WEBVTT - Inside Rio’s Gang Controlled Favelas 

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<v Speaker 1>Causer Media.

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<v Speaker 2>You're listening to the Away Days podcast on the ground outside,

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<v Speaker 2>reporting from the underbelly with me Jake Hanrahan. To watch

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<v Speaker 2>Awaydays documentaries, go to YouTube dot com slash at away

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<v Speaker 2>Days TV. This is part two for Velo Government, Episode one.

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<v Speaker 2>The podcast is the production of H eleventh Studio and

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<v Speaker 2>call Zone Media. Rio de Janeiro, Brazil. I'm stood at

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<v Speaker 2>the bottom of a long winding road that leads uphill

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<v Speaker 2>into the maze of Flete Fogutero, A sprawling fora Vella

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<v Speaker 2>under the control of Brazil's oldest gang. In the near distance,

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<v Speaker 2>I can see the shanty town built up on top

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<v Speaker 2>of itself. The tropical backdrop of the nearby mountains and

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<v Speaker 2>valleys is peppered with misshapen blocks of di white housing.

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<v Speaker 2>Edges and right angles are ben skewed with like a

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<v Speaker 2>Doctor Zoos illustration. Each building is linked by a spider's

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<v Speaker 2>web of illegal power lines, all maintained by Favela residents

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<v Speaker 2>without permits. Here at the bottom of the hill there's

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<v Speaker 2>a crossroads where Foravella motorbike taxis hang out. There are

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<v Speaker 2>around two dozen young lads ready to take who or

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<v Speaker 2>whatever they're told to up into the forvela. They wear

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<v Speaker 2>a mix of football shirts, flip flops, and basketball shorts.

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<v Speaker 2>They're looking at me as if to say, what the

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<v Speaker 2>fuck are you doing here? This area is anrgo zone

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<v Speaker 2>for tourists, the government, and the police. The whole area

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<v Speaker 2>is run by a criminal organization known as Red command

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<v Speaker 2>or in Portuguese Commando for Melo CV. Of negotiation between myself,

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<v Speaker 2>a friend and a photographer originally from the favelas. One

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<v Speaker 2>of the big CV bosses has given us permission to

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<v Speaker 2>enter Fogutero. Once you're up the hill and in the neighborhood,

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<v Speaker 2>CV is the de facto leadership in every way possible.

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<v Speaker 2>We're here to make a documentary to show what life

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<v Speaker 2>is like in the favela when a gang takes on

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<v Speaker 2>the role of a government. You can watch the documentary

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<v Speaker 2>now at YouTube dot com slash at Away Days TV.

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<v Speaker 2>A local lad is assisting us with a blessing from

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<v Speaker 2>the gang. I dare say, if he wasn't with us,

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<v Speaker 2>we'd be robbed and sent on our way home already.

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<v Speaker 2>But Cev's word is solid here, so we're left alone.

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<v Speaker 2>The local who will call Carlos hands a few notes

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<v Speaker 2>to one of the motorbike riders and tells him something

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<v Speaker 2>in Portuguese. The rider nods at me and pulls his

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<v Speaker 2>bike up to the bottom of the hill. The other

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<v Speaker 2>taxes watch on, grinning and whispering to each other. By

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<v Speaker 2>now they're all sat on the seats of their bikes

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<v Speaker 2>and chatting about the gringos. Me and my team humid,

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<v Speaker 2>noisy in everything smells like gasoline. Carlos signals to me,

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<v Speaker 2>we're ready to go. Okay. I approach the motorbike and

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<v Speaker 2>climb on the back. The rider is perched over it

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<v Speaker 2>and leans on the handlebars naturally, as if they're part

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<v Speaker 2>of his extended anatomy. He's made this trip a thousand

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<v Speaker 2>times before, but probably never for some journalists from the UK.

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<v Speaker 2>Philip Fogatro is not one of those media friendly fora

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<v Speaker 2>VELAs the YouTubers paid to create danger slop content inside

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<v Speaker 2>of This is the Wild West when it comes to rules, regulations,

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<v Speaker 2>laws or safety. Carlos tells me the last time someone

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<v Speaker 2>tried to film up there without permission that was shot

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<v Speaker 2>dead by the gang. He says it was a couple

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<v Speaker 2>riding through on bikes with gold pros attached.

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<v Speaker 1>This place is no joke.

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<v Speaker 2>I let the rider know I'm ready, and he pushes

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<v Speaker 2>off the kickstand and revs the bike up the hill,

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<v Speaker 2>moving fast through a series of alleyways, winding roads, and

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<v Speaker 2>half built streets. As we move up higher into the favela,

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<v Speaker 2>a blur of residents and gangbangers was passed. The road

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<v Speaker 2>is battered with potholes and uneven tarmac. The bike bounces

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<v Speaker 2>every few feet. There were no helmets for passengers, at

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<v Speaker 2>least not for me, so I'm held on tight, hoping

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<v Speaker 2>we don't crash into the one hundred and one different

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<v Speaker 2>obstacles and sharp angles with zip passed.

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<v Speaker 1>After about five.

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<v Speaker 2>Minutes, we're fully up the hills and on an even

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<v Speaker 2>plateau where the favela branches off into all different directions.

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<v Speaker 2>We're high up now, inside the Favella. I can see

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<v Speaker 2>the city's tall buildings of the metro area and the

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<v Speaker 2>distance from here, all glass and metal. Down there, Brazilians work,

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<v Speaker 2>they're nine to five's, pay their bills and hang out

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<v Speaker 2>on the beaches up here, solicit firearms, bricks of heroin,

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<v Speaker 2>and regular gang shootouts. Short motorbike taxi has transported me

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<v Speaker 2>from one world to another. This is the Favela. Carlos

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<v Speaker 2>arrives on the back of another motorbike and guides us

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<v Speaker 2>through a series of narrow alleyways. Here the only thing

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<v Speaker 2>you need to start building is cement. Over the years,

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<v Speaker 2>this has created a ghetto metropolis with random drainpipes, satellite

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<v Speaker 2>dishes and stairs that lead to nowhere. Pavela construction is

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<v Speaker 2>unlike anything else. We moved through to a small corner

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<v Speaker 2>with three alleyways leading in all directions up a slope.

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<v Speaker 2>Cev graffiti is sprayed red on the walls. Piles of

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<v Speaker 2>rubbish are gathered up along the side of the road.

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<v Speaker 2>There's a small benched off area made of bricks and concrete. Here,

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<v Speaker 2>three young men and with semi automatic rifles are posted up,

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<v Speaker 2>chatting into their walky talkies. The static melts in and out,

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<v Speaker 2>with inderside of Portuguese chirping from the other end.

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<v Speaker 1>The gang has this whole place on lock.

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<v Speaker 2>An intricate system of radio signals and constant patrols has

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<v Speaker 2>them in charge of all entrances to the neighborhoods they control.

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<v Speaker 2>The young gunmen seem pretty chilled out considering we shake hands,

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<v Speaker 2>and one of them seems eager to chat. His name

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<v Speaker 2>is Chico. He's maybe twenty years old. He stood in

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<v Speaker 2>a pair of flip flops, a red basketball jersey, and

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<v Speaker 2>a camouflage balaclava. He's also holding a rifle almost as

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<v Speaker 2>big as he is. Carlos explains to me that exactly

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<v Speaker 2>where we're currently standing is nicknamed the Place where Bullets Fly.

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<v Speaker 2>He could have told us this beforehand. Basically, this is

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<v Speaker 2>a very hot intersection where gun battles regularly break out

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<v Speaker 2>between either rival gangs or the police. Chico walks out

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<v Speaker 2>into the junction and points to a large white building

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<v Speaker 2>at the top of a hill in the distance, a

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<v Speaker 2>huge blue wall protec exit. It's surrounded by jungle foliage

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<v Speaker 2>on what looks like a little tram moving.

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<v Speaker 1>In and out. Chico explains what it is.

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<v Speaker 3>There is light snipers up there, there are police snipers,

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<v Speaker 3>and from this direction ravel gangs come down to confront us.

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<v Speaker 2>At all times, day or night. These areas are guarded

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<v Speaker 2>by men like Chico. We move off through the alleyways

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<v Speaker 2>to find a safer place to talk. As we do,

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<v Speaker 2>young children randomly show up to see why the gringlows

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<v Speaker 2>are here. They seem completely unfazed at the masked men

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<v Speaker 2>with rifles hanging out on their corners. We climb over

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<v Speaker 2>a small wall and into a sheltered alleyway that doubles

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<v Speaker 2>as someone's outside patio. People look out from their windows,

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<v Speaker 2>not really alarmed, just seeing what's going on. Chico seems

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<v Speaker 2>as relaxed here as he did in the place where

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<v Speaker 2>bullets fly.

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<v Speaker 4>Me.

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<v Speaker 2>I'm much happier to have some concrete between us and

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<v Speaker 2>the police snipers with their barrels aimed over this neighborhood.

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<v Speaker 2>Do you see yourselves as like the security of this

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<v Speaker 2>fabella fun?

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<v Speaker 3>Just yeah, I think so. We're here to protect each other.

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<v Speaker 3>We stop residents getting scammed by the government. If we're

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<v Speaker 3>not in the community, the community is finished. We're out here.

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<v Speaker 3>It's our choice. We stay strong.

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<v Speaker 4>You know.

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<v Speaker 3>Drug dealers are the ones who help because the government

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<v Speaker 3>is shit, straight up. They steal everything. They're bad. We're

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<v Speaker 3>not good, but we only kill our enemies. The media

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<v Speaker 3>says we kill civilians, but we don't. We only kill

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<v Speaker 3>other criminals, criminals against criminals. CV isn't destroying anything in

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<v Speaker 3>Rio dejan Ero. If CV didn't exist, what would happen

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<v Speaker 3>to the favela residence? The police would come here, charge

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<v Speaker 3>protection fees, humiliate people, disappear, people make curfews, not us.

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<v Speaker 1>We leave them be.

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<v Speaker 3>We even hold parties for the community.

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<v Speaker 2>What's it like living here? What's it like growing up here?

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<v Speaker 2>It looks to me like there's no presence from the

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<v Speaker 2>government at all.

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<v Speaker 1>What's it What's it like?

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<v Speaker 3>When I was young, all I did was play football.

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<v Speaker 3>I followed a different path. But when the police entered

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<v Speaker 3>the community here, a lot of things went to ruin.

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<v Speaker 3>My brother entered the gang life, so I followed back.

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<v Speaker 3>Then I had a dream to get out of this place,

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<v Speaker 3>but the police destroyed my life when they killed my brother.

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<v Speaker 3>He was shot in the back. Then the cops executed

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<v Speaker 3>him close up. From then on, I said to myself,

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<v Speaker 3>they'll only get rid of me by death. So after

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<v Speaker 3>that they fought and fought.

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<v Speaker 4>Fuck.

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<v Speaker 3>I'm sorry the ever, none of this will change our lives.

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<v Speaker 3>Any day we could die. If God puts it in

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<v Speaker 3>my heart to leave, then I'll leave.

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<v Speaker 2>As nice as that sentiment is, very rarely does anyone

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<v Speaker 2>exit the life of a favela gang member by anything

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<v Speaker 2>other than death. CV's presence is felt far and wide

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<v Speaker 2>across Brazil. The gang has gained over twenty five thousand

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<v Speaker 2>members in the forty years they've been active, so symbol

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<v Speaker 2>as nasionaes. It all began in Brazil in the nineteen seventies.

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<v Speaker 2>US backed military dictatorship controlled the country with an iron fist,

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<v Speaker 2>extra judicial killings, force disappearances, mass censorship. Armed rebels rose

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<v Speaker 2>up and began fighting back. Police were killed and riots

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<v Speaker 2>broke out. Before long, Rio's prisons were full of battle

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<v Speaker 2>hard and leftist gorillas, specifically at the Candido Mendez penal colony. There,

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<v Speaker 2>militants shared cells with local criminals who had also been

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<v Speaker 2>locked up by the Junter, all under the same roof

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<v Speaker 2>all facing abuse in the prison, the two groups joined

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<v Speaker 2>forces to protect themselves, rebel fighters in league with street criminals.

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<v Speaker 2>It was an effective alliance that gave birth to TV.

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<v Speaker 2>Brazil's military Junter ruled from nineteen sixty four to nineteen

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<v Speaker 2>eighty five. In that time, CVS spread like wildfire. They

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<v Speaker 2>were highly active inside and outside prison. They got into

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<v Speaker 2>drug trafficking and became a highly violent organization. By the

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<v Speaker 2>end of the dictatorship, CV controlled around seventy percent of

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<v Speaker 2>the drug trade in Rio and became a serious problem

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<v Speaker 2>for the state and the favelas. Though CV became the state,

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<v Speaker 2>these shanty towns, initially built by former slaves in the

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<v Speaker 2>eighteen hundreds, have long been abandoned by the government, and

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<v Speaker 2>so a mix of violence, intimidation, and genuine community support

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<v Speaker 2>led CV to become the de facto authority of their favelas.

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<v Speaker 2>This meant they had to keep the police out. In Brazil,

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<v Speaker 2>the security forces have been corrupt for a long time.

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<v Speaker 2>They're often involved in organized crime themselves and of the

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<v Speaker 2>natural enemy of the countless different gangs of Brazil. Now

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<v Speaker 2>in twenty twenty five, CV is a huge international criminal

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<v Speaker 2>enterprise involved in drug trafficking, weapons dealing, armed robbery, kidnapped

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<v Speaker 2>to order murder, for higher money laundering, you name it.

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<v Speaker 2>Curlos takes us deeper into the Favella. We move sideways

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<v Speaker 2>through an alleyway so narrow I think I'd almost get

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<v Speaker 2>stuck if I walked forwards. The walls are sloped at

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<v Speaker 2>different angles. The further we move along, CEV graffiti is

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<v Speaker 2>sprayed up every six feet or so. Eventually we emerge

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<v Speaker 2>another intersection where a dozen or so CV gang members

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<v Speaker 2>are gathered on a corner. They're all armed with a

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<v Speaker 2>mix of long barrel rifles, oozies and pistols. They move

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<v Speaker 2>in and out of the area on motorbikes, a lot

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<v Speaker 2>nicer than the ones we rolled up in with the taxi.

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<v Speaker 2>Due to the layout of the favela and CV's control

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<v Speaker 2>of it, the gang is able to do business completely

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<v Speaker 2>out in the open. They're all cutting up weed into

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<v Speaker 2>small clingfilm squares and combining blocks of what I think

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<v Speaker 2>is wrapped coke into with duct tape. The boss of

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<v Speaker 2>this group, a guy nicknamed No Joke Fat Sexy, is

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<v Speaker 2>watching over the operation with an M sixteen rifle slinked

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<v Speaker 2>over his shoulder. He's on his phone organizing. Music is

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<v Speaker 2>playing from a blue to the speaker, and the gang

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<v Speaker 2>members are pouring out drinks for each other. It's just

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<v Speaker 2>business as usual. About ten feet across the road from

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<v Speaker 2>the open air drug emporium is a small local butchers.

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<v Speaker 2>A few residents are queued up waiting to buy meat.

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<v Speaker 2>Children move in and out of the area. My head

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<v Speaker 2>over to the gang and Carlos introduces me to everyone.

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<v Speaker 2>I shake hands with the gunmen and drug manufacturers, and

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<v Speaker 2>whilst they seem a little confused, they're generally pretty friendly.

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<v Speaker 2>They seem baffled as to why we'd come all the

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<v Speaker 2>way from England to philat Fogato, even when we explained

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<v Speaker 2>that we're making a documentary. We hang out for a

0:13:53.480 --> 0:13:55.840
<v Speaker 2>while and the gang bangers start to show off their guns.

0:13:56.360 --> 0:14:00.000
<v Speaker 2>These are heavy duty firearms, either stolen from rival gang

0:14:00.080 --> 0:14:03.960
<v Speaker 2>and police, or smuggled into Brazil from the US, Paraguay

0:14:04.000 --> 0:14:07.240
<v Speaker 2>and Venezuela. Randomly, one of the gang members puts an

0:14:07.360 --> 0:14:10.920
<v Speaker 2>M sixteen rifle in my hands. Whilst generally I believe

0:14:10.960 --> 0:14:14.280
<v Speaker 2>in gun rights and I'm definitely pro firearm, I am

0:14:14.320 --> 0:14:16.640
<v Speaker 2>not comfortable holding a gun whilst out in the field

0:14:16.679 --> 0:14:19.960
<v Speaker 2>reporting if that's not my role. I'm a journalist and

0:14:19.960 --> 0:14:22.920
<v Speaker 2>never a combatant. I look around for someone to hand

0:14:22.920 --> 0:14:25.760
<v Speaker 2>the firearm off to, as the CV gang members laugh

0:14:25.800 --> 0:14:28.720
<v Speaker 2>at my awkwardness. So if I'm not sell a spot

0:14:28.720 --> 0:14:31.840
<v Speaker 2>where they're all selling various drugs for some reason, I've

0:14:31.840 --> 0:14:33.960
<v Speaker 2>just been handing this rifle and I don't really know what

0:14:34.000 --> 0:14:34.200
<v Speaker 2>to do.

0:14:34.280 --> 0:14:37.440
<v Speaker 4>Now you on this, someone take it man.

0:14:40.280 --> 0:14:40.720
<v Speaker 1>Quickly.

0:14:40.840 --> 0:14:42.720
<v Speaker 2>One of the guys takes the gun away from me

0:14:42.800 --> 0:14:45.080
<v Speaker 2>and I thank him. He hands me a little plastic

0:14:45.120 --> 0:14:48.600
<v Speaker 2>cup and pours me a drink. Of sprite at his feet.

0:14:48.640 --> 0:14:50.680
<v Speaker 2>He has a bag of drugs the size of a pillow,

0:14:51.040 --> 0:14:54.000
<v Speaker 2>all wrapped in tape and plastic. If I had to guess,

0:14:54.040 --> 0:14:56.800
<v Speaker 2>I'd say it's some kind of heroine precursor or just

0:14:56.840 --> 0:15:01.880
<v Speaker 2>a huge sack of opium. Even I into semi autonomous cells,

0:15:02.280 --> 0:15:05.400
<v Speaker 2>CEV is active in drug trafficking all over the place,

0:15:05.760 --> 0:15:08.800
<v Speaker 2>from here in Rio to the Paraguay border, the Amazon

0:15:08.880 --> 0:15:13.080
<v Speaker 2>region and beyond. They're constantly fighting rival gangs for control

0:15:13.160 --> 0:15:16.960
<v Speaker 2>of the drug trade. As we sit around drinking sprite

0:15:17.000 --> 0:15:20.680
<v Speaker 2>watching gang members compare guns, I noticed two young boys

0:15:20.680 --> 0:15:23.480
<v Speaker 2>across the street. They're both leaned up against the wall,

0:15:23.560 --> 0:15:27.360
<v Speaker 2>intently watching the scene in front of them. Drugs, guns,

0:15:27.680 --> 0:15:31.000
<v Speaker 2>gang life. They look not even ten years old. Yet,

0:15:34.240 --> 0:15:36.600
<v Speaker 2>before I can think about it too much, the sound

0:15:36.640 --> 0:15:38.720
<v Speaker 2>of a gunshot and in the distance breaks the good

0:15:38.720 --> 0:15:42.720
<v Speaker 2>of your atmosphere. Then another and another. There's some kind

0:15:42.720 --> 0:15:46.280
<v Speaker 2>of shoot out. The ringleader, Fat Sexy quickly jumps on

0:15:46.320 --> 0:15:48.440
<v Speaker 2>his motorbike and zooms off down the road with a

0:15:48.480 --> 0:15:51.040
<v Speaker 2>walkie talkie. The others wrap up the drugs and the

0:15:51.080 --> 0:15:54.920
<v Speaker 2>jeep arrives out of nowhere. Fat Sexy returns and starts

0:15:54.920 --> 0:15:57.440
<v Speaker 2>telling the others to go get the rifles.

0:15:58.440 --> 0:16:00.320
<v Speaker 1>Three or four of the CV footsole just.

0:16:00.280 --> 0:16:03.920
<v Speaker 2>Hop on bikes and race off, presumably to get the

0:16:04.000 --> 0:16:07.600
<v Speaker 2>other rifles. The scene is tense and erratic, but at

0:16:07.640 --> 0:16:10.880
<v Speaker 2>the same time somehow controlled. It's clear that the gang

0:16:10.880 --> 0:16:13.480
<v Speaker 2>members deal with this regularly and know what to do.

0:16:14.000 --> 0:16:16.640
<v Speaker 2>For the past year, CV has been moving on the

0:16:16.680 --> 0:16:21.400
<v Speaker 2>turf of their rivals. Gun battles breakout, often just as

0:16:21.440 --> 0:16:24.040
<v Speaker 2>I'm sat on the wall observing the madness, wondering if

0:16:24.040 --> 0:16:26.520
<v Speaker 2>we'll have to run for cover soon. A CV foot

0:16:26.520 --> 0:16:29.200
<v Speaker 2>soldier in a balaklava moves next to me and loads

0:16:29.240 --> 0:16:33.280
<v Speaker 2>up his klashnikov with a DIY extended magazine, two mags

0:16:33.280 --> 0:16:37.920
<v Speaker 2>welded together at each end. If it doesn't jam, he

0:16:37.960 --> 0:16:40.520
<v Speaker 2>can probably shoot sixty rounds without having to be low.

0:16:41.200 --> 0:16:44.200
<v Speaker 2>He gestures for me to follow him, ushering us away

0:16:44.240 --> 0:16:47.880
<v Speaker 2>from what looks to be a mobilization of CV versus

0:16:48.000 --> 0:16:51.440
<v Speaker 2>whoever it is shooting nearby. They don't want us getting

0:16:51.480 --> 0:16:58.360
<v Speaker 2>in the way of a gang's shootout. Rio de Janeiro

0:16:58.600 --> 0:17:01.760
<v Speaker 2>is gripped by a violent stre between many different gangs,

0:17:02.160 --> 0:17:04.359
<v Speaker 2>each of them fights for control of drug routes and

0:17:04.440 --> 0:17:08.600
<v Speaker 2>territory in the city's sprawling for VELAs. In Rio, CV

0:17:08.800 --> 0:17:12.160
<v Speaker 2>is the most notorious and most powerful. The gang controls

0:17:12.160 --> 0:17:16.960
<v Speaker 2>the majority of the drug trade here. Recently, a serious

0:17:16.960 --> 0:17:19.919
<v Speaker 2>conflict broke out between them and another gang called First

0:17:19.960 --> 0:17:25.560
<v Speaker 2>Capital Command or PCC. PCC's main turf is the city

0:17:25.600 --> 0:17:28.800
<v Speaker 2>of sal Paolo, over two hundred miles away from Rio,

0:17:29.840 --> 0:17:32.960
<v Speaker 2>much like CV, though they're active all over the country.

0:17:33.720 --> 0:17:37.439
<v Speaker 2>CV and PCC had a truce recently, but it's fallen

0:17:37.480 --> 0:17:39.720
<v Speaker 2>apart spectacularly.

0:17:39.119 --> 0:17:41.120
<v Speaker 1>In a storm of deadly violence.

0:17:42.400 --> 0:17:46.560
<v Speaker 2>Another major criminal faction in Brazil is Pure Third Command

0:17:47.040 --> 0:17:51.359
<v Speaker 2>or TCP. Relatively, they're a lot newer than CV, forming

0:17:51.400 --> 0:17:54.440
<v Speaker 2>in the early two thousands after splitting from a previous

0:17:54.520 --> 0:17:59.480
<v Speaker 2>a larger criminal group over various disagreements. TCP is a

0:17:59.480 --> 0:18:03.760
<v Speaker 2>whole other story in itself. They've fused brutal gang violence

0:18:03.800 --> 0:18:07.960
<v Speaker 2>with extreme religious Pentecostalism, perhaps and away.

0:18:07.840 --> 0:18:09.040
<v Speaker 1>Days for another time.

0:18:10.440 --> 0:18:13.399
<v Speaker 2>Another serious gang in the Rio area is Friends of

0:18:13.520 --> 0:18:19.199
<v Speaker 2>Friends or Amigos dos Amigos ADA. These guys formed in

0:18:19.280 --> 0:18:23.880
<v Speaker 2>nineteen ninety eight, coming together as defectors of CV. They

0:18:23.880 --> 0:18:27.760
<v Speaker 2>split off and formed their own gang. ADA has carved

0:18:27.760 --> 0:18:30.280
<v Speaker 2>out its own territory in parts of the North and

0:18:30.400 --> 0:18:34.200
<v Speaker 2>West zones of Rio, including Rockina, one of Rio's most

0:18:34.320 --> 0:18:40.119
<v Speaker 2>famous favelas. Ada is enemies with both CV and TCP.

0:18:40.840 --> 0:18:43.720
<v Speaker 2>The three gangs are all sporadically at war with each other.

0:18:45.200 --> 0:18:50.720
<v Speaker 2>Complicating this situation even further are the criminal militias. They're

0:18:50.760 --> 0:18:54.200
<v Speaker 2>different to the gangs in that they're paramilitary groups made

0:18:54.280 --> 0:19:00.520
<v Speaker 2>up of ex police soldiers and even firefighters. Talk about

0:19:00.560 --> 0:19:18.200
<v Speaker 2>them a lot more later on. The CV gang member

0:19:18.240 --> 0:19:21.280
<v Speaker 2>with the two worlded together magazines, quickly brings us up

0:19:21.280 --> 0:19:23.440
<v Speaker 2>a hill out the way of where the gunshots were

0:19:23.480 --> 0:19:26.040
<v Speaker 2>ringing out. He tells us he goes by the name

0:19:26.320 --> 0:19:26.520
<v Speaker 2>f T.

0:19:27.080 --> 0:19:27.480
<v Speaker 1>Simple.

0:19:28.200 --> 0:19:30.960
<v Speaker 2>We passed through a small neighborhood where four young girls

0:19:30.960 --> 0:19:33.359
<v Speaker 2>are hanging out, sat on a step as if nothing

0:19:33.359 --> 0:19:36.960
<v Speaker 2>has happened. They're all dressed in different pink outfits and

0:19:37.040 --> 0:19:40.200
<v Speaker 2>probably range in age from seven to about ten. They're

0:19:40.200 --> 0:19:43.520
<v Speaker 2>incredibly cute. As we moved past them, they seem totally

0:19:43.560 --> 0:19:46.840
<v Speaker 2>oblivious to F. T, who is casually walking by, holding

0:19:46.880 --> 0:19:49.760
<v Speaker 2>his rifle and wearing a dark balaklava.

0:19:49.960 --> 0:19:50.720
<v Speaker 1>It's midday.

0:19:51.760 --> 0:19:53.880
<v Speaker 2>The wave at the young girls and they wave back

0:19:53.920 --> 0:20:01.760
<v Speaker 2>and begin to giggle. He They remind me of some

0:20:01.840 --> 0:20:06.879
<v Speaker 2>of my own family back home. They're all smiles. The

0:20:06.920 --> 0:20:09.600
<v Speaker 2>sadness of this, of course, is that they're completely used

0:20:09.640 --> 0:20:13.280
<v Speaker 2>to gun battles and gang members. There's no way they

0:20:13.280 --> 0:20:15.840
<v Speaker 2>didn't hear the commotion down the road. But for them,

0:20:16.040 --> 0:20:19.480
<v Speaker 2>I guess it's just another day. As with the rest

0:20:19.520 --> 0:20:21.960
<v Speaker 2>of the poverty and the favella, the children here are

0:20:22.080 --> 0:20:28.280
<v Speaker 2>hit hard due to decades that inequality, neglect from the government,

0:20:28.480 --> 0:20:33.080
<v Speaker 2>and constant violence. The situation has become an ongoing crisis.

0:20:34.160 --> 0:20:38.480
<v Speaker 2>Amongst the children here, there's malnutrition, poor sanitation, and limited

0:20:38.520 --> 0:20:43.040
<v Speaker 2>access to health care and education. Schooling in the favelas

0:20:43.160 --> 0:20:46.600
<v Speaker 2>is very sporadic, to say the least. They have barely

0:20:46.680 --> 0:20:51.320
<v Speaker 2>any money and very high dropout rates. Some kids are

0:20:51.320 --> 0:20:56.879
<v Speaker 2>pulled into gang activity simply to survive. Gangs offer money, food,

0:20:57.000 --> 0:21:00.320
<v Speaker 2>and a sense of belonging. Others are sadly victim teams

0:21:00.359 --> 0:21:03.520
<v Speaker 2>of violent police raids or crossfire when gang battles break

0:21:03.560 --> 0:21:04.160
<v Speaker 2>out like.

0:21:04.200 --> 0:21:04.760
<v Speaker 4>We just saw.

0:21:06.240 --> 0:21:10.520
<v Speaker 2>Much more basic services like clean water, rubbish collection, and

0:21:10.640 --> 0:21:16.880
<v Speaker 2>even electricity are often inconsistent. This instability has severe impact

0:21:16.960 --> 0:21:20.879
<v Speaker 2>on mental health and development. Those most ill equipped to

0:21:20.880 --> 0:21:30.879
<v Speaker 2>deal with such hardships are, of course, the children wow

0:21:32.800 --> 0:21:36.240
<v Speaker 2>CV two FT leads us to a high point where

0:21:36.240 --> 0:21:39.880
<v Speaker 2>there's an open square, two concrete benches, and a concrete

0:21:39.960 --> 0:21:43.639
<v Speaker 2>table that has a chessboard crudely built into it. This

0:21:43.840 --> 0:21:47.320
<v Speaker 2>area offers an incredible view of the sprawling favelas all

0:21:47.359 --> 0:21:50.439
<v Speaker 2>around us. As far as the eye can see, there

0:21:50.520 --> 0:21:53.560
<v Speaker 2>are makeshift buildings that are meant to last forever. The

0:21:53.640 --> 0:21:57.040
<v Speaker 2>shanty towns cover every hill and valley for miles and

0:21:57.119 --> 0:22:01.639
<v Speaker 2>miles around. It hits me, this is what the gangs

0:22:01.680 --> 0:22:06.399
<v Speaker 2>are fighting for, control of a never ending concrete fortress.

0:22:07.200 --> 0:22:10.520
<v Speaker 2>FT watches over it like a proud homeowner. Whilst it

0:22:10.600 --> 0:22:13.480
<v Speaker 2>might seem ridiculous to some if you go up here

0:22:13.520 --> 0:22:16.680
<v Speaker 2>and you're in a gang, controlling your turf is everything.

0:22:17.640 --> 0:22:20.320
<v Speaker 2>Dozens and dozens of these young gang members are killed

0:22:20.440 --> 0:22:24.080
<v Speaker 2>every month trying to maintain their monopoly. To do so,

0:22:24.119 --> 0:22:26.960
<v Speaker 2>it gives you the spoiled fruits the domination of the

0:22:27.000 --> 0:22:31.600
<v Speaker 2>favella has to offer, like some kind of favella. Real

0:22:31.720 --> 0:22:37.959
<v Speaker 2>estate agent FT proudly describes the demographic of the area.

0:22:38.000 --> 0:22:40.280
<v Speaker 4>Here is the same gangs over there. Here we are

0:22:40.320 --> 0:22:43.720
<v Speaker 4>CV over there is the same faction, but another favella.

0:22:44.160 --> 0:22:47.320
<v Speaker 4>Over there, they have a different boast to us. It's divided.

0:22:47.680 --> 0:22:51.000
<v Speaker 4>Here is for the tales, where we are over there

0:22:51.119 --> 0:22:54.560
<v Speaker 4>is moro dos prazers. I'm down. There is the border

0:22:55.960 --> 0:23:00.320
<v Speaker 4>once to he divides the two favelas. Yes, this is

0:23:00.359 --> 0:23:00.840
<v Speaker 4>for it.

0:23:01.000 --> 0:23:03.240
<v Speaker 2>What's it like living here and growing up all in

0:23:03.280 --> 0:23:05.120
<v Speaker 2>this favella? Do you ever get to leave? Or you're

0:23:05.200 --> 0:23:06.240
<v Speaker 2>just here all the time?

0:23:06.960 --> 0:23:09.359
<v Speaker 4>Man? I stay in the fabella a lot. I moved

0:23:09.359 --> 0:23:11.960
<v Speaker 4>here very young. Those of us raised here have few

0:23:12.000 --> 0:23:15.800
<v Speaker 4>opportunities in life. That's why I started doing all this.

0:23:16.800 --> 0:23:19.160
<v Speaker 4>It's normal for us seeing all this since a young

0:23:19.200 --> 0:23:22.440
<v Speaker 4>age in the foravela. Even if I'm not on lookout

0:23:22.560 --> 0:23:26.439
<v Speaker 4>or not working, I'm always with my friends twenty four

0:23:26.560 --> 0:23:30.359
<v Speaker 4>seven on hours foot. We're always waiting for the unexpected

0:23:30.400 --> 0:23:36.160
<v Speaker 4>to happen. We're always ready, always waiting for it. That's

0:23:36.200 --> 0:23:37.200
<v Speaker 4>our life day today.

0:23:37.400 --> 0:23:39.240
<v Speaker 2>If you didn't have to be here doing this, what

0:23:39.280 --> 0:23:40.159
<v Speaker 2>would you prefer to do?

0:23:40.920 --> 0:23:44.800
<v Speaker 4>Oh, I'd be a musician. A musician I tried in

0:23:44.840 --> 0:23:48.119
<v Speaker 4>a different moment in my life. I dedicated myself to it.

0:23:48.600 --> 0:23:51.359
<v Speaker 4>I have crime for a while to apply myself. I

0:23:51.440 --> 0:23:55.199
<v Speaker 4>didn't get far. Maybe I was impatient enough. In the end,

0:23:55.720 --> 0:23:58.119
<v Speaker 4>I came back ended up here.

0:24:00.119 --> 0:24:03.240
<v Speaker 2>As Ft explains his lost dreams of becoming a musician,

0:24:03.720 --> 0:24:06.800
<v Speaker 2>I can see a deep sadness in his eyes, albeit

0:24:06.880 --> 0:24:10.000
<v Speaker 2>through the slit of his balaklava. He is in his

0:24:10.080 --> 0:24:12.600
<v Speaker 2>twenties and has been a member of CV for a

0:24:12.640 --> 0:24:17.520
<v Speaker 2>long time. Unfortunately, FT is no doubt a killer, and

0:24:17.560 --> 0:24:21.159
<v Speaker 2>I'm not excusing random acts of gang violence. But for

0:24:21.200 --> 0:24:24.000
<v Speaker 2>a moment you can almost see an innocent side of FT,

0:24:24.680 --> 0:24:27.320
<v Speaker 2>deep down in his soul when he talks about his

0:24:27.400 --> 0:24:32.080
<v Speaker 2>forgotten ambitions. Just like anyone else, he once had dreams

0:24:32.119 --> 0:24:34.720
<v Speaker 2>and desires far bigger than the life he's living now.

0:24:36.119 --> 0:24:37.840
<v Speaker 2>And to make it out of the favella as a

0:24:37.880 --> 0:24:40.760
<v Speaker 2>famous musician is in no way a pipe dream in

0:24:40.760 --> 0:24:44.800
<v Speaker 2>Brazil either, many have done so. Brazil has produced a

0:24:44.840 --> 0:24:47.880
<v Speaker 2>wave of talented rappers who came up amongst the brutality

0:24:48.240 --> 0:24:52.000
<v Speaker 2>of the favelas. One of the most famous is Sabotage,

0:24:52.240 --> 0:24:54.679
<v Speaker 2>a sau Paolo born rapper who grew up in the

0:24:54.720 --> 0:24:58.800
<v Speaker 2>harsh gang communities of Zona Saul. His songs talk about

0:24:58.880 --> 0:25:03.439
<v Speaker 2>favella life and soul inequality. Sadly, he was murdered in

0:25:03.480 --> 0:25:07.520
<v Speaker 2>two thousand and three. Another major name is Emesida, who

0:25:07.560 --> 0:25:10.240
<v Speaker 2>also grew up on the fringes of suth Paolo. He's

0:25:10.280 --> 0:25:14.320
<v Speaker 2>built is on record label and gained international recognition performing

0:25:14.359 --> 0:25:18.840
<v Speaker 2>in Europe and the US. His music tackles racism, poverty,

0:25:19.200 --> 0:25:24.280
<v Speaker 2>and Brazil's huge class divide. There are many other examples.

0:25:24.680 --> 0:25:27.800
<v Speaker 2>It's definitely possible to get out of the favella using

0:25:27.880 --> 0:25:32.280
<v Speaker 2>music as the vessel. It is, though incredibly unlikely and

0:25:32.520 --> 0:25:33.040
<v Speaker 2>very hard.

0:25:34.320 --> 0:25:35.600
<v Speaker 1>For Ft, though he.

0:25:35.560 --> 0:25:38.480
<v Speaker 2>Didn't quite make it, He's now stock as a drug

0:25:38.520 --> 0:25:42.520
<v Speaker 2>dealer in the trenches of Pallape Fogetero. There's no doubt

0:25:42.560 --> 0:25:48.480
<v Speaker 2>a lot of lost talent in Brazil's favelas. Eventually we

0:25:48.520 --> 0:25:51.320
<v Speaker 2>say our goodbye is to Ft and wander off through

0:25:51.359 --> 0:25:54.520
<v Speaker 2>the favela. One thing that strikes me is the huge

0:25:54.640 --> 0:25:58.600
<v Speaker 2>number of children running around, playing and having fun. The

0:25:58.680 --> 0:26:02.880
<v Speaker 2>contrast is impossible not to notice. For every CV gang

0:26:02.920 --> 0:26:05.240
<v Speaker 2>member posted up with a rifle, there seems to be

0:26:05.320 --> 0:26:07.480
<v Speaker 2>a dozen or so children running past him on the

0:26:07.480 --> 0:26:10.880
<v Speaker 2>way to play out with their friends. There's something beautiful

0:26:10.880 --> 0:26:13.280
<v Speaker 2>about the innocence of the children growing up amidst the

0:26:13.359 --> 0:26:18.080
<v Speaker 2>chaos or Phalape Fogetero. No doubt more than a few

0:26:18.119 --> 0:26:20.520
<v Speaker 2>times they've been kept up at night to the sound

0:26:20.520 --> 0:26:24.560
<v Speaker 2>of gunfire. Flashes here can last for hours, with back

0:26:24.600 --> 0:26:28.719
<v Speaker 2>and forth shootings between CV and police or rival gangs.

0:26:29.760 --> 0:26:32.679
<v Speaker 2>But it's not that it might be military helicopters overhead

0:26:33.000 --> 0:26:36.679
<v Speaker 2>gathering intel for an upcoming raid. There's even been explosive

0:26:36.840 --> 0:26:40.280
<v Speaker 2>used in favela battles. This is in no way a

0:26:40.280 --> 0:26:44.480
<v Speaker 2>safe environment for a child, but it's their reality. The

0:26:44.520 --> 0:26:47.880
<v Speaker 2>government does almost nothing to provide for the families here.

0:26:48.400 --> 0:26:51.200
<v Speaker 2>Most of the safeguard in if any is done by

0:26:51.320 --> 0:26:55.960
<v Speaker 2>NGOs are allowed in by the gangs. It's a serious problem.

0:26:56.640 --> 0:26:59.600
<v Speaker 2>There is, however, another outlet for the children of Phalat

0:26:59.600 --> 0:27:03.120
<v Speaker 2>Foggatar hero One that was actually built by the gangs

0:27:03.520 --> 0:27:06.320
<v Speaker 2>and is run by a man whose own father was.

0:27:06.400 --> 0:27:07.360
<v Speaker 1>Killed by them.

0:27:07.960 --> 0:27:11.439
<v Speaker 2>Next week we'll hear about Boa Saffra Team Jim, a

0:27:11.520 --> 0:27:20.199
<v Speaker 2>place worth its weight in gold. You've been listening to

0:27:20.200 --> 0:27:24.640
<v Speaker 2>the Await Days podcast. Next week it's Part two, Episode two.

0:27:25.520 --> 0:27:29.520
<v Speaker 2>To watch independent Away Days documentaries, subscribe to our channel

0:27:29.600 --> 0:27:35.080
<v Speaker 2>at YouTube dot com slash at Await Days TV. The

0:27:35.119 --> 0:27:38.360
<v Speaker 2>Await Days podcast is a production of H eleven Studio

0:27:38.800 --> 0:27:44.879
<v Speaker 2>for Cool Zone Media, reporting, producing, writing, editing and research

0:27:45.119 --> 0:27:51.199
<v Speaker 2>by me Jake Hanrahan, co producing by Sophie Lichtman. Music

0:27:51.280 --> 0:27:55.800
<v Speaker 2>by Sam Black and in this episode, Diamondstein sound mixed

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<v Speaker 2>by Splicing Block. Photography by Johnny Pickup and Louis Hollis.

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<v Speaker 2>Graphic design by Laura Adamson and Casey Highfield