1 00:00:15,440 --> 00:00:17,400 Speaker 1: Sabrina, where are you? You look like you're in the 2 00:00:17,440 --> 00:00:20,479 Speaker 1: witness witness relocation. Hold up today's newspaper, so I know 3 00:00:20,520 --> 00:00:24,880 Speaker 1: you're doing okay? Where are you? 4 00:00:25,680 --> 00:00:27,840 Speaker 2: I'm in to Loom, Mexico today. 5 00:00:28,200 --> 00:00:28,600 Speaker 1: Nice. 6 00:00:29,160 --> 00:00:33,320 Speaker 2: I'm in from a vaca that my husband and I 7 00:00:33,320 --> 00:00:36,640 Speaker 2: are so excited to get out and Jess, we're going 8 00:00:36,720 --> 00:00:38,160 Speaker 2: to go do lots of sight scene. 9 00:00:38,240 --> 00:00:40,960 Speaker 3: We're super stoked about that. We were here five years. 10 00:00:40,760 --> 00:00:43,520 Speaker 2: Ago, came here for a wedding, had lots of plans, 11 00:00:44,159 --> 00:00:47,519 Speaker 2: wedding took over for our friend, didn't make the sight 12 00:00:47,600 --> 00:00:50,280 Speaker 2: scene that we wanted to. This trip, we're doing it. 13 00:00:50,360 --> 00:00:52,559 Speaker 1: So is it just it's just an adult trip? Did 14 00:00:52,560 --> 00:00:54,640 Speaker 1: you you drop the kiddos with the with the baby Sea? 15 00:00:55,280 --> 00:00:59,360 Speaker 2: I know, so, of course it's a balance of anxiety 16 00:00:59,800 --> 00:01:03,720 Speaker 2: and letting go. I don't know, I've still Monroe's almost. 17 00:01:03,560 --> 00:01:06,160 Speaker 3: Four and I still just haven't really conquered it yet. 18 00:01:06,200 --> 00:01:09,880 Speaker 2: But it's really really good for me as an individual, 19 00:01:09,880 --> 00:01:11,440 Speaker 2: and of course you know that's my husband. 20 00:01:11,440 --> 00:01:14,640 Speaker 1: You apparently the best way medically to achieve that balance 21 00:01:15,160 --> 00:01:15,919 Speaker 1: not having kids. 22 00:01:19,200 --> 00:01:22,640 Speaker 2: Yes, I know, I would say they gave me a 23 00:01:22,720 --> 00:01:27,480 Speaker 2: welcome drink that I was excited for savoring till I 24 00:01:27,520 --> 00:01:30,200 Speaker 2: got in the room to just sip on and it 25 00:01:30,280 --> 00:01:34,319 Speaker 2: turns out it's it's like water ice and triple sex. 26 00:01:34,440 --> 00:01:35,759 Speaker 1: Okay, well, you have to. 27 00:01:35,640 --> 00:01:38,360 Speaker 2: Call down to that front desk and Melvin, I don't 28 00:01:38,360 --> 00:01:39,240 Speaker 2: feel very welcome. 29 00:01:39,400 --> 00:01:43,800 Speaker 1: Demand more tequila, Demand more tequila. Well, seeing as you're 30 00:01:43,840 --> 00:01:46,560 Speaker 1: at a beach front resort, I think it fits in 31 00:01:46,680 --> 00:01:50,280 Speaker 1: kind of perfectly, I know, with what we're doing today. 32 00:01:50,520 --> 00:01:52,560 Speaker 1: First of all, let's just say welcome to Magical Rewind, 33 00:01:52,720 --> 00:01:54,080 Speaker 1: the show that makes you want to grab your friends, 34 00:01:54,080 --> 00:01:55,960 Speaker 1: your pjs and your popcorn and go back to a 35 00:01:55,960 --> 00:01:58,400 Speaker 1: time when all the houses are smart, the waves tsunamis 36 00:01:58,400 --> 00:01:59,440 Speaker 1: and the high school's musical. 37 00:01:59,480 --> 00:02:04,160 Speaker 2: I'm Wilford L And I'm Sabrina, and the beaches are sunny, 38 00:02:04,280 --> 00:02:05,960 Speaker 2: so com damn wow. 39 00:02:06,360 --> 00:02:09,359 Speaker 1: Are you ready, Freddy? Are you ready? Steady? 40 00:02:09,800 --> 00:02:12,200 Speaker 2: Am ready ready ready? 41 00:02:12,400 --> 00:02:15,320 Speaker 1: Okay, good, because it is officially time to hang ten 42 00:02:15,440 --> 00:02:18,560 Speaker 1: groovy daddy. Oh, because this week we're diving into twenty 43 00:02:18,600 --> 00:02:22,200 Speaker 1: thirteen's teen Beach movie. This next sentence might be my 44 00:02:22,200 --> 00:02:24,880 Speaker 1: favorite sentence I've ever read a time traveling surf movie 45 00:02:25,480 --> 00:02:28,480 Speaker 1: with an obvious title. I think that's the best. I 46 00:02:28,480 --> 00:02:30,440 Speaker 1: don't know why they didn't just go with Joni Tsunami, 47 00:02:30,440 --> 00:02:32,280 Speaker 1: which could have been a kind of a fun way 48 00:02:32,280 --> 00:02:36,240 Speaker 1: to do it. It would be hard to different. Well, 49 00:02:36,280 --> 00:02:40,040 Speaker 1: it is. It's very different. I I was just about 50 00:02:40,040 --> 00:02:42,040 Speaker 1: to say a terrible joke and I'm not going to. Wow. 51 00:02:42,360 --> 00:02:45,000 Speaker 1: They never broken a song during Johnny Tsunami, so it 52 00:02:45,000 --> 00:02:45,520 Speaker 1: was easy. 53 00:02:45,360 --> 00:02:46,399 Speaker 2: To age it would be. 54 00:02:47,080 --> 00:02:48,600 Speaker 1: It would be hard to ignore the fact that this 55 00:02:48,639 --> 00:02:52,120 Speaker 1: movie is coming off of the immense ridiculous success of 56 00:02:52,160 --> 00:02:54,160 Speaker 1: High School Musical for the Disney Channel. So there is 57 00:02:54,200 --> 00:02:56,880 Speaker 1: a bit of reverse engineering here, with a very large 58 00:02:56,919 --> 00:03:01,160 Speaker 1: focus on musical numbers, dance routines, and just crazy good 59 00:03:01,160 --> 00:03:04,520 Speaker 1: looking actors. So much so that the original title of 60 00:03:04,560 --> 00:03:08,200 Speaker 1: this piece was teen Beach Musical. Okay, so that's what 61 00:03:08,200 --> 00:03:10,240 Speaker 1: they were doing. This one is available to stream now 62 00:03:10,240 --> 00:03:12,399 Speaker 1: on Disney Plus. So go and watch it and get 63 00:03:12,440 --> 00:03:14,240 Speaker 1: cued in and everything we're gonna talk about, or or 64 00:03:14,320 --> 00:03:16,440 Speaker 1: don't I say, flip a coin and just stick. 65 00:03:16,280 --> 00:03:21,000 Speaker 2: Whatever it spray tans, y'all, Oh, are those good for you? 66 00:03:21,080 --> 00:03:23,320 Speaker 1: Aren't those the bat No, it's the it's the those 67 00:03:23,360 --> 00:03:26,080 Speaker 1: are the it's the tanning beds that are bad for you? 68 00:03:26,200 --> 00:03:30,080 Speaker 2: Right? Are fine? Those are those are fine? 69 00:03:30,360 --> 00:03:34,640 Speaker 1: Okay, I prefer just the sun. There's a bunch of 70 00:03:34,760 --> 00:03:37,280 Speaker 1: very mild reviews from critics on this coming of age tale. 71 00:03:37,440 --> 00:03:41,120 Speaker 1: Entertainment Weekly gave it a C grade, loving two of 72 00:03:41,120 --> 00:03:43,160 Speaker 1: the songs of the movie, but quote the rest was 73 00:03:43,240 --> 00:03:47,520 Speaker 1: dull as sand. Variety bashed the casting and said though 74 00:03:47,520 --> 00:03:49,760 Speaker 1: it plays like a brightly colored beach blanket, it is 75 00:03:49,880 --> 00:03:52,440 Speaker 1: rough around its sandy edges. But even with this in mind, 76 00:03:52,480 --> 00:03:58,960 Speaker 1: the United States premiere received a whopping eight point four 77 00:03:59,400 --> 00:04:01,880 Speaker 1: million viewers in its first airing and a total of 78 00:04:01,920 --> 00:04:05,040 Speaker 1: thirteen point five million after just seven days on DVR, 79 00:04:05,160 --> 00:04:10,400 Speaker 1: making it the second highest rated movie in cable history people, 80 00:04:10,880 --> 00:04:13,920 Speaker 1: behind only High School Musical two. This time it's personal. 81 00:04:14,720 --> 00:04:16,080 Speaker 1: I don't know if that's actually the name of High 82 00:04:16,080 --> 00:04:17,720 Speaker 1: School Musical too. I haven't seen them yet. I'm sure 83 00:04:17,720 --> 00:04:21,240 Speaker 1: I'm wrong. Not it's not. That might have been Jaws four. No, 84 00:04:21,320 --> 00:04:27,320 Speaker 1: that's the Revenge. This was a massive, massive success for 85 00:04:27,440 --> 00:04:30,359 Speaker 1: Disney Channel and one big reason for the highly watched premiere. 86 00:04:30,440 --> 00:04:35,000 Speaker 1: The Disney Channel worked with some band called One Direction. 87 00:04:35,400 --> 00:04:38,320 Speaker 1: If I'm reading that right, I'm not who. I'm not 88 00:04:38,320 --> 00:04:40,479 Speaker 1: sure who they are to film promotional videos for the 89 00:04:40,480 --> 00:04:42,920 Speaker 1: movie to tie into their new hit Best Song Ever, 90 00:04:43,160 --> 00:04:45,720 Speaker 1: which also has an incredibly obvious title and is an 91 00:04:45,720 --> 00:04:50,839 Speaker 1: out and out lie. It's no comfortably numb. Let's be honest, listen. 92 00:04:51,520 --> 00:04:53,200 Speaker 1: I don't mean to blow your mind here, but the 93 00:04:53,240 --> 00:04:58,200 Speaker 1: movie was filmed in Puerto Rico. This was not Utah, 94 00:04:58,520 --> 00:05:01,680 Speaker 1: this was not Vancouver. Could not fake the beaches that 95 00:05:01,720 --> 00:05:04,719 Speaker 1: they needed in either Utah or Vancouver. So it is 96 00:05:04,760 --> 00:05:07,720 Speaker 1: a new destination for the dcom world, and obviously they 97 00:05:07,720 --> 00:05:10,080 Speaker 1: just needed a ton of new beaches. The budget was 98 00:05:10,200 --> 00:05:12,880 Speaker 1: amazingly high for a Disney Channel movie. It was eight 99 00:05:12,920 --> 00:05:16,479 Speaker 1: million dollars, and they certainly made a count because this 100 00:05:16,600 --> 00:05:20,520 Speaker 1: was the only this is okay a thing we've talked about, 101 00:05:20,600 --> 00:05:24,640 Speaker 1: especially in your generation, like your era of dcom. They 102 00:05:24,640 --> 00:05:27,880 Speaker 1: were doing one a month to show how differently it 103 00:05:27,960 --> 00:05:30,920 Speaker 1: is now. This was the only dcom released in all 104 00:05:30,960 --> 00:05:31,720 Speaker 1: of twenty thirteen. 105 00:05:32,400 --> 00:05:36,680 Speaker 2: Yeah that at that point, I feel, just from the 106 00:05:37,000 --> 00:05:41,400 Speaker 2: just being in it, it was okay. Instead of just 107 00:05:41,480 --> 00:05:44,920 Speaker 2: spreading out this big budget to a bunch of movies, 108 00:05:45,120 --> 00:05:50,599 Speaker 2: it started being a little bit more specific. You know again, Internet, 109 00:05:51,279 --> 00:05:53,240 Speaker 2: you know, all different kinds of apps, all that stuff 110 00:05:53,320 --> 00:05:57,360 Speaker 2: was starting to like come about. So they started implementing 111 00:05:57,800 --> 00:06:01,000 Speaker 2: the budget specifically towards better movies. 112 00:06:01,400 --> 00:06:05,280 Speaker 1: Yeah, big big quit like big huge descendancy, kind of 113 00:06:05,360 --> 00:06:08,640 Speaker 1: like tent pole flagship kind of movie things instead of 114 00:06:08,680 --> 00:06:09,400 Speaker 1: just pumping them out. 115 00:06:09,760 --> 00:06:12,720 Speaker 2: When I think back, it's like so sad to think 116 00:06:12,800 --> 00:06:15,919 Speaker 2: because again, at that time, when it was every month, 117 00:06:16,080 --> 00:06:20,279 Speaker 2: I remember being excited every you know, sus Friday or 118 00:06:20,320 --> 00:06:23,400 Speaker 2: whatever that was every month. Then it started to just 119 00:06:23,440 --> 00:06:27,359 Speaker 2: get a little bit more, you know, it started to 120 00:06:27,440 --> 00:06:30,200 Speaker 2: spread out, and I remember hearing from the fans that 121 00:06:30,240 --> 00:06:32,640 Speaker 2: they weren't super excited, but let me tell you, they 122 00:06:32,640 --> 00:06:35,200 Speaker 2: got behind every movie that came out. 123 00:06:35,240 --> 00:06:39,200 Speaker 1: That's the thing. So they became an eventto themselves. Yes, 124 00:06:39,560 --> 00:06:42,360 Speaker 1: And also we were at twenty thirteen, we were getting away, 125 00:06:42,560 --> 00:06:45,000 Speaker 1: really starting to step away from the monoculture thing. So 126 00:06:45,120 --> 00:06:47,599 Speaker 1: it was there was so much content starting to come out, 127 00:06:47,640 --> 00:06:50,640 Speaker 1: so many people watching on different things, that the audience 128 00:06:50,760 --> 00:06:53,359 Speaker 1: was changing. It just wasn't running home from school to 129 00:06:53,520 --> 00:06:54,760 Speaker 1: watch some cool stuff anymore. 130 00:06:54,920 --> 00:06:58,880 Speaker 2: Just totally well. And not only that, but these movies 131 00:06:58,920 --> 00:07:02,600 Speaker 2: were becoming French, so you're talking merch, you're talking h 132 00:07:03,400 --> 00:07:06,279 Speaker 2: tours of some sort or at least big performances of 133 00:07:06,320 --> 00:07:10,240 Speaker 2: some things that like the fans could actually go and experience, 134 00:07:10,640 --> 00:07:14,960 Speaker 2: which I think makes it better for them to be 135 00:07:15,000 --> 00:07:19,160 Speaker 2: able to have these types of opportunities versus just Steph 136 00:07:19,200 --> 00:07:21,320 Speaker 2: Friday night at their own house or friends. 137 00:07:21,440 --> 00:07:25,640 Speaker 1: Ye. Right, but they they were still pumping out xenons 138 00:07:25,680 --> 00:07:26,280 Speaker 1: back in the day. 139 00:07:26,320 --> 00:07:31,760 Speaker 2: I mean, oh gosh, the Cheetah Girls came with the tour. 140 00:07:31,840 --> 00:07:32,560 Speaker 2: We came with the tour. 141 00:07:32,600 --> 00:07:33,960 Speaker 1: We kind of started. 142 00:07:34,880 --> 00:07:37,000 Speaker 2: Yeah, but it was that was That's what I'm saying. 143 00:07:37,080 --> 00:07:39,880 Speaker 2: This was like right in the mecha of all of that, 144 00:07:39,960 --> 00:07:42,600 Speaker 2: and it just it was just a shift. And I 145 00:07:42,640 --> 00:07:45,400 Speaker 2: think there was good things that were awesome because the 146 00:07:46,160 --> 00:07:49,520 Speaker 2: fans could actually come and see us lies, but awesome 147 00:07:49,560 --> 00:07:52,360 Speaker 2: opportunities for the kids to actually and the fans actually 148 00:07:52,400 --> 00:07:55,720 Speaker 2: be able to be in front watching these performances that 149 00:07:55,720 --> 00:07:56,880 Speaker 2: they see on stage. 150 00:07:57,200 --> 00:08:00,000 Speaker 3: However, yes, it did mean that it wasn't happy. 151 00:08:00,000 --> 00:08:02,000 Speaker 1: I mean, as often that's true. 152 00:08:02,480 --> 00:08:05,040 Speaker 2: It's like a sword, right, like how do you win 153 00:08:05,120 --> 00:08:05,520 Speaker 2: each way? 154 00:08:06,120 --> 00:08:08,000 Speaker 1: So obviously, I mean I seem to know the answer 155 00:08:08,040 --> 00:08:10,400 Speaker 1: to this question because I'm guessing I'm the only person 156 00:08:10,440 --> 00:08:12,280 Speaker 1: on the planet that I had never heard of this movie. 157 00:08:12,320 --> 00:08:14,440 Speaker 1: So you had heard of this before we did this right. 158 00:08:14,800 --> 00:08:16,440 Speaker 2: All right, I'm gonna have to really. 159 00:08:17,160 --> 00:08:20,280 Speaker 1: Oh, I'm sorry, so excited for what's about to happen. 160 00:08:20,320 --> 00:08:21,960 Speaker 1: I don't know what it is, and I'm so apry. 161 00:08:22,000 --> 00:08:27,240 Speaker 2: I went into this movie already bummed because when you 162 00:08:27,560 --> 00:08:30,720 Speaker 2: talked about Team Beach, I was like, oh, yeah, totally 163 00:08:30,760 --> 00:08:34,200 Speaker 2: got it. Love it. Can't wait for my Jonas brothers 164 00:08:34,559 --> 00:08:39,280 Speaker 2: to hit the stage. Super stoked. Oh, come to find out, 165 00:08:39,480 --> 00:08:42,280 Speaker 2: I'm the entire wrong movie. 166 00:08:42,440 --> 00:08:43,360 Speaker 1: I was camp Rock. 167 00:08:43,440 --> 00:08:45,880 Speaker 2: I was caamp Rock that we have not done it, 168 00:08:45,920 --> 00:08:49,320 Speaker 2: we are obviously going to do So I went into 169 00:08:49,360 --> 00:08:54,640 Speaker 2: this movie already disappointed, like so, I will tell you 170 00:08:54,679 --> 00:08:58,400 Speaker 2: what how my first thoughts of it later because I 171 00:08:58,400 --> 00:09:03,479 Speaker 2: know we're getting very quickly to that. But I actually 172 00:09:04,480 --> 00:09:06,240 Speaker 2: really in my head thought I had seen this movie, 173 00:09:06,520 --> 00:09:10,240 Speaker 2: but you no. And I just think it's because this 174 00:09:10,400 --> 00:09:13,120 Speaker 2: was during the time of Cheetah that I remember hearing 175 00:09:13,200 --> 00:09:15,840 Speaker 2: about it. I know I've met some of the cast, 176 00:09:16,080 --> 00:09:19,400 Speaker 2: I know we've been at Disney stuff together, and I 177 00:09:19,400 --> 00:09:22,640 Speaker 2: guess I just convinced myself that I had seen this movie. 178 00:09:23,679 --> 00:09:26,280 Speaker 2: Let me tell you, within the first scene, I was. 179 00:09:26,280 --> 00:09:30,400 Speaker 3: Like, nope, nope, never seen before. 180 00:09:30,840 --> 00:09:32,679 Speaker 2: And again I told you, I went into it a 181 00:09:32,720 --> 00:09:34,680 Speaker 2: little bit disappointed because I thought I was gonna see 182 00:09:34,679 --> 00:09:35,520 Speaker 2: my trope brows. 183 00:09:36,160 --> 00:09:39,480 Speaker 1: Is there is there any part of you that still 184 00:09:39,520 --> 00:09:40,600 Speaker 1: thinks this is camp Rock? 185 00:09:42,240 --> 00:09:49,400 Speaker 2: No? No, not at all. No, No, I'm saying like 186 00:09:49,520 --> 00:09:53,560 Speaker 2: I instantly went to like storyline. No, it's totally different. 187 00:09:53,840 --> 00:09:57,440 Speaker 2: This is this. I can't wait to hear what you 188 00:09:57,480 --> 00:10:00,080 Speaker 2: have to say about it, because I got lots to say. 189 00:09:59,720 --> 00:10:11,719 Speaker 1: I let's do it, okay, let's do it all right. 190 00:10:11,720 --> 00:10:13,640 Speaker 1: So obviously I had no idea what this was. But 191 00:10:13,679 --> 00:10:16,040 Speaker 1: before we claim ownership of Big Mama's Bar and Grill, 192 00:10:16,120 --> 00:10:19,360 Speaker 1: let's get into the synopsis. Here, two young surfers are 193 00:10:19,360 --> 00:10:22,080 Speaker 1: swept away by a huge wave, finding themselves acting out 194 00:10:22,120 --> 00:10:26,480 Speaker 1: a real life version of the nineteen sixties film Wait 195 00:10:26,520 --> 00:10:29,520 Speaker 1: for It Wet Side Story, which I'm sorry, no matter 196 00:10:29,520 --> 00:10:31,360 Speaker 1: how many times I heard it just remind me of 197 00:10:31,480 --> 00:10:34,760 Speaker 1: shaving Ryan's privates. It just sounded like a bad porn movie, 198 00:10:34,800 --> 00:10:38,280 Speaker 1: That's all it sounded like to me, So Wet Side Story. 199 00:10:38,320 --> 00:10:41,120 Speaker 1: When their presence derails the movie's intended plot, they must 200 00:10:41,120 --> 00:10:45,160 Speaker 1: set things right in order to return home. Is that 201 00:10:45,160 --> 00:10:47,400 Speaker 1: should I have gone with Harry Twater? Which one would 202 00:10:47,400 --> 00:10:47,920 Speaker 1: have been better. 203 00:10:48,160 --> 00:10:51,480 Speaker 2: Oh my gosh, I just need you to stop these 204 00:10:51,480 --> 00:10:56,559 Speaker 2: an I know it is wet side story. 205 00:10:56,600 --> 00:10:59,000 Speaker 1: This is what they come up with for a Disney movie? 206 00:10:59,040 --> 00:10:59,840 Speaker 1: Are you kidding me? 207 00:11:01,760 --> 00:11:04,760 Speaker 2: That's all I was thinking about when it was on 208 00:11:04,920 --> 00:11:08,440 Speaker 2: the poster though, in the background, when they come in 209 00:11:08,480 --> 00:11:11,640 Speaker 2: after this cute little date we'll get in. I'm sure 210 00:11:11,640 --> 00:11:14,360 Speaker 2: you can talk about the cute little date. They come 211 00:11:14,360 --> 00:11:16,360 Speaker 2: into the search shop and there it is, just on 212 00:11:16,440 --> 00:11:17,200 Speaker 2: the backside. 213 00:11:18,720 --> 00:11:21,400 Speaker 1: I yeah, you think it's a mistake. It's like that 214 00:11:21,440 --> 00:11:29,640 Speaker 1: can't be right. It does? It does? Yep. Okay, it's 215 00:11:29,679 --> 00:11:33,600 Speaker 1: wet side story. Yep. Okay, we'll get back to that. 216 00:11:33,760 --> 00:11:35,520 Speaker 1: I think another easy way to explain this movie to 217 00:11:35,520 --> 00:11:37,959 Speaker 1: anybody who doesn't know anything about it is its beach 218 00:11:38,040 --> 00:11:41,240 Speaker 1: blanket bingo meets pleasant film, which is kind of kind 219 00:11:41,240 --> 00:11:44,000 Speaker 1: of what this is. So here we go the part 220 00:11:44,040 --> 00:11:47,040 Speaker 1: you've been waiting for. Early thoughts. What did you think 221 00:11:47,080 --> 00:11:47,600 Speaker 1: of the film? 222 00:11:48,160 --> 00:11:53,559 Speaker 2: I'm embarrassed. I'm embarrassed, all right, well, not embarrassed, I'm 223 00:11:53,640 --> 00:11:57,439 Speaker 2: nervous because I'm predicting your thoughts. 224 00:11:59,640 --> 00:12:03,319 Speaker 1: I loved it, Okay, okay, there's something wrong with that. 225 00:12:04,080 --> 00:12:07,360 Speaker 2: The once state, one state, we're gonna go into the 226 00:12:07,400 --> 00:12:10,720 Speaker 2: synopsis once they get in to where the world that 227 00:12:10,760 --> 00:12:13,560 Speaker 2: we're gonna live in for the next you know, sixteen minutes. 228 00:12:14,880 --> 00:12:18,719 Speaker 2: I wish no, well, it takes like a little takes it. 229 00:12:18,760 --> 00:12:19,400 Speaker 1: I see what you're saying. 230 00:12:19,480 --> 00:12:21,600 Speaker 2: Yeah, yeah, like that that I was in. 231 00:12:22,160 --> 00:12:22,480 Speaker 1: I was in. 232 00:12:22,840 --> 00:12:25,880 Speaker 2: I was in, I was committed. I loved it. And 233 00:12:25,920 --> 00:12:30,760 Speaker 2: the whole time, you're right here in my head hating 234 00:12:30,840 --> 00:12:34,280 Speaker 2: every not every certain moments as like, oh am I 235 00:12:34,320 --> 00:12:38,280 Speaker 2: subritacy will hate this. Here we are and song and 236 00:12:38,360 --> 00:12:42,320 Speaker 2: dance again for no freaking rip. I will hate it, 237 00:12:42,360 --> 00:12:43,080 Speaker 2: and I'm for it. 238 00:12:44,320 --> 00:12:50,040 Speaker 1: So I watched the movie. Okay, I do not like musicals. 239 00:12:50,360 --> 00:12:52,920 Speaker 1: I do not like when people break into song for 240 00:12:52,960 --> 00:12:55,440 Speaker 1: no reason whatsoever. I find it to be incredibly stupid. 241 00:12:55,480 --> 00:12:57,800 Speaker 1: I always am like, seriously, did you get together and 242 00:12:57,800 --> 00:13:04,000 Speaker 1: rehearse before you got here. I didn't hate this movie, Okay, 243 00:13:04,240 --> 00:13:07,400 Speaker 1: I didn't, And I will say this, I liked it 244 00:13:07,480 --> 00:13:14,440 Speaker 1: better the second time I watched it because of what there. Okay, 245 00:13:14,679 --> 00:13:17,360 Speaker 1: it could have been executed better parts of it, but 246 00:13:17,640 --> 00:13:21,240 Speaker 1: the joke of why are they all breaking in the 247 00:13:21,320 --> 00:13:24,040 Speaker 1: song all the time? This is all created, They're all 248 00:13:24,080 --> 00:13:26,559 Speaker 1: supposed to be beautiful, and it works for me. It 249 00:13:26,600 --> 00:13:30,200 Speaker 1: works for me because it's it's making fun of itself, 250 00:13:30,559 --> 00:13:34,400 Speaker 1: and so because of that, I I like, like, I'm 251 00:13:34,559 --> 00:13:37,080 Speaker 1: I'm glad I watched this before high because if i'm 252 00:13:37,080 --> 00:13:39,160 Speaker 1: I understand high school musical, which I don't really know 253 00:13:39,160 --> 00:13:42,000 Speaker 1: anything about, it's this minus the irony. 254 00:13:42,520 --> 00:13:45,839 Speaker 2: There is no joke about high school correct you understand that, now, 255 00:13:45,960 --> 00:13:49,240 Speaker 2: mister will exactly no joke about high school musical, don't 256 00:13:49,280 --> 00:13:49,680 Speaker 2: you dare? 257 00:13:50,000 --> 00:13:52,800 Speaker 1: That's what I'm saying. That's what I'm saying. I remember 258 00:13:52,840 --> 00:13:55,400 Speaker 1: my brink backlash, so no, but what I'm saying is 259 00:13:55,520 --> 00:13:57,400 Speaker 1: high school musical they just break in the song and 260 00:13:57,400 --> 00:13:59,720 Speaker 1: it's to be expected, whereas t each movie they're breaking 261 00:13:59,720 --> 00:14:01,920 Speaker 1: into song and they joke about the fact there's even 262 00:14:01,920 --> 00:14:03,960 Speaker 1: a song, about the fact that they're breaking in a song. 263 00:14:04,360 --> 00:14:08,000 Speaker 1: So because of that I liked. I mean again, it 264 00:14:08,120 --> 00:14:10,320 Speaker 1: was am I gonna go and be like call my 265 00:14:10,360 --> 00:14:11,840 Speaker 1: friends and be like, dude, you gotta watch TV. 266 00:14:12,080 --> 00:14:15,600 Speaker 2: No, but I'm not telling any of my friends to 267 00:14:15,679 --> 00:14:18,280 Speaker 2: watch these movies. I'm watching these for me. 268 00:14:18,640 --> 00:14:22,840 Speaker 1: Oh but I've seen I've told friends to go watch 269 00:14:22,920 --> 00:14:26,080 Speaker 1: like Color of Friendship are going to the mat? Like 270 00:14:26,120 --> 00:14:29,880 Speaker 1: these are yes this one. Though again, not a huge 271 00:14:29,880 --> 00:14:33,760 Speaker 1: fan of of musicals except for some there's a couple 272 00:14:33,800 --> 00:14:36,840 Speaker 1: that I really like. But there's like music in movies 273 00:14:36,840 --> 00:14:40,120 Speaker 1: as the post musicals. But again because the actors are 274 00:14:40,160 --> 00:14:44,080 Speaker 1: being so over the top, so crazy, and it's all 275 00:14:44,120 --> 00:14:47,240 Speaker 1: about the irony of it being a musical. I thought 276 00:14:47,280 --> 00:14:47,760 Speaker 1: it was fun. 277 00:14:48,280 --> 00:14:51,960 Speaker 2: I was. It made it so much easier to watch 278 00:14:52,320 --> 00:14:56,080 Speaker 2: because the time, the moments where you want to be like, okay, 279 00:14:56,120 --> 00:14:59,120 Speaker 2: it's like not a big deal because it's a part 280 00:14:59,200 --> 00:15:03,600 Speaker 2: of the whole, the entire circle that they are in, 281 00:15:03,640 --> 00:15:06,720 Speaker 2: this little bubble that they live in for so long. 282 00:15:06,840 --> 00:15:10,960 Speaker 2: And I thought it was done so well, we'll get to. 283 00:15:11,040 --> 00:15:14,880 Speaker 1: Oh yeah, big big budget. I mean yeah, they spent 284 00:15:14,960 --> 00:15:16,320 Speaker 1: so Mney. You can tell. You can tell. 285 00:15:16,320 --> 00:15:19,480 Speaker 2: You still a little slip ups that I was saying, 286 00:15:19,520 --> 00:15:20,840 Speaker 2: maybe we could have figured. 287 00:15:20,520 --> 00:15:23,160 Speaker 1: Out how to do that. But she could have been 288 00:15:23,200 --> 00:15:25,000 Speaker 1: a better girlfriend too, I gotta be honest. But we'll 289 00:15:25,000 --> 00:15:28,080 Speaker 1: get into all this. You know, us. 290 00:15:27,880 --> 00:15:31,280 Speaker 2: Women were trying to figure out the balance between being 291 00:15:31,440 --> 00:15:35,920 Speaker 2: strong and still able to love and not letting somebody 292 00:15:35,920 --> 00:15:38,080 Speaker 2: else make our choices. All that kind of stuff. 293 00:15:38,120 --> 00:15:40,480 Speaker 1: All that stuff fine, but you don't break up with 294 00:15:40,520 --> 00:15:42,520 Speaker 1: the guy in the last Day without anyway. We'll get 295 00:15:42,560 --> 00:15:45,800 Speaker 1: it any Okay, So this movie is a real who's 296 00:15:45,840 --> 00:15:49,440 Speaker 1: who of of incredible young Disney actors. It stars Ross Lynch, 297 00:15:49,440 --> 00:15:52,000 Speaker 1: who plays Brady who's the modern day surfrat, and x 298 00:15:52,200 --> 00:15:55,960 Speaker 1: Well becomes ex boyfriend unbeknownst to him of Mac who 299 00:15:56,040 --> 00:15:57,880 Speaker 1: when he goes to save her in the ocean nice 300 00:15:57,880 --> 00:16:00,880 Speaker 1: guy She's going to drown also gets transported to the sixties. 301 00:16:01,120 --> 00:16:04,080 Speaker 1: Ross is an actor and singer, best known as Austin 302 00:16:04,200 --> 00:16:06,920 Speaker 1: from the show Austin and Alley and Harvey Kinkel on 303 00:16:07,040 --> 00:16:09,720 Speaker 1: Chilling Adventures of Sabrina. But this was his first ever movie. 304 00:16:09,760 --> 00:16:12,160 Speaker 1: I think he's also a musician. He was in a 305 00:16:12,200 --> 00:16:14,800 Speaker 1: band and he was a really family yeah, part of 306 00:16:14,800 --> 00:16:18,280 Speaker 1: the Disney Machine. Maya Mitchell is Mac, the lead character. 307 00:16:18,520 --> 00:16:20,920 Speaker 1: She's a surfer forced into an East Coast prep school 308 00:16:20,920 --> 00:16:24,360 Speaker 1: from Hawaii again very Johnny Tsunami, then sent into a 309 00:16:24,400 --> 00:16:27,320 Speaker 1: surfing movie when she tries to catch one last big 310 00:16:27,360 --> 00:16:30,440 Speaker 1: big wave. Then sent into a surfing movie when she 311 00:16:30,480 --> 00:16:32,720 Speaker 1: tries to catch one last big wave. Maya is also 312 00:16:32,800 --> 00:16:36,520 Speaker 1: known as Calli on The Fosters and Good Trouble. John 313 00:16:36,560 --> 00:16:40,320 Speaker 1: De Luca plays Butchie, the head tough biker guy. John 314 00:16:40,320 --> 00:16:42,960 Speaker 1: has been seen on General Hospital, Ugly Betty, and Wizards 315 00:16:42,960 --> 00:16:45,360 Speaker 1: of Waverley Place. Again, Disney likes to It's one thing 316 00:16:45,360 --> 00:16:47,600 Speaker 1: about when you're working for Disney, they really like to 317 00:16:47,600 --> 00:16:49,640 Speaker 1: do put you in a bunch of stuff. Chrissy Fit 318 00:16:49,760 --> 00:16:53,440 Speaker 1: plays Chi Chi, a very grease inspired biker girl. Chrissy 319 00:16:53,560 --> 00:16:56,920 Speaker 1: is best known as Flow in pitch Perfect two and three. 320 00:16:57,000 --> 00:16:58,280 Speaker 1: I'm not even going to talk to you about pitch 321 00:16:58,320 --> 00:17:00,920 Speaker 1: Perfect other than the third one. They're the two of 322 00:17:00,960 --> 00:17:03,920 Speaker 1: the best movies ever made. That's just end of discussion 323 00:17:03,960 --> 00:17:07,160 Speaker 1: movies that makes sense for anyone. So yeah, pitch Perfect 324 00:17:07,160 --> 00:17:09,399 Speaker 1: two and three obviously makes perfect sense that she's in 325 00:17:09,520 --> 00:17:12,280 Speaker 1: teen Beach movie. She's great and pitch Perfect. By the way, 326 00:17:12,359 --> 00:17:16,520 Speaker 1: the first one is up there with the Godfather. Jordan 327 00:17:16,600 --> 00:17:19,920 Speaker 1: Fisher plays Seacat, one of the surfer Bros. And he's 328 00:17:19,960 --> 00:17:22,240 Speaker 1: been in a just ton of Disney shows from I 329 00:17:22,400 --> 00:17:25,080 Speaker 1: Carly to Thunderman's To Live and Maddie and has since 330 00:17:25,119 --> 00:17:27,119 Speaker 1: focus on singing and voice work, heard mostly in the 331 00:17:27,119 --> 00:17:30,440 Speaker 1: movie Turning Red as Robert, a member of Fourth Town. 332 00:17:31,280 --> 00:17:35,160 Speaker 1: And Yeah. One more actor worth noting is Barry Bostwick, 333 00:17:35,200 --> 00:17:38,399 Speaker 1: who plays Big Papa. Barry is a musical legend, and 334 00:17:38,440 --> 00:17:40,960 Speaker 1: he was Brad Major's in the cult classic Rocky Horror 335 00:17:41,000 --> 00:17:42,760 Speaker 1: Picture Show, and they're doing kind of a nice nod 336 00:17:42,800 --> 00:17:46,159 Speaker 1: to the old school musicals. There's a musical that I 337 00:17:46,160 --> 00:17:48,120 Speaker 1: love and watch all the time, Rocky Horror Picture Show, 338 00:17:48,359 --> 00:17:50,959 Speaker 1: which again is a great nod to the singing and 339 00:17:51,040 --> 00:17:54,280 Speaker 1: dancing scene in this movie. It runs ninety five minutes, 340 00:17:54,320 --> 00:17:56,000 Speaker 1: which if we were to ask the bulls Eye directly, 341 00:17:56,000 --> 00:17:58,560 Speaker 1: would say that's five minutes too long, and is directed 342 00:17:58,560 --> 00:18:01,520 Speaker 1: by there were so close. We're so close. Someday we're 343 00:18:01,560 --> 00:18:03,359 Speaker 1: going to be like, it's ninety minutes, It's perfect, and 344 00:18:03,359 --> 00:18:05,120 Speaker 1: no one sings. This movie is the best. 345 00:18:05,440 --> 00:18:05,760 Speaker 2: Uh. 346 00:18:05,840 --> 00:18:09,399 Speaker 1: It's directed by Jeffrey Hornaday. Jeffrey is a choreographer turned 347 00:18:09,400 --> 00:18:11,119 Speaker 1: director at which we've seen a few times already in 348 00:18:11,200 --> 00:18:14,479 Speaker 1: d COM's, most notably with Your Friend Kenny Ortega. His 349 00:18:14,600 --> 00:18:20,760 Speaker 1: resume for choreography is just nuts. He did nineteen eighty 350 00:18:20,800 --> 00:18:24,080 Speaker 1: three's Flash Dance Awesome movie, one of the first movies 351 00:18:24,080 --> 00:18:25,720 Speaker 1: I went to in the theater that my parents had 352 00:18:25,800 --> 00:18:27,679 Speaker 1: their hands over my eyes the entire time because I 353 00:18:27,680 --> 00:18:29,119 Speaker 1: was probably too young to be in the theater, but 354 00:18:29,160 --> 00:18:32,560 Speaker 1: they had two older kids. Streets of Fire, which is 355 00:18:32,600 --> 00:18:36,320 Speaker 1: one of the best ever movies. Diane Lane changed my 356 00:18:36,359 --> 00:18:38,119 Speaker 1: whole life as a kid. Don't even get Me started 357 00:18:38,440 --> 00:18:39,960 Speaker 1: a chorus line Captain. 358 00:18:39,680 --> 00:18:44,680 Speaker 2: Whee pause bas bas a chorus line which Ross Lynch 359 00:18:44,680 --> 00:18:49,360 Speaker 2: and I later do together at Hollywood Bowl just a few. 360 00:18:49,160 --> 00:18:52,000 Speaker 1: Wait you did you did Courus light who Corus? 361 00:18:52,080 --> 00:18:54,760 Speaker 2: Right next to each other? I played Val and we 362 00:18:54,760 --> 00:18:56,879 Speaker 2: were right next to each other. That's where That's how 363 00:18:56,920 --> 00:19:00,480 Speaker 2: I know Ross. So I was loving I I can 364 00:19:00,520 --> 00:19:01,560 Speaker 2: do that, I can do That? 365 00:19:02,040 --> 00:19:02,760 Speaker 1: Was that his whole thing? 366 00:19:02,840 --> 00:19:07,639 Speaker 2: Oh? Okay, now, but they it was we were. It 367 00:19:07,720 --> 00:19:09,919 Speaker 2: was so awesome to see that in the notes because 368 00:19:10,640 --> 00:19:12,399 Speaker 2: that felt a little bit full circle. 369 00:19:12,480 --> 00:19:14,000 Speaker 1: Yeah, bringing it home. That's cool. 370 00:19:14,040 --> 00:19:18,399 Speaker 2: Michael choreograph, he you know, he was a part of that, 371 00:19:18,560 --> 00:19:21,800 Speaker 2: which his now you know, person he worked with. 372 00:19:22,040 --> 00:19:25,280 Speaker 1: Brings him back, which is cool. Captain EO Hugh Michael 373 00:19:25,320 --> 00:19:29,680 Speaker 1: Jackson thing at Disneyland, Dick Tracy and Carlito's Way which 374 00:19:29,720 --> 00:19:31,560 Speaker 1: I didn't even think there was dancing and Carlito's Way. 375 00:19:31,560 --> 00:19:34,560 Speaker 1: I have to watch it again. Worth mentioning. Jeffrey actually 376 00:19:34,640 --> 00:19:38,080 Speaker 1: dated actress Leslie and Warren and some singer in the 377 00:19:38,160 --> 00:19:41,040 Speaker 1: nineties who just went by Madonna. I know, she apparently 378 00:19:41,040 --> 00:19:45,359 Speaker 1: didn't go anywhere. It was written by Vince Marcello, Mark 379 00:19:45,440 --> 00:19:48,400 Speaker 1: Landry and Robert Horn. Horne was a playwright turned screenwriter 380 00:19:48,440 --> 00:19:51,280 Speaker 1: who first received acclaim for his Tony Award winning musical 381 00:19:51,359 --> 00:19:54,920 Speaker 1: adaptation of Tutsie, and then worked heavily with Disney, most 382 00:19:54,920 --> 00:19:57,480 Speaker 1: notably on their theatrical movie Hercules, as well as d 383 00:19:57,600 --> 00:20:01,560 Speaker 1: COM's like the Sweet Life movie The Sharpay's Fact Beeless Adventure. Also, 384 00:20:01,600 --> 00:20:04,040 Speaker 1: if you didn't catch the card at the beginning this movie, 385 00:20:04,320 --> 00:20:06,720 Speaker 1: We're bringing it all back to these musicals was dedicated 386 00:20:06,840 --> 00:20:10,080 Speaker 1: to actress in Net Funicello, the most beloved beach movie 387 00:20:10,080 --> 00:20:12,719 Speaker 1: star of the sixties who passed away in twenty thirteen. 388 00:20:13,280 --> 00:20:15,080 Speaker 1: So much of this movie was inspired by her and 389 00:20:15,080 --> 00:20:16,800 Speaker 1: the movie she started. And if you don't know who 390 00:20:16,800 --> 00:20:19,920 Speaker 1: a Net Funicello is, please go google her, go look 391 00:20:19,960 --> 00:20:22,439 Speaker 1: at everything she did. The only reason movies like this 392 00:20:22,560 --> 00:20:25,000 Speaker 1: exist is because of people like a Net Funicello. And 393 00:20:25,119 --> 00:20:27,439 Speaker 1: let's never forget the work they did. Because she was 394 00:20:27,720 --> 00:20:31,280 Speaker 1: an original mousketeer and absolutely incredible. 395 00:20:31,520 --> 00:20:37,320 Speaker 2: I mean, and for years and years just owned the screens. Yeah, 396 00:20:37,840 --> 00:20:39,119 Speaker 2: so many talk. 397 00:20:39,000 --> 00:20:41,360 Speaker 1: About one of the original teen pop stars. I mean she. 398 00:20:41,560 --> 00:20:45,719 Speaker 2: Exactly she was it. It was it, and I felt 399 00:20:45,720 --> 00:20:48,560 Speaker 2: like I saw her throughout this entire movie, right, I 400 00:20:48,640 --> 00:20:49,160 Speaker 2: loved it. 401 00:20:49,240 --> 00:20:52,000 Speaker 1: So then you knew who she was before this movie, 402 00:20:52,200 --> 00:20:52,920 Speaker 1: Oh for sure. 403 00:20:53,359 --> 00:20:56,520 Speaker 2: I mean she would have been so proud of watching 404 00:20:56,560 --> 00:21:02,040 Speaker 2: this movie and bringing that bringing that vibe as us 405 00:21:02,240 --> 00:21:05,520 Speaker 2: you know people nowadays would say, but that that love 406 00:21:05,560 --> 00:21:08,240 Speaker 2: of dancing, that fun, the beach everything. 407 00:21:08,560 --> 00:21:10,000 Speaker 3: She would have been so proud. 408 00:21:10,200 --> 00:21:13,600 Speaker 1: I think so too. It really did capture that sixties nostalgia. 409 00:21:13,760 --> 00:21:18,600 Speaker 1: It modernized it again, didn't didn't hate this movie. Also, 410 00:21:18,720 --> 00:21:22,440 Speaker 1: this movie does have a sequel, twenty fifteen's it's a 411 00:21:22,480 --> 00:21:26,199 Speaker 1: great title too, teen Beach two, which I assume we 412 00:21:26,240 --> 00:21:29,400 Speaker 1: will get to at some point. Maybe that's maybe that's 413 00:21:29,440 --> 00:21:31,320 Speaker 1: teen Beach too. This time it's personal. Maybe it could 414 00:21:31,320 --> 00:21:32,200 Speaker 1: be that one. 415 00:21:33,000 --> 00:21:34,720 Speaker 2: At some point it's going to be personal. 416 00:21:43,080 --> 00:21:47,960 Speaker 1: Okay, So now we're going with Sabrina is a professional 417 00:21:47,960 --> 00:21:50,080 Speaker 1: at this and way better than I could ever notice 418 00:21:50,119 --> 00:21:52,639 Speaker 1: any of this kind of stuff. The dancing in this movie, 419 00:21:53,520 --> 00:21:56,399 Speaker 1: was this good dancing? Was this bad dancing? Was this 420 00:21:56,480 --> 00:21:57,320 Speaker 1: mediocre dancing? 421 00:21:57,680 --> 00:22:04,359 Speaker 2: This was blown away. Amazing performances from the choreographer to 422 00:22:04,440 --> 00:22:10,200 Speaker 2: the videographer that did the up gazing shots, the visuals. 423 00:22:10,520 --> 00:22:14,480 Speaker 2: So when you look at routines, of course it's how 424 00:22:14,520 --> 00:22:17,919 Speaker 2: you see the movement. They what the hardest thing is 425 00:22:17,960 --> 00:22:20,119 Speaker 2: to do is add a prop and make the prop 426 00:22:20,200 --> 00:22:28,960 Speaker 2: makes sense, the surfboards, the beach towels, and it at 427 00:22:28,960 --> 00:22:31,879 Speaker 2: first for me as a choirraphy, oh gosh, here we go. 428 00:22:32,160 --> 00:22:34,920 Speaker 2: And as they did it it was seamless. It was amazing, 429 00:22:35,200 --> 00:22:37,600 Speaker 2: the beach boards that didn't just go from the front, 430 00:22:37,640 --> 00:22:39,359 Speaker 2: but then all of a sudden you're seeing the above 431 00:22:39,359 --> 00:22:43,800 Speaker 2: angle and these beautiful visuals. Everything that they're doing I 432 00:22:43,920 --> 00:22:47,040 Speaker 2: did on the scene. 433 00:22:47,840 --> 00:22:50,480 Speaker 1: There's like one ball down one. 434 00:22:51,720 --> 00:22:54,840 Speaker 2: But imagine how hard that is. That's why it's so hard, 435 00:22:55,080 --> 00:23:00,800 Speaker 2: so hard to do props within choreography and tying with music. 436 00:23:00,880 --> 00:23:02,000 Speaker 2: It's all very, very tough. 437 00:23:02,080 --> 00:23:04,399 Speaker 1: The other thing, can you tell me this, because I 438 00:23:04,440 --> 00:23:06,119 Speaker 1: was thinking about I was actually gonna text you or 439 00:23:06,119 --> 00:23:07,640 Speaker 1: call you, but I figured I was like, no, no, we'll 440 00:23:07,640 --> 00:23:10,520 Speaker 1: talk about it on the on the pod. It seems 441 00:23:10,560 --> 00:23:13,440 Speaker 1: like it would be easier on your feet, but way 442 00:23:13,520 --> 00:23:15,399 Speaker 1: harder to dance in sand. 443 00:23:16,160 --> 00:23:18,520 Speaker 2: Oh. Sand is tough. Have you ever tried to run 444 00:23:18,520 --> 00:23:18,960 Speaker 2: in sand? 445 00:23:19,160 --> 00:23:22,240 Speaker 1: I don't run and less chased, so it's actually not 446 00:23:22,520 --> 00:23:24,240 Speaker 1: run all the time. And yes, it's really different. 447 00:23:25,480 --> 00:23:27,640 Speaker 2: Have you gone to the beach and parking at the 448 00:23:27,680 --> 00:23:31,400 Speaker 2: parking zone and getting to the water. How hard is that? 449 00:23:31,600 --> 00:23:32,159 Speaker 1: It's hard? 450 00:23:32,480 --> 00:23:36,480 Speaker 2: It's exhausting. So yes, dancing on the beach is so tough, 451 00:23:36,520 --> 00:23:39,439 Speaker 2: That's what I thought. So and how many times? Again, 452 00:23:39,520 --> 00:23:43,600 Speaker 2: we're not talking about a live action shoot. You're talking 453 00:23:43,640 --> 00:23:47,480 Speaker 2: about one angle, then another angle, than another. I mean, 454 00:23:47,480 --> 00:23:49,399 Speaker 2: these dancers work their butts off on this. 455 00:23:49,520 --> 00:23:52,000 Speaker 1: Well, that's why there. Every one of them had a 456 00:23:52,119 --> 00:23:56,439 Speaker 1: nine pack. It was like the unbelievable singles. 457 00:23:56,840 --> 00:23:59,600 Speaker 2: I loved it. There were obviously a few numbers that 458 00:23:59,600 --> 00:24:02,760 Speaker 2: I could have done without. Ye, they started to get 459 00:24:03,040 --> 00:24:08,560 Speaker 2: a little exhausting, really, but the big ones, oh yeah, okay, 460 00:24:08,600 --> 00:24:09,240 Speaker 2: blown away. 461 00:24:09,560 --> 00:24:11,320 Speaker 1: I thought it was good too, but I didn't. I 462 00:24:11,359 --> 00:24:12,760 Speaker 1: didn't know it was like that I could like this 463 00:24:12,800 --> 00:24:14,440 Speaker 1: and this could be terrible. I have no idea. 464 00:24:14,560 --> 00:24:17,679 Speaker 2: Well, hopefully we'll definitely get to the ones that I'm like, 465 00:24:17,920 --> 00:24:19,400 Speaker 2: uh will checked out. 466 00:24:19,800 --> 00:24:26,119 Speaker 1: It's no wet side story, I'll tell you that. Oh man, Okay, 467 00:24:26,160 --> 00:24:28,160 Speaker 1: So we can't talk about this movie without getting into 468 00:24:28,160 --> 00:24:31,120 Speaker 1: the music and the soundtrack. The Disney Records released featured 469 00:24:31,200 --> 00:24:34,320 Speaker 1: ten songs, banning the sounds of surf, rock, motown, r 470 00:24:34,359 --> 00:24:37,439 Speaker 1: and B, rockabilly and pop. It sold over five hundred 471 00:24:37,480 --> 00:24:39,639 Speaker 1: thousand copies, crowning at a gold album, and it peaked 472 00:24:39,640 --> 00:24:42,320 Speaker 1: at number three on the Billboard two hundred chart. It 473 00:24:42,400 --> 00:24:44,119 Speaker 1: features all the songs from the movie sung by its 474 00:24:44,119 --> 00:24:48,280 Speaker 1: stars except for one. John de Luca aka Butchi is 475 00:24:48,280 --> 00:24:50,040 Speaker 1: not heard on any of the songs. His songs were 476 00:24:50,080 --> 00:24:53,560 Speaker 1: dubbed by Jason Evigan, a songwriter producer best known now 477 00:24:53,560 --> 00:24:57,480 Speaker 1: for his work with Jason Derulo, Pitbull, and Maroon five. 478 00:24:57,840 --> 00:25:00,680 Speaker 1: I personally like the first four Maroons, but I'm alone 479 00:25:00,720 --> 00:25:03,600 Speaker 1: in that and like Zac Effron in High School Musical. 480 00:25:03,600 --> 00:25:05,720 Speaker 1: They ended up finally letting John sing in the sequel, 481 00:25:06,200 --> 00:25:08,000 Speaker 1: so we get to hear his voice down the down 482 00:25:08,040 --> 00:25:10,919 Speaker 1: the line, and he can actually sing apparently, So it's you. 483 00:25:11,080 --> 00:25:12,840 Speaker 1: I want to know why you can't do that. But 484 00:25:12,920 --> 00:25:16,080 Speaker 1: we'll get into that with him, because I'm so happy 485 00:25:16,080 --> 00:25:17,879 Speaker 1: to tell you that we were actually speaking to him 486 00:25:17,920 --> 00:25:20,879 Speaker 1: on our Park Copper episode and we are going to 487 00:25:20,960 --> 00:25:23,800 Speaker 1: get a chance to get some of the inside stuff. Uh. 488 00:25:24,080 --> 00:25:27,240 Speaker 1: Favorite song of the movie go Oh my gosh. 489 00:25:27,320 --> 00:25:30,520 Speaker 2: I loved the first one. The first one was the 490 00:25:30,560 --> 00:25:33,120 Speaker 2: big group dance they. 491 00:25:33,040 --> 00:25:37,399 Speaker 1: First end up on the beach. Yes, okay, and. 492 00:25:37,280 --> 00:25:40,080 Speaker 2: I died laughing. I don't even know what the name 493 00:25:40,119 --> 00:25:43,040 Speaker 2: of the title of the song where it goes back 494 00:25:43,040 --> 00:25:47,119 Speaker 2: and forth of the slumber party and the book and 495 00:25:47,160 --> 00:25:51,679 Speaker 2: it's girls like guys like me, yes side. 496 00:25:52,920 --> 00:25:55,359 Speaker 1: Probably like me. It's probably called or something along those lines. 497 00:25:55,440 --> 00:25:58,760 Speaker 2: Yes, Yeah, died the whole time. It was just too funny. 498 00:25:59,320 --> 00:26:03,960 Speaker 2: But the song where Ross gets in, I mean, I just. 499 00:26:04,760 --> 00:26:07,399 Speaker 1: Wait which one it's called me? 500 00:26:07,480 --> 00:26:10,120 Speaker 2: That song it is called it the one where Ross 501 00:26:10,200 --> 00:26:13,199 Speaker 2: Lynch comes in, where he finally gets the chance to 502 00:26:13,240 --> 00:26:15,720 Speaker 2: get into his musicals that he's loved forever. 503 00:26:16,160 --> 00:26:18,639 Speaker 1: So the first time where he's in the in the 504 00:26:18,680 --> 00:26:20,640 Speaker 1: surf Guys, or the first time he gets to join 505 00:26:20,680 --> 00:26:22,640 Speaker 1: the Rats, because he gets to do both in the. 506 00:26:22,600 --> 00:26:26,040 Speaker 2: Beginning that when he's joining the Rats. 507 00:26:25,880 --> 00:26:27,399 Speaker 1: Okay, where he's like, I've always wanted to be in 508 00:26:27,440 --> 00:26:29,639 Speaker 1: that number, because man, my friends and I would go 509 00:26:29,800 --> 00:26:31,359 Speaker 1: hang out, we'd be like, wouldn't you love to be 510 00:26:31,400 --> 00:26:33,320 Speaker 1: in that number? No, never once said any of that, 511 00:26:34,680 --> 00:26:36,000 Speaker 1: but yes, he loves it. 512 00:26:36,119 --> 00:26:43,000 Speaker 2: I it was long. It was a long one. I 513 00:26:43,040 --> 00:26:45,920 Speaker 2: didn't care. I wanted to go on longer. I felt 514 00:26:46,600 --> 00:26:49,119 Speaker 2: very much like I was watching Greece for the first 515 00:26:49,160 --> 00:26:55,120 Speaker 2: time and feeling it definitely does and I was so 516 00:26:55,160 --> 00:26:58,439 Speaker 2: stoked that the next generation gets to feel that vibe 517 00:26:58,440 --> 00:27:00,639 Speaker 2: that I got from first Summer Latch screase. 518 00:27:01,200 --> 00:27:03,680 Speaker 1: Well, you talked about the first musical number. Let's get 519 00:27:03,680 --> 00:27:05,359 Speaker 1: back a little bit farther. So we kicked a movie 520 00:27:05,359 --> 00:27:08,000 Speaker 1: off with the opening credits over some in action surf 521 00:27:08,000 --> 00:27:11,800 Speaker 1: shots and a not very good pop song that's playing 522 00:27:11,840 --> 00:27:15,479 Speaker 1: at the time. It's actually like if Rebecca Black's Friday 523 00:27:15,520 --> 00:27:18,439 Speaker 1: was much much worse. One of the lyrics is I 524 00:27:18,440 --> 00:27:22,040 Speaker 1: want to be the ocean to your shore. All right, Anyway, 525 00:27:22,160 --> 00:27:24,119 Speaker 1: it was. It was a totally different movie in shaving 526 00:27:24,200 --> 00:27:29,200 Speaker 1: Ryan's Private. Then there's the surfing in the movie, so 527 00:27:29,359 --> 00:27:33,720 Speaker 1: there's some decent surfing on some decent sized waves. Again, 528 00:27:33,880 --> 00:27:36,439 Speaker 1: they don't Johnny Sunam like, you can tell it's not 529 00:27:36,560 --> 00:27:38,840 Speaker 1: them one hundred percent. You can tell it's not them. 530 00:27:39,280 --> 00:27:42,560 Speaker 1: That doesn't look very good. But they were in the 531 00:27:42,560 --> 00:27:45,159 Speaker 1: water a lot, and reportedly production had three jet skis 532 00:27:45,160 --> 00:27:47,359 Speaker 1: in the ocean at all times in case of any emergency. 533 00:27:47,359 --> 00:27:50,240 Speaker 1: With her cast and Maya Mitchell did end up actually 534 00:27:50,240 --> 00:27:51,919 Speaker 1: getting hurt. She had a cut that landed her in 535 00:27:51,920 --> 00:27:54,120 Speaker 1: the hospital for two days. Do you do a lot 536 00:27:54,119 --> 00:27:55,680 Speaker 1: of sports and moving around? Did you ever have a 537 00:27:55,720 --> 00:27:56,280 Speaker 1: bad injury? 538 00:27:57,240 --> 00:28:01,040 Speaker 2: I have been lucky enough to stay away from injury. 539 00:28:01,160 --> 00:28:02,960 Speaker 1: Knock wood knock. I know. 540 00:28:03,400 --> 00:28:06,560 Speaker 2: Let me do that right now. Her getting an injury, 541 00:28:06,640 --> 00:28:07,960 Speaker 2: I would love to know. 542 00:28:07,920 --> 00:28:10,640 Speaker 1: From what, yeah, and where and what kind of. 543 00:28:10,560 --> 00:28:14,320 Speaker 2: Cut because she didn't do a lot of surfing up No, 544 00:28:14,480 --> 00:28:15,639 Speaker 2: I guess it was. 545 00:28:15,840 --> 00:28:16,600 Speaker 1: Yeah she was. 546 00:28:16,880 --> 00:28:20,200 Speaker 2: If I did, I've got enough Sabrina Seas to jump 547 00:28:20,240 --> 00:28:23,399 Speaker 2: into it. There were probably two of the worst green 548 00:28:23,480 --> 00:28:25,280 Speaker 2: screens surf shots I've ever seen. 549 00:28:25,480 --> 00:28:28,120 Speaker 1: Well, the ones in the sixties and when they're in 550 00:28:28,240 --> 00:28:31,439 Speaker 1: wett whatever. I can't say wet this many times. I 551 00:28:31,520 --> 00:28:33,480 Speaker 1: just can't say wet this many times. It's now starting 552 00:28:33,480 --> 00:28:37,760 Speaker 1: to freak me out. But when they're there, yes, and 553 00:28:37,920 --> 00:28:38,640 Speaker 1: they're fans. 554 00:28:38,560 --> 00:28:40,560 Speaker 2: That I understood. But then we came back at the 555 00:28:40,640 --> 00:28:43,120 Speaker 2: end of the movie and I'm like, okay. 556 00:28:42,880 --> 00:28:45,720 Speaker 1: No, no, the surf was not great. 557 00:28:46,000 --> 00:28:49,480 Speaker 2: There's an other part where we something happened. I feel 558 00:28:49,480 --> 00:28:52,080 Speaker 2: like there was a reshoot that not all of the 559 00:28:52,120 --> 00:28:55,719 Speaker 2: people were on set that were on set originally, okay, 560 00:28:56,200 --> 00:28:58,640 Speaker 2: because there were a lot of mistakes that happened where. 561 00:28:58,600 --> 00:29:01,000 Speaker 1: Yeah, well the stuff we liked about brink where it 562 00:29:01,080 --> 00:29:03,680 Speaker 1: was you could tell they did a lot of the skating. Yeah, 563 00:29:03,800 --> 00:29:04,760 Speaker 1: they did not have that. 564 00:29:04,960 --> 00:29:09,320 Speaker 2: It was not there. But that's okay. Surfing's hard. Everyone 565 00:29:09,440 --> 00:29:13,200 Speaker 2: can like, you can't expect every actor to surf. That's 566 00:29:13,360 --> 00:29:16,000 Speaker 2: that's okay. It's just and I think the way they 567 00:29:16,000 --> 00:29:17,320 Speaker 2: did in the beginning was fine. 568 00:29:17,600 --> 00:29:20,160 Speaker 1: Yeah, you just can't tell. It's not that I think, Yeah, 569 00:29:20,200 --> 00:29:23,400 Speaker 1: we can officially make surfing another New Disney trope. Though 570 00:29:23,440 --> 00:29:25,400 Speaker 1: this is like the fourteenth Surfing movie. 571 00:29:25,840 --> 00:29:28,000 Speaker 2: It's notice the second there's lots of surfing. 572 00:29:29,080 --> 00:29:31,360 Speaker 1: I feel like there's lots of surfing. Well you say too, Well, 573 00:29:31,600 --> 00:29:36,120 Speaker 1: it's probably somewhere in the middle. So we meet mc 574 00:29:36,120 --> 00:29:38,600 Speaker 1: and Brady, very cute high school couple who surf together. 575 00:29:38,640 --> 00:29:40,720 Speaker 1: They're really looking forward to the massive storm and waves 576 00:29:40,720 --> 00:29:42,560 Speaker 1: coming tomorrow. They're having a wonderful day in the beach 577 00:29:42,560 --> 00:29:45,400 Speaker 1: where they're totally in love the entire time, knowing she's 578 00:29:45,440 --> 00:29:48,280 Speaker 1: going to destroy him. And she won't say anything about 579 00:29:48,320 --> 00:29:50,560 Speaker 1: it the whole summer. What the hell, girl. 580 00:29:50,520 --> 00:29:55,600 Speaker 2: I know it was a dream date. What happened? 581 00:29:57,080 --> 00:29:58,440 Speaker 3: How could you as it? 582 00:29:58,600 --> 00:30:02,040 Speaker 2: Think about yourself as a fourteen year old fifteen year 583 00:30:02,040 --> 00:30:06,160 Speaker 2: old girl? This guy is so nice, he has it 584 00:30:06,200 --> 00:30:09,560 Speaker 2: seems like he's thought out the whole day, and she 585 00:30:09,800 --> 00:30:11,440 Speaker 2: has this in the back of her mind. 586 00:30:11,880 --> 00:30:14,880 Speaker 1: She's got to know all summer. By the way that 587 00:30:15,000 --> 00:30:18,120 Speaker 1: the lady says later, this has always been part of 588 00:30:18,120 --> 00:30:20,960 Speaker 1: the plan. This girl'ss known this forever. She's dated this 589 00:30:21,000 --> 00:30:24,120 Speaker 1: guy forever, knowing she's gonna rob his house later. It's like, 590 00:30:24,200 --> 00:30:27,640 Speaker 1: why come on say something? She's like, and they try 591 00:30:27,680 --> 00:30:29,680 Speaker 1: to stay it up by having her constantly saying like, 592 00:30:29,720 --> 00:30:30,959 Speaker 1: I need to talk to you about something. I need 593 00:30:31,000 --> 00:30:32,560 Speaker 1: to talk to you about something. Oh but why on 594 00:30:32,600 --> 00:30:33,400 Speaker 1: our last day. 595 00:30:33,320 --> 00:30:35,360 Speaker 2: Dude, not just on the last day. Why haven't you 596 00:30:35,440 --> 00:30:37,240 Speaker 2: been doing this all summer? 597 00:30:37,680 --> 00:30:39,320 Speaker 1: You'd think, Hey, can't come by the way. 598 00:30:39,200 --> 00:30:42,000 Speaker 2: We only have two more months together. Hey, by the way, 599 00:30:42,160 --> 00:30:43,760 Speaker 2: he's got four more weeks together. 600 00:30:43,760 --> 00:30:46,560 Speaker 1: I mean, come on, yeah, what rhymes with I'm moving 601 00:30:46,600 --> 00:30:48,160 Speaker 1: back east so they can sing a song about it. 602 00:30:48,200 --> 00:30:52,680 Speaker 1: I mean, seriously, they weren't there yet, so that's true. 603 00:30:52,760 --> 00:30:55,440 Speaker 1: We also meet Big Papa, who's Max Grandpa, who, along 604 00:30:55,440 --> 00:30:57,800 Speaker 1: with Brady, is a huge fan of the nineteen sixty 605 00:30:57,800 --> 00:31:01,280 Speaker 1: two retrosurf movie I can't say the can west Side Story. 606 00:31:02,120 --> 00:31:03,959 Speaker 1: It's about a surfer guy and a biker girl who 607 00:31:04,040 --> 00:31:06,320 Speaker 1: have a secret love affair even though their respective gangs 608 00:31:06,320 --> 00:31:10,040 Speaker 1: are fighting over control of an island diner that seems 609 00:31:10,160 --> 00:31:12,560 Speaker 1: to serve no food. At the same time, a real 610 00:31:12,640 --> 00:31:14,960 Speaker 1: estate mogul wants the diner's land and is building a 611 00:31:15,000 --> 00:31:18,080 Speaker 1: weather machine, but that blows up and causes a huge storm. 612 00:31:18,640 --> 00:31:20,760 Speaker 1: It's very west Side Story that they're going for, which 613 00:31:20,800 --> 00:31:22,720 Speaker 1: is again why they call it what they do. I 614 00:31:22,720 --> 00:31:25,280 Speaker 1: can't say it again, but again I was a huge 615 00:31:25,320 --> 00:31:28,960 Speaker 1: West Side Story fan, and so I was. I was, okay, 616 00:31:29,040 --> 00:31:32,080 Speaker 1: I like that they're kind of going with that sixties right, 617 00:31:32,120 --> 00:31:32,680 Speaker 1: But did. 618 00:31:32,520 --> 00:31:38,680 Speaker 2: You I obviously love West Side Story. I felt more grease. 619 00:31:39,760 --> 00:31:43,080 Speaker 1: Yes, well, they're trying to take it's the two different idea, 620 00:31:43,240 --> 00:31:44,960 Speaker 1: absolutely correct, but with what. 621 00:31:45,920 --> 00:31:48,440 Speaker 2: Yeah, the things they do within the movie to me 622 00:31:48,600 --> 00:31:50,520 Speaker 2: felt more grease than it did west. 623 00:31:50,360 --> 00:31:53,120 Speaker 1: Side I agree. I do not disagree with you, because 624 00:31:53,120 --> 00:31:55,400 Speaker 1: it wasn't like there was rich and poor. It wasn't 625 00:31:55,400 --> 00:31:59,400 Speaker 1: a class difference, just hobbies. As far as I can. 626 00:31:59,320 --> 00:32:01,120 Speaker 2: Tell you reference of what you like to do. 627 00:32:01,160 --> 00:32:04,520 Speaker 1: You like to ride a motorcycle, you like to surft exactly. 628 00:32:04,600 --> 00:32:07,640 Speaker 3: So I felt more grease, which let's have a little bit. 629 00:32:07,560 --> 00:32:08,920 Speaker 2: Of that anyway. 630 00:32:09,240 --> 00:32:11,560 Speaker 1: So this is where we learned that Mac, much like me, 631 00:32:12,360 --> 00:32:16,200 Speaker 1: does not like musicals and doesn't understand why people just 632 00:32:16,240 --> 00:32:18,239 Speaker 1: break into song out of nowhere. And she's like, come on, 633 00:32:18,320 --> 00:32:21,280 Speaker 1: I can't stand it. Love that. The second she said it, 634 00:32:21,320 --> 00:32:23,360 Speaker 1: I was like, oh, this is she and I would 635 00:32:23,360 --> 00:32:26,360 Speaker 1: be friends. So that is awesome. 636 00:32:26,560 --> 00:32:29,480 Speaker 2: You like replaced Sabrina with Mac on the podcast. 637 00:32:29,520 --> 00:32:34,720 Speaker 1: Please, I know no never never is she available? No, 638 00:32:34,720 --> 00:32:39,840 Speaker 1: I'm kidding. I could never with anybody but you, Sabrina. 639 00:32:39,920 --> 00:32:41,880 Speaker 1: You know that because you are also a huge fan 640 00:32:41,920 --> 00:32:44,560 Speaker 1: of musicals, you'd like musicals and that's I need. We 641 00:32:44,600 --> 00:32:48,680 Speaker 1: need the pro musical side, that's what we need. So 642 00:32:48,880 --> 00:32:51,239 Speaker 1: we finally learned about what the secret issues hiding her 643 00:32:51,280 --> 00:32:55,800 Speaker 1: aunt Antoinette, who I recognized once again from another Seinfeld episode. 644 00:32:55,880 --> 00:32:57,520 Speaker 1: There are a lot of Seinfeld people that show up 645 00:32:58,280 --> 00:33:00,280 Speaker 1: shows up and is taking her to an East Coast 646 00:33:00,320 --> 00:33:04,800 Speaker 1: private school tomorrow. So it's not even like, hey, I'm 647 00:33:04,840 --> 00:33:06,640 Speaker 1: hanging for a week and then we're gonna leave. It's 648 00:33:06,640 --> 00:33:08,760 Speaker 1: like I just got here and we're leaving tomorrow. Something 649 00:33:08,800 --> 00:33:11,840 Speaker 1: she impact right, because we're geting our flights in a 650 00:33:11,840 --> 00:33:14,720 Speaker 1: half an hour. She thinks that we learned well, of course, 651 00:33:14,760 --> 00:33:16,720 Speaker 1: we learned that max mom has passed away, and she 652 00:33:16,800 --> 00:33:18,920 Speaker 1: thinks that this is something that Max's mom wants, and 653 00:33:18,960 --> 00:33:21,680 Speaker 1: Max also thinks this is something that her deceased mom 654 00:33:21,680 --> 00:33:23,720 Speaker 1: would want, which is kind of the impetus for her 655 00:33:23,800 --> 00:33:26,200 Speaker 1: to not stand up for herself and leave because she 656 00:33:26,240 --> 00:33:29,000 Speaker 1: doesn't want to disappoint the memory of her mother. It's 657 00:33:29,000 --> 00:33:31,240 Speaker 1: a weird idea, but anyway. She's also leaving high school 658 00:33:31,240 --> 00:33:34,880 Speaker 1: halfway through, which seems kind of disruptive. She's not in 659 00:33:34,960 --> 00:33:38,040 Speaker 1: eighth grade obviously, so she's got to be in high school. 660 00:33:39,440 --> 00:33:42,160 Speaker 1: But this also means she's leaving Hawaii surfing and Brady 661 00:33:42,320 --> 00:33:44,320 Speaker 1: in the dust. Mac is very sad, but it was 662 00:33:44,640 --> 00:33:46,600 Speaker 1: her idea and she thinks it's good for her future 663 00:33:46,840 --> 00:33:48,880 Speaker 1: and what her mom would have wanted. So Brady's bummed. 664 00:33:49,520 --> 00:33:51,200 Speaker 1: Mac then breaks up with them because they don't want 665 00:33:51,240 --> 00:33:53,680 Speaker 1: to do long distance relationships, but she does put up 666 00:33:53,720 --> 00:33:57,040 Speaker 1: no fight whatsoever and just walks away. Very strange for 667 00:33:57,160 --> 00:33:59,560 Speaker 1: me that she was just like we had the best day. 668 00:33:59,760 --> 00:34:01,400 Speaker 1: I know, I should have told you this for the 669 00:34:01,480 --> 00:34:04,600 Speaker 1: last four years or however long we've been dating. But 670 00:34:04,720 --> 00:34:11,280 Speaker 1: I'm leaving tomorrow. It's harsh, Nae, I'm. 671 00:34:11,160 --> 00:34:15,680 Speaker 2: Back when I felt like I had pulled myself out 672 00:34:15,680 --> 00:34:22,600 Speaker 2: of the gutter of terrible girlfriends. Here we freaking are. 673 00:34:22,880 --> 00:34:26,400 Speaker 1: It was. I just felt bad to tell him. 674 00:34:27,120 --> 00:34:31,000 Speaker 2: Everything she did. I felt she did incorrectly. I was 675 00:34:31,120 --> 00:34:35,520 Speaker 2: just judging every moment, which I'm trying to enjoy myself 676 00:34:35,880 --> 00:34:39,200 Speaker 2: with my popcorn and have a good time, and she's 677 00:34:39,360 --> 00:34:43,440 Speaker 2: irritating the hell out of me. What how you got 678 00:34:43,560 --> 00:34:47,640 Speaker 2: this little adorable ross just Lynch right in front of you, 679 00:34:47,760 --> 00:34:49,279 Speaker 2: and he loves you. 680 00:34:49,440 --> 00:34:51,279 Speaker 3: This kid loves everything about you. 681 00:34:52,239 --> 00:34:54,880 Speaker 2: It's okay. If you don't love him like that, we 682 00:34:55,040 --> 00:34:55,800 Speaker 2: gotta be kind. 683 00:34:56,160 --> 00:34:59,240 Speaker 1: Yeah. And if you don't think the long distance relationship 684 00:34:59,280 --> 00:35:01,480 Speaker 1: is going to work, not at that age, but you 685 00:35:01,600 --> 00:35:03,760 Speaker 1: give it a try for a week, try. 686 00:35:03,680 --> 00:35:07,840 Speaker 2: For a second, She's like newp Ye, Nope, Nope, not 687 00:35:07,920 --> 00:35:12,960 Speaker 2: gonna happen. Absolutely back out later. Yes, so harsh. 688 00:35:13,120 --> 00:35:15,200 Speaker 1: I agree, it was I thought that part of her 689 00:35:15,280 --> 00:35:16,920 Speaker 1: character should have been. It didn't make me, it made 690 00:35:16,960 --> 00:35:18,640 Speaker 1: me not like her kind of a little bit right there. 691 00:35:18,840 --> 00:35:20,640 Speaker 2: Felt like she should have had a little bit of 692 00:35:20,840 --> 00:35:24,120 Speaker 2: conflict within herself about it. Yes, there could have been 693 00:35:24,160 --> 00:35:26,600 Speaker 2: a scene of what do I do, What do I do? 694 00:35:27,800 --> 00:35:30,120 Speaker 2: It's just not gonna work, something like that. 695 00:35:30,320 --> 00:35:32,600 Speaker 1: But before she leaves, she wants one more surf session, 696 00:35:32,680 --> 00:35:34,560 Speaker 1: especially with this giant storm that's coming in. 697 00:35:35,040 --> 00:35:35,239 Speaker 2: Uh. 698 00:35:35,280 --> 00:35:38,520 Speaker 1: They talk about how it's her a surfboard from her family, 699 00:35:38,520 --> 00:35:42,040 Speaker 1: that everybody who's ridden this, it's a magical circuit gets 700 00:35:42,080 --> 00:35:43,640 Speaker 1: magically finds their faith. 701 00:35:44,160 --> 00:35:47,439 Speaker 2: Yes, and it magically appears in front of her door. 702 00:35:47,520 --> 00:35:48,640 Speaker 2: When she does. 703 00:35:48,960 --> 00:35:52,200 Speaker 1: It is magic. It is like million year but different, 704 00:35:53,440 --> 00:35:55,680 Speaker 1: even sad and single. Brady shows up to watch her, 705 00:35:55,719 --> 00:35:58,560 Speaker 1: and she ends up wiping out and and then disappears. 706 00:35:58,960 --> 00:36:02,359 Speaker 1: But then magically after he gets on the jet ski 707 00:36:02,440 --> 00:36:03,759 Speaker 1: to go and save her, the. 708 00:36:03,800 --> 00:36:06,160 Speaker 2: Jet ski that just happens to be there. 709 00:36:06,320 --> 00:36:09,799 Speaker 1: Well, they I think, because the the I think what 710 00:36:09,840 --> 00:36:11,440 Speaker 1: they do is surf. 711 00:36:12,080 --> 00:36:17,400 Speaker 2: Competition in big No random person can. 712 00:36:17,920 --> 00:36:20,720 Speaker 1: He's essentially just stealing somebody's jet skis. 713 00:36:20,920 --> 00:36:22,440 Speaker 2: But there's no one around it. 714 00:36:22,440 --> 00:36:23,879 Speaker 1: I know, and no one's trying to help her either 715 00:36:24,080 --> 00:36:26,799 Speaker 1: or say, hey man, that's not your jet ski. Get 716 00:36:26,840 --> 00:36:29,880 Speaker 1: to that season. So now she's in calm waters. They 717 00:36:29,920 --> 00:36:33,960 Speaker 1: both are. It's a different scene and there's Brady. Now. 718 00:36:34,000 --> 00:36:37,080 Speaker 1: All of a sudden, they wash up on shore essentially, 719 00:36:37,400 --> 00:36:39,600 Speaker 1: and they see a girl twirling in the thing. They 720 00:36:39,640 --> 00:36:43,239 Speaker 1: look over the the the beach burm, and oh my god. 721 00:36:43,480 --> 00:36:46,200 Speaker 1: They're in the movie from the sixties and we are 722 00:36:46,239 --> 00:36:51,959 Speaker 1: in dance number one. Swim trunks, modest swimsuits, beach balls, flying, 723 00:36:52,000 --> 00:36:56,440 Speaker 1: hulup spinning, and a song about good vibrations. You know, 724 00:36:56,560 --> 00:36:58,439 Speaker 1: you get the movie. You get what it is right away, 725 00:36:58,480 --> 00:37:01,919 Speaker 1: you know what's going on. And they're, I mean, good, 726 00:37:02,160 --> 00:37:04,640 Speaker 1: good way to bring us into the sixties movie. 727 00:37:05,200 --> 00:37:08,799 Speaker 2: Especially, think about the audience at that time. How much 728 00:37:08,800 --> 00:37:10,680 Speaker 2: of the sixties they know? Right? 729 00:37:11,280 --> 00:37:12,839 Speaker 3: Where does it start? Where does it end? 730 00:37:13,120 --> 00:37:17,120 Speaker 2: Maybe the movie Grease, maybe that some that's not even 731 00:37:17,239 --> 00:37:21,439 Speaker 2: the sixties, right, that was the fifties, right, They don't 732 00:37:21,440 --> 00:37:24,000 Speaker 2: know anything. This on the beach. 733 00:37:25,239 --> 00:37:29,439 Speaker 1: Boom, I yeah, it was great and they so they're 734 00:37:29,440 --> 00:37:31,839 Speaker 1: obviously kind of confused, but they figure out what it is. 735 00:37:32,160 --> 00:37:34,480 Speaker 1: He jumps into the dance number because you know, I 736 00:37:34,560 --> 00:37:35,520 Speaker 1: got him in my movie. 737 00:37:37,200 --> 00:37:39,120 Speaker 2: Shod I have been waiting for this. 738 00:37:39,320 --> 00:37:43,880 Speaker 1: For exactly boom. So this is you know, these big 739 00:37:44,239 --> 00:37:46,480 Speaker 1: video kind of set up, these big dance numbers. It's 740 00:37:46,480 --> 00:37:50,680 Speaker 1: all really cool. Then we get into we get so 741 00:37:50,719 --> 00:37:53,120 Speaker 1: we establish him with the surfers, and then we get 742 00:37:53,120 --> 00:37:56,719 Speaker 1: into Big Mama's kitchen, where again very little if any 743 00:37:56,719 --> 00:37:59,760 Speaker 1: food is actually served. We don't actually big Mama's barely 744 00:37:59,800 --> 00:38:01,840 Speaker 1: in the movie. They occasionally will cut to her for 745 00:38:02,000 --> 00:38:05,680 Speaker 1: like just a POV shot or or maybe one line, 746 00:38:05,680 --> 00:38:09,160 Speaker 1: but Big Mama is not really important. Yeah, that's when 747 00:38:09,160 --> 00:38:11,799 Speaker 1: the door swing open and we meet Butchi Lugnut Chee 748 00:38:11,880 --> 00:38:15,520 Speaker 1: Chee struts and Layla. The Biker is also known as 749 00:38:15,560 --> 00:38:22,879 Speaker 1: the Rodents. Brady inserts himself into dance number two uh, 750 00:38:23,440 --> 00:38:26,520 Speaker 1: because he is always wanted to be a part of 751 00:38:26,719 --> 00:38:30,160 Speaker 1: the biker thing that, you know, the biker dance number 752 00:38:30,160 --> 00:38:32,399 Speaker 1: that he's seen so many times. He's got a leather 753 00:38:32,480 --> 00:38:34,720 Speaker 1: jacket that fits him perfectly, glasses that fit him perfectly. 754 00:38:34,760 --> 00:38:36,560 Speaker 1: He's also now the lead of the dance, so they 755 00:38:36,640 --> 00:38:38,560 Speaker 1: just let him in, which is kind of cool. But 756 00:38:38,680 --> 00:38:42,319 Speaker 1: he is in sixties heaven with this so much so 757 00:38:43,560 --> 00:38:46,680 Speaker 1: that they all go to a surfers party that night, 758 00:38:47,520 --> 00:38:50,320 Speaker 1: but the biker's crack. It's we are. It's so strange 759 00:38:50,320 --> 00:38:53,799 Speaker 1: because we they, the bikers, surfers hate each other, and 760 00:38:53,880 --> 00:38:55,560 Speaker 1: yet they're always together dancing. 761 00:38:56,320 --> 00:38:56,520 Speaker 2: Yes. 762 00:38:56,760 --> 00:39:00,719 Speaker 3: There, there's there's no line in the No. No, there 763 00:39:00,800 --> 00:39:01,919 Speaker 3: is no line in the sand. 764 00:39:02,080 --> 00:39:04,040 Speaker 1: I like it. No line in the sand. 765 00:39:04,239 --> 00:39:04,279 Speaker 4: No. 766 00:39:04,640 --> 00:39:05,359 Speaker 5: Oh. 767 00:39:05,719 --> 00:39:06,719 Speaker 1: They kind of. 768 00:39:07,080 --> 00:39:11,040 Speaker 2: Mesh yes constantly for people there's in each other, yes, 769 00:39:11,120 --> 00:39:16,200 Speaker 2: and there's no issue about it. That's because this storyline 770 00:39:16,320 --> 00:39:20,800 Speaker 2: takes so long to build in this movie of where 771 00:39:20,840 --> 00:39:24,440 Speaker 2: we're going and where the real conflict's going to actually be. 772 00:39:24,680 --> 00:39:27,160 Speaker 1: We got another half hour before we even come close 773 00:39:27,200 --> 00:39:28,280 Speaker 1: to any sort of conflict. 774 00:39:28,320 --> 00:39:30,560 Speaker 2: The first time I watched it, I paused it and went, 775 00:39:31,160 --> 00:39:34,000 Speaker 2: oh my god, I've got like fifty more minutes. 776 00:39:34,080 --> 00:39:38,440 Speaker 1: La. We haven't even met the villains yet. There's actual 777 00:39:38,560 --> 00:39:39,920 Speaker 1: villains in the I. 778 00:39:39,920 --> 00:39:42,200 Speaker 2: Thought that Ants was the villain. The villain that I 779 00:39:42,280 --> 00:39:45,799 Speaker 2: thought was gonna be one has now left. She's no longer. 780 00:39:45,640 --> 00:39:52,280 Speaker 1: Gone, Like nope, Yeah, totally different. So the original movie, 781 00:39:52,640 --> 00:39:54,560 Speaker 1: it's supposed to be they back to the future. It 782 00:39:54,560 --> 00:39:58,760 Speaker 1: it's supposed to be that the lead surfer guy catches 783 00:39:58,840 --> 00:40:01,640 Speaker 1: the lead biker earl as she falls off the stage. 784 00:40:01,680 --> 00:40:04,440 Speaker 1: Of course, through a series of events another way where 785 00:40:04,480 --> 00:40:07,719 Speaker 1: Mac is just unpleasant because for some reason she just 786 00:40:07,800 --> 00:40:11,080 Speaker 1: refuses to dance with her ex boyfriend. He's like, well, 787 00:40:11,120 --> 00:40:12,960 Speaker 1: let's at least dance. She's like, no, goes, come on. 788 00:40:13,120 --> 00:40:15,040 Speaker 1: She's like, no, she just won't dance with the guy. 789 00:40:15,880 --> 00:40:17,319 Speaker 3: She's trying not to lead him on. 790 00:40:17,520 --> 00:40:19,520 Speaker 1: Oh come on, they're stuck in the sixties. You can 791 00:40:19,640 --> 00:40:21,000 Speaker 1: dance that she's trying. 792 00:40:20,719 --> 00:40:23,520 Speaker 2: To just he keeps giving her these googly eyes and 793 00:40:23,560 --> 00:40:25,040 Speaker 2: she's like, bro, I told you. 794 00:40:25,960 --> 00:40:27,719 Speaker 1: She doesn't say that, she just doesn't want to dance, 795 00:40:27,760 --> 00:40:31,560 Speaker 1: and then she's googly. She needed to rewrite, and so 796 00:40:32,440 --> 00:40:35,480 Speaker 1: through a series of events, Brady ends up catching her 797 00:40:35,520 --> 00:40:39,200 Speaker 1: coming off the stage. She then falls for Brady, and 798 00:40:39,880 --> 00:40:43,680 Speaker 1: of course Mac or the Tanner ends up with Mac, 799 00:40:44,000 --> 00:40:45,960 Speaker 1: and now they have they back to the futured date 800 00:40:46,040 --> 00:40:48,360 Speaker 1: where oh no, the car hit Michael J. Fox instead 801 00:40:48,360 --> 00:40:52,359 Speaker 1: of hitting his dad. And now, oh geez, so they 802 00:40:52,360 --> 00:40:56,319 Speaker 1: find out that they're actually changing the movie. So what 803 00:40:56,400 --> 00:41:00,600 Speaker 1: are we supposed to do? We're changing the movie. So 804 00:41:01,080 --> 00:41:03,319 Speaker 1: now they're lost because it's like, I don't know where 805 00:41:03,320 --> 00:41:09,000 Speaker 1: to go from here. You know what, happens. What do 806 00:41:09,040 --> 00:41:10,680 Speaker 1: you think of that? Did you like the twist in them? 807 00:41:10,680 --> 00:41:11,719 Speaker 1: I'm in the twist? 808 00:41:12,200 --> 00:41:15,560 Speaker 2: I did. I did. I saw where it was going. 809 00:41:16,719 --> 00:41:20,200 Speaker 2: I saw how easily we could like make it right 810 00:41:20,520 --> 00:41:24,920 Speaker 2: quote unquote to keep the movie going. But at the 811 00:41:24,960 --> 00:41:28,880 Speaker 2: same time, the whole time, I'm sitting here being super 812 00:41:28,920 --> 00:41:34,600 Speaker 2: irritated with Mac. What's wrong with you? You know, he's 813 00:41:34,680 --> 00:41:38,640 Speaker 2: so sweet and everyone's gonna love him. You're missing your chance? Girl? 814 00:41:39,360 --> 00:41:43,600 Speaker 2: Who cares about anything? In the sense of, here's the thing, 815 00:41:43,760 --> 00:41:47,440 Speaker 2: I had conflict. She's trying to better her education. 816 00:41:48,280 --> 00:41:51,680 Speaker 1: She's hard to think so yeah, right, yeah. 817 00:41:50,880 --> 00:41:55,920 Speaker 2: It's hard to be too upset with her. But again, 818 00:41:56,000 --> 00:41:58,400 Speaker 2: like you said, a rewrite in the sense of, she 819 00:41:58,520 --> 00:42:01,360 Speaker 2: doesn't handle it right. She was just outmost just like 820 00:42:01,440 --> 00:42:05,640 Speaker 2: grew to him, instead of there being this conflict, which 821 00:42:05,640 --> 00:42:08,000 Speaker 2: I think would have made her a little bit more endeary. 822 00:42:08,400 --> 00:42:10,840 Speaker 1: I don't disagree, and I didn't dislike her. It just 823 00:42:10,840 --> 00:42:13,880 Speaker 1: could have been a little better, just a just a tweak. 824 00:42:14,400 --> 00:42:18,560 Speaker 2: Yeah. And then I loved that, you know, the steppin 825 00:42:18,719 --> 00:42:22,200 Speaker 2: the one that is the gorgeous girl. She looks so 826 00:42:22,280 --> 00:42:24,440 Speaker 2: much like I just watched Elvis and. 827 00:42:25,360 --> 00:42:26,440 Speaker 1: Oh, Priscilla Presley. 828 00:42:26,760 --> 00:42:33,839 Speaker 2: She looked like a little beautiful looks so adorable. Oh 829 00:42:34,520 --> 00:42:39,320 Speaker 2: just in general though, like she looked impressed school, just gorgeous. 830 00:42:39,560 --> 00:42:44,600 Speaker 2: I thought the set, the costuming, the hair, the makeup, 831 00:42:44,640 --> 00:42:46,920 Speaker 2: everything was so spot on and so adorable. 832 00:42:47,520 --> 00:42:49,640 Speaker 3: Sometimes I didn't care about things because they all. 833 00:42:49,680 --> 00:42:51,839 Speaker 1: Just they all just looked great. Well, that's the thing. 834 00:42:52,000 --> 00:42:54,120 Speaker 1: It was certainly a very attractive cast. 835 00:42:54,440 --> 00:42:55,040 Speaker 2: It was. 836 00:42:55,440 --> 00:42:58,640 Speaker 1: But luckily Brady knows this movie backwards and forwards, so 837 00:42:58,680 --> 00:43:01,279 Speaker 1: he knows there's a real estate moment. So okay, that's right. 838 00:43:01,360 --> 00:43:02,879 Speaker 1: We were like. This is when I was like, oh, 839 00:43:02,880 --> 00:43:05,080 Speaker 1: that's right. There was a villain. Now there's a real 840 00:43:05,160 --> 00:43:07,439 Speaker 1: estate mogul who's building a weather machine that will cause 841 00:43:07,480 --> 00:43:10,400 Speaker 1: a storm, and that has to happen because the storm 842 00:43:10,440 --> 00:43:12,279 Speaker 1: he thinks will get them home. So as long as 843 00:43:12,280 --> 00:43:14,279 Speaker 1: that's on track, they're all good. So they race to 844 00:43:14,280 --> 00:43:17,480 Speaker 1: the lighthouse. Now this gets a little messy here, so 845 00:43:17,520 --> 00:43:20,600 Speaker 1: try to follow me. Ye Less Canon Bear that was 846 00:43:20,640 --> 00:43:23,520 Speaker 1: his name, and doctor Fusion with the evil plan regarding 847 00:43:23,520 --> 00:43:26,640 Speaker 1: a weather machine. Now step into the movie where the 848 00:43:26,640 --> 00:43:31,480 Speaker 1: weather machine is going to It's weird. It's weird, but I. 849 00:43:31,560 --> 00:43:35,200 Speaker 2: Don't know what the weather Machine's eventual situation was going 850 00:43:35,280 --> 00:43:37,360 Speaker 2: to do with what goal follow the beach. 851 00:43:37,520 --> 00:43:40,680 Speaker 1: He wanted a humid for some reason, and if you're 852 00:43:40,880 --> 00:43:43,200 Speaker 1: able to just make things humid, do you need a 853 00:43:43,239 --> 00:43:43,840 Speaker 1: machine for that? 854 00:43:45,080 --> 00:43:47,759 Speaker 2: When he's a real estate mogul of some sort that 855 00:43:47,840 --> 00:43:51,279 Speaker 2: was going to he wanted bigger onto the beach. I 856 00:43:51,280 --> 00:43:54,440 Speaker 2: don't know. It did not make it, kept going through it, 857 00:43:54,960 --> 00:43:57,000 Speaker 2: and I kept thinking, if I listen a little bit 858 00:43:57,040 --> 00:43:58,400 Speaker 2: more closely, Nope. 859 00:43:58,719 --> 00:44:02,560 Speaker 1: The second time it was you might recognize Kevin Chamberlain 860 00:44:02,560 --> 00:44:05,040 Speaker 1: as doctor Fusion. He played Bertram on the show Jesse. 861 00:44:05,800 --> 00:44:08,400 Speaker 1: But the plan they find out is still on, but 862 00:44:08,480 --> 00:44:10,520 Speaker 1: the bikers and surfers need to come together at the 863 00:44:10,560 --> 00:44:13,839 Speaker 1: end of the movie because they've got to now save 864 00:44:13,920 --> 00:44:18,440 Speaker 1: their two new friends to get home again. Gets a 865 00:44:18,480 --> 00:44:21,360 Speaker 1: little weird, but Brady knows that they also have to 866 00:44:21,360 --> 00:44:24,920 Speaker 1: get their love interest their new love interest together with 867 00:44:25,000 --> 00:44:29,359 Speaker 1: each other as opposed to with themselves, So he says 868 00:44:29,400 --> 00:44:31,360 Speaker 1: there's a pajama party that night, so she needs to 869 00:44:31,360 --> 00:44:33,680 Speaker 1: get invited to the pajama party, and he needs to 870 00:44:33,719 --> 00:44:35,879 Speaker 1: go hang out with the surfers. So he does that, 871 00:44:36,719 --> 00:44:40,760 Speaker 1: and we get another big dance number where it's cutting 872 00:44:40,800 --> 00:44:42,920 Speaker 1: back and forth the one you really liked, the like Me, 873 00:44:42,960 --> 00:44:45,600 Speaker 1: where it's cutting back and forth between the pajama party 874 00:44:45,840 --> 00:44:48,839 Speaker 1: and the surfers hanging out at at Big Mama's house. 875 00:44:48,840 --> 00:44:49,840 Speaker 2: Wow, was a very. 876 00:44:51,239 --> 00:44:55,000 Speaker 1: Grease moment. Tell me, that's well, that's what they It 877 00:44:55,040 --> 00:44:57,319 Speaker 1: seems like that's literally what they should have said. It 878 00:44:57,360 --> 00:45:00,640 Speaker 1: was almost was kind of like a ripoff of what 879 00:45:00,680 --> 00:45:04,120 Speaker 1: that was. Even after that, though, nothing's still working. The 880 00:45:04,440 --> 00:45:07,040 Speaker 1: characters are the movie characters are falling even more in 881 00:45:07,040 --> 00:45:11,040 Speaker 1: love with our protagonist who used to be together five 882 00:45:11,080 --> 00:45:16,279 Speaker 1: hours before this was happening. There's also a very this 883 00:45:16,440 --> 00:45:17,920 Speaker 1: was the green screen shot you were talking about, the 884 00:45:18,000 --> 00:45:21,799 Speaker 1: very funny one of Mac and Tanner surfing together, and 885 00:45:22,040 --> 00:45:24,800 Speaker 1: it just as a straight up gidget. 886 00:45:24,480 --> 00:45:26,280 Speaker 2: Oh I'm surfing. 887 00:45:26,680 --> 00:45:29,040 Speaker 1: Yeah, that's how it's supposed to look. Though they did that, 888 00:45:29,239 --> 00:45:30,440 Speaker 1: they did that one on purpose. 889 00:45:31,000 --> 00:45:34,880 Speaker 2: At first, I didn't understand. Then I realized, yeah, that 890 00:45:35,040 --> 00:45:37,080 Speaker 2: was okay. It was the one after that. 891 00:45:37,160 --> 00:45:42,240 Speaker 1: I yeah. So after another twenty five to thirty dance numbers, 892 00:45:42,920 --> 00:45:45,600 Speaker 1: we get back to the storyline about the bad guys, 893 00:45:46,560 --> 00:45:48,200 Speaker 1: and so all of a sudden, it's like, oh, that's right, 894 00:45:48,239 --> 00:45:51,880 Speaker 1: there's this weather Machine. And so just as Tanner and 895 00:45:52,160 --> 00:45:54,200 Speaker 1: Leila are starting to soften on the idea of their 896 00:45:54,320 --> 00:45:56,360 Speaker 1: rival gangs, like, hey, maybe we are kind of falling 897 00:45:56,400 --> 00:45:59,680 Speaker 1: for each other, the weather Machine just starts working and 898 00:46:00,520 --> 00:46:05,279 Speaker 1: needs to be stopped because now Mac and Brady have 899 00:46:05,480 --> 00:46:08,200 Speaker 1: been captured by the bad guys. 900 00:46:08,600 --> 00:46:14,239 Speaker 2: Right right, How did the bad guys know that they 901 00:46:14,280 --> 00:46:19,200 Speaker 2: were even in knowledge of what they were doing. They 902 00:46:19,360 --> 00:46:22,839 Speaker 2: just show up on the beach. Yeah, they just show 903 00:46:22,960 --> 00:46:26,799 Speaker 2: up on the beach. Well, I know, and capture them. 904 00:46:27,400 --> 00:46:29,839 Speaker 2: Why are they even looking for them? How do they 905 00:46:29,840 --> 00:46:30,600 Speaker 2: know where they are? 906 00:46:31,120 --> 00:46:32,960 Speaker 1: I know? They weren't even in the middle of a 907 00:46:32,960 --> 00:46:34,520 Speaker 1: big dance number, which they. 908 00:46:34,360 --> 00:46:37,360 Speaker 2: Weren't even dancing and singing to being loud. They were quiet. 909 00:46:37,640 --> 00:46:42,719 Speaker 1: Yeah, And then the bad guys capture them. So the 910 00:46:42,760 --> 00:46:48,239 Speaker 1: weather Machine starts working, and we've cut to the unruly guy. 911 00:46:48,320 --> 00:46:50,440 Speaker 1: That cut to the bad guys, and we know that Okay, 912 00:46:50,440 --> 00:46:52,560 Speaker 1: that's right, there are bad guys in this movie. Then 913 00:46:52,600 --> 00:46:54,040 Speaker 1: we get to the best part of the movie by 914 00:46:54,040 --> 00:46:56,799 Speaker 1: far in my opinion, which is almost worth everything else 915 00:46:56,840 --> 00:46:59,799 Speaker 1: going to this point, which is that Brady and Mack 916 00:46:59,840 --> 00:47:03,600 Speaker 1: have met up. They're trying to get their now significant 917 00:47:03,600 --> 00:47:06,560 Speaker 1: others to fall in love with each other, and they 918 00:47:06,600 --> 00:47:09,239 Speaker 1: realize they're slowly morphing into the movie characters themselves. She 919 00:47:09,280 --> 00:47:12,319 Speaker 1: falls off a rock, her hair doesn't get wet. She 920 00:47:12,560 --> 00:47:15,360 Speaker 1: now starts talking, but starts singing as she's talking, and 921 00:47:15,400 --> 00:47:18,200 Speaker 1: she's like, no, what that what's stop? And then there's 922 00:47:18,239 --> 00:47:23,120 Speaker 1: a great my favorite song of the movie, make it Stop. 923 00:47:23,719 --> 00:47:25,920 Speaker 2: Yes, this had. 924 00:47:25,719 --> 00:47:29,239 Speaker 3: You, you all over it you. 925 00:47:29,360 --> 00:47:32,280 Speaker 2: It was such a phenomenal chob in this musical. 926 00:47:33,040 --> 00:47:37,160 Speaker 1: It was great. It was because it's like, please make 927 00:47:37,200 --> 00:47:41,160 Speaker 1: it stop? Am I just a prop? Why am I singing? Yeah? 928 00:47:41,239 --> 00:47:42,120 Speaker 1: What the hell's going on? 929 00:47:42,600 --> 00:47:45,200 Speaker 2: The motions were just like pointing. 930 00:47:45,280 --> 00:47:48,840 Speaker 1: It was like pointing and the dent they're like all dancing, 931 00:47:48,920 --> 00:47:51,520 Speaker 1: like what's like, what's going on? Like Beetlejuice when he's 932 00:47:51,520 --> 00:47:52,520 Speaker 1: making everybody dance. 933 00:47:53,120 --> 00:47:55,040 Speaker 2: Yeah, it's so good. 934 00:47:55,440 --> 00:47:56,640 Speaker 1: It was very funny. 935 00:47:56,840 --> 00:47:59,440 Speaker 2: It was a good number. It really was, because that was. 936 00:47:59,440 --> 00:48:01,200 Speaker 1: My favorite one of the movie. It really was. 937 00:48:01,320 --> 00:48:04,600 Speaker 2: Again, it's their whole it's going back to this movie 938 00:48:06,000 --> 00:48:09,759 Speaker 2: huking fun and obviously saying we are not trying to 939 00:48:09,760 --> 00:48:11,920 Speaker 2: be serious here right when it comes. 940 00:48:11,760 --> 00:48:14,200 Speaker 1: To joy, We're having a bad We're having a fun time. 941 00:48:14,440 --> 00:48:16,719 Speaker 1: We know we're having a fun time, yes, but the 942 00:48:16,719 --> 00:48:19,120 Speaker 1: plan works. The surfer guy and the biker girl finally 943 00:48:19,120 --> 00:48:21,920 Speaker 1: fall for each other, which obviously calls for another musical. 944 00:48:21,920 --> 00:48:24,040 Speaker 1: I'm starting to get a little little shocky here when 945 00:48:24,040 --> 00:48:25,680 Speaker 1: it comes to musicals, but at least I'm no longer 946 00:48:25,719 --> 00:48:28,920 Speaker 1: saying wet. They also had all of a sudden exactly 947 00:48:28,960 --> 00:48:31,640 Speaker 1: what we were talking about earlier on the beach, and 948 00:48:31,719 --> 00:48:35,120 Speaker 1: for no reason, the bad guys show up and kidnap Brady. 949 00:48:34,920 --> 00:48:39,160 Speaker 2: And mess out of nowhere. How did they know they 950 00:48:39,200 --> 00:48:40,160 Speaker 2: were there? Right? 951 00:48:40,440 --> 00:48:42,080 Speaker 1: We don't know why, but they know they were up 952 00:48:42,120 --> 00:48:45,000 Speaker 1: to something somehow. That Big Mamas was going to be 953 00:48:45,520 --> 00:48:50,560 Speaker 1: uh in jeopardy. Yeah, their plan was going to be 954 00:48:50,600 --> 00:48:52,080 Speaker 1: in jeopardy and they weren't gonna be able to take 955 00:48:52,080 --> 00:48:55,520 Speaker 1: over Big Mamas. So they tie them up to the 956 00:48:55,560 --> 00:48:59,359 Speaker 1: weather machine and again, supposed to be sixties funny, kind 957 00:48:59,360 --> 00:49:00,000 Speaker 1: of ridiculous. 958 00:49:00,120 --> 00:49:03,200 Speaker 2: So yes, okay, that's what I'm saying, Like this movie 959 00:49:03,320 --> 00:49:09,040 Speaker 2: was easy to go. Okay, just roll your eyes, good time. 960 00:49:09,520 --> 00:49:11,480 Speaker 1: So luckily the new love birds are finally able to 961 00:49:11,480 --> 00:49:14,600 Speaker 1: bring together their respective gangs there, you know, Tanner goes 962 00:49:14,600 --> 00:49:16,759 Speaker 1: to one gang, Leela goes to another gang and hey, 963 00:49:16,840 --> 00:49:19,440 Speaker 1: they're they're gangs. Hey we should work together, which as 964 00:49:19,440 --> 00:49:23,759 Speaker 1: they do, and then the blessing comes for Butchy Leila's brother, 965 00:49:23,760 --> 00:49:26,200 Speaker 1: who actually starts to cry that they're in love and 966 00:49:26,200 --> 00:49:30,960 Speaker 1: they're going to go and save Brady and Mac. 967 00:49:32,120 --> 00:49:36,040 Speaker 2: Do they know Brady and Mac are in desperate. 968 00:49:35,600 --> 00:49:40,279 Speaker 1: Need of saving because he found the thing on the 969 00:49:40,320 --> 00:49:42,360 Speaker 1: ground that the hair piece he'd given her. 970 00:49:43,160 --> 00:49:46,839 Speaker 2: Okay, so that obviously give that to you that there's 971 00:49:46,880 --> 00:49:47,720 Speaker 2: something wrong. 972 00:49:48,200 --> 00:49:52,160 Speaker 3: But the fact that they know where they're at, what 973 00:49:52,280 --> 00:49:53,440 Speaker 3: is happening. 974 00:49:53,200 --> 00:50:03,160 Speaker 1: If you ever find out, well, this is what this is. 975 00:50:03,239 --> 00:50:05,640 Speaker 1: This was a bridge too far for Sabrina, Like, nope, 976 00:50:06,480 --> 00:50:10,040 Speaker 1: I'm out. I don't get this. I'm out. 977 00:50:11,920 --> 00:50:16,760 Speaker 2: I was trying to be a good participant in the movie. 978 00:50:18,120 --> 00:50:20,680 Speaker 1: Okay, I love all this is it. This was a 979 00:50:20,719 --> 00:50:25,399 Speaker 1: weather machine too far for Sabrina. Now, while they were 980 00:50:25,440 --> 00:50:28,359 Speaker 1: tied up, mcin Tanner of course, falls back in love 981 00:50:28,520 --> 00:50:30,719 Speaker 1: just in time for the gangs while singing Here's the 982 00:50:30,719 --> 00:50:33,319 Speaker 1: other thing I love about musicals. They're just people will 983 00:50:33,320 --> 00:50:35,120 Speaker 1: turn to each other and just start singing into each 984 00:50:35,160 --> 00:50:37,960 Speaker 1: other's mouths. You're an inch, You're an inch away for me. 985 00:50:38,560 --> 00:50:41,160 Speaker 1: Back up, you're singing way too close to my face. 986 00:50:41,480 --> 00:50:44,520 Speaker 2: Agree, way too close, very valued. 987 00:50:44,800 --> 00:50:47,600 Speaker 1: Thank you. Don't just hit these high notes right into 988 00:50:47,640 --> 00:50:48,040 Speaker 1: my mouth. 989 00:50:51,000 --> 00:50:52,440 Speaker 2: Could always hit the high notes. 990 00:50:53,520 --> 00:50:55,719 Speaker 1: You're like, Tanner's fine, he can hit whatever note he needs. 991 00:50:56,160 --> 00:50:59,319 Speaker 2: Well, it seems that that's the the world Tanner lives in. 992 00:51:00,000 --> 00:51:01,720 Speaker 1: I love. I was just like, yeah, but I'm pretty 993 00:51:01,800 --> 00:51:05,360 Speaker 1: it was great. They stormed the lighthouse, they destroy the 994 00:51:05,360 --> 00:51:09,319 Speaker 1: weather machine, they save the hangout, the bad guys blow 995 00:51:09,400 --> 00:51:11,279 Speaker 1: up through the ceiling. I was like, did they just 996 00:51:11,360 --> 00:51:13,080 Speaker 1: kill them? But no, they make sure that they show 997 00:51:13,120 --> 00:51:17,200 Speaker 1: that they did not die die Disney. They then have 998 00:51:17,239 --> 00:51:19,799 Speaker 1: to say goodbye to everybody. No, please stay, We're not 999 00:51:19,840 --> 00:51:22,560 Speaker 1: going to stay. We're leaving. They leave the big storm 1000 00:51:22,640 --> 00:51:25,000 Speaker 1: and a great another surfing shot of the two of 1001 00:51:25,040 --> 00:51:29,200 Speaker 1: them together on the best fake wave ever. They then 1002 00:51:29,239 --> 00:51:32,400 Speaker 1: wind up right back where they started. No time had passed. 1003 00:51:33,239 --> 00:51:35,200 Speaker 1: He also doesn't have the jet ski anymore, so he's 1004 00:51:35,200 --> 00:51:37,440 Speaker 1: gonna owe some people some money. I don't know if 1005 00:51:37,480 --> 00:51:40,000 Speaker 1: you notice that there was no jet ski I did. 1006 00:51:40,280 --> 00:51:42,920 Speaker 3: I have a lot of issues with the end of 1007 00:51:42,960 --> 00:51:43,680 Speaker 3: those scenes. 1008 00:51:43,800 --> 00:51:49,880 Speaker 2: Like so many things, continuity was fired at some point 1009 00:51:50,040 --> 00:51:52,200 Speaker 2: and not brought back on it. 1010 00:51:52,320 --> 00:51:56,080 Speaker 1: Was not not the greatest continuitywise Mac. Then they get 1011 00:51:56,120 --> 00:51:58,319 Speaker 1: back on the beach after she catches another wave which 1012 00:51:58,320 --> 00:52:02,279 Speaker 1: is clearly her surfing. Actually it's not her serve, it's 1013 00:52:02,360 --> 00:52:05,600 Speaker 1: another kind of bad green screen. But she sends stands 1014 00:52:05,640 --> 00:52:07,360 Speaker 1: up to her aunt. So she wants to stay in Hawaii, 1015 00:52:07,520 --> 00:52:09,359 Speaker 1: she wants to make her own choices. She wants to 1016 00:52:10,000 --> 00:52:15,600 Speaker 1: make out with with Brady Moore. And uh, then there's 1017 00:52:15,640 --> 00:52:18,560 Speaker 1: of course a giant dance number, because we couldn't we 1018 00:52:18,600 --> 00:52:19,960 Speaker 1: couldn't just stop at sixty. 1019 00:52:20,320 --> 00:52:24,680 Speaker 2: Not just a dance number. They have expanded the dance number. 1020 00:52:24,960 --> 00:52:28,000 Speaker 2: It's huge, double the amount of dancers on the beach 1021 00:52:28,280 --> 00:52:30,200 Speaker 2: and extras behind them. 1022 00:52:30,840 --> 00:52:32,839 Speaker 1: But did you notice that only like the first three 1023 00:52:32,880 --> 00:52:34,719 Speaker 1: or four rows are doing the dance. The rest are 1024 00:52:34,760 --> 00:52:35,799 Speaker 1: just kind of throwing their hands up. 1025 00:52:35,880 --> 00:52:41,880 Speaker 2: They added more dancers, new dancers they did, like b 1026 00:52:42,040 --> 00:52:43,640 Speaker 2: boy break dancers that could do. 1027 00:52:43,560 --> 00:52:43,920 Speaker 1: A little bit. 1028 00:52:44,040 --> 00:52:49,360 Speaker 2: Yes, then they added extras onto the back to just kind. 1029 00:52:49,120 --> 00:52:51,440 Speaker 1: Of I want to be that guy. I want to 1030 00:52:51,480 --> 00:52:52,160 Speaker 1: be this guy. 1031 00:52:52,080 --> 00:52:54,680 Speaker 2: You could totally totally who do I call? 1032 00:52:54,840 --> 00:52:56,359 Speaker 1: Is there this guy number that I call? 1033 00:52:56,440 --> 00:53:00,120 Speaker 2: Because I want to be any going extra agent and 1034 00:53:01,160 --> 00:53:02,280 Speaker 2: dance And then you'll say. 1035 00:53:02,200 --> 00:53:06,000 Speaker 1: Yes, then you'll lie, and then they'll do that. That's 1036 00:53:06,000 --> 00:53:07,880 Speaker 1: what I want to do. I want to be in 1037 00:53:08,000 --> 00:53:10,719 Speaker 1: teen Beach three. Look at the guy dancing behind. That's 1038 00:53:10,719 --> 00:53:11,560 Speaker 1: what it's called, and that's me. 1039 00:53:11,680 --> 00:53:14,200 Speaker 2: Hey, if there's a team Beach three. 1040 00:53:14,760 --> 00:53:16,839 Speaker 1: You got your girl? Yes, you and I will go 1041 00:53:16,920 --> 00:53:18,719 Speaker 1: fake dance behind. You'll have to make me look good 1042 00:53:18,760 --> 00:53:21,759 Speaker 1: because you actually know what you're doing. But yeah, they 1043 00:53:22,000 --> 00:53:23,800 Speaker 1: obviously don't want to pay to have everybody learn the 1044 00:53:23,880 --> 00:53:26,120 Speaker 1: dance choreography, so only the first three or four rows 1045 00:53:26,120 --> 00:53:28,560 Speaker 1: know it. They do a big, big dance thing where 1046 00:53:28,600 --> 00:53:30,759 Speaker 1: you're ready freddy and all that kind of stuff. But 1047 00:53:31,040 --> 00:53:32,840 Speaker 1: you think that's going to be end of the movie, 1048 00:53:32,880 --> 00:53:35,160 Speaker 1: but it's not. Disney does something they'd never done before. 1049 00:53:35,200 --> 00:53:37,680 Speaker 1: We get our first ever blooper reel and then a 1050 00:53:37,719 --> 00:53:42,799 Speaker 1: post credit scene. Very cool, Here for me too, Here 1051 00:53:43,000 --> 00:53:44,799 Speaker 1: too for absolutely me too. 1052 00:53:44,880 --> 00:53:50,120 Speaker 2: Actually wish cast like this just a bunch of different dynamics. Yep, 1053 00:53:50,280 --> 00:53:53,120 Speaker 2: you know there were multiple times where you just get 1054 00:53:53,120 --> 00:53:57,960 Speaker 2: in a giggle fest or something, especially because these characters 1055 00:53:57,960 --> 00:54:00,960 Speaker 2: were so outrageous and so many of the moment. 1056 00:54:01,040 --> 00:54:02,760 Speaker 1: Yeah, you know that they were. 1057 00:54:02,560 --> 00:54:06,480 Speaker 2: Going big and then making people or making people laugh 1058 00:54:06,680 --> 00:54:07,360 Speaker 2: or whatever. 1059 00:54:07,120 --> 00:54:10,040 Speaker 1: And they genuinely look like they were having. 1060 00:54:09,840 --> 00:54:13,759 Speaker 2: Fun the best. I think Cooper Reels really give the 1061 00:54:13,800 --> 00:54:16,760 Speaker 2: fans an insight of we had the best time making. 1062 00:54:16,920 --> 00:54:18,719 Speaker 1: I agree one hundred percent. I love that they put 1063 00:54:18,719 --> 00:54:19,239 Speaker 1: it on there. 1064 00:54:20,080 --> 00:54:23,560 Speaker 3: And then the bonus like little button scene. 1065 00:54:23,680 --> 00:54:28,240 Speaker 1: Yes, is the sixties people coming out of the water 1066 00:54:28,840 --> 00:54:31,840 Speaker 1: and meeting a modern day punk guy who's like, you 1067 00:54:31,840 --> 00:54:32,480 Speaker 1: guys look like. 1068 00:54:32,760 --> 00:54:35,640 Speaker 2: A modern day because there's no one. I mean not 1069 00:54:35,719 --> 00:54:36,959 Speaker 2: no one, but that was not. 1070 00:54:37,000 --> 00:54:37,960 Speaker 1: A very few. 1071 00:54:38,560 --> 00:54:40,319 Speaker 2: There's not a big hairstyle. 1072 00:54:41,320 --> 00:54:44,200 Speaker 1: He's got a full punk rocker mohawk. And he asked, 1073 00:54:44,239 --> 00:54:46,120 Speaker 1: if you want to use my phone? And he turns 1074 00:54:46,120 --> 00:54:50,520 Speaker 1: it around and there's a picture of Justin Bieber. The 1075 00:54:50,600 --> 00:54:53,800 Speaker 1: only analogy I could come up with for a punk 1076 00:54:53,880 --> 00:54:56,200 Speaker 1: guy having a picture of Justin Bieber on his phone 1077 00:54:56,400 --> 00:54:59,680 Speaker 1: would be a punk guy having a picture of Justin 1078 00:54:59,719 --> 00:55:03,800 Speaker 1: Ber on his phone. Like there was no other analogy 1079 00:55:03,840 --> 00:55:05,560 Speaker 1: that We're like, well, what. 1080 00:55:06,080 --> 00:55:07,200 Speaker 2: Why, why? 1081 00:55:07,440 --> 00:55:07,760 Speaker 1: No? 1082 00:55:07,960 --> 00:55:10,160 Speaker 2: Soon, how does that make sense? Nothing? 1083 00:55:10,400 --> 00:55:13,680 Speaker 1: It was really weird. Why would that ever ever happen? 1084 00:55:13,760 --> 00:55:16,160 Speaker 2: But anyway the answer is it wouldn't. 1085 00:55:16,200 --> 00:55:20,200 Speaker 1: They're scared but intrigued by the phone and boom we 1086 00:55:20,320 --> 00:55:24,239 Speaker 1: know there is a sequel coming teen Beach to Justin 1087 00:55:24,280 --> 00:55:28,000 Speaker 1: Bieber's Mohawk. I can't wait. I'm gonna be very excited. 1088 00:55:28,680 --> 00:55:31,400 Speaker 2: Oop you jo think Justin Bieber is gonna be a 1089 00:55:31,400 --> 00:55:34,240 Speaker 2: part of the next one. I'm gonna tell you right now. 1090 00:55:34,400 --> 00:55:37,919 Speaker 2: I would never do that to anybody. I don't even 1091 00:55:37,960 --> 00:55:40,399 Speaker 2: think Beebes is gonna make a debut Justin. 1092 00:55:40,680 --> 00:55:52,759 Speaker 1: Justin Bieber is awesome. There's your movie, ready, Freddy, Yes, 1093 00:55:53,200 --> 00:55:55,160 Speaker 1: let's rate because we got well first of all, let's do. 1094 00:55:55,320 --> 00:55:57,480 Speaker 1: Let's I forget. I'm so excited to rate this movie, 1095 00:55:57,520 --> 00:55:58,919 Speaker 1: so I want to see what you're gonna say. Let's 1096 00:55:58,960 --> 00:56:02,600 Speaker 1: do our real reviews. Take the five star review this time, Sabrina. 1097 00:56:04,120 --> 00:56:10,760 Speaker 2: I would love to because then give it a five star. 1098 00:56:11,680 --> 00:56:16,080 Speaker 2: This is a five star review by Maya B. This 1099 00:56:16,200 --> 00:56:19,760 Speaker 2: movie is so good and iconic. It's the only movie 1100 00:56:19,840 --> 00:56:22,840 Speaker 2: I like more than Shine That's great too, from Disney. 1101 00:56:23,320 --> 00:56:25,680 Speaker 2: I love this movie because it's cute and the songs 1102 00:56:25,680 --> 00:56:30,480 Speaker 2: are catchy, like the Fly, a cheesy joke for the 1103 00:56:30,560 --> 00:56:31,320 Speaker 2: cheese factor. 1104 00:56:31,400 --> 00:56:34,960 Speaker 1: Maya, I will do the one star review. This is 1105 00:56:34,960 --> 00:56:39,200 Speaker 1: by Isaac the Fourth. If I'm loud, it's because it's 1106 00:56:39,200 --> 00:56:42,560 Speaker 1: in all caps. So if I have all caps, it's loud. 1107 00:56:42,960 --> 00:56:47,000 Speaker 1: This is trash. I could give it zero stars, complete cringe. 1108 00:56:47,040 --> 00:56:51,680 Speaker 1: If you're considering watching it. Don't only for neobs and poopies, 1109 00:56:54,120 --> 00:56:58,000 Speaker 1: nubes and poopies people. I'd rather say wet than say 1110 00:56:58,000 --> 00:57:02,040 Speaker 1: that again. And now we are going to do another 1111 00:57:02,040 --> 00:57:03,839 Speaker 1: fun feature. You know, we love to play games on 1112 00:57:03,880 --> 00:57:07,000 Speaker 1: our magical rewind podcast here because we're fun people. Or 1113 00:57:07,040 --> 00:57:09,000 Speaker 1: we're not. It's not up to us, it's up to you. 1114 00:57:09,560 --> 00:57:12,239 Speaker 1: But our feature this week is called hang four. So 1115 00:57:12,320 --> 00:57:15,480 Speaker 1: we're going to get four terms associated with surfing according 1116 00:57:15,480 --> 00:57:18,480 Speaker 1: to wavetribe dot com. Now we have to guess what 1117 00:57:18,520 --> 00:57:21,440 Speaker 1: they stand for from a list of multiple choice options. 1118 00:57:22,600 --> 00:57:24,640 Speaker 1: So to explain the game's name a little more, there 1119 00:57:24,640 --> 00:57:28,200 Speaker 1: will also be four options. Again, Sabrina and I don't 1120 00:57:28,200 --> 00:57:31,040 Speaker 1: know any of this whatsoever. We have no idea. We 1121 00:57:31,080 --> 00:57:36,800 Speaker 1: are not given the answer. Do here we go, guys. 1122 00:57:37,040 --> 00:57:40,160 Speaker 1: So number one, the number one term we have associated 1123 00:57:40,200 --> 00:57:46,640 Speaker 1: with surfing is clucked. Now, Sabrina is clucked one the 1124 00:57:46,680 --> 00:57:48,880 Speaker 1: act of jumping in front of another surfer and stealing 1125 00:57:48,960 --> 00:57:53,560 Speaker 1: their wave. Two being afraid of waves. Three when you 1126 00:57:53,880 --> 00:57:56,920 Speaker 1: break your surfboard in half. On a wave, or four 1127 00:57:57,160 --> 00:57:59,080 Speaker 1: eating fried chicken while surfing. 1128 00:58:03,840 --> 00:58:05,360 Speaker 2: Left. I'm gonna go with one. 1129 00:58:06,080 --> 00:58:07,720 Speaker 1: I'm gonna go with one too. I feel like that 1130 00:58:07,840 --> 00:58:09,760 Speaker 1: happens enough, and I feel like they would have a 1131 00:58:09,840 --> 00:58:12,520 Speaker 1: term for it. Yeah, all right, I'm going to go. 1132 00:58:12,520 --> 00:58:14,520 Speaker 5: With what it's being afraid of waves? 1133 00:58:15,000 --> 00:58:19,360 Speaker 1: Oh okay, So if you're so, then are you clucked 1134 00:58:19,600 --> 00:58:21,320 Speaker 1: or is it like man that kid's clucked? 1135 00:58:21,520 --> 00:58:22,600 Speaker 5: Yeah? 1136 00:58:23,160 --> 00:58:27,880 Speaker 1: Okay, okay, Wow, we're oh for one. Number two? What 1137 00:58:28,200 --> 00:58:35,280 Speaker 1: are men in gray suits? Are those A casual business 1138 00:58:35,280 --> 00:58:39,720 Speaker 1: men's surfers who only catch waves on weekends? B sharks 1139 00:58:40,360 --> 00:58:44,600 Speaker 1: see loose barticles that can injure surfers, or D a 1140 00:58:44,680 --> 00:58:46,840 Speaker 1: bad Chinese bootleg of men in black And I'd like 1141 00:58:46,880 --> 00:58:48,640 Speaker 1: to point out that everyone. I'm going to change between 1142 00:58:48,640 --> 00:58:50,680 Speaker 1: one and and and A. Notice I did a B 1143 00:58:50,760 --> 00:58:54,920 Speaker 1: and C that time. Men in gray suits. I'm gonna 1144 00:58:54,920 --> 00:58:59,640 Speaker 1: say that sharks, but it could also be cast asual business. 1145 00:58:59,640 --> 00:59:02,520 Speaker 3: Answer for number one, I think it's casual businessman. 1146 00:59:03,640 --> 00:59:05,040 Speaker 5: Sabrina is wrong, which is awesome. 1147 00:59:05,120 --> 00:59:11,600 Speaker 2: It's sharks, Jensen, I have never done anything to you. 1148 00:59:13,160 --> 00:59:15,200 Speaker 2: Is it that I were off. 1149 00:59:16,520 --> 00:59:16,560 Speaker 4: It? 1150 00:59:16,800 --> 00:59:21,640 Speaker 1: Sharks? Mend and gray suits? Number three, I love that 1151 00:59:21,640 --> 00:59:27,000 Speaker 1: our producer really enjoys when you get them wrong. He 1152 00:59:27,040 --> 00:59:30,840 Speaker 1: loves you, He just loves it. Number three pig dog. 1153 00:59:31,840 --> 00:59:35,520 Speaker 1: Is that one a surfer grabbing onto the rails while 1154 00:59:35,560 --> 00:59:39,600 Speaker 1: inside a barrel? To a lifeguard who is too nervous 1155 00:59:39,640 --> 00:59:43,640 Speaker 1: to let surfers get on big waves? Three the world's 1156 00:59:43,680 --> 00:59:48,160 Speaker 1: most famous surfing golden retriever are four, a name once 1157 00:59:48,200 --> 00:59:51,120 Speaker 1: accidentally said by an announcer during the Surfing Championships on 1158 00:59:51,320 --> 00:59:54,360 Speaker 1: ESPN two when he was trying to compliment someone as 1159 00:59:54,400 --> 00:59:55,120 Speaker 1: a big dog. 1160 00:59:55,520 --> 00:59:56,360 Speaker 2: I'm going with four. 1161 00:59:56,760 --> 00:59:59,640 Speaker 1: It's so intricate that I almost feel like he's trying 1162 00:59:59,680 --> 01:00:01,920 Speaker 1: to go I'm going to say it's a surfer grabbing 1163 01:00:01,920 --> 01:00:03,280 Speaker 1: onto the rails while inside a barrel. 1164 01:00:03,800 --> 01:00:07,000 Speaker 5: Jensen, Oh, I'm so happy that she picked that. But 1165 01:00:07,080 --> 01:00:11,360 Speaker 5: it's definitely not that I made that up. It's when 1166 01:00:11,400 --> 01:00:14,200 Speaker 5: they're grabbing the rail, you know, inside. 1167 01:00:13,920 --> 01:00:17,080 Speaker 1: Yes, inside a barrel. Yes, I got that. The second one, 1168 01:00:17,760 --> 01:00:20,960 Speaker 1: oh man, I love that. Okay. Now the fourth question 1169 01:00:21,040 --> 01:00:23,800 Speaker 1: is a little bit different. We're going to get one 1170 01:00:23,960 --> 01:00:27,480 Speaker 1: term and we have to guess what it means without 1171 01:00:27,680 --> 01:00:35,600 Speaker 1: any options at all. So, Sabrina, what is to hang? Eleven? 1172 01:00:38,920 --> 01:00:41,040 Speaker 3: Jordan's in the room right now. It's so hard to 1173 01:00:41,080 --> 01:00:41,600 Speaker 3: not cheat. 1174 01:00:42,400 --> 01:00:46,080 Speaker 1: Do cheat Jordan, he's bigger than me, but he's bigger 1175 01:00:46,080 --> 01:00:47,479 Speaker 1: and younger. Tell him not to cheat. 1176 01:00:47,640 --> 01:00:55,160 Speaker 2: I can't hear you. What is to hang eleven means? 1177 01:00:55,400 --> 01:00:57,880 Speaker 1: No? No, no, no no. 1178 01:01:00,080 --> 01:01:04,160 Speaker 2: I would assume hang eleven means like an eleven eleven 1179 01:01:04,200 --> 01:01:05,120 Speaker 2: foot waves? 1180 01:01:05,600 --> 01:01:09,680 Speaker 1: Not okay, hang ten? I think is this? Isn't it? 1181 01:01:10,400 --> 01:01:11,520 Speaker 2: What does that mean? Well? 1182 01:01:11,840 --> 01:01:13,800 Speaker 1: I don't like. I think it's just I think that 1183 01:01:14,560 --> 01:01:20,080 Speaker 1: I could be wrong. Okay, I actually no, isn't hang ten? 1184 01:01:20,240 --> 01:01:23,080 Speaker 1: When you when you hang your ten toes over the 1185 01:01:23,120 --> 01:01:25,840 Speaker 1: board into the water, isn't that hanging ten? So is hanging? Well? 1186 01:01:25,880 --> 01:01:29,200 Speaker 2: What hang eleven means? I don't know. I would think 1187 01:01:29,200 --> 01:01:32,000 Speaker 2: it was over ten foot waves. 1188 01:01:32,280 --> 01:01:33,560 Speaker 1: I'm gonna go ahead. 1189 01:01:33,640 --> 01:01:35,200 Speaker 5: Well, I'm saying it sounds like neither of you know. 1190 01:01:35,880 --> 01:01:38,320 Speaker 1: Okay, what is it? Did? 1191 01:01:38,400 --> 01:01:40,000 Speaker 5: Does Sabrina get fully shut out this time? 1192 01:01:40,200 --> 01:01:41,280 Speaker 1: Is it surfing naked? 1193 01:01:41,760 --> 01:01:44,919 Speaker 5: It is surfing naked. It's when you're surfing midwave, pull 1194 01:01:44,960 --> 01:01:46,720 Speaker 5: down your pants and ride the rest naked? 1195 01:01:47,280 --> 01:01:47,560 Speaker 1: No? 1196 01:01:48,720 --> 01:01:50,200 Speaker 5: Yeah, I mean you win there. I mean you get 1197 01:01:50,240 --> 01:01:50,560 Speaker 5: a point. 1198 01:01:51,080 --> 01:01:54,000 Speaker 1: Oh yes, I don't know how I thought of it. 1199 01:01:54,040 --> 01:01:56,280 Speaker 2: I mean get a point he thought there was an 1200 01:01:56,360 --> 01:01:59,200 Speaker 2: eleventh toe that went over a bed. 1201 01:01:59,640 --> 01:02:00,800 Speaker 5: I mean, it's still kind of. 1202 01:02:00,760 --> 01:02:05,200 Speaker 1: Right, honestly, you know, I got it right, I said 1203 01:02:05,360 --> 01:02:09,440 Speaker 1: surfing naked because the eleven is your junk. 1204 01:02:10,200 --> 01:02:13,440 Speaker 2: Oh oh see, I'm not a dude. I have no 1205 01:02:13,480 --> 01:02:19,400 Speaker 2: idea what you're talking about. Guys, all right, I have 1206 01:02:19,480 --> 01:02:23,760 Speaker 2: dealt with the wet stuff. I mean I tapped. 1207 01:02:23,360 --> 01:02:27,320 Speaker 1: Our Seriously, I did not even know what but I 1208 01:02:27,440 --> 01:02:31,280 Speaker 1: was like, I didn't want to say I didn't want 1209 01:02:31,280 --> 01:02:32,160 Speaker 1: to know what. 1210 01:02:32,160 --> 01:02:39,080 Speaker 2: Hang eleven is. Yeah, so hang eleven is the he 1211 01:02:39,160 --> 01:02:40,360 Speaker 2: just said it's the wiener. 1212 01:02:45,200 --> 01:02:47,560 Speaker 1: You could tell him that. We instantly just became best friends. 1213 01:02:52,040 --> 01:02:54,800 Speaker 2: I have never heard that you go from teen beach 1214 01:02:54,920 --> 01:02:58,360 Speaker 2: to talking about Hang eleven. You guys, this is not 1215 01:02:58,400 --> 01:03:00,360 Speaker 2: supposed to be that kind of too. 1216 01:03:00,320 --> 01:03:02,160 Speaker 5: Much happier if she got any of them, right. 1217 01:03:02,400 --> 01:03:03,240 Speaker 1: That's the problem. 1218 01:03:03,360 --> 01:03:07,040 Speaker 2: Yes, so bitter right now? 1219 01:03:10,000 --> 01:03:13,120 Speaker 1: Oh oh that's so funny. Can we do? Can we 1220 01:03:13,120 --> 01:03:13,960 Speaker 1: do sabritases? 1221 01:03:14,600 --> 01:03:22,400 Speaker 2: We can? I'm gonna just do probably a few of 1222 01:03:22,400 --> 01:03:24,040 Speaker 2: them because I'm gonna have to harp. 1223 01:03:23,840 --> 01:03:25,800 Speaker 1: On a couple of them. 1224 01:03:25,840 --> 01:03:29,320 Speaker 2: So truly, I really thought that I knew exactly what 1225 01:03:29,360 --> 01:03:31,760 Speaker 2: I was going in for I had to say I 1226 01:03:31,840 --> 01:03:36,440 Speaker 2: was a little kind of not super stoked about this right, 1227 01:03:36,720 --> 01:03:41,200 Speaker 2: totally dove ragon. Once the first performance on the beach happened, 1228 01:03:42,960 --> 01:03:48,640 Speaker 2: I was so not understanding because again I worked with 1229 01:03:48,960 --> 01:03:53,760 Speaker 2: Ross and the girls were falling all over him like 1230 01:03:53,840 --> 01:03:57,080 Speaker 2: he was this heart throp And I kept going, why 1231 01:03:57,440 --> 01:04:00,840 Speaker 2: was this guy like such a bit a heart throb 1232 01:04:00,880 --> 01:04:04,960 Speaker 2: when his character was, you know, just like this nerdy guy. 1233 01:04:06,600 --> 01:04:10,360 Speaker 2: His moment when he came out as the greaser. 1234 01:04:10,840 --> 01:04:13,240 Speaker 3: Boom, got it? 1235 01:04:13,520 --> 01:04:18,280 Speaker 2: Okay, Homie can't dance, Homie's got a voice, Homie. And 1236 01:04:18,320 --> 01:04:21,960 Speaker 2: then I'm watching I'm loving he is so good in 1237 01:04:22,080 --> 01:04:24,000 Speaker 2: that that musical performance. 1238 01:04:24,120 --> 01:04:25,560 Speaker 3: I just died. 1239 01:04:25,880 --> 01:04:28,000 Speaker 1: Did you get a little crush on Ross after watching that? 1240 01:04:28,240 --> 01:04:31,080 Speaker 2: No, I just had so much appreciation for him. Very 1241 01:04:31,120 --> 01:04:34,080 Speaker 2: talented because I really didn't again, like I tell you, 1242 01:04:34,200 --> 01:04:38,040 Speaker 2: I I did not know where the start of it. 1243 01:04:38,160 --> 01:04:40,520 Speaker 2: He obviously went on to do so much more, but 1244 01:04:40,560 --> 01:04:43,320 Speaker 2: where the start of it happened on the channel and 1245 01:04:43,360 --> 01:04:46,440 Speaker 2: I just was, oh, my gosh, got it done? There 1246 01:04:46,480 --> 01:04:46,720 Speaker 2: it is? 1247 01:04:46,840 --> 01:04:48,680 Speaker 1: Yeah, that was it? 1248 01:04:49,400 --> 01:04:50,160 Speaker 2: Were talented? 1249 01:04:50,600 --> 01:04:55,840 Speaker 1: Then a guitar gets put in his hand. 1250 01:04:54,760 --> 01:05:01,360 Speaker 2: Was done? I mean it was amazing. I am going 1251 01:05:01,440 --> 01:05:04,280 Speaker 2: to rewind back to something that we talk about quite 1252 01:05:04,320 --> 01:05:08,680 Speaker 2: a bit of terrible parenting in the situation. Why because 1253 01:05:08,720 --> 01:05:12,760 Speaker 2: it comes around to a button. Why was that grandpa 1254 01:05:12,960 --> 01:05:16,000 Speaker 2: not in any way concerned when she may have not 1255 01:05:16,160 --> 01:05:17,360 Speaker 2: died out in that ocean. 1256 01:05:18,320 --> 01:05:19,760 Speaker 1: Yeah, he was like that, you were great. 1257 01:05:19,800 --> 01:05:24,320 Speaker 2: He was like his bra was snarled, but he just 1258 01:05:24,440 --> 01:05:29,720 Speaker 2: kind of waited. Meanwhile, Brady's sprinting. He doesn't even sprint 1259 01:05:29,760 --> 01:05:30,280 Speaker 2: with Brady. 1260 01:05:30,320 --> 01:05:33,480 Speaker 1: He just kinda watched, I think because Barry Bostwick knows 1261 01:05:33,520 --> 01:05:37,400 Speaker 1: all and he knows that magical surfboard is going to 1262 01:05:37,640 --> 01:05:40,240 Speaker 1: make everything. Okay, I guess so. 1263 01:05:40,840 --> 01:05:43,120 Speaker 2: But then it's like it comes back at the end 1264 01:05:43,320 --> 01:05:46,480 Speaker 2: when they nothing has you know, we're right back in Yeah. 1265 01:05:46,720 --> 01:05:48,280 Speaker 1: Yeah, and he's still just there. 1266 01:05:48,520 --> 01:05:52,000 Speaker 2: Yeah, and he's still not You would think you'd see 1267 01:05:52,160 --> 01:05:55,840 Speaker 2: him with paramedics behind him, ready to get out there 1268 01:05:56,840 --> 01:06:01,680 Speaker 2: his hand something something drove me last little bit that 1269 01:06:01,720 --> 01:06:05,680 Speaker 2: I'm gonna say. I loved this little detail that they 1270 01:06:05,760 --> 01:06:09,760 Speaker 2: put in when they came back from whether this was 1271 01:06:09,840 --> 01:06:12,760 Speaker 2: the dream or whatever it was, from the ocean. I 1272 01:06:12,960 --> 01:06:16,960 Speaker 2: love that they both knew what happened to them. So 1273 01:06:17,120 --> 01:06:22,520 Speaker 2: many times in movies, the main character comes back and 1274 01:06:22,680 --> 01:06:26,600 Speaker 2: remembers her hit her or his story of where and 1275 01:06:26,680 --> 01:06:29,280 Speaker 2: hit the revelation and where they're at and the person 1276 01:06:29,360 --> 01:06:31,640 Speaker 2: that they were along with does does it? 1277 01:06:32,000 --> 01:06:32,200 Speaker 4: Yeah? 1278 01:06:32,400 --> 01:06:33,840 Speaker 3: I love that it was both of them. 1279 01:06:33,960 --> 01:06:35,919 Speaker 2: They both rode that way. 1280 01:06:37,200 --> 01:06:40,320 Speaker 1: Oh yeah, they were hanging eleven. 1281 01:06:40,720 --> 01:06:41,160 Speaker 2: They were. 1282 01:06:47,280 --> 01:06:50,000 Speaker 1: I'm sorry, can't we rate the movie. Let's let's rate 1283 01:06:50,040 --> 01:06:50,640 Speaker 1: the movie, all right. 1284 01:06:50,760 --> 01:06:51,960 Speaker 2: They rode the wave together. 1285 01:06:52,520 --> 01:06:55,120 Speaker 1: That's that's very sweet. All right. We gotta rate the 1286 01:06:55,160 --> 01:06:56,880 Speaker 1: movie one out of ten. You know, one is the worst, 1287 01:06:56,920 --> 01:06:59,680 Speaker 1: ten is the best. Here are options for today. One 1288 01:06:59,680 --> 01:07:02,800 Speaker 1: out of ten. Janie tsunamis one out of ten, Big 1289 01:07:02,920 --> 01:07:06,840 Speaker 1: Mama Hangouts one out of ten is Shimmying Giggles. 1290 01:07:07,040 --> 01:07:07,920 Speaker 2: We didn't even get to. 1291 01:07:07,880 --> 01:07:10,080 Speaker 3: Talk about the amount of shimmys that were in there. 1292 01:07:10,120 --> 01:07:12,440 Speaker 1: There were a lot of shimmies. One out of ten. 1293 01:07:12,560 --> 01:07:16,240 Speaker 1: Unexplained weather machines one out of ten, green screen surfing 1294 01:07:16,320 --> 01:07:18,960 Speaker 1: scenes one out of ten, blooper reels one out of ten, 1295 01:07:19,040 --> 01:07:20,960 Speaker 1: Nubes and poopies or I'm gonna add one out of 1296 01:07:21,040 --> 01:07:24,160 Speaker 1: ten hanging elevens. Which one would you like to do? 1297 01:07:24,360 --> 01:07:26,840 Speaker 1: Sabrina up to you hate you, but we're gonna do 1298 01:07:26,920 --> 01:07:30,760 Speaker 1: hanging eleven. Yes, I'm so glad you picked that. 1299 01:07:31,560 --> 01:07:36,520 Speaker 2: I'm gonna give this in seven point nine hanging eleven That. 1300 01:07:36,640 --> 01:07:40,520 Speaker 1: Is a very specific amount of hanging elevens. Yes, I 1301 01:07:40,720 --> 01:07:42,120 Speaker 1: you know what, I'm gonna give it a seven and 1302 01:07:42,120 --> 01:07:43,480 Speaker 1: a half. I'm gonna give it a seven and a half. 1303 01:07:43,680 --> 01:07:46,080 Speaker 1: I was it was unexpected for me. I thought I 1304 01:07:46,160 --> 01:07:47,920 Speaker 1: was gonna hate it. I obviously am not a huge 1305 01:07:47,960 --> 01:07:50,680 Speaker 1: fan of musicals. I like how they were, you know, 1306 01:07:50,840 --> 01:07:55,040 Speaker 1: taking taking the kind of irony of the whole thing 1307 01:07:55,240 --> 01:07:57,520 Speaker 1: about the musical, and they were using that for comedy. 1308 01:07:58,080 --> 01:08:00,880 Speaker 1: Big fan of that. Seven and a half solid all 1309 01:08:00,920 --> 01:08:03,080 Speaker 1: the way there. Now we've got very good news everyone, 1310 01:08:03,400 --> 01:08:05,439 Speaker 1: because we're going to go deeper into teen beach movies 1311 01:08:05,480 --> 01:08:07,120 Speaker 1: we've been talking about, which is why I'm talking so fast, 1312 01:08:07,160 --> 01:08:09,440 Speaker 1: because he's waiting for us right now for our park 1313 01:08:09,480 --> 01:08:12,960 Speaker 1: Hopper episode with Butchi himself John de Luca, and the 1314 01:08:13,000 --> 01:08:14,600 Speaker 1: episode is going to drop this week over on our 1315 01:08:14,640 --> 01:08:16,760 Speaker 1: magical rewind feed. I cannot wait to hear all the 1316 01:08:16,840 --> 01:08:18,920 Speaker 1: inside stuff. So let's hear a snippet from that. Now, 1317 01:08:21,439 --> 01:08:25,280 Speaker 1: this movie leans into the fact that it's like, why 1318 01:08:25,360 --> 01:08:28,160 Speaker 1: are we breaking into song? Did you guys? And it 1319 01:08:28,400 --> 01:08:32,600 Speaker 1: was great. I really enjoyed it. I appreciate it. We 1320 01:08:32,680 --> 01:08:33,560 Speaker 1: had a lot of fun doing it. 1321 01:08:33,680 --> 01:08:36,960 Speaker 4: I I you could tell the music is like catchy. Yep, 1322 01:08:37,000 --> 01:08:39,400 Speaker 4: you know, it's like catchy and poppy and fun. And 1323 01:08:40,320 --> 01:08:42,840 Speaker 4: I liked I always liked musicals. I never thought I 1324 01:08:42,880 --> 01:08:46,080 Speaker 4: would be in one, especially in movie one, just because 1325 01:08:46,080 --> 01:08:47,240 Speaker 4: I'm not that's not my. 1326 01:08:47,360 --> 01:08:51,240 Speaker 2: Thing, but it was. It was so fun. Wait, sorry, 1327 01:08:51,400 --> 01:08:54,040 Speaker 2: hold on, but you have had to have danced at 1328 01:08:54,120 --> 01:08:58,280 Speaker 2: some point. No you had no dance background. No no, no, 1329 01:08:58,920 --> 01:09:00,960 Speaker 2: you stop it right now. 1330 01:09:03,880 --> 01:09:06,200 Speaker 1: Thank you everybody so much. It was a ton of 1331 01:09:06,280 --> 01:09:08,160 Speaker 1: fun talking to him. You should really check out the interview. 1332 01:09:08,240 --> 01:09:10,240 Speaker 1: We really learned a whole lot about the movie. Our 1333 01:09:10,439 --> 01:09:14,639 Speaker 1: next movie is nineteen ninety nine's The Thirteenth Year, which 1334 01:09:14,680 --> 01:09:17,519 Speaker 1: is currently available on Disney Plus. If possible, I know 1335 01:09:17,640 --> 01:09:19,400 Speaker 1: even less about this movie than I do about Teen 1336 01:09:19,439 --> 01:09:23,160 Speaker 1: Beach Movie. I didn't even know that was even possible. 1337 01:09:23,360 --> 01:09:25,280 Speaker 1: So remember to subscribe to our feed and you can 1338 01:09:25,320 --> 01:09:29,599 Speaker 1: follow us at the Magical readwind Pod on the Instagram Machine. 1339 01:09:29,800 --> 01:09:32,519 Speaker 1: Thank you again, everybody, And I know Sabrina wants me 1340 01:09:32,600 --> 01:09:37,000 Speaker 1: to end by saying, don't hang eleven. Bye. Everybody.