1 00:00:01,720 --> 00:00:03,760 Speaker 1: Welcome and Bombing with They're Condrey, the podcast where I 2 00:00:03,800 --> 00:00:06,760 Speaker 1: talk with friends, comedians, musicians, and other creative people about 3 00:00:06,800 --> 00:00:09,920 Speaker 1: their worst moments on stage and truly embarrassing themselves in 4 00:00:09,920 --> 00:00:12,200 Speaker 1: front of a live audience. Our guest this week is 5 00:00:12,600 --> 00:00:15,160 Speaker 1: a woman I absolutely adore. 6 00:00:15,440 --> 00:00:18,360 Speaker 2: She takes no shit, she takes no prisoners. Seen her 7 00:00:18,360 --> 00:00:21,400 Speaker 2: all over television doing voiceover and your favorite animated shows. 8 00:00:21,480 --> 00:00:23,079 Speaker 3: It's do Say Sloan. 9 00:00:26,560 --> 00:00:33,200 Speaker 4: Bombing with eric Andre. 10 00:00:33,800 --> 00:00:37,000 Speaker 5: Wait wait, wait, you're telling me, Eric Andre want instructure, 11 00:00:37,200 --> 00:00:37,760 Speaker 5: a little bit of. 12 00:00:37,680 --> 00:00:40,400 Speaker 2: Structure, a little bit of organized chaos. I just want 13 00:00:40,440 --> 00:00:43,200 Speaker 2: to like a piece of paper to fall back up. Okay, cool, cool, 14 00:00:43,320 --> 00:00:45,440 Speaker 2: Well we could just hang fuck it. It's a podcast 15 00:00:45,440 --> 00:00:48,839 Speaker 2: about bombing, so that's gonna come up naturally. All you 16 00:00:48,840 --> 00:00:50,080 Speaker 2: have to tell is a bombing story. 17 00:00:50,159 --> 00:00:51,920 Speaker 5: I remember I was meeting some of my cousin's friends 18 00:00:51,920 --> 00:00:55,720 Speaker 5: one day. He's an artist, and I was having dinner 19 00:00:55,760 --> 00:00:59,120 Speaker 5: with all his artsy fucking friends and this motherfucker I 20 00:00:59,120 --> 00:01:02,520 Speaker 5: had just met. He was like, so tell me about 21 00:01:02,520 --> 00:01:03,240 Speaker 5: when you bombed. 22 00:01:03,240 --> 00:01:08,319 Speaker 3: And I went, no, why because it's too traumatic. 23 00:01:08,440 --> 00:01:12,920 Speaker 5: I said, I just met you. He's like, I'm just 24 00:01:12,959 --> 00:01:14,520 Speaker 5: saying I was just like, then, tell me about the 25 00:01:14,520 --> 00:01:17,440 Speaker 5: time that you had a traumatic event happened. No, I 26 00:01:17,720 --> 00:01:20,160 Speaker 5: just fucking met you, bro, I'm not finna see a 27 00:01:20,200 --> 00:01:23,600 Speaker 5: traumatic event. Nigga, I don't know your last name the 28 00:01:23,760 --> 00:01:27,280 Speaker 5: fuck and his friends were like, oh no, and I said, 29 00:01:27,280 --> 00:01:29,080 Speaker 5: I don't give a fuck about you or your head. No, 30 00:01:29,319 --> 00:01:32,040 Speaker 5: fuck this, little nigga, I'm not doing that. No, I 31 00:01:32,040 --> 00:01:35,880 Speaker 5: don't know this man. Shit was wild. Well, I just 32 00:01:35,920 --> 00:01:37,840 Speaker 5: wanted you to just share experiences. No, you want to 33 00:01:37,840 --> 00:01:40,240 Speaker 5: sit on the trauma bomb with me, bitch. I don't 34 00:01:40,280 --> 00:01:43,080 Speaker 5: know you and you too little to fuck so please relax. 35 00:01:43,160 --> 00:01:44,280 Speaker 5: Wait are we doing this? 36 00:01:44,520 --> 00:01:47,960 Speaker 2: Yeah? Yeah, yeah, yeah. On the thing, man, we got 37 00:01:47,960 --> 00:01:51,320 Speaker 2: to talk about bombing. I want to hear your bombing story. 38 00:01:51,440 --> 00:01:53,160 Speaker 2: I want to hear the worst time you ever bombed, 39 00:01:53,600 --> 00:01:56,080 Speaker 2: so and I want to hear any bomb you experience, 40 00:01:56,280 --> 00:02:00,560 Speaker 2: or any cringey incident that you had in a in 41 00:02:00,560 --> 00:02:04,760 Speaker 2: a performance. It could even be like I saw Beyonce 42 00:02:05,480 --> 00:02:12,080 Speaker 2: at the Rose Bowl and she. 43 00:02:11,400 --> 00:02:13,040 Speaker 3: I can say, Okay, what's it? 44 00:02:13,120 --> 00:02:16,840 Speaker 2: And I know it's deeply personal and traumatic, but please shoo. 45 00:02:18,040 --> 00:02:22,560 Speaker 5: I can say that the worst bomb I ever had. 46 00:02:23,280 --> 00:02:26,760 Speaker 5: I don't think people would consider a bomb, but it's 47 00:02:26,760 --> 00:02:30,160 Speaker 5: just something that had bugged me. It haunts you not anymore, 48 00:02:30,160 --> 00:02:34,400 Speaker 5: but like for a good six months. Oh yeah, really 49 00:02:34,480 --> 00:02:35,080 Speaker 5: fucked with me. 50 00:02:35,200 --> 00:02:36,800 Speaker 2: I have a bomb from like five years ago. It 51 00:02:36,800 --> 00:02:37,400 Speaker 2: still haunts me. 52 00:02:37,800 --> 00:02:40,720 Speaker 5: Oh so because people don't realize. It's like because and 53 00:02:40,760 --> 00:02:43,480 Speaker 5: I was and I was like still early in So 54 00:02:43,560 --> 00:02:46,520 Speaker 5: I was at this place called Barnacles. So you know, 55 00:02:47,040 --> 00:02:48,079 Speaker 5: people love a sports bar. 56 00:02:48,200 --> 00:02:50,880 Speaker 3: Okay, and what years? This paint us a picture? 57 00:02:50,919 --> 00:02:51,480 Speaker 2: What city? 58 00:02:52,160 --> 00:02:55,080 Speaker 5: So I'm in Atlanta. I'm still like a baby comic. 59 00:02:55,880 --> 00:02:59,639 Speaker 5: I want to say twenty ten, twenty eleven, because I 60 00:02:59,760 --> 00:03:03,399 Speaker 5: have my apartment and so I'm out of sports Bar 61 00:03:03,600 --> 00:03:05,520 Speaker 5: that's like down the street from where I grew up, 62 00:03:06,080 --> 00:03:11,320 Speaker 5: literally two miles three miles in Atlanta. So I'm on 63 00:03:11,400 --> 00:03:15,120 Speaker 5: Jimmy Carter place called Barnacles. So sports Bar is like 64 00:03:15,120 --> 00:03:18,880 Speaker 5: a seafood place and it's a urban show. You know. One, 65 00:03:18,919 --> 00:03:21,960 Speaker 5: black rooms are always harder because people don't realize why 66 00:03:21,960 --> 00:03:23,560 Speaker 5: black rooms are harder. It's because we. 67 00:03:23,560 --> 00:03:26,639 Speaker 2: Break down for our audience. White black rooms are black rooms. 68 00:03:26,400 --> 00:03:30,639 Speaker 5: Are hard because, and I think it's one of my theories. 69 00:03:30,639 --> 00:03:36,400 Speaker 5: It's because so when black people go out, we get dressed. 70 00:03:37,520 --> 00:03:40,920 Speaker 5: So first of all, I got dressed, I got a babysitter. 71 00:03:42,120 --> 00:03:43,440 Speaker 3: Like there's a production. 72 00:03:45,520 --> 00:03:50,480 Speaker 5: Went into this wasn't a casual anytime black people go out. Yeah, 73 00:03:51,400 --> 00:03:54,160 Speaker 5: we get dressed. So I bought an outfit first of all. 74 00:03:54,640 --> 00:03:57,640 Speaker 5: Then I bought tickets second of all. Then they're a 75 00:03:57,760 --> 00:04:00,240 Speaker 5: two to three ITA minimum. 76 00:04:00,080 --> 00:04:02,240 Speaker 3: Up and a baby and a babysitter going on. 77 00:04:02,200 --> 00:04:03,800 Speaker 5: In the back, and a babysitter if they have show. 78 00:04:03,840 --> 00:04:06,000 Speaker 5: I'm saying, all black people got kids, but if you 79 00:04:06,040 --> 00:04:09,680 Speaker 5: have a babysitter, babysitter. But what happened for sure is outfit, 80 00:04:10,200 --> 00:04:12,840 Speaker 5: tickets to item minimum. 81 00:04:12,640 --> 00:04:17,080 Speaker 2: Right, So they want results the comedian steps on stage, 82 00:04:17,120 --> 00:04:18,400 Speaker 2: they want results. 83 00:04:18,400 --> 00:04:23,040 Speaker 5: Every time you talk, they are counting money. Every word 84 00:04:23,200 --> 00:04:28,880 Speaker 5: out your mouth is dollars and cents my gas. I 85 00:04:28,960 --> 00:04:31,240 Speaker 5: might have had to pay the part, yeah, yeah, I 86 00:04:31,320 --> 00:04:33,040 Speaker 5: might have had to run through five days of traffic 87 00:04:33,040 --> 00:04:35,720 Speaker 5: to get in this fucking place. Then security might have 88 00:04:35,760 --> 00:04:38,120 Speaker 5: shook me down. So it's like there's a lot going 89 00:04:38,240 --> 00:04:41,280 Speaker 5: into coming into this show at a fucking sports bar. 90 00:04:41,440 --> 00:04:46,559 Speaker 2: Yeah, and you have the nerve to not bring the heads, 91 00:04:46,600 --> 00:04:47,560 Speaker 2: to not bring the. 92 00:04:47,560 --> 00:04:49,400 Speaker 5: Heads and the other the thing is about when it 93 00:04:49,400 --> 00:04:54,039 Speaker 5: comes to urban rooms, because big Kenny mentored me. 94 00:04:54,040 --> 00:04:54,760 Speaker 3: Meet Big Kenny. 95 00:04:54,920 --> 00:04:57,360 Speaker 5: He's a great he's a great man. He's in Atlanta. 96 00:04:58,279 --> 00:05:01,000 Speaker 3: Where's Big Kenny? Get Big Kenny to the York Listen. 97 00:05:01,120 --> 00:05:03,159 Speaker 5: He got he got kids, he got a wife. 98 00:05:03,400 --> 00:05:06,120 Speaker 2: But bring up, let's make a special trip ice skating 99 00:05:06,120 --> 00:05:07,000 Speaker 2: at that thirty round. 100 00:05:08,080 --> 00:05:09,960 Speaker 3: I'll take him to Mama Mia Lion King. 101 00:05:11,320 --> 00:05:12,600 Speaker 5: We got to come through. But I mean, I make 102 00:05:12,600 --> 00:05:14,080 Speaker 5: sure I mentioned him at all times. 103 00:05:15,080 --> 00:05:16,120 Speaker 3: So he's like the mentor. 104 00:05:16,320 --> 00:05:19,360 Speaker 5: He's mentoring me, and so he taking me. He is. 105 00:05:19,920 --> 00:05:22,760 Speaker 5: But I also realized that, like a lot of things, 106 00:05:23,000 --> 00:05:28,080 Speaker 5: I think because I came in and everyone knew me 107 00:05:28,160 --> 00:05:31,920 Speaker 5: because I was like he was helping me and all 108 00:05:31,960 --> 00:05:34,200 Speaker 5: this other stuff, I think there's a lot of bullshit 109 00:05:34,760 --> 00:05:36,360 Speaker 5: when I first started out that I didn't have to 110 00:05:36,400 --> 00:05:39,039 Speaker 5: deal with because like a lot of girls talk about, like, 111 00:05:39,040 --> 00:05:42,200 Speaker 5: you know, men being a certain way with them, but 112 00:05:43,320 --> 00:05:46,039 Speaker 5: I literally like heard comments go, oh, that's that's the 113 00:05:46,080 --> 00:05:48,280 Speaker 5: girl Big Kenny is, And they didn't want to piss 114 00:05:48,279 --> 00:05:50,760 Speaker 5: off Big Kenny because they would have lost spots. 115 00:05:51,560 --> 00:05:52,440 Speaker 2: So he protected you. 116 00:05:52,680 --> 00:05:54,520 Speaker 5: Yeah, and even when he wasn't even there. 117 00:05:54,360 --> 00:05:55,320 Speaker 2: You were under his wing. 118 00:05:55,440 --> 00:05:58,440 Speaker 5: Yeah, So was it his weak tic ship? And then 119 00:05:58,920 --> 00:06:01,000 Speaker 5: but I knew all these other comics because I had 120 00:06:01,000 --> 00:06:03,000 Speaker 5: been like hanging around comedy clubs two years before I 121 00:06:03,000 --> 00:06:04,919 Speaker 5: even started. So it's a bunch of comics that I 122 00:06:05,000 --> 00:06:08,160 Speaker 5: just knew. So when I started out, they were like, oh, no, 123 00:06:08,880 --> 00:06:12,760 Speaker 5: this is leave her alone. Don't like they mean they 124 00:06:12,760 --> 00:06:14,080 Speaker 5: have no idea, but like, oh, you. 125 00:06:14,080 --> 00:06:16,280 Speaker 2: Were like Tony Soprano's daughter. 126 00:06:16,480 --> 00:06:20,640 Speaker 5: Basically, it was like, oh you cool with something, Okay, well, 127 00:06:20,680 --> 00:06:23,000 Speaker 5: don't with some nigga once while I would say something slick. 128 00:06:23,080 --> 00:06:25,039 Speaker 5: But for the most part, there was a lot of 129 00:06:25,320 --> 00:06:27,520 Speaker 5: bullshit that I didn't put up with as a female 130 00:06:27,520 --> 00:06:31,440 Speaker 5: comics starting out in urban rooms. That because there was 131 00:06:31,480 --> 00:06:33,680 Speaker 5: Big Kenny and I knew a lot of the comics 132 00:06:33,720 --> 00:06:38,239 Speaker 5: before I started. It was a lot of oh, she good, 133 00:06:38,800 --> 00:06:39,200 Speaker 5: she good. 134 00:06:39,440 --> 00:06:42,520 Speaker 2: Yeah, you know, don't anybody're almost spoiled by that. It's 135 00:06:42,560 --> 00:06:45,400 Speaker 2: not I'm spoiled, but I mean like, going into this 136 00:06:45,520 --> 00:06:49,560 Speaker 2: particular night, well you were almost like, well, I'm protected, 137 00:06:49,800 --> 00:06:52,839 Speaker 2: Big Kenny's got vouch for me and see, but this 138 00:06:52,880 --> 00:06:54,839 Speaker 2: is that scrambled a little bit because you were like, 139 00:06:55,000 --> 00:06:57,120 Speaker 2: I'm gonna be everything's gonna be just dandy. 140 00:06:57,320 --> 00:06:59,159 Speaker 5: Well, the thing is, so at this point I was 141 00:06:59,200 --> 00:07:01,600 Speaker 5: doing both rooms that I was only doing mainstream rooms 142 00:07:01,600 --> 00:07:04,160 Speaker 5: at this point because even though I didn't put up 143 00:07:04,160 --> 00:07:07,880 Speaker 5: a bullshit from like people, yeah, I still wasn't getting 144 00:07:07,960 --> 00:07:10,360 Speaker 5: up because I was a girl, right, So I still 145 00:07:10,400 --> 00:07:13,400 Speaker 5: wasn't getting a lot of time in urban rooms. So 146 00:07:13,440 --> 00:07:16,120 Speaker 5: I started just doing more mainstream rooms. Well, people also 147 00:07:16,160 --> 00:07:18,520 Speaker 5: don't realize what big king he taught me was in 148 00:07:18,720 --> 00:07:21,360 Speaker 5: urban rooms, you have a laugh every thirty second. 149 00:07:21,400 --> 00:07:22,280 Speaker 4: Yeah. 150 00:07:22,560 --> 00:07:23,960 Speaker 5: Think about the number of times you put to a 151 00:07:23,960 --> 00:07:26,360 Speaker 5: white show just still doing his setup, and I'm like. 152 00:07:26,240 --> 00:07:28,920 Speaker 2: Wow, yeah, yeah, yeah, yeah. 153 00:07:28,560 --> 00:07:29,960 Speaker 5: A two minute fucking setup. 154 00:07:30,040 --> 00:07:33,200 Speaker 2: Yeah really yeah. It's like when I watch Earthquake or 155 00:07:33,200 --> 00:07:36,040 Speaker 2: I watched j Anthony Brown, like those guys like the 156 00:07:36,240 --> 00:07:37,680 Speaker 2: setup is punchlines. 157 00:07:37,720 --> 00:07:39,360 Speaker 3: I'm the way to the punchline. 158 00:07:38,920 --> 00:07:42,880 Speaker 2: And that it's like every sentence it's like the machine gun. 159 00:07:42,920 --> 00:07:46,960 Speaker 3: You're like, what the fuck? Their writing is just like unbelievable. 160 00:07:46,960 --> 00:07:49,160 Speaker 2: And then you're like you watch those guys, You're like, oh, yeah, 161 00:07:49,200 --> 00:07:52,320 Speaker 2: you have to get a laugh every sentence. Yes, on 162 00:07:52,360 --> 00:07:54,080 Speaker 2: the way to the big Yes. 163 00:07:54,160 --> 00:07:56,360 Speaker 3: Laugh and that better big people laugh. 164 00:07:56,520 --> 00:07:58,640 Speaker 5: But if you watch me, that's how I do my joke. 165 00:07:58,760 --> 00:08:01,680 Speaker 2: Yeah yeah, yeah, it makes you strong. I mean, urban 166 00:08:01,760 --> 00:08:04,720 Speaker 2: rooms make you you go back to the mainstream room. 167 00:08:04,720 --> 00:08:07,640 Speaker 2: You're like, I've been lifting five hundred pound weights days, 168 00:08:08,360 --> 00:08:08,880 Speaker 2: but they. 169 00:08:08,800 --> 00:08:12,560 Speaker 5: Make you strong if you can get on stage. Yeah, 170 00:08:12,600 --> 00:08:14,520 Speaker 5: And that's the other thing. So what happened at this 171 00:08:14,640 --> 00:08:19,080 Speaker 5: particular so this particular evening at Barnacles. 172 00:08:18,640 --> 00:08:21,440 Speaker 2: Barnacles and it was like are the football games going 173 00:08:21,480 --> 00:08:24,160 Speaker 2: on the fucking flat screen and attention? 174 00:08:24,760 --> 00:08:29,880 Speaker 5: But because of the but the host, to his credit, 175 00:08:30,040 --> 00:08:31,600 Speaker 5: made them turn the TVs off. 176 00:08:31,920 --> 00:08:34,560 Speaker 3: Huh, but some times that brings animosity. 177 00:08:34,000 --> 00:08:34,679 Speaker 2: At the top of the thing. 178 00:08:34,800 --> 00:08:36,160 Speaker 5: Well, what they said was he was. 179 00:08:36,120 --> 00:08:37,640 Speaker 3: On a stage of the guys on the floor. 180 00:08:38,200 --> 00:08:41,200 Speaker 5: There was a slight stage, slight stages, but everything was 181 00:08:41,240 --> 00:08:44,440 Speaker 5: directed towards that stage because we were in the different room. 182 00:08:44,440 --> 00:08:46,080 Speaker 5: And he was like, yo, if you want to watch 183 00:08:46,120 --> 00:08:48,319 Speaker 5: the game, because it was almost like a big event 184 00:08:48,440 --> 00:08:50,559 Speaker 5: room because they had the chairs all turned to the 185 00:08:50,600 --> 00:08:52,439 Speaker 5: stage and they're like He was like, listen, if you 186 00:08:52,440 --> 00:08:54,559 Speaker 5: want to watch the game, you go to the baray. 187 00:08:54,720 --> 00:08:55,640 Speaker 5: We haven't shown here. 188 00:08:55,760 --> 00:08:56,600 Speaker 3: Okay, that's fair. 189 00:08:56,640 --> 00:08:59,040 Speaker 5: That's a good way to I was like, God, bless, Yeah, 190 00:08:59,080 --> 00:09:00,720 Speaker 5: that's a good way to do it. Number of times 191 00:09:00,760 --> 00:09:03,360 Speaker 5: I have had to tell jokes in front of a championship. 192 00:09:03,440 --> 00:09:07,640 Speaker 2: Oh I've been. I've been like they just walked me 193 00:09:07,720 --> 00:09:10,000 Speaker 2: out with no in. I've been in a sports bar. 194 00:09:10,200 --> 00:09:13,000 Speaker 2: They just magically turned off all the TVs, didn't announce shit, 195 00:09:13,320 --> 00:09:16,200 Speaker 2: and I just had to walk out amongst tables and 196 00:09:16,320 --> 00:09:19,840 Speaker 2: chairs and just start telling jokes in like a sports 197 00:09:19,880 --> 00:09:21,160 Speaker 2: bar in Florida, I called it. 198 00:09:21,360 --> 00:09:23,120 Speaker 3: They're just like what? People are like what? 199 00:09:23,240 --> 00:09:25,280 Speaker 2: And then they're like, is one of the waiters talking 200 00:09:25,440 --> 00:09:27,960 Speaker 2: for some reason into a microphone? And the first like 201 00:09:28,240 --> 00:09:32,560 Speaker 2: five to ten minutes are just people comprehending what's going on. 202 00:09:32,920 --> 00:09:35,480 Speaker 2: And by then it's over like you're just bombing Like 203 00:09:35,600 --> 00:09:39,040 Speaker 2: they're like, stop talking. I was just watching basketball out. 204 00:09:39,600 --> 00:09:44,199 Speaker 5: I call that Kamakazi comedy. You are living your life trap. 205 00:09:44,360 --> 00:09:47,080 Speaker 5: You are living your life, watching the game, eating some 206 00:09:47,160 --> 00:09:51,560 Speaker 5: mediocre wings, and then all of a sudden, so uh, 207 00:09:51,880 --> 00:09:54,240 Speaker 5: you guys ever know bitch, we have it are? 208 00:09:54,720 --> 00:09:56,680 Speaker 3: They're like, who the fuck is this guy? The bus 209 00:09:56,720 --> 00:09:57,920 Speaker 3: boy won't shut the fuck. 210 00:09:57,800 --> 00:10:02,200 Speaker 5: Up, sir, who let you in here? Secure security? 211 00:10:02,240 --> 00:10:06,120 Speaker 2: Come get this mad oh man? Those shows are awful. Okay, 212 00:10:06,160 --> 00:10:08,719 Speaker 2: So the host is on stage and he goes, you 213 00:10:08,760 --> 00:10:11,000 Speaker 2: guys want to watch the gamestead of the bar, watch 214 00:10:11,040 --> 00:10:12,280 Speaker 2: the show. We're here for a show. 215 00:10:12,120 --> 00:10:13,800 Speaker 5: Because there are people that bought tickets to the show, 216 00:10:14,200 --> 00:10:16,080 Speaker 5: and then people just want to watch the game. But 217 00:10:16,080 --> 00:10:17,839 Speaker 5: there's like a pool table like way off in the 218 00:10:17,920 --> 00:10:20,200 Speaker 5: back and people are actually playing pool, but they're kind 219 00:10:20,200 --> 00:10:22,800 Speaker 5: of like paying attention. And so I probably went up 220 00:10:22,840 --> 00:10:24,920 Speaker 5: like dead in the middle, because that's the thing I 221 00:10:24,920 --> 00:10:26,319 Speaker 5: like to do. People like, oh, they want to go 222 00:10:26,360 --> 00:10:27,400 Speaker 5: up last, they want to go up first. 223 00:10:27,440 --> 00:10:30,439 Speaker 2: No, I'll be fifth, yeah, third, fourth. 224 00:10:30,280 --> 00:10:31,760 Speaker 5: Third, fourth, fifth, yeah. 225 00:10:31,840 --> 00:10:33,640 Speaker 2: Why Yeah, that's a sweet. 226 00:10:33,200 --> 00:10:35,439 Speaker 5: That's how you know you've been working as a comic 227 00:10:35,480 --> 00:10:36,880 Speaker 5: where you're like, I'll go third. 228 00:10:37,000 --> 00:10:38,120 Speaker 4: Yeah. Yeah. 229 00:10:38,920 --> 00:10:42,960 Speaker 5: Also, I need to whoever is listening if you are 230 00:10:43,000 --> 00:10:47,280 Speaker 5: a comic, going last does not mean you headlined. 231 00:10:47,679 --> 00:10:50,600 Speaker 2: No, not on not on those shows. That's just like 232 00:10:50,640 --> 00:10:51,520 Speaker 2: a showcase show. 233 00:10:51,760 --> 00:10:53,800 Speaker 5: Going last means you closed. 234 00:10:54,120 --> 00:10:54,440 Speaker 2: Yes. 235 00:10:54,960 --> 00:10:59,160 Speaker 5: Also, yes, stop calling me and Eric Andre to come 236 00:10:59,160 --> 00:11:02,720 Speaker 5: to your show to go last. And when we say 237 00:11:02,720 --> 00:11:05,400 Speaker 5: we want to go third, yeah, well you know. 238 00:11:05,440 --> 00:11:09,000 Speaker 2: What the audience Yeah yeah, I hate that if your. 239 00:11:08,920 --> 00:11:11,160 Speaker 5: Audience leaves because I left. 240 00:11:11,040 --> 00:11:11,800 Speaker 2: That's all. 241 00:11:11,880 --> 00:11:12,560 Speaker 5: That's all. 242 00:11:12,880 --> 00:11:15,719 Speaker 2: That's not me, that's true. I always feel guilty and 243 00:11:15,760 --> 00:11:18,120 Speaker 2: I'm like okay, all right, I'll go last. And then 244 00:11:18,120 --> 00:11:21,920 Speaker 2: I'm waiting like seven hours through a bunch of like nonsense, 245 00:11:22,480 --> 00:11:24,120 Speaker 2: and I'm like, I don't even know that. This is 246 00:11:24,160 --> 00:11:26,120 Speaker 2: just a guy that got me email from somebody that 247 00:11:26,160 --> 00:11:27,920 Speaker 2: I don't even know. Like, I'm like, well, I don't 248 00:11:27,920 --> 00:11:31,040 Speaker 2: know anybody. This guy's paying me thirteen bucks to sit 249 00:11:31,120 --> 00:11:31,880 Speaker 2: on a seven hour. 250 00:11:34,240 --> 00:11:39,000 Speaker 5: Getting paid. You have to be respectful of people's time. 251 00:11:39,440 --> 00:11:41,200 Speaker 5: You have to be respectful of the fact that I've 252 00:11:41,240 --> 00:11:44,400 Speaker 5: been doing this for twelve thirteen years. I already did 253 00:11:44,440 --> 00:11:47,360 Speaker 5: this telling jokes in a fucking basement of a pizza 254 00:11:47,360 --> 00:11:49,480 Speaker 5: restaurant in twenty two. 255 00:11:49,880 --> 00:11:50,600 Speaker 2: I feel guilty. 256 00:11:50,800 --> 00:11:54,680 Speaker 5: You can't. There's no no because you didn't do anything wrong. 257 00:11:54,720 --> 00:11:58,559 Speaker 5: Somebody is wasting your time. You worked hard enough to go. 258 00:11:58,920 --> 00:11:59,920 Speaker 5: This is when I'd like to go. 259 00:12:00,360 --> 00:12:01,280 Speaker 2: Yeah, you're right. 260 00:12:01,520 --> 00:12:03,520 Speaker 3: Third is my sweets, third or fourth. 261 00:12:03,400 --> 00:12:06,000 Speaker 5: The third or four, fifth, and so so. 262 00:12:06,080 --> 00:12:09,280 Speaker 2: You're there in your play. You're going up, fifth, going up? 263 00:12:09,440 --> 00:12:11,600 Speaker 2: How are the comics? How are the comics before you doing? 264 00:12:11,800 --> 00:12:15,920 Speaker 5: The comics that do urban rooms killer, the comics that 265 00:12:16,040 --> 00:12:19,840 Speaker 5: do mainstream rooms not killing. No, the two comics in Atlanta. 266 00:12:19,920 --> 00:12:26,160 Speaker 5: I saw the bet that could Clayton English, seamless between 267 00:12:26,160 --> 00:12:27,839 Speaker 5: doing a mainstream room and an urban room. 268 00:12:28,160 --> 00:12:29,640 Speaker 2: That's the fucking sweet spot. 269 00:12:29,760 --> 00:12:30,280 Speaker 5: Seamless. 270 00:12:30,320 --> 00:12:31,520 Speaker 2: That's why he's fucking amazing. 271 00:12:31,559 --> 00:12:34,360 Speaker 5: He's a beast. Rob Hay, same thing. He's a beast 272 00:12:35,080 --> 00:12:40,520 Speaker 5: Clayton English. I'm talking about no difference, and I know 273 00:12:40,600 --> 00:12:42,440 Speaker 5: when I so, I know when I do urban room. Okay, 274 00:12:42,440 --> 00:12:44,400 Speaker 5: I have to be you know, a little bit more 275 00:12:44,679 --> 00:12:46,959 Speaker 5: more energy. You talk a little faster about it. It's 276 00:12:47,000 --> 00:12:48,960 Speaker 5: bout by by by by by bye, because a little 277 00:12:49,000 --> 00:12:53,440 Speaker 5: more that's just what it is. Clayton English. Yeah, I've 278 00:12:53,480 --> 00:12:55,079 Speaker 5: been watching this man because he's one of the first 279 00:12:55,120 --> 00:12:57,040 Speaker 5: comics I've been watching Clayton he was just two thousand 280 00:12:57,080 --> 00:12:58,880 Speaker 5: and seven. Because I said in one day, I was like, 281 00:12:59,040 --> 00:13:02,080 Speaker 5: do you know I've known you since I was twenty 282 00:13:02,120 --> 00:13:04,079 Speaker 5: seven years old? He said, your nigga, get away from it? 283 00:13:05,400 --> 00:13:06,800 Speaker 3: Were you like falling in love with him? 284 00:13:06,800 --> 00:13:08,480 Speaker 2: And I just I just. 285 00:13:08,440 --> 00:13:10,640 Speaker 5: Talked sweet but I'm just like, you know, I have 286 00:13:10,679 --> 00:13:13,360 Speaker 5: no use since I was like twenty seven. Yeah, he 287 00:13:13,360 --> 00:13:15,360 Speaker 5: said what I said, I'm I'm thirty nine. He said, 288 00:13:15,360 --> 00:13:16,319 Speaker 5: get away from it. 289 00:13:17,760 --> 00:13:18,480 Speaker 4: Out my face. 290 00:13:18,840 --> 00:13:21,000 Speaker 5: He's like, I love you, but back up, he was 291 00:13:21,080 --> 00:13:23,400 Speaker 5: not trying to hear it at all. And it's weird 292 00:13:23,440 --> 00:13:25,080 Speaker 5: to think about that. I've known this niggas two thousand 293 00:13:25,080 --> 00:13:29,160 Speaker 5: and seven. But if you watched it, it was very 294 00:13:29,280 --> 00:13:32,680 Speaker 5: up and down. The audience was very up and down, okay, 295 00:13:32,840 --> 00:13:35,000 Speaker 5: and people were kind of like coming in and out 296 00:13:35,040 --> 00:13:38,360 Speaker 5: of and the room got settled a little bit before 297 00:13:38,360 --> 00:13:41,520 Speaker 5: I went up, And this is this is the thing. 298 00:13:42,480 --> 00:13:46,199 Speaker 5: Did I bomb bomb? No? I saw the comics on 299 00:13:46,240 --> 00:13:49,280 Speaker 5: the show eat a bag of dude, which I know 300 00:13:49,360 --> 00:13:52,480 Speaker 5: confuses people will go, why is it? Why is that 301 00:13:52,520 --> 00:13:54,400 Speaker 5: called bombing? I don't know what it's called eating dick. 302 00:13:54,400 --> 00:13:57,239 Speaker 5: I don't know what's called I don't know why bombing destroyed. 303 00:13:58,080 --> 00:13:59,720 Speaker 5: I don't, I don't. These are the terms for you. 304 00:14:00,120 --> 00:14:01,040 Speaker 3: Yeah, yeah, it's true. 305 00:14:01,080 --> 00:14:03,280 Speaker 2: I don't know why bombing means one thing, and destroyed 306 00:14:03,320 --> 00:14:03,959 Speaker 2: me as the opposite. 307 00:14:04,000 --> 00:14:07,240 Speaker 5: But right, and so oh that's interesting bombing and destroyed 308 00:14:07,240 --> 00:14:11,640 Speaker 5: means too. I'm destroyed, said, I bombed horribly horrific. 309 00:14:12,080 --> 00:14:12,960 Speaker 3: So what happened? 310 00:14:13,320 --> 00:14:16,160 Speaker 5: I feel like I'm not leaving out a key thing 311 00:14:16,160 --> 00:14:19,280 Speaker 5: that's gonna try to explain to you. If someone else 312 00:14:19,360 --> 00:14:22,880 Speaker 5: watched me, yeah, they wouldn't think that I bombed. 313 00:14:22,880 --> 00:14:26,040 Speaker 2: What affected you that it's stuck to your ribs for 314 00:14:26,080 --> 00:14:26,720 Speaker 2: six months. 315 00:14:27,320 --> 00:14:29,920 Speaker 5: I couldn't get everyone in the room to laugh at 316 00:14:29,920 --> 00:14:30,640 Speaker 5: the same time. 317 00:14:31,920 --> 00:14:32,920 Speaker 3: There's little pockets. 318 00:14:33,520 --> 00:14:39,320 Speaker 5: It was every other person, every other joke. So someone 319 00:14:39,360 --> 00:14:42,280 Speaker 5: I had just made laugh my next joke, I couldn't 320 00:14:42,280 --> 00:14:44,280 Speaker 5: get him to laugh. And then they're sitting at a 321 00:14:44,280 --> 00:14:48,160 Speaker 5: table together. This would fuck me up. I watched one table. 322 00:14:49,360 --> 00:14:53,720 Speaker 5: They would laugh at every other joke, but they didn't 323 00:14:53,800 --> 00:14:56,520 Speaker 5: laugh at the same time, so neither one of them 324 00:14:56,560 --> 00:14:58,480 Speaker 5: found the same thing funny at the same time. 325 00:14:58,720 --> 00:15:01,320 Speaker 2: Did this make you second logically unraveled? 326 00:15:01,400 --> 00:15:01,680 Speaker 4: Did you? 327 00:15:01,960 --> 00:15:04,080 Speaker 5: Because I couldn't because there was you. 328 00:15:04,080 --> 00:15:05,040 Speaker 3: Couldn't figure out what. 329 00:15:05,360 --> 00:15:07,920 Speaker 5: I couldn't figure out how to fix it because there 330 00:15:07,960 --> 00:15:10,400 Speaker 5: was one table that was laughing the whole time, some 331 00:15:10,440 --> 00:15:12,560 Speaker 5: tables that weren't laughing at all, and then it was 332 00:15:12,680 --> 00:15:15,800 Speaker 5: other tables that were every other joke every other person. 333 00:15:16,400 --> 00:15:17,960 Speaker 3: So I was like, I got in your head. 334 00:15:17,880 --> 00:15:20,960 Speaker 5: Because I couldn't figure out if I have just bomb bombed, 335 00:15:21,040 --> 00:15:24,040 Speaker 5: I can accept the bomb right. They didn't like it. 336 00:15:24,080 --> 00:15:25,360 Speaker 5: You fucking do your time, you move on. 337 00:15:25,640 --> 00:15:27,640 Speaker 2: This was more of a mental. 338 00:15:27,400 --> 00:15:31,080 Speaker 5: This, yes, because it's like I couldn't find the right 339 00:15:31,960 --> 00:15:35,640 Speaker 5: thing to get them all and it fuck it fucked 340 00:15:35,680 --> 00:15:39,200 Speaker 5: with me so bad because it was like, as a comic, 341 00:15:39,240 --> 00:15:41,520 Speaker 5: you're like, okay, because when you're getting to like because 342 00:15:41,520 --> 00:15:42,760 Speaker 5: this is when of the first time they started doing 343 00:15:42,760 --> 00:15:44,560 Speaker 5: like a ten minute set, were just started to do 344 00:15:44,600 --> 00:15:47,400 Speaker 5: ten minute sets, right, so that's enough time to get 345 00:15:47,440 --> 00:15:50,920 Speaker 5: people or lose people, or get them or lose them 346 00:15:50,960 --> 00:15:52,600 Speaker 5: and bring them back. But there's enough to in a 347 00:15:52,680 --> 00:15:55,480 Speaker 5: ten minute set, because when you first start doing ten 348 00:15:55,520 --> 00:15:57,480 Speaker 5: minute sets, it feels like a fucking. 349 00:15:59,400 --> 00:16:01,680 Speaker 2: It's a long ten minutes ten minutes. 350 00:16:01,760 --> 00:16:03,880 Speaker 5: People are realize, like you don't realize how long time. 351 00:16:03,920 --> 00:16:05,600 Speaker 5: Like the only time like you think about time like 352 00:16:05,600 --> 00:16:09,560 Speaker 5: this is when you're microwaving something. We're like a minute 353 00:16:09,560 --> 00:16:12,640 Speaker 5: and a half is like, oh, my children, my children, 354 00:16:13,160 --> 00:16:15,760 Speaker 5: like a minute and a half of the microwave is dead. 355 00:16:17,280 --> 00:16:18,200 Speaker 5: That's what it's like. 356 00:16:18,280 --> 00:16:21,080 Speaker 2: We first start feeling a good point. Yes, the microwave 357 00:16:21,200 --> 00:16:25,760 Speaker 2: feels long like nothing else except stand up. If someone 358 00:16:25,840 --> 00:16:27,120 Speaker 2: told microwaving. 359 00:16:26,640 --> 00:16:28,920 Speaker 3: And stand up are weirdly similar, yes, if you never 360 00:16:28,920 --> 00:16:29,480 Speaker 3: thought about. 361 00:16:29,280 --> 00:16:30,880 Speaker 5: It, If someone looked at you in the face and said, 362 00:16:30,920 --> 00:16:32,800 Speaker 5: wait for a minute and a half, you. 363 00:16:32,880 --> 00:16:36,320 Speaker 3: Go, what, Yeah, what do you mean yeah. 364 00:16:35,920 --> 00:16:37,800 Speaker 5: A little minute, yeah, a minute and a half go. 365 00:16:38,200 --> 00:16:40,720 Speaker 2: You're like, I don't know, yeah, yeah. 366 00:16:40,360 --> 00:16:42,200 Speaker 5: You fucking scratch your hasks need to be done. You're like, 367 00:16:42,200 --> 00:16:46,960 Speaker 5: this is what, Yeah, but a microwave the sands have done, yeah, 368 00:16:47,160 --> 00:16:50,280 Speaker 5: or moving and your food's still not hot. So you're like, 369 00:16:51,600 --> 00:16:53,480 Speaker 5: birds have stopped flapping. 370 00:16:54,640 --> 00:16:56,800 Speaker 3: So wait a minute, so you get off stage. 371 00:16:57,000 --> 00:16:59,920 Speaker 5: So this was the weird part. It's I'm on stay 372 00:17:00,720 --> 00:17:03,400 Speaker 5: and in my mind it's like, but some people are laughing, 373 00:17:03,520 --> 00:17:07,320 Speaker 5: You're fine, But there was just I just couldn't wrap 374 00:17:07,400 --> 00:17:12,440 Speaker 5: my head around what was going on because it was like, listen, 375 00:17:12,440 --> 00:17:14,000 Speaker 5: I don't do I always do great in urban rooms. 376 00:17:14,000 --> 00:17:14,080 Speaker 2: No. 377 00:17:14,119 --> 00:17:17,560 Speaker 5: Also, I mean it just by nature intimidating, but they 378 00:17:17,640 --> 00:17:20,399 Speaker 5: want to be intimidating because the open mic at Uptown 379 00:17:20,520 --> 00:17:26,760 Speaker 5: was literally called Boo Night, and they stopped booming and 380 00:17:26,800 --> 00:17:30,000 Speaker 5: they was just shake their keys at people like nigga, 381 00:17:30,040 --> 00:17:30,719 Speaker 5: go home. 382 00:17:32,359 --> 00:17:33,440 Speaker 2: It's a possum amount of. 383 00:17:35,359 --> 00:17:37,840 Speaker 5: Your dreams, bab get out of here. You see what 384 00:17:37,920 --> 00:17:42,800 Speaker 5: I'm saying. So it fucked me up because I couldn't. 385 00:17:43,080 --> 00:17:45,840 Speaker 5: I think would bug me the most is it was 386 00:17:45,960 --> 00:17:51,120 Speaker 5: every other person laughing at every other joke, which meant 387 00:17:51,160 --> 00:17:55,280 Speaker 5: that I didn't know what anybody liked because of it. 388 00:17:55,320 --> 00:17:57,120 Speaker 5: It was a bunch of people. If there was ever 389 00:17:57,200 --> 00:17:59,879 Speaker 5: a moment where everyone laughed at the same thing, then 390 00:17:59,920 --> 00:18:01,960 Speaker 5: I would go boom, Okay, that's what I need to do. 391 00:18:02,200 --> 00:18:02,400 Speaker 4: Right. 392 00:18:02,800 --> 00:18:07,000 Speaker 2: So did this affect you because it made you psychologically 393 00:18:07,040 --> 00:18:07,960 Speaker 2: unravel about. 394 00:18:07,760 --> 00:18:09,240 Speaker 3: Your entire set. 395 00:18:09,440 --> 00:18:12,720 Speaker 2: Yes, and you were like everything I built is just 396 00:18:12,880 --> 00:18:16,919 Speaker 2: crumbled into It was like a house of cards and 397 00:18:16,960 --> 00:18:18,080 Speaker 2: it just fucking crumbled. 398 00:18:18,280 --> 00:18:22,199 Speaker 5: It made me think more about me as a performer. 399 00:18:22,520 --> 00:18:25,960 Speaker 2: Yeah, because question you brought. It brought everything into questions. 400 00:18:25,960 --> 00:18:27,959 Speaker 5: It made me question things because it was just like 401 00:18:28,240 --> 00:18:30,720 Speaker 5: one It's like there's urban room in the there's. 402 00:18:30,520 --> 00:18:34,560 Speaker 2: A hood room. Oh yeah, like like people have guns 403 00:18:34,800 --> 00:18:36,359 Speaker 2: at the table, which I don't know. 404 00:18:40,040 --> 00:18:41,000 Speaker 4: With aer Condre. 405 00:18:50,640 --> 00:18:54,520 Speaker 2: With aer Condre, how was your love life? Put it 406 00:18:54,520 --> 00:18:57,440 Speaker 2: all out on the table. No boundaries here. That's a 407 00:18:57,480 --> 00:19:02,880 Speaker 2: new premise of the show, No boundary. I am you're 408 00:19:02,920 --> 00:19:07,359 Speaker 2: on Hinge. I got off all of those. You're on Riyah. 409 00:19:07,000 --> 00:19:08,480 Speaker 5: Rayah is racist as ship? 410 00:19:08,600 --> 00:19:08,800 Speaker 2: Is it? 411 00:19:08,840 --> 00:19:09,800 Speaker 3: They don't accept black people. 412 00:19:09,920 --> 00:19:11,199 Speaker 5: Let me tell you something. I could not. 413 00:19:11,320 --> 00:19:12,080 Speaker 3: I'm on blast. 414 00:19:12,440 --> 00:19:13,840 Speaker 5: I could not. I'll say this. 415 00:19:14,720 --> 00:19:16,480 Speaker 2: I it's a white people app. 416 00:19:16,600 --> 00:19:18,639 Speaker 5: It's a very wuch of white people app. You had 417 00:19:18,680 --> 00:19:19,760 Speaker 5: to have it first of all. It's like you have 418 00:19:19,800 --> 00:19:22,040 Speaker 5: to have iphoney use it. But the fun thing about 419 00:19:22,040 --> 00:19:22,760 Speaker 5: that app. 420 00:19:22,680 --> 00:19:25,280 Speaker 2: Is that I'm old enough to remember Black Planet. 421 00:19:25,440 --> 00:19:27,280 Speaker 5: Do you know they're still on the internet, that's still 422 00:19:27,320 --> 00:19:28,000 Speaker 5: the website. 423 00:19:28,400 --> 00:19:30,800 Speaker 2: I'm the fucking goddamn president a black planet. 424 00:19:30,840 --> 00:19:31,959 Speaker 5: How do we buy a black planet? 425 00:19:32,000 --> 00:19:33,479 Speaker 2: I don't know. I think it's called something else now, 426 00:19:34,280 --> 00:19:37,239 Speaker 2: still black black planet. I was on Black Planet and 427 00:19:37,400 --> 00:19:38,439 Speaker 2: Jay Day I. 428 00:19:38,359 --> 00:19:40,480 Speaker 5: Was on Black Wait. I was on black Planet. I 429 00:19:40,520 --> 00:19:41,000 Speaker 5: was on me hin. 430 00:19:41,359 --> 00:19:44,040 Speaker 2: Have you ever dated a white guy? Yes, a Jewish man. 431 00:19:44,960 --> 00:19:46,560 Speaker 2: Jewish man love have you not heard? 432 00:19:46,600 --> 00:19:47,560 Speaker 5: I have a whole bit about it. 433 00:19:47,680 --> 00:19:49,399 Speaker 2: Really, Oh, Jewish men love you. 434 00:19:49,640 --> 00:19:51,960 Speaker 5: They I mean they love working for me. I'll say 435 00:19:51,960 --> 00:19:55,840 Speaker 5: that my manager and my. 436 00:19:55,840 --> 00:20:02,760 Speaker 2: Lawyer, and unbelievable. That's damn y. 437 00:20:04,480 --> 00:20:07,280 Speaker 5: I can't stand you. Those men are very much happily married, 438 00:20:07,280 --> 00:20:09,960 Speaker 5: and I'm very sad, No i am. 439 00:20:10,080 --> 00:20:12,800 Speaker 2: But they're in a polyamorous, open relationship and you're there one. 440 00:20:14,640 --> 00:20:15,840 Speaker 2: I'm just putting that out there. 441 00:20:16,040 --> 00:20:18,840 Speaker 5: No, they're very nice, but I can't say if it 442 00:20:18,920 --> 00:20:21,840 Speaker 5: wasn't for the white means, is I would not have 443 00:20:21,880 --> 00:20:24,520 Speaker 5: had sex between twenty sixteen and twenty eighteen. 444 00:20:25,000 --> 00:20:26,480 Speaker 2: Wait, so the white guys, sir. 445 00:20:26,960 --> 00:20:29,440 Speaker 5: It's yeah, I mean it's I also, but the first 446 00:20:29,480 --> 00:20:32,560 Speaker 5: dominating you? Well they I've never known a white man 447 00:20:32,680 --> 00:20:35,880 Speaker 5: dominate me. Uh that man? Is that man? Is Persian? 448 00:20:37,119 --> 00:20:39,240 Speaker 5: Love life non existent? How'd your love life? 449 00:20:39,400 --> 00:20:39,680 Speaker 4: I love? 450 00:20:40,160 --> 00:20:43,120 Speaker 2: I love LIFs good. I'm sure yours is LIFs good. 451 00:20:43,240 --> 00:20:44,960 Speaker 5: Yeah, I'm sure you're a nice little you know, some 452 00:20:45,720 --> 00:20:47,160 Speaker 5: interesting girl. 453 00:20:47,119 --> 00:20:48,000 Speaker 3: Hanging out with a gal? 454 00:20:48,560 --> 00:20:49,280 Speaker 5: That makes sense? 455 00:20:49,600 --> 00:20:50,400 Speaker 3: Hanging out with a gal? 456 00:20:50,480 --> 00:20:54,480 Speaker 5: Did you're dropping it off in no? Uh my? Uh 457 00:20:54,720 --> 00:20:56,960 Speaker 5: my love life? Since I moved here, I've been in 458 00:20:57,040 --> 00:20:58,320 Speaker 5: a biblical. 459 00:20:57,920 --> 00:20:59,439 Speaker 3: Wait wait wait, hold on? 460 00:21:00,440 --> 00:21:02,680 Speaker 2: When did you move here twenty seventeen? I thought you've 461 00:21:02,720 --> 00:21:03,840 Speaker 2: been here for like a decade. 462 00:21:04,320 --> 00:21:05,920 Speaker 5: I was in La before that. 463 00:21:05,960 --> 00:21:10,560 Speaker 2: Well, we are going to find you the Dominican Persian 464 00:21:10,680 --> 00:21:11,480 Speaker 2: love of your love. 465 00:21:11,920 --> 00:21:13,439 Speaker 5: Listen, this is what happens to be Jewish. 466 00:21:13,640 --> 00:21:16,760 Speaker 2: Did you and he's going to be giant? Why don't 467 00:21:16,760 --> 00:21:19,040 Speaker 2: you date a w c W wrestler. I'm going to 468 00:21:19,080 --> 00:21:21,440 Speaker 2: hook you up with a wrestler. I got John Cena's number. 469 00:21:21,680 --> 00:21:24,159 Speaker 2: Would you make love to John? I think he's married. 470 00:21:24,600 --> 00:21:25,400 Speaker 5: Well, the other thing. 471 00:21:25,440 --> 00:21:28,160 Speaker 2: What wrestler is your type, I'm going to match make 472 00:21:28,200 --> 00:21:30,760 Speaker 2: you with the wrestler. I love Jewish, so I love matchmaking. 473 00:21:31,000 --> 00:21:33,000 Speaker 2: Who's your celebrity crush and who's your ideal? 474 00:21:33,320 --> 00:21:34,920 Speaker 5: My celebrity crush is Michael Strahan. 475 00:21:35,560 --> 00:21:39,439 Speaker 2: Michael Strahan because he's beautiful wrestler. Wise, I don't have 476 00:21:39,480 --> 00:21:42,800 Speaker 2: access to Michael Strahan. Wrestlers love me. Wrestlers and porn 477 00:21:43,080 --> 00:21:43,960 Speaker 2: people love me. 478 00:21:44,320 --> 00:21:47,320 Speaker 5: Those USO boys are cute, the USO boys. 479 00:21:47,320 --> 00:21:49,080 Speaker 2: So you'd be in a throuple, I would be. 480 00:21:49,119 --> 00:21:50,680 Speaker 5: I mean one of them is married to a black girl. 481 00:21:51,040 --> 00:21:52,280 Speaker 3: What about the other one. 482 00:21:52,400 --> 00:21:52,960 Speaker 5: I don't know. 483 00:21:53,400 --> 00:21:55,880 Speaker 3: That's your guy? You're so brothers. 484 00:21:56,080 --> 00:22:01,240 Speaker 5: Yeah, that's so cute us oh, which I think. 485 00:22:01,160 --> 00:22:05,000 Speaker 2: Might Oh so they're big samoan dude. 486 00:22:05,119 --> 00:22:07,480 Speaker 3: Yeah oh yeah, Okay. 487 00:22:07,119 --> 00:22:08,680 Speaker 5: I like men being like that. I want to feel 488 00:22:08,680 --> 00:22:09,480 Speaker 5: a dancy. 489 00:22:09,359 --> 00:22:12,520 Speaker 2: Oh yes, okays, so bros. 490 00:22:13,119 --> 00:22:15,680 Speaker 3: I I it's a whole lot of man. Yeah, twins. 491 00:22:16,200 --> 00:22:17,680 Speaker 2: So you can get him confused, and you can fuck 492 00:22:17,680 --> 00:22:18,760 Speaker 2: the other one if you get pissed out. 493 00:22:18,640 --> 00:22:19,000 Speaker 1: The other one. 494 00:22:19,080 --> 00:22:20,720 Speaker 5: Ones just married and I don't fucking married man. 495 00:22:20,800 --> 00:22:22,040 Speaker 2: Okay, that's fine, that's fair. 496 00:22:22,200 --> 00:22:22,440 Speaker 4: Fair. 497 00:22:22,480 --> 00:22:25,520 Speaker 2: If you want to be all lamb about it. My 498 00:22:25,560 --> 00:22:27,560 Speaker 2: goal in life is do you think you've ever fucked 499 00:22:27,640 --> 00:22:28,040 Speaker 2: married man? 500 00:22:28,080 --> 00:22:29,080 Speaker 4: And you have? 501 00:22:29,320 --> 00:22:31,919 Speaker 5: I didn't know you're fucked up. He didn't tell me. 502 00:22:32,040 --> 00:22:33,960 Speaker 2: How dare you ruin this sanctity? 503 00:22:34,200 --> 00:22:36,399 Speaker 5: He never wore a ring and he didn't tell me 504 00:22:36,440 --> 00:22:37,000 Speaker 5: he was married. 505 00:22:37,080 --> 00:22:38,320 Speaker 3: Find out when. 506 00:22:38,160 --> 00:22:40,200 Speaker 5: I saw I saw him like a year or two later, 507 00:22:40,240 --> 00:22:42,120 Speaker 5: and he had a ring on, and I was like, 508 00:22:42,359 --> 00:22:43,880 Speaker 5: what was excuse me? 509 00:22:44,280 --> 00:22:44,480 Speaker 4: Really? 510 00:22:44,560 --> 00:22:46,320 Speaker 2: You confronted about it? Yeah, And I was like a 511 00:22:46,600 --> 00:22:48,960 Speaker 2: nigga for a year or two goes by, he could 512 00:22:49,000 --> 00:22:50,560 Speaker 2: have got married in that year or two. 513 00:22:50,640 --> 00:22:58,280 Speaker 5: He had been married for And I was like, sir, 514 00:22:58,400 --> 00:22:59,720 Speaker 5: he was like, I was married the whole time? Was 515 00:22:59,760 --> 00:23:00,880 Speaker 5: it the You mean? 516 00:23:01,240 --> 00:23:03,040 Speaker 2: Did him and his wife have understanding? 517 00:23:03,080 --> 00:23:09,160 Speaker 5: Absolutely not, absolutely not, because I can say in his defense, 518 00:23:09,240 --> 00:23:10,720 Speaker 5: I didn't know he was married, but I knew he 519 00:23:10,760 --> 00:23:11,560 Speaker 5: was in a relationship. 520 00:23:11,640 --> 00:23:12,440 Speaker 2: Uh huh. 521 00:23:12,480 --> 00:23:15,600 Speaker 5: So listen, I'm not gonna fuck up a marriage, but 522 00:23:15,640 --> 00:23:16,240 Speaker 5: your girlfriend. 523 00:23:17,040 --> 00:23:19,879 Speaker 2: Sometimes a girlfriend doesn't count, but you can't fuck a marriage, 524 00:23:19,960 --> 00:23:22,119 Speaker 2: especially if I got kids. That It's like, they definitely 525 00:23:22,119 --> 00:23:24,520 Speaker 2: have kids. My friend put it this way, He's like, 526 00:23:24,600 --> 00:23:27,240 Speaker 2: I never want to look up with a married woman 527 00:23:27,320 --> 00:23:31,639 Speaker 2: because the anger of the husband finding out like that 528 00:23:31,880 --> 00:23:35,640 Speaker 2: specific type of anger kill. I would never want that 529 00:23:35,760 --> 00:23:38,520 Speaker 2: anger from another man. That's like primal man. 530 00:23:39,640 --> 00:23:45,159 Speaker 5: The number of people who have died for fucking with 531 00:23:45,240 --> 00:23:48,280 Speaker 5: somebody's spouse. Like it's I mean it very much is 532 00:23:48,400 --> 00:23:49,280 Speaker 5: like old it is. 533 00:23:49,440 --> 00:23:51,919 Speaker 2: It's old school. It's old school. It's one of the 534 00:23:51,920 --> 00:23:55,240 Speaker 2: ten commandments. Yes, this is old Your neighbors cover a 535 00:23:55,280 --> 00:24:00,399 Speaker 2: neighbor's wife, don't kill, and don't covet a neighbor's oxen 536 00:24:00,560 --> 00:24:02,119 Speaker 2: or something or mule or something like. 537 00:24:02,280 --> 00:24:02,399 Speaker 4: No. 538 00:24:02,440 --> 00:24:03,320 Speaker 5: I think as you. 539 00:24:03,400 --> 00:24:05,520 Speaker 2: There's one of them that's like, don't touch your neighbor's 540 00:24:05,560 --> 00:24:08,040 Speaker 2: ox No, there is no. 541 00:24:09,320 --> 00:24:11,320 Speaker 5: No, it's covered. It can either be covered the wife 542 00:24:11,440 --> 00:24:13,920 Speaker 5: or covered something from your name, like covered eatything from 543 00:24:13,920 --> 00:24:16,119 Speaker 5: your neighbors. So the first guy there was from a 544 00:24:16,200 --> 00:24:20,679 Speaker 5: salvador So like as a teenager, and then I. 545 00:24:20,200 --> 00:24:23,240 Speaker 3: As a teenager, faded as Salvadorian. 546 00:24:22,760 --> 00:24:23,919 Speaker 5: Because he lived in my neighborhood. 547 00:24:23,960 --> 00:24:26,040 Speaker 2: Oh okay, it wasn't a long distance ninety. 548 00:24:27,359 --> 00:24:29,320 Speaker 5: His whole family lived on the other side of our 549 00:24:29,359 --> 00:24:34,600 Speaker 5: apartment complex, like grandma, aunts, uncle's fucking cousins, everybody, okay. So, 550 00:24:35,560 --> 00:24:39,200 Speaker 5: and then it's been mostly black dudes. I could say 551 00:24:39,240 --> 00:24:40,600 Speaker 5: the ones who put in the most time and broke 552 00:24:40,640 --> 00:24:43,800 Speaker 5: my heart black dudes because them is the one that 553 00:24:43,880 --> 00:24:47,919 Speaker 5: was closest to me. But yeah, like white dudes are 554 00:24:47,920 --> 00:24:50,160 Speaker 5: a Filipino dude for about twenty minutes, but it's been 555 00:24:50,200 --> 00:24:53,600 Speaker 5: mostly you know, black and Latin white dudes. But since 556 00:24:53,640 --> 00:24:55,560 Speaker 5: I moved here, dating here is. 557 00:24:57,160 --> 00:24:57,720 Speaker 2: What do you mean? 558 00:24:57,760 --> 00:25:00,560 Speaker 3: It's New York City, no city. 559 00:25:00,680 --> 00:25:02,520 Speaker 5: No, these motherfuckers don't talk to people. 560 00:25:02,320 --> 00:25:06,320 Speaker 2: No, bro, I'm trying how to get on black planet. 561 00:25:06,640 --> 00:25:09,400 Speaker 5: I've been on dating apps here. The most dates I've 562 00:25:09,400 --> 00:25:11,399 Speaker 5: ever been on was right after Lockdown ended. 563 00:25:11,600 --> 00:25:12,840 Speaker 2: Oh you were crushing it. 564 00:25:12,800 --> 00:25:14,840 Speaker 5: Bro, because the my fucker spent five months with their 565 00:25:14,880 --> 00:25:16,520 Speaker 5: hands and was like I would give a big bitch 566 00:25:16,520 --> 00:25:20,560 Speaker 5: a chance. I don't care. I don't care. 567 00:25:25,280 --> 00:25:26,320 Speaker 4: With Aer Condrey. 568 00:25:36,000 --> 00:25:38,280 Speaker 2: With Aer Condrey, I want to ask the words mommy 569 00:25:38,359 --> 00:25:40,400 Speaker 2: or was andy? I want to ask if you've ever 570 00:25:40,440 --> 00:25:43,600 Speaker 2: been drunk on stage? Those are my two questions, so 571 00:25:43,680 --> 00:25:45,000 Speaker 2: any order you want to do those. 572 00:25:45,240 --> 00:25:47,679 Speaker 5: I can't be drunk. I've been tipsy on stage and 573 00:25:47,720 --> 00:25:49,160 Speaker 5: it made my brain foggy. 574 00:25:49,200 --> 00:25:53,320 Speaker 2: And it like did it end in catastrophe or okay? 575 00:25:53,440 --> 00:25:54,959 Speaker 2: So tell me what was the thing. 576 00:25:55,080 --> 00:25:55,760 Speaker 5: I like it. 577 00:25:55,960 --> 00:25:56,520 Speaker 3: What did you go? 578 00:25:58,320 --> 00:26:01,360 Speaker 5: I can say again, what did you see? Not a 579 00:26:01,640 --> 00:26:05,920 Speaker 5: not a not a bomb bomb okay, but a comic 580 00:26:05,960 --> 00:26:06,680 Speaker 5: you know? Starbar? 581 00:26:07,240 --> 00:26:09,760 Speaker 2: Yeah, starbar in Atlanta, like little five Points. 582 00:26:09,600 --> 00:26:11,439 Speaker 5: Yeah yeah yeah, see it on the Monday night. 583 00:26:11,320 --> 00:26:13,760 Speaker 2: Show, I think so mic Yeah yeah yeah. 584 00:26:13,800 --> 00:26:15,800 Speaker 5: So a comic from New York could come down to 585 00:26:15,840 --> 00:26:20,440 Speaker 5: do it, okay, and he was unaware of this five 586 00:26:20,480 --> 00:26:23,520 Speaker 5: dollars special they would have where you could get a 587 00:26:23,560 --> 00:26:28,359 Speaker 5: shot of jamison and a whole beer for five bucks. 588 00:26:29,040 --> 00:26:32,000 Speaker 5: And he'd been living here for years, so five So. 589 00:26:32,119 --> 00:26:34,919 Speaker 2: He's like, that's a bar that's like, this is the 590 00:26:34,960 --> 00:26:35,880 Speaker 2: best deal on earth. 591 00:26:36,000 --> 00:26:40,720 Speaker 5: The deal, yeah, the deal, right, And so he goes 592 00:26:40,760 --> 00:26:43,400 Speaker 5: to close out and he's only doing thirty minutes, right, 593 00:26:43,480 --> 00:26:47,800 Speaker 5: It's like a long ass open microsproplic twelve thirteen people 594 00:26:47,800 --> 00:26:51,840 Speaker 5: to go up and then the headliner. So he's he 595 00:26:51,960 --> 00:26:54,480 Speaker 5: took like he's been drinking all night, but he was 596 00:26:54,600 --> 00:26:57,359 Speaker 5: like fucked up, and then he took like two So 597 00:26:57,400 --> 00:26:58,479 Speaker 5: he's in the middle of the set. I think it's 598 00:26:58,480 --> 00:27:00,960 Speaker 5: took like one or two shots on excuse me on stage, 599 00:27:01,840 --> 00:27:04,240 Speaker 5: and you see the alcohol hit. 600 00:27:04,200 --> 00:27:06,720 Speaker 2: Him while he's mid joke. 601 00:27:06,720 --> 00:27:09,280 Speaker 5: While he's on stage to the point, so he tells 602 00:27:09,280 --> 00:27:14,120 Speaker 5: a joke and gets a laugh, and then he starts 603 00:27:14,160 --> 00:27:14,960 Speaker 5: to joke. 604 00:27:15,640 --> 00:27:21,640 Speaker 2: Again, like completely not realizing. 605 00:27:21,200 --> 00:27:25,960 Speaker 5: It, completely realizing, and people are like laughing because they're 606 00:27:25,960 --> 00:27:30,119 Speaker 5: like okay, yeah, and then he gets to the end 607 00:27:30,119 --> 00:27:32,080 Speaker 5: of it and like the laugh of He's like, wait, 608 00:27:32,720 --> 00:27:33,920 Speaker 5: did I tell that Joe girl? 609 00:27:34,040 --> 00:27:34,720 Speaker 3: Oh no? 610 00:27:34,880 --> 00:27:36,960 Speaker 2: They were like yes, it's my biggest fear. 611 00:27:37,800 --> 00:27:42,040 Speaker 5: And then he starts to joke a third No. 612 00:27:42,960 --> 00:27:45,720 Speaker 2: Bro's Jameson, Jameson and beer is not for you. 613 00:27:46,000 --> 00:27:50,520 Speaker 5: No no, no, no, no no it's and everybody's like, hey, 614 00:27:50,560 --> 00:27:53,440 Speaker 5: the third time is rough and he but he did 615 00:27:53,440 --> 00:27:56,159 Speaker 5: it so like you it hit him and then it 616 00:27:56,240 --> 00:28:01,919 Speaker 5: fucking slammed him because when he started is Mark Norman? 617 00:28:02,920 --> 00:28:08,120 Speaker 2: Mark, I think you're like, I can't say the yeah, 618 00:28:08,160 --> 00:28:10,680 Speaker 2: no problems, Mark normOn. But also this was like Mark 619 00:28:10,840 --> 00:28:11,480 Speaker 2: was that drunk. 620 00:28:11,720 --> 00:28:13,320 Speaker 5: He was fucked up? 621 00:28:14,119 --> 00:28:17,680 Speaker 2: Wow, I was hanging out anyway, what was the joke? 622 00:28:18,160 --> 00:28:20,480 Speaker 5: I don't God, I didn't know Zen when I was 623 00:28:20,480 --> 00:28:21,840 Speaker 5: telling the stories, Zen, I didn't know. 624 00:28:22,480 --> 00:28:23,960 Speaker 3: When you were watching it, you didn't know the joke. 625 00:28:24,040 --> 00:28:27,040 Speaker 5: And I told the next time, third time, and then 626 00:28:27,040 --> 00:28:29,639 Speaker 5: everyone was like hey, hey, and then he got too 627 00:28:29,720 --> 00:28:33,040 Speaker 5: drunk to finish his no, so he was supposed to 628 00:28:33,080 --> 00:28:34,959 Speaker 5: do thirty. I don't think he did the full thirty. 629 00:28:36,000 --> 00:28:39,280 Speaker 2: He liked a bargain he saw it was five dollars. 630 00:28:39,360 --> 00:28:40,680 Speaker 5: He's been in New York for so long. 631 00:28:40,760 --> 00:28:41,840 Speaker 3: Does he drink like that? 632 00:28:42,320 --> 00:28:44,440 Speaker 5: I don't know if he still does. One of my 633 00:28:44,560 --> 00:28:47,480 Speaker 5: favorite things to do at like comedy festivals is that 634 00:28:47,520 --> 00:28:56,880 Speaker 5: would come up to comments ago, give me your best mark, Norman, oh, Ship, Yeah, 635 00:28:57,240 --> 00:28:57,520 Speaker 5: I have. 636 00:28:57,600 --> 00:29:03,200 Speaker 2: To huh, Well that's fucking weird. 637 00:29:05,200 --> 00:29:06,280 Speaker 5: Yes, you would be. 638 00:29:08,560 --> 00:29:11,520 Speaker 2: He's like a he's like I've know him since his 639 00:29:11,640 --> 00:29:14,440 Speaker 2: early twenties and he's like a fifty five year old 640 00:29:14,520 --> 00:29:17,200 Speaker 2: like man, my question since his like twenties. He's like, 641 00:29:18,400 --> 00:29:21,400 Speaker 2: but my question is, yeah, I love him by the way. 642 00:29:21,480 --> 00:29:23,080 Speaker 5: Oh, I love him too. He's great. He used to 643 00:29:23,080 --> 00:29:25,080 Speaker 5: come up to me and if I was sitting down, 644 00:29:25,440 --> 00:29:27,800 Speaker 5: he would have slap my thigh and grab it and go, 645 00:29:27,880 --> 00:29:30,360 Speaker 5: oh if I wasn't gay, just walk off. 646 00:29:30,920 --> 00:29:31,320 Speaker 4: Is he gay? 647 00:29:31,360 --> 00:29:36,560 Speaker 2: He's a gay? No, he's like married, right, yes, but. 648 00:29:36,480 --> 00:29:38,680 Speaker 5: What's funny because I meet two Ship started to quit 649 00:29:38,760 --> 00:29:42,400 Speaker 5: doing it, and I'd be like Norman normand so now 650 00:29:42,440 --> 00:29:44,160 Speaker 5: I'd come up to him and go, I wasn't gay. 651 00:29:44,200 --> 00:29:50,520 Speaker 5: He's like, but he's one of my favorite things to do. 652 00:29:51,440 --> 00:29:53,880 Speaker 5: Is it being festival and be like, hey, comic, give 653 00:29:53,880 --> 00:29:56,680 Speaker 5: me your best pard The way that people get so 654 00:29:56,800 --> 00:29:57,920 Speaker 5: excited to do it. 655 00:29:58,000 --> 00:29:59,440 Speaker 3: Oh fuck, I can see that. 656 00:29:59,560 --> 00:30:01,360 Speaker 5: It's like a It was like a little bonding thing. 657 00:30:01,520 --> 00:30:03,120 Speaker 3: I could see that where everyone's like. 658 00:30:03,120 --> 00:30:04,760 Speaker 5: Well, you do your best, man. But I think it's 659 00:30:04,800 --> 00:30:08,600 Speaker 5: so wild, like Mark Norman grew up in New Orleans. 660 00:30:09,480 --> 00:30:14,000 Speaker 2: Really yes, studies like from like Michigan or oh. 661 00:30:13,600 --> 00:30:15,400 Speaker 5: He should sound like Sean Patton. 662 00:30:15,520 --> 00:30:18,120 Speaker 2: Yeah, yeah, he should be like, oh lord, I. 663 00:30:20,640 --> 00:30:25,200 Speaker 3: Those thirty one spices and herbs. O lord. 664 00:30:25,720 --> 00:30:28,760 Speaker 2: And on that note, ladies and gentlemen, Bill Zey Slade. 665 00:30:32,480 --> 00:30:38,640 Speaker 4: Thank you so much with every contree. 666 00:30:38,760 --> 00:30:41,600 Speaker 1: All right, listen up, we got something special for you. 667 00:30:41,600 --> 00:30:43,920 Speaker 1: Got a burning story that you're itching to tell about 668 00:30:43,920 --> 00:30:46,120 Speaker 1: when you bombed or absolutely failed in life. 669 00:30:46,280 --> 00:30:48,680 Speaker 3: Now's your chance to tell me all about it. 670 00:30:48,760 --> 00:30:49,120 Speaker 4: Mabel. 671 00:30:49,280 --> 00:30:52,400 Speaker 1: I want to hear your worst, most cringe worthy what 672 00:30:52,480 --> 00:30:54,240 Speaker 1: the fuck was I thinking? 673 00:30:54,360 --> 00:30:55,320 Speaker 3: What just happened? 674 00:30:55,360 --> 00:30:55,680 Speaker 4: Moment? 675 00:30:55,800 --> 00:30:58,240 Speaker 1: So pick up your phone and dial seven to one 676 00:30:58,400 --> 00:31:02,160 Speaker 1: six bombing. That's seven one six two six six, twenty 677 00:31:02,200 --> 00:31:05,360 Speaker 1: four sixty four and leave me a voicemail and we might. 678 00:31:05,240 --> 00:31:06,880 Speaker 3: Just play it on a future episode. 679 00:31:07,000 --> 00:31:08,800 Speaker 1: Bombing with Eric Andre is brought to you by Will 680 00:31:08,840 --> 00:31:12,080 Speaker 1: Ferrell's Big Money Players Network and iHeart Podcasts. Our executive 681 00:31:12,080 --> 00:31:15,880 Speaker 1: producer is Olivia Aguilar. Our producer is Bei Wang, Our 682 00:31:15,880 --> 00:31:19,080 Speaker 1: research assistant is David Carliner. Our editor in sound designers 683 00:31:19,120 --> 00:31:21,720 Speaker 1: Andy Harris, and our art is by Dylan Vanderberg. Go 684 00:31:21,800 --> 00:31:23,720 Speaker 1: rate us five stars and drop a review on your 685 00:31:23,760 --> 00:31:25,240 Speaker 1: podcast app a choice