1 00:00:00,200 --> 00:00:04,600 Speaker 1: Now here's a highlight from Coast to Coast am on iHeartRadio. 2 00:00:04,800 --> 00:00:08,360 Speaker 2: In your circles, in your world that you live in, 3 00:00:08,400 --> 00:00:11,639 Speaker 2: I'm guessing it looks a lot different than the world 4 00:00:11,680 --> 00:00:13,640 Speaker 2: I live in. What I see and what you see, 5 00:00:13,760 --> 00:00:14,840 Speaker 2: are they two different things? 6 00:00:15,480 --> 00:00:18,720 Speaker 3: Yes? Probably. But I do have this great, big thing 7 00:00:18,760 --> 00:00:20,960 Speaker 3: I call an on and off switch. Since I've been 8 00:00:21,000 --> 00:00:24,000 Speaker 3: seeing this world since I was a little kid, and 9 00:00:24,079 --> 00:00:25,759 Speaker 3: I don't want to go to the grocery store and 10 00:00:25,800 --> 00:00:28,280 Speaker 3: see somebody's dead mother or dead grandmother and wants to 11 00:00:28,600 --> 00:00:31,000 Speaker 3: I have when I was a little bitty thing, I 12 00:00:31,040 --> 00:00:33,680 Speaker 3: created this off switch so then I could see everything 13 00:00:33,800 --> 00:00:36,519 Speaker 3: just like everybody else. And then when I turn it on, 14 00:00:36,640 --> 00:00:39,240 Speaker 3: it makes it that much stronger. I actually think kids 15 00:00:39,280 --> 00:00:41,479 Speaker 3: are born with it. It just gets taught out of 16 00:00:41,560 --> 00:00:46,600 Speaker 3: us in our modern, western, non mystical, complete left brain 17 00:00:46,680 --> 00:00:49,640 Speaker 3: focused world. You know. That's why even shows like Coast 18 00:00:49,640 --> 00:00:51,720 Speaker 3: to Coast is great, because it makes people think. It 19 00:00:51,760 --> 00:00:53,159 Speaker 3: makes people wonder. 20 00:00:53,960 --> 00:00:54,160 Speaker 1: You know. 21 00:00:54,640 --> 00:00:57,360 Speaker 2: Speaking of the off switch, I am married, and my 22 00:00:57,400 --> 00:01:00,120 Speaker 2: wife believes I'm able to switch off my hearing ability, 23 00:01:00,320 --> 00:01:02,000 Speaker 2: which I think as a man. 24 00:01:01,960 --> 00:01:03,520 Speaker 4: It's an easy thing for me to do. 25 00:01:03,560 --> 00:01:06,479 Speaker 2: Sometimes I don't know if it's like that where you're 26 00:01:06,520 --> 00:01:09,759 Speaker 2: just basically able to filter out things in order to survive. 27 00:01:09,959 --> 00:01:13,559 Speaker 2: Meaning if you would just be overloaded, your senses would 28 00:01:13,640 --> 00:01:15,640 Speaker 2: just be tingling all the time. But you have to 29 00:01:15,720 --> 00:01:17,640 Speaker 2: learn how to filter out those things in order to 30 00:01:17,680 --> 00:01:18,679 Speaker 2: have a sane life. 31 00:01:19,319 --> 00:01:19,559 Speaker 4: Yeah. 32 00:01:19,600 --> 00:01:23,240 Speaker 3: Completely. I literally picture an old fashioned light switch on off. 33 00:01:23,480 --> 00:01:25,399 Speaker 3: When I was a little kid, I used to stick 34 00:01:25,480 --> 00:01:28,200 Speaker 3: my thumb under my fingers, kind of like you're sucking 35 00:01:28,240 --> 00:01:30,520 Speaker 3: your thumb with the rest of your hand. But I 36 00:01:30,560 --> 00:01:33,319 Speaker 3: don't have to do that anymore. But yeah, because most 37 00:01:33,760 --> 00:01:36,560 Speaker 3: mediums are most people who can see spirits and talk 38 00:01:36,560 --> 00:01:40,240 Speaker 3: to spirits are impaths as well. So I don't want 39 00:01:40,280 --> 00:01:42,360 Speaker 3: to take on, you know, the guy walking next to 40 00:01:42,400 --> 00:01:45,880 Speaker 3: me his headache or the lady's angst next door, because 41 00:01:45,880 --> 00:01:48,880 Speaker 3: that's what an EmPATH does. So you definitely need that 42 00:01:48,960 --> 00:01:51,320 Speaker 3: on off switch. Once you get fancy with it, then 43 00:01:51,360 --> 00:01:54,800 Speaker 3: you could have like a dimmer switch, you know, but 44 00:01:54,880 --> 00:01:55,440 Speaker 3: start out. 45 00:01:55,280 --> 00:01:55,960 Speaker 4: With on off it. 46 00:01:56,760 --> 00:01:59,600 Speaker 2: So the things you see, is it like shopping at 47 00:01:59,600 --> 00:02:02,920 Speaker 2: a store where you can look at the different shels 48 00:02:02,960 --> 00:02:05,680 Speaker 2: and just kind of observe what's there, or can you 49 00:02:05,720 --> 00:02:09,200 Speaker 2: hone in on something somewhere else? So for example, and 50 00:02:09,280 --> 00:02:12,359 Speaker 2: this is an example, our producer brought up Ozzy Osbourne 51 00:02:12,440 --> 00:02:15,000 Speaker 2: passes away this week. Can you think to yourself, I 52 00:02:15,000 --> 00:02:16,960 Speaker 2: want to try to reach out to Ozzie wherever he 53 00:02:17,080 --> 00:02:18,720 Speaker 2: is well. 54 00:02:18,760 --> 00:02:21,040 Speaker 3: I would not do that for forty days, but yes 55 00:02:21,120 --> 00:02:23,600 Speaker 3: I do. I mean that's why people like me on 56 00:02:23,639 --> 00:02:26,799 Speaker 3: paranormal shows. I can find the spirits, call in spirits, 57 00:02:26,840 --> 00:02:31,040 Speaker 3: bring spirits. I would not do Ozzy Osbourne for forty 58 00:02:31,160 --> 00:02:35,440 Speaker 3: days though. That's the transition period. It's the time you 59 00:02:35,520 --> 00:02:37,520 Speaker 3: need to leave them alone. It's the time to stay 60 00:02:37,520 --> 00:02:41,959 Speaker 3: home like candles put their pictures out. You know. It's 61 00:02:42,040 --> 00:02:44,960 Speaker 3: actually it's a planetary thing, the forty days. But think 62 00:02:45,000 --> 00:02:47,480 Speaker 3: about it. It's used in religion all the time. Moses 63 00:02:47,520 --> 00:02:51,359 Speaker 3: forty days, Jesus forty days, Noah forty days, lent Us 64 00:02:51,400 --> 00:02:56,000 Speaker 3: forty days. So I after forty days, I would love 65 00:02:56,080 --> 00:02:57,120 Speaker 3: to contact Ozzie. 66 00:02:57,240 --> 00:03:01,120 Speaker 2: Yes, wow, okay, So what happens in that forty day 67 00:03:01,160 --> 00:03:03,040 Speaker 2: period when you're that spirit. 68 00:03:04,200 --> 00:03:07,800 Speaker 3: I think they're just busy transitioning. It's kind of like 69 00:03:07,840 --> 00:03:12,919 Speaker 3: that liminal space in between here and there. So camp, yeah, 70 00:03:12,919 --> 00:03:15,400 Speaker 3: it's good camp. See, I don't know my best thing. 71 00:03:15,680 --> 00:03:17,560 Speaker 3: I mean I've been talking to dead people since I 72 00:03:17,560 --> 00:03:21,160 Speaker 3: could talk. They are fine. You know, death is hardest 73 00:03:21,200 --> 00:03:24,080 Speaker 3: on those left living because we're the ones that everything 74 00:03:24,120 --> 00:03:27,480 Speaker 3: has changed. Like you read those twenty thousand books by 75 00:03:27,520 --> 00:03:30,760 Speaker 3: people who died, but spirit or God made them come back. 76 00:03:31,040 --> 00:03:32,760 Speaker 3: None of them wanted to come back as a rule. 77 00:03:32,760 --> 00:03:34,639 Speaker 3: It's like he was so pretty there, but they made 78 00:03:34,680 --> 00:03:38,600 Speaker 3: me come back. But I think not having this little 79 00:03:38,640 --> 00:03:41,800 Speaker 3: meat suit is a good thing once we're done with it. 80 00:03:42,560 --> 00:03:45,760 Speaker 3: But what happens there, I think is supposed to be 81 00:03:45,800 --> 00:03:49,640 Speaker 3: a mystery. My biggest belief system. I study religion, philosophy, science, 82 00:03:49,680 --> 00:03:52,320 Speaker 3: it called science is kind of I think the ancient 83 00:03:52,360 --> 00:03:55,560 Speaker 3: Sumerians kind of had it down and their belief system 84 00:03:55,640 --> 00:03:58,280 Speaker 3: was kind of like you go to and create the 85 00:03:58,320 --> 00:04:01,080 Speaker 3: after life you believe in. If you're looking for the 86 00:04:01,120 --> 00:04:04,400 Speaker 3: Pearly gates, you're going to get the pearly gates, reincarnation, 87 00:04:05,480 --> 00:04:08,760 Speaker 3: just being part of the great, the great consciousness, the 88 00:04:08,760 --> 00:04:14,600 Speaker 3: Acotic records, kind of like the matrix. You know, Well, there. 89 00:04:14,560 --> 00:04:17,080 Speaker 2: Would have to be some people surprised, right, Can can 90 00:04:17,120 --> 00:04:19,400 Speaker 2: everyone be satisfied with what happens next? 91 00:04:20,320 --> 00:04:24,880 Speaker 3: Well? You know, probably not, probably maybe Again, I'm not 92 00:04:24,920 --> 00:04:27,680 Speaker 3: a heaven or a hell kind of gal. But you know, 93 00:04:27,760 --> 00:04:30,800 Speaker 3: you see some of those spooky movies that somebody bad dies, 94 00:04:30,839 --> 00:04:31,880 Speaker 3: it looks pretty scary. 95 00:04:33,160 --> 00:04:33,680 Speaker 4: Yeah. 96 00:04:33,760 --> 00:04:35,920 Speaker 2: Well, you just came out with the book last month, Dollkraft, 97 00:04:36,000 --> 00:04:38,559 Speaker 2: which is Guy to Pop It, Magic and Haunted Dolls. 98 00:04:38,600 --> 00:04:39,920 Speaker 4: How's the reception been so far? 99 00:04:40,480 --> 00:04:43,479 Speaker 3: It has been great. It has been so much fun. 100 00:04:44,120 --> 00:04:47,440 Speaker 3: The sales have been really well, you know, doing lots 101 00:04:47,440 --> 00:04:50,039 Speaker 3: of podcasts and things. But I'm also getting invited to 102 00:04:50,080 --> 00:04:53,040 Speaker 3: do wonderful things like I just found out. We haven't 103 00:04:53,040 --> 00:04:57,800 Speaker 3: even announced this yet, so don't tell anybody. I'm going 104 00:04:57,880 --> 00:05:00,800 Speaker 3: to be doing a Haunted Doll tea party at the 105 00:05:00,839 --> 00:05:04,479 Speaker 3: Lizzie Borden House in Massachusetts. I mean, how cool is that? 106 00:05:05,480 --> 00:05:09,680 Speaker 3: You know, taken it on the road because dolls have 107 00:05:09,800 --> 00:05:12,920 Speaker 3: never been I mean, dolls have always been popular, Haunted dolls, 108 00:05:13,000 --> 00:05:15,880 Speaker 3: magical dolls have always been popular, but not like they 109 00:05:15,920 --> 00:05:19,680 Speaker 3: are now. I mean, I've never my dad, I couldn't 110 00:05:19,680 --> 00:05:22,120 Speaker 3: have seen having a doll collection. Now, I know as 111 00:05:22,160 --> 00:05:25,520 Speaker 3: many men and women, grown adult men and women with 112 00:05:25,640 --> 00:05:29,960 Speaker 3: full on doll collections haunted and otherwise than ever that 113 00:05:30,040 --> 00:05:33,640 Speaker 3: I've heard about, you know, in hollywood'stud that all the movies, Annabelle, 114 00:05:33,720 --> 00:05:38,120 Speaker 3: the Chucky, the Megan, Peggy, the Doll. You know, the 115 00:05:38,240 --> 00:05:40,200 Speaker 3: haunted dolls are very famous. 116 00:05:40,520 --> 00:05:43,680 Speaker 2: Well, when when I have them, they're called action figures 117 00:05:43,720 --> 00:05:44,320 Speaker 2: growing up. 118 00:05:46,040 --> 00:05:47,760 Speaker 3: But take out a spirit too. 119 00:05:48,720 --> 00:05:52,480 Speaker 2: So Massachusetts is quite the place to take the show 120 00:05:53,120 --> 00:05:57,080 Speaker 2: and kind of show your craft when you have those 121 00:05:57,240 --> 00:06:01,120 Speaker 2: historical areas, areas that have been around for a long time. 122 00:06:01,640 --> 00:06:03,760 Speaker 4: Is there more activity in those spots. 123 00:06:04,640 --> 00:06:09,000 Speaker 3: Yes, it's amazing, and it's different activity because I'm out west. 124 00:06:09,000 --> 00:06:12,440 Speaker 3: I'm in California, Los Angeles, so we're not that old. 125 00:06:12,640 --> 00:06:16,600 Speaker 3: When I would go to the older haunted places, it's 126 00:06:16,640 --> 00:06:18,880 Speaker 3: almost always a mining town. So you go to Virginia, 127 00:06:19,160 --> 00:06:23,200 Speaker 3: Virginia City or Nevada City or Vulture City or Butte, 128 00:06:23,839 --> 00:06:26,440 Speaker 3: and the spirits you're got to get there are the 129 00:06:26,440 --> 00:06:29,839 Speaker 3: spirits that went there, kind of big gruff miners and 130 00:06:29,880 --> 00:06:31,640 Speaker 3: the strong women who are going to go out on 131 00:06:31,680 --> 00:06:36,279 Speaker 3: their own. But when you get back East, you get 132 00:06:36,279 --> 00:06:38,719 Speaker 3: the whole thing, like go to Gettysburg, Oh my god, 133 00:06:38,760 --> 00:06:40,760 Speaker 3: I don't think you even have to be an intuitor 134 00:06:40,880 --> 00:06:43,920 Speaker 3: to feel the sadness, to feel the energy, to feel 135 00:06:43,960 --> 00:06:47,599 Speaker 3: the battles that go on and again. Back east you 136 00:06:47,640 --> 00:06:50,800 Speaker 3: have houses from the fifteen hundreds and sixteen hundreds. So 137 00:06:50,960 --> 00:06:54,760 Speaker 3: it is very different because big in life, big in death. 138 00:06:55,160 --> 00:06:58,240 Speaker 3: You know Bob the quiet banker, you know working at 139 00:06:58,320 --> 00:07:00,560 Speaker 3: you know, Bank of Fred, He's got to be Bob 140 00:07:00,640 --> 00:07:04,479 Speaker 3: the quiet goes you know, some big old well rock 141 00:07:04,520 --> 00:07:08,919 Speaker 3: star or civil war hero or even minor big in life, 142 00:07:08,920 --> 00:07:11,040 Speaker 3: big in death, they're going to be much bigger spirits 143 00:07:11,080 --> 00:07:11,880 Speaker 3: on the other side. 144 00:07:12,960 --> 00:07:17,240 Speaker 2: So, speaking of doll craft, what is it about dolls? 145 00:07:17,840 --> 00:07:21,720 Speaker 2: When you talk about spirits and you're able to, I 146 00:07:21,720 --> 00:07:24,560 Speaker 2: guess see things that other people can't see. 147 00:07:25,160 --> 00:07:28,000 Speaker 4: The vessel of a doll? What is why a doll? 148 00:07:29,120 --> 00:07:32,480 Speaker 3: Because they have faces of course everything you think it is. 149 00:07:33,040 --> 00:07:36,760 Speaker 3: Just think about it. If you were a disembodied spirit 150 00:07:37,280 --> 00:07:40,520 Speaker 3: and you felt like having a vessel, you know, there's 151 00:07:40,560 --> 00:07:43,120 Speaker 3: a doll doll there with eyes and ears and nose 152 00:07:43,160 --> 00:07:45,840 Speaker 3: and mouth, and then there's a stapler. Which do you 153 00:07:45,880 --> 00:07:50,320 Speaker 3: think you'd want to inhabit the doll? The doll because 154 00:07:50,320 --> 00:07:52,440 Speaker 3: then people can look at you and you could put 155 00:07:52,480 --> 00:07:56,080 Speaker 3: your energy out. Because I'm sitting behind me right now, no, 156 00:07:56,200 --> 00:07:58,160 Speaker 3: I can see that I have a little line of 157 00:07:58,240 --> 00:08:01,679 Speaker 3: dolls and my one doll Ell who's over one hundred 158 00:08:01,760 --> 00:08:04,239 Speaker 3: years old. Her face hasn't moved it over one hundred years. 159 00:08:04,240 --> 00:08:08,760 Speaker 3: It's porcelain. But everyone sees her move her face, everyone 160 00:08:08,800 --> 00:08:11,760 Speaker 3: sees her wink. Everybody who comes in can tell her 161 00:08:11,800 --> 00:08:14,560 Speaker 3: mood person after person, like three people in a row, 162 00:08:14,880 --> 00:08:17,720 Speaker 3: Bill's happy today, next day, three people in a row. Oh, 163 00:08:17,800 --> 00:08:18,880 Speaker 3: Bill's cranky today. 164 00:08:19,440 --> 00:08:19,640 Speaker 1: You know. 165 00:08:19,680 --> 00:08:21,840 Speaker 3: And you can't do that if you inhabit a stabler. 166 00:08:23,040 --> 00:08:24,640 Speaker 4: Yeah, I understand that. 167 00:08:25,080 --> 00:08:27,160 Speaker 2: And people can find you online, by the way, in 168 00:08:27,240 --> 00:08:30,320 Speaker 2: your book, it's just your name, right, Pattynegre dot com. 169 00:08:30,560 --> 00:08:33,400 Speaker 3: Yeah, Pattiegrew dot com. You can find more than you 170 00:08:33,400 --> 00:08:34,520 Speaker 3: ever want to know about me. 171 00:08:34,679 --> 00:08:38,320 Speaker 2: Ah yeah, yeah, Well, I think that's one of the 172 00:08:38,320 --> 00:08:41,040 Speaker 2: good things. You're accessible. I know people always have questions. 173 00:08:41,120 --> 00:08:43,640 Speaker 2: And from what I understand in the second hour of 174 00:08:43,640 --> 00:08:46,640 Speaker 2: the show tonight, you've agreed to do some readings for listeners. 175 00:08:46,720 --> 00:08:47,160 Speaker 4: Is that right? 176 00:08:47,720 --> 00:08:48,120 Speaker 3: Sure? 177 00:08:49,200 --> 00:08:49,920 Speaker 4: It could be fun. 178 00:08:50,440 --> 00:08:54,520 Speaker 2: Yeah. What I don't understand is I think about myself 179 00:08:54,760 --> 00:08:59,240 Speaker 2: right now, and I think, after a long life that 180 00:08:59,360 --> 00:09:02,559 Speaker 2: you hit the row ward of heaven. What is the 181 00:09:02,679 --> 00:09:05,319 Speaker 2: use in coming back and interacting with people on earth? 182 00:09:05,400 --> 00:09:07,560 Speaker 2: Why would I want to do that. I want to 183 00:09:08,240 --> 00:09:11,160 Speaker 2: move on, But why would some people stay? Why do 184 00:09:11,200 --> 00:09:12,320 Speaker 2: you think some people do that? 185 00:09:13,160 --> 00:09:15,800 Speaker 3: Well, I think that there is no time and space. 186 00:09:15,840 --> 00:09:18,560 Speaker 3: On the other side, I think that you can move 187 00:09:18,600 --> 00:09:20,400 Speaker 3: on if you believe in the pearly gates. You are 188 00:09:20,440 --> 00:09:23,839 Speaker 3: in the heaven's pearly dates. I think you could be reincarnated. 189 00:09:24,400 --> 00:09:26,840 Speaker 3: And at the same time, I want to watch those 190 00:09:26,880 --> 00:09:30,800 Speaker 3: grandkids grow up, because that's so Most hauntings aren't negative. 191 00:09:30,800 --> 00:09:33,920 Speaker 3: Most people aren't negative. It's like the spirit of Grandma 192 00:09:34,120 --> 00:09:37,280 Speaker 3: watching how your mothering skills are, watching the little ones 193 00:09:37,320 --> 00:09:37,840 Speaker 3: grow up. 194 00:09:38,520 --> 00:09:39,880 Speaker 4: But it's interesting. 195 00:09:40,320 --> 00:09:45,160 Speaker 2: Yeah, So I speaking of people, I think the way 196 00:09:45,240 --> 00:09:48,400 Speaker 2: kids understand things are different than adults, but they have 197 00:09:49,480 --> 00:09:52,080 Speaker 2: a much different understanding. I think it almost in a 198 00:09:52,120 --> 00:09:54,920 Speaker 2: better way, a more pure way. Do you think kids 199 00:09:55,200 --> 00:09:57,400 Speaker 2: understand this better than adults? 200 00:09:58,200 --> 00:10:03,559 Speaker 3: One hundred percent? Because because they we have to as adults, 201 00:10:03,600 --> 00:10:05,840 Speaker 3: we have to step out of our left brain logic. 202 00:10:06,000 --> 00:10:08,160 Speaker 3: We have to and kids can do that better. They 203 00:10:08,160 --> 00:10:11,520 Speaker 3: have that imagination, they play, they make believe, which we 204 00:10:11,559 --> 00:10:15,719 Speaker 3: should all do. We the last I don't know how 205 00:10:15,800 --> 00:10:18,840 Speaker 3: many years, all our complete focus has been on left 206 00:10:18,840 --> 00:10:24,200 Speaker 3: brain logic, not our right intuitive, creative artistic spiritual side, 207 00:10:25,200 --> 00:10:28,640 Speaker 3: and we need that to well both for our creativity, 208 00:10:28,760 --> 00:10:31,520 Speaker 3: and we have to dance between because our left brain 209 00:10:31,600 --> 00:10:35,760 Speaker 3: logic is gonna just shut down that magical, intuitive or 210 00:10:35,800 --> 00:10:39,720 Speaker 3: mediumship side. Like if you have like, wow, I'm thinking 211 00:10:39,720 --> 00:10:43,800 Speaker 3: about Grandma right now. I feel Grandma's beside me. Just 212 00:10:43,880 --> 00:10:46,160 Speaker 3: go with it. Grandma's standing behind me. Just say hey, 213 00:10:46,200 --> 00:10:48,960 Speaker 3: Grandma's that you I don't know, make this candlelight dance 214 00:10:49,080 --> 00:10:50,959 Speaker 3: or you know, let me light some incense and see 215 00:10:51,000 --> 00:10:53,560 Speaker 3: you waft at this direction. But as a rule your 216 00:10:53,640 --> 00:10:56,720 Speaker 3: left brain, Grandma's not behind me. Somebody just opened the window. 217 00:10:56,800 --> 00:10:59,480 Speaker 3: It's just just say yes to it. Just say okay, 218 00:10:59,520 --> 00:11:01,400 Speaker 3: maybe Grama you're here. If you are, send me a 219 00:11:01,440 --> 00:11:03,800 Speaker 3: message of some site you know. If you want to 220 00:11:03,920 --> 00:11:07,600 Speaker 3: analyze it, wait two hours, analyze it. Then oh it 221 00:11:07,640 --> 00:11:10,280 Speaker 3: was just an digestion. It wasn't Grandma. But the more 222 00:11:10,320 --> 00:11:12,840 Speaker 3: we open it up, it's going to help both sides. 223 00:11:13,160 --> 00:11:18,040 Speaker 3: A perfect example just why we need that creative side 224 00:11:18,080 --> 00:11:20,800 Speaker 3: of our brain is my local school here in Hollywood. 225 00:11:21,280 --> 00:11:24,040 Speaker 3: It's a beautiful, little hundred year old school that no 226 00:11:24,080 --> 00:11:26,360 Speaker 3: one sent their kids to because it was horrible. It 227 00:11:26,400 --> 00:11:31,240 Speaker 3: was the lowest percentile of Los LAUSD, which wasn't particularly great, 228 00:11:31,520 --> 00:11:34,000 Speaker 3: so the people from the Kills couldn't send their kids there, 229 00:11:34,400 --> 00:11:36,960 Speaker 3: so they had to go to private school. And we 230 00:11:37,000 --> 00:11:39,000 Speaker 3: didn't want it to go to private school. We wanted 231 00:11:39,000 --> 00:11:43,240 Speaker 3: to go to our urban regular public school. So we 232 00:11:43,320 --> 00:11:46,200 Speaker 3: did not change the and the reading and math scores 233 00:11:46,240 --> 00:11:49,280 Speaker 3: were horrible. We didn't change the reading and math teachers. 234 00:11:49,640 --> 00:11:55,559 Speaker 3: We brought in art classes, dance classes, gardening, photography, improv 235 00:11:56,800 --> 00:12:01,040 Speaker 3: and guess what, their math and spelling and reading, writing 236 00:12:01,120 --> 00:12:04,040 Speaker 3: and arithmetic went up. We became a school of excellence 237 00:12:04,120 --> 00:12:08,760 Speaker 3: in two years because we have Yeah. 238 00:12:09,320 --> 00:12:13,920 Speaker 2: I think that that type of attention will help anyone flourish. 239 00:12:14,200 --> 00:12:17,040 Speaker 2: So when you were younger, you said you noticed these things. 240 00:12:17,320 --> 00:12:19,680 Speaker 2: Were there people that were encouraging you? And were there 241 00:12:19,679 --> 00:12:21,560 Speaker 2: also people that were discouraging you? 242 00:12:22,360 --> 00:12:26,280 Speaker 3: Yeah, no one discouraged me. I was great. My mom 243 00:12:26,720 --> 00:12:29,520 Speaker 3: would always go yeah, Grammy did that too. Yeah, Grandma 244 00:12:29,559 --> 00:12:32,560 Speaker 3: could see that too. I think I probably get it 245 00:12:32,559 --> 00:12:35,040 Speaker 3: from both sides of my family, though my family didn't 246 00:12:35,080 --> 00:12:38,760 Speaker 3: live into it. My dad came from Turkey and the 247 00:12:38,800 --> 00:12:42,160 Speaker 3: whole Middle Eastern side of the things. But my grandfather 248 00:12:42,280 --> 00:12:47,600 Speaker 3: was this famous atheist humanist psycho, very famous psychoanalyst who 249 00:12:47,640 --> 00:12:51,200 Speaker 3: was very academic and scientific in his work. Though I 250 00:12:51,280 --> 00:12:54,079 Speaker 3: read his books now it's like, well, Grandpa, you believe 251 00:12:54,120 --> 00:12:56,240 Speaker 3: the same thing I do. You just don't use spiritual 252 00:12:56,320 --> 00:12:59,440 Speaker 3: or magical or religious words. You just use science words. 253 00:13:00,440 --> 00:13:03,160 Speaker 3: But my mom's side came from that whales in Ireland, 254 00:13:03,200 --> 00:13:05,800 Speaker 3: and it just didn't get taught out of me. It 255 00:13:05,880 --> 00:13:08,960 Speaker 3: wasn't like, oh, that's your imaginary friend, Bobby. Yeah, we 256 00:13:09,000 --> 00:13:11,240 Speaker 3: have imaginary friends and those are great, but they're not 257 00:13:11,320 --> 00:13:15,240 Speaker 3: all imaginary friends. So luckily caught out of me. Plus 258 00:13:15,240 --> 00:13:18,920 Speaker 3: I didn't have any weird because of my grandfather. I 259 00:13:18,960 --> 00:13:21,080 Speaker 3: wasn't raised with this is dark or this is evil, 260 00:13:21,200 --> 00:13:24,760 Speaker 3: and you know, any weird religious overtones that it was 261 00:13:24,800 --> 00:13:25,640 Speaker 3: anything negative. 262 00:13:26,720 --> 00:13:31,560 Speaker 2: Do you ever witness something, a spirit or whatever it 263 00:13:31,600 --> 00:13:34,880 Speaker 2: may be, right before you know something's about to happen, 264 00:13:35,000 --> 00:13:39,280 Speaker 2: So a reoccurring spirit that indicates something in the future 265 00:13:39,320 --> 00:13:39,720 Speaker 2: is about to. 266 00:13:39,720 --> 00:13:46,079 Speaker 4: Happen, Well, no, I honestly doesn't happen that way. 267 00:13:46,320 --> 00:13:48,640 Speaker 3: But like my mom, come tell me like you're gonna 268 00:13:48,679 --> 00:13:51,319 Speaker 3: run that red lighter. No, no, I mean not saying 269 00:13:51,320 --> 00:13:55,280 Speaker 3: it doesn't people have that. But again I think ause 270 00:13:55,280 --> 00:13:57,520 Speaker 3: I walk around with my off switch on most of 271 00:13:57,520 --> 00:14:00,160 Speaker 3: the time unless I am actually working or working with 272 00:14:00,200 --> 00:14:03,679 Speaker 3: spirit on my own or working with clients or doing 273 00:14:03,679 --> 00:14:08,120 Speaker 3: a paranormal investigation or a seance or mediumship. But you 274 00:14:08,160 --> 00:14:12,640 Speaker 3: can get that you do have premonitions. You could say, well, 275 00:14:13,240 --> 00:14:16,160 Speaker 3: you know, maybe I shouldn't take the car today, maybe 276 00:14:16,200 --> 00:14:20,720 Speaker 3: I'm gonna home. But I haven't necessarily had a spirit 277 00:14:20,760 --> 00:14:23,000 Speaker 3: come and tell me that, like a living spirit, like 278 00:14:23,400 --> 00:14:26,760 Speaker 3: a deceased ghost, maybe a spirit guide who just puts 279 00:14:26,840 --> 00:14:28,080 Speaker 3: the thought into my head. 280 00:14:29,280 --> 00:14:33,080 Speaker 2: I'm interested to In the Travel Channel's Ghost Adventures, people 281 00:14:33,120 --> 00:14:35,880 Speaker 2: love you on that, by the way, I mean the reaction. 282 00:14:36,360 --> 00:14:41,440 Speaker 2: They just absolutely love that show. So our spirits. Do 283 00:14:41,480 --> 00:14:44,360 Speaker 2: they get attracted to cameras? Do they like the equipment? 284 00:14:44,480 --> 00:14:48,120 Speaker 2: Do some of them, I guess flee from it? Is 285 00:14:48,160 --> 00:14:51,320 Speaker 2: there different reactions to it? Are they just indifferent to it? 286 00:14:52,400 --> 00:14:56,400 Speaker 3: Just like people. Some people see a TV or movie crew, 287 00:14:56,400 --> 00:14:58,880 Speaker 3: they're going to run from it. Half will be intrigued 288 00:14:58,880 --> 00:15:01,600 Speaker 3: by it. Some want to get on camera. Spirits are 289 00:15:01,720 --> 00:15:02,680 Speaker 3: exactly the same. 290 00:15:04,880 --> 00:15:08,160 Speaker 1: Listen to more Coast to Coast AM every weeknight at 291 00:15:08,200 --> 00:15:11,800 Speaker 1: one am Eastern and go to Coast to coastam dot com. 292 00:15:11,800 --> 00:15:12,240 Speaker 4: For more,