1 00:00:00,600 --> 00:00:04,480 Speaker 1: AJR is here. We love them, Yeah, we do pretty 2 00:00:04,559 --> 00:00:06,960 Speaker 1: pretty simple love them. And to be able to watch 3 00:00:07,000 --> 00:00:10,360 Speaker 1: them go from zero to when I actually going ten 4 00:00:10,520 --> 00:00:13,119 Speaker 1: to one thousand miles per hour. It wasn't overnight. They've 5 00:00:13,119 --> 00:00:15,680 Speaker 1: been working hard. But now you follow AJAR and you 6 00:00:15,720 --> 00:00:21,920 Speaker 1: see they're selling out massive, massive, massive venues. And there 7 00:00:22,480 --> 00:00:24,239 Speaker 1: they used to live together in an apartment down the 8 00:00:24,239 --> 00:00:27,000 Speaker 1: street from Madison Square Garden here in New York. They 9 00:00:27,040 --> 00:00:29,200 Speaker 1: used to walk by it and it was always standing 10 00:00:29,200 --> 00:00:31,480 Speaker 1: there in front of them. And now they're going to 11 00:00:31,480 --> 00:00:33,600 Speaker 1: play Madison Square Garden. We're gonna talk about it. 12 00:00:33,720 --> 00:00:35,960 Speaker 2: They played our jingle Ball and they were probably one 13 00:00:35,960 --> 00:00:39,600 Speaker 2: of the best performers up there. They were insane. 14 00:00:39,920 --> 00:00:43,280 Speaker 1: And if you're an AJR fan, you're you know exactly 15 00:00:43,360 --> 00:00:46,040 Speaker 1: what we're talking about. They do have this loyal, loyal 16 00:00:46,240 --> 00:00:49,360 Speaker 1: fan base. If you want to talk about it, we're 17 00:00:49,360 --> 00:00:50,960 Speaker 1: you good. Yeah, make sure I look. 18 00:00:50,880 --> 00:00:52,240 Speaker 3: Okay, look beautiful. 19 00:00:52,760 --> 00:00:56,000 Speaker 2: My my, my, My hands smell like onions from that breakfast. 20 00:00:56,400 --> 00:00:57,760 Speaker 1: Well, don't touch them, yeah, better not. 21 00:00:57,800 --> 00:00:59,800 Speaker 2: Don't sniff my fingers, don't stick your fingers in there. 22 00:00:59,840 --> 00:01:06,560 Speaker 1: No, Here we go live from the Mercedes Benz Interview 23 00:01:06,600 --> 00:01:14,000 Speaker 1: Lounge A Jr. Guys, Hello, you don't ask Jack any 24 00:01:14,080 --> 00:01:17,800 Speaker 1: questions you can ask Jack asked Jack what he doesn't 25 00:01:17,800 --> 00:01:18,560 Speaker 1: even a microphone? 26 00:01:18,600 --> 00:01:19,480 Speaker 2: He lost his voice. 27 00:01:20,120 --> 00:01:24,679 Speaker 1: This is like when we interviewed Marshmallow, So you would 28 00:01:24,680 --> 00:01:28,960 Speaker 1: never believe we had Marshmallow in. And I'm like, and hey, so, uh, 29 00:01:29,000 --> 00:01:30,880 Speaker 1: I guess I can't ask you anything because you don't 30 00:01:31,280 --> 00:01:31,960 Speaker 1: you don't talk. 31 00:01:32,000 --> 00:01:33,200 Speaker 4: So he just sat here in silence. 32 00:01:33,600 --> 00:01:36,399 Speaker 1: Yes, he had a friend with him who said, well, look, 33 00:01:36,440 --> 00:01:39,280 Speaker 1: I'm not Marshmallow, but I will answer you with an answer. 34 00:01:39,360 --> 00:01:40,760 Speaker 1: I think he will say, that's weird. 35 00:01:40,920 --> 00:01:43,520 Speaker 2: We also interviewed Wilson the volleyball that one time we did, 36 00:01:43,720 --> 00:01:44,959 Speaker 2: and same kind of. 37 00:01:45,040 --> 00:01:46,560 Speaker 1: He actually had more to say than Jack's going to 38 00:01:46,600 --> 00:01:49,880 Speaker 1: say today. So Jack is on what's called vocal rest. Right, 39 00:01:49,960 --> 00:01:50,320 Speaker 1: that's right. 40 00:01:50,360 --> 00:01:51,800 Speaker 4: We've had kind of a crazy week because this is 41 00:01:51,880 --> 00:01:54,480 Speaker 4: album released weekend, we announced the tour and stuff. So 42 00:01:54,520 --> 00:01:55,480 Speaker 4: he lost his by something. 43 00:01:55,520 --> 00:01:56,480 Speaker 2: He said, it was your fault. 44 00:01:56,560 --> 00:01:57,720 Speaker 4: Oh did he say that? He did? 45 00:01:58,080 --> 00:02:01,360 Speaker 1: But Jack, you're my crophone is on, so ifever you 46 00:02:01,360 --> 00:02:04,200 Speaker 1: want to tap whatever? Does it work? 47 00:02:05,040 --> 00:02:07,680 Speaker 4: Okay? Two for no? One for yes, Okay. 48 00:02:07,440 --> 00:02:15,919 Speaker 1: I'm gonna mess that up. Let's practice. 49 00:02:14,560 --> 00:02:14,919 Speaker 5: I don't know. 50 00:02:16,160 --> 00:02:17,160 Speaker 1: It was just a rehearsal. 51 00:02:17,880 --> 00:02:20,360 Speaker 3: So when he's on vocal rest, are one of you 52 00:02:20,400 --> 00:02:23,239 Speaker 3: in charge for speaking for him, of speaking for him. 53 00:02:23,560 --> 00:02:26,040 Speaker 1: Adam Ryan, Adam Ryan, who's in charge of Adam Ryan? 54 00:02:26,040 --> 00:02:28,280 Speaker 4: And I'll take it. I can kind of read his thoughts, 55 00:02:28,440 --> 00:02:32,160 Speaker 4: can you. Yeah, he's feeling aroused right now. 56 00:02:33,760 --> 00:02:38,320 Speaker 3: One tap for yes, two for no. 57 00:02:39,760 --> 00:02:44,320 Speaker 1: He don't ask when he was tapping the microphone with Hey, So, 58 00:02:44,520 --> 00:02:46,680 Speaker 1: I don't how do we put the number of years 59 00:02:46,720 --> 00:02:48,679 Speaker 1: behind the amount of years we've known each other? 60 00:02:49,280 --> 00:02:49,440 Speaker 4: Uh? 61 00:02:49,840 --> 00:02:51,839 Speaker 1: Do we have an answered for that? Okay? 62 00:02:52,000 --> 00:02:52,480 Speaker 4: I think so. 63 00:02:52,520 --> 00:02:54,720 Speaker 5: I was thinking about this the first time we were 64 00:02:54,760 --> 00:02:57,239 Speaker 5: in the studio and did an interview with seven years ago. 65 00:02:57,280 --> 00:02:59,360 Speaker 5: But the very first thing we did with you, I 66 00:02:59,360 --> 00:03:05,080 Speaker 5: think ever was a shopping spree contest in Florida and Florida, Yeah, 67 00:03:05,120 --> 00:03:07,600 Speaker 5: in a mall, and it was the smallest stage we've 68 00:03:07,639 --> 00:03:09,880 Speaker 5: ever performed on I think in our entire lives. 69 00:03:10,440 --> 00:03:14,120 Speaker 1: You know what, the broward mall right, Well, the stages 70 00:03:14,160 --> 00:03:17,320 Speaker 1: are getting larger and larger, but one day they'll get smaller. 71 00:03:18,440 --> 00:03:23,600 Speaker 1: Welcome to my professional health. But uh, I don't know 72 00:03:23,639 --> 00:03:25,560 Speaker 1: where to start here. Let's start with the fact that 73 00:03:25,600 --> 00:03:27,200 Speaker 1: you three used to share an apartment. I mean not 74 00:03:27,240 --> 00:03:29,120 Speaker 1: far from Madison Square Garden, right. 75 00:03:29,000 --> 00:03:31,640 Speaker 4: That's right. We grew up in Chelsea and we made 76 00:03:31,720 --> 00:03:33,200 Speaker 4: all the music in our living room. At one point 77 00:03:33,240 --> 00:03:35,320 Speaker 4: we threw out our couch in order to get a 78 00:03:35,360 --> 00:03:36,240 Speaker 4: drum set. 79 00:03:36,760 --> 00:03:40,240 Speaker 1: Well I'm sure the couch was nasty anyway at that point. 80 00:03:39,840 --> 00:03:43,120 Speaker 1: But you used to walk past i'm assuming Madison Square 81 00:03:43,120 --> 00:03:45,640 Speaker 1: Garden and it would stand there taunting you like, Okay, 82 00:03:45,880 --> 00:03:47,640 Speaker 1: we're going to be there one day. And you played 83 00:03:47,640 --> 00:03:49,680 Speaker 1: there with with the jingle ball and things like that. 84 00:03:49,760 --> 00:03:54,880 Speaker 1: But you, ajar, You've got Madison Square Garden coming up. 85 00:03:55,000 --> 00:03:56,760 Speaker 4: Isn't that crazy? It's so crazy to see that on 86 00:03:56,760 --> 00:03:58,040 Speaker 4: the tour fest there talk. 87 00:03:57,840 --> 00:03:59,720 Speaker 1: About what that felt like when you were like, okay, 88 00:03:59,760 --> 00:04:01,840 Speaker 1: we're it's all confirmed, You're in for the garden. 89 00:04:01,960 --> 00:04:03,880 Speaker 4: I mean, that was just our number one goal of 90 00:04:03,920 --> 00:04:05,840 Speaker 4: this band. So you know, we started off street performing. 91 00:04:05,920 --> 00:04:08,040 Speaker 4: It was just our goal. If we can be an 92 00:04:08,080 --> 00:04:10,720 Speaker 4: arena band, we'll have made it in life, and everything 93 00:04:10,760 --> 00:04:13,080 Speaker 4: else after that will just be gravy. And we just 94 00:04:13,080 --> 00:04:15,080 Speaker 4: announced literally an arena tour with Madison Square. 95 00:04:15,080 --> 00:04:19,760 Speaker 1: Gary, thank you, thank you, And if you're like me 96 00:04:19,800 --> 00:04:22,760 Speaker 1: and your stalking AJR on socials. You guys love to 97 00:04:22,800 --> 00:04:25,040 Speaker 1: do the video with the crowd and the fans behind 98 00:04:25,080 --> 00:04:27,560 Speaker 1: you on the stage or behind the stage, or you're 99 00:04:27,640 --> 00:04:31,960 Speaker 1: on the whatever, and it always looks like arena is already. 100 00:04:32,160 --> 00:04:35,440 Speaker 1: It looks like you you fill up every room you 101 00:04:35,440 --> 00:04:35,919 Speaker 1: you go to. 102 00:04:36,160 --> 00:04:38,039 Speaker 4: Oh thank you man. Yeah, it's really just been tour 103 00:04:38,120 --> 00:04:40,320 Speaker 4: after tour. We played for three hundred people, and then 104 00:04:40,400 --> 00:04:42,560 Speaker 4: six hundred people, and then twelve hundred people. It was 105 00:04:42,640 --> 00:04:45,560 Speaker 4: just like doubling slowly. But there's nothing like arena. It's 106 00:04:45,600 --> 00:04:48,480 Speaker 4: just the canvas of what you get to put on stage. 107 00:04:48,480 --> 00:04:51,000 Speaker 4: Because you probably know, but we try to do crazy 108 00:04:51,000 --> 00:04:53,040 Speaker 4: things on stage, like magic tricks and illusion. 109 00:04:53,120 --> 00:04:54,800 Speaker 2: Well that's what I was gonna say. It's not just 110 00:04:54,880 --> 00:04:58,839 Speaker 2: a show, it's actually an experience when you guys perform. 111 00:04:59,080 --> 00:05:03,240 Speaker 2: My husband my son said after jingle Ball, aj are 112 00:05:03,320 --> 00:05:07,000 Speaker 2: by far our favorite performance because it's not just them singing, 113 00:05:07,360 --> 00:05:09,680 Speaker 2: it's you explaining how you come up with the songs 114 00:05:09,800 --> 00:05:12,679 Speaker 2: and sounds and different techniques. And it was insane. 115 00:05:12,760 --> 00:05:14,960 Speaker 4: Oh that's so say, that's our favorite thing to do. I 116 00:05:15,000 --> 00:05:16,599 Speaker 4: think we live in a world now where you kind 117 00:05:16,600 --> 00:05:19,440 Speaker 4: of know what you're gonna get everywhere you go. You know, 118 00:05:19,480 --> 00:05:21,320 Speaker 4: when I go to Bali, I'm gonna go to these 119 00:05:21,360 --> 00:05:23,599 Speaker 4: ten tourist spots because everybody else has already done it, 120 00:05:23,600 --> 00:05:25,719 Speaker 4: you can kind of expect it. We like putting on 121 00:05:25,720 --> 00:05:27,040 Speaker 4: a show where you get to go in and have 122 00:05:27,080 --> 00:05:29,000 Speaker 4: no idea what could possibly happen next. 123 00:05:29,120 --> 00:05:30,920 Speaker 1: By the way, maybe heard it. I'll tell you who 124 00:05:30,920 --> 00:05:33,000 Speaker 1: it was. When we said something a second ago, they 125 00:05:33,040 --> 00:05:35,120 Speaker 1: all got excited and Jack not speaking? 126 00:05:39,760 --> 00:05:41,279 Speaker 2: Is it killing you not to talk? Right now? 127 00:05:42,600 --> 00:05:43,280 Speaker 4: Dying inside? 128 00:05:43,720 --> 00:05:45,240 Speaker 1: I got to play a couple of songs from the 129 00:05:45,240 --> 00:05:46,679 Speaker 1: new album. We're gonna do that in a few minutes. 130 00:05:46,720 --> 00:05:48,400 Speaker 1: But there's a song we're not going to play, which 131 00:05:48,480 --> 00:05:51,039 Speaker 1: I just mean, I just read the lyrics. This is 132 00:05:51,040 --> 00:05:57,039 Speaker 1: a song I love. Steve's going to London. Sean stuck 133 00:05:57,080 --> 00:06:00,640 Speaker 1: in a suit, Tom sleeps on his best friend's lawn, 134 00:06:00,800 --> 00:06:02,160 Speaker 1: like every one afternoon. 135 00:06:02,760 --> 00:06:05,560 Speaker 4: You misread that one, Like every like. 136 00:06:05,839 --> 00:06:11,200 Speaker 1: Every other afternoon. Steve's going to London, Dad Dan Pete 137 00:06:11,240 --> 00:06:14,320 Speaker 1: in the pool, Tom fell for the best friend's mom. 138 00:06:14,440 --> 00:06:17,760 Speaker 1: But what the hell are you gonna do? This is 139 00:06:18,240 --> 00:06:19,240 Speaker 1: lyrical genius? 140 00:06:19,520 --> 00:06:20,599 Speaker 4: Thank you? What is this? 141 00:06:21,000 --> 00:06:25,480 Speaker 1: Steve? Okay? Steve goes to London? What is talk about? Yea, 142 00:06:25,640 --> 00:06:27,360 Speaker 1: what this song is about that? We're not gonna play 143 00:06:27,360 --> 00:06:28,880 Speaker 1: it you'll hear when you get the album, but go ahead. 144 00:06:29,440 --> 00:06:32,760 Speaker 4: So we try really hard to write songs about weird 145 00:06:32,760 --> 00:06:34,839 Speaker 4: topics that have never been written about before. We work 146 00:06:34,920 --> 00:06:38,599 Speaker 4: really hard on you know, painstakingly making every lyric perfect, 147 00:06:38,880 --> 00:06:40,520 Speaker 4: and we got kind of frustrated with that at the 148 00:06:40,600 --> 00:06:42,600 Speaker 4: end of the album process. So we wanted to write 149 00:06:42,600 --> 00:06:45,280 Speaker 4: a song just about nothing, just to distract you from 150 00:06:45,320 --> 00:06:48,320 Speaker 4: your difficult life, and we felt kind of uncomfortable about 151 00:06:48,320 --> 00:06:50,440 Speaker 4: writing a song about nothing, so we ended up making 152 00:06:50,440 --> 00:06:53,720 Speaker 4: it a song about writing a song about nothing. So 153 00:06:53,760 --> 00:06:55,719 Speaker 4: that's Steve's going on and go listen to it. Wow, 154 00:06:55,760 --> 00:06:59,960 Speaker 4: I wish I was stoned right now? Is some heady stuff. 155 00:07:00,920 --> 00:07:02,279 Speaker 1: What do you have? What do you have in your stash? 156 00:07:02,440 --> 00:07:02,600 Speaker 2: Oh? 157 00:07:02,680 --> 00:07:04,480 Speaker 3: I was wondering if we could submit ideas for your 158 00:07:04,520 --> 00:07:05,240 Speaker 3: random songs. 159 00:07:05,720 --> 00:07:08,240 Speaker 4: We can oh for the song concept? Yes, yes, please. 160 00:07:08,520 --> 00:07:10,680 Speaker 3: So we're thinking of working on a podcast called Can 161 00:07:10,720 --> 00:07:13,360 Speaker 3: I Touch It? It's all about animals, if they will 162 00:07:13,440 --> 00:07:15,280 Speaker 3: kill us or not? Could you guys make a song 163 00:07:15,320 --> 00:07:16,800 Speaker 3: about that? Can I Touch a Raccoon? 164 00:07:17,560 --> 00:07:20,120 Speaker 4: No, there's got to be like an emotional angle there, Okay, 165 00:07:20,480 --> 00:07:21,280 Speaker 4: emotional to me. 166 00:07:21,560 --> 00:07:23,920 Speaker 2: She's gonna get killed and then she's gonna be screaming 167 00:07:23,920 --> 00:07:26,080 Speaker 2: a head off when the freaking animal attacks. 168 00:07:26,080 --> 00:07:27,960 Speaker 1: I got another We have another podcast we wanted to. 169 00:07:28,040 --> 00:07:29,200 Speaker 3: Yeah, go ahead and talk about that one. 170 00:07:30,720 --> 00:07:31,360 Speaker 1: What is it called? 171 00:07:31,480 --> 00:07:32,080 Speaker 3: Will it hurt? 172 00:07:32,520 --> 00:07:34,960 Speaker 1: Will it hurt? If I stick my thing into it? 173 00:07:36,200 --> 00:07:37,680 Speaker 3: I think we're gonna just call it will it hurt 174 00:07:37,720 --> 00:07:37,960 Speaker 3: my thing? 175 00:07:38,080 --> 00:07:39,480 Speaker 1: Will it hurt my thingmotion? 176 00:07:39,920 --> 00:07:40,800 Speaker 4: There's an emotion today. 177 00:07:41,240 --> 00:07:42,720 Speaker 1: We were at a French restaurant to today and he 178 00:07:42,760 --> 00:07:44,640 Speaker 1: had one of those those hair dryers on the wall 179 00:07:45,240 --> 00:07:47,200 Speaker 1: and it looks like an evil machine that looks like 180 00:07:47,200 --> 00:07:48,880 Speaker 1: it would chop your head off if you put it 181 00:07:48,920 --> 00:07:51,480 Speaker 1: in there. So I'm wondering, so I asked him. I said, hey, 182 00:07:51,520 --> 00:07:53,720 Speaker 1: mister restaurant owner, do you think it would hurt if 183 00:07:53,720 --> 00:07:57,280 Speaker 1: I crammed my wiener in that thing? And then Gandhi said, 184 00:07:57,320 --> 00:08:00,680 Speaker 1: LOUI need to do a podcast podcast idea. That's where 185 00:08:00,680 --> 00:08:03,080 Speaker 1: your mind's pencil sharpener. I don't know if it'll fit there, 186 00:08:03,080 --> 00:08:05,040 Speaker 1: but you know, with a gatorade bottle, these are the 187 00:08:05,040 --> 00:08:06,480 Speaker 1: songs you should be writing. 188 00:08:06,560 --> 00:08:08,080 Speaker 3: Containers in the fridge. 189 00:08:08,360 --> 00:08:15,600 Speaker 1: We'll move on ell this you've changed. It's called I 190 00:08:15,640 --> 00:08:19,520 Speaker 1: was talking to Mario about this. It's called dementia. Oh, 191 00:08:19,600 --> 00:08:22,320 Speaker 1: you'll be there when I do. You want to talk 192 00:08:22,360 --> 00:08:25,600 Speaker 1: about something serious As you get the news that you're 193 00:08:25,640 --> 00:08:28,280 Speaker 1: going to play Madison Square Garden, I'm sure your father 194 00:08:28,560 --> 00:08:31,760 Speaker 1: came to mind immediately. Of course, their father passed away 195 00:08:31,760 --> 00:08:35,200 Speaker 1: not that long ago. Who was your I'm assuming that 196 00:08:35,400 --> 00:08:38,559 Speaker 1: one of the major backbones of you and your lives 197 00:08:38,640 --> 00:08:42,960 Speaker 1: and your career as well. Now that you guys are 198 00:08:43,000 --> 00:08:46,520 Speaker 1: just truly, truly full of propulsion out outer space with 199 00:08:46,559 --> 00:08:49,080 Speaker 1: what you're doing, how do you feel about your dad 200 00:08:49,120 --> 00:08:49,800 Speaker 1: looking down at you? 201 00:08:50,640 --> 00:08:52,800 Speaker 4: Well, it really sucks. He's not here. I gotta be honest, 202 00:08:52,800 --> 00:08:55,600 Speaker 4: that really sucks. He was our biggest fan, but also 203 00:08:55,679 --> 00:08:58,000 Speaker 4: he was just, you know, like the parents that tell 204 00:08:58,040 --> 00:09:00,160 Speaker 4: their kids everything they make is great, this song's hit, 205 00:09:00,200 --> 00:09:02,240 Speaker 4: this song saying that's not helpful to any kid. He 206 00:09:02,320 --> 00:09:04,680 Speaker 4: was like, really honest, he was like, hey, I don't 207 00:09:04,720 --> 00:09:07,280 Speaker 4: think this is up to your quality, you know. And 208 00:09:07,640 --> 00:09:10,320 Speaker 4: I remember when we were writing Okay Orchestra, our last album. 209 00:09:10,480 --> 00:09:12,280 Speaker 4: We wrote a bunch of bad songs in a row, 210 00:09:12,480 --> 00:09:14,600 Speaker 4: and he called me and said, these songs don't really 211 00:09:14,600 --> 00:09:16,640 Speaker 4: go anywhere I think you can do better, and I 212 00:09:16,640 --> 00:09:19,319 Speaker 4: remember going, screw him, he doesn't know what he's talking about. 213 00:09:19,520 --> 00:09:21,280 Speaker 4: Then the next day I was like, oh my god, 214 00:09:21,280 --> 00:09:22,720 Speaker 4: he's right. And the next song I wrote was World 215 00:09:22,760 --> 00:09:25,079 Speaker 4: Smallest Violin to kind of impress him. And now that's 216 00:09:25,120 --> 00:09:27,920 Speaker 4: like our biggest hit randomly, so I think that was 217 00:09:27,960 --> 00:09:30,600 Speaker 4: really helpful. It's really sad, but I think when you 218 00:09:30,640 --> 00:09:33,200 Speaker 4: go through something like that, when a parent dies, it's 219 00:09:33,440 --> 00:09:36,920 Speaker 4: really sad, but it's also really eye opening. You realize 220 00:09:36,960 --> 00:09:39,440 Speaker 4: what's important in life. And you kind of look at 221 00:09:39,480 --> 00:09:41,640 Speaker 4: him when when he was dying, the thing he wasn't 222 00:09:41,640 --> 00:09:44,120 Speaker 4: thinking about was social media likes, you know. The thing 223 00:09:44,120 --> 00:09:46,560 Speaker 4: he was thinking about was I'm surrounded by friends. I 224 00:09:46,640 --> 00:09:48,560 Speaker 4: made art that I really cared about because he was 225 00:09:48,559 --> 00:09:51,360 Speaker 4: an architect. I have family here, and that's a lot 226 00:09:51,360 --> 00:09:53,800 Speaker 4: of what this album is about. It's about what's important 227 00:09:53,840 --> 00:09:54,360 Speaker 4: in life. 228 00:09:54,559 --> 00:09:57,120 Speaker 1: Well, and as also as people in the room who've 229 00:09:57,160 --> 00:10:00,960 Speaker 1: lost parents, you really get to know them on a 230 00:10:00,960 --> 00:10:04,680 Speaker 1: new level after they leave you Oh wow, and it's 231 00:10:04,720 --> 00:10:07,200 Speaker 1: not you're like, God, I wish I would have thought 232 00:10:07,240 --> 00:10:09,160 Speaker 1: that about them when they was right in front of 233 00:10:09,160 --> 00:10:10,960 Speaker 1: me and I could hug them and talk to him 234 00:10:10,960 --> 00:10:13,160 Speaker 1: about it. But when they leave, you really start thinking 235 00:10:13,240 --> 00:10:16,679 Speaker 1: through all of the hallways of your relationship with them. 236 00:10:16,720 --> 00:10:18,320 Speaker 1: You're like, Okay, I think i'll know them in a 237 00:10:18,360 --> 00:10:20,960 Speaker 1: new way now and totally yeah, so he's always so 238 00:10:21,040 --> 00:10:22,439 Speaker 1: he's still with you in that regard. 239 00:10:22,520 --> 00:10:25,840 Speaker 5: And you know what else is crazy, it's really I 240 00:10:25,920 --> 00:10:28,040 Speaker 5: heard that. We have to think for this because he 241 00:10:28,160 --> 00:10:30,120 Speaker 5: did get to see us in Madison Square Garden, because 242 00:10:30,120 --> 00:10:32,480 Speaker 5: he did come to Jingle, So even though it wasn't 243 00:10:32,480 --> 00:10:35,320 Speaker 5: our headline show, he did get to see us do 244 00:10:35,440 --> 00:10:36,800 Speaker 5: that and perform on that stage. 245 00:10:36,920 --> 00:10:38,760 Speaker 2: Yes, he send you, guys signs like all the time, 246 00:10:38,800 --> 00:10:41,040 Speaker 2: because I know my dad sends me signs all the time. 247 00:10:41,200 --> 00:10:43,120 Speaker 4: Yeah, so he This is kind of dark. But he 248 00:10:43,160 --> 00:10:45,760 Speaker 4: died at exactly eleven eleven, which is like Angel hour 249 00:10:45,840 --> 00:10:48,040 Speaker 4: if you're spiritual. And now all the time we're seeing 250 00:10:48,080 --> 00:10:51,480 Speaker 4: eleven eleven everywhere. I literally got a tattoo that's eleven eleven. 251 00:10:52,400 --> 00:10:53,960 Speaker 4: He also used to call me Ace a lot. I 252 00:10:53,960 --> 00:10:55,760 Speaker 4: got a tattoo somewhere that's Ace, And now we see 253 00:10:55,800 --> 00:10:57,680 Speaker 4: Ace everywhere. What signs have you seen? 254 00:10:57,880 --> 00:11:00,839 Speaker 2: So when my dad passed and two days later I 255 00:11:00,880 --> 00:11:02,840 Speaker 2: went to my son's soccer game, and I had just 256 00:11:02,880 --> 00:11:05,120 Speaker 2: said to him, send me a sign, you know, and 257 00:11:05,320 --> 00:11:09,400 Speaker 2: a dog ran across the field okay, and there was 258 00:11:09,600 --> 00:11:12,800 Speaker 2: hundreds of people at this field, came to me, jumped 259 00:11:12,800 --> 00:11:15,160 Speaker 2: on me and licked my face. So then the lady 260 00:11:15,200 --> 00:11:16,680 Speaker 2: who owned it said, oh, my gosh, I'm so sorry. 261 00:11:16,720 --> 00:11:18,480 Speaker 2: I'm so sorry, and I said, oh, it's just fine. 262 00:11:18,520 --> 00:11:20,760 Speaker 2: What's the name of the dog. The dog's name was Aries. 263 00:11:21,000 --> 00:11:22,400 Speaker 2: That's my astrological sign. 264 00:11:22,480 --> 00:11:23,000 Speaker 4: Oh wow. 265 00:11:23,040 --> 00:11:25,040 Speaker 2: So right away I was like, that was my dad. 266 00:11:25,720 --> 00:11:28,160 Speaker 2: And it was two days later, so it was amazing. 267 00:11:28,280 --> 00:11:29,640 Speaker 4: Wow, you feel close to him. 268 00:11:30,600 --> 00:11:32,680 Speaker 1: Yep. Well, Adam, jack and Ryan. I'm going to play 269 00:11:32,679 --> 00:11:34,360 Speaker 1: a couple of songs here. But as we get into that, 270 00:11:34,400 --> 00:11:35,839 Speaker 1: as you know, Jackie is not speaking. He was in 271 00:11:35,920 --> 00:11:39,600 Speaker 1: vocal rest. Even though we are streaming digitally around the world, 272 00:11:39,600 --> 00:11:41,840 Speaker 1: there are still people listening to us on the radio 273 00:11:42,240 --> 00:11:45,360 Speaker 1: where we speak and through some magic, we end up 274 00:11:45,360 --> 00:11:47,120 Speaker 1: at the Empire State Building at the very top where 275 00:11:47,160 --> 00:11:49,760 Speaker 1: our transmitter is located. Not only is it beaming across 276 00:11:49,800 --> 00:11:51,679 Speaker 1: the land, it's also beaming into outer space. And I'm 277 00:11:51,679 --> 00:11:55,080 Speaker 1: assuming to Heaven as well. You want to tap I 278 00:11:55,080 --> 00:11:56,720 Speaker 1: love you to your dad. He's listening. 279 00:11:59,280 --> 00:11:59,679 Speaker 4: I love it. 280 00:12:00,040 --> 00:12:05,880 Speaker 1: You finally reason to have a transmitter. Still things, I 281 00:12:05,880 --> 00:12:07,640 Speaker 1: want to play songs. I got one call to get 282 00:12:07,679 --> 00:12:10,199 Speaker 1: to real quick from Vicky. Hello, Vicky, welcome to the show, 283 00:12:10,200 --> 00:12:11,280 Speaker 1: say he good morning to our friends. 284 00:12:12,080 --> 00:12:15,000 Speaker 2: Oh my god, hello Hello. 285 00:12:15,080 --> 00:12:17,760 Speaker 4: How's it going? Oh my god, I'm shaking. 286 00:12:17,800 --> 00:12:18,400 Speaker 3: I'm so great. 287 00:12:18,400 --> 00:12:22,040 Speaker 1: How are you doing so well? So ready to see 288 00:12:22,040 --> 00:12:24,360 Speaker 1: them in the concert? Or did you get some some tickets? 289 00:12:24,360 --> 00:12:24,920 Speaker 1: What's going on? 290 00:12:25,800 --> 00:12:25,920 Speaker 2: No? 291 00:12:26,120 --> 00:12:29,000 Speaker 3: So my sister sent me the Instagram announcement and we 292 00:12:29,040 --> 00:12:31,880 Speaker 3: both signed up for the free sale, and then we 293 00:12:31,920 --> 00:12:34,040 Speaker 3: texted each other that we needed to start looking for 294 00:12:34,080 --> 00:12:34,880 Speaker 3: a freaking. 295 00:12:34,640 --> 00:12:38,760 Speaker 4: Hat so that as close to the stage as we can. 296 00:12:39,360 --> 00:12:42,360 Speaker 3: You guys will wear the dang hat. 297 00:12:42,400 --> 00:12:44,800 Speaker 1: You need a jack hat, which is a great insult 298 00:12:44,880 --> 00:12:45,760 Speaker 1: for someone, Hey. 299 00:12:45,600 --> 00:12:46,320 Speaker 4: You jack hat. 300 00:12:49,440 --> 00:12:51,199 Speaker 2: I did a show in Philly. I said, this is 301 00:12:51,240 --> 00:12:53,160 Speaker 2: Bank Park and they had like the fanatic hat or 302 00:12:53,200 --> 00:12:53,719 Speaker 2: something like that. 303 00:12:54,040 --> 00:12:57,240 Speaker 3: Oh okay, you have to somehow. So she's talking like 304 00:12:57,280 --> 00:12:58,720 Speaker 3: there's a show and so I had a light up 305 00:12:58,760 --> 00:13:01,040 Speaker 3: hat and I was like, I need one of these people. 306 00:13:01,160 --> 00:13:03,480 Speaker 4: Okay, So what she's talking about a gag we do 307 00:13:03,559 --> 00:13:05,880 Speaker 4: sometimes on stage because I lost a hat that I 308 00:13:05,960 --> 00:13:08,719 Speaker 4: used to wear. So I often take a hat from 309 00:13:08,720 --> 00:13:10,319 Speaker 4: somebody in the audience to try it on, and it's 310 00:13:10,320 --> 00:13:12,719 Speaker 4: always like a funny, silly hat. So that's what she's 311 00:13:12,720 --> 00:13:14,120 Speaker 4: talking about. She's trying to get noticed. 312 00:13:14,800 --> 00:13:17,120 Speaker 1: Well, sure, sure, hope you get your tickets to that show. 313 00:13:20,080 --> 00:13:20,680 Speaker 2: I'm trying. 314 00:13:21,679 --> 00:13:23,440 Speaker 1: This is to see them in Philly. 315 00:13:23,880 --> 00:13:27,800 Speaker 2: Yeah, So if we knew somebody that could give you tickets. 316 00:13:27,559 --> 00:13:30,599 Speaker 1: Mario could probably get you some chickens. I'm gonna be 317 00:13:30,600 --> 00:13:34,240 Speaker 1: a pair of seats. Come on, mar Mario, the Republic 318 00:13:34,280 --> 00:13:35,800 Speaker 1: has stepped up to the plate. You've got a pair 319 00:13:35,800 --> 00:13:43,640 Speaker 1: of tickets. You're going to get your hat. Get a hat, 320 00:13:43,800 --> 00:13:44,600 Speaker 1: Go get a jack hat. 321 00:13:44,640 --> 00:13:47,120 Speaker 5: You know what's crazy. She's the first person in the 322 00:13:47,160 --> 00:13:49,640 Speaker 5: world to get tickets to this tour. 323 00:13:52,800 --> 00:13:54,720 Speaker 1: So we're taking a shot here. They're not even printed 324 00:13:54,720 --> 00:13:55,400 Speaker 1: and we gave them to you. 325 00:13:59,520 --> 00:14:01,199 Speaker 3: It's it's insert we're here. 326 00:14:01,240 --> 00:14:02,199 Speaker 4: I can't sail the radio. 327 00:14:02,800 --> 00:14:04,320 Speaker 3: That just be my whole life. Oh my god, thanks, 328 00:14:04,360 --> 00:14:04,720 Speaker 3: thank you. 329 00:14:04,760 --> 00:14:06,480 Speaker 1: By the way, don't call the attorney general because we 330 00:14:06,480 --> 00:14:08,240 Speaker 1: don't have We just gave away something that doesn't exist. 331 00:14:09,440 --> 00:14:14,320 Speaker 1: I'm not nervous at all. Well, thank you, thank you 332 00:14:14,360 --> 00:14:17,800 Speaker 1: so much for listening. Vicky, she's one of a billion 333 00:14:18,000 --> 00:14:18,920 Speaker 1: lovers of a j R. 334 00:14:19,080 --> 00:14:23,000 Speaker 4: Thanks Vicky. Oh, I love you guys. Thank you, Vicky. 335 00:14:23,600 --> 00:14:25,080 Speaker 1: I'm gonna play a song from the new album. Just 336 00:14:25,080 --> 00:14:26,720 Speaker 1: hold on, second, hold on? Can you give her a 337 00:14:26,720 --> 00:14:27,720 Speaker 1: pair of tickets that we don't have? 338 00:14:27,800 --> 00:14:28,040 Speaker 4: Thanks? 339 00:14:30,040 --> 00:14:33,280 Speaker 1: Also, you'll be with us as we close out iHeart 340 00:14:33,360 --> 00:14:37,240 Speaker 1: Radio's jingle Ball season on the stage for Y one 341 00:14:37,360 --> 00:14:40,680 Speaker 1: hundred with marsh Mellow. Marshmellow and Jack. 342 00:14:40,720 --> 00:14:42,960 Speaker 5: You guys can both not talk together, they said, do 343 00:14:43,000 --> 00:14:45,160 Speaker 5: an interview together Martmello and Jack. 344 00:14:45,440 --> 00:14:47,480 Speaker 1: That's gonna be an amazing show. All right, let's play. 345 00:14:47,600 --> 00:14:48,560 Speaker 1: Let's play some cuts. 346 00:14:48,360 --> 00:14:48,840 Speaker 4: From the album. 347 00:14:48,880 --> 00:14:50,440 Speaker 1: All right, all right, let's get it going. Of course, 348 00:14:50,920 --> 00:14:54,120 Speaker 1: the Maybe Man is out today. I like, yes, I'm 349 00:14:54,120 --> 00:14:57,160 Speaker 1: a mess awesome. I hope you do too, because that's 350 00:14:57,200 --> 00:15:03,600 Speaker 1: what we're playing a All right, who whistled? You guys 351 00:15:03,640 --> 00:15:05,400 Speaker 1: didn't whistle? You don't even know who the whistler was. 352 00:15:05,560 --> 00:15:08,800 Speaker 4: That was me. I was, yeah, with a lot of tuning. Help. 353 00:15:09,000 --> 00:15:10,400 Speaker 1: Jack has no voice, but I bet you have a 354 00:15:10,400 --> 00:15:12,080 Speaker 1: whistles can you? Can you whistle? 355 00:15:12,200 --> 00:15:14,960 Speaker 4: Oh my god, barely anything? 356 00:15:16,240 --> 00:15:19,240 Speaker 1: So, I mean, whistling is a weird little art My 357 00:15:19,320 --> 00:15:21,080 Speaker 1: dad used to whistle like all the time, to the 358 00:15:21,080 --> 00:15:22,440 Speaker 1: point where we wanted to beat him in the head 359 00:15:22,440 --> 00:15:24,920 Speaker 1: with the shovel, like stop stop. 360 00:15:25,000 --> 00:15:26,680 Speaker 4: It's fun in a song. It's like halfway between a 361 00:15:26,760 --> 00:15:29,200 Speaker 4: human voice and an instrument. You know that there was 362 00:15:29,240 --> 00:15:31,720 Speaker 4: a human behind it, right. It really catches your attention, 363 00:15:31,720 --> 00:15:33,840 Speaker 4: I think especially we really like this uh kind of 364 00:15:33,840 --> 00:15:38,120 Speaker 4: western cowboy feel. We've had this track for like four years, 365 00:15:38,120 --> 00:15:40,760 Speaker 4: and we rewrote this song like three or four different times, 366 00:15:40,920 --> 00:15:42,920 Speaker 4: but the whistle remained constant. We're like, we know there's 367 00:15:42,920 --> 00:15:45,520 Speaker 4: something special about this whistle. Then we finally found the concept. 368 00:15:45,520 --> 00:15:47,840 Speaker 1: It is very low, get on a horse and ride right. 369 00:15:47,920 --> 00:15:48,120 Speaker 4: Yeah. 370 00:15:48,160 --> 00:15:51,520 Speaker 1: I like tumbleweeds. I feel tumbleweeds are wrong, scary skill 371 00:15:51,640 --> 00:15:53,880 Speaker 1: scary as this weird whistle I whistled through my teeth. 372 00:15:55,440 --> 00:16:00,520 Speaker 1: Oh weird, weird face you make? That's his hands I 373 00:16:00,520 --> 00:16:04,000 Speaker 1: face all the time. All right, all right, So we're 374 00:16:04,000 --> 00:16:08,600 Speaker 1: celebrating the fact we're fixed. A gr album of the 375 00:16:08,600 --> 00:16:11,400 Speaker 1: Baby Man is extremely out. It is so out. It's 376 00:16:11,400 --> 00:16:15,240 Speaker 1: more out than me. Oh, let's go, let's play another 377 00:16:15,400 --> 00:16:15,920 Speaker 1: another one. 378 00:16:16,040 --> 00:16:16,720 Speaker 4: What are we playing? 379 00:16:16,880 --> 00:16:20,359 Speaker 1: So if Jack, do you know morse code. 380 00:16:21,600 --> 00:16:22,760 Speaker 3: It would be helpful for you to learn. 381 00:16:24,080 --> 00:16:24,800 Speaker 4: He knows nothing. 382 00:16:26,040 --> 00:16:28,240 Speaker 2: I would like to play charrates with you, though you look. 383 00:16:28,080 --> 00:16:29,360 Speaker 4: Like you can. 384 00:16:29,400 --> 00:16:30,800 Speaker 1: We do the schraates for the next song you want 385 00:16:30,800 --> 00:16:35,360 Speaker 1: to hear. It's three It's three words. Okay, Daniel, Daniel, Okay, Okay. 386 00:16:35,360 --> 00:16:38,960 Speaker 1: How do you do the first word? Okay, he's rubbing 387 00:16:39,000 --> 00:16:40,000 Speaker 1: his chest. 388 00:16:40,080 --> 00:16:43,400 Speaker 2: Touch, touching arm. 389 00:16:44,240 --> 00:16:45,840 Speaker 4: Second word, he's squeezing his arm. 390 00:16:46,040 --> 00:16:51,920 Speaker 1: Okay, he's doing something too, he's doing something, touch my 391 00:16:51,960 --> 00:16:59,560 Speaker 1: boot touch. The second word is he's touching himself. 392 00:16:59,240 --> 00:17:04,879 Speaker 2: To my feelings, touch my heart, touch my. 393 00:17:05,720 --> 00:17:11,440 Speaker 1: Feeling, feel my touch, touchy, touchy feely. What's the third word. 394 00:17:12,080 --> 00:17:18,960 Speaker 3: Touchy, feeling, happy, crossing, you're drunk, you're high, dumb, he 395 00:17:19,119 --> 00:17:21,080 Speaker 3: is crazy, goofy, stupid. 396 00:17:20,960 --> 00:17:26,359 Speaker 1: Stupid, to my touch my fool. We already found the 397 00:17:26,400 --> 00:17:32,080 Speaker 1: second word there it is, Wait, serio, is this the 398 00:17:32,160 --> 00:17:35,040 Speaker 1: name of the song? Oh? That's right. I heard the 399 00:17:35,040 --> 00:17:38,480 Speaker 1: whole album. I remember listening to this one a g 400 00:17:38,720 --> 00:17:41,080 Speaker 1: R touchy feely fool. Who's that giggling? 401 00:17:41,400 --> 00:17:41,760 Speaker 4: That was me? 402 00:17:41,960 --> 00:17:42,280 Speaker 3: Sorry? 403 00:17:42,920 --> 00:17:46,480 Speaker 1: I thought that was a part of the track. Was scary. 404 00:17:46,880 --> 00:17:48,080 Speaker 3: If you need me on stage to do that, I 405 00:17:48,080 --> 00:17:49,760 Speaker 3: got you, no problem, Yeah, I got you. 406 00:17:50,320 --> 00:17:50,399 Speaker 2: Here. 407 00:17:50,440 --> 00:17:51,560 Speaker 1: I can't turn their mind the way. 408 00:17:51,600 --> 00:17:54,240 Speaker 2: I think they're working on a Netflix special or something 409 00:17:54,440 --> 00:17:56,800 Speaker 2: because they got cameras rolling, so they're doing something that 410 00:17:56,880 --> 00:17:57,440 Speaker 2: they're not telling. 411 00:17:57,640 --> 00:18:01,640 Speaker 1: I hope you use the conversation we're just having while 412 00:18:01,680 --> 00:18:02,720 Speaker 1: we're playing Touchy. 413 00:18:02,480 --> 00:18:03,520 Speaker 4: Feelings on Prime. 414 00:18:03,600 --> 00:18:04,640 Speaker 2: I don't know what are you doing. 415 00:18:04,480 --> 00:18:07,000 Speaker 1: While we're playing Touchy Fieldy Fool, which is on the 416 00:18:07,080 --> 00:18:13,360 Speaker 1: Maybe ma'am, that's right, the fifth, fifth album, fifth album. 417 00:18:13,480 --> 00:18:17,479 Speaker 4: Yeah, that's right. Pretty crazy to say out loud. Well 418 00:18:17,520 --> 00:18:21,400 Speaker 4: you just did Jack say it out loud. No, don't look. 419 00:18:21,400 --> 00:18:24,080 Speaker 1: If we have a major, major tour on the way, 420 00:18:24,119 --> 00:18:25,879 Speaker 1: there's a lot of rehearsal. I mean they don't just 421 00:18:25,960 --> 00:18:27,879 Speaker 1: go out they don't just go out there and start singing. 422 00:18:27,920 --> 00:18:30,359 Speaker 1: I mean there's some sort of preparation for this, so 423 00:18:30,400 --> 00:18:33,040 Speaker 1: I know you have rehearsal today, Like what will today's 424 00:18:33,040 --> 00:18:35,040 Speaker 1: rehearsal entail? Like what are you doing? 425 00:18:35,200 --> 00:18:37,000 Speaker 4: Yeah? So right now, it's just music rehearsal. So it's 426 00:18:37,040 --> 00:18:39,439 Speaker 4: just let's learn the songs. But way more of the 427 00:18:39,480 --> 00:18:42,960 Speaker 4: work is creating the illusion. So we while we made 428 00:18:43,000 --> 00:18:44,840 Speaker 4: the album, we literally planned out the tour. At the 429 00:18:44,840 --> 00:18:46,680 Speaker 4: same time. We kind of look at the tours as 430 00:18:46,920 --> 00:18:48,960 Speaker 4: a Broadway show, and the album is the soundtrack to 431 00:18:48,960 --> 00:18:51,240 Speaker 4: the Broadway show, so we kind of knew. We know, 432 00:18:51,480 --> 00:18:54,040 Speaker 4: like for yesmms, we know exactly what the effect is 433 00:18:54,080 --> 00:18:55,879 Speaker 4: going to be, what the stage is going to look like, 434 00:18:55,920 --> 00:18:58,359 Speaker 4: the crazy stuff that's going to happen. So that's all 435 00:18:58,400 --> 00:19:00,320 Speaker 4: of the work. It's one thing to just spend a 436 00:19:00,359 --> 00:19:02,320 Speaker 4: day being like what if Jack flies around the stage 437 00:19:02,320 --> 00:19:04,280 Speaker 4: and then his shadow does this and then this, But 438 00:19:04,359 --> 00:19:06,960 Speaker 4: then it's eight months of actually implementing it. 439 00:19:07,359 --> 00:19:08,639 Speaker 1: I want to see that. I want to see this 440 00:19:08,720 --> 00:19:10,560 Speaker 1: Jack flying around the stage with shadows doing this and 441 00:19:10,640 --> 00:19:13,720 Speaker 1: this and this. Did any of you see Taylor Swift concert? 442 00:19:14,000 --> 00:19:14,400 Speaker 4: No? 443 00:19:14,200 --> 00:19:14,240 Speaker 5: No? 444 00:19:14,600 --> 00:19:15,880 Speaker 4: Did you no? 445 00:19:16,800 --> 00:19:19,639 Speaker 1: But but everyone I know who saw it. Actually I 446 00:19:19,680 --> 00:19:21,919 Speaker 1: had tickets to go, but I didn't go, and then 447 00:19:21,960 --> 00:19:23,600 Speaker 1: I got yelled at for not going. But I'm sure 448 00:19:23,600 --> 00:19:25,119 Speaker 1: someone sat in that seat. 449 00:19:25,359 --> 00:19:26,240 Speaker 4: But seemed amazing. 450 00:19:26,280 --> 00:19:29,960 Speaker 1: You look at all the production value that goes into 451 00:19:30,000 --> 00:19:32,280 Speaker 1: these shows that are going on, and I mean it's 452 00:19:32,320 --> 00:19:36,159 Speaker 1: just incredible how you do what you do. You go 453 00:19:36,359 --> 00:19:38,479 Speaker 1: through all this planning where it can be as magical 454 00:19:38,520 --> 00:19:41,320 Speaker 1: as as fire with fireworks and you know, animation stuff 455 00:19:41,320 --> 00:19:42,960 Speaker 1: going on, or it can be something as simple as 456 00:19:43,400 --> 00:19:46,280 Speaker 1: Ed Sheeran with a guitar and a stool for sure. Yeah, 457 00:19:46,600 --> 00:19:50,320 Speaker 1: I want to see Ajar play the Sphere in Las Vegas. 458 00:19:50,359 --> 00:19:53,040 Speaker 4: Oh so that'd be pretty amazing. 459 00:19:53,200 --> 00:19:55,160 Speaker 1: Yeah, is that on the planet. 460 00:19:56,560 --> 00:19:58,359 Speaker 4: Jack's gut. He's saying he's gotten a lot of texts 461 00:19:58,359 --> 00:19:59,960 Speaker 4: about it, which means we have to do it. 462 00:20:00,119 --> 00:20:02,639 Speaker 2: Yeah, and I'd like to see you flying around like 463 00:20:02,720 --> 00:20:05,240 Speaker 2: Pink as well with you know some kidding. 464 00:20:06,640 --> 00:20:09,160 Speaker 5: Can I make a suggestion? Yes, I think next year 465 00:20:09,200 --> 00:20:11,159 Speaker 5: you should have a jingle ball at the Sphere. 466 00:20:11,440 --> 00:20:11,880 Speaker 4: Interesting? 467 00:20:12,080 --> 00:20:15,159 Speaker 3: How cool have that beout it? 468 00:20:15,240 --> 00:20:18,320 Speaker 1: Let me send a text out like I have connections. 469 00:20:19,840 --> 00:20:22,080 Speaker 1: That sphere is everyone I know who's seen you to 470 00:20:22,160 --> 00:20:25,600 Speaker 1: it's at the sphere. Say, it's just changing everything. 471 00:20:25,680 --> 00:20:27,399 Speaker 4: Oh wow, it's like VR. You're just like in a 472 00:20:27,440 --> 00:20:28,840 Speaker 4: new world in a second. 473 00:20:28,560 --> 00:20:31,000 Speaker 1: Right, And everything you build on a set can be 474 00:20:31,080 --> 00:20:33,919 Speaker 1: just built on a video. It's all digital and you 475 00:20:34,040 --> 00:20:35,640 Speaker 1: just you just walk out to where an empty set 476 00:20:35,640 --> 00:20:37,680 Speaker 1: and it looks like you're in the middle of wherever 477 00:20:37,720 --> 00:20:38,400 Speaker 1: you want to be in the world. 478 00:20:39,560 --> 00:20:41,960 Speaker 4: See the giraffe one where the giraft is like walking 479 00:20:42,040 --> 00:20:44,560 Speaker 4: over the people. It's like mine is frightening. 480 00:20:44,760 --> 00:20:46,919 Speaker 2: I love the pictures that people post from their hotel 481 00:20:46,960 --> 00:20:49,040 Speaker 2: rooms when the sphere is facing their window and they 482 00:20:49,080 --> 00:20:52,119 Speaker 2: can't sleep because like the big smiley face ball is 483 00:20:52,119 --> 00:20:53,439 Speaker 2: staring at the amazing. 484 00:20:54,280 --> 00:20:56,920 Speaker 1: But see, the thing about the creativity you guys put 485 00:20:56,920 --> 00:20:59,240 Speaker 1: into your show is you don't have to have a 486 00:20:59,240 --> 00:21:02,400 Speaker 1: sphere because you guys make it so fun. It's definitely 487 00:21:02,440 --> 00:21:04,439 Speaker 1: a circus going on every time you guys hit the stage. 488 00:21:04,480 --> 00:21:06,719 Speaker 4: Thank you. Yeah. I think it came from street performing. 489 00:21:06,800 --> 00:21:09,240 Speaker 4: That's something you really hone your craft because all these 490 00:21:09,240 --> 00:21:11,560 Speaker 4: businessmen are walking by, they don't care about what you're doing. 491 00:21:11,720 --> 00:21:14,240 Speaker 4: Your job is to sing something or say something to 492 00:21:14,280 --> 00:21:17,119 Speaker 4: get their attention. Then we just never forgot that skill. 493 00:21:17,200 --> 00:21:18,879 Speaker 4: So now we're doing it on a huge level of 494 00:21:19,119 --> 00:21:20,760 Speaker 4: we're going to keep your attention for an hour and 495 00:21:20,800 --> 00:21:21,359 Speaker 4: a half straight. 496 00:21:21,440 --> 00:21:24,480 Speaker 1: Do you remember going down to Times Square and tap dancing? Oh? Yeah, 497 00:21:24,480 --> 00:21:26,000 Speaker 1: how old were you when you guys were doing that? 498 00:21:26,359 --> 00:21:29,240 Speaker 4: Jack was seven, I was ten, you were twelve or something. 499 00:21:29,800 --> 00:21:32,600 Speaker 1: I think you posted this the other day on your 500 00:21:32,600 --> 00:21:33,040 Speaker 1: social time. 501 00:21:33,119 --> 00:21:34,520 Speaker 4: I now, we've been kind of scared to post that 502 00:21:34,520 --> 00:21:36,600 Speaker 4: because we're like a little embarrassed of the tap dancing. 503 00:21:36,600 --> 00:21:38,080 Speaker 4: But now we've come far enough that we can. 504 00:21:40,160 --> 00:21:41,119 Speaker 3: Tap dance on stage. 505 00:21:41,119 --> 00:21:41,280 Speaker 2: Now. 506 00:21:41,400 --> 00:21:42,480 Speaker 4: We're definitely having. 507 00:21:42,480 --> 00:21:46,639 Speaker 1: No see, which means you should yeah anyway, Ajar. The 508 00:21:46,680 --> 00:21:49,520 Speaker 1: album The Maybe Man is out and we love you guys. 509 00:21:49,520 --> 00:21:50,920 Speaker 1: You always have a home here with us, and we'll 510 00:21:50,920 --> 00:21:51,919 Speaker 1: see you at a sphere. 511 00:21:51,680 --> 00:21:52,879 Speaker 4: All right, and thanks for having us. 512 00:21:52,920 --> 00:21:55,400 Speaker 1: Before that, we're gonna talk by y one under jingle Ball, 513 00:21:55,400 --> 00:21:57,760 Speaker 1: and of course matters to Square Garden and where you're going? 514 00:21:57,760 --> 00:21:59,480 Speaker 1: Where do we go online to find out exactly where 515 00:21:59,520 --> 00:22:01,680 Speaker 1: you're going? The tour is going to bring. 516 00:22:01,560 --> 00:22:04,959 Speaker 5: You Ajur Brothers dot com and you can pre register 517 00:22:05,080 --> 00:22:07,680 Speaker 5: right now for tickets and pre sales start on Monday. 518 00:22:08,320 --> 00:22:10,440 Speaker 1: Sorry, we already give a pair away, so we're done there. 519 00:22:10,680 --> 00:22:11,560 Speaker 1: Aj everyone. 520 00:22:12,240 --> 00:22:15,320 Speaker 2: Thanks now, Miss Duran in the Morning Show