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Speaker 1: Do you respect Trick Daddy? And then what's your relationship

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Speaker 1: with Trick?

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Speaker 2: Ain't got no relationship with him. There's no rapper from

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Speaker 2: Miami that's doing what I'm doing or did what I did.

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Speaker 2: Like the facts, I'm talking from Rick Ross all the

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Speaker 2: way down. I'm really outside for real. These things go through,

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Speaker 2: But I really did that. I'm really that for real.

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Speaker 2: Like even with the Trick Daddy's like he was always

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Speaker 2: had backing them, I didn't have nobody backing me. I'm

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Speaker 2: gonna be real to can't nobody run Miami. I'm saying

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Speaker 2: it on camera like this is this is stuff people

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Speaker 2: from Miami. No nobody can run Miami. You can't come

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Speaker 2: out and say I run Miami.

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Speaker 3: No, you did right last night, Kendrick just did that

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Speaker 3: big concert.

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Speaker 1: That was hard.

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Speaker 2: That that was some real life even though Kendrick not

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Speaker 2: like you know, Kendrick is.

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Speaker 3: Kendrick, but he confusing me because he looked like a

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Speaker 3: gang bango.

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Speaker 4: But yeah, we done lost a lot of lot of

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Speaker 4: hobies to this music, a lot of hobies to the

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Speaker 4: street from each side of Mother l A Crisp Blood

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Speaker 4: Powers Special.

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Speaker 3: Man, Yo Yo Yo Yo, Welcome to us up that podcast.

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Speaker 3: I am your active and attractive host for another episode

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Speaker 3: of the fastest growing podcast on the market right now. Man,

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Speaker 3: you know the vibration is how on this side everybody

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Speaker 3: can't come on this platform. This platform ain't welcome to everybody.

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Speaker 3: I want to be clear with that.

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Speaker 1: Right.

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Speaker 3: So what we're doing today is, Man, we're gonna talk

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Speaker 3: to one of my player partners out of Miami.

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Speaker 1: Man, big toffee. Man, what's going on?

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Speaker 2: What it is? What it ain't? Man?

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Speaker 1: What's good with you? Just cooling? Brother, I'm just cooling.

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Speaker 2: How you should have Man, you know I've been wonder

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Speaker 2: with you.

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Speaker 1: Man. Yeah, Man, it's a blessing, brother, It's a blessing. Man.

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Speaker 1: You know the game we need these conversations facts for sure.

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Speaker 1: For sure.

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Speaker 3: We've been chopping game in a way behind the scenes. Man,

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Speaker 3: it be It been good conversation all real.

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Speaker 2: You know what I'm saying. You know, similarities.

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Speaker 1: We're telling me For people who don't know who you are, Man,

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Speaker 1: explain to them who you are and where.

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Speaker 2: You're from from a Haitian man, you know, from North Miami,

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Speaker 2: born and raised in Miami, real Miami. You know, Uh,

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Speaker 2: I'm really what they ain't if I could make it short,

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Speaker 2: what you listen to, They ain't this man, I'm the

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Speaker 2: real deal, and you know the real deal always got

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Speaker 2: to go through it. We take It's like me take

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Speaker 2: the take the suffering that come behind it because we're

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Speaker 2: trying to make it, you know, better way for better

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Speaker 2: way for our lives. And you know a lot of

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Speaker 2: people they perpetrating trying to make it seem that they

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Speaker 2: wait till they make it to be that.

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Speaker 3: Yeah, I wonder why why the addiction to the addiction

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Speaker 3: to that side of the culture like.

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Speaker 1: That, Like, I wonder what that's about.

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Speaker 3: Is it because of the women, the money, the money,

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Speaker 3: the money number one? You know, but the street fame

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Speaker 3: hit hard too, though, no street fame hit hard. But

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Speaker 3: you know, once they started touching that paper, you know,

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Speaker 3: money bring power, so they feel like they chest buffed.

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Speaker 2: Out a little more. They ain't ever used they're not

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Speaker 2: used to it. You had that money, but you not

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Speaker 2: really like that. So once you once you tap into

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Speaker 2: that atmosphere, it'll only last for so long because you

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Speaker 2: not really like that for real.

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Speaker 3: So when somebody pushed back, Hey man, Mike Tyson, punch

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Speaker 3: out right.

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Speaker 2: You know what I'm saying, when somebody pushed back, you

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Speaker 2: ain't gonna know how to handle it.

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Speaker 1: I wonder, but street fame or rap fame?

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Speaker 2: Which one I rather?

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Speaker 3: Which one you think is more poland ship or.

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Speaker 2: Rap fame it's stronger. But I'd rather street fame the

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Speaker 2: rap fan.

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Speaker 3: I think rap fame because you could be a famous rapper,

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Speaker 3: don't nobody give a about no disrespect, but like and

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Speaker 3: show up in the hood, and it really don't mean nothing.

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Speaker 2: Depending what type of music you're making. Right, if you're

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Speaker 2: making the music for the streets, the streets because they

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Speaker 2: don't want to go back you all day, right because

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Speaker 2: you come from that. Yeah, you know what I'm saying.

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Speaker 2: But if you a rapper just to be a rapper,

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Speaker 2: the street's not gonna relate to you anyway.

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Speaker 3: And then and then, like you said, fame gives you power, right,

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Speaker 3: you know what I mean?

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Speaker 1: So that power power?

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Speaker 3: Yeah, the power dudes with you.

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Speaker 1: You said you did seven years in jail, Tell me

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Speaker 1: about that.

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Speaker 2: Yeah, I caught seven years, my first time in handcuffs.

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Speaker 2: Eighty seven months, I'm getting arrested, first time ever running

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Speaker 2: into the police.

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Speaker 1: That's hard. Yeah, I had a breakup.

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Speaker 2: Boy, I ain't. I ain't ever moved slick the first

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Speaker 2: time I did, first time I had this year, I

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Speaker 2: always myself. First time I.

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Speaker 1: What was the case? What kind of case?

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Speaker 2: Robbery, robberie farm hobsack, Yeah, fifty grand the casino, Oh

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Speaker 2: from the casino.

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Speaker 1: Yeah, yeah, that's crazy, that's crazy. So it was you

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Speaker 1: and two dude and then.

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Speaker 3: Three three dudes. Okay, yeah, yeah three damn. Did y'all

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Speaker 3: get the money at least?

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Speaker 1: Yeah?

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Speaker 2: No, we ain't get caught on the spot. We got away.

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Speaker 2: One of the dudes wanted to go back and do

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Speaker 2: it again, got caught up there, told on everything plus

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Speaker 2: Jesus Christ, right.

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Speaker 1: Man, that's crazy what you've been working on right now.

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Speaker 2: My last table I dropped was Street Fancy Foe. That's

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Speaker 2: how I came. I came in the game with that mark,

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Speaker 2: that Street Fancy. That's like, you know, it's me like

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Speaker 2: street with Bougie, Like you know, I'm cutting up. You

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Speaker 2: feel me, I'm giving you the raw, you feel me

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Speaker 2: if you go back to the first Street Fancy, Well,

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Speaker 2: the table I dropped before Street Fancy was Guerrilla Dripping.

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Speaker 2: You see. I got on a little h and them

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Speaker 2: sweat suit with some Jordan ones. I just got on

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Speaker 2: fresh shot. They ain't got I'm on the bus. You

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Speaker 2: feel me the next tape cover, I'm in Margella's. You

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Speaker 2: know what I'm saying. I got a couple of little

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Speaker 2: chains on. You see the difference street fancy to come out.

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Speaker 2: You see the rollies, you see you know what I'm saying.

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Speaker 2: Like you see the growth, you.

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Speaker 1: See you know what I'm saying. People appreciate that.

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Speaker 2: You see the videos. I went from on foot doing

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Speaker 2: videos doing things. I'm in these cars like you know

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Speaker 2: what I'm saying. I showed matter of fact when I

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Speaker 2: got my money straight. I did a video to emulate

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Speaker 2: exactly how I was living before I got on. I

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Speaker 2: did a whole video, made the camera. Come on a

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Speaker 2: bus with me? Do yeah, come on a bus with me?

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Speaker 1: What I think it was?

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Speaker 2: Can you hear me? Yeah? I think it was. Can

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Speaker 2: you hear me?

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Speaker 1: Yeah?

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Speaker 2: Can you hear me? And then I'm going on the bus.

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Speaker 2: I'm acting like I'm looking for a job. You know

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Speaker 2: what I'm saying. And see me I jump pull up

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Speaker 2: to the church on praying, pull up in the big

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Speaker 2: body bends like you know what I'm saying. Like I'm

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Speaker 2: showing you that.

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Speaker 3: When you when you you did seven years though? What

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Speaker 3: what what jail was that you was in? Fads went

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Speaker 3: to the Fed. Yeah I didn't Miami fans.

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Speaker 1: But that I mean, at least you got to stay

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Speaker 1: in the at the crib though.

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Speaker 2: Yeah, yeah no, but they moved. They know, they made

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Speaker 2: me do hard time. They left me in the I

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Speaker 2: ain't see the sun in six years because I ain't.

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Speaker 2: I ain't talking. They ain't want to send me to

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Speaker 2: a yard where you know, they sent the niggas that

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Speaker 2: told to a yard where they had the football fields,

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Speaker 2: and they sent them there. They ain't want to see me.

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Speaker 1: Damn, six years, you didn't see the sun.

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Speaker 2: That's deep I came out. I was Danny your color

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Speaker 2: when I came out like a refrigerator. My case was

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Speaker 2: state first. They didn't have enough evidence on me, so

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Speaker 2: they dropped it. Yeah yeah, fast picked it up.

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Speaker 3: Damn when you explain to people who don't know what

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Speaker 3: Zoe pound.

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Speaker 2: Is, so pound everybody got there. You know, they didn't

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Speaker 2: put on them. But really to my you know, I was,

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Speaker 2: I was a baby when that's that's going on. Nah,

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Speaker 2: I was, I don't think, Yeah, that was I was

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Speaker 2: a baby. When that about to be over with, you

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Speaker 2: know what I'm saying. When yeah, so pound really liked

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Speaker 2: it formed where the Americans was picking on the Asians

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Speaker 2: in jail or in school.

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Speaker 1: Okay there starting in school.

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Speaker 2: They ain't know how to dress, they're not speaking on English,

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Speaker 2: so they're with them. They're picking on them girls up boys.

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Speaker 2: They jumping them every day after school. And then certain

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Speaker 2: ones that wasn't going for that, they said, nah, we

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Speaker 2: ain't have an issue. We ain't going we ain't going

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Speaker 2: with it no more. They clicked up and they started

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Speaker 2: fighting back. But they just went a little harder. You

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Speaker 2: know what I'm saying. They put they went a little harder.

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Speaker 2: So and then now they go for It's crazy because

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Speaker 2: they go from that. You just picking on these people

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Speaker 2: for no reason. You jumping on them for no reason,

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Speaker 2: just because they don't not speak English, they't with you

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Speaker 2: or nothing. Because one thing about Haitians, even in.

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Speaker 1: The eight.

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Speaker 2: They grow up to respect like they I'm gonna be

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Speaker 2: real true. Majority of the Haitians can't fight, bro. They

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Speaker 2: don't know how to fight. Fighting in the streets, if

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Speaker 2: it's some fighter, it's like gonna be two seconds. Like

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Speaker 2: some wild. It ain't they don't know how to fight.

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Speaker 2: It's not really going on, So we don't really come aggressive.

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Speaker 2: We can be though, but so these people getting picked

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Speaker 2: on at first they scared because they're not they're in

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Speaker 2: a foreign country. That is going on. This is what

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Speaker 2: this is what this is, man hold on. And then

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Speaker 2: now we're the crazy ones. Yeah, now we're the crazy ones.

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Speaker 2: Were the crazy ones, like we were y'all just jumping

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Speaker 2: on y'all, y'all, punching females in the face, all types

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Speaker 2: of like and then you know, and then that created

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Speaker 2: from then and it just got a little more.

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Speaker 1: So those and the pound, these are different things.

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Speaker 2: Those and pounds different things. Those is just what they

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Speaker 2: call us. It's basically like saying Haitians. But it was

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Speaker 2: calling those because means bones, so they say our bones

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Speaker 2: was hard like because we like we're tough like type ship.

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Speaker 2: But those is like calling Haitians. I didn't know that

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Speaker 2: pound is like that was hard.

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Speaker 1: Yeah, yeah, yeah, yeah, yeah, okay, I didn't know that.

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Speaker 2: There was the click that was doing all the you know,

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Speaker 2: I think it really started a music group really, yeah,

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Speaker 2: it was a music group and then it was just

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Speaker 2: doing their gangster. Yeah, you know, it just got caught

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Speaker 2: up with it.

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Speaker 1: Do the those run Miami?

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Speaker 2: Yeah pretty much.

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Speaker 1: Yeah, yeah, tied in every what.

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Speaker 2: Yeah, we want making it, we want making the cheese.

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Speaker 2: Like what's the name said on Tommy Tommy Lee from

223
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Speaker 2: Love Hip Hop? Was it Tommy Tommy? I don't watch

224
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Speaker 2: it the females.

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Speaker 1: You know old Tommy? Yeah, yeah, yeah, I know.

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Speaker 2: She she was with our dogs. And then she said

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Speaker 2: straight up, She's like, I never seen a group of

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Speaker 2: young not even a group. I've never been to a

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Speaker 2: city where all the young was rich, y'all those different yeah,

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Speaker 2: y'all those different like y'all have a real money. I

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Speaker 2: never seen that no where, like and y'all standing on

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Speaker 2: business like. She's I love y'all, I love the hate,

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Speaker 2: like you know what I'm saying. So we turned up

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Speaker 2: because we was We was the ones that on early on.

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Speaker 1: And that's crazy, bro. Yeah I didn't know that.

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Speaker 2: Yeah, bad like begging. When we was young, it wasn't

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Speaker 2: even cool to say you was Haitian like he was

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Speaker 2: getting paid in Miami. I'm talking about in Miami, right, Yeah,

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Speaker 2: But you know, back then, besides Florida and New York,

240
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Speaker 2: nobody really knew what Haitians was back then. Yeah, you know,

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Speaker 2: it started becoming a you know, it's Haitians everywhere though,

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Speaker 2: but they didn't they didn't know what Haitians was because

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Speaker 2: a lot of people were scared to say they was haiti.

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Speaker 2: There's just as much Haitians in New York that is

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Speaker 2: in Miami, you know what I'm saying. But they wasn't

246
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Speaker 2: telling people they were right right Boston too, Connecticut, that's

247
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Speaker 2: where they flooded at Haitians. Haitians, you don't know.

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Speaker 3: Is a different style though, Like because because y'all like

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Speaker 3: our homeboy, you're a big player, so y'all got a y'all.

250
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Speaker 1: Got a certain style. Yeah, as in Miami, like you say, young,

251
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Speaker 1: rich and right.

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Speaker 3: You know what I'm saying, I'm not sure that like

253
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Speaker 3: like my guy right here Haitian. You know what I'm saying,

254
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Speaker 3: he a different totally different type. Yeah, you know what

255
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Speaker 3: I'm saying.

256
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Speaker 1: It's it's like it's different styles.

257
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Speaker 3: Do you think the culture American culture kind of got into.

258
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Speaker 2: It a little bit, Yeah for sure. Yeah, Yeah, the

259
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Speaker 2: Miami culture just different.

260
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Speaker 1: We just.

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Speaker 2: We raised different out there. It's just different, Like the

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Speaker 2: real Miami is different bro yea like everybody like it's

263
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Speaker 2: kind of like everybody for self, Like he's trying to

264
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Speaker 2: nobody too friendly, you know what I'm saying. That's why

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Speaker 2: it's like it's kind of hard to make it out

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Speaker 2: of there.

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Speaker 1: Yeah. Yeah, do you ever did a song with Kodak No?

268
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Speaker 2: But so why y'all ain't done a song? We just

269
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Speaker 2: ain't do. I'm waiting on him.

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Speaker 1: Yeah, he and Miam and that should happened. Yeah, we know,

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Speaker 1: you know what I'm saying.

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Speaker 2: Yeah, no, you know he wanted them wars you know facts, Yeah, yeah,

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Speaker 2: he wanted them. You know. He don't like he don't

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Speaker 2: like when people say you're from Miami from broad right,

275
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Speaker 2: but he's from Florida. Yeah, he from down there.

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Speaker 3: Yeah, so you would think Florida is Florida, you know

277
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Speaker 3: it's like yeah Brown, that do make sense though.

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Speaker 1: He do post a standing on that though.

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Speaker 2: Yeah that brow he's staying on here.

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Speaker 1: How far is that from Miami?

281
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Speaker 2: He's from pumping on, pumping on from my life, Uh

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Speaker 2: about forty forty five minutes.

283
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Speaker 1: Yeah, that's that's a that's a little ways, that's a

284
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Speaker 1: little ways.

285
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Speaker 2: He real broad deep and broad Yeah, broad.

286
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Speaker 1: Big what what hoods did you come from? Over there

287
00:14:07,920 --> 00:14:08,240
Speaker 1: was it?

288
00:14:09,880 --> 00:14:12,880
Speaker 2: And then ives Dairy and then be with no Miami

289
00:14:12,960 --> 00:14:15,400
Speaker 2: no Maamy for no Miami that and then be the

290
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Speaker 2: ives Dairy bet no Maam.

291
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Speaker 3: Do y'all do y'all get upset when tourists make it

292
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Speaker 3: seem like Miami South Beach.

293
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Speaker 2: I mean, we don't get upset. We just we understand

294
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Speaker 2: because that's where the tourists is supposed to go, you

295
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Speaker 2: know what I'm saying. They don't know like the other side.

296
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Speaker 2: They don't got no business going on to the other side.

297
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Speaker 2: Ain't really nothing there for them unless they they happen

298
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Speaker 2: to find some restaurants. But they think all the all

299
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Speaker 2: the good restaurants on the beach. Really the food on

300
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Speaker 2: the beach.

301
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Speaker 1: Yeah, I ain't never had no good food.

302
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Speaker 2: On the food because there's people that's not from Miami

303
00:14:52,240 --> 00:14:54,320
Speaker 2: putting restaurants on the beach for the most part, unless

304
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Speaker 2: finger licking, yeah.

305
00:14:57,160 --> 00:15:02,720
Speaker 3: Fanger licking shout out to them. What about last night,

306
00:15:02,800 --> 00:15:04,680
Speaker 3: Kendrick just did that big concert.

307
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Speaker 2: It was hard. That was some real like even though

308
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Speaker 2: Kendrick not like you know, Kendrick.

309
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Speaker 3: Is Kendrick, but he confusing me because he looking like

310
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Speaker 3: a gang bangle. But he raised, he raised, he raised around.

311
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Speaker 3: He always mentioned it though, like he I know we

312
00:15:22,320 --> 00:15:24,200
Speaker 3: we he made he make it clear that he.

313
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Speaker 1: Ain't that yeah, but he raised around it like you

314
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Speaker 1: know what I'm saying, and that's what is. But see,

315
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Speaker 1: if I was Drake, I would attack that part of it.

316
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Speaker 1: I would have.

317
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Speaker 2: Can't take Yeah, you think it's it's done, leave him alone,

318
00:15:36,320 --> 00:15:37,000
Speaker 2: don't mention nothing.

319
00:15:37,040 --> 00:15:39,240
Speaker 3: So you just let him dish you five times, run

320
00:15:39,280 --> 00:15:41,880
Speaker 3: the song back five times yesterday, and just let that

321
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Speaker 3: go because, in my opinion, Drake get to use Oh

322
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Speaker 3: you want to play tours and shows.

323
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Speaker 1: I got a show.

324
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Speaker 3: I can do a show, not what the records I got.

325
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Speaker 3: But the boy can sell up. The boy can sell

326
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Speaker 3: some ship out now. So I'm just saying.

327
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Speaker 2: Though he could sell it out, but he ain't gonna

328
00:15:58,720 --> 00:15:59,280
Speaker 2: look out how.

329
00:15:59,200 --> 00:16:01,360
Speaker 3: It ain't look him got the records right now, that

330
00:16:01,640 --> 00:16:03,320
Speaker 3: not the records, the niggas.

331
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Speaker 2: You see how the niggas made it a movie. Everybody

332
00:16:07,080 --> 00:16:09,360
Speaker 2: know Kendrick gonna sell out some ship you already noticed.

333
00:16:09,600 --> 00:16:11,320
Speaker 2: But the way he made it like a movie like

334
00:16:11,320 --> 00:16:13,400
Speaker 2: that with them niggas on the stage, that was beautiful.

335
00:16:13,440 --> 00:16:14,760
Speaker 1: But that was beautiful for us.

336
00:16:15,600 --> 00:16:18,720
Speaker 3: If I'm Drake and I gotta go with Kendrick, I

337
00:16:18,880 --> 00:16:21,000
Speaker 3: say that that's a whole bunch of niggas.

338
00:16:21,040 --> 00:16:24,320
Speaker 1: That's that's trying to you. You're stealing credibility.

339
00:16:24,640 --> 00:16:26,280
Speaker 2: How you gonna go out of a nigga when you

340
00:16:26,320 --> 00:16:27,320
Speaker 2: already waved the white flag?

341
00:16:27,400 --> 00:16:28,720
Speaker 1: That's what I'm saying. You can't.

342
00:16:28,760 --> 00:16:31,560
Speaker 2: If I'm Drake, you know I waved the white flag already.

343
00:16:31,920 --> 00:16:33,440
Speaker 1: How you waved the white flag? Man?

344
00:16:33,560 --> 00:16:35,040
Speaker 2: When he came out with that, the last song he

345
00:16:35,040 --> 00:16:37,960
Speaker 2: shouldn't even much came out with it, but I forgot

346
00:16:38,000 --> 00:16:41,880
Speaker 2: what it's called was horrible and the last, the very

347
00:16:41,920 --> 00:16:44,600
Speaker 2: last one he put after he Kendrick came out with

348
00:16:44,640 --> 00:16:46,280
Speaker 2: you not like us? It was horrible.

349
00:16:46,280 --> 00:16:48,600
Speaker 1: Bro, No, bro hell.

350
00:16:48,800 --> 00:16:51,640
Speaker 2: Not family matters. I ain't talking about. Ain't the last one.

351
00:16:51,960 --> 00:16:52,920
Speaker 1: I think that's the last.

352
00:16:53,000 --> 00:16:54,520
Speaker 2: No, No, that ain't the last one.

353
00:16:54,760 --> 00:16:57,400
Speaker 1: We got right here. You ain't know.

354
00:16:57,480 --> 00:16:58,960
Speaker 2: Come on, man, he supposed to be keeping up with it,

355
00:16:59,040 --> 00:17:02,440
Speaker 2: and I think that's the Ain't the last one? Family member?

356
00:17:02,600 --> 00:17:06,840
Speaker 2: Family matters came out before you not like us? Then

357
00:17:06,840 --> 00:17:08,760
Speaker 2: he came out, You're not like us? And then he

358
00:17:08,840 --> 00:17:10,879
Speaker 2: and then he came out with. Drake came out with another.

359
00:17:11,119 --> 00:17:13,440
Speaker 2: But the one he came out with he basically singing

360
00:17:13,440 --> 00:17:16,600
Speaker 2: on the song, yeah, that shit was hard. He basically

361
00:17:16,640 --> 00:17:17,600
Speaker 2: saying the song was hard.

362
00:17:20,600 --> 00:17:26,560
Speaker 3: Ah, man, you're talking about the hard part six terrible, Damn.

363
00:17:27,800 --> 00:17:30,480
Speaker 2: Damn the hard He ain't but to be honest, to

364
00:17:30,480 --> 00:17:31,640
Speaker 2: be fair, he ain't even try.

365
00:17:32,080 --> 00:17:33,679
Speaker 1: Like is that to be trying? No?

366
00:17:33,800 --> 00:17:35,199
Speaker 2: No, no, he ain't even try on that song. If

367
00:17:35,240 --> 00:17:39,080
Speaker 2: you listen to it, he gotta be trying. He ain't tried, bro, everybody, Bro,

368
00:17:39,240 --> 00:17:41,520
Speaker 2: the man got hey, how many how much was it?

369
00:17:41,640 --> 00:17:44,080
Speaker 2: I think he got a million dislikes or two million dislikes?

370
00:17:44,119 --> 00:17:46,200
Speaker 3: Yeah, but they just figured out that that they will

371
00:17:46,240 --> 00:17:47,160
Speaker 3: body it up though.

372
00:17:48,280 --> 00:17:49,600
Speaker 2: No the song horrible.

373
00:17:49,720 --> 00:17:53,360
Speaker 3: Yeah, but they had a nigga on that yesterday saying, man,

374
00:17:53,400 --> 00:17:54,840
Speaker 3: they boding this right here.

375
00:17:54,960 --> 00:17:57,120
Speaker 1: Man, I'm the one body it for him. I don't

376
00:17:57,280 --> 00:17:58,240
Speaker 1: know if it's true or not.

377
00:17:58,440 --> 00:18:00,280
Speaker 2: They just kept everybody could come out and say they

378
00:18:00,320 --> 00:18:02,359
Speaker 2: called hi him K butot now no, he's trying to

379
00:18:02,359 --> 00:18:04,320
Speaker 2: He's trying to get some anybody. I said, not a

380
00:18:04,400 --> 00:18:06,800
Speaker 2: song bad though, he ain't even tried. Bro, you heard

381
00:18:06,800 --> 00:18:07,960
Speaker 2: what I say. I ain't saying, he God, but he

382
00:18:07,960 --> 00:18:10,880
Speaker 2: ain't tried. You telling me about this, I don't want

383
00:18:10,880 --> 00:18:11,520
Speaker 2: to hear no more.

384
00:18:14,040 --> 00:18:16,679
Speaker 1: He ain't fucking with it. Listen, man, let me just

385
00:18:16,720 --> 00:18:17,400
Speaker 1: see what he says.

386
00:18:17,480 --> 00:18:19,760
Speaker 2: I was like, Man, I'm like, bro, he shouldn't even

387
00:18:19,840 --> 00:18:20,439
Speaker 2: came out with it.

388
00:18:20,480 --> 00:18:23,640
Speaker 1: Bro, nah is it being less evasion?

389
00:18:23,640 --> 00:18:23,760
Speaker 2: You know?

390
00:18:23,880 --> 00:18:25,679
Speaker 5: Just say it's a re choice if thinking this is

391
00:18:25,680 --> 00:18:28,679
Speaker 5: my expliration? Even that picture was the jokes in the

392
00:18:28,720 --> 00:18:30,680
Speaker 5: Medicai said that the made bad glove and.

393
00:18:32,800 --> 00:18:34,040
Speaker 1: That ain't that bad? Bro.

394
00:18:35,200 --> 00:18:37,240
Speaker 2: You listen, you're gonna see when he weared the white flag.

395
00:18:37,240 --> 00:18:38,159
Speaker 2: He waved a white flag in that.

396
00:18:38,200 --> 00:18:41,000
Speaker 1: Song, he waved a white flag.

397
00:18:41,080 --> 00:18:42,600
Speaker 2: He only rapped for like a minute. How long the

398
00:18:42,600 --> 00:18:45,840
Speaker 2: track is he? I have seen the jigs in six

399
00:18:45,880 --> 00:18:49,119
Speaker 2: months that this this this four minutes long exactly. He

400
00:18:49,160 --> 00:18:50,560
Speaker 2: only rapped for like a minute and a half.

401
00:18:50,560 --> 00:18:50,639
Speaker 3: Bro.

402
00:18:50,720 --> 00:18:54,480
Speaker 2: The rest he talking. Yeah, I don't know why he

403
00:18:54,640 --> 00:18:55,480
Speaker 2: keeping came out with it.

404
00:18:57,880 --> 00:19:01,200
Speaker 5: And jos said, did instead of being on this direct ship,

405
00:19:01,359 --> 00:19:02,680
Speaker 5: you rather fucking grab.

406
00:19:02,480 --> 00:19:05,960
Speaker 1: Your panty with direct ship? My mom came over today.

407
00:19:05,680 --> 00:19:09,840
Speaker 5: And I was like, mother, I mother a mother. Wait

408
00:19:09,920 --> 00:19:18,680
Speaker 5: a second, this about it getting so depressed and he's

409
00:19:18,720 --> 00:19:19,800
Speaker 5: trouble for your old.

410
00:19:19,640 --> 00:19:22,280
Speaker 2: Confessions that when your father leave your own noble.

411
00:19:22,160 --> 00:19:24,560
Speaker 1: With no protection, so and so.

412
00:19:24,600 --> 00:19:28,040
Speaker 2: Think about it. You come out with that after you

413
00:19:28,160 --> 00:19:31,520
Speaker 2: not like us? That was after Yes, this is after

414
00:19:32,240 --> 00:19:32,840
Speaker 2: yeah bro.

415
00:19:33,000 --> 00:19:35,479
Speaker 3: Yeah nah he boys ship, That's what I'm saying, Like

416
00:19:36,400 --> 00:19:37,360
Speaker 3: you slowed it down.

417
00:19:37,400 --> 00:19:40,200
Speaker 1: He came out with what was it called family Matters?

418
00:19:40,280 --> 00:19:43,240
Speaker 2: No, the first one with that box pop push ups drop.

419
00:19:45,440 --> 00:19:46,879
Speaker 2: That was some ship. He should have came out with

420
00:19:46,960 --> 00:19:48,280
Speaker 2: after you not like us?

421
00:19:48,520 --> 00:19:50,000
Speaker 1: Yeah, he don't. You shouldn't have slowed it.

422
00:19:50,000 --> 00:19:53,040
Speaker 2: That one's supposed to be the first one. Family Man

423
00:19:53,040 --> 00:19:55,240
Speaker 2: is supposed to be sicking, and then push was supposed

424
00:19:55,240 --> 00:19:55,560
Speaker 2: to be last.

425
00:19:55,600 --> 00:19:57,960
Speaker 1: So you think if he did a different order it

426
00:19:57,960 --> 00:19:58,720
Speaker 1: would it would.

427
00:19:58,640 --> 00:19:59,960
Speaker 2: But he ain't know it's gonna go like that though.

428
00:20:00,160 --> 00:20:01,800
Speaker 2: But after you're not like us, you come back with.

429
00:20:01,760 --> 00:20:03,920
Speaker 3: That can't come come on, you can't slow it down

430
00:20:04,080 --> 00:20:06,720
Speaker 3: like and you ain't even you ain't even get mad yet.

431
00:20:06,720 --> 00:20:08,600
Speaker 3: To the point when he started even White Flag, when

432
00:20:08,600 --> 00:20:11,000
Speaker 3: he started telling him letting it known that the song

433
00:20:11,119 --> 00:20:13,920
Speaker 3: was hard, he's like, yeah, I fucked with it, like yeah,

434
00:20:13,920 --> 00:20:16,960
Speaker 3: he waved it like but but I mean, I come

435
00:20:16,960 --> 00:20:18,840
Speaker 3: out with the song you might not come out with that, but.

436
00:20:18,840 --> 00:20:21,160
Speaker 1: Real, it's real. If the song was hard, it was hard.

437
00:20:21,240 --> 00:20:23,040
Speaker 2: I don't I don't mind that. Don't come out with

438
00:20:23,080 --> 00:20:26,000
Speaker 2: that period though. Don't say it on you killed yourself.

439
00:20:26,800 --> 00:20:28,399
Speaker 2: I guarantee, if you would never came out with that

440
00:20:28,440 --> 00:20:31,919
Speaker 2: song afterwards, he would have still been all right. He

441
00:20:31,920 --> 00:20:33,680
Speaker 2: could not say nothing. He could have just he could

442
00:20:33,720 --> 00:20:35,399
Speaker 2: have tweeted, I ain't gonna like that was hard and

443
00:20:35,440 --> 00:20:37,560
Speaker 2: that's it, and then people would have gave him people

444
00:20:37,800 --> 00:20:39,920
Speaker 2: like everybody would have laughed it off. But the fact

445
00:20:39,960 --> 00:20:41,960
Speaker 2: you came out with that, it's like, what are you doing?

446
00:20:42,440 --> 00:20:45,280
Speaker 1: Denny Jump followed back with sixy red song.

447
00:20:45,760 --> 00:20:47,240
Speaker 2: He been fucking with sexty red Yeah.

448
00:20:47,320 --> 00:20:48,000
Speaker 1: Yeah, he ain't know what.

449
00:20:47,880 --> 00:20:48,399
Speaker 2: To do after that.

450
00:20:49,160 --> 00:20:49,720
Speaker 1: After the fight.

451
00:20:49,800 --> 00:20:52,359
Speaker 3: You can't come with that kind of ship though. You

452
00:20:52,440 --> 00:20:54,960
Speaker 3: gotta gone double nine like you're saying that dude drop.

453
00:20:55,160 --> 00:20:56,919
Speaker 3: But now I'm gonna be honest when I listen to

454
00:20:57,000 --> 00:20:58,280
Speaker 3: not Like Us Now, it.

455
00:20:58,240 --> 00:21:00,000
Speaker 1: Don't hit like it did when it first dropped.

456
00:21:00,119 --> 00:21:02,920
Speaker 2: Nah, I shit still hit. That's shit all. I ain't

457
00:21:02,920 --> 00:21:07,080
Speaker 2: gonna cap to you, bro, it's hard. I'm I got

458
00:21:07,080 --> 00:21:09,159
Speaker 2: a ear for this ship. I don't just bop anything

459
00:21:09,200 --> 00:21:10,359
Speaker 2: that ship hard.

460
00:21:10,160 --> 00:21:13,240
Speaker 1: Ship hard, but it ain't hit the pocket. Is he going?

461
00:21:13,400 --> 00:21:14,400
Speaker 2: Ain't like that shit hard?

462
00:21:15,040 --> 00:21:15,600
Speaker 1: I don't know.

463
00:21:16,119 --> 00:21:18,399
Speaker 2: I think it's hard and it will be real with you.

464
00:21:19,119 --> 00:21:21,600
Speaker 2: I'm not a huge Kendred fan. When I say I'm

465
00:21:21,600 --> 00:21:24,000
Speaker 2: not a huge Kendred fans, like I'm not jumping in

466
00:21:24,080 --> 00:21:27,280
Speaker 2: my car bumping Kendrick. I listened to trap shit, but

467
00:21:27,359 --> 00:21:30,760
Speaker 2: I fuck with Kendrick. Kendrick all motherfucker, but that ain't

468
00:21:30,760 --> 00:21:32,560
Speaker 2: my type of style of music. I'm from down South,

469
00:21:33,040 --> 00:21:35,200
Speaker 2: y'all don't really listen to too much West Coast music

470
00:21:35,280 --> 00:21:37,639
Speaker 2: like that. I know about it. I'm tapped in, but

471
00:21:37,840 --> 00:21:39,920
Speaker 2: I can't lie and say, oh, I'm a big Kendreck fan,

472
00:21:40,560 --> 00:21:43,200
Speaker 2: like I'm not a huge Drake fan. I listened to

473
00:21:43,280 --> 00:21:45,439
Speaker 2: Drake songs just like I listened to Kendrick songs. Like

474
00:21:45,440 --> 00:21:47,280
Speaker 2: I said, I listened to trap music. But when I

475
00:21:47,320 --> 00:21:50,679
Speaker 2: heard that ship, I said, bitch, the first thirty seconds,

476
00:21:50,720 --> 00:21:51,720
Speaker 2: I'm bopping.

477
00:21:51,960 --> 00:21:53,920
Speaker 1: Yeah, But now it don't hit the same.

478
00:21:53,880 --> 00:21:57,119
Speaker 2: Bro, I don't know why I don't either, that's all.

479
00:21:57,440 --> 00:21:59,600
Speaker 3: Like I heard it five tasks last night. He ran

480
00:21:59,640 --> 00:22:01,679
Speaker 3: that bu but he killed last night. Though, when I

481
00:22:01,720 --> 00:22:03,040
Speaker 3: listened to it, on my own. I ran it back

482
00:22:03,080 --> 00:22:04,320
Speaker 3: five times on his own.

483
00:22:04,640 --> 00:22:07,720
Speaker 2: I let it just and I don't get tired of it.

484
00:22:07,760 --> 00:22:08,440
Speaker 2: That's how I know the.

485
00:22:08,400 --> 00:22:10,800
Speaker 1: Song hard man. I don't know how you doing that.

486
00:22:10,960 --> 00:22:12,280
Speaker 2: I'm not listening to it every day.

487
00:22:12,720 --> 00:22:14,080
Speaker 1: Yeah, but I'm just come on.

488
00:22:14,440 --> 00:22:16,840
Speaker 3: I'm saying it's a good song. I ain't saying it

489
00:22:16,840 --> 00:22:19,720
Speaker 3: ain't a good song. It's definitely a hit. It's a hit,

490
00:22:20,680 --> 00:22:23,800
Speaker 3: but I'm talking about my passion and level. When I

491
00:22:23,840 --> 00:22:26,480
Speaker 3: first heard it, like in response, when they was in the.

492
00:22:26,440 --> 00:22:29,800
Speaker 1: Middle of the fight, it was like, oh my goodness,

493
00:22:29,880 --> 00:22:32,760
Speaker 1: he just right brought the missile out. You know what

494
00:22:32,800 --> 00:22:33,120
Speaker 1: I'm saying.

495
00:22:33,160 --> 00:22:38,560
Speaker 3: When they played it back yesterday, you know it was

496
00:22:38,640 --> 00:22:40,480
Speaker 3: hit and still, but it didn't give me what he

497
00:22:40,960 --> 00:22:41,440
Speaker 3: gave me.

498
00:22:41,520 --> 00:22:43,800
Speaker 2: I ain't gonna lie that ten times harder yesterday with

499
00:22:43,800 --> 00:22:44,920
Speaker 2: them niggas on the stage.

500
00:22:45,240 --> 00:22:47,120
Speaker 1: See, I don't look view it like that.

501
00:22:47,400 --> 00:22:48,960
Speaker 2: It's just like when you hear a song at first

502
00:22:49,000 --> 00:22:50,639
Speaker 2: but there's no video to it. But then when they

503
00:22:50,680 --> 00:22:52,840
Speaker 2: dropped the video and made the song harder. Now it's

504
00:22:52,920 --> 00:22:53,159
Speaker 2: like that.

505
00:22:53,240 --> 00:22:55,640
Speaker 3: Yeah, but but but all them niggas. I don't never

506
00:22:55,800 --> 00:22:58,200
Speaker 3: view a bunch of niggas like that. Because I've been

507
00:22:58,280 --> 00:23:01,040
Speaker 3: told on. I know I can shut the door with

508
00:23:01,080 --> 00:23:03,040
Speaker 3: a couple of these niggas say let's kill each other,

509
00:23:03,040 --> 00:23:04,760
Speaker 3: and they ain't gonna want to do it, but they

510
00:23:04,840 --> 00:23:07,800
Speaker 3: up here, you know, I don't. I don't view a

511
00:23:07,840 --> 00:23:14,480
Speaker 3: bunch of niggas floating gangster ship, you did, I don't

512
00:23:14,560 --> 00:23:17,399
Speaker 3: view that that way. I view that like I'm saying, yo, bro,

513
00:23:17,760 --> 00:23:20,960
Speaker 3: this supposed to be you and this dude rapping like

514
00:23:21,480 --> 00:23:23,440
Speaker 3: wrap this thing all this gangster ship.

515
00:23:23,560 --> 00:23:24,760
Speaker 1: That don't do it for me.

516
00:23:25,040 --> 00:23:27,400
Speaker 2: Now it wasn't even again it's the culture, you know, Yeah,

517
00:23:27,440 --> 00:23:30,399
Speaker 2: I love, but it's.

518
00:23:30,280 --> 00:23:32,760
Speaker 3: Like in a boxing match if everybody get in the

519
00:23:32,840 --> 00:23:35,800
Speaker 3: ring with the other boxer, like we boxing like you

520
00:23:36,160 --> 00:23:36,800
Speaker 3: as much.

521
00:23:36,600 --> 00:23:39,280
Speaker 1: As y'all gang banging, throwing your ship up, y'all stay

522
00:23:39,359 --> 00:23:44,560
Speaker 1: outside the ring though we boxing this whole ship.

523
00:23:44,600 --> 00:23:47,680
Speaker 3: I started this ship with a drake this he come

524
00:23:47,760 --> 00:23:52,840
Speaker 3: out the thing boom right into what was the first song,

525
00:23:53,480 --> 00:23:58,399
Speaker 3: the neutralizing when he say, uh the famous actor we

526
00:23:58,480 --> 00:24:01,760
Speaker 3: once knew is yeah, he comes straight out of the

527
00:24:01,800 --> 00:24:02,560
Speaker 3: tunnel with that.

528
00:24:02,760 --> 00:24:05,520
Speaker 1: So he like this what he owned, bro. He was

529
00:24:05,520 --> 00:24:06,240
Speaker 1: selling shirts.

530
00:24:06,280 --> 00:24:10,360
Speaker 3: They had the the Chinese restaurant in Toronto.

531
00:24:10,440 --> 00:24:14,239
Speaker 1: Warn't it right, So he coming with this. But I

532
00:24:14,320 --> 00:24:15,760
Speaker 1: just think in a boxing match, you.

533
00:24:15,800 --> 00:24:18,520
Speaker 3: On all these niggas, like I'm talking about our culture

534
00:24:18,560 --> 00:24:21,920
Speaker 3: for us salute for the gang banging world, salute.

535
00:24:21,960 --> 00:24:24,560
Speaker 2: It was a show to entertainers. All the niggas was entertained.

536
00:24:24,600 --> 00:24:26,960
Speaker 1: But there was a show on riding on the back

537
00:24:27,000 --> 00:24:28,200
Speaker 1: of this and Drake.

538
00:24:28,840 --> 00:24:31,760
Speaker 2: And they're showing that this.

539
00:24:31,320 --> 00:24:33,639
Speaker 1: This Kelly, but they was.

540
00:24:33,960 --> 00:24:38,240
Speaker 3: But I'm saying, but I thought, Kelly, but I thought,

541
00:24:38,320 --> 00:24:39,800
Speaker 3: Kelly believe in the fair ones.

542
00:24:39,880 --> 00:24:41,879
Speaker 1: Let me get my fade cuz.

543
00:24:41,720 --> 00:24:43,160
Speaker 2: They still got a ride with days though.

544
00:24:43,280 --> 00:24:46,080
Speaker 1: Yeah, but let me get let Kendrick handle his fade.

545
00:24:46,280 --> 00:24:50,680
Speaker 1: It's over. Also, that's what you said, yes do I

546
00:24:50,720 --> 00:24:52,560
Speaker 1: don't think it. I think you know what it is.

547
00:24:52,680 --> 00:24:54,640
Speaker 2: Listen to the rest of the song, then agree with yeah.

548
00:24:54,920 --> 00:24:56,720
Speaker 1: And you know what, I think they ignite you.

549
00:24:56,920 --> 00:25:00,720
Speaker 3: I think I think when you bring this, I think

550
00:25:00,800 --> 00:25:03,520
Speaker 3: when you bring in the show aspect of it, right,

551
00:25:03,880 --> 00:25:06,360
Speaker 3: I think you not elevated it. I don't think it's

552
00:25:06,400 --> 00:25:09,399
Speaker 3: over at all. Now it's over. When you listen to that,

553
00:25:09,400 --> 00:25:11,840
Speaker 3: you understand what I'm saying. But I still called it.

554
00:25:11,880 --> 00:25:13,399
Speaker 2: He basically called it quitch and then moved on to

555
00:25:13,400 --> 00:25:14,240
Speaker 2: the sexy red shit.

556
00:25:15,040 --> 00:25:15,600
Speaker 1: It's over.

557
00:25:16,040 --> 00:25:18,480
Speaker 2: He done with it. He like, I'm gonna tell you

558
00:25:18,480 --> 00:25:20,920
Speaker 2: what he said to himself. I ain't gonna lie that, nigga,

559
00:25:21,000 --> 00:25:24,119
Speaker 2: kip me. Fuck it, I'm rich, I'm drake. I'm finna

560
00:25:24,160 --> 00:25:25,960
Speaker 2: keep doing what I'm doing. Fuck it, it's over. I

561
00:25:26,040 --> 00:25:28,080
Speaker 2: lost one. He even said it, he said, I lost

562
00:25:28,119 --> 00:25:32,399
Speaker 2: one on does no fast forward a little like thirty seconds?

563
00:25:32,480 --> 00:25:32,840
Speaker 1: More? Man?

564
00:25:35,080 --> 00:25:37,600
Speaker 2: All right, there you go. It's more intimates.

565
00:25:37,760 --> 00:25:40,480
Speaker 5: I'm praying you recall both in both incidents, but your

566
00:25:40,480 --> 00:25:43,120
Speaker 5: piece of shit, so this shit really know coincidence? Trait

567
00:25:43,240 --> 00:25:44,600
Speaker 5: is not a name that you can see on the

568
00:25:44,720 --> 00:25:47,600
Speaker 5: sexistent that it is easy. Does it?

569
00:25:47,640 --> 00:25:50,720
Speaker 1: Make sure you get his face in this flag. He

570
00:25:50,800 --> 00:25:52,480
Speaker 1: is not impressed at all.

571
00:25:53,400 --> 00:25:54,639
Speaker 2: I expect the way better for me.

572
00:25:56,320 --> 00:25:56,480
Speaker 1: Now.

573
00:25:56,520 --> 00:25:59,399
Speaker 3: I will say the response to the the a minor

574
00:25:59,480 --> 00:26:02,159
Speaker 3: with the d he made that ain't doing for me.

575
00:26:02,600 --> 00:26:05,280
Speaker 3: I don't think that ain't minor hit hard on the motherfucker.

576
00:26:05,320 --> 00:26:07,919
Speaker 3: When Kendrey said, you're trying to strike a chord, and

577
00:26:08,000 --> 00:26:11,960
Speaker 3: it's probably a minor that hit hard, he tried to

578
00:26:12,000 --> 00:26:15,480
Speaker 3: respond to that with this with that be major boy

579
00:26:15,560 --> 00:26:17,040
Speaker 3: didn't do what it was supposed to little and.

580
00:26:16,960 --> 00:26:20,159
Speaker 2: Then Lias easy does it you ain't. I listened to

581
00:26:20,280 --> 00:26:22,200
Speaker 2: ninety percent of that song. I never listened to it again.

582
00:26:22,720 --> 00:26:23,360
Speaker 2: One time.

583
00:26:26,160 --> 00:26:28,320
Speaker 5: I'll slitch and throw with the razor and through red

584
00:26:28,359 --> 00:26:30,560
Speaker 5: Cross air like that one flight throwing Lasier.

585
00:26:30,600 --> 00:26:32,240
Speaker 2: I'm your baby, mama, scrape.

586
00:26:31,960 --> 00:26:35,159
Speaker 5: Say, but that's fucking with Whitney's not really Bobby Brown's.

587
00:26:35,160 --> 00:26:38,399
Speaker 2: I never looked twice at no teenager. I'll fucking hit me.

588
00:26:39,160 --> 00:26:42,200
Speaker 2: It's like he hes trying to put himself out of.

589
00:26:43,680 --> 00:26:46,959
Speaker 5: Hate danger, stop irefusing by com mans. You may as

590
00:26:47,000 --> 00:26:48,880
Speaker 5: well keep the baby or shit you out.

591
00:26:48,680 --> 00:26:49,360
Speaker 1: The need for later.

592
00:26:49,760 --> 00:26:51,720
Speaker 5: I keep the fuck about your streaming data and you

593
00:26:51,760 --> 00:26:53,399
Speaker 5: can drop over there more recase.

594
00:26:53,480 --> 00:26:56,040
Speaker 1: I'll see you later and then maybe when you meet

595
00:26:56,080 --> 00:26:56,520
Speaker 1: your maker.

596
00:26:56,680 --> 00:26:57,720
Speaker 2: I don't want to fight.

597
00:26:57,520 --> 00:26:59,560
Speaker 1: With a woman, be the feature in nature.

598
00:27:00,240 --> 00:27:02,880
Speaker 5: If you're still pumping r Kelly, you good thing to save,

599
00:27:03,000 --> 00:27:04,439
Speaker 5: you said, if his.

600
00:27:04,560 --> 00:27:05,680
Speaker 2: Music and yours music.

601
00:27:06,080 --> 00:27:08,320
Speaker 1: Yeah, I remember what he said that. Damn. Now here's

602
00:27:08,359 --> 00:27:16,240
Speaker 1: what I'm thinking the pressure of getting back in there

603
00:27:16,400 --> 00:27:17,000
Speaker 1: too quick.

604
00:27:17,640 --> 00:27:20,400
Speaker 3: I think Drake gotta let his shit bake a little bit,

605
00:27:20,560 --> 00:27:21,840
Speaker 3: like he gotta sit and think.

606
00:27:23,680 --> 00:27:27,119
Speaker 1: Kendrick just seemed I don't know what the fuck happened.

607
00:27:27,359 --> 00:27:29,639
Speaker 2: I'm gonna be real with you. I already knew how

608
00:27:29,680 --> 00:27:32,960
Speaker 2: I was gonna go from the beginning, but I didn't know.

609
00:27:33,480 --> 00:27:35,960
Speaker 2: I ain't expect Kendrick to come back with it. You

610
00:27:36,119 --> 00:27:38,280
Speaker 2: not like us. I'm like, this nigga finna get into

611
00:27:38,280 --> 00:27:43,239
Speaker 2: this battle with this dude, Kendrick of wordplay Assassin, Like

612
00:27:43,400 --> 00:27:45,639
Speaker 2: that's something I know. I heard about Kendrick when I

613
00:27:45,640 --> 00:27:48,480
Speaker 2: was in prison. The wordplay is crazy on that boy.

614
00:27:48,680 --> 00:27:50,959
Speaker 2: That's the first time I actually compared somebody to Lil

615
00:27:51,000 --> 00:27:55,040
Speaker 2: Wayne from wordplay, well for wordplay wise, that's the first time.

616
00:27:55,040 --> 00:27:57,720
Speaker 2: I would never compare no rapper to law Wayne. Right,

617
00:27:57,880 --> 00:27:59,680
Speaker 2: that's the first time I was like, Yo, this nigga

618
00:27:59,720 --> 00:28:03,880
Speaker 2: really that Like, I'm like he from the get see

619
00:28:03,960 --> 00:28:05,840
Speaker 2: me and symbol you know something? And I say, yeah,

620
00:28:05,840 --> 00:28:08,680
Speaker 2: I know what I'm saying. And I said, and Drake

621
00:28:08,760 --> 00:28:14,399
Speaker 2: will come back with a bop to to to really like,

622
00:28:14,760 --> 00:28:16,720
Speaker 2: because that's that's a that's a that's a play. Yeah,

623
00:28:17,000 --> 00:28:19,840
Speaker 2: you're talking and you can make people bop with at

624
00:28:19,840 --> 00:28:22,520
Speaker 2: the same time. That's all you win. It's like Gucci

625
00:28:22,560 --> 00:28:24,480
Speaker 2: and Jeezy were doing it. You know what I'm saying

626
00:28:24,480 --> 00:28:26,760
Speaker 2: back in the day, but then Kendrick beat him at

627
00:28:26,800 --> 00:28:27,320
Speaker 2: his own game.

628
00:28:27,640 --> 00:28:28,840
Speaker 1: That's facts.

629
00:28:29,359 --> 00:28:31,520
Speaker 3: He is like he wouldn't pull the trigger. He waited

630
00:28:31,560 --> 00:28:33,400
Speaker 3: too long to pull the trigger. He suposed to pop

631
00:28:33,520 --> 00:28:36,479
Speaker 3: right out with his super power. But he don't respect

632
00:28:36,520 --> 00:28:37,040
Speaker 3: the opponent.

633
00:28:37,359 --> 00:28:40,680
Speaker 1: He never respected Kendrick as being as big as him.

634
00:28:40,960 --> 00:28:43,120
Speaker 3: As like in that strategy with him. And from the

635
00:28:43,200 --> 00:28:45,960
Speaker 3: beginning too, he was talking. Yeah, he was saying, come.

636
00:28:45,800 --> 00:28:48,600
Speaker 1: On out, Nigga, knocks down Nigga. I ain't going back to.

637
00:28:48,640 --> 00:28:54,320
Speaker 2: High research homeword like a real killer homeword. Yeah, he

638
00:28:54,400 --> 00:28:57,280
Speaker 2: was doing his homework. That's how you did that. When

639
00:28:57,280 --> 00:29:00,840
Speaker 2: you do your homewhere, you win. He was looking for

640
00:29:00,840 --> 00:29:04,200
Speaker 2: whatever he was on the top he was, and.

641
00:29:04,080 --> 00:29:06,280
Speaker 1: He took care of that. But I don't I don't

642
00:29:06,280 --> 00:29:07,800
Speaker 1: know if I agree that it's over.

643
00:29:08,080 --> 00:29:08,680
Speaker 2: It's over.

644
00:29:09,360 --> 00:29:10,120
Speaker 1: I don't know, bro.

645
00:29:10,200 --> 00:29:12,680
Speaker 2: When I said over, I mean like, I don't think

646
00:29:13,040 --> 00:29:16,440
Speaker 2: to be honest, one is over. No, round three is over.

647
00:29:16,600 --> 00:29:17,120
Speaker 2: It's old.

648
00:29:17,120 --> 00:29:18,400
Speaker 1: It's a twelve round fight.

649
00:29:18,480 --> 00:29:22,720
Speaker 2: Though the first round drake one, second round was a tie,

650
00:29:24,080 --> 00:29:26,520
Speaker 2: third round ship unanimous.

651
00:29:26,560 --> 00:29:30,880
Speaker 1: Man, you think it was a knockout, Yeah.

652
00:29:31,160 --> 00:29:33,360
Speaker 2: It wasn't. It wasn't a fair law. It was a

653
00:29:33,520 --> 00:29:35,440
Speaker 2: t k O bro fuck.

654
00:29:37,040 --> 00:29:37,800
Speaker 1: Fuck man.

655
00:29:38,240 --> 00:29:41,440
Speaker 2: Yeah, you know that when you when you get a

656
00:29:41,520 --> 00:29:42,920
Speaker 2: chancet to he know he's saying.

657
00:29:42,680 --> 00:29:45,640
Speaker 3: It, boy, he said that like he said, he said

658
00:29:45,680 --> 00:29:47,880
Speaker 3: that if you're gonna just lie by me being a

659
00:29:47,920 --> 00:29:49,400
Speaker 3: pedophile and all that.

660
00:29:49,360 --> 00:29:51,440
Speaker 2: Ship, yeah, he's like, I ain't gonna lie this song like.

661
00:29:51,760 --> 00:29:53,920
Speaker 3: He said hard he said, I ain't gonna lie bop

662
00:29:53,960 --> 00:29:56,200
Speaker 3: to it if it wasn't filled with lies and ship like.

663
00:29:56,320 --> 00:29:58,320
Speaker 1: Right right, right, you know what I mean, what do

664
00:29:58,400 --> 00:29:59,920
Speaker 1: you what do you think about lying though?

665
00:30:00,120 --> 00:30:02,720
Speaker 2: Like I would come with you, diss it, come with

666
00:30:02,840 --> 00:30:05,400
Speaker 2: battle rap. So yeah, of course you're always gonna say

667
00:30:05,400 --> 00:30:10,200
Speaker 2: the word ship. You can say P word though, P word.

668
00:30:10,200 --> 00:30:14,120
Speaker 2: That's something. But I don't know what they know. I

669
00:30:14,160 --> 00:30:16,760
Speaker 2: don't know what you know. We don't know. All we

670
00:30:16,760 --> 00:30:18,080
Speaker 2: could do is listening to joy the music.

671
00:30:18,200 --> 00:30:18,840
Speaker 1: Yea is it?

672
00:30:19,240 --> 00:30:20,960
Speaker 2: I can't get deep into it, right, I don't know

673
00:30:21,040 --> 00:30:22,120
Speaker 2: these people, you know, I'm saying.

674
00:30:22,240 --> 00:30:24,880
Speaker 3: Right, yeah, it's like, but I wouldn't respect a nigga

675
00:30:24,920 --> 00:30:27,360
Speaker 3: hitting me with that word, like that's what you're doing.

676
00:30:27,480 --> 00:30:27,760
Speaker 1: Nigga.

677
00:30:27,880 --> 00:30:30,600
Speaker 2: You can't just like fighting, but you can't fight to.

678
00:30:30,560 --> 00:30:32,240
Speaker 1: Do with it yeah, whatever he thought.

679
00:30:32,320 --> 00:30:33,920
Speaker 2: You got to accept You gotta accept that what you're

680
00:30:33,960 --> 00:30:35,120
Speaker 2: gonna stop and say what you're doing.

681
00:30:36,200 --> 00:30:38,480
Speaker 1: But let's get back to the analogy I was having.

682
00:30:38,680 --> 00:30:41,520
Speaker 1: So you feel as though that.

683
00:30:41,600 --> 00:30:45,080
Speaker 3: This isn't Kendrick trying to tag in a bunch of

684
00:30:45,120 --> 00:30:49,040
Speaker 3: support as it pertastes that Drake, you view this show

685
00:30:49,240 --> 00:30:53,520
Speaker 3: as not only for June teenth, but as like it's over.

686
00:30:53,760 --> 00:30:57,160
Speaker 1: This is the victory lap. This is it that a

687
00:30:57,240 --> 00:31:01,479
Speaker 1: real show? Dre there like he smoked.

688
00:31:01,560 --> 00:31:03,680
Speaker 2: Lebron's out there. Broun loved Drake.

689
00:31:06,160 --> 00:31:07,360
Speaker 1: I wonder what that's about.

690
00:31:08,240 --> 00:31:10,120
Speaker 2: I know it ain't no beep Lebron just love rap,

691
00:31:10,680 --> 00:31:11,280
Speaker 2: love music.

692
00:31:11,480 --> 00:31:15,440
Speaker 3: Can Drake feel away though he probably is?

693
00:31:15,440 --> 00:31:18,200
Speaker 1: Is it cool to feel away? Because you can't really

694
00:31:18,200 --> 00:31:18,680
Speaker 1: feel away?

695
00:31:18,680 --> 00:31:20,760
Speaker 3: I play for LA It's one of the biggest shows

696
00:31:20,760 --> 00:31:23,040
Speaker 3: in history in Los Angeles?

697
00:31:23,160 --> 00:31:24,880
Speaker 1: Right. I fuck with Kendrick too.

698
00:31:25,360 --> 00:31:29,120
Speaker 3: But it's like tough man because it's like, yo, bro,

699
00:31:29,200 --> 00:31:32,160
Speaker 3: I've been calling you big bruh, and right, you see

700
00:31:32,200 --> 00:31:32,800
Speaker 3: what I'm saying.

701
00:31:33,280 --> 00:31:35,240
Speaker 1: I wonder how Drake feel about that.

702
00:31:35,480 --> 00:31:40,080
Speaker 2: I know he ain't wrong for feeling type of way. Yeah, well,

703
00:31:40,120 --> 00:31:43,120
Speaker 2: what can you do? One thing I learned about his industry. Boy,

704
00:31:43,240 --> 00:31:45,440
Speaker 2: you can't get any your feelings. It's an ugly industry, right,

705
00:31:45,480 --> 00:31:47,160
Speaker 2: you can't get any feelings, bro, it'll.

706
00:31:47,040 --> 00:31:50,600
Speaker 1: Really fuck your creativity up. How fucked up this and everything?

707
00:31:51,000 --> 00:31:53,640
Speaker 2: How you looking at your double checking yourself? Like? Am

708
00:31:53,680 --> 00:31:56,160
Speaker 2: I the one that's tripper? Like? And when you're not tripping,

709
00:31:56,360 --> 00:31:58,600
Speaker 2: you're not tripping? This ship just really fucked up.

710
00:31:59,080 --> 00:32:01,200
Speaker 3: And then if you say something, they done got so

711
00:32:01,400 --> 00:32:04,080
Speaker 3: five with it that if you say something, they can

712
00:32:04,160 --> 00:32:06,760
Speaker 3: they can make it look like you're a hater. Right,

713
00:32:07,120 --> 00:32:10,160
Speaker 3: they got so fire they' insulated the sucker shit in

714
00:32:10,200 --> 00:32:13,240
Speaker 3: this industry, man, one than to where they can, damn it,

715
00:32:13,400 --> 00:32:15,240
Speaker 3: do anything. And if you come out and say, yo,

716
00:32:15,320 --> 00:32:18,560
Speaker 3: he owe me fifty grand by their deal, he hating

717
00:32:18,640 --> 00:32:19,560
Speaker 3: on such and such.

718
00:32:20,120 --> 00:32:22,040
Speaker 1: You know what I'm saying. Like now I'm telling y'all

719
00:32:22,080 --> 00:32:23,160
Speaker 1: like he told me this.

720
00:32:23,400 --> 00:32:25,960
Speaker 2: We person with a bigger influence go win nine times

721
00:32:25,960 --> 00:32:28,920
Speaker 2: out of team. That's what's fucked up wrong That ad

722
00:32:28,960 --> 00:32:32,720
Speaker 2: is wrong too. Person with the biggest influence go win. Hey, man,

723
00:32:32,880 --> 00:32:34,200
Speaker 2: that's why I just stayed. I stay out the way.

724
00:32:34,280 --> 00:32:34,360
Speaker 4: Bro.

725
00:32:34,480 --> 00:32:36,239
Speaker 3: There we got to man, I see you pushed up

726
00:32:36,240 --> 00:32:39,640
Speaker 3: by yourself man like Yeah, that's rare in this industry.

727
00:32:40,600 --> 00:32:40,800
Speaker 1: Yeah.

728
00:32:41,040 --> 00:32:42,640
Speaker 2: And I got that big song with Dolf too.

729
00:32:43,040 --> 00:32:46,040
Speaker 3: Yeah, let's talk about Dolph Manah, that's.

730
00:32:46,520 --> 00:32:50,040
Speaker 1: R P flipball, right, Let's talk about how you get

731
00:32:50,040 --> 00:32:50,880
Speaker 1: that song with him.

732
00:32:51,200 --> 00:32:52,400
Speaker 2: He's joining them a DM.

733
00:32:53,040 --> 00:32:55,160
Speaker 1: He was one of them too. He'll do that on.

734
00:32:55,960 --> 00:32:58,760
Speaker 2: And it's like, that's why, like when people say the

735
00:32:58,960 --> 00:33:02,000
Speaker 2: energy shit real is real, Because when I first got out,

736
00:33:02,320 --> 00:33:06,280
Speaker 2: it was Dolf. You know, I been fucking with Gucci Man,

737
00:33:06,480 --> 00:33:08,160
Speaker 2: I'm talking about the new guy when I got out

738
00:33:08,280 --> 00:33:17,640
Speaker 2: was Dolph, Dolph Future on school the you know, I've

739
00:33:17,680 --> 00:33:19,120
Speaker 2: been fucking with Ross and all the time I talking

740
00:33:19,160 --> 00:33:22,800
Speaker 2: about the newer guys, Gates, Kevin Gates. You know, I

741
00:33:22,840 --> 00:33:25,200
Speaker 2: was already bumping me in jail. Like when I got out,

742
00:33:25,240 --> 00:33:28,280
Speaker 2: I got put onto these guys. Like I'm listening to them.

743
00:33:28,280 --> 00:33:30,400
Speaker 2: I'm like, damn, I relate to this shit. Oh like

744
00:33:30,680 --> 00:33:33,160
Speaker 2: I'm one of the ones. I'm just younger. You feel me.

745
00:33:33,760 --> 00:33:37,200
Speaker 2: I started early. I'm like, damn, so I'm bumping these niggas.

746
00:33:37,200 --> 00:33:39,480
Speaker 2: These niggas was motivating me to push the music out.

747
00:33:39,520 --> 00:33:41,640
Speaker 2: I don't even know these niggas from the campaign. You

748
00:33:41,680 --> 00:33:44,680
Speaker 2: feel me worked, that's why I'm watching these niggas. I'm like,

749
00:33:45,200 --> 00:33:48,240
Speaker 2: all right, because I'm from Miami, can't nobody give me

750
00:33:48,280 --> 00:33:51,000
Speaker 2: no game. I'm in a whole different lane. There's no

751
00:33:51,080 --> 00:33:53,360
Speaker 2: rapper from Miami that's doing what I'm doing or did

752
00:33:53,440 --> 00:33:56,680
Speaker 2: what I did. Like the facts, I'm talking from Rick

753
00:33:56,760 --> 00:33:58,880
Speaker 2: Ross all the way down. I'm really outside for real.

754
00:33:59,280 --> 00:34:01,400
Speaker 2: These niggas ain't going through all I have to right,

755
00:34:01,440 --> 00:34:01,720
Speaker 2: I'm not.

756
00:34:01,760 --> 00:34:02,000
Speaker 1: I'm not.

757
00:34:02,040 --> 00:34:04,640
Speaker 2: I'm not glorifying it, but I really did that. I'm

758
00:34:04,680 --> 00:34:07,000
Speaker 2: really that for real, Like even with the trick Daddy's Like,

759
00:34:07,560 --> 00:34:09,560
Speaker 2: niggas always had niggas backing them. I ain't have nobody

760
00:34:09,600 --> 00:34:11,120
Speaker 2: backing me. You know what I'm saying. I had support.

761
00:34:11,400 --> 00:34:12,640
Speaker 2: I ain't have nobody backing me.

762
00:34:12,719 --> 00:34:13,280
Speaker 1: That's different.

763
00:34:13,360 --> 00:34:15,360
Speaker 2: I'm coming out the pockets, yes, lord, you know what

764
00:34:15,360 --> 00:34:15,680
Speaker 2: I'm saying.

765
00:34:15,680 --> 00:34:19,359
Speaker 3: It's different though, support versus backing, right, that's a different thing.

766
00:34:19,520 --> 00:34:23,480
Speaker 3: Back in its financial and protection and write a lot

767
00:34:23,560 --> 00:34:24,320
Speaker 3: go with that.

768
00:34:24,280 --> 00:34:27,640
Speaker 2: Right exactly. I ain't have that, Just like I pulled

769
00:34:27,680 --> 00:34:30,880
Speaker 2: up by myself. I started by myself. I had niggas,

770
00:34:30,880 --> 00:34:32,160
Speaker 2: I got niggas. You know what I'm saying.

771
00:34:32,360 --> 00:34:34,720
Speaker 1: Support? Yeah, I know, I know some of your niggas.

772
00:34:34,840 --> 00:34:35,719
Speaker 1: I know you got me right.

773
00:34:35,760 --> 00:34:38,919
Speaker 2: You know what I'm saying, Like, so when when?

774
00:34:39,040 --> 00:34:39,239
Speaker 1: When?

775
00:34:39,400 --> 00:34:41,200
Speaker 2: So the respect I get is different, you know what

776
00:34:41,200 --> 00:34:41,600
Speaker 2: I'm saying.

777
00:34:41,680 --> 00:34:45,359
Speaker 3: So do you do you think that? Do you think

778
00:34:45,400 --> 00:34:47,640
Speaker 3: you should be further tho or do you think thousand?

779
00:34:48,040 --> 00:34:51,960
Speaker 2: Everybody, everybody, nigga of my fans. I go to Chicago

780
00:34:52,080 --> 00:34:54,000
Speaker 2: right now, I get off the plant. Somebody yell my

781
00:34:54,080 --> 00:34:56,200
Speaker 2: name out so people look at I got a hundred sixty,

782
00:34:56,480 --> 00:34:59,120
Speaker 2: one hundred and sixty some thousand followers. I go any

783
00:34:59,160 --> 00:35:01,359
Speaker 2: state of promise I can. I'm not on anything. It's

784
00:35:01,360 --> 00:35:03,360
Speaker 2: gonna be one person called my name any state in

785
00:35:03,400 --> 00:35:03,960
Speaker 2: the country.

786
00:35:04,440 --> 00:35:05,000
Speaker 1: That's big.

787
00:35:05,880 --> 00:35:08,799
Speaker 2: I got hundreds of thousands of streams of Canada. I've

788
00:35:08,800 --> 00:35:12,279
Speaker 2: never been there. I don't. I never paid for a

789
00:35:12,320 --> 00:35:15,160
Speaker 2: stream of my life. You know what I'm saying. Everything organic,

790
00:35:15,440 --> 00:35:17,440
Speaker 2: That's how I know I could really be something huge

791
00:35:17,440 --> 00:35:20,440
Speaker 2: in this shit. With the right marketing. I never had

792
00:35:20,440 --> 00:35:21,120
Speaker 2: the right marketing.

793
00:35:21,360 --> 00:35:23,120
Speaker 1: What is the right marketing? What does that look?

794
00:35:23,160 --> 00:35:25,960
Speaker 2: Everything? Digital marketing? Now? Everything you gotta do you know

795
00:35:26,000 --> 00:35:26,560
Speaker 2: who to hire?

796
00:35:26,640 --> 00:35:27,879
Speaker 1: Do you know where to go? Now?

797
00:35:27,880 --> 00:35:31,040
Speaker 2: I do now? I do, Like I had to figure

798
00:35:31,040 --> 00:35:32,439
Speaker 2: it out on my own. Yeah, you know what I'm saying.

799
00:35:32,480 --> 00:35:35,200
Speaker 2: Everybody was stuck on the old school way. I remember

800
00:35:35,200 --> 00:35:37,759
Speaker 2: when it I remember when the first flip. I was

801
00:35:37,800 --> 00:35:40,680
Speaker 2: talking to me. It was like the end of twenty twenty,

802
00:35:40,680 --> 00:35:42,640
Speaker 2: early twenty twenty one. I said, bro, I think this

803
00:35:42,640 --> 00:35:45,279
Speaker 2: shit just changed, because he was like, you know, he's

804
00:35:45,320 --> 00:35:48,840
Speaker 2: still like, just you hard, just keep going. One of

805
00:35:48,880 --> 00:35:50,920
Speaker 2: them gonna catch, and when it catch, all the tickets

806
00:35:50,920 --> 00:35:52,839
Speaker 2: won and you out of here. You know what I'm saying,

807
00:35:52,880 --> 00:35:56,040
Speaker 2: which is the truth. But when it it's I said, nah,

808
00:35:56,040 --> 00:35:57,799
Speaker 2: I think this should just switch. So what you mean

809
00:35:58,719 --> 00:36:01,000
Speaker 2: the algorithm shit they talking about, I don't even know

810
00:36:01,000 --> 00:36:02,560
Speaker 2: how to pronounce it. Then, you know what I'm saying.

811
00:36:02,800 --> 00:36:05,480
Speaker 2: I'm like, I like, I'm thinking it's fake. But I'm like,

812
00:36:05,560 --> 00:36:08,640
Speaker 2: something switch. It ain't because I'm looking at different artists

813
00:36:08,640 --> 00:36:13,000
Speaker 2: that's trying to come up. It's like a block. Were

814
00:36:13,040 --> 00:36:15,680
Speaker 2: never gonna see another Drake, another Kendrick, another little one.

815
00:36:15,680 --> 00:36:16,440
Speaker 1: I think it's over with.

816
00:36:16,600 --> 00:36:19,440
Speaker 2: That's it's dead. We're never gonna so's it's never gonna

817
00:36:19,440 --> 00:36:22,200
Speaker 2: be a rapper to have a ten year, fifteen year

818
00:36:22,560 --> 00:36:25,919
Speaker 2: that's dead. Why you think that, like on top that's dead?

819
00:36:26,040 --> 00:36:26,719
Speaker 1: I think I would.

820
00:36:26,760 --> 00:36:29,239
Speaker 3: I would argue that streaming is why Drake has had

821
00:36:29,280 --> 00:36:30,280
Speaker 3: that long woman around.

822
00:36:30,640 --> 00:36:34,400
Speaker 2: No, when he first when he first came in, it

823
00:36:34,480 --> 00:36:37,239
Speaker 2: was still CDs a little bit. When he first came in,

824
00:36:37,280 --> 00:36:39,200
Speaker 2: it was just two thousand and nine people. I think

825
00:36:39,200 --> 00:36:40,480
Speaker 2: people still sucking CDs.

826
00:36:40,600 --> 00:36:42,640
Speaker 1: You bat two thousand and nine, ky don't got no

827
00:36:42,719 --> 00:36:45,000
Speaker 1: CD player? Yeah, it do.

828
00:36:45,320 --> 00:36:48,480
Speaker 2: Yeah, they started they started switching out later on though, Yeah,

829
00:36:48,480 --> 00:36:50,360
Speaker 2: in two thousand and nine. Yeah, I got two thousand and.

830
00:36:50,320 --> 00:36:52,440
Speaker 3: Eight when Drake was instrumental and a lot of them

831
00:36:52,440 --> 00:36:54,040
Speaker 3: streaming deals with Apple.

832
00:36:53,800 --> 00:36:54,640
Speaker 1: And ship like that.

833
00:36:55,400 --> 00:36:57,839
Speaker 2: Yeah, later on, he he's one of them babies. He's

834
00:36:57,880 --> 00:36:59,200
Speaker 2: one of the baby where he just came in like

835
00:36:59,239 --> 00:37:02,040
Speaker 2: right right right, So when it changed, he was already

836
00:37:02,120 --> 00:37:05,560
Speaker 2: Locke when it changed, he's already up. Remember YouTube came

837
00:37:05,600 --> 00:37:06,640
Speaker 2: out two thousand nine.

838
00:37:07,280 --> 00:37:11,880
Speaker 3: No eight seven, two thousand and six, because two thousand

839
00:37:11,880 --> 00:37:13,280
Speaker 3: and seven Soldier Boys shit.

840
00:37:13,200 --> 00:37:13,640
Speaker 1: Was on there.

841
00:37:14,920 --> 00:37:16,440
Speaker 2: Nah, No, I wasn't. It was in two thousand and six.

842
00:37:17,040 --> 00:37:18,680
Speaker 2: It was like two thousand and eight, two thousand nine.

843
00:37:18,520 --> 00:37:20,840
Speaker 1: Two thousand and seven Soldier board was on now m.

844
00:37:22,120 --> 00:37:24,080
Speaker 2: Yeah, two thousand seven, that's when social bub blew up.

845
00:37:26,000 --> 00:37:29,839
Speaker 3: Yeah, but he was on He was on YouTube two

846
00:37:29,840 --> 00:37:33,160
Speaker 3: thousand and five for launched on February fourteen.

847
00:37:33,280 --> 00:37:36,000
Speaker 1: Yeah, oh shit, you're right, Fedul fourteen, two thousand five.

848
00:37:36,040 --> 00:37:37,759
Speaker 2: A lot of a lot of the old a lot

849
00:37:37,800 --> 00:37:40,360
Speaker 2: of old videos that came out a long time ago.

850
00:37:40,960 --> 00:37:43,680
Speaker 2: They started two thousand and nine. That's why I figured.

851
00:37:43,400 --> 00:37:44,800
Speaker 1: That, Yeah, it's no.

852
00:37:45,000 --> 00:37:48,880
Speaker 3: Five so like if because what happened was YouTube was

853
00:37:49,400 --> 00:37:51,759
Speaker 3: like you're saying that, there was a flip happening, and

854
00:37:51,800 --> 00:37:54,600
Speaker 3: the record labels didn't respect it, so they they it

855
00:37:54,640 --> 00:37:56,640
Speaker 3: took them four five six years before they.

856
00:37:56,640 --> 00:37:58,440
Speaker 1: Started to upload to YouTube. Right.

857
00:37:58,719 --> 00:38:01,720
Speaker 3: It was people like sold your Boy like online, while

858
00:38:01,760 --> 00:38:03,720
Speaker 3: you would go on have to download.

859
00:38:03,360 --> 00:38:04,840
Speaker 1: Music like it was.

860
00:38:05,680 --> 00:38:09,839
Speaker 3: This ecosystem wasn't respected by the business yet. So that's

861
00:38:09,840 --> 00:38:11,960
Speaker 3: why you don't see a lot of those older interviews.

862
00:38:11,960 --> 00:38:15,960
Speaker 3: They were still traditional using bt MTV shit like that.

863
00:38:16,120 --> 00:38:18,160
Speaker 3: Now niggas that go on YouTube and if they can

864
00:38:18,160 --> 00:38:21,759
Speaker 3: get a million views, two million views, they're moving like

865
00:38:21,960 --> 00:38:24,800
Speaker 3: that that song is actually moving. But yeah, two thousand

866
00:38:24,840 --> 00:38:28,520
Speaker 3: and seven was Soldier Boy, Okay, So yeah, but I

867
00:38:28,560 --> 00:38:31,000
Speaker 3: would argue that Drake has had the long run that

868
00:38:31,080 --> 00:38:34,719
Speaker 3: he has had because of streaming because it opens up

869
00:38:35,280 --> 00:38:39,120
Speaker 3: the dollar amount that your customer can give you. Right,

870
00:38:39,239 --> 00:38:42,640
Speaker 3: you'll burn out your customer. After they buy this album

871
00:38:42,680 --> 00:38:44,880
Speaker 3: two or three times, you may can get forty dollars

872
00:38:44,920 --> 00:38:49,320
Speaker 3: from each person. That's if they love you, like Michael Jackson,

873
00:38:49,440 --> 00:38:52,120
Speaker 3: somebody like that. They've done bought that same Thriller album

874
00:38:52,160 --> 00:38:53,640
Speaker 3: four or five different times.

875
00:38:53,960 --> 00:38:54,760
Speaker 1: Right, you might.

876
00:38:54,680 --> 00:38:58,800
Speaker 3: Get fifteen dollars a piece for that. But now with streaming,

877
00:38:59,160 --> 00:39:01,760
Speaker 3: if they continue to listen to it for thirty years,

878
00:39:01,760 --> 00:39:04,200
Speaker 3: you continue to make money off of it. And so

879
00:39:04,280 --> 00:39:06,839
Speaker 3: those numbers keep you at the top of that algorithm.

880
00:39:07,080 --> 00:39:08,239
Speaker 2: That's only if you don't buy it.

881
00:39:08,560 --> 00:39:10,880
Speaker 3: If you buy it, yeah, but nobody down there. If

882
00:39:10,880 --> 00:39:14,480
Speaker 3: you download it, yeah, but people not buying it the

883
00:39:14,520 --> 00:39:16,640
Speaker 3: whole the whole trick was to make.

884
00:39:16,840 --> 00:39:18,920
Speaker 2: Because when you're on a plane, you can't listen to

885
00:39:18,960 --> 00:39:21,200
Speaker 2: it unless you unless you download them buy it.

886
00:39:21,120 --> 00:39:24,880
Speaker 3: Or unless you now that's that's there's an audience to

887
00:39:24,960 --> 00:39:27,880
Speaker 3: buy it. But Apple and them, Apple, Spotify and these

888
00:39:27,920 --> 00:39:32,120
Speaker 3: streaming platforms has put an extraordinary amount of money in

889
00:39:32,280 --> 00:39:34,680
Speaker 3: changing the behavior of the music listener.

890
00:39:35,200 --> 00:39:37,040
Speaker 2: I don't like it. I'd rather go back to the

891
00:39:37,080 --> 00:39:39,960
Speaker 2: old way. Right, you get a million streams that ain't

892
00:39:40,000 --> 00:39:43,120
Speaker 2: no money, bro, But if you get a million people

893
00:39:43,120 --> 00:39:45,560
Speaker 2: to buy your song, you out of here. Yes, you

894
00:39:45,560 --> 00:39:48,239
Speaker 2: get what I'm saying, Like a million streams equivalent to

895
00:39:48,320 --> 00:39:49,760
Speaker 2: like with three four thousand dollars.

896
00:39:50,160 --> 00:39:51,719
Speaker 1: Come on that, right, that ain't nothing.

897
00:39:51,760 --> 00:39:55,640
Speaker 2: That's insane, bro, You got a million people listen to

898
00:39:55,640 --> 00:39:57,799
Speaker 2: your ship. A million fucking people is a lot of

899
00:39:57,800 --> 00:40:00,160
Speaker 2: fucking people. Bro, super you're supposed to be rich S's

900
00:40:00,160 --> 00:40:02,560
Speaker 2: off to million people. So if a million people buy

901
00:40:02,600 --> 00:40:05,400
Speaker 2: your songs just like back, then you automatically platinum, right

902
00:40:05,920 --> 00:40:08,160
Speaker 2: it take now, will take you one hundred million, one

903
00:40:08,200 --> 00:40:11,520
Speaker 2: hundred and fifty million streams to go platinum. One hundred

904
00:40:11,560 --> 00:40:12,960
Speaker 2: and fifty million people got to listen to much it

905
00:40:13,040 --> 00:40:15,239
Speaker 2: to go platinum before only a million people had to

906
00:40:15,280 --> 00:40:16,560
Speaker 2: go buy my shit or.

907
00:40:16,560 --> 00:40:20,320
Speaker 1: A million people do one hundred times? See that's diamond. Yeah.

908
00:40:20,560 --> 00:40:23,360
Speaker 3: The other well, no, I'm saying, a million people listening

909
00:40:23,400 --> 00:40:25,440
Speaker 3: to it one hundred times can still give you one

910
00:40:25,480 --> 00:40:29,120
Speaker 3: hundred million versus one hundred million people listening to it.

911
00:40:29,520 --> 00:40:30,840
Speaker 1: So that's what they're counting on.

912
00:40:30,960 --> 00:40:34,279
Speaker 2: They're counting on million people ten times. Oh a million people. Yeah,

913
00:40:34,320 --> 00:40:34,760
Speaker 2: that's true.

914
00:40:34,960 --> 00:40:36,799
Speaker 3: You see what I'm saying see that's what they counting on.

915
00:40:36,880 --> 00:40:39,600
Speaker 3: They counting on that, they're not locking it up. So

916
00:40:39,840 --> 00:40:42,919
Speaker 3: a million people spending ten dollars, you're gonna get rich.

917
00:40:42,960 --> 00:40:46,400
Speaker 3: And I agree that's the business model that rappers should

918
00:40:46,440 --> 00:40:49,799
Speaker 3: want to do. But the problem is is they're up

919
00:40:49,840 --> 00:40:52,080
Speaker 3: against these mega corporations.

920
00:40:52,120 --> 00:40:53,160
Speaker 1: They're spending all.

921
00:40:53,239 --> 00:40:56,520
Speaker 3: Their money to change the behavior of the music listener

922
00:40:56,600 --> 00:40:59,640
Speaker 3: and make them stream because they got deals with the

923
00:40:59,719 --> 00:41:02,360
Speaker 3: lay and they get paid. You see what I'm saying.

924
00:41:02,440 --> 00:41:05,600
Speaker 3: So they it's you fighting. It's you're fighting against the

925
00:41:05,640 --> 00:41:08,319
Speaker 3: machine when you're doing that, which for people like you,

926
00:41:08,520 --> 00:41:10,680
Speaker 3: I say do that because that's what you gotta do.

927
00:41:10,800 --> 00:41:13,719
Speaker 3: For people like Russe LARUSSEO, all these people do that shit.

928
00:41:13,800 --> 00:41:17,960
Speaker 3: I just interview Larussell, like hell, he has a situation

929
00:41:18,000 --> 00:41:20,760
Speaker 3: where his fans can kind of do like a crowdfunding

930
00:41:20,800 --> 00:41:24,280
Speaker 3: of his music where they own percentages of it by

931
00:41:24,320 --> 00:41:28,680
Speaker 3: investing in it, and he'll accept the deal, but he

932
00:41:28,719 --> 00:41:31,560
Speaker 3: don't tell you a number, so he this is him

933
00:41:31,600 --> 00:41:32,400
Speaker 3: testing his fans.

934
00:41:32,400 --> 00:41:34,200
Speaker 1: You don't know who's looking at you, bro.

935
00:41:34,560 --> 00:41:37,000
Speaker 3: It could be a billion dollar nigga that don't got

936
00:41:37,040 --> 00:41:39,840
Speaker 3: no connections in the rap world that love your shit,

937
00:41:40,239 --> 00:41:43,520
Speaker 3: that'll buy that motherfucker for fifty grand. So he'll put

938
00:41:43,520 --> 00:41:46,000
Speaker 3: it out and just say give what you can or

939
00:41:46,640 --> 00:41:49,319
Speaker 3: send me an offer and you'll get an email back

940
00:41:49,400 --> 00:41:52,399
Speaker 3: of now at this time, won't do that. Oh yeah,

941
00:41:52,440 --> 00:41:55,840
Speaker 3: we'll entertain that offer. So he opens it up. You

942
00:41:55,880 --> 00:41:56,520
Speaker 3: know what I'm saying.

943
00:41:56,600 --> 00:41:59,080
Speaker 1: Sometimes you gotta flirt with your audience to see what's

944
00:41:59,120 --> 00:42:01,120
Speaker 1: in there, right, you know what I'm saying.

945
00:42:02,600 --> 00:42:04,479
Speaker 3: Yeah, it's gotta see what's in there because you don't

946
00:42:04,480 --> 00:42:07,680
Speaker 3: know who looking. You can have motherfucker from the Middle East.

947
00:42:08,040 --> 00:42:11,040
Speaker 3: Like then, people in Saudi that like boxing is putting

948
00:42:11,040 --> 00:42:12,160
Speaker 3: all their money in boxing.

949
00:42:12,520 --> 00:42:15,600
Speaker 1: They don't really speak English and all of that. They

950
00:42:15,600 --> 00:42:18,120
Speaker 1: don't give a damn about niggas like that. They love

951
00:42:18,200 --> 00:42:20,839
Speaker 1: to fight though, yeah, right, and so they might.

952
00:42:21,320 --> 00:42:24,080
Speaker 3: They are the people putting mega fights together that nobody

953
00:42:24,080 --> 00:42:27,120
Speaker 3: else can get because the money in boxing. They'll come

954
00:42:27,160 --> 00:42:29,720
Speaker 3: and just get Hey, what you want twenty million, Come on, man, let's.

955
00:42:29,520 --> 00:42:29,960
Speaker 1: Get it done.

956
00:42:30,360 --> 00:42:32,239
Speaker 3: They don't even blink twice at it because they got

957
00:42:32,239 --> 00:42:34,920
Speaker 3: they kind of money. It's the same with your customer.

958
00:42:35,440 --> 00:42:38,160
Speaker 3: People that's listening. You don't know. You know what I'm saying,

959
00:42:38,200 --> 00:42:41,560
Speaker 3: You gotta fuck with it to see, but nah, I

960
00:42:41,560 --> 00:42:43,719
Speaker 3: think I think Drake has had that kind of run

961
00:42:43,800 --> 00:42:44,680
Speaker 3: because of streaming.

962
00:42:44,719 --> 00:42:47,719
Speaker 1: Man, I don't know. You think you think you think

963
00:42:47,760 --> 00:42:50,319
Speaker 1: that there'll never be another huge.

964
00:42:50,120 --> 00:42:53,080
Speaker 2: Artist that's on top for ten years fifty dollars dead.

965
00:42:54,920 --> 00:42:58,320
Speaker 2: Notice why everybody, everybody that came out because they overst

966
00:42:58,440 --> 00:43:01,560
Speaker 2: they fucked the game up, like they overset it. They

967
00:43:01,600 --> 00:43:04,799
Speaker 2: oversaturated sh like I don't even know how to explain it.

968
00:43:04,840 --> 00:43:06,920
Speaker 2: They just they know what they did. They fucked it up.

969
00:43:07,320 --> 00:43:10,239
Speaker 2: Now you a dope ass artist after three months, four months,

970
00:43:10,239 --> 00:43:14,440
Speaker 2: you don't want to hear no more. They oversaturate them

971
00:43:14,640 --> 00:43:17,520
Speaker 2: like you get annoying, you know what I'm saying. Plus,

972
00:43:17,560 --> 00:43:19,640
Speaker 2: I ain't gonna lot music not to say no more either though,

973
00:43:19,920 --> 00:43:22,279
Speaker 2: what you mean like the quality of the type of

974
00:43:22,360 --> 00:43:29,120
Speaker 2: music everything rushed? Yeah, nobody released before you, nigga. Majority

975
00:43:29,160 --> 00:43:31,439
Speaker 2: of the songs people coming out with now would never

976
00:43:31,480 --> 00:43:34,040
Speaker 2: make the cut. They be like, oh, yeah, this's a mixtape,

977
00:43:34,320 --> 00:43:37,040
Speaker 2: put this on that PIF live mixtapes. Yeah, we ain't

978
00:43:37,040 --> 00:43:39,640
Speaker 2: putting this out right, but now we got the freedom

979
00:43:39,680 --> 00:43:43,279
Speaker 2: to put that shit out, which made it easier. It

980
00:43:43,360 --> 00:43:47,279
Speaker 2: made it easier, but it's now like really Foriferal there's

981
00:43:47,320 --> 00:43:50,520
Speaker 2: still an underground just because we put the albums out.

982
00:43:50,520 --> 00:43:52,920
Speaker 2: It's still underground because it didn't take off yet.

983
00:43:52,920 --> 00:43:53,399
Speaker 1: You know what I'm saying.

984
00:43:53,440 --> 00:43:56,600
Speaker 3: Yeah, now for show, it's still an underground scene. It's

985
00:43:56,680 --> 00:43:59,600
Speaker 3: just it's in streaming. And I think that's who hurt

986
00:43:59,600 --> 00:44:03,240
Speaker 3: the most. The underground people hurt the most with streaming

987
00:44:03,320 --> 00:44:07,040
Speaker 3: because the underground made millionaires out of master p and

988
00:44:07,400 --> 00:44:09,480
Speaker 3: and some of these people that went out the Trump

989
00:44:10,080 --> 00:44:12,840
Speaker 3: even cash money. You can see fifty thousand copies and

990
00:44:12,920 --> 00:44:15,560
Speaker 3: really see some paper, right, you know what I'm saying Now,

991
00:44:15,600 --> 00:44:19,080
Speaker 3: if you got fifty thousand streams, it ain't doing nothing,

992
00:44:19,120 --> 00:44:21,160
Speaker 3: nothing at all. Yeah, And that's what you're saying. But

993
00:44:21,320 --> 00:44:24,400
Speaker 3: like I was telling you, is that with podcasts, we

994
00:44:24,440 --> 00:44:26,960
Speaker 3: get paid different on our million because of the length

995
00:44:27,040 --> 00:44:28,759
Speaker 3: of the actual.

996
00:44:28,480 --> 00:44:29,400
Speaker 2: Content the content.

997
00:44:29,719 --> 00:44:32,680
Speaker 3: Yeah, so the content a hour long, you get much

998
00:44:32,800 --> 00:44:33,759
Speaker 3: more ads in that.

999
00:44:33,960 --> 00:44:35,759
Speaker 1: Then then for three.

1000
00:44:35,760 --> 00:44:37,640
Speaker 2: Or four minutes, people always want to listen to a

1001
00:44:37,680 --> 00:44:40,759
Speaker 2: good conversation, Yeah, they love it. Think for artists, think

1002
00:44:40,760 --> 00:44:42,719
Speaker 2: about how hard it is from start from nothing to

1003
00:44:42,760 --> 00:44:45,200
Speaker 2: get fifty thousand people listening to you. Exactly, that's hard.

1004
00:44:45,440 --> 00:44:46,240
Speaker 1: It ain't worth.

1005
00:44:46,080 --> 00:44:48,160
Speaker 2: Nothing, worth nothing, That's what I'm trying to take you.

1006
00:44:48,239 --> 00:44:51,040
Speaker 2: But then they may say, well, aniga a nigga back

1007
00:44:51,040 --> 00:44:54,120
Speaker 2: in c D days, a nigga. All he gotta get.

1008
00:44:53,960 --> 00:44:57,399
Speaker 1: Is his hood. You can see good, he can see something. Yeah,

1009
00:44:57,680 --> 00:45:01,399
Speaker 1: he good and change you know what.

1010
00:45:01,520 --> 00:45:05,839
Speaker 3: But I think with doing ourselves with disservice by looking

1011
00:45:05,880 --> 00:45:10,680
Speaker 3: at it like fifty thousand streams represents fifty thousand people,

1012
00:45:11,400 --> 00:45:16,160
Speaker 3: because it doesn't. Fifty thousand streams can represent a multitude

1013
00:45:16,200 --> 00:45:19,600
Speaker 3: of things. It can represent ten thousand people listening five times.

1014
00:45:20,200 --> 00:45:24,160
Speaker 3: It can represent it's on this workout playlist and it's

1015
00:45:24,160 --> 00:45:27,880
Speaker 3: a passive listen something. They call it passive listen because

1016
00:45:27,920 --> 00:45:29,640
Speaker 3: they don't really even know what it is. They're just

1017
00:45:29,680 --> 00:45:32,680
Speaker 3: working out. It's on a playlist. Those are different than

1018
00:45:32,760 --> 00:45:35,560
Speaker 3: actual fans that are actually by merch that actually are

1019
00:45:35,640 --> 00:45:38,400
Speaker 3: tapped in with you, that fuck with you. Those are

1020
00:45:38,440 --> 00:45:40,880
Speaker 3: the people you got to identified. The job is to

1021
00:45:40,960 --> 00:45:46,960
Speaker 3: always serve everybody. Serve your viewers, your listeners, your fans.

1022
00:45:47,640 --> 00:45:52,200
Speaker 3: Out of those three, identify your customer, then serve your

1023
00:45:52,239 --> 00:45:55,640
Speaker 3: customer at a high level, but at the same time

1024
00:45:55,800 --> 00:46:00,000
Speaker 3: still be serving everybody. That's how you scale rap content.

1025
00:46:00,040 --> 00:46:02,399
Speaker 3: Sing inny of that shit you know what I'm saying.

1026
00:46:02,440 --> 00:46:05,759
Speaker 3: You're looking for your customers, even though because everybody looking

1027
00:46:05,800 --> 00:46:08,680
Speaker 3: ain't a customer. Everybody looking ain't gonna buy a shirt,

1028
00:46:08,719 --> 00:46:09,920
Speaker 3: ain't gonna come to a show.

1029
00:46:10,480 --> 00:46:13,120
Speaker 1: They just a fan. They watching, they viewing, they may

1030
00:46:13,160 --> 00:46:13,760
Speaker 1: be listening.

1031
00:46:14,360 --> 00:46:17,520
Speaker 3: How do I activate them or how do I locate

1032
00:46:17,560 --> 00:46:19,640
Speaker 3: the people that's actually gonna buy a ticket?

1033
00:46:19,840 --> 00:46:20,040
Speaker 2: Right?

1034
00:46:20,080 --> 00:46:20,800
Speaker 1: You know what I'm saying.

1035
00:46:20,880 --> 00:46:23,480
Speaker 3: And so it's shipped like that that people don't understand

1036
00:46:23,480 --> 00:46:26,080
Speaker 3: that they gotta work on their music, you know, and

1037
00:46:26,160 --> 00:46:26,960
Speaker 3: content world.

1038
00:46:27,040 --> 00:46:27,760
Speaker 1: You know what I'm saying.

1039
00:46:28,560 --> 00:46:32,759
Speaker 2: They say it's easier now, it's harder now to.

1040
00:46:32,760 --> 00:46:33,359
Speaker 1: What get on?

1041
00:46:34,520 --> 00:46:36,400
Speaker 2: Why you think that? I don't think it's hard to

1042
00:46:36,400 --> 00:46:39,520
Speaker 2: get clout now because I'm starting. I'm starting now. It

1043
00:46:39,560 --> 00:46:41,000
Speaker 2: ain't hard to get cloud. You gotta do some dumb

1044
00:46:41,040 --> 00:46:45,359
Speaker 2: ass ship. But I'm starting. I'm starting to. I feel

1045
00:46:45,400 --> 00:46:49,520
Speaker 2: like I feel like ship. Even with the streams. I

1046
00:46:49,520 --> 00:46:50,880
Speaker 2: feel like if I listen to it ten times and

1047
00:46:50,880 --> 00:46:53,200
Speaker 2: it ain't gonna be ten to ten streams, it's not

1048
00:46:53,239 --> 00:46:55,680
Speaker 2: gonna count a ten streams, you know. So I don't

1049
00:46:55,680 --> 00:46:56,000
Speaker 2: feel like.

1050
00:46:55,960 --> 00:46:57,319
Speaker 1: Why not ship?

1051
00:46:57,440 --> 00:46:59,359
Speaker 2: That was the case. I let my phones go all day.

1052
00:46:59,560 --> 00:47:03,160
Speaker 1: That's why they streaming form. They doing that. Motherfucker's doing that.

1053
00:47:05,080 --> 00:47:07,759
Speaker 2: I don't know. I don't know how that. I think

1054
00:47:07,800 --> 00:47:09,719
Speaker 2: matter fact, I think where streaming from. They stopped that

1055
00:47:09,719 --> 00:47:11,680
Speaker 2: ship where you can just keep streaming this shit. I

1056
00:47:11,680 --> 00:47:12,319
Speaker 2: think they stopped them.

1057
00:47:12,360 --> 00:47:12,520
Speaker 1: Bro.

1058
00:47:13,400 --> 00:47:15,040
Speaker 2: I think it's never I think it's per device.

1059
00:47:15,680 --> 00:47:17,960
Speaker 1: Could never stop it. It's per account.

1060
00:47:18,760 --> 00:47:21,359
Speaker 3: So the count per account, Yeah, per account, and they

1061
00:47:21,400 --> 00:47:24,360
Speaker 3: give away premium accounts to inflate their numbers.

1062
00:47:24,760 --> 00:47:26,919
Speaker 1: See, so they got a hand in it. You could

1063
00:47:26,960 --> 00:47:27,560
Speaker 1: never stop it.

1064
00:47:27,600 --> 00:47:31,279
Speaker 3: They may stop it being so aggressive. Where you what,

1065
00:47:31,520 --> 00:47:35,080
Speaker 3: some unknown nigga got six million streams? Right, they may

1066
00:47:35,120 --> 00:47:38,560
Speaker 3: flag his ship down, But there's a recipe.

1067
00:47:38,160 --> 00:47:40,200
Speaker 1: That you can do to get that shit moving.

1068
00:47:40,760 --> 00:47:42,600
Speaker 3: You dig what I'm saying. They can't stop it this

1069
00:47:42,760 --> 00:47:45,280
Speaker 3: tech war bro. You know what I'm saying. Like every

1070
00:47:45,280 --> 00:47:49,319
Speaker 3: time you every time a company, there's always hackers, and

1071
00:47:49,360 --> 00:47:52,160
Speaker 3: there's always defense to the hacking. You know what I'm saying,

1072
00:47:52,160 --> 00:47:55,880
Speaker 3: But they always gonna it's catting mounts. We're gonna hack it,

1073
00:47:55,880 --> 00:47:57,600
Speaker 3: then they gonna change something. We're gonna hack it, then

1074
00:47:57,640 --> 00:48:00,240
Speaker 3: they're gonna change something. It's just you know what I'm saying.

1075
00:48:00,320 --> 00:48:02,560
Speaker 3: That's what that's the same with the streaming farm. Shit

1076
00:48:02,760 --> 00:48:08,719
Speaker 3: is like bro I see on TikTok sometimes where motherfucker

1077
00:48:08,760 --> 00:48:14,000
Speaker 3: got a house with just phones just streaming music, like

1078
00:48:14,120 --> 00:48:17,880
Speaker 3: not even a house a warehouse with some shit like

1079
00:48:17,960 --> 00:48:21,399
Speaker 3: this with islands of phone this shit on TikTok right now,

1080
00:48:21,480 --> 00:48:22,480
Speaker 3: Nick can see this.

1081
00:48:23,200 --> 00:48:25,920
Speaker 1: You see what I'm saying, like this ain't no. This

1082
00:48:26,080 --> 00:48:26,640
Speaker 1: is working.

1083
00:48:27,000 --> 00:48:30,040
Speaker 3: And the reason it's working and the reason it doesn't

1084
00:48:30,080 --> 00:48:30,920
Speaker 3: work on Apple.

1085
00:48:31,160 --> 00:48:32,000
Speaker 1: See here's the thing.

1086
00:48:32,040 --> 00:48:37,000
Speaker 3: It doesn't work on Apple because they're all paid. You

1087
00:48:37,080 --> 00:48:40,920
Speaker 3: can't listen to Apple free. That's how that's the reason

1088
00:48:40,920 --> 00:48:44,799
Speaker 3: why Spotify shit is working is because they're giving away

1089
00:48:44,840 --> 00:48:48,479
Speaker 3: a lot of premium free sign up, get free, ninety

1090
00:48:48,560 --> 00:48:49,360
Speaker 3: d eight sign up.

1091
00:48:49,440 --> 00:48:51,319
Speaker 1: All you need is an email for that. And they're

1092
00:48:51,360 --> 00:48:52,480
Speaker 1: doing that so they can.

1093
00:48:52,360 --> 00:48:54,279
Speaker 3: Go to their stock people and say we got this

1094
00:48:54,440 --> 00:48:58,240
Speaker 3: minute subscribers. So they're not gonna stop doing that side

1095
00:48:58,280 --> 00:49:00,680
Speaker 3: of it. It inflates the numbers, make it look like

1096
00:49:00,719 --> 00:49:02,839
Speaker 3: more people are subscribed than actually are.

1097
00:49:03,360 --> 00:49:05,880
Speaker 1: You see what I'm saying. So they're never gonna do that.

1098
00:49:06,040 --> 00:49:11,479
Speaker 3: So them giving away those premium accounts is the reason why.

1099
00:49:11,600 --> 00:49:13,759
Speaker 3: That's the loophole that they got right now. But again

1100
00:49:13,800 --> 00:49:15,560
Speaker 3: once they pass that, it'll be something else.

1101
00:49:16,320 --> 00:49:17,000
Speaker 1: You know what I'm saying.

1102
00:49:17,040 --> 00:49:20,360
Speaker 3: But if you think you so, you don't think you

1103
00:49:20,760 --> 00:49:23,560
Speaker 3: don't Yeah, yeah, I'm telling you though, it can be that.

1104
00:49:23,680 --> 00:49:24,440
Speaker 2: I know it was one of them.

1105
00:49:25,080 --> 00:49:25,719
Speaker 1: Apple.

1106
00:49:25,960 --> 00:49:28,439
Speaker 3: You can't listen to a free They don't even want

1107
00:49:28,440 --> 00:49:30,520
Speaker 3: you over here. If you ain't got no ten dollars money,

1108
00:49:30,520 --> 00:49:31,319
Speaker 3: you're not over right.

1109
00:49:31,360 --> 00:49:32,799
Speaker 2: And that should be way more than ten dollars a

1110
00:49:32,800 --> 00:49:36,360
Speaker 2: month your Apple shit crazy man, I wake up and

1111
00:49:36,400 --> 00:49:39,800
Speaker 2: that's twenty dollars here, thirty dollars there, fun God damn

1112
00:49:41,200 --> 00:49:43,279
Speaker 2: every two weeks, every week. I'm not listening to this

1113
00:49:43,320 --> 00:49:44,719
Speaker 2: shit like that. I ain't downloading thathing.

1114
00:49:44,719 --> 00:49:46,920
Speaker 1: And it ain't just that. What they also do is

1115
00:49:48,280 --> 00:49:48,959
Speaker 1: it's like they.

1116
00:49:48,960 --> 00:49:53,120
Speaker 3: Running some kind of scheme or scam where it's like

1117
00:49:54,280 --> 00:49:56,840
Speaker 3: your phone will fill up with data and then you

1118
00:49:56,920 --> 00:50:01,200
Speaker 3: gotta buy data from them to to just have your.

1119
00:50:01,120 --> 00:50:02,120
Speaker 1: Apps on your phone.

1120
00:50:02,440 --> 00:50:04,560
Speaker 3: It's like something going on. That's why you see all

1121
00:50:04,640 --> 00:50:07,879
Speaker 3: them charges. At least me, I see charges for data

1122
00:50:07,880 --> 00:50:10,919
Speaker 3: I don't have to I mean, not data, but storage

1123
00:50:11,320 --> 00:50:14,440
Speaker 3: storage I done had to buy. I see charges for

1124
00:50:15,160 --> 00:50:18,760
Speaker 3: my Apple Music, Apple TV, sit just and they all separate.

1125
00:50:18,840 --> 00:50:21,400
Speaker 1: That's what I don't like. Yeah, that's what made me

1126
00:50:21,400 --> 00:50:23,760
Speaker 1: think they scam it. It's like it's separate.

1127
00:50:23,800 --> 00:50:25,480
Speaker 2: She look what they're doing the new iPhones.

1128
00:50:25,520 --> 00:50:27,920
Speaker 3: You gotta buy charger, you gotta buy a charge to

1129
00:50:27,960 --> 00:50:29,560
Speaker 3: the new i'n buy a charger.

1130
00:50:30,480 --> 00:50:31,680
Speaker 2: It don't coming no charger.

1131
00:50:32,440 --> 00:50:35,440
Speaker 1: I didn't know that crazy. Yeah, I didn't know that. Whooping,

1132
00:50:36,640 --> 00:50:37,160
Speaker 1: I didn't know.

1133
00:50:37,400 --> 00:50:39,080
Speaker 2: I think they said they made a couple of billion

1134
00:50:39,120 --> 00:50:40,480
Speaker 2: dollars just all the charges a.

1135
00:50:40,520 --> 00:50:43,680
Speaker 3: Loon Yeah that see, it's another source of revenue. They

1136
00:50:43,719 --> 00:50:47,960
Speaker 3: call it a line item. They put another line on eating.

1137
00:50:48,000 --> 00:50:48,160
Speaker 1: Man.

1138
00:50:48,960 --> 00:50:52,400
Speaker 3: What I remember back in the day, when what do

1139
00:50:52,440 --> 00:50:54,799
Speaker 3: you think about rappers who come to Miami and then

1140
00:50:54,880 --> 00:50:56,160
Speaker 3: act like they run Miami?

1141
00:51:00,440 --> 00:51:06,680
Speaker 2: H yeah, references that act like I mean, you know,

1142
00:51:07,000 --> 00:51:10,120
Speaker 2: sometimes they just be they they start tapping in with

1143
00:51:10,160 --> 00:51:13,520
Speaker 2: certain people and think, oh, because I'm with this person,

1144
00:51:14,320 --> 00:51:17,960
Speaker 2: and they on what they on? Oh yeah, we it's

1145
00:51:17,960 --> 00:51:21,279
Speaker 2: gold time. I'm untouchable. Nah, Miami ain't built like that, bro,

1146
00:51:22,360 --> 00:51:23,239
Speaker 2: Miami don't give a fuck.

1147
00:51:23,560 --> 00:51:26,080
Speaker 1: Got politics and I ain't got politics like that.

1148
00:51:26,320 --> 00:51:29,560
Speaker 2: No, Miami got politics. Everybody for self. Yeah, you could

1149
00:51:29,600 --> 00:51:32,480
Speaker 2: have one hundred bodies, I got one. I don't give

1150
00:51:32,480 --> 00:51:34,080
Speaker 2: a funk. I'm gonna treat you like you got my one.

1151
00:51:34,160 --> 00:51:36,120
Speaker 2: I don't. I won't give a fuck like if you

1152
00:51:36,480 --> 00:51:38,040
Speaker 2: if you that type of nigga. You know what I'm saying.

1153
00:51:38,160 --> 00:51:40,040
Speaker 2: Nigga have a thousand bodies. That shouldn't mean nothing to me. Bro,

1154
00:51:41,960 --> 00:51:43,680
Speaker 2: All it take is one bullet to kill you. That's

1155
00:51:43,719 --> 00:51:45,080
Speaker 2: how I see it. I don't give a fuck what

1156
00:51:45,120 --> 00:51:46,719
Speaker 2: you done did. If I got the ups one, You're

1157
00:51:46,719 --> 00:51:48,800
Speaker 2: gonna take you out. I won't give no fuck. You

1158
00:51:48,840 --> 00:51:51,000
Speaker 2: know what I'm saying, right, that's the Miami mentality, though,

1159
00:51:51,200 --> 00:51:53,040
Speaker 2: you know what I'm saying. So I'm gonna be real

1160
00:51:53,120 --> 00:51:56,480
Speaker 2: to can't nobody run Miami. I'm saying it on camera

1161
00:51:56,880 --> 00:51:59,440
Speaker 2: like this is this is stuff people from Miami. No

1162
00:51:59,440 --> 00:52:01,439
Speaker 2: nobody can run Miami. You can't come out and say

1163
00:52:01,440 --> 00:52:03,239
Speaker 2: I run Miami. No you did, right?

1164
00:52:03,320 --> 00:52:03,839
Speaker 1: It's rap.

1165
00:52:04,000 --> 00:52:07,120
Speaker 2: Yeah, yeah, nobody run Miami. Nobody. Yeah, It's always been

1166
00:52:07,160 --> 00:52:08,080
Speaker 2: like that. Your open field.

1167
00:52:08,080 --> 00:52:08,200
Speaker 1: Bro.

1168
00:52:09,239 --> 00:52:11,319
Speaker 2: You you stay over there. I'm still over here. You

1169
00:52:11,360 --> 00:52:13,719
Speaker 2: respect me, I'll saying you, well, clap it up. Cool? No,

1170
00:52:13,960 --> 00:52:15,560
Speaker 2: I don't know you could be the toughest nigga. You

1171
00:52:15,800 --> 00:52:16,680
Speaker 2: nobody run Miami?

1172
00:52:16,920 --> 00:52:17,120
Speaker 1: Right?

1173
00:52:17,160 --> 00:52:18,840
Speaker 2: It just built like that. It's been like that forever

1174
00:52:18,920 --> 00:52:19,640
Speaker 2: since I've been born.

1175
00:52:19,760 --> 00:52:22,760
Speaker 1: Yeah you feel me? Yeah? Do you uh? You respect

1176
00:52:22,800 --> 00:52:24,880
Speaker 1: Trick Daddy? And then what's your relationship with Trick there?

1177
00:52:24,880 --> 00:52:26,080
Speaker 2: I ain't got no relationship with him.

1178
00:52:26,640 --> 00:52:27,640
Speaker 1: And he from Miami?

1179
00:52:27,760 --> 00:52:28,520
Speaker 2: Yeah, from Miami.

1180
00:52:28,960 --> 00:52:30,560
Speaker 1: Why you don't have a relationship with Trick?

1181
00:52:30,600 --> 00:52:35,160
Speaker 2: Them nigga's different, brouh. They don't really like they fuck

1182
00:52:35,200 --> 00:52:37,839
Speaker 2: with who they fuck with. They don't really, I mean,

1183
00:52:37,920 --> 00:52:41,080
Speaker 2: I don't them. Niggas ain't really like trying to put

1184
00:52:41,120 --> 00:52:43,359
Speaker 2: young niggas on. You know what I'm saying. He put

1185
00:52:43,440 --> 00:52:46,719
Speaker 2: Iceberg on? Who is that Iceberg? He he from? He

1186
00:52:46,760 --> 00:52:49,040
Speaker 2: from Miami. He was at one point in time, he

1187
00:52:49,120 --> 00:52:51,520
Speaker 2: was that like round two thousand and eight two nine

1188
00:52:51,560 --> 00:52:54,480
Speaker 2: on a down, Yeah he was. He was like the

1189
00:52:54,480 --> 00:52:56,440
Speaker 2: little Wayne in Miami. He had this ship popping.

1190
00:52:56,800 --> 00:52:58,240
Speaker 1: Feel me shout out the bird.

1191
00:52:59,640 --> 00:53:01,799
Speaker 2: But I ain't got no relationship with him me. You know,

1192
00:53:01,800 --> 00:53:04,040
Speaker 2: I try to holler at him before, try to pay

1193
00:53:04,120 --> 00:53:07,239
Speaker 2: him for a feature, but he ain't want to do it.

1194
00:53:07,719 --> 00:53:09,880
Speaker 2: He ain't barely let me tell him what I wanted.

1195
00:53:10,520 --> 00:53:13,160
Speaker 2: He just like he just pointed to his manager.

1196
00:53:13,480 --> 00:53:14,520
Speaker 1: Yeah, well I don't like it.

1197
00:53:15,040 --> 00:53:16,200
Speaker 2: I ain't like, bro.

1198
00:53:16,200 --> 00:53:17,839
Speaker 1: From Miami, don't do that to me.

1199
00:53:18,120 --> 00:53:21,359
Speaker 2: Yeah, and I and I'm you see how I look.

1200
00:53:21,440 --> 00:53:23,759
Speaker 2: But when he did that, I just I ain't even

1201
00:53:23,760 --> 00:53:25,120
Speaker 2: carry on with it. I an't go to the manager,

1202
00:53:25,280 --> 00:53:25,680
Speaker 2: walked off.

1203
00:53:25,719 --> 00:53:27,719
Speaker 1: I was like, that's an industry shit.

1204
00:53:27,760 --> 00:53:29,600
Speaker 2: I'll be that's me, swallow my pride. I don't really

1205
00:53:29,640 --> 00:53:32,040
Speaker 2: do shit like that, you feel, but I'll be seeing

1206
00:53:32,040 --> 00:53:33,759
Speaker 2: a bigger picture, you know what I'm saying.

1207
00:53:33,800 --> 00:53:36,320
Speaker 1: But you might have had to talk to yourself twenty minutes.

1208
00:53:36,080 --> 00:53:38,480
Speaker 2: To even do that, right, and people had to tell

1209
00:53:38,520 --> 00:53:41,239
Speaker 2: me just do it. I don't like, but that's the

1210
00:53:41,280 --> 00:53:43,560
Speaker 2: Miami and me. It took me to live somewhere else

1211
00:53:43,560 --> 00:53:45,600
Speaker 2: to get me, for me to get out there, to

1212
00:53:45,640 --> 00:53:47,719
Speaker 2: get out of that ship and to notice that I

1213
00:53:47,800 --> 00:53:52,080
Speaker 2: was fucked up because and why you don't the last

1214
00:53:52,120 --> 00:53:55,680
Speaker 2: person that took off from Miami was Rick ross Over

1215
00:53:55,680 --> 00:53:58,480
Speaker 2: besides the city girls. But it took a nigga from

1216
00:53:58,520 --> 00:54:01,920
Speaker 2: out of town to living up right. Yeah, you know

1217
00:54:01,960 --> 00:54:04,960
Speaker 2: what I'm saying. Nobody from Miami, just like with me.

1218
00:54:05,160 --> 00:54:08,440
Speaker 2: Me took a nigga from out of town, right. I

1219
00:54:08,480 --> 00:54:11,480
Speaker 2: ain't no overnight nigga. I ain't no. I really had

1220
00:54:11,520 --> 00:54:14,319
Speaker 2: my section buzzn't right, you feel me like niggas fuck

1221
00:54:14,360 --> 00:54:15,400
Speaker 2: with me down there hard?

1222
00:54:15,520 --> 00:54:16,000
Speaker 1: You feel me?

1223
00:54:16,560 --> 00:54:18,560
Speaker 2: I got, I got more respect than these niggas in

1224
00:54:18,560 --> 00:54:19,000
Speaker 2: the streets.

1225
00:54:19,120 --> 00:54:23,399
Speaker 1: Yeah, for that's what I mean. But damn though, so so.

1226
00:54:23,480 --> 00:54:27,640
Speaker 3: Trick is tricks trick, I mean because trick legacy is

1227
00:54:27,680 --> 00:54:29,000
Speaker 3: something that people think is.

1228
00:54:29,560 --> 00:54:30,480
Speaker 1: He talked a lot of.

1229
00:54:30,480 --> 00:54:33,399
Speaker 3: Thub ship and right right, you know street ship. So

1230
00:54:34,880 --> 00:54:36,680
Speaker 3: I just don't understand why he wouldn't.

1231
00:54:37,000 --> 00:54:39,560
Speaker 2: Yeah, niggas grow U niggas grew up listening because you're

1232
00:54:39,560 --> 00:54:43,440
Speaker 2: from you, from the creeby, from Miami. But like me,

1233
00:54:43,680 --> 00:54:46,040
Speaker 2: me seeing what it what it is, I don't respect it.

1234
00:54:46,080 --> 00:54:47,840
Speaker 1: Do he got any respect in the street?

1235
00:54:48,640 --> 00:54:50,920
Speaker 2: I mean yeah, probably put his people, but like for

1236
00:54:50,960 --> 00:54:51,879
Speaker 2: the young niggas.

1237
00:54:51,600 --> 00:54:54,640
Speaker 3: Now right, they don't gets fucked up. They ain't lifting

1238
00:54:54,680 --> 00:54:57,480
Speaker 3: nobody up though they're not. What about Ross?

1239
00:54:58,360 --> 00:55:01,520
Speaker 2: Ross got people for Ross more. But Ross came with

1240
00:55:01,560 --> 00:55:05,600
Speaker 2: a different You feel me, niggas, niggas, I've been like

1241
00:55:06,239 --> 00:55:08,960
Speaker 2: since Ross came out, I was the ship he was talking.

1242
00:55:08,960 --> 00:55:11,680
Speaker 2: I relate to it more like he was letting me know,

1243
00:55:11,840 --> 00:55:13,360
Speaker 2: like you could be a boss. You know what I'm saying,

1244
00:55:13,719 --> 00:55:15,680
Speaker 2: Like I like that type of ship like you feel

1245
00:55:15,680 --> 00:55:17,719
Speaker 2: me like from the beginning, I was at the every

1246
00:55:17,800 --> 00:55:20,399
Speaker 2: Damn Hustling video shoot. I'm a young nigga, like, oh

1247
00:55:20,440 --> 00:55:22,799
Speaker 2: you was there, Yeah, I'm there at the tree Market

1248
00:55:23,160 --> 00:55:25,480
Speaker 2: damn Yeah, before the video show. I just see Ross.

1249
00:55:25,680 --> 00:55:28,120
Speaker 2: He riding around probably four five magnums. He got the

1250
00:55:28,120 --> 00:55:30,800
Speaker 2: Booby boy shirt on. There was I'm trapping out of

1251
00:55:30,840 --> 00:55:32,719
Speaker 2: care City. I'm you know, I got a bomb sack

1252
00:55:32,800 --> 00:55:35,799
Speaker 2: on me like you feel fourteen like you feel me

1253
00:55:35,880 --> 00:55:38,040
Speaker 2: like to ship the niggas. That's when every day in

1254
00:55:38,120 --> 00:55:40,600
Speaker 2: hustle is coming out of ship like that. But yeah, no,

1255
00:55:40,719 --> 00:55:42,160
Speaker 2: he you know, he came out different.

1256
00:55:42,239 --> 00:55:45,520
Speaker 1: He cool, but trick trick, ain't done nothing, trick game

1257
00:55:45,600 --> 00:55:49,160
Speaker 1: talking about nothing. Nah, Ross gave me a verse. Oh

1258
00:55:49,200 --> 00:55:49,680
Speaker 1: you gotta so.

1259
00:55:50,040 --> 00:55:53,000
Speaker 2: I sent the Sam sneak just very next day.

1260
00:55:53,640 --> 00:55:56,680
Speaker 1: Shout out the Ross for that love.

1261
00:55:56,760 --> 00:55:57,320
Speaker 2: I got numbers.

1262
00:55:57,440 --> 00:56:01,080
Speaker 1: Who else? Who else? Do the streets ever say shit

1263
00:56:01,160 --> 00:56:03,640
Speaker 1: about that sea old shit or they just let it die.