.960
<v Speaker 2>makes sense, the surfboards, the beach towels, and it at

0:22:28.960 --> 0:22:31.879
<v Speaker 2>first for me as a choirraphy, oh gosh, here we go.

0:22:32.160 --> 0:22:34.920
<v Speaker 2>And as they did it it was seamless. It was amazing,

0:22:35.200 --> 0:22:37.600
<v Speaker 2>the beach boards that didn't just go from the front,

0:22:37.640 --> 0:22:39.359
<v Speaker 2>but then all of a sudden you're seeing the above

0:22:39.359 --> 0:22:43.800
<v Speaker 2>angle and these beautiful visuals. Everything that they're doing I

0:22:43.920 --> 0:22:47.040
<v Speaker 2>did on the scene.

0:22:47.840 --> 0:22:50.480
<v Speaker 1>There's like one ball down one.

0:22:51.720 --> 0:22:54.840
<v Speaker 2>But imagine how hard that is. That's why it's so hard,

0:22:55.080 --> 0:23:00.800
<v Speaker 2>so hard to do props within choreography and tying with music.

0:23:00.880 --> 0:23:02.000
<v Speaker 2>It's all very, very tough.

0:23:02.080 --> 0:23:04.399
<v Speaker 1>The other thing, can you tell me this, because I

0:23:04.440 --> 0:23:06.119
<v Speaker 1>was thinking about I was actually gonna text you or

0:23:06.119 --> 0:23:07.640
<v Speaker 1>call you, but I figured I was like, no, no, we'll

0:23:07.640 --> 0:23:10.520
<v Speaker 1>talk about it on the on the pod. It seems

0:23:10.560 --> 0:23:13.440
<v Speaker 1>like it would be easier on your feet, but way

0:23:13.520 --> 0:23:15.399
<v Speaker 1>harder to dance in sand.

0:23:16.160 --> 0:23:18.520
<v Speaker 2>Oh. Sand is tough. Have you ever tried to run

0:23:18.520 --> 0:23:18.960
<v Speaker 2>in sand?

0:23:19.160 --> 0:23:22.240
<v Speaker 1>I don't run and less chased, so it's actually not

0:23:22.520 --> 0:23:24.240
<v Speaker 1>run all the time. And yes, it's really different.

0:23:25.480 --> 0:23:27.640
<v Speaker 2>Have you gone to the beach and parking at the

0:23:27.680 --> 0:23:31.400
<v Speaker 2>parking zone and getting to the water. How hard is that?

0:23:31.600 --> 0:23:32.159
<v Speaker 1>It's hard?

0:23:32.480 --> 0:23:36.480
<v Speaker 2>It's exhausting. So yes, dancing on the beach is so tough,

0:23:36.520 --> 0:23:39.439
<v Speaker 2>That's what I thought. So and how many times? Again,

0:23:39.520 --> 0:23:43.600
<v Speaker 2>we're not talking about a live action shoot. You're talking

0:23:43.640 --> 0:23:47.480
<v Speaker 2>about one angle, then another angle, than another. I mean,

0:23:47.480 --> 0:23:49.399
<v Speaker 2>these dancers work their butts off on this.

0:23:49.520 --> 0:23:52.000
<v Speaker 1>Well, that's why there. Every one of them had a

0:23:52.119 --> 0:23:56.439
<v Speaker 1>nine pack. It was like the unbelievable singles.

0:23:56.840 --> 0:23:59.600
<v Speaker 2>I loved it. There were obviously a few numbers that

0:23:59.600 --> 0:24:02.760
<v Speaker 2>I could have done without. Ye, they started to get

0:24:03.040 --> 0:24:08.560
<v Speaker 2>a little exhausting, really, but the big ones, oh yeah, okay,

0:24:08.600 --> 0:24:09.240
<v Speaker 2>blown away.

0:24:09.560 --> 0:24:11.320
<v Speaker 1>I thought it was good too, but I didn't. I

0:24:11.359 --> 0:24:12.760
<v Speaker 1>didn't know it was like that I could like this

0:24:12.800 --> 0:24:14.440
<v Speaker 1>and this could be terrible. I have no idea.

0:24:14.560 --> 0:24:17.679
<v Speaker 2>Well, hopefully we'll definitely get to the ones that I'm like,

0:24:17.920 --> 0:24:19.400
<v Speaker 2>uh will checked out.

0:24:19.800 --> 0:24:26.119
<v Speaker 1>It's no wet side story, I'll tell you that. Oh man, Okay,

0:24:26.160 --> 0:24:28.160
<v Speaker 1>So we can't talk about this movie without getting into

0:24:28.160 --> 0:24:31.120
<v Speaker 1>the music and the soundtrack. The Disney Records released featured

0:24:31.200 --> 0:24:34.320
<v Speaker 1>ten songs, banning the sounds of surf, rock, motown, r

0:24:34.359 --> 0:24:37.439
<v Speaker 1>and B, rockabilly and pop. It sold over five hundred

0:24:37.480 --> 0:24:39.639
<v Speaker 1>thousand copies, crowning at a gold album, and it peaked

0:24:39.640 --> 0:24:42.320
<v Speaker 1>at number three on the Billboard two hundred chart. It

0:24:42.400 --> 0:24:44.119
<v Speaker 1>features all the songs from the movie sung by its

0:24:44.119 --> 0:24:48.280
<v Speaker 1>stars except for one. John de Luca aka Butchi is

0:24:48.280 --> 0:24:50.040
<v Speaker 1>not heard on any of the songs. His songs were

0:24:50.080 --> 0:24:53.560
<v Speaker 1>dubbed by Jason Evigan, a songwriter producer best known now

0:24:53.560 --> 0:24:57.480
<v Speaker 1>for his work with Jason Derulo, Pitbull, and Maroon five.

0:24:57.840 --> 0:25:00.680
<v Speaker 1>I personally like the first four Maroons, but I'm alone

0:25:00.720 --> 0:25:03.600
<v Speaker 1>in that and like Zac Effron in High School Musical.

0:25:03.600 --> 0:25:05.720
<v Speaker 1>They ended up finally letting John sing in the sequel,

0:25:06.200 --> 0:25:08.000
<v Speaker 1>so we get to hear his voice down the down

0:25:08.040 --> 0:25:10.919
<v Speaker 1>the line, and he can actually sing apparently, So it's you.

0:25:11.080 --> 0:25:12.840
<v Speaker 1>I want to know why you can't do that. But

0:25:12.920 --> 0:25:16.080
<v Speaker 1>we'll get into that with him, because I'm so happy

0:25:16.080 --> 0:25:17.879
<v Speaker 1>to tell you that we were actually speaking to him

0:25:17.920 --> 0:25:20.879
<v Speaker 1>on our Park Copper episode and we are going to

0:25:20.960 --> 0:25:23.800
<v Speaker 1>get a chance to get some of the inside stuff. Uh.

0:25:24.080 --> 0:25:27.240
<v Speaker 1>Favorite song of the movie go Oh my gosh.

0:25:27.320 --> 0:25:30.520
<v Speaker 2>I loved the first one. The first one was the

0:25:30.560 --> 0:25:33.120
<v Speaker 2>big group dance they.

0:25:33.040 --> 0:25:37.399
<v Speaker 1>First end up on the beach. Yes, okay, and.

0:25:37.280 --> 0:25:40.080
<v Speaker 2>I died laughing. I don't even know what the name

0:25:40.119 --> 0:25:43.040
<v Speaker 2>of the title of the song where it goes back

0:25:43.040 --> 0:25:47.119
<v Speaker 2>and forth of the slumber party and the book and

0:25:47.160 --> 0:25:51.679
<v Speaker 2>it's girls like guys like me, yes side.

0:25:52.920 --> 0:25:55.359
<v Speaker 1>Probably like me. It's probably called or something along those lines.

0:25:55.440 --> 0:25:58.760
<v Speaker 2>Yes, Yeah, died the whole time. It was just too funny.

0:25:59.320 --> 0:26:03.960
<v Speaker 2>But the song where Ross gets in, I mean, I just.

0:26:04.760 --> 0:26:07.399
<v Speaker 1>Wait which one it's called me?

0:26:07.480 --> 0:26:10.120
<v Speaker 2>That song it is called it the one where Ross

0:26:10.200 --> 0:26:13.199
<v Speaker 2>Lynch comes in, where he finally gets the chance to

0:26:13.240 --> 0:26:15.720
<v Speaker 2>get into his musicals that he's loved forever.

0:26:16.160 --> 0:26:18.639
<v Speaker 1>So the first time where he's in the in the

0:26:18.680 --> 0:26:20.640
<v Speaker 1>surf Guys, or the first time he gets to join

0:26:20.680 --> 0:26:22.640
<v Speaker 1>the Rats, because he gets to do both in the.

0:26:22.600 --> 0:26:26.040
<v Speaker 2>Beginning that when he's joining the Rats.

0:26:25.880 --> 0:26:27.399
<v Speaker 1>Okay, where he's like, I've always wanted to be in

0:26:27.440 --> 0:26:29.639
<v Speaker 1>that number, because man, my friends and I would go

0:26:29.800 --> 0:26:31.359
<v Speaker 1>hang out, we'd be like, wouldn't you love to be

0:26:31.400 --> 0:26:33.320
<v Speaker 1>in that number? No, never once said any of that,

0:26:34.680 --> 0:26:36.000
<v Speaker 1>but yes, he loves it.

0:26:36.119 --> 0:26:43.000
<v Speaker 2>I it was long. It was a long one. I

0:26:43.040 --> 0:26:45.920
<v Speaker 2>didn't care. I wanted to go on longer. I felt

0:26:46.600 --> 0:26:49.119
<v Speaker 2>very much like I was watching Greece for the first

0:26:49.160 --> 0:26:55.120
<v Speaker 2>time and feeling it definitely does and I was so

0:26:55.160 --> 0:26:58.439
<v Speaker 2>stoked that the next generation gets to feel that vibe

0:26:58.440 --> 0:27:00.639
<v Speaker 2>that I got from first Summer Latch screase.

0:27:01.200 --> 0:27:03.680
<v Speaker 1>Well, you talked about the first musical number. Let's get

0:27:03.680 --> 0:27:05.359
<v Speaker 1>back a little bit farther. So we kicked a movie

0:27:05.359 --> 0:27:08.000
<v Speaker 1>off with the opening credits over some in action surf

0:27:08.000 --> 0:27:11.800
<v Speaker 1>shots and a not very good pop song that's playing

0:27:11.840 --> 0:27:15.479
<v Speaker 1>at the time. It's actually like if Rebecca Black's Friday

0:27:15.520 --> 0:27:18.439
<v Speaker 1>was much much worse. One of the lyrics is I

0:27:18.440 --> 0:27:22.040
<v Speaker 1>want to be the ocean to your shore. All right, Anyway,

0:27:22.160 --> 0:27:24.119
<v Speaker 1>it was. It was a totally different movie in shaving

0:27:24.200 --> 0:27:29.200
<v Speaker 1>Ryan's Private. Then there's the surfing in the movie, so

0:27:29.359 --> 0:27:33.720
<v Speaker 1>there's some decent surfing on some decent sized waves. Again,

0:27:33.880 --> 0:27:36.439
<v Speaker 1>they don't Johnny Sunam like, you can tell it's not

0:27:36.560 --> 0:27:38.840
<v Speaker 1>them one hundred percent. You can tell it's not them.

0:27:39.280 --> 0:27:42.560
<v Speaker 1>That doesn't look very good. But they were in the

0:27:42.560 --> 0:27:45.159
<v Speaker 1>water a lot, and reportedly production had three jet skis

0:27:45.160 --> 0:27:47.359
<v Speaker 1>in the ocean at all times in case of any emergency.

0:27:47.359 --> 0:27:50.240
<v Speaker 1>With her cast and Maya Mitchell did end up actually

0:27:50.240 --> 0:27:51.919
<v Speaker 1>getting hurt. She had a cut that landed her in

0:27:51.920 --> 0:27:54.120
<v Speaker 1>the hospital for two days. Do you do a lot

0:27:54.119 --> 0:27:55.680
<v Speaker 1>of sports and moving around? Did you ever have a

0:27:55.720 --> 0:27:56.280
<v Speaker 1>bad injury?

0:27:57.240 --> 0:28:01.040
<v Speaker 2>I have been lucky enough to stay away from injury.

0:28:01.160 --> 0:28:02.960
<v Speaker 1>Knock wood knock. I know.

0:28:03.400 --> 0:28:06.560
<v Speaker 2>Let me do that right now. Her getting an injury,

0:28:06.640 --> 0:28:07.960
<v Speaker 2>I would love to know.

0:28:07.920 --> 0:28:10.640
<v Speaker 1>From what, yeah, and where and what kind of.

0:28:10.560 --> 0:28:14.320
<v Speaker 2>Cut because she didn't do a lot of surfing up No,

0:28:14.480 --> 0:28:15.639
<v Speaker 2>I guess it was.

0:28:15.840 --> 0:28:16.600
<v Speaker 1>Yeah she was.

0:28:16.880 --> 0:28:20.200
<v Speaker 2>If I did, I've got enough Sabrina Seas to jump

0:28:20.240 --> 0:28:23.399
<v Speaker 2>into it. There were probably two of the worst green

0:28:23.480 --> 0:28:25.280
<v Speaker 2>screens surf shots I've ever seen.

0:28:25.480 --> 0:28:28.120
<v Speaker 1>Well, the ones in the sixties and when they're in

0:28:28.240 --> 0:28:31.439
<v Speaker 1>wett whatever. I can't say wet this many times. I

0:28:31.520 --> 0:28:33.480
<v Speaker 1>just can't say wet this many times. It's now starting

0:28:33.480 --> 0:28:37.760
<v Speaker 1>to freak me out. But when they're there, yes, and

0:28:37.920 --> 0:28:38.640
<v Speaker 1>they're fans.

0:28:38.560 --> 0:28:40.560
<v Speaker 2>That I understood. But then we came back at the

0:28:40.640 --> 0:28:43.120
<v Speaker 2>end of the movie and I'm like, okay.

0:28:42.880 --> 0:28:45.720
<v Speaker 1>No, no, the surf was not great.

0:28:46.000 --> 0:28:49.480
<v Speaker 2>There's an other part where we something happened. I feel

0:28:49.480 --> 0:28:52.080
<v Speaker 2>like there was a reshoot that not all of the

0:28:52.120 --> 0:28:55.719
<v Speaker 2>people were on set that were on set originally, okay,

0:28:56.200 --> 0:28:58.640
<v Speaker 2>because there were a lot of mistakes that happened where.

0:28:58.600 --> 0:29:01.000
<v Speaker 1>Yeah, well the stuff we liked about brink where it

0:29:01.080 --> 0:29:03.680
<v Speaker 1>was you could tell they did a lot of the skating. Yeah,

0:29:03.800 --> 0:29:04.760
<v Speaker 1>they did not have that.

0:29:04.960 --> 0:29:09.320
<v Speaker 2>It was not there. But that's okay. Surfing's hard. Everyone

0:29:09.440 --> 0:29:13.200
<v Speaker 2>can like, you can't expect every actor to surf. That's

0:29:13.360 --> 0:29:16.000
<v Speaker 2>that's okay. It's just and I think the way they

0:29:16.000 --> 0:29:17.320
<v Speaker 2>did in the beginning was fine.

0:29:17.600 --> 0:29:20.160
<v Speaker 1>Yeah, you just can't tell. It's not that I think, Yeah,

0:29:20.200 --> 0:29:23.400
<v Speaker 1>we can officially make surfing another New Disney trope. Though

0:29:23.440 --> 0:29:25.400
<v Speaker 1>this is like the fourteenth Surfing movie.

0:29:25.840 --> 0:29:28.000
<v Speaker 2>It's notice the second there's lots of surfing.

0:29:29.080 --> 0:29:31.360
<v Speaker 1>I feel like there's lots of surfing. Well you say too, Well,

0:29:31.600 --> 0:29:36.120
<v Speaker 1>it's probably somewhere in the middle. So we meet mc

0:29:36.120 --> 0:29:38.600
<v Speaker 1>and Brady, very cute high school couple who surf together.

0:29:38.640 --> 0:29:40.720
<v Speaker 1>They're really looking forward to the massive storm and waves

0:29:40.720 --> 0:29:42.560
<v Speaker 1>coming tomorrow. They're having a wonderful day in the beach

0:29:42.560 --> 0:29:45.400
<v Speaker 1>where they're totally in love the entire time, knowing she's

0:29:45.440 --> 0:29:48.280
<v Speaker 1>going to destroy him. And she won't say anything about

0:29:48.320 --> 0:29:50.560
<v Speaker 1>it the whole summer. What the hell, girl.

0:29:50.520 --> 0:29:55.600
<v Speaker 2>I know it was a dream date. What happened?

0:29:57.080 --> 0:29:58.440
<v Speaker 3>How could you as it?

0:29:58.600 --> 0:30:02.040
<v Speaker 2>Think about yourself as a fourteen year old fifteen year

0:30:02.040 --> 0:30:06.160
<v Speaker 2>old girl? This guy is so nice, he has it

0:30:06.200 --> 0:30:09.560
<v Speaker 2>seems like he's thought out the whole day, and she

0:30:09.800 --> 0:30:11.440
<v Speaker 2>has this in the back of her mind.

0:30:11.880 --> 0:30:14.880
<v Speaker 1>She's got to know all summer. By the way that

0:30:15.000 --> 0:30:18.120
<v Speaker 1>the lady says later, this has always been part of

0:30:18.120 --> 0:30:20.960
<v Speaker 1>the plan. This girl'ss known this forever. She's dated this

0:30:21.000 --> 0:30:24.120
<v Speaker 1>guy forever, knowing she's gonna rob his house later. It's like,

0:30:24.200 --> 0:30:27.640
<v Speaker 1>why come on say something? She's like, and they try

0:30:27.680 --> 0:30:29.680
<v Speaker 1>to stay it up by having her constantly saying like,

0:30:29.720 --> 0:30:30.959
<v Speaker 1>I need to talk to you about something. I need

0:30:31.000 --> 0:30:32.560
<v Speaker 1>to talk to you about something. Oh but why on

0:30:32.600 --> 0:30:33.400
<v Speaker 1>our last day.

0:30:33.320 --> 0:30:35.360
<v Speaker 2>Dude, not just on the last day. Why haven't you

0:30:35.440 --> 0:30:37.240
<v Speaker 2>been doing this all summer?

0:30:37.680 --> 0:30:39.320
<v Speaker 1>You'd think, Hey, can't come by the way.

0:30:39.200 --> 0:30:42.000
<v Speaker 2>We only have two more months together. Hey, by the way,

0:30:42.160 --> 0:30:43.760
<v Speaker 2>he's got four more weeks together.

0:30:43.760 --> 0:30:46.560
<v Speaker 1>I mean, come on, yeah, what rhymes with I'm moving

0:30:46.600 --> 0:30:48.160
<v Speaker 1>back east so they can sing a song about it.

0:30:48.200 --> 0:30:52.680
<v Speaker 1>I mean, seriously, they weren't there yet, so that's true.

0:30:52.760 --> 0:30:55.440
<v Speaker 1>We also meet Big Papa, who's Max Grandpa, who, along

0:30:55.440 --> 0:30:57.800
<v Speaker 1>with Brady, is a huge fan of the nineteen sixty

0:30:57.800 --> 0:31:01.280
<v Speaker 1>two retrosurf movie I can't say the can west Side Story.

0:31:02.120 --> 0:31:03.959
<v Speaker 1>It's about a surfer guy and a biker girl who

0:31:04.040 --> 0:31:06.320
<v Speaker 1>have a secret love affair even though their respective gangs

0:31:06.320 --> 0:31:10.040
<v Speaker 1>are fighting over control of an island diner that seems

0:31:10.160 --> 0:31:12.560
<v Speaker 1>to serve no food. At the same time, a real

0:31:12.640 --> 0:31:14.960
<v Speaker 1>estate mogul wants the diner's land and is building a

0:31:15.000 --> 0:31:18.080
<v Speaker 1>weather machine, but that blows up and causes a huge storm.

0:31:18.640 --> 0:31:20.760
<v Speaker 1>It's very west Side Story that they're going for, which

0:31:20.800 --> 0:31:22.720
<v Speaker 1>is again why they call it what they do. I

0:31:22.720 --> 0:31:25.280
<v Speaker 1>can't say it again, but again I was a huge

0:31:25.320 --> 0:31:28.960
<v Speaker 1>West Side Story fan, and so I was. I was, okay,

0:31:29.040 --> 0:31:32.080
<v Speaker 1>I like that they're kind of going with that sixties right,

0:31:32.120 --> 0:31:32.680
<v Speaker 1>But did.

0:31:32.520 --> 0:31:38.680
<v Speaker 2>You I obviously love West Side Story. I felt more grease.

0:31:39.760 --> 0:31:43.080
<v Speaker 1>Yes, well, they're trying to take it's the two different idea,

0:31:43.240 --> 0:31:44.960
<v Speaker 1>absolutely correct, but with what.

0:31:45.920 --> 0:31:48.440
<v Speaker 2>Yeah, the things they do within the movie to me

0:31:48.600 --> 0:31:50.520
<v Speaker 2>felt more grease than it did west.

0:31:50.360 --> 0:31:53.120
<v Speaker 1>Side I agree. I do not disagree with you, because

0:31:53.120 --> 0:31:55.400
<v Speaker 1>it wasn't like there was rich and poor. It wasn't

0:31:55.400 --> 0:31:59.400
<v Speaker 1>a class difference, just hobbies. As far as I can.

0:31:59.320 --> 0:32:01.120
<v Speaker 2>Tell you reference of what you like to do.

0:32:01.160 --> 0:32:04.520
<v Speaker 1>You like to ride a motorcycle, you like to surft exactly.

0:32:04.600 --> 0:32:07.640
<v Speaker 3>So I felt more grease, which let's have a little bit.

0:32:07.560 --> 0:32:08.920
<v Speaker 2>Of that anyway.

0:32:09.240 --> 0:32:11.560
<v Speaker 1>So this is where we learned that Mac, much like me,

0:32:12.360 --> 0:32:16.200
<v Speaker 1>does not like musicals and doesn't understand why people just

0:32:16.240 --> 0:32:18.239
<v Speaker 1>break into song out of nowhere. And she's like, come on,

0:32:18.320 --> 0:32:21.280
<v Speaker 1>I can't stand it. Love that. The second she said it,

0:32:21.320 --> 0:32:23.360
<v Speaker 1>I was like, oh, this is she and I would

0:32:23.360 --> 0:32:26.360
<v Speaker 1>be friends. So that is awesome.

0:32:26.560 --> 0:32:29.480
<v Speaker 2>You like replaced Sabrina with Mac on the podcast.

0:32:29.520 --> 0:32:34.720
<v Speaker 1>Please, I know no never never is she available? No,

0:32:34.720 --> 0:32:39.840
<v Speaker 1>I'm kidding. I could never with anybody but you, Sabrina.

0:32:39.920 --> 0:32:41.880
<v Speaker 1>You know that because you are also a huge fan

0:32:41.920 --> 0:32:44.560
<v Speaker 1>of musicals, you'd like musicals and that's I need. We

0:32:44.600 --> 0:32:48.680
<v Speaker 1>need the pro musical side, that's what we need. So

0:32:48.880 --> 0:32:51.239
<v Speaker 1>we finally learned about what the secret issues hiding her

0:32:51.280 --> 0:32:55.800
<v Speaker 1>aunt Antoinette, who I recognized once again from another Seinfeld episode.

0:32:55.880 --> 0:32:57.520
<v Speaker 1>There are a lot of Seinfeld people that show up

0:32:58.280 --> 0:33:00.280
<v Speaker 1>shows up and is taking her to an East Coast

0:33:00.320 --> 0:33:04.800
<v Speaker 1>private school tomorrow. So it's not even like, hey, I'm

0:33:04.840 --> 0:33:06.640
<v Speaker 1>hanging for a week and then we're gonna leave. It's

0:33:06.640 --> 0:33:08.760
<v Speaker 1>like I just got here and we're leaving tomorrow. Something

0:33:08.800 --> 0:33:11.840
<v Speaker 1>she impact right, because we're geting our flights in a

0:33:11.840 --> 0:33:14.720
<v Speaker 1>half an hour. She thinks that we learned well, of course,

0:33:14.760 --> 0:33:16.720
<v Speaker 1>we learned that max mom has passed away, and she

0:33:16.800 --> 0:33:18.920
<v Speaker 1>thinks that this is something that Max's mom wants, and

0:33:18.960 --> 0:33:21.680
<v Speaker 1>Max also thinks this is something that her deceased mom

0:33:21.680 --> 0:33:23.720
<v Speaker 1>would want, which is kind of the impetus for her

0:33:23.800 --> 0:33:26.200
<v Speaker 1>to not stand up for herself and leave because she

0:33:26.240 --> 0:33:29.000
<v Speaker 1>doesn't want to disappoint the memory of her mother. It's

0:33:29.000 --> 0:33:31.240
<v Speaker 1>a weird idea, but anyway. She's also leaving high school

0:33:31.240 --> 0:33:34.880
<v Speaker 1>halfway through, which seems kind of disruptive. She's not in

0:33:34.960 --> 0:33:38.040
<v Speaker 1>eighth grade obviously, so she's got to be in high school.

0:33:39.440 --> 0:33:42.160
<v Speaker 1>But this also means she's leaving Hawaii surfing and Brady

0:33:42.320 --> 0:33:44.320
<v Speaker 1>in the dust. Mac is very sad, but it was

0:33:44.640 --> 0:33:46.600
<v Speaker 1>her idea and she thinks it's good for her future

0:33:46.840 --> 0:33:48.880
<v Speaker 1>and what her mom would have wanted. So Brady's bummed.

0:33:49.520 --> 0:33:51.200
<v Speaker 1>Mac then breaks up with them because they don't want

0:33:51.240 --> 0:33:53.680
<v Speaker 1>to do long distance relationships, but she does put up

0:33:53.720 --> 0:33:57.040
<v Speaker 1>no fight whatsoever and just walks away. Very strange for

0:33:57.160 --> 0:33:59.560
<v Speaker 1>me that she was just like we had the best day.

0:33:59.760 --> 0:34:01.400
<v Speaker 1>I know, I should have told you this for the

0:34:01.480 --> 0:34:04.600
<v Speaker 1>last four years or however long we've been dating. But

0:34:04.720 --> 0:34:11.280
<v Speaker 1>I'm leaving tomorrow. It's harsh, Nae, I'm.

0:34:11.160 --> 0:34:15.680
<v Speaker 2>Back when I felt like I had pulled myself out

0:34:15.680 --> 0:34:22.600
<v Speaker 2>of the gutter of terrible girlfriends. Here we freaking are.

0:34:22.880 --> 0:34:26.400
<v Speaker 1>It was. I just felt bad to tell him.

0:34:27.120 --> 0:34:31.000
<v Speaker 2>Everything she did. I felt she did incorrectly. I was

0:34:31.120 --> 0:34:35.520
<v Speaker 2>just judging every moment, which I'm trying to enjoy myself

0:34:35.880 --> 0:34:39.200
<v Speaker 2>with my popcorn and have a good time, and she's

0:34:39.360 --> 0:34:43.440
<v Speaker 2>irritating the hell out of me. What how you got

0:34:43.560 --> 0:34:47.640
<v Speaker 2>this little adorable ross just Lynch right in front of you,

0:34:47.760 --> 0:34:49.279
<v Speaker 2>and he loves you.

0:34:49.440 --> 0:34:51.279
<v Speaker 3>This kid loves everything about you.

0:34:52.239 --> 0:34:54.880
<v Speaker 2>It's okay. If you don't love him like that, we

0:34:55.040 --> 0:34:55.800
<v Speaker 2>gotta be kind.

0:34:56.160 --> 0:34:59.240
<v Speaker 1>Yeah. And if you don't think the long distance relationship

0:34:59.280 --> 0:35:01.480
<v Speaker 1>is going to work, not at that age, but you

0:35:01.600 --> 0:35:03.760
<v Speaker 1>give it a try for a week, try.

0:35:03.680 --> 0:35:07.840
<v Speaker 2>For a second, She's like newp Ye, Nope, Nope, not

0:35:07.920 --> 0:35:12.960
<v Speaker 2>gonna happen. Absolutely back out later. Yes, so harsh.

0:35:13.120 --> 0:35:15.200
<v Speaker 1>I agree, it was I thought that part of her

0:35:15.280 --> 0:35:16.920
<v Speaker 1>character should have been. It didn't make me, it made

0:35:16.960 --> 0:35:18.640
<v Speaker 1>me not like her kind of a little bit right there.

0:35:18.840 --> 0:35:20.640
<v Speaker 2>Felt like she should have had a little bit of

0:35:20.840 --> 0:35:24.120
<v Speaker 2>conflict within herself about it. Yes, there could have been

0:35:24.160 --> 0:35:26.600
<v Speaker 2>a scene of what do I do, What do I do?

0:35:27.800 --> 0:35:30.120
<v Speaker 2>It's just not gonna work, something like that.

0:35:30.320 --> 0:35:32.600
<v Speaker 1>But before she leaves, she wants one more surf session,

0:35:32.680 --> 0:35:34.560
<v Speaker 1>especially with this giant storm that's coming in.

0:35:35.040 --> 0:35:35.239
<v Speaker 2>Uh.

0:35:35.280 --> 0:35:38.520
<v Speaker 1>They talk about how it's her a surfboard from her family,

0:35:38.520 --> 0:35:42.040
<v Speaker 1>that everybody who's ridden this, it's a magical circuit gets

0:35:42.080 --> 0:35:43.640
<v Speaker 1>magically finds their faith.

0:35:44.160 --> 0:35:47.439
<v Speaker 2>Yes, and it magically appears in front of her door.

0:35:47.520 --> 0:35:48.640
<v Speaker 2>When she does.

0:35:48.960 --> 0:35:52.200
<v Speaker 1>It is magic. It is like million year but different,

0:35:53.440 --> 0:35:55.680
<v Speaker 1>even sad and single. Brady shows up to watch her,

0:35:55.719 --> 0:35:58.560
<v Speaker 1>and she ends up wiping out and and then disappears.

0:35:58.960 --> 0:36:02.359
<v Speaker 1>But then magically after he gets on the jet ski

0:36:02.440 --> 0:36:03.759
<v Speaker 1>to go and save her, the.

0:36:03.800 --> 0:36:06.160
<v Speaker 2>Jet ski that just happens to be there.

0:36:06.320 --> 0:36:09.799
<v Speaker 1>Well, they I think, because the the I think what

0:36:09.840 --> 0:36:11.440
<v Speaker 1>they do is surf.

0:36:12.080 --> 0:36:17.400
<v Speaker 2>Competition in big No random person can.

0:36:17.920 --> 0:36:20.720
<v Speaker 1>He's essentially just stealing somebody's jet skis.

0:36:20.920 --> 0:36:22.440
<v Speaker 2>But there's no one around it.

0:36:22.440 --> 0:36:23.879
<v Speaker 1>I know, and no one's trying to help her either

0:36:24.080 --> 0:36:26.799
<v Speaker 1>or say, hey man, that's not your jet ski. Get

0:36:26.840 --> 0:36:29.880
<v Speaker 1>to that season. So now she's in calm waters. They

0:36:29.920 --> 0:36:33.960
<v Speaker 1>both are. It's a different scene and there's Brady. Now.

0:36:34.000 --> 0:36:37.080
<v Speaker 1>All of a sudden, they wash up on shore essentially,

0:36:37.400 --> 0:36:39.600
<v Speaker 1>and they see a girl twirling in the thing. They

0:36:39.640 --> 0:36:43.239
<v Speaker 1>look over the the the beach burm, and oh my god.

0:36:43.480 --> 0:36:46.200
<v Speaker 1>They're in the movie from the sixties and we are

0:36:46.239 --> 0:36:51.959
<v Speaker 1>in dance number one. Swim trunks, modest swimsuits, beach balls, flying,

0:36:52.000 --> 0:36:56.440
<v Speaker 1>hulup spinning, and a song about good vibrations. You know,

0:36:56.560 --> 0:36:58.439
<v Speaker 1>you get the movie. You get what it is right away,

0:36:58.480 --> 0:37:01.919
<v Speaker 1>you know what's going on. And they're, I mean, good,

0:37:02.160 --> 0:37:04.640
<v Speaker 1>good way to bring us into the sixties movie.

0:37:05.200 --> 0:37:08.799
<v Speaker 2>Especially, think about the audience at that time. How much

0:37:08.800 --> 0:37:10.680
<v Speaker 2>of the sixties they know? Right?

0:37:11.280 --> 0:37:12.839
<v Speaker 3>Where does it start? Where does it end?

0:37:13.120 --> 0:37:17.120
<v Speaker 2>Maybe the movie Grease, maybe that some that's not even

0:37:17.239 --> 0:37:21.439
<v Speaker 2>the sixties, right, that was the fifties, right, They don't

0:37:21.440 --> 0:37:24.000
<v Speaker 2>know anything. This on the beach.

0:37:25.239 --> 0:37:29.439
<v Speaker 1>Boom, I yeah, it was great and they so they're

0:37:29.440 --> 0:37:31.839
<v Speaker 1>obviously kind of confused, but they figure out what it is.

0:37:32.160 --> 0:37:34.480
<v Speaker 1>He jumps into the dance number because you know, I

0:37:34.560 --> 0:37:35.520
<v Speaker 1>got him in my movie.

0:37:37.200 --> 0:37:39.120
<v Speaker 2>Shod I have been waiting for this.

0:37:39.320 --> 0:37:43.880
<v Speaker 1>For exactly boom. So this is you know, these big

0:37:44.239 --> 0:37:46.480
<v Speaker 1>video kind of set up, these big dance numbers. It's

0:37:46.480 --> 0:37:50.680
<v Speaker 1>all really cool. Then we get into we get so

0:37:50.719 --> 0:37:53.120
<v Speaker 1>we establish him with the surfers, and then we get

0:37:53.120 --> 0:37:56.719
<v Speaker 1>into Big Mama's kitchen, where again very little if any

0:37:56.719 --> 0:37:59.760
<v Speaker 1>food is actually served. We don't actually big Mama's barely

0:37:59.800 --> 0:38:01.840
<v Speaker 1>in the movie. They occasionally will cut to her for

0:38:02.000 --> 0:38:05.680
<v Speaker 1>like just a POV shot or or maybe one line,

0:38:05.680 --> 0:38:09.160
<v Speaker 1>but Big Mama is not really important. Yeah, that's when

0:38:09.160 --> 0:38:11.799
<v Speaker 1>the door swing open and we meet Butchi Lugnut Chee

0:38:11.880 --> 0:38:15.520
<v Speaker 1>Chee struts and Layla. The Biker is also known as

0:38:15.560 --> 0:38:22.879
<v Speaker 1>the Rodents. Brady inserts himself into dance number two uh,

0:38:23.440 --> 0:38:26.520
<v Speaker 1>because he is always wanted to be a part of

0:38:26.719 --> 0:38:30.160
<v Speaker 1>the biker thing that, you know, the biker dance number

0:38:30.160 --> 0:38:32.399
<v Speaker 1>that he's seen so many times. He's got a leather

0:38:32.480 --> 0:38:34.720
<v Speaker 1>jacket that fits him perfectly, glasses that fit him perfectly.

0:38:34.760 --> 0:38:36.560
<v Speaker 1>He's also now the lead of the dance, so they

0:38:36.640 --> 0:38:38.560
<v Speaker 1>just let him in, which is kind of cool. But

0:38:38.680 --> 0:38:42.319
<v Speaker 1>he is in sixties heaven with this so much so

0:38:43.560 --> 0:38:46.680
<v Speaker 1>that they all go to a surfers party that night,

0:38:47.520 --> 0:38:50.320
<v Speaker 1>but the biker's crack. It's we are. It's so strange

0:38:50.320 --> 0:38:53.799
<v Speaker 1>because we they, the bikers, surfers hate each other, and

0:38:53.880 --> 0:38:55.560
<v Speaker 1>yet they're always together dancing.

0:38:56.320 --> 0:38:56.520
<v Speaker 2>Yes.

0:38:56.760 --> 0:39:00.719
<v Speaker 3>There, there's there's no line in the No. No, there

0:39:00.800 --> 0:39:01.919
<v Speaker 3>is no line in the sand.

0:39:02.080 --> 0:39:04.040
<v Speaker 1>I like it. No line in the sand.

0:39:04.239 --> 0:39:04.279
<v Speaker 4>No.

0:39:04.640 --> 0:39:05.359
<v Speaker 5>Oh.

0:39:05.719 --> 0:39:06.719
<v Speaker 1>They kind of.

0:39:07.080 --> 0:39:11.040
<v Speaker 2>Mesh yes constantly for people there's in each other, yes,

0:39:11.120 --> 0:39:16.200
<v Speaker 2>and there's no issue about it. That's because this storyline

0:39:16.320 --> 0:39:20.800
<v Speaker 2>takes so long to build in this movie of where

0:39:20.840 --> 0:39:24.440
<v Speaker 2>we're going and where the real conflict's going to actually be.

0:39:24.680 --> 0:39:27.160
<v Speaker 1>We got another half hour before we even come close

0:39:27.200 --> 0:39:28.280
<v Speaker 1>to any sort of conflict.

0:39:28.320 --> 0:39:30.560
<v Speaker 2>The first time I watched it, I paused it and went,

0:39:31.160 --> 0:39:34.000
<v Speaker 2>oh my god, I've got like fifty more minutes.

0:39:34.080 --> 0:39:38.440
<v Speaker 1>La. We haven't even met the villains yet. There's actual

0:39:38.560 --> 0:39:39.920
<v Speaker 1>villains in the I.

0:39:39.920 --> 0:39:42.200
<v Speaker 2>Thought that Ants was the villain. The villain that I

0:39:42.280 --> 0:39:45.799
<v Speaker 2>thought was gonna be one has now left. She's no longer.

0:39:45.640 --> 0:39:52.280
<v Speaker 1>Gone, Like nope, Yeah, totally different. So the original movie,

0:39:52.640 --> 0:39:54.560
<v Speaker 1>it's supposed to be they back to the future. It

0:39:54.560 --> 0:39:58.760
<v Speaker 1>it's supposed to be that the lead surfer guy catches

0:39:58.840 --> 0:40:01.640
<v Speaker 1>the lead biker earl as she falls off the stage.

0:40:01.680 --> 0:40:04.440
<v Speaker 1>Of course, through a series of events another way where

0:40:04.480 --> 0:40:07.719
<v Speaker 1>Mac is just unpleasant because for some reason she just

0:40:07.800 --> 0:40:11.080
<v Speaker 1>refuses to dance with her ex boyfriend. He's like, well,

0:40:11.120 --> 0:40:12.960
<v Speaker 1>let's at least dance. She's like, no, goes, come on.

0:40:13.120 --> 0:40:15.040
<v Speaker 1>She's like, no, she just won't dance with the guy.

0:40:15.880 --> 0:40:17.319
<v Speaker 3>She's trying not to lead him on.

0:40:17.520 --> 0:40:19.520
<v Speaker 1>Oh come on, they're stuck in the sixties. You can

0:40:19.640 --> 0:40:21.000
<v Speaker 1>dance that she's trying.

0:40:20.719 --> 0:40:23.520
<v Speaker 2>To just he keeps giving her these googly eyes and

0:40:23.560 --> 0:40:25.040
<v Speaker 2>she's like, bro, I told you.

0:40:25.960 --> 0:40:27.719
<v Speaker 1>She doesn't say that, she just doesn't want to dance,

0:40:27.760 --> 0:40:31.560
<v Speaker 1>and then she's googly. She needed to rewrite, and so

0:40:32.440 --> 0:40:35.480
<v Speaker 1>through a series of events, Brady ends up catching her

0:40:35.520 --> 0:40:39.200
<v Speaker 1>coming off the stage. She then falls for Brady, and

0:40:39.880 --> 0:40:43.680
<v Speaker 1>of course Mac or the Tanner ends up with Mac,

0:40:44.000 --> 0:40:45.960
<v Speaker 1>and now they have they back to the futured date

0:40:46.040 --> 0:40:48.360
<v Speaker 1>where oh no, the car hit Michael J. Fox instead

0:40:48.360 --> 0:40:52.359
<v Speaker 1>of hitting his dad. And now, oh geez, so they

0:40:52.360 --> 0:40:56.319
<v Speaker 1>find out that they're actually changing the movie. So what

0:40:56.400 --> 0:41:00.600
<v Speaker 1>are we supposed to do? We're changing the movie. So

0:41:01.080 --> 0:41:03.319
<v Speaker 1>now they're lost because it's like, I don't know where

0:41:03.320 --> 0:41:09.000
<v Speaker 1>to go from here. You know what, happens. What do

0:41:09.040 --> 0:41:10.680
<v Speaker 1>you think of that? Did you like the twist in them?

0:41:10.680 --> 0:41:11.719
<v Speaker 1>I'm in the twist?

0:41:12.200 --> 0:41:15.560
<v Speaker 2>I did. I did. I saw where it was going.

0:41:16.719 --> 0:41:20.200
<v Speaker 2>I saw how easily we could like make it right

0:41:20.520 --> 0:41:24.920
<v Speaker 2>quote unquote to keep the movie going. But at the

0:41:24.960 --> 0:41:28.880
<v Speaker 2>same time, the whole time, I'm sitting here being super

0:41:28.920 --> 0:41:34.600
<v Speaker 2>irritated with Mac. What's wrong with you? You know, he's

0:41:34.680 --> 0:41:38.640
<v Speaker 2>so sweet and everyone's gonna love him. You're missing your chance? Girl?

0:41:39.360 --> 0:41:43.600
<v Speaker 2>Who cares about anything? In the sense of, here's the thing,

0:41:43.760 --> 0:41:47.440
<v Speaker 2>I had conflict. She's trying to better her education.

0:41:48.280 --> 0:41:51.680
<v Speaker 1>She's hard to think so yeah, right, yeah.

0:41:50.880 --> 0:41:55.920
<v Speaker 2>It's hard to be too upset with her. But again,

0:41:56.000 --> 0:41:58.400
<v Speaker 2>like you said, a rewrite in the sense of, she

0:41:58.520 --> 0:42:01.360
<v Speaker 2>doesn't handle it right. She was just outmost just like

0:42:01.440 --> 0:42:05.640
<v Speaker 2>grew to him, instead of there being this conflict, which

0:42:05.640 --> 0:42:08.000
<v Speaker 2>I think would have made her a little bit more endeary.

0:42:08.400 --> 0:42:10.840
<v Speaker 1>I don't disagree, and I didn't dislike her. It just

0:42:10.840 --> 0:42:13.880
<v Speaker 1>could have been a little better, just a just a tweak.

0:42:14.400 --> 0:42:18.560
<v Speaker 2>Yeah. And then I loved that, you know, the steppin

0:42:18.719 --> 0:42:22.200
<v Speaker 2>the one that is the gorgeous girl. She looks so

0:42:22.280 --> 0:42:24.440
<v Speaker 2>much like I just watched Elvis and.

0:42:25.360 --> 0:42:26.440
<v Speaker 1>Oh, Priscilla Presley.

0:42:26.760 --> 0:42:33.839
<v Speaker 2>She looked like a little beautiful looks so adorable. Oh

0:42:34.520 --> 0:42:39.320
<v Speaker 2>just in general though, like she looked impressed school, just gorgeous.

0:42:39.560 --> 0:42:44.600
<v Speaker 2>I thought the set, the costuming, the hair, the makeup,

0:42:44.640 --> 0:42:46.920
<v Speaker 2>everything was so spot on and so adorable.

0:42:47.520 --> 0:42:49.640
<v Speaker 3>Sometimes I didn't care about things because they all.

0:42:49.680 --> 0:42:51.839
<v Speaker 1>Just they all just looked great. Well, that's the thing.

0:42:52.000 --> 0:42:54.120
<v Speaker 1>It was certainly a very attractive cast.

0:42:54.440 --> 0:42:55.040
<v Speaker 2>It was.

0:42:55.440 --> 0:42:58.640
<v Speaker 1>But luckily Brady knows this movie backwards and forwards, so

0:42:58.680 --> 0:43:01.279
<v Speaker 1>he knows there's a real estate moment. So okay, that's right.

0:43:01.360 --> 0:43:02.879
<v Speaker 1>We were like. This is when I was like, oh,

0:43:02.880 --> 0:43:05.080
<v Speaker 1>that's right. There was a villain. Now there's a real

0:43:05.160 --> 0:43:07.439
<v Speaker 1>estate mogul who's building a weather machine that will cause

0:43:07.480 --> 0:43:10.400
<v Speaker 1>a storm, and that has to happen because the storm

0:43:10.440 --> 0:43:12.279
<v Speaker 1>he thinks will get them home. So as long as

0:43:12.280 --> 0:43:14.279
<v Speaker 1>that's on track, they're all good. So they race to

0:43:14.280 --> 0:43:17.480
<v Speaker 1>the lighthouse. Now this gets a little messy here, so

0:43:17.520 --> 0:43:20.600
<v Speaker 1>try to follow me. Ye Less Canon Bear that was

0:43:20.640 --> 0:43:23.520
<v Speaker 1>his name, and doctor Fusion with the evil plan regarding

0:43:23.520 --> 0:43:26.640
<v Speaker 1>a weather machine. Now step into the movie where the

0:43:26.640 --> 0:43:31.480
<v Speaker 1>weather machine is going to It's weird. It's weird, but I.

0:43:31.560 --> 0:43:35.200
<v Speaker 2>Don't know what the weather Machine's eventual situation was going

0:43:35.280 --> 0:43:37.360
<v Speaker 2>to do with what goal follow the beach.

0:43:37.520 --> 0:43:40.680
<v Speaker 1>He wanted a humid for some reason, and if you're

0:43:40.880 --> 0:43:43.200
<v Speaker 1>able to just make things humid, do you need a

0:43:43.239 --> 0:43:43.840
<v Speaker 1>machine for that?

0:43:45.080 --> 0:43:47.759
<v Speaker 2>When he's a real estate mogul of some sort that

0:43:47.840 --> 0:43:51.279
<v Speaker 2>was going to he wanted bigger onto the beach. I

0:43:51.280 --> 0:43:54.440
<v Speaker 2>don't know. It did not make it, kept going through it,

0:43:54.960 --> 0:43:57.000
<v Speaker 2>and I kept thinking, if I listen a little bit

0:43:57.040 --> 0:43:58.400
<v Speaker 2>more closely, Nope.

0:43:58.719 --> 0:44:02.560
<v Speaker 1>The second time it was you might recognize Kevin Chamberlain

0:44:02.560 --> 0:44:05.040
<v Speaker 1>as doctor Fusion. He played Bertram on the show Jesse.

0:44:05.800 --> 0:44:08.400
<v Speaker 1>But the plan they find out is still on, but

0:44:08.480 --> 0:44:10.520
<v Speaker 1>the bikers and surfers need to come together at the

0:44:10.560 --> 0:44:13.839
<v Speaker 1>end of the movie because they've got to now save

0:44:13.920 --> 0:44:18.440
<v Speaker 1>their two new friends to get home again. Gets a

0:44:18.480 --> 0:44:21.360
<v Speaker 1>little weird, but Brady knows that they also have to

0:44:21.360 --> 0:44:24.920
<v Speaker 1>get their love interest their new love interest together with

0:44:25.000 --> 0:44:29.359
<v Speaker 1>each other as opposed to with themselves, So he says

0:44:29.400 --> 0:44:31.360
<v Speaker 1>there's a pajama party that night, so she needs to

0:44:31.360 --> 0:44:33.680
<v Speaker 1>get invited to the pajama party, and he needs to

0:44:33.719 --> 0:44:35.879
<v Speaker 1>go hang out with the surfers. So he does that,

0:44:36.719 --> 0:44:40.760
<v Speaker 1>and we get another big dance number where it's cutting

0:44:40.800 --> 0:44:42.920
<v Speaker 1>back and forth the one you really liked, the like Me,

0:44:42.960 --> 0:44:45.600
<v Speaker 1>where it's cutting back and forth between the pajama party

0:44:45.840 --> 0:44:48.839
<v Speaker 1>and the surfers hanging out at at Big Mama's house.

0:44:48.840 --> 0:44:49.840
<v Speaker 2>Wow, was a very.

0:44:51.239 --> 0:44:55.000
<v Speaker 1>Grease moment. Tell me, that's well, that's what they It

0:44:55.040 --> 0:44:57.319
<v Speaker 1>seems like that's literally what they should have said. It

0:44:57.360 --> 0:45:00.640
<v Speaker 1>was almost was kind of like a ripoff of what

0:45:00.680 --> 0:45:04.120
<v Speaker 1>that was. Even after that, though, nothing's still working. The

0:45:04.440 --> 0:45:07.040
<v Speaker 1>characters are the movie characters are falling even more in

0:45:07.040 --> 0:45:11.040
<v Speaker 1>love with our protagonist who used to be together five

0:45:11.080 --> 0:45:16.279
<v Speaker 1>hours before this was happening. There's also a very this

0:45:16.440 --> 0:45:17.920
<v Speaker 1>was the green screen shot you were talking about, the

0:45:18.000 --> 0:45:21.799
<v Speaker 1>very funny one of Mac and Tanner surfing together, and

0:45:22.040 --> 0:45:24.800
<v Speaker 1>it just as a straight up gidget.

0:45:24.480 --> 0:45:26.280
<v Speaker 2>Oh I'm surfing.

0:45:26.680 --> 0:45:29.040
<v Speaker 1>Yeah, that's how it's supposed to look. Though they did that,

0:45:29.239 --> 0:45:30.440
<v Speaker 1>they did that one on purpose.

0:45:31.000 --> 0:45:34.880
<v Speaker 2>At first, I didn't understand. Then I realized, yeah, that

0:45:35.040 --> 0:45:37.080
<v Speaker 2>was okay. It was the one after that.

0:45:37.160 --> 0:45:42.240
<v Speaker 1>I yeah. So after another twenty five to thirty dance numbers,

0:45:42.920 --> 0:45:45.600
<v Speaker 1>we get back to the storyline about the bad guys,

0:45:46.560 --> 0:45:48.200
<v Speaker 1>and so all of a sudden, it's like, oh, that's right,

0:45:48.239 --> 0:45:51.880
<v Speaker 1>there's this weather Machine. And so just as Tanner and

0:45:52.160 --> 0:45:54.200
<v Speaker 1>Leila are starting to soften on the idea of their

0:45:54.320 --> 0:45:56.360
<v Speaker 1>rival gangs, like, hey, maybe we are kind of falling

0:45:56.400 --> 0:45:59.680
<v Speaker 1>for each other, the weather Machine just starts working and

0:46:00.520 --> 0:46:05.279
<v Speaker 1>needs to be stopped because now Mac and Brady have

0:46:05.480 --> 0:46:08.200
<v Speaker 1>been captured by the bad guys.

0:46:08.600 --> 0:46:14.239
<v Speaker 2>Right right, How did the bad guys know that they

0:46:14.280 --> 0:46:19.200
<v Speaker 2>were even in knowledge of what they were doing. They

0:46:19.360 --> 0:46:22.839
<v Speaker 2>just show up on the beach. Yeah, they just show

0:46:22.960 --> 0:46:26.799
<v Speaker 2>up on the beach. Well, I know, and capture them.

0:46:27.400 --> 0:46:29.839
<v Speaker 2>Why are they even looking for them? How do they

0:46:29.840 --> 0:46:30.600
<v Speaker 2>know where they are?

0:46:31.120 --> 0:46:32.960
<v Speaker 1>I know? They weren't even in the middle of a

0:46:32.960 --> 0:46:34.520
<v Speaker 1>big dance number, which they.

0:46:34.360 --> 0:46:37.360
<v Speaker 2>Weren't even dancing and singing to being loud. They were quiet.

0:46:37.640 --> 0:46:42.719
<v Speaker 1>Yeah, And then the bad guys capture them. So the

0:46:42.760 --> 0:46:48.239
<v Speaker 1>weather Machine starts working, and we've cut to the unruly guy.

0:46:48.320 --> 0:46:50.440
<v Speaker 1>That cut to the bad guys, and we know that Okay,

0:46:50.440 --> 0:46:52.560
<v Speaker 1>that's right, there are bad guys in this movie. Then

0:46:52.600 --> 0:46:54.040
<v Speaker 1>we get to the best part of the movie by

0:46:54.040 --> 0:46:56.799
<v Speaker 1>far in my opinion, which is almost worth everything else

0:46:56.840 --> 0:46:59.799
<v Speaker 1>going to this point, which is that Brady and Mack

0:46:59.840 --> 0:47:03.600
<v Speaker 1>have met up. They're trying to get their now significant

0:47:03.600 --> 0:47:06.560
<v Speaker 1>others to fall in love with each other, and they

0:47:06.600 --> 0:47:09.239
<v Speaker 1>realize they're slowly morphing into the movie characters themselves. She

0:47:09.280 --> 0:47:12.319
<v Speaker 1>falls off a rock, her hair doesn't get wet. She

0:47:12.560 --> 0:47:15.360
<v Speaker 1>now starts talking, but starts singing as she's talking, and

0:47:15.400 --> 0:47:18.200
<v Speaker 1>she's like, no, what that what's stop? And then there's

0:47:18.239 --> 0:47:23.120
<v Speaker 1>a great my favorite song of the movie, make it Stop.

0:47:23.719 --> 0:47:25.920
<v Speaker 2>Yes, this had.

0:47:25.719 --> 0:47:29.239
<v Speaker 3>You, you all over it you.

0:47:29.360 --> 0:47:32.280
<v Speaker 2>It was such a phenomenal chob in this musical.

0:47:33.040 --> 0:47:37.160
<v Speaker 1>It was great. It was because it's like, please make

0:47:37.200 --> 0:47:41.160
<v Speaker 1>it stop? Am I just a prop? Why am I singing? Yeah?

0:47:41.239 --> 0:47:42.120
<v Speaker 1>What the hell's going on?

0:47:42.600 --> 0:47:45.200
<v Speaker 2>The motions were just like pointing.

0:47:45.280 --> 0:47:48.840
<v Speaker 1>It was like pointing and the dent they're like all dancing,

0:47:48.920 --> 0:47:51.520
<v Speaker 1>like what's like, what's going on? Like Beetlejuice when he's

0:47:51.520 --> 0:47:52.520
<v Speaker 1>making everybody dance.

0:47:53.120 --> 0:47:55.040
<v Speaker 2>Yeah, it's so good.

0:47:55.440 --> 0:47:56.640
<v Speaker 1>It was very funny.

0:47:56.840 --> 0:47:59.440
<v Speaker 2>It was a good number. It really was, because that was.

0:47:59.440 --> 0:48:01.200
<v Speaker 1>My favorite one of the movie. It really was.

0:48:01.320 --> 0:48:04.600
<v Speaker 2>Again, it's their whole it's going back to this movie

0:48:06.000 --> 0:48:09.759
<v Speaker 2>huking fun and obviously saying we are not trying to

0:48:09.760 --> 0:48:11.920
<v Speaker 2>be serious here right when it comes.

0:48:11.760 --> 0:48:14.200
<v Speaker 1>To joy, We're having a bad We're having a fun time.

0:48:14.440 --> 0:48:16.719
<v Speaker 1>We know we're having a fun time, yes, but the

0:48:16.719 --> 0:48:19.120
<v Speaker 1>plan works. The surfer guy and the biker girl finally

0:48:19.120 --> 0:48:21.920
<v Speaker 1>fall for each other, which obviously calls for another musical.

0:48:21.920 --> 0:48:24.040
<v Speaker 1>I'm starting to get a little little shocky here when

0:48:24.040 --> 0:48:25.680
<v Speaker 1>it comes to musicals, but at least I'm no longer

0:48:25.719 --> 0:48:28.920
<v Speaker 1>saying wet. They also had all of a sudden exactly

0:48:28.960 --> 0:48:31.640
<v Speaker 1>what we were talking about earlier on the beach, and

0:48:31.719 --> 0:48:35.120
<v Speaker 1>for no reason, the bad guys show up and kidnap Brady.

0:48:34.920 --> 0:48:39.160
<v Speaker 2>And mess out of nowhere. How did they know they

0:48:39.200 --> 0:48:40.160
<v Speaker 2>were there? Right?

0:48:40.440 --> 0:48:42.080
<v Speaker 1>We don't know why, but they know they were up

0:48:42.120 --> 0:48:45.000
<v Speaker 1>to something somehow. That Big Mamas was going to be

0:48:45.520 --> 0:48:50.560
<v Speaker 1>uh in jeopardy. Yeah, their plan was going to be

0:48:50.600 --> 0:48:52.080
<v Speaker 1>in jeopardy and they weren't gonna be able to take

0:48:52.080 --> 0:48:55.520
<v Speaker 1>over Big Mamas. So they tie them up to the

0:48:55.560 --> 0:48:59.359
<v Speaker 1>weather machine and again, supposed to be sixties funny, kind

0:48:59.360 --> 0:49:00.000
<v Speaker 1>of ridiculous.

0:49:00.120 --> 0:49:03.200
<v Speaker 2>So yes, okay, that's what I'm saying, Like this movie

0:49:03.320 --> 0:49:09.040
<v Speaker 2>was easy to go. Okay, just roll your eyes, good time.

0:49:09.520 --> 0:49:11.480
<v Speaker 1>So luckily the new love birds are finally able to

0:49:11.480 --> 0:49:14.600
<v Speaker 1>bring together their respective gangs there, you know, Tanner goes

0:49:14.600 --> 0:49:16.759
<v Speaker 1>to one gang, Leela goes to another gang and hey,

0:49:16.840 --> 0:49:19.440
<v Speaker 1>they're they're gangs. Hey we should work together, which as

0:49:19.440 --> 0:49:23.759
<v Speaker 1>they do, and then the blessing comes for Butchy Leila's brother,

0:49:23.760 --> 0:49:26.200
<v Speaker 1>who actually starts to cry that they're in love and

0:49:26.200 --> 0:49:30.960
<v Speaker 1>they're going to go and save Brady and Mac.

0:49:32.120 --> 0:49:36.040
<v Speaker 2>Do they know Brady and Mac are in desperate.

0:49:35.600 --> 0:49:40.279
<v Speaker 1>Need of saving because he found the thing on the

0:49:40.320 --> 0:49:42.360
<v Speaker 1>ground that the hair piece he'd given her.

0:49:43.160 --> 0:49:46.839
<v Speaker 2>Okay, so that obviously give that to you that there's

0:49:46.880 --> 0:49:47.720
<v Speaker 2>something wrong.

0:49:48.200 --> 0:49:52.160
<v Speaker 3>But the fact that they know where they're at, what

0:49:52.280 --> 0:49:53.440
<v Speaker 3>is happening.

0:49:53.200 --> 0:50:03.160
<v Speaker 1>If you ever find out, well, this is what this is.

0:50:03.239 --> 0:50:05.640
<v Speaker 1>This was a bridge too far for Sabrina, Like, nope,

0:50:06.480 --> 0:50:10.040
<v Speaker 1>I'm out. I don't get this. I'm out.

0:50:11.920 --> 0:50:16.760
<v Speaker 2>I was trying to be a good participant in the movie.

0:50:18.120 --> 0:50:20.680
<v Speaker 1>Okay, I love all this is it. This was a

0:50:20.719 --> 0:50:25.399
<v Speaker 1>weather machine too far for Sabrina. Now, while they were

0:50:25.440 --> 0:50:28.359
<v Speaker 1>tied up, mcin Tanner of course, falls back in love

0:50:28.520 --> 0:50:30.719
<v Speaker 1>just in time for the gangs while singing Here's the

0:50:30.719 --> 0:50:33.319
<v Speaker 1>other thing I love about musicals. They're just people will

0:50:33.320 --> 0:50:35.120
<v Speaker 1>turn to each other and just start singing into each

0:50:35.160 --> 0:50:37.960
<v Speaker 1>other's mouths. You're an inch, You're an inch away for me.

0:50:38.560 --> 0:50:41.160
<v Speaker 1>Back up, you're singing way too close to my face.

0:50:41.480 --> 0:50:44.520
<v Speaker 2>Agree, way too close, very valued.

0:50:44.800 --> 0:50:47.600
<v Speaker 1>Thank you. Don't just hit these high notes right into

0:50:47.640 --> 0:50:48.040
<v Speaker 1>my mouth.

0:50:51.000 --> 0:50:52.440
<v Speaker 2>Could always hit the high notes.

0:50:53.520 --> 0:50:55.719
<v Speaker 1>You're like, Tanner's fine, he can hit whatever note he needs.

0:50:56.160 --> 0:50:59.319
<v Speaker 2>Well, it seems that that's the the world Tanner lives in.

0:51:00.000 --> 0:51:01.720
<v Speaker 1>I love. I was just like, yeah, but I'm pretty

0:51:01.800 --> 0:51:05.360
<v Speaker 1>it was great. They stormed the lighthouse, they destroy the

0:51:05.360 --> 0:51:09.319
<v Speaker 1>weather machine, they save the hangout, the bad guys blow

0:51:09.400 --> 0:51:11.279
<v Speaker 1>up through the ceiling. I was like, did they just

0:51:11.360 --> 0:51:13.080
<v Speaker 1>kill them? But no, they make sure that they show

0:51:13.120 --> 0:51:17.200
<v Speaker 1>that they did not die die Disney. They then have

0:51:17.239 --> 0:51:19.799
<v Speaker 1>to say goodbye to everybody. No, please stay, We're not

0:51:19.840 --> 0:51:22.560
<v Speaker 1>going to stay. We're leaving. They leave the big storm

0:51:22.640 --> 0:51:25.000
<v Speaker 1>and a great another surfing shot of the two of

0:51:25.040 --> 0:51:29.200
<v Speaker 1>them together on the best fake wave ever. They then

0:51:29.239 --> 0:51:32.400
<v Speaker 1>wind up right back where they started. No time had passed.

0:51:33.239 --> 0:51:35.200
<v Speaker 1>He also doesn't have the jet ski anymore, so he's

0:51:35.200 --> 0:51:37.440
<v Speaker 1>gonna owe some people some money. I don't know if

0:51:37.480 --> 0:51:40.000
<v Speaker 1>you notice that there was no jet ski I did.

0:51:40.280 --> 0:51:42.920
<v Speaker 3>I have a lot of issues with the end of

0:51:42.960 --> 0:51:43.680
<v Speaker 3>those scenes.

0:51:43.800 --> 0:51:49.880
<v Speaker 2>Like so many things, continuity was fired at some point

0:51:50.040 --> 0:51:52.200
<v Speaker 2>and not brought back on it.

0:51:52.320 --> 0:51:56.080
<v Speaker 1>Was not not the greatest continuitywise Mac. Then they get

0:51:56.120 --> 0:51:58.319
<v Speaker 1>back on the beach after she catches another wave which

0:51:58.320 --> 0:52:02.279
<v Speaker 1>is clearly her surfing. Actually it's not her serve, it's

0:52:02.360 --> 0:52:05.600
<v Speaker 1>another kind of bad green screen. But she sends stands

0:52:05.640 --> 0:52:07.360
<v Speaker 1>up to her aunt. So she wants to stay in Hawaii,

0:52:07.520 --> 0:52:09.359
<v Speaker 1>she wants to make her own choices. She wants to

0:52:10.000 --> 0:52:15.600
<v Speaker 1>make out with with Brady Moore. And uh, then there's

0:52:15.640 --> 0:52:18.560
<v Speaker 1>of course a giant dance number, because we couldn't we

0:52:18.600 --> 0:52:19.960
<v Speaker 1>couldn't just stop at sixty.

0:52:20.320 --> 0:52:24.680
<v Speaker 2>Not just a dance number. They have expanded the dance number.

0:52:24.960 --> 0:52:28.000
<v Speaker 2>It's huge, double the amount of dancers on the beach

0:52:28.280 --> 0:52:30.200
<v Speaker 2>and extras behind them.

0:52:30.840 --> 0:52:32.839
<v Speaker 1>But did you notice that only like the first three

0:52:32.880 --> 0:52:34.719
<v Speaker 1>or four rows are doing the dance. The rest are

0:52:34.760 --> 0:52:35.799
<v Speaker 1>just kind of throwing their hands up.

0:52:35.880 --> 0:52:41.880
<v Speaker 2>They added more dancers, new dancers they did, like b

0:52:42.040 --> 0:52:43.640
<v Speaker 2>boy break dancers that could do.

0:52:43.560 --> 0:52:43.920
<v Speaker 1>A little bit.

0:52:44.040 --> 0:52:49.360
<v Speaker 2>Yes, then they added extras onto the back to just kind.

0:52:49.120 --> 0:52:51.440
<v Speaker 1>Of I want to be that guy. I want to

0:52:51.480 --> 0:52:52.160
<v Speaker 1>be this guy.

0:52:52.080 --> 0:52:54.680
<v Speaker 2>You could totally totally who do I call?

0:52:54.840 --> 0:52:56.359
<v Speaker 1>Is there this guy number that I call?

0:52:56.440 --> 0:53:00.120
<v Speaker 2>Because I want to be any going extra agent and

0:53:01.160 --> 0:53:02.280
<v Speaker 2>dance And then you'll say.

0:53:02.200 --> 0:53:06.000
<v Speaker 1>Yes, then you'll lie, and then they'll do that. That's

0:53:06.000 --> 0:53:07.880
<v Speaker 1>what I want to do. I want to be in

0:53:08.000 --> 0:53:10.719
<v Speaker 1>teen Beach three. Look at the guy dancing behind. That's

0:53:10.719 --> 0:53:11.560
<v Speaker 1>what it's called, and that's me.

0:53:11.680 --> 0:53:14.200
<v Speaker 2>Hey, if there's a team Beach three.

0:53:14.760 --> 0:53:16.839
<v Speaker 1>You got your girl? Yes, you and I will go

0:53:16.920 --> 0:53:18.719
<v Speaker 1>fake dance behind. You'll have to make me look good

0:53:18.760 --> 0:53:21.759
<v Speaker 1>because you actually know what you're doing. But yeah, they

0:53:22.000 --> 0:53:23.800
<v Speaker 1>obviously don't want to pay to have everybody learn the

0:53:23.880 --> 0:53:26.120
<v Speaker 1>dance choreography, so only the first three or four rows

0:53:26.120 --> 0:53:28.560
<v Speaker 1>know it. They do a big, big dance thing where

0:53:28.600 --> 0:53:30.759
<v Speaker 1>you're ready freddy and all that kind of stuff. But

0:53:31.040 --> 0:53:32.840
<v Speaker 1>you think that's going to be end of the movie,

0:53:32.880 --> 0:53:35.160
<v Speaker 1>but it's not. Disney does something they'd never done before.

0:53:35.200 --> 0:53:37.680
<v Speaker 1>We get our first ever blooper reel and then a

0:53:37.719 --> 0:53:42.799
<v Speaker 1>post credit scene. Very cool, Here for me too, Here

0:53:43.000 --> 0:53:44.799
<v Speaker 1>too for absolutely me too.

0:53:44.880 --> 0:53:50.120
<v Speaker 2>Actually wish cast like this just a bunch of different dynamics. Yep,

0:53:50.280 --> 0:53:53.120
<v Speaker 2>you know there were multiple times where you just get

0:53:53.120 --> 0:53:57.960
<v Speaker 2>in a giggle fest or something, especially because these characters

0:53:57.960 --> 0:54:00.960
<v Speaker 2>were so outrageous and so many of the moment.

0:54:01.040 --> 0:54:02.760
<v Speaker 1>Yeah, you know that they were.

0:54:02.560 --> 0:54:06.480
<v Speaker 2>Going big and then making people or making people laugh

0:54:06.680 --> 0:54:07.360
<v Speaker 2>or whatever.

0:54:07.120 --> 0:54:10.040
<v Speaker 1>And they genuinely look like they were having.

0:54:09.840 --> 0:54:13.759
<v Speaker 2>Fun the best. I think Cooper Reels really give the

0:54:13.800 --> 0:54:16.760
<v Speaker 2>fans an insight of we had the best time making.

0:54:16.920 --> 0:54:18.719
<v Speaker 1>I agree one hundred percent. I love that they put

0:54:18.719 --> 0:54:19.239
<v Speaker 1>it on there.

0:54:20.080 --> 0:54:23.560
<v Speaker 3>And then the bonus like little button scene.

0:54:23.680 --> 0:54:28.240
<v Speaker 1>Yes, is the sixties people coming out of the water

0:54:28.840 --> 0:54:31.840
<v Speaker 1>and meeting a modern day punk guy who's like, you

0:54:31.840 --> 0:54:32.480
<v Speaker 1>guys look like.

0:54:32.760 --> 0:54:35.640
<v Speaker 2>A modern day because there's no one. I mean not

0:54:35.719 --> 0:54:36.959
<v Speaker 2>no one, but that was not.

0:54:37.000 --> 0:54:37.960
<v Speaker 1>A very few.

0:54:38.560 --> 0:54:40.319
<v Speaker 2>There's not a big hairstyle.

0:54:41.320 --> 0:54:44.200
<v Speaker 1>He's got a full punk rocker mohawk. And he asked,

0:54:44.239 --> 0:54:46.120
<v Speaker 1>if you want to use my phone? And he turns

0:54:46.120 --> 0:54:50.520
<v Speaker 1>it around and there's a picture of Justin Bieber. The

0:54:50.600 --> 0:54:53.800
<v Speaker 1>only analogy I could come up with for a punk

0:54:53.880 --> 0:54:56.200
<v Speaker 1>guy having a picture of Justin Bieber on his phone

0:54:56.400 --> 0:54:59.680
<v Speaker 1>would be a punk guy having a picture of Justin

0:54:59.719 --> 0:55:03.800
<v Speaker 1>Ber on his phone. Like there was no other analogy

0:55:03.840 --> 0:55:05.560
<v Speaker 1>that We're like, well, what.

0:55:06.080 --> 0:55:07.200
<v Speaker 2>Why, why?

0:55:07.440 --> 0:55:07.760
<v Speaker 1>No?

0:55:07.960 --> 0:55:10.160
<v Speaker 2>Soon, how does that make sense? Nothing?

0:55:10.400 --> 0:55:13.680
<v Speaker 1>It was really weird. Why would that ever ever happen?

0:55:13.760 --> 0:55:16.160
<v Speaker 2>But anyway the answer is it wouldn't.

0:55:16.200 --> 0:55:20.200
<v Speaker 1>They're scared but intrigued by the phone and boom we

0:55:20.320 --> 0:55:24.239
<v Speaker 1>know there is a sequel coming teen Beach to Justin

0:55:24.280 --> 0:55:28.000
<v Speaker 1>Bieber's Mohawk. I can't wait. I'm gonna be very excited.

0:55:28.680 --> 0:55:31.400
<v Speaker 2>Oop you jo think Justin Bieber is gonna be a

0:55:31.400 --> 0:55:34.240
<v Speaker 2>part of the next one. I'm gonna tell you right now.

0:55:34.400 --> 0:55:37.919
<v Speaker 2>I would never do that to anybody. I don't even

0:55:37.960 --> 0:55:40.399
<v Speaker 2>think Beebes is gonna make a debut Justin.

0:55:40.680 --> 0:55:52.759
<v Speaker 1>Justin Bieber is awesome. There's your movie, ready, Freddy, Yes,

0:55:53.200 --> 0:55:55.160
<v Speaker 1>let's rate because we got well first of all, let's do.

0:55:55.320 --> 0:55:57.480
<v Speaker 1>Let's I forget. I'm so excited to rate this movie,

0:55:57.520 --> 0:55:58.919
<v Speaker 1>so I want to see what you're gonna say. Let's

0:55:58.960 --> 0:56:02.600
<v Speaker 1>do our real reviews. Take the five star review this time, Sabrina.

0:56:04.120 --> 0:56:10.760
<v Speaker 2>I would love to because then give it a five star.

0:56:11.680 --> 0:56:16.080
<v Speaker 2>This is a five star review by Maya B. This

0:56:16.200 --> 0:56:19.760
<v Speaker 2>movie is so good and iconic. It's the only movie

0:56:19.840 --> 0:56:22.840
<v Speaker 2>I like more than Shine That's great too, from Disney.

0:56:23.320 --> 0:56:25.680
<v Speaker 2>I love this movie because it's cute and the songs

0:56:25.680 --> 0:56:30.480
<v Speaker 2>are catchy, like the Fly, a cheesy joke for the

0:56:30.560 --> 0:56:31.320
<v Speaker 2>cheese factor.

0:56:31.400 --> 0:56:34.960
<v Speaker 1>Maya, I will do the one star review. This is

0:56:34.960 --> 0:56:39.200
<v Speaker 1>by Isaac the Fourth. If I'm loud, it's because it's

0:56:39.200 --> 0:56:42.560
<v Speaker 1>in all caps. So if I have all caps, it's loud.

0:56:42.960 --> 0:56:47.000
<v Speaker 1>This is trash. I could give it zero stars, complete cringe.

0:56:47.040 --> 0:56:51.680
<v Speaker 1>If you're considering watching it. Don't only for neobs and poopies,

0:56:54.120 --> 0:56:58.000
<v Speaker 1>nubes and poopies people. I'd rather say wet than say

0:56:58.000 --> 0:57:02.040
<v Speaker 1>that again. And now we are going to do another

0:57:02.040 --> 0:57:03.839
<v Speaker 1>fun feature. You know, we love to play games on

0:57:03.880 --> 0:57:07.000
<v Speaker 1>our magical rewind podcast here because we're fun people. Or

0:57:07.040 --> 0:57:09.000
<v Speaker 1>we're not. It's not up to us, it's up to you.

0:57:09.560 --> 0:57:12.239
<v Speaker 1>But our feature this week is called hang four. So

0:57:12.320 --> 0:57:15.480
<v Speaker 1>we're going to get four terms associated with surfing according

0:57:15.480 --> 0:57:18.480
<v Speaker 1>to wavetribe dot com. Now we have to guess what

0:57:18.520 --> 0:57:21.440
<v Speaker 1>they stand for from a list of multiple choice options.

0:57:22.600 --> 0:57:24.640
<v Speaker 1>So to explain the game's name a little more, there

0:57:24.640 --> 0:57:28.200
<v Speaker 1>will also be four options. Again, Sabrina and I don't

0:57:28.200 --> 0:57:31.040
<v Speaker 1>know any of this whatsoever. We have no idea. We

0:57:31.080 --> 0:57:36.800
<v Speaker 1>are not given the answer. Do here we go, guys.

0:57:37.040 --> 0:57:40.160
<v Speaker 1>So number one, the number one term we have associated

0:57:40.200 --> 0:57:46.640
<v Speaker 1>with surfing is clucked. Now, Sabrina is clucked one the

0:57:46.680 --> 0:57:48.880
<v Speaker 1>act of jumping in front of another surfer and stealing

0:57:48.960 --> 0:57:53.560
<v Speaker 1>their wave. Two being afraid of waves. Three when you

0:57:53.880 --> 0:57:56.920
<v Speaker 1>break your surfboard in half. On a wave, or four

0:57:57.160 --> 0:57:59.080
<v Speaker 1>eating fried chicken while surfing.

0:58:03.840 --> 0:58:05.360
<v Speaker 2>Left. I'm gonna go with one.

0:58:06.080 --> 0:58:07.720
<v Speaker 1>I'm gonna go with one too. I feel like that

0:58:07.840 --> 0:58:09.760
<v Speaker 1>happens enough, and I feel like they would have a

0:58:09.840 --> 0:58:12.520
<v Speaker 1>term for it. Yeah, all right, I'm going to go.

0:58:12.520 --> 0:58:14.520
<v Speaker 5>With what it's being afraid of waves?

0:58:15.000 --> 0:58:19.360
<v Speaker 1>Oh okay, So if you're so, then are you clucked

0:58:19.600 --> 0:58:21.320
<v Speaker 1>or is it like man that kid's clucked?

0:58:21.520 --> 0:58:22.600
<v Speaker 5>Yeah?

0:58:23.160 --> 0:58:27.880
<v Speaker 1>Okay, okay, Wow, we're oh for one. Number two? What

0:58:28.200 --> 0:58:35.280
<v Speaker 1>are men in gray suits? Are those A casual business

0:58:35.280 --> 0:58:39.720
<v Speaker 1>men's surfers who only catch waves on weekends? B sharks

0:58:40.360 --> 0:58:44.600
<v Speaker 1>see loose barticles that can injure surfers, or D a

0:58:44.680 --> 0:58:46.840
<v Speaker 1>bad Chinese bootleg of men in black And I'd like

0:58:46.880 --> 0:58:48.640
<v Speaker 1>to point out that everyone. I'm going to change between

0:58:48.640 --> 0:58:50.680
<v Speaker 1>one and and and A. Notice I did a B

0:58:50.760 --> 0:58:54.920
<v Speaker 1>and C that time. Men in gray suits. I'm gonna

0:58:54.920 --> 0:58:59.640
<v Speaker 1>say that sharks, but it could also be cast asual business.

0:58:59.640 --> 0:59:02.520
<v Speaker 3>Answer for number one, I think it's casual businessman.

0:59:03.640 --> 0:59:05.040
<v Speaker 5>Sabrina is wrong, which is awesome.

0:59:05.120 --> 0:59:11.600
<v Speaker 2>It's sharks, Jensen, I have never done anything to you.

0:59:13.160 --> 0:59:15.200
<v Speaker 2>Is it that I were off.

0:59:16.520 --> 0:59:16.560
<v Speaker 4>It?

0:59:16.800 --> 0:59:21.640
<v Speaker 1>Sharks? Mend and gray suits? Number three, I love that

0:59:21.640 --> 0:59:27.000
<v Speaker 1>our producer really enjoys when you get them wrong. He

0:59:27.040 --> 0:59:30.840
<v Speaker 1>loves you, He just loves it. Number three pig dog.

0:59:31.840 --> 0:59:35.520
<v Speaker 1>Is that one a surfer grabbing onto the rails while

0:59:35.560 --> 0:59:39.600
<v Speaker 1>inside a barrel? To a lifeguard who is too nervous

0:59:39.640 --> 0:59:43.640
<v Speaker 1>to let surfers get on big waves? Three the world's

0:59:43.680 --> 0:59:48.160
<v Speaker 1>most famous surfing golden retriever are four, a name once

0:59:48.200 --> 0:59:51.120
<v Speaker 1>accidentally said by an announcer during the Surfing Championships on

0:59:51.320 --> 0:59:54.360
<v Speaker 1>ESPN two when he was trying to compliment someone as

0:59:54.400 --> 0:59:55.120
<v Speaker 1>a big dog.

0:59:55.520 --> 0:59:56.360
<v Speaker 2>I'm going with four.

0:59:56.760 --> 0:59:59.640
<v Speaker 1>It's so intricate that I almost feel like he's trying

0:59:59.680 --> 1:00:01.920
<v Speaker 1>to go I'm going to say it's a surfer grabbing

1:00:01.920 --> 1:00:03.280
<v Speaker 1>onto the rails while inside a barrel.

1:00:03.800 --> 1:00:07.000
<v Speaker 5>Jensen, Oh, I'm so happy that she picked that. But

1:00:07.080 --> 1:00:11.360
<v Speaker 5>it's definitely not that I made that up. It's when

1:00:11.400 --> 1:00:14.200
<v Speaker 5>they're grabbing the rail, you know, inside.

1:00:13.920 --> 1:00:17.080
<v Speaker 1>Yes, inside a barrel. Yes, I got that. The second one,

1:00:17.760 --> 1:00:20.960
<v Speaker 1>oh man, I love that. Okay. Now the fourth question

1:00:21.040 --> 1:00:23.800
<v Speaker 1>is a little bit different. We're going to get one

1:00:23.960 --> 1:00:27.480
<v Speaker 1>term and we have to guess what it means without

1:00:27.680 --> 1:00:35.600
<v Speaker 1>any options at all. So, Sabrina, what is to hang? Eleven?

1:00:38.920 --> 1:00:41.040
<v Speaker 3>Jordan's in the room right now. It's so hard to

1:00:41.080 --> 1:00:41.600
<v Speaker 3>not cheat.

1:00:42.400 --> 1:00:46.080
<v Speaker 1>Do cheat Jordan, he's bigger than me, but he's bigger

1:00:46.080 --> 1:00:47.479
<v Speaker 1>and younger. Tell him not to cheat.

1:00:47.640 --> 1:00:55.160
<v Speaker 2>I can't hear you. What is to hang eleven means?

1:00:55.400 --> 1:00:57.880
<v Speaker 1>No? No, no, no no.

1:01:00.080 --> 1:01:04.160
<v Speaker 2>I would assume hang eleven means like an eleven eleven

1:01:04.200 --> 1:01:05.120
<v Speaker 2>foot waves?

1:01:05.600 --> 1:01:09.680
<v Speaker 1>Not okay, hang ten? I think is this? Isn't it?

1:01:10.400 --> 1:01:11.520
<v Speaker 2>What does that mean? Well?

1:01:11.840 --> 1:01:13.800
<v Speaker 1>I don't like. I think it's just I think that

1:01:14.560 --> 1:01:20.080
<v Speaker 1>I could be wrong. Okay, I actually no, isn't hang ten?

1:01:20.240 --> 1:01:23.080
<v Speaker 1>When you when you hang your ten toes over the

1:01:23.120 --> 1:01:25.840
<v Speaker 1>board into the water, isn't that hanging ten? So is hanging? Well?

1:01:25.880 --> 1:01:29.200
<v Speaker 2>What hang eleven means? I don't know. I would think

1:01:29.200 --> 1:01:32.000
<v Speaker 2>it was over ten foot waves.

1:01:32.280 --> 1:01:33.560
<v Speaker 1>I'm gonna go ahead.

1:01:33.640 --> 1:01:35.200
<v Speaker 5>Well, I'm saying it sounds like neither of you know.

1:01:35.880 --> 1:01:38.320
<v Speaker 1>Okay, what is it? Did?

1:01:38.400 --> 1:01:40.000
<v Speaker 5>Does Sabrina get fully shut out this time?

1:01:40.200 --> 1:01:41.280
<v Speaker 1>Is it surfing naked?

1:01:41.760 --> 1:01:44.919
<v Speaker 5>It is surfing naked. It's when you're surfing midwave, pull

1:01:44.960 --> 1:01:46.720
<v Speaker 5>down your pants and ride the rest naked?

1:01:47.280 --> 1:01:47.560
<v Speaker 1>No?

1:01:48.720 --> 1:01:50.200
<v Speaker 5>Yeah, I mean you win there. I mean you get

1:01:50.240 --> 1:01:50.560
<v Speaker 5>a point.

1:01:51.080 --> 1:01:54.000
<v Speaker 1>Oh yes, I don't know how I thought of it.

1:01:54.040 --> 1:01:56.280
<v Speaker 2>I mean get a point he thought there was an

1:01:56.360 --> 1:01:59.200
<v Speaker 2>eleventh toe that went over a bed.

1:01:59.640 --> 1:02:00.800
<v Speaker 5>I mean, it's still kind of.

1:02:00.760 --> 1:02:05.200
<v Speaker 1>Right, honestly, you know, I got it right, I said

1:02:05.360 --> 1:02:09.440
<v Speaker 1>surfing naked because the eleven is your junk.

1:02:10.200 --> 1:02:13.440
<v Speaker 2>Oh oh see, I'm not a dude. I have no

1:02:13.480 --> 1:02:19.400
<v Speaker 2>idea what you're talking about. Guys, all right, I have

1:02:19.480 --> 1:02:23.760
<v Speaker 2>dealt with the wet stuff. I mean I tapped.

1:02:23.360 --> 1:02:27.320
<v Speaker 1>Our Seriously, I did not even know what but I

1:02:27.440 --> 1:02:31.280
<v Speaker 1>was like, I didn't want to say I didn't want

1:02:31.280 --> 1:02:32.160
<v Speaker 1>to know what.

1:02:32.160 --> 1:02:39.080
<v Speaker 2>Hang eleven is. Yeah, so hang eleven is the he

1:02:39.160 --> 1:02:40.360
<v Speaker 2>just said it's the wiener.

1:02:45.200 --> 1:02:47.560
<v Speaker 1>You could tell him that. We instantly just became best friends.

1:02:52.040 --> 1:02:54.800
<v Speaker 2>I have never heard that you go from teen beach

1:02:54.920 --> 1:02:58.360
<v Speaker 2>to talking about Hang eleven. You guys, this is not

1:02:58.400 --> 1:03:00.360
<v Speaker 2>supposed to be that kind of too.

1:03:00.320 --> 1:03:02.160
<v Speaker 5>Much happier if she got any of them, right.

1:03:02.400 --> 1:03:03.240
<v Speaker 1>That's the problem.

1:03:03.360 --> 1:03:07.040
<v Speaker 2>Yes, so bitter right now?

1:03:10.000 --> 1:03:13.120
<v Speaker 1>Oh oh that's so funny. Can we do? Can we

1:03:13.120 --> 1:03:13.960
<v Speaker 1>do sabritases?

1:03:14.600 --> 1:03:22.400
<v Speaker 2>We can? I'm gonna just do probably a few of

1:03:22.400 --> 1:03:24.040
<v Speaker 2>them because I'm gonna have to harp.

1:03:23.840 --> 1:03:25.800
<v Speaker 1>On a couple of them.

1:03:25.840 --> 1:03:29.320
<v Speaker 2>So truly, I really thought that I knew exactly what

1:03:29.360 --> 1:03:31.760
<v Speaker 2>I was going in for I had to say I

1:03:31.840 --> 1:03:36.440
<v Speaker 2>was a little kind of not super stoked about this right,

1:03:36.720 --> 1:03:41.200
<v Speaker 2>totally dove ragon. Once the first performance on the beach happened,

1:03:42.960 --> 1:03:48.640
<v Speaker 2>I was so not understanding because again I worked with

1:03:48.960 --> 1:03:53.760
<v Speaker 2>Ross and the girls were falling all over him like

1:03:53.840 --> 1:03:57.080
<v Speaker 2>he was this heart throp And I kept going, why

1:03:57.440 --> 1:04:00.840
<v Speaker 2>was this guy like such a bit a heart throb

1:04:00.880 --> 1:04:04.960
<v Speaker 2>when his character was, you know, just like this nerdy guy.

1:04:06.600 --> 1:04:10.360
<v Speaker 2>His moment when he came out as the greaser.

1:04:10.840 --> 1:04:13.240
<v Speaker 3>Boom, got it?

1:04:13.520 --> 1:04:18.280
<v Speaker 2>Okay, Homie can't dance, Homie's got a voice, Homie. And

1:04:18.320 --> 1:04:21.960
<v Speaker 2>then I'm watching I'm loving he is so good in

1:04:22.080 --> 1:04:24.000
<v Speaker 2>that that musical performance.

1:04:24.120 --> 1:04:25.560
<v Speaker 3>I just died.

1:04:25.880 --> 1:04:28.000
<v Speaker 1>Did you get a little crush on Ross after watching that?

1:04:28.240 --> 1:04:31.080
<v Speaker 2>No, I just had so much appreciation for him. Very

1:04:31.120 --> 1:04:34.080
<v Speaker 2>talented because I really didn't again, like I tell you,

1:04:34.200 --> 1:04:38.040
<v Speaker 2>I I did not know where the start of it.

1:04:38.160 --> 1:04:40.520
<v Speaker 2>He obviously went on to do so much more, but

1:04:40.560 --> 1:04:43.320
<v Speaker 2>where the start of it happened on the channel and

1:04:43.360 --> 1:04:46.440
<v Speaker 2>I just was, oh, my gosh, got it done? There

1:04:46.480 --> 1:04:46.720
<v Speaker 2>it is?

1:04:46.840 --> 1:04:48.680
<v Speaker 1>Yeah, that was it?

1:04:49.400 --> 1:04:50.160
<v Speaker 2>Were talented?

1:04:50.600 --> 1:04:55.840
<v Speaker 1>Then a guitar gets put in his hand.

1:04:54.760 --> 1:05:01.360
<v Speaker 2>Was done? I mean it was amazing. I am going

1:05:01.440 --> 1:05:04.280
<v Speaker 2>to rewind back to something that we talk about quite

1:05:04.320 --> 1:05:08.680
<v Speaker 2>a bit of terrible parenting in the situation. Why because

1:05:08.720 --> 1:05:12.760
<v Speaker 2>it comes around to a button. Why was that grandpa

1:05:12.960 --> 1:05:16.000
<v Speaker 2>not in any way concerned when she may have not

1:05:16.160 --> 1:05:17.360
<v Speaker 2>died out in that ocean.

1:05:18.320 --> 1:05:19.760
<v Speaker 1>Yeah, he was like that, you were great.

1:05:19.800 --> 1:05:24.320
<v Speaker 2>He was like his bra was snarled, but he just

1:05:24.440 --> 1:05:29.720
<v Speaker 2>kind of waited. Meanwhile, Brady's sprinting. He doesn't even sprint

1:05:29.760 --> 1:05:30.280
<v Speaker 2>with Brady.

1:05:30.320 --> 1:05:33.480
<v Speaker 1>He just kinda watched, I think because Barry Bostwick knows

1:05:33.520 --> 1:05:37.400
<v Speaker 1>all and he knows that magical surfboard is going to

1:05:37.640 --> 1:05:40.240
<v Speaker 1>make everything. Okay, I guess so.

1:05:40.840 --> 1:05:43.120
<v Speaker 2>But then it's like it comes back at the end

1:05:43.320 --> 1:05:46.480
<v Speaker 2>when they nothing has you know, we're right back in Yeah.

1:05:46.720 --> 1:05:48.280
<v Speaker 1>Yeah, and he's still just there.

1:05:48.520 --> 1:05:52.000
<v Speaker 2>Yeah, and he's still not You would think you'd see

1:05:52.160 --> 1:05:55.840
<v Speaker 2>him with paramedics behind him, ready to get out there

1:05:56.840 --> 1:06:01.680
<v Speaker 2>his hand something something drove me last little bit that

1:06:01.720 --> 1:06:05.680
<v Speaker 2>I'm gonna say. I loved this little detail that they

1:06:05.760 --> 1:06:09.760
<v Speaker 2>put in when they came back from whether this was

1:06:09.840 --> 1:06:12.760
<v Speaker 2>the dream or whatever it was, from the ocean. I

1:06:12.960 --> 1:06:16.960
<v Speaker 2>love that they both knew what happened to them. So

1:06:17.120 --> 1:06:22.520
<v Speaker 2>many times in movies, the main character comes back and

1:06:22.680 --> 1:06:26.600
<v Speaker 2>remembers her hit her or his story of where and

1:06:26.680 --> 1:06:29.280
<v Speaker 2>hit the revelation and where they're at and the person

1:06:29.360 --> 1:06:31.640
<v Speaker 2>that they were along with does does it?

1:06:32.000 --> 1:06:32.200
<v Speaker 4>Yeah?

1:06:32.400 --> 1:06:33.840
<v Speaker 3>I love that it was both of them.

1:06:33.960 --> 1:06:35.919
<v Speaker 2>They both rode that way.

1:06:37.200 --> 1:06:40.320
<v Speaker 1>Oh yeah, they were hanging eleven.

1:06:40.720 --> 1:06:41.160
<v Speaker 2>They were.

1:06:47.280 --> 1:06:50.000
<v Speaker 1>I'm sorry, can't we rate the movie. Let's let's rate

1:06:50.040 --> 1:06:50.640
<v Speaker 1>the movie, all right.

1:06:50.760 --> 1:06:51.960
<v Speaker 2>They rode the wave together.

1:06:52.520 --> 1:06:55.120
<v Speaker 1>That's that's very sweet. All right. We gotta rate the

1:06:55.160 --> 1:06:56.880
<v Speaker 1>movie one out of ten. You know, one is the worst,

1:06:56.920 --> 1:06:59.680
<v Speaker 1>ten is the best. Here are options for today. One

1:06:59.680 --> 1:07:02.800
<v Speaker 1>out of ten. Janie tsunamis one out of ten, Big

1:07:02.920 --> 1:07:06.840
<v Speaker 1>Mama Hangouts one out of ten is Shimmying Giggles.

1:07:07.040 --> 1:07:07.920
<v Speaker 2>We didn't even get to.

1:07:07.880 --> 1:07:10.080
<v Speaker 3>Talk about the amount of shimmys that were in there.

1:07:10.120 --> 1:07:12.440
<v Speaker 1>There were a lot of shimmies. One out of ten.

1:07:12.560 --> 1:07:16.240
<v Speaker 1>Unexplained weather machines one out of ten, green screen surfing

1:07:16.320 --> 1:07:18.960
<v Speaker 1>scenes one out of ten, blooper reels one out of ten,

1:07:19.040 --> 1:07:20.960
<v Speaker 1>Nubes and poopies or I'm gonna add one out of

1:07:21.040 --> 1:07:24.160
<v Speaker 1>ten hanging elevens. Which one would you like to do?

1:07:24.360 --> 1:07:26.840
<v Speaker 1>Sabrina up to you hate you, but we're gonna do

1:07:26.920 --> 1:07:30.760
<v Speaker 1>hanging eleven. Yes, I'm so glad you picked that.

1:07:31.560 --> 1:07:36.520
<v Speaker 2>I'm gonna give this in seven point nine hanging eleven That.

1:07:36.640 --> 1:07:40.520
<v Speaker 1>Is a very specific amount of hanging elevens. Yes, I

1:07:40.720 --> 1:07:42.120
<v Speaker 1>you know what, I'm gonna give it a seven and

1:07:42.120 --> 1:07:43.480
<v Speaker 1>a half. I'm gonna give it a seven and a half.

1:07:43.680 --> 1:07:46.080
<v Speaker 1>I was it was unexpected for me. I thought I

1:07:46.160 --> 1:07:47.920
<v Speaker 1>was gonna hate it. I obviously am not a huge

1:07:47.960 --> 1:07:50.680
<v Speaker 1>fan of musicals. I like how they were, you know,

1:07:50.840 --> 1:07:55.040
<v Speaker 1>taking taking the kind of irony of the whole thing

1:07:55.240 --> 1:07:57.520
<v Speaker 1>about the musical, and they were using that for comedy.

1:07:58.080 --> 1:08:00.880
<v Speaker 1>Big fan of that. Seven and a half solid all

1:08:00.920 --> 1:08:03.080
<v Speaker 1>the way there. Now we've got very good news everyone,

1:08:03.400 --> 1:08:05.439
<v Speaker 1>because we're going to go deeper into teen beach movies

1:08:05.480 --> 1:08:07.120
<v Speaker 1>we've been talking about, which is why I'm talking so fast,

1:08:07.160 --> 1:08:09.440
<v Speaker 1>because he's waiting for us right now for our park

1:08:09.480 --> 1:08:12.960
<v Speaker 1>Hopper episode with Butchi himself John de Luca, and the

1:08:13.000 --> 1:08:14.600
<v Speaker 1>episode is going to drop this week over on our

1:08:14.640 --> 1:08:16.760
<v Speaker 1>magical rewind feed. I cannot wait to hear all the

1:08:16.840 --> 1:08:18.920
<v Speaker 1>inside stuff. So let's hear a snippet from that. Now,

1:08:21.439 --> 1:08:25.280
<v Speaker 1>this movie leans into the fact that it's like, why

1:08:25.360 --> 1:08:28.160
<v Speaker 1>are we breaking into song? Did you guys? And it

1:08:28.400 --> 1:08:32.600
<v Speaker 1>was great. I really enjoyed it. I appreciate it. We

1:08:32.680 --> 1:08:33.560
<v Speaker 1>had a lot of fun doing it.

1:08:33.680 --> 1:08:36.960
<v Speaker 4>I I you could tell the music is like catchy. Yep,

1:08:37.000 --> 1:08:39.400
<v Speaker 4>you know, it's like catchy and poppy and fun. And

1:08:40.320 --> 1:08:42.840
<v Speaker 4>I liked I always liked musicals. I never thought I

1:08:42.880 --> 1:08:46.080
<v Speaker 4>would be in one, especially in movie one, just because

1:08:46.080 --> 1:08:47.240
<v Speaker 4>I'm not that's not my.

1:08:47.360 --> 1:08:51.240
<v Speaker 2>Thing, but it was. It was so fun. Wait, sorry,

1:08:51.400 --> 1:08:54.040
<v Speaker 2>hold on, but you have had to have danced at

1:08:54.120 --> 1:08:58.280
<v Speaker 2>some point. No you had no dance background. No no, no,

1:08:58.920 --> 1:09:00.960
<v Speaker 2>you stop it right now.

1:09:03.880 --> 1:09:06.200
<v Speaker 1>Thank you everybody so much. It was a ton of

1:09:06.280 --> 1:09:08.160
<v Speaker 1>fun talking to him. You should really check out the interview.

1:09:08.240 --> 1:09:10.240
<v Speaker 1>We really learned a whole lot about the movie. Our

1:09:10.439 --> 1:09:14.639
<v Speaker 1>next movie is nineteen ninety nine's The Thirteenth Year, which

1:09:14.680 --> 1:09:17.519
<v Speaker 1>is currently available on Disney Plus. If possible, I know

1:09:17.640 --> 1:09:19.400
<v Speaker 1>even less about this movie than I do about Teen

1:09:19.439 --> 1:09:23.160
<v Speaker 1>Beach Movie. I didn't even know that was even possible.

1:09:23.360 --> 1:09:25.280
<v Speaker 1>So remember to subscribe to our feed and you can

1:09:25.320 --> 1:09:29.599
<v Speaker 1>follow us at the Magical readwind Pod on the Instagram Machine.

1:09:29.800 --> 1:09:32.519
<v Speaker 1>Thank you again, everybody, And I know Sabrina wants me

1:09:32.600 --> 1:09:37.000
<v Speaker 1>to end by saying, don't hang eleven. Bye. Everybody.